FIVE CENTURIES | Furniture, Paintings & Works of Art Auction by Lyon & Turnbull

16TH & 17TH NOVEMBER 2022 EDINBURGH LIVE ONLINE

WEDNESDAY 16 & THURSDAY 17 NOVEMBER 2022 AT 10AM

Sale Number LT716

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday 12th November 12 noon - 4pm Sunday 13th November 12 noon - 4pm Monday 14th November 10am-5pm Tuesday 15th November 10am-5pm Day of sale from 9am

Front Cover Lot 412 [detail] Inside Front Cover Lot 288 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

BUYER'S GUIDE

This sale is subject to our Standard Conditions of Sale (available at the back of every catalogue and on our website). If you have not bought at auction before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

26% up to £20,000 25% from £20,001 to £500,000 20% thereafter. VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue). ADDITIONAL VAT † VAT at the standard rate payable on the hammer price ‡ Reduced rate of 5% import VAT payable on the hammer price Ω Standard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. No VAT is payable on the hammer price or premium for books bought at auction. DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website). BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue. REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction. CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. Our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot. ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com. Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice. Please note we are unable to take payments over the phone.

22.3

MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Katherine Wright

Gavin Strang

Furniture & Clocks

Paintings & Drawings

Ceramics & Glass

Rugs & Carpets

Katie Hannah

Jamie Russell

Harry Fletcher

Kerstin Schaeffer

Furniture & Works of Art

Furniture & Clocks

Furniture, Clocks & Works of Art

Junior Specialist: Works of Art

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ORDER OF SALE Lot No.

WEDNESDAY, 16TH NOVEMBER AT 10AM

1-51

Select Contents of Careston Castle, Brechin, Angus

52-82

British Furniture, Paintings & Works of Art Part One

83-93

Paintings Part One

94-183

British Furniture, Paintings & Works of Art Part Two

184-194

A Scottish Single-Owner Collection of Needlework Samplers

195-214

The Collection of the Late Sir Richard Shepherd, MP

215-275

British Furniture, Paintings & Works of Art Part Three

276-310

Paintings Part Two

311-410

British Furniture, Paintings & Works of Art Part Four

THURSDAY, 17TH NOVEMBER AT 10AM 411-525

The Bellamy Collection of Furniture, Paintings & Works of Art

526-561

Antiquities

562-633

Continental Furniture, Paintings & Works of Art

634-641

Asian Furniture & Works of Art

642-697

Rugs & Carpets

689-721

Architecture & Garden

SELECT CONTENTS OF CARESTON CASTLE, BRECHIN, ANGUS

Careston Castle lies in rolling farmland set against the

In 1682, John Ochterlony described Careston as a ‘great and

backdrop of the heather-clad Angus Glens near the town of

most delicate house, well built, brave lights, and of a most

Brechin.

excellent contrivance, without debait the best gentleman’s

The castle has a long history with the original keep begun in the 13th century. Its name was derived from Keraldus, dempster to the Earls of Angus. Nothing remains of the earlier keep as it was likely incorporated into the heart of the current castle when it was built in the late 16th century.

house in the shyre; extraordinaire much planting, delicate yards and gardens with stone walls, and excellent avenue with ane range of ash trees on every syde, ane excellent arbour, – for length and breadth, none in the countrey lyke it’ [sic].

The ‘new place of Carraldstone’ was a tall, L-shaped house

The castle was then acquired by Sir John Stewart of

ordered by Sir Henry Lindsay of Kinfaines, later 13th Earl of

Grandtully & Murthly in 1701, who added a wing to create a

Crawford, a high-ranking court officer to the Earls of Angus.

symmetrical, U-shaped, four-storey house of five bays with

Sir Henry is said to have sold the estate to Adam Rae, a merchant from Edinburgh, in 1612. Soon after that it was acquired by Sir Henry’s nephew, Lord Spynie, who revamped the castle’s interior in the course of the 1620s. The next owner was Sir Alexander Carnegie, who shared Lindsay’s passion for heraldic treatments, which may account for the elaborately carved pink-sandstone chimneypieces which are

short projecting gables at each end, his coat-of-arms holding pride of place above the front door. By 1721, the castle was owned by Maj George Skene and passed down through his family to his great-granddaughter, who married Alexander, 3rd Earl of Fife. In about 1790, a grandiose staircase hall was added at the rear and the 16th-century corner turrets were embellished with crenelations in the Gothic style.

believed to be some of the finest in Scotland. The example

Careston was purchased from the 5th Earl of Fife in 1872

in the hall has an enriched cornice and an overmantel with

by John Adamson, the son of a Dundee whaling captain and

the Royal Arms of Scotland. There are also fine surrounds

owner of the Erichtside linen works at Blairgowrie. He made

in the dining-room, and the central and east bedrooms on

some alterations to the layout of the back of the castle and

the second floor. These designs are thought to be derived in

also added a loggia at the front which is how it looks today.

form from designs in Jacques Androuet du Cerceau’s second book published in 1561, embodying Scotland’s strong links to France during the 16th century. [1]

After almost 150 years within the Adamson family the castle has now changed hands again and we are delighted to have the opportunity to offer selected contents to new owners, to enhance their own collections.

1 PAIR OF ‘RUSTIC’ TWIG GARDEN BENCHES AND TABLE EARLY 20TH CENTURY

[1] I. Campbell, ‘From du Cerceau to du Cerceau: Scottish Aristocratic Architectural Taste, c. 1570- c.1750’ Architectural Heritage 26 (2015), pp. 58-60

of simple natural branch construction (3) 103cm wide, 85cm high, 52cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

2 THREE SETS OF MOUNTED ANTLERS 20TH CENTURY the first a Royal stag with twelve points and partial skull mounted on a wood shield; the second a Eurasian elk with six points and partial skull mounted on a wood shield with plaque ‘HARVIALA 1958, 91cm wide; and the third a pair of Roe deer antlers with partial skull mounted on a wood shield, 27cm long (3) Royal stag 82cm wide

£300-500

3 NORTH ITALIAN ALTO ADIGE CYPRESS AND CEDAR WOOD PEN AND POKER-WORK CASSONE EARLY 17TH CENTURY the hinged top with two moulded panel reserves depicting biblical scenes of David and Goliath against a stipple ground, the surround profusely decorated with putti, leaf scrolls, and cartouches; the front with three further moulded panel reserves depicting biblical scenes of the Judgement of Solomon, the surround decorated with sirens, satyrs, putti, cartouches and architectural niches 144cm long, 61cm high, 67cm deep

£1,000-1,500

Note: Intaglio carving is a feature of furniture of the northern Italian Alpine region that was popular in the 16th and early 17th centuries, traditionally associated with the area around the Adige River. The technique of flat, incised decoration with inked scenes against a cut away, punched background, often depicted Biblical, literary, and historical scenes accompanied by animals and mythical beasts. Pieces were typically made of cedar or cypress due to their relative softness for ease of carving, but also for their warm colour and scent, which was a deterrent to moth and worm damage. Chests and boxes made of cypress and cedar were useful for storing valuable textiles,

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

and period inventories throughout Europe record them, indicating that they were desirable objects and traded far outside their region of origin. In Shakespeare’s ‘Taming of the Shrew’ Gremio brags of his cypress chests containing ‘arras counterpoints, costly apparel, tents, and canopies, fine linen, Turkey cushions, … and all things that belong to house or housekeeping’. A cypress chest filled with bed hangings was listed in the 1626 inventory of Cockseden [P. Thornton, Furniture History, 1971, p. 68] and examples are in the collection of the V&A and the Metropolitan Museum of Art.

4 GERMAN CARVED DEAL PANEL OF SAINT FRANCIS LATE 18TH CENTURY the carved ribbon-tied oval panel with a moulded border and a three-quarter relief figure of Saint Francis holding a crucifix with a blank cartouche below 93cm high, 59cm wide

£400-600

5 OAK WAINSCOT ARMCHAIR 17TH CENTURY the scroll and foliate carved top rail above panelled back carved with a stylised flower and tulips, over a chip-carved plank seat raised on bobbin turned legs joined by peripheral stretchers 54cm wide, 112cm high, 39cm deep

£500-700

6 OAK THREE PANEL COFFER 17TH CENTURY the front carved with lunettes and foliate filled lozenges, above a long base drawer and raised on stile feet 105cm wide, 64cm high, 45cm deep

£400-600

7 PAIR OF ITALIAN GRAND TOUR BRONZE OIL LAMP STANDS 19TH CENTURY in the antique Roman style, the lamps suspended from birds holding snakes as a branch, on tree-form columns and triform bases with sphinxes and animalistic legs (2) 60cm high

£400-600

8 PAIR OF ENGLISH GOTHIC REVIVAL WROUGHT IRON FIRE DOGS LATE 19TH CENTURY in the form of mythical beasts, together with TWO WROUGHT IRON FIRE TOOLS, the handles with writhing lizards (4) Fire iron 69cm high, 54cm deep Note: An identical pair to the present lot sold in these rooms, 27 November, 2018, ‘Paul Reeves: An Eye for Design’, lot 22, hammer £3,200

£1,000-1,500

9 RENAISSANCE REVIVAL OAK CREDENZA 19TH CENTURY the superstructure with a single shelf surmounted by a pierced and carved cresting with a central cartouche flanked by dragons, on similar dragon shelf supports; the lower part with a carved panel fall front centrally carved with an armorial flanked by mythical beasts and foliate scrolls, flanked by lion mask pilasters, and raised on robustly carved winged dragon support on an inverted breakfront plinth 142cm wide, 167cm high, 74cm deep

£600-800

10 PAIR OF WILLIAM AND MARY WALNUT ARMCHAIRS 17TH CENTURY the toprails pierced and carved with a flowering urn flanked by putti, above a caned back and seat, on spiral turned legs joined by spiral carved stretchers and conforming pierced and carved front stretchers (2) 63cm wide, 125cm high, 43.5cm deep

£800-1,200

11 DUTCH CAST-IRON FIREBACK AND GRATE 19TH CENTURY the arched panel cast with dolphins a Saint and two children within a leaf tip border, the basket with wrought iron twist spindles 97cm wide, 110cm high,

£300-500

12 CARVED OAK CENTRE TABLE 19TH CENTURY in the 17th century style, the top with a carved fruiting vine border above a foliate carved frieze, raised on turned legs united by peripheral stretchers 152cm long, 74cm high, 72cm deep

£500-700

13 CHARLES II WALNUT SIDE CHAIR 17TH CENTURY the toprail pierced and carved with a crown flanked by putti, above a caned back and seat, on spiral turned legs joined by a carved front stretcher 51cm wide, 115cm high, 40cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

14 GEORGE III MAHOGANY SIDE TABLE 18TH CENTURY the top with a moulded edge above two short frieze drawers over a pierced and shaped apron, raised on chamfered straight legs 80cm wide, 72cm high, 47cm deep

£300-400

15 SET OF FOUR GEORGE I STYLE MAHOGANY SIDE CHAIRS EARLY 20TH CENTURY the shaped backs with plain pierced vasiform splats, above drop-in seats with needlework covers, raised on cabriole legs joined by turned H-stretchers (4) 54cm wide, 96cm high, 41cm deep

£400-600

16 LATE REGENCY MAHOGANY LINEN PRESS EARLY 19TH CENTURY the plain cornice above a pair of bead moulded panel doors opening to three sliding trays; the base with two short and two long drawers with turned knobs and raised on bracket feet 133cm wide, 189cm high, 59cm deep

£600-800

17 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above two short and three long graduated drawers, on bracket feet 107cm wide, 89cm high, 53.5cm deep

£300-500

19 CHAMBERLAINS WORCESTER PART TEA SERVICE EARLY 19TH CENTURY

18 ENGLISH PORCELAIN BOTANICAL DESSERT SERVICE POSSIBLY RIDGWAY, EARLY 19TH CENTURY finely painted with floral specimens, the rims painted with further floral decoration enclosed within cartouches and roundels, on a moulded scrollwork ground with gilt highlights; comprising: twenty-four plates, 24cm diam; four low comports, 8cm high; four medium comports, 13cm high; two tall comports, 16cm high; and two sauce tureens, covers and stands, stands 19cm diam; red painted pattern number A641 (qty)

painted in the ‘Japan’ palette with stylised flowers within roundels, on a blue ground, with rich gilding; comprising eleven tea cups; twelve saucers, 13.7cm diam; ten coffee cans; eleven saucers 12.9cm diam; three cake plates, 21.5cm diam; a slop bowl, 16.5cm diam; jug, 13.5cm high; and a twin handled sucrier with cover; no markers mark, some with painted pattern number 298 (qty) £400-600

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

20 EXTENSIVE CUT GLASS AND RUBY FLASH SUITE OF GLASSWARE LATE 19TH/ EARLY 20TH CENTURY to include seventeen champagne coupes, eighteen red wine glasses, sixteen white wine glasses, sixteen sherry glasses, eight tumblers, fifteen finger bows, four decanter jugs, two small decanters, and four larger decanters; all with facet cut bowls with ruby flash, the glasses on slender hexagonal stems with star cut bases, unmarked champagne coups 11cm high, finger bowls 12cm diameter

£500-700

21 SUITE OF 18TH CENTURY STYLE GLASS MODERN the trumpet bowls on plain extruded stems with air tears on conical circular folded foot; comprising nine large wine glasses, ten smaller wine glasses, and six liqueur glasses (qty) 18cm; 12.5cm; and 10.5cm with some variation

£250-350

22 REGENCY MAHOGANY AND SATINWOOD CARD TABLE the crossbanded fold-over top with canted corners above a satinwood banded frieze, opening to a green baize playing surface, on ring-turned supports and quadripartite platform with outswept ebony strung legs ending in foliate cast brass caps and castors 92cm, 75cm high, 45cm deep

£400-600

23 SET OF THREE WILLIAM IV MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the scroll-carved top rails above fan-carved cross stretchers and drop-in seats in reeded frames, raised on turned and reeded tapered legs, to include a two side chairs and an armchair (3)

24 REGENCY MAHOGANY AND EBONY CHEVAL MIRROR

Sidechair 49cm wide, 92cm high, 44cm deep

£300-400

EARLY 19TH CENTURY the bevelled mirror plate in a rectangular frame supported by a reeded outer frame, raised on trestle supports 67cm wide, 161cm high

£300-500

25 Y GEORGE IV MAHOGANY BOWFRONT TALL CHEST OF DRAWERS EARLY 19TH CENTURY the crossbanded top above two short and four long graduated drawers with ivory escutcheons and turned handles, with a shaped apron and French bracket feet 113cm wide, 139cm high, 56cm deep With non-transferable CITES self-certification number 1K91YBBF

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

26 BARR FLIGHT AND BARR WORCESTER PART DESSERT SERVICE CIRCA 1830 richly painted and gilded in the Imari palette; comprising a large oval twin handled dish, 35.5cm wide; four oval lobed serving dishes, 28cm wide; four lobed square serving dishes, 23cm wide; four shell-shaped dishes; two twin-handled sauce tureens with covers and stands, tureens 20cm high; and twenty-two plates, 21cm diameter; brown oval printed marks and impressed BFB marks (qty) £1,500-2,000

27 VICTORIAN OAK AND BRONZE DINNER GONG LATE 19TH CENTURY the hand-beaten bronze gong suspended in a turned frame on scrolling trestle bases Gong 52cm diameter, 100cm high overall

£300-400

28 SET OF TEN VICTORIAN UPHOLSTERED DINING CHAIRS MID 19TH CENTURY the arched padded backs above stuff-over seats covered in cream silk, raised on tapered lotus-carved legs; eight with seat rails stamped ‘GW’, all with ink inscription ‘Ld Sirley[?]’ (10) 49cm wide, 91cm high, 45cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

The table in situ in the dining room at Careston Castle

29 WILLIAM IV MAHOGANY ‘JUPE’S PATENT’ EXTENDING DINING TABLE, BY JOHNSTONE, JUPE & CO. CIRCA 1835-40 the radially segmented circular top comprising eight sections with two sets of additional leaves, on a baluster pedestal and four leaf carved outscrolling legs ending in carved paw feet with brass castors, the internal mechanism with a central brass capstan engraved ‘JUPE’S PATENT’, the frieze with an ivory trade label inscribed ‘JUPE’S PATENT/ JOHNSTONE, JUPE, & CO. NEW BOND ST. LONDON’; the larger leaves with brass caps to the points 74cm high; 155cm diameter without leaves; 192cm diameter with small leaves; 225cm with larger leaves Provenance: By family repute, formerly Aldbar Castle, Brechin With non-transferable CITES self-certification number 44ZJAW4H

£100,000-150,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

In March 1835 Robert Jupe, an upholsterer based at 47 Welbeck Street, Cavendish Square, London, applied for a patent on an ‘improved expanding table’ that was ‘so constructed that the sections composing its surface may be caused to diverge from a common center and that the spaces caused thereby may be filled up by inserting leaves or filling pieces’. From 1835-1840 Jupe was in partnership with John Johnstone of New Bond Street and the company traded under the name Johnstone, Jupe & Co. The partnership dissolved after 1840, and each man set up on his own, each selling tables with Jupe’s patent mechanism but under different trade names, Jupe under his own name and Johnstone with a new partner Jeanes. Beautifully engineered, the genius of Jupe’s mechanism was that it

enabled the table’s radial top to expand with minimal effort to accommodate two different sets of eight leaf inserts, allowing the table to transform into three different sizes. Pedestals and bases could be tailored to the wishes of the buyer, from fairly plain to more exuberantly carved examples like the present lot. Other closely related Jupe tables are on record, all with the distinct leaf-carved quadripartite base and lion paw feet as the present model. Although of the same design, many are marked with various combinations of Jupe and Johnstone’s company’s names, an interesting detail as the partnerships changed within such a short period. See C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, fig. 535.

30 GEORGE III MAHOGANY NIGHT COMMODE LATE 18TH CENTURY the later shelved superstructure over a pair of doors and pull-out base fitted with a ceramic toilet basin, raised on chamfered straight legs 54cm wide, 113cm, 50cm deep Provenance: ’The Property of the Duke of Leeds’, Hornby Castle Sale, June 1930, lot 661

£300-400

31 LATE GEORGE III SCOTTISH ADAM AND EVE AUTOMATA MAHOGANY LONGCASE CLOCK, WILLIAM BISSETT, DUNDEE EARLY 19TH CENTURY the moulded swan neck pediment with brass mounts above an arched painted Roman numeral dial, with subsidiary seconds dial and date aperture, the arch painted with Adam and Eve in the Garden, flanked by fluted columns, above a trunk with a crossbanded shaped door flanked by quartercolumns, on plinth base; the eight-day twin chain movement striking a bell 220cm high, 53cm wide, 25cm deep

£500-700

32 SCOTTISH REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY the rounded rectangular top with an inset tooled leather skiver, above a central frieze drawer fitted with a leather writing slope, above an arch recess flanked by banks of two short drawers and spiral carved corners, the opposing side with dummy drawers to match, raised on reeded and ring-turned legs ending in brass caps and castors 109.5cm wide, 79.5cm high, 56.5cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

33 VICTORIAN PIERCED BRASS STATIONERY CASKET 19TH CENTURY the domed cover centred by an Apollo mask, above pierced scrolling foliate sides backed with black leather, opening to a gilt tooled leather compartmented interior with blue silk lining, the underside with a registration lozenge 23cm long, 15cm high

£300-400

34 Y ENGLISH LACQUERED BRASS 2 1/2 IN. TABLE TELESCOPE, RAMSDEN, LONDON LATE 18TH CENTURY the 25½ inch long body-tube signed Ramsden London, with rack and pinion eyepiece extension tube focusing, raised via a compass joint and brass column with telescopic stabilising rod with ivory key for rack and pinion adjustment to a folding tripod base with cabriole leg Tube 25 1/2 inches With non-transferable CITES self-certification number ZEQKEGQ6

35 Y LATE GEORGE III MAHOGANY SECRETAIRE CHEST OF DRAWERS EARLY 19TH CENTURY the central drawer fitted for writing with small drawers and pigeon holes, flanked by a pair of short drawers with a deep drawer to the other side, above three long graduated drawers and raised on French bracket feet 130cm wide, 116cm high, 61cm deep With non-transferable CITES self-certification number 1UBGD4WR

£600-800

36 FRENCH BLACK SLATE MANTEL CLOCK, RETAILED BY JAMES MUIRHEAD, PARIS MID 19TH CENTURY the white enamel Roman numeral dial with visible escapement and secondary seconds dial, signed JAMES MUIRHEAD/ PARIS, in a black slate cylinder case above a glazed plinth revealing a compensating pendulum, on a moulded base, the eight-day movement stamped 133 with bell strike, signed again on the backplate James Muirhead a Paris 27cm wide, 47.5cm high, 14cm deep

£250-350

£400-600

37 EARLY VICTORIAN BIRD’S EYE MAPLE CHEST OF DRAWERS MID 19TH CENTURY with four long graduated drawers with turned knobs, on a plinth raised on squat bun feet 119cm wide, 108cm high, 51cm deep

£300-500

38 LATE VICTORIAN MAHOGANY CHEVAL MIRROR LATE 19TH CENTURY the rectangular mirror plate in a step moulded frame and rising on a ratchet mechanism, supported between squared uprights with urn finials and turned half mouldings, raised on cabriole on trestle legs with ceramic castors 70cm wide, 130cm high [at lowest setting]

£300-500

39 VICTORIAN MAHOGANY CHIFFONIER MID 19TH CENTURY with a shelf back raised on foliate carved C-scrolls, the base with a long frieze drawer over a pair of panel cupboard doors opening to shelves, on a plinth base 112cm wide, 133cm high, 43cm deep

£300-400

40 Y PAIR OF FRENCH MINIATURE PAINTINGS, AFTER GUIDO RENI LATE 19TH CENTURY in watercolour and body colour on ivory, depicting Christ and Mary Magdalene, in giltwood frames mounted on mahogany boards 10cm high, 8.5cm wide With non-transferable CITES self-certification number 6AQPTFP

£300-500

41 MEISSEN PORCELAIN AND GLASS FIGURAL CENTREPIECE 19TH CENTURY the base with four figures of putti emblematic of the Seasons on scrolled feet, the central baluster stem supporting an associated large lobed glass bowl, blue underglaze crossed swords mark, incised G III, and iron red 28 38cm high, 27cm diameter

£800-1,200

42 PAIR OF FRENCH BRONZE FIGURES OF CALLIOPE AND CLIO 19TH CENTURY dark brown patina, one holding a stylus and leaning on a book, the other holding a shabti and a stylus, both on lobed rectangular black slate plinth bases with green marble inset panels (2) 37cm high

£400-600

43 LARGE PAINTED EARTHENWARE CHARGER, BROWN, WESTHEAD, MOORE & CO. PAINTED BY E CHATFIELD, BATTERSEA, DATED 1883 the centre with purple and white rhododendrons, enclosed within a thistle border, inscribed to the top ‘Benedictus Benedicat NC’, and to the bottom with the initials ‘WSA June 20. 1883; impressed mark for Brown, Westhead, Moore & Co, painted E. Chatfield, Battersea 54cm diameter

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44 GEORGIAN OAK AND MAHOGANY THREEPANEL MULE CHEST 18TH CENTURY the hinged top with a moulded edge opening to a void interior, the front with three crossbanded panels above two drawers to base, on bracket feet 122cm wide, 82cm high, 55cm deep

£300-400

45 GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY AND LATER with three short over three long graduated drawers, raised on bracket feet 101cm wide, 105cm high, 53cm deep

£400-600

46 LARGE CAST IRON FIREBACK AND GRATE 19TH CENTURY the arched back cast with a pair of putti and a laurel wreath with flower trails to the sides, above a wrought iron twisted spindle grate 107cm wide, 114cm high, 32cm deep

£400-600

47 PAIR OF LARGE DUTCH BRASS ANDIRONS 19TH CENTURY the double knopped standards with flame finials, on bases cast with hippocamps and a lion’s mask (2) 72cm high, 38cm wide

£300-500

48 PAIR OF SCOTTISH QUEEN ANNE LABURNUM SIDE CHAIRS EARLY 18TH CENTURY the shaped top rails above vasiform splats and drop-in seats with wavy seat rails, raised on block and turned legs joined by stretchers (2) 45cm wide, 101cm high, 35cm deep

£400-600

49 GEORGIAN STYLE OAK DRESSER LATE 19TH CENTURY the moulded cornice above a wavy frieze and three closed-back shelves flanked by panel cupboard doors; the base with two deep frieze drawers above a corresponding apron, raised on cabriole legs ending in pad feet 138cm wide, 200cm high, 51cm deep

£400-600

50 LARGE VICTORIAN SCRUBBED AND PITCH PINE SCULLERY TABLE 19TH CENTURY the boarded top above a frieze drawer to both ends, raised on turned and tapered legs 198cm long, 72cm high, 123cm deep

£400-600

51 GEORGE III PROVINCIAL ELM AND ASH ARMCHAIR 18TH CENTURY the yoke shaped top rail above a pierced vasiform splat, over a wide stuff-over seat flanked by scrolling open arms, raised on straight square legs joined by stretchers 70cm wide, 93cm high, 48cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART I

52 LARGE WROUGHT IRON STRAPWORK DOOR FURNISHING 19TH CENTURY of scrolling late Gothic design with a keyhole escutcheon to one side 85 cm wide, 77cm high

£300-500

53 OAK WAINSCOT ARMCHAIR 17TH CENTURY

the panel back carved with stylised leaves, palmettes, and roundels above a plank seat flanked by downward scrolled arms, raised on baluster turned legs joined by peripheral stretchers

LEATHER AND BRASS BANDED DOMED CHEST

61cm wide, 111cm high, 35cm deep

17TH CENTURY

£400-600

the hinged top with brass strapwork, hinges, and lock, with large ring handles to the sides, opening to a linen lined interior 123cm wide, 69m high, 60cm deep

£1,000-1,500

55 OAK CUPBOARD 17TH CENTURY the single board top with a thumbnail moulded edge over a dentil and flowerhead carved raised, above a central cupboard door and panel flanked by carved panelled doors, raised on stile feet 174cm wide, 108cm high, 48.5cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

56 OAK MARQUETRY FOUR-PANEL CHEST LATE 17TH CENTURY the hinged lid above a four-panel carved and floral marquetry inlaid front, raised on stile feet 146cm wide, 73cm high, 57cm deep

£300-500

57 OAK CUPBOARD, WESTMORELAND LATE 17TH CENTURY the twin panel frieze framed by carved flower heads and scrolling leaf motifs and centred with the initials ‘I P’ and date 1701, above a pair of panelled doors opening to a void interior, on a three panel base raised on stile feet 130cm wide, 170cm high, 50cm deep

£400-600

58 LARGE OAK JOINED CHEST 17TH CENTURY the hinged top opening to a void interior, above a foliate carved frieze and threeover-five panel front, raised on stile feet 195cm wide, 92cm high, 64cm deep

£400-600

59 CARVED OAK CAROLEAN STYLE MIRROR 19TH CENTURY the oval mirror plate in a foliate carved frame surmounted by a fruit-filled urn flanked by putti 121cm high, 75cm wide

£700-900

60 PAIR OF ANGLO-DUTCH WALNUT SIDE CHAIRS LATE 17TH CENTURY the tall backs with pierced and carved foliate cresting above foliate carved and pierced vasiform splats over padded stuffover seats covered in later needlework covers, raised on bell flower carved scrolled legs joined by shaped stretchers (2) 50cm wide, 124cm high, 41cm deep

£400-600

61 OAK PRESS CUPBOARD LATE 17TH CENTURY the superstructure with a central carved arcade flanked rosette carved doors and turned columns; the lower part with a carved frieze and twin-panelled cupboard doors, raised on stile feet 131cm wide, 161cm high, 45cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62 The scene most likely depicts the Battle of Emesa, and shows Zenobia, queen of the Palmyran empire, dressed as a warrior on horseback, accompanied by general Zabdas as her army battles with the army of Roman emperor Aurelian. The series from which this tapestry is taken is not well researched, but does appear in several early 20th century references on Brussels tapestries. A version of this scene is included in Johann Böttger, Tapisseries à Figures des XVIe et XVIIe siècles appartenant aux collections privées de la Suède, 1928, and the same tapestry is reproduced in Marillier, English Tapestries of the 18th Century, 1930. Marillier mistakenly attributed all Wauters tapestries to an English origin. A set of tapestries on the same subject, which may be the one of the current lot, is listed in the papers of the Forchoudt family firm of 17th century art dealers, who list the designer as ‘van Houbraten’, Jean Denucé, Kunstuitvoer in de 17de eeuw te Antwerpen. De Firma Forchoudt, Antwerp, 1936. With special thanks to Helen Wyld, Senior Curator of Historic Textiles, Global Arts, Cultures and Design, National Museums Scotland, for help in identifying the subject and maker of this lot.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRUSSELS [ANTWERP] HISTORICAL TAPESTRY ‘ZENOBIA AND AURELIAN’, FROM THE STORY OF ZENOBIA, WORKSHOP OF PHILIP WAUTERS THIRD QUARTER 17TH CENTURY woven in wools and silks, depicting Queen Zenobia mounted on a white stallion trampling over a figure to the centre, war elephants to the left, cavalry and soldiers fighting on the banks of the river, a hilltop fortification in the distance and a rural landscape beyond, within an architectural border with fruiting and ribbon tied floral garlands upheld by winged cherubic figures, with a central cartouche to the top and sides and a winged mask to the base, within a brown outer slip with the ateliers symbol to the bottom left for Philip Wauters. 524cm x 345cm

£15,000-25,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

63 SET OF EIGHT CARVED MAHOGANY PANELS 19TH CENTURY each carved with a Green Man mask and foliate scrolls (8) each 27cm high, 14.5cm wide Provenance: Cassillis House, Maybole, Ayrshire, seat of Archibald David Kennedy, 7th Marquess of Ailsa

£400-600

64 SCOTTISH BRONZE MORTAR AND PESTLE LATE 18TH CENTURY of typical form with triple bands, the mortar body cast with thistles and dated 1785 (2) pestle 28cm long Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£300-500

65 COLLECTION OF PATINATED SHEET METAL ARMORIAL APPLIQUÉS EARLY 19TH CENTURY pressed in relief with heraldic crests of griffins, armour, a Maltese cross, crossed arrows, a tower and a bishop’s mitre, with dark brown/black patination (11) Largest 18cm high

£250-350

66 ENGLISH STEEL AND WROUGHT IRON FIRE BASKET LATE 17TH/ EARLY 18TH CENTURY with scrolled sides and supports and three curved bars 57cm wide, 61cm high, 28cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

67 GEORGIAN STYLE WALNUT MIRROR 19TH CENTURY the shaped and divided mirror plate with a bevel edge in a gilt inner slip and mould frame with a scroll cut surround centred by a carved shell motif 101cm high, 53.5cm wide

£300-500

68 GEORGE I MAHOGANY WING ARMCHAIR EARLY 18TH CENTURY the upright back with a shaped crest rail above deep wings and a curved seat flanked by short scroll arms, raised on cabriole legs joined by a turned H stretcher and ending in pad feet; covered in taupe velvet upholstery 86cm wide,121cm high, 49cm deep

£400-600

69 GEORGE I WALNUT BUREAU EARLY 18TH CENTURY the crossbanded and featherbanded slope front opening to an arrangement of pigeon holes, drawers and a covered recess, over two short and two long drawers raised on bun feet 94cm wide, 91cm high, 55cm deep

£800-1,200

70 GEORGE I WALNUT AND GILT MIRROR EARLY 18TH CENTURY the shaped rectangular mirror plate with a bevelled edge in a foliate moulded gilt slip and moulded frame with scroll cresting centred by a pierced gilt Prince of Wales plumes 109cm high, 50.5cm wide

£500-700

71 GEORGE I/II WALNUT BUREAU BOOKCASE EARLY 18TH CENTURY the cavetto moulded cornice above a pair of glazed doors enclosing adjustable shelves; the base with a featherbanded and crossbanded slope opening to an arrangement of pigeon holes, drawers, and a recessed compartment, above two short and two long drawers, raised on bracket feet 92 wide, 222cm high, 62cm deep

£1,000-1,500

72 GEORGIAN STYLE WALNUT FRAMED NEEDLEWORK SOFA LATE 19TH CENTURY the low back with a scrolled and shaped top rail above a three cushion seat flanked by low scrolled arms, upholstered in needlework covers depicting a dancing couple, birds, and flowers, raised on short shellcarved cabriole legs ending in pad feet 192cm wide, 90cm high, 56cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

73 PAIR OF GEORGE I MAHOGANY SIDE CHAIRS EARLY 18TH CENTURY the scroll carved top rails above vasiform splats over drop-in seats covered in needlework, raised on C scroll carved cabriole legs ending in pad feet (2) 52cm wide, 100cm high, 35cm deep

£300-500

74 QUEEN ANNE WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the quarter-veneered and crossbanded top outlined with featherbanding, over two short and three long drawers raised on bun feet 98cm wide, 89cm high, 55cm deep

£2,500-3,500

75 QUEEN ANNE WALNUT CHEST-ON-STAND EARLY 18TH CENTURY; THE STAND 19TH CENTURY the moulded cornice above a pair of short and three long graduated and crossbanded drawers; on a later stand with double C-scroll supports joined by a shaped X-form stretcher raised on bun feet 100cm wide, 144cm high, 51.5cm deep

£600-800

76 GEORGE I WALNUT MIRROR EARLY 18TH CENTURY the bevelled shaped arch divided mirror plate in a moulded inner frame with a scroll pediment 107cm high, 42cm wide

£400-600

77 ANGLO-DUTCH WALNUT BUREAU BOOKCASE MID 18TH CENTURY the moulded swan neck pediment centred by a carved gilt foliate finial above a frieze with a gilt carved putto, over a pair of mirrored doors with giltwood flowering vine borders, opening to a shelved interior; the lower part with a slope front enclosing an arrangement of pigeon holes and shelves and a covered well, above three long serpentine drawers and raised on shaped bracket feet 108cm wide 249cm high, 52cm deep Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£1,000-1,500

78 GEORGE II STYLE WALNUT BACHELOR’S CHEST OF DRAWERS EARLY 20TH CENTURY the crossbanded fold-over top opening on lopers above four graduated drawers, raised on bracket feet 71cm wide, 76cm high, 35cm deep

£1,000-1,500

79 GEORGE II MAHOGANY BIRDCAGE TRIPOD EARLY 18TH CENTURY the revolving circular dished top on a solid mahogany birdcage and cannon barrel turned support, terminating on a tripod base 71cm diameter, 70cm high

£1,000-1,500

80 LATE GEORGE II MAHOGANY ARMCHAIR MID 18TH CENTURY the boldly scrolled top rail carved with rocaille and acanthus above a pierced splat and deep stuff-over seat flanked by curved arms with scrolled hand terminals; raised on acanthus carved cabriole legs ending in pad feet and joined by turned stretchers 54cm wide, 93cm high, 45cm deep

£500-700

81 GEORGE II MAHOGANY DEMILUNE TEA TABLE EARLY 18TH CENTURY the fold-over top opening to a void interior, raised on tapered legs ending in pad feet 71cm wide, 71cm high, 32cm deep

£400-600

82 GEORGE II WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the top with a moulded edge above two short over three long graduated drawers, raised on bracket feet 89cm wide, 89cm high, 49cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAINTINGS PART I

83 17TH CENTURY DUTCH SCHOOL PORTRAIT OF A GENTLEMAN WITH A PLUMED HAT Feigned oval, oil on panel 68cm x 80cm (22.75in x 31.5in) Provenance: Careston Castle, Brechin, Angus

£1,000-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

84 MANNER OF COSMO ALEXANDER HALF-LENGTH PORTRAIT OF A YOUNG MAN IN BLUE COAT Feigned oval, oil on canvas 76cm x 63.5cm (30in x 25in)

£800-1,200

85 18TH CENTURY ENGLISH SCHOOL A GROUP PORTRAIT OF A MERCHANT FAMILY Oil on canvas 72cm x 59cm (28.25in x 23.25in) Provenance: Collection of the late Sir Richard Shepherd, MP

£600-800

86 FOLLOWER OF SIR PETER LELY THREE QUARTER LENGTH PORTRAIT OF A LADY Oil on canvas 134cm x 100cm (52.75in x 39.5in) Provenance: Collection of the late Sir Richard Shepherd, MP

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

87 17TH CENTURY FLEMISH SCHOOL A WOODED LANDSCAPE WITH FIGURES AND ANIMALS Oil on cradled panel 51cm x 69cm (20in x 27in)

£2,000-3,000

88 FRENCH SCHOOL C.1700 ARACHNE AND HER ASSISTANTS CHALLENGING THE GODDESS ATHENA (MINERVA) Gouache and gold on paper, and a companion, a pair 19cm x 43cm (7.5in x 17in)

£1,200-1,800

89 FOLLOWER OF GIOVANNI AGOSTINO CASSANA (ITALIAN 1611-1671) RABBITS, DOVE AND A GUINEA PIG IN AN INTERIOR Oil on canvas 51cm x 61cm (20in x 24in)

£2,000-3,000

90 18TH CENTURY DUTCH SCHOOL VERTUMNUS AND POMONA Oil on canvas 38cm x 51cm (15in x 20in)

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

91 JOHN NOST SARTORIUS (BRITISH 1759-1828) IN FULL CRY Bears signature and date, oil on canvas 43cm x 53.5cm (17in x 21in) Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£800-1,200

92 19TH CENTURY PROVINCIAL ENGLISH SCHOOL CARRIAGE DRIVING Oil on canvas 41cm x 51cm (16in x 20in)

£400-600

93 STUDIO OF PIETER BRUEGHEL THE YOUNGER FISHING IN THE MARSHES Bears signature, oil on panel, circular 25cm (9.75in) diam Provenance: H. Terry-Engell Gallery, London, 1971, when sold as ‘From the Wilkinson Collection’ to Goldberg, and thence by descent Note: For similar examples see Karl Ertz, Pieter Brueghel der Jungere, 1988/2000, vol. p.876, kat.1243, and Pierre Marlier, Pierre Brueghel le Jeune, 1969, p.407, fig.255

£10,000-15,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94 GEORGE III OAK AND WALNUT BANDED CHEST OF DRAWERS 18TH CENTURY in two parts, the ebony and fruitwood strung top over four long graduated drawers, raised on bracket feet 92cm wide, 111cm high, 55cm deep

BRITISH FURNITURE, PAINTINGS & WORKS OF ART PART II

£300-500

95 LARGE GEORGE III OAK AND FRUITWOOD BANDED DRESSER LATE 18TH CENTURY the moulded cornice above a shaped frieze over three enclosed shelves flanked by bow-front shelved niches over fielded panel cupboards and spice drawers; the base with three deep frieze drawers over four further fielded panel doors and two further drawers, raised on ogee bracket feet 204cm wide, 220cm high, 52cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96 THREE PAINTED OAK COATS-OF-ARMS LATE 19TH / EARLY 20TH CENTURY the first with a helmet crest issuing a rampant leopard flanked by two leopard supporters and motto ‘Aequam memento servare mentem’; the second with the arms of the City of Nottingham with a three towered castle crest flanked by two stag supporters with motto ‘Vivit post funera virtus’; and the third the arms of Charles Grant, 1st Baron Glenelg (3) Largest 53cm high, 46cm wide

£800-1,200

97 SCOTTISH PINE AND OAK FRAMED ORKNEY ROCKING CHAIR 19TH CENTURY the curved woven straw back above solid seat above turned legs on curved rails 57cm wide, 86cm high, 65cm deep

£500-800

98 GEORGE I CEDARWOOD CHEST OF DRAWERS EARLY 18TH CENTURY the top with an applied moulded edge above two short and two long drawers, raised on bun feet 87cm wide, 85cm high, 53cm deep

£800-1,200

99 SET OF SEVEN GEORGE III ELM RUSH SEATED DINING CHAIRS LATE 18TH CENTURY the square bar backs with twin X rails above drop-in woven rush seats, raised on square straight legs; to include six side chairs and an armchair (7) Side chair 48m wide, 86cm high, 38cm deep

£800-1,200

100 EARLY GEORGE III OAK TRAY TOP BEDSIDE COMMODE MID 18TH CENTURY the tray top with a shaped gallery and cut-out handles, above a pair of doors flanked by lopers over a pull-out potty drawer, now converted, raised on moulded straight square legs with leather castors 56cm wide, 77cm high, 45cm deep

£500-700

101 GEORGIAN OAK LOWBOY MID 18TH CENTURY the moulded rectangular top above a long drawer and two short drawers arranged around a shaped apron, raised on cabriole legs ending in pad feet 87cm wide, 71cm high, 51cm deep

£300-500

102 GEORGE III OAK LONGCASE CLOCK, ROBERT WELSH, DALKEITH 18TH CENTURY the hood with a swan neck pediment carved with roses and a central urn, above an engraved arched silvered dial with Roman and Arabic chapters, subsidiary seconds dial and date aperture, signed to the arch, above a shaped and moulded trunk door with plinth base on bracket feet; the eight-day twin-train movement striking a bell 221cm high, 43cm wide, 23cm deep

£700-1,000

103 GEORGE I OAK CHEST ON STAND EARLY 18TH CENTURY the moulded cornice above four long drawers; on a separate stand with three drawers arranged around a shaped apron, raised on cabriole legs ending in pad feet 94cm wide, 141cm high, 55cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104 GEORGE II PROVINCIAL OAK CORNER ARMCHAIR EARLY 18TH CENTURY the curved arm rail above twin vasiform splats and squared baluster supports, over a plank seat raised on square chamfered legs joined by stretchers

105

72cm wide, 91cm high, 57cm deep

£500-700

GEORGIAN OAK DRESSER LATE 18TH CENTURY the moulded cornice above a shaped frieze and three enclosed shelves flanked by further recesses and cupboards with shell inlay; the lower part with three drawers and shaped apron, raised on square tapered legs 182cm wide, 192cm high, 45cm deep Provenance: The Estate of the late J. E. Adam

£500-700

106 SET OF THREE GEORGIAN OAK ARMORIAL HALL CHAIRS LATE 18TH CENTURY the shaped vasiform backs decorated in an oval reserve with a polychrome crest for the Shee family, above curved seats with recessed panels and raised on trestle bases (3) 41.5cm wide, 98cm high, 39cm deep Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£400-600

107 GEORGIAN CARVED PINE FIRE SURROUND 18TH CENTURY the breakfront shelf above a dentil moulded frieze carved in deep relief with foliate scrolls and flowers, the jambs carved with trailing flower garlands and capped by scrolled brackets 186cm wide, 146.5cm high, 22cm deep; interior 127 x 111cm Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108 PAIR OF GEORGE III STYLE GILTWOOD MIRRORS 19TH CENTURY the bevelled oval mirror plates in ribbon tied giltwood frames with scrolling foliate cresting and pendant trophies with laurel boughs (2) 93cm high, 65cm wide Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£1,000-1,500

109 GEORGE III MAHOGANY DRESSING TABLE 18TH CENTURY the top with a moulded edge above two short and a long drawer, raised on chamfered square tapered legs 97cm wide, 76cm high, 51cm deep

£500-700

110 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above three short drawers and three further graduated long drawers, raised on ogee bracket feet 107cm wide, 101cm high, 57cm deep

£400-600

111 GEORGE III STYLE MAHOGANY CARVED OVERMANTEL MIRROR LATE 19TH CENTURY the rectangular mirror plate in a moulded frame with margin plates and surmounted by a draped urn 94cm high, 115cm wide Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£400-600

112 GEORGE II MAHOGANY TRIPLE FOLD TEA/ CARD TABLE 18TH CENTURY the fold-over top with rounded fore corners, opening to a plain surface, and further to reveal a red baize playing surface with counter wells, above long frieze drawer and raised on tapered legs ending in pad feet 84cm wide, 75cm high, 41cm deep [closed]

£400-600

113 EARLY GEORGE III MAHOGANY CHEST OF DRAWERS MID 18TH CENTURY the top with canted forecorners above a pair of short and three long graduated drawers flanked by reeded angles, raised on ogee bracket feet 95cm wide, 84cm high, 49cm deep

£600-800

114 GEORGE III MAHOGANY SIDE TABLE 18TH CENTURY the rectangular top above a long frieze drawer, raised on square chamfered legs with corner brackets 108cm wide, 71cm high, 63.5cm deep

£400-600

115 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular tilt top raised on a ring-turned column and tripod base 41cm diameter, 79cm high

£300-500

116 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY of small and unusual proportions, the top with a moulded edge above six graduated long drawers with press brass handles, raised on cabriole legs with pad feet 77cm wide, 102cm high, 39cm deep

£800-1,200

117 SET OF THREE GEORGE III MAHOGANY ARMCHAIRS, IN THE MANNER OF JOHN COBB, RETAILED BY MOSS & SONS 18TH CENTURY the curved cartouche shaped backs with channel moulded frames carved with leaf scrolls, above wide serpentine seats flanked by part-padded arms with scroll terminals, raised on acanthus carved cabriole legs ending in scrolled toes; bearing ivorine trade labels for M. Moss & Sons, London 64cm wide, 85cm high, 51cm deep

£2,000-3,000

118 GEORGE II STYLE MAHOGANY STOOL 19TH CENTURY the shaped padded seat covered in red plush with brass nail head trim, raised on acanthus carved cabriole legs ending in ball and claw feet 60cm wide, 48cm high, 48cm deep

£300-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119 SET OF TWELVE GEORGIAN STYLE DINING CHAIRS EARLY 20TH CENTURY the pierced ladderbacks above curved seats covered in brown leather with brass nail head trim, raised on moulded straight square legs joined by stretchers, to include eight side chairs and four armchairs (10)

120 GEORGIAN MAHOGANY DINING TABLE

Side chairs 51cm wide, 97cm high, 45cm deep

18TH CENTURY, WITH ALTERATIONS

£800-1,200

comprising two drop-leaf D ends and a gateleg centre section, raised on tapered legs ending in pad feet 330cm long, 72cm high, 169.5cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121 GEORGE III ‘CHIPPENDALE GOTHIC’ MAHOGANY HANGING CORNER CABINET MID 18TH CENTURY the dentil moulded cornice above a blind fret carved frieze over a bead-and-reel moulded door opening to blue painted shelves, flanked by gothic arch blind fret carved angles 80cm wide, 113cm hIgh, 47cm deep

£500-700

122 EARLY GEORGE III MAHOGANY METAMORPHIC LOW BOY/ SUPPER TABLE MID 18TH CENTURY the fold-over top above four short drawers, raised on chamfered straight legs with pierced corner brackets ending on block feet with brass castors 81cm 74cm high, 47.5cm deep

£300-500

123 SCOTTISH GEORGE III MAHOGANY BEDROOM TABLE 18TH CENTURY the rounded rectangular top with a single drop-leaf to the rear and a long frieze drawer, raised on chamfered and recess moulded square legs carved with flower heads 86cm wide, 70cm high, 84.5cm deep

£500-700

124 SCOTTISH GEORGE III MAHOGANY INLAID STAGEBACK SIDEBOARD EARLY 19TH CENTURY the superstructure with a sliding door compartment above a concave base with two frieze drawers flanked by deep drawers, raised on square tapered legs ending in spade feet 212cm wide, 113cm high, 75cm deep

£800-1,200

125 GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODE 18TH CENTURY of large size, the rectangular top with a pierced gallery above a pair of shallow short drawers over cupboard doors and diamond moulded long drawer, raised on square legs 69cm wide, 75cm high, 50cm deep

£600-800

126 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN MURDOCH, EDINBURGH 18TH CENTURY the swan neck pediment carved with flower heads and a central urn finial, above an engraved arched brass dial signed to the arch over Roman numerals and subsidiary seconds dial and date aperture, flanked by fluted columns with brass mounts above a shaped trunk door flanked by fluted quarter columns, on a plinth base with ogee bracket feet; the eight day movement striking a bell 53cm wide, 226cm high, 28cm deep Note: The Edinburgh clockmaker John Murdoch was active from 1752-1775, having been apprenticed to Andrew Dickie. His son, also John, worked as his father’s apprentice from 1767.

£800-1,200

127 GEORGE III MAHOGANY SMALL SIDE CABINET 18TH CENTURY of small proportions, the top with a moulded edge above a long frieze drawer, over a pair of panel doors opening to shelves, raised on French bracket feet 96cm wide, 92cm high, 31.5cm deep

£800-1,200

128 GEORGE III LARGE MAHOGANY KNEEHOLE DESK 18TH CENTURY the top with a moulded edge above two short frieze drawers raised on twin banks of three short drawers and a central kneehole recess with cupboard, on squat bun feet 156cm wide, 78cm high, 64cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

129 GEORGE III MAHOGANY AND CANED ARMCHAIR, IN THE MANNER OF JOHN LINNELL LATE 18TH CENTURY the curved oval caned back above a wide serpentine caned seat in a fluted frame flanked by downscrolling open arms with waterleaf carved supports, raised on squared and fluted tapering legs headed by carved flowerheads 62cm wide, 94cm high, 53cm deep Note: the present lot’s design has similarities to a number of chair designs by John Linnell. A set of six gilt armchairs made for the Duke of Argyll, Inverary Castle, although upholstered, are proportionately similar and with some of the same features shown here, including the waterleaf carving to the arm supports, and the fluted seat frame and leg.

£800-1,200

130 GEORGE III MAHOGANY ESTATE CABINET 18TH CENTURY the guilloche moulded cornice above a fluted and flower head carved frieze, over a pair of moulded panel doors opening to an arrangement of drawers, pigeon holes, and folio compartments; the projecting base with a crossbanded border over a fluted frieze and moulded panel doors opening to shelves, raised on bracket feet 104cm wide, 222cm high, 48.5cm deep

£1,500-2,500

131 PAIR OF GEORGE III GILTWOOD MIRRORS 18TH CENTURY the oval mirror plates in openwork frames with C scrolls, flower heads and foliate trails (2) 103cm high, 66cm wide

£1,500-2,500

132 GEORGE III MAHOGANY BEDSIDE COMMODE 18TH CENTURY the rectangular tray top with a shaped gallery above an open recess with cut-out handles to the sides, raised on slightly tapered legs ending in pad feet 47cm wide, 69cm high, 30.5cm deep

£600-800

133 GEORGE III PAINTED ARMCHAIR 18TH CENTURY the cartouche shaped back in a flower and leaf carved moulded frame, above a wide serpentine seat flanked by part-padded arms, raised on cabriole legs with scrolled toes, the frame painted cream with pink and green details and upholstered in cream floral needlework 164cm wide, 92cm high, 51cm deep Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134 FINE AND RARE CERAMIC ‘SYDNEY COVE MEDALLION’ BY JOSIAH WEDGWOOD THE ORIGINAL ISSUE, 1789 modelled from dark brown unglazed earthenware, with crisply moulded decoration depicting a female figure, emblematic of Hope, wearing classical robes and standing on rocks before an anchor, extending her right hand to Peace, Art and Labour; the figures stand on the shores of a bay, in the distance a ship sails; the female figure of Peace holds an olive branch in her right hand with a horn of plenty at her feet; Art is modelled as a female, with a palette in her right hand; Labour is depicted as a bearded figure, wearing a loin cloth and holding a sledge hammer over his shoulder; ‘ETRURIA / 1789’ is inscribed below the scene in raised letters; the reverse impressed ‘MADE BY / IOSIAH WEDGWOOD / OF CLAY / FROM / SYDNEY COVE’ 5.7cm diameter, 0.2cm depth, 5.6cm internal diameter of the encircling ring From a private UK collection

£30,000-50,000

THE FIRST FLEET & THE SYDNEY COVE MEDALLION

An object of great importance in ceramic history and the history of travel and exploration, the Sydney Cove Medallion is an original artefact from the voyage of the First Fleet under Captain Arthur Phillip, which marked the beginning of European settlement in Australia. Phillip landed at Botany Bay in January 1788 with orders to establish a penal colony, which he did some twelve miles north at Sydney Cove, now Sydney Harbour. The settlement he founded is the direct ancestor of the modern Australian state and has been viewed favourably by historians as a model of just and pragmatic governance. Exhibiting a fineness of detail made possible by the unique qualities of the Sydney Cove clay, the medallion is a superb embodiment of the ingenuity of one of 18th century Britain’s leading industrialists. The medallion was made at Wedgwood’s Etruria factory in 1789. It was designed by Henry Webber and modelled by Wedgwood’s principal modeler, William Hackwood. It is moulded in bas-relief with a classical scene depicting Hope, encouraging Peace, Art and Labour, to work for the prosperity of the new young settlement. The original medallions range in colour from pale biscuit to a dark brown, almost black colour, as represented by the example being offered. In 1770 Captain James Cook discovered the Australian continent and claimed part of it for Britain. With the loss of British colonies in North America, the British were keen to expand their territories in other parts of the world and the government decided to found a settlement in Australia. In 1788 Captain Arthur Phillip became First Governor of the state of New South Wales, where he had been commissioned by George III to create a penal colony, as a way of dealing with the overcrowding in British prisons and prison ships. Eleven ships, carrying over a 1000 people, including 850 convicts and 200 officers, put down anchor at Sydney Cove on 26th Jan 1788. This is now known as ‘The First Fleet’. In November of that same year Captain Phillip wrote to Sir Joseph Banks, who was president of the Royal Society and had accompanied Captain Cook on his 1768 expedition, to inform him that he had found minerals and white clay in the area. He sent samples of these to Banks at the end of 1788. Banks directed the minerals to the relevant scientists, and he sent the clay directly to his friend and fellow Royal Society and Lunar Society member, Josiah Wedgwood, for him to investigate its potential for ceramic production. Wedgwood worked with the clay and was very pleased with its qualities. Two batches of medallions were produced from the clay sent back to Sir Joseph Banks. From the first batch of medallions Wedgwood sent an example to Banks and on 12th March 1790 Wedgwood wrote to him: Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Engraving of the Sydney Cove medallion by Thomas Medland, from The Voyage of Governor Phillip to Botany Bay, published by John Stockdale, 1789. Image courtesy of the Natural History Museum Library, London, via Bio Diversity Heritage Library.

“I have the pleasure of acquainting you, that the clay from Sydney Cove, which you did me the honour of submitting to my examination, is an excellent material for pottery, and may certainly be made the basis of a valuable manufacture for our infant colony there. Of the species of ware which may be produced from it, you will have some idea from the medallions I have sent for your inspection.” [1] Medallions from the first batch were to be sent to Sydney Cove, for the attention of Governor Phillip, on the ‘Second Fleet’ and they were to be distributed at his discretion. By November 1789, a second batch of medallions had been completed. Wedgwood’s friend, the physician and poet Erasmus Darwin, was the recipient of one. He wrote to Wedgwood: “I have received great pleasure from your excellent medallion of Hope. The figures are all finely beautiful and speak for themselves.” [2] In Nov 1789, an account of ‘The Voyage of Governor Phillip to Botany Bay’ was printed by the publisher John Stockdale. On the title page there is an engraving of the Sydney Cove Medallion and a description of it:

“The elegant Vignette in the title-page was engraved from a medallion which the ingenious Mr Wedgewood caused to be modelled from a small piece of clay brought from Sydney Cove. The clay proves to be of a fine texture, and will be found very useful for the manufactory of earthenware. The design is allegorical; it represents Hope encouraging Art and Labour, under the influence of Peace, to pursue the employments necessary to give security and happiness to an infant settlement.” [3] It is unknown how many medallions of the original issue were produced. The whereabouts of 10 are currently known. [4] As the medallions would have taken considerable time and skill to make Richard Smith suggests in his Sydney Cove Medallion essay that:

“Wedgwood would have made no more than was necessary for the publicity value. One for Erasmus Darwin; a few for Sir Joseph Banks as President of the Royal Society for his own distribution; perhaps fifteen or twenty for Governor Phillip’s distribution. The total production may have been somewhere around two dozen, probably no more.” Despite having carried out thousands of ceramic experiments over many years, it appears that Wedgwood was proud of creating the Sydney Cove medallion, producing a special issue to commemorate the settlement at Sydney Cove. These medallions record the start of a new chapter of colonial history as well as symbolising Wedgwood’s skill and technical innovation, which was at its height at this time. The medallions are fine and fragile in nature. Surviving examples are rare and are seldom seen on the market.

[1] Robin Reilly, Wedgwood, published by Stockton Press, 1989, volume 1, p. 127 [2] L.Richard Smith, The Sydney Cove Medallion, The Wedgwood Press, Sydney, Third Edition, 1987, p.6 [3] From the Account of the Vignette in The Voyage of Governor Phillip to Botany Bay, printed for John Stockdale, Piccadilly, London, 1789, p.vi

Settlement at Port Jackson, Sydney Harbour, listing the eleven ships of the First Fleet, with ‘References’ marking the buildings, tents, sawpits, workshops, storehouses and gardens, Francis Fowkes [attrib.], hand coloured engraving, published London : R. Cribb, 1789.

[4] The whereabouts of ten original issue medallions is known at the time of writing. In addition to the medallion being offered for sale, two are in UK museums: one in the British Museum; one in the Lady Lever Art Gallery. There is a broken medallion at the V&A, which is listed as being a 1789 example, although it is unclear if it has the original impressed makers mark to the reverse. Others are in Australian museums and institutions: five in the State Library, New South Wales; one in the National Museum of Australia; one with the Sydney Living Museums Corporation; one in the Silent World Foundation. In 2014 a medallion was offered for sale by an Australian antiques dealer and is now in private ownership.

135 GEORGE III MAHOGANY PEMBROKE TABLE 18TH CENTURY the rectangular top with drop-leaf sides and ogee corners, above a frieze drawer to one end, raised on channel moulded square tapered legs ending in tassel feet with brass castors and joined by a pierced and carved X stretcher 95cm wide [open], 74cm high, 77cm deep

£700-900

136 MATCHED SET OF TWELVE GEORGE III STAINED ASH DINING CHAIRS LATE 18TH CENTURY the squared backs with arched top rails above leaf carved splats, over stuff-over seats raised on square tapered legs joined by stretchers; to include two armchairs and ten side chairs, six with straight seat rails and six with bow-front seats (12) Side chair 54cm wide, 92cm high, 43 deep

£700-900

137 SCOTTISH LATE GEORGIAN MAHOGANY SERPENTINE SIDEBOARD EARLY 19TH CENTURY the serpentine stageback superstructure with tambour doors above a conforming base with a central frieze drawer flanked by a cellarette drawer and cupboard, raised on line and dot inlaid square tapered legs ending in collared feet 194cm wide, 115cm high, 62cm deep

£500-700

138 GEORGE III MAHOGANY AND KINGWOOD DEMILUNE CARD TABLE LATE 18TH CENTURY the crossbanded fold-over top opening to a baize surface, above plain frieze, raised on square tapered legs headed by shell inlay 91cm wide, 74cm high, 45.5cm deep

£400-600

139 GEORGIAN STYLE MAHOGANY FRAMED SOFA IN THE HEPPLEWHITE TASTE 19TH CENTURY the channel moulded and fluted frame with a slightly arched back leading to enclosed arms above a serpentine padded seat, raised on eight tapered and fluted legs ending in brass caps and leather castors; covered in modern aubergine and gold plush upholstery 196cm wide, 94cm high, 62cm deep

£2,500-3,500

140 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY the top with an applied moulded edge above a brushing slide and four long graduated drawers, raised on bracket feet 91cm wide, 88cm high, 48cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

141 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY the shaped top rails above pierced and foliate carved interlaced splats, over wide drop-in seats raised on straight chamfered legs joined by stretchers (2) 55cm wide, 95cm high, 42cm deep

£500-700

142 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three graduated dished tiers with reed moulded edges, raised and divided by baluster turned columns and a tripod base ending in pointed pad feet with brass castors 109cm high, 59cm diameter

£400-600

143 LATE GEORGE III MAHOGANY BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the bowfront top above two short and three long graduated drawers, raised on bracket feet 106cm wide, 89cm high, 56.5cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144 GEORGE III MAHOGANY BUTLER’S CUTLERY TRAY-ON-STAND LATE 18TH CENTURY with three sections and a brass handle, on a later stand with chamfered square legs joined by an X form stretcher 43cm wide, 55cm high, 36cm deep

£600-800

145 GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, JAMES YOUNG, DUNDEE LATE 18TH CENTURY the hood with a swan neck pediment with brass roundels enclosing an arched brass dial with a silvered chapter ring and engraved centre with two winding holes and a subsidiary seconds and calendar dials, the arch with a signed boss and pierced spandrels, above a banded trunk door with urn marquetry flanked by quarter columns, on a moulded plinth base raised on bracket feet; the eight-day, twin chain movement striking a bell 211cm high, 46cm wide, 24cm deep

£500-700

146 GEORGE III MAHOGANY AND INLAID SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded serpentine top with a moulded edge above a leather lined slide and four graduated long serpentine drawers flanked by simulated fluted angles, raised on bracket feet 92cm wide, 84cm high, 52cm deep Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£600-800

147 MATCHED PAIR OF LATE GEORGE III BOXES ON STANDS LATE 18TH CENTURY, ONE STAND LATER the crossbanded hinged tops opening to void interiors, now lined with baize, above base drawers with brass handles to the sides; on stands with square tapered legs (2) 42cm wide, 71cm high, 28cm deep

£300-500

148 SET OF FOUR LATE GEORGIAN MAHOGANY NESTING TABLES EARLY 19TH CENTURY the tops with a cockbeaded edge above slender ring-turned legs on trestle bases joined by curved stretchers (4) 46cm wide, 75cm high, 30cm deep

£600-800

149 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the serpentine top with a moulded edge above two short and two long drawers over a shaped apron and raised on French bracket feet 97cm wide, 81cm high, 56cm deep Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

150 GEORGE III STYLE GILTWOOD TRIPLE OVERMANTEL MIRROR

151 Y LATE GEORGIAN GONCALO ALVES WORK TABLE EARLY 19TH CENTURY the line inlaid octagonal top above a frieze drawer and sliding work box covered in pale blue fabric, raised on slender outswept square legs joined by curved stretchers 49cm wide, 71cm high, 36.5cm deep

£400-600

152 GEORGE III MAHOGANY HALL TABLE LATE 18TH CENTURY the rectangular top above a frieze centred by tablet drawer, raised on square tapered and fluted legs ending in spade feet 105cm wide, 91cm high, 55.5cm deep

£700-900

19TH CENTURY the fluted frieze centred by a tablet with husk swags and a sunflower, over three bevelled mirror plates flanked and divided by reeded columns 69cm high, 142cm wide

£400-600

153 GEORGE III MAHOGANY AND INLAID TEA TABLE LATE 18TH CENTURY the demilune crossbanded fold-over top above a boxwood inlaid frieze, raised on square section legs with spade feet 90cm wide, 73.5cm high, 44.5cm deep

£500-700

154 LATE GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, MITCHELL & SON, GORBALS EARLY 19TH CENTURY the dentil moulded straight cornice above an arched brass dial with Roman numeral chapter ring and subsidiary seconds and calendar dials, maker’s signature to the arch, flanked by spiral carved columns, above a crossbanded trunk door with urn lay flanked by spiral carved quarter columns, on a plinth base with a fan medallion and raised on bracket feet; the eight-day twin chain movement striking a bell 208cm high, 49cm wide, 25cm deep

£400-600

155 GEORGE III MAHOGANY SOFA, IN THE MANNER OF HEPPLEWHITE LATE 18TH CENTURY of small size, the curved back leading to enclosed sloping arms above a long padded seat, the mahogany arm facings leading to square tapered legs with brass caps and castors 138cm wide, 94cm high, 55cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

156 MATCHED PAIR OF GEORGE III BEDSIDE COMMODES 18TH CENTURY both with tray tops with cut-out handles, one with a shaped gallery, the other plain, above shaped moulded panel doors and raised on tall chamfered straight legs (2) 36.5cm wide, 74cm high, 36.5cm deep approx.

£500-700

157 LATE GEORGE III MAHOGANY AND INLAID TEA TABLE LATE 18TH CENTURY of breakfront outline, the fold-over top above a frieze with a central table and inlaid with contrasting grain veneers, raised on square tapered legs ending in spade feet, the whole outlined with line inlay 93cm wide, 72cm high, 45.5cm deep

£800-1,200

158 GEORGIAN STYLE MAHOGANY, SATINWOOD AND KINGWOOD BOWFRONT SIDEBOARD 19TH CENTURY the crossbanded bowfront top above a central drawer and arch recess with a tambour door cupboard flanked by deep drawers with circle inlay, raised on square tapered legs ending in spade feet 115cm wide, 92cm high, 64cm deep

£400-600

159 GEORGE III MAHOGANY CORNER CHAIR 18TH CENTURY the curved back rail with scrolled terminals above a drop-in seat, raised on chamfered straight legs with brass castors 80cm wide, 81cm high, 66cm deep

£300-400

160 LATE GEORGE III MAHOGANY BRASS INLAID CHEST-ON-CHEST EARLY 19TH CENTURY, PROBABLY CHANNEL ISLANDS the moulded cornice above a frieze inlaid with brass anthemion and crossbanded panels, over three short and three long graduated drawers, flanked by line inlaid angles; the lower part with four graduated drawers, raised on bracket feet 119cm wide, 202cm high, 53.5cm deep

£600-800

161 GEORGIAN STYLE GILT METAL HALL LANTERN 20TH CENTURY the hexagonal glazed paned sides in a cast ribbon tied frame hung with garlands 59cm high, 30cm wide

£300-500

162 GEORGIAN PAINTED COACH PANEL EARLY 19TH CENTURY the mahogany panel painted with a gilt and polychrome heraldic crest and motto ‘Semper Eadem’ against a maroon ground, for the Earls of Leicester 42.5cm wide, 40.5cm high

£300-500

163 GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, DAVID PETERS, ARBROATH EARLY 19TH CENTURY the swan neck pediment with applied brass roundels above an arched painted dial with Roman and Arabic chapters and subsidiary seconds and calendar dials, the arch painted with a harbour scene, flanked by reeded columns, the trunk with a shaped line inlaid door flanked by reeded quarter columns, on a plinth base and later bun feet; the eight-day, twin chain movement striking a bell 203cm high, 49cm wide, 25cm deep

£500-800

164 PAIR OF GEORGIAN STYLE MAHOGANY TRAY TOP BEDSIDE COMMODES 20TH CENTURY the tops with shaped galleries with cut-out handles above cupboard doors covered in leather book spines, raised on square chamfered legs (2) 51cm wide, 78cm high, 46cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

165 LATE GEORGE III GILTWOOD PIER MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a giltwood frame with an acanthus leaf moulded frieze centred by a raised tablet with a flower filled basket, flanked by reeded pilasters 78cm high, 49.5cm wide

£300-500

166 LATE GEORGE III SATINWOOD AND PAINTED TRIPOD TABLE LATE 19TH CENTURY, THE DECORATION LATER the oval tilt top inlaid with crossbanding, on a green-painted turned baluster column and outswept legs with ball feet 55.5cm wide, 70cm high, 37cm deep

£400-600

167 Y LATE GEORGE III ROSEWOOD DROP-LEAF OCCASIONAL TABLE EARLY 19TH CENTURY the rounded rectangular top outlined with stringing and crossbanded inlay, above two frieze drawers to one end and raised on line inlaid square tapered legs ending in spade feet 40cm wide, 75.5cm [open]; 71cm high, 47cm deep

£500-700

168 MATCHED PAIR OF MAHOGANY AND INLAID OVAL TRAYS ON STANDS LATE 19TH CENTURY, THE STANDS LATER with gallery rails and brass handles, inlaid with fan medallions and foliate scroll borders, on later matching mahogany simulated bamboo stands (2) 67cm wide, 52cm high, 45.5cm deep

£2,000-3,000

169 PAIR OF FINE GEORGE III SMALL MAHOGANY, PURPLE HEART WOOD, AND BRASS SIDE CABINETS LATE 18TH CENTURY of diminutive proportions, the D-shaped crossbanded tops outlined with stringing over pairs of fabric lined doors with brass grille inserts, opening to shelved interiors, raised on turned feet (2) 83cm wide, 80cm high, 34cm deep

£6,000-8,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

170 LATE GEORGE III MAHOGANY AND EBONY CONCAVE-FRONT BEDSIDE COMMODE LATE 18TH CENTURY the top with a three-quarter gallery above a concave tambour door and potty drawer outlined with stringing, raised on square chamfered legs 57cm wide, 75cm high, 51cm deep

£500-700

171 LATE GEORGE III MAHOGANY AND EBONY SOFA TABLE EARLY 19TH CENTURY the rounded rectangular crossbanded top with drop sides above a pair of short frieze drawers with dummy drawers opposing, raised on end supports with outswept legs outlined with ebony stringing and ending in brass caps and castors 147cm wide [open], 71cm high, 71cm deep

£400-600

172 Y LATE GEORGE III MAHOGANY AND INLAID BOWFRONT CHEST OF DRAWERS LATE 19TH CENTURY the top outlined with stringing and centred by a foliate marquetry medallion, above two short and three long drawers with pressed brass handles with figures of reclining lions, shaped bracket feet 100cm wide, 92cm high, 53cm deep Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173 PAIR OF GEORGE III MAHOGANY INLAID SIDE CHAIRS, IN THE MANNER OF THOMAS SHERATON LATE 18TH CENTURY, POSSIBLY SCOTTISH the squared backs with three rails centred by carved sunflower roundels, the frames outlined with stringing and foliate inlay, above stuff-over seats raised on reeded and line inlaid tapered legs (2) 53cm wide, 89cm high, 44cm deep

£400-600

174 LATE GEORGE III MAHOGANY AND SATINWOOD TAMBOUR DESK LATE 18TH CENTURY the tambour top opening to reveal a pull-out leather writing surface and an arrangement of pigeon holes and drawers, over a pair of short frieze drawers with slides to both ends, raised on square tapered legs ending in brass caps and castors 84cm wide, 101cm high, 72cm deep

£400-600

175 GEORGE III STYLE MAHOGANY SERPENTINE CHEST OF DRAWERS EARLY 20TH CENTURY the serpentine top with a moulded edge above four long graduated drawers flanked by blind fret carved angles, raised on bracket feet 90cm wide, 80cm high, 52cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176 PAIR OF GEORGIAN STYLE GILTWOOD MIRRORS 19TH CENTURY the oval mirror plates in laurel moulded giltwood and gesso frames (2) 99cm high, 68cm wide

£400-600

177 GEORGE III STYLE MAHOGANY DUMBWAITER 19TH CENTURY with three dished and graduated tiers, on downswept legs ending in brass caps and castors 170cm high, 60cm diameter

£300-400

178 GEORGIAN STYLE ‘FRENCH HEPPLEWHITE’ MAHOGANY SOFA LATE 19TH CENTURY the serpentine back in a channel moulded frame centrally carved with a rosette, leading to part-padded arms above a long padded seat, raised on eight shell and scroll carved cabriole legs ending in scrolled toes; covered in pale green and gold striped plush fabric 200cm wide, 90cm high, 52cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

179 STAFFORDSHIRE PRATTWARE OVAL PLAQUE CIRCA 1800 modelled in high relief with two recumbent lions in ochre and brown glaze, enclosed within a dot border and a moulded yellow rim; two suspension holes on the top rim and a later suspension hole near the lower rim 29cm wide, 24cm high

£300-500

180 GEORGIAN MAHOGANY BRASS MOUNTED DECANTER BOX EARLY 19TH CENTURY of plain rectangular form with brass bound corners and recessed brass handles, the lid interior with shell marquetry, with a compartmented interior fitted with two large octagonal glass decanters with star cut stoppers, and four matching smaller decanters and a caddy tin (8) 32cm wide, 23cm high, 26.5cm deep

£800-1,200

181 PAIR OF GEORGIAN STYLE SILVERPLATED ARMORIAL WINE COOLERS LATE 19TH/ EARLY 20TH CENTURY of twin handled urn form, the rims chased with acanthus and shells above bodies engraved with rampant griffins, on circular bases; with liners (2) 28cm high, 23cm wide, 21.5cm deep

£300-500

182 RARE GEORGE III TIN AND WROUGHT IRON SHOEMAKER’S TRADE SIGN LATE 18TH CENTURY with a full model of a shoe with a bow and frills, on a scalloped stand, suspended in an oval framework of scrolls and leaves 50cm wide, 38cm high, 12cm deep

£1,000-1,500

183 SPITALFIELDS SILK BROCADED ROBE À LA FRANÇAISE CIRCA 1780 in puce silk embroidered with flower sprigs and sprays, to include an overcoat with compeigne and sack-back pleats, and full skirt, all edged with pinked robings Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

A SCOTTISH SINGLE-OWNER COLLECTION OF NEEDLEWORK SAMPLERS

184 Y THREE SMALL GEORGIAN SPOT SAMPLERS 18TH CENTURY all worked in silk on linen grounds, variously stitched with flower pots, birds, cats, butterflies, deer, baskets, a three-masted ship, religious symbols, and stitch samples, framed (3) 13.5 x 15cm; 13.5 x 15cm; 11.7 x 11.7cm excluding frames

£300-500

185 Y TWO GEORGE III NEEDLEWORK SAMPLERS BOTH DATED 1797 silk on linen, the first worked by Mary M[c]Donald, dated April 22 1797, with her parent’s initials, flowering pots, birds, trees, and small animals, bordered by flowering vines, in a rosewood frame; the other worked by Elizabeth Ann How, dated 1797, with a central reserve with the first two Commandments, an alphabet and number series above, the field with flowering pots, trees, and animals below, within a wide border of flowering vines, framed (2) 32 x 32cm; and 30 x 32cm excluding frames

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

186 Y TWO GEORGE II NEEDLEWORK SAMPLERS 2ND QUARTER 18TH CENTURY worked in silk on linen, the first by Ruth Piercy, dated 1735, with alphabet and number series, poem lines ‘Close in they bosom lock up thy intents/ for he that knows thy purpose best prevents’ and ‘Endeavour in Excel/ other in doing Well’, above a field with trees, baskets, and dogs , framed; and a text sampler worked by Martha Bolton, dated 1742, with prayer ‘The Collect/ Lord of all power and might who art the/ author and giver of all good things, Craft in/ our hearts the love of thy Name, increase/ in us true religion, nourish us with all goodness/ and of thy great mercy keep us in the same/ through jesus christ our Lord, Amen’ with crowns, lions, and a flower pot, framed 23.5 x 14cm; and 11.5 x 18cm excluding frames

£300-500

187 THREE SCOTTISH BAND SAMPLERS 18TH CENTURY worked in cotton or silk on linen, the first with alphabets, initials, patterns, birds, and baskets, with motto ‘To youth the tenderst [sic] Regards is Due’, signed ‘Merry Rob. aged 7. October.30.1781’, framed; the next with alphabet and number series, crowned initials, and motto ‘A GOOD NAME IS RAT/HER TO CHOSEN THEN GREAT RICHES’ and dated 1750, framed; the last worked by Elisabeth Graham with alphabet and number series, initials, and coronets, framed (3) 53.5 x 19.8cm; 37 x 17.5cm; and 24 x 21cm excluding frames

£400-600

188 THREE GEORGIAN NEEDLEWORK SAMPLERS 18TH CENTURY the first an alphabet sampler worked by Mary Herring, dated January 25 1793, with number and alphabet series above a field with flower pots, birds, and castle, with motto ‘be kind to all’ and poem ‘Patterns of labour we can’t want/ if we behold the busy ant’, framed; a small marking sampler worked by Rebecca Baker, and inscribed ‘Daughter of John Baker was born[d] February 26 1758, with initials RB, framed, 18 x 10cm; and a small spot sampler worked with flowering pots, birds, rabbit, and initials, framed, 14 x 15cm 35cm x 24.5cm excluding frame

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189 TWO SCOTTISH GEORGE III NEEDLEWORK HOUSE SAMPLERS LATE 18TH CENTURY worked in silk and wool and linen, the larger by Ann Lang, dated 1794, with a large turreted Elizabethan house and vine wrapped trees, set behind a stone wall and gates, the garden worked in chenille embroidery, above a verse ‘My house it should no other things contain/ But what are useful necessary plain/ Methinks tis nauseous and I’d never endure/ The needless pomp of gaudy furniture/ A little garden grateful to the eye/ And a cool rivulet to run murmuring by/ On those delicious banks a stately row/ Of shady limes or sycamores should grow’, with family initials in a meandering vine border, framed;

the second with two alphabets above a band of peacocks, flower pots, trees and birds, over a reserved verse by Scottish poet James Beattie, ‘One part, one little part we dimly scan/ Through the dark medium of life’s feverish dream/ Yet dare arraign the whole stupendous plan/ If but that little part incongruous seem/ Nor is that part perhaps what mortals deem/ Oft from apparent ills, our blessings rise/ O Then renounce that impious self-esteem/ That aims to trace the secret of the skies/ For thou art but of dust, be humble and be wise’, with family initials and coronets, above a large house and dog flanked by trees with birds, with reserved panels below containing a thistle and white rose, framed (2) 41 x 41cm; and 42.5 x 26cm excluding frames

£500-700

190 THREE SCOTTISH NEEDLEWORK SAMPLERS 19TH CENTURY silk and wool on linen, the first worked by Margret M[c] rarten[?], dated 1815, with three alphabet and a number series, family initials and coronets, above a field with houses, animals, birds, and flowering pots, in a strawberry border, framed; the second worked by Isabella Watson, dated 1809, with five alphabet series, family initials, two flowering trees and a fruit basket with a bird perched on top, in a flowering vine border, framed 41.5 x 26cm; the third with two alphabet series, and a central field with flowering pots, trees, and baskets, with family initials in a flowering vine border, framed, 41.5 x 29cm (3)

191 TWO GEORGE III NEEDLEWORK SAMPLERS LATE 18TH/ EARLY 19TH CENTURY on linen, the first worked by Elizabeth Campbell, dated 1801, with the central poem ‘DEEP ON MY SOUL BEFORE ITS POWRS/ ARE YET BY VICE ENSLAVD/ BE MY CREATORS GLORIOUS NAME/ AND CHARACTER ENGRAVD’ in a field with a row of family initials, flower pots, baskets, peacocks, and a turreted building below, in a strawberry vine border, framed; the second worked by Margaret Moncwr[?], dated 1785, with three partial alphabet series, family names Peter Moncwr[?], Janet Crichton, Ketren Moncwr[?], and family initials, with animals, flower pots, crowns, angels, a castle, and Adam and Eve, within a flower and leaf border, framed (2)

42.5 X 28cm excluding frames

41 x 32cm ; 41.5 x 32cm excluding frames

£400-600

192 TWO SCOTTISH NEEDLEWORK SAMPLERS LATE 18TH AND EARLY 19TH CENTURY silk on linen, one worked by Margret Miller, Strathmiglo, dated 1816, depicting a central building with three pointed roofs, possible the Temple of Solomon with a person at the door, on a field with birds, flowerpots, and a reserve with a thistle and motto ‘I HAVE POUER TO DEFEND MYSELF AND OFEND OTHERS [sic]’ within a strawberry border, framed; the other by Helen Johnstone, Newbattle School, dated May 23rd 1843, with three alphabets, family initials, a house, and motto ‘I love the Sacred book of God/ No other can its place supply/ it points me to the saint’s abode/ It gives me wings and bids me fly’, within a wide meandering flowering vine border, framed (2) 33 x 32cm wide; and 43 x 30.5cm excluding frames

£300-500

193 TWO SCOTTISH ALPHABET SAMPLERS 19TH CENTURY silk and wool on linen, the first worked by Sarah Inglis, dated 1834, with a central verse ‘Believe in the Lord Jesus Christ/ and thou shalt be saved.’ with two alphabet series, family initials, and ‘Heriot’s School Rose Street’, within a flowering vine border, framed; the second worked by L Meien[?], dated 1825, with three alphabets and a number series, a central flowering pot, coronets, birds, and animals, framed (2) 32 x 37cm; 42 x 21.5cm excluding frames

£300-500

194 TWO EARLY VICTORIAN VERSE SAMPLERS BOTH DATED 1842 in silk and cotton on linen, the first worked by Louisa Corbould, age 11, with alphabet and number series above nine lines of verse within a leafy vine border, framed; the other by Maria New, age 13, with an eight line guide to a girl’s education, above a field with angels, flowerpots, birds and flower sprigs, in a leaf border, framed (2) 36 x 32.5cm; 30 x 32.5cm excluding frames

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

THE COLLECTION OF THE LATE SIR RICHARD SHEPHERD, MP

Sir Richard Shepherd MP, who passed away earlier this year, was an influential backbench Tory Parliamentarian. The son of Davida and Alfred Shepherd, he was born in Aberdeen, and educated in London. He later went on to read Economics at London School of Economics before going on to Johns Hopkins University, School of Advanced International Studies in Bologna, Italy. In 1968 he set up a family grocery business, Shepherd Foods, the first convenience store chain to offer latenight shopping. He then founded the more upmarket grocery company, Partridges, in the Sloane Street area of Chelsea in 1972. The business is still run by his family and has proudly held a Royal Warrant since 1994. In his long political career he championed the concept of open government and freedom of information becoming widely respected as one of the party’s libertarians, even when he fell foul of ministers’ wishes

and the demands of party whips. In recognition of this he was awarded Backbencher of the Year in 1987 and Parliamentarian of the Year in 1995 by the Spectator Magazine. He represented the constituency of Aldridge-Brownhills in the West Midlands for 36 years, which he won from Labour in 1979 and held through the eight subsequent elections. After being knighted in 2013, he stood down as an MP at the 2015 general election. Sir Richard made his London home at No.14 Addison Road in Holland Park, a house with many strong literary associations. The novelist and playwright John Galsworthy lived there from 1905 to 1913 where he wrote the first book of the Forsyte Saga, and other notable occupants included the novelist Joseph Conrad, whose youngest son was born in the house, and the pioneering lesbian poet and author Marguerite ‘John’ Radclyffe Hall.

195 PAIR OF TERRACOTTA BACCHIC TERMS each with the bust of a satyr raised on an integrated tapered square column and moulded plinth base (2) 170cm high

£700-900

196 PAIR OF LARGE CARVED OAK WALL BRACKETS 19TH CENTURY with scrolling acanthus leaves (2) 42cm wide, 31cm high, 23cm deep

£300-500

197 Y NORTH ITALIAN ALTO ADIGE CYPRESS AND CEDAR WOOD AND POKER-WORK TABLE CABINET EARLY 17TH CENTURY the moulded caddy-type top with a rising panel, over a pair of pokerwork and penwork decorated panel doors opening to a fitted interior having an architectural neo-classical panel door flanked by three long and eight short drawers, with later turned ivory handles. 57cm wide With non-transferable CITES self-certification number WEB27N1G Note: See note accompanying lot 3 in this sale.

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

198 ELM BOARDED CHEST 17TH/ EARLY 18TH CENTURY the top with a thumbnail moulded edge above plain sides, raised on arched cut-away end supports 124cm wide, 63cm high, 44cm deep

£300-500

199 FOUR PANEL EMBOSSED AND GILT LEATHER FLOOR SCREEN 19TH CENTURY, THE LEATHER PANELS EARLIER having figural and floral decoration, probably made up from other screens 202cm high, 244cm wide

£600-800

200 GEORGIAN STYLE MAHOGANY ARMCHAIR EARLY 20TH CENTURY the shaped foliate carved top rail above a pierced and carved interlaced splat and stuff-over seat covered in black leather with brass nail trim, flanked by open scrolled arms and raised on chamfered square moulded legs with leaf carved brackets, united by stretchers 65cm wide, 98cm high, 47cm deep

£250-350

201 EARLY VICTORIAN EBONISED AND PARCEL GILT OVERMANTEL MIRROR 19TH CENTURY the rectangular plate enclosed within an ebonised and parcel gilt composition frame having bold floral moulding 143cm high, 117cm wide

£400-600

202 CARVED DEAL AND POLYCHROME PAINTED FIGURES OF SAINT PETER AND ST. LONGINUS, PROBABLY ITALIAN 18TH CENTURY each figure standing, with Peter holding a key, on octagonal bases; with traces of original paint and gesso surface (2) 76cm high / 74cm and 73cm high

£800-1,200

203 YEW, PINE, AND ELM HALL TABLE 19TH CENTURY, POSSIBLY EARLIER in the veneered top above a frieze with moulded brackets, raised on square tapered legs 206cm wide, 76cm high, 68cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

204 AFTER JOHN FERNLEY, SET OF EIGHT PRINTS, ‘HUNTING RECOLLECTIONS’ 19TH CENTURY hand-coloured aquatints, engraved by Edward Duncan, depicting falls, flying dismounts, awkward jumps and fording ditches, mounted and framed each 27cm x 35cm (10.5in x 13.75in)

£400-600

205 LARGE ENGLISH CHINESE STYLE BLUE-GLAZED EARTHENWARE LAMP EARLY 20TH CENTURY of tapered octagonal form with moulded relief Chinoiserie decoration and scrolling qiulong handles, with gilt details and mounted on an octagonal base, fitted for electricity 56cm high excluding fitting

£250-350

206 PAIR OF CHINESE CHIPPENDALE STYLE EBONISED AND PARCEL-GILT ARMCHAIRS EARLY 20TH CENTURY the shaped top rails above open lattice backs and drop-in seats flanked by enclosed lattice arms, raised on square legs (2) 67cm wide, 100cm 45cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

207 GEORGIAN STYLE BRASS HALL LANTERN 20TH CENTURY of hexagonal form with glazed panel sides and anthemion mounts, fitted for electricity 64cm high, 40cm wide

£250-350

208 SET OF SIX GEORGIAN STYLE MAHOGANY ‘COCKPEN’ ARMCHAIRS EARLY 20TH CENTURY the squared lattice backs above drop-in seats covered in chestnut leather and flanked by lattice enclosed arms, raised on square legs with pierced corner brackets (6) 63cm wide, 93cm high, 46cm deep

£1,500-2,000

177

LV161-032

PAIR OF CHINESE CHIPPENDALE STYLE EBONISED AND PARCEL-GILT ARMCHAIRS EARLY 20TH CENTURY the shaped top rails above open lattice backs and drop-in seats flanked by enclosed lattice arms, raised on square legs (2)

209

67cm wide, 100cm 45cm deep

LATE GEORGE III MAHOGANY DROP-LEAF DINING TABLE

£600-800

LATE 18TH CENTURY the rounded rectangular top with deep drop leaves, over a plain frieze, raised on ring-turned tapered legs with brass caps and castors 115cm long, 73cm high, 150cm wide [open], 45.5cm [closed]

£300-400

210 TWO DAMASCUS CARVED AND EBONISED HARDWOOD OCCASIONAL TABLES LATE 19TH/ EARLY 20TH CENTURY both of octagonal form, the larger carved all over with leaf and flower motifs on a conforming folding base; the smaller similarly carved and inlaid with mother-of-pearl 61cm diameter / 54.5cm diameter

£600-800

211 GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY the moulded cornice over a pair of line inlaid panel doors opening to adjustable shelves; the lower part with a fitted secretaire drawer over three long drawers with pressed brass lion’s mask handles, above a shaped apron and raised on French bracket feet 110cm wide, 211cm high, 50cm deep

£800-1,200

212 VICTORIAN WALNUT AND BURR WALNUT CARD TABLE 19TH CENTURY in the Gothic style, the fold-over top opening to a blue baize surface, raised on chamfered square legs with diamond point carving ending on block feet with recessed brass castors 97cm wide, 76, 49cm deep [closed]

£300-500

213 WILLIAM IV MAHOGANY BREAKFAST TABLE 19TH CENTURY the rounded rectangular top above a plain frieze, on a tapered octagonal column and triform platform base terminating in scrolled feet with brass castors 161cm wide, 73cm high, 121cm deep

£700-1,000

214 PAIR OF HOWARD & SONS LATE VICTORIAN WALNUT UPHOLSTERED OPEN ARMCHAIRS LATE 19TH CENTURY the square backs with siège de duvet cushions above a squared seat and open padded arms on turned supports, one with turned front legs with brass caps and stamped castors, the rear leg stamped ‘HOWARD & SONS LTD/ BERNERS ST’ and no 15490/1405, the other chair with replaced legs with brass castors (2) 71cm wide, 86cm high, 54cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART II

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

215 REGENCY GILTWOOD CONVEX GIRONDOLE MIRROR EARLY 19TH CENTURY the circular convex plate in an ebonised reeded slip and deep moulded frame with eagle surmount and leaf scroll pendant, issuing two scrolling candle arms 101cm high, 56cm wide

£800-1,200

216 REGENCY MAHOGANY CYLINDER DESK, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the brass gallery top above a cylinder close opening to an arrangement of pigeon holes and drawers and a pull-out slide with ratchet adjusted leather writing slope, above a pair of short frieze drawers and pair of cupboard doors enclosing shelves and a further pigeon holes with alphabet labels, raised on reeded bun feet with brass castors 110cm wide, 109.5cm high, 57cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

217 Y REGENCY MAHOGANY TEAPOY EARLY 19TH CENTURY of sarcophagus form opening to four removable tea caddies with ivory knobs, and an associated glass waste bowl, on ring-turned support and scrolled legs ending in brass caps and castors 43cm wide, 76cm high, 30.5cm deep With non-transferable CITES self-certification number G3J6L3RA

£300-500

218 REGENCY MAHOGANY, EBONY, AND BRASS MOUNTED CHIFFONIER EARLY 19TH CENTURY of diminutive proportions, the superstructure with a shelf and brass gallery raised on scrolled supports with brass rods to the sides; the lower part with a pair of doors lined with green fabric and brass grille inserts and side panels, on a plinth base 79cm wide, 131cm high, 36cm deep

£1,200-1,800

219 Y REGENCY ROSEWOOD AND MAPLE WORK/ GAMES TABLE EARLY 19TH CENTURY the rectangular top inset with a chess/ draughts board above a long frieze drawer and sliding work box covered in wine-red fabric, raised on trestle ends supports with disc feet 58.5cm wide, 71cm high, 43cm deep

£700-900

220 Y REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the superstructure on lion monopodia supports, above a frieze drawer and a pair of panelled doors flanked by Corinthian pilasters, on plinth base 114cm wide, 119cm high, 51cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

221 REGENCY MAHOGANY AND SATINWOOD BANDED BREAKFAST TABLE EARLY 19TH CENTURY the oval tilt top on a tapered cannon barrel column and four outswept reeded legs ending in brass caps and castors 101cm wide, 73cm high, 154cm deep

£500-700

222 REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge and black leather writing surface above a pair of frieze drawers, raised on foliate scroll carved end supports with trestle bases and scroll feet 122cm high, 75cm high, 64cm deep

£1,200-1,800

223 Y REGENCY ROSEWOOD AND PORTORO MARBLE BREAKFRONT SIDE CABINET EARLY 19TH CENTURY the breakfront marble top above four green silk-lined doors opening to a shelved interior and flanked by scrolling pilasters outlined with brass, raised on a plinth base 140cm wide, 91cm high, 42cm deep

£1,800-2,200

224 WILLIAM IV GILTWOOD TRIPLE OVERMANTEL MIRROR 19TH CENTURY the ball mounted cornice above three mirror plates flanked and divided by reeded columns 64cm high 146cm wide

£400-600

225 REGENCY MAHOGANY AND EBONY ‘CHAMBER’ TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a reeded edge and hinged compartment to the rear with a brass ring pull; above a long frieze drawer and raised on ringturned tapered legs ending in brass caps and castors 61cm wide, 73cm high, 43cm deep

£400-600

226 REGENCY MAHOGANY EXTENDING DINING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a crossbanded and line inlaid border, raised on ring turned and tapered reeded legs ending in brass caps and castors, with five leaf extensions 423cm extended, 72cm high, 153cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

227 Y REGENCY ROSEWOOD LAMP TABLE EARLY 19TH CENTURY the rounded rectangular top above a shallow frieze drawer, raised on ringturned slender supports with trestle bases joined by turned stretchers 51cm wide, 72cm high, 34.5cm deep

£250-350

228 REGENCY MAHOGANY LIBRARY ARMCHAIR, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the curved back leading to enclosed arms with scrolled terminals, with brown buttoned leather upholstery and a loose cushion seat, raised on turned and tapered legs with brass caps and castors 54cm wide, 94cm high, 47cm deep

£600-800

229 Y REGENCY ROSEWOOD CANTERBURY EARLY 19TH CENTURY with four divisions and spindle supports above an open undertier, raised on turned legs with castors 44cm wide, 48cm high, 36.5cm deep

£300-500

100

230 PAIR OF LARGE REGENCY PATINATED AND GILT BRONZE LAMPS EARLY 19TH CENTURY the acanthus leaf cast nozzles over reeded columns on triform bases with lion monopodia; converted from candlesticks and fitted for electricity; with white box-pleated shades (2) 48cm high (excluding fittings)

£1,500-2,500

231 SCOTTISH REGENCY BURR YEW, EBONY, AND EBONISED GAMES TABLE EARLY 19TH CENTURY the fold-over top with ebony banding and a gadrooned edge opening to a green baize playing surface, above a tablet centred frieze, on a tapering square baluster support and quadripartite platform outlined with ebonised bead moulding, raised on lobed feet with recessed brass castors 92cm wide, 74cm high, 45cm deep [closed]

£400-600

232 REGENCY MAHOGANY BREAKFAST TABLE 19TH CENTURY the circular crossbanded tilt-top on a turned column and three outswept legs ending in brass caps and castors 139cm diameter, 71cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101

233 PAIR OF REGENCY EBONISED AND PARCEL GILT BERGERES EARLY 19TH CENTURY the squared caned scroll backs with reeded top rails above ball mounts over wide caned seats with button-upholstered loose cushion pads, flanked by part padded enclosed cane arms with scrolling terminals, raised on fluted sabre legs with brass caps and castors (2) 65cm wide, 94cm high, 83cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

234 COALPORT IMARI PART DESSERT SERVICE EARLY 19TH CENTURY each piece decorated with a vase issuing scrolling foliage and flowers, the rims with alternating roundels decorated with scallop shell designs, comprising: eight plates, 24.2cm diam; twelve side plates 21.5cm diam; a muffin dish and cover, 20cm diam; two shell shaped dishes, 20.5cm wide; two quatrefoil dishes, 27.5cm wide; two boat shaped twin-handled footed dishes, 31.5cm wide; a centrepiece bowl with twin scrolling handles, on a foot, 32.5cm wide; two small twin-handled sauce tureens, each on an oval stand [one cover lacking], body 18cm wide; four segment supper set [central dish lacking]; and a pair of wine coolers (qty) 28cm high

£1,000-1,500

235 PAIR OF REGENCY CUT GLASS AND GILT METAL CANDLE LUSTRES EARLY 19TH CENTURY the central cut glass and gilt metal stem issuing two gilt metal scrolling candle arms mounted with cut glass candle holders, drip pans and hung with lustres; the stem with a leaf form cut glass tray hung with lustres and surmounted with a cut glass urn shaped finial; on a stepped rectangular foot with square cut base (2) 34.5cm high

£300-500

236 PAIR OF REGENCY MAHOGANY BERGERES EARLY 19TH CENTURY the curved gondola backs and scrolled top rails above caned backs and seats, raised on turned and tapered legs, with loose cushions (2) 46cm wide, 78cm high, 45cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

103

237 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice with ball mounts above a frieze depicting Apollo in a chariot pulled by lions, over bevelled mirror plates in ebonised slips flanked by reeded columns 90cm high, 142cm wide

£500-700

238 SET OF FOUR LATE GEORGIAN MAHOGANY AND BURR WOOD NESTING TABLES EARLY 19TH CENTURY the tops with oval inset veneers and outlined with ebonised cockbeading, raised on slender ring-turned legs on trestle bases and joined by curved stretchers (4) 49.5cm wide, 69cm high, 34cm deep

£500-700

239 REGENCY STYLE MAHOGANY EXTENDING DINING TABLE, ATTRIBUTED TO WARING & GILLOW EARLY 20TH CENTURY the rounded rectangular top with a moulded edge, raised on ten turned and reeded tapering legs ending in brass caps and castors, with two leaf extensions 312cm long, 73cm high, 167cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

240 DERBY PORCELAIN THREE PIECE GARNITURE EARLY 19TH CENTURY with three urns of campana form with twin scrolling gilded serpent handles, painted with landscape and seascape reserves highlighted with gilding on a dark blue ground; red painted factory marks (3) 17.2cm high, 20.5cm high

£300-400

241 PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA EARLY 19TH CENTURY with central pine cone finials above stems issuing twin scrolling candle arms supported by figures of grotesque putti playing horns, on white marble columns with square bases (2) 42cm high

£1,000-1,500

242 REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK, DAVID RAY, BURY ST. EDMUNDS EARLY 19TH CENTURY a 8-inch cream enamel Roman numeral dial signed ‘D. Ray, Bury St. Edmunds’ with two winding holes, and moon hands,; in an arch top case with moulded cornice over a brass inlaid front, the sides with lion’s mask ring handles and grille panels, on a gadrooned base raised on brass ball feet, the twin-train movement striking on a bell 29cm wide, 42cm high, 16cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

105

243 PAIR OF REGENCY GILT BRONZE CANDLESTICK LAMPS EARLY 19TH CENTURY the urn candle nozzles cast with seraphim above fruit-filled baskets on columns with anthemions and ending on circular bases cast with dolphins and cornucopias; converted from candlesticks and fitted for electricity; with champagne pinch-pleated shades (2) 33cm high (excluding fittings)

£1,000-1,500

244 PAIR OF GILT AND PATINATED BRONZE AND MARBLE CANDELABRA 19TH CENTURY each with a central figure of Dionysus on a triform platform with three urnshaped candle holders, on reeded column with lion monopodia and tripartite rouge and black marble base (2) 39cm high

£800-1,200

245 WILLIAM IV RED TORTOISEHELL AND BRASS MOUNTED BOULLE DESK STAND, BY JOHN TURRILL, LONDON HALLMARKED 1836 in première partie marquetry, with a raised platform with three small frieze drawers and fitted with a pair of glass inkwells with silver mounts with maker’s mark for Thomas Dicks, the base with a drawer bearing a brass plaque ‘Turrill, Dressing & Writing Case Maker, 250 Regent Street, London’, on bracket feet 37cm wide, 19cm high, 30cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

246 PAIR OF CUT GLASS AND GILT METAL FIVE LIGHT CANDELABRA LATE 19TH CENTURY the diamond cut baluster central support issuing four scrolling candle arms and a central stiff arm, with urn shaped candle holders with glass bobeches hung with prism drops, on square platform bases with flower cast scroll feet (2) 32cm high

£1,000-1,500

247 Y SCOTTISH REGENCY ROSEWOOD BRACKET CLOCK, ROBERT BRYSON, EDINBURGH EARLY 19TH CENTURY the signed 8-inch circular silvered dial with Roman numerals and two winding holes, the plain rectangulr case with a pediment top and plinth base, the twin-train movement striking the full hour on a bell 43cm high, 32cm wide

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

248 PAIR OF REGENCY ORMOLU AND PATINATED BRONZE LAMPS EARLY 19TH CENTURY with acanthus cast urn form nozzles over fruitfilled baskets and reeded stems on acanthus cast triform bases with paw feet, converted from candlesticks and fitted for electricity, with champagne pinch-pleated shades (2) 35cm high (excluding fittings)

£1,000-1,500

249 GEORGIAN STYLE MAHOGANY BRACKET CLOCK, CHARLES FRODSHAM, LONDON EARLY 20TH CENTURY the silvered circular dial signed ‘Chas. Frodsham, 27 South Molton St, London’ with Roman numerals and single winding hole, the bell top case with brass handle and bracket feet, the single-barrel timepiece movement with Swiss platform escapement 29cm high, 18.5cm wide, 13.5cm deep Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£400-600

250 Y ROSEWOOD MANTEL CLOCK, CHARLES FRODSHAM, LONDON 19TH CENTURY the silvered dial with black Roman numerals and engraved scrolls to the spandrels, signed ‘Chas. Frodsham, 27 South Molton St. London’ and numbered ‘2514’, the rectangular rosewood four window case with an ogee moulded base with bracket feet, the brass four pillar single chain fusée timepiece movement with the Frodsham platform escapement 18cm wide, 24.5cm high, 14.5cm deep

£1,000-1,500

108

251 WILLIAM IV GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in an ebonised slip and leaf-clasped spiral column frame marked at the corners with rosettes 84cm high, 139cm wide

£500-700

252 REGENCY MAHOGANY DRUM TABLE EARLY 19TH CENTURY the circular top with a green leather insert above a bead moulded frieze with four real and four dummy drawers, raised on a turned column support and outswept legs ending in scroll cast brass castors 114cm diameter, 69cm high

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

253 Y WILLIAM IV ROSEWOOD LAMP TABLE 19TH CENTURY the rectangular top over a frieze drawer and brackets, raised on flattened baluster end supports joined by a turned stretcher and ending on outswept legs with brass caps and castors 66cm wide, 75cm high, 34cm deep

£500-700

254 GEORGE IV MAHOGANY FRAME LIBRARY ARMCHAIR EARLY 19TH CENTURY of large size, the tall rectangular back above a loose cushion seat flanked by straight enclosed arms, the arm and seat facings carved with ... raised on turned legs with ceramic castors; covered in a printed chintz 79cm wide, 106cm high, 83cm deep

£1,500-2,000

255 WILLIAM IV MAHOGANY LIBRARY TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular to with a reeded edge above a pair of short drawers with bead and reel mouldings to the frieze, raised on turned and reeded baluster end supports on platform bases raised on bun feet with castors 122cm wide, 74cm high, 69cm deep

£1,000-1,500

110

256 SET OF FOUR GLASS SHIP’S DECANTERS EARLY 19TH CENTURY the plain bodies with wide spreading bases and triple neck rings, each with a bull’s eye stopper (4) 25.5cm high, 17cm diameter

£600-800

257 GROUP OF CUT AND ETCHED GLASS WARES 19TH CENTURY comprising a pair of rummers engraved with reserved baskets of fruit, on a waisted stems and circular foot, 11cm high; three various pairs of cut glass sweet meat jars with covers, 18cm high, 18cm high, 26cm high; and a pair of large navette shaped salts on a diamond foot, (10) 10cm high, 15.5cm wide

£300-500

111

258 SCOTTISH SAILOR’S BEADWORK SWEETHEART KEEPSAKE LATE 19TH CENTURY with four felt pockets with lavish beadwork depicting the flags of Britain and France, an anchor, a memorial cross, and St. Andrew, surmounted by an arched panel with the Scottish coat of arms, mounted in a frame with a pleated wool tartan border marked at the corners with red felt rosettes 68cm x 20.5cm wide excluding frame

£600-800

259

260

TRINITY HOUSE WALNUT AND MARQUETRY WORK BOX

MATCHED PAIR OF TRINITY HOUSE MARQUETRY BOXES

19TH CENTURY

the lid and side panels with marquetry scenes of frigates, clippers, lighthouses, and steamboats, the interior adorned with scrap-work pictures and with a lift-out tray fitted with lidded compartments with bone knobs, the lids with marquetry flags or stars

of sarcophagus form, one a rosewood money box, the other a walnut tea caddy, the lids and front panels with stained marquetry scenes of lighthouses, clipper ships and steamboats, the other panels in birds eye maple, the caddy with a paper lined interior (2)

33.5cm wide, 14cm high, 24cm deep

See note below

£1,500-2,000

18cm wide, 12cm high, 10.5cm deep

£1,500-2,000

Note: Trinity House boxes were made by lighthouse and lightship keepers who served the lighthouse service during 1850- 1880. They were made to be sold through the Trinity House Service to captains and crews. Most are inlaid with tea clippers, lighthouses, flags, parquetry and simple string and inlay work. Originally, the finished boxes appear to have been delivered directly to Trinity House and sold there, later makers sold their work directly to sailors and seamen as gifts for loved ones during their weeks or months at sea. Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

261 PAIR OF VICTORIAN CASED SHELL-WORK FLOWER ARRANGEMENTS 19TH CENTURY the upright densely packed displays depicting passion flowers, lilies, and other flowers with wired paper leaves, on a domed foot; in glass domes with ebonised stands (2) 66cm high overall

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113

262 THREE VICTORIAN SHELLWORK SOUVENIR PICTURES 19TH CENTURY

263 VICTORIAN SILVER-PLATE MOUNTED COCO DE MER CADDY LATE 19TH / EARLY 20TH CENTURY the hinged lid with an applied pierced border and scrolling handle, opening to reveal a foil lined interior, raised on acanthus cast ball and claw legs 35cm high, 26cm wide, 15cm deep

£2,500-3,500

264 VICTORIAN SILVER-PLATE MOUNTED COCO DE MER CADDY 19TH CENTURY the hinged lid with applied dart border, the sides mounted with ring handles, opening to reveal two recesses, raised scrolling figural dolphin legs 30cm high, 30cm wide, 14cm deep

£2,000-3,000

the circular convex glass containing dioramas of coral, seaweed and shells against prints of sailing ships, within wide frames mounted with bands of shells (3) Larger 27cm diameter

£300-500

114

265 Y REGENCY STYLE ROSEWOOD AND KINGWOOD SMALL DRUM TABLE 20TH CENTURY the octagonal crossbanded top with radial veneers, above a frieze with two real and two dummy drawers, raised on a turned support and outswept tripod base 50.5cm wide, 69cm high

£600-800

266 WILLIAM IV MAHOGANY WHATNOT EARLY 19TH CENTURY the set-back top with a three-quarter gallery raised on carved S-supports, over three further tiers raised on turned baluster supports, with turned legs with brass caps and castors 72cm wide, 119cm high, 43cm deep

£300-500

267 WILLIAM IV AMBOYNA SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop leaf sides, above a pair of short frieze drawers, raised on curved X form supports and a concave platform base with castors 133cm wide, 74cm high, 64cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

115

268 WILLIAM IV GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in an ebonised slip and column moulded frame with acanthus leaf details to the corners 82cm high, 99cm wide

£400-600

269 WILLIAM IV GONCALO ALVES AND MAHOGANY CONSOLE TABLE EARLY 19TH CENTURY the rectangular top raised on carved cabriole legs ending in octagonal block feet 66cm wide, 86cm high, 61cm deep

£1,000-1,500

270 WILLIAM IV MAHOGANY LIBRARY ARMCHAIR EARLY 19TH CENTURY the upright rectangular back above a stuff-over seat flanked by low enclosed arms, all covered in claret red buttoned leatherette, the reeded arm facings and seat rails carved with foliate scrolls and flower head corner blocks, raised on lotus carved front legs ending in brass castors 69cm wide, 105cm high, 50cm deep

£700-1,000

271 Y WILLIAM IV ROSEWOOD STOOL 19TH CENTURY the square drop-in seat pad in a moulded seat rail raised on scroll carved cabriole legs ending in scrolled toes 46cm wide, 46cm high, 46cm deep

£300-500

116

272 LARGE WILLIAM IV GILTWOOD PIER MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a bold column frame with palmette clasped corners 238cm high, 137cm wide

£1,500-2,500

273 WILLIAM IV MAHOGANY ARMCHAIR, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the square padded back above a square padded seat flanked by open part-padded arms covered in flower needlework, in a reeded frame marked with flowerheads and raised on reeded tapered legs ending in brass caps and castors 55cm wide, 87cm high, 43cm deep Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£400-600

274 Y REGENCY ROSEWOOD CENTRE TABLE EARLY 19TH CENTURY the circular top above a bead and reel moulded frieze, raised on a central tapered column and quadripartite base with four slender outer columns carved with lotus, on bun feet with recessed brass castors 152cm diameter, 73cm high

£2,500-3,500

117

275 WILLIAM IV MAHOGANY INVERTED BREAKFRONT BOOKCASE 19TH CENTURY the egg and dart moulded cornice above a frieze marked with carved flowerheads, above four glazed doors enclosing adjustable shelves; the low-waisted base with four moulded panel doors, on a plinth base 299cm wide, 264cm high, 52cm deep

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAINTINGS PART II

276 ATTRIBUTED TO CORNELIS HUYSMANS (DUTCH 1648-1727) A WOODED LANDSCAPE WITH WOMEN BY A STREAM Oil on canvas 46cm x 46cm (18in x 18in)

£1,200-1,800

277 R**G**BROWN (BRITISH 19TH CENTURY) THE DAY’S BAG Signed and dated 1850, oil on canvas 83cm x 56cm (32.5in x 22in)

£800-1,200

119

278 JAMES WARD R.A. (BRITISH 1769-1859) THE FORD Inscribed with initials cut into panel verso, oil on panel 26cm x 33.5cm (10.25in x 13.25in) Provenance: Thos. Agnew & Sons Ltd, no.26338 Oscar and Peter Johnson Limited, London Note: Label verso for Yale Center for British Art and British Studies, IR27

£2,000-3,000

279 MANNER OF ALEXANDER NASMYTH RIVER LANDSCAPE WITH TRAVELLERS ON A PATH, CASTLE RAMPARTS BEYOND Bears signature and date, oil on canvas 61cm x 91cm (24in x 36in)

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

280 CIRCLE OF ALEXANDER NASMYTH FIGURES PICNICKING, A DISTANT VIEW OF A TOWN BEYOND Oil on canvas 25.5cm x 38cm (10in x 15in)

£600-900

281 STUDIO OF PATRICK NASMYTH A WOODED LANDSCAPE WITH COTTAGE BY THE RIVER Bears signature, oil on canvas 27cm x 36.25cm (10.5in x 14.25in)

£600-900

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

282 MANNER OF JOHN FLEMING A HIGHLAND LANDSCAPE WITH FIGURES BY A LOCH Oil on canvas 65cm x 91cm (25.5in x 36in)

£600-900

283 ATTRIBUTED TO SIR JOHN WATSON GORDON PORTRAIT OF A NAVAL OFFICER Oil on canvas 76cm x 63.5cm (30in x 25in)

£600-800

284 SCOTTISH SCHOOL C.1810 THREE QUARTER LENGTH PORTRAIT OF AGNES CRAWFORD SEATED IN WOODLAND Oil on canvas 91cm x 71cm (36in x 28in)

£400-600

122

285 MANNER OF COLVIN SMITH HALF LENGTH PORTRAIT OF COL. HENRY WILSON OF JANEFIELD, 57TH FOOT, MIDDLESEX REGIMENT Oil on canvas 76cm x 63.5cm (30in x 25in)

£500-700

286 MANNER OF COLVIN SMITH HEAD AND SHOULDER PORTRAIT OF WILLIAM JUNOR , LIEUTENANT EAST INDIA COMPANY Oil on canvas 76cm x 63.5cm (30in x 25in)

£500-700

123

287 ALFRED WAHLBERG (SWEDISH 1834-1906) AN AUGUST NIGHT AT WINGA, NEAR GOTHENBURG Signed and indistinctly dated, ‘Collection Sedelmeyer Paris’ seal to stretcher verso, oil on canvas 126cm x 197cm (49.5in x 77.5in) Provenance: Careston Castle, Brechin, Angus

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

288 FERDINAND MARTIN QUADAL (AUSTRIAN 1736-1806) A BOY TEACHING HIS DOG TO COUNT FOR A PIECE OF BREAD PLAC’D ON HIS NOSE Signed, oil on canvas 76cm x 96.5cm (30in x 38in) Provenance: Private Collection, France John Mitchell and Son, London Exhibited: Royal Academy, London 1791, no.41 (titled as above)

£5,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

289 LOUIS HAGHE (BELGIAN 1806-1885) PLEADING THE CAUSE Signed, watercolour 76cm x 94cm (30in x 37in) Provenance: Careston Castle, Brechin, Angus

£800-1,200

290 SIR THOMAS LAWRENCE (AFTER) PORTRAIT OF ELIZABETH FARREN, COUNTESS OF DERBY Watercolour, unframed 38cm x 24cm (15in x 9.5in) Exhibited: Glasgow Loan Exhibition in aid of the Royal Infirmary 1878 Note: This watercolour is possibly the work of William Derby (1786-1847) who specialised in copies after the popular portraits of the time and worked for the Earl of Derby, the sitter’s husband

£500-800

126

291 F**MASON (19TH CENTURY BRITISH) ST. CECILIA Signed and dated ‘89, oil on canvas 23cm x 36cm (9in x 14in) Provenance: The Jordan-Volpe Gallery, New York, who suggest the artist is Fidelia Mason of whom we can find no mention

£2,000-3,000

292 19TH CENTURY BRITISH SYMBOLIST SCHOOL OPHELIA Oil on canvas, oval 30.5cm x 38cm (12in x 15in)

£600-800

127

293 ROBERT JAMES ENRAGHT MOONY (BRITISH 1879-1946) AT THE END OF THE DAY Signed and dated 1912, watercolour 51cm x 66cm (20in x 26in)

£1,000-2,000

294 W**R**WHITNEY (19TH CENTURY) INTERIOR OF AN EGYPTIAN TEMPLE Signed and dated 1898, oil on canvas 38cm x 56cm (15in x 22in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

295 ATTRIBUTED TO ARTHUR WARDLE LIONS IN AN INTERIOR Signed, oil on canvas 51cm x 76cm (20in x 30in)

£1,000-2,000

296 GIROLAMO GIANNI (ITALIAN 1837-1895) THE GREAT SPHINX OF GIZA BY FIRELIGHT Signed and dated 1891, oil on canvas 51cm x 76cm (20in x 30in)

£6,000-9,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

297 MORTIMER LUDDINGTON MENPES (AUSTRALIAN/BRITISH 1855-1938) TANGIERS Signed, oil on board 41cm x 33cm (16in x 13in) Provenance: Michael Parkin Gallery, London, no. P405 Collection of the late Sir Richard Shepherd, MP

£2,000-3,000

298 JAMES AUMONIER (BRITISH 1832-1911) THE EMBANKMENT AND ST. PAUL’S, LONDON Signed, oil on canvas 34cm x 24cm (13.25in x 9.5in) Provenance: Collection of the late Sir Richard Shepherd, MP

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

299 MORTIMER LUDDINGTON MENPES (AUSTRALIAN/BRITISH 1855-1938) BENARES Signed, inscribed verso, oil on panel 28cm x 21.5cm (11in x 8.5in) Provenance: Collection of the late Sir Richard Shepherd, MP

£2,000-3,000

132

300 HENRY GARLAND (BRITISH 1854-1890) WEST HIGHLAND CATTLE LEAVING GLENCOE Signed and dated 1893, inscribed verso, oil on canvas 61cm x 51cm (24in x 20in)

£800-1,200

301 ATTRIBUTED TO JOHN CROME A WOODED RIVER LANDSCAPE WITH BRIDGE Oil on panel 13cm x 15cm (5.25in x 6in) Provenance: Christies, Manson & Woods, London, July 29, 1893, lot 50

£500-800

133

302 § LIONEL DALHOUSIE ROBERTSON EDWARDS R.I., R.C.A (BRITISH 1878-1966) A POINT-TO-POINT Signed, mixed media on buff paper 34cm x 49.5cm (13.5in x 19.5in)

£1,200-1,800

303 GILBERT HOLIDAY (BRITISH 1879-1937) THE GRAND NATIONAL - BECHER’S BROOK Inscribed with artist and title on a contemporary label verso, mixed media 38cm x 57cm (15in x 22.5in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

304 § LIONEL DALHOUSIE ROBERTSON EDWARDS R.I., R.C.A (BRITISH 1878-1966) THE YOUNG HUNTSMAN Signed, mixed media on buff paper 42cm x 28cm (16.5in x 11in)

£1,000-1,500

305 § LIONEL DALHOUSIE ROBERTSON EDWARDS R.I., R.C.A (BRITISH 1878-1966) THE WATER JUMP Signed, mixed media on buff paper 48cm x 36cm (19in x 14in)

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

135

306 § SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) AMOROUS ADVANCES Signed and dated 1906, grisaille 35cm x 21cm (13.5in x 8.25in) Provenance: Christie’s, London, 1 November 1966, English Drawings and Watercolours, lot 116. Note: This work was drawn for the Pall Mall Gazette

£1,000-1,500

307 A**WEBSTER (20TH CENTURY ENGLISH SCHOOL) AT THE PANTOMIME Indistinctly signed and dated ‘53, oil on canvasboard 50cm x 37cm (19.5in x 14.5in) Provenance: Collection of the late Sir Richard Shepherd, MP

£400-600

136

308 § AUGUSTUS EDWIN JOHN (WELSH 1878-1961) QUINCY 2 - 1919 Etching, ed. 50, signed in pencil to margin, and two further etchings by the same hand, ‘Old Arthy - 1902’ etching, ed. 25, signed in pencil to margin, signed in plate, and ‘Stephen Granger -1906,’ etching, signed in pencil, signed in plate (3) 20cm x 13.5cm / 14cm x 12cm / plate size 12.5cm x 10cm (5in x 4in), 20cm x 13.5cm (8in x 5.25in) and 14cm x 12.5cm (5.5in x 5in) Provenance: Collection of the late Sir Richard Shepherd, MP

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

309 § LAWRENCE BIDDLE (BRITISH 1888-1968) STILL LIFE WITH NETSUKE Signed and dated ‘25, with artist’s own label verso, oil on board 25.5cm x 30cm (10in x 12in)

£600-800

310 § LAWRENCE BIDDLE (BRITISH 1888-1968) STILL LIFE IN A CHINESE BOWL Signed and dated ‘20, oil on board 25.5cm x 35.5cm (10in x 14in)

£600-800

138

BRITISH FURNITURE & WORKS OF ART PART III 311 Y

312

EARLY VICTORIAN ROSEWOOD WINE TABLE

GILT BRASS AND CRYSTAL BASKET CHANDELIER

MID 19TH CENTURY

the corona and ring band cast with thistles, roses, and shamrocks, and hung with prim strands, converted to electricity

the dished and lobed top raised on a spiral carved column and ending on a scrolling tripod base

19TH CENTURY

79cm high, 50cm diameter approx

£400-600

47.5cm diameter, 74cm high

£500-700

313 EARLY VICTORIAN MAHOGANY THREE TIER ETAGERE MID 19TH CENTURY with three graduated shelves raised and divided by shaped end brackets, on trestle bases 92cm wide, 83cm high, 31cm deep

£500-700

314 VICTORIAN UPHOLSTERED LIBRARY ARMCHAIR 19TH CENTURY of large size, the button upholstered spoon back above a deep padded seat flanked by button upholstered open scrolled arms, raised on turned legs with brass castors; covered in green and gold plush upholstery 80cm wide, 108cm high, 56cm deep Provenance: The Estate of the late J. E. Adam

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

315 PAIR OF VICTORIAN MAHOGANY BEDSIDE CHESTS 19TH CENTURY the tops with a moulded edge above four graduated drawers, on moulded plinth bases (2) 40cm wide, 73cm high, 38cm deep

£1,200-1,800

316 Y VICTORIAN ROSEWOOD DAVENPORT MID 19TH CENTURY the top with a three quarter gallery, above a green leather slope opening to a bird’s eye maple interior, with four drawers to one side and dummy drawers, opposing, raised on spiral supports 56.5cm wide, 92cm high, 59cm deep Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£400-600

317 EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE MID 19TH CENTURY

Provenance: Previously Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L.

the rounded rectangular top with a moulded edge, on turned and tapered legs ending in brass caps and castors stamped COPE AND COLLINSON; with three leaf inserts and two associated Regency mahogany table legs for the centre when extended 343cm long, 74cm high, 151cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140

318 LARGE VICTORIAN GILTWOOD AND GESSO MIRROR 19TH CENTURY the oval mirror plate in a laurel moulded inner frame enclosed with rocaille, C scrolls, and flower swags 153cm high, 114cm wide

£600-800

319 VICTORIAN IRISH WALNUT TRIPOD TABLE 19TH CENTURY, the circular top with a foliate carved border raised on a fluted baluster column and open scrolling legs carved with harebells 51cm diameter, 67cm high

£700-900

320 VICTORIAN WALNUT AND MARQUETRY TEA TABLE 19TH CENTURY the shaped fold-over top quarter-veneered and inlaid with stringing and foliate motifs, on foliate carved baluster supports with scrolling trestle bases joined by a turned stretcher and raised on ceramic castors 100cm wide, 66cm high, 50cm deep [closed]

£300-500

321 VICTORIAN WALNUT DWARF OPEN BOOKCASE LATE 19TH CENTURY the crossbanded top over three adjustable shelves flanked by rounded corners, on a plinth base 106cm wide, 109cm high, 32cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

141

322 EDWARDIAN OAK AND BRASS LETTER BOX AND CLOCK EARLY 20TH CENTURY the arched top set with a clock with a cream enamel dial with Arabic numerals and gilt mask, with a singletrain timepiece movement, above a brass flap marked LETTERS and door fitted with a glazed window with a collection time card, on a plinth base 40cm high, 26cm wide, 20cm deep

£600-800

323 PAIR OF VICTORIAN SATIN BIRCH BEDSIDE CHESTS 19TH CENTURY the square tops with moulded edges above four graduated drawers, on plinth bases (2) 40cm wide, 73cm high, 40cm deep

£1,200-1,800

324 VICTORIAN WALNUT DRESSING TABLE MID 19TH CENTURY of bowed breakfront outline, the superstructure with and arched mirror and banks of short drawers, the base with a frieze drawer raised on lobed and fluted tapering legs joined by a concave undertier 123cm wide, 161cm high, 59cm deep

£400-600

325 EARLY VICTORIAN MAHOGANY HALL BENCH

326 Y ROSEWOOD TUNBRIDGE WARE LAP DESK

MID 19TH CENTURY

19TH CENTURY

of small size, the long plank seat with a moulded edge and scroll ends, raised on turned and tapered legs

the slope decorated with a scene of an abbey ruin enclosed by a rose border, opening to a fitted interior with Tunbridge ware inkwell caps, a page turner, and a cylindrical ruler

91cm long, 46cm high, 27cm deep

43cm wide, 10cm high, 33cm deep

£400-600

£250-350

142

327 Y VICTORIAN BRASS SKELETON CLOCK MID 19TH CENTURY the silvered chapter ring with black Roman numerals and moon hands, the lyre shaped frames supported on four turned brass feet mounted on an oval rosewood plinth, the exposed brass single-chain fusée timepiece movement with anchor escapement £300-500

328 VICTORIAN PIERCED BRASS AND PIETRA DURA STRUT MULTIPLE PICTURE FRAME 19TH CENTURY the foliate engraved pierced panel back mounted with three oval Derbyshire pietra dura panels, each hinged to reveal two oval photo frames, the top frame opening further to reveal an additional frame, supported on a hinged strut 42cm high, 39cm wide

£800-1,200

329 VICTORIAN OAK BALLOT BOX LATE 19TH/ EARLY 20TH CENTURY with two brass swing handles, the top with two openings for ‘Ayes’ & ‘Noes’, the single drawer with two corresponding compartments, the drawer front painted ‘A. O. F, 2799’ 27cm wide, 18cm high, 20cm deep

£500-700

330 FRENCH CARVED FRUITWOOD GLOVE BOX LATE 19TH / EARLY 20TH CENTURY modelled as a miniature steam trunk with raised strapwork, handles, and brass stud details, the lid with a pair of carved gloves, blue silk interior 32cm wide, 8cm high, 10cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143

331 VICTORIAN EBONISED AND GILT METAL MOUNTED BRACKET CLOCK LATE 19TH CENTURY the arched gilt dial with silvered chapter ring with Roman numerals and Arabic five minute markers, surrounded by pierced gilt spandrels and arch mount, in a bell-top case surmounted by an urn finial and flame corner finials, above an arched door with gilt caryatid corner mounts and pierced gilt arched side panels, on a moulded base raised on bracket feet, the twin-train movement numbered 4581 striking the full and half hours on a gong, the pendulum with matching numbers 27cm wide, 47cm high

£400-600

332 VICTORIAN HUNGARIAN ASH, BANDED AGATE AND GILT BRASS MOUNTED CASKET, BY T.A. SIMPSON & CO. 19TH CENTURY with gilt swing handles to either side and mounted with agate panels in strapwork mounts, with an interior trade label ‘T. A. Simpson & Co, 154 Regent Street’; and a later beige suede lining 27cm long, 13.5cm high, 18cm deep

£600-800

333 VICTORIAN OLIVE WOOD BRASS MOUNTED WRITING COMPENDIUM LATE 19TH CENTURY of rectangular form with Gothic style mounts, the lid with fitted blue silk liner, the interior fitted for stationery above a slope opening to a gilt tooled velvet writing slope with a concealed pen tray and inkwell, with a Bramah lock 44cm wide, 30cm high, 25cm deep

£800-1,200

144

334 Y VICTORIAN TAXIDERMY BIRD DISPLAY AND DOME 19TH CENTURY with fifteen specimens including eleven hummingbirds and four songbirds, mounted on a tree branch on a moss and lichen ground, in a glass dome and ebonised base 54cm high overall

£800-1,200

335 Y GIANT AMAZON RIVER TURTLE (PODOCNEMIS EXPANSA) SHELL LATE 19TH CENTURY the taxidermy shell mounted in an arch shaped brass fire screen with scroll details to the base, on two trestle feet 60cm wide, 73cm high CITES Status: Podocnemis spp. CITES Appendix II - Annex A Article 10 Exempt as a worked specimen in a finished state before 3 March 1947

£700-1,000

336 Y PAIR OF CASED TAXIDERMY AMERICAN KESTRELS EARLY 20TH CENTURY displayed in a stepped rocky diorama, one eating a songbird, the background painted in watercolour and pastel on paper depicting a mountainous landscape, in a stained wood case 53cm wide, 48cm high, 20.5cm deep

£300-500

337 HARDY’S LEATHER FISHING CASE WITH REELS AND NET LATE 19TH / EARLY 20TH CENTURY the leather case with brass hardware and stamped ‘Hardy Brothers Ltd, Maker, Alnwick England’, with seven mahogany and brass reels, a leather fly wallet, a brass gaff, a fishing priest, a Shots & Caps bobbin and a Salters brass tension scale, also with a brass mounted wood and bamboo y-shaped net, also stamped Hardy Brothers (2) Case 51cm long, 35cm high, 25cm deep

£800-1,200

145

338 RECORD CLASS 26-POINT MOUNTED RED DEER ANTLERS

339 Y

20TH CENTURY

LEOPARD SKIN TAXIDERMY BY ROWLAND WARD

with partial skull, mounted on an oak shield 129cm span

LATE 19TH CENTURY

£300-500

lined with head mount, the lining underneath the head with ‘The Jungle, Trade Mark, Rowland Ward Ltd, 167 Piccadilly London’ label 200cm long approx. (nose to tip of tail) CITES STATUS: Leopard Panthera pardus CITES Appendix I - Annex A Article 10 Exempt as a worked specimen in a finished state before 3 March 1947

£300-500

340 TWO TAXIDERMY STAG HEAD TROPHIES 20TH CENTURY both specimens with eleven points, mounted on oak shields, one with ivorine plaque I.P.C./ AIRIDH/ 13.10.62, the other I.P.C./ CARSE/ 10.10.58 (2) 80cm and 79cm wide

£500-700

341 FALLOW DEER ANTLER STICK STAND 19TH CENTURY made from eight antlers in an open framework 65cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

342 PAINTED WOOD NOAH’S ARK WITH ANIMALS 19TH CENTURY the ark modelled as a grey building with painted windows and a gable roof with a floral banded frieze, on a pontoon style board base with canted ends, the roof painted with a dove holding the olive branch, with figures of Noah, his wife, and their sons Shem, Ham, and Japheth and their wives, and filled with approximately fifty pairs of carved wood animals including camels, donkeys, wolves, giraffes, elephants, leopards, lions, deer, cats, dogs, farm animals, etc. (qty) 58cm wide, 25cm high, 18cm deep

£600-800

343 F. H. AYRES SMALL DAPPLE GREY ROCKING HORSE EARLY 20TH CENTURY with glass eyes, horse hair mane and tail and partial original leather tack, on a trestle support and turned columns, the base stamped 395 PATENTED JAN 29 1880 with metal plaque stamped F.H. AYRES/ MANUFACTURERS/ 111 ALDERGATE ST/ LONDON Horse 82cm long [hoof to hoof] Provenance: Careston Castle, Brechin, Angus

£300-500

344 SMALL TROMPE-L’OEIL PAINTED PINE CHEST EARLY 19TH CENTURY, THE DECORATION LATER painted to resemble a Georgian country house, the hinged top opening to a blue paper lined interior 69cm wide, 36cm high, 38cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

345 Y LARGE GEORGE IV ‘SOLOMON’S TEMPLE’ NEEDLEWORK SAMPLER, BY ANN BRIERLEY, AGED 10 CIRCA 1825 worked in silk on linen, depicting a large building with walled enclosure labelled ‘A Representation of Solomons Temple’ with Psalm 5, Verse 7 above, in a field with trees, flowerheads, and birds, with reserved signature ‘Ann Brierley Aged 10 Years’ and a corresponding reserve inscribed ‘Greenwoods School Drake St.’, with a later inscription ‘Ann Brierley Died October 22nd 1832 Aged 16 Years and 6 months’, in a meandering carnation border; in a period rosewood frame with gilt slip 43cm x 53cm [excluding frame]

£400-600

Note: Greenwood School on Drake Street was in Rochdale, Lancashire in the early part of the 19th century. It was affiliated with the Baptist church.

346 19TH CENTURY ENGLISH SCHOOL PORTRAIT OF A BOY watercolour on paper, the sitter with pale blue eyes, wearing a brown jacket with cravat, unsigned, mounted and framed 53.5cm x 41cm (21in x 16in)

£300-500

347 EARLY VICTORIAN WALNUT CHILD’S DOUBLE ROCKING CHAIR MID 19TH CENTURY with twin scroll back chair and central platform covered in green plush upholstery, on integrated rocking rails with roundels 168cm long, 73cm high, 41cm deep

£600-800

348 VICTORIAN PAINTED WOOD DOLL’S HOUSE LATE 19TH CENTURY modelled as a two-storey ashlar stone gabled house with attic floor, working sash windows, gutters, and ‘cast iron’ fence and first floor balcony, the interior with a centre hall and stairs with six rooms 96cm high, 62cm wide, 54cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

149

THE CLOWES & SONS EXCELSIOR MARIONETTES In the 1860s travelling marionette shows were a common sight either on their own or at fairgrounds. This peripatetic nature makes them one of the most ephemeral of Victorian entertainments, since they left no buildings, very few printed bills, posters, or scripts, and only a handful of actual puppets survive, which makes this little collection of marionettes so special. Travelling shows were performed by family troupes, and amongst the most famous was the Tiller-Clowes troupe. The company was created in the second half of the 19th century, when Ambrose Tiller was hired by the great marionette proprietor John Simms. In 1863 Simms’ partner, John Hunt, was killed while dismantling the booth in a storm. His widow Eliza Cheadle, a member of a travelling company, became the partner, both privately and professionally, of Ambrose Tiller. Her daughter by John Hunt married John Clowes, who belonged to another well-established theatre company from the Birmingham area. Soon there were half a dozen Tiller and Clowes companies actively performing around the country, with varying family members entering into partnerships, or going off on their own. The Clowes were wellknown as puppet makers, and many of the surviving Tiller marionettes were probably made by them. The present group are all Clowes & Sons’ Excelsior Marionettes, a troupe founded by William Clowes after dissolving his company with Walter Tiller in 1894. Clowes’ troupe would tour up until his death in 1916. This group of marionettes was originally purchased by Harry William Whanslaw, the British author, illustrator and puppeteer who contributed to the revival of interest in puppet theatre in Great Britain from the mid-1920s. He acquired a large collection of Clowes puppets in 1936 that had been packed away in crates after William Clowe’s death in 1916. In his own report he mentions how much the marionettes had suffered during their ’imprisonment’, how the clothes were extremely dilapidated, and his subsequent work to reconstruct them. In 1939 Florence Lillian Bartley Finn, mother of the current vendor, started enquiring about purchasing some of his marionettes, as is recorded in letters accompanying the collection. Due to safety concerns in the early years of the Second World War, Whanslaw could not risk shipping them to her in the United States, where she had moved from the UK. The purchase finally happened in 1941, and the marionettes stayed in her family until now. Florence’s daughter painstakingly created new costumes for each marionette, based on her own research and how each puppet ‘spoke’ to her. In April 2012 they memorably appeared in a segment of the Antiques Roadshow with Bunny Campione where they delighted a crowd once again.

150

349

350

THREE VICTORIAN CLOWES AND SONS EXCELSIOR MARIONETTES

TWO VICTORIAN CLOWES AND SONS EXCELSIOR MARIONETTES

STOCK MEN CHARACTERS

STOCK WOMEN CHARACTERS

comprising two dark haired men with moustaches, one with a movable jaw, 57cm high; and a young man with auburn painted hair, 62cm high; all with wooden carved and painted legs, arms and heads with glass eyes, with later hand-sewn costume (3)

the larger with carved and painted long dark hair, the other bald for wigs, both with wooden carved and painted legs, arms and heads with glass eyes; with later hand-sewn costumes (2)

61cm high

£800-1,200

71cm and 63cm

151

351

352

353

VICTORIAN CLOWES AND SONS EXCELSIOR MARIONETTE

TWO VICTORIAN CLOWES AND SONS EXCELSIOR MARIONETTES

STOCK VILLAIN CHARACTER

MALE CARICATURE CHARACTER

STOCK CLOWN CHARACTERS

the head, arms and legs painted and carved wood, the body fabric, the face with inset glass eyes, with later hand-sewn costume

one with glass eyes and movable lower jaw; both with carved and painted wooden legs, arms and heads, with later hand-sewn costumes (2)

72cm high

71 and 69cm high

68cm high

£700-1,000

£1,000-1,500

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

354 MINIATURE GEORGE II STYLE WALNUT BOOKCASE-ON-CHEST 20TH CENTURY the moulded cornice above a pair of glazed doors enclosing shelves, over two short and two long crossbanded drawers, raised on bracket feet 20.7cm wide, 37cm high, 13.5cm deep

£300-500

355 GROUP OF GERMAN BISQUE AND CHINA-HEAD DOLLHOUSE DOLLS LATE 19TH CENTURY to include three china-head dolls with painted faces and moulded black hair, in original period costumes, and two bisquehead dolls with painted faces and blonde wigs, in original period costumes (5) 6 1/2 and 5 1/2 inches

£250-350

356 ENGLISH NOVELTY OAK AND BRASS PADLOCK CRIBBAGE BOARD LATE 19TH / EARLY 20TH CENTURY the front mounted with a brass cribbage board, the escutcheon with push release for the interior pull out drawer, set with a pack of cards and two pairs of pegs 22cm high, 15.5cm wide, 5cm deep

£500-700

357 EDWARDIAN TABLE TOP CROQUET SET EARLY 20TH CENTURY comprising a turned stand, fitted with eight miniature croquet mallets, eight balls, eight lead weighted wire hoops and a pair of centre pegs (qty) Stand 33cm high, 21cm in diameter

£500-700

358 GROUP OF SCHOENHUT ‘HUMPTY DUMPTY CIRCUS’ TOY FIGURES EARLY 20TH CENTURY painted wood, the figures articulated with string, the animals with leather ears and the clowns with printed fabric costumes, to include two elephants, two horses, five clowns, four painted chairs, a ladder and three pairs of performing platforms (20) Clowns 20cm high; ladder 30cm high

£300-500

153

359 WILLIAM IV MAHOGANY CHILD’S PLATFORM HIGH CHAIR EARLY 19TH CENTURY with a bar back and scrolling arms above a leather seat pad, raised on turned legs joined by an H stretcher; the platform base on turned legs 36cm wide, 84cm high, 37cm deep

£400-600

360 SMALL ROCKING HORSE, PROBABLY F.H. AYRES EARLY 20TH CENTURY with glass eyes, horse hair mane and tail and original leather saddle and replaced tack, on painted trestle support and turned columns Horse 79cm long [hoof to hoof]

£300-400

361 THREE VICTORIAN CHILDREN’S DOME TOP TRUNKS 19TH CENTURY all with black enamelled metal mounts and wooden ribs, two covered in dark brown leather and one in diamond pattern printed canvas, all with fitted interiors with either wooden or fabric drawers and liners (3) Largest 46cm long, 32cm high, 27cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

154

362 WHITE MARBLE BUST OF A GENTLEMAN 19TH CENTURY the sitter with long sideburns, wearing a coat and waistcoat 65cm high

£400-600

363 VICTORIAN BRASS BOUND MAHOGANY MEDICINE BOX 19TH CENTURY of square form with a recessed handle, opening to a fitted interior with stoppered bottles, many with printed or handwritten labels, over a drawer containing scales, a glass measuring vessel, and two small tin caddies 17.5cm wide, 19.5cm high, 17.5cm deep

£300-500

364 PAIR OF MAHOGANY APOTHECARY’S CHESTS EARLY 20TH CENTURY

365

each with an arrangement of ten drawers with enamelled glass labels and recessed turned knobs, on moulded plinth bases (2)

PAIR OF ENGLISH TAN LEATHER RIDING BOOTS

65cm wide, 74cm high, 25cm deep

£1,200-1,800

EARLY 20TH CENTURY fitted with a pair of handmade beech shoe trees with brass plates engraved ‘Lord Falconer’, the interior of each boot with gilt stamp ‘Bartley & Sons, 493 Oxford Street, London’ with hand inked serial number ‘114991’ and name ‘Lord Falconer’, probably made for Arthur George Keith-Falconer, 10th Earl of Kintore, 12th Lord Falconer of Halkerton (British 1879 – 1966) or his father (2) each 58cm high Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£250-350

155

366 Y VICTORIAN BRASS BOUND ROSEWOOD MEDICINE BOX 19TH CENTURY of rectangular form with a single base drawer with recessed handle, the hinged blue leather lined lid gilt stamped ‘HOMAEOPATHIC PHARMACY/ BY JOHN WALKER/ 61 CONDUIT STREET REGENT STREET/ LONDON’, containing a quantity of stoppered bottles, many with printed labels, the drawer fitted drawer fitted with cork stopper glass vials 27cm wide, 20cm high, 18cm deep

£600-800

367 VICTORIAN METAL BANDED MEDICINE CHEST, PRESENTED TO THE EARL OF KINTORE; OF AUSTRALIAN INTEREST LATE 19TH CENTURY of rectangular form, the interior fitted with clear glass bottles, ceramic jars and other accessories, above a base drawer with further containers and medical accoutrements, the lid interior with gilt leather label ‘Equipped by F.J. Ayre & Co./ Dispensing Chemists/ North Adelaide’; together with a personalised gilt tooled leather booklet dedicated to Lord Kintore detailing the contents 40cm wide, 28cm high, 28cm deep Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire Note: Made for Algernon Hawkins Thomond KeithFalconer, 9th Earl of Kintore (British 1852 – 1930) by F. J. Eyre & Co. of Adelaide for the ‘Transcontinental journey from Port Darwin to Adelaide, undertaken in 1891, by His Excellency, The Right Honorable, Earl of Kintore PC GCMC while Governor of South Australia’. Lord Kintore served as Governor of South Australia from 1889-1995. NB Contains some substances that are considered poisonous or toxic and should be handled with care and at the potential buyer’s own risk.

368

£300-500

£1,200-1,800

VICTORIAN MAHOGANY APOTHECARY’S CABINET 19TH CENTURY fitted with an arrangement of twenty-two drawers with glass labels and knobs 139cm wide, 76cm high, 26.5cm deep

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

156

369 EQUINOCTIAL COMPASS SUNDIAL, JOHANN SCHRETTEGGER 18TH CENTURY the octagonal dial with engraved floral and scroll decoration enclosing the compass, mounted with hinged hour ring, gnomon and latitude arc, contained in fitted paper and vellum case with instructions sheet 5.5cm wide

£300-500

370 UNIVERSAL EQUINOCTIAL RING DIAL, DOLLOND, LONDON EARLY 19TH CENTURY 9-inch, in lacquered brass, signed under the degree scale ‘Dolland, London’, the pivoted chapter ring with hours I-XII-I-XII divided to 5 minutes, equinoctial ring with degree scale 90-0-90° and declination scale to reverse, the pivoted bridge with sliding pinhole gnomon on calendrical and zodiac scales, the rim with sliding suspension loop 27cm high

£1,000-1,500

371 FRENCH BRASS TRANSIT THEODOLITE, BY BELLIENI 19TH CENTURY the sighting tube mounted on an arc with a bubble level and forty degree vernier scale, mounted on a fully rotating platform with a silvered compass, the dial inscribed ‘Bellieni. Opticien. Constructeur à Metz.’, on a three screw circular base, together with a 19th century lacquered brass octagonal surveying optical square (2) the larger 22.5cm wide, 21cm high

£250-350

372 VICTORIAN MAHOGANY TABLE TOP COLLECTOR’S CABINET 19TH CENTURY the top with a moulded edge above a pair of panelled doors opening to eight drawers with glazed covers, on a plinth base 40cm wide, 60cm high, 38cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

157

373 LARGE ENGLISH 3 1/2 IN. LACQUERED BRASS ASTRONOMICAL TELESCOPE LATE 19TH CENTURY with a star-finder scope, the 4 ft. tube with an extending eyepiece and two additional eyepieces, mounted on a steel tripod, in a fitted pine case £1,500-2,500

374 Y CASED MARINE CHRONOMETER, A. ERICSSON, ST. PETERSBURG 19TH CENTURY the 4 inch silvered dial with Roman numbers and subsidiary Up/Down indicator calibrated 0-56, and seconds dial with number 531, brass hands and silvered surround, in a lacquered brass bowl with gimbal frame and tipsy-key and locking mechanism; the three tier case with recessed brass handles and an ivory plaque 18.5cm wide, 19cm high, 19cm deep With non-transferable CITES selfcertification number 8LGUVTWP

£1,500-2,500

375 † HUSUN STAR GLOBE, BY HENRY HUGHES & SON, LONDON EARLY 20TH CENTURY 7in. globe with paper maker’s label, brass meridian and horizon rings, housed in a stained pine case Case 27cm square

£300-500

158

376 RICHARD SIMKIN (BRITISH 1840-1926) 2ND DRAGOONS - ROYAL SCOTS GREYS Signed and dated ‘79, watercolour 24cm x 21cm (9.5in x 8.25in)

£300-500

377 WWI TRENCH ART BRASS AND COPPER MODEL TANK CIRCA 1917- 918 modelled after a British Mark IV tank, the side sponson with articulated guns, corrugated slatted tracks and engraved panel detailing to the sides, the top with a model semaphore signalling mast and exhaust silencer, the front plate engraved ‘Highflier’, the base engraved ‘Cambrai, Nov. 1917, Ribicourt, Fontaine, Gouzeaucourt’ 20.5cm long, 10cm wide

£300-500 Note: Trench Art refers to a wide variety of decorative items produced during or soon after the First World War. Often they are made from repurpose lead bullets, brass recovered from spent charge cases, and copper from shell driving bands. Few examples were fashioned literally in the trenches but many were made by soldiers or civilians returning after the conflict, drawing on places and events from their own experiences. ‘Highflier’ was a British WWI Mark IV series tank that took part in engaging the German forces at Cambrai on 23rd November 1917. The Imperial War Museum holds a photograph of knocked out British tanks of C and H Battalions of the Tank Corps in German hands near Cambrai. The soldier stands next to the tank in the foreground but the painted name of ‘Highflier’ can be seen either side of his head. IWM Catalogue Number ‘Q 67594’

378 ROYAL FUSILIERS SILVER-PLATED PICTURE FRAME EARLY 20TH CENTURY of arched rectangular form, the top mounted with a ‘Ubique’ Fusiliers cap badge and inset at the corner with green and red flash with gold band, with a tooled oxblood leather mount and a photographic image of Winston Churchill, with a strut support 45.5cm high, 25.5cm wide, 3cm deep

£400-600

379 LATE VICTORIAN BRASS MOUNTED MAHOGANY ‘RAILWAY WAGON’ TABLE WINE COASTER LATE 19TH / EARLY 20TH CENTURY of rectangular form with plain tray, the mounts forming a wheeled carriage 39cm long

£400-600

380 NOVELTY BRASS MOUNTED OAK ‘GREAT WESTERN RAILWAY COAL CAR’ TABLE CIGAR CADDY EARLY 20TH CENTURY modelled as a GWR 1483 wagon, the imitation coal top with concealed lid opening to a fitted interior with striker and wells for matches and cigars, on a working brass undercarriage 33cm wide, 17cm high, 17cm deep

£500-700

159

381 PAIR OF AMERICAN WINCHESTER MODEL 98 SIGNALLING CANNON EARLY 20TH CENTURY the breach loading nitro-proofed steel barrels stamped ‘Winchester’, each barrel with a gilt and oak decorative ramrod, mounted on cast iron undercarriages with cast W.R.A. Co./ TRADEMARK/ REGISTERED IN USA (2) 48cm long, 21cm high, 17cm deep

£1,500-2,500

Note: The 10 gauge Winchester Model 98 breech loading signal cannon was designed and patented by Charles H. Griffith for the Winchester Repeating Arms Company in 1901. The cannon debuted for sale in the March 1903 Winchester Catalogue. The cannon was manufactured at Winchester’s facility in New Haven, Connecticut until 1958.

382 MINIATURE MODEL OF A FIELD GUN 20TH CENTURY the steel cannon mounted on a wooden gun carriage with two steel rimmed spoked wheels, with two ram rods 72cm long, 32cm high, 38cm deep

£800-1,200

383 TEAK BRASS BANDED SECRETAIRE CAMPAIGN CHEST 19TH CENTURY in two parts, the top with a central secretaire drawer flanked by short drawers over a single long drawer; the base with two further long drawers, raised on turned feet 99cm wide, 105cm high, 47cm deep

£1,000-1,500

384 VICTORIAN OAK AND BRASS STICK STAND LATE 19TH CENTURY of demilune form with a cut-out handle and three brass bands 28cm wide, 79cm high, 17cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

385

386

THE BRUSHMAKER’S GUILD PAINTED COAT-OF-ARMS

VICTORIAN OAK GOTHIC REVIVAL OPEN BOOKCASE

19TH CENTURY the wood panel painted with a polychrome coat-of-arms with the motto ‘UNITED TO PROTECT NOT COMBINED TO INJURE’, in a gilt frame 79cm high, 68cm wide in total

£1,000-1,500

19TH CENTURY WITH LATER DECORATION in two parts, the upper section with a bracketed cornice and gallery shelf with later gilt letters ‘NELSON, GILMOUR & CO. / Chartered Accountants’ above open adjustable shelves with leather dusters; the base with six short drawers variously later labelled in gilt letters, on a plinth base 190cm wide, 209cm high, 38cm deep

£2,000-3,000

161

387 LARGE SET OF LARGE STEEL, BRASS, AND COPPER SHOP SCALES LATE 19TH CENTURY the brass pillar with a steel apex with anthemion and balance beam with two hanging copper pans, on a quadripartite steel base; stamped CLASS B. TO WEIGHT 30 LBS 126cm high

£800-1,200

388 VICTORIAN MAHOGANY COX PATENT COUNTER TOP CASH TILL CIRCA 1890 the central door flanked by racked tiers with enamel maker’s label, above a base with two dishes and central drawer 74cm wide, 42cm high, 21cm deep

£800-1,200

389 GRADUATED SET OF FIVE COPPER AND BRASS FUEL MEASURES EARLY 20TH CENTURY graduated from Five gallons to Two gallon and a Half Gallon, with brass labels ‘Monmouthshire County Council’ (5) Largest 40cm wide, 46cm high, 32cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

390 FINE CHIPPENDALE STYLE MAHOGANY KIDNEY-SHAPED KNEEHOLE DESK, HAMPTON & SONS LATE 19TH CENTURY of freestanding form, the reniform top with a moulded edge and a green leather writing surface with a gilt and embossed border, above a central concave drawer over a panelled recess and flanked by banks of four bowfront drawers, continuing to the sides and back with panels and cupboard doors richly carved with flower and foliate scrolls, all flanked and divided by fluted pilasters with foliate block capitals, below and a further central bowfront long frieze drawer flanked by dummy drawers, on a plinth base with castors, bearing an ivorine trade label HAMPTON & SONS/ PALL MALL EAST/ LONDON 153cm wide, 78cm high, 77cm deep

£10,000-15,000

William Hampton reputedly founded the company in the 1830s, and was joined in the business by his sons George and William in 1869 when they operated from premises at 8 Pall Mall. Advertising as ‘cabinet makers, upholsterers, bed & mattress makers, carpet warehousemen, retailers and antique dealers’, by the end of the century the company had acquired other notable firms like James Coulson & Co., Goodall, Lamb, and Heighway, and Robson & Sons, Ltd. Hampton & Sons were themselves bought by Waring & Gillow, but continued to trade under the same name. They specialised in furnishing ships, institutions, and hotels, and included the Cunard liners Queen Elizabeth, Queen Mary as clients, as well as the new Royal Yacht Britannia in 1952. In London they furnished the Dorchester and May Fair Hotels, and farther afield the palaces of Prince Nizam of Hyderabad and the Maharaja of Kashmir.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

163

391 VICTORIAN ENGLISH SILVER-PLATE MOUNTED RAM’S HORN DOLPHIN INKSTAND LATE 19TH CENTURY the horn mounted with a silver-plated dolphin head and tail, the body entwined around a white metal mounted fluted inkwell, set on a circular mahogany plinth base 26cm high, 22cm in diameter

£600-800

392 VICTORIAN SILVER-PLATED EQUINE DESK STAND LATE 19TH CENTURY the central figure of a horse beneath an oak tree mounted with a flared cut glass trumpet vase, the rectangular tray engraved with foliate sprays with two fitted cut glass inkwells and a pen tray, on ball feet, maker’s stamp for James Deakin & Sons, Sheffield and numbered ‘10939’ 56cm high, 30cm wide, 19cm deep

£400-600

393 VICTORIAN SILVER MOUNTED CARVED OAK HUMIDOR, BY GEORGE BETJEMANN & SONS LATE 19TH CENTURY the hinged lid with a central silver plaque engraved with a monogram, the panels with carved scrolling foliate design, the mounts hallmarked for George Betjemann & Sons, London 1898, the interior with a fitted lift-out tray and retailer’s plaque stamped ‘JOHN BAGSHAW AND SON/ LIVERPOOL’ 27cm wide, 19cm high, 18cm deep

£500-700

164

394 FOUR PAIRS OF GILT METAL WALL LIGHTS, BY BEAUMONT & FLETCHER OF RECENT MANUFACTURE each with twin candle arms, comprising a pair of ‘Wheatsheaf’ models, a pair of ‘Devon’ models, a pair with pierced pineapple backplates, and a pair with laurel swags, wired for electricity (8) 39.5cm high; 60cm high; 42cm high; and 48.5cm high

£400-600

395 EDWARDIAN MAHOGANY VITRINE TABLE EARLY 20TH CENTURY the oval hinged top enclosing a plush lined interior, raised on slender square scrolled legs joined by a curved X form stretcher, all outlined with boxwood and ebony stringing 66cm wide, 70cm high, 41cm deep

£300-500

396 EDWARDIAN SATINWOOD BOWFRONT DISPLAY CABINET EARLY 20TH CENTURY the dentil inlaid cornice above a pair of glazed and mullioned doors and side lights enclosing fabric lined shelves, above a pair of quarter-veneered and banded doors on square tapering legs ending in spade feet and united by a serpentine undertier 119cm wide, 176cm high, 46cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

165

397 TWO ENGLISH PORCELAIN PLAQUES BY MILYWN HOLLOWAY LATE 20TH CENTURY unframed, of rectangular form, one painted with two stags in a highland landscape, a castle by a loch in the distance; the other painted with a flock of sheep grazing on a heather clad hillside, overlooking a loch; both signed M.Holloway; black printed mark MH factory mark to reverse (2) 17.4cm wide, 12.4cm high Holloway (1940-2019) started out at the Royal Worcester factory in 1955, where he trained under Harry Davis. He left Royal Worcester in 1971, and became a freelance porcelain painter. His talent is highly regarded in the field of British porcelain painting.

£300-500

398 PAINTED SATINWOOD DISPLAY CABINET EARLY 20TH CENTURY of bowfront outline, the upper part with a painted leaf tip gallery above a single door with flower garlands, opening to a shelf and fabric lined interior; the lower part with a frieze drawer and pair of shaped cupboard doors, raised on square tapered legs, painted with swags, garlands, and figural reserves 69cm wide, 158cm high, 32cm deep

£1,800-2,200

399 SHERATON STYLE PAINTED SATINWOOD SIDE CABINET, MAPLE & CO. EARLY 20TH CENTURY of shaped bowfront outline, with a central frieze drawer above a cupboard door painted with a roundel hung with ribbon tied garlands painted en grisaille depicting a Muse with palette and brushes, flanked by concave panels with oval reserves similarly decorated with flaming censers, raised on leaf carved tapered feet; bearing an ivorine trade label to the door interior 125cm wide, 92cm high, 50cm deep

£2,000-3,000

166

400 GEORGIAN STYLE WALNUT CARD TABLE LATE 19TH CENTURY the fold-over top with outset square corners opening with a concertina action to a green baize playing surface, raised on cabriole legs carved with leaf details and ending in ball and claw feet 70cm wide, 70cm high, 35cm deep [closed]

401 CRYSTAL STANDARD LAMP EARLY 20TH CENTURY with a lobed cut glass drip pan on a spiral column and fluted circular foot, with silver-plated mounts, converted to electricity 99cm high, 27cm diameter

£700-900

£400-600

402 PAIR OF EDWARDIAN MAHOGANY FRAMED TUB ARMCHAIRS EARLY 20TH CENTURY

Note: Alexander Mackenzie & Co. were in business from the 1850s to the 1890s, primarily supplying parquetry flooring and panelling before expanding into art furniture in the 1880s. Mackenzie’s partner William Miller continued the business through the end of century operating under the name Charing Cross Cabinet Works. They panelled the Mahogany and Octagonal Salons in Glasgow’s new City Chambers, and exhibited at the Glasgow International Exhibition in 1888.

the low square backs and high outscrolled arms above loose cushion seats, with leaf and scroll carved mahogany facings, raised on acanthus carved cabriole legs ending in ball and claw feet; covered in sage green and cream wide striped upholstery (2) 83cm wide, 77cm high, 49cm deep

£600-800

403 LATE VICTORIAN MAHOGANY EXTENDING DINING TABLE, ALEXANDER MACKENZIE & CO., GLASGOW LATE 19TH CENTURY the rectangular top with a reeded edge above a plain frieze, raised on square tapering legs ending in spade feet, the rails stamped ‘ALEX.R MACKENZIE & CO. GLASGOW’, ‘W. MILLER’, and 1182, with three leaf inserts 378cm long fully extended [166cm closed], 74cm high, 130cm deep Provenance: Purchased in these rooms 19 June 2007, lot 640

£600-800

167

404 EDWARDIAN MAHOGANY AND SATINWOOD FIRE SURROUND AND OVERMANTEL, MAPLE & CO. EARLY 20TH CENTURY in two parts, the overmantel with an arched cornice above and circular bevelled mirror plate flanked by double columns to each side; the fire surround with a projecting shelf above a line inlaid frieze flanked by squared columns jambs with further stringing; bearing a metal trade label for MAPLE & CO. (2) Surround 143cm wide, 127cm high, 30cm deep, internal 103cm x 103cm; overmantel 142cm wide, 116cm high

£1,000-1,500

405 PAIR OF MAHOGANY DORIC COLUMNS LATE 19TH CENTURY each surmounted by a sphere, on square plinth bases (2) each 57cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

168

406 TWO ELIZABETH II OAK CORONATION CHAIRS BY W. HANDS & SONS CIRCA 1953 upholstered in original blue velvet with monogram ERII beneath a crown, stamped W. HANDS & SONS LTD. 1953, and branded ER CORONATION (2) 49cm wide, 85cm high, 39cm deep Provenance: Property of The Earl of Kintore, formerly at Keith Hall, Aberdeenshire

£800-1,200

407 PAIR OF WHYTOCK & REID MARBLE TOP SYCAMORE STANDS EARLY 20TH CENTURY the square Siena marble insert tops with moulded edges, raised on chamfered straight square legs joined by an undertier and ending in stylised feet (2) 33cm wide, 77cm high, 32cm deep

£1,200-1,800

408 HOWARD & SONS STYLE UPHOLSTERED ARMCHAIR, PROBABLY LENYGON & MORANT EARLY 20TH CENTURY the low padded back above a loose cushion seat and low arms, raised on mahogany square tapered legs with brass castors, one leg stamped 2/ 234; covered in pale blue and cream chintz with a later red patterned slipcover 78cm wide, 81cm high, 62cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

169

409 PAIR OF CHIPPENDALE STYLE MAHOGANY SIDE TABLES, BY WHYTOCK & REID LATE 20TH CENTURY the rectangular tops above a blind fret carved frieze and square legs joined by an undertier (2) 71cm wide, 61cm high, 53cm deep

£400-600

410 PAIR OF WHYTOCK & REID MAHOGANY FRAME SOFAS 20TH CENTURY the hump backs above loose cushion seats flanked by scrolled arms, raised on channel moulded square legs joined by stretchers; covered in a woven terracotta flower and bird pattern upholstery (2) 226cm wide, 95cm high, 56cm deep

END OF DAY ONE

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

170

DAY TWO: 17TH NOVEMBER 2022 FROM 10AM

THE BELLAMY COLLECTION Norman and Hazel Bellamy designed and built their family house in County Down, Northern Ireland in 2002. Norman was an artist, who initially worked as an illustrator in the newspaper industry before becoming a senior manager. Hazel progressed through a career in banking. Together they enjoyed forty very happy years of ‘buying trips’ across the UK carefully sourcing pictures, furniture, works of art and furnishings to fill every corner and surface of their home. Over this time they both developed a keen eye for what would work and what to look for next. For Norman and Hazel, it was often as much about the buying trip as furnishing their home. They had enormous fun going off on their travels and selecting pieces that appealed to them; without fail, there was always a pre Christmas visit to London to see what else they could find to add to their collection. In Hazel’s words, their approach to collecting was ‘Collect things you love, with people you love, and a house becomes your home’. The result was a well curated, richly decorated, warm and welcoming home, packed full

411 IRELAND [MAP] - BEAUFORT, THE REVEREND DANIEL AUGUSTUS SECOND EDITION, 1797

of fascinating pieces to draw

“A New Map of Ireland, Civil and Ecclesiastical”, William Faden, London, engraved by Samuel John Neele (1758-1824), hand-coloured and dissected on sixteen sheets laid down on linen, in an ebonized glazed frame

visitors into their world.

98cm x 85.5cm sight size

£400-600

171

412 LARGE VICTORIAN CARVED AND POLYCHROMED OAK COAT-OF-ARMS FOR STRICKLAND-CONSTABLE SIGNED AND DATED 1890 carved in high relief with twin armorials, Constable with the motto POST TOT NAUFRAGIA PORTUM beneath a helmet and threemasted ship, on a double cartouche frame carved with scrolling foliage and centred by a lion’s mask, signed ‘E. Williams SC. / LONDON / 1890.’ 92cm high, 103cm wide Note: The Strickland, later Cholmley and later Strickland-Constable Baronetcy, of Boynton was created in 1641 for the politician William Strickland. The date inscribed on this coat-of-arms panel dates it to the 8th baronet, Sir Charles William Strickland.

£1,500-2,500

413 VICTORIAN WALNUT HALL STAND 19TH CENTURY in the 17th century style, the egg and dart moulded cornice above a panel back with turned coat hooks, flanked by fluted pilasters over a stick stand with drop pan, raised on carved paw feet 143cm wide, 224cm high, 23cm deep

£400-600

414 VICTORIAN OAK POST BOX 19TH CENTURY, LATER ADAPTED the later octagonal and moulded dome top above a cylindrical body with a letter opening and door, on a moulded plinth base; together with a VICTORIAN MAHOGANY PEDESTAL POT CUPBOARD, 19th century, of plain cylindrical form on a plinth base, 37cm diameter, 81cm high (2) 43cm diameter, 91cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

415 COLLECTION OF FRENCH SERVICE HATS 20TH CENTURY to include a brass French Fire Service helmet and three French military kepis (4) Helmet 27cm long

£250-350

416 COLLECTION OF HATS 20TH CENTURY to include a beaver fur top hat, a bowler, a lady’s Salvation Army bonnet, a mortar board with tassel, a burgundy velvet school cap, an RASC officer’s cap, a sailor’s cap with ribbon ‘H.M.S. COLLINGWOOD’, and 6th Gurkha’s Rifles cap; together with an AMERICAN BRASS BAND TUNIC (8) £250-350

417 Y GROUP OF WALKING STICKS AND CANES 19TH/ EARLY 20TH CENTURY to include a stick with an ivory ball pommel, 89cm long; a stick with a carved ivory pommel in the form of a seated boy, 90cm long; an ivory cane handle stick with a silver foliate collar, 88.5cm long; a stick with a tapered ivory pommel, 86cm long; a stick with a gilt metal foliate pommel and ivory collar, 93cm long; a horse carriage driving whip with a holly shaft and leaf carved handle, 140cm long; and a black umbrella with a carved ivory handle and silver collar, hallmarked Birmingham, 96cm long (7) With non-transferable CITES self-certification number 24842157317

£300-500

418 Y

419

GROUP OF EIGHT DOG HEAD WALKING STICKS

LARGE COLLECTION OF WALKING STICKS, PARADE STICKS, AND CANES

19TH CENTURY to include an ivory Staffordshire bull terrier with glass eyes, on a malacca shaft, 82cm long; a carved Cairn terrier with glass eyes, on a stained beech shaft, 93cm long; a carved and painted smooth fox terrier with glass eyes, on a natural shaft, 95cm long; a carved hound wearing a monocle, with glass eyes and silver collar Birmingham hallmarked KC 925, on a malacca shaft, 94cm long; a carved boxer with glass eyes, on a beech shaft, 89cm long; a carved double-headed setter with glass eyes, on a malacca shaft, 89cm long; a carved folk art stick with a hound with glass eyes, on a hazel shaft, 95cm high; and a carved hound with glass eyes, on a blackthorn shaft, 84cm long (8) With non-transferable CITES self-certification number 24842157317

£600-800

19TH/ EARLY 20TH CENTURY to include various sizes, materials, and styles, some with silver mounts, one with a horn handle, another with a carved tiger’s head with glass eyes, a silver mounted Carnatic Infantry parade stick dated 1914, and a folk art cane with a horse’s head and bearded man (qty) Longest 92cm

£400-600

173

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174

420 MANNER OF JEAN-BAPTISTE VAN LOO FLORA Oil on canvas 65cm x 52cm (25.5in x 20.5in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

175

421 BAROQUE STYLE CARVED WALNUT MIRROR 19TH CENTURY the octagonal mirror plate in a wide pierced frame carved with acanthus scrolls 111cm high, 109cm

£400-600

422 THREE CHERUBIM MASK CARVINGS 17TH/ EARLY 18TH CENTURY

423

to include a pair and a single earlier example (3)

CARVED MAHOGANY ARMORIAL PANEL

Pair 25cm high; the other 27cm high

LATE 19TH CENTURY

£600-800

the scrolled cartouche carved with three armorial shields and thistles 61cm wide, 43cm high

£300-500

424 CARVED ARMORIAL PANEL 19TH CENTURY the scroll carved cartouche surmounted by a coronet and hung with a fruit filled garland 52cm wide, 53cm high

£400-600

425 TWO PAIR OF BRASS CANDLESTICKS 19TH CENTURY the first a pair of pricket sticks with domed pierced bases cast with lions’ masks and palmettes, on paw feet; and a pair of Gothic style candlesticks with pierced collars on knopped wrythen stems and wide circular bases (4) 54cm high and 36cm high

£300-500

176

426 JOHN SANDERSON-WELLS (BRITISH 1872-1955) A GENTLEMAN SUITOR Signed, oil on board 25.5cm x 20cm (10in x 8in)

£400-600

427 GILBERT SHIRLEY (BRITISH 19TH/20TH CENTURY) TOO GOOD TO MISS Signed, oil on canvas, and a companion, a pair, ‘After Parade’ 41cm x 31cm (16in x 12in)

£400-600

177

428 EDGAR BUNDY A.R.A. (BRITISH 1862-1922) WELCOME Signed, signed and inscribed to artist’s label verso, oil on canvas 76cm x 127cm (30in x 50in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

178

429 STEPHEN LEWIN (BRITISH 1822-1913) THE VIOLINIST Signed, oil on canvas 78cm x 58cm (30.75in x 22.75in)

£800-1,200

430 JOHN ARTHUR LOMAX R.B.A. (BRITISH 1857-1923) A LOVE-TOKEN Signed, oil on panel 46cm x 30.5cm (18in x 12in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

179

431 DANIEL PASMORE SENIOR (BRITISH FL.1829-1865) PICNIC AT HADDON HALL Signed and dated 1859, oil on canvas 30.5cm x 51cm (12in x 20in) Provenance: Sutcliffe Galleries, Harrogate

£600-800

432 DANIEL PASMORE SENIOR (BRITISH FL.1829-1865) THE BILLET DOUX Signed and dated 1857, oil on canvas 36cm x 51cm (14in x 20in)

£600-800

180

433 FRENCH SCHOOL, 19TH CENTURY ST MICHAEL AND THE DRAGON gilt bronze, the base stamped ‘POUSS***GUE’ and numbered ‘4077’, on a stepped walnut chamfered square plinth base 35cm high Note: This figure bears similarities is style and composition to a figure by Emmanuel Fremiet (French 1824-1910) of the same subject

£400-600

434 EMILE-ANDRE BOISSEAU (FRENCH 1842 - 1923) THE PENSIVE CHATELAINE bronze, brown patina, the base signed ‘Boisseau’, ‘Jules Graux Foundeur’ and dated 1872 55cm high

£700-1,000

435 AFTER AUGUSTE MOREAU (FRENCH 1834 - 1917) GIRL WITH DUCK bronze, dark green patina, the base signed ‘Auguste Moreau’, on a black marble round plinth base 60cm high

£600-800

436 Y PAIR OF FRENCH LOUIS PHILIPPE ROSEWOOD FAUTEUILS 19TH CENTURY the cartouche shaped backs with carved foliate cresting above wide serpentine stuffover seats flanked by part padded scrolling arms, raised on scroll legs with brass castors, covered in foliate striped upholstery (2) 71cm wide, 97cm high, 53cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

181

437 PAIR OF CARVED GILTWOOD WALL SCONCES 19TH CENTURY the cartouche shaped backs centred by the cypher MO(?) above a musical trophy and single scrolled candle arms, the backs flanked by wings and surmounted by a coronet (2) 56cm high, 40cm wide

£500-700

438 ITALIAN CARVED FRUITWOOD RENAISSANCE STYLE CABINET-ON-STAND, WORKSHOP OF MICHELANGELO GUGGENHEIM LATE 19TH CENTURY the cabinet with a pierced and carved cresting with putti flanking an armorial shield, above a fall front with an oval relief-carved reserve with bacchic putto and a goat, opening to a plain mirrored interior and flanked by herms; the separate stand with a frieze drawer raised on garland hung scrolled legs headed by terms and joined by a shaped pierced and carved stretcher centred by a female mask; the reverse with partial label ‘M. GUGGENHEIM ... VENICE’ 90cm wide, 184cm high, 48cm deep Note: The designer, manufacturer and art dealer Michelangelo Guggenheim was active in Venice from the middle until the end of the nineteenth century. Working primarily in adaptations of historical period styles, Guggenheim was responsible for the decoration and furnishing of a number of prominent Venetian palaces during his career.

£800-1,200

439 PAIR OF ITALIAN CARVED PINE PUTTI 18TH CENTURY each draped figure standing with arms extended, with traces of original gilding (2) 45cm high

£800-1,200

182

440 VICTORIAN BETJEMAN’S PATENT CALAMANDER AND GILT BRASS MOUNTED CRUET TANTALUS 19TH CENTURY the hinged locking handle securing three small cut glass bottles with stoppers, stamped BETJEMAN’S PATENT/ LONDON/ 46965, with retailer’s plaque inscribed ATKINSON, Bond St. 24cm wide, 21.5cm high, 10cm deep

£300-500

441 Y VICTORIAN KINGWOOD, IVORY, AND GILT METAL MOUNTED LAP DESK 19TH CENTURY the exterior covered in ivory inlaid star diaper pattern and banded in leaf and bead gilt metal mounts; the hinged top opening to an interior divided for stationery over a folding writing slope with a black velvet lining 37cm wide, 22cm high, 30cm deep Provenance: Seggie House, St. Andrews With non-transferable CITES self-certification number 24842157317

£500-700

442 LARGE VICTORIAN SILVERPLATE MOUNTED RAM’S HORN TABLE SNUFF MULL 19TH CENTURY the horns united by a central oval silver-plated hinged container with a dog finial and stag’s head monopodia, the horn tips with further silver-plate mounts 56cm wide

£400-600

443 LARGE VICTORIAN WALNUT DRESSING CASE MID 19TH CENTURY of bombé outline, the hinged cover with a carved flower and fruit finial, opening to a compartmented lift-out tray fitted with red velvet pads and a complement of motherof-pear accessories, on a foliate and C-scroll carved rococo style base 45cm wide, 31cm high, 41cm deep

£250-350

183

444 COLLECTION OF SHAGREEN TABLE ARTICLES 19TH/ EARLY 20TH CENTURY to include a silver-plate mounted bombé tea caddy, marked N&H EPNS silver soldered; a silver-plate mounted toothpick holder with push button release, stamped WATHERSTON LONDON; a pair of Georgian silver spectacles and shagreen case, date mark for 1810; a rectangular compact case, monogram T.W.G; and a lipstick case and hexagonal compact (5) caddy 11cm high

£300-500

445 Y GROUP OF FOUR SMALL BOXES 19TH CENTURY to include an olive wood jewellery box with green velvet interior and ivory ball feet, 19cm wide; a fruitwood sewing case with steel pique decoration and mother-of-pearl accessories, 12.5cm wide; a miniature tea caddy with two interior wells and ivory escutcheon and inset panel top, 7.5cm wide; and an amboyna and marquetry card box, 9.5cm long (4) With non-transferable CITES self-certification number 24842157317

£250-350

446 Y GROUP OF VICTORIAN CARD CASES AND BOXES 19TH CENTURY to include a tortoiseshell card case outlined in silver pique, 10cm long; a mother-of-pearl and abalone card case, 10.5cm long; a papier mâché card case painted with flower bouquets, 10.5cm long; a tortoiseshell notebook with silver inlay and mechanical pencil, 11cm long; an ebony brass inlaid stamp box by Tahan, Paris, 8.5cm wide; and a tortoiseshell rose gold inlaid coin poise with initials EA, 7cm wide (6) £300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184

447 SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the scroll carved backs with pendant leaf and shell motif details, above loose seat pads and raised on sabre legs (6) 45cm wide, 84m high, 42cm deep

£400-600

448 THREE VICTORIAN MAHOGANY POT CUPBOARDS LATE 19TH CENTURY all of fluted column form on octagonal plinth bases, with insert marble tops (3) 38 x 75cm; 38 x 72cm; 39 x 75cm

£1,000-1,500

449 LATE GEORGE III MAHOGANY LOW PRESS CUPBOARD EARLY 19TH CENTURY the top with a reeded edge above a pair of short frieze drawers over panel doors opening to sliding trays, and a deep drawer below, raised on turned feet 121cm wide, 139cm high, 53cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185

450 GEORGE II STYLE GILTWOOD AND PAINTED OVERMANTEL MIRROR LATE 20TH CENTURY the shaped arch mirror plate in a moulded frame with carved flowers and trailing garlands 138cm high, 72cm deep

£300-500

451 Y EARLY VICTORIAN ROSEWOOD FOOTSTOOL MID 19TH CENTURY the padded seat above a moulded frame raised on scrolled legs carved with palmettes and ending in scrolled toes 76cm wide, 50cm high, 45cm deep

£400-600

452 WILLIAM IV MAHOGANY DROP-LEAF PEMBROKE DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with drop sides, with a frieze drawer to one end, raised on an ogee moulded square baluster support and quadripartite base with scrolled feet and brass castors 122cm wide, 72cm high, 58cm deep 117cm [open]

£700-1,000

453 GEORGIAN STYLE MAHOGANY TAMBOUR DESK, JAMES SHOOLBRED & CO. LATE 19TH CENTURY the tambour top opening to an interior with a slide-out hinged leather lined writing slope and pigeon holes and drawers, over three frieze drawers and raised on square tapered legs joined by a X stretcher and ending in brass caps and castors, stamped in the drawer JAS SHOOLBRED & CO and no. 5132 107cm wide, 108cm high, 61cm deep

£800-1,200

186

454 GROUP OF SEVEN CARVED ARCHITECTURAL PANELS 19TH/ EARLY 20TH CENTURY to include a large volute carved with a mask, a parcel-gilt cartouche carved with a lion’s mask, 54cm wide; a scrolled pediment carved with a satyr’s mask, 70cm wide; a square panel carved with a lion’s mask and foliate scrolls, 24cm high; a square panel carved with a foliate and pomegranate roundel, 27cm high; a medieval style corbel carved with a monk, 21cm high; and a small armorial shield carved with a rampant lion, 26cm high (7) 43cm high, 32cm wide

£600-800

455 Y FIVE GEORGIAN TEA CADDIES 18TH/ EARLY 19TH CENTURY to include a large sarcophagus shaped mahogany caddy with lion mask handles, the interior with two fitted canisters and associated amber glass sugar bowl and creamer; a plain mahogany caddy with two fitted canisters and an associated pressed glass waste bowl, 30cm wide; an octagonal banded caddy with two covered wells, brass lion’s mask handles, and brass paw feet, 22cm wide; an oval banded caddy with a single covered well with ivory knob, 20cm wide; and a small dome top yew-wood caddy with shell inlay and ivory escutcheon, 11.5cm wide (5) Largest 33cm wide With non-transferable CITES self-certification number 24842157317

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187

456 SET OF TWENTY ENGRAVED PRINTS OF ENGLISH MONARCHS AND RULERS 1880 from ‘Illustrations of English and Scottish History’, Blackie & Son, London, Glasgow, and Edinburgh; drawn by J. L Williams and engraved by T. Brown; mounted and framed (20) 25.5cm x 18cm sight size

£400-600

457 REGENCY MAHOGANY TABLE COASTER, IN THE MANNER OF JAMES MEIN OF KELSO EARLY 19TH CENTURY with a wide gadrooned rim, on leather casters 25cm diameter

£300-400

458 THREE GEORGIAN MAHOGANY BOX CONTAINERS 18TH CENTURY to include a George III mahogany inlaid and featherbanded knife box, with fan inlay; a Georgian dome top mahogany decanter box fitted with four gilt decorated bottles, 23cm high; and a mahogany and boxwood strung candlebox, 40.5cm high (3) Knife box 30cm high, 20cm wide, 21cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

188

459 3RD DRAGOON GUARDS OFFICER’S SILVER BELT POUCH HALLMARK 1882 3rd Dragoon Guards Officers silver belt pouch with rubbed hallmarks for Birmingham, maker’s stamp B&P, with applied Royal Crown, Victorian Cypher and Prince of Wales feathers 18cm wide

£400-600

460 CUT STEEL COURT SWORD AND COURT DRESS BICORN HAT CIRCA 1900 the grip and guard with raised cut diamond shaped facets with double edged rapier blade; the bicorn with ostrich feather trim (2) Sword 97cm long

£250-350

461 HENRI ETIENNE DUMAIGE (FRENCH 1830 - 1888) AVANT LE COMBAT AND APRES LE COMBAT bronze, dark brown patina, each base signed ‘H. Dumaige’ and each with a plaque ‘Avant le Combat, Volontaire de 1792, Par Dumaige, H.C’ and ‘Àpres le Combat, Grenadier de 1792, Par Dumaige, H.C’ respectively (2) each 65cm high

£800-1,200

462 INFANTRY OFFICER’S 1892 PATTERN SWORD etched single edged straight blade with sharkskin grip, in a leather field service scabbard 100cm long

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

190

463 SCOTTISH OTHER RANKS FEATHER BONNET 20TH CENTURY of black ostrich feather with red, white and black diced brim, black silk cockade backing silver regimental badge, and red feather hackle; together with a BRIGADE OF GUARDS BEARSKIN CAP with a mahogany stand (2) £300-500

464 TWO LARGE LEATHER SHELL CASES EARLY 20TH CENTURY the larger with a Royal Coat of Arms over an embossed N, the cover embossed No. 76 and B.H.&G Ltd. II-1941; the other with a Royal Coat of arms and converted to a stick stand (2) 75cm and 62cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

191

465 OFFICER’S PLUMED HELMET OF THE 3RD DRAGOON GUARDS (PRINCE OF WALES OWN) CIRCA 1900 and blue enamel centre badge with a twelve-pointed star, motto, and Prince of Wales feathers, the top spiked with red and black horsehair plume, with a linked chin strap; with a turned mahogany stand Helmet 40cm high

£600-800

466 ROYAL ENGINEERS FULL DRESS SPIKED HELMET 1902-1939 with a scaled chinstrap and gilt metal badge, together with painted tin hat box with brass mounts inscribed ‘C. Sleigh, Esq/ Royal Engineers’, on a mahogany stand (2) 27cm high

£300-400

467 1ST BATTALION GRENADIER GUARDS SIDE DRUM 20TH CENTURY rope tensioned, emblazoned with the Royal Coat of Arms and sixteen battle honour banners 37cm diameter

£300-400

468 THREE LEATHER SHELL CASES EARLY 20TH CENTURY all with Royal Coat of Arms, two with covers and straps (3) Tallest 32cm high

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

192

469 HENRY BRITTAN WILLIS (BRITISH 1810-1884) CATTLE WATERING Signed and dated 1870, oil on canvas 38cm x 61cm (15in x 24in)

£500-800

470 FREDERICK WILLIAMSON (BRITISH 1835-1900) GRAZING ON THE HILLSIDE Signed and dated 1872, watercolour, and a companion, a pair, ‘Cattle and Sheep on Hillside’ 23cm x 41cm (9in x 16in)

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

193

471 JOHN ARTHUR LOMAX R.B.A. (BRITISH 1857-1923) SIT UP AND BEG Signed with initials, watercolour 20cm x 25.5cm (8in x 10in)

£300-500

472 EDGAR BUNDY A.R.A. (BRITISH 1862-1922) THE PEACEMAKER Signed and dated 1903, watercolour 36cm x 53.5cm (14in x 21in)

£400-600

473 ARTHUR DAVID MCCORMICK (BRITISH 1860-1943) THE MORNING PAPER Signed, watercolour 38cm x 54cm (15in x 21in)

£500-800

194

474 ORESTE CORTAZZO (ITALIAN 1836-1910) IN COURT Signed, oil on panel 29cm x 28cm (7.5in x 11in)

£2,000-3,000

475 JOHN ARTHUR LOMAX R.B.A. (BRITISH 1857-1923) A DIFFICULT LETTER Signed, oil on panel 25.5cm x 30.5cm (10in x 13in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

195

476 HANS ZATZKA (AUSTRIAN 1859-1945) SPRINGTIME GARLAND Signed with the pseudonym J. Bernard, oil on panel 56cm x 36cm (22in x 14in)

£2,000-3,000

477 ATTRIBUTED TO W. ETIENNE (FRENCH 19TH CENTURY) THE TROUBADOUR Oil on panel 25.5cm x 41cm (10in x 16in)

£600-800

196

478 ARTHUR DAVID MCCORMICK (BRITISH 1860-1943) AN ELIZABETHAN SHIPWRIGHT Signed, oil on canvas 41cm x 51cm (16in x 20in)

£1,000-1,500

479 SAMUEL JOSEPH CLARK (BRITISH 1834-1912) THE BOYS’ MARCHING BAND Signed and dated 1902, oil on canvas 63cm x 49.5cm (24.75in x 19.5in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

197

480 RALPH HEDLEY (BRITISH 1848-1913) THE OLD CLOTHES MARKET, SANDGATE, NEWCASTLE UPON TYNE Signed with initials and dated ‘98, oil on board 25.5cm x 33cm (10in x 13in) Provenance: The Press Bazaar in aid of the London Hospital, no.1113

£1,000-1,500

481 STEPHEN LEWIN (BRITISH 1822-1913) THE REWARD Signed and dated 1902, oil on canvas 59.5cm x 80cm (23.5in x 31.5in)

£600-800

198

482 WILLIAM STEPHEN COLEMAN (BRITISH 1829-1904) FARAWAY THOUGHTS Signed, watercolour 23cm x 28cm (9in x 11in)

£600-800

483 ALICE RENSHAW (BRITISH FL. 1880-90) A FLORAL BONNET Signed, watercolour 18cm x 14cm (7in x 5.5in)

£300-500

484 HENRY JAMES JOHNSTONE (BRITISH 1835-1907) YOUNG SWEEP Signed, watercolour 18cm x 13cm (7in x 5in)

£400-600

199

485 § ANNIE FRENCH (SCOTTISH 1872-1965) PICKING FLOWERS Signed, watercolour, pen and ink on brown paper 24cm x 43.5cm (9.5in x 17in) Provenance: Cyril Gerber Fine Art, Glasgow

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

200

486 GEORGIAN STYLE GILTWOOD MIRROR MODERN the arched and bevelled mirror plate in a moulded frame with a flowerfilled urn crest with carved acanthus scrolls, palmettes, and laurel 139cm high, 79cm wide

£500-800

487 EARLY VICTORIAN WALNUT, MAHOGANY AND INLAID LIBRARY TABLE MID 19TH CENTURY the rounded rectangular top with a moulded edge and green leather skiver with gilt tooled borders, above a pair of short frieze drawers and raised on twin-column end supports joined by a stretcher and ending on scrolling trestle bases with brass castors 130cm wide, 74cm high, 65cm deep

£800-1,200

488 VICTORIAN WALNUT AND INLAY GILT METAL MOUNTED CREDENZA 19TH CENTURY of shaped bowfront outline, with a central panel door inlaid with foliate scrolls and harebell trails, flanked by curved and glazed side cabinets with plush lined shelves, on a plinth base 150cm wide, 104cm high, 41cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

201

489 VICTORIAN MAHOGANY LIBRARY BOOKCASE LATE 19TH CENTURY

490 VICTORIAN MAHOGANY FRAMED SOFA 19TH CENTURY the serpentine buttonupholstered back above a padded serpentine seat flanked by scrolled arms, raised on scrolling legs with brass castors, covered in yellow damask upholstery 161cm wide, 101cm high, 52cm deep

£400-600

the moulded cornice above two pairs of glazed doors enclosing adjustable shelves; the lower part with ogee moulded short frieze drawers over panel doors opening to a shelved interior, on a plinth base 240cm wide, 212cm high, 51cm deep

£1,200-1,800

202

491 THREE SERVANTS’ BELL BOARDS EARLY 20TH CENTURY the largest in an oak case and room numbers 17-36 and Bathrooms 1-4, by A. Pank & Son, Ltd; the second in a mahogany frame with six room numbers, 33.5cm wide; and the third in an oak case with three rooms labelled FRONT DOOR, LOUNGE, and BEDROOM NO 1, 30cm wide (3) 46cm wide, 38cm high

£300-500

492 Y GROUP OF MISCELLANEOUS TABLE ARTICLES 19TH/ EARLY 20TH CENTURY to include a horn carved with an anchor and acorn; a white metal mounted horn pounce pot; a spherical leather covered inkpot; an olivewood and ivory Torah pointer; a leather vesta case; a gutta percha cigarette box; a bronze seal in the form of a hand; a brass tipstaff; and a metal mounted match holder (qty) Tipstaff 19cm long With non-transferable CITES self-certification number 24842157317

£400-600

203

493 SWISS SINGING BIRD AUTOMATON, REUGE MUSIC LATE 20TH CENTURY with movement to the head, beak and tail, in a gilt brass cage stamped SAINTECROIX/ MADE IN SWITZERLAND; with a glass dome and ebonised stand 28cm high, 31cm high overall

£250-350

494 THREE CIGAR HOLDERS 19TH CENTURY

495

to include a cylindrical mahogany example with push button release; an Anglo-Indian foliate carved hardwood tobacco canister, 15cm high; and a burr wood case with a compartmented interior, 13.5cm long

EDWARDIAN OAK LETTER BOX

£300-400

18.5cm wide, 22cm high, 18cm deep

EARLY 20TH CENTURY with a brass post flap labelled LETTERS, above a glazed window displaying collection times £250-350

496 GROUP OF FOUR SMALL PERPETUAL CALENDARS LATE 19TH/ EARLY 20TH CENTURY to include an oak desk example; a circular fruitwood wall example, 22.5cm diameter; a blonde wood Art Deco example, 19cm high; and a cast metal example on a marble base, 14cm high (4) Largest 26cm high

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

204

497 Y GROUP OF FOUR VICTORIAN BOXES 19TH CENTURY to include a bird’s eye maple and parquetry box with brass stud decoration and a single drawer to one end, 24.5 long; a mahogany and kingwood banded jewellery box with a brass bail handle and velvet lined interior, 25.5cm wide; a canted burr wood and banded stationery box with butterfly inlay, 21cm wide, one box with an ivory escutcheon; and a Winsor & Newton travelling burr wood paint box, complete with watercolour pots, ceramic mixing board, and water glass, 22cm wide (4) £400-600

498 VICTORIAN OAK FOLIO CABINET LATE 19TH CENTURY the tambour front opening to reveal nine sliding trays 48cm wide, 102cm high, 41cm deep

£500-800

499 Y EARLY VICTORIAN ROSEWOOD PIANO STOOL MID 19TH CENTURY the rising circular buttonupholstered seat covered in gold velvet with tassel trim, on a lotus carved baluster support and lobed base raised on paw feet 32cm diameter 48cm high

£300-400

500 PAIR OF VICTORIAN MAHOGANY BEDSIDE CABINETS 19TH CENTURY the square moulded tops above panelled doors opening to shelved interiors, on plinth bases 38cm wide, 72cm high, 37cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

205

501 PAIR OF VICTORIAN WALNUT BEDSIDE CUPBOARDS 19TH CENTURY of bowfront outline, the tops with a bevelled edge above an arch moulded door with carved foliate details, on plinth bases (2) 42cm wide, 74cm high, 38.5cm deep

£1,000-1,500

502 VICTORIAN WALNUT DAVENPORT MID 19TH CENTURY with a hinged superstructure with pierced gallery above a slope with a black leather skiver, raised on carved scrolled supports with four drawers to one side and dummy drawers opposing, on wood castors 55cm wide, 87cm high, 52cm deep

£400-600

503 VICTORIAN MAHOGANY DRESSING TABLE 19TH CENTURY the top with a threequarter gallery above three frieze drawers and arched apron, raised on turned and tapered legs ending in brass caps and castors 136cm wide, 85cm high, 51cm deep

£300-500

206

504 Y GROUP OF TREEN NOVELTY WARES 19TH CENTURY to include commemorative Jubilee string holder in the form of a crown; a tape measure with ivory knob; a castellated tumber; an inkwell in the form of a melon; a Clark and Co. Mauchline ware spool holder with printed image of Robert Burns; a cylinder container containing Dartons Pocket Tablet of Biography; a nail buffer; and a darning mushroom (qty) Tallest 8cm high

505

With non-transferable CITES self-certification number 24842157317

GROUP OF TREEN BOXWOOD AND FRUITWOOD CONTAINERS

£300-400

19TH CENTURY to include a five section spice tower with applied paper labels, a pear-shaped container with metal collar, two spill vases, a large bottle container, and a variety of turned cylindrical containers (12) Spice tower 24cm high

£400-600

506 Y GROUP OF SCOTTISH AND OTHER TREEN ITEMS 19TH/ 20TH CENTURY to include a staved salt box and cover, a large lignum string container, a pin cushion with ivory feet and moulding, a spill vase, a funnel, a gavel, and other turned containers (qty) Largest 20cm high With non-transferable CITES selfcertification number 24842157317

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

207

507 COLLECTION OF CARVED DOG’S HEAD HANDLES 19TH/ EARLY 20TH CENTURY to include a boxer and Manchester terrier with glass eyes mounted on hickory page turners; a schnauzer with glass eyes; a spaniel with glass eyes; a terrier with a spring hinged jaw and glass eyes; together with a novelty caricature carved cane handle of a man with a large nose wearing a hat (6) Page turners 32cm long

£300-500

508 Y TWO PAINTED CONSTABLE’S TRUNCHEONS LATE 19TH/ EARLY 20TH CENTURY

509

one labelled SPECIAL CONSTABLE 19141919 with the Edinburgh city coat of arms; the other labelled CONSTABLE; together with a BLACKTHORN STICK with a carved ivory pommel, 38.5cm long (3)

VICTORIAN MAHOGANY COLLECTOR’S CABINET

39cm and 45cm long With non-transferable CITES selfcertification number 24842157317

£300-500

19TH CENTURY with an arch panel door enclosing eight drawers with blue plush lining, with brass handles to the sides and raised on bun feet 41cm wide, 50cm high, 33cm deep

£500-700

208

510 COLLECTION OF CLEAR GLASS APOTHECARY BOTTLES 19TH/ 20TH CENTURY of varying sizes and shapes, all with stoppers and contents labels (qty) Tallest 25cm high; smallest 15cm high

£250-350

511 COLLECTION OF COLOURED GLASS APOTHECARY BOTTLES 19TH/ EARLY 20TH CENTURY of varying sizes and colours, most with stoppers and labels, together with a modern glazed earthenware wet drug jar labelled ‘Porto Rico’ (qty) Largest 36cm high; smallest 12.5cm high

£300-500

512 VICTORIAN APOTHECARY CABINET 19TH CENTURY in two parts, with twelve drawers with glass knobs and inscribed labels (2) 70cm wide, 66cm high, 23cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

209

210

513 ROBERT ALEXANDER HILLINGFORD (BRITISH 1828-1904) CROMWELL’S TROOPS DESECRATING WELLS CATHEDRAL Signed, oil on canvas 51cm x 41cm (20in x 16in)

£800-1,200

514 ARTHUR DAVID MCCORMICK (BRITISH 1860-1943) THE HERALD Oil on canvas 61cm x 46cm (24in x 18in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

211

515 EDGAR BUNDY A.R.A. (BRITISH 1862-1922) COURTING IN THE KITCHEN Signed and dated 1904, watercolour 46cm x 56cm (18in x 22in)

£600-800

516 FRANK MOSS BENNETT (BRITISH 1874-1952) THE MUSIC BOOK Signed and dated 1904, watercolour 35.5cm x 25.5cm (14in x 10in)

£600-800

212

517 AFTER EDWIN LANDSEER A TIME FOR PEACE Chromolithograph heightened with watercolour 53.5cm x 85.5cm (21in x 33.75in)

£500-800

518 WILLIAM STEPHEN COLEMAN (BRITISH 1829-1904) LEARNING TO READ Signed, watercolour 25.5cm x 38cm (10in x 15in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

213

519 ROBERT ALEXANDER HILLINGFORD (BRITISH 1828-1904) THE NEW SUITOR Signed, oil on panel 33cm x 46cm (13in x 18in)

£600-800

520 E. CRAWFORD (BRITISH 19TH CENTURY) THE NEW HEIR Signed, oil on canvas 51cm x 41cm (20in x 16in)

£500-800

521 CHARLES ROSSITER (BRITISH 1827-1897) PLAYING PATIENCE

522

Signed, oil on canvas

ARTHUR DAVID MCCORMICK (BRITISH 1860-1943)

20cm x 25.5cm (8in x 10in)

LETTER OF RECOMMENDATION Signed, oil on canvas 33cm x 46cm (13in x 18in)

£500-700

£300-500

214

523 ARTHUR DAVID MCCORMICK (BRITISH 1860-1943) THE NEW CREW Signed, oil on board 66cm x 61cm (26in x 24in)

£2,000-3,000

524 ERNEST CROFTS R.A. (BRITISH 1847-1911) DEPARTING THE INN Signed, oil on canvas 30.5cm x 23cm (12in x 9in)

£500-800

525 EDGAR BUNDY A.R.A. (BRITISH 1862-1922) THE TOAST Signed and dated 1892, oil on canvas 71cm x 91cm (28in x 36in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ANTIQUITIES

217

526 SUMERIAN RITUAL VASE JEMDET NASR PERIOD, 3100 - 2900 B.C. carved limestone, standing on a flat base, gently flaring body carved with an energetic scene of two lions attacking a bull carved in high relief, the lip recessed 11.5cm high Published: Sotheby’s, Western Asiatic Cylinder Seals and Antiquities from the Erlenmeyer Collection (Part 1), London, Thursday 9th July 1992, lot 273. Provenance: Formerly in the collection of Professor Hans and Mrs MarieLouise Erlenmeyer, Basel, acquired between 1943 and the early 1960s. Sotheby’s, Western Asiatic Cylinder Seals and Antiquities from the Erlenmeyer Collection (Part 1), London, Thursday 9th July 1992, lot 273. For similar please see: Christie’s, Antiquities: The Property of Mr and Mrs Martin R.E. Stansfeld, London, 25th April 2007, lot 122.

£6,000-9,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

218

527 LARGE ANCIENT EGYPTIAN ATEF CROWN FEATHER EGYPT, LATE PERIOD, 664 - 332 B.C. cast bronze, in the form of an ostrich feather, recessed with a series of parallel perforations throughout, a tang to the side for attachment to the crown of the god, remnants of gold leaf, raised on a bespoke mount 32.2cm tall Provenance: Seward Kennedy Collection, London, acquired 1960s Note: This large feather would have once adorned a monumental bronze sculpture of the god Osiris, forming the right hand of the two feathers from his atef crown. Originally coated in gold leaf, its eternal, unchanging nature and solar glow intended to reflect the divine. The feather now stands alone as a striking work of sculpture in its own right. Its composed, stylised form has a beautiful simplicity and is a fine example of the power of Egyptian art.

£3,000-5,000

219

528 PERSIAN ACHAEMENID SILVER JUG WESTERN ASIA, 5TH CENTURY B.C. cast silver, standing on a flat base, the body with vertical fluting, the lower section of the neck ridged and embellished with an etched pattern, the lip out turned, the handle soldered to the flaring mouth and shoulder of the vessel in the form of a biting beast 14.5cm high, 11cm wide Provenance: Private collection, London, acquired 1960s

£8,000-12,000

529 INSCRIBED SASANIAN PLATE CENTRAL ASIA, 6TH - 7TH CENTURY A.D. gilt silver, the shallow walls of the bowl inscribed with a floral motif, the central tondo with a king seated upon a cantering horse in full tack, he wears a crown and fillet with fluttering ribbons behind, an inscription to the front 19.2 cm diameter, 273g weight Provenance: Private collection, London, formed 1960s to present

£8,000-12,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

220

530

531

221

532

530

531

532

WESTERN ASIATIC NECKLACE

WESTERN ASIA, 1ST MILLENNIUM B.C.

composed of cylindrical lapis spacers interspersed with small gold filigree beads, with a central large cylindrical gold bead and six cylindrical gold beads with applied disc elements

formed of carnelian cylindrical beads with small gold spacers, a large central carnelian stone capped with gold bordered by dual banded agate beads also capped with gold, strung with a modern s-hook closure

WESTERN ASIA, 1ST MILLENNIUM B.C.

51cm long

45cm long

Provenance: Private collection, London, formed early 1960s - present day

£1,500-2,000

Provenance: Private collection, London, formed early 1960s present day

formed of lapis cyclindrical spacers with five gold-leaf circular pendants, strung with a modern s-hook closure

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

222

533 PERSIAN ACHAEMENID GOLD EARRING 5TH CENTURY B.C. of crescent form, with lapis inlays 4.5cm diameter Provenance: Private Collection, 1960s

£1,500-2,500

534 EGYPTIAN MOSAIC GLASS SQUARE INLAY FRAGMENT EGYPT, 3RD-2ND CENTURY B.C. white floral design on dark blue background, framed in red and white 2.2cm x 2.2cm Provenance: Private Collection, London, formed 1960s - present day

£800-1,200

535 SASANID SEAL CENTRAL ASIA, 4TH - 7TH CENTURY A.D. the metal seal depicting a winged Pegasus with inscription, inset in a modern gold band 2.8cm wide, UK size O, 20gr Note: Whilst the intaglio dates to the 4th - 7th century, the gold band is of modern construction.

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

223

536 BYZANTINE GOLD FINGER RING EASTERN MEDITERRANEAN, 6TH CENTURY A.D. cast gold, the face with an engraved scene from the life of Christ, possibly healing the sick, accompanied by a bespoke mount 1.8cm wide, UK ring size K, 7.2gr Provenance: Private collection, London, acquired New York art market

£1,000-1,500

537 ANCIENT BYZANTINE RING EASTERN MEDITERRANEAN, 5TH - 6TH CENTURY A.D. the large stone mounted in a square setting, with a small hinged cross above, presented on a bespoke mount 3cm wide, UK ring size Q, 7.6gr Provenance: Acquired on the New York art market

£1,500-2,500

538 HELLENISTIC GOLD RING EASTERN MEDITERRANEAN, 3RD - 1ST CENTURY B.C. the gold band with prominent raised gallery and inset agate stone, raised on a bespoke mount 4cm wide, UK size T, 18gr Provenance: Winderfelder collection, Germany, 1980s

£1,000-1,500

539 HELLENISTIC GOLD CHAINED BRACELET 1ST CENTURY B.C. - 1ST CENTURY A.D. formed of twisted gold wire with dual collared clasps 22cm long, 20.8gr Provenance: Private collection, London, formed 1960s to present

£1,000-1,500

224

540 ROMAN ROCK CRYSTAL PENDANT C. 1ST - 2ND CENTURY A.D. carved and polished rock crystal, depicting a janiform lady 5.3cm high Provenance: K.M. collection, formed early 1960s - present day Note: For a Roman rock crystal pendant dating to the same period please see: Christie’s, London, Ancient Jewelry, 7th December 2006, lot 288

£3,000-5,000

541 ROMAN CAMEO TONDO IN GOLD MOUNT 1ST - 2ND CENTURY A. D. depicting the childhood of Bacchus surrounded by nymphs, on blue glass with rich iridescence, in gold frame with applied scrolling wirework detail, the top with inset agate 5cm high, 3.8cm wide Provenance: Private collection formed between 1965-2022

£3,000-5,000

542 ROMAN GOLD RING WITH INTAGLIO C. 2ND-3RD CENTURY A.D. with garnet intaglio 2.76cm, UK ring size G, 9.6g Note: Accompanied by expertise report by Dr Jack Ogden dated 9th June 2017

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

225

543 MEROVINGIAN PENDANT WESTERN EUROPE, C. 7TH CENTURY A.D. cast metal ring with four loop straps, raised on a bespoke mount 11cm wide Provenance: European collection, 1960s Acquired from Ariadne Galleries, 2010

£2,500-3,500

544 VIKING WHITE METAL TORQUE 9TH - EARLY 10TH CENTURY A.D. stamped with triangles with three pellets each, raised on a bespoke stand 15cm wide Note: Similar stamping can be found in several items in the British Museum from the Cuerdale Hoard, for example number 1841,0711.231, 1841,0711.337 and 1841,0711.337

£500-800

226

545 ANCIENT EGYPTIAN WOODEN BOATMAN FIGURE EGYPT, MIDDLE KINGDOM C. 2050-1786 BC carved and painted wood, the lithe figure depicted with close cropped black wig, painted facial detail and white kilt, perforations at the arms and pegged base 32cm tall Provenance: Private collection, United Kingdom, acquired from Bonham’s early 2000s

£1,000-1,500

546 ATTIC BLACK FIGURAL STEMMED KYLIX CIRCA 500 BCE painted front and back with bull fighting scenes 18.5cm wide, 8cm high Provenance: The Estate of the late J. E. Adam Collected by Charles Richard Fox (1796-1873). He was the son of Henry Richard Vassall-Fox, 3rd Baron of Holland, and Lady Elizabeth Webster, herself a fascinating character, wellknown as an intellectual. Fox was an acclaimed numismatist, collecting vast amounts of Greek coins and writing several books about them. His travels, both with the army and privately later in life, led him across Europe and Asia Minor, and gave him a chance to acquire coins and antiquities from an array of places. The coin collection was bought by the Royal Museum of Berlin after his death, where they are still on view today. The antiquities have remained in the family until now, they were passed down from Charles Richard Fox to his nephew Charles Frederick Fox Adam, to his son (F E F Adam) who had no children and left his possessions to Janet Adam’s father.

£300-500

547 ANCIENT GREEK CALENE WARE GUTTOS 3RD CENTURY BCE fired and stamped terracotta, black-glazed with vertical striations around the shoulder, strap handle and trumpet spout, with a profile head of a Nubian on the discus 10.5cm diameter, 8cm high Provenance: Private collection, United Kingdom, acquired Helios Gallery c. 2010 Elias-Vaes collection, Netherlands, acquired 1960’s - 1970’s Exhibited on long term loan: Kralings Museum, Rotterdam-Kralingen

£300-500

227

548 TRIO OF ETRUSCAN BRONZE PENDANTS NORTHERN ITALY, C. 8TH CENTURY B.C. cut and hammered bronze, each pendant formed of a tubular bead with the lower end worked into three integral rings from which hang solid-cast bud-like pendants (3) each 8cm long Provenance: Private collection, acquired Galerie Ostracon, Zurich, August 2015. Previously in the private collection of Mr. Bernhard Müller, acquired late 1970s. Note: For a similar example please see: University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia (Inv. MS 787A-C)

£1,000-2,000

549 ETRUSCAN BUCCHERO CHALICE NORTHERN ITALY, C. 7TH CENTURY terracotta, standing on a trumpet foot, with an elegant high pedestal stem topped with a notched ridge, the bowl with subtly sloping ridges decorated with incised concentric bands, impressed fan patterns and geometric motifs 15.5cm high, 16cm wide Provenance: Private collection, acquired Aphrodite Gallery, Fine Antiquities Sale, 24 September 2018, lot 17. Formerly ex J. Bowman collection, Massachusetts, acquired in Firenze, Italy 1960’s, with copy of original receipt. Note: The present example is Rasmussen’s chalice type 2d: see Rasmussen, Bucchero Pottery from Southern Etruria, p. 116; pl. 36, no. 203 is closest in form to Inv. 14.01. For parallel from Orvieto, dated c. 630-610BC, with different placement of decoration and lower foot on chalice, refer Hayes, Etruscan and Italic Pottery in the Royal Ontario Museum, p. 72, no. C14.

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

228

550 ETRUSCAN BRONZE FIGURE OF A WARRIOR NORTHERN ITALY, C. 500 B.C. bronze, likely originating from the top of a candelabrum, standing upon an integral double ring base, the figure stands with his weight on his right leg, the left leg advanced and bent at the knee, wearing a cuirass over a short pleated tunic, the left arm strapped into the broad disc shield with incised chevron pattern, the right arm held up to raise the Corinthian helmet which bears an elegant high crest falling down to his lower back, the hair close cropped 15.6cm tall Provenance: Dr. Athos Moretti Collection (1907 - 1993), Belinzona, Switzerland, acquired 1930s - 1960s. Pino Donati (1919 - 1999), Arte Classica, Lugano, Italy, before 1980s Christie’s, Antiquities, 8th June 2001, lot 45, sold for $58,750 including premium Private collection, United States Exhibited: “Master Bronzes of the Classical World” The Fogg Art Museum, Cambridge, 4th December 1967 - 23rd January 1968 City Art Museum of Saint Louis, 1st March - 13th April 1968 The Los Angeles County Museum of Art, 8th May - 30th June 1968 Published: Mitten, D.G. & Doeringer, S.F. (1968) Master Bronzes from the Classical World, no 172. Los Angeles: LACMA (scan provided upon request)

£50,000-60,000

Dr. Athos Moretti (1907-1993) was the director of a major

The present piece bears stylistic similarities (specifically

Swiss pharmaceutical company and a significant patron of

with regards to its double ring base and extravagant helmet

ancient art. His particular focus was originally upon Magna

crest) to the Etruscan bronze figure sold at Sotheby’s, 3rd

Graecan and Sicilian coinage, in which he built up one of the

December 2019, lot 8 (also described as originating from

most important collections ever assembled. His collection

the top of a candelabrum). Another notable paralel is the

ultimately broadened to include Greek and Roman works

Etruscan bronze depicting the suicide of Ajax, c. 500 - 480

of sculpture. Moretti possessed a keen eye for quality and

B.C. in the collection of the Florence Museo Archaeologico

his collection pedigree has become highly prized since his

inv. 12193. For a further example of an Etruscan

passing. A prolific donor to public institutions, a number

candelabrum finial with a figure wearing a similar cuirass,

of works originally in Moretti’s possession now reside in

please see The Metropolitan Museum of Art, New York,

museums around the world.

accession number 47.11.3.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

229

230

551 ROMAN CARVED MARBLE CINERARY URN 1ST CENTURY A. D., WITH LATER ADDITIONS with naturalistic twisting branches of oval-shaped leaves and budding fruit between two rows of beading over palmetto leaves, as well as a 18th or 19th century epitaph copied from an inscription found at the Palazzo Corsini, on a later stand 18.5cm wide, 17cm high Provenance: French private collection, Paris, since late 19th/early 20th century Acquired in the late 1990s by I. H., Munich Note: Cinerary urns or chests like the present lot were used in the Roman Imperial period in the first century A. D. for ashes of the deceased, and would then be displayed in niches near the family tomb. Similar naturalistic branch and leaf carvings can be found on several other Roman urns from the period, for example the Royal Collection (Clarence House, RCIN 31660), or the Metropolitan Museum (Acc. No. 2021.19.1), or one from Crowe Hall, Bath, that was sold by Christie’s, King Street, 16 Dec 2021.

£8,000-12,000

552 ROMAN LIFESIZED MARBLE HAND EUROPE, 1C. 1ST - 3RD CENTURY A.D. carved marble, the musculature well defined, with profuse root marking and encrustations 14cm long Provenance: Private collection, France. HVMC Auction, Monte Carlo, 6th May 2018, lot 109

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

231

553 ROMAN MARBLE PORTRAIT OF A WOMAN 1ST CENTURY A.D. wearing a Julio-Claudian hairstyle and headband, on a bespoke stand 23cm high (excl. stand)

£5,000-8,000

554 HEAD OF A CHERUB 17TH CENTURY, POSSIBLY EARLIER carved stone, depicted with curled locks and a full face, remnants of umber pigment remain, raised on a bespoke mount 19cm tall

£800-1,200

232

555 ROMAN GLASS OIL SPRINKLER FLASK EUROPE OR NEAR EAST, 3RD-4TH CENTURY A.D. translucent pale green with areas of rich iridescence, the globular body with overlapping lozenge pattern of small raised knobs on a small concave base, leading to a short cylindrical neck with constriction at the base, ending in a rounded rim with a projecting folded flange 9.5cm high

£1,000-1,500

556 ROMAN POMEGRANATE SHAPED SPRINKLER FLASK 4TH CENTURY A.D. glass, sitting on a pinched base, the globular body with a series of six pinched ribs, the short cylindrical neck leading to a flaring mouth with banded decoration 16.5cm tall Provenance: Private collection, United Kingdom

£1,000-1,500

233

557 ROMAN GLASS JUGLET EUROPE OR NEAR EAST, 2ND CENTURY A.D. pale green with areas of iridescence, the globular body with wide ribs leading to a narrow cylindrical neck with a spiralling trail wound around it, ending in a plain everted rim with a reeded strap handle attached 14cm high

£1,500-2,500

558 ROMAN GLASS ONE HANDED BOTTLE EUROPE OR NEAR EAST, 2ND CENTURY A. D. translucent very pale green with areas of rich iridescence, the cylindrical body with slightly convex sides and faint wheel-abraded horizontal bands, ending in a short cylindrical neck and collared rim with horizontal lip, the broad, reeded strap handle applied to the edge of the shoulder 14.5cm high Note: For a very similar object please see the Metropolitan Museum, collection number 17.194.216

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

234

559 ROMAN FRESCO OF A SWAN 1ST CENTURY A. D. the swan holding in its beak one end of a foliate garland, with alternate pale and dark ochre leaves, atop a green, white and red Ionic column capital, on a red ground, with pale blue border separated by a thin white line, mounted in a wooden frame 47.5cm high, 76.5cm wide Published: Antiquities, Christie’s, London, 7th October 2010, Lot 147. Antiquities & Islamic Art, Hindman Auctions, Chicago, 16th June 2020, Lot 161. Provenance: Previously in the Private Collection of Jonathan P. Rosen, North America, 1974. Private Collection (inventory no. 14071), North America. Sold at: Antiquities & Islamic Art, Hindman Auctions, Chicago, 16th June 2020, Lot 161. Acquired from the above sale. ALR: S00202203. Accompanied by IADAA certificate, this item has been checked against the Interpol database

£15,000-25,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

235

560 ETRUSCAN RELIEF FRAGMENT NORTHERN ITALY, C. LATE 4TH - EARLY 3RD CENTURY B.C. mould-made painted terracotta, decorated with spiral tendrils and a lotus bud in relief, surmounted by moulded bands with painted frieze of egg-and-dart, surmounted by a band of meander and chequerboard squares, extensive surviving pigment in red and umber 28cm high, 34.6cm wide Provenance: Christie’s, London, The Stanford Place Collection of Antiquities, 26 April 2006, Lot 36 Sir Claude Hankes-Drielsma, United Kingdom Private Collection, Switzerland, 1960s

£4,000-6,000

561 ROMAN GEOMETRIC MOSAIC 4TH CENTURY A.D. ancient tessellae of white, red, black and brown, formed into a Gordian Knot 45cm x 35cm (including modern frame)

£600-900

237

CONTINENTAL FURNITURE & WORKS OF ART

562 PLASTER CAST PANEL OF THE WEST PARTHENON FRIEZE, BLOCK IV 20TH CENTURY depicting two equestrian riders in shallow relief 143cm wide, 104cm high, 8cm deep

£1,000-1,500

563 PAIR OF LARGE ITALIAN GREY MARBLE LAMPS EARLY 20TH CENTURY of baluster shape carved with stiff leaves and bacchic masks, on square plinths with moulded bases, fitted for electricity; with demi-drum shades (2) 97cm high, excluding fittings

£1,500-2,500

564 PLASTER CAST OF ‘NIGHT’ BY BRUCCIANNI, AFTER MICHELANGELO LATE 19TH CENTURY based on the model on the tomb of Giuliano de’ Medici in the Basilica di San Lorenzo, Florence, signed, whitewashed 67cm wide, 50cm high

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

238

565 PAIR OF VENETIAN SILVERED GIRONDOLE MIRRORS 19TH CENTURY the divided mirror plates in moulded frames surmounted by rocaille and issuing single scrolling candle arms (2) 76cm high, 33cm wide

£1,000-1,500

566 PAIR OF CONTINENTAL COPPER AND BRASS REPOUSSÉ PRICKET CANDLESTICKS EARLY 20TH CENTURY the baluster columns with applied brass acanthus, raised on triform bases with cartouches and shell details, with scroll feet (2) each 81cm high

£250-350

567 Y PAIR OF ITALIAN WALNUT AND IVORY INLAID CHAIRS 18TH CENTURY with shaped toprails and splats depicting a classical figures, masks and foliage, the frames with similar inlay, above drop-in seats raised on cabriole legs joined by ringturned and square section stretchers (2) 56cm high, 110cm high, 42cm deep With non-transferable CITES selfcertification number W4R54XGU

£300-500

568 ITALIAN CARVED WALNUT RENAISSANCE STYLE OCCASIONAL TABLE LATE 19TH CENTURY the shaped oval top carved with foliate and flower motifs against a stipple ground, raised on scrolling winged herm supports joined by a conforming undertier 54wide, 80cm high, 49cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

239

569 SPANISH ARMORIAL TAPESTRY, BEARING THE ARMS OF DON DIEGO FERNANDEZ DE CORDOVA, THIRD MARQUIS OF COMARES 16TH CENTURY woven with the quartered arms of Aragón and Jerusalem, per pale; Castillea and León, per fesse; Aragón-Sicilia; folch de Cardona y Aragón-Prades; Aragón-Urgel; and Pallars; encircled by the collar of the Fleece and ensigned by a large ducal coronet, against a blue field within a foliate scroll border 224cm x 185cm Provenance: Sir Geoffrey Peto, K.B.E., previously Sandford Park, Oxfordshire, thence by descent

£5,000-7,000

Note: The coat of arms are for Don Diego Fernandez de Cordova, called El Africano, born 1524 in Oran, on the northwest coast of present-day Algeria. He was the third Marquis of Comares, the Fourth Duke of Seborge [Valencia], and Fifth Duke of Cardona [Cataluna], Count of Ampurias and of Prades, Marquis of Pallars, and grand-constable of Aragon. He was married to the Infanta Juana de Aragon-Sicilia Y folch De Cardona, sister to the Infante Francisco. The Marquis of Comares, was elected Knight of the Golden fleece by Philip II in 1577, received the collar of the order in 1585, and died in 1601 having been governor of Oran in 1573 and 1589-94. He is buried at the abbey of Poblet, along with his wife.

The Dining Room, Sandford Park, Oxfordshire Country Life, May 1940

240

570 Y SET OF SIX DUTCH WALNUT AND MARQUETRY CHAIRS LATE 18TH CENTURY the floral marquetry frames with vasiform splats inlaid with ebony and ivory depicting flowering urns and birds, above drop-in seats and shaped seat rails raised on cabriole legs ending in pad feet (8) 46cm wide, 106cm high, 38cm deep With non-transferable CITES self-certification number SYFTJ4ZU

£800-1,200

571 DUTCH WALNUT AND MARQUETRY SIDE TABLE EARLY 19TH CENTURY in the 17th century style, the top with four demilune panels with flower and bird marquetry and a moulded edge, above a long frieze drawer, raised on faceted tapering legs with bun feet and joined by a shaped X form stretcher 103cm wide, 77cm high, 69cm deep

£2,000-3,000

572 DUTCH WALNUT DISPLAY CABINET 19TH CENTURY the arched moulded cornice above a pair of glazed and mullioned doors and side lights enclosing green plush lined shelves; the lower part with three serpentine fronted drawers flanked by angled cupboard doors, raised on scrolled feet 118cm wide, 119cm high, 36cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

241

573 GROUP OF DUTCH MANGANESE GLAZED TILES 17TH/ 18TH CENTURY various figural and floral subjects, one centrally painted in cobalt; together with a MINTON MANGANESE 6 IN. TILE, 19th century, in the Dutch style (9) 13cm x 13cm approximately Provenance: Kenneth Beulah Collection, sold Bonham’s, 25 January 1995 Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£250-350

574 DUTCH WALNUT MARQUETRY DOUBLE FOLD CARD TABLE MID 18TH CENTURY the fold-over hinged top opening to a baize playing surface with trompe l’oeil playing cards to the rounded corners, opening further to reveal a divided well below, above a frieze drawer and another to the side, raised on cabriole legs ending in carved ball and claw feet, the exterior profusely inlaid with marquetry depicting a flowering urn, birds, grotesques, and insects 72cm wide, 75cm high, 35.5cm deep

£1,200-1,800

575 DUTCH STYLE KINGWOOD, WALNUT, MAHOGANY, AND MARQUETRY BOMBÉ BUREAU EARLY 20TH CENTURY freestanding, the top with a brass gallery above a slope front opening to pigeon holes, drawers, and a green baize work surface, over three frieze drawers and three long bombé drawers with a shaped apron below, raised on carved claw and ball feet, the whole with flowering basket and floral marquetry 81cm wide, 102cm high, 51cm deep

£500-700

576 DUTCH MAHOGANY BOMBÉ COMMODE LATE 18TH CENTURY the quarter veneered top above three bombé long drawers and side panels, with gilt metal mounts to the angles and apron, raised on bracket feet 110cm wide, 83cm high, 55.5cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

242

577 SET OF FOUR LOUIS XV STYLE SILVERED BRONZE WALL APPLIQUES LATE 19TH/ EARLY 20TH CENTURY with two pairs, each with twin foliate scrolling branches, fitted for electricity (4) 29cm wide, 48cm high

£500-700

578 Y FRENCH GILT BRONZE AND RED TORTOISESHELL BOULLE MARQUETRY BRACKET CLOCK, JAPY FRÈRES 19TH CENTURY gilt brass dial with white enamel Roman numeral inserts, the break-arch and spire case surmounted by a gilt putto finial, raised on foliate cast feet, the twin-train movement striking the full and half hours on a bell, stamped Japy Freres and numbered ‘41182 609’, the sunburst pendulum with matching numbers 24cm wide, 50cm high

£400-600

579 PAIR OF FRENCH BRONZE MARLY HORSE FIGURES, AFTER COUSTOU 19TH CENTURY dark brown patina, signed ‘COUSTOU’ to the bases (2) each 40cm wide, 50cm long

£600-800

580 FRENCH ROCOCO STYLE GILTWOOD DRESSING TABLE MIRROR LATE 19TH CENTURY the shaped mirror plate in a frame with carved leaf and flower scrolls and incised scroll decoration, with a hinged easel support 63.5 high, 57cm wide

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

243

581 PAIR OF CONTINENTAL GILTWOOD MIRRORS 19TH CENTURY formerly girondoles, the arched mirror plates in moulded frames with carved flower and shell cresting and Green Man masks at the base (2) 64cm high, 40cm wide

£700-900

582 AFTER JEAN-BAPTISTE PIGALLE (1714-1785) L’ENFANT À LA CAGE French 19th century, on a gilt bronze base, unsigned 27cm high, overall

£400-600

583 PAIR OF SMALL FRENCH BRONZE MARLY HORSE FIGURES, AFTER COUSTOU EARLY 20TH CENTURY dark brown/ black patina, signed ‘COUSTOU’ and incised ‘MB’ to the underside (2) each 21cm wide, 29cm high

£250-350

584 FRENCH RED TORTOISEHELL BOULLE MARQUETRY AND GILT METAL MOUNTED DESK STAND 19TH CENTURY of rectangular form with two pen trays and later cut glass inkwells with brass lids, with scrolling première partie boulle marquetry centred by a female mask, on gilt metal caryatid mask feet 37cm wide, 15cm high, 27cm deep

£300-500

244

585 LOUIS LVI STYLE GILTWOOD MARGIN PLATE MIRROR 19THE CENTURY bevelled rectangular plate in an inner bead moulded frame enclosed by margin plates marked at the corners with palmettes, the outer frame with egg and dart moulding surmounted by a ribbon-tied floral wreath and laurel branch cresting 128cm high, 92cm wide

£700-900

586 PAIR OF FRENCH GREY PAINTED FAUTEUILS 19TH CENTURY in the Louis XV style, the cartouche shaped backs above wide serpentine seats flanked by partpadded arms, raised on cabriole legs, the frames carved with flower heads, foliage, and scrolls, covered in an ivy trellis pattern with insects, frogs and snails against an ivory ground (2) 63cm wide, 85cm wide, 48cm deep

£500-700

587 PAIR OF FRENCH ROCOCO STYLE MAHOGANY BEDSIDE TABLES LATE 18TH/ EARLY 20TH CENTURY the serpentine pink marble insert tops above a drawer and cupboard door opening to a white marble lined interior, raised on tall cabriole legs carved with shell motifs and ending in scrolled toes (2) 40cm wide, 89cm high, 38cm deep

£600-800

588 FINE LOUIS XVI STYLE ACAJOU AND GILT BRONZE MOUNTED MARBLE TOPPED CENTRE TABLE LATE 19TH CENTURY the rectangular grey and pink veined marble top above a frieze drawer centred with a gilt bronze bas-relief plaque depicting musical putti and ribbon-tied swags, a dummy drawer to the reverse, on square tapering legs mounted with musical trophies and torches and ending in sabots 101cm wide, 76cm high, 65cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

245

589 SÈVRES STYLE PERFUME BOX MID/ LATE 19TH CENTURY of circular form, the hinged cover painted with a scene of two putti on a goat, against a bleu celeste ground, fitted with gilt metal mounts and ring handles, the interior enclosing four gilt metal mounted scent bottles with hinged covers inset with polychrome printed French scenes; the body decorated with gilt details; unmarked 16.5cm diameter, 8.5cm high

£300-500

590 PAIR OF SEVRES STYLE URNS AND COVERS LATE 19TH CENTURY painted with reserves of courting couples within gilt and jewelled borders, the reverses with floral bouquets, on bleu celeste ground, the domed covers with pineapple finials, on a socle bases and a square foot, interlaced LL mark enclosing an F (2) 33cm high Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£300-500

591 FRENCH PORCELAIN AND GILT BRONZE MANTEL CLOCK 19TH CENTURY the jewelled porcelain Roman numeral dial in a break-arch case with an urn finial, above blue Sêvres style porcelain panels painted with courting couples and garden landscapes, with columns to the corners, on a plinth base with further porcelain panels, the twin-train movement stamped ‘Hy.(Henry) Marc, Paris’ and numbered ‘56187’, striking the full and half hours to a bell, with matching numbered pendulum; on a giltwood stand (2) 24cm wide, 42cm high, 13cm deep

£400-600

592 SÈVRES STYLE LOUIS PHILIPPE COMPOSITE PART TEA AND COFFEE SERVICE MID 19TH CENTURY decorated with the Louis Philippe monogram flanked by a putto or floral garlands, some pieces with scenes of courtship, within gilt borders, on a bleu celeste ground; comprising: six coffee cups, six saucers, a sugar basin with cover, a cake plate, 24.5cm diam, a coffee pot and cover, 16cm high, teapot and cover, 14cm high; pseudo Sèvres factory and chateau marks in red and blue, pseudo green printed cancelled marks (16) £500-700

246

593 FRENCH SMALL WHITE MARBLE AND GILT BRONZE MANTEL CLOCK LATE 19TH CENTURY the balloon shaped case with a white enamelled dial with Arabic numerals surmounted by a figure of Cupid and supported on clouds and a pair of putti, on a lozenge base raised on toupie feet, the twin-train movement stamped Vincenti & Cie, striking on a bell 18cm wide, 32cm high

£250-350

594 PAIR OF EMPIRE STYLE GILT AND PATINATED BRONZE URNS LATE 19TH CENTURY green patina, of ovoid baluster shape with applied laurel wreath mounts and scroll handles, raised on socles and square bases with paw feet (2) each 37cm high

£500-800

595 PAIR OF FRENCH BRASS CANDLESTICK LAMPS 19TH CENTURY with urn form candle nozzles on hexagonal tapered columns ending in paw feet on hexagonal bases, with taupe pinch-pleated shades, fitted for electricity (2) 29cm high (excluding fittings)

£300-500

596 FRENCH GILT AND PATINATED BRONZE, SLATE, AND GREEN MARBLE FIGURAL CLOCK GARNITURE, JAPY FRÈRES LATE 19TH CENTURY the cream painted dial with Arabic numerals, Arabic quarter hour markers and blued steel moon hands, in an arched case beside a figure of Minerva reading a book, on gilt toupie feet, the twin-train movement with outside countwheel, the backplate stamped Japy Frères and numbered ‘622, 72’, striking the full and half hours to a gong, the pendulum stamped ‘622’; with a pair of urns en suite (3) the clock 54cm wide, 36cm high, 13cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

247

597 LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY ENCOIGNURE, BY PAUL SORMANI, PARIS LATE 19TH CENTURY the brêche marble brass banded top above a dummy frieze drawer and cupboard door with floral spray marquetry, opening to shelves and flanked by parquetry panels, raised on shaped square block feet, with gilt bronze mounts throughout, stamped twice SORMANI PARIS 77cm wide, 94cm high, 51cm deep

£1,000-1,500

598 FRENCH THREE PIECE GILTWOOD AND AUBUSSON SUITE 19TH CENTURY comprising a canapé and a pair of side chairs, the oval padded backs and shaped seats with Aubusson covers depicting courting couples and animals, in giltwood frames carved with flowers and ribbons and raised on bellflower carved cabriole legs ending in scrolled toes (3) Canapé 112cm wide, 103cm high, 51cm deep

£400-600

599 FINE LOUIS XVI STYLE KINGWOOD AND GILT BRONZE MOUNTED MARBLE TOPPED CENTRE TABLE LATE 19TH CENTURY the rectangular grey insert marble top above a long frieze drawer centred by a gilt bronze bas-relief plaque depicting musical putti, and ribbon-tied swags, a dummy drawer to the reverse, on square tapering legs mounted with musical trophies and torches and ending in sabots 99cm wide, 75cm high, 47cm deep

£1,000-1,500

248

600 PAIR OF FRENCH EMPIRE STYLE MAHOGANY AND GILT METAL ARMCHAIRS LATE 19TH CENTURY the scrolled square padded backs mounted with laurel trails and Apollo masks, above stuff-over seats flanked by straight open arms with gilt metal classical female masks, raised on square legs ending in gilt metal lion’s paw feet; covered in patterned green silk with laurel wreaths (2) 58cm wide 95cm high, 50cm deep

£400-600

601 FRENCH MAHOGANY, EBONISED, AND BOULLE MARQUETRY PRESS CUPBOARD EARLY 19TH CENTURY, INCORPORATING SOME EARLIER ELEMENTS the moulded cornice above a pair of doors outlined in contre-partie, the centres filled with red velvet panels and opening to five sliding trays; the lower part with a pair of panel doors also in contre-partie after designs in the manner of Jean Berain, opening to four further sliding trays, on a plinth base

Lot 601 in situ, the Slip Gallery, Scone Palace

125cm wide, 228cm high, 56cm deep Provenance: Scone Palace

£1,500-2,500

602 FRENCH CHARLES X SLATE TOP WALNUT COMMODE 19TH CENTURY the fossilised grey slate top with rounded fore corners and a reeded edge, above a moulded frieze drawer and three further long drawers, raised on moulded bracket feet 128cm wide, 99cm high, 58cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

249

603 PAIR OF FRENCH BRONZE MODERATOR LAMPS 19TH CENTURY the baluster engine turned bodies on scroll feet, converted from gas lamps, with grey pinch-pleated shades (2) 33cm high (excl. fittings)

£600-800

604 Y FRENCH WALNUT, ROSEWOOD, AND MARQUETRY BONHEUR DU JOUR LATE 19TH CENTURY the superstructure with a central mirror flanked by glazed cupboards above a slope front opening to pigeon holes, drawers and a covered well, over a shaped apron and raised on cabriole legs with gilt metal mounts 85cm wide, 140cm high, 53cm deep

£800-1,200

605 FRENCH MAHOGANY BRASS MOUNTED DISPLAY CABINET 19TH CENTURY the breakfront top with a pierced brass gallery and rounded outset corners, above four glazed doors enclosing adjustable brass-lined shelves, flanked and divided by columns with brass reeding, raised on toupie feet with further brass mounts 213cm wide, 128cm high, 43cm deep

£1,500-2,500

250

606 FRENCH PATINATED BRONZE AND BRASS PORTICO CLOCK GARNITURE EARLY 20TH CENTURY the white enamel dial with Roman numerals and signed ‘Paris’, the architectural Portico case with fluted columns, on a weighted plinth base with bracket feet, the twin-train movement stamped Samuel Marti and numbered ‘4497’, striking the full and half hours on a gong, together with a pair of three branch candelabra en suite (3) the clock 21cm wide, 41cm high

£400-600

607 FRENCH PORCELAIN AND GILT METAL MANTEL CLOCK 19TH CENTURY the cylinder case with a porcelain Roman numeral dial with retailer ALFRED PEGLER, SOUTHAMPTON, surmounted by a porcelain urn and flanked by lions’ mask handles, above a painted porcelain panel of a courting couple, inscribed on the reverse, the twin-train movement stamped Richard & Cie and striking a bell; on a shaped giltwood plinth with glass dome 35cm high

£300-500

608 MATHURIN MOREAU (FRENCH 1822-1912) ALLEGORICAL FIGURES OF SPRING AND AUTUMN bronze, green-brown patina, each modelled as a dancing nymph, Summer holding a basket of flowers, Autumn with grapes, on circular bases signed ‘Moreau Math’ and ‘ E Colin & Cie/ PARIS’ (2) 74cm high

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

251

609 FRENCH BRASS AND CLOISONNÉ CARRIAGE CLOCK LATE 19TH CENTURY the cream enamel dial with Arabic numbers in a cloisonne enamel mask and four column case, with a single train, non-striking movement, in a fitted leather case (2) Clock 8cm wide, 15cm high, 6cm deep

£250-350

610 FRENCH BRASS DESK COMPENDIUM/ WEATHER STATION LATE 19TH/ EARLY 20TH CENTURY the diamond shaped case with chevron hinged carrying handle, the sides with two thermometer dials, centigrade and Fahrenheit, an aneroid barometer dial and a clock dial with a single train timepiece movement, the top with a compass dial 15.5cm wide, 12cm high, 10cm deep

£1,000-1,500

611 FRENCH OVAL FOUR-GLASS BRASS AND CHAMPLEVÉ ENAMEL MANTEL CLOCK, JAPY FRÈRES, PARIS LATE 19TH CENTURY the circular cream enamel dial with Roman numbers and painted with garlands, in a case with bevelled glass panels and a mercury-filled compensating pendulum, the twin-chain movement stamped ‘22987 4-11’ striking a gong 21cm wide, 29.5cm high, 18cm deep

£500-700

612 MINIATURE FRENCH SATINWOOD AND MAHOGANY BRASS MOUNTED COMMODE LATE 19TH CENTURY in the Directoire style, the brass banded top over two long brass lined drawers, raised on tapered legs 31cm wide, 22cm high, 16.5cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

252

613 FRENCH GREEN ONYX AND CHAMPLEVÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the cylinder movement with a painted cream dial with blue Roman numerals and floral swags, the moulded green onyx top over a four glass case with enamelled corner columns amd toupie feet, the twin-train movement stamped Vincenti & Cie and numbered 1141, striking the full and half hours on a gong 19cm wide, 34cm high

£500-700

614 JACOB PETIT PORCELAIN FLOWER ENCRUSTED MANTEL CLOCK AND STAND 19TH CENTURY the white enamel dial with Roman numerals, signed ‘Rentzsch, London’, in a Rococo style case encrusted with flowers and painted with a floral bouquet, the stand with a floral reserve and scroll feet, underglaze blue ‘J.P.’ mark, with a single-train non-striking movement 29cm wide, 44cm high, 23cm deep (including stand)

£400-600

615 FRENCH JAPONISME ONYX, CLOISONNE AND BRONZE URN, ATTRIBUTED TO FERDINAND BARBEDIENNE LATE 19TH CENTURY the lingzhi gilt bronze mounted rim above the squat onyx body mounted with cloisonne dragons and chrysanthemums and dragon mask loop handles to the sides, raised on taotie style legs and base 31cm wide, 31cm high

£800-1,200

616 DENIS FOYATIER (FRENCH 1793-1863) SPARTACUS bronze, medium brown patina, signed and dated Foyatier 1832, with an presentation inscription stamped in the base ‘[...]ATIER RECONNAISSANT A SON AMI A. MUSSAT’ 39.5cm high

£800-1,200

Note: Foyatier entered the École Nationale Supérieure des Beaux-Arts in Paris in 1817. In 1819 he exhibited his first pieces and, aged 26, was awarded a scholarship for the French Academy in Rome. There he created his most famous work Spartacus, which was sealed by Royal commission for the work to be executed in marble in 1828.

253

617 FRENCH BRONZE FIGURE OF A BEEKEEPER 19TH CENTURY light brown patina, modelled as a youth standing beside a bee skep on a broken column, on a rectangular base signed ‘HUZEL’ and mounted on a moulded alabaster plinth 33cm high, 24cm wide overall

£500-700

618 STUDIO OF ANTONIO FRILLI (ITALIAN FL.1880 - 1910), CARVED ALABASTER BUST LATE 19TH / EARLY 20TH CENTURY modelled as a smiling young girl with long curled hair, wearing a wide lace brimmed bonnet, a pleated slip dress with a posey and a thin chain necklace around her neck, the back signed ‘Galleria A. Frilli, Firenze’, on a circular socle base 32cm wide, 54cm high Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family Note: The prolific gallery run by Antonio Frilli produced a variety of commercial sculptures in alabaster and marble, reflecting the pinnacle of fashionable taste of his time. He is first recorded as an exhibitor at the Espozione Nazionale di Roma in 1883, and he further exhibited in Glasgow in 1888 and Paris in 1889

£600-800

619 FRENCH GREEN ONYX AND PORCELAIN THREE PIECE CLOCK GARNITURE LATE 19TH CENTURY the cylinder movement with a gilt dial with Arabic numerals and central rosette mask, in a four-glass case with a waisted pediment and porcelain columns with scenes of lovers in a garden, on a stepped plinth base with palmette border, the twin-train movement striking a gong and stamped J Marti & Cie and numbered 1723, with mercury pendulum; together with a pair of urns en suite the clock 30cm long, 36.5cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

254

620 AFTER PAUL-EDOUARD DE LABRIERRE (FRENCH, 1829-1912) LIONESS AT REST bronze, medium brown patina, signed E. DELABRIERRE 21cm long

£500-700

621 ARY JEAN LEON BITTER (FRENCH, 1883-1973) DOE AND FAWN bronze, black/brown patina, signed on the base with Susse Freres foundry mark and inscription 6cm high, 26cm long

£600-800

622 FRENCH ANIMALIER BRONZE DROMEDARY CAMEL medium bronze patina, on a naturalistic oval base, unsigned 26cm high, 38cm long

£400-600

623 ISIDORE JULES BONHEUR (FRENCH, 1827-1901) BULL bronze, dark brown patina, signed on the base I. BONHEUR 16cm high, 23cm long

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

255

624 WAX PORTRAIT RELIEF OF A GENTLEMAN, BY JACOB HAGBOLT (1775 - 1849) DATED 1831 modelled as a gentleman in side profile with cravat and buttoned coat, cast in taupe wax, the edge of the sleeve with incised signature ‘J Hagbolt, Fecit 1831’, affixed to a glass plate with black painted backing board, mounted inside a round ebonised cavetto frame with a convex glass 21.5cm in diameter

Note: The artist Jacob Hagbolt worked as a wax modeller and painter in Cologne and London as well as travelling in Holland and elsewhere in Germany. For a very similar wax relief in an identical frame see the V&A, Accession Number A.94-1965.

£250-350

625 CONTINENTAL COLD PAINTED BRONZE DESK STAND EARLY 20TH CENTURY modelled as a country fence with a cockerel and hens forming a letter rack with a central lidded ink pot in the form of a well 21.5cm high, 18cm wide, 15cm deep

£400-600

626 PAIR OF BLACK FOREST CARVED HUNTING TROPHY WALL PLAQUES LATE 19TH CENTURY with hanging game and powder flasks, on shaped shield-backs (2) each 64cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

256

627 MEISSEN FIGURE OF A GENTLEMAN AND DOG EARLY 20TH CENTURY modelled seated wearing a green jacket, his hound staring up at him, on a moulded rocaille scroll base with gilt highlights; underglaze blue crossed swords with dot, incised 1476 19.5cm high

£300-500

628 FOUR MEISSEN CHILD MUSICIAN FIGURES MID 19TH CENTURY each modelled holding an instrument, on a rocaille scroll base with gilt highlights; variously incised 2987,2550,2564, 2571; underglaze blue crossed swords (4) 13cm - 14.5cm high

£250-350

629 PAIR OF MEISSEN MODELS OF COCKATOOS MODERN modelled perched on tree stumps, underglaze blue crossed swords mark, alternately incised 57a and 57b (2) 24cm and 25cm high

£400-600

630 GROUP OF MEISSEN YELLOW GROUND CUPS AND SAUCERS 19TH CENTURY comprising a quatrefoil cup and saucer painted in puce with flower panels and putti; a matched quatrefoil cup and saucer painted with floral panels and courting couples; a chocolate cup and cover with a trembleuse saucer, the cup painted with a courting couple; and a twin handled cup and associated cover, the cup painted with pastoral scenes within a quatrefoil cartouche; all with underglaze blue crossed swords; some with gilded marks (9) puce painted saucer 14.2cm wide; puce painted cup 7.6cm high

£300-500

257

631 RUSSIAN BISCUIT PORCELAIN GARDNER FIGURE OF A DRUNKEN HUSBAND LATE 19TH CENTURY the man modelled holding an empty bottle and wearing one boot, his wife alongside, holding his boot and her child, and looking forlorn; on a naturalistic round plinth base; red printed factory mark, impressed 15 25cm high

£500-700

632 GERMAN / AUSTRIAN WALNUT, BRASS AND PEWTER CUCKOO CLOCK 19TH CENTURY the round white enamel dial with Roman numerals, the break-arch top case with an aperture containing a cuckoo mechanism and inlaid with brass and pewter foliate scrolls, on a moulded plinth base, the twin train wooden framed movement sounding with twin bellows 34cm wide, 48cm high, 21.5cm deep

£400-600

633 Y SWISS NICOLE FRÈRES 11 INCH CYLINDER MUSIC BOX LATE 19TH CENTURY the lever wind movement playing 8 airs, stamped serial number 47111, G/No. 3018, and Registration No. R-6278, in a rosewood and ebonised case with gryphon and urn marquetry 56cm wide, 14cm high, 22cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ASIAN WORKS OF ART

259

634 Y CHINESE ROSEWOOD AND MOTHER-OF-PEARL MIRROR EARLY 20TH CENTURY the rounded rectangular plate in a frame inlaid with motherof-pearl, depicting phoenixes, flaming pearls, chrysanthemums, peonies, song birds, and shou symbols 122cm high, 88cm wide

£500-700

635 Y CHINESE EXPORT BLACK LACQUER WORK BOX 19TH CENTURY of octagonal form decorated with figural scenes in gardens and pavilions, the compartmented interior fitted with ivory accessories, raised on carved gilt paw feet 36cm wide, 17cm high, 26cm deep With non-transferable CITES self-certification number 785YXHAQ

£300-500

636 PAIR OF CHINESE HONGMU AND MOTHER-OF-PEARL MARBLE TOPPED STANDS LATE 19TH CENTURY the circular tops with pink veined marble inserts, the shoulders inlaid with motherof-pearl leaf trails leading to slender curved carved legs carved as bamboo and joined by X stretchers (2) 28cm diameter, 90cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

260

637 JAPANESE BRONZE LAMP EARLY 20TH CENTURY the shaft in the form of a bamboo stalk with climbing snails, on a domed foot, fitted for electricity, with a pleated shade 64cm high excluding shade

£300-400

638 JAPANESE IKI NINGYO (LIVING DOLL) OF A MAN WITH A BELL MEIJI PERIOD carved wood painted with gesso and pigment, inset glass eyes, real hair, with a bell and beater raised in his hands 62cm high excluding stand

£250-350

639 KAKIEMON STYLE TWIN HANDLED ARMORIAL VASE 19TH CENTURY, PROBABLY FRENCH the bulbous body with an elongated neck and flared mouth, decorated with gilt roundels depicting a dragon and phoenix flanked by cloud motif handles, the body painted to one side with a crest and the motto ‘Dundas of that Ilk’, enclosed by leafy bamboos; painted to the reverse with flowers; on a circular foot with ruyi borders, unmarked 45cm high

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

261

640 PAIR OF LARGE INDIAN CARVED HARDWOOD ARCHITECTURAL COLUMNS EARLY 19TH CENTURY carved with stiff leaf and acanthus capitals above lotus capped reeded columns and foliate carved and lobed bases (2) 205cm high

£400-600

641 Y ANGLO-INDIAN ROSEWOOD CENTRE TABLE 19TH CENTURY the circular tilt top with a gadrooned edge above a fruiting vine carved frieze, raised on a substantial fluted, foliate and lotus carved baluster column and quadripartite base with carved bun feet with brass castors 149cm diameter, 77cm high

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

263

RUGS & CARPETS 642 KHORASSAN CARPET EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the bottle green field with allover cypress tree and foliate pattern, within indigo border 445cm x 303cm

£600-800

643 NORTHWEST PERSIAN CARPET EARLY 20TH CENTURY the camel field with indigo medallion suspending pendants, similar spandrels, within red border 370cm x 264cm

£600-800

644 HERIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the red field with large indigo star medallion, ivory, salmon pink and blue spandrels, within indigo border 418cm x 326cm

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

264

645 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red field with indigo medallion, ivory spandrels, within indigo border 376cm x 263cm

£800-1,200

646 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the ivory field with red and blue medallion, within red border 551cm x 365cm

£800-1,200

647 MAHAL STYLE CARPET MODERN the red field with allover palmette and vine lattice pattern, within indigo border 413cm x 301cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

265

648 TABRIZ STYLE CARPET MID/LATE 20TH CENTURY the cream field with small rosette medallion, allover foliate vine and bird pattern, within red border 390cm x 300cm

£500-700

649 ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY

650

the red field with indigo medallion, line spandrels, within blue border

KASHAN CARPET

380cm x 235cm

£500-700

CENTRAL PERSIA, LATE 20TH CENTURY the cream field with red medallion, light blue and orange spandrels, within red border 368cm x 244cm

£400-600

266

651 TABRIZ CARPET, SIGNED AMIR KHIZI JAVAN NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the crimson red field with allover palmette and foliate vine pattern, within ivory border, signature to one end 342cm x 262cm Note: Amir Khizi Javan (1899-1973) opened his first workshop in Tabriz in the early 1920s and was one of the notable master weavers of the mid-20th century.

£700-1,000

652 TABRIZ CARPET, SIGNED AMIR KHIZI JAVAN NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the ivory field with allover palmette and foliate vine pattern, within red border, signature to one end 393cm x 288cm Note: See footnote above

£600-800

267

653 TABRIZ BENLIAN ‘HUNTING’ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the cream field with slate blue medallion, within bottle green border, signature star to one corner 325cm x 223cm Note: The Anglo-Armenian firm of Benlian was founded between the two World Wars by Edward Benlian (d.1972) and lasted until the 1960s. It specialised in high quality versions of Safavid designs. Benlian carpets can be recognised by the star-shaped signature cartouche found in one corner.

£600-800

654 LAVAR KIRMAN CARPET SOUTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with red medallion suspending pendants, indigo spandrels, within cream border 366cm x 290cm

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

268

655 KASHAN SILK PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with two bird filled trees flanking a vase, indigo and cream spandrels, within purple border 197cm x 126cm

£1,500-2,500

656 KHORASSAN SILK RUG EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with grey medallion, dark brown spandrels, within dark brown border 178cm x 142cm

£1,500-2,500

269

657 KASHAN MOHTASHAM PRAYER RUG CENTRAL PERSIA, LATE 19TH CENTURY the abrash blue field with bird filled foliage and central vase, indigo spandrels, within cream border

Note: Hajji Mollah Mohammed Hassan Mohtasham is generally regarded as probably the best of the master weavers who helped re-establish Kashan as an important weaving centre at the end of the 19th century. Few are signed, but the soft kurk lamb’s wool, pale blue wefts, magenta silk selvages and distinctive, more geometric, drawing style in subtle colours are typical characteristics of the high quality productions of his workshop.

198cm x 136cm

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

270

658 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red and ivory medallion, similar spandrels, within red border 200cm x 134cm

£300-500

659 SHIRVAN RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the dark indigo field with three blue and red lozenge medallions, within multiple polychrome borders 189cm x 127cm

£300-500

660 SUSANI UZBEKISTAN, MID 20TH CENTURY the red field with central circular medallion surrounded by smaller similar, within red border 156cm x 145cm

£250-350

661 LAKAI FLATWEAVE CARPET UZBEKISTAN, MID 20TH CENTURY the red field with allover gul pattern, within narrow red border 258cm x 161cm

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

271

662 PAIR OF KASHAN RUGS CENTRAL PERSIA, LATE 19TH/ EARLY 20TH CENTURY each with indigo field with red and light blue medallion, light red spandrels, within light red border (2) larger 210cm x 130cm

£500-700

663 ISFAHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with large cream medallion, brown spandrels, within red border 205cm x 135cm

£400-600

664 TWO TURKOMAN RUGS TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY one Tekke, the red field with three columns of guls, within narrow red border; the other Yomut, with allover gul pattern, within narrow red double border (2) 171cm x 101cm; and 163cm x 105cm

£300-500

272

665 INDIAN PICTORAL RUG LATE 20TH CENTURY of Isfahan design, depicting three figures and a tree, within indigo border 156cm x 93cm

£400-600

666 TETEX CARPET GERMANY, EARLY/MID 20TH CENTURY of Kuba style, the indigo field with allover rosette medallion and arabesque vine pattern, within red/pink border 290cm x 200cm Note: The Tetex carpet company in Munich was a producer of high quality hooked copies of Persian and Caucasian carpet designs in the inter-war period.

£1,000-1,500

667 TETEX CARPET GERMANY, EARLY/MID 20TH CENTURY the cream field with allover palmette and foliate pattern, within rust red border 340cm x 250cm Note: See footnote above

£600-800

273

668 AGRA CARPET NORTH INDIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover small rosette lattice pattern, within narrow olive green border 320cm x 222cm

£4,000-6,000

669 INDO-TABRIZ STYLE CARPET MID/LATE 20TH CENTURY the field with allover polychrome palmette and foliate lattice pattern, within narrow red border 363cm x 266cm

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

274

670 THE DYERS’ COMPANY USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the camel field with allover palmette and foliate vine lattice pattern, within blue border

The Company’s Gift Book records that this carpet was commissioned and presented in 1930 by Court Assistant Dr. Gerald Moody. The carpet remained in the Court Room from that time until its recent removal as part of the hall’s renovations, which commenced in 2018; the most significant works since the building of the hall in the 19th century.

1007cm x 697cm

Henry VI granted the Guild of Dyers their first charter in 1471, confirming Provenance: that the guild had the authority to The Worshipful Company of control the quality of workmanship Dyers, Dyers Hall, London and hence the reputation of London £8,000-12,000 dyers. Once the guild became incorporated by charter, it was legally possible for it to own land and their first hall was then acquired in 1482. Over the centuries the Dyers have had several halls, both on the riverside and at the current site. The present Dyers’ Hall, occupying a corner position at the junction of Dowgate Hill and College Street in the City of London, was designed and built by the aptly named architect Charles Dyer in 1839-41. The hall is listed Grade II* and is a Scheduled Ancient Monument. The Court Room, occupying the same space as the previous hall, faces out on to College Street. It is used for the monthly meetings of the Court of Assistants and several dinners each year. Some of the furniture and furnishings were transferred from the old to the new hall, but whether or not the carpet in the Court Room was new at the time the building was finished in 1841, it was no longer at its best by the time Dr Moody offered to replace it with a bespoke commission.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Above: The carpet in situ at a meeting of the Court of Assistants in 1966 in the Court Room of The Worshipful Company of Dyers, Dyers Hall, London Dr Gerald Tattersall Moody DSc. FCS. (1864-1943) was initially a chemist although later read for the bar and was called in 1910. He also took a keen interest in finance and applied his analytical mind to investing. He became chairman or director of a number of companies and had a high reputation in the City. Dr Moody joined the Livery in 1918 and became Prime Warden of the Dyers in 1935. When Dr. Moody commissioned this impressive carpet for the Court Room, the city of Ushak in the new Republic of Turkey had established a significant reputation for the production of large scale good quality carpets designed for European tastes and room sizes. Ushak (or Uşak) in Western Anatolia, and its surrounding region, has a long and illustrious history of carpet weaving. In the fifteenth century it produced carpets for the Ottoman court in Istanbul and from the sixteenth century on it was one of the largest producers of commercial carpets for Europe. With revitalised demand from the late 19th century onwards, the carpet weaving trade in Ushak boomed once more. Mary Beach Langton notes in her book How to Know Oriental Rugs, published in 1904, that: “at Oushak [sic], alone, it is estimated that from five to six thousand weavers and dyers are employed. And here the best rugs are made…They are usually of good wool, often of permanent dyes” (p177). An Ushak production would thus have been an obvious choice for a good quality carpet on a grand scale for the principle room of the Dyers’ Hall. The Company notes that to produce a carpet of this size required a specially built loom to be constructed at the time. Almost a century on, a new bespoke carpet was commissioned to mark the 550th anniversary of the Company Charter and it is now time for the Dyers’ Hall Ushak to find a new home.

275

276

671 LARGE USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the plain camel field with light blue lozenge medallion, cream spandrels, within light blue border 610cm x 404cm

£800-1,200

672 LARGE ERSARI CARPET TURKMENISTAN, EARLY 20TH CENTURY the red field with five columns of ten guls, within multiple borders 648cm x 542cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

277

673 LARGE USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the plain orange field with indigo and camel medallion, similar spandrels, within indigo border 560cm x 426cm

£800-1,200

674 BAKHTIARI CARPET WEST PERSIA, MODERN the red field with cream and indigo medallion, indigo spandrels, within cream border 505cm x 379cm

£1,500-2,000

278

675 PAIR OF HERIZ RUNNERS NORTHWEST PERSIA, MODERN each with ivory field with column of polychrome medallions, within red border (2) each 562cm x 90cm

£1,500-2,500

676 HERIZ RUNNER NORTHWEST PERSIA, MODERN the red field with column of shaped polychrome medallions, within narrow indigo border 573cm x 80cm

£1,000-1,500

279

677 NORTHWEST PERSIAN RUNNER MODERN the indigo field with red medallion flanked by floral vases, camel spandrels, within ivory border 525cm x 103cm

£1,000-1,500

678 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover foliate pattern, within red border 455cm x 91cm

£300-500

679 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with three red lozenge medallions, within red and brown border 352cm x 117cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

280

680 YOMUT PALAS CARPET TURKMENISTAN, EARLY 20TH CENTURY the red field with allover grey lozenge lattice pattern, within red border 311cm x 207cm

£300-500

681 KYRGZ CARPET KYRGYZSTAN, MID 20TH CENTURY the red field with three indigo and brown stepped medallions, within polychrome border 317cm x 159cm

£300-500

682 ERSARI CARPET TURKMENISTAN, EARLY 20TH CENTURY the rust brown field with three columns of guls, within narrow brown border 360cm x 262cm

£400-600

281

683 VARAMIN CARPET CENTRAL PERSIA, MID 20TH CENTURY the light blue field with allover rosette lattice pattern, within peach border 300cm x 221cm

£1,500-2,500

684 KIRMAN CARPET SOUTHEAST PERSIA, MID/LATE 20TH CENTURY the light blue field with allover shaped medallion pattern, within indigo border 404cm x 301cm

£800-1,200

685 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within light blue border 373cm x 270cm

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

282

686 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red field with indigo and red medallion, ivory spandrels, within indigo border 345cm x 236cm

£700-1,000

687 ZIEGLER STYLE CARPET MODERN the indigo field with allover large palmette and vine pattern, within cream border 546cm x 311cm

£500-700

688 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette pattern, within cream border 385cm x 300cm

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

283

689 BESHIR CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with red and brown octagonal medallion, similar medallions to corners, within red border 379cm x 200cm

£300-500

690 KARABAGH CARPET SOUTH CAUCASUS, EARLY 20TH CENTURY the indigo field with three red medallions, within ivory border 351cm x 200cm

£300-500

691 LABIJAR KILIM NORTH AFGHANISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with bands of polychrome zig zags 413cm x 215cm

£300-500

284

692 TABRIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the camel field with indigo and yellow medallion, salmon pink spandrels, within camel border 390cm x 296cm

£1,000-1,500

693 MASHAD CARPET, SIGNED SABER NORTHEAST PERSIA, MID 20TH CENTURY the raspberry field with indigo and pink medallion, within narrow cusped polychrome border 390cm x 328cm Note: Abbasgholi Saber (1911-1977) was one of the master weavers in Mashad in the mid-20th century. He trained under the famous master Amoghli and went on to set up his own workshop in the early 1940s. His carpets have a rich palette, fine wools and draw on classical designs.

£800-1,200

694 KASHAN CARPET CENTRAL PERSIA, MODERN the indigo field with light blue and grey medallion, similar spandrels, within indigo border 413cm x 297cm

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

285

695 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of guls, within narrow red border 295cm x 232cm

£400-600

696 AFGHAN CARPET MID 20TH CENTURY the red field with three columns of guls, within narrow red border

697

300cm x 135cm

HERIZ CARPET

£300-500

NORTHWEST PERSIA, EARLY/ MID 20TH CENTURY the red field with indigo star medallion, ivory and salmon pink spandrels, within indigo border 360cm x 248cm

£1,000-1,500

ARCHITECTURE & GARDEN

287

698 CARVED STATUARY MARBLE CARYATID FIREPLACE JAMB EARLY 19TH CENTURY modelled as a vestal virgin holding a flaming urn 102cm high, 24cm wide, 30cm deep

£800-1,200

699 PAIR OF WHITE STATUARY MARBLE PILASTERS AND COLUMNS 19TH CENTURY the plain square columns with carved Corinthian capitals 230cm high overall; column 196cm high, 24.5cm wide, 7cm deep; capital 38cm wide, 14cm deep

£1,000-1,500

700 SET OF FOUR WHITE MARBLE VOLUTE SUPPORTS 19TH CENTURY each carved with a different grotesque mask (4) 88cm high

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

288

701 STONE COMPOSITE FIGURE OF AN OWL 20TH CENTURY on a naturalistic base 72cm high, 26cm wide

£300-500

702 NO LOT

703 PAIR OF CARVED SANDSTONE ADAM STYLE URNS 19TH CENTURY the partially leaf-fluted sides with drapery swags above, berry finials, on socle bases (2) each 92cm high, 44cm wide

£500-700

704 LARGE SCOTTISH FIRECLAY URN AND PLINTH 19TH CENTURY possibly by Grankirk, the urn of campana form with leaf tip moulded rims and partlobed body, on socle base, the square plinth with moulded detail to the corners 147cm high in total, 75cm in diameter

£400-600

289

705 LARGE CARVED SANDSTONE THISTLE 19TH CENTURY mounted on a decagonal socle and downswept base with inset panels 148cm high in total, the base 70cm wide Provenance: Originally in the garden at Saxonholme, Bearsden, home of Glasgow architect James Monro, Esq.

£300-500

706 CARVED SANDSTONE FIGURE OF A RECUMBENT LION LATE 19TH / EARLY 20TH CENTURY After Canova, on an integrally carved rectangular base 115cm wide, 52cm high, 45cm deep

£400-600

707 PAIR OF CARVED SANDSTONE NEOCLASSICAL STYLE URNS 19TH CENTURY the necks with anthemion decoration, the bodies with relief carved lattice of flaming torches, on fluted socle bases, one further mounted on a sandstone block (2) each 84cm high, 46cm diameter

£400-600

708 THREE STONE TROUGHS LATE 18TH / EARLY 19TH CENTURY of rough carved boulder form with hollowed centres, one set with a later large iron loop (3) the largest trough 52cm long

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

290

709 PAIR OF CARVED SANDSTONE NEOCLASSICAL STYLE URNS 19TH CENTURY the partially leaf-fluted sides with a fluted top band, flame finials, on socle bases, together with another carved sandstone urn of similar form with a matched socle base (3) the pair each 103cm high, 50cm diameter

£400-600

710 TWO SCOTTISH FIRE CLAY URNS AND PEDESTALS 19TH CENTURY both with egg-and-dart everted rims above leaf moulded bodies, on square pedestal bases with laurel wreaths 121cm high and 105cm high

£1,000-1,500

711 COALBROOKDALE STYLE PAINTED CAST IRON ‘FERN AND BLACKBERRY’ GARDEN BENCH LATE 19TH CENTURY unmarked 151cm long, 51cm high, 48cm deep

£300-500

712 PAIR OF LARGE PAINTED COMPOSITION STONE URNS EARLY 20TH CENTURY the sides relief cast with a continuous scene of a bacchanalian parade, on fluted socle bases 91cm high overall, 58cm diameter

£600-800

291

713 PAIR OF SCOTTISH FIRECLAY PART-URNS AND PEDESTALS 19TH CENTURY the urns with everted leaf-cast rims with bodies moulded with rising acanthus and palmettes, on square pedestals with moulded laurel wreaths 85cm high overall, 57cm diameter

£800-1,200

714 PAIR OF CARVED SANDSTONE ADAM STYLE URNS 19TH CENTURY the partially leaf-fluted sides with drapery swags above, berry finials, on socle bases, together with a CARVED SANDSTONE URN, of similar form (3) the pair each 80cm high, 40cm wide

£300-500

715 SCOTTISH SCHOOL, CARVED GRANITE FIGURE OF A KNEELING BOY EARLY 20TH CENTURY modelled after ‘Praying Boy’ by Luigi Pampaloni (Italian 1791 1847), dated 1826, granite 107cm high, 50cm wide Provenance: The family of James Wright & Sons, hence by decent to the current owner Note: Carved by one of the craftsman at James Wright & Sons granite merchants, the Royal Granite Works, Aberdeen

£800-1,200

716 PAIR OF SCOTTISH FIRECLAY URNS AND PEDESTALS 19TH CENTURY the urns of campana form with lappet moulded everted rims and bodies with stiff acanthus and palmettes, on associated lobed socle bases; the square pedestal stands with recessed panel sides and leaf moulded square bases 162cm high overall, 56cm diameter

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

292

717 GROUP OF CARVED SANDSTONE ROOF RIDGES AND PEDIMENTS 19TH CENTURY including three with carved raised thistle finials, two with pomegranates, together with five plain ridge sections of various lengths (10) the carved examples 56cm long, 50cm high

£600-800

718 SET OF THREE LARGE SCOTTISH FIRECLAY GARDEN URNS 19TH CENTURY campana form with leaf tip moulded rims and part-lobed bodies with loop handles, on socle bases, two mounted on square plinth bases, one stamped Grankirk, together with a FIRECLAY PART URN, of similar manufacture (4) each of the three urns 75cm high, 55cm diameter

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

293

719 PAIR OF SCOTTISH CARVED STONE ARMORIAL LION GATE FINIALS 19TH CENTURY modelled as an opposing pair of seated lions supporting a coat of arms on square plinth bases (2) each 100cm high

£1,000-1,500

Note: The coat of arms is a Marital Arms of Graeme and Primrose. These arms allude to a marriage between an at present unidentified gentleman of the Graeme family, possibly belonging to the Graeme’s of Garvock in the County of Perthshire or a cadet branch thereof and an unidentified lady of the Primrose family, possibly a member of the Primroses of Dalmeny in the County of West Lothian.

720 PAIR OF SCOTTISH CARVED SANDSTONE PILLARS IN THE MANNER OF ALEXANDER THOMSON 19TH CENTURY of waisted tapering form with relief ferns (2) each 143cm high

£400-600

721 GROUP OF THREE CARVED STONE URNS LATE 19TH / EARLY 20TH CENTURY all of either round or oval campana form issuing a basket of flowers, all with associated socle bases, together with a PART ADAM STYLE SANDSTONE URN, with swags (4) the largest 72cm high

£300-500

END OF SALE

AUCTION 25 JANUARY 2023 LIVE ONLINE | EDINBURGH A wonderfully considered Private Collection featuring works from the Arts & Crafts movement, through mid-century design to Modern & Contemporary art. For more information please visit our website or contact Philip Smith 0207 930 9115 philip.smith@lyonandturnbull.com

SCOTTISH PAINTINGS & SCULPTURE For more information please visit our website or contact Nick Curnow 0131 557 8844 nick.curnow@lyonandturnbull.com

JOAN EARDLEY R.S.A. (SCOTTISH 1921-1963) THE YELLOW JUMPER, 1963 £100,000-150,000

AUCTION 08 DECEMBER 2022 LIVE ONLINE | EDINBURGH

296

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales. In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller. Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (🄰) next to its lot number.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/ images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only. 2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

22.3

three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report.

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below.

(iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report.

(a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred. 3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw. 4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least

(iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844. 2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance

297 reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844. 3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller. 4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party. 5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration. 6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live

bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services. 7. SUCCESSFUL BIDS

C. DURING THE SALE

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

1. ADMISSION TO OUR AUCTIONS

8. RELEVANT LEGISLATION

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

2. RESERVES

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen. 4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction. 5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 6. CURRENCY CONVERTER

1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above. 2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique

items. (c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above. 3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded. 2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively,

298 “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below. In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale. We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the

right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest. 3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us

of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. 2. IN THE EVENT OF NONPAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received. (3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. 2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/imports-

299 exports/cites

2. RECORDINGS

We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities. 6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website. 7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www. lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@lyonandturnbull. com. 10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract. 11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller. “Estimate” a statement of our opinion of the range within the hammer is likely to fall. “Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us. “Seller” the person who offers the Lot for Sale. We act as agent for the Seller. “Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom. “Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com

K. DEFINITIONS & GLOSSARY

2. GLOSSARY

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings:

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form

(d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

“Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

8. THIRD PARTY LIABILITY

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your”

All members of the public on our premises are there at their own risk and must note the lay-out of

“Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale. “Lien” a right for the person who has possession of the Lot to retain possession of it. “Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “Title” the legal and equitable right to the ownership of a Lot.

22.3

300

GUIDE TO BIDDING & PAYMENT

REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/or deposit. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale. BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk. IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk. ON THE INTERNET

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department. ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo). You will find a link to this service in any email invoice issued or you can visit the payments section of our website. CASH No cash payments will be accepted for this auction. COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

- ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Lot 183 [detail]

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM