Five Centuries: Furniture, Paintings & Works of Art | Auction 23 & 24 February 2022

23RD & 24TH FEBRUARY 2022 EDINBURGH

Front Cover Lot 393 [detail, modified] Inside Front Cover Lot 512 [detail]

INCLUDING SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L., AND FROM THE PETER ROSE & ALBERT GALLICHAN COLLECTION, THE ESTATE OF THE LATE MARY ELIZABETH STUART HARLEY, AND PROPERTY FROM A SCOTTISH COUNTRY HOUSE, AND FROM A PRIVATE COLLECTION, STIRLINGSHIRE

WEDNESDAY 23 & THURSDAY 24 FEBRUARY 2022 AT 10AM Sale Number LT673

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday, 19th February 12 noon - 4pm Sunday, 20th February 12 noon - 4pm Monday, 21st February 10am - 5pm Tuesday, 22nd February 10am - 5pm CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

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REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

1 – Government issued photo ID (Passport/Driving licence)

†V AT at the standard rate payable on the hammer price

2 – Proof of address (utility bill/bank statement).

‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

Our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain.

For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or book online at www.lyonandturnbull. com/appointment-bookings.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Katherine Wright

Furniture & Clocks

Paintings & Drawings

Ceramics, Glass & Works of Art

Ceramics & Glass

Gavin Strang

Katie Hannah

Jamie Russell

Kerstin Schaeffer

Rugs & Carpets

Furniture & Works of Art

Furniture & Clocks

Cataloguer & Sale Administrator

ORDER OF SALE Lot No.

1-55 56-177

WEDNESDAY, 23RD FEBRUARY AT 10AM Selected Items from Kimmerghame, Duns, The Estate of The Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. British Furniture & Works of Art Part One

178-196

Paintings Part One

197-374

British Furniture & Works of Art Part Two

THURSDAY, 24TH FEBRUARY AT 10AM 375-419

The Peter Rose & Albert Gallichan Collection

420-452

The Estate of the Late Mary Elizabeth Stuart Harley

453-458

Dolls, Toys, and Childhood Items Continued

459-494

Property from a Scottish Country House

495-518

Paintings Part Two

519-611

Continental Furniture & Works of Art

612-622

Asian & Islamic Furniture & Works of Art

623-681

Rugs & Carpets

682-704

Garden Lot 34 [detail]

Above Lot 203 [detail]

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SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L. father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first land owner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman The collection offered here is from Kimmerghame, by Duns, the

Conquest, making it one of the oldest landed families in Britain.

family home of the Late Major General Sir John Swinton, KCVO.,

Kimmerghame itself was the site of an earlier house, the home of Sir

OBE., DL (1925-2018). He began his military career in 1944 with the

Andrew Home in the 1730s. The lands and estate of Kimmerghame

Scots Guards, rising in rank to Major General in 1976. He was also

came into the ownership of the family of Swinton in 1776 when

Brigadier of the Queen’s Body Guard for Scotland (Royal Company

Archibald Swinton of Manderston married Henrietta Campbell

of Archers) in 1977, and retired from Army life in 1979. With his

of Blythswood in Glasgow. This older house was demolished and

strong military background, he was appointed Deputy Lieutenant

rebuilt in the early 1850s, the architect being the celebrated David

for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000.

Bryce, who employed some materials from the older house. Bryce’s

A high point of his tenure was escorting the Stone of Scone back to

Scots Baronial house was substantially damaged by fire in 1938 and

Scotland in 1996.

only partially rebuilt. The family still retains Kimmerghame and its

The Swinton family history and ownership of land in Berwickshire

contents.

can be traced to the early part of the 12th century, when Ernulf

The Swinton family have had strong connections with the Army

de Swinton received one of the first private charters recorded in

and the legal profession. They were also keen on supporting artists

Scotland which confirmed his property from David I of Scotland

over the generations as can be seen by the selection of portraits and

(1084-1153). This is one of two original charters of David I kept in

paintings offered here. A second part of the collection will be offered

the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s

in our Fine Asian Works of Art sale in London in May 2022.

1 LATE GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS EARLY 19TH CENTURY with three long drawers above a shaped apron, raised on French bracket feet 110cm wide, 94cm high, 62cm deep

£1,000-2,000

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2 GEORGE III TRIPOD TABLE 18TH CENTURY the piecrust top carved with pierced shells to the border, on a birdcage and tapered column on leaf carved cabriole legs ending in pad feet 74cm diameter, 70cm high

£300-500

3 GEORGE III MAHOGANY DROP-LEAF TABLE 18TH CENTURY the rectangular top with twin drop leaf sides above a frieze drawer to one end, raised on chamfered legs with brass castors and joined by a pierced X stretcher 47cm wide, 78cm [open], 73cm high, 63cm deep

£300-500

4 GEORGE II MAHOGANY GAMES AND CARD TABLE MID 18TH CENTURY the double-fold top opening on a gateleg to a green baize lined surface, and further to an inlaid chess and backgammon board, above a long frieze drawer, raised on straight chamfered legs ending in block feet.

89cm wide, 73cm high, 44cm deep

£500-700

5 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY with three short over three long drawers flanked by reeded angles, on ogee bracket feet 100cm wide, 98cm high, 52cm deep

£300-500

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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6 PAIR OF GEORGE III STYLE MAHOGANY ARMCHAIRS 19TH CENTURY with pierced ladder backs above curved leather upholstered seats flanked by scrolled open arms, raised on channel moulded square legs joined by stretchers (2) 73cm wide, 100cm high, 47cm deep

£300-500

7 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three dished circular tiers, raised and divided by cannon barrel supports, on cabriole legs ending in pointed pad feet 71cm diameter, 127cm high

£600-800

8 LATE GEORGE III MAHOGANY LINE INLAID SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY the top with a moulded edge over four long graduated drawers outlined with stringing and flanked by angles with further line inlay, on block bracket feet 114cm wide, 102cm high, 89cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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9 GEORGIAN STYLE MAHOGANY SUPPER TABLE 19TH CENTURY the shaped circular top with eight dish reserves and acanthus carvings, on a birdcage support and tripod base ending in dolphin feet 74cm diameter, 73cm high

£700-1,000

10 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three graduated dished tiers with gadrooned edges raised and divided by spiral carved baluster columns, on a shell carved tripod base with claw and ball feet with brass castors 59cm wide, 106cm high

£800-1,200

11 PAIR OF GEORGE III MAHOGANY AND BRASS PEAT BUCKETS LATE 18TH CENTURY with spiral reeded sides and two brass bands and brass bail handles (2) 38cm diameter, 39cm high [handle down]

£2,500-3,500

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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12 GEORGE III MAHOGANY SIDE CABINET SECOND HALF 18TH CENTURY the inverted breakfront top over a leaf tip carved frieze, above a pair of carved fluted panel doors centred by lions masks and flanked by large elliptical flower motifs, opening to a shelved interior, the side panels similarly carved, on a conforming plinth base with further carved leaf tip moulding 180cm wide, 96cm high, 67cm deep Note: The present cabinet, with its robustly carved panels with deep undulating fluting bears some similarites to a set of twelve gilt and painted stools made by John Linnell for Kedleston Hall for the 1st Lord Scarsdale. Other pieces by Linnell with the same deep fluting but to designs by Robert Adam, can be found on a pair of dining room urns and pedestals at Osterley Park, made for Robert Child in 1767.

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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13 MANNER OF JAN WEENIX THE YOUNGER A STILL LIFE OF DEAD GAME, A FORMAL GARDEN IN THE DISTANCE Oil on canvas 96cm x 85cm (37.75in x 33.5in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

14 AFTER SIR GEORGE ROMNEY PORTRAIT OF SHERIFF BLAIR OF DUBLIN AND HIS THREE DAUGHTERS Oil on canvas 44cm x 59cm (17.25in x 23.25in) Provenance: Christie’s 8th May 1897, 44gns

£1,200-1,600

15 ATTRIBUTED TO JAN JOSEF HOREMANS THE YOUNGER THE BANQUET Traces of signature, oil on canvas 66cm x 80cm (26in x 31.5in)

£1,000-1,500

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16 19TH CENTURY BRITISH SCHOOL INSPECTING THE GUARD Indistinctly inscribed verso, oil on board 18cm x 19cm (11in x 7.5in) Provenance: Parker Gallery, London

£800-1,200

17 19TH CENTURY BRITISH SCHOOL FULL LENGTH PORTRAIT OF A CORPORAL, LIGHT COMPANY, 3RD FOOT GUARDS Oil on board 34cm x 29cm (13.5in x 11.5in)

£1,000-1,500

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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18 AFTER SIR HENRY RAEBURN HALF LENGTH PORTRAIT OF ROBERT HEPBURNE OF CLERKINGTON Oil on canvas 76cm x 61cm (30in x 24in)

£600-800

19 JAMES RANNIE SWINTON (BRITISH 1816-1888) HALF LENGTH PORTRAIT OF ARCHIBALD CAMPBELL TAIT Oil on canvas 76cm x 63.5cm (30in x 25in)

£400-600

20 JAMES RANNIE SWINTON (BRITISH 1816-1888) HALF LENGTH PORTRAIT OF ARCHIBALD CAMPBELL SWINTON Oil on canvas 76cm x 63.5cm (30in x 25in)

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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21 WILLIAM CRAWFORD A.R.S.A. (SCOTTISH 1825-1869) HALF LENGTH PORTRAIT OF ALAN ARCHIBALD CAMPBELL SWINTON Signed and dated 1867, oil on canvas, oval 76cm x 63.5cm (30in x 25in)

£1,000-1,500

22 ATTRIBUTED TO SAMUEL WEST PORTRAIT OF A YOUNG GIRL HOLDING AN APPLE Oil on canvas, oval 61cm x 51cm (24in x 20in)

£400-600

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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23 SAMUEL WEST (BRITISH 1810-1867) PORTRAIT OF TWO BOYS, ONE HOLDING A TENNIS RACQUET Signed, oil on canvas, oval 76cm x 61cm (30in x 24in)

£2,000-3,000

24 SAMUEL WEST (BRITISH 1810-1867) HALF LENGTH PORTRAIT OF ALICE LUCY CAMPBELL SWINTON HOLDING A POSY OF FLOWERS Signed, oil on canvas, oval 76cm x 61cm (30in x 24in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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25 LATE GEORGE III MAHOGANY PEDESTAL TABLE LATE 18TH CENTURY the oval top on a ring turned column and reeded outwept legs ending in brass caps and castors 117cm wide, 73cm high, 89cm deep

£400-600

26 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY with three tiers, the lower tier with a drawer, on turned legs ending in brass caps and castors 51cm wide, 115cm high, 46cm deep

£300-500

27 Y EARLY VICTORIAN ROSEWOOD AND SATIN BIRCH DAVENPORT MID 19TH CENTURY of typical form with spiral column supports and drawers to one side with dummy drawers opposing 71cm wide, 90cm high, 61cm deep

£300-500

28 EARLY VICTORIAN MAHOGANY JARDINIERE CENTRE TABLE MID 19TH CENTURY the circular top with a removable centre panel with a zinc lined interior, above an arcaded frieze and turned column support on a triform base with flattened bun feet with brass castors 108cm diameter, 72cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

29 SET OF SIX GEORGIAN STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY the serpentine top rails above pierced and carved splats, over drop-in seats raised on square tapered legs joined by stretchers (6) 54cm wide, 95cm high, 44cm deep

£500-700

30 REGENCY MAHOGANY DUMBWAITER EARLY 19TH CENTURY with two dished circular tiers with reeded edges, raised and divided by reeded baluster columns on outswept reeded legs ending in brass caps and castors 58cm diameter, 112cm high

£600-800

31 EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE MID 19TH CENTURY the rounded rectangular top with a moulded edge, on turned and tapered legs ending in brass caps and castors stamped COPE AND COLLINSON; with three leaf inserts and two associated Regency mahogany table legs for the centre when extended 343cm long, 74cm high, 151cm deep

£1,000-1,500

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BLUE JOHN DESK WEIGHT

GEORGE II SHAGREEN PERFUME CASE

19TH CENTURY 9cm x 9cm x 9cm

of canted cubic form with brass mounts and feet, the red velvet lined interior fitted with four square bottles and stoppers

£300-500

9.5cm wide, 12cm high, 9.5cm deep

solid cubic form

18TH CENTURY

£300-500

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GEORGE III GRAND TOUR PAINTED VELLUM AND IVORY FAN

MEISSEN PART TEA SET

18TH CENTURY

painted with Chinoiserie scenes depicting figures engaged in various pursuits, within concentric iron-red circles, with gilt rims, comprising five teacups and seven saucers, blue crossed swords, impressed numerals, gilt no.4 (12)

painted with Pompeiian murals, with pierced ivory sticks and covers Stick 27.5cm long

£300-500

CIRCA 1740

saucers 12cm diameter, cups 4.4cm high

£500-700

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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36 CONTINENTAL ENAMEL AND EBONISED CONVEX MIRROR 17TH/18TH CENTURY the mirror plate enclosed by four relief enamel on copper margin plates depicting figures representing Abundance and fruitfilled garlands, in a moulded ebonised frame 57cm diameter

£1,500-2,500

37 PIERRE-JULES MÊNE (FRENCH, 1810-1879) EWE AND LAMB bronze, dark brown patina, signed to base ‘P. J. MENE/1845’ 24.5cm wide, 15.5cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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PAIR OF GERMAN RUBY GLASS GILT METAL MOUNTED PILGRIM FLASKS

TWO HISPANO-MORESQUE COPPER LUSTRE DISHES

19TH CENTURY with gilt metal overlay depicting satyr and goat masks (2) 35cm high

£300-500

LATE 17TH/ EARLY 18TH CENTURY, AND LATER the first depicting a bird amongst foliage, late 17th/ early 18th century, 33.5cm diameter; the second a charger, centred by a dragon amongst stylised foliage, late 19th/ early 20th century, 42cm diam. (2) £300-500

40 PERSIAN QAJAR LEATHER AND LACQUERED PAPIER MÂCHÉ BOOK COVERS 19TH CENTURY with central reserves of lovers on white grounds adorned with peacocks and flowers within script borders, the opposing sides with panels of script on red and gilt grounds; one comprising front cover only, framed; the other comprising front and back cover, unframed (2) 46cm x 31cm

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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41 RARE VENETIAN ENAMEL AND PARCEL GILT DECORATED COPPER CHARGER LATE 15TH OR EARLY 16TH CENTURY the well centred by a green and white armorial, enlcosed by a raised boss with an inner gadrooned border and an outer gadrooned border in white in opposing directions of rotation, against a cobalt ground highlighted with gilt oak leaves, stars and acanthus, the reverse in cobalt blue enamel with gilt stars

Venice in 1500 was enjoying a golden age as one of the richest and most powerful trade and cultural centres in Europe, trading extensively with the Byzantine Empire, the Muslim world, and beyond. Its strategic position as the nexus of the lucrative trade routes to the East and Africa enabled it to secure a monopoly on rare and exotic goods and materials, and the city grew rich. Its overseas empire spanned across the Mediterranean, to include territories from Friuli all the way to Cyprus. The production of luxury goods flourished, as producers could source the best materials, and wealthy merchant and aristocratic clients fuelled demand.

The Venetian enamel wares represent a beautiful amalgamation of different influences and illustrate how well-connected Venice was in the Renaissance.

They are generally of exceptional quality and have

28cm diameter

£30,000-50,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

a very unique, easily distinguishable style. They were fashionable in Venice in the late 15th and 16th centuries, and while many of the surviving examples were clearly for use in a religious context, the present example with its central silver and green armorial indicates it must have been commissioned by an aristocratic family.

Italian nobility in the Renaissance used a variety of elaborate and precious vessels for formal dining, but the most splendid tableware was displayed on sideboards or credenze around the sides of the room as a show of wealth. The shapes with their raised gadrooning are inspired by silver and other metal wares, which also inspired glass produced in the same region. Another source of inspiration may be the famous deep blue Lajvardina ceramics produced in

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

Persia. This would not be unlikely, as Venice had been a crossroads for trade between Africa, Asia and Europe since medieval times.

The technique is related to early Netherlandish examples. The objects were hammered from copper sheets, then fused with a thin layer of powdered glass using high heat with the main colours being cobalt blue, dark green, white and more rarely turquoise, red and black. The first layer of opaque white is the key to making the colours applied over it look luminous. Pieces were decorated with further enamels of different colours fixed with subsequent firings.

Finally, patterns of gold foil were applied and fused to the enamel surface using lower, but still elevated, temperatures. These were applied to the surface of the enamel to create repeating patterns and were likely

stamped with small tools used to apply fine metallic foil, called paillon, yielding a textured surface. Although the gold foil is very rubbed in most examples due to not having been fired, a few areas still show these original textures. Some of the stars on the present chargers still have their raised centres.

The uniform style and the relatively short period in which all of the known Venetian enamel wares were produced date them almost exclusively from the late 15th century to the mid-16th century. Although Venice was well renowned as a centre of glass it remains largely unrecognised as a major centre for the production of enamels. Surviving pieces like the present two lots are rare, with only a few hundred known in private collections and museums.

42 RARE VENETIAN ENAMEL AND PARCEL GILT DECORATED COPPER CHARGER LATE 15TH OR EARLY 16TH CENTURY the well centred by a raised boss with white gadrooned border and green band enclosed by an outer gadrooned border in cobalt blue in opposing directions of rotation, on a white ground highlighted with gilt oak leaves, stars and acanthus, the reverse in cobalt blue enamel with gilt stars 29.5cm diameter

£10,000-15,000

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43 AFTER SIR HENRY RAEBURN HALF LENGTH PORTRAIT OF ROBERT HEPBURNE OF CLERKINGTON Oil on canvas 76cm x 63.5cm (30in x 5in)

£400-600

44 AFTER THOMAS PARTRIDGE HALF LENGTH PORTRAIT OF SIR ILAY CAMPBELL LORD PRESIDENT COURT OF SESSION Oil on canvas 76cm x 63.5cm (30in x 25in)

£250-400

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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45 § SYLVIA GOSSE (BRITISH 1881-1968) CHURCHYARD IN THE CITY Signed, oil on canvas 61cm x 51cm (24in x 20in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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46 NOEL SAUNIER (FRENCH 1847-1890) A FARMYARD SCENE WITH DUCKS BY A POND Signed, oil on canvas 67cm x 104cm (26.25in x 41in)

£500-800

47 JAMES RANNIE SWINTON (BRITISH 1816-1888) HALF LENGTH PORTRAIT OF A YOUNG WOMAN WITH FUR COLLAR Signed and dated 1876, pastel on buff paper 66cm x 51cm (26in x 20in)

£300-500

48 A NINETEENTH CENTURY LITHOGRAPH THE SEIGE OF ARRAH HOUSE DURING THE INDIAN MUTINY OF 1857 Lithograph 33cm x 51cm (13in x 20in)

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

49 THOMAS ROWLANDSON (BRITISH 1756-1827) IN FULL CRY Pen and ink and watercolour 21cm x 28cm (8.25in x 11in)

£800-1,200

50 AFTER RAPHAEL ST. GEORGE AND THE DRAGON Oil on board 28cm x 22cm (11in x 8in)

£600-900

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51 ATTRIBUTED TO ALLAN RAMSAY HALF LENGTH PORTRAIT OF MARGARET MITCHELSON, LADY SWINTON Oil on canvas 65cm x 55cm (25.5in x 21.75in)

£3,000-5,000

SELECTED ITEMS FROM KIMMERGHAME, DUNS, THE ESTATE OF THE LATE MAJOR GENERAL SIR JOHN SWINTON K.C.V.O., O.B.E., D.L.

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52 FOLLOWER OF GEORGE JAMESONE HALF LENGTH PORTRAIT OF WILLIAM, LORD ALEXANDER Oil on canvas 66cm x 57cm (26in x 22.5in)

£500-800

53 DAVID MARTIN (SCOTTISH 1737-1797) HALF LENGTH PORTRAIT OF JOHN LORD SWINTON Oil on canvas 76cm x 61cm (30in x 24in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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54 OAK JOINT STOOL 17TH CENTURY the panel seat with a thumbnail moulded edge above a scroll shaped seat rail raised on baluster legs joined by peripheral stretchers 46cm wide, 57cm high, 33cm deep

£250-350

55 OAK CARVED PANEL CHEST LATE 17TH CENTURY the hinged three panel top above a foliate carved frieze and three panel front carved with flower heads, on stile feet 110cm wide, 57cm high, 48cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART ONE

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56 PAIR OF OAK SIDE CHAIRS, SOUTH YORKSHIRE EARLY 18TH CENTURY the arched splats carved with masks, scrolls, and stylised leaves and mounted with acorn pendant finials, above panel seats raised on turned and block legs joined by stretchers; with later needlework seat pads (2) 52cm wide, 107cm high, 40cm deep Provenance: Property from an East Lothian Country House

£300-500

57 OAK REFECTORY TABLE 17TH CENTURY AND LATER the three board top above a channel moulded frieze with scroll carved brackets and initials W I E, raised on six turned baluster supports joined by peripheral stretchers 277cm long, 87cm high, 78.5cm deep

£800-1,200

58 TWO EARLY OAK CHAIRS, YORKSHIRE 17TH CENTURY to include an armchair with a twin panel back carved with stylised leaf and flower motifs; and a backstool, the panel back carved with a leaffilled lozenge (2) Armchair 56cm wide, 58cm high, 37cm deep; backstool 47cm wide, 96cm high, 34.5cm deep Provenance: Property from an East Lothian Country House

£600-800

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59 PAIR OF CARVED OAK PANELS OF DOLPHINS MID 19TH CENTURY in the 17th century manner, in oak frames (2) 41cm x 64cm

£400-600

60 OAK CANDLESTAND LATE 17TH CENTURY the octagonal top on a tapered octagonal column and hexagonal base with three scrolled legs 34.5cm diameter; 73cm high

£400-600

61 SMALL OAK COFFER 17TH CENTURY, LATER ADAPTED reduced in size, the hinged top over a chip carved front panel with stylised flower motifs and a large iron lock plate, on stile legs 66cm wide, 61cm high, 39cm deep

£300-500

62 WILLIAM AND MARY STYLE WALNUT LOW STOOL 19TH CENTURY the long rectangular seat pad covered in needlework, on foliate carved and block legs joined by wavy stretchers 116cm long, 34cm high, 45cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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63 WILLIAM AND MARY OYSTER-VENEERED MIRROR LATE 17TH CENTURY the rectangular mirror plate with a bevelled edge in a wide cushion moulded frame 77cm high, 68cm wide

£400-600

64 WILLIAM AND MARY OAK AND ELM SIDE TABLE LATE 17TH/ EARLY 18TH CENTURY the two board top above a long frieze drawer and bobbin turned legs joined by peripheral stretchers 87cm wide, 70cm high, 52cm deep

£600-800

65 WILLIAM AND MARY STYLE WALNUT BENCH 19TH CENTURY the caned seat above a pierced apron carved with acanthus scrolls, coronets, and carved putti, raised on leaf-carved cabriole legs joined by spiral carved stretchers 123cm wide, 45cm high, 55cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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66 Y WILLIAM AND MARY ROSEWOOD, EBONY, AND BOXWOOD MONTH-GOING LONGCASE CLOCK, ANDREW BROUN [BROWN], EDINBURGH LATE 17TH CENTURY the caddy top hood with carved giltwood flaming urn finials and repoussé brass fret above a twelve inch silvered dial with Roman numerals, subsidiary seconds dial, date aperture, and twin ringed winding holes, signed on the chapter flanking the VI ‘Andrew Broun/ Edinburgh’, with crown and cherub spandrels, above a geometric line inlaid and crossbanded trunk door with an oval brass bound lenticle, on a similarly decorated plinth base with bun feet; the month going movement with five wheel trains and turned pillars, anchor escapement, and hourly strike on a bell via a counterwheel 46cm wide, 247cm high, 25cm deep Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus “The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker.” Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen’s Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen’s Incorporation in 1689.

In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen’s Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father’s death.

John Smith, author of Old Scottish Clockmakers from 1453 to1850, states “In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow”. A marquetry longcase clock by Broun dating to the late 17th century sold by these rooms, 1 September, 2021, lot 18, and another 17 November, 2021, lot 18.

£12,000-18,000

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67

68

QUEEN ANNE STYLE WALNUT CUSHION FRAME MIRROR

MATCHED PAIR OF GEORGE II WALNUT ARMCHAIRS

19TH CENTURY

EARLY 18TH CENTURY

the rectangular mirror plate in a cushion moulded frame surmounted by scroll carved cresting with circle line inlay

with shepherd’s crook arms, the seat rails carved with shell motifs, raised on cabriole legs carved with acanthus scrolls and ending in claw and ball feet; both covered in needlework (2)

96cm high, 56cm deep

£300-500

71cm wide, 109cm high, 49cm deep; and 72.5cm wide, 97cm high, 50cm deep

£1,500-2,500

69 GEORGE I STYLE WALNUT FOOTSTOOL 19TH CENTURY the rectangular padded seat in a shaped seat rail carved with shells, raised on shell carved cabriole legs ending in trifid feet, bearing an ivorine trade label ‘Designed & Executed by Bartholomew & Fletcher/ Est. 1843/ LONDON W.1’ 78cm wide, 47cm high, 53cm deep

£600-800

70 GEORGE I WALNUT BUREAU EARLY 18TH CENTURY the matchbook veneered slant front outlined with herringbone inlay, opening to an interior with pigeon holes, drawers, and covered well, over two short and two long graduated drawers, raised on bun feet 76cm wide, 101cm high, 49cm deep Provenance: Property from an East Lothian Country House

£2,000-3,000

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71 GEORGE III MAHOGANY TRIPOD TEA TABLE 18TH CENTURY the circular top tilt top on a birdcage support and baluster column, with a tripod base ending in pad feet 76.5cm diameter, 74cm high

£300-500

72 GEORGE II MAHOGANY OPEN ARMCHAIR 18TH CENTURY with a vase shaped splat above a drop-in seat flanked by scrolled arms, raised on shell carved cabriole legs ending in pad feet and joined by H stretchers 64cm wide, 92cm high, 45cm deep

£300-500

73 GEORGE II MAHOGANY DROP-LEAF DINING TABLE MID 18TH CENTURY the oval top opening on double gatelegs ending in pad feet 152cm [up] 47cm wide; 71cm high, 135cm long

£600-800

74 GEORGE II STYLE WALNUT CENTRE TABLE, BY GILL & REIGATE 19TH CENTURY the quarter veneered top with a moulded edge, above a frieze with two short drawers, one drawer stamped GILL & REIGATE/ LONDON, raised on shell carved cabriole legs ending in carved claw and ball feet 91cm wide, 78cm high, 56cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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75 GEORGE II MAHOGANY LOW BOY MID 18TH CENTURY the top with a moulded edge and re-entrant corners, above three frieze drawers above a shaped apron, raised on pronounced cabriole legs ending in pad feet, with trade label for S. H. Jewell 76cm wide, 68cm high, 46cm deep

£400-600

76 LATE GEORGE II WALNUT AND NEEDLEWORK POLE SCREEN MID 18TH CENTURY the piecrust shaped oval panel mounted with a floral needlework panel worked in gros and petit point, the reverse with a painted wallpaper panel of a flowering urn, on a baluster column and tripod base with pointed pad feet 43cm wide, 133cm high overall

£300-500

77 GEORGE II MAHOGANY FRAMED WING ARMCHAIR MID 18TH CENTURY with cabriole legs with pad feet joined by a turned H stretcher, covered in Kilim upholstery 77cm wide, 111cm high, 56cm deep

£600-800

78 LATE GEORGE II MAHOGANY KNEEHOLE DRESSING TABLE MID 18TH CENTURY with an arrangement of eight drawers enclosing a kneehole recess and cupboard, on bracket feet 80cm wide, 79cm high, 48.5cm deep

£600-800

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79 CHIPPENDALE STYLE GILTWOOD PIER MIRROR OF RECENT MANUFACTURE the rectangular mirror plate in a pierced and carved rococo style frame with twining branches, acanthus and urns, surmounted by a ho-ho bird cresting 165cm high, 82cm wide Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

80 IRISH GEORGE II STYLE WALNUT AND BURR WALNUT CHAIR-BACK SETTEE 19TH CENTURY the shaped back with twin vasiform splats above a wide drop-in seat flanked by scrolling arms terminating in carved eagle heads, with a crossbanded and gadrooned seat rail raised on cabriole forelegs carved with shells and ending claw and ball feet 147cm wide, 105cm high, 57cm deep

£1,800-2,200

81 IRISH GEORGE III STYLE MAHOGANY MARBLE TOPPED HALL TABLE OF RECENT MANUFACTURE the yellow marble top with a moulded edge above a plain frieze, the apron carved with foliate swags and centred by a lion’s mask, raised on acanthus carved cabriole legs ending in carved hairy paw feet 150cm wide, 80cm high, 75cm deep Provenance: Private Collection, Stirlingshire, Scotland

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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82 GEORGIAN STYLE WALNUT PARCEL GILT MIRROR LATE 19TH CENTURY the shaped rectangular mirror plate in a gilt moulded slip and acanthus carved frame with scroll cresting 101cm high, 57cm wide

£300-500

83 EARLY GEORGE III MAHOGANY HANGING CORNER CUPBOARD 18TH CENTURY the moulded cornice above a Gothic arch blind fret frieze, over a pair of panel doors opening to greenpainted shaped shelves 86cm wide, 115cm high, 60cm deep

£300-500

84 GEORGE III MAHOGANY TRIPOD TABLE 18TH CENTURY the circular tilt top on a stop fluted tapered column and S scroll open work legs ending in scrolled toes with brass castors 59cm diameter, 70cm high

£800-1,200

85 PAIR OF GEORGE III MAHOGANY DEMILUNE SIDE TABLES LATE 18TH CENTURY the demilune tops above friezes carved with drapery swags, raised on square tapered legs ending in spade feet (2) 122cm wide, 76cm high, 60cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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86 GEORGIAN STYLE BLACK JAPANNED MIRROR 19TH CENTURY the rectangular mirror plate in a deep moulded frame with scroll cresting decorated with Chinoiserie 69cm high, 46cm deep

£300-400

87 GEORGE III MAHOGANY BUREAU BOOKCASE 18TH CENTURY the dentil moulded cornice above a fluted frieze and moulded panel doors enclosing shelves; the lower part with a slant front opening to an arrangement of pigeon holes and drawers, above two short and three long drawers, raised on ogee bracket feet 105cm wide, 221cm high, 59cm deep

£400-600

88 SIX GEORGIAN STILL LIFE STUDIES LATE 18TH/ EARLY 19TH CENTURY gouache on paper, in gilt wood frames (6)

89

16cm x 21.5cm

£800-1,200

GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular dished top on a turned baluster support and tripod base ending in pointed pad feet 45cm diameter, 70cm high

£400-600

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90 GEORGIAN STYLE GILTWOOD MIRROR OF RECENT MANUFACTURE the rectangular mirror plate in a carved and pierced frame with C scrolls, roses, and rocaille 179cm high, 102cm wide Provenance: Private Collection, Stirlingshire, Scotland

£500-700

91 GEORGE III MAHOGANY BUREAU BOOKCASE 18TH CENTURY the key moulded cornice above a blind fret frieze over a pair of astragal glazed doors enclosing adjustable shelves; the lower part with slant front opening to an interior with pigeon holes and drawers, over four long drawers raised on bracket feet 127cm wide, 221cm high, 82cm deep Provenance: Property from a Scottish Country House

£700-1,000

92 LATE GEORGE II MAHOGANY KETTLE STAND MID 18TH CENTURY the square top with a fretwork gallery above a bead moulded and fluted frieze fitted with a cup slide, over a gadroon moulding, raised on a spiral carved and turned column and tripod base ending in pad feet 22.5cm (top), 57cm high

£1,000-1,500

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93 GEORGIAN STYLE MAHOGANY PARCEL-GILT MIRROR LATE 19TH CENTURY the shaped rectangular mirror plate in a moulded frame with acanthus carved cresting 103cm high, 57cm wide

£400-600

94 EARLY GEORGE III STRIPPED PINE BREAKFRONT BOOKCASE 18TH CENTURY the broken arch pediment above a dentil moulded frieze, over glazed doors enclosing adjustable shelves, on a conforming base with moulded doors centred by moulded fan medallions and marked at the corners with further fan motifs, shelves to the interiors, on a plinth base 212cm wide, 231cm high, 43cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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95 GEORGIAN NEEDLEWORK PANEL 18TH CENTURY depicting a lady spinning wool in a meadow with sheep, a dove above and a red house in the background, in an octagonal reserve framed by an array of flowers including roses, chrysanthemums, and carnations, framed 67.5cm high, 55cm wide

£400-600

96 GROUP OF GEORGIAN CARVED WHITE MARBLE FIRE SURROUND COMPONENTS LATE 18TH CENTURY to include a mask, acanthus corbels, and various floral elements, etc. (qty) Mask 30cm high, 24cm wide

£500-700

97 GEORGIAN CAST-IRON AND BRASS FIRE BASKET GRATE 19TH CENTURY the arched fan cast fire back with swagged frieze above a basket headed by finials and brass anthemion corner mounts with a brass laurel leaf banding to the apron, the andirons of gadrooned baluster form with urn finials, on leaf cast cabriole legs with paw feet centred by fan patera 82cm wide, 59cm high, 40cm deep

£600-800

98 GROUP OF BRASS FIRE PLACE FURNITURE 19TH CENTURY to include an Adam style fender, two coal/log bins with covers, and a fan shaped spark guard (5) Fender 163cm wide, 27cm high, 48cm deep; interior 151 x 39.5cm

£400-600

45

99 EARLY GEORGE III MAHOGANY SERVING TABLE MID 18TH CENTURY the rectangular top above a plain frieze and square chamfered legs with corner brackets 131cm wide, 82cm high, 52cm deep

£1,800-2,200

100 GEORGE III MAHOGANY LEATHERUPHOLSTERED LIBRARY ARMCHAIR 18TH CENTURY of ample proportions, the serpentine top rail above wide seat flanked by padded arms with scroll carved supports, raised on square legs joined by stretchers, covered in red leather with brass nail head trim 70cm wide, 108cm high, 58cm deep

£1,500-2,500

101 GEORGIAN STYLE MAHOGANY PEDESTAL PARTNER’S DESK 19TH CENTURY the top with a green leather skiver and moulded edge above three frieze drawers and the same opposing, raised on pedestals with banks of three graduated drawers with cupboards to the reverse, on plinth bases 152cm wide, 78cm high, 100cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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102 FIVE GEORGIAN OPAQUE-TWIST GLASSES 18TH CENTURY comprising a large funnel-bowled glass engraved with flowers, on a double-twist stem, 22.5cm high; a goblet, on a double-twist stem, 20cm high; a knopped-stem glass, 15.5cm high; two with rib-moulded bowls and double-twist stems, 15cm and 14.5cm high; and a DUTCH RED ENAMEL TWIST WINE GLASS, 15cm high (6) Tallest 22.5cm high Provenance: Property of a Scottish family

£500-700

103 FIVE GEORGIAN WINE GLASSES 18TH CENTURY comprising three with air-twist stems, 17cm and 16cm high; a glass with an annulated knopped stem and folded foot, 15.5cm high; and a glass with an air-bubble to its straight stem, 16cm high (5) Tallest 17cm high Provenance: Property of a Scottish family

£400-600

104

105

EIGHT DUTCH OPAQUE-TWIST STEM WINE GLASSES

GROUP OF GEORGIAN AND REGENCY GLASS

LATE 18TH CENTURY

18TH AND EARLY 19TH CENTURY

of varying size, comprising five glasses with domed feet, largest 18cm high; and three small glasses with conical feet, 13cm high; all wheel-engraved, depicting roses, butterflies and birds (8)

comprising four ale glasses, engraved with barley and hops, 11.5cm high; a pair of sweetmeat glasses, with cog wheel rims and opaque-twist stems, 8.5cm high; and a pair of Regency cut glass rummers, on short knopped stems, 13.5cm high (8)

Largest 18cm high

Tallest 13.5cm high

Provenance: Property of a Scottish family

Provenance: Property of a Scottish family

£500-700

£300-500

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106 GEORGE III MAHOGANY BRACKET CLOCK, GEORGE PRICE, LONDON 18TH CENTURY the moulded arch case with brass handle and engraved silvered dial with Roman numbers, and signed plate to the arch ‘Geo Price/ London’; with brass grille sides and bracket feet, the eight day movement striking a bell 31cm wide, 46.5cm high (handle up), 21.5cm deep Provenance: Moreton House, Moreton Morrell, Warwickshire, Heathcote Ball and Co., 8 December 1977, lot 201

£800-1,200

107

108

SET OF ELEVEN LATE GEORGIAN GREEN WINE GLASSES

TWO CHINESE EXPORT ‘MASONIC’ TANKARDS

EARLY 19TH CENTURY

LATE 18TH CENTURY

with conical bowls on a plain stem and round foot (11)

of barrel form with beaded bands and entwined bifurcated strap handles; enamelled with Masonic symbols and flower sprays and garlands (2)

14.8cm high

£300-500

16.5 and 14cm high

£400-600

109 LATE GEORGE III MAHOGANY AND BOXWOOD TEA CADDY LATE 18TH/ EARLY 19TH CENTURY with line inlaid borders with brass lion mask ring handles to the sides, opening to a cut-glass mixing bowl and a pair of lidded compartments, raised on brass paw feet 33cm wide, 17.5cm high, 21cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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110 GEORGE III MAHOGANY AND PARCEL GILT-MIRROR, POSSIBLY IRISH 18TH CENTURY the shaped rectangular mirror plate in a moulded frame with pierced fretwork cresting centred by Prince-of-Wales plumes 109cm high, 60cm wide

£600-800

111 GEORGE III MAHOGANY BIRDCAGE TRIPOD TABLE 18TH CENTURY the circular tilt top on a tapered column and tripod base ending in pointed pad feet 60cm diameter, 68cm high

£300-400

112

113

GEORGE III MAHOGANY DUMBWAITER

GEORGE III MAHOGANY CHEST-ON-CHEST

18TH CENTURY

18TH CENTURY

with three graduated dished tiers, raised on and divided by spiral carved balusters, on a tripod base with pad feet

the dentil moulded cornice above a blind fret frieze, over two short and three long drawers flanked by fluted angles; the lower part with three further long graduated drawers, raised on bracket feet

63cm diameter, 115cm high

£400-600

110cm wide, 183cm high, 59cm deep

£800-1,200

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114 GEORGE II STYLE MAHOGANY AND GILTWOOD PIER MIRROR OF RECENT MANUFACTURE the rectangular mirror plate in a gilt moulded slip and mahogany frame with a swan neck pediment centred by a carved ho-ho bird 140cm high, 69cm wide Provenance: Private Collection, Stirlingshire, Scotland

£500-700

115 GEORGIAN STYLE MAHOGANY PIECRUST TRIPOD TABLE LATE 19TH CENTURY the fixed top on a slender baluster stem carved with acanthus, on leaf carved cabriole legs ending in claw and ball feet 74cm high, 56cm diameter Provenance: Property from a Scottish Country House

£300-400

116 GEORGE III MAHOGANY DOWER CHEST MID 18TH CENTURY

117 GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the moulded cornice above two short and three long drawers flanked by fluted angles; the lower part with three further long graduated drawers, raised on bracket feet

the hinged top with a moulded edge, open to a void interior, with brass handles on the sides and raised on ogee bracket feet 128cm wide, 74cm high, 65cm deep Provenance: Private Collection, Stirlingshire, Scotland

£400-600

104cm wide, 179cm high, 51cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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118 GEORGIAN GILTWOOD MIRROR 18TH CENTURY the shaped rectangular mirror plate in pierced rococo frame carved with C and foliate scrolls with trailing flower garlands 129cm high, 70cm wide

£800-1,200

119 PAIR OF GEORGIAN STYLE LEATHER UPHOLSTERED LIBRARY ARMCHAIRS 20TH CENTURY the button upholstered brown leather backs, seats, and arms outlined in close nail trim, raised on channel moulded square legs joined by stretchers (2) 66cm wide, 101cm high, 50cm deep Provenance: Property from an East Lothian Country House

£800-1,200

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120 JOHN HILL (1716-1775), THE BRITISH HERBAL, EIGHT HAND-COLOURED BOTANICAL ENGRAVINGS CIRCA 1756 to include plates XXXII, LXVIII, XCVII, XCIX, CI, CVII, CXXI, CXXIII, mounted and framed (8) 34cm x 22cm sight size Provenance: Private Collection, Stirlingshire, Scotland

£500-700

121 LATE GEORGE III MAHOGANY, TULIPWOOD, AND SATINWOOD PEDESTAL DESK LATE 18TH CENTURY the serpentine and lobed oval top with a brown leather liner and moulded edge above crossbanded short drawers to the frieze, above a kneehole with slide, raised on pedestals with crossbanded and moulded panel doors marked at the corners with carved fans, on a conforming plinth base with brass corner brackets, all outlined with crossbanding 168cm wide, 83cm high, 105cm deep Provenance: Property of a Scottish family

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52

122 GEORGIAN STYLE GILTWOOD MIRROR 19TH CENTURY the shaped mirror plate in a frame with C and foliate scrolls, rocaille, and platforms holding Dresden porcelain figures 76cm high, 59cm wide

£300-500

123 GEORGE III MAHOGANY AND INLAY COLLECTOR’S CABINET-ON-STAND 18TH CENTURY the moulded cornice above an arcaded frieze over a pair of doors centred by oval veneer inserts, opening to an arrangement of short and long drawers, on a stand with square tapered legs with spade feet 84cm wide, 32cm high, 47cm deep

£400-600

124 GEORGE III STYLE MAHOGANY FOUR POSTER BED EARLY 20TH CENTURY the moulded cornice with a blind fret carved frieze, raised on reeded tapered end posts carved with wheat fronds, with a Heals base and polished Chintz inner canopy and hanging Overall 157cm wide, 239cm high, 212cm long Provenance: Private Collection, Stirlingshire, Scotland

£600-800

53

125 GEORGIAN STYLE MAHOGANY URN STAND EARLY 20TH CENTURY the oval top with a wavy gallery above slender channel moulded square tapered legs ending in spade feet 35cm wide, 62cm high, 27cm deep

£300-500

126 PAIR OF GEORGIAN STYLE UPHOLSTERED SIDE CHAIRS 20TH CENTURY the arched padded backs above wide stuff-over seats covered in wool floral needlework, raised on square tapered legs joined by H stretchers (2) 57cm wide, 99cm high, 44cm deep Provenance: Property from an East Lothian Country House

£400-600

127 GEORGE III MAHOGANY CHEST-ON-CHEST

128 GEORGE III MAHOGANY LINEN PRESS 18TH CENTURY the dentil moulded cornice above a pair of moulded panel doors enclosing five sliding trays; the base with two short over two long drawers, on shaped bracket feet 127cm wide, 205cm high, 63cm deep

LATE 18TH CENTURY with a dentil moulded cornice over a fretwork carved frieze, above two short and three long drawers, flanked by canted fluted angles; the lower part with a brushing slide and three long drawers, raised on shaped bracket feet 112cm wide, 191cm high, 55cm deep

£1,000-1,500

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

129 GEORGE III MAHOGANY BRASS BANDED OCTAGONAL WINE COOLER 18TH CENTURY the hinged top opening to a lead lined interior, the brass banded sides with loop handles, on an integrated stand with channel moulded square legs 46cm wide, 73cm high

£500-700

130 Y LATE GEORGE III ROSEWOOD AND SATINWOOD FOLD-OVER TEA TABLE LATE 18TH CENTURY the D shaped crossbanded top opening on double gatelegs, above a dummy frieze drawer, raised on square tapered legs outlined with stringing and ending with spade feet 96cm wide, 75cm high, 48cm deep

£300-500

131 LATE GEORGE III MAHOGANY AND PARTRIDGEWOOD BOWFRONT SERVING TABLE LATE 18TH CENTURY the crossbanded top above three short frieze drawers, raised on square tapered legs outlined with stringing 132cm wide, 84cm high, 61cm deep

£800-1,200

132 LATE GEORGE III MAHOGANY AND INLAID BOWFRONT SIDEBOARD LATE 18TH CENTURY the back panel centred by an inlaid shell motif, above a frieze drawer and shaped arch flanked by drawers, raised on square tapered legs ending in spade feet 150cm wide, 107cm high, 65cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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133

134

GEORGIAN STYLE MAHOGANY OVAL MIRROR

SET OF SIX MAHOGANY DINING CHAIRS

19TH CENTURY

in the French Hepplewhite style, the oval backs with pierced splats above serpentine stuffover seats raised on cabriole legs, with green plush seat covers (6)

in a reeded frame with margin plates 109cm high, 82cm wide

£300-400

19TH CENTURY

48cm wide, 90cm high, 41cm deep

£400-600

135 LATE GEORGE III MAHOGANY CONCERTINA ACTION FOLDOVER DINING TABLE EARLY 19TH CENTURY the D shaped fold-over top opening on a scissor action with three leaf inserts, raised on turned and tapered legs with brass caps and castors 229cm long, 73cm high, 105cm wide; 52cm deep

£600-800

56

136 GEORGE III MAHOGANY BRACKET CLOCK, GEORGE HOLDWAY, LONDON 18TH CENTURY the bell top case with a brass handle above an arched brass dial with silvered chapter with Roman number hours, twin winding holes, calendar aperture, and Strike/ Silent dial to the arch, signed ‘George Holdway/ Strand London’; the engraved backplate enclosing an eight day bell-strike twin-train movement with bob pendulum 29cm wide, 51cm high (handle up), 19cm deep

£1,500-2,500

137 GEORGIAN STYLE MAHOGANY AND BRASS TEA TRAY LATE 19TH CENTURY

138 LATE GEORGE III MAHOGANY CANTERBURY LATE 18TH CENTURY with four divisions, above a base drawer raised on turned legs with brass caps and ceramic castors 50cm wide, 53cm high, 33cm deep

£400-600

139 LATE GEORGE III MAHOGANY BOTTLE STORE ON STAND LATE 18TH CENTURY the crossbanded domed hinged top opening to a void interior, on a stand with square tapered legs outlined with stringing and ending in brass castors 38cm wide, 58cm high, 28cm deep

£500-700

140 GEORGIAN IRISH STYLE BRASS MOUNTED MAHOGANY PEAT BUCKET MODERN with spiral carved sides and a brass bale handle 35cm diameter, 59cm high [handle up] Provenance: Private Collection, Stirlingshire, Scotland

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

with fretwork gallery sides and baize lined underside 63cm wide, 48cm deep

£300-500

57

141 GEORGIAN ANGLOINDIAN PADOUK DUMBWAITER EARLY 19TH CENTURY with two graduated circular tiers, raised and separated by turned and tapered columns, on cabriole legs ending in pad feet with brass castors 72cm diameter, 81cm high

£500-700

142 LATE GEORGE III MAHOGANY BONHEUR DU JOUR LATE 18TH CENTURY the arched superstructure with a shelf over pigeon holes, cupboard, and drawers; the lower part with a brown leather writing insert above along frieze drawer, raised on square tapered legs ending in brass caps and castors 72cm wide, 124cm high, 55.5cm deep

£800-1,200

143 PAIR OF GEORGIAN STYLE MAHOGANY LIBRARY OPEN ARMCHAIRS 19TH CENTURY covered in yellow silk damask with close nail trim (2) 71cm wide, 96cm high, 54cm deep

£1,500-2,500

58

144 PAIR OF GEORGE III STYLE PAINTED AND GILT MARBLE TOPPED CONSOLE TABLES OF RECENT MANUFACTURE the shaped demilune Breche d’Alep and sienna marble tops above foliate scroll carved friezes raised on reeded tapered legs headed by leaf tip carving (2) 104cm wide, 84cm high, 47cm deep Provenance: Private Collection, Stirlingshire, Scotland

£600-800

145

146

GEORGE III MAHOGANY CHEST-ON-CHEST

LATE GEORGIAN MAHOGANY DINING TABLE

18TH CENTURY

EARLY 19TH CENTURY

the key moulded cornice above a blind-fret frieze, over two short and three long drawers flanked by angles with further blind fret moulding; the base with three long graduated drawers, raised on bracket feet

comprising two D ends, a drop-leaf centre section, and a leaf insert, the top with a reeded edge, raised on ring-turned tapered legs with brass caps and castors

108cm wide, 182cm high, 55cm deep

Provenance: Lowood House, Melrose

£800-1,200

300cm long, 72cm high, 120cm wide

£800-1,200

59

147 LARGE GILTWOOD AND GESSO OVERMANTEL MIRROR 19TH CENTURY in the neoclassical style, the moulded cornice above a frieze with ivy swags, the frame with overlapping shield motifs 187cm high, 145cm wide Provenance: Private Collection, Stirlingshire, Scotland

£700-1,000

148 GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED CHEST-ON-CHEST LATE 18TH CENTURY with a moulded cornice above three short and three long drawers flanked by canted fluted angles; the lower part with a brushing slide over three long graduated drawers, raised on bracket feet 113cm wide, 190cm high, 54cm deep

£800-1,200

149 PAIR OF IRISH GEORGE III GILTWOOD, GESSO AND MARBLE TOPPED CONSOLE TABLES EARLY 19TH CENTURY the insert orange marble tops enclosed by gadroon carving, above friezes with applied gesso foliate scrolls, shells, and fruiting vines, raised on bold acanthus carved cabriole legs ending in carved paw feet on cushion pads (2) 103cm wide, 85cm high, 51cm deep

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

150 PAIR OF LARGE GEORGIAN STYLE BRASS HALL LANTERNS 20TH CENTURY of cylindrical form with a central shaft issuing four candle branches, fitted for electricity (2) 112cm high, 53cm diameter Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

151 LATE GEORGE III SATINWOOD AND EBONISED BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the top with a moulded edge over four graduated drawers, raised on French bracket feet 88cm wide, 83cm high, 51cm deep

£600-800

152 SCOTTISH GEORGE III MAHOGANY STAGEBACK SERVING TABLE LATE 18TH CENTURY the serpentine top with a superstructure outlined with stringing, above three short frieze drawers, raised on square tapered legs with spade feet 167cm wide, 106cm high, 71cm deep

£1,000-1,500

61

153 TWENTY-EIGHT LIGHT GILT METAL AND CUT GLASS CHANDELIER EARLY 20TH CENTURY the scrolling branches in three tiers, the lower tier issuing triple and single candle arms, all profusely hung with prism drops, swags, and lustres 136cm high, 100cm diameter Provenance: Private Collection, Stirlingshire, Scotland

£1,500-2,500

154

155

SET OF TEN GEORGIAN STYLE MAHOGANY DINING CHAIRS

GEORGIAN STYLE MAHOGANY THREE PILLAR DINING TABLE

EARLY 20TH CENTURY with pierced ladder backs above drop-in needlework seats raised on square straight legs joined by stretchers (10)

the rounded rectangular top with two leaf extensions, raised on turned column supports with reeded outswept legs ending in brass caps and castors

55cm wide, 95cm high, 44cm deep

388cm long, 76cm high, 137cm deep

£600-800

£2,000-3,000

20TH CENTURY

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

156 GEORGIAN STYLE GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a carved and pierced frame with acanthus scrolls, rocaille and trellis panel surmounted by a flower bouquet 134cm high, 102cm wide Provenance: Private Collection, Stirlingshire, Scotland

£600-800

157 Y LATE GEORGE III MAHOGANY TAMBOUR TOP BUREAU LATE 18TH CENTURY the tambour top opening to further tambour doors enclosing pigeon holes and drawers with ivory knobs, over a pull-out slide with ratchet-adjusted baize lined slope, above a pair of short drawers and raised on square tapered legs 92cm wide, 95cm high, 67cm deep

£600-800

158 GEORGIAN STYLE MAHOGANY BREAKFRONT SECRETAIRE BOOKCASE 19TH CENTURY the dentil moulded cornice above astragal glazed doors opening to adjustable shelves; the lower part with a secretaire drawer fitted with pigeon holes and drawers, above two long drawers, flanked by moulded panel doors, raised on shaped bracket feet 246cm wide, 218cm high, 49cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

63

159 LATE GEORGIAN MAHOGANY WINE TABLE 18TH CENTURY, LATER ADAPTED the dished circular top on a slender baluster support and turned based 30cm diameter, 42cm high

£300-500

160 LATE GEORGE III MAHOGANY, SATINWOOD, PARTRIDGEWOOD, DEMI-LUNE CARD TABLE LATE 18TH CENTURY the crossbanded top centred by an oval inlay, opening on twin gatelegs to a green baize playing surface, raised on square tapered legs ending in spade feet 91cm wide, 75cm high, 46cm deep

£500-700

161 GEORGE III MAHOGANY OVAL BREAKFAST TABLE 18TH CENTURY the oval tilt top with a reeded edge on a barrel column and four outswept reeded legs ending in brass caps and castors 167cm wide, 73cm high, 125cm deep

£2,000-3,000

162 SCOTTISH LATE GEORGE III MAHOGANY, WALNUT, AND YEW WOOD LONGCASE CLOCK, ALEXANDER BRAND, EDINBURGH LATE 18TH CENTURY the swan neck pediment above and arched brass dial with signed boss, the silvered chapter with Roman numerals, subsidiary seconds dial, date aperture, and twin winding holes, above an arched crossbanded trunk door above a banded plinth on bracket feet; the eight day movement striking a bell 53cm wide, 230cm high, 27cm deep

£800-1,200

163 GEORGE III MAHOGANY LOW PRESS CUPBOARD 18TH CENTURY the top with a reeded edge over a pair of panel doors opening to sliding trays, raised on ogee bracket feet 141cm wide, 90cm high, 44cm deep

£700-1,000

64

164 PAIR OF PINE NEOCLASSICAL CONSOLE TABLES 19TH CENTURY the demilune tops above fluted friezes and raised on fluted and leaf carved tapered legs joined by stretchers centred by urn finials (2) 89cm wide, 83cm high, 44cm deep

£300-500

165 LATE GEORGE III MAHOGANY AND BRASS HEXAGONAL TRIPOD WORK TABLE EARLY 19TH CENTURY the hinged top opening to a void interior, on a baluster column support and outswept legs with brass caps and castors 45cm wide, 76cm high

£300-400

166 GEORGE III MAHOGANY FOUR POST BED LATE 18TH CENTURY the arched cornice raised on reeded and turned end posts on turned feet; green chintz hangings with gold trimming and tassels, with a platform base 153cm wide, 216cm high, 205cm long

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

167 LATE GEORGE III MAHOGANY SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop ends, above a pair of short frieze drawers with dummy drawers on the reverse, raised on end supports with stepped outswept legs ending in brass lions paw caps and castors 110cm wide [down] 163cm wide; 74cm high, 70cm deep

£500-800

168 GEORGE III MAHOGANY BONHEUR DE JOUR LATE 18TH CENTURY the galleried top above a pair of glazed doors enclosing shelves and two short drawers, on a projecting crossbanded base with a long frieze drawer and two shaped undertiers 64cm wide, 123cm high, 51cm deep

£300-500

169 LATE GEORGE III MAHOGANY AND INLAID CORNER CABINET EARLY 19TH CENTURY the arched moulded cornice above a pair of ebony banded panel doors opening to a grey painted interior with shaped shelves; the base with a pair of panel doors opening to further shelves, on bracket feet 104cm wide, 231cm high, 57cm deep

£600-800

170 SHERATON STYLE MAHOGANY CHEVAL MIRROR EARLY 20TH CENTURY the oval mirror plate suspended by reeded supports with urn finials, with trestle bases and a stretcher 65cm wide, 163cm high

£300-500

66

171 PAIR OF GEORGE III MAHOGANY ARMCHAIRS 18TH CENTURY in the Hepplewhite taste, the oval medallion backs above wide seats flanked by part-padded arms on husk carved supports, raised on square tapered fluted legs ending in brass caps and castors; one in green damask, the other dark green plush upholstery (2) 59cm wide, 95cm high, 48cm deep

£1,200-1,800

172

173

GEORGE III MAHOGANY BREAKFRONT BOOKCASE

LATE GEORGIAN PAINTED HANGING CORNER CUPBOARD

18TH CENTURY the moulded cornice above a pair of astragal glazed doors flanked by further doors, all enclosing adjustable shelves; on a base with four moulded panel doors, the centre doors enclosing sliding trays, the outer doors enclosing drawers to one side and shelves to the other, on a plinth base

LATE 18TH/ EARLY 19TH CENTURY

282cm wide, 220cm high, 53cm deep

52cm wide, 86cm high, 36cm deep

Provenance: Property from a Scottish Country House

Provenance: Property from a Scottish Country House

£3,000-5,000

£250-350

of bowfront outline, the twin doors painted with a pastoral scene, on an ebonised ground, opening to shelves

67

174 IRISH GEORGE III MAHOGANY DROP-LEAF DRESSING/ WRITING TABLE, BY STRAHAN, DUBLIN 18TH CENTURY the rectangular top with twin drop leaves and a hinged mirror, over a pull-out end fitted for writing, on square straight legs; the drawer stamped R. STRAHAN

Note: The Irish cabinetmaking firm of Robert Strahan and Co was established in 1776 at 10-11 Chancery Lane, Dublin. The company prospered, designing furniture for fine houses throughout Ireland.

In 1815 they opened a new Dublin premises at 24-25 Henry Street and a further workshop was opened at 5 Leinster Street in 1845. The firm went on to exhibit at the Dublin Great Industrial Exhibition in 1853 and at the second London International Exhibition of 1862. The business traded until 1969.

108cm [up] 69cm wide, 71cm high, 76cm deep

£800-1,200

175 GEORGE III MAHOGANY AND INLAID CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded top with key inlaid banding above four graduated drawers flanked by angles outlined with stringing, raised on tapered bracket feet 92cm wide, 85cm high, 50cm deep

£1,000-1,500

176 LATE GEORGE III OAK WATERFALL BOOKCASE LATE 18TH CENTURY with three graduated and sectioned tiers above a base drawer, raised on square tapered legs 91cm wide, 122cm high, 32cm deep

£400-600

177 LATE GEORGIAN WING ARMCHAIR EARLY 19TH CENTURY covered in green plush upholstery, on straight square legs joined by stretchers 88cm wide, 112cm high, 56cm deep Provenance: Property from a Scottish Country House

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

68

PAINTINGS PART ONE

178 ATTRIBUTED TO SIMON DE VLIEGER (DUTCH C.1600-1653) DUTCH MAN-O-WAR UNDER FULL SAIL Signed and indistinctly dated 1627?, oil on panel 60cm x 71cm (23.5in x 28in)

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

69

179 CIRCLE OF FRANCESCO TIRONI ST. MARK’S SQUARE, VENICE Oil on canvas; and a companion by the same hand, a ‘Venetian Canal Scene’ (2) 46cm x 72.5cm (18in x 28.5in) Provenance: Lowood House, Melrose

£4,000-6,000

70

180 ATTRIBUTED TO ALBERT CUYP PORTRAIT OF BARTHOLD, SON OF FREDERIC BARON SCHWARTZENBERG, 1647-1650 Inscribed verso with details of sitter and dated 1649, oil on board 38cm x 34cm (15in x 13.5in) Provenance: The Estate of the Late Mary Elizabeth Stuart Harley (1925-2019)

£2,500-3,500

181 LATE 17TH CENTURY BRITISH SCHOOL DOUBLE PORTRAIT OF TWO BOYS IN LANDCSAPE Inscribed ‘Wilh.m Nisbet, C. of Leven,’ oil on canvas 127cm x 102cm (50in x 40in) Provenance: Private Collection, Stirlingshire, Scotland

£800-1,200

182 18TH CENTURY DUTCH SCHOOL FOR WHAT WE ARE ABOUT TO RECEIVE Oil on panel 30.5cm x 25.5cm (12in x 10in)

£500-800

71

183 FOLLOWER OF ANDRIES VERMEULEN A WINTER LANDSCAPE WITH FIGURES AND SKATERS ON A FROZEN LAKE Oil on canvas 30.5cm x 41cm (12in x 16in)

£1,000-1,500

184 AFTER PHILIPS WOUWERMAN TRAVELLERS OUTSIDE A BLACKSMITH Oil on canvas 40.5cm x 53cm (16in x 21in) Provenance: Lowood House, Melrose Note: A copy after the painting formerly in the collection of Lord Lonsdale.

Literature: B. Schumacher, Philips Wouwerman - Horse Painter of the Golden Age, 2006, p.185, under no.A38, copy 10

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

185 NICHOLAS POCOCK (BRITISH 1740-1821) THE FINAL BROADSIDE Signed and dated 1801, oil on canvas 41cm x 61cm (16in x 24in)

£1,500-2,500

186 FOLLOWER OF ABRAHAM BEGYN AN ITALIANATE LANDSCAPE WITH MILKMAID Oil on canvas 24cm x 31cm (9.5in x 12.5in) Provenance: Lowood House, Melrose

£800-1,200

187 17TH CENTURY BRITISH SCHOOL FULL LENGTH PORTRAIT OF A LADY BESIDE A CASKET OF JEWELS Oil on canvas 203cm x 140cm (80in x 55in) Provenance: Private Collection, Stirlingshire, Scotland

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

73

74

188 18TH CENTURY BRITISH SCHOOL HALF LENGTH PORTRAIT OF A SEATED GENTLEMAN IN BLUE WAISTCOAT Oil on canvas 127cm x 102cm (50in x 40in) Provenance: Private Collection, Stirlingshire, Scotland

£500-800

189 18TH CENTURY ENGLISH SCHOOL HALF LENGTH PORTRAIT OF A YOUNG MAN Oil on canvas 76cm x 63.5cm (30in x 25in)

£1,500-2,000

75

190 FOLLOWER OF WILLIAM AIKMAN THREE QUARTER LENGTH PORTRAIT OF A YOUNG WOMAN IN BROWN Oil on canvas 122cm x 101.5cm (48in x 40in) Provenance: Private Collection, Stirlingshire, Scotland

£700-1,000

191 MANNER OF GEORGE HENRY HARLOW PORTRAIT OF MOTHER AND CHILD Inscribed ‘Elizabeth Campbell wife of Colin Campbell,’ oil on canvas 76cm x 63.5cm (30in x 25in) Provenance: Private Collection, Stirlingshire, Scotland

£500-800

192 AFTER SIR JOSHUA REYNOLDS THE AGE OF INNOCENCE Oil on canvas 76cm x 63.5cm (30in x 25in) Provenance: Private Collection, Stirlingshire, Scotland

£500-800

76

193 REMBRANDT VAN RIJN (DUTCH 1606-1669) ST. JEROME IN A DARK CHAMBER (BARTSCH 105) Etching, 1642, New Hollstein’s third state (of three), signed and dated in plate ‘Rembrandt f 1642’ the sheet 15cm x 17.5cm (5.8in x 6.8in) Provenance: The Fine Art Society, London - label verso dated 29.VII.31.

£1,500-2,500

194 ALBRECHT DURER (GERMAN 1471-1528) PENTECOST, FROM ‘THE SMALL PASSION’ (BARTSCH 51) Woodcut, from the 1511 edition with Latin text verso, monogrammed in plate the sheet 12.8cm x 9.7cm (5in x 3.8in)

£700-900

77

195 THOMAS ROWLANDSON (BRITISH 1756-1827) THE BODY-SNATCHERS BURKE AND HARE Mixed media on paper 27.5cm x 24cm (10.75in x 9.5in)

£1,500-2,000

196 MANNER OF HUBERT ROBERT WOMEN IN AN ORNAMENTAL GARDEN Pen and ink, grisaille and sanguine chalk, indistinctly inscribed 20.5cm x 13cm (8in x 5in)

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

78

BRITISH FURNITURE & WORKS OF ART PART TWO

197 PAIR OF PROVINCIAL ELM SIDE CHAIRS EARLY 19TH CENTURY with turned spindle backs above shaped saddle seats, raised on simple splayed legs (2) 49cm wide, 88cm high, 38cm deep

£800-1,200

198 LATE GEORGIAN PINE SETTLE EARLY 19TH CENTURY the three over four panel back with a shaped hood and enclosed arms, above a loose plank seat on a box base 160cm wide, 157cm high, 40cm deep

£500-800

199 VICTORIAN PINE AND DEAL DRESSER MID 19TH CENETURY the superstructure with a shaped back and shelf with drawers to the sides, above an arrangement of drawers and cupboards, raised on turned feet 165cm wide, 123cm high, 55cm deep

£400-600

79

200 PINE CRICKET TABLE LATE 18TH/ EARLY 19TH CENTURY the circular top on ring turned legs joined by a triangular undertier 73cm diameter, 72.5cm high

£700-1,000

201 GEORGIAN STYLE ELM AND ASH TWO SEAT HOOP-BACK SETTLE 20TH CENTURY with a spindle back above a shaped double saddle seat, raised on turned legs joined by twin crinoline stretchers 119cm wide, 103cm high, 46cm deep

£800-1,200

202 GEORGIAN OAK DRESSER LATE 18TH CENTURY the moulded cornice above three enclosed plate shelves, the base with three short frieze drawers above a shaped frieze, raised on ring turned legs joined by an undertier 152cm wide, 249cm high, 47cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

80

203 SET OF SIX WALNUT ‘DRUNKARD’S’ CHAIRS 19TH CENTURY with spindle backs above dropin seats on trestle bases with brass castors (6) 58cm wide, 86cm high, 45cm deep

£1,200-1,800

204 STONE CHINA IMARI PART DINNER SERVICE, PROBABLY BY HICKS AND MEIGH EARLY 19TH CENTURY comprising a large soup tureen and cover; two further tureens with covers and circular stands; two small sauce tureens with covers on circular stands; two round basins; a tree and well meat plate and a meat drainer; seven various graduated ashets, the largest 54cm long, the smallest 26.5cm long; thirty two dinner plates, 24.7cm diam.; eight bowls, 24cm diam.; six side plates, 19cm diam.; underglaze blue Stone China crown and laurel wreath mark, pattern No 6 (qty) £1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81

205 SMALL OAK DRESSER BASE LATE 17TH CENTURY the top with a moulded edge above two short panelled frieze drawers, raised on baluster turned forelegs 138cm wide, 81cm high, 51cm deep

£500-700

206 GEORGE III OAK DRESSER LATE 18TH/ EARLY 19TH CENTURY the upper part with an enclosed back and open plate racks around a central cupboard; the base with six drawers and two cupboards with arched fielded panels, raised on shaped bracket feet 150cm wide, 210cm high, 59cm deep

£1,000-1,500

207 GEORGIAN OAK DRESSER BASE LATE 18TH CENTURY of inverted breakfront outline, with a superstructure with three short drawers, above an arrangement of drawers and cupboards 195cm wide, 89cm high, 49cm deep

£400-600

82

208 GEORGIAN PROVINCIAL WALNUT COMB-BACK CORNER ARMCHAIR MID 18TH CENTURY the high comb-back above a curved mid-rail, pierced splats and scrolled arms, the drop-in seat on square legs with stretchers 79cm wide, 107cm high, 74cm deep

£600-800

209 GEORGE III OAK TRIPOD TABLE 18TH CENTURY the circular tilt top on a vasiform column and tripod legs 47cm diameter, 70cm high

£700-1,000

210 GEORGE III OAK LONGCASE CLOCK, WILLIAM PORTHOUSE, PENRITH MID 18TH CENTURY the moulded cornice above a brass dial with Roman number chapter, signed Wm Porthouse PENRITH, with a date aperture, above a plain trunk and case on a plinth base, the thirty hour movement striking a bell 193cm high, 43cm wide, 23cm deep

£500-700

211 GEORGIAN OAK SETTLE 18TH CENTURY the back with three over five panels above a seat with a hinged compartment flanked by open arms, on a box base 197cm wide, 141cm high, 48cm deep

£600-800

83

212 SET OF EIGHT YEW WOOD WINDSOR ARMCHAIRS 19TH CENTURY of typical form with spindle hoop backs and central pierced splats, above shaped saddle seats raised on turned legs joined by turned H stretchers (8) 64cm wide, 115cm high, 44cm deep

£4,000-6,000

213 OAK BIRDCAGE TRIPOD TABLE EARLY 18TH CENTURY the circular tilt top over a birdcage support and turned baluster stem, on unusual scroll outline legs with turned finial feet 87cm diameter, 74cm high

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

84

214 FOUR LARGE EDWARDIAN BARLEY TWIST BRASS CANDLESTICKS EARLY 20TH CENTURY on circular dished bases (4) 52 cm tall

£1,000-1,500

215 PAIR OF LARGE OPEN BARLEY TWIST BRASS CANDLESTICKS 19TH CENTURY on circular bases (2) 58 cm high

£600-800

216 FOUR PIECES OF MOCHAWARE POTTERY 19TH CENTURY comprising a large seaweed pattern ale jug in puce and blue between brown concentric bands and yellow ground, a one-pint mug with Victorian excise mark, 13cm high; a one-quart jug with Victorian excise mark, both with tree patterns and blue and brown bands and marks to the base; and a mug with seaweed pattern, yellow ground and brown bands, 10.3cm high (4)

217 COPPER AND BRASS BUCKET 19TH CENTURY of cylindrical form with a swing handle and rivetted joins

Ale jug 25cm high

34cm diameter, 32cm high

£500-700

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85

218 EARLY GEORGIAN PROVINCIAL BLUE-PAINTED PINE BUREAU 18TH CENTURY the slant front opening to an arrangement of pigeon holes and drawers, above a long frieze drawer, raised on squared cabriole legs 70cm wide, 103.5cm high, 48cm deep Provenance: Property from an East Lothian Country House

£300-500

219 OAK DRESSER LATE 17TH CENTURY AND LATER the moulded cornice above four enclosed plate shelves flanked by arched recesses; the base with an arrangement of fielded panel doors and drawer, on stile feet 164cm wide, 206cm high, 47cm deep

£1,000-1,500

87

220 PAIR OF LARGE REGENCY PATINATED AND GILT BRONZE CANDLESTICK LAMPS EARLY 19TH CENTURY with acanthus leaf cast nozzles above the tapered columns, raised on scrolled leafy and rose head feet and plinth bases, converted from candlesticks, with cream pleated shades (2) 47cm high (excluding fittings)

£2,000-4,000

221 REGENCY MAHOGANY BERGERE EARLY 19TH CENTURY the caned shaped square back above a cushion seat flanked by enclosed sides with baluster column supports, raised on turned and tapered legs ending in castors 64cm wide, 101cm high, 57cm deep

£800-1,200

222 PAIR OF IRISH REGENCY MAHOGANY URN STANDS EARLY 19TH CENTURY with pierced brass galleries above moulded panel doors flanked by pilasters, opening to shelves and an interior drawer, on plinth bases with brass castors (2) 57cm wide, 128cm high, 54cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88

223 REGENCY GILTWOOD AND GESSO PIER MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a plain moulded frame with shell and foliate scroll cresting 165cm high, 87.5cm wide Provenance: Private Collection, Stirlingshire, Scotland

£400-600

224 REGENCY STYLE GREEN PAINTED, PARCEL-GILT CHINOISERIE DISPLAY CABINET 20TH CENTURY the pagoda top with a pineapple finial, above a pair of glazed doors enclosing four shelves, on straight legs with pierced spandrels, decorated to simulate Chinese lacquer 87cm wide, 220cm high, 34cm deep

£600-800

225 CREAMWARE TRANSFER-PRINTED AND LEAF-MOULDED PART DESSERT SERVICE EARLY 19TH CENTURY centrally decorated in puce with scenes of mothers and children within green leaf borders (18) Plates 19cm diameter

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

89

226 REGENCY GILTWOOD AND GESSO ‘APOLLO’ TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice with ball mounts above a frieze depicting Apollo in a chariot pulled by lions, over bevelled mirror plates in ebonised slips flanked by reeded columns 90cm high, 142cm wide

£500-700

227 REGENCY MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY with a circular white enamel Roman numeral, with subsidiary seconds and calendar dials, in an arched moulded hood and plain tapered case, the twintrain eight-day movement striking a bell 208cm high, 48cm wide, 27cm deep

£400-600

228 Y REGENCY ROSEWOOD AND SATINWOOD TEA TABLE, IN THE MANNER OF GEORGE OAKLEY EARLY 19TH CENTURY the banded fold-over top opening with scissor action legs joined by an undertier and ending in brass lotus cast caps and castors 92cm wide, 74cm high, 46cm deep Note: A pair of card tables of almost identical form and attributed to George Oakley is in the Royal Collection in the Music Room, Buckingham Palace: https://www.rct.uk/ collection/search#/2/collection/3201/card-table

£1,000-1,500

229 PAIR OF REGENCY MAHOGANY ARMORIAL HALL CHAIRS EARLY 19TH CENTURY the waisted backs carved with plantain leaves and centred with painted armorials inscribed FLIGHT above a coronet and eagle, raised on square tapered legs (2) 45cm wide, 90cm high, 38cm deep

£300-500

90

230 SCOTTISH GEORGE III MAHOGANY STICK BAROMETER, ANGELO LOVI EARLY 19TH CENTURY signed to the silvered dial ‘ANGELO LOVI’, with a cross-banded border 98cm high

£300-500

231 Y REGENCY ROSEWOOD WHATNOT EARLY 19TH CENTURY with four tiers and a central drawer, on turned legs with brass caps and castors 45cm wide, 132cm high, 36cm deep

£400-600

232 Y SCOTTISH REGENCY ROSEWOOD BASIN STAND, ATTRIBUTED TO JAMES MEIN OF KELSO EARLY 19TH CENTURY the ring top with a gadrooned carved edge above two triform tiers raised on baluster supports, the middle tier with carved ring handles, the lower tier with scrolled feet 31cm diameter, 82cm high

£300-500

233 REGENCY MAHOGANY INLAID PEDESTAL SIDEBOARD 19TH CENTURY of inverted breakfront outline with three frieze drawers above cupboards doors outlined with stringing and bead moulding and inlaid with shell motifs, raised on bracket feet 136cm wide, 96cm high, 54cm deep Provenance: Sold by these rooms, 28 June 2007, lot 725

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

91

234 REGENCY MAHOGANY OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular bevelled plate enclosed by Ionic pilasters and lotus clasped moulding surmounted by lion mask motifs 75cm high, 125cm wide Provenance: Sold by these rooms December 2009, lot 266

£600-800

235 LATE REGENCY OAK HEXAGONAL TRIPOD WINE TABLE 19TH CENTURY the hexagonal top on a ring triple cluster column support and S scroll legs 39cm wide, 56cm high

£300-500

236 SET OF TWELVE REGENCY STYLE MAHOGANY DINING CHAIRS 19TH CENTURY the scroll carved bar backs with fan splats above drop-in seats covered in red plush, raised on foliate carved sabre legs (12) 45cm wide, 87cm high, 44cm deep

£1,000-1,500

237 LATE REGENCY MAHOGANY DINING TABLE EARLY 19TH CENTURY the rounded rectangular top in three sections, the centre section with drop leaf sides, raised on turned and tapered legs ending in brass caps and castors 265cm long, 73cm high, 121cm deep

£3,000-4,000

92

238 PAIR OF GILTWOOD WALL BRACKETS 19TH CENTURY the demilune platforms supported on palmettes and carved eagles (2) 46cm high, 61cm high, 22cm deep Provenance: Private Collection, Stirlingshire, Scotland

£400-600

239 REGENCY BRASS LAMP BASE, IN THE MANNER OF GEORGE BULLOCK EARLY 19TH CENTURY the reeded column on a triform base with claw feet 51cm high

£300-400

240 MATCHED DERBY PORCELAIN TOPOGRAPHICAL PART DESSERT SERVICE EARLY 19TH CENTURY decorated with Continental and British views within gilt decorated borders, inscribed on the reverse, comprising fifteen round plates, four quatrelobe dishes, two small sauce tureens and covers on stands, one twin handled footed comport (qty) plates 22.5cm diameter Provenance: Lowood House, Melrose

£1,000-1,500

241 REGENCY STYLE MAHOGANY AND BRASS SIDE CABINET LATE 19TH CENTURY of breakfront outline, with a pair of grille insert doors flanked by further doors lined with blue silk, opening to adjustable shelves, on a plinth base 192cm wide, 122cm high, 51cm deep

£400-600

93

242 CUT GLASS EIGHT LIGHT BIRDCAGE CHANDELIER EARLY 20TH CENTURY hung with prism drops and swags, wired for electricity 71cm high, 64cm diameter Provenance: Private Collection, Stirlingshire, Scotland

£500-700

243 SET OF EIGHT REGENCY MAHOGANY AND SATINWOOD DINING CHAIRS EARLY 19TH CENTURY comprising six side chairs and a pair of armchairs, with bar backs above reeded vertical splats and wide stuffover seats in blue trellis pattern fabric, raised on square tapered legs ending in spade feet (8) Armchair 56cm wide, 85cm high, 48cm deep

£400-600

244 REGENCY BURR ELM CENTRE TABLE EARLY 19TH CENTURY the crossbanded circular tilt-top on a square section baluster stem and quadripartite base raised on carved winged paw feet with castors 122cm diameter, 74cm high

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

245 SIX REGENCY CREAMWARE BIN LABELS EARLY 19TH CENTURY variously labelled ‘MADEIRA’, ‘CLARET’, ‘PORT’ and ‘SHERRY’, some stamped with maker’s marks including Wedgwood and Copeland & Garrett (6) Largest 9.5cm high, 14cm wide

£300-500

246 Y REGENCY ROSEWOOD, BONE, AND CUT-GLASS CRUET STAND EARLY 19TH CENTURY to include two cut-glass bottles and stoppers, and two shakers and a further bottle with white metal caps, the stand with turned bone spindles and stopper holders 30cm high overall

£400-600

247 REGENCY PENWORK WORK BASKET EARLY 19TH CENTURY rectangular with a swing handle, the hinged top painted with a cottage scene, the sides decorated with a stylised leaf border, the interior fitted with compartments 17cm wide, 12.5cm deep, 16cm high [handle up]

£300-500

248 REGENCY PENWORK WORK BASKET EARLY 19TH CENTURY the hinged domed top painted with a building within an oval border, the front painted with acorns and flowers, with a swing handle and void interior 15cm wide, 14cm deep, 17cm high (handle raised)

£300-500

249 Y REGENCY BRONZE MOUNTED ROSEWOOD DESK STAND EARLY 19TH CENTURY with later silver inkwells, hallmarked Birmingham 1906, above a single drawer with ivory handle 32cm wide, 15cm high, 23.5cm deep

£300-500

95

250 PAIR OF REGENCY PATINATED AND GILT BRONZE LAMPS EARLY 19TH CENTURY each with a leaf cast nozzle above a tapered reeded column raised on lions’ paw tripod legs and a plinth base, converted from candlesticks, with cream twist pleated shades (2) 32.5cm high (excluding fittings)

£1,000-1,500

251 PAIR OF REGENCY GILT AND PATINATED METAL LAMPS EARLY 19TH CENTURY each with an urn candle nozzle above acorn-formed collars, on a reeded column with a circular foot cast with acorns and oak leaves, converted from candlesticks, with cream pinch-pleated shades (2) 29cm high (excluding fittings)

£1,000-1,500

252 Y REGENCY TORTOISESHELL TEA CADDY EARLY 19TH CENTURY with a breakfront outline, opening to a divided interior with ivory banded borders, on a moulded base with squat bun feet 19.5cm wide, 12.5cm high, 12.5cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96

253 COLLECTION OF WAX INTAGLIOS 19TH CENTURY to include two groups in red wax mounted with matching frames; a group of ‘bronzed’ examples mounted in a giltwood frame, frame 34.5cm x 46cm; and another group mounted in a giltwood frame, frame 34.5cm x 40.5cm (4) Pair frame size 29cm x 36.5cm overall

254 Y SCOTTISH ROSEWOOD STICK BAROMETER, DELLA TORRI, PERTH LATE 18TH/ EARLY 19TH CENTURY

Provenance: Private Collection, Stirlingshire, Scotland

the signed ivory plate above the mercury vial and domed cistern cover

£300-500

95.5cm high

£300-500

255 Y SET OF FOUR REGENCY ROSEWOOD NESTING TABLES EARLY 19TH CENTURY the tops with cockbead moulding, raised on slender ring-turned legs on trestle bases and joined by straight stretchers (4) 52cm wide, 74cm high, 33cm deep

£400-600

256 REGENCY MAHOGANY CHAMBER TABLE, IN THE MANNER OF GILLOWS 19TH CENTURY the rounded rectangular top above a moulded frieze with a long drawer, raised on turned and reeded tapered legs 72cm wide, 68cm high, 51cm deep

£400-600

257 Y REGENCY ROSEWOOD FREESTANDING BOOKSTAND EARLY 19TH CENTURY with three graduated open tiers raised and divided by pierced fleur de lis end supports on outswept legs with wood castors 63cm wide, 90cm high, 33cm deep

£600-800

97

258 REGENCY GILTWOOD AND VERRE ÉGLOMISÉ MIRROR EARLY 19TH CENTURY the verre églomisé frieze painted with flowers and a musical trophy; over a rectangular mirror plate flanked by columns 72.5cm high, 46.5cm wide

£500-700

259 REGENCY MAHOGANY BERGERE EARLY 19TH CENTURY the caned back above a caned seat flanked by enclosed arms with turned supports, raised on turned legs with brass caps and castors 63cm wide, 83cm high, 61cm deep

£1,000-1,500

260 WILLIAM IV MAHOGANY OPEN BOOKCASE, POSSIBLY IRISH EARLY 19TH CENTURY with five shelves with reeded foreedges, the top shelf with a pediment back, raised and divided by ring turned baluster supports, all raised on turned feet 143cm wide, 166cm high, 25cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98

261 Y JAMES HOLMES (BRITISH, 1777-1860) PORTRAIT MINIATURE OF A BOY DRESSED IN TARTAN, DATED 1818 watercolour on ivory, signed and dated bottom right, 21.5cm x 14.5cm; together with a further PORTRAIT MINIATURE OF A LADY, watercolour on ivory, depicting a young lady against a floral ground, 12cm x 9cm; in giltwood frames (2) £600-800

262 PAIR OF REGENCY GILT AND PATINATED BRONZE CANDLESTICKS EARLY 19TH CENTURY the single branch candle arms hung with prism drops, on rectangular base with figures of a stag and doe (2) 25.5cm high

£600-800

263 PAIR OF WILLIAM IV BRONZE CANDLESTICKS, ATTRIBUTED TO THOMAS ABBOTT EARLY 19TH CENTURY the stems modelled as storks standing on naturalistic domed bases cast with shells (2) 40cm high

£300-400

264 PAIR OF PAINTED AND PARCEL GILT TOLE TEA CANISTER LAMPS 19TH CENTURY of oval shape, decorated in black and gilt with rope motifs, Chinese symbols, and numbered 22 and 58 (2) 46cm high excluding fittings

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

99

265 PATRIC PARK (SCOTTISH, 1811-1855) WHITE MARBLE BUST OF A YOUNG LADY signed on the reverse ‘PARK. LONDn 1846’, on a socle 74cm high

£2,000-3,000

Patric Park was born in Glasgow into a family of statuaries and masons. Before the age of twenty he had executed work at Hamilton Palace and Murthley Castle, before training in Rome for two years under Thorwaldsen. His portrait busts were particularly well regarded for expressing energy and tenderness.

He exhibited many works at the RA and the RSA and examples of his work are held by the Scottish National Portrait Gallery, the Glasgow Museum and the Geological Museum, London, amongst other places.

266 LATE REGENCY GREEN MARBLE VENEERED PEDESTAL EARLY 19TH CENTURY on a white moulded base 31cm diameter, 113cm high

£1,000-1,500

267 REGENCY MAHOGANY LADY’S ARMCHAIR EARLY 19TH CENTURY of small proportions, the curved back above a stuffover seat and enclosed arms with carved lyre form facings, raised on square tapered legs with brass caps and castors 71cm wide, 106cm high, 44cm deep

£800-1,200

100

268 REGENCY GILTWOOD TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the ball mounted frieze above triple mirror plates flanked and divided by cluster columns 65cm high, 146cm wide

£400-600

269 LATE REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with three division and a base drawer to one end, a dummy drawer opposing, on turned legs with brass caps and castors 56cm wide, 56cm high, 36cm deep

£300-500

270 Y REGENCY ROSEWOOD OCCASIONAL TABLE EARLY 19TH CENTURY the circular top on turned supports over two further triangular tiers, raised on splayed tripod legs with brass paw caps and castors 51cm diameter, 71cm high

£800-1,200

271 REGENCY MAHOGANY BERGERE EARLY 19TH CENTURY the square caned back and enclosed part-padded arms above a caned seat, in a reeded frame on turned legs 60cm wide, 87cm high, 62cm deep

£800-1,200

272 REGENCY WALNUT AND BRASS THREE TIER ETAGERE EARLY 19TH CENTURY the top with a pierced brass gallery above two further tiers raised and divided by turned supports, on turned legs with brass caps and castors stamped COPE AND COLLINSON 57cm wide, 77cm high, 38.5cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101

273 REGENCY GILTWOOD AND GESSO TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the lattice moulded frieze above bevelled mirror plates in reeded ebonised slips and flanked by cluster columns 89cm high, 131cm wide

£600-800

274 SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the bar backs carved with fan motifs above pierced and carved splats, over drop-in seats raised on turned and tapered reeded legs, the pads covered in cream stripe upholstery (6) 46cm wide, 89cm high, 39cm deep

£700-1,000

275 Y

276 Y

277

278

REGENCY ROSEWOOD AND BRASS INLAID CARD TABLE

LATE REGENCY ROSEWOOD SOFA TABLE

REGENCY MAHOGANY ARMCHAIR FRAME

EARLY 19TH CENTURY

EARLY 19TH CENTURY

EARLY 19TH CENTURY

the fold-over top opening to a green baize playing surface, on a tapered square column and quadripartite base with outswept legs ending in cast brass caps and castors, all outlined with brass stringing

the bead-moulded top with drop ends, on a facetted column with a lobe moulded base raised on outswept legs ending in foliate cast brass caps and castors

with a curved back and scrolled arm terminals, raised on foliate carved tapered legs ending in brass caps and castors

PAIR OF REGENCY GILT BRONZE AND ENAMEL CANDLESTICKS

91cm wide, 74cm high, 45cm deep

94cm wide (159cm open), 72cm high, 66cm cm deep

60cm wide, 98cm high, 54cm deep

£300-400

£300-400

£250-350

EARLY 19TH CENTURY with beaded rims, blue enamelled baluster stems and cast leafy bases (2) 21.5cm high

£250-350

102

279 REGENCY GILTWOOD AND GESSO OVERMANTEL MIRROR EARLY 19TH CENTURY the ball mounted cornice above a frieze with relief moulded classical figures approaching a temple with a statue of Diana, above a rectangular mirror plate in an ebonised slip flanked by fluted pilasters 107cm high, 92cm wide

£500-700

280 281

Y

REGENCY ROSEWOOD TEA TABLE, IN THE MANNER OF WILLIAM TROTTER EARLY 19TH CENTURY the rectangular fold-over top pivoting on a waisted square column carved with lotus, on a quadripartite base and lobed bun feet with brass castors 97cm wide, 76cm high, 46.5cm deep

£500-700

282 MASONS IRONSTONE ‘FLYING BIRD’ PATTERN PART DINNER SERVICE EARLY 19TH CENTURY comprising twelve dinner plates, 26.8cm diam; twelve breakfast plates, 24.2cm diam.; ten side plates, 21cm diam.; eleven shallow bowls, 27cm diam.; twelve smaller shallow bowls, 24.3cm diam.; two rectangular serving plates with canted corners, 27.5cm, 32cm; a large hexagonal form tureen and cover; a low hexagonal tureen, cover and stand; a low hexagonal tureen base; underglaze blue Masons Ironstone China marks, impressed letters and numerals (qty) £600-800

SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the tablet bar backs above pierced and carved splats and drop-in seats, on reeded sabre legs (6) 48cm wide, 88cm high, 42cm deep

£500-700

103

283 SET OF FOUR GILTWOOD AND EBONSISED ‘TRAFALGAR’ WALL LIGHTS,

BY BEAUMONT & FLETCHER OF RECENT MANUFACTURE in the Regency style, with circular mirror plates and twin scrolling candle arms, wired for electricity, and eagle cresting (4) 99cm high Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

284 SET OF NINE REGENCY MAHOGANY INLAID DINING CHAIRS EARLY 19TH CENTURY comprising an armchair and eight side chairs, with bar back above horizontal splats centred by inlaid shell motifs, over red leather drop-in seats, raised on turned and tapered legs joined by X stretchers (9) Armchair 50cm wide, 87cm high, 43cm deep

£700-1,000

285 LATE REGENCY MAHOGANY GOTHIC REVIVAL SERVING TABLE EARLY 19TH CENTURY the gothic arch moulded ledge back above a top with outset trefoil corners, over a similarly arch moulded frieze, raised on cluster column legs 145cm wide, 104cm high, 66cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

286 REGENCY GILTWOOD MIRROR 19TH CENTURY the circular mirror plate in a reeded slip and deep moulded frame with ball mounts and shell and oak leaf cresting 82cm high, 76cm wide

£300-500

287 REGENCY MAHOGANY AND SATINWOOD TEA TABLE EARLY 19TH CENTURY the D shaped fold-over top with crossbanding, on ring turned and reeded tapered legs, the top opening on double gate legs 92cm wide, 76cm wide, 45.5cm deep

£600-800

288 REGENCY MAHOGANY SOFA, POSSIBLY IRISH EARLY 19TH CENTURY the low back carved with acanthus scrolls, above high scrolled arms with carved facings, raised on lotus carved legs with recessed brass castors 205cm wide, 96cm high, 63cm deep

£600-800

289 REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the top with outset corners and a reeded edge, above five graduated drawers flanked by reeded corner columns, on turned reeded bun feet 114cm wide, 115cm high, 55cm deep

£400-600

105

290 Y REGENCY ROSEWOOD, YEW, AND PARCEL-GILT CENTRE/SOFA TABLE EARLY 19TH CENTURY the banded top with hinged inward-closing leaves above a real and dummy drawer to each side, raised on a tapered hexagonal column support and quadripartite base with sabre legs ending in brass claw feet with castors 75cm wide, 152cm [open], 76cm high, 75cm deep

£600-800

291 REGENCY MAHOGANY DRAUGHTSMAN’S TABLE EARLY 19TH CENTURY the hinged and ratchet adjusted top with a moulded edge and green leather insert and push button release, above a long frieze drawer and slides to either end, raised on turned and tapered legs ending in brass caps and castors 93cm wide, 78cm high, 57cm deep

£800-1,200

292 REGENCY MAHOGANY DAYBED, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with scroll ends raised on reeded sabre legs ending in brass caps and castors, covered in yellow striped silk with a loose cushion seat and bolster 212cm long, 91cm high, 70cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

293 ROBERT KER PORTER, THREE STIPPLE ENGRAVED PRINTS OF THE CONQUEST OF SERINGAPATAM 1802-1803 to include The Glorious Conquest of Seringapatam, The Storming of Seringapatam, The Last Effort of Tippoo Sultaun in defence of the Fortress of Seringapatam; together with a print ‘Descriptive Sketch of the Three Prints of the STORMING OF SERINGAPATAM, 43cm x 58cm, framed (4) 62cm x 90cm wide sight size Provenance: Private Collection, Stirlingshire, Scotland

£800-1,200

294 PAIR OF RED PAINTED ARMORIAL CORDITE CASES LATE 19TH/ EARLY 20TH CENTURY each comprising of three cases bound with leather straps, all bearing Royal Coats of Arms (2) 51cm high

£1,000-1,500

295 RED STAINED ARMORIAL BARREL STICK STAND 19TH CENTURY of oval barrel shape with a printed Royal Coat of Arms 32cm wide, 65cm high, 28cm deep

£500-700

296 RARE ANGLO-INDIAN CAMPHORWOOD AND PADOUK CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded top over two short and three long drawers, with handles to the sides, raised on French bracket feet 94cm wide, 89cm high, 49.5cm deep

£2,000-3,000

107

297 MAHOGANY HANGING SHELVES 19TH CENTURY of large size, with four graduated shelves 111cm wide, 119cm high; shelf depth

£400-600

298 WILLIAM IV MAHOGANY LEATHER UPHOLSTERED WING ARMCHAIR EARLY 19TH CENTURY covered in light brown leather outlined with close nail head trim, raised on lotus carved tapered legs with brass caps and castors 77cm wide, 111cm high, 55cm deep

£800-1,200

299 VICTORIAN TEAK CAMPAIGN PEDESTAL DESK 19TH CENTURY the top with a leather insert and brass dish reserves, above a long and two short frieze drawers, raised on banks of three drawers, inscribed on the back of the drawers “2nd Supt ENG./ E8 ‘E’ Dk/ STAR” 118cm wide, 79cm high, 59cm deep

£1,500-2,500

300 Y IVORY AND HICKORY SHAFTED WALKING STICK, OF DUKE OF WELLINGTON INTEREST 19TH CENTURY the ivory knop carved as with the head of the Duke of Wellington 89.5cm long Provenance: Sold by these rooms, June 2005, lot 136

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108

301 WILLIAM IV WALNUT AND NEEDLEWORK FOOTSTOOL EARLY 19TH CENTURY the oval padded seat covered in floral needlework, raised on fleur de lis carved cabriole legs ending in pad feet 85cm wide, 42cm high, 57cm deep

£1,000-1,500

302 GEORGE IV MAHOGANY DRUM LIBRARY TABLE EARLY 19TH CENTURY the circular top with a green leather insert, above a frieze with four real and four dummy drawers, on a lobed baluster column and quadripartite base raised on carved paw feet with brass castors 122cm diameter, 72cm high

£2,500-3,500

303 GEORGE IV MAHOGANY SOFA EARLY 19TH CENTURY the back rail centrally carved with a palmette and scrolls above a long stuffover seat flanked by scrolled arms carved with rosettes, on lotus carved legs with brass castors, covered in pale pink foliate upholstery with two bolster cushions 210cm long, 85cm high, 81cm deep

£700-900

109

304 MATCHED PAIR OF REGENCY MAHOGANY CELLARETTES, BY T. & G. SEDDON EARLY 19TH CENTURY of near identical sarcophagus form, with carved lobed knobs to the hinged covers above panelled fronts, one with a lead lined interior, the other paper lined, on castors, both stamped T & G Seddon (2) 99cm wide, 66cm high, 57cm deep; and 99cm wide, 70cm high, 60cm deep

£3,000-4,000

Note: Thomas and George Seddon took over the family business and continued to operate from the existing premises at London House until 1826 when they opened a showroom at 16 Lower Grosvenor Street. In 1827 they entered into a fouryear partnership with Nicholas Morel to provide furnishings for Windsor Castle, resulting in the firm being awarded a Royal Warrant in 1832.

305 GEORGIAN STYLE MAHOGANY PEDESTAL DESK, BY MARY WILLSON, MID 19TH CENTURY the brown leather insert top with a leaf carved edge over three frieze drawers and twin banks of three drawers, with a pair of cupboard doors opposing, raised on foliate carved ogee bracket feet, the drawer stamped ‘M. WILLSON QUEEN STREET’ 151cm wide, 80cm high, 95cm deep Provenance: Lowood House, Melrose

£1,500-2,500

Note: the stamp refers to either Mary Wilson/Willson, or her son Matthew, who took over the business in 1838. Mary Willson was married to Thomas Willson who is listed in trade directories in the early 19th century as a Furniture broker and appraiser.

Operating from premises on Queen Street, London, the company dealt mainly in good quality used furniture, however there is some evidence to suggest cabinet making also took place on the premises.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

110

306 WILLIAM IV MAHOGANY BERGERE EARLY 19TH CENTURY with a caned back and seat with loose cushion, raised on turned and tapered legs ending in brass caps and ceramic and wood castors 55cm wide, 89cm high, 53cm deep Provenance: Property from an East Lothian Country House

£600-800

307 Y VICTORIAN ROSEWOOD AND NEEDLEWORK LARGE FOOTSTOOL 19TH CENTURY covered in a rose diaper pattern needlework above a foliate carved seat rail and cabriole legs 127cm wide, 39cm high, 72cm deep Provenance: Private Collection, Stirlingshire, Scotland

£800-1,200

308 LARGE GILTWOOD AND GESSO FRAME 19TH CENTURY with a leaf tip inner slip enclosed by acanthus scrolls interspersed with flower sprays Overall 152cm x 120cm, internal 118cm x 87cm Provenance: Private Collection, Stirlingshire, Scotland

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

111

309 WILLIAM IV OLIVE WOOD, EBONY AND INLAY WRITING TABLE, ATTRIBUTED TO TOWN AND EMANUEL EARLY 19TH CENTURY the rectangular matchbook veneered top with a chamfered edge, outlined with scrolling foliate banding, over a pair of short frieze drawers with carved brackets, raised on pierced scrolling end supports and outswept legs ending in brass caps and castors 117cm wide, 74cm high, 65cm deep

£5,000-7,000

Town & Emanuel, listed in directories as ‘dealers in & Manufactureres of antique furniture, curiosities and pictures’, occupied 103 New Bond Street from c.1830 until the sale of their ‘Magnificent and Extensive Stock’ by Christie’s on 19 April 1849. They were inspired by the buhl revival, both manufacturing, restoring and dealing in French furniture and objects d’art. The firm’s patrons included, besides Royalty, the Duke of Baccleuch, the Duke of Buckingham and Lord Braybrooke. [1] [1] Above note taken from Christopher Gilbert’s ‘Pictorial Dictionary of Marked London Furniture 1700-1840’, published by the Furniture History Society and W. S. Maney & Son, 1996, p. 52

112

310 REGENCY GILTWOOD AND EBONISED OVERMANTEL MIRROR EARLY 19TH CENTURY the ball mounted cornice centred by twin carved shells, above a six-section divided mirror plate flanked by spiral columns 147cm high, 123cm wide

£700-1,000

311 Y 312 Y REGENCY ROSEWOOD AND BRASS INLAID CARD TABLE EARLY 19TH CENTURY the crossbanded fold-over top opening to a green baize playing surface, above a frieze centred by a brass inlaid panel, supported on a facetted column and outswept legs ending in brass hairy paw caps and castors 88cm wide, 73cm high, 44cm deep

£600-800

313 WILLIAM IV MAHOGANY HALL BENCH 19TH CENTURY the long seat with a moulded edge and turned cylinder ends, raised on turned and tapered legs 107cm wide, 51cm high, 33cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

LATE REGENCY ROSEWOOD WORK TABLE EARLY 19TH CENTURY the rounded rectangular top above a frieze drawer and sliding work box, on flat baluster end supports and outswept legs with brass castors 82cm wide, 76cm high, 44cm deep

£500-700

114

314 VICTORIAN KINGWOOD, BURR WOOD, BRASS AND PORCELAIN MOUNTED BONHEUR DU JOUR 19TH CENTURY the superstructure with a shelf and short drawers, over a folding writing surface with magenta baize insert, above a long frieze drawer, raised on square cabriole legs with gilt metal mounts 71cm wide, 131cm high, 46cm deep

£800-1,200

315 VICTORIAN PIETRA DURA AND GILT METAL MOUNTED EBONY PIER CABINET 19TH CENTURY the black slate top above a gilt metal leaf-mounted frieze, over a door with relief pietra dura depicting a flowering urn, opening to a shelved interior and flanked by gilt metal classical terms, on a plinth base 98cm wide, 124cm high, 49cm deep

£2,500-3,500

316 VICTORIAN MAHOGANY CHAISE LONGUE MID 19TH CENTURY the shaped back with buttoned upholstery above a long serpentine seat, raised on cabriole legs with ceramic castors 163cm long, 92cm high, 54cm deep Provenance: Property from an East Lothian Country House

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

115

317 VICTORIAN GILTWOOD OVERMANTEL MIRROR 19TH CENTURY

318 EARLY VICTORIAN WALNUT, AMBOYNA, PALM, AND EBONISED OCCASIONAL TABLE

the arched mirror plate in a moulded frame with foliate and C scrolls, rocaille, and musical putti 184cm high, 126cm wide

£800-1,200

MID 19TH CENTURY the circular top with an ebonised and gadrooned edge, inlaid with bands of exotic woods, on an octagonal column raised on foliate carved quadripartite cabriole legs 60cm diameter, 76cm high

£900-1,200

319 EARLY VICTORIAN WALNUT, MARQUETRY, AND GILT METAL MOUNTED SIDE CABINET MID 19TH CENTURY the inverted breakfront top above a pair of glazed doors enclosing shelves, flanked by arched recessed panel doors with ribbon-tied trailing flower marquetry, on a conforming plinth base, all outlined with gilt metal mounts 198cm wide, 98cm high, 46cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

116

320 Y SET OF EIGHT EARLY VICTORIAN ROSEWOOD DINING CHAIRS MID 19TH CENTURY the open backs carved with C scrolls, above serpentine stuff-over seats, raised on turned and tapered legs (8) 46cm wide, 82cm high, 41cm deep

£600-800

321 Y VICTORIAN LARGE ROSEWOOD CENTRE STOOL 19TH CENTURY the rectangular padded seat covered in yellow damask, in a foliate carved frame raised on cabriole legs ending in scrolled toes with brass castors stamped W. HOPKINS & SON PATENT 120cm wide, 40cm high, 69cm deep

£400-600

322 PAIR OF VICTORIAN WALNUT AND MARQUETRY CORNER CABINETS MID 19TH CENTURY of bowfront outline with gilt metal mounts, the glazed doors enclosing plush lined shelves, on plinth bases (2) 67cm wide, 106cm high, 50cm deep

£700-900

323 VICTORIAN ROCOCO REVIVAL GILTWOOD THREE-FOLD SCREEN 19TH CENTURY the frame carved with rocaille, with inset foliate fabric panels 152cm wide, 92cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

324 VICTORIAN ROCOCO REVIVAL GILTWOOD MIRROR MID 19TH CENTURY the oval bevelled mirror plate in a pierced and carved frame carve with acanthus scrolls and rocaille, and surmounted by an acanthus scroll finial 99cm high, 111cm wide Provenance: Private Collection, Stirlingshire, Scotland

£600-800

325 EARLY VICTORIAN WALNUT, SPECIMEN WOOD, AND MARQUETRY WORK AND GAMES TABLE MID 19TH CENTURY the shaped fold-over top opening to inlaid backgammon and draughts boards above a sliding workbox, raised on foliate carved end supports with ceramic castors and joined by a turned stretchers; with a set of turned wood draughts 64cm wide, 78cm high, 42cm deep

£500-700

326 SET OF TWELVE VICTORIAN MAHOGANY PARLOUR CHAIRS MID 19TH CENTURY the open oval backs carved with leaf scrolls, beads and rocaille, above padded seats raised on turned and reeded legs (12) 46cm wide, 98cm high, 43cm deep

£1,000-1,500

327 EARLY VICTORIAN MAHOGANY BREAKFAST TABLE MID 19TH CENTURY the circular crossbanded top fixed on a facetted baluster column and triform base with bun feet with brass castors 135cm diameter, 72cm high

£400-600

118

328 VICTORIAN GILT BRONZE DESK STAND 19TH CENTURY with twin nozzles centred by a vesta formed as a perched parrot, on a circular base with a terrier and spaniel dog inkwells 32cm high, 23cm diam.

£400-600

329 LARGE SCOTTISH GLASS ‘MOUNTAIN DEW’ WHISKY DISPENSER, ROBERTSON SANDERSON’S LATE 19TH CENTURY in the shape of a whisky bottle and stopper, with gilt enamelled lettering above the single tap 69cm high

£300-500

330 VICTORIAN COROMANDEL AND BRASS DRESSING CASE 19TH CENTURY the interior with a mirror and lift-out tray fitted with cut glass jars and boxes with silverplate covers, and mother-of-pearl accessories, above a push-button release drawer; the cover with an engraved owner’s plaque and dated 1871 30.5cm wide, 18.5cm high, 23cm deep

£300-500

331

332

VICTORIAN LEATHER MAHOGANY PIANO STOOL, WADMAN BROS.

VICTORIAN MAHOGANY LEATHER UPHOSTERED OTTOMAN

LATE 19TH CENTURY the brown leather button upholstered seat with an adjustable mechanism, raised on turned and tapered legs, stencil mark PATENTED/ SOLE/ MANUFACTURERS/ WADMAN BRO/ BATH and No. 953

19TH CENTURY

47cm wide, 46cm high, 39cm deep

49cm wide, 49cm high, 49cm deep

£200-300

£250-350

of cubic form with a brown leather button upholstered hinged seat

119

333 LARGE VICTORIAN CARVED OAK TABLE CABINET 19TH CENTURY the moulded and carved stepped top above a single door centred with a carved armorial amongst borders of oak leaves and acorns in high relief, opening to four baize-lined drawers, the side panels carved with entwined monograms within similar borders, the lock plate stamped V/R/ EVERLOCK 43cm wide, 60cm high, 35.5cm deep

£800-1,200

334 VICTORIAN NOVELTY BRASS AND OAK GONG, OF EQUESTRIAN INTEREST LATE 19TH CENTURY the horseshoe-shaped backplate mounted with a patinated metal horse’s head and holding a hammered-brass gong, with a beater marked STAR NO. 2821 57cm high approx.

£300-500

335 NOVELTY BRASS CRAB INKWELL LATE 19TH CENTURY of naturalistic form, opening to reveal a single inkwell reservoir 19.5cm wide, 7cm high, 17cm deep.

£300-500

336

337

NOVELTY BRASS ARTICULATED LOBSTER INKWELL

SCOTTISH LATE VICTORIAN SILVER PLATED, HORN, AND OAK TABLE GONG

LATE 19TH/ EARLY 20TH CENTURY of naturalistic form, the back opening to reveal voids for inkwells, with registration stamp ‘RD 136502’

with a presentation plaque ‘PRESENTED TO WM. MCANDREW ESQ.R/ FROM THE OFFCIALS & SERVANTS OF OLD MONKLAND POORHOUSE/ 14TH DEC. 1895’, with a leather covered beater

31cm long

45.5cm high, 30cm wide

£300-500

£200-300

LATE 19TH CENTURY

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

338 Y EARLY VICTORIAN WALNUT, ROSEWOOD, AND SATINWOOD TRIPOD GAMES TABLE MID 19TH CENTURY the circular top with an inlaid draughts board, above a single drawer, on a baluster column and shaped scrolled legs 63cm diameter, 71cm high

£300-500

339 WILLIAM IV OAK WRITING TABLE, IN THE MANNER OF RICHARD HICKS BRIDGENS 19TH CENTURY the top with a black insert writing surface and bead moulded edge, above two short frieze drawers, raised on turned, beaded, and reeded moulded tapered legs joined by a turned and carved H stretcher, on brass caps and ceramic castors 92cm wide, 72cm high, 56cm deep

£400-600

340 VICTORIAN BUTTON UPHOLSTERED OPEN ARMCHAIR LATE 19TH CENTURY the arched button-upholstered back above a deep seat flanked by padded open arms with turned supports, raised on turned legs with brass castors, the rear leg stamped 10067/ 0559; covered in an Art Nouveau pattern fabric 76cm wide, 80cm high, 57cm deep

£400-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

341 VICTORIAN WHITE MARBLE BUST OF A GENTLEMAN DATE 1853 the sitter in classical robes, on a socle signed with monogram SP, and dated 1853 71cm high Provenance: Private Collection, Stirlingshire, Scotland

£400-600

342 PAIR OF LATE VICTORIAN BURR WALNUT AND THUYA REVOLVING BOOK STANDS LATE 19TH CENTURY each with a circular crossbanded tier above a tripartite lower tier with spindle galleries, raised on downswept tripod legs (2) 48cm diameter, 68.5cm high

£2,000-3,000

343 VICTORIAN MAHOGANY PEDESTAL DESK MID 19TH CENTURY the top with a brown leather insert and moulded edge, above three frieze drawers, raised on banks of graduated drawers with plinth bases and castors, the reverse plain 149cm wide, 73cm high, 74cm deep

£800-1,200

122

344 VICTORIAN GILTWOOD PIER MIRROR 19TH CENTURY the rectangular mirror plate in a bead and laurel garland moulded frame 168cm high, 83cm wide Provenance: Property from a Scottish Country House

£500-700

345 VICTORIAN AESTHETIC PERIOD AMBOYNA, FRUITWOOD, EBONISED AND PARCEL GILT OCCASIONAL TABLE 19TH CENTURY the octagonal top with ebonised banding and stylised flower inlay, raised on tapered legs with ceramic castors and joined by X stretchers 81cm wide, 70cm high, 45cm deep

£300-500

346 VICTORIAN AMBOYNA, EBONISED, JASPERWARE MOUNTED SIDE CABINET LATE 19TH CENTURY the banded top with outset corners above a door centred by an oval jasperware plaque of Minerva, flanked by canted angles and opening to a shelved red plush lined interior, raised on turned feet 63cm wide, 108cm high, 40cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

347 GEORGIAN STYLE MAHOGANY CHIMING BRACKET CLOCK, CHARLES SHAPLAND, LONDON LATE 19TH CENTURY the domed top surmounted by urn and acorn finials, above a brass dial with silvered Roman numeral chapter ring and three subsidiary dials for Strike/Silent, Fast/Slow, and Whittingham/Westminster Chimes, signed ‘Charles Shapland, 207 High Holborn’; raised on a stepped moulded base and gilt brass paw feet, the three-train chain drive fusée movement quarter-chiming on eight bells, the hour count on a large gong 38cm wide, 55cm high, 26cm deep Provenance: Property of a Scottish family

£800-1,200

348 VICTORIAN OAK AND BRASS HALL STOOL, JAMES SHOOLBRED 19TH CENTURY stamped twice with design patent lozenge 54cm wide, 63cm high, 33cm deep

£400-600

349 ENGLISH ARTS AND CRAFTS IRON LOG BIN LATE 19TH/ EARLY 20TH CENTURY with sloped lid with large strapwork hinges and feet, and loop handles to the sides 62cm wide, 45cm high, 34cm deep

£300-500

350 LATE VICTORIAN ARTS AND CRAFTS WROUGHT IRON AND OAK FENDER LATE 19TH CENTURY the U shaped oak seat on knopped openwork twist supports and chamfered base 160cm wide, 58cm high, 53dcm deep

£500-800

3

124

351 LATE VICTORIAN WALNUT AND AMBOYNA NINE PIECE PARLOUR SUITE LATE 19TH CENTURY comprising a chaise longue, a two-seat settee, a chair, and six further side chairs, in blue floral cut velvet upholstery, on ceramic castors; together with AN ASSOCIATED FOOTSTOOL, in the French style with matching upholstery (10) Chaise 172cm long; side chair 82cm high; settee 122cm long

£700-1,000

352 VICTORIAN SIMULATED WALNUT DISPLAY CABINET LATE 19TH CENTURY the cavetto moulded top above a pair of oval glazed doors with gilt metal mounts, opening to green plush lined shelves, on a plinth base 124cm wide, 106cm high, 31cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

353 ‘GEOGRAPHIA’ TERRESTRIAL TABLE GLOBE AND STAND EARLY 20TH CENTURY the 10 in. globe with railways, steamer route distances, heights, and British possessions in red. supported on a painted spelter figure of Atlas 52cm high overall

£300-500

354 TWO MAHOGANY ZOGRASCOPES 18TH AND 19TH CENTURY the first, a Georgian example, on a turned column and domed foot, 63cm high; the second, a Victorian example, with hinged magnifier and pierced sliding rack, on a hinged adjustable viewing platform/base, 36cm long (2) £300-500

355 CARVED MAORI STAFF (TOKOTOKO), NEW ZEALAND LATE 19TH CENTURY wood and shell, carved throughout with notched detailing of scrolls and waves, with a series of five tiki running along the shaft, each inlaid with pāua shell eyes 110.5cm long

£500-700

356 LATE VICTORIAN MAHOGANY MINERAL AND ROCK COLLECTOR’S CABINET LATE 19TH CENTURY the cabinet with a pair of moulded doors opening to an arrangement of eighteen graduated drawers containing a large quantity of rock and mineral specimens, many identified with labels for ‘GREGORY, BOTTLEY & Co. Geologists/ 30 Old Church Street/ Chelsea, S.W.3’; the cabinet with maker’s label ‘JT CROCKETT & SON/ CABINETMAKERS/ PRINCES ST., CAVENDISH SQ. W.’ Cabinet 68cm wide, 57cm high, 36cm deep

£600-800

126

357 Y TAXIDERMY STAG’S HEAD TROPHY MOUNT EARLY 20TH CENTURY eight point, mounted on a wood shield 50cm spread Provenance: Property from an East Lothian Country House

£300-500

358 THREE CARVED AND POLYCHROMED BIRD MODELS 19TH CENTURY AND LATER to include a stock dove, a female mallard, and a modern curlew, the dove and curlew mounted on stands (3) Dove 38cm high; mallard 38cm long; curlew 40cm high;

£300-500

359 Y CASED TAXIDERMY RED KITE MODERN raised on a branch, in a four-glass case overall 63cm wide, 75cm high, 40cm deep Note: Sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no.

608640/01

£400-600

360 Y ARRAU/ GIANT SOUTH AMERICAN RIVER TURTLE SHELL 19TH CENTURY (Podocnemis expansa) 67cm long, 53.5cm wide Provenance: Property of a Scottish family

£800-1,200

361 Y THREE DOME-CASED TAXIDERMY OWLS MODERN comprising a barn owl, 54.5cm high (dome); a little owl, 38cm high (dome); and a long-eared owl, 40.5cm high (dome); all mounted on tree stumps (3) Note: The little owl is sold in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 608640/03.

The barn owl is old in compliance with CITES regulations, with (non-transferable) Transaction Specific Certificate no. 608640/02.

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

127

362

363 Y

TWENTY-THREE WATERCOLOURS OF SOUTH ASIAN GAME BIRDS

PARTIAL NARWHAL TUSK WALKING STICK

LATE 19TH CENTURY

of natural tapered form, with a white metal cap and ferrule

by A. W. Strutt, W. Foster and Stanley Wilson, some dated 1878, labelled and identified in Latin and English, mounted and framed (23)

103cm long

12cm x 22cm

£1,500-2,500

LATE 19TH/ EARLY 20TH CENTURY

Note: Sold in compliance with CITES regulations, with (nontransferable) Transaction Specific Certificate no. 610877

Note: These watercolours appear to be the original illustrations used for the three volume The Game Birds of India, Burmah and Ceylon, A.O. Hume and C.H.T. Marshall [publ.], 1879-80.

£500-700

364

365

28 BORE SIDE-LOCK PERCUSSION DOUBLE RIFLE, PURDEY & SONS, LONDON

THREE LEATHER SHOTGUN CASES

MID-19TH CENTURY

LATE 19TH/ EARLY 20TH CENTURY

with re-browned Damascus barrels, central raised rib and folding leaf sights, with cross-over stock, engraved patch box and original ram rod, signed on each lock PURDEY, rubbed engraving to the top rib at breech, serial no. 5899 barrels 30 inches/ 76cm long Provenance: Ex Earl of Morton

£500-700

to include a case with trade label for Robert Adams, 76 King William Street, London, 76cm long; another similar with trade label for William Powell & Son, 35 Carrs Lane, Birmingham, 83cm long; and a leg of mutton case, 81cm long (3) Longest 83cm

£300-500

128

366 PAIR OF EDWARDIAN BLACK LACQUER ‘CHINESE’ BERGERES EARLY 20TH CENTURY with caned backs and sides above panelled seats, raised on square chamfered legs, with Chinoiserie decoration with gilt details depicting figures and pagodas in mountainous landscapes (2) 67cm wide, 100cm high, 66cm deep

£1,800-2,200

367 EDWARDIAN MAHOGANY WRITING TABLE EARLY 20TH CENTURY the top with a moulded gallery and green leather insert and leaf tip carved edge, above three frieze drawers, raised on lobed and reeded tapered legs 153cm wide, 79cm high, 76cm deep

£600-800

368 SHERATON REVIVAL PAINTED SATINWOOD DISPLAY CABINET EARLY 20TH CENTURY the top with an arch moulded cornice painted with an oval reserve depicting Diana, above an astragal glazed door enclosing glass shelves and flanked by bowed glazed side panels, on a base with a frieze painted with flower garlands and raised on slender tapered legs joined by a shaped undertier 124cm wide, 205cm high, 42cm deep Provenance: Purchased in these rooms 8 November 2001, lot 775

£1,500-2,500

129

369 THREE LATE VICTORIAN PAINTED SATINWOOD CHAIRS LATE 19TH CENTURY in the Sheraton style, comprising a wheel-back armchair and side chair with stuffover seats, and a shield back armchair with a caned seat and loose cushion, variously painted with fan medallions, harebell trails, and a portrait of a lady (3) Largest 56cm wide, 93cm high, 42cm deep

£400-600

370 EDWARDIAN MAHOGANY AND SATINWOOD BANDED ETAGERE TRAY TABLE EARLY 20TH CENTURY the top tier with a removable glass lined tray, above a corresponding crossbanded lower tier inlaid with a leafy medallion, on slender slightly splay legs joined by an X stretcher 90cm wide, 85cm high, 53.5cm deep

£500-700

371 PAIR OF SHERATON STYLE PAINTED SATINWOOD AND MAHOGANY DEMILUNE CABINETS MODERN the crossbanded tops above pairs of short drawers and cupboards doors, raised on French bracket feet; painted with musical trophies, flower sprays, swags and husk garlands (2) 181cm wide, 90cm high, 55cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

372 UPHOLSTERED ARMCHAIR, BY GEORGE SMITH MODERN with a loose cushion back and seat, covered in green chenille with a pleated skirt, on turned legs with brass caps and castors, with George Smith Ltd label 92cm wide, 79cm high, 54cm deep Provenance: Property from a Scottish Country House

£400-600

373 PAIR OF CLUB ARMCHAIRS OF RECENT MANUFACTURE the square padded backs above scrolled arms and loose cushion seats, raised on square straight legs joined

by H stretchers, covered in yellow upholstery (2) 87cm wide, 92cm high, 57cm deep Provenance: Private Collection, Stirlingshire, Scotland

£400-600

374 THREE SEAT SOFA, WHYTOCK & REID MID 20TH CENTURY with a triple arch back above a single loose cushion seat, raised on square tapered legs with brass castors 185cm long, 88cm high, 56cm deep

£1,000-1,500

END OF DAY ONE Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

DAY TWO

132

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

375 GROUP OF VICTORIAN ISLE OF WIGHT SAND ART DESK WEIGHTS 19TH CENTURY various sizes, the bell-shaped glass containers filled with coloured sands depicting seaside landscapes, Osborne House, Carisbrooke Castle, etc. (8) Largest 21cm high

£300-500

The collection of Peter Rose and Albert Gallichan began in the 1950’s, when they lived together – as cousins – in a flat above an antiques shop in Hampstead.

Although their interest in Victoriana was unfashionable, Peter and Albert’s early acquisitions reflected evocative quality, rather than intellectual conception. A terrace house in Richmond followed the Hampstead flat and in 1965, they moved to 1 Montpelier Villas in Brighton. From then on, their scholarship blossomed, focusing on the great makers and designers of the 19th century. Their research led to lectures and publications in Great Britain and America. Whilst their house was furnished with pieces of museum quality, they also had a passion for items inspire by nature, and their eclectic taste saw them acquire taxidermy, shell dioramas, sand pictures and furniture from across the last few centuries. They saw the beauty and worthiness in artworks, of every shape, size and form. This offering sees the second part of their collection to be sold at Lyon & Turnbull, following the single owner sale in November, 2021.

133

376

377

FIVE ISLE OF WIGHT SAND PICTURES/ PAINTINGS

FIVE ISLE OF WIGHT SAND PICTURES/ PAINTINGS

19TH CENTURY depicting Osborne House, with label for Victor Mahy; three of Carisbrooke Castle; and an ivy-clad castle, signed; all framed (5)

including Whippingham Church and St Lawrence Church, with labels for Albert E. Neat; a further church with labels for J. Pinhorn and Victor Mahy; a large example depicting St Helens Old Church, near Bembridge; and a house with penned label and indistinctly signed, the paper stamped ROCK & CO/ LONDON; all framed (5)

Largest 9cm x 12.5cm

Largest 18.5cm x 24.5cm

£300-500

£300-500

19TH CENTURY

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

378 FIVE ISLE OF WIGHT SAND PICTURES/ PAINTINGS 19TH CENTURY depicting Freshwater Bay; and Shanklin Chine, dated 1854; a stone bridge and a waterfall, both at Shanklin Chine and with labels for Albert E. Neat; and a vignette of a stone building; all framed (5) Largest 13cm x 8.5cm

£300-500

379 VICTORIAN SHELL-WORK BASKET BOUQUET 19TH CENTURY in a glass dome on an inlaid wood stand with brass ball feet 49cm high overall

£300-500

380 FOUR VICTORIAN CASED SHELL-WORK DIORAMAS 19TH CENTURY comprising a stable block with a clock tower; a country house in a fenced garden; a two-storey house flanked by steps with fairing figures; and a large house and a church by a glass stream and bridge (4) Largest 42cm wide, 34.5cm high

£400-600

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

135

381 COLLECTION OF VICTORIAN SHELLWORK SOUVENIR PICTURES 19TH/ EARLY 20TH CENTURY to include nine porthole examples, most with convex glass covers, one on a starshaped ground; four rectangular examples; and a shell-work souvenir in the form of an anchor; together with FIVE LARGE CONCH SHELLS, largest 25cm wide (14) Largest 26cm diameter

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

136

382 WILLIAM IV BIRD’S EYE MAPLE AND AMARANTH LIBRARY TABLE SECOND QUARTER 19TH CENTURY the rounded rectangular top with a distressed leather insert, above a long frieze drawer, raised on tapered end supports and trestle bases with scroll feet 71.1cm high; 68.6cm wide

£1,000-1,500

383 VICTORIAN AMBOYNA, MAHOGANY, AND PARCEL-GILT BOOKCASE CABINET MID 19TH CENTURY the superstructure with a fixed shelf and grass gallery; the lower part of bowfront outline with glazed doors flanked by bobbin and foliate carved mouldings, enclosing adjustable shelves, on a plinth base 107cm wide, 147cm high, 40cm deep

£800-1,200

384 SET OF THREE PATINATED STEEL FIRE TOOLS CIRCA 1895 comprising an ash shovel, a poker, and a pair of tongs; the ash shovel with registration number for April, 231 851 (3) Longest 77.5cm

£300-500

385 REGENCY POLISHED IRON AND BRASS FENDER EARLY 19TH CENTURY with egg and dart brass mounts flanked by recumbent lions 145cm wide, 39cm deep; interior 130cm wide

£300-500

386 VICTORIAN LEATHER UPHOLSTERED CHESTERFIELD SOFA 19TH CENTURY traditional form in black button upholstered leather, on turned legs with ceramic castors 201cm wide, 68cm high, 56cm deep

£1,500-2,000

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

137

387 TWO VICTORIAN SATIN BIRCH BUTTON UPHOLSTERED CHAIRS 19TH CENTURY

388 EARLY VICTORIAN OAK BOOKCASE MID 19TH CENTURY the foliate carved cornice above a pair of Gothic arch astragal glazed doors enclosing adjustable shelves; the base with twin panel doors enclosing adjustable shelves, on a plinth base

to include an armchair with a foliate carved frame on cabriole legs with brass castors; and a side chair with lotus carved legs with brass castors, both in blue velvet (2) Armchair 70cm wide, 89cm high, 60cm deep

£400-600

127cm wide, 229cm high, 45cm deep

£1,000-1,500

389 EARLY VICTORIAN SATIN BIRCH SETTEE MID 19TH CENTURY the button upholstered back above a serpentine seat and part padded open arms, raised on turned and foliate carved legs, in blue velvet 152cm wide, 88cm high, 57cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138

390 REGENCY GILTWOOD AND EBONISED PIER MIRROR EARLY 19TH CENTURY the frieze centred with a shell motif above a rectangular mirror plate flanked by rope twist columns; together with a SMALL REGENCY GILTWOOD MIRROR with ball mounts and cluster columns (2) 111cm high, 70cm wide; and 78cm high, 60cm wide

£600-800

391 Y GEORGE IV ROSEWOOD PARCELGILT JARDINIERE STAND, POSSIBLY GILLOWS EARLY 19TH CENTURY the circular top with a metal liner, raised on three carved scroll supports on a tripartite base with scroll feet 94cm high, 42cm diameter

£400-600

392 Y GEORGE IV ROSEWOOD MARBLE TOPPED SIDE CABINET EARLY 19TH CENTURY the black veined marble top above a dentil moulded frieze and glazed door enclosing shelves and flanked by lotus capped pilasters, on a plinth base 69cm wide, 93cm high, 30.5cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

393 ROMAN MICRO MOSAIC DESK WEIGHT 19TH CENTURY depicting a lizard in a rectangular black base 12cm x 8cm

£300-500

394 ROMAN MICROMOSAIC DESK WEIGHT 19TH CENTURY the cartouche shaped panel depicting a goldfinch on a branch 17cm wide, 13cm deep

£300-500

395 DOMINIQUE GRENET (1821-1885) GLAZED PORCELAIN PLAQUE, DATED 1879 depicting figures and boats by a river, painted marks verso DG, Dom. Grenet 1879, in a heavy ebonised frame with decorative gilt border 43cm x 50.5cm

£1,000-1,500

396 ITALIAN PIETRA DURA PLAQUE LATE 19TH CENTURY depicting two pink roses and three buds, in an oak frame 33.7cm high, the plaque

£300-500

397 GROUP OF ELEVEN FRENCH BOIS DURCI PORTRAIT MEDALLIONS THIRD QUARTER 19TH CENTURY depicting Queen Victoria, Prince Albert, Napoleon III, Eugénie de Montijo, Louis-Napoleon, Carl XV of Sweden, Giuseppe Garibaldi, Richard Cobden, Mozart, Beethoven and Haydn; some with brass banded borders (11) 11.5cm diameter

£300-500

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140

398 CHARLES X MAHOGANY AND GILT METAL PORTICO CLOCK EARLY 19TH CENTURY the white enamel dial with Roman numbers and engine turned centre enclosed by a band of roses, the eight-day cylinder movement with a bell strike and gridiron pendulum 30cm wide, 57cm high, 18cm deep

£300-500

399 CHARLES X GILT BRONZE CENTREPIECE CIRCA 1830 with scrolled acanthus supports and tripartite base, with an associated cut and frosted glass dish 30cm high overall

£300-500

400 Y FRENCH EMPIRE ROSEWOOD MARBLE TOPPED CONSOLE TABLE EARLY 19TH CENTURY the grey marble top above a frieze drawer with gilt metal mounts, raised on column supports joined by an undertier 66cm wide, 92cm high, 36cm deep

£400-600

401 FRENCH EMPIRE MARBLE TOPPED MAHOGANY CONSOLE TABLE EARLY 19TH CENTURY the yellow marble top above a long frieze drawer with gilt metal mounts, raised on column supports joined by an X form stretcher 79cm wide, 83cm high, 44cm deep

£400-600

402 FRENCH EMPIRE MAHOGANY CHIFFONIER EARLY 19TH CENTURY the brass galleried superstructure above a frieze drawer and pair of silk pleated doors flanked by columns 105cm wide, 123cm high; 44.5cm deep Provenance: Purchased from Bruon Kent, circa 1960

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

403 THREE COPELAND PARIANWARE PARCEL GILT BUSTS MID 19TH CENTURY depicting Ophelia, Oenone, and Lesbia, after W. C. Marshall, with impressed ‘Copeland’ marks and ‘Crystal Palace Art Union’; together with a PARIANWARE FIGURE OF A WATER COLLECTOR, after William Boynton Kerr, impressed ‘Kerr London 1857’, 35cm long (4) 42cm high

£400-600

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142

404 Y SIX CASED VICTORIAN BUTTERFLY AND MOTH DISPLAYS 19TH CENTURY comprising two rectangular and four square cases, mounted with symmetrical displays of specimens (6) the largest 46cm high, 107cm wide

£400-600

405 Y VICTORIAN CASED BUTTERFLY DIORAMA 19TH CENTURY the glass case of three-sided canted form, mounted with various specimens including a peacock butterfly, an orangetip butterfly and a cabbage white butterfly, set within foliage 45.5cm high, 33cm wide

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

406 Y MOUNTED TAXIDERMY GHARIAL HEAD 19TH CENTURY with glass eyes, on a wood wall bracket mount 67cm long, head 57cm long, 11cm high

£2,000-3,000

407 Y TAXIDERMY LEOPARD SKIN RUG LATE 19TH/ EARLY 20TH CENTURY with flattened head and glass eyes, remnants of claws, on a purple felt backing 235cm long approx. (nose to tip of tail)

£300-500

408 Y MOUNTED SEA TURTLE HEAD 19TH CENTURY with glass eyes, on a wood shield wall mount Head 18cm long, 15cm high; mount 29cm high

£400-600

409

410 Y

VICTORIAN BOWFRONT CASED TAXIDERMY DIORAMA OF A PIKE

FOUR TAXIDERMY DIORAMAS

19TH CENTURY with paper label ‘WM. GIBSON./ NATURALIST/ 19 SHEEN GROVE, BARNSBURY/ LONDON/ N.’ 76cm wide, 36cm high

£300-500

LATE 19TH/ EARLY 20TH CENTURY comprising a green parakeet, hand painted verso HP/ 1890/ 67 Jal* Road Brixton, 29cm wide, 52.5cm high; two kingfishers with label verso for C. N. Allen, Reading, in a shadow-box frame, 38cm wide, 30.5cm high; a red squirrel holding a nut, 26cm wide, 31cm high; and a barn owl, 34cm wide, 40cm high (4) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

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411 SIX PAIRS OF VICTORIAN PAPIER MÂCHÉ FACE SCREENS 19TH CENTURY variously decorated with flowers, figures, birds, and seascapes, on turned and gilded handles (12) Largest 43.5cm high

£300-500

412 BLACK FOREST ‘BULL’ HALL CHAIR LATE 19TH CENTURY the back carved with a bull’s mask, over a ‘hair’ seat raised on carved legs with hoof feet 42cm wide, 98cm high, 40cm deep

£300-500

413 COW HORN CHAIR 20TH CENTURY with a suede upholstered back and seat with tassel trimming 67cm wide, 83cm high, 51cm deep

£300-500

414 BLACK FOREST CARVED BEAR LATE 19TH CENTURY the standing figure with glass eyes 40cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

THE PETER ROSE & ALBERT GALLICHAN COLLECTION

415 GROUP OF FIVE VICTORIAN MAJOLICA SERVING PIECES BY GEORGE JONES LATE 19TH CENTURY comprising a cheese dome and cover modelled in the form of a bee skep, dated 1873, possible GJ monogram to the top of one of the branch corners on the base, 20.5cm high, 17cm wide; a strawberry basket with bifurcated strap handles, 36cm wide, 15.5cm high; a strawberry dish with creamer, bowl and sugar sifter, dated 1872, 37cm wide; a fox dish, dated 1869, the leaf moulded body with applied fox head and tail, 25.7cm wide; and a kingfisher triform leaf dish, dated 1873, moulded with bullrushes, lily pads and applied with a kingfisher eating a fish, 30cm wide; all with diamond registration mark and GJ monogram (5) £1,200-1,800

416 SIX BRETBY ART POTTERY TROMPE L’OEIL MAJOLICA DISHES LATE 19TH CENTURY AND 20TH CENTURY comprising a pair of leaf shaped and moulded dishes carrying dark chocolates; another smaller similar example; a five point leaf shaped dish displaying a nut cracker, walnuts and cracked walnut shells; a frill-rimmed dish laid with biscuits; and a rectangular dish moulded with a lace rim, holding a card case and some coins; impressed factory marks and numerals (6) largest 34cm wide, smallest 15.5cm wide

£300-500

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417 TWO FRAMED CROSS-SECTION AGATE GEODE WINDOW PANELS LATE 20TH CENTURY each mounted in an octagonal black painted frame (2) 42cm wide Note: These agate panels were made by Peter Rose in the 1970s after seeing an oval pair sold in the Rupert Gunnis collection.

£300-500

418 LATE VICTORIAN GILT METAL AND ENAMEL INKSTAND, ELKINGTON & CO. EARLY 20TH CENTURY with twin cut glass inkwells and a presentation plaque inscribed with initials KSTRM and dates 1851-1901, stamped marks 38cm long

£300-500

419 VICTORIAN PAPIER MÂCHÉ, MOTHER-OF-PEARL AND PARCEL-GILT PEDESTAL WORKBOX MID 19TH CENTURY the shaped octagonal top painted with a milkmaid and companion on a country lane, opening to a fitted interior with various beads, trimmings, and sewing instruments, on a tapered and turned baluster support and quadripartite base with scroll feet 44cm diameter, 80cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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THE ESTATE OF THE LATE MARY ELIZABETH STUART HARLEY (1925-2019)

Mary Harley (née Weir) was brought up in rural Suffolk before being educated at Mount School in York. She attended both the University of St Andrews and the University of Oxford, where she met her husband, Christopher Harley. Mary’s family on her mother’s side included her great-grandfather, the archaeologist Sir John Evans (1823-1908), and his son Sir Arthur Evans (1851-1941), the Longmans of Longman Publishing, and the influential Dickinson stationery family. It is thought that various items were passed from Sir John by descent via his daughter and granddaughter, into the possession of his great-granddaughter Mary. Through these family members her estate includes pieces previously housed at Britwell Court, Buckinghamshire, Bosworth Court, Upp Hall, Hertfordshire, and latterly Ulladale, Strathpeffer. She was extremely interested in her ancestral history, and the proud custodian of her familial treasures. Included is a rare Georgian doll’s house, early needlework, as well as children’s games and toys.

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420 NEEDLEWORK DRAWSTRING PURSE 17TH/ 18TH CENTURY the linen ground in coloured silks and silver metal thread, depicting the Salutation of the Virgin Mary to one side, and on the other Elijah fed by ravens, with a note detailing a catalogue description from Norwich Castle Museum, where it was exhibited 1961 11cm high, 10.5cm wide

£1,000-1,500

421 GEORGIAN FINE NEEDLEWORK PURSE 18TH CENTURY of folded quatrefoil form, the ivory ground embroidered in coloured silks with roses, hollyhocks, bluebells and foxgloves, with a metal thread border and trim 12cm high, 10cm wide

£700-1,000

422 NEEDLEWORK DRAWSTRING PURSE EARLY 18TH CENTURY with repeating heart pattern in coloured silks, lined in green silk, 11cm wide, 16.5cm high; together with a COIN POUCH, in felt and chamois leather, with applique decoration, 6cm wide, 9.5cm high overall (2) £300-500

423 SMALL NEEDLEWORK ORPHANAGE PIN CUSHION EARLY 19TH CENTURY decorated with an alphabet and numbers above a short verse to one side, and with diamond-form text to the opposing side, embroidered ‘Female orphan’ to one end, with tassels to the corners 5.5cm x 6cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

424 NEEDLEWORK PURSE AND A BEADED WOOLWORK PURSE EARLY 19TH CENTURY the needlework purse designed with a pattern repeat of diamonds in green to one side, and red to the other, with spangles, lined in red silk, 10cm high, 16.5cm wide; the woolwork purse with braided and bargello work to the body, hung with simple rope and turned silkcovered tassels, 11.5cm high (excluding rope), 14.5cm wide (2) £400-600

425 REGENCY NEEDLEWORK SAMPLER EARLY 19TH CENTURY of square form, depicting a vase of flowers behind a balustrade within a border of entwined trees, on a woven ground, in a giltwood frame, with label for ‘The Fine Art Society’s Exhibition of Old Needlework, Lent by Mrs C. J. Longman’ 32.5cm squared

£200-300

426 NEEDLEWORK BELT 18TH CENTURY with enamel clasp, with handwritten label ‘PETIT POINT BELT. 1760/ BELONGED TO MDME DE CHAVANNE’, 132.5cm long approx.; together with a BEADED BELT, 156cm long approx.; and a NEEDLEWORK AND SPANGLED DRESS FRONT FOR A FIGURE, with hand-written labels ‘Dress front for figure of Saint/ Spanish’, ‘Mrs C. J. Longman’ and ‘Spanish. Front used for a santo. Bought from H Truman’, 36cm high, 29.5cm wide (3) £400-600

152

427 CHARLES II STUMPWORK FRAME 17TH CENTURY depicting figures, exotic and domestic animals, birds and buildings, with an oval reserve to each corner, set into a later oak frame enclosing a central mirror plate 58cm x 59.5cm

£500-700

428

429

COLLECTION OF LACE

CHARLES II SILKWORK BOOK COVER

18TH AND 19TH CENTURY

17TH CENTURY

including collars and flounces, of various lengths (qty)

the linen ground embroidered with coloured silks, depicting a gentleman and a woman within landscape settings with buildings to the distance

£400-600

each panel 12cm x 10cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

THE ESTATE OF THE LATE MARY ELIZABETH STUART HARLEY (1925-2019)

430 CHINESE MOTHER-OF-PEARL CASKET LATE 18TH/ EARLY 19TH CENTURY with inset reverse painted glass panels of figures and landscapes, amongst pierced mounts, opening to a compartmented interior lined in red silk 24cm wide, 13.5cm high, 13.5cm deep

£500-700

431 Y HAN CHINESE WOMAN’S ROBE AND SKIRT LATE 19TH CENTURY the plum cut-silk velvet robe with side fastening, with a shaped collar and border of embroidered ivory silk, lined in blue silk damask; the red silk skirt with inserted panels of Kesi or K’o-ssu depicting figures in a garden, with borders of ivory embroidered silk; together with various ACCESSORIES, including a reticulated ivory and hardstone necklace, 148cm long (qty) £300-500

432 COLLECTION OF VICTORIAN CLOTHES AND ACCESSORIES 19TH CENTURY comprising a crinoline hoop; a bustle; a purple-dyed cotton jacket, skirt and underskirt; a pair of silk stockings; a pair of knitted stockings; a wax flower headdress; and a net and satin bonnet, in original box (qty) £400-600

433 COLLECTION OF EUROPEAN BONNETS including various babies’ bonnets and a beaded mob cap; together with two petticoats; various whitework garments; children’s whitework robes and undergarments; a 1920s shawl; a pair of shoes; gloves; and four purses (qty) £300-500

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‘THE EVANS BABY HOUSE’ is a fascinating object of Emma Hubbard (née Evans).

Image courtesy of Judith Frances Hubbard

layered history, physically in terms of its construction and contents, and symbolically as an item much-loved by generations of owners. Having been rescued and renovated over the years, it is a rare survivor of the mid18th century. Where so many other dolls’ houses have come and gone, ‘The Evans Baby House’ lives on nearly 300 years after its conception. Vivien Greene details the house in English Dolls’ Houses of the Eighteenth and Nineteenth Centuries (1979), where she writes how special it is to find a house so well documented: ‘...the inventory of its contents seventy years ago lies in the drawer below, together with… letters and journals all labelled and listed…’ and thus it still remains.

Dolls’ houses or ‘Baby houses’, meaning ‘small house’ or ‘dolls’ house’, were originally the conversation pieces of wealthy adults, with the earliest known example dating to the mid-16th century. The term ‘baby’ was used to describe hand-built houses, mostly in Germany, the Netherlands and England, until the late 1700s. One of the earliest examples, made for Albert V, Duke of Bavaria, was the ‘Munich Baby

434 Y IMPORTANT GEORGIAN DOLL’S HOUSE, ‘THE EVANS BABY HOUSE’ 18TH CENTURY, WITH LATER ADAPTATIONS AND CONTENTS modelled as a three-storeyed Georgian town house, of ochre and red painted pine and other timber, the hinged façade with a three window frontage and cornice embellished by composition mouldings; the basement floor with three nine-pane windows and lathe coursing, the principle floor with treillage moulding and a central recessed portico with fan light and columns flanked by twelve-pane windows; the top floor with three nine-pane windows, the centre window with an arch, flanked and divided by bead moulded roundels; opening to three singleroom floors with painted walls and corner fireplaces with faux marble surrounds, with hand-tinted prints to the walls, one to the top floor and six to the main floor; the top floor with an ivory plaque inscribed “Miss Hancock has sent Anne a large old-fashioned baby house which was made for her great grand mother. It possesses little furniture but has given great delight.” From Mrs Evans at Britwell Court, Burnham Beeches, to her sister Mrs Phelps in Madeira, May 6 1825.; the basement floor fitted with original Georgian dressers; with 19th century and later contents including furniture, pictures, photographs, ceramics, copper and brass wares, and various dolls; all raised on a plinth base fitted with a single drawer; with various letters, papers, and other correspondence detailing the house and history 86cm wide, 145.5cm high, 48cm deep overall Provenance: The Estate of the Late Mary Elizabeth Stuart Harley (1925-2019), ex.

Ulladale, Strathpeffer, Ross-shire. Owned by Anne Evans (1820-1870) and her sister Emma Hubbard (née Evans) (1828-1905), Britwell Court, Buckinghamshire, during the 19th century and then by descent.

House’: a cabinet of curiosities in the shape of a building, providing entertainment whilst symbolising wealth and social status. They were not meant to be used as toys, but as objects of wonder of a world in miniature. Dolls’ houses were also educational tools, being used as visual aids to teach both mistress and servant how to run a household.

By the early 1700s the concept of the miniature house had travelled from Europe to England, and over the following years the architectural style of the ‘Baby house’ developed.

Although many examples were just elaborately furnished cabinets or cupboards, increasingly the exteriors were made to resemble actual houses; ‘The Evans Baby House’ arguably straddling the two. It is within this period that ‘The Evans Baby House’ was conceived, with its original construction dating to the mid-18th century. The empty house reveals simple early features, including the Georgian dressers to the kitchen and corner fireplaces to each level.

It is believed that the façade has had some later upgrading, in the form of the treillage and mouldings, with the portico also being added at that time, complete with its fan light and columns.

Literature: Vivien Greene, ‘The Evans Baby House’, in English Dolls’ Houses of the Eighteenth and Nineteenth Centuries (London & Wisbech, 1979), pp. 157-160.

During the early 19th century, it came into the ownership

Note: Mary Harley was brought up in rural Suffolk. She was the only child of her generation on her mother’s side and took a great interest in researching her family history and preserving her inherited treasures. The doll’s house was always treated with great care and anyone wishing to play with it had to be granted permission first. Mary’s children fondly remember her as a ‘very loving person and a good family custodian’, and it is with thanks to her, and her ancestors, that the ‘The Evans Baby House’ has survived to this day.

plaque attached to the wall in the upper floor of the house

£15,000-20,000

of the Evans family, accounting for its name. An ivory documents the provenance: “Miss Hancock has sent Anne a large old-fashioned baby house which was made for her great grandmother. It possesses little furniture but has given great delight.”

- From Mrs Evans at Britwell Court, Burnham Beeches, to her sister Mrs Phelps in Madeira, May 6 1825.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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Anne Evans (1820-1870) was an English poet and composer,

One of the most enchanting aspects of the house are the miniature

and lived at Britwell Court, which her parents rented from 1822.

photographs hanging in the first-floor drawing room. These show

The aforementioned Miss Hancock is thought to have been her

some members of the Evans and Hubbard families – ‘lovers and

godmother. During the early 19th century, the popularity of dolls’

conservers of the house and its traditions’ - and indeed the family

houses grew significantly throughout Britain, and pieces were often

are a story in themselves. Anne and Emma Evans (Hubbard) were

commissioned (in this case gifted) not just for adults, but for children

the sisters of the archaeologist, Sir John Evans (1823-1908), who

too.

went on to become the treasurer of the Royal Society (1878-

An account by Emma Hubbard (née Evans) (1828-1905), Anne’s sister, details that at some later stage ‘The Evans Baby House’ was given to a young member of the Hancock family, and little was heard of it for many years. However, on 8th January 1886 the house was discovered by Emma at the Evelina Hospital for children in London, by remarkable chance. Although Emma was unable to find out how the house had made its way there, she managed to purchase it for

98) and president of the Society of Antiquaries (1885-92). They were also the aunts of Sir Arthur Evans (1851-1941): Keeper of The Ashmolean Museum, and the man who directed the famous excavation at Knossos on Crete. He too was president of the Society of Antiquaries, as well as a trustee of the British Museum, and a founding member of both the British School at Athens, and of the British Academy.

a donation of 4 guineas in 1890. It was at this time that the house

‘The Evans Baby House’ was possibly passed from Emma Hubbard

was renovated including the addition of woodwork to the windows

(née Evans) to her brother, Sir John, and from there reputedly by

(which had previously simply been painted on), the removal of wall

descent via his daughter and granddaughter into the possession

paper and the refreshing of paint to the two upper rooms. Emma

of his great-granddaughter, the late Mary Harley. The family also

references the tinted prints in the upper and middle floors (‘which

has connections to the Longmans of Longman Publishing, and the

had evidently been part of the original decoration of the house.’),

influential Dickinson stationery family.

one of which depicts the gothick tower at Whitton Park, Middlesex, as well as a small sepia drawing by her father, which remain with the house. It is thought that much of the current furniture was sourced and added around this time. Included is a fine little chest of drawers

The joy and fun which the baby house gave the Evans family is revealed in a memoir by Emma Hubbard, as detailed in Greene’s book:

on the ground floor, and 19th century bedroom furniture. A turned

‘…it was only on rare occasions when I was very young that I was

wood wash set with handles imitating coral sits upon the dressing

allowed to play with it. Dances, dinners and other festivities went on in

table, just as life-size versions of ceramic sets adorned the bedrooms

it and to this day I recollect the fine appearance of the mistress of the

of Victorians. Added to this is a 19th century ceramic dinner set

establishment, Lady Delany…’

in the kitchen, for which its original box remains. The dolls, also later additions, include children in the nursery and ‘a male doll with mutton-chop whiskers’ who ‘sits…with his top hat on a table instead of under his chair in the conventional manner.’

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Whilst Lady Delany may have come and gone, ‘The Evans Baby House’ continues to provide great pleasure, for even the most grown up of children.

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THE ESTATE OF THE LATE MARY ELIZABETH STUART HARLEY (1925-2019)

435 TWO GRODNERTAL WOODEN DOLLS comprising a woman and child, 31cm high; and a further female doll, 27cm high; with painted features and hair, on peg jointed bodies, dressed; with three additional dolls (5) £300-500

436 TWO WAX DOLLS 19TH CENTURY ’Dulcie’ and ‘Evelyn’, both shoulder plate dolls with inserted fair hair, fixed blue glass eyes, closed mouths, on cloth bodies with wax lower limbs, dressed (2) 39cm and 38cm high

£300-500

437 GERMAN PAPERED AND PAINTED SCHOOLHOUSE LATE 19TH CENTURY with hinged fold-down front, containing 18 painted plaster figures of school children and a school teacher, with scumbled pine desks and lectern, and various educational printed cards 40cm wide, 24cm high, 19cm deep

£300-500

159

438 THREE BISQUE DOLLS comprising ‘Christina’, a bisque shoulder head doll, with swivel neck, fixed brown glass eyes, closed mouth, pierced ears, with wig, on gusseted kid body, bisque lower arms, dressed, 34cm high; ‘Violet’, a shoulder bisque bald head doll, with fair wig, fixed blue glass eyes, closed mouth, on gusseted kid body with composition lower arms, dressed, marked 6, 37cm high; and ‘Joan’, another similar, 34cm high (3) £400-600

439 COMPOSITIONHEADED DOLL EARLY 19TH CENTURY with open mouth, glass eyes, and stitched leather hands and legs, with spare bonnet, dress and accessories 55.5cm long

£300-500

440 COLLECTION OF VICTORIAN DOLL’S FURNITURE AND CLOTHING LATE 19TH CENTURY to include a faux bamboo folding table, 30.5cm diameter; a similar spindleback chair, and a bobbinturned chair with a caned seat, 38.5cm and 33cm high; a painted iron doll’s bed with ticking mattress; various pieces of doll’s clothing including underclothes, petticoats, pinafores, wool and whitework garments; and a DOLL (qty) £300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

441 TETE JUMEAU BISQUE DOLL ’Rosette’, with fixed brown glass eyes, closed mouth, feathered brows, pierced ears, long fair wig, jointed composition body, dressed, stamped in red DEPOSE TETE JUMEAU Bte SGDG 1, and in blue on body Medaille D’Or 24cm high

£300-500

443 FAMILY OF PAPERCUT DOLLS watercolour and pencil on card, comprising a man and woman, eight children and two babies, in various net, silk and satin clothing Male figure 17cm high

£300-500

442 FRENCH PAPER DOLL, ‘LA TROUSSEAU DE LA POUPEE’ CIRCA 1850 the double-sided paper-cut doll with various double-sided gowns, headdresses, hats, collars and wraps, with a wood stand, in original box, doll 26cm high; 28cm high including stand; together with “PARISIAN DRESSES & PATTERNS”, oblong 8vo, comprising 94 leaves of dress designs, with hand-colouring (2) £500-700

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161

444 VICTORIAN AND EDWARDIAN CHILDREN’S GAMES 19TH AND EARLY 20TH CENTURY including Chandall’s ‘John Gilpin’s Ride’, in original box; set of John Jaques & Son ‘Squails’; dominoes; marbles; ‘Merelles’; various decks and games of cards; a group of trivia cards; and a block puzzle; together with various DOLLS’ HOUSE ACCESSORIES (qty) £250-350

445 SET OF TWELVE PLAYING CARDS EARLY 19TH CENTURY with applied painted paper cut-outs in the form of flowers, including auriculas, a tulip, carnations and a primula (12) Each card 9.5cm x 6.5cm approx.

£300-500

446 EDWARDIAN PRINTED FLOWER LOTTO EARLY 20TH CENTURY comprising 20 large cards with various printed botanical illustrations, with handwritten card counters, in a folio, each card 25cm x 45.5cm; together with THREE CARD COLLAGES, depicting painted flowers on black grounds, 33.5cm x 20.5cm (qty) £300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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447 FOUR VICTORIAN SCRAP BOOKS LATE 19TH CENTURY comprising an example entitled ‘Susan Minet’, with handwritten note detailing provenance; a further scrap book entitled ‘Once upon a time’; a tooled-leather scrap book, labelled as ‘Mary Weir’s scrapbook’; and a final example entitled ‘Sibyl Longman/ February 1887’, with scraps and cut-out pictures, some illustrating the alphabet (4) £300-500 447

448 REFERENCE WORKS 4 VOLUMES Huish, Marcus B. Samplers and Tapestry Embroideries. London: The Fine Art Society, 1900. 4to, original cloth; Tuer, Andrew W. History of the Horn Book. London: The Leadenhall Press, 1897. 8vo, original cloth, inscribed to Sir John Evans (archaeologist and geologist) from Andrew Dun, with loose ALS; Gröber, Karl Children’s Toys of Bygone Days.

London: B.T. Batsford, 1928. 4to, original orange cloth gilt; Jackson, F. Nevil, Mrs Toys of Other Days. London: Country Life, 1907. 8vo, original cloth (4) £200-300

449 COLLECTION OF ATTRACTIVELY ILLUSTRATED CHILDREN’S BOOKS COMPRISING Rackham, Arthur, illustrator The Springtide of Life. London: William Heinemann, 1918. 4to, number 119 of 765 copies signed by Arthur Rackham, original quarter vellum gilt; Crane, Walter Flora’s Feast, a masque of Flowers. London: Cassell & Company, 1889. 8vo, original boards; Browning, Robert - Kate Greenaway, illustrator The Pied Piper of Hamelin. London: George Routledge and Sons, [n.d.] 8vo, original boards; De Monvel, M.B., illustrator La Fontaine, fables choisies pour les enfants. Paris: E. Plon, Nourrit & Co., [n.d.] Oblong 8vo, original cloth gilt; Attwell, Lucie Lucie Attwell’s Fairy Book. London: S.W. Partridge & Co., [1932] 8vo, original cloth; Grahame, Kenneth - R.J. Enraght-Moony, illustrator The Golden Age. London: John Lane, The Bodley Head, 1915.

8vo, original cloth; Joy Street books, comprising: Number Six Joy Street, Number Seven Joy Street; Number Eight Joy Street; Number 12a Joy Street; No. 14 Joy Street; and 7 others, sold not subject to return (18) £300-400

450

printed paper boards, signed by H.A. Longman; Four 24mo chapbooks in original paper wrappers, all printed Davenport: Samuel and John Keys: The History of Whittington and his Cat; The History of Goody Two Shoes; The Little Old Woman and her Silver Penny; The History of Cinderella; and one other later 19th century book (8) £300-500

451 COLLECTION OF BOOKS IN CLOTH BINDINGS, MAINLY CHILDREN’S COMPRISING Fitzpatrick, Sir Percy Jock of the Bushveld. London: Longmans, Green, and Co., 1907. First edition, 8vo, original green cloth gilt; Kipling, Rudyard The Second Jungle Book. London: Macmillan and Co., 1895.

Second edition, 8vo, original blue cloth gilt, owner’s name trimmed from title-page; Catlin, George Letters and Notes of the Manners, Customs, and Condition of the North American Indians. London, 1841. 2 volumes, 8vo, original red cloth gilt; Coolidge, Susan What Katy Did. London: Ward, Lock & Co., Limited, [n.d.] 8vo, original red cloth; Hope, Anthony The Prisoner of Zenda. Bristol: J.W. Arrowsmith, [n.d.] 8vo, original red cloth gilt; ”Twain, Mark” [Samuel L. Clemens] A Tramp Abroad. London: Chatto & Windus, 1880. 8vo, original red cloth gilt; “Carrol, Lewis” [Charles Lutwidge Dodgson] Through the Looking-Glass... London: Macmillan and Co., Limited, 1912. 12mo, later edition, original red cloth gilt; [Idem] The Hunting of the Snark. London: Macmillan and Co., 1913.

12mo, later edition, original red cloth gilt; Alcott, Louisa May Little Women and Good Wives. London: Bliss, Sands, & Co., [n.d.] 8vo, original blue cloth gilt, ownership signature of H.A. Longman; Ewing, Juliana Horatia The Brownies and Other Tales. London: George Bell and Sons, 1875. Third edition, 8vo, original brown cloth gilt, Longman bookplate; and 15 others, sold not subject to return (26) £300-400

CHAP BOOKS

452

19TH CENTURY

LANG, ANDREW AND MRS LANG

The History of Cinderella; [bound with] The History of Tom Thumb; [bound with] Hare and Many Friends; [bound with] Entertaining Views; [bound with] Robinson Crusoe; [bound with] Jack the Giant Killer; [bound with] Little Red Riding Hood; [bound with] Scenes from Nature; [bound with] Old Dame Trot; [bound with] Mother Hubbard; [bound with] Capitals of Europe; [bound with] The House that Jack Built; [bound with] Death & Burial of Cock Robin; [bound with] Cock Robin and Jenny Wren; [bound with] Old Man and His Ass; [bound with] History of Peter Brown; all Otley: J.S. Publishing & Stationery Co., Limited, [n.d., c.1840.]

8vo, each with original yellow printed title-page, woodcuts with some crude hand-colouring, later calf gilt; ”John-the Giant-Killer” Food for the Mind... London: T. Carnan [actually The Leadenhall Press], 1778 [but in fact 1899.] 16mo, facsimile work in printed paper boards, signed by H.A. Longman; [Anon.] The Cowslip... London: J. Harris [actually The Leadenhall Press], 1811 [but in fact 1899.] 16mo, facsimile work in

FAIRY BOOKS AND OTHER CHILDREN’S BOOKS, A COLLECTION

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

26 cloth bound books, including: The Green Fairy Book, 1892; The Pink Fairy Book, 1897; The Grey Fairy Book, 1900; The Crimson Fairy Book, 1903; The Brown Fairy Book, 1904; The Olive Fairy Book, 1907; The Lilac Fairy Book, 1910; The All Stories Book, 1911; The Red Book of Animal Stories, 1899; The Gold of Fairnilee, [n.d.]; Deulin, John Andrew Lang, translator Johnny Nut and the Golden Goose, 1887; and a collection of others, full list available; together RICHARD DOYLE (BRITISH 1824-1833), ‘Beauty & The Beast’, watercolour, signed monogram, 13cm x 19cm; sold not subject to return (qty) £300-500

END OF COLLECTION

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164

165

453 LARGE SCRATCH-BUILT DOLL’S HOUSE AND ACCESSORIES 20TH CENTURY modelled as a double bay Georgian country house with a ‘slate’ hip roof and double chimney stacks, the hinged front opening to six rooms, the hinged back opening to five further rooms, fitted with accessories including items by David Edwards, Beith Miniatures, Kim Selwood, Mike Sparrow, and St. Leger Miniatures; on a modern table 120cm x 95cm x 84cm; table 139cm x 74cm x 118cm Provenance: The Late Dorothy Margaret Hill

Note: Dorothy Hill was artistic and creative with an eye for design, and in her later life she developed a passion for all things miniature. Fellow enthusiast and friend, Jane Murray Flutter, the daughter of the late author, Rumer Godden, owned this house. It was modelled on the family home, Ardnacloich, Moniaive, Dumfriesshire.

When Jane moved from Ardnacloich, Dorothy was thrilled to acquire the doll’s house, and derived much pleasure in decorating and furnishing it.

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

454 COLLECTION OF DOLLS 19TH CENTURY, AND LATER comprising various examples, including Grodnertal wooden dolls; china-headed dolls; German bisque-headed dolls; and dolls’ house dolls, some in their original costume (qty) Provenance: The Late Dorothy Margaret Hill

£300-500

455 REGENCY MAHOGANY-CASED BONE ALPHABET GAME EARLY 19TH CENTURY with twenty-four compartments and a quantity of stencilled letter tiles Case 25cm wide, 5cm high, 14.5cm deep

£500-700

456 Y VICTORIAN ROSEWOOD CHILD’S TUB ARMCHAIR, OF ROYAL INTEREST MID 19TH CENTURY the curved enclosed back and arms ending in scrolled hand holds, with embroidered silk upholstery depicting flower sprays and garlands, enclosing a crown surmounting a V, on cabriole legs with claw and ball feet; together with John Abercrombie (1780-1844) M.D.’s certificate from the Royal College of Surgeons, dated 1823, with orange seal 32.5cm wide, 59cm high, 29cm deep Note: By repute made for Princess Victoria, the daughter of Queen Victoria, thought to have been gifted to John Abercrombie, one of the Royal family’s physicians in Scotland. Abercrombie was one of the leading physicians of his time, running a very successful practice in Edinburgh. He was extensively published on medicial and religious topics, and provided free health care to residents of the city.

£600-800

457

458

CHILD’S OAK BUREAU

VICTORIAN PAINTED DOLL’S HOUSE

18TH CENTURY

19TH CENTURY

of diminutive form, the slant front opening to an interior fitted with pigeon holes, drawers, and covered recess, over a dummy drawer and two long drawers on bracket feet

modelled as a two-storey villa painted yellow with blue and green exterior trim mouldings and a red roof, the interior with central halls and eight rooms 103cm wide, 98cm high, 76cm deep

£300-500

61cm wide, 74cm high, 36cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

168

PROPERTY FROM A SCOTTISH COUNTRY HOUSE 459 GEORGIAN STYLE MAHOGANY WING ARMCHAIR 19TH CENTURY covered in red toile upholstery, raised on cabriole legs with pad feet 81cm wide, 114cm high, 53cm deep

£400-600

460 GEORGE III MAHOGANY PIECRUST TEA TABLE 18TH CENTURY the dished tilt top on a birdcage and baluster column with tripod base ending in pad feet 80cm diameter, 72cm high

£500-700

461 GEORGE III MAHOGANY PRESS CUPBOARD 18TH CENTURY of neat size, the dentil moulded cornice above a pair of chamfer panel doors enclosing two sliding trays; the lower part with two short over one long drawer, raised on bracket feet 124cm wide, 165cm high, 62cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

169

462 GEORGE III MAHOGANY BRACKET CLOCK LATE 18TH/ EARLY 19TH CENTURY the bell top case with a brass handle above an arched silvered dial with moon face, the silvered chapter with Roman number hours and twin winding holes, with gilt brass corner mounts and acanthus scrolled feet, the replaced movement stamped JUNGANS/ A10/ 151, striking a bell 30.5cm wide, 54.5cm high, 23cm deep

£500-700

463 GEORGE II STYLE MAHOGANY CARD TABLE 19TH CENTURY the crossbanded and quarter veneered fold-over top with rounded outset corners and a green leather playing surface with counter wells, opening on concertina action and raised on foliate carved cabriole legs with triform pad feet 91cm wide, 71cm high, 46cm deep

£400-600

464 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above two short and three long graduated drawers, on bracket feet 97cm wide, 98cm high, 53cm deep

£400-600

465 GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the moulded cornice above three short drawers and three long drawers; the lower part with a brushing slide and three further long drawers, on bracket feet 100cm wide, 181cm high, 59cm wide

£1,000-1,500

170

466 LATE GEORGE III MAHOGANY AND SATINWOOD BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded top above four long graduated and crossbanded drawers, raised on French bracket feet 91cm wide, 82cm high, 53cm deep

£800-1,200

467 LATE GEORGIAN MAHOGANY BOWFRONT SERVING TABLE EARLY 19TH CENTURY the bowfront top over a plain frieze raised on straight moulded square legs 153cm wide, 87cm high, 63cm deep

£400-600

468 LATE GEORGE III MAHOGANY AND SATINWOOD BOWFRONT CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded top above four long graduated drawers outlined with stringing, raised on French bracket feet 113cm wide, 101cm high, 58cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PROPERTY FROM A SCOTTISH COUNTRY HOUSE

469 GEORGE III GILTWOOD MIRROR 18TH CENTURY the rectangular mirror plate in a carved and pierced frame with rocaille, C scrolls, and pendant vines 117cm high, 76cm wide

£1,500-2,500

470 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three dished and graduated tiered raised and divided by spiral carved supports, on a tripod base ending in pointed pad feet with brass castors 60cm diameter, 108cm high

£500-700

471 GEORGE III MAHOGANY DRESSER BASE 18TH CENTURY the top with a ledge back and moulded edge over an arrangement of nine short drawers, flanked by quarter columns, raised on ogee bracket feet 214cm wide, 99cm high, 59cm deep

£1,000-1,500

171

172

472 LARGE VICTORIAN GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the arch mirror plate in a bead moulded giltwood frame with and egg and dart moulded cornice centred by a cartouche 220cm high, 153cm wide

£1,000-1,500

473 REGENCY MAHOGANY AND EBONY FOLD-OVER TEA TABLE 19TH CENTURY the D-shaped top crossbanded with ebony stringing, above a frieze with dummy drawers, raised on a reeded baluster column and four outswept reeded legs ending in brass lion paw caps and castors 104cm wide, 75cm high, 51cm deep

£400-600

PROPERTY FROM A SCOTTISH COUNTRY HOUSE

173

474 PAIR OF CUT GLASS BASKET CHANDELIERS EARLY 20TH CENTURY with leaf coronas and band hung with prism swags and drops (2) 95cm high, 50cm diameter

£1,000-1,500

475 REGENCY STYLE MAHOGANY OCCASIONAL TABLE LATE 19TH CENTURY the circular top with boxwood stringing and centred by a fan medallion, on a spiral carved column and triform base with reeded scroll feet 48cm diameter, 62cm high

£400-600

476 LARGE REGENCY MAHOGANY AND EBONISED BREAKFRONT SERVING TABLE EARLY 19TH CENTURY the top over a plain panel frieze raised on boldly carved reeded and tapered legs headed by acanthus carved capitals and ending on large carved paw feet 260cm wide, 96cm high, 88cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174

477 VICTORIAN STAINED OAK HALL TABLE MID 19TH CENTURY the top with a moulded edge above a plain frieze, raised on lappet carved tapered legs 198cm wide, 84cm high, 61cm deep

£400-600

478 VICTORIAN MAHOGANY WARDROBE 19TH CENTURY the moulded cornice above a pair of moulded panel doors opening to hanging space and drawers, on a plinth base 204cm high, 168cm wide, 65cm deep

£500-700

479 VICTORIAN MAHOGANY SIDE TABLE 19TH CENTURY the ledge back top with a moulded edge above a plain frieze with pendant finials, raised on pierced end supports with trestle bases on ceramic castors and joined by a stretcher 121cm wide, 76cm high, 56cm deep

£300-500

480 EARLY VICTORIAN GOTHIC REVIVAL STAINED OAK HALL TABLE MID 19TH CENTURY the top with a moulded edge above a moulded panel frieze, raised on octagonal section tapered legs 168cm wide, 84cm high, 48cm deep

£300-500

481 VICTORIAN MAHOGANY WARDROBE 19TH CENTURY in the Georgian style, the moulded cornice above a pair of twin panel doors opening to hanging space, over a deep base drawer, raised on ogee bracket foot 144cm wide, 222cm high, 65cm deep

£400-600

PROPERTY FROM A SCOTTISH COUNTRY HOUSE

175

482 VICTORIAN BURR WALNUT AND INLAID CARD TABLE 19TH CENTURY the pivoting fold-over top opening to a green baize playing surface, raised on pierced end supports joined by a turned stretcher, on ceramic castors 100cm wide, 72cm high, 48cm deep

£500-700

483 UPHOLSTERED WING ARMCHAIR AND OTTOMAN OF RECENT MANUFACTURE covered in tan check upholstery, on square tapered legs with brass caps and castors (2) Armchair 77cm wide, 106cm high, 56cm deep

484

£400-600

EARLY VICTORIAN MAHOGANY BREAKFAST TABLE MID 19TH CENTURY the rectangular tilt top with a moulded edge on a facetted baluster column and quadripartite base with flat bun feet with castors 141cm wide, 76cm high, 138cm deep

£500-700

485 Y CASED TAXIDERMY OWL DIORAMA, J. HUTCHINGS, ABERYSTWYTH LATE 19TH CENTURY with a barn owl and a tawny owl, mounted on branches, with label J. HUTCHINGS, NATURALIST & GUN MAKER/ ABERYSTWYTH 54cm wide, 73cm high, 19.5cm deep

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176

486 LATE REGENCY MAHOGANY HALL BENCH EARLY 19TH CENTURY the long seat with a moulded edge and cylinder scroll terminals, raised on turned and tapered legs 150cm long, 50cm high, 29.5cm deep

£400-600

487 EDWARDIAN UPHOLSTERED ARMCHAIR EARLY 20TH CENTURY the square back above a loose cushion seat and low scroll arms, raised on cabriole legs with ceramic castors; covered in wine red upholstery with a pink slipcover 73cm wide, 100cm high, 56cm deep

£300-400

488 LATE VICTORIAN PAINTED AND STRIPPED PINE SCULLERY TABLE LATE 19TH CENTURY the long top above a cream painted base with tapered square legs joined by stretchers 255cm long, 75cm high, 112cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PROPERTY FROM A SCOTTISH COUNTRY HOUSE

177

489 GREEN AND BLACK PAINTED DRINKS TROLLEY, RAYNHAM WORKSHOPS MODERN the separate tray on a base with two tiers, on large castors 82cm wide, 92cm high, 55cm deep

£300-400

490 PAIR OF HOWARD STYLE COUNTRY HOUSE SOFAS OF RECENT MANUFACTURE covered in cream and apricot plaid upholstery with brown check tweed slipcovers, on turned legs (2) 180cm long, 90cm high, 67cm deep

£600-800

178

491 FLEMISH VERDURE TAPESTRY LATE 17TH CENTURY depicting a hunt scene with elegant figures and horsemen in a park, in a monochromatic border 236cm high, 183cm wide

£1,500-2,500

PROPERTY FROM A SCOTTISH COUNTRY HOUSE

179

492 PAIR OF VENETIAN CARVED GILTWOOD ARMCHAIRS 19TH CENTURY the arched padded backs above wide dropin seats in vermilion plush upholstery, flanked by scrolling open arms, above seat rails carved with rocaille, raised on cabriole legs ending in stylised paw feet (2) 73cm wide, 120cm high, 47cm deep

£1,000-1,500

493 PAIR OF LARGE PAINTED SPELTER FIGURAL TORCHERES 19TH CENTURY modelled as putti standing and holding flower garlands on rococo style bases, fitted for electricity (2) 137cm high [excluding fitting]

£600-800

494 LOUIS XVI STYLE GILTWOOD CANAPE 19TH CENTURY the frame carved with leaf tips with part-padded arms, raised on tapered fluted legs, covered in Fortuny fabric 191cm wide, 100cm high, 56cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

180

PAINTINGS PART TWO 495 JOHN VARLEY O.W.S. (BRITISH 1778-1842) HYTHE CHURCH Dated Aug. 9th 1825, watercolour 16.5cm x 23cm (6.5in x 9in)

£400-600

496 MICHEL ANGELO ROOKER (BRITISH 1743-1801) BRIDGE OVER THE USK, MONMOUTHSHIRE Grisaille 18cm x 25.5cm (7in x 10in)

£400-600

497 18TH CENTURY GERMAN SCHOOL TRAVELLERS DISTURBED BY LIGHTNING Gouache 17cm x 22.5cm (6.75in x 8.75in)

£600-900

181

498 ATTRIBUTED TO JUSTINIAN GANTZ VIEW OF TRICHINOPOLY Watercolour 31.5cm x 44cm (12.5in x 17.25in)

£1,000-1,500

499 WILLIAM HOUGH (BRITISH 1819-1897) A STILL LIFE OF PLUMS AND APPLES Signed, watercolour 41cm x 54cm (16in x 21.25in)

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

182

500 JEMIMA BLACKBURN (SCOTTISH 1823-1909) AGRICULTURAL SHOW, STIRLING Signed with initials, inscribed 29th July 1891, watercolour; and three others by the same hand ‘Algiers School’, ‘Search Lights Sheerbury Ness’ and ‘Vauxhall’ (4) 18cm x 25.5cm (7in x 10in) Provenance: Malcolm Innes Gallery, Edinburgh

£800-1,200

501 ADAM BUCK (IRISH 1759-1833) STUDY OF A YOUNG WOMAN SEWING Pastel 25.5cm x 23cm (10in x 9in) Provenance: J.S.Maas & Co. Ltd, London

£400-600

183

502 ALLAN DOUGLAS DAVIDSON (BRITISH 1873-1932) THE NEW ARRIVAL Signed, oil on canvas 76cm x 127cm (30in x 50in) Provenance: Private Collection, Stirlingshire, Scotland

£800-1,200

503 ALBERT JOSEPH PENOT (FRENCH 1862-1930) SIESTA Signed, oil on board 31cm x 41cm (12in x 16in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184

504 § EDGAR HUNT (BRITISH 1876-1953) FARMYARD FRIENDS Signed and dated 1909, oil on canvas 30.5cm x 46cm (12in x 18in)

£1,000-2,000

505 ROSA BONHEUR (FRENCH 1822-1899) THE ROYAL MULE Signed, oil on canvas 31cm x 25.5cm (12in x 10in)

£800-1,200

506 CHRISTIAN SELL (GERMAN 1831-1883) MILITARY MANOEUVRES Signed and dated ‘79, oil on panel 11.5cm x 15cm (4.5in x 6in)

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185

507

In 1878 an eight thousand-strong host of British

preparing sandbags and drawing water. Soldiers also

GIROLAMO GIANNI (ITALIAN 1837-1895)

and Indian troops arrived on coast of Malta. Their

engaged with weapons-training and sports, and they

encampment was vast, the peaks of neat white tents

enjoyed learning more of Maltese culture and religion.

THE ARTILLERY AND INDIAN CAVALRY CAMP AT SAN ANTONIO, ATTARD

appearing almost to span the horizon. The British

Gianni alludes to engagement with Maltese customs by

government had deployed the troops to defend the

representing locals sporting the distinctive faldetta in

Mediterranean ports against a perceived threat from

the foreground of The Infantry Camp at Lazaretto, Malta.

Signed and dated 1878, oil on board, and a companion a pair ‘The Infantry Camp at Lazaretto, Malta’ (2) £5,000-7,000

Russia, and Malta proved a strategic stopover point before the troops advanced to occupy Cyprus.

Girolamo Gianni completed these magnificent panoramas to commemorate the arrival of the

The main force arrived in Malta in May 1878, and

garrisons in Malta. Scenes such as these demonstrated

soon set about preparing the camp and making new

the army’s effective operation across exotic locations,

roads. The Artillery Camp and Indian Cavalry Camp at San

and Gianni’s scenes skilfully convey the garrison’s

Antonio, Attard portrays the scale of the operation, from

preparedness and anticipation for its next manoeuvre.

the distant aisles of cannons to the troops industriously

186

508 GEORGE WHITTON JOHNSTONE R.S.A., R.S.W. (SCOTTISH 1849-1901) THE FORD Signed and dated 1901, oil on canvas 63.5cm x 91cm (25in x 36in)

£600-900

509 ARCHIBALD THORBURN (SCOTTISH 1860-1935) MARSH MARIGOLDS Signed, watercolour on buff paper 23cm x 28cm (9in x 11in) Provenance: Nigel Stacey-Marks Ltd, Perth

£400-600

510 DUNCAN MACGREGOR WHYTE (SCOTTISH 1866-1953) LOGGING, CANADA Inscribed verso, with the Christie’s Studio Stamp No.83, oil on canvas 30.5cm x 41cm (12in x 16in) Provenance: Christie’s, Glasgow, The Studio of Duncan McGregor Whyte, no.83

£500-700

187

511 SIDNEY RICHARD PERCY (BRITISH 1821-1886) CATTLE WATERING IN A WOODED RIVER LANDSCAPE Signed and dated 1882, oil on canvas 46cm x 66cm (18in x 26in)

£6,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

188

512 SIDNEY RICHARD PERCY (BRITISH 1821-1886) CATTLE WATERING IN A MOUNTAIN LAKE Signed and dated ‘74, oil on canvas 46cm x 76cm (18in x 30in) Provenance: Cooling Galleries Ltd, London

£6,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

513 DAVID PAYNE (BRITISH 1843-1894) HARVEST-TIME Signed, oil on canvas, unframed 61cm x 102cm (24in x 40in)

£800-1,200

514 G**H**BURGESS STORM CLOUDS OVER THE VALLEY Signed, oil on canvas 30.5cm x 43cm (12in x 17in)

£800-1,200

515 WILLIAM MELLOR (1851-1931) WINDERMERE FROM THE HILLS, LANGDALE PIKE IN THE DISTANCE Signed, signed and inscribed verso ‘Westmoreland’, oil on canvas 51cm x 76cm (20in x 30in)

£500-800

190

516

517

JAMES HUMBERT CRAIG (IRISH 1977-1944)

JAMES HUMBERT CRAIG (IRISH 1977-1944)

STREAM LEADING TO THE SEA

THE RIVER DUN

Signed, oil on panel

Signed, inscribed and dated verso ‘To the Misses Shearman, Aug. 1939’, oil on panel

38cm x 51cm (15in x 20in)

29cm x 42cm (11.5in x 16.5in)

£1,000-1,500

£1,000-1,500

191

518 § SAMUEL JOHN LAMORNA BIRCH R.A., R.W.S., R.W.A. (BRITISH 1869-1955) ONE MORNING IN JUNE, DEVERON Signed, signed and inscribed on the stretcher verso, further annotated ‘Penzance’, oil on canvas 51cm x 61cm (20in x 24in)

£1,000-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

193

CONTINENTAL FURNITURE & WORKS OF ART

519 HISPANO-MORESQUE COPPER LUSTRE CHARGER 19TH CENTURY the gadrooned rim enclosing a Sicilian armorial crest, with underglaze blue, with plant-forms verso 49cm diameter

£300-500

520 SPANISH CARVED OAK FIGURE OF A CHERUB 17TH CENTURY with wings in relief and one arm raised, on a later iron stand Overall 69.5cm high; figure 54cm high

£1,000-1,500

521 SPANISH PINE MULTI-PANEL CUPBOARD MID 18TH CENTURY the doors with an arrangement of fielded panels and iron hardware, above carved panels to the base, on sleigh feet 115cm wide, 154 cm high, 55 cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

522 CONTINENTAL GILTWOOD SUNBURST MIRROR LATE 19TH CENTURY the circular plate in a corona of carved ‘rays’ 63cm diameter

£400-600

523 CONTINENTAL VELLUM AND LEATHER STUDDED CASKET 17TH/ EARLY 18TH CENTURY

524 CONTINENTAL GILT AND PAINTED SUNBURST PANEL 18TH CENTURY the hexagonal blue painted panel with an applied multipleray giltwood sunburst 72cm high, 120cm wide

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the whole with outlined with leather straps and brass studs, the hinged cover with initials ‘P. R.’; opening to a paper scrap lined interior 35cm wide, 19cm high, 22cm deep

£300-500

195

525 Y LARGE GERMAN CARVED IVORY TANKARD 19TH CENTURY in the 17th century style with a continuous bacchinalian scene with satyrs and bacchantes carved in deep relief, the hinged cover with a bacchic faun finial, the handle carved with a putto playing pipes 29cm high

£2,000-3,000

526 ITALIAN IRON STILETTO 17TH CENTURY with cast grip forming of a series of classical figures in six niches with an animal head pommel and pierced cross guard, with grotesque head terminals and a double-edge narrow tapering blade 32cm long overall

£300-500

527 FOUR VERDIGRIS PATINATED BRONZE TABLE LAMPS 19TH CENTURY converted from candlesticks, with hexagonal-rimmed nozzles, above panelled and knopped stems, on circular feet and corresponding hexagonal bases, fitted for electricity (4) 28cm high (excluding fittings)

£1,000-1,500

528 PAIR OF LARGE SICILIAN MAIOLICA ALBARELLI, PROBABLY CALTOGIRONE 19TH CENTURY painted to each side with a portrait medallion of a man and a woman, on a blue ground with yellow and green scrolling foliate decoration (2) 38.5cm high

£600-800

Reverse

196

529 PAIR OF FRENCH BAROQUE STYLE BRASS CANDELABRA 19TH CENTURY the removable tops with four hexagonal candle nozzles, converting to single candlesticks with tripartite stems and reeded wide hexagonal bases (2) 46cm high, 36cm wide

£400-600

530 PAIR OF RENAISSANCE STYLE GILT METAL LAMPS EARLY 20TH CENTURY with ‘candle’ fittings on acanthus cast urns and drip pans, above baluster tripartite bodies cast with foliage and C scrolls, on stepped bases raised on bold scrolled feet, fitted for electricity (2) 74cm high overall

£700-900

531 PAIR OF LARGE PAINTED WOOD OBELISKS 20TH CENTURY with marbleised decoration on gilt moulded bases (2) 76.5cm high Provenance: Private Collection, Stirlingshire, Scotland

£300-500

532 PAIR OF LARGE WROUGHT IRON FIRE DOGS 19TH CENTURY with tall twisted stems surmounted by spiral knopped finials (2) 108cm high, 68cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

197

533 MATCHED PAIR OF FLORENTINE FRAMED GILTWOOD MIRRORS 19TH CENTURY the circular mirror plates in carved and pierced frames with acanthus scrolls and shells (2) 69cm and 67cm diameter

£800-1,200

534 VENETIAN POLYCHROMED AND PARCEL GILT CARVED WOOD BLACKAMOOR FIGURE 19TH CENTURY depicting a Nubian woman holding a torch; on a square moulded pedestal (2) Figure 121cm high, pedestal 71cm high Provenance: Property from an East Lothian Country House

£700-1,000

535 TWO GREEN SERPENTINE MARBLE PEDESTALS 19TH CENTURY on hexagonal bases, one with a spiral column, the other with a fluted column; together with an ONYX AND GILT BRONZE PEDESTAL on a plain column with Corinthian capital and square base (3) Onyx 113cm high, 32.5cm wide; others 111cm high and 110cm high

£400-600

198

536 LARGE CASTELLI ISTORIATO MAIOLICA CHARGER 1648-56, PROBABLY PAINTED BY FRANCESCO GRUE the centre painted with the martyrdom of Saint Sebastian, the broad scrolling foliate border painted with flowers, birds and putti, centred above by a quartered coat of arms for Francesco Massucci, Bishop of Penne and Atri 1648-56 41.5cm diameter Provenance: A paper label to the reserve is inscribed ‘Property of J.J. Stonborough, From the Baron von Lana Collection’.

£3,000-5,000

Note: The probable print source for this scene is an engraving by Jan Muller (1571-1628), published by Harmen Jansz. Muller (c. 1540–1617) of about 1600[1] after the oil painting by Hans von Aachen (1552-1615), (National Museum, Warsaw, Poland).

According to Luciana Arbace[2] these arms for Francesco Massucciwere first identified by Franco Battistella in 1989. Carola Fiocco and Gabriella Gherardi recently document four Castelli pieces decorated with this coat of arms.[3] This lot is now the fifth known piece bearing this coat of arms.

The decoration on the the plate stylistically relates to one of the four previously documented pieces which is decorated with the subject of Scipio Ordering the Beheading of Prisoners, now in the TERCAS Collection Teramo, signed on the reverse with the initials F.G.P.[4] [1] Metropolitan Museum of Art (Accession Number: 51.501.6495) Jan Muller | Martyrdom of St. Sebastian | The Metropolitan Museum of Art (metmuseum.org) for downloadable link [2] Arbace, Luciana. Fondazione Raffaelle Paparella Treccia e Margherita Devlet 1: Francesco Grue (1618-73). La Maiolica a Castelli d’Abruzzo dal Compendiario all’Istoriato, 2000, fig100, p116-9 and Note 42.

[3] Fiocco, Carola, Gherardi, Gabriella. “L’araldica dei Vescovi Massucci e Raffaelli della Diocesi di Penne e Atri nella maiolica di Castelli D’Abruzzo.” In La Ceramica nello scaffale, Fondazione Cassa Risparmio di Fano, 2018, p63-8 and note 3. https://www.maiolicaitaliana.com/pubblicazioni/carolafiocco-gabriella-gherardi/araldica-dei-vescovi-massucci/ [4] Moccia, Lello. Mostra dell’ antica maiolica di Castelli D’Abruzzo,1965, cat29, tav XXV, p28.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

199

537 LIMOGES ENAMEL PLAQUE DEPICTING THE BETRAYAL OF CHRIST 16TH CENTURY polychrome enamel with traces of gilding 23cm high, 20cm wide Note: The plaque is likely to have been part of 37 plates depicting the Passion of Christ inspired by engravings by Albrecht Dürer. Scenes from the life and Passion of Christ had been amonst the earliest subjects to be depicted by the Limoges enamellers, beginning in the late fifteenth century. The theme was popularised by the Passion plays, which originated in medieval Germany and reached the height of their success in the fifteenth century. Dürer’s engravings were an often used source for the enamellers in Limoges, and plaques with different variations of the theme are known. This points towards a range of artists and their individual interpretations of the source. Another example can be found in the Wallace Collection, London, collection number C596.

Literature: Suzanne Higgott, ‘The Wallace Collection. Catalogue of Glass and Limoges Painted Enamels’, London 2011

£1,000-1,500

538 CIRCLE OF HANS REISINGER (GERMAN, ACTIVE LATE 16TH CENTURY), AFTER A MODEL BY GIAMBOLOGNA LION ATTACKING A HORSE bronze, with a slightly oxidised greenish brown patina 18cm long, 10.5cm high Literature: H. Weihrauch, Europaische Bronzestatuetten. Brunswick, 1967, figs. 383, 384, 385; D. Syndram, U. Arnold and J. Kappel, Das Grünes Gewölbe zu Dresden, Führer durch seine Sammlungen, Berlin, 1994, p. 72, fig. 5; A. Gibbon, Guide des Bronzes de la Renaissance Italienne, Paris, 1990, p. 249, no.

228; W. Seipel (ed.), Giambologna. Triumph des Kōrpers, Kunsthistorisches Museum, Vienna, 2006, pp. 284-285, no. 39; P. Wengraf, Renaissance and Baroque Bronzes from the Hill Collection, London, 2014, p. 181, fig. 2

£1,000-1,500

Note: Giambologna’s model is based on the marble fragmentary sculpture now in the garden of the Palazzo dei Conservatori in Rome, which was restored in 1594. The present arrangement differs slightly to the original and its facture points to a South Germany origin. The distinct chiselling to the surface, and the treatment of the head and tail of the horse compare closely to a bronze figure of a unicorn in the Grunes Gewolbe Dresden attributed to Hans Reinsinger, who was active in Augsburg in the third quarter of the 16th century. For a comparable example also attributed to Reisinger, see Sotheby’s London, Old Master Sculpture and Works of Art, 10 July 2014, lot 99.

200

539

540

DUTCH STYLE SILVERED EIGHT LIGHT CHANDELIER

AUBUSSON BIBLICAL SUBJECT TAPESTRY, CHRIST BROUGHT BEFORE HEROD

OF RECENT MANUFACTURE

LATE 17TH/ EARLY 18TH CENTURY

the central baluster issuing scrolling branches in candle nozzles and drip pans, fitted for electricity

from a Passion of Christ series, depicting Christ standing and gesturing before Herod who is seated on a throne, attended by a soldier and three other figures

58cm high, 97cm diameter

Provenance: Property from an East Lothian Country House

£400-600

£1,500-2,500

260cm x 308cm

541 CONTINENTAL WALNUT, PINE, AND EBONISED APOTHECARY’S CHEST OF DRAWERS the top with a moulded edge above an arrangement of eighteen short drawers with ebonised moulding, on a plinth base 112cm wide, 97cm high, 38cm deep

£800-1,200

542 DUTCH MAHOGANY AND BRASS BUCKET LATE 18TH/ EARLY 19TH CENTURY tapered form with brass banding, swing handle, and brass liner insert 31cm diameter, 33.5cm high

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

201

543 PAIR OF BLUE AND WHITE DUTCH DELFT TOBACCO JARS WITH BRASS COVERS LATE 18TH CENTURY each painted with an Indian smoking a pipe and seated by a jar, one inscribed ‘ROMANO’, the other inscribed ‘FARINAS’, with two ships under sail to one side, and monogrammed VOC to the other side, each with underglaze blue BP initials for De Vergulde Blompot factory (2) jars 23.5cm high, 35.5cm high including covers

£500-700

544 DUTCH DELFT TILE MURAL PANEL LATE 18TH/ EARLY 19TH CENTURY comprising eighteen five-inch tiles, painted in manganese depicting a farm scene, in an oak frame Frame 44cm x 82cm

£500-700

545 DUTCH WALNUT CHEST OF DRAWERS 18TH CENTURY the shaped top with a moulded edge above four graduated serpentine drawers, raised on ogee bracket feet 101cm wide, 86cm high, 62cm deep

£500-700

546 FLEMISH WALNUT, AND EBONISED CABINETON-STAND LATE 17TH CENTURY, THE STAND LATER the moulded cornice above a pair of parquetry doors inlaid with cartouches, strapwork and architectural niches to the sides, opening to a shelved interior with printed paper lining; the later stand with spiral carved supports and an undertier raised on squat bun feet 163cm wide, 205cm high, 60cm deep

£2,000-3,000

202

547 EUROPEAN NEEDLE LACE COVER 19TH CENTURY in the style of 16th century Flemish lace covers, with repeated corner panels depicting ships, the main panel with alternating figural scenes, 116cm squared; together with a COMPOSITE LACE PANEL, with a central reserve depicting acorns flanked by two diamond panels, within a figural and leafy border, with rampant lions to alternate corners, with acorn tassels, 110cm x 80cm (2) Note: for a similar example to the figural cover, see Santina M. Levey, Lace: A History (Leeds, 1983), pl. 125 & 125A.

£300-500

548

549

COLLECTION OF LACE

MEISSEN FIGURE OF A CARPENTER

including a scalloped collar of Brussels lace, with baskets and garlands of flowers; another similar; a further collar; an embroidered flounced shawl; six net stoles, one worked with garlands and baskets of flowers; a lace cover; a small piece of reticella, with double-tailed mermaids; and a collection of lace remnants, including bobbin and needle lace examples (qty)

MID 18TH CENTURY from the series of tradesmen modelled by J.J. Kaendler and Peter Reinicke, the figure wearing a tricorn, a purple coat and an apron, holding an axe in one hand and supporting a long plank and saw with his other, the base moulded with rocaille scrolls and applied with leaves and flowers, underglaze blue crossed swords to reverse

Reticella 44cm x 9cm

22.8cm high

£400-600

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

203

550 MEISSEN FIGURE OF A WHEELWRIGHT MID 18TH CENTURY from the series of tradesmen modelled by J.J. Kaendler and Peter Reinicke, the figure wearing a white shirt with a pale brown apron, holding an auger, the base with rocaille scrolls and applied with leaves and flowers, faint underglaze blue crossed swords to the reverse 21cm high

£1,500-2,000

551 MEISSEN FIGURE OF A BUTCHER MID 18TH CENTURY from the series of tradesmen modelled by J.J. Kaendler and Peter Reinicke, the figure holding an axe over his right shoulder, a joint of meat on a tree stump in front of him, wearing a tricorn, purple jacket, apron and green breeches, the base with rocaille scrolls and applied with leaves and flowers, underglaze blue crossed swords to the reverse of the base 19cm high

£1,000-1,500

552 TWO MEISSEN FIGURES OF TRADESMEN MID 18TH CENTURY From a series of tradesmen modelled by J.J. Kaendler and Peter Reinicke, one modelled as a cooper, wearing a green jacket and standing alongside a barrel, 24cm high, one modelled as a tinsmith, seated alongside his stove and wares, 17cm high together with TWO FURTHER 18TH CENTURY ARTISAN FIGURES, one modelled as a spinster (head lacking), 20cm high, the other as a gentleman wearing a tricorn hat, a lilac jacket and a white apron, holding pliers, (arm lacking) 22.5cm high, all with underglaze blue crossed swords to the reverse (4) £1,500-2,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

204

553 THREE MEISSEN MARCOLINI CUPS AND SAUCERS LATE 18TH CENTURY each painted with a vignette of a military battle scene within a circle link gilt border, with gilt rims, blue crossed swords and star, impressed numerals, some pieces with brown painted 14 (6) saucers 13.3cm diameter, cups 4.8cm high

£300-500

554 SET OF EIGHT MEISSEN ORNITHOLOGICAL PLATES 19TH CENTURY

556

together with a PAIR OF PIERCED ROUND DISHES, cancelled blue crossed swords marks, and TWO MEISSEN STYLE TAZZAS, unmarked; all similarly decorated (12)

EXTENSIVE MEISSEN DINNER SERVICE LATE 19TH CENTURY painted with vignettes of various birds, domestic, exotic and wild fowl, perched on branches and in naturalistic settings, with insects painted to the borders, within gilt rims; comprising: sixty five dinner plates, 23.5cm diam.; twenty one plates, 20.5cm diam.; twenty two side plates, 15cm diam.; twenty three bowls, 23.2cm diam.; two large scallop rimmed dishes of square form, 23cm wide; two smaller scallop rimmed dishes of square form, 19.5cm wide; a large bowl of square section form, 25cm wide; two oval tureens with covers and on integrated stands, 27cm wide; two large oval serving platters, 51.5cm wide; two smaller oval serving platters, 35cm wide; three large round serving dishes, 39cm diam., 39cm diam. and 34cm diam.; four small round serving dishes, 19cm diam.; two comport stands (one repaired, both tops lacking), 9.2cm high, underglaze blue crossed swords marks, all slightly ground down to the centre, various impressed and incised numerals (qty)

plates 24.6cm diameter Provenance: Sir Maurice William Ernest de Bunsen (1852-1932), and then by descent

£400-600

555 GROUP OF GERMAN PORCELAIN FIGURE GROUPS LATE 19TH CENTURY to include three Dresden Meissen style figure groups; together with a MEISSEN FOLIATE ENCRUSTED EASEL MIRROR (4) Mirror 35cm high, tallest figure 29cm high, smallest figure 22.3cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

556

Provenance: Property of a Scottish family

£6,000-8,000

205

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

206

557 CHANTILLY SOFT PASTE PORCELAIN DISH CIRCA 1760 enamelled with panels of mixed flowers within gilt borders, on a blue diaper ground, underglaze blue painted horn mark and the letter R, red painted letter A 20.2cm diameter

£300-500

558 PAIR OF FRENCH WHITE MARBLE AND GILT BRONZE BRÛLE PARFUM 19TH CENTURY the domed tops above pierced collars and leafy mounts, flanked by female masks, on reeded feet and square bases (2) 24.5cm high

£300-500

559 PAIR OF FRENCH BLANC DE CHINE PORCELAIN FIGURES LATE 18TH/ EARLY 19TH CENTURY modelled as a gentleman resting by a column, and a lady with hounds, unmarked (2) 33.5cm and 33cm high

£600-800

560 SÈVRES STYLE GILT METAL MOUNTED CACHE POT 19TH CENTURY painted to one side with a scene of courtship depicting ladies with an admirer gathering baskets of flowers, and to the reverse with a mixed bouquet of flowers, on a bleu-celeste ground, with gilt metal mounts in the form of lion mask ring handles, a beaded rim and a foot rim with four scrolling feet, interlaced LL mark 26.5cm high Provenance: Property from an East Lothian Country House

£250-350

207

561 PAIR OF ITALIAN GILTWOOD WALL BRACKETS 20TH CENTURY carved with shell motifs and C scrolls, together with a GEORGIAN STYLE GILTWOOD WALL BRACKET, 19TH CENTURY, carved with rocaille and foliate scrolls, 45cm wide, 39cm high, 18cm deep (3) 38cm wide, 30cm high, 19.5cm deep Provenance: Private Collection, Stirlingshire, Scotland

£300-500

562 FRENCH BEECH WING ARMCHAIR 19TH CENTURY the foliate carved frame with open arms, on cabriole legs with scrolled toes, covered in green plush-upholstery with close nail trim 75cm wide, 106cm high, 59cm deep Provenance: Private Collection, Stirlingshire, Scotland

£400-600

563 ITALIAN KINGWOOD PARQUETRY COMMODE 19TH CENTURY the yellow marble serpentine top with a moulded edge above three drawers, with compartments to the sides, on French bracket feet 78cm wide, 91cm high, 49cm deep

£600-900

208

564

565

PAIR OF STAINED BEECH CARVED BERGÈRES

FRENCH LOUIS XV STYLE KINGWOOD AND MARQUETRY MARBLE TOP COMMODE

EARLY 20TH CENTURY the arched padded backs above downswept enclosed arms and loose cushion seats, covered in pale rose plush upholstery, raised on tapered fluted legs (2)

LATE 19TH CENTURY

73cm wide, 96cm high, 58cm deep

the serpentine pink and grey breche marble top with a moulded edge above three long drawers with floral marquetry, raised on slender cabriole legs with gilt bronze mounts

£600-800

78cm wide, 86cm high, 38cm deep

£300-500

566 LOUIS XV STYLE KINGWOOD AND AMARANTH PARQUETRY BUREAU PLAT 19TH CENTURY the shaped rectangular top above three frieze drawers with dummy drawers to the reverse, raised on cabriole legs with gilt metal mounts 126cm wide, 81cm high, 66cm deep Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

209

567

568

LOUIS XIV STYLE GILT BRONZE AND MARBLE MANTEL CLOCK, SOTIAU, PARIS

FRENCH LOUIS XV STYLE KINGWOOD AND MARQUETRY COMMODE

18TH CENTURY

19TH CENTURY

the enamel dial surmounted by love-birds, and raised on six columns, on a stepped bowed base, the eight-day movement striking a bell

the breche marble top with a moulded edge over three long drawers with floral marquetry and gilt bronze mounts, raised on splayed feet

36.5cm wide, 58.5cm high, 16cm deep Provenance: Property from an East Lothian Country House

126cm wide, 90cm high, 55cm deep

£3,000-5,000

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

210

569 NORTH EUROPEAN PURPLEHEART AND MACASSAR EBONY SERPENTINE MARBLE TOPPED COMMODE 19TH CENTURY the later veined white marble top above a pair of crossbanded bombé doors with dummy drawer fronts, opening to shelves, raised on bracket feet 144cm wide, 94cm high, 66cm deep Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

570 Y FRENCH ROSEWOOD, ASH, MARQUETRY AND GILT-METAL MOUNTED MARBLE-TOPPED SECRETAIRE A ABATTANT 19TH CENTURY the rouge marble top above a frieze drawer and a fall front enclosing an interior fitted for writing, above a further drawer and pair of cupboard doors, all with floral marquetry, on a plinth base 72cm wide, 125cm high, 38cm deep

£800-1,200

571 FRENCH AMBOYNA, WALNUT, KINGWOOD, MARQUETRY, AND GILT BRONZE MOUNTED BED LATE 19TH CENTURY the arch moulded headboard with an urn and laurel gilt bronze mount above a panel inlaid with a ribbon tied basket, the footboard to match, with a platform base 220cm long, 153cm high, 155cm wide

£700-1,000

211

572 JEAN-BAPTISTE MASSÉ, AFTER CHARLES LE BRUN, TEN ENGRAVINGS FROM LA GRANDE GALERIE DE VERSAILLES CIRCA 1752 to include ‘Résolution prise de faire la guerre aux Hollandois 1671’; ‘Le roi arme sur terre et sur mer 1672’; ‘La Franche Comté conquise pour la seconde fois 1674’; ‘le roi donne ses ordres pour attaquer en même tems quatre des plus fortes places de la Hollande 1672’; ‘Passage du Rhin en présence des ennemis 1672’; ‘Le roy prend Maestrich en treize jours 1673’, 52 x 68cm sight size; ‘Mercure et la Paix descendant de Ciel’; ‘Renommees qui vons répandre la Gloire du Roy’, 33 x 49cm signt size; ‘Le Allemagne’; and ‘L’Espagne’ 34 x 79cm sight size; framed (10) Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

573 LOUIS XV KINGWOOD, AMARANTH AND MARQUETRY MARBLE TOPPED COMMODE, BY PIERRE FLÉCHY MID 18TH CENTURY the serpentine breche marble top with a moulded edge above three long drawers with flower marquetry, raised on slightly splayed legs with gilt bronze mounts, stamped P FLECHY JME 132cm wide, 93cm high, 65cm deep Note: Pierre Fléchy (b.1715), maître in 1756

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

212

574 AFTER THE ANTIQUE, ITALIAN WHITE MARBLE BUST OF A VESTAL VIRGIN, THE ‘ZINGARELLA’ EARLY 19TH CENTURY on a white marble socle 37cm high Note: After the ancient bust known as the Vestal Tuccia and also as the Zingarella or Gypsy-Girl, which is today held in the National Archaeological Museum, Naples (inv.no. 6194)

£300-500

575 AFTER THE ANTIQUE, PAIR OF SERPENTINE MEDICI LIONS typically carved with front paws resting on spheres (2) 15cm wide, 11cm and 12cm high

£300-500

576 AFTER GERMAIN PILON, (C. 1525-1590) THE THREE GRACES 19th century French silvered bronze, on a triform base, after the original Monument for the Heart of Henri II, in the Louvre 36cm high

£600-800

577 AFTER JEAN-BAPTISTE PIGALLE MERCURY 19th century bronze, medium brown patina, the base with an inscribed reserve ‘Mercurius par Pigalle’ 56cm high

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

213

578 PAIR OF FRENCH LARGE GILT METAL CANDELABRA 19TH CENTURY modelled as Etruscan style urns issuing eleven scrolling candle branches and multiple scrolling lily flower stems, on square bases (2) 81cm high

£1,500-2,500

579 AFTER AUGUSTIN PAJOU, PLASTER BUST OF MADAME DU BARRY LATE 19TH CENTURY painted to simulate bronze, on a marble socle base 73cm high Provenance: Private Collection, Stirlingshire, Scotland

£300-500

214

580 PAIR OF FRENCH ETCHED-GLASS WALL SCONCES EARLY 20TH CENTURY with mirrored-backs issuing two outscrolling arms (2) 30.5cm high

£300-500

581 LARGE FRENCH BRASS CORINTHIAN COLUMN LAMP BASE MID 19TH CENTURY the capital with applied clover leaves, raised on a square base mounted with putti, converted to electricity 69.5cm high

£400-600

582 FRENCH SLATE PERPETUAL CALENDAR MANTEL CLOCK WITH BAROMETER, ACHILLE BROCOT, PARIS 19TH CENTURY with a two-piece enamel dial with visible Brocot escapement, inscribed REGULATOR GOING ONE YEAR/ ACHILLE BROCOT, above a thermometer and subisidiary barometer and calendar dials with moon phase, the movement stamped 3370 38cm wide, 45.5cm high, 15.5cm deep Provenance: Sir Maurice William Ernest de Bunsen (1852-1932), and then by descent

£300-500

215

583 PAIR OF SMALL FRENCH GILT AND PATINATED BRONZE CANDLESTICKS CIRCA 1820 with reeded stems and laurel leaf cast circular bases (2) 18cm high

£600-800

584 PAIR OF FRENCH EMPIRE BRONZE AND SIENA MARBLE TAZZAS EARLY 19TH CENTURY with pierced everted rims, raised on plain columns and square bases (2) 12cm diameter, 19cm high

£700-900

585 FRENCH EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY the squared case surmounted by a saddled horse, with a silvered dial with Roman numerals, the eight-day movement striking a bell and stamped 4244/6146 29.5cm high, 20cm wide

£400-600

586 FRENCH EMPIRE ORMOLU MANTEL CLOCK 19TH CENTURY the Roman numeral dial in a column case surmounted by a bust of the artist Raphael and attended by the archangel Raphael holding a palm and laurel crown, on a plinth base with garlands and urns; with movement with silk suspension and striking a bell 28cm wide, 35cm high, 10cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

216

587 DUTCH MAHOGANY AND CANED ‘BURGERMEISTER’ ARMCHAIR 19TH CENTURY the curved back with a central splat flanked by caned panels, above a dropin seat, raised on cabriole legs with castors and joined by stretchers 86cm wide, 84cm high, 66cm deep

£500-700

588 FRENCH EMPIRE SATINWOOD, GILT METAL MOUNTED, AND NEEDLEWORK FIRESCREEN EARLY 19TH CENTURY the rectangular green silk rising panel centred by a needlework panel of a classical maiden at a brazier, on arched trestle bases with brass castors 63cm wide, 103cm high

£300-500

589 FRENCH EMPIRE MAHOGANY CONSOLE TABLE EARLY 19TH CENTURY the black marble top above a long frieze drawer, raised on brass mounted columns and a base tier, on bun feet 83cm wide, 87cm high, 38cm deep

£300-500

590 FRENCH MAHOGANY BRASS INLAID MARBLE TOPPED CONSOLE TABLE EARLY 19TH CENTURY the white D shaped white marble top with a moulded edge above a brass inlaid frieze, raised on scrolling dolphin supports and lotus carved finial, on a X form base with carved lion monopodia 130cm wide, 90cm high, 54cm deep

£1,500-2,500

217

591 DUTCH NEOCLASSICAL MAHOGANY, EBONISED, FRUITWOOD, AND INLAID DEMI-LUNE SIDE CABINET EARLY 19TH CENTURY the top with an oval veneer reserve above a pair of hinged swing-out drawers inset with black lacquer style Chinoiserie panels; above a pair of tambour doors, raised on square tapered legs with brass feet 95cm wide, 96cm high, 48cm deep

£1,000-1,500

592 PAIR OF NORTH EUROPEAN PAINTED PINE WATERFALL BOOKCASES EARLY 19TH CENTURY each with three graduated tiers above a base drawer, raised on square tapered legs, painted in ochre outlined with brown, the drawers painted with leafy scrolls (2) 48cm wide, 144cm high, 28cm deep

£2,000-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

218

593 DUTCH MARQUETRY DEMILUNE SIDE TABLE EARLY 19TH CENTURY the top with a marquetry portrait of William of Orange and a pierced gallery above a frieze drawer and pierced apron, raised on square tapered legs 65cm wide, 78cm high, 33cm deep Provenance: Property from a Scottish Country House

£300-500

594 CONTINENTAL WALNUT DESK, POSSIBLY AUSTRIAN 19TH CENTURY the serpentine top with a green leather insert, above a single frieze drawer flanked by banks of six drawers, raised on cabriole legs 110cm wide, 77cm high, 65cm deep

£500-700

595 DUTCH WALNUT AND MARQUETRY BUREAU EARLY 19TH CENTURY of bombé form, the cylinder top opening to an interior fitted with drawers and a tambour door above a slide out writing surface; over three serpentine and bombé long drawers and shaped apron with splayed bracket feet, the whole profusely inlaid with flowering urn, bird, and garland marquetry and outlined with gilt brass mounts 116cm wide, 130cm high, 60cm deep

£1,000-1,500

596 DUTCH WALNUT AND MARQUETRY CORNER CABINET EARLY 19TH CENTURY the arch moulded cornice above a pair of moulded panel doors opening to shelves; the base with two further moulded doors, raised on square tapered legs; the whole with flowering urn and bird marquetry 120cm wide, 232cm high, 52cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

219

597 PAIR OF BLACK FOREST CARVED HUNTING TROPHIES LATE 19TH CENTURY each with hanging game, lime-washed, mounted on shaped shield-backs (2) 101cm high, 55cm wide Provenance: Private Collection, Stirlingshire, Scotland

£600-800

598 PAIR OF BLACK FOREST OAK, WALNUT AND MARQUETRY HALL CHAIRS 19TH CENTURY the pierced and carved backs centred with marquetry panels depicting ibex, stags, and edelweiss blossoms, above shaped seats with further marquetry to match, raised on cabriole legs (2) 46cm wide, 95cm high, 36cm deep

£400-600

599 DUTCH PAINTED LEATHER FOURFOLD SCREEN EARLY 19TH CENTURY painted with a continuous genre scene of a village fete 244cm wide, 203cm high overall

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

220

600 BLACK FOREST NOVELTY CARVING OF A BEAR AS AN ARTIST LATE 19TH CENTURY the bear with a brush and palette seated before a miniature easel, on which rests a small oil painting on board, the base carved with drawing tools, books and a scroll of paper, mounted on a later oval wood base (2) 26.5cm high, 30cm wide (including stand)

£1,200-1,800

601 TWO ROYAL COPENHAGEN ‘FLORA DANICA’ SAUCE BOATS ON FIXED STANDS MID 20TH CENTURY

602 SET OF FOUR LARGE SÈVRES PORCELAIN ROUNDELS OF THE FOUR SEASONS 1862/63 depicting the relief profiles of young women emblematic of the seasons, in white on pale green grounds, variously incised to edges, stamped maker’s marks S. 63 (4) 45.5cm diameter

£1,500-2,500

each with black painted title to the base, ‘Dracocephalum Ruyschiana L’ and ‘Potentilla procumlens Silth’, green printed factory marks, underglaze blue wave mark, numbered 20/3556 (2) 23cm wide

£700-900

221

603 PAIR OF ITALIAN COLOURED GLASS, BEADED, AND GILT METAL WALL LIGHTS EARLY 20TH CENTURY with twin candle arms, hung with coloured glass drops in the form of fruits and leaves, fitted for electricity (2) 32cm high

£500-700

604 MATCHED SET OF EIGHTEEN BACCARAT COLOURED WINE GLASSES EARLY 20TH CENTURY comprising pairs in various colours, some with slight iridescence, each bowl moulded with diamonds, on tall octagonal stems and a square foot, star cut to the base, etched mark ‘Baccarat/France’ (18) 19.7cm high

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

222

605 GERMAN POLYCHROME PAINTED TERRACOTTA FIGURE OF A WHIPPET LATE 19TH CENTURY modelled recumbent, the head alert with glass eyes and facing sinister 48cm wide, 25.5cm high

£1,000-1,500

606 GEORGE DE CHEMELLIER (FRENCH 1835-1907) GET UP bronze, medium brown patina, modelled as a circus performer and poodle, on a canted rectangular base, signed 40cm high

£700-1,000

607 VINTAGE HERMÈS LEATHER TRUNK CIRCA 1925 in brown hide, with an interior tray and straps, the brass locks stamped HERMÈS PARIS; together with a French magazine advertisement showing the bag, dated 1926 86cm wide, 29cm high, 48cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

223

608 RARE VINTAGE FRENCH LEATHER SHOE TRUNK, BY PIETRO YANTORNY CIRCA 1915 covered in fine brown Russian leather with leather handles to each end, with a brass lock, catches, and riveted reinforced corners, the hinged double-doors, opening to a beige canvas lined interior with canvas lift-out tray with leather straps, the lock plate with a maker’s brass plaque inscribed with ‘26, Place Vendome Paris’ showroom address 104cm wide, 38cm high, 64cm deep

£3,000-5,000

Pietro Yantorny (1874-1936) was born in very modest means in Calabria, Italy, and through talent and perseverence became the first master shoemaker to attain celebrity status. An expert last maker, he produced shoes of exquisite beauty and design. Yantorny sought to create the most perfectly crafted shoes possible for a select and exclusive clientele of the most perfectly dressed people. In the window of his shop at 26, Place de Vendome, Paris, was a sign declaring that he was ‘the most expensive shoemaker in the world’, a claim repeated on his trade cards and correspondence. A deposit of 3000fr was required before he would commence work and six to eight fittings before a shoe was deemed finished. The minimum order was ten pairs with accompanying shoe trees and a Russian leather trunk, like the present lot.

A similar example, complete with twelve pairs of Yantorny designed shoes, formerly the property of American socialite Rita de Acosta Lydig (1880-1929), is in the collection of the Metropolitan Museum of Art, New York. Accession no. C.I.53.76.25

Yantorny in his workshop, 1912

224

609 FRENCH PAINTED METAL TRADE SIGN LATE 19TH/ EARLY 20TH CENTURY of cartouche shape, painted to both sides, ‘CAFE BAILLOT’ in red letters on a cream ground 71cm high, 65cm wide

£300-500

610 FRENCH ENGRAVED AND PAINTED BRASS TRADE SIGN MID 19TH CENTURY in the form of a drug jar, engraved with a laurel wreath and a pair of snakes and inscribed ‘PHARMACIE DE M.ELLE PIED’ highlighted in white 88.5cm high, 64cm wide

£500-700

611 FRENCH WAXED PINE BAKER’S RACK LATE 19TH CENTURY with five slatted shelves, on square supports joined by peripheral rails 124cm wide, 138cm high, 35cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ASIAN & ISLAMIC FURNITURE & WORKS OF ART

226

612 QAJAR PICTORIAL MOULDED TILE LATE 19TH CENTURY centrally painted with a chest length portrait of a young man within an eightpoint star reserve, on a blue ground with moulded scroll details, framed Tile 22.5cm wide, 22.5cm high; overall 26.5cm x 26.5cm

£250-350

613 614 ANGLO-INDIAN PADOUK ARMCHAIR MID 18TH CENTURY the serpentine top rail above a pierced vasiform splat and drop-in seat, flanked by scrolled arms and raised on cabriole legs with claw feet and joined by a turned H stretcher 67cm wide, 93cm high, 51cm deep

£800-1,200

615 Y TWO INDIAN CARVED HARDWOOD AND IVORY OCCASIONAL TABLES LATE 19TH CENTURY one with a circular top and three elephant head legs with ivory tusks, the other octagonal with similar four legs, carved in relief with stylised leaf motifs and central figural reserves (2) 63cm diameter, 63cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

GROUP OF TURKISH EMBROIDERY comprising four examples, largest 108cm x 86cm; together with a SUSANI PANEL, 254cm x 30cm; and TWO EUROPEAN EMBROIDERED PANELS, one a remnant (qty) £300-500

227

616 INDIAN, GUJARAT EMBROIDERED HANGING, FOR MORRIS & CO. 19TH CENTURY worked in cream and gold-coloured chain stitch on cotton, depicting ribbon-tied flowering branches within a meandering flower border, bearing a Morris & Co. trade label 220cm x 162cm

£300-500

617 INDIAN GOLD KOFTGARI STEEL SHIELD (DHAL) 19TH CENTURY with central raised bosses and brasses mounts, with plush backing 35.5cm diameter

£300-500

618 INDIAN PADOUK AND METAL INLAID THREE PANEL SCREEN EARLY 20TH CENTURY each panel inlaid with copper, white metal, and brass flowering vines 135cm wide, 153cm high

£300-500

619 INDIAN PADOUK BRASS INLAID CABINET EARLY 20TH CENTURY with twin arched doors inlaid with brass foliate motifs and enclosing shelves, above an arched recess 78cm wide, 159cm high, 42cm deep

£250-350

228

620 CHINESE TURQUOISE GLAZED CERAMIC VASE LATE 19TH/ EARLY 20TH CENTURY of baluster form, converted to a lamp and wired for electricity, with a metal mount to neck and ebonised base 45cm high (excluding top fittings) Provenance: Private Collection, Stirlingshire, Scotland

£300-500

621 CHINESE HARDWOOD TABLE LATE QING DYNASTY the panelled top over three frieze drawers with dummy locks and brass handles, raised on square chamfered legs with pierced and carved corner brackets 123cm wide, 86cm high, 52cm deep

£800-1,200

622 PAIR OF LARGE CHINESE BLUE AND WHITE PORCELAIN FISH BOWLS MODERN the everted rims above reserves with exotic birds against a scrolling leaf ground, with lingzhi and plantain leaf borders, six character Kangxi marks but later (2) 52cm diameter, 41cm high Provenance: Private Collection, Stirlingshire, Scotland

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

230

623 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the field with allover foliate rectangular lattice pattern, within red border 370cm x 300cm

£600-800

624 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the field with allover tree and foliate lattice pattern, within red border 335cm x 220cm

£500-700

231

625 TABRIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the indigo field with allover Kuba style rosette pattern, within red border 322cm x 214cm

£1,000-1,500

626 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the crimson field with allover palmette pattern, within ivory border 438cm x 340cm

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

232

627 KIRMAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with light blue medallion, within shaped light blue border 435cm x 310cm

£1,000-1,500

628 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the light brown field with indigo, green and blue spearhead medallion, green spandrels, within green border 304cm x 224cm

£1,200-1,800

629 ARAK CARPET WEST PERSIA, MODERN the red field with large stylised blue flower pattern, within red border 418cm x 295cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

233

630 USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the cream field with foliate medallion, Chinese scroll spandrels, within light blue border 341cm x 341cm

£1,000-1,500

631 ANATOLIAN CARPET MID 20TH CENTURY the cream field with allover tight foliate pattern, within green border 291cm x 203cm

£700-1,000

632 PERSIAN STYLE SILK CARPET LATE 20TH CENTURY the cream field with peach medallion, green spandrels, within peach border 305cm x 255cm

£500-700

234

633 PAIR OF KASHAN PRAYER RUGS CENTRAL PERSIA, LATE 19TH/ EARLY 20TH CENTURY each with rust red field with vase of flowers, indigo spandrels, within indigo border (2) each approx. 202cm x 132cm

£800-1,200

634 PART SILK QUM RUG CENTRAL PERSIA, LATE 20TH CENTURY the eau de nil field with large dark olive medallion, grey spandrels, within indigo border 201cm x 132cm

£800-1,200

635 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover floral pattern, within cream border 290cm x 200cm

£600-800

235

636 LARGE BIDJAR CARPET WEST PERSIA, LATE 19TH/ EARLY 20TH CENTURY the ivory field with large indigo lozenge medallion, indigo spandrels, within indigo border 640cm x 370cm

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

236

637 BAKHTIARI RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the dark indigo field with allover herati pattern, within ivory border 177cm x 152cm

£300-500

638 KIRMAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the raspberry field with light blue medallion, within blue border 304cm x 191cm

£300-500

639 KASHAN CARPET CENTRAL PERSIA, MODERN the indigo field with light blue and grey medallion, within indigo border 410cm x 297cm

£400-600

237

640 SAROUK CARPET WEST PERSIA, EARLY/MID 20TH CENTURY the raspberry field with allover foliate pattern, within indigo border 366cm x 283cm

£500-700

641 KASHAN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the raspberry field with indigo and ivory medallion, similar spandrels, within indigo border 390cm x 281cm

£500-700

642 HERIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the salmon pink field with allover serrated leaf pattern, within indigo border 336cm x 267cm

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

238

643 PERSIAN STYLE CARPET LATE 20TH CENTURY the rust red field with indigo medallion, light blue and ivory spandrels, within indigo border 366cm x 254cm

£600-800

644 TABRIZ CARPET

645 MAHAL CARPET WEST PERSIA, EARLY 20TH CENTURY the red field with foliate indigo medallion, blue foliate spandrels, within indigo border 420cm x 330cm

£600-800

NORTHWEST PERSIA, MID 20TH CENTURY the crimson field with allover lattice and palmette pattern, within green border 386cm x 274cm

£1,000-1,500

239

646 LARGE BAKHTIARI CARPET WEST PERSIA, MID 20TH CENTURY the rust red field with indigo, ivory and red medallion, indigo and pink spandrels, within ivory border 590cm x 443cm Provenance: Wentworth Woodhouse, Yorkshire

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

240

647 AFGHAN CARPET EARLY 20TH CENTURY the narrow red field with three columns of fifteen guls, within multiple red borders 310cm x 227cm

£300-500

648 TABRIZ STYLE CARPET MID/LATE 20TH CENTURY the red field with allover palmette, foliate vine and bird pattern, within blue border 331cm x 247cm

£500-700

649 KAYSERI CARPET CENTRAL ANATOLIA, MID 20TH CENTURY the pink field with light green medallion, light blue spandrels, within wide plain indigo border 358cm x 256cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

241

650 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with light grey medallion, similar spandrels, within light grey border 355cm x 240cm

£300-500

651

652

YOMUT PALAS CARPET

TABRIZ CARPET

TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY

NORTHWEST PERSIA, MID/ LATE 20TH CENTURY

the red field with allover hooked lozenge lattice pattern, within narrow red and indigo striped border

the turquoise field with cream and indigo medallion, red and cream spandrels, within cream border, signature to one end

442cm x 219cm

347cm x 247cm

£400-600

£500-700

242

653 HERIZ RUNNER NORTHWEST PERSIA, MODERN the red field with five starburst medallions, within red border 306cm x 100cm

£400-600

654 NORTHWEST PERSIAN RUNNER MODERN the indigo field with three rust medallions, within indigo border 320cm x 115cm

£600-800

655 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the brown field with nine polychrome cruciform medallions, within ivory border 355cm x 106cm

£600-800

656 KARABAGH RUNNER SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the dark indigo field with allover scroll and floral pattern, within narrow brown border 500cm x 110cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

243

657 KAZAK RUNNER SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with three octagonal polychrome medallions, within brown border 284cm x 109cm

£300-500

658 LABIJAR KILIM CARPET NORTH AFGHANISTAN, EARLY/MID 20TH CENTURY the field with polychrome bands of zig zags 360cm x 200cm

£300-500

659 CAUCASIAN KILIM CARPET EARLY 20TH CENTURY the red field with four polychrome lozenge medallions, polychrome spandrels, within dark brown border 505cm x 181cm

£400-600

660 KAZAK RUNNER SOUTH CAUCASUS, LATE 19TH/ EARLY 20TH CENTURY the indigo field with five polychrome lozenge medallions, within ivory border 291cm x 107cm

£300-500

244

661 KAZAK FACHRALO RUG SOUTH CAUCASUS, EARLY 20TH CENTURY the ivory field with two red geometric medallions, within red border; and a SMALL LESGHI RUG, the red and blue sectioned field with three star medallions, within ivory border (2) 235cm x 182cm; and 135cm x 100cm Provenance: A Northumberland Country House

£300-500

662 BELOUCH CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with four polychrome sections with hooked lozenge medallions, within dark red border 290cm x 130cm

£300-500

663 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the rust red field with three columns of six guls, within rust red border 414cm x 245cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

245

664 ERSARI CARPET TURKMENISTAN, EARLY 20TH CENTURY the dark red field with three columns of seven guls, within multiple dark indigo borders 376cm x 274cm

£500-700

665 BELOUCH CARPET NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY

666

the dark indigo field with allover hooked lozenge pattern, within dark brown border

TURKMENISTAN, EARLY 20TH CENTURY

300cm x 181cm

£1,000-1,500

TEKKE CARPET

the burgundy field with four columns of eleven guls, within burgundy border 318cm x 210cm

£500-700

246

667 LAKAI FLATWEAVE CARPET UZBEKISTAN, MID 20TH CENTURY the cream field with allover polychrome medallion pattern, within cream border 274cm x 163cm

£300-500

668 TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the rust brown field with five columns of eleven guls, within rust brown border and elem ends 320cm x 238cm

£500-700

669 BESHIR CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the dark indigo field with allover rosette lattice pattern, within dark indigo border 372cm x 264cm

£300-500

247

670 CHELABERD CARPET SOUTH CAUCASUS, POSSIBLY WOVEN WITH DATE AH 1261 / 1846 AD BUT LATER the red field with two and a half polychrome sunburst medallions, within ivory border 286cm x 190cm

£800-1,200

671 HERIZ CARPET NORTHWEST PERSIA, 20TH CENTURY the red field with indigo, blue and red star medallion, ivory, red and blue spandrels, within indigo border 338cm x 238cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

248

672 PAIR OF TABRIZ HADJI JALILI RUGS NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY each with rust field with camel medallion, camel spandrels, within rust border (2) each approx. 172cm x 125cm

£3,000-5,000

673 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the ivory field with light blue medallion, within red inner and light blue outer borders 344cm x 228cm

£800-1,200

674 TABRIZ CERPET NORTHWEST PERSIA, MID 20TH CENTURY the ivory field with rust red medallion, green spandrels, within rust red border 309cm x 199cm

£500-700

249

675 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover foliate pattern, within light brown border 410cm x 296cm

£2,000-3,000

676 ANATOLIAN CARPET EARLY/MID 20TH CENTURY the raspberry field with allover polychrome star medallion pattern, within indigo border 527cm x 315cm

£800-1,200

677 ANATOLIAN CARPET EARLY/MID 20TH CENTURY of Heriz design, the red field with large green medallion, similar spandrels, within green border 399cm x 321cm

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

250

678 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with three cruciform palmette medallions, within indigo border 326cm x 235cm

£2,500-3,500

679 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with light blue medallion, within light blue border 332cm x 209cm

£1,200-1,800

251

680 TEHRAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with allover polychrome lozenge lattice pattern, within indigo border 383cm x 263cm

£2,000-3,000

681 EUROPEAN CARPET EARLY 20TH CENTURY of Persian design, the cream field with allover herati pattern, green spandrels, within brown border 430cm x 345cm

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

GARDEN

253

682 IRON WEATHER VANE 19TH CENTURY the armature with a crescent moon face to one end and a blade to the other 101cm wide

£300-500

683 PAIR OF FRENCH CAST-IRON URNS 19TH CENTURY painted green (2) 60cm wide, 64cm high Provenance: Property from an East Lothian Country House

£400-600

684 TWO LIFE-SIZE BRONZE FIGURES OF HOUNDS MODERN realistically modelled, weathered patinas One 116cm long, 87cm high; the other 105cm long, 54cm high Provenance: Sold by these rooms June 2012, lot 1028

£500-700

685 LARGE BRONZE FIGURE OF A STAG MODERN realistically modelled, on a naturalistic base, weathered patina 160cm long, 147cm high Provenance: Sold by these rooms March 2013, lot 373

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

254

686

687

CARVED STONE FIGURE OF CUPID POSSIBLY 17TH CENTURY

COMPOSITION STONE FIGURE OF FLORA

carved in deep relief

20TH CENTURY

47cm wide, 60cm high

on a sectional pedestal

£600-800

Figure 100cm high, 154cm overall

£800-1,200

688 LARGE TERRACOTTA FIGURE OF FLORA 19TH CENTURY modelled standing and holding a cornucopia filled with flowers, on a square base 139cm high Provenance: Private Collection, Stirlingshire, Scotland

£400-600

689 VICTORIAN CAST-IRON ‘SERPENT AND TWIGS’ GARDEN BENCH, ATTRIBUTED TO COALBROOKDALE MID 19TH CENTURY painted white; together with a VICTORIAN CAST-IRON TABLE, ATTRIBUTED TO COALBROOKDALE, with an associated white marble top, 94cm wide, 79cm high, 49cm deep (2) 92cm wide, 86cm high, 54cm deep Provenance: The Peter Rose and Albert Gallichan Collection

£600-800

690 VICTORIAN CAST-IRON ‘SERPENT AND TWIGS’ GARDEN BENCH, ATTRIBUTED TO COALBROOKDALE 19TH CENTURY painted white 130cm long, 85cm high, 35cm deep Provenance: Private Collection, Stirlingshire, Scotland

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

255

691 THREE CAST-IRON MIRRORS 19TH CENTURY, ADAPTED previously window frames, to include a Gothic arched multiple pane panel, and a pair of smaller circular examples, all with modern mirror inserts (3) 123cm high, 90cm wide; and 60cm diameter Provenance: Property from an East Lothian Country House

692

£400-600

FRENCH GOTHIC REVIVAL CASTIRON GARDEN BENCH, AFTER A DESIGN BY THE VAL D’OSNE FOUNDRY 19TH CENTURY the back with Gothic tracery above a honeycomb pierced seat with pierced tracery apron below 145cm wide, 90cm high, 40cm deep Provenance: Private Collection, Stirlingshire, Scotland

£300-500

693 PAIR OF FRENCH GOTHIC REVIVAL CAST-IRON GARDEN BENCHES, AFTER A DESIGN BY THE VAL D’OSNE FOUNDRY 19TH CENTURY the backs with Gothic tracery above honeycomb pierced seats with pierced tracery apron below (2) 190cm wide, 90cm high, 40cm deep Provenance: Private Collection, Stirlingshire, Scotland

£1,000-1,500

256

694

695

PAIR OF LARGE REGENCY CAST IRON AND STONE BOOT SCRAPERS

PAIR OF COMPOSITION STONE LIONS

EARLY 19TH CENTURY

20TH CENTURY

the black painted scrapers with gryphon monopodia, on moulded carved stone bases

seated on plinths (2)

38cm wide, 42cm high, 36cm deep

£800-1,200

75cm high Provenance: The Peter Rose and Albert Gallichan Collection

£300-500

696 LUTYENS STYLE GARDEN BENCH AND PAIR OF ARMCHAIRS OF RECENT MANUFACTURE of typical form (3) Bench 165cm wide, 104cm high, 47cm deep; chair 90cm wide, 104cm high, 47cm deep Provenance: Private Collection, Stirlingshire, Scotland

£500-700

697

698

SET OF FOUR LUTYENS STYLE GARDEN ARMCHAIRS

PAIR OF LUTYENS STYLE GARDEN BENCHES

OF RECENT MANUFACTURE

OF RECENT MANUFACTURE

of typical form (4)

of typical form (2)

90cm wide, 104cm high, 47cm deep

165cm wide, 104cm high, 47cm deep

Provenance: Private Collection, Stirlingshire, Scotland

Provenance: Private Collection, Stirlingshire, Scotland

£400-600

£500-700

257

699 OLD WATERLOO BRIDGE STONE BALUSTER AND ASSOCIATED SUNDIAL 19TH CENTURY AND LATER the baluster with a bronze plaque ‘BALUSTER FROM OLD WATERLOO BRIDGE LONDON DEMOLISHED 1934’; with a modern bronze sundial 110cm high, 45cm wide overall

£1,200-1,800

Demolition and removal of the stone balusters, Old Waterloo Bridge, circa 1934

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

258

700 RED SANDSTONE AND BRONZE SUNDIAL 19TH CENTURY AND LATER the octagonal sectional column on a square base, mounted with a modern bronze sundial engraved ‘Stanley House 2009/ Silas Higgon Fecit’ Overall 36cm wide, 112cm high

£300-500

701 LARGE BAROQUE STYLE LEAD URN EARLY 20TH CENTURY with figural handles and lobed body cast with foliate scrolls and masks 70cm wide, 76cm high

£500-700

702 PAIR OF BAROQUE STYLE CAST LEAD URNS 19TH/ EARLY 20TH CENTURY of campana form with double headed griffon handles (2) 57cm wide, 53cm high

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

259

703 BRONZE MODEL OF THE MEDICI RICCARDI HORSE’S HEAD 19TH CENTURY life size cast, verdigris weathered patina 95cm wide, 75cm high

£2,000-3,000

704 PAIR OF CARVED STONE AND TOLE TOPIARY URNS 19TH CENTURY each urn mounted issuing a tole spray of flowers, on square bases (2) 48cm diameter, 110cm high

£800-1,200

Above:

Right:

SAMUEL JOHN PEPLOE R.S.A. (SCOTTISH 1871-1935) ROSES AND FRUIT

JOHN ATKINSON GRIMSHAW (BRITISH 1836-1893) GREENOCK Signed inscribed and dated, oil on canvas

Signed, oil on canvas 56cm x 51cm (22in x 20in)

Sold for £735,000 December 2021

31cm x 46cm (12in x 18in) Provenance: Christie’s, 20 July 1979, lot.42 where purchased by the vendor’s family and by descent

£80,000-120,000 To be offered 18 May at Five Centuries in Edinburgh

SPRING/SUMMER 2022 PAINTINGS AUCTIONS NOW OPEN FOR CONSIGNMENTS MODERN MADE: Modern British & Post-War Art, Design & Studio Ceramics

FIVE CENTURIES: Furniture, Paintings & Works of Art

SCOTTISH PAINTINGS & SCULPTURE

29 April

18 May

16 June

For more info please contact: NICK CURNOW | 0131 557 8844 nick.curnow@lyonandturnbull.com

NEW AUCTION FOR 2022 SILVER & OBJETS OF VERTU | 09 MARCH OPEN FOR CONSIGNMENTS

A VICTORIAN SOUP TUREEN, LINER AND COVER The Barnards, London 1845, with centrally applied marital Armorials of Campbell and Bannerman, the scroll handles with applied similar decoration Height: 35cm, weight: 201.8oz

£5,000-8,000

For more info please contact: KIER MULHOLLAND | 0131 557 8844 kier.mulholland@lyonandturnbull.com

AUCTION 17 AUGUST 2022 SCOTTISH SILVER & APPLIED ARTS OPEN FOR CONSIGNMENTS

THE SCOTT OF ABBOTSFORD PISTOL AN IMPORTANT FINE EARLY 19TH CENTURY SILVER MOUNTED STEEL SCOTTISH BELT PISTOL signed McLeod, post 1822the scroll butt pistol of an 18th century style, with flintlock and rainproof pan, stock, lock and barrel of decorated steel with trellis patterns and thistles, silver bar inlays and the silver butt escutcheons engraved with the crest of Scott of Abbotsford to one side and coat of arms with motto WATCH WEEL to the other, the scroll butt with silver button threaded pricker to match the silver ball trigger, with belt hook and steel ramrod below the flared muzzle 34cm long Heraldry: The escutcheons to butt engraved with the armorial and crest (to opposing sides) for the post-1822 arms of Scott of Abbotsford Note: This pistol seems to be tantalisingly connected to a pair of pistols by the same maker which are still within the collection of Sir Walter Scott and on display at Abbotsford. The pistols on display are not only by the same maker but bare a similar armorial engraving. More remarkably the pistols are recorded in correspondence between Scott and McLeod being commissioned by him for King George IV’s visit to Scotland in 1822.

Sold for £18,750 August 2021

For more info please contact: COLIN FRASER | colin.fraser@lyonandturnbull.com THEODORA BURRELL | theo.burrell@lyonandturnbull.com 0131 557 8844

264

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. F AILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

265 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable

by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed.

Please also note that all customs formalities of the destination country are the responsibility of the buyer.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

266 by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be

bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

267 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be

unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

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GUIDE TO BIDDING & PAYMENT REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

- ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Lots 445 & 446 [detail]

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM