Five Centuries | Auction 6-7 September 2023

BUYER'S GUIDE

This sale is subject to our Standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction before we will be delighted to help you.

BUYER’S PREMIUM

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

26% up to £20,000

25% from £20,001 to £500,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

† VAT at the standard rate payable on the hammer price

‡ Reduced rate of 5% import VAT payable on the hammer price

Ω Standard rate of import VAT on the hammer price

Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE

§ indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. More information on Droit de Suite is available at www.dacs.org.uk

REGISTRATION

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1 – Government issued photo ID (Passport/Driving licence)

2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT

For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. Our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT

Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES

Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites

COLLECTION OF PURCHASED LOTS

All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or condition of a lot, or just want to find out more about the auction process.

Nick Curnow Paintings & Drawings

Douglas Girton Head of Sale

Katherine Wright Ceramics & Glass

Gavin Strang Rugs & Carpets

Jamie Russell Furniture & Clocks

Kerstin Schaeffer Junior Specialist: Works of Art & Antiquities

Harry Fletcher Furniture, Clocks & Works of Art

Katie Hannah Furniture & Works of Art

Furniture & Works of Art Part I

Paintings Part I

THURSDAY, 8TH SEPTEMBER AT 10AM

The Ashley Hall Collection: by order of the trustees of the J. Porter Trust & the executors of the late Leonard Rawcliffe

Paintings Part III

Antiquities

Continental Furniture & Works of Art, inc. Taxidermy

Asian Furniture & Works of Art

Rugs & Carpets

Garden & Architecture

BRITISH FURNITURE & WORKS OF ART PART I

PAIR OF JACOBETHAN OAK ARMCHAIRS

19TH CENTURY, INCORPORATING SOME EARLIER PARTS

the pediments carved with masks and stylised foliate motifs, above double arcaded backs with further flowering plants, the seat panels carved with Romayne style portrait roundels of a lady and gentleman, flanked by open arms carved with dogs’ heads and foliate motifs, the forelegs carved with figures and mythical beasts (2)

64cm wide, 129cm high, 48cm deep

£1,500-2,500 3

OAK PRESS CUPBOARD

LATE 17TH CENTURY

with a fluted architectural frieze above a pair of triple panel doors, opening to a hanging space, the left side panel carved with rosettes and a large lozenge

124cm wide, 148cm high, 38cm deep

£500-800

1

GROUP OF SIX JACOBEAN CARVED OAK PANELS

EARLY 17TH CENTURY

carved in relief depicting various classical mythological figures, to include Athena, Hermes, and Bacchus, mounted in a later frame Each panel 29 x 22.5cm; 176cm wide, 26cm high £300-500

NEAR PAIR OF BRASS PRICKET CANDLESTICKS

18TH CENTURY

with dished drip pans on turned baluster stems and triform bases

49cm high, 18cm wide

£300-500

OAK CHEST

LATE 17TH CENTURY

the hinged top above a triple panel front, raised on channel moulded stile feet

134cm wide, 78cm high, 56cm deep

£300-500

SET OF TWELVE CARVED OAK DINING CHAIRS

LATE 19TH CENTURY, IN THE 17TH CENTURY STYLE

with floral carved crescent shaped cross-splats over drop-in seats, raised on bobbin turned and block supports united by peripheral stretchers (12)

51cm wide, 100cm high, 44cm deep

£1,000-1,500

WILLIAM AND MARY WALNUT AND LABURNUM INLAID LACE BOX

LATE 17TH CENTURY

oyster veneered laburnum with walnut borders, the hinged lid with concentric circular boxwood stringing opening to a later fabric lined interior, the sides with swing handles, 54cm long, 40cm wide, 13.5cm high

£600-800

OAK TRIPLE PANEL CHEST

17TH CENTURY

the hinged top opening to an interior with a later fitted locking compartment, the front panel with a foliate carved frieze and initials MT and dated 1687, raised on stile feet; bearing an old ivorine trade label

117cm wide, 74cm high, 53cm deep

£400-600

WILLIAM AND MARY OAK AND ELM MASTER’S ARMCHAIR

LATE 17TH CENTURY

the panel back with serpentine top and bottom rails flanked by supports with turned moulding, above a solid plank seat flanked by downward scrolling arms, raised on spiral turned forelegs, united by peripheral stretchers

60cm wide, 133cm high, 52cm deep

£500-700

9

OAK JOINT STOOL

17TH CENTURY

the rectangular top over a plain frieze raised on turned legs united by squared peripheral stretchers

47cm wide, 58cm high, 32cm deep

£400-600

11

SET OF TWELVE

QUEEN ANNE STYLE

MAHOGANY DINING CHAIRS

LATE 19TH/ EARLY 20TH CENTURY with shaped crest rails above vasiform splats and drop-in seats covered in green hide, raised on cabriole legs joined by turned H stretchers and ending in pad feet (12) 52cm wide, 97cm high, 41cm deep

£600-800

12

QUEEN ANNE OAK AND WALNUT CHEST OF DRAWERS

EARLY 19TH CENTURY

the top with a moulded edge above two short and three long crossbanded drawers, on bun feet 87cm wide, 88cm high, 52cm deep

£600-800

13

QUEEN ANNE

WALNUT SECRETAIRE BUREAU-ON-STAND

18TH CENTURY AND LATER

the moulded cornice above a pair of crossbanded arched mirrored doors, opening to a fitted interior with pigeon holes and drawers; above a slope front bureau with a fitted interior, on a stand with a shaped apron and raised on inverted cup tapering legs joined by a wavy stretcher and ending in bun feet

99cm wide, 190cm high, 63cm deep

£1,000-1,500

QUEEN ANNE WALNUT AND MARQUETRY LONGCASE CLOCK, BY NATHANIEL BIRT, LONDON

EARLY 18TH CENTURY

the hood with a flat moulded cornice above a square door, enclosing an 11 inch brass dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture, and two winding holes, signed ‘Nathaniel Birt, London’, with pierced mask spandrels, above a walnut moulded trunk door with a circular lenticle, on a square plinth with moulding, all inlaid with figural and floral marquetry panels on ebonised grounds, the twin train movement striking a bell 206cm high, 50cm wide, 23cm deep £2,000-3,000

QUEEN ANNE WALNUT ESCRITOIRE

EARLY 18TH CENTURY

the moulded cornice above a cushion moulded frieze drawer and fall front, opening to an arrangement of drawers and pigeon holes and a baize writing surface; the lower part with two short over three long graduated drawers, on later bun feet 114cm wide, 161cm high, 48cm deep

£800-1,200

16

GEORGE I WALNUT SIDE CHAIR

EARLY 18TH CENTURY

the arched toprail centrally carved with acanthus leaves over a vasiform splat, above a drop-in seat with plain seat rails, raised on cabriole legs united by turned stretchers and ending in pad feet

58cm wide, 99cm high, 40cm deep

£300-500

17

GEORGE I WALNUT FOOTSTOOL

EARLY 18TH CENTURY

the padded drop-in seat above a plain seat rail raised on scroll carved cabriole legs ending in hoof feet

50cm wide, 46cm high, 36cm deep

£300-400

18

GEORGE I BURR ELM, MAHOGANY, AND OAK BUREAU

EARLY 18TH CENTURY

the cross and chequer banded slope front opening to an arrangement of pigeon holes and drawers above two short and three long graduated drawers, on bracket feet

71cm wide, 92cm high, 38cm deep

£1,500-2,500

19

EARLY 18TH CENTURY

of small size in the form of a chest of drawer with two short and two long dummy drawers, brass handles to the sides, raised on bracket feet; the hinged top opening to a void interior

56cm wide, 53cm high, 39cm deep

Provenance: Purchased Swan Gallery, Burford

£400-600

20

EARLY 18TH CENTURY

the crossbanded top with a moulded edge, above three frieze drawers arranged around a shaped apron, on cabriole legs ending in pad feet, the drawer with an old trade label 85cm wide, 73cm high, 50cm deep

£500-700

21

GEORGE I BURR ELM, OAK, AND WALNUT KNEEHOLE DRESSING TABLE

EARLY 18TH CENTURY

the top with a moulded edge above a long crossbanded frieze drawer and arched recess with cupboard, flanked by banks of three drawers all with crossbanding, raised on bracket feet

80cm wide, 80cm high, 49.5cm deep

£1,000-1,500

GEORGE I WALNUT LOWBOY

GEORGE I WALNUT BOX COMMODE

24

GEORGE I WALNUT AND FEATHERBANDED KNEEHOLE DRESSING TABLE

EARLY 18TH CENTURY

the moulded top above three short frieze drawers and a recessed cupboard door flanked by banks of three short drawers all with crossbanding, raised on a plinth base 82cm wide, 81cm high, 46cm deep £700-1,000

GEORGE II GILTWOOD EASEL MIRROR

EARLY 18TH CENTURY

the rectangular mirror plate in a foliate carved frame surmounted by a swan neck pediment with flower head terminals and centred by a flowered cartouche, with an easel back

77cm high, 61cm wide

£400-600

23

GEORGE II WALNUT CONCERTINA-ACTION

CARD TABLE

EARLY 18TH CENTURY

the fold-over top with outset rounded corners, opening to a green baize lined playing surface and counter wells to the corners, raised on lappet carved legs ending in pad feet

91cm wide, 72cm high, 45cm deep

£600-800

25

GEORGE II WALNUT BACHELOR’S CHEST OF DRAWERS

EARLY 18TH CENTURY

the hinged fold-over top with a moulded edge and opening to a green baize surface revealing a locking compartment, over three graduated drawers, all outlined with stringing, raised on bracket feet

80cm wide, 85cm high, 40cm deep

£1,800-2,200

GEORGE II WALNUT AND ‘MULBERRY’ LONGCASE CLOCK, BY WILLIAM KING, LONDON

MID 18TH CENTURY

the hood with a moulded arched cornice above a door flanked by gilt metal mounted Doric columns, enclosing the 12 inch arch brass dial with a silvered chapter ring with Roman numerals and Arabic five minute markers, with subsidiary seconds dial above a date aperture and two winding holes to the centre, signed to the arch on concave silvered roundel ‘William King, LONDON’, pierced mask spandrels, above a walnut crossbanded breakarch trunk door on a square plinth with moulding, the case front with stained birch ‘Mulberry’ veneer, the twin train movement striking a bell 222cm high, 50 cm wide, 25cm deep £1,200-1,800

27 GEORGE II WALNUT SECRETAIRE CHEST-ON-CHEST

EARLY 18TH CENTURY

the moulded cornice above three short and three long crossbanded drawers flanked by fluted angles; the lower part with a secretaire drawer opening to an arrangement of pigeon holes and drawers, over three further long drawers, the bottom drawer inlaid with a concave sunburst, raised on bracket feet 111cm wide, 174cm high, 60cm deep £2,000-3,000

IRISH GEORGE III BRASS BOUND AND MAHOGANY PEAT AND PLATE BUCKET

18TH CENTURY

with brass bail handles and banding over reeded sides, with an insert panel to convert it to a peat bucket

38cm diameter, 61cm high (handle up), 43cm high, (handle down)

£2,000-3,000

29

GEORGE II STYLE BRASS AND CAST IRON FIRE GRATE, BY BRATT COLBRAN & CO.

EARLY 20TH CENTURY

the arched fireback above a grate with bowed bars, flanked by pairs of acanthus and bead moulded columns with spiral urn finials, cast three times BRATT COLBRAN LONDON, and No. 140; with an associated grate insert 101cm wide, 53cm high, 47cm deep £700-1,000 30

GEORGE II SERPENTINE PIERCED BRASS FENDER

MID 18TH CENTURY

of shaped serpentine outline, the pierced brass panel depicting a pair of dogs flanking a flowering urn amongst leaf and C scrolls, raised on paw feet

138cm long, 28cm high

£400-600

PAIR OF IRISH GEORGE II STYLE MAHOGANY MARBLE TOP SIDE TABLES

19TH CENTURY

the green marble tops above plain moulded friezes, raised on lappet carved cabriole legs ending in pad feet (2)

135cm wide, 82cm high, 57.5cm deep £3,000-5,000

LATE GEORGE II WALNUT ARMCHAIR

MID 18TH CENTURY

the shaped top rail carved with scrolled ears, above a pierced interlaced splat and pale green velvet stuff-over seat flanked by scrolled arms with scrolled hand terminals, raised on acanthus carved cabriole legs ending in pad feet

70cm wide, 94cm high, 48cm deep

GEORGE II MAHOGANY TRIPOD TEA TABLE

MID 18TH CENTURY

the circular tilt top on a baluster column and tripod base ending in pad feet 71cm diameter, 70cm high

£300-500

34

GEORGE II MAHOGANY CARD TABLE

MID 18TH CENTURY

the fold-over inverted breakfront top opening to a green baize playing surface with counter wells at the corners and two brass plates for screw-in candleholders [now lacking], over a plain frieze with a gadrooned edge, raised on acanthus and cartouche carved cabriole legs ending in claw and ball feet

83cm wide, 72cm high, 39cm deep, 78cm [opened]

£800-1,200 35

GEORGE II STYLE MAHOGANY TRIPOD DESK CHAIR

19TH CENTURY

the back with a plain waisted splat above a leather upholstered seat, raised on a cabriole legs, the foreleg with shell carving and a claw and ball foot 48cm wide, 94cm high, 43cm deep

£300-500

36

LATE GEORGE II MAHOGANY KNEEHOLE DESK

MID 18TH CENTURY

the caddy top above a long drawer fitted with a ratchet-adjusted slope, mirror, and compartments, over a kneehole with apron drawer and recess cupboard flanked by banks of three drawers, raised on ogee bracket feet with brass castors 95cm wide, 80cm high, 55cm deep

Provenance: Private Scottish Collection, Morayshire

£400-600

MID 18TH CENTURY

the fold-over top with outset rounded corners opening to a green baize lined playing surface with counter wells, above a plain frieze, with a single gate leg

90cm wide, 71cm high, 40cm deep [closed]

£500-700

19TH CENTURY

the serpentine top with a moulded edge over four long graduated drawers flanked by blind fret carved angles, raised on ogee bracket feet

117cm wide, 96cm high, 57cm deep

£500-800

MID 18TH CENTURY

the fold-over top with rounded outset corners opening to a green baize surface with guinea wells, above a single frieze drawer and raised on lappet carved cabriole legs ending in pad feet, opening on a single gateleg

87cm wide, 74cm high, 43cm deep (closed), 86cm deep (opened) £1,000-1,500

GEORGE II MAHOGANY CARD TABLE

39 GEORGIAN STYLE MAHOGANY SERPENTINE CHEST OF DRAWERS

38 GEORGE II MAHOGANY CARD TABLE

AMERICAN BRACE BACK WINDSOR ARMCHAIR, WALTER MACBRIDE, NEW YORK LATE 18TH CENTURY

continuous bow arm with fourteen spindles, the shaped seat stamped W. MACBRIDE/ N. YORK on the underside

61cm wide, 90cm high, 41cm deep £300-500

Note: Walter MacBride was active in New York City between 1792 and 1799. A similar chair by the maker is in the collection Winterthur Museum, access no. 1965.0832.

41

LATE GEORGIAN OAK CRICKET TABLE

EARLY 19TH CENTURY, WITH ALTERATIONS

the circular top raised on three baluster turned and block legs joined by peripheral stretchers 70cm diameter, 57cm high

£600-800

42 OAK DRESSER

EARLY 18TH CENTURY

the upper part with a moulded cornice and scalloped frieze above three shelves and a closed back, the base with three moulded short drawers on turned baluster supports joined by an undertier 168cm wide, 183cm high, 43cm deep

£700-1,000

43

GEORGIAN OAK PRESS CUPBOARD EARLY 18TH CENTURY

the moulded overhanging cornice with two turned drop finials, above three carved moulded arch panelled doors; the lower part with three short drawers over a pair of cupboard doors flanking a central panel, enclosing a single interior space, raised on bracket feet

141cm wide, 184cm high, 58cm deep £600-800

44

OAK PANEL BACK SETTLE

LATE 17TH CENTURY

the five-panel back above a rope strung seat with squab cushion, flanked by open arms and raised on cabriole legs with pad feet

186cm wide, 102cm high, 55cm deep £400-600

LATE 19TH CENTURY

comprising nine side chairs and a carver, of traditional form with rush seats and turned stretchers (10)

48cm wide, 93cm high, 37cm deep

£400-600

46

GEORGE I OAK AND WALNUT LOW BOY

EARLY 18TH CENTURY

the top with re-entrant corners above two long banded drawers, raised on cabriole legs ending in pad feet 90cm wide, 79cm high, 50cm deep

£300-500

47

GEORGE I OAK AND WALNUT CHEST OF DRAWERS

EARLY 18TH CENTURY, WITH ALTERATIONS

the top with a moulded edge and dentil moulded frieze, above a pair of short drawers and three long graduated drawers, all with crossbanding, raised on later bracket feet

90cm wide, 96cm high, 52cm deep

£500-700

45 SET OF TEN LANCASHIRE LADDERBACK CHAIRS

SOUTH

AFRICAN STINKWOOD ARMCHAIR

19TH CENTURY

the shaped top rail above a circular pierced panel back marks with heart motifs, over a drop-in seat flanked by open scrolled arms and raised on square tapered legs joined by stretchers

68cm wide, 114cm high, 52cm deep

£300-500

QUEEN ANNE OAK CABINET-ON-STAND EARLY 18TH CENTURY, THE STAND LATER double dome top with a moulded cornice above a pair of arched panel doors, opening to an interior with an arrangement of pigeon holes; on an associated Georgian base with three frieze drawers above a shaped apron, on square cabriole legs

97cm wide, 185cm high, 49cm deep

£400-600

50

SET OF FIVE ELM WINDSOR ARMCHAIRS

19TH CENTURY

the hooped backs and curved arms enclosing pierced vasiform splats and spindles, above moulded seats raised on turned and tapered legs joined by ‘H’ stretchers (5)

60cm wide, 87cm high, 46cm deep

£600-800

51

OAK REFECTORY TABLE

18TH CENTURY

the top with cleated ends and later leaf extensions, on ring-turned legs joined by an H stretcher

274cm long, 325cm 77cm high, 89cm deep

£600-800

YEWWOOD AND ELM WINDSOR CHAIR

19TH CENTURY

the hooped back and curved arms enclosing a pierced draught splat and spindles, above a moulded seat raised on turned and tapered legs joined by an H-stretcher, the back of the seat stamped ‘T.A’ 60cm wide, 107cm high, 55cm deep £500-700

LATE GEORGIAN PAINTED PINE ESTATE CABINET

LATE 18TH CENTURY

the straight cornice above a pair of panel doors flanked by reeded quarter columns and enclosing a shelved interior; the lower part with six short over four long graduated drawers, raised on French bracket feet, painting in pale blue 126cm wide, 202cm high, 63cm deep £700-900

58

SIX VARIOUS PLAIN STEM

GEORGIAN GLASSES

MID 18TH CENTURY

comprising a glass with a drawn trumpet bowl engraved with fruiting vines, with a teardrop stem, 16.3cm high; a glass with an ogee bowl engraved with fruiting vines, on a folded foot, 14.5cm high; a glass with a fluted ogee bowl engraved with a dot and diaper border, on a folded foot, 13.3cm high; and three further plain stem glasses, one with a bell shaped bowl, one with an ogee bowl and one with a drawn trumpet bowl, all three with a folded foot (6)

12.8 - 15cm high

£300-500

54

GEORGIAN ENGRAVED

OPAQUE TWIST WINE GLASS

MID 18TH CENTURY

the bell-shaped bowl engraved with a bird in flight and a stylised sunflower on the stem, over a multi-knopped opaque twist stem, on a domed circular foot

17.7cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£300-500

55

GEORGIAN COMPOSITE STEM

ENGRAVED WINE GLASS

MID 18TH CENTURY

the bell-shaped bowl solid at the base, engraved around the rim with a band of formal scrolls and flowers, with a further floral spray near the base of the bowl, raised on a plain stem with a central beaded knop, on a domed helmet foot

17.3cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£200-300

56

GEORGIAN GILT OPAQUE TWIST WINE FLUTE

MID 18TH CENTURY

in the manner of Giles, the tall round funnel bowl decorated in gilt with fruiting vines below a gilt rim, the stem with two inner multiply spiral tapes encircled by a multi-ply spiral band, on a conical foot

18.5cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£500-700

57

LATE GEORGIAN ENGRAVED AND GILT GLASS DECANTER AND STOPPER

EARLY 19TH CENTURY

of rectangular section with a bull’s eye stopper, the body with engraved and gilt decoration to each side depicting a pair of birds perching amongst flowering stems, above scrolling foliate and diaper decoration, the side panels with further scrolling and floral designs, the stopper with stylised flowerhead and dot and line motifs

26.6cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk £200-300

59

LARGE GEORGIAN COMPOSITE STEM ALE GLASS

MID 18TH CENTURY

the round funnel bowl raised on a multi-spiral air twist stem on a beaded knop, over a domed helmet foot

19.5cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£250-350

61

GEORGIAN LARGE OPAQUE TWIST GOBLET

MID 18TH CENTURY

the generous round funnel bowl partially moulded with vertical ribs, on a double series opaque twist stem with a multiply corkscrew encircled by a pair of single bands, on a domed helmet foot

18.5cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£500-700

63

GEORGIAN MOULDED STEM SWEETMEAT GLASS

MID 18TH CENTURY

the lipped panel moulded ogee bowl raised on an octagonal moulded stem, between collars, on a domed panel moulded foot

15.5cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£250-350

64

THREE GEORGIAN OPAQUE TWIST GLASSES AND A FACET STEM GLASS

MID 18TH CENTURY

comprising an opaque twist glass with a bucket bowl engraved with a thistle and ‘Speed the Plough, 13.8cm high; an opaque twist glass with a wrythen fluted ogee bowl engraved with a band of flowers, 14.5cm high; an opaque twist glass with a large tulip shaped bowl, 15.9cm high; a facet stem glass with a round funnel bowl, 16.3cm high; together with TWO 20TH CENTURY

OPAQUE TWIST CORDIAL GLASSES (6)

12.5cm and 14cm high

£250-350

60

GEORGIAN COMPOSITE STEM

SWEETMEAT GLASS

MID 18TH CENTURY

the double ogee bowl with a ribbed lip, the stem with a beaded knop between annulated collars, over a multi-spiral air twist stem, on a collared and domed, folded foot

15.3cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£300-500

62

THREE GEORGIAN AIR TWIST GLASSES

MID 18TH CENTURY

one with a drawn trumpet bowl, 16cm high; one with a round funnel bowl, 15.1cm high; one with a bell-shaped bowl on a multi-spiral stem with a vermicular collar, the threads of air extending into the solid base of the glass (3)

16.6cm high

£250-350

NEAR PAIR OF GEORGIAN OPAQUE TWIST CORDIAL GLASSES AND A PLAIN STEM GOBLET

MID 18TH CENTURY

the cordial glasses each with a bell shaped bowl with a solid base incorporating tear drops, raised on an opaque twist stem with a central multi-ply corkscrew enclosed within two multi-spiral bands, on a stepped circular foot, 15.5cm high; the goblet with a drawn trumpet bowl with a diamond etched inscription, ‘Each ravished ear extols the Heavenly heart / Which soothes our cares and elevates the art / Mounseir George Ravoue / Nov 21st 1733 / Eliz Eaton her glass’, over a tapering plain stem with a single tear drop, raised on a slightly conical round foot (3) 19cm high

£250-350

THREE VARIOUS GEORGIAN FACET STEMMED GLASSES

LATE 18TH CENTURY

to include a goblet with a round funnel bowl cut with detail around the base, raised on a stem with central knop, on a round foot, the bowl later engraved with the inscription ‘W & E Easgles / Nov 21st 1853’, 21cm high; a champagne or sweetmeat glass, the ogee bowl cut and engraved with a band of stylised flower decoration, the bowl cut on the base, on a faceted knopped stem, the dome of the foot cut with oval facets, with a scallop edged foot rim, 15.7cm high; and a sweetmeat glass, the ogee bowl partially cut with flutes, raised on a seven-sided knopped stem, the domed foot cut with oval facets (3) 15.4cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£150-250

(Lot part illustratedsee website for more images)

67

COLLECTION OF GLASS

MOSTLY 19TH CENTURY

comprising three engraved rummers, one engraved with a scene depicting a gardener growing a pineapple, inscribed ‘Ricd Parr’, 13.7cm high; one engraved with a bird in flight and a spray of flowers with the initials ‘R.M’, on a square section foot, 13.7cm high; one engraved with a coat of arms, a soldier on horseback, a man tending plants in pots and a fish, inscribed ‘Ranson’s’, 13.5cm high; one a tumbler engraved with stems of flowers and foliage and inscribed with the initials ‘E J C Born / March 4 1853 /Died / May 29 1836’, with a star cut base, 10cm high; a Dutch cordial glass, the ogee bowl engraved with flowers, on a plain stem and folding foot, 12.7cm high; and a decanter with flat topped stopper, the neck cut with facets and the lower body cut with a band of flutes, 17.5cm high (6) the largest 17.5cm high

Provenance: The late G. A. Cannon, Chelsworth, Suffolk

£250-350

68 SET OF FOUR REGENCY CUT GLASS DECANTERS

EARLY 19TH CENTURY

each with a triple neck ring, a diamond cut band, and fluted lower body; with a mushroom shaped star cut stopper; 24cm high; together with a REGENCY CUT GLASS JUG with step and diamond cutting (5) 20cm high

£250-350

70

18TH CENTURY SPANISH SCHOOL

CUTS OF MEAT AND COOKING UTENSILS ON A KITCHEN TABLE

Oil on canvas

76cm x 96cm (30in x 37.75in)

£1,000-1,500

PAINTINGS PART I

69

COSIMO ROSSELI (AFTER) ADORATION OF THE CHRIST

CHILD

Oil on panel, feigned roundel 113cm x 113cm (44.5in x 44.5in), unframed

Note: This a nineteenth-century copy of ‘The Adoration of the Christ Child’ circa 1490 by Cosimo Rosseli (Florence 1439 – 1507) [Uffizi Gallery, Florence]

£500-800

HALF LENGTH PORTRAIT OF A LADY IN BLUE Oil on canvas

74cm x 62cm (29.25in x 24.5in)

£1,000-1,500

72

HALF LENGTH PORTRAIT OF A YOUNG LADY IN IVORY DRESS

Feigned oval, oil on canvas

76cm x 64cm (30in x 25in)

£800-1,200

FOLLOWER OF ALEXANDER ROSLIN

FOLLOWER OF ALLAN RAMSAY

74

AFTER

Inscribed

73

19TH CENTURY

ENGLISH SCHOOL

THOMAS TODD’S INN

Oil on canvas

63.5cm x 76cm (25in x 30in)

£1,000-1,500

£800-1,200

SIR ANTHONY VAN DYCK ALLEGORY OF WINTER

verso ‘Copied for Sir Edward Malet by permission of Emporeur William II and brought from Chateau Malet, Monaco, 1920’, oil on canvas

107cm x 93.5cm (42in x 36.75in)

Note: A contemporary label verso suggests this painting was exhibited at the Royal Academy in 1843

£4,000-6,000

WILLIAM NICHOLSON R.S.A. (SCOTTISH 1781-1844)

PORTRAIT OF THOMAS MAUDE WITH SKETCHBOOK AND DOG

Oil on canvas

106cm x 82cm (41.75in x 32.25in)

BRITISH FURNITURE & WORKS OF ART PART

II

76

PAIR OF GEORGE III MAHOGANY SIDE CHAIRS

18TH CENTURY

the shaped top rails carved with acorns and foliate ears above carved and pierced interlaced splats, the drop-in seats with raspberry red covers. raised on moulded chamfered legs joined by H-stretchers (2) 52cm wide, 96cm high, 50cm deep

£300-500

77

GEORGE III MAHOGANY AND EBONY DRESSING TABLE

18TH CENTURY

the hinged top with a moulded edge opening to an arrangement of compartments and a ratchet-adjusted mirror with a bevelled plate; above a dummy frieze drawers and deep drawer flanked by four short drawers, raised on square tapered legs

93cm wide, 75cm high, 56cm deep

Provenance: John George Joicey Bequest Collection

£600-800

78

EARLY GEORGE III MAHOGANY CHEST OF DRAWERS

MID 18TH CENTURY

the top with a moulded edge and canted corners above a pair of short drawers and three long graduated drawers flanked by blind-fret angles, raised on blind-fret carved bracket feet

102cm wide, 85cm high, 51cm deep

£500-700

19TH CENTURY

in the Neoclassical taste, the oval bevelled mirror plate within a ribbon carved frame, surmounted by flowering urn and drapery swags with trailing husks, a pendant ribbon tied bow and quiver below 116cm high, 60cm wide

£400-600

81

18TH CENTURY

the slope front opening to an arrangement of drawers and pigeon holes, above two short and three long graduated drawers, raised on shaped bracket feet, covered in red and gilt figural chinoiserie scenes

97cm wide, 102cm high, 53cm deep (closed), 89cm deep (opened)

£1,500-2,000

80

MATCHED

MAHOGANY CARD TABLES

MID 18TH CENTURY

the fold-over tops opening on single gate legs, one with a green baize playing surface, the other with the baize lacking, above plain friezes raised on straight chamfered legs with pierced corner brackets (2) 91cm wide, 74cm high, 45cm deep; and 84cm wide, 75cm high, 41cm deep

£800-1,200

GEORGE III RED JAPANNED BUREAU

GEORGIAN STYLE GILTWOOD MIRROR

PAIR OF GEORGE III

GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODE

18TH CENTURY

the tray top with a wavy edge and cutout handles, above a cupboard door and sliding potty drawer, raised on square chamfered legs

53cm wide, 75cm high, 48cm wide

£300-500

GEORGE III MAHOGANY HANGING CORNER CABINET

18TH CENTURY

the blind-fret carved and dentil moulded frieze above a pair of panel moulded doors flanked by fluted angles and opening to a blue painted shelved interior 86cm wide, 121cm high, 48cm deep

£400-600

84

PAIR OF GEORGE III MAHOGANY SIDE CHAIRS

LATE 18TH CENTURY

the shaped moulded top rails carved with foliate detail, above pierced interlaced splats and drop-in seats, raised on chamfered square legs joined by H-stretchers (2)

50cm wide, 97cm high, 42cm deep

£300-500 85

GEORGE III MAHOGANY TEA TABLE

18TH CENTURY

the rectangular fold-over top with a moulded edge, above a short frieze drawer and raised on channel moulded square tapered legs, opening on twin gate legs 92cm wide, 74cm high, 41cm deep [closed]

£500-700

GEORGE III STYLE DOUBLE CHAIR BACK SETTEE, HAMPTON & SONS

in the Chippendale style, the carved chair backs with pierced and interlaced splats, above a drop-in seat with a gadrooned seat rail and flanked by foliate carved scrolled arms, raised on acanthus carved cabriole legs ending in carved claw and ball feet, bearing trade label HAMPTON’S/ PALL MALL EAST/ LONDON

122cm wide, 100cm high, 48cm deep

£800-1,200

Note: William Hampton reputedly founded the company in the 1830s, and was joined in the business by his sons George and William in 1869 when they operated from premises at 8 Pall Mall. They specialised in furnishing ships, institutions, and hotels, and included the Cunard liners Queen Elizabeth and Queen Mary as clients, as well as the new Royal Yacht Britannia in 1952. In London they furnished the Dorchester and May Fair Hotels, and farther afield the palaces of Prince Nizam of Hyderabad and the Maharaja of Kashmir.

87

GEORGE III MAHOGANY AND PAINTED BUREAU BOOKCASE

LATE 19TH CENTURY

the dentil banded cornice over a flower garland painted frieze, above a pair of oval inlaid doors enclosing shelves; the bureau with an inlaid slope opening to an arrangement of drawers and pigeon holes over a green leather writing surface, over three shallow frieze drawers, above a long and two further short drawers, raised on tapered legs

112cm wide, 183cm high, 55cm deep

£500-800

89 Y

GEORGIAN DOUBLE-SIDED MOURNING PENDANT

LATE 18TH/ EARLY 19TH CENTURY

each oval on ivory, one side painted with a young couple weeping by a tomb with a large urn, within a seed pearl and black enamel border; the reverse painted with a weeping young woman presenting a chalice to a weeping old women with an angel visible through an open window, within a blue enamel border; in an unmarked yellow metal frame with suspension loop

5.5cm high, 8.7cm overall

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference WUVAH43X

£400-600

88 Y

ENGLISH SCHOOL PORTRAIT MINIATURE, IN THE MANNER OF ANDREW PLIMER

LATE 18TH/ EARLY 19TH CENTURY

oval, painted in watercolour and body on ivory, the sitter a young lady with grey loosely curled hair and white bandeau, wearing a white chemise dress, the reverse with a lock of hair set as a wheat sheaf with gold thread, with a blue enamel reserve mounted with seed pearls and monogram ‘WDC’, on an opalescent enamel ground, in an unmarked yellow metal pendant frame with suspension loop

11cm high, 7cm wide

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference QLZGJ7Z9

£250-350

90 Y

JEREMIAH MEYER (ANGLO-GERMAN 1735-1789)

PORTRAIT MINIATURE OF A LADY

oval, painted in watercolour and body colour on ivory, the sitter a young lady with grey coiffured hair in a white flounced chemise with green edging and a pink jacket, in a period locket case with shagreen cover 10cm high, 8cm wide

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 8HB1S3HU

£500-700

Note: Jeremiah Meyer (1735-89) was born in Germany, son of the portrait painter to the Duke of Württemberg. He came to England about 1749 and studied under the artist Christian Friedrich Zincke. Meyer was commissioned to paint the King’s miniature portrait, set in an oval of diamonds in the pearl bracelet given to Princess Charlotte as an engagement present. He also drew the King’s profile for the new coinage which earned him a gold medal from the Society of Arts in 1761. He was appointed Miniature Painter to the Queen and Enamel Painter to the King in 1764. A founder member of the Royal Academy, he exhibited miniatures, enamels and watercolour drawings from 1769 to 1783. His work is noted for his linear precision, particularly visible in the hair of his sitters, and sophisticated colouring.

91 Y

18TH CENTURY ENGLISH SCHOOL

PORTRAIT MINIATURE OF A YOUNG MAN

oval, painted with watercolour and body colour on ivory, the sitter a young man with a grey wig, blue coat with white stock and cravat, the reverse with pierced and engraved initials ‘JM’ mounted on a plait of hair, in an engraved unmarked yellow metal frame with suspension loop and a long woven hair cord

6cm high, 4cm wide

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference J2G9MR2R £300-500

92

EARLY GEORGE III MAHOGANY BUREAU BOOKCASE, IN THE MANNER OF THOMAS CHIPPENDALE

MID 18TH CENTURY

the moulded swan neck pediment with carved rose terminals and fretwork inserts above a key moulded frieze, over a pair of astragal glazed door enclosing adjustable shelves; the lower part with a secretaire drawer opening to an arrangement of pigeon holes and drawers and a central mirrored compartment, over a pair of moulded panel doors and raised on shaped bracket feet

126wide, 256cm high, 62cm deep £6,000-8,000

18TH CENTURY

the dentil moulded cornice above a fluted frieze and a pair of tall astragal glazed doors with further fluted panels enclosing an ivory moiré silk lined interior with shallow glass shelves; the undercabinet with striae moulding over two moulded double panel doors, opening to a sliding tray, on a plinth base; later fitted for lighting 193cm wide, 268cm high, 44cm deep

£3,000-4,000

GEORGE III MAHOGANY LIBRARY BOOKCASE

SET OF THIRTEEN

‘CRIES OF LONDON’ MEZZOTINTS, AFTER WHEATLEY

EARLY 20TH CENTURY printed by A. Cardon after the originals by Francis Wheatley, each in a gilt gesso verre

églomisé frame (13)

53cm high, 43cm wide

£600-800

(Lot part illustrated - see website for more images)

95

SET OF TEN GEORGE III MAHOGANY DINING CHAIRS

18TH CENTURY

comprising eight side chairs and an armchair with another armchair to match, the serpentine top rails centred with acanthus carving above pierced splats and drop-in needlework seats, raised on square reeded legs joined by stretchers (10)

64cm wide, 97cm high, 50cm deep

£2,000-3,000

96

GEORGE III MAHOGANY

TRIPOD TEA TABLE

19TH CENTURY

the circular tilt-top raised on a turned baluster column with cabriole legs ending in pad feet

81cm diameter, 70cm high

£400-600

97

GEORGE III MAHOGANY PEMBROKE TABLE

18TH CENTURY

the rectangular top with twin drop leaf sides, above a frieze drawer and shaped apron to one end, a dummy drawer opposing, raised on channel moulded square tapered legs headed by facet moulded blocks and ending in block feet with leather castors

52cm wide 98.5cm [open], 71cm high, 71cm deep

£800-1,200

98

GEORGE II BLACK JAPANNED HANGING CORNER CABINET

MID 18TH CENTURY

of bowfront outline, with Chinoiserie decoration with figures, flowers, birds and pagodas, opening to a red painted and shelved interior

60cm wide, 92cm high, 39cm deep £400-600

EARLY GEORGE III MAHOGANY BIRDCAGE TRIPOD TEA TABLE

MID 18TH CENTURY

the piecrust tilt-top on a birdcage support and spiral knopped baluster column, raised on cabriole legs ending in pad feet

61cm diameter, 74cm high

£800-1,200

100

SET OF EIGHT GEORGIAN STYLE MAHOGANY DINING CHAIRS

EARLY 20TH CENTURY

comprising six side chairs and a pair of armchairs with serpentine top rails and pierced waisted splats, above drop-in seats covered in terra-cotta lattice fabric, raised on moulded square legs joined by H-stretchers (8)

58cm wide, 91cm wide, 46cm deep

£500-700

101

SET OF SEVEN GEORGE III STYLE MAHOGANY DINING CHAIRS

LATE 19TH/ EARLY 20TH CENTURY

comprising six side chairs and an armchair, with acanthus carved crest rails above pierced interlaced splats and wide stuff-over seats in floral needlework upholstery, raised on chamfered square legs joined by stretchers

64cm wide, 1000cm high, 60cm deep

£600-800

102

GEORGE III ‘CHINESE CHIPPENDALE’

MAHOGANY AND FRUITWOOD TEA TABLE

18TH CENTURY

the rectangular top with a moulded edge above a key inlaid frieze, raised on blind fret carved legs with pierced brackets and joined by a faux bamboo X stretcher 90cm wide, 69cm high, 60cm deep

£1,000-1,500

103

GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS

LATE 18TH CENTURY

the serpentine top with a moulded edge over three long graduated drawers on French bracket feet

93cm wide, 84cm high, 54cm deep

£2,000-3,000

104

GEORGIAN STYLE FOLDING

LIBRARY LADDER

19TH CENTURY

with eleven rungs 350cm high, 31cm wide [open]

£600-800

105

GEORGE III

MAHOGANY SECRETAIRE BOOKCASE

18TH CENTURY

the moulded swan neck pediment above a fluted frieze marked with roundels, over a pair of arched astragal glazed doors enclosing adjustable shelves; the base with a matching frieze and secretaire drawer opening to a green leather writing surface, drawers and pigeon holes, over three further long drawers, raised on shaped bracket feet 118cm wide, 255cm high, 58cm deep

£1,500-2,500

109

GEORGE III MAHOGANY SMALL CHEST OF DRAWERS

18TH CENTURY

the rectangular top with a moulded edge over four long graduated drawers, raised on shaped bracket feet

74cm wide, 77cm high, 42cm deep £700-1,000

107

GEORGE III MAHOGANY SMALL OVAL DROPLEAF TABLE

18TH CENTURY

the top with deep leaves raised on blind-fret carved straight chamfered legs 76cm wide, 71cm high, 30.5cm deep, 94cm [open]

£400-600

108

PAIR OF GEORGIAN STYLE BROWN LEATHER UPHOLSTERED WING ARMCHAIRS

20TH CENTURY

covered in chestnut brown leather outlined with close nail trim, with loose cushions seats, and raised on shell-carved cabriole legs ending in trifid feet (2)

84cm wide, 110cm high, 51cm deep £1,000-1,500

110

IRISH GEORGE III MAHOGANY AND MARBLE TOPPED CENTRE TABLE

18TH CENTURY

the grey and black marble slab top over a shaped frieze, raised on shell carved cabriole legs ending in square feet

64cm wide, 72cm high, 54cm deep

£400-600

111

GEORGE III MAHOGANY TRIPOD TEA TABLE

LATE 18TH CENTURY

the circular top with a pie-crust edge, raised on a fluted baluster column raised on acanthus carved cabriole legs ending in pointed pad feet

79cm diameter, 74cm high

£500-700

112

GEORGE III SERPENTINE CHEST OF DRAWERS

18TH CENTURY

the crossbanded top above three long graduated drawers, raised on bracket feet

95cm wide, 72cm high, 52cm deep

£500-800

114

SET OF FIVE GEORGIAN STYLE

MAHOGANY DINING CHAIRS

EARLY 20TH CENTURY

with arched top rails above pierced baluster splats over stuff-over seats with needlework covers, raised on square tapered legs joined by H-stretchers; together with a GEORGIAN STYLE

MAHOGANY DINING CHAIR to match (6)

55cm wide, 95cm high, 54cm deep £400-600

GEORGE III MAHOGANY SERPENTINE TEA

TABLE

18TH CENTURY

the fold-over top opening on a gateleg, above a plain frieze and raised on chamfered straight legs 84cm wide, 72cm high, 39cm deep £300-500

115

LATE 18TH CENTURY

with a central frieze drawer and arched recess flanked by pairs of deep drawers and cupboards with oval panel veneers, raised on square tapered legs 213cm wide, 89cm high, 85cm deep £1,000-1,500

GEORGE III MAHOGANY DEMILUNE SIDEBOARD

EARLY DERBY ‘PALE FAMILY’ FIGURE

CIRCA 1760

modelled as a seated lady with a pale yellow bodice and floral skirt, wearing green ribbons, on a moulded rocaille scroll base with applied flowers and foliage; Fry Collection: No 1 sticker to base, faint patch marks

10.5cm high

£250-350

117

PAIR OF DERBY FIGURES OF WILLIAM SHAKESPEARE AND JOHN MILTON

CIRCA 1830

Shakespeare modelled standing alongside a pillar moulded with royal figures, his elbow resting on three books and a scroll of fine text; Milton standing by a column moulded with Adam and Eve being expelled from Eden, his elbow resting on three books and a scroll of text from ‘Paradise Lost’ in his left hand; each wearing a cloak with puce lining and with gilt details throughout; standing on a fluted plinth base with canted corners; each with red printed factory marks, one mark indistinct (2) approximately 25cm high

£300-500

118

FIVE DERBY FIGURES

19TH CENTURY

comprising a pair of musician figures, one modelled as a boy playing the French horn and one as a lady with a hurdy gurdy; a white glazed figure with gilt highlights of a boy carrying a basket of flowers; together with a biscuit figure of Bacchus, incised N 193 and a biscuit figure of a boy sitting on a tree stump writing script, signed to the reverse George Cocker, Derby, on a later stand with glass dome; various factory marks (5)

11cm - 21cm high

£300-500

119

PAIR OF DERBY FIGURES OF MARS AND VENUS AND A PAIR OF BOW FIGURES LATE 18TH CENTURY

the Derby figures of Mars and Venus on a blue and gilt scroll base standing before bocage, unmarked, sticker to base for the ‘AJ & G Fry Collection’, 20cm high; the Bow figures modelled as a male and female in floral decorated 18th century style dress, on a puce, blue and gilt scroll base, standing before bocage (4) 22cm and 23cm high

£300-500

120

SET OF FOUR DERBY FIGURES

EMBLEMATIC OF THE ELEMENTS

CIRCA 1880

each modelled with a winged putto standing before a tree on a rocky, naturalistic ground; ‘Water’ represented by fish being caught in a net and pail; ‘Earth’ represented by a gardener festooning his companion with flower garlands; ‘Fire’ represented by a putto grinding his arrow; and ‘Air’ represented by a putto climbing a tree to a bird’s nest, with cages below; the Earth figure incised No. 48; Air incised with various letters including N and t c t; the other two unmarked; all bear stickers for the AJ & G Fry Collection (4)

17cm - 24.5cm high

£600-800

121

SET OF FOUR DERBY FIGURES FROM THE ‘FRENCH SEASONS’

LATE 18TH CENTURY

’Spring’ modelled as a boy carrying fresh flowers; ‘Summer’ as a girl carrying a basket of fruit; ‘Autumn’ as a girl holding wheat sheafs, a scythe at her feet;

‘Winter’ as a boy carrying firewood over his shoulder; all figures wearing variously patterned outfits with gilt embellishments, each on a naturalistic round plinth base with a gilt band; three of the figures incised No.123, all with crossed swords mark (4)

16cm to 17.5cm high

£500-700

122

TWO DERBY FIGURES

LATE 18TH CENTURY

one modelled as Britannia standing alongside a lion and a globe, the attributes of war at her feet; on a moulded scroll base; Edward Knapper Collection sticker to the base, patch marks; the other figure modelled as a male hunter with a female gardening companion, her watering can hung in a tree; AJ & G Fry Collection sticker to the base, incised N 68, patch marks (2)

25cm and 23cm high

£300-500

GEORGE III SATINWOOD AND ROSEWOOD CROSSBANDED CARD TABLE

LATE 19TH CENTURY

the demilune fold-over top opening on a single gateleg to a green baize playing surface, raised on square tapered legs

91cm wide, 73cm high, 43cm deep [closed]

£600-800

LATE GEORGE III MAHOGANY INLAID SECRETAIRE BOOKCASE

EARLY 19TH CENTURY

the dentil moulded inlaid cornice above a pair of oval glazed doors enclosing adjustable shelves; the lower part with a secretaire drawer and two further long drawers, raised on bracket feet

78cm wide, 186cm high, 49cm deep

£600-800 125

MATCHED PAIR OF GEORGE III MAHOGANY BEDSIDE COMMODES

LATE 18TH CENTURY

the tray tops with cut-out handles above a cupboard door and base drawer, with carry handles to the sides, raised on chamfered square legs (2)

54cm wide, 76cm high, 46cm deep

£800-1,200

127

GEORGE III MAHOGANY ARCHITECT’S DESK

18TH CENTURY

the hinged ratchet adjusted top with a spring release book rest, above a sliding front opening to reveal a red baize surface with ratchet adjusted slope, on moulded straight legs with columnar inner legs with brass castors

92cm wide, 77cm high, 60cm deep

£800-1,200

128

GEORGE III MAHOGANY ARMCHAIR

LATE 18TH CENTURY

the arched padded back above a wide seat and padded scroll arms on curved supports, raised on chamfered square tapered legs joined by an H-stretcher, covered in puce and gold damask upholstery

63cm wide, 94cm high, 50cm deep

£500-700

126

GEORGE III MAHOGANY AND PARTRIDGEWOOD PEMBROKE TABLE

LATE 18TH CENTURY

the oval crossbanded top with drop-leaf sides and centred by an oval fan medallion and musical trophy inlay, above a frieze drawer to one end and a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors

51cm wide, 99.5cm [leaves up], 71cm high, 75cm deep

£300-500

129

GEORGE II SATINWOOD DEMILUNE PIER TABLE

LATE 18TH CENTURY

the crossbanded top over a crossbanded frieze with raised on square tapered legs outlined with ebony stringing 110cm wide, 79cm high, 58cm deep £1,500-2,500

130

PAIR OF GEORGE III MAHOGANY BEDSIDE COMMODES

18TH CENTURY

the square tray tops with cut-out handles above open compartments and commode drawers refitted as drawers, raised on chamfered square legs (2) 59cm wide, 80cm high, 43cm deep £3,000-5,000

132

LATE GEORGE III

MAHOGANY AND SATINWOOD SOFA TABLE

EARLY 19TH CENTURY

the crossbanded rounded rectangular top with a moulded edge above a pair of frieze drawers, raised on tapered end supports with downswept legs ending in brass caps and castors and joined by a turned stretcher

92cm wide 151cm [leaves up],

71cm high, 73cm deep

£700-900

133

MATCHED PAIR OF GEORGE III MAHOGANY SOFAS

LATE 19TH CENTURY

in the Hepplewhite style, with low square padded backs in reeded frames above long padded seats flanked by straight enclosed arms with reeded baluster supports, raised on reeded tapering legs; covered in ivory striped upholstery (2) 181cm wide, 83cm high, 53cm deep; 184cm 78cm high, 63cm deep £2,000-3,000

131

GEORGE III STYLE

CARVED GILTWOOD MIRROR

19TH CENTURY

in the Chippendale style, the rectangular mirror plate surmounted by a C-scroll and acanthus cresting, the sides with C-scrolls, pendant foliage and acanthus leaves, the apron with opposed C-scrolls flanked by scrolled acanthus leaves 145cm high, 80cm wide £1,000-1,500

134

GEORGE III

MAHOGANY TEA TABLE

LATE 18TH CENTURY

of diminutive proportions, the square tilt top with a moulded edge, on a baluster column and tripod base ending in slipper feet 51cm square, 59cm high

£300-500

135

GEORGE III MAHOGANY OPEN ARMCHAIR

LATE 18TH CENTURY

in the French Hepplewhite style with a gadroon carved frame, the cartouche shaped back above a wide serpentine seat flanked by part-padded open arms, raised on carved cabriole legs, covered in green foliate upholstery

65cm wide, 95cm high, 46cm deep

£500-700

136

LATE GEORGE III MAHOGANY PEMBROKE TABLE

LATE 19TH CENTURY

the rounded rectangular top with drop leaf sides outlined with stringing, above a frieze drawer to one end and a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors

75cm wide, 72cm high, 51cm deep, 99cm [open]

£400-600

137

GEORGE III MAHOGANY

LINEN CHEST

MID 18TH CENTURY

the hinged top opening to a void interior, with brass handles to the sides and raised on shaped bracket feet

120cm wide, 84cm high, 67cm deep

£400-600

138

GEORGE III MAHOGANY DUMBWAITER LATE 18TH CENTURY

with two graduated dished tiers on turned supports, the lower tier revolving, raised on a stop-fluted outswept legs with brass castors £600-800

139

GEORGE III MAHOGANY LINEN PRESS, BY GILLOWS

LATE 18TH CENTURY

the plain moulded cornice above a pair of bookmatched moulded panel door opening to an interior with sliding trays; the base with two short over two long graduated drawers, raised on bracket feet; stamped in the drawer

GILLOWS

124cm wide, 190cm high, 61cm deep

Note: An almost identical linen press to the present lot is illustrated Susan Stuart, Gillows of Lancaster and London 17301840, vol. II, pg 66 and was made by the Journeyman Wm Stubbs for Robert Phillips Esq, a successful textile merchant. £2,500-3,500

143

LATE GEORGE III MAHOGANY SOFA TABLE

EARLY 19TH CENTURY

the rounded rectangular top with a reeded edge above two short frieze drawers, with dummy drawers opposing, raised on faceted end supports with reeded legs ending in brass caps and castors and united by a turned stretcher

139cm wide, 75cm high, 65cm deep

£1,500-2,000

140

GEORGE III ELM AND EBONISED PEMBROKE TABLE

LATE 18TH CENTURY

the rounded rectangular top with drop leaves above a frieze drawer to one end, raised on square tapered legs ending in brass caps and castors

44cm wide, 89cm [leaves up], 74cm high, 71cm deep

£600-800

141

LATE GEORGE III MAHOGANY CANDLE STAND

LATE 18TH/ EARLY 19TH CENTURY

the rounded rectangular tilt top above a turned support, raised on an outswept reeded tripod base

47cm wide, 73cm high, 35cm deep

£400-600

142

PAIR OF GEORGE III STYLE MAHOGANY ARMCHAIRS

LATE 19TH CENTURY

the cartouche shaped backs in channel moulded frames above serpentine stuff-over seats flanked by part-padded arms, raised on shell-carved cabriole legs ending in scrolled toes, the covers removed revealing the muslin linings (2)

64cm wide, 91cm high, 50cm deep £600-800

LATE GEORGIAN NEEDLEWORK AND SILK WATERCOLOUR PICTURE

EARLY 19TH CENTURY

painted silk and chenille, depicting a young woman lamenting over a languishing youth, the églomisé glass with gilt inscription ‘Peggy Fawcett Sept 1809’, in a gilt frame

71cm high, 56cm wide

£300-500

145

LATE GEORGE III MAHOGANY TRIPOD READING TABLE

LATE 18TH CENTURY

the ratchet adjusted square top with a book rest and two swing-out candle slides, raised on a slender baluster stem with rising mechanism and outswept legs

46 cm wide, 74cm high, 33.5cm deep

£300-500

146

LATE GEORGE III MAHOGANY DROPLEAF TABLE

EARLY 19TH CENTURY

the rounded rectangular top with drop-leaf sides and a frieze drawer to one end, raised on slender reeded legs ending in brass caps and castors

91.5cm long, 72cm high, 55cm deep, 91cm [open]

£500-700

147

GEORGE III STEEL, BRASS AND CAST IRON FIRE BASKET

18TH CENTURY

the arched cast iron fire back depicting Cupid astride an eagle and the date 17** with initials; above a three-bar grate flanked by punch decorated brass panels and urn finials, above a pierced foliate apron, raised on square tapered legs

70cm wide, 77cm high, 39cm deep approx.

£400-600

148

SET OF EIGHT SHERATON STYLE MAHOGANY AND SATINWOOD DINING CHAIRS

LATE 19TH/ EARLY 20TH CENTURY

comprising six side chairs and a pair of armchairs, with arched top rails above reeded foliate carved splats centred with rosettes, the wide stuff-over seats in pale yellow fabric, raised on square tapered legs ending in spade feet (8) 58cm wide, 98cm high, 50cm deep £600-800

149

GEORGIAN STYLE MAHOGANY THREE PEDESTAL DINING TABLE LATE 20TH CENTURY

the rounded rectangular top with two leaf inserts, raised on baluster turned pedestals with four outswept sabre legs ending in brass caps and castors

427cm long, 73cm high, 137cm deep £1,500-2,500

150

GEORGE III MAHOGANY INLAID SIDEBOARD

LATE 18TH CENTURY

of serpentine breakfront outline with a bow front centre and a long frieze drawer flanked by deep drawers, all crossbanded with boxwood and ebonising stringing, one deep drawer fitted as a cellarette, with oval fan inlay and corners, raised on square tapered legs ending in spade feet

167cm wide, 92cm high, 71cm deep £600-800

151

PAIR OF GEORGE III MAHOGANY AND BRASS CANDLESTICKS

18TH CENTURY

the embossed brass candle sconces on stop and spiral fluted tapered sticks with moulded circular bases (2)

13cm diameter, 33cm high

£300-500

152

TWO DERBY BOTANICAL PLATES

EARLY 19TH CENTURY

one painted with a wallflower, and one painted with a scabious; within a brown rim border; one a named specimen example inscribed to the reverse ‘Changeable Wallflower / Coheiranthus Mutabilis’, with blue painted factory marks; the other unmarked (2)

26cm diameter

£250-350

153

GEORGE III FIDDLEBACK MAHOGANY AND SATINWOOD PEMBROKE TABLE, ATTRIBUTED TO GILLOWS

LATE 18TH CENTURY

the rounded rectangular and crossbanded top with drop-leaf sides over a single banded frieze drawer, stamped to the inside 20 945, with opposing dummy drawer, raised on banded square tapering legs ending in brass caps and castors

53 cm wide, 112cm [open], 73cm high, 82cm deep

£1,000-1,500

154

LATE GEORGE III SATINWOOD AND TULIPWOOD DEMILUNE TEA TABLE

LATE 18TH CENTURY

the crossbanded fold-over top over a line inlaid frieze, raised on square tapering legs also with line inlay, opening on twin gatelegs

91cm wide, 70cm high, 45cm deep

£1,000-1,500

155

GEORGE III SATINWOOD INLAID DEMILUNE CARD TABLE

LATE 18TH CENTURY

the quarter-veneered and crossbanded fold-over top opening on twin gatelegs to a green baize playing surface, above a line inlaid frieze and raised on square tapered legs ending in spade feet 99cm wide, 74cm high, 45.5cm deep

£400-600

156

LATE GEORGE III MAHOGANY, SATINWOOD, AND HAREWOOD BREAKFAST TABLE

LATE 18TH CENTURY

the oval banded tilt top on a cannon barrel column and four outswept reeded legs ending in brass caps and castors

152cm wide, 72cm high, 127cm deep

£1,500-2,000

157 Y

LATE GEORGE III MAHOGANY SECRETAIRE BOOKCASE

LATE 18TH CENTURY

the moulded cornice above a pair of astragal glazed doors enclosing shelves, the lower part with a secretaire drawer opening to an arrangement of pigeon holes and drawers, over three further long drawers, raised on bracket feet

124cm wide, 226cm high, 54cm deep

£700-1,000

158

LATE GEORGE III SATINWOOD AND TULIPWOOD CARD TABLE

LATE 18TH CENTURY

of canted D shape, the banded top opening on twin gatelegs to a green baize playing surface, above a line inlaid frieze raised on square tapered legs ending in spade feet

89cm wide, 74cm high, 44cm deep [closed]

£400-600

159

GEORGE III

MAHOGANY AND SATINWOOD

INLAID TEA TABLE, IN THE MANNER OF INCE & MAYHEW

18TH CENTURY

the banded tray top with mock fluting, the frieze with cup slides to both ends and raised on crossbanded square tapered legs

82cm wide, 74cm high, 61cm deep

£800-1,200

160

LATE GEORGE III MAHOGANY AND BRASS DWARF SECRETAIRE BOOKCASE

EARLY 19TH CENTURY

the superstructure with a pierced brass gallery above a pair of glazed doors with brass mullions enclosing a shelved silk-lined interior; the base with a quarter-veneered secretaire drawer opening to an interior fitted with pigeon holes and drawers, above a pair of oval panel doors enclosing further shelves, on square tapered feet

78cm wide, 151cm high, 51cm deep

£800-1,200

161

GEORGE III MAHOGANY SIDEBOARD

LATE 18TH CENTURY

of breakfront bow outline, with a centre frieze drawer over an arched recess, flanked by deep drawers fitted as cellarets, each stamped twice ‘C. PROCTER’, raised on square tapered legs

144cm wide, 93cm high, 73cm deep

£400-600

162

TWO GEORGIAN MAHOGANY STICK BAROMETERS

LATE 18TH/ EARLY 19TH CENTURY

the first with an arched pediment with brass finials above a silvered vernier plate with twin gauges for ‘Summer’ and ‘Winter’, signed S. Miles/ Kidderminster, the flat body concealing the tube and cistern, on a plinth; the other with a straight cornice above a paper dial with twin gauges for ‘Summer’ and ‘Winter’, signed G. Goodall/ Tadcaster, the line inlaid body with a visible tube above an oval cistern cover with thistle marquetry; both mercury filled (2) 95cm high, 19cm wide; and 92cm high, 16cm wide £400-600

163

LATE GEORGE III MAHOGANY BUREAU BOOKCASE

LATE 18TH CENTURY

the upper section with fretwork galleries above a pair of moulded cupboard doors enclosing shelves flanked by astragal glazed shelf compartments; the lower part with a tambour front opening to an arrangement of drawers and pigeon holes and a sliding baize lined writing surface with ratchet adjusted slope, above a kneehole recess with cupboard door and flanked by banks of four short graduated drawers, raised on French bracket feet 125cm wide, 216cm high, 62cm deep £1,500-2,500

164

LATE GEORGE III MAHOGANY TEA TABLE

LATE 19TH CENTURY

the rounded rectangular fold-over top with a reeded edge, above a frieze centred by a tablet and outlined with stringing, raised on reeded tapered legs ending in brass caps and castors, opening on twin gatelegs 92cm wide, 74cm high, 46cm deep [closed]

£500-700

165

LATE GEORGE III OVAL MAHOGANY

BREAKFAST TABLE

LATE 18TH CENTURY

the crossbanded top on a plain ring-turned column and four outswept moulded legs ending in brass caps and castors

152cm wide, 70cm high, 134cm deep

£2,000-3,000

166

LATE GEORGE III SATINWOOD

OPEN BOOKCASE

LATE 18TH CENTURY

with two adjustable shelves, on a plinth base

124cm wide, 99cm high, 26cm deep

£1,000-1,500

167

GEORGE III MAHOGANY REPEATING BRACKET CLOCK BY HENRY SANDERSON, STRAND, LONDON LATE 18TH CENTURY

the inverted bell top with a brass swing handle and pinecone finials to the corners, above an arch moulded door enclosing a 7 inch breakarch dial with a silvered Roman numeral chapter ring and matted centre with signature aperture, with a calendar aperture below, with pierced rococo spandrels and strike/silent dial to the arch, with glazed sides on a moulded plinth base and brass ogee bracket feet, the brass twin wire fusée movement with pull repeat and a floral and foliate engraved backplate, verge escapement striking on a bell 27cm wide, 49cm high (including handle), 19cm deep

Provenance: Purchased Richard Barder Antiques, 1988. See ‘The Georgian Bracket Clock, 1714-1830’ by Richard C.R. Barder ( ACC Art Books, 1999)

Note: Henry Sanderson is noted as working near the East End of the New Church in the Strand, London, circa 1770 - 1783 - Britten’s Old Clocks & Watches and their Makers, Bloomsbury Books 1982 (9th edition) p.592

£4,000-6,000

WILLIAM IV TORTOISESHELL TEA CADDY

EARLY 19TH CENTURY

sarcophagus form, the hinged top above an ogee moulded body with white metal inlay, opening to reveal two lidded compartments with ivory borders, raised on ivory ball feet

20cm wide, 16cm high, 13cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference VR9T4SYL

£400-600

169 Y

REGENCY TORTOISESHELL AND MOTHER-OF PEARL TEA CADDY

EARLY 19TH CENTURY

of sarcophagus form with a domed top with white metal inlay, the front inlaid with mother-of-pearl floral sprays, opening to a two compartment interior with ivory borders and knobs, raised on metal ball feet

17cm wide, 16cm high, 11cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference XHFW1X29

£400-600

170 Y

REGENCY BLONDE TORTOISESHELL TEA CADDY

EARLY 19TH CENTURY

of rounded rectangular form with a domed lid with white metal inlay, opening to two lidded compartments with ivory knobs

17.5cm wide, 15cm high, 10cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference FH4U6XQW

£200-300

171 Y

RED TORTOISESHELL AND BRASS BOULLE MARQUETRY TEA CADDY

19TH CENTURY

of rectangular form with scrolling première-partie boulle panels, opening to reveal a rosewood veneered lid and two compartments with matching boulle lids

21cm wide, 12cm high, 12cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

172

VICTORIAN JAPANNED AND MOTHER-OF-PEARL TEA CADDY

19TH CENTURY

of cubic form, decorated with scenes of figures in gardens inlaid in mother-of-pearl and detailed with gilt, opening to reveal a lidded single compartment with bone knob, lined in engine turned foil paper

13cm wide, 11cm high, 13cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

173 Y

GEORGE III WALNUT AND PARQUETRY TEA CADDY

18TH CENTURY

of rectangular form with chamfered corners, the lid and body with rosewood, satinwood and ebonised ‘tumble-block’ parquetry panels within walnut borders, a gilt bronze scroll swing handle and escutcheon, opening to reveal three removable tin caddies with brass covers

20cm wide, 13cm high, 11cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

174

CHINESE EXPORT BLACK LACQUER AND GILT TEA CADDY

19TH CENTURY

of octagonal form decorated with gilt figural scenes in gardens and pavilions, opening to reveal two pewter caddies with covers and inner lids with bone knobs, raised on white painted ball feet

21cm wide, 13cm high, 15cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

175

EARLY VICTORIAN COROMANDEL TEA CADDY

MID 19TH CENTURY

of rectangular form with a domed lid, opening to reveal a blue silklined interior with two compartments with matching domed lids

25cm wide, 19cm high, 14cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£250-350

176

SPECIMEN WOOD PARQUETRY TEA CADDY, IN THE MANNER OF GILLOWS

EARLY 19TH CENTURY

of rectangular form with panels of ‘tumbling block’ parquetry in specimen wood veneers, opening to reveal two lidded compartments in matching marquetry

31cm wide, 16cm high, 15.5cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

GEORGE

III

SATINWOOD AND MARQUETRY TEA CADDY

LATE 18TH/ EARLY 19TH CENTURY

of oval form with a shell motif roundel and ebonised stringing to the lid, the body with an ivory escutcheon and two oval panels of harebells, opening to reveal a single foil lined interior

15.5cm wide, 11cm high, 8.5cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference TT3V36B3

£200-300

178

PAINTED AND GILT TOLEWARE TEA CADDY

EARLY 19TH CENTURY

of rectangular form with a brass c-scroll swing handle, painted with flowers enclosed in lattice and scrolling gilt borders, the pierced base on bracket feet, opening to reveal two removable caddies with mahogany veneered lids with boxwood stringing 23.5cm wide, 14cm high, 13cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

179 Y

REGENCY ROSEWOOD TEA CADDY

EARLY 19TH CENTURY

of rectangular form with a bead moulded base, the lid with a gilt brass swing handle, opening to reveal two rectangular cut glass caddy jars and a centre spoon well

32cm wide, 18cm high, 18.5cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

180 Y

WILLIAM IV BRASS INLAID ROSEWOOD TEA CADDY

EARLY 19TH CENTURY

of sarcophagus form, the lid and front panel inlaid with pierced scrolling designs, opening to reveal two caddies and a cut glass mixing bowl, each caddy lid inlaid with an initial ‘G’ and ‘B’, on squat bun feet 33cm wide, 20cm high, 18cm deep

Provenance: The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

£200-300

181 Y

TWO EARLY VICTORIAN BLACK JAPANNED TEA CADDIES

MID 19TH CENTURY

the larger of rectangular form with a domed lid, decorated with motherof-pearl, painted flowers, and gilt scrolling borders, on bun feet, opening to reveal a gilt decorated interior with a single foil lined caddy and a glass mixing bowl; the smaller of sarcophagus form, also decorated with painted flowers in gilt borders, on four squat bun feet, opening to a black lacquer interior with twin compartments, the lids with turned ivory knobs (2) the larger 23cm wide, 16cm high, 14cm deep

Provenance: From a collection of tea caddies formed by The Late Jacqueline Cannon OBE of Chelsworth, Suffolk

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 6ABBS1Z6

£200-300

LATE GEORGIAN NEEDLEWORK PANEL OF ADAM AND EVE

LATE 18TH/ EARLY 19TH CENTURY

depicting the couple in The Garden of Eden, Eve tempted by the serpent to partake of the forbidden fruit and offering it to Adam, inscribed in Hebrew ‘Pluck the fruit and eat’, within a laurel and berry border, in a birds’ eye maple frame

70cm wide, 51cm high

£300-500

183 Y

GROUP OF THREE TORTOISESHELL BOXES

EARLY 19TH CENTURY

to include a tortoiseshell sewing/ trinket box with white metal lined panels and ivory borders to the blue velvet interior; a tortoiseshell snuff box, the lid with yellow metal inlay and mounts, the centre of the lid with a small bone plaque set with a straw wheatsheaf; and a small mother-ofpearl and tortoiseshell burr walnut snuff box with yellow metal mounts to the lid, with presentation inscription

the largest 13.5cm long, 8.5cm wide

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 3HELJGGD

£300-500

184 Y

GEORGE III TORTOISESHELL AND MOTHER-OF-PEARL SNUFF BOX

LATE 18TH/ EARLY 19TH CENTURY of oval form, the lid and base in mother-of-pearl, the body in tortoiseshell with yellow metal mounts, the hinged lid engraved with a scrolling foliate design and shield with monogram ‘HP’, 9.5cm long, 5.5cm wide

£300-500

185

GEORGIAN STYLE TOLEWARE BOTTLE HOLDER

20TH CENTURY

of rectangular form, painted red with a pierced gilt border and six hole circular divider, on gilt lion’s mask paw feet

43cm wide, 15cm high, 33cm deep

£300-500

186

REGENCY GILT

WOOD, GESSO AND EBONISED TRIPTYCH

OVERMANTEL MIRROR

EARLY 19TH CENTURY

the inverted breakfront cornice with ball mounts above a palmette and foliate moulded frieze with ball mounts over bevelled plates in gilt slips and flanked by reeded pilasters, on an ebonised base

126cm wide, 65cm high

£600-800

187

REGENCY MAHOGANY STAGEBACK SIDEBOARD

EARLY 19TH CENTURY

the superstructure with tambour doors and a centre tablet over a concave top with two short frieze drawers flanked by deep drawers, one fitted as a cellaret, raised on reeded tapered legs, the drawer with an old paper trade label

170cm wide, 113cm high, 78cm deep

Provenance: Dunedin Antiques

£400-600

188

PAIR OF REGENCY MAHOGANY AND PAINTED HALL CHAIRS

EARLY 19TH CENTURY

the bullseye backs centred by painted armorial reserves of a winged coronet, on waisted supports above bowfront seats with circular recesses and raised on square tapered legs with spade feet (2)

49cm high, 95cm wide, 42cm deep

Provenance: John George Joicey Bequest Collection

£600-800

189

REGENCY MAHOGANY EXTENDING DINING TABLE

EARLY 19TH CENTURY

the rounded rectangular top raised on lobed and reeded tapering legs ending in brass caps and castors, with four leaf extensions and a further narrow leaf

388cm long, 75cm high, 131cm wide £3,000-5,000

190

REGENCY MAHOGANY CELLARET

EARLY 19TH CENTURY

of sarcophagus form, the domed hinged top with moulded edge and cross stringing, opening to a lead lined compartment interior, over tapered sides with geometric stringing and dentil moulding to the base, the sides with lion masks, raised cast bronze paw feet with brass castors

67cm wide, 56cm high, 51cm deep

Provenance: John George Joicey Bequest Collection

£800-1,200

191

REGENCY GILT AND EBONISED OVERMANTEL MIRROR

EARLY 19TH CENTURY

the rectangular mirror plate in a reeded ebonised slip enclosed by acanthus clasped columns and surmounted by a large palmette and acanthus scroll cresting 134cm wide, 94cm high

£1,500-2,500

192

SMALL CHINESE BLACK LACQUER CABINET-ON-STAND

EARLY 19TH CENTURY with a pair of doors decorated with mother-of-pearl and gilt depicting temples, pavilions and bridges, opening to a red painted interior with an arrangement of drawers; on a later stand similarly decorated and raised on tapered legs with ball feet and joined by an X stretcher 50cm wide, 114cm high, 22cm overall £800-1,200

193

GEORGE IV COROMANDEL AND MAHOGANY SIDE CABINET

EARLY 19TH CENTURY

the top with a moulded edge above a beaded frieze, over a pair of recessed quarter-panel doors opening to shelves, flanked by turned columns to the corners, on a moulded base and raised on square carved lotus feet 113cm wide, 113cm high, 39cm deep

£800-1,200

194

SET OF EIGHT REGENCY STYLE EBONISED AND POLYCHROMED CANED ARMCHAIRS

LATE 19TH CENTURY

the scrolled top rails with floral painted central tablets above lattice panel backs and wide caned seats flanked by downswept arms, raised on tapered legs all highlighted with gilding; with loose pad cushions (8)

53cm wide 85cm high, 42cm deep

£1,500-2,500

195

SCOTTISH REGENCY MAHOGANY AND EBONY SOFA TABLE, ATTRIBUTED TO WILLIAM TROTTER

EARLY 19TH CENTURY

the rounded rectangular top with drop leaf ends above an inverted breakfront frieze with a central drawer, on lyre end supports and concave quadripartite base all outlined with ebony stringing, raised on high scrolling sabre legs with ebonised roundels and ending in fluted cast brass caps and castors

92cm wide, 144cm [open], 74cm high, 71cm deep

£1,500-2,500

196

REGENCY MAHOGANY DRUM TABLE, IN THE MANNER OF GILLOWS

EARLY 19TH CENTURY

the circular top with a gilt tooled brown leather insert above a frieze with four drawers, on a faceted baluster column and quadripartite base outlined with bead moulding and raised on scroll feet with brass castors

121cm diameter, 74cm high

£1,500-2,000

197

REGENCY GILT AND VERRE ÉGLOMISÉ PIER MIRROR

EARLY 19TH CENTURY

the inverted breakfront cornice above a frieze with foliate scrolls and anthemion and a rectangular mirror plate, all flanked by fluted leaf clad pilasters

114cm high, 61cm wide

£800-1,200

198

REGENCY MAHOGANY WINE COOLER

EARLY 19TH CENTURY

of sarcophagus form, the hinged rounded rectangular top with a bead moulded edge opening to a lead lined interior, with panel sides and bead moulded base with a sliding metal lined tray, raised on reeded bun feet with brass castors

101cm wide, 54cm high, 68cm deep

£1,500-2,000

199 Y

REGENCY ROSEWOOD BRASS INLAID

LOW BREAKFRONT BOOKCASE

19TH CENTURY

the mirror-backed superstructure with a brass gallery and column supports, above a beadmoulded frieze inlaid with brass neoclassical motifs and a central pair of glazed doors enclosing adjustable shelves, flanked by open shelves and raised on scroll feet and brass castors

150cm wide, 127cm high, 34cm deep

£500-800

200

REGENCY OAK AND EBONISED KIDNEY-SHAPED WRITING TABLE, IN THE MANNER OF GILLOWS

EARLY 19TH CENTURY

the reniform top with a pierced brass gallery, above a plain frieze on boldly beaded end standards filled with slender baluster uprights, on dual splay legs ending in finely cast brass foliate caps and castors

96cm wide, 75cm high, 45cm deep

Note: A near identical design in mahogany sold in these rooms, 21st Mar, 2007, Fine Antiques, Lot 464, for £4,400

£1,200-1,800

201 Y

REGENCY ROSEWOOD

BRASS INLAID SOFA TABLE

EARLY 19TH CENTURY

the rectangular top with drop leaf ends with canted corners, above two bead moulded frieze drawers, raised on end supports with hipped sabre legs ending in brass caps and castors

87cm wide, 148cm [leaves up], 71cm high, 66cm deep

£600-800

202 Y

REGENCY ROSEWOOD AND BRASS INLAID CENTRE TABLE

EARLY 19TH CENTURY

the circular tilt top crossbanded and inlaid with brass foliate motifs, on a tapered bead moulded quadripartite pedestal and platform base raised on short sabre legs with brass line inlay and ending in brass caps and castors

132cm diameter, 70cm high

£2,000-3,000

203

LATE REGENCY

MAHOGANY WHATNOT

EARLY 19TH CENTURY

the spindle gallery top above two further platform shelves, the base with a drawer and cupboard, on turned feet with brass castors

50cm wide, 124cm high, 36cm deep

£400-600

204

LATE REGENCY MAHOGANY BOOKCASE CABINET

19TH CENTURY

the moulded cornice above open shelves and a pair of panel cupboard doors enclosing six short drawers; the base with a further pair of doors enclosing shelves, on a plinth base 102cm wide, 198cm high, 37cm deep

£600-800

205

REGENCY MAHOGANY DROP-LEAF DINING TABLE

EARLY 19TH CENTURY

the rounded rectangular top with a reeded edge above frieze drawers to both ends, on a ring turned baluster column and four outswept reeded legs ending in brass caps and castors 65cm wide, 142cm leaves up, 117cm high, 74.5cm deep

£600-800

206

GEORGE IV GILTWOOD TRIPLE OVERMANTEL MIRROR

EARLY 19TH CENTURY

the mirror plate in reeded ebonised slips and a flat moulded frame with acanthus details 65cm high, 131cm wide

£400-600

207

SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS

19TH CENTURY

the moulded bar backs with stretchers centred by a carved rosette, above stuffover seats with diamond woven cream upholstery, raised on fluted tapered legs 47cm wide, 85cm high, 47cm deep

£800-1,200

tier with turned supports, above two short frieze drawers outlined with bead moulding, over a pair of doors lined with pleated blue silk and flanked by scrolled pilasters ending on scroll feet

106cm wide, 118cm high, 40cm deep

£300-500

209

REGENCY MAHOGANY BREAKFAST TABLE

EARLY 19TH CENTURY WITH ADAPTATIONS

the rounded rectangular tilt top with a moulded edge, on a turned and lobed baluster column raised on palmette carved hipped sabre legs ending shell cast brass caps and castors

136cm wide, 73cm high, 97cm deep

£800-1,200

210

PAIR OF ENGLISH BRONZE FIGURES OF MILTON AND SHAKESPEARE

EARLY 19TH CENTURY

brown patina, the draped figures leaning against columns with books, on rectangular plinth bases, one figure stamped ‘Pub.d as the Act Directs by I & R Warner 1 of July 1827’, further mounted on moulded ebonised wooden stands (2)

10cm wide, 16cm high, 8cm deep

£400-600

211

FRENCH BRONZE MODEL OF THE ARC DE TRIOMPHE

LATE 19TH CENTURY

dark brown patina, on a white marble base

14.5cm high, 16cm high, 9cm deep

£300-500

212

TWO ITALIAN BRONZE GRAND TOUR FIGURES

EARLY 20TH CENTURY

each with dark brown patina, the first the Apollo Belvedere, after the antique, and the other Mercury after Giambologna, each on a variegated marble column and square plinth (2) the larger 39cm high

£400-600

(Lot part illustrated - see website for more images)

213

BOXED COLLECTION OF GRAND TOUR PLASTER INTAGLIOS

19TH CENTURY

the pine box painted to simulate rosewood, with nine drawers containing three hundred and forty plaster oval intaglios of classical subjects

43cm long, 28cm wide, 25cm high

£1,000-1,500

214

IRISH REGENCY BRASS INLAID MAHOGANY REPEATING BRACKET

CLOCK, BY DAVID NEILL, BELFAST

EARLY 19TH CENTURY

the 8 inch circular cream enamel dial with Roman numerals and twin winding holes, signed ‘David Neill, Belfast’, in a brass lined case with as stepped top surmounted by a pinecone finial, the sides with pierced brass sound fret panels and loop handles, raised on brass ball feet, the twin train gut fusée movement striking a bell

29cm wide, 47cm high, 17cm deep

£800-1,200

215

PAIR OF GILT AND PATINATED METAL NEOCLASSICAL STYLE LAMPS

19TH CENTURY

previously candlesticks, each with an urn candle nozzle and leaf cast pan, on a reeded column with a circular domed foot cast with a floral relief frieze and lattice tracery, with grey pinch-pleated shades (2)

40cm high, 13cm diameter

£1,000-1,500

216

WILLIAM IV MAHOGANY LAZY SUSAN

19TH CENTURY

the circular turntable top with a reeded edge and scalloped moulding, on a central acanthus carved support with a concave triform base with a moulded edge and line inlay

50cm diameter, 26cm high

£600-800

217 Y

WILLIAM IV ROSEWOOD TABLE-TOP DOUBLE WELLINGTON CHEST

19TH CENTURY

the mirror-backed centre section with shaped open shelves and fret carved brackets, flanked by banks of six graduated drawers with locking panels

63cm wide, 38cm high, 24cm deep

£400-600

LATE REGENCY ROSEWOOD AND MAHOGANY DROP-LEAF OCCASIONAL TABLE

EARLY 19TH CENTURY

the rectangular crossbanded top with drop leaf sides, above a frieze drawer with a dummy drawer opposing, raised on a waisted square column and quadripartite base with scroll feet and brass castors

84cm high, 49cm wide, 76cm wide [leaves up] 50.5cm deep £400-600

219

LATE REGENCY BOWFRONT MAHOGANY BOOKCASE

EARLY 19TH CENTURY

with four fixed shelves flanked by part-reeded columns, above a base drawer and conforming plinth 60cm wide, 149cm high, 39cm deep £1,200-1,800

220 LATE REGENCY MAHOGANY WHATNOT BOOKCASE

EARLY 19TH CENTURY with a pedimented tier above platform shelves, with a base drawer, raised on turned legs ending in brass caps and castors 50cm wide, 113cm high, 34cm deep £400-600

221 Y

PAIR OF REGENCY SIMULATED ROSEWOOD SIDE CHAIRS

EARLY 19TH CENTURY

the curved backs and stuff-over seats raised on lotus carved and turned legs headed by foliate blocks, with brass caps and ceramic castors, covered in red and taupe ticking stripe fabric (2) 82cm high, 52cm wide, 38cm deep £400-600

222 REGENCY GILTWOOD TRIPTYCH OVERMANTEL MIRROR 19TH CENTURY

the inverted breakfront cornice with ball mounts above a lattice frieze and three mirror plates flanked by reeded Corinthian columns

80cm high, 155cm wide £600-800

223 Y

LATE REGENCY MAHOGANY ARCHITECT’S DESK, BY J. WARRINGTON IN THE MANNER OF GILLOWS LATE 18TH CENTURY/ EARLY 19TH CENTURY

the double hinged and ratchet adjusted top with a reeded edge, above a secretaire drawer fitted with a green leather slide with a glass inkwell and ratchet adjusted slope, over a recess with covered compartments and hidden drawers, the hinged covers with ivory plaques inscribed with alphabet series, above an arched apron and raised on banks of three drawers and an arched apron, the corners with turned and reeded columns, the reverse with dummy drawers and cupboards, on castors; stamped twice on the drawer J. WARRINGTON

127cm wide, 93cm high, 68cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference GNTE33WJ £2,000-3,000

224

REGENCY GILTWOOD PIER MIRROR

19TH CENTURY WITH ALTERATIONS

the inverted breakfront cornice with ball mounts above a frieze panel mounted with three German oval porcelain plaques depicting famous beauties, over a central mirror plate flanked by margin plates, all divided by Corinthian pilasters

80cm high, 56cm wide

£300-400

225

REGENCY STYLE MAHOGANY, EBONY AND BRASS INLAID

TEA TABLE

LATE 19TH CENTURY

the crossbanded rounded rectangular top above a frieze with brass inlaid rosettes, the fold-over top opening with a pivot action, raised on a reeded baluster column and scrolling moulded legs ending in leaf cast brass caps and castors 107cm wide, 76cm high, 53cm deep

£600-800

226 Y

REGENCY ROSEWOOD OPEN ARMCHAIR

EARLY 19TH CENTURY

the continuous curved back and seat flanked by part-padded arms with scrolled hand terminals, on arched X form legs with later ceramic castors 60cm wide, 91cm high, 54cm deep

£400-600

227

PAIR OF REGENCY STYLE BEECH X-FORM STOOLS

20TH CENTURY

the rectangular panel seats with green velvet covered pads, raised on reeded curved X-form supports joined by turned stretchers (2)

56cm wide, 48cm high, 41cm deep

£300-500

228 Y

REGENCY ROSEWOOD, SATINWOOD, AND BRASS MOUNTED CARD TABLE

EARLY 19TH CENTURY

the swivel-action crossbanded top with canted corners opening to a green baize playing surface, above a plain frieze raised on scrolled supports with lappet mounts and joined by a conforming undertier, on outswept feet with brass hairy paw caps and castors

91cm wide, 71cm high, 44.5cm deep [deep]

£600-800

230 Y

REGENCY BRASS MOUNTED ROSEWOOD SIDE CABINET

EARLY 19TH CENTURY

the brass banded rectangular top above a pair of glazed doors flanked by brass lotus capped pilasters, the interior with shelves, raised on turned bun feet

108cm wide, 93cm high, 36cm deep

£600-800

229

REGENCY MAHOGANY CHEVAL MIRROR, ATTRIBUTED TO GILLOWS

EARLY 19TH CENTURY

the rectangular mirror plate supported between square uprights with urn finials and adjustable brass candle arms, raised on hipped and reeded sabre legs ending in brass caps and castors

76cm wide, 163cm high

£1,000-1,500

WILLIAM IV MOTHER-OF-PEARL INLAID ROSEWOOD DRESSING TABLE BOX

EARLY 19TH CENTURY

the lid and front inlaid with scrolling mother-of-pearl panels with recessed brass handles to the sides, opening to a deep purple velvet and leather interior, the lid with a concealed stationery compartment above two lift-out trays fitted with hobnail cut glass jars and boxes with silver covers, hallmarked Archibald Douglas, London 1831, the box with a drawer to the base with two gilt tooled leather lids opening to a blue velvet lined jewellery tray

43cm wide, cm high, 28cm deep, 20cm deep £300-500

231

REGENCY WOOL WORK PICTURE

EARLY 19TH CENTURY

depicting a basket of flowers worked in wool, silk and wire, the basket of woven straw, inside a mahogany veneered and ebonised shadowbox frame

27cm high, 32cm wide

£300-500

232

SIR WILLIAM CHARLES ROSS (1794-1860)

PAIR OF PORTRAIT MINIATURES

oval, painted in watercolour on vellum, the sitters identified as Rev. Thomas Mandle (1801 - 1865), later rector of Elvington near York, and his wife Elizabeth Stewart Mandle (18051873); together with a handwritten letter from Ross to Mrs. Mandle dated 5 August 1836 concerning the painting of a companion portrait

9.5cm high, 7.5cm wide £300-500

233

LARGE DAGUERREOTYPE

MID 19TH CENTURY

oversized half-plate, cut to oval depicting a middle-aged lady seated at a table wearing a dress, shawl and bonnet, in a period gilt mount and wine red moroccan leather velvet lined case

19cm wide, 24cm high

£300-500

234 Y

235

RARE REGENCY MAHOGANY SLIPPER-MAKER’S WORK TABLE

EARLY 19TH CENTURY

the removable lift-off tray top revealing a three quarter gallery and compartmented interior, above frieze drawers to both short sides, raised on tapered end supports and downscrolling legs ending in brass caps and castors and united by a turned stretcher, with neoclassical gilt metal mounts throughout; containing a quantity of 19th century slipper-making tools and materials, leather soles, and wood lasts some stamped I THORPE/ STAFFORD and F. MACKIE

59cm wide, 87cm high, 42cm deep

Provenance: John George Joicey Bequest Collection

£800-1,200

Note: Women in the 18th and 19th centuries were expected to exhibit their needleworking skills in a variety of ways by making both decorative as well as useful items. The embroidery of slipper uppers became a widespread domestic pastime for the upper and middle classes, as slippers were usually worn by ladies at home. Patterns could be purchased or taken from magazines, and when the embroidered uppers were completed, they would be taken to a shoemaker for finishing. In 1847 the cost of making up a pair of worked slippers was 14 shillings, about the same price as a pair of ready-made French slippers. Not many people would have had the skill or equipment to undertake the whole process from start to finish, making the present work table so rare. The present table would appear to be a one-off, made and outfitted for an accomplished amateur slipper maker.

part illustrated - see website for more images)

236

GEORGE III BEECH AND LEATHER WIG STAND

EARLY 19TH CENTURY

covered in brown hide with close-nail trim, fitted with an interior compartment and mounted on a pivoting turned wood table clamp

41cm high, 17cm wide

Provenance: John George Joicey Bequest Collection

£300-500

237 Y

WILLIAM IV ROSEWOOD WOOL TABLE

EARLY 19TH CENTURY

with two graduated galleried tiers raised and divided by a turned centre support, on a concave tripartite base with squat bun feet

43cm diameter, 75cm high

£800-1,200

238 BOBBIN LACEMAKING PILLOW AND STANDING FRAME

19TH CENTURY

the bolster shaped stiff cushion with bobbin lace in progress and hung with a quantity of wood bobbins with bead decoration, and a lace ribbon, on a separate tripod cradle 33cm wide, 81cm high, 25cm deep overall

Provenance: John George Joicey Bequest Collection

£300-500

239 TROMPE L’OEIL PAINTED OAK WORK BOX

19TH CENTURY, LATER DECORATED painted to resemble a Georgian country house, the hinged sloped lid hinged opening to a void interior

39cm wide, 30cm high, 27cm deep

£300-500

241

PAIR OF GILT AND PATINATED BRONZE NEOCLASSICAL STYLE LAMPS

EARLY 19TH CENTURY

converted from candlesticks, with urn form nozzles above reeded stems on acanthus cast triform bases with paw feet, with pinch-pleated grey shades (2)

42cm high, 14cm wide

£1,000-1,500

243

REGENCY MAHOGANY AND EBONY DOUBLE CHAIR BACK SETTEE

EARLY 19TH CENTURY with twin lyre-shaped backs with ebony dot inlay, above a wide padded seat flanked by outswept reeded arms, raised on turned and tapered legs ending in brass caps and castors 129cm wide, 87cm high, 63cm deep

£600-800

240 Y

REGENCY ROSEWOOD OVERMANTEL MIRROR

EARLY 19TH CENTURY

the rectangular plate in an ebonised slip and moulded frame carved with roundels and marked at the upper corners with flower heads, over a base shelf

62cm high, 116cm wide

£400-600

242

REGENCY MAHOGANY BRASS BANDED ETAGERE TABLE, IN THE MANNER OF JOHN MACLEAN

EARLY 19TH CENTURY

with two rounded rectangular tiers outlined with brass and brass Greek key banding, raised on brass mounted fluted columns and matching tapered legs ending in brass toupie feet

83cm wide, 88cm high, 51.5cm deep

£1,500-2,000

244

LATE GEORGE III ROSEWOOD FOLD-OVER CARD TABLE

EARLY 19TH CENTURY

the crossbanded rounded rectangular top opening to a green baize playing surface over an ebony and satinwood strung

frieze, raised on square tapering legs, opening on twin gatelegs

89cm wide, 74cm high, 45cm deep, 90cm [open]

£600-800

FINE

EARLY 19TH CENTURY

the rectangular top banded in scrolling foliate brass inlay, above a long frieze drawer centred by a tablet with corresponding brass inlay, raised on lotus carved end supports with trestle bases on cast iron paw feet, with gilt brass mounts

89cm wide, 74cm high, 55cm deep

£2,500-3,500

246

IRISH REGENCY MAHOGANY SOFA

19TH CENTURY

the serpentine shaped back with carved acanthus scrolls, above a long padded seat and high scrolled arms with carved acanthus facings, raised on carved paw feet with brass castors

222cm long, 84cm high, 65cm deep

£1,000-1,500

245 Y

REGENCY ROSEWOOD, EBONISED, AND BRASS INLAID SOFA TABLE

Y

247 Y

REGENCY ROSEWOOD AND SIMULATED ROSEWOOD SMALL BOOKCASE

EARLY 19TH CENTURY

the superstructure with two shelves and a three-quarter pierce brass gallery, above a single cupboard door with pierced brass lattice grille insert, the interior with a single fixed shelf, on carved paw feet

54cm wide, 141cm high, 33cm wide

£400-600

248 Y

GEORGE IV ROSEWOOD

LAMP TABLE

EARLY 19TH CENTURY

the rounded rectangular top above tapered turned supports on twin trestle bases with scrolled feet and united by a turned stretcher

56cm wide, 74cm high, 38cm deep

£500-700

249

SCOTTISH GEORGE IV MAHOGANY PEDESTAL SIDEBOARD

EARLY 19TH CENTURY

the centre section with two frieze drawers and a scroll and fan carved backrail, flanked by tapered pedestal ends with moulded drawers above facetted panel doors flanked by spiral turned columns, raised on carved paw feet

247cm wide, 125cm high, 67cm deep

£600-800

250

PAIR OF GEORGE IV MAHOGANY LIBRARY ARMCHAIRS

EARLY 19TH CENTURY

of ample proportions, the arched moulded backs leading to enclosed scroll arms centred by carved rose motifs, above deep stuff-over seats raised on square moulded curved legs (2) 66cm wide, 107cm high, 51cm deep £1,500-2,500

GEORGE

EARLY 19TH CENTURY

the rectangular top raised on a lotus leaf carved support and quadripartite base with lotus carved bun feet 56cm wide, 73cm high, 40cm deep £500-700

252

REGENCY

STEEL AND BRASS FIRE GRATE, IN THE MANNER OF GEORGE BULLOCK

EARLY 19TH CENTURY

with a toothed top grate bar flanked by curved supports mounted with brass acanthus and lion paw feet on stepped footblocks

81cm 64cm high, 38cm deep £1,500-2,500

251 Y

IV ROSEWOOD OCCASIONAL TABLE

254

WILLIAM

IV

MAHOGANY

COMPACTUM

WARDROBE

EARLY 19TH CENTURY

the centre section with six graduated drawers and a scroll carved pediment, flanked by tall cupboards enclosing hanging space and shelves, on a plinth base 254cm wide, 204cm high, 65cm deep

£700-1,000

253

PAIR OF LARGE REGENCY STYLE BRASS HALL LANTERNS

LATE 20TH CENTURY

the frosted glass bell shades with starburst etched panels, the brass frames with scroll supports and pinecone pendant finials, fitted for electricity (2) 108cm high, 56cm diameter

£2,000-3,000

256

WILLIAM IV MAHOGANY

SOFA TABLE

EARLY 19TH CENTURY

the rounded rectangular top with drop leaf ends above two short frieze drawers with dummy drawers opposing, raised on a plain column support and quadripartite base with scroll feet with wood castors

97cm wide, 151cm [leaves up], 72cm high, 65cm deep

£600-800

255

PAIR OF SCOTTISH REGENCY MAHOGANY PEDESTAL TABLES, POSSIBLY JAMES MEIN OF KELSO

EARLY 19TH CENTURY

the rounded rectangular top on ring-turned columns with tripartite bases raised on lobed feet (2)

45.5cm wide, 73cm high, 34.5cm deep

£2,000-3,000

257 Y

WILLIAM IV ROSEWOOD SOFA

EARLY 19TH CENTURY

the padded back with a shell and foliate carved scrolling top rail, above a padded seat on a moulded seat rail flanked by upright arms with lotus carved facings, raised on short turned and reeded legs, in pale blue upholstery with two bolsters

188cm wide, 92cm high, 65cm deep

£600-800

WILLIAM IV ROSEWOOD WORK TABLE

19TH CENTURY

the shaped rectangular top above a single frieze drawer and two side drawers, a sliding work bag below, raised on facetted baluster supports with trestle bases united by a stretcher, with brass caps and castors

67cm wide, 73cm high, 43cm deep £300-500

259

WILLIAM IV MAHOGANY SECRETAIRE BREAKFRONT BOOKCASE

EARLY 19TH CENTURY

the arched cornice mounted with carved palmettes above leaf carved and moulded astragal glazed doors enclosing adjustable shelves, the breakfront base with a shallow secretaire frieze drawer flanked by short drawers, above panel moulded doors and scroll brackets, on a plinth base

236cm wide, 264cm high, 56cm high

£2,000-3,000

260

LARGE BIRDS’ EYE MAPLE AND EBONY OVERMANTEL MIRROR

LATE 19TH CENTURY

the rectangular bevelled mirror plate in a cushion moulded frame

174cm high, 134cm wide

£800-1,200

261

LARGE OAK LEATHER LINED WELLINGTON ESTATE CABINET 19TH CENTURY

the arch pediment above a cupboard with black pleated silk enclosing a shelved interior, above fourteen short drawers with leather fronts and side locking panels, on a plinth base

92cm wide, 203cm high, 38cm deep

£1,000-1,500

262

WILLIAM IV GRAIN PAINTED ROSEWOOD TEA TABLE

EARLY 19TH CENTURY

the pivoting, fold-over and crossbanded top above a crossbanded frieze, raised on a facetted tapered column and quadripartite base with downscrolled feet with brass castors

102cm wide, 77cm high, 50.5cm deep

£300-400

263

GEORGE IV MAHOGANY CARD TABLE

EARLY 19TH CENTURY

the rounded rectangular fold-over top pivoting to open to green baize playing surface, above a convex moulded frieze flanked by scrolled brackets, raised on a leaf carved column and concave quadripartite base with foliate scrolled feet and brass castors

89cm wide, 75cm high, 44.5cm deep [closed]

£500-700

264 Y

WILLIAM IV ROSEWOOD TRESTLE TABLE

EARLY 19TH CENTURY

the rounded rectangular top above a long frieze drawer, raised on twin column end supports with trestle bases, united by a curved stretcher and ending on flattened bun feet with brass castors

91cm wide, 73cm high, 53cm deep

£300-500

265

IRISH WILLIAM IV MAHOGANY

MARBLE TOPPED PIER TABLE

EARLY 19TH CENTURY

the mottled green and black marble top above a moulded frieze and raised on bold acanthus carved cabriole legs ending in paw feet

109cm wide, 79cm high, 53.5cm deep

£1,200-1,800

266 Y

GEORGE IV ROSEWOOD AND SATINWOOD CARD TABLE

19TH CENTURY

the fold-over top with boxwood and ebonised stringing above a plain frieze, pivoting to open to a green baize surface, raised on square tapered legs

82cm wide, 74cm high, 42cm deep

£300-500

267

WILLIAM IV PAINTED AND GILT ETAGERE CABINET

EARLY 19TH CENTURY

the upper part with three tiers raised and divided on turned supports; the base of breakfront outline with a pair of cupboard doors flanked by open shelves, all painted dark brown with gilt decorated with banding, oak leaves, and faux brass grilles, on a bead moulded base raised on bun feet

183cm wide, 191cm high, 41cm deep

£700-900

269

19TH CENTURY SCOTTISH SCHOOL

FULL LENGTH PORTRAIT OF ANDREW JOHN

LAURENCE YOUNG AS A BOY IN TARTAN

Oil on canvas

76cm x 64cm (30in x 25in)

Note: Andrew Young subsequently became Sheriff of Aberdeen

£500-700

PAINTINGS PART I

268

19TH CENTURY BRITISH SCHOOL

HALF LENGTH PORTRAIT OF DAVID LIVINGSTONE

Inscribed verso with sitter’s name and ‘Africa’, oil on canvas

71cm x 61cm (28in x 24in)

£600-800

270 THOMAS WRIGHT (BRITISH 19TH CENTURY)

A PASTORAL SCENE WITH CATTLE WATERING BY A LAKE

Signed and dated 1870, oil on canvas 96cm x 121.5cm (37.75in x 48in)

£1,500-2,500

271 JAMES GILES R.S.A. (SCOTTISH 1801-1870)

DEER ON A HILLTOP AT SUNSET Oil on panel

57cm x 80cm (22.5in x 31.5in)

£1,000-1,500

273

OLIVER

APPLES, GRAPES AND RASPBERRIES

Signed, oil on canvas, and another by the same hand, ‘Blossom and a Birds Nest’ (2)

15cm x 20cm (6in x 8in)

Provenance: Richard Green, London, AA516, V524

£700-900

272

OLIVER CLARE (BRITISH 1853-1927)

BLOSSOM AND BIRD’S NEST

Signed and dated ‘93, oil on canvas, and a companion, a pair, ‘Grapes, Apples and Raspberries’ (2)

15cm x 23cm (6in x 9in)

Provenance: Richard Green, London, T1297

£700-900

CLARE (BRITISH 1853-1927)

274

JOHN VARLEY JNR. (BRITISH 1850-1933)

THE MOSQUE OF EL QALLOWEEN, CAIRO

Signed and dated 1882, signed, inscribed and dated verso, oil on canvas

59.5cm x 44.5cm (23.5in x 17.5in)

£500-800

276

FOLLOWER OF WILLIAM SHAYER

A REST BY THE WAY Oil on canvas

71cm x 91cm (28in x 36in)

£400-600

275

J**WEEKES (BRITISH 19TH/20TH CENTURY)

CATTLE IN A BYRE

Signed, oil on canvas

51cm x 76cm (20in x 30in)

£400-600

277 MANNER OF GEORGE BOUVERIE GODDARD (BRITISH 1832-1886)

LOVE AND STRIFE

Signed, oil on canvas

50cm x 75cm 20in x 30in)

£600-900

278 ROBERT CLEMINSON (19TH/20TH CENTURY BRITISH) AFTER THE SHOOT

Signed, oil on canvas, and a companion, a pair (2)

71cm x 91cm (28in x 36in)

£800-1,200

279

STUART HENRY BELL (BRITISH 1823-1890)

LIFE ON THE WATER - TOIL AND PLEASURE

Signed and dated 1893/4, signed, inscribed and dated verso, oil on canvas

76cm x 127cm (30in x 50in)

Note: The registration number on the fishing boat refers to Whitby £1,000-1,500

280

GEORGE REID (SCOTTISH 1841-1913)

LOCH SKENE

Signed with a monogram, inscribed and dated ‘ Loch Skene 12th Novr. 1880’, also dated 1882, oil on canvas

84cm x 131cm (33in x 51.5in)

Exhibited: Royal Scottish Academy 1883, no.168 £1,000-1,500

281

SIR WILLIAM ORPEN (IRISH 1878-1931)

HALF LENGTH PORTRAIT OF SIR RALPH ANSTRUTHER

Signed, oil on canvas

102cm x 86.5cm (40in x 34in)

£3,000-5,000

282

CHARLES MOREAU (FRENCH 1830-1891)

FEEDING THE RABBITS

Signed, oil on panel 61cm x 73cm (24in x 28.75in)

£1,500-2,000

283

FACES IN THE FIRE

Signed, signed and inscribed verso, oil on canvas

76cm x 91cm (30in x 36in)

£500-800

JOHN HANSON WALKER (BRITISH 1844-1933)

284 CHARLES JAMES LAUDER R.S.W. (SCOTTISH 1840-1920) ON THE ITALIAN LAKES

Signed, oil on canvas 76cm x 122cm (36in x 48in)

£800-1,200

285

KEELEY HALSWELLE R.I., A.R.S.A. (BRITISH 1832-1891)

FRUIT GOING TO MARKET, VENICE

Traces of signature, with inscribed label verso, oil on canvas

36cm x 71cm (14in x 28in)

£800-1,200

UNDER FULL SAIL

Signed, oil on canvas 76cm x 127cm (30in x 50in)

£600-900

S.Y. LADY GODIVA LEAVING VALETTA HARBOUR

Signed and dated 1898, oil on board 24.5cm x 54cm (9.75in x 21.25in)

£1,000-1,500

287

LUIGI MARIA GALEA (MALTESE 1847-1917)

286

DANIEL SHERRIN (BRITISH 1869-1940)

288

JOHN BRETT R.A. (BRITISH 1831-1902)

THE PARTING HOUR

Dated 20th July 1893, oil on canvas

37cm x 76cm (14.5in x 30in)

Provenance: Frost & Reed, London Abbott & Holder Ltd, London £3,000-5,000

289

RUDOLPH KONOPA (AUSTRIAN 1864-1936)

HOMEWARD BOUND

Signed with initials and dated 1906, oil on canvas 63.5cm x 99cm (25in x 39in) £800-1,200

290

RICHARD EURICH (BRITISH 1903-1992)

TALL SAILS

Signed and dated ‘70, signed, inscribed and dated verso, oil on canvas

30.5cm x 46cm (12in x 18in)

Provenance: Arthur Tooth & Sons Ltd, London

£1,000-1,500

291

LILLIAN STANNARD (BRITISH 1877-1944)

THE LONG WALK

Signed, watercolour

33cm x 51cm (13in x 20in)

£600-800

292

WILLIAM WALLS R.S.A., R.S.W. (SCOTTISH 1860-1942)

THE DAY’S BAG, SAVISKAIL

Signed and dated 1927, inscribed on the backboard, oil on canvasboard

46cm x 61cm (18in x 24in)

Provenance: Calton Gallery, Edinburgh 1988

£600-900

293

WILLIAM PERCY FRENCH (IRISH 1854-1920)

THE PEAT DONKEY

Signed, watercolour, and three other unsigned watercolours by the same hand, a set of four (4)

12cm x 16.5cm (4.75in x 6.5in)

£3,000-5,000

294

MARY MACKENZIE

(SCOTTISH 1888- C.1937)

THE YOUNG VIOLINIST

Signed, oil on canvas

102cm x 63.5cm (48in x 25in)

£700-1,000

BRITISH FURNITURE & WORKS OF ART PART III

295

EARLY VICTORIAN GILTWOOD OVERMANTEL MIRROR

MID 19TH CENTURY

the rectangular mirror plate in a bead moulded frame with husk trails beneath an egg and dart moulded frieze surmounted by floral cresting and palmette finials

151cm high, 134cm wide

£800-1,200

296

EARLY VICTORIAN MAHOGANY AND MARQUETRY LADY’S WRITING TABLE 19TH CENTURY

the top with a serpentine front inlaid with a flowering basket, with a rising screen to the rear, above a leather lined slide with a frieze drawer to the side, raised on cabriole legs joined by a shaped undertier with gilt metal mounts 63cm wide, 73cm high, 42.5cm deep

£700-900

297 Y

EARLY VICTORIAN ROSEWOOD AND MAHOGANY CENTRE TABLE

MID 18TH CENTURY

the circular tilt top on a facetted baluster column with a scrolling tripod base and scrolled feet with brass castors

137cm diameter, 73cm high

£500-700

298 Y

SET OF SIX EARLY VICTORIAN ROSEWOOD SIDE CHAIRS

MID 19TH CENTURY

with open balloon backs with foliate carved rails, above serpentine stuffover seats covered in various fabrics, raised on moulded cabriole legs (6)

46cm wide, 88cm high, 43cm deep

£300-500

299 Y

ROSEWOOD, POLLARD OAK, AND INLAID HEXAGONAL PEDESTAL TABLE

19TH CENTURY

the banded tilt top with a moulded edge and inlaid with a star motif and scrolling flower motifs, on a triple cluster column support and scrolled tripod base 67cm diameter, 74cm high £800-1,200

300

ITALIAN OLIVE AND WALNUT MARQUETRY TABLE

LATE 18TH CENTURY

the serpentine top inlaid with a scene depicting a ruler in a horse drawn chariot, above a serpentine frieze drawer, raised on cabriole tapering legs united by a serpentine undertier inlaid with a scene of a man being threatened with a sabre

64cm wide, 70cm high, 44cm deep

£600-800

301 Y

EARLY VICTORIAN ROSEWOOD DUET STOOL MID 19TH CENTURY

the padded serpentine seat in a moulded frame raised on flower carved cabriole legs ending in ceramic castors; covered in blue and cream rose and lattice upholstery

114cm wide, 46cm high 51cm deep

£600-800

(Lot part illustrated - see website for more images)

303 Y

SET OF SIX EARLY VICTORIAN ROSEWOOD SIDE CHAIRS

MID 19TH CENTURY

with open balloon backs with moulded top rails, above serpentine buttoned seats covered in burnt orange velvet, raised on turned legs (6)

45cm wide, 85cm high, 44cm deep

£400-600

305

EARLY VICTORIAN WALNUT CENTRE STOOL

MID 19TH CENTURY

the padded seat covered in green velvet, in a moulded frame and raised on flower carved cabriole legs with ceramic castors

94cm wide, 46cm high, 55cm deep

£300-500

302

ROYAL CROWN DERBY IMARI PART TEA SERVICE

CIRCA 1900 AND LATER

pattern 2451, comprising eleven cups; twelve saucers; twelve side plates; cream jug; slop bowl; two cake plates; together with a PART DESSERT SERVICE, pattern 2172, comprising two shaped dishes; one lozenge shaped dish; and six dessert plates; various factory marks (qty)

£300-500

304

EARLY VICTORIAN MAHOGANY

BREAKFAST TABLE

MID 19TH CENTURY

the circular tilt top on a turned baluster column and scrolling tripod base with brass castors

139cm diameter, 74cm deep

£600-800

306

PAIR

19TH CENTURY

the oval mirror plates in moulded frames with pierced cartouche cresting, each issuing three scrolling candle arms (2) 92cm high, 55cm wide

£400-600

307

PAIR

19TH CENTURY WITH ALTERATIONS

the tops with moulded edges above five moulded drawers with mother-ofpearl star inlaid knobs, on plinth bases

43cm wide, 79cm high, 38cm deep

£1,200-1,800

308

EARLY VICTORIAN MAHOGANY SOFA

MID 19TH CENTURY

the padded back with a serpentine top rail above a long padded seat flanked by outscrolled arms with leaf carved facings, above a moulded seat rail and raised on turned tapering legs with ceramic castors, covered in russet and gold check upholstery

210cm wide, 89cm high, 55cm deep £400-600

OF VICTORIAN GILTWOOD AND GESSO GIRONDOLE MIRRORS

OF VICTORIAN MAHOGANY BEDSIDE CHESTS

310 Y

SET OF SIX EARLY VICTORIAN ROSEWOOD SIDE CHAIRS

MID 19TH CENTURY

with acanthus and floral carved open backs above dropin seats, raised on turned and tapered reeded legs (6) 46cm wide, 83cm high, 40cm wide £400-600

309 Y

PAIR OF VICTORIAN WALNUT AND MARQUETRY CARD TABLES

19TH CENTURY

of free-standing serpentine outline, the fold-over tops centrally inlaid with flowers in a c-scroll border on a rosewood ground, pivoting to open to green baize playing surfaces, above shaped friezes centred with gilt metal masks of Silenus to the front and back with boxwood stringing, raised on cabriole legs (2) 91cm wide, 76cm high, 45cm deep £1,500-2,500

311

EARLY VICTORIAN WALNUT DUET STOOL

MID 19TH CENTURY

the drop-in seat with striped upholstery, in a pierced and carved rococo style frame, raised on cabriole legs

126cm wide, 44cm high, 46cm deep

£700-1,000

312

VICTORIAN GILT OVERMANTEL MIRROR LATE 19TH CENTURY

the rectangular mirror plate in a moulded and beaded frame surmounted by a carved armorial cresting flanked by lions

165cm high, 109cm wide

£800-1,200

313

VICTORIAN BURR WALNUT, ROSEWOOD AND MARQUETRY BONHEUR DE JOUR

LATE 19TH CENTURY

the superstructure with a central mirror flanked by a pair of glazed cupboards with pierced brass galleries, above a slope enclosing a fitted interior with pigeon holes, drawers and a well above a shaped frieze, raised on cabriole legs, with gilt metal mounts throughout

87cm wide, 142cm high, 54cm deep

£800-1,200

314

VICTORIAN WALNUT, HAREWOOD, AND MARQUETRY KIDNEY-SHAPED WRITING TABLE

MID 19TH CENTURY

the banded top with a pierced three-quarter brass gallery and leather insert, above a frieze drawer and raised on cabriole legs with gilt-bronze mounts, ending on porcelain castors

103cm wide, 76cm high, 53cm deep

£400-600

317

315

LATE VICTORIAN BRASS LUGGAGE AND COAT RACK

LATE 19TH CENTURY

the cast and tubular brass frame with a three bar luggage rack with four coat hooks below 73cm wide, 26cm high, 29cm deep

£300-500

316

VICTORIAN COUNTRY HOUSE BRONZE AND CAST IRON DOOR STOP, OF HUNTING INTEREST

LATE 19TH CENTURY

with a dark brown patinated bronze figure of a hound surmounted by an upright handle modelled as a riding crop, on a cast iron base 24cm wide, 47cm high, 11cm deep

£300-500

VICTORIAN MAHOGANY AND BRASS STICK STAND MID 19TH CENTURY

the gadrooned ring top with a brass dish liner, on three lion’s head carved Chinese style scroll legs, the circular undertier with a brass drip tray, on paw feet 35cm diameter, 71cm high

Provenance: Purchased in these rooms, The Ainslie Collection, 14th January 2009, lot 206

£400-600

318

AESTHETIC MOVEMENT CARVED MAHOGANY HALL BENCH

LATE 19TH CENTURY

the back with an arched top rail over three foliate carved panels and spindle arches, above a long seat flanked by scrolling arms, raised on turned legs joined by an H stretcher

122cm wide, 99cm high, 45cm deep

£800-1,200

319

EARLY VICTORIAN OAK MARQUETRY OCCASIONAL TABLE

MID 19TH CENTURY

in the Renaissance Revival style, the rounded rectangular top with a leaf-carved edge raised on pierced and carved end supports with arched trestle bases and ceramic castors

87cm wide, 71cm high, 51cm deep

£600-800

320

EARLY VICTORIAN MAHOGANY READING STAND

MID 19TH CENTURY

the adjustable top with opposing bookrests, on a ring-turned column and shaped platform base with ceramic castors

82cm wide, 104cm high [highest], 42cm deep

£400-600

321

AFTER PIERRE-JULES MENE (FRENCH 1810–1879)

DJINN, ETALON BARBE patinated cast iron, signed ‘P.J. MENE. 1846’, the moulded edge also stamped ‘DJINN ETALON BARBE’ and ‘COALBROOKDALE COMPANY’

38cm wide, 29cm high, 15cm deep

£300-500

322

PAIR OF VICTORIAN CARVED OAK AND LEATHER LIBARY ARMCHAIRS

19TH CENTURY

the sloping button upholstered backs above deep seats and padded open arms, carved throughout with foliate quatrefoils and strapwork, raised on reeded tapered legs terminating in brass caps and ceramic castors, upholstered in green leather (2) 65cm wide, 96cm high, 80cm deep

£1,500-2,500

323

VICTORIAN MAHOGANY SMALL PEDESTAL DESK

19TH CENTURY

of unusual hexagonal form, the top with a navy leather insert and moulded edge, above three frieze drawers, raised on banks of graduated drawers with dummy drawers to the reverse, on plinth bases

135cm long, 73cm high, 75cm deep

£800-1,200

324

LATE GEORGE III MAHOGANY LONGCASE AUTOMATON CLOCK, BY W. GOULDEN, BISHOP’S NYMPTON

EARLY 19TH CENTURY

the hood with a swan neck cornice centred by an acorn finial, above an arched painted dial painted with a gentleman and lady playing tennis with automaton action to the tennis ball, the painted Roman numeral dial with subsidiary seconds dial, calendar aperture, and twin winding holes, the spandrels painted with flowers, over a plain trunk door flanked by angles, on a plinth base; the twin train eight-day movement striking a bell

212cm high, 46cm wide, 23cm deep £500-800

325

VICTORIAN GILTWOOD WALL MIRROR

19TH CENTURY

the arched mirror plate in a giltwood frame with a sailor’s knot rope border

58cm high, 52cm wide £300-500

326

VICTORIAN MAHOGANY OPEN ARMCHAIR

MID 19TH CENTURY

the padded U-shaped back and arms above a deep padded seat, raised on fluted tapered legs, in yellow foliate upholstery

70cm wide, 76cm high, 61cm deep £400-600

327

TWO MAHOGANY ARCHITECT’S MODELS OF STAIRCASES

20TH CENTURY

the first a spiral staircase with turned spindle balusters on a circular base; the other a set of library stairs, with scroll balustrades on a rectangular base (2) the larger 34.5cm in diameter, 52cm high

£400-600

328

BRASS MONOCULAR COMPOUND

MICROSCOPE BY BAKER, LONDON

LATE 19TH CENTURY

signed ‘Baker, 244 High Holborn, London’, in a fitted teak case with four objectives, one ocular, an analyser and bench condenser the case 23cm wide, 47cm high, 19cm deep

£300-500

329

VICTORIAN MAHOGANY PEDESTAL DESK

LATE 19TH CENTURY

the top with a red leather insert and moulded edge, above a centre frieze drawer fitted with a slope with red leather tooled insert, flanked by banks of four graduated drawers with turned knobs, the opposing side with dummy drawers 141cm wide, 82cm high, 76cm deep

£600-800

330

VICTORIAN AMBOYNA, MAHOGANY, EBONISED, AND JASPERWARE MOUNTED WORK TABLE

MID 19TH CENTURY

the hinged rounded rectangular top with an ebonised and bone cartouche, opening to a fitted interior with a mirror insert and two sliding trays over a void, a sliding work box below, all outlined with brass beading, a pair of turned and fluted ebonised supports highlighted in gilt and mounted with jasperware roundels of classical scenes, on trestle bases with ceramic casters and united by a turned stretcher 66cm wide, 74cm high, 43cm deep £600-800

331 Y

VICTORIAN AMBOYNA, ROSEWOOD, EBONISED, BRASS AND MOTHER-OF-PEARL WORK TABLE

MID 19TH CENTURY

the hinged rectangular top with outset rounded corners and centred with a brass cartouche enclosed by brass and mother-of-pearl inlaid border, the fitted interior with a mirror insert and a sliding tray over a void, on turned tapering legs united by a shaped x-stretcher with central urn finial, with gilt metal mounts throughout 50cm wide, 73cm high, 38cm deep £400-600

332

EARLY VICTORIAN MAHOGANY UPHOLSTERED ARMCHAIR

19TH CENTURY

the buttoned spoon back and enclosed arms above a stuff-over seat in turquoise jacquard upholstery, raised on lotus carved legs ending in brass caps and castors 76cm wide, 98cm high, 56cm deep

£300-500

333

IRISH EBONISED AND GILT ‘JEWELLED’ OVAL MIRROR

19TH CENTURY

the oval mirror plate in a moulded frame mounted with glass ‘jewels’ 74cm high, 60cm wide

£400-600

334

VICTORIAN PAPIER MÂCHÉ, MOTHER-OF-PEARL, ABALONE, AND PARCEL-GILT CORNER

WHATNOT

MID 19TH CENTURY

with an oval mirror above three graduated serpentine tiers, the lower tiers fitted with single drawers, decorated with sprays of flowers highlighted with gilding, on scrolling forelegs and turned back legs with brass castors 62cm wide, 129cm high, 42cm deep Provenance: John George Joicey Bequest Collection

£300-500

335

VICTORIAN EBONISED, GILT BRASS, AND PORCELAIN MOUNTED SIDE CABINET

19TH CENTURY

of breakfront outline above a frieze mounted with Sèvres style porcelain plaques, over a central door mounted with a large oval porcelain plaque painted with a courting couple, flanked by glazed doors enclosing shelves lined with blue velvet, on bracket feet, the whole outlined with gilt brass mounts 167cm wide, 107cm high, 38cm deep £600-800

336 Y

PAIR OF VICTORIAN ROSEWOOD AND MARQUETRY BEDSIDE CABINETS

19TH CENTURY

the tops with moulded edges above moulded panel doors inlaid with shells and foliate scrolls, on plinth bases (2) 42cm wide, 78cm high, 43cm deep

£300-500

337

SET OF TWELVE VICTORIAN RENAISSANCE

REVIVAL OAK DINING CHAIRS

LATE 19TH CENTURY

comprising ten side chairs and a pair of armchairs, with backs with carved c-scroll cresting with dolphins and the initial ‘B’ in a cartouche, above square padded backs and seats, upholstered in burnt orange plush upholstery, raised on turned legs joined by turned H-form stretchers (12) 60cm wide, 111cm high, 56cm deep

£1,500-2,500

338

VICTORIAN OAK PEDESTAL DESK

19TH CENTURY

the inverted breakfront top with green leather inserts and a moulded edge, fitted with a hinged centre section and rear compartment, above three frieze drawers and raised on banks of three short drawers with plinth bases and castors

154cm wide, 78cm high, 81cm deep

£400-600

339

SWISS WALNUT AND FRUITWOOD MARQUETRY

WORK TABLE

19TH CENTURY

the rectangular top with central reserve inlaid with deer and stags in a mountainous landscape, within a scrolled border, above a long frieze drawer inlaid with view of a lake and mountains, opening to an interior fitted with compartments; raised on turned and fluted legs on carved trestle bases and joined by a fluted stretcher

63cm wide, 72cm high, 42cm deep

£800-1,200

341

VICTORIAN MAHOGANY INLAID CORNER DRUM TABLE

LATE 19TH CENTURY

340

LATE VICTORIAN MAHOGANY VITRINE TABLE

LATE 19TH CENTURY in the Sheraton style, the hinged oval glazed and crossbanded top opening to a brocade lined interior, raised on baluster turned and tapered legs joined by a shaped X-form stretcher, on brass castors 60cm wide, 80cm high, 45cm deep

£500-700

of bowfront outline, the top fitted with four deep baize-lined wells with lift-off covers, above a ripple moulded frieze, raised on a baluster support and scrolling tripod base

91cm wide, 76cm high, 65cm deep

£800-1,200

342

VICTORIAN SATINWOOD AND GILTWOOD DISPLAY CABINET

19TH CENTURY

the upper section with a moulded cornice above a pair of astragal glazed doors and side lights enclosing glass shelves; the base with a hinged glazed top above a carved Florentine style gilt frieze enclosing further display space, above a pair of matching astragal glazed doors enclosing glass shelves and flanked by carved giltwood acanthus clad baluster columns, on a plinth base

126cm wide, 155cm high, 64cm deep

£1,500-2,500

343

SCOTTISH BOBBIN-TURNED

STAINED BEECH ARMCHAIR

19TH CENTURY

the low square back with bobbin turned spindles, the side rails with bead finials, above a deep seat with a button tufted cushion flanked by scrolling arms, raised on bobbin turned legs joined by stretchers and ending on brass caps and castors 58cm wide, 93cm high, 62cm deep £400-600

344

GOTHIC REVIVAL STAINED PITCH PINE HALL STAND, IN THE MANNER OF A.W.N. PUGIN

MID 19TH CENTURY

the triple arch back surmounted by crockets and centred by a shaped mirror plate flanked by open quatrefoils and X-filled voids, mounted with eleven carved coat hooks above a white marble shelf, on a triple arcaded base with a short frieze drawer and spiral fluted legs ending on a plinth 118cm wide, 213cm high, 50cm deep

£1,500-2,500

345 ATTRIBUTED TO THOMAS DUFF (1792-1848) FOR JOSEPH HART (1842-1866)

PAIR OF ANDIRONS, CIRCA 1850

cast-iron and brass, bearing inscription TACE AUT FACE [BE SILENT OR ACT] (2)

81cm high, 15.5cm wide, 58cm deep

Provenance: ex Parkanaur House, Country Tyrone, Northern Ireland

£800-1,000

Note: Designed by Thomas Duff for Parkanaur House, Castlecaulfield, County Tyrone for John Ynyr Burges and Lady Caroline Burges. Duff designed Parkanaur in the Tudor-Revival style to expand the existing Edenfield Cottage, with building commencing in 1839. These andirons were made to complement the Duff-designed fireplace in the drawing room, which also featured the Burges coat-of-arms.

346

BRASS CLUB FENDER

20TH CENTURY

with two L shaped seat pads with oxblood vinyl upholstery, raised on brass rails and a step-moulded base 140cm wide, 58cm high, 54cm deep

£400-600

347

SET OF SIX SCOTTISH GOTHIC STYLE BOBBIN-TURNED SIDE CHAIRS

EARLY 19TH CENTURY

the square backs with triple arch splats with ball finials above caned seats, raised on bobbin-turned legs with peripheral stretchers (6)

50cm wide, 86cm high, 39cm deep

£500-800

348

VICTORIAN CARVED OAK GOTHIC STYLE CHIMING LONGCASE CLOCK

19TH CENTURY

the hood with trefoil crenelations and carved oak leaf panels and crocket spire mouldings, the sides with Gothic trellis sound frets, enclosing a brass dial with a silvered Roman numeral chapter ring and gilt floral engraved mask and three winding holes, a silvered subsidiary seconds dial, and blued steel fleur-de-lis hands, with ‘CHIME/ SILENT’ and ‘WESTMINSTER/ WHITTINGTON’ levers to the outer edge, above and moulded glazed Gothic arch trunk door, on a stepped plinth base with quatrefoil details, the three train quarter-chiming movement with pull repeat, striking both Westminster and Whittington chimes to a pin wheel of eight steel chimes with an additional strike chime

248cm high, 64cm wide, 35cm deep

£2,000-3,000

349

VICTORIAN CAST IRON REGISTER GRATE, BY W. MACFARLANE & CO.

MID 19TH CENTURY

the frieze and side panels cast with fruiting vines and acorns above a grate with four bowed bars flanked by panels with Greek key and egg-and-dart motifs

91cm wide, 93cm high

£800-1,200

352

350

VICTORIAN WALNUT CENTRE STOOL

MID 19TH CENTURY

the padded seat upholstered in gold damask fabric, in a scrolling frame carved with scrolled cartouches, raised on foliate carved cabriole legs ending in ceramic casters

96cm wide, 39cm high, 58cm deep

£800-1,200

19TH CENTURY WITH ALTERATIONS

the tops with moulded edges above four graduated drawers on plinth bases

45cm wide, 78cm high, 30cm deep

£1,000-1,500

351

LATE VICTORIAN OAK AND PARCEL-GILT THREE PANEL SCRAP SCREEN, OF ROYAL INTEREST

DATED 1901

each screen comprising an arrangement of lithographic images and surmounted by carved gilt Prince-ofWales plumes, the same on the reverse, bearing a brass presentation plaque ‘PRESENTED TO THEIR ROYAL HIGHNESSES THE PRINCE & PRINCESS OF WALES/ For the Royal Nursery/ By MRS CARR, WIDOW OF DR. CARR OF BLACKHEATH DEC. 1901’

219cm wide, 190cm high

Provenance: Presented to H.M. King George V (1865-1936) and H.M. Queen Mary (1867-1953) when Prince and Princess of Wales, December 1901.

The Royal Nursery, York Cottage, Sandringham.

H.R.H. Princess Mary, The Princess Royal, Countess Harewood (18971965), the nursery, Goldsborough Hall, Yorkshire.

The Hon. Gerald and Mrs Angela Lascelles, the nursery, Fort Belvedere, Runnymede, Surrey, 1956-1976.

Virginia Water Cottage, Windsor Great Park, Berkshire and by descent.

Literature: Christopher Hussey, ‘Fort Belvedere, Surrey-II; The Residence of the Hon. Gerald Lascelles’, Country Life, 26 November 1959, fig. 9., p. 963.

£3,000-5,000

PAIR OF GEORGIAN STYLE MAHOGANY BEDSIDE CHESTS

LATE 19TH CENTURY

with cockbead lined tops on ring turned slender supports and trestle bases joined by curved stretchers (4) 51cm wide, 73cm high, 34cm deep £300-500

LARGE VICTORIAN GILT OVERMANTEL MIRROR

19TH CENTURY

the mirror plate in an arch moulded frame with ribbon banding and a bead and reel inner slip, the base panel decorated with incised flowers

200cm high, 138cm wide

£600-800

PARTNER’S DESK

LATE 19TH CENTURY the top with a dark green leather insert above three frieze drawers on banks of three drawers, with the same opposing, on plinth bases with modern castors 148cm wide, 78cm high, 95cm deep £500-700

353

354 SET OF GEORGIAN STYLE MAHOGANY NESTING TABLES

355 VICTORIAN MAHOGANY

359

PAIR OF LARGE GEORGIAN STYLE

MAHOGANY PARCELGILT WINE COOLERS

LATE 20TH CENTURY

of tapered oval form with a leaf carved rim, on integral bases carved and parcelgilt with acanthus, fruiting vines, and raised on hairy paw feet, both with stamped serial numbers (2) 79cm wide, 70cm high, 67cm deep

£1,500-2,500

356

AESTHETIC MOVEMENT OAK TABLE CLOCK POST BOX

LATE 19TH CENTURY

the blue glazed tile dial with Arabic numerals, in an architectural stained oak case with a balustrade top, the lower part fitted as a post box with a brass letter slot and compartment

18cm wide, 48cm high, 15.5cm deep

£400-600

357

AESTHETIC MOVEMENT

JAPONESQUE EBONISED AND ABALONE WORK TABLE

LATE 19TH CENTURY

the hinged top in the form of a fan decorated with simulated ivory and abalone depicting a cockerel, raised on hipped straight legs joined by a fan-shaped undertier and ending in stylised paw feet

56cm wide, 75cm high, 41.5cm deep

£300-500

358

VICTORIAN BLACK JAPANNED AND PAINTED CORNER CABINET

LATE 19TH CENTURY

of serpentine outline, the single door with a reserve painted with a Japanese musician within scrolling gilt borders, on cabriole legs

70cm wide, 95cm high, 41.5cm deep

£300-400

360

GEORGIAN STYLE MAHOGANY

PEMBROKE TABLE

EARLY 20TH CENTURY

in the Chippendale manner, the top with a moulded edge and shaped drop leaf sides above a frieze drawer to one end, raised on pierced fret-work square tapered legs joined by a pierced X stretcher and ending in foliate carved block feet

57cm wide, 117cm [leaves up], 72cm high, 66cm deep £400-600

361

LATE 20TH CENTURY

the tapered ring-turned shafts decorated with gilt twining vines on stepped square bases with ball feet, with cream pleated shades (2)

142cm high, 26cm square

Provenance: Purchased from Whytock & Reid by the current vendor

£300-500

362

WILLIAM IV MAHOGANY AND PORTORO MARBLE TOPPED CONSOLE TABLE

EARLY 19TH CENTURY WITH ALTERATIONS

the rectangular marble top over a plain frieze on a central acanthus carved hairy paw leg, and turned and tapered rear legs all ending in brass castors

74cm wide, 75cm high, 46cm deep

£400-600

363 GEORGIAN STYLE MAHOGANY WINDOW SEAT

LATE 19TH/ EARLY 20TH CENTURY

the bowfront padded seat and high scrolling ends in a carved frame, raised on cabriole legs ending in claw and ball feet

111cm wide, 82cm high, 38cm deep

£500-700

PAIR OF EBONISED PARCELGILT STANDARD LAMPS

364

GEORGIAN STYLE MAHOGANY AND MARQUETRY DEMILUNE CARD TABLE

20TH CENTURY

the fold-over top inlaid with a fan medallion and harebell trails, within a ribbon-tied border, opening to a green baize playing surface and raised on square tapered legs with harebell marquetry ending in spade feet, bearing an old trade label ‘Sorrel, Montrose’ 85cm wide, 73cm high, 43cm deep

£400-600

365

BRASS TELESCOPIC STANDARD

LAMP, HART, SON, PEARD & CO.

19TH CENTURY

in the Greek Revival style, on a tripartite black painted wood base 158cm high [lowest]

£500-700

366

GEORGIAN STYLE MAHOGANY BREAKFRONT BOOKCASE

LATE 19TH/ EARLY 20TH CENTURY of small proportions, the moulded cornice above arched astragal glazed doors enclosing a red paper lined interior and adjustable shelves; the lower part with moulded panel doors enclosing further shelves, on a plinth base

158cm wide, 199cm high, 47cm deep

£1,200-1,800

367

SET OF SIX GEORGIAN STYLE MAHOGANY DINING CHAIRS

LATE 19TH/ EARLY 20TH CENTURY

with arched toprails above pierced vasiform splats and stuff-over seats covered in patterned terracotta fabric, on square tapering legs united by H-stretchers (6)

53cm wide, 93cm high, 44cm deep

£400-600

368

LATE VICTORIAN MAHOGANY CHIMING LONGCASE CLOCK

LATE 19TH CENTURY

the moulded broken arch pediment above an arched brass dial with a moonphase to the arch, chapter ring with Roman numerals and Arabic five minute markers, subsidiary seconds dial, and three winding holes, with pierced brass putti spandrels, above an arched trunk door flanked by stop-fluted quarter columns, on a plinth base with blind fret angles and raised on ogee bracket feet; the eight day three chain movement chiming on eight bells 249cm high, 60cm wide, 29cm deep

£1,000-1,500

369

EDWARDIAN MAHOGANY AND INLAID KIDNEYSHAPED WRITING TABLE, BY MAPLE & CO.

EARLY 20TH CENTURY

the reniform top with a blue and gilt tooled leather surface, above a frieze with a long drawer and foliate scroll inlay, raised on line inlaid square tapered legs ending in spade feet with brass castors 100cm wide, 76cm high, 57cm deep £1,000-1,500

370

GEORGIAN STYLE MAHOGANY PEMBROKE TABLE

LATE 19TH CENTURY

the oval top with a moulded edge and drop-leaf sides, above a frieze drawer to one end and a dummy drawer opposing, raised on tapered square legs ending in brass caps and castors

85cm wide, 72cm high, 49cm wide, 96cm open

£400-600

THREE SILVER MOUNTED DECANTERS AND DRINKS TRAY

20TH CENTURY

including a square plain decanter with facetted stopper and silver collar, hallmarked Birmingham 1933, Goldsmiths & Silversmiths Co Ltd; an American bottle decanter with pierced silver grill overlay and shield stamped ‘Sterling’; and a facet moulded bottle decanter with silver collar engraved ‘Whisky’, hallmarked Birmingham 1907, Norton & White; and an associated Art Deco chromium mirrored tray mounted with demilune handles (4) the tray 42cm wide, 7cm high, 32cm deep

£800-1,200

372

EXTENSIVE ROYAL CROWN DERBY DINNER SERVICE IN THE ‘ROYAL ANTOINETTE’ PATTERN

MODERN

comprising ten dinner plates, 26cm diameter; ten shallow soup bowls, 22cm diameter; eleven side plates, 20cm diameter; nine smaller side plates; eleven cups; eight small bowls; cream jug; sugar bowl; two oval lidded twin handled tureens, 33cm wide; an ashet; and a sauce boat on stand; red printed factory marks (qty)

£1,500-2,000

373

ENGLISH CAMEO GLASS SILVER-PLATE MOUNTED BISCUIT BARREL, IN THE MANNER OF THOMAS WEBB

LATE 19TH CENTURY

the globular ruby glass body overlaid in white and carved with various shell and seaweed motifs; unmarked 19.5cm high [handle raised]

£250-350

(Lot part illustrated - see website for more images)

ROYAL CROWN DERBY IMARI PART TEA SERVICE

EARLY 20TH CENTURY

comprising thirteen cups and saucers; thirteen side plates; two cake plates; a cream jug; a sugar basin; and a shallow bowl, 18cm diameter; in the Imari palette highlighted with gilding, red printed factory marks (44)

£300-400

374

375 SET OF EIGHT GEORGIAN STYLE ‘BRANDER BACK’ MAHOGANY DINING CHAIRS

LATE 19TH/ EARLY 20TH CENTURY comprising six side chairs and a pair of armchairs, the square backs with reeded vertical splats and wide stuffover seats in floral pattern fabric, raised on square tapered legs ending in spade feet (8)

58cm wide, 89cm high, 47cm deep

£500-700

376

EDWARDIAN MAHOGANY OCCASIONAL TABLE

EARLY 20TH CENTURY

in the Hepplewhite style, the crossbanded top with a gadrooned edge, raised on slender knopped legs joined by shaped X form stretcher and ending on brass castors 91cm wide, 73cm high, 67cm deep

£400-600

377

GEORGIAN STYLE MAHOGANY TWIN PEDESTAL DINING

TABLE

LATE 20TH CENTURY

the rounded rectangular top with a reeded edge, on tapered column supports with outswept reeded legs ending in brass caps and castors, with two leaf inserts

303cm long, 74cm high, 114cm deep

£600-800

378

GEORGIAN STYLE MAHOGANY SMALL SERPENTINE SERVING TABLE

LATE 19TH CENTURY

in the Adam style, the back panel with a central tablet carved with an urn flanked by fluting and sunflower paterae, over a serpentine top with a frieze drawer similarly carved and raised on fluted square tapered legs ending in brass caps and castors

104cm wide, 102cm high, 54cm deep

£1,200-1,800

379

EDWARDIAN

PAINTED

MAHOGANY BOOKCASE CABINET

EARLY 20TH CENTURY

in the Sheraton style, of diminutive proportions, the arch cornice over four panelled glazed doors, enclosing a green painted shelved interior; the bowfront base with a single cupboard flanked by smaller cupboard doors, with painted oval reserves of classical figures and trophies, and ribbontied urns and swags against a yellow ground, raised on square tapered legs 147cm wide, 180cm high, 46cm deep £800-1,200

380

SET OF FOUR SHERATON STYLE PAINTED SATINWOOD SIDE CHAIRS

LATE 19TH CENTURY

the toprails centred by tablets painted with scenes of frolicking putti, above caned panel backs and seats, raised on sabre legs painted with rosettes and floral garlands (4) 48cm wide, 84cm high, 50cm deep £600-800

381

EDWARDIAN KIDNEY-SHAPED MAHOGANY AND MARQUETRY INLAID OCCASIONAL TABLE

EARLY 20TH CENTURY

the crossbanded top centred by a musical trophy and flowers over a crossbanded frieze, raised on fluted tapered legs united by interlaced stretchers and ending in ceramic castors

62cm wide, 71cm high, 43cm deep

£600-800

382 Y

EDWARDIAN ROSEWOOD AND MARQUETRY ENVELOPE GAMES TABLE

EARLY 20TH CENTURY

the pivoting square top with bone and satinwood swag and foliate inlay, the leaves opening to reveal a baize playing surface with wells to the leaves, raised on turned and fluted tapered legs joined by a galleried undertier, on brass and ceramic castors

58cm square, 77cm high

£300-500

383

VICTORIAN COUNTRY HOUSE EASY CHAIR

LATE 19TH CENTURY

the padded scrolled back above a deep loose cushion seat flanked by low scrolled arms, raised on tapered mahogany legs with brass castors, in original printed cotton upholstery, the rear leg stamped W.B 4849

80cm wide, 77cm high, 67cm deep

£400-600

384

LATE VICTORIAN PAINTED SATINWOOD AND MAHOGANY CARLTON HOUSE DESK

LATE 19TH CENTURY

with a pierced brass gallery above a curved superstructure fitted with pigeon holes, cupboards, and drawers, over three short frieze drawers and raised on square tapered legs joined by a shaped undertier, on brass feet; decorated throughout with ribbon-tied garlands and flowering urns

106cm wide, 100cm high, 52cm deep

£2,000-3,000

385

TWO LARGE PATRIOTIC NEEDLEWORK PICTURES

EARLY 20TH CENTURY

the first with an Australian coat-of-arms against six flags and a rising sun, above the motto ‘ADVANCE AUSTRALIA’, worked in silks and metallic threads, framed; the second depicting a coat-of-arms against four flags and a ship’s masts above the motto ‘DIEU ET MON DOIT’, worked in silks and metallic threads, framed (2) 62cm x 76cm; 41cm x 51cm; excluding mounts and frames

£500-700

387

VICTORIAN MAHOGANY CAMPAIGN TEA CADDY

19TH CENTURY

of plain square form, the sides with recessed brass handles, the interior fitted with a rectangular lift-out double caddy, a smaller square single lift-out caddy, and a tin caddy

38cm square, 18cm high

£400-600

388

TEAK AND BRASS CAMPAIGN CHEST OF DRAWERS

MID 19TH CENTURY

in two parts, the upper part with two short drawers over a long drawer, the base with two further long drawers, carry handles to the sides, on removable turned feet

100cm wide, 108cm high, 44cm deep

£600-800

386

ENGLISH .320 TRANTER TYPE REVOLVER, BY BEATTIE & SON, LONDON

CIRCA 1870

2 1/2” octagon barrel with proof marks, engraved ‘BEATTIE & SON, 205 REGENT STREET, LONDON’ along the top strap, foliate scroll engraved frame, six shot cylinder with spur trigger, the cylinder retaining some of the blue finish, chequered figured rounded grips, base of the grip numbered ‘3707’

17cm long

£300-500

389

TWO COMMEMORATIVE NAVAL NEEDLEWORK PICTURES

EARLY 20TH CENTURY

both worked in silks with photograph inserts, each with a portrait photograph of a young man set in a ring buoy against an array of allied flags beneath the motto ‘VICTORY FOR THE ALLIES’, framed (2) 44cm x 47cm; 44.5cm x 47cm; excluding frames

£500-700

390

EARLY VICTORIAN SAILOR WOOLWORK ‘WOOLIE’ PICTURE

MID 19TH CENTURY

depicting a three-masted frigate flying the American flag, with a black sewn label ‘Black Hawk of Boston’, framed under glass in a birds’ eye maple frame and gilt slip 49.5cm high, 56cm wide

£400-600

392

VICTORIAN TEAK CAMPAIGN SECRETAIRE CHEST OF DRAWERS

19TH CENTURY

in two parts with brass corner mounts and handles; the upper part with two short drawers, one fitted as a secretaire, the lower part with three long drawers, raised on bun feet

92cm wide, 105cm high, 44cm deep

£800-1,200

END OF DAY ONE

391

ROYAL NAVY FULL DRESS UNIFORM

EARLY 20TH CENTURY

belonging to Surgeon Lieutenant Commander J L Malone, including a Royal Navy officers’ dress sword with lion’s head pommel, wire bound shagreen grip, Gothic guard with crown and fouled anchor and original bullion dress knot, together a black toleware case containing full dress of a pair of gold epaulettes, a black bicorn hat, a black leather belt and a black and gilt sword belt, all by J. Grieve & Sons, also with four sets of rank epaulettes, a badge, a set of buttons, a set of WWII medals including the War Medal 1939-1945, The 19391945 Star and The Atlantic Star, a small photograph of his grave, service Christmas cards, other photographs and ephemera

sword 97cm long

£400-600

THE ASHLEY HALL COLLECTION

BY ORDER OF THE TRUSTEES OF THE J. PORTER TRUST

& THE EXECUTORS OF THE LATE LEONARD RAWCLIFFE

Ashley Hall, built in the 1920s, is an imposing red brick mansion in the village of Thornton, near the seaside resort of Blackpool, Lancashire. It was the home of one of Blackpool’s most successful hoteliers, James ‘Jimmy’ Porter and it became legendary for hosting many a famous face.

Jimmy purchased the property in the 1970s. He owned several hotels in Blackpool and was closely associated with the showbiz scene that was then in its heyday, garnering him the nickname of ‘Mr Blackpool’. The house quickly became a home-from-home for many of Blackpool’s premier entertainers, who often stayed in Blackpool for the summer season and beyond. Stars such as Les Dawson, Danny La Rue, Vince Hill, and Joe Longthorne could regularly be found

in residence or visiting. Ashley Hall was used for all sorts of parties, from charity garden gatherings, to opening and end of season shindigs, to raucous nighttime affairs and these gained a legendary status in the local area.

Jimmy always treated Sundays as a family day, when he would when he would relax in the company of his nieces and nephews, who enjoyed the gardens and the pool. Jimmy lived at Ashley Hall until his death in 1993. It was then taken on by his beloved partner, Leonard Rawcliffe, but the legacy of Jimmy’s family focus and his generous spirit remained in the house in the 30 years since his passing. The property will now change hands and we are pleased to offer the selected contents of Ashley House for sale.

394

CONTINENTAL EBONISED, PIETRA DURA, AND GILT METAL MOUNTED SIDE CABINET

19TH CENTURY

the inverted breakfront top above a cupboard door mounted in relief with various hardstones depicting a bird amongst a fruit and flower bouquet, opening to shelves, on a conforming base raised on turned feet; with gilt metal mounts throughout 89cm wide, 120cm high, 40cm deep £2,000-3,000

393

PAIR OF ITALIAN RENAISSANCE STYLE WALNUT SGABELLI

19TH CENTURY

the tall shaped backs richly carved with a cartouche above a central pierced shell-carved panel flanked by female terms, above plank seats with circular recesses and gadrooned edges, on shaped supports carved with Green Man masks and acanthus (2) 39cm wide, 109cm high, 44cm deep £400-600

NAPOLEON III

EBONISED AND BOULLE MARQUETRY GILT BRONZE MOUNTED SIDE CABINET

19TH CENTURY of serpentine outline with a central bowfront boulle marquetry cupboard door mounted with a large bronze oval plaque cast in relief depicting Flora accompanied by putti, flanked by moulded glazed doors opening to velvet-lined shelved interiors, all flanked and divided by niches containing alternating gilt bronze figures of Bacchus and Flora, raised on a plinth base 197cm wide, 98cm high, 49cm deep

£3,000-5,000

395

DAVID WATSON STEPHENSON, ARSA (SCOTTISH 1842-1904)

PAIR OF WHITE MARBLE FIGURES FROM SIR WALTER SCOTT’S ‘THE FAIR MAID OF PERTH’

in white marble, the first titled ‘The Fair Maid of Perth’, on a circular plinth base signed ‘D.W.STEVENSON, ARSA, SC, EDN 1876’; the other figure titled ‘The Glee Maiden’, similarly signed and dated 1878, with a pair of metal mounted revolving ebonised pedestals (2) 100cm high, 32cm diameter £5,000-7,000

Note: David Watson Stevenson was a successful Scottish sculptor who studied in Rome and apprenticed under the sculptor William Brodie. He worked as an assistant to the eminent sculptor Sir John Steell, contributing figures to the Prince Albert monument in Charlotte Square, Edinburgh, as well as numerous public and private commissions. He became a member of the Royal Scottish Academy and is best remembered for his most famous sculpture, the bronze figure of William Wallace on the National Wallace Monument, Stirling.

The Fair Maid of Perth was written by Sir Walter Scott in 1828 and is one of the Waverly novels. It was inspired by the strange but historically true tale of Battle of the North Inch set in Perth and other parts of Scotland around 1400. Stevenson has chosen to depict two of the youthful female characters: Catherine Glover, the ingenue and one of the central figures of the tale, and Louise, a young French minstrel.

397

EMMANUEL OBERHAUSER (AUSTRIAN 1854-1919)

THE FEAST OF FLORA

Signed, oil on canvas

69cm x 104cm (27in x 41in)

£4,000-6,000

399

FRENCH KINGWOOD AND VERNIS MARTIN DISPLAY CABINET

EARLY 20TH CENTURY

the ogee moulded cornice above a glazed serpentine door and side lights enclosing a pink silk lined interior with glass shelves, the lower panels decorated with Vernis Martin reserves of a courting couple, putti, and landscapes; the whole outlined with rococo gilt metal mounts, the interior later fitted with lights

132cm wide, 217cm high, 44cm deep

£2,000-3,000

398

FOLLOWER OF ALFRED MONTAGU A CONTINENTAL RIVERSIDE TOWN

Oil on panel

38cm x 28cm (15in x 11in)

£200-300

400

LOUIS XV STYLE KINGWOOD, FAUX TORTOISESHELL AND BRASS INLAID VITRINE

LATE 20TH CENTURY

the arched cornice above a glazed serpentine door and side lights enclosing glass shelves and a red fabric lined interior; the lower panels in simulated boulle marquetry, on splayed legs with gilt bronze mounts throughout 80cm wide, 189cm high, 41cm deep

£600-800

Note: Edward Holmes Baldock (1777-1845) is listed in London Trade Directories of the period in various capacities. He first appears listed at 7 Hanway Street, London in 1805 described as a ‘...dealer in china and glass’ and by 1821 as ‘...an antique furniture and ornamental furniture dealer’. By 1826 the various facets of the business included ‘...buying and selling, exchanging and valuing china, cabinets, screens, bronzes etc’. He is known to have repaired, re-modelled and adapted furniture, often 18th century pieces, but he also designed furniture both in the 18th century style and in more contemporary styles. The fashion for this type of inlay was popularised by the Tottenham Court Road inlayer and buhl manufacturer Robert Blake in the 1820s. By the 1840s the firm were trading as Blake, Geo. & Brothers, inlayers, etc’ in Tottenam Court Road and Mount Street, Mayfair and were renamed George Blake & Co. sometime in the late 1840’, and it is now generally assumed that pieces previously attributed to Baldock were in fact produced by the Blake family but sold under Baldock’s name.

401 Y

LOUIS XV STYLE ROSEWOOD, TULIPWOOD AND FLORAL MARQUETRY BUREAU PLAT, IN THE MANNER OF EDWARD HOLMES BALDOCK

19TH CENTURY

applied with gilt bronze mounts, the shaped top with moulded edge and scalloped cartouche corner mounts, the burr walnut centre panel within a marquetry border of scrolling strapwork, acanthus scrolls and floral garlands, above a central single frieze drawer, the sides with similar marquetry and the ends with male masks, on cabriole legs headed by acanthus scroll and harebell cast full mounts trailing to scroll sabots 158cm long, 78cm high, 87cm deep £6,000-8,000

402

ROYAL WORCESTER FRUIT PAINTED POT POURRI JAR WITH COVER AND LINER, PAINTED BY FREEMAN

POST WAR

with gilt simulated basket weave decoration on the cover and lower section of the body; shape 1285, black printed factory marks

21cm high

£500-700

403

PAIR OF ROYAL WORCESTER FRUIT PAINTED POT POURRI JARS AND COVERS

POST WAR

one painted by Roberts and one by Freeman; black printed factory marks, shape H 169 (2) 20cm high

£800-1,200

404

GROUP OF ROYAL WORCESTER FRUIT PAINTED PORCELAIN

CIRCA 1920

comprising a fruit bowl painted to the interior by Ricketts, with gilt and blush ivory exterior, 23cm diameter; a scalloped rim plate by Lockyer, 23cm diameter; and a cup and saucer by Lockyer, the cup painted to the exterior with a plain interior, saucer 13.5cm diameter; puce factory marks (4)

£500-700

405

PAIR OF ROYAL WORCESTER FRUIT PAINTED TWIN HANDLED URNS AND COVERS

POST WAR

one painted by Freeman and one painted by Hughes; shape 1572, black printed factory marks (2)

27.5cm high

£2,000-3,000

406

PAIR OF ROYAL WORCESTER FRUIT PAINTED CABINET PLATES AND A SQUARE DISH

LATE 20TH CENTURY

each painted to the centre with a panel of autumn fruits, two signed by Freeman and one by Henry; within wide gilt borders acid etched with scrolling designs; gold factory marks (3) plates 23.5cm diameter; square dish 24cm wide

£500-700

PAIR OF ROYAL WORCESTER FRUIT PAINTED TWIN HANDLED POT POURRI JARS AND COVERS POST WAR

painted by Banks and Leaman; shape H 314, black printed factory marks (2)

28cm high

£2,000-3,000

408

PAIR OF LARGE ROYAL WORCESTER FRUIT PAINTED POT POURRI JARS WITH COVERS AND LINERS

LATE 20TH CENTURY

each painted by Ayrton, one with a vignette of cherries to the reverse, the other with a vignette of brambles; shape 2048, black printed factory marks (2)

35cm high

£3,000-5,000

409

ROYAL WORCESTER FRUIT PAINTED PART TEA SERVICE

CIRCA 1920-30

comprising six cups, six saucers, six side plates, a sugar bowl and a cream jug; the cups and sugar bowl painted to the interior and gilded to the exterior; painted by various artists including Austin, Powell, Price, Hale, Everett, Baynall and Morely; puce factory marks (20)

side plates 15.4cm diameter, sugar bowl 12.8cm diameter, jug 8.2cm high

£2,000-3,000

407

VICTORIAN AMBOYNA, EBONISED, PORCELAIN, AND GILT METAL MOUNTED SIDE CABINET

19TH CENTURY

the breakfront top with a brass galleried central section with a mirrored recess flanked by doors with threequarter brass galleries over panels mounted with Sèvres style porcelain plaques depicting French beauties against a blue celeste ground, all flanked and divided by fluted columns; the lower section with a moulded brass edge over three frieze drawers mounted with a rinceau frieze and further porcelain plaques, the centre drawer with a gilt tooled leather writing slope with easel support, above two mirror backed tiers flanked by fluted tapered supports, raised on toupie feet

135cm wide, 152cm high, 55cm deep

£3,000-5,000

411

EXTENSIVE CAVERSWALL IMARI DINNER SERVICE IN THE ‘ROMANY’ PATTERN

MODERN

comprising twelve teacups and saucers; twelve coffee cans and saucers; coffee pot; tea pot; cream jug; sugar bowl with cover; twelve dinner plates, 27cm diameter; twenty-four larger side plates, 21cm diameter; twelve smaller side plates, 16cm diameter; twelve bowls of octagonal form; a twin handled sauce jar with cover and ladle; three low twin handled tureens with covers; a large twin handled soup tureen with cover and ladle; two ashets, 33.5cm diameter; and four small square shallow bonbon dishes; black printed factory marks, inscribed 22ct gold by M. Farrall (qty)

£500-700

412

FRENCH AMBOYNA, AMARANTH, AND PORCELAIN MOUNTED CREDENZA

19TH CENTURY

of breakfront D-shaped outline, the crossbanded top with gilt metal banding above a pair of cupboard doors mounted with oval Sèvres style plaques depicting 18th century French beauties and floral bouquets, flanked by curved glazed display cupboards enclosed glass shelves and a plush lined interior, on a plinth base raised on toupie feet, the whole with gilt bronze mounts

190cm wide, 114cm high, 45cm deep

£4,000-6,000

413 §

ANTOINE BOUVARD (FRENCH 1870-1956)

THE GRAND CANAL, VENICE

Signed, oil on canvas

51cm x 64cm (20in x 25in)

£4,000-6,000

414 §

ANTOINE BOUVARD (FRENCH 1870-1956)

A VENETIAN CANAL

Signed, oil on canvas

51cm x 64cm (20in x 25in) £4,000-6,000

415

REGENCY STYLE GILT METAL CHANDELIER

19TH CENTURY

the corona hung with scroll link chains to a central pan with a foliate final, issuing four scrolling candle arms and terminating in a leafy pendant finial; later wired for electricity

108cm high, 88cm diameter

£300-500

416

GEORGIAN YEW AND WALNUT LONGCASE CLOCK, BY GEORGE CLOUGH

18TH CENTURY AND LATER

the broken arch pediment above a walnut crossbanded square door flanked by Doric columns, enclosing a 10 inch brass dial with silvered chapter ring with Roman numerals and subsidiary seconds dial and two winding holes to the centre, signed ‘Geo Clough’, with pierced mask spandrels, above a walnut crossbanded shaped trunk door on a square plinth base with starburst inlay and raised on ogee bracket feet, the twin train movement striking a bell 204cm high, 59cm wide, 31cm deep

£800-1,200

417

PAIR OF LARGE CAVERSWALL IMARI

TWIN HANDLED CAMPAGNA URNS AND COVERS MODERN

richly decorated and gilded in the ‘Romany’ pattern; raised on a socle foot with moulded gilt rim; the domed covers with a gilt finial handle; printed factory marks (2) 50cm high

£200-300

418

PAIR OF FRENCH GILT BRONZE AND GREY MARBLE FIGURAL CANDELABRA

LATE 19TH CENTURY

modelled as the figures of Cupid and Psyche holding cornucopia, each issuing three scrolling acanthus candle branches and a central stiff petal sconce, mounted on fluted grey marble column bases with laurel wreath mounts and square plinths (2)

79cm high, 22cm in diameter

£1,000-1,500

419

FRENCH GILT BRONZE AND GREEN ONYX PLATEAU

LATE 19TH CENTURY

of square form with lobed corners cast with acanthus and foliate spandrels, enclosing a circular green onyx insert, the twin handles with rams’ heads and laurel wreaths, raised on twin hoof feet

55cm long, 39cm wide, 7cm high

£300-500

420

CONTINENTAL SILVERED PINE AND GESSO MARBLE TOPPED CENTRE

TABLE

LATE 19TH CENTURY

the white insert marble top in a concave moulded frame marked with carved foliate scrolls and an egg-anddart border, raised on cabriole legs with carved female terms and ending in scroll feet

133cm wide, 81cm high, 88cm deep

£500-700

421

FRENCH ROCOCO STYLE BRASS FENDER

LATE 19TH CENTURY

fluted with gadrooned borders, the ends with putti seated on trophies of war and flanked by flaming orbs

187cm long

£600-800

422

FRENCH BRONZE FIGURE GROUP, AFTER CLODION

LATE 19TH/ EARLY 20TH CENTURY

black/brown patina, depictin four bacchic putti frolicking with a goat, signed ‘Dupuis’ 21cm wide, 20.5cm wide, 15cm deep

£200-300

423

PAIR OF SILVER-PLATED THREE BRANCH CANDELABRA LATE 19TH CENTURY

in the Rococo style embossed and chased with scalloped c-scrolls and acanthus, the candle arms removeable to convert to a single stick (2)

44cm wide, 54cm high, 17cm deep

£300-500

424

VICTORIAN SILVERPLATED CANDELABRA, BY THOMAS

BRADBURY & SONS

MID 19TH CENTURY

with a central stiff and three scrolled candle branches with urn candle nozzles, above a fluted tapering column with acanthus details ending on a lobed tripartite base with three seated griffins, design registration lozenge corresponding to 23rd June 1864, maker’s stamps and date code for 1866 28cm diameter, 59cm high

£300-500

425

PAIR OF FRENCH BRONZE URNS AND COVERS

LATE 19TH CENTURY

dark brown patina, the covers with finials of the infant Bacchus, the bodies with relief scenes of revellers in a vineyard to one side and Neptune and Tellus in bullrushes opposing, flanked by pairs of vine handles, on a socle foot mounted on chamfered square black slate plinths engraved with gilt foliate designs (2)

19cm wide, 41cm high, 14cm deep

£250-350

426

PAIR OF SILVER-PLATED AND CUT GLASS CLARET JUGS LATE 19TH CENTURY

in the Renaissance Revival style, the glass bodies cut with rosettes and gadrooning, mounted with hinged domed covers with Bacchic putti finials, female mask spouts, and double scroll handles, on domed circular bases (2)

23cm wide, 34cm high, 14cm deep

£300-500

427 WITOLD WEJCHERT (POLISH 1867-1904)

THE MEET - A WINTER LANDSCAPE WITH TRAVELLERS IN A TROIKA

Signed and dated ‘99, oil

on canvas

79cm x 131cm (31in x 51.5in)

Note: With note verso which states ‘Picture from the Winter Palace of the Czar of Russia’

£2,500-3,500

428

LARGE CAVERSWALL TWIN-HANDLED CAMPAGNA URN AND COVER, PAINTED BY R.A SHUFFLEBOTTOM, OF RACING INTEREST MODERN

painted to one side with a jockey on horseback, and the reverse with a mare and foal; inscribed to the base ‘Oceania’ (Aureole ex Ocean) and ‘Danny Le Rue’ (Sharpen Up ex Oceania); raised on a green enamel socle base with a gilt moulded rim; the domed cover with a gilt finial handle; printed factory mark

Note: On the urn the thoroughbred racehorse Danny La Rue is depicted as a foal with his dam Oceania, and her dam Aureole. Danny La Rue, who was sired by the stallion Sharpen Up, was named for the drag performer Danny La Rue, who was a frequent guest at Ashley Hall. It is believed the urn was a gift to the owner of the house, Jimmy Porter, from Danny La Rue.

50cm high

£200-300

429

AFTER PIERRE-JULES MENE

MOUNTED HUNTSMAN AND HOUNDS

bronze, dark brown patina, large format modelled with a French hunter on horseback leading five hounds on a naturalistic oval base, signed ‘P J Mêne 1869’, on an oval green marble plinth

80cm wide, 67cm high, 42cm deep

£600-800

(Lot part illustrated - see website for more images)

430

20TH CENTURY, VARIOUS DATES

comprising seven dinner plates, 27cm diameter; five larger side plates, 18.5cm diameter; three small side plates, 12.5cm diameter; eighteen various saucers; eighteen various cups; two cream jugs; sugar bowl; square cake plate; three further large saucers; together with a DESSERT SERVICE, pattern 6217, comprising two tall comports, 25cm wide, 12cm high and six dessert plates; all in the Imari palette enriched with gilding, various factory marks (qty)

£500-700

431

PAIR

URNS AND COVERS MODERN

the gilt finial covers joined to the ovoid bodies by central rods, on socle bases, decorated in the Imari palette richly enhanced with gilding; red printed factory marks (2)

31cm high

£500-700

of shaped square form with canted corners moulded with sea creatures, raised on a square pedestal bases with moulded with dolphins, in the Imari palette richly enhanced with gilding; pattern 1128; red printed factory marks (3)

25cm wide, 15cm high

£600-800

THREE ROYAL CROWN DERBY IMARI COMPORTS

ROYAL CROWN DERBY IMARI PART DINNER SERVICE

OF ROYAL CROWN DERBY IMARI TWIN HANDLED

434

PAIR OF ROYAL CROWN DERBY IMARI

TWIN HANDLED LOW COMPORTS

20TH CENTURY

of dished rectangular form with opposing handles, raised on an oval foot, decorated in the Imari palette richly enhanced with gilding; pattern 1128; red printed factory marks (2)

29cm wide, 10cm high

£500-700

435

ROYAL CROWN DERBY IMARI TWIN HANDLED COMPORT AND LARGE BOWL 20TH CENTURY

the comport of circular form with a fluted and scalloped rim and twin open handles, raised on a pierced scroll foot; the bowl of octagonal form; pattern 1128; both in the Imari palette enriched with gilding, red printed factory marks (2) comport 33cm wide, bowl 28cm diameter

£500-700

433

ELEVEN ROYAL CROWN DERBY IMARI PAPERWEIGHTS

MODERN

comprising a large elephant with a howdah, a smaller elephant, walrus, owl, ram, dolphin, badger, cat, dragon, horse and a bird; all with gold stoppers apart from the cat; red printed factory marks (11) large elephant 21.5cm high

£600-800

436

GROUP OF ROYAL CROWN DERBY PORCELAIN LATE 19TH/ EARLY 20TH CENTURY

comprising a small pair of twin handled vases, the body of bulbous form with elongated flaring neck, 19.5cm high; a pair of small ovoid slender neck vases, 19.5cm high; and a pair of candlesticks, 16.3cm high; all in the Imari palette enriched with gilding, red printed factory marks (6)

£250-350

CHINESE

LATE 19TH CENTURY

the square marble insert top in a moulded and foliate carved and pierced frame raised on straight carved legs joined by an undertier 51cm wide, 81cm high, 51cm deep £250-350

EXTENSIVE ASSEMBLED ROYAL CROWN DERBY IMARI PART DINNER SERVICE

VARIOUS DATES

mostly pattern 1128 with slight variation; comprising seventeen dinner plates; sixteen side plates; two scalloped rim bon bon dishes; two round cake plates and one square cake plate; teapot; two various cream jugs; sugar basin; tea strainer; seventeen various teacups; twenty-one various saucers; four graduated fluted oval dishes; and one small round dish; in the Imari palette enriched with gilding, various factory marks

£1,000-2,000

439

MATCHED PAIR OF CHINESE CARVED HARDWOOD AND MARBLE JARDINIERE STANDS

LATE 19TH CENTURY

the shaped circular tops with red marble inserts, in pierced and carved frames raised on mythical beast carved cabriole legs joined by an undertier and ending in claw and ball feet (2) 55cm diameter, 81cm high; and 54cm diameter, 80cm high £1,000-2,000

438

CARVED BLACKWOOD AND MARBLE JARDINIERE STAND

440 19TH CENTURY FRENCH SCHOOL INNOCENCE

Oil on panel

54cm x 38cm (21.5in x 15in)

£800-1,200

PAINTINGS PART III

441

MARGARET MURRAY COOKESLEY (BRITISH 19TH/20TH CENTURY)

AN UNEXPECTED VISITOR

Signed and dated 1899, oil on panel

40.5cm x 25.5cm (16in x 10in)

£800-1,200

442

CAMILLE JOSEPHÉTIENNE ROQUEPLAN (FRENCH 1800-1855)

THE FINISHING TOUCH

Signed, watercolour

24.5cm x 20.5cm (9.75in x 8in)

£400-600

THE YOUNG MODEL

Signed, oil on canvas

71cm x 56cm (28in x 22in)

£3,000-5,000

SPRING-TIME

Signed, inscribed and dated ‘Paris 1913’, oil on canvas 66cm x 54cm (26in x 21in)

£8,000-12,000

443 PAUL BAUDRY (FRENCH 1828-1886)

444 EMILE VERNON (BRITISH 1872-1919)

445

EDWARD PRITCHETT (BRITISH 1807-1876)

ST. MARK’S SQUARE AND THE CAMPANILE, VENICE

Signed, oil on canvas

61cm x 51cm (24in x 20in)

Provenance: Frost & Reed, London, 7697

£1,000-1,500

446

EDOUARD CABANE (19TH/20TH CENTURY FRENCH)

THE PINK BONNET

Signed and dated 1907, oil on canvas

55cm x 46cm (21.5in x 18in)

£2,000-3,000

447

RICHARD ROBJENT (BRITISH 1937-) WOODCOCK IN WOODLAND

Signed, watercolour

46cm x 36cm (18in x 14in)

£300-500

448

RICHARD ROBJENT (BRITISH 1937-) PHEASANTS BY A MOORLAND STREAM

Signed, watercolour and bodycolour

71cm x 54cm (28in x 21in)

£500-700

449

SIR GEORGE REID P.R.S.A., R.S.W., L.L.D. (SCOTTISH 1941-1913)

A WOODLAND STUDY

Oil on canvas

91cm x 61cm (36in x 24in)

£700-1,000

450 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969)

A FARM IN ARCADY

Signed, signed and inscribed verso, ‘May 1936-Nov. 1st 1937’ watercolour

46cm x 66cm (18in x 26in) £2,500-4,000

451 § STANLEY CURSITER C.B.E., R.S.A., R.S.W. (SCOTTISH 1887-1976)

HOLYROOD HOUSE: THE PRESENTATION OF THE KEYS Oil on canvas

61cm x 102cm (24in x 40in)

Note: This scene depicts the reception of the Lord Provost Sir Ian Banks.

£500-800

452 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969)

CRAMOND ISLAND

Signed, watercolour

38cm x 53.5cm (15in x 21in)

Provenance: The Fine Art Society Ltd, London

£2,000-3,000

453 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) ON THE RIVERBANK

Signed, watercolour

38cm x 56cm (15in x 22in)

£2,000-3,000

454 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969)

THE BLUE TENT, PARAME

Signed, inscribed and dated ‘13.9.64’, watercolour 51cm x 68cm (20in x 26.5in)

Provenance: Frost & Reid

£3,000-5,000

455 §

HENRY SCOTT (BRITISH 1911-2005)

CROSSING THE LINE

Signed and dated ‘66, oil on canvas

76cm x 127cm (30in x 50in)

Provenance: MacConnalMason & Son Ltd, London

Note: The painting depicts the iron-clad clipper Cape Horn built at Greenock in 1868 £3,000-5,000

456 §

HENRY SCOTT (BRITISH 1911-2005)

SILVER SEAS

Signed, oil on canvas

71cm x 107cm (28in x 42in)

Provenance: MacConnalMason & Son Ltd, London £3,000-5,000

457 §

EDWARD SEAGO R.B.A., A.R.W.S., R.W.S. (BRITISH 1910-1974)

THE TWO BRIDGES, VENICE

Signed, oil on board

30.5cm x 41cm (12in x 16in)

Provenance: P & D Colnaghi & Co. Ltd, London

£6,000-8,000

458

JOHN GEOFFREY CARUTHERS LITTLE (CANADIAN 1928-)

SHERBROOKE ST., MONTREAL IN THE SNOW

Signed and dated ‘60, oil on canvas

61cm x 76cm (24in x30in)

£3,000-5,000

459

CHARLES FRASER COMFORT (CANADIAN 1900-1994)

SAGENAY RIVER

Signed and indistinctly dated ‘35, oil on board

25.5cm x 35.5cm (10in x 12in)

Exhibited: O.S.A. Small Pictures

1935

£1,000-1,500

460

BERTRAM RICHARD BROOKER (CANADIAN 1888-1955)

OLD MILL, ONTARIO

Inscribed indistinctly verso

‘wedding gift from the above to Eliz

Gartshore (Young)’, oil on board

21.5cm x 29cm (8.5in x 11.5in)

£400-600

461

FRANCIS HANS JOHNSTON (CANADIAN 1888-19490

A WOODED RIVER

LANDSCAPE, WINTER

Signed, oil on board 20cm x 25.5cm (8in x 10in) £1,000-2,000

ANTIQUITIES

462

CHANDRAKETUGARH CYLINDER VASE

INDIA, WEST BENGAL, CIRCA 2ND - 1ST CENTURY B.C.

the cylindrical body with four registers demarcated by flowerhead and rope borders, each decorated with goddesses, fantastical beasts and flowers

22cm high

£5,000-7,000

463

CHANDRAKETUGARH VASE

INDIA, WEST BENGAL, CIRCA 2ND - 1ST CENTURY B.C.

the globular body with broad everted rim decorated with flowers and foliate scrolls to the neck and shoulder, the medial frieze depicting richly adorned goddesses riding mythical creatures with forequarters of a horse and rear body of a peacock between flowers, repeated around the body, with a central opening for a spout, a register of elephants with fish tails below 20.5cm high

Provenance: Ex private French collection since before 2000. Acquired from Alexis Renard, Paris, in 2011. UK private collection.

This lot has been checked against the Interpol Database of stolen works of art, AIAD certificate no.11275-189527

£3,000-5,000

Chandraketugarh is an archaeological site situated by the Bidyadhari river around 35 kilometers northeast of Kolkata. Unearthed during excavations carried out from 1957 to 1968 under the Asutosh Museum of Indian Art, it unveiled remains spanning several centuries.

Scholars consider the site to have been situated within the historical Gangaridai region described by ancient Greco-Roman writers. It was at the borders of Gangaridai where Alexander the Great’s army mutinied and forced him to turn back, refusing to cross the Ganges and invade a kingdom containing an army that reportedly included over 4,000 war elephants.

464

ANCIENT EGYPTIAN WOODEN HANDS FROM AN ANTHROPOID SARCOPHAGUS EGYPT, LATE PERIOD, 664 - 332 B.C. carved and with traces of gesso and paint, raised on a bespoke mount 20cm high (excl. stand)

Provenance: Private collection, France Royal Athena Galleries, number ‘PPG120’, sold to the below November 18th 2004 Private collection, United Kingdom

£700-1,000

465

ANCIENT EGYPTIAN AMULET OF ISIS NURSING THE BABY HORUS PTOLEMAIC PERIOD, 332–30 B.C

large pale green faience amulet of Isis sitting on a throne decorated with a cross hatch pattern, holding the infant Horus, with a horizontal piercing just above the throne at the back for suspension

6cm high

Provenance: From A. S. Collection, West Sussex, acquired in the 1990’s.

Literature: Illustration 18: Amulets of Ancient Egypt; Carol Andrews.

Note: The goddess Isis had to secretly give birth to and care for her son, Horus, in the marshes of the Nile delta to protect him from his murderous uncle, Set. This statuette depicts a tender moment of Isis nursing the infant Horus, so that one day he may overthrow Set and become king of Egypt like his father, Osiris. For the ancient Egyptians this image of the goddess Isis suckling her son Horus was a powerful symbol of rebirth that was carried into the Ptolemaic period and later transferred to Rome, where the cult of the goddess was established. On the goddess’s head is the throne hieroglyph that represents her name. Following ancient conventions for indicating childhood, Horus is naked and wears a single lock of hair on the right side of his head.

£800-1,200

466

MESOPOTAMIAN CYLINDER SEAL

NEAR EAST, CIRCA 3000 B.C.

the dark stone cylinder with a row of three large and a small horned animal, with collection label reading “41” to the base, and accompanied by a note of authentication by Prof. W. Lambert

2cm high

£200-300

467

BABYLONIAN CYLINDER SEAL

NEAR EAST, CIRCA 2000-1800 B.C.

the black stone cylinder engraved with two worshippers holding a ball staff and a vessel, approaching a seated deity, with a monkey by its feet, under a crescent moon; the back with a winged and hairy-legged demon, with collection label reading “107” to the base, and accompanied by a note of authentication by Prof. W. Lambert

2.2cm high

£250-350

468

HELLENISTIC GOLD AND CORAL AMPHORA PENDANT GREECE, CIRCA 2ND - 1ST CENTURY B.C.

the teardrop shaped coral set in a suspension loop bordered by two dolphins finely modelled in gold

2.4cm high

£300-500

469

ATTIC BLACK FIGURE LEKYTHOS

ATTICA, CIRCA 450-500 B.C.

the body with a single strap handle decorated with a scene depicting Herakles wrestling the Nemean lion created via the black figure technique with incised details

18.5cm high

Provenance: Ex collection H.W. Norsheim before 1980

£300-500

470

THREE MODERN COPIES OF GREEK VASES

MODERN

the group comprising of a red figure oinochoe with two Erotes and a bull; a red figure kantharos with two Satyrs on one side, and two women talking on the other, 28cm high; as well as a black figure lekythos showing two titans in fight, 29cm high (3)

27cm high / 36cm high / 28cm high

£400-600

471

ANCIENT GREEK DIADEM

EASTERN MEDITERRANEAN, CIRCA 3RD - 4TH CENTURY B.C.

bronze wire, adorned with gilded traces on the bronze ivy leaves, among them are delicate bronze strands securing white terracotta berries painted with white gesso 24cm diameter

Provenance: Private collection, Germany

Royal-Athena Galleries, New York

Ian Colverson (1940-2022) Collection, UK, acquired from the above on the 4 May 2009

Ian Colverson was a Postwar & Contemporary printmaker whose works are held in many museums and galleries worldwide, including the Tate Gallery, London and the Museum of Modern Art, New York.

Note: Cf. The Museum of Fine Arts Boston, cf. M. Constock and CIRCA Vermeule Greek, Etruscan and Roman bronzes in the Museum of Fine Arts Boston, 1972, pp.199-200).

£2,000-3,000

472

CIRCA

ETRUSCAN PENDANT EARRINGS

5TH CENTURY B.C.

teardrop stud set with three long drops ending in a rounded carnelian (2) 3.8cm drop £1,000-1,500

473

HELLENISTIC GOLD BIRD EARRINGS GREECE, CIRCA 2ND - 1ST CENTURY B.C. shaped as naturalistic birds with detailed feathers, on a golden hoop (2) 3.7cm high £400-600

474

HELLENISTIC GOLD AND CARNELIAN SUN PENDANT GREECE, CIRCA 2ND - 1ST CENTURY B.C. the round pendant with embossed sun rays, centred by a red carnelian 2cm diameter £300-500

MEROVINGIAN PENDANT

WESTERN EUROPE, CIRCA 7TH CENTURY A.D. cast metal ring with four loop straps, raised on a bespoke mount 11cm wide

Provenance: European collection, 1960’s

Acquired from Ariadne Galleries, 2010 £1,500-2,500

475

ROMAN GOLD AND INTAGLIO RING

CIRCA 2ND - 3RD CENTURY A.D.

the banded agate with Dionysos (?), set in gold flanked by ball decoration to the top and bottom, in a simple band 2.2mm diameter

£1,500-2,500

476

CONTINENTAL FURNITURE & WORKS OF ART

477

AFTER THE ANTIQUE, PLASTER CAST OF NIKE ADJUSTING HER SANDAL

19TH CENTURY

numbered 512 to the top right corner

96cm high, 48cm wide

Note: Taken from the right part of a slab that has been regarded as belonging to the south side of the parapet of the Temple of Athena Nike

£300-500

478

LARGE AMETHYST GLASS PHARMACY

OPIUM BOTTLE AND STOPPER

19TH CENTURY

of onion form, inscribed in black ‘TR:OPII’ on a gilt ground within a red and black line border

38cm high

£200-400

479

CONTINENTAL CARVED OAK OCTAGONAL CENTRE TABLE

19TH CENTURY

the octagonal top with a foliate and gadroon carved edge above a frieze carved with fruiting vines and putti masks, on a spiral carved column and quadripartite platform raised on carved lion paw feet with castors

82cm diameter, 72cm high

£400-600

480

ITALIAN WALNUT SAVONAROLA CHAIR

19TH CENTURY

of typical form with a brown leather back and seat 69cm wide, 92cm high, 39cm deep

£300-400

481

PAIR OF ITALIAN CARVED FIGURAL TORCHERES

19TH CENTURY

the shell platform tops supported on exotic terms with hoof monopodia and scroll tripod bases (2)

28cm wide, 76cm high, 29.5cm deep

£600-800

482

ITALIAN SCAGLIOLA

TABLE TOP

LATE 19TH CENTURY

the serpentine shaped top painted with birds, flowers and foliate scrolls against a black ground

99cm wide, 50cm deep

£400-600

483

PAIR OF ITALIAN STAINED BEECH SAVONAROLA CHAIRS

LATE 19TH CENTURY

of typical form with tan leather backs and seats, the arms carved with masks and acanthus (2)

68cm wide, 94cm high, 50cm deep

£400-600

484

ITALIAN CARVED LIMEWOOD FIGURAL LAMP

LATE 19TH/ EARLY 20TH CENTURY

probably Florentine, carved as a putto with a bow sash on a naturalistic rocky base and turned bead moulded stand, fitted for electricity

68cm high (including fitting), 18cm diameter

£300-400

485

ITALIAN GILTWOOD FIGURE OF SAINT GEORGE

19TH CENTURY

modelled on horseback, on a later red velvet plinth

49cm wide, 43cm high, 18cm deep

£300-500

486

NUREMBERG BRASS AND ENAMEL ALMS DISH

17TH CENTURY

the centre with an armorial enamel roundel with a blue and yellow shield within a white rosette, enclosed by repoussé gadrooning and a band of Germanic text, the rolled rim with repeating punched fleur-de-lis and rosettes

44.5cm diameter

£300-500

487

RENAISSANCE REVIVAL CARVED WALNUT CHAISE LONGUE

19TH CENTURY

the scroll padded back carved with recumbent lions above a long stuff-over seat raised on cluster column supports with lion head capitals, joined by curved stretchers

162cm long, 108cm high, 74cm deep

£800-1,200

AN UNRECORDED MAIOLICA URBINO DISH WITH BROAD RIM, CIRCLE OF XANTO, PROBABLY BY THE PAINTER ‘LU. UR’

DATED 1534

decorated with an allegorical scene, possibly a theme of unrequited love; painted to one side with a figure of a soldier, his left hand holding an anchor, his right a shield, standing with his back to the viewer; the other side painted with a cross legged figure holding a staff, the well of the dish depicting a figure standing on the opposite side of a wall, his back to the viewer and looking onto a landscape of hedges, fences, rocks and hills; the star of Venus shines above, heralding dawn and encircled by clouds; on the lower rim of the dish a draped putto hides his eyes from the light; the reverse is inscribed in underglaze blue: ·1534· / Gia fimigaua la/morso stella - /Nel libro de & Z- /I[n] Urbino’ (Already the loving star was flaring - / In the book of & Z -/ In Urbino); there is also a paper label on reverse with a written inscription [1]

26.2cm diameter

Provenance: Private collection

£20,000-30,000

This dish is a period version or copy of a plate painted with the same subject and date, signed by one of the masters of ‘istoriato’ painting Francesco Xanto Avelli, which is in the Fitzwilliam, Cambridge[2]. Here the title on the reverse of the plate is also copied from the first line of Petrarch’s Rime 33 and the subject inscription, shortened and misspelt, reads as ‘.1534· /Gia fiameggiaua l’/amorosa stella’ (Already the loving star was flaring).[3]

A second version of this subject after Petrarch with a similar (but not identical) inscription on the back, also dated 1534 but unsigned, was formerly in the Damiron[4] and then the Sackler[5] collections and is also attributed to the painter known as ‘Lu.Ur.’ an associate of Xanto. As with the Xanto Fitzwilliam and the ‘Lu.Ur.’ Damiron dishes the figure on the left on our bowl is a version of the engraved figure of Sol by the monogramist I.B. (George Pencz), an image often used by Xanto[6]. The figure of the Putto on all these three plates is a version of Cupid from Agostino Veneziano’s print of the Death of Cleopatra after Raphael,[7] and the central figure on all three versions is taken from Marcantonio Raimondi’s Martyrdom of Saint Lawrence after Baccio Bandinelli [8]. The only significant difference between our dish, the Xanto Fitzwilliam and the ’Lu.Ur.’ Damiron dishes is the figure on the right. However, it too is simply a different figure copied from the same Raimondi engraving[9] and was used by Xanto at this date in possible collaboration with ‘Lu.Ur.’[10] on at least one other occasion. The dish being offered by Lyon and Turnbull also relates to a series of plates (dated 1533/4) some of which have on the reverse the additional inscribed spurious reference ‘Nel libro de ‘ (in the book of..) plus the same distinctive capital ‘I’ as in ‘I[n] Urbino’. One of these inscribed dishes has been attributed to Giulio da Urbino[11], the other to the painter known as ‘Lu.Ur.’[12], both regarded as assistants or collaborators of Xanto and provides further evidence of the close links between these three maiolica masters at this date.

[1] This reads “A.D.1535. FRANCESCO, XANTO, AVELLÈ, DA. ROVIGO; whose works are so well known & so highly appreciated; he usually painted after the designs of drawings of <U>Raphael, not always adhering strictly to the same graphics of the origins, he also borrowed subjects from Virgil, Ovid, Ariosto et cet”. “Chaffers” . This note seems to have been copied verbatim from ‘ Marks and Monograms on Europe and Oriental Pottery and Porcelain ’ by William Chaffers, edited by Frederick Litchfield, and is only found in the 9th edition published in 1900

[2] Poole, J., Italian Maiolica and incised slipware in the Fitzwilliam Museum Cambridge, Cambridge 1995, cat395, p346-8

[3] This couplet with the date 1534 is also found with a different image on the front on another plate signed by Xanto in Brunswick. See Ballardini, G., Corpus della maiolica italiana, 11, Le maioliche datate dal 1531 al 1535, Rome 1938, cat140 (fig134) and Lessmann J., Italienische Majolika, Katalog der Sammlung, Herzog Anton Ulrich Museum, Braunschweig, p564, plV!

[4] Damiron Sale 1938, Sotheby’s, London, 16th June 1938, lot 39

[5] Sackler Sale 1993-4, Christie’s, New York, pt2, 1st June 1994, lot 23

[6] The illustrated Bartsch 16, 1980, formerly volume 8 (part3). Early German Masters, Jacob Bink, Georg Pencz, Heinrich Aldgraver, ed Robert A. Kock, New York, p70, n14

[7] The illustrated Bartsch 26, 1978 volume 26 formerly volume 14 (part1). The works of Marcantonio Raimondi and of his school, ed. Konrad Oberhuber, New York, p194, no198

[8] Ibid.,p136,n104-11

[9] Ibid.

[10] See Mallet, J.V.G., with contributions by Hendel, G., Higgott, S.,and Sani, E.P., Xanto, Pottery-Painter, Poet, Man of the Italian Renaissance, Ex Cat Wallace Collection, London 2007, Cat46, p140, for a plate, The Battle of Pavia signed by Xanto but decorated with possible assistance from ‘Lu.Ur.’ with this figure.

[11] Wilson, Timothy, The Golden Age of Italian Maiolica Painting, Catalogue of a Private Collection, Turin 2018, cat114, p262-5

[12] Sackler Sale 1993-4, Christies, New York, pt2, 1st June 1994, lot 22

With special thanks to Celia Curnow for researching and cataloguing this lot.

see the ‘Buyer’s

490

WROUGHT IRON FIRESCREEN

19TH CENTURY

with a lion passant flanked by filigree panels and spiral turned supports with fleur-de-lis finials and trestle bases

107cm wide, 96cm high

£500-700

489

PAIR OF VENETIAN PRICKET WALL SCONCES

19TH CENTURY

the tall iron prickets above stylised cornucopia with circular pans set on long spiral polychrome gesso branches, issuing from cast iron brackets for wall mounting (2) 26cm wide, 54cm high

£300-400

491

PAIR OF LOUIS XIV STYLE

HIGH BACK CHAIRS

19TH CENTURY

covered in red upholstery with tassel trim, on shaped legs joined by mutton-bone stretchers

55cm wide, 100cm high, 42cm deep

£300-500

492

ITALIAN MARQUETRY, PARQUETRY, AND PENWORK

OCCASIONAL TABLE

MID 19TH CENTURY

the octagonal top with geometric band inlay and a central figure of songbird on an oak branch, on a turned baluster column and tripod base

75cm diameter, 70cm high £300-500

493

VENETIAN PALE BLUE PAINTED AND PARCEL-GILT BANQUETTE

MID 18TH CENTURY

the serpentine padded seat and high scrolling arms in a moulded and carved pine frame on six cabriole legs and two square back legs, carved with acanthus, scrolls and shells, upholstered in cream damask fabric

168cm wide, 74cm high, 58cm deep

£800-1,200

494 Y

ITALIAN WALNUT, IVORY, MARQUETRY AND PENWORK BUREAU

19TH CENTURY

the slope front inlaid with a cartouche depicting a falconry party, enclosed by flower and foliate scrolls, opening to an arrangement of drawers and arcaded pigeon holes, above three long drawers with similar marquetry and raised on ebonised bracket feet

77cm wide, 88cm high, 44cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (nontransferable) exemption registration reference SGUVXC61

£500-700

498

DUTCH OAK BUREAU

18TH CENTURY

the slope front opening to an arrangement of pigeon holes, drawers and hidden compartments, with a covered well recess, over a pair of lopers and three long bombé drawers, raised on splayed feet 112cm wide, 107cm high, 52cm deep

£400-600

495

PAIR OF MAKKUM POLYCHROME DELFT WALL PLAQUES

LATE 19TH CENTURY

of moulded cartouche form; one painted with a canal scene, above a blue and white acanthus scroll panel; the other painted with figures by a riverside, with houses in the background, above a blank blue and white acanthus scroll panel; both inscribed MAKKUM (2) 59cm high, 49cm wide

£300-500

496

ANGLO-DUTCH MAHOGANY TORCHERE STAND LATE 18TH CENTURY

the detachable circular top with a moulded rim on a slender turned and fluted column terminating on a tripod base with a pendant finial 42cm wide, top 22cm diameter, 89cm high

£600-800

497

DUTCH WALNUT BOMBÉ CHEST OF DRAWERS

18TH CENTURY

the shaped tray top over three long drawers and a further bombé drawer, flanked by canted angles and raised on scroll feet 88cm wide, 85cm high, 55cm deep

£400-600

499

LARGE PAIR OF DUTCH COMMEMORATIVE ENAMELLED GLASS DECANTERS AND STOPPERS

LATE 18TH/ EARLY 19TH CENTURY

of flattened back form; one painted with a portrait of Michiel Adriaenez de Ruyter, above a naval battle scene, possibly the Battle of Solebay; the other painted with a portrait of Admiral Maarten van Tromp, above a naval battle scene, probably the Battle of Downs; each with a round, flattened stopper enamelled in gilt with a shield and coronet (2)

55cm high

Provenance: Purchased from Howard Phillips Antique Glass, 11a Henrietta Place, London, October 1975

£400-600

500

DUTCH WALNUT AND MARQUETRY GAMES TABLE

18TH CENTURY

the breakfront fold-over top with outset corners and flower and bird marquetry, opening to an inlaid games board, the corner wells with trompe l’oeil playing cards, above a long frieze drawer and raised on square tapered legs, all with floral marquetry 72cm wide, 77cm high, 35cm deep [closed]

£700-900

501

DUTCH

WALNUT AND MARQUETRY BOMBÉ BUREAU

18TH CENTURY

in two parts, the slope front inlaid with two panels of baskets of fruit and birds, opening to an interior fitted with pigeon holes, drawers, and a covered recess, above three long drawers flanked by serpentine angles which open to reveal two sets of four small drawers, raised on ball and claw feet; the whole covered with floral marquetry

132cm wide, 109cm high, 63cm deep

£2,000-3,000

ANGLO-DUTCH SATINWOOD BUREAU BOOKCASE

18TH CENTURY

the arched and moulded cornice above a glazed door enclosing shelves and three short drawers with a candle slide below; the lower part with a slope front opening to an arrangement of drawers and pigeon holes, above four graduated bombé drawers flanked by canted angles, raised on shaped bracket feet

74cm wide, 204cm high, 51cm deep

£3,000-4,000

CONTINENTAL ROSEWOOD AND MARQUETRY SECRETAIRE

19TH CENTURY, SOUTH GERMAN

OR NORTH ITALIAN

the secretaire top of cubic form with a fall front opening to an arrangement of drawers and compartments, on a projecting base with a long frieze drawer and raised on square tapered legs, the whole covered in profuse rose and scrolling foliate marquetry, the interior with equestrian figures

100cm wide, 131cm high, 76cm deep

£1,500-2,500

503 Y

LOUIS XIV RED TORTOISESHELL BOULLE BRACKET CLOCK AND BRACKET LATE 17TH/ EARLY 18TH CENTURY WITH LATER ALTERATIONS

the gilt bronze embossed dial with white and blue enamel plaques with Roman numerals and Arabic second markers to the outer edge, with a foliate mask centre above an allegorical mount with muses and their attributes below, in a straight sided boulle marquetry case with concave sided cornice with a pierced frieze, acanthus corner mounts, and flame finials, the angles applied with female herms, the outscrolled base raised on foliate cast feet, the front and sides enriched with brass foliate scrolls, the later twin train brass movement signed ‘Japy Freres & Cie’ with gilt mask pendulum striking to a door mounted bell, together with an associated ogee bracket of a similar period with gilt bronze mask corner mounts and foliate scroll contre-partie boulle panels terminating in a foliate pendant finial

the clock 39.5cm wide, 70cm high, 15cm deep

£1,200-1,800

505

SOUTH GERMAN WALNUT, FRUITWOOD, PARQUETRY AND MARQUETRY SERPENTINE COMMODE

18TH CENTURY

the crossbanded top centred by a cartouche bearing the monogram ‘CV’, above three long drawers with parquetry and foliate inlay, raised on bun feet

126cm wide, 83cm high, 62cm deep £1,000-1,500

506

LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY MARBLE TOPPED BOMBÉ COMMODE

20TH CENTURY

the serpentine red and grey marble top with a moulded edge above three long drawers with floral marquetry and foliate gilt bronze handles and escutcheons, raised on splay feet with further gilt bronze mounts

129cm wide, 84cm high, 65cm deep

£800-1,200

507

PAIR OR FRENCH RÉGENCE STYLE GILT BRONZE WALL APPLIQUES

19TH CENTURY

modelled with opposing female busts, above twin squared scrolling candle arms supported by satyr masks (2)

22cm wide, 28.5cm high, 16.5cm deep

£400-600

508

FRENCH ROCOCO REVIVAL GILT BRONZE MANTEL CLOCK BY BERNOUX, PARIS

19TH CENTURY

white enamel dial with black Roman numerals and Arabic five minute markers, signed ‘Bernoux, Paris, 2, Rue des Frillesdu-Calvair’, the waisted rococo case with a musical trophy and surmounted by a putto, on an integral stand, the twin train brass movement striking on a bell 34cm wide, 47cm high, 17cm deep

£400-600 509

FRENCH KINGWOOD AND MARQUETRY SECRÉTAIRE À ABATTANT

LATE 19TH CENTURY

the later serpentine pink marble top above a frieze drawer and fallfront opening to an interior with a leather writing surface, drawers and compartments, over three further bombé drawers, all with floral marquetry inlaid panels and mounted with gilt bronze mounts

67cm wide, 130cm high, 38cm deep

Provenance: Private Scottish Collection, Morayshire

£300-500

510

FRENCH KINGWOOD GILT METAL MOUNTED VITRINE TABLE

19TH CENTURY

the shaped rectangular and brass banded top with a bevelled glass panel, above glazed sides and opening to a faded gold plush lined interior, raised on cabriole legs with gilt metal mounts and ending in sabots

80cm wide, 74cm high, 51cm deep

£300-500

511

FRENCH GILT BRONZE AND CHAMPLEVÉ ENAMEL MANTEL CLOCK

LATE 19TH CENTURY

the gilt dial with black Arabic numerals with a central enamel mask, signed by the retailer ‘F. Butt, Chester’, the waisted Rococo case with full enamel panels and scrolling details, the top with an acanthus scroll finial, the twin train movement striking a coiled steel gong, stamped ‘Vincenti & Cie’

15cm wide, 26cm high, 10cm deep

£300-500

513

FRENCH TRANSITIONAL STYLE KINGWOOD, PARQUETRY, AND PARCEL GILT MARBLE TOPPED COMMODE

LATE 19TH CENTURY

the serpentine rouge marble top with a moulded edge, above four serpentine drawers flanked by fluted angles, on a shaped apron and raised on bracket feet with gilt bronze mounts

82cm wide, 91cm high, 42cm deep

Provenance: Private Scottish Collection, Morayshire

£300-500

512

PAIR OF LOUIS XV WALNUT AND NEEDLEWORK FAUTEUILS

MID 18TH CENTURY

the cartouche shaped backs over wide stuffover seats and partpadded arms ending in scrolled hand holds, raised on cabriole legs, in blue, green and cream needlework verdure tapestry style upholstery (2)

59cm wide, 84cm high, 48cm deep

Provenance: Ex. Roger de Rin, 76 Royal Hospital Road, London, SW3 4HN, over an older dealer label

£400-600

516

VICTORIAN PAINTED

VITRINE CABINET

LATE 19TH CENTURY

of serpentine outline and glazed on all sides, with a pair of doors enclosing a single glass shelf, raised on cabriole legs terminating in scrolling gilt brass mounted feet

60cm wide, 88cm high, 41cm deep

£400-600

514

GERMAN PORCELAIN PLAQUE

MID 19TH CENTURY, SIGNED G. HOLTZENDORFF

depicting a scene of 18th century lovers on a stepping stone in a landscape setting; within an elaborately carved giltwood frame; unmarked the plaque 24.5cm high, 19.5cm wide; 46.5cm high, 41cm wide including the frame

£300-500

515

FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK

LATE 19TH CENTURY

the pink porcelain urn finial above a porcelain dial with black Roman number reserves against a pink ground and gilt borders, signed ‘Sauber, 42 Westbourne Grove’, in an oval fluted column case on an oval breakfront base centred by a Sèvres style porcelain plaque, on a giltwood velvet lined stand, the twin train brass movement striking a bell 25cm wide, 38cm high, 15cm deep

£400-600

517

PAIR OF FRENCH

WHITE PAINTED BERGÈRES

EARLY 20TH CENTURY

the low curved backs above loose cushion seats and padded enclosed arms, raised on cabriole legs with scrolled toes, covered in yellow damask (2)

63cm wide, 81cm high, 46cm deep

£400-600

518

MEISSEN FIGURE OF A SEAMSTRESS

MID 18TH CENTURY

Modelled by J.F. Eberlein, the Dutch lady seated, wearing a purple headband, sewing cloth, the needle in her right hand, her white apron over a green skirt and blue shoes with yellow ribbon, sitting on a purple cushion with gilt tassels, 11.5cm high, blue crossed swords, set within a gilt metal stand issuing leafy gourds as feet and green and gilt branches with porcelain flowers

14cm high overall

£700-1,000

MEISSEN FIGURE OF A DUTCH MAN SMOKING A PIPE CIRCA 1745-50

modelled by J.F. Eberlein, wearing a purple lined green hat, his blue jacket with gilt trim, seated on a green cushion with gilt tassels, a pipe in his right hand and a bag of tobacco on his knee, a berry pot by his feet, the base applied with a leaf and flower, faint blue crossed swords to base, 13.5cm high, enclosed within a gilt metal stand issuing leafy gourds as feet and with green and gilt branches issuing porcelain flowers, the stand stamped with a crowned C mark 17cm high overall

£700-1,000

520

SIX VARIOUS MEISSEN FIGURES

20TH CENTURY

comprising a ‘Cris de Paris’ figure of a peasant lady carrying a cradle; a gardener’s girl holding a triangle; two figures of vintner boys each carrying a basket of grapes; a girl carrying a knotted handkerchief on her head; and a boy digging; underglaze blue crossed swords, various impressed numerals (6)

13cm - 15cm high

£400-600

522

LOUIS XVI STYLE GILT AND PATINATED BRONZE MARBLE GUERIDON TABLE

LATE 19TH CENTURY

the oval brass-banded rouge griotte marble top above a plain frieze mounted with Apollo masks, raised on slender legs joined by a shaped stretcher and ending in hoof feet

56cm wide, 78cm high, 32cm deep

£400-600

521

TWO PAIRS OF IVORY PAINTED FRENCH ARMCHAIRS

LATE 19TH/ EARLY 20TH CENTURY comprising a pair of Louis XV style chaises en cabriolet with cartouche shaped backs, part-padded arms and serpentine seats, on cabriole legs; and a matched pair of Louis XVI style bergères en chapeau, with loose cushions seats, and raised on fluted tapered legs, all with ivory painted frames and green striped upholstery (4)

60cm wide, 97cm high, 49cm deep; and 66cm wide, 95cm high, 45cm deep

£500-700

LOUIS XVI STYLE CREAM PAINTED AND MARBLE LOW TABLE EARLY 20TH CENTURY

the pink and grey mottled marble insert top over a moulded frieze, raised on six fluted tapering legs headed by flower-carved blocks

142cm wide, 61cm wide, 44cm high

£250-350

524

JAMES JACQUES JOSEPH TISSOT (FRENCH 1836-1902)

LE FOYER DE LA COMÉDIE-FRANÇAISE PENDANT LE SIÈGE DE PARIS - 1877

Etching, from the edition of c. 100, signed in plate plate size 38cm x 27.5cm (15in x 10.75in)

£400-600

525

LOUIS XVI STYLE KINGWOOD PARQUETRY KIDNEYSHAPED WRITING TABLE

LATE 19TH CENTURY

the crossbanded top with a leather insert and pierced brass gallery, above a frieze with brass banded parquetry panels and a central frieze drawer, raised on facetted cabriole legs ending in gilt bronze lion paw sabots

115cm wide, 77cm wide, 59cm deep

£1,000-1,500

526

FRENCH LOUIS XVI STYLE IVORY PAINTED THREE SEAT CANAPÉ

LATE 19TH/ EARLY 20TH CENTURY

the padded back en chapeau above a long serpentine seat flanked by enclosed partpadded arms, raised on tapered fluted legs, covered in green stripe upholstery

198cm wide, 88cm high, 56cm deep

£500-700

527

LARGE SET OF SIXTEEN LOUIS XVI

STYLE CREAM AND PARCEL GILT CHAIRS

20TH CENTURY

the oval backs with carved rope twist and floral frames, above padded stuff-over seats on reeded tapering legs, in rose and green striped upholstery, to include twelve side chairs and four armchairs (16)

61cm wide, 104cm high, 58cm deep

£800-1,200

528

LARGE BIEDERMEIER CHERRY AND SATIN BIRCH CIRCULAR DINING TABLE

MID 19TH CENTURY

the crossbanded top with radial veneers centred by a large star motif, raised on square tapering curved legs

180cm diameter, 76cm high

£2,000-3,000

529

DUTCH NEOCLASSICAL MAHOGANY PRESS CUPBOARD

EARLY 19TH CENTURY

the dentil moulded pediment centred by an urn finial above a pair of moulded doors carved with ribbon-tied garlands and flower baskets, flanked by brass lined corner columns with brass Corinthian capitals, opening to a shelved interior with drawers; the base of breakfront outline with three long drawers flanked by swag carved angles above an apron carved with a portrait medallion and raised on fluted block feet 190cm wide, 267cm high, 70cm deep

£2,000-3,000

Note: A handwritten note on the back of this miniature gives a spurious attribution of the artist and the sitter as Jacques Antoine Arlaud (1668-1743) and his wife Peggy. This is unlikely, however the miniature bears closer similarities to the work of Arlaud’s great-nephew, Louis-Ami Arlaud-Jurine (1751-1829)

532

530 Y

FRENCH SCHOOL

PORTRAIT MINIATURE

LATE 18TH CENTURY

circular, watercolour and body colour on vellum, the sitter a young woman with auburn hair and blue eyes wearing a draped gown and head covering with blue ribbon and red embroidered details

7.5cm diameter excluding frame

Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference EUNW382B

£300-500

PAIR OF GILT AND PATINATED BRONZE CANDLESTICKS

19TH CENTURY

the reeded urn form nozzles with cast seaweed insert pans, the stems in the form of a conch shell held aloft by four entwined dolphins, on scalloped socles and octagonal bases, the bases weighted with cast iron (2) 25cm high, 10cm wide £800-1,200

AFTER LOUIS LÉOPOLD BOILLY (1761-1845)

’LES MUSTACHES’ AND ‘LES PRISEURS’, circular miniature paintings, watercolour on ivory, one with an amusing scene of gentlemen stroking their moustaches, the other with gentlemen taking snuff, in moulded ebonised and gilt frames (2)

6.5cm diameter

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference TB5VPC3K and 2UMLHX7E

£500-600

533

FRENCH GILT BRONZE AND CLOISONNÉ ENAMEL MANTEL CLOCK

LATE 19TH CENTURY

the silvered dial with Roman numerals and an enamel mask, in an architectural case with pagoda top with pointed finials to the corners, above foliate scroll enamel panels on a blue ground with corner columns, on a gadrooned moulded plinth base, the twin-train brass movement striking a bell, stamped ‘’CHLES M1’ and numbered 33790, the pendulum with matching numerals

15.5cm wide, 28cm high, 12.5cm deep £300-500

534

LOUIS XVI STYLE

GILTWOOD AND AUBUSSON LOW TABLE

EARLY 20TH CENTURY

the oval top with an insert Aubusson floral tapestry panel under glass, above a carved laurel garland frieze and supported on six acanthus carved and bead moulded legs united by shaped stretchers

113cm wide, 45cm high, 41cm deep

£400-600

535

FRENCH GILT BRONZE AND PORCELAIN THREE PIECE CLOCK GARNITURE

LATE 19TH/ EARLY 20TH CENTURY

the painted porcelain dial with black Arabic numerals and central figure of a putto, in a four-glass case with porcelain corner columns supporting an arch pediment surmounted by an urn and flame finials to the corners, on a square base with bracket feet, painted with nymphs, putti and floral garlands, the twin-train movement striking a gong and numbered ‘90571’; together with a pair of twin handled urns en suite (3)

22cm wide, 42cm high, 15cm deep

£400-600

536

PAIR OF FRENCH RENAISSANCE STYLE GILT AND PATINATED BRONZE EWERS

LATE 19TH CENTURY

the bodies cast in relief with a continuous scene of putti, set in gilt acanthus mounts, the high loop handles with putto finials and rams’ mask terminals, on socle bases with laurel wreath borders (2)

15cm wide, 43cm high, 10.5cm deep

£300-500

537

PAIR OF LARGE FRENCH BRONZE MARLY HORSE FIGURES, AFTER COUSTOU

LATE 19TH CENTURY

dark brown patina, signed ‘COUSTOU’

55cm wide, 60cm high, 21cm deep

£800-1,200

539

EDOUARD

GALATEA

bronze, dark brown patina, modelled as a draped nymph with arms outstretched on a watery rocky outcrop, signed ‘E. Drouot’ 30cm wide, 65cm high, 17cm deep £600-800

538

AFTER JULES MOIGNIEZ

LE HIBOU [THE OWL]

bronze, dark brown patina, signed ‘J. Moigniez’ to the naturalistic base, mounted on an oval black marble plinth 63cm wide, 75cm high, 32cm deep £500-700

DROUOT (FRENCH 1859-1945)

540

AFTER PIERRE-JULES MENE

CHIEN BRAQUE

brown, dark brown patina, on a rectangular naturalistic base signed ‘P J Mene’

19cm wide, 13cm high, 7.5cm deep

£300-500

541

FRENCH BRONZE FIGURE OF A CROUCHING RABBIT AFTER ANTOINELOUIS BARYE (FRENCH 1796 - 1875)

19TH CENTURY

dark brown patina, on an oval mounted plinth base stamped ‘BARYE 101’

8cm wide, 5cm high, 4cm deep

£250-350

542

CHARLES PAILLET (FRENCH 1871 - 1937)

LES DEUX AMIS

bronze, dark green patina, on a rectangular grey granite plinth base, signed ‘ch Paillet’ and stamped with the foundry mark ‘LE BLANC BARBEDIENNE & FILS, PARIS’ 35cm wide, 18cm high, 18cm deep

Note: Conceived circa 1921

£700-900

543

AFTER CHRISTOPHE FRATIN (FRENCH 1801–1864)

PUTTO WITH A GOAT

brown, dark brown patina, on a rectangular naturalistic base signed ‘Fratin’ and stamped ‘CM’, the edge also stamped ‘V.H.’ 16cm wide, 18cm high, 8cm deep

£300-500

544

FRENCH GILT BRONZE, EBONY AND TULIPWOOD DESK STAND BY MAISON MILLET

LATE 19TH CENTURY

of circular form with a laurel wreath carry handle on a turned stem stamped ‘Millet’, set with a pounce pot and three wells, two with glass liners and four pen recesses, the sides mounted with female masks or laurel branch appliques, a concealed small drawer to one side, mounted on a mounted gilt bronze base with toupie feet 18cm diameter, 22cm high

Note: Maison Millet was a highly regarded furniture firm and produced furniture and works of art, especially with very fine bronze mounts, in both antique and modern styles. It was founded in 1853 by Théodore Millet and closed in 1918.

£300-500

545

FRENCH SILVERED BRONZE DESK SEAL, BY JULES MOIGNIEZ (FRENCH 1835-1894)

LATE 19TH CENTURY

modelled as a heron standing amongst rushes, signed ‘J. Moigniez’, on a fluted waisted oval base, the matrix engraved with monogram ‘EMC’

10.5cm high

£300-500

546

FRENCH EMPIRE STYLE MAHOGANY BUREAU, IN THE MANNER OF JACOB FRÈRES

LATE 19TH/ EARLY 20TH CENTURY

the top with a tan leather insert above a long frieze drawer flanked by shorts drawers and a deep drawer, with dummy drawers opposing and slides to both ends, raised on gilt bronze mounted winged lion monopodia 131cm wide, 77cm high, 65cm deep £1,000-1,500

547

PAIR OF FRENCH PATINATED AND GILT BRONZE TWO-LIGHT CANDELABRA, AFTER EMILE-JOSEPHNESTOR CARLIER

19TH CENTURY

the twin arms with urn-shaped sconces and centred with a naked female gymnast, signed ‘E. Carlier’, the base in the form of an oil lamp embellished with theatrical masks and stamped ‘MARNYHAC, 1 RUE DE LA PAIX’, the foot with anthemion motifs and pine cones heightened with gilt (2)

24cm wide, 25cm high, 9.5cm deep

Note: Marnyhac et Cie was the commercial name for the Société des Marbres et Bronzes Artistiques de Paris which was established in Paris, and were in business from the mid 19th century to the beginning of the 20th century. A competitor of the Barbedienne Foundry, the company was managed by Charles de Marnyhac and specialized in the production of luxury pieces as well as casts from models made by the greatest sculptors of the time.

£2,000-3,000

548

COSTANTINO BARBELLA (ITALIAN 1852 - 1925) ARMONIA (HARMONY)

bronze, dark brown patina, signed on the base, on a black slate plinth

33cm high

Note: Examples of this bronze were exhibited in Rome in 1883 and 1903. For further reading on this model see: A. Lancellotti, Costantino Barbella (1852-1925), Rome 1934, p. 145; F. Bellonzi, Costantino Barbella: 1852-1925, Chieti 1983, p. 54 & P. Del Cimmuto, I. Valente (edited by), Costantino Barbella: fogli di pensieri: 1852-1925, Naples 2014, p. 201.

£1,000-1,500

549

AFTER AUGUSTE MOREAU, BRONZE FIGURE OF A BOY PLAYING PIPES

20TH CENTURY

dark brown patina, on a naturalistic base, signed ‘Aug. Moreau’ 71cm high

£400-600

550

JEAN-FRANCOIS MILLET (FRENCH 1814-1875)

THE DIGGERS (LES BECHEURS)

Etching, inscribed in plate ‘Paris Imp. Aug Delatre R St. Jacque 171’ 22.9cm x 32.4cm (9in x 12.75in)

£400-600

551

AFTER AUGUSTE MOREAU, BRONZE FIGURE OF TWO PEASANT GIRLS LATE 19TH / EARLY 20TH CENTURY bronze, light burnished patina, modelled with a basket of grapes, the base signed and with a Paris foundry stamp, on a circular purple veined white variegated marble base

57cm high

£300-500

Note: Josef Lewinsky (1835–1907) made his first appearance at the Hofburgtheater in 1858. He is depicted here in his role as Carlos in Johann Wolfgang von Goethe’s drama ‘Clavigo’, one of the outstanding roles of his career.

552

FRENCH BRONZE FIGURE OF A REVOLUTIONARY LATE 19TH CENTURY dark brown patina, modelled as a man standing in bicorn hat and coat holding a scroll, the scroll signed ‘À Mort’

34cm high

£300-500

553

HANS DIETRICH (AUSTRIAN 1868-1936)

JOSEF LEWINSKY AS CARLOS IN CLAVIGO bronze, dark brown patina, signed on the base, on a square red variegated marble plinth with bronze plaque

43cm high

£400-600

554 Y

NAPOLEON III RED TORTOISESHELL BOULLE MARQUETRY, EBONISED CARD TABLE

19TH CENTURY

the serpentine fold-over top opening on a swivel action to a green baize playing surface, above a shaped frieze centred by gilt bronze Apollo masks and raised on square cabriole legs, the whole outlined with gilt bronze 90cm wide, 75cm high, 46cm deep

£500-700

555

FRENCH KINGWOOD AND VERNIS MARTIN CORNER VITRINE CABINET LATE 19TH CENTURY

the ogee shaped cornice with a gilt metal rococo finial, above a glazed bombé door with a Vernis Martin panel below, opening to glass shelves and a mirror back, all outlined in gilt metal mounts and raised on splay legs with sabots 78cm wide, 189cm high, 40cm deep £500-700

556

SCANDINAVIAN SATIN AND KARELINIAN BIRCH BRASS BANDED TEA TABLE EARLY 19TH CENTURY

the rectangular fold-over top above a long frieze drawer, raised on square tapered legs with pierced corner brackets and brass mounts 89.5cm wide, 78cm high, 44.5cm deep £500-700

557

TWO ROYAL COPENHAGEN FLORA DANICA PICKLE DISHES

20TH CENTURY

one inscribed to the reverse ‘Saxifraga cernue L’, the other inscribed ‘Stellaria Arigynum Vill’, underglaze blue, green printed, and painted factory marks, impressed 3544 (2)

21cm wide

£600-800

558

TWO ROYAL COPENHAGEN

FLORA DANICA PLATES

20TH CENTURY

one inscribed to the reverse ‘Ribes alpinum L’; the other inscribed ‘Rosa cinnamomea L’; underglaze blue and green painted factory marks, the larger plate impressed B549 (2)

22cm and 26cm diameter

£500-700

559

TWO ROYAL COPENHAGEN FLORA DANICA PLATES

20TH CENTURY

each with an undulating pierced rim; one inscribed to the reverse ‘Senecia Jacobaea L’; the other inscribed ‘Anthyllis vulneraria vour rubriflora D.C’ (2)

23cm and 25.2cm diameter

£500-700

560

TWO ROYAL COPENHAGEN FLORA DANICA SERVING DISHES

20TH CENTURY

each with a branch handle with applied flowers; one inscribed to the reverse ‘Polygala amarum L’; the other inscribed ‘Dryas octopetala’; underglaze blue, green printed and painted factory marks (2)

22.5cm wide and 25cm wide

£700-1,000

561

ROYAL COPENHAGEN ‘BLUE

FLUTED’ PART DINNER SERVICE

20TH CENTURY

comprising a coffee pot; a hot water pot; a teapot; a cream jug; four large cups and saucers; five smaller cups and six saucers; four small side plates, 15.5cm diameter; six larger side plates, 17cm diameter; four further plates, 19cm diameter; six dinner plates, 25.5cm diameter; two oval tureens, 27cm wide, on stands; a sauce boat; two cup shaped salts; a circular lidded jar; a small round footed comport; four cerial bowls; six shallow bowls, 21cm cm diameter; six larger shallow bowls, 24cm diameter; and a small round dish; under glaze blue marks and green factory marks (qty)

£500-700

RARE LARGE BOHEMIAN BLUE AND AMBER GLASS PART-STAINED GOBLET AND COVER

MID 19TH CENTURY

the funnel bowl with a circular panel to the front engraved with a stag running through a woodland landscape by the water’s edge; the reverse with a circular panel cut with seven lenses, the surrounding blue ground engraved with fruiting vines; the baluster stem and pagoda cover cut with panels and printies stained in amber on a cobalt blue ground 57cm high

£2,000-3,000

563

SET OF ELEVEN LOUIS XV STYLE

CREAM PAINTED AND PARCELGILT SIDE CHAIRS

20TH CENTURY

with cartouche shaped padded backs carved with flowers, above stuffover seats raised on cabriole legs, in cream, green, and rose striped upholstery (11) 50cm wide, 96cm high, 45cm deep

£500-700

564

LOUIS PHILIPPE SATINWOOD, KINGWOOD, AND BRASS

BANDED CENTRE TABLE

MID 19TH CENTURY

the crossbanded circular tilt top banded in brass with radial veneers, on a square baluster column and concave quadripartite platform raised on carved claw feet with brass castors

134cm diameter, 76cm high

£400-600

565

SET OF SIX LOUIS XV STYLE CREAM

PAINTED AND PARCEL-GILT SIDE CHAIRS

19TH CENTURY

with cartouche shaped padded backs above stuffover seats, raised on cabriole legs, in cream, green, and rose striped upholstery (6) 50cm wide, 99cm high, 48cm deep

£300-500

566

LOUIS VUITTON STEAM TRUNK

CIRCA 1890

Damier canvas exterior, with black enamel handles, catches and a square brass lock, black enamel edging and brass studded wooden battens, roller wheels to underside, opening to pink double striped paper and cloth interior with two levels of lift out trays, the lid with pink grosgrain ribbon studded star lozenge, a paper label to the back ‘Louis Vuitton, London 454, Strand, Paris 1 Rue Scribe 1’ with handwritten black ink number ‘30824’

91cm wide, 50cm high, 50cm deep

£5,000-7,000

567

ART NOUVEAU BEECH BENTWOOD CENTRE TABLE, ATTRIBUTED TO THONET

CIRCA 1910

the rounded rectangular top with a moulded edge, raised on end supports with trestle bases and joined by a twin cross stretcher

109cm wide, 75cm high, 71cm deep

£600-800

568

FRENCH LEATHER AND BRASS BOUND CANVAS SUITCASE

CIRCA 1920

with brass furniture and bosses, tan leather cornering and tan pig skin effect canvas, covered in travel stickers, opening to a striped cotton-lined interior with a single fitted tray with two straps, leather carry handle

66cm long, 42cm high, 24cm deep

£400-600

569

SWISS MUSIC BOX BY LECOULTRE FRÈRES, GENEVA

LATE 19TH CENTURY

the 8 inch brass cylinder playing six airs, stamped ‘44386A, AP&Co’, with original tune card to the lid, in a rosewood, simulated rosewood and ebonised case, serial number ‘No. 44386 / 2314’

43cm long, 20cm wide, 14cm high

£300-500

570

BLACK FOREST HORN MOUNTED HALL STAND

19TH CENTURY

the centre support surmounted by a carved goat’s head with horns, over twin scrolling arms with cow horn hat/coats hooks above a shelf fitted with horns for holding sticks, a drop pan below 80cm wide, 166cm high, 30cm deep

£600-800

571

CASED TAXIDERMY SWITCH STAG HEAD, PELT, AND SLOTS, BY ROWLAND WARD

DATED 1901

the head and slots mounted on a pelt ground beneath an antler section plaque engraved HEAD AND SLOTS OF/ A THREE YEAR OLD MALE DEER/ HUNTED BY A SINGLE HOUND & DIED OF EXHAUSTION/ 16TH AUGUST

1901, in a glazed wall mounted case with stained bamboo edges, the right glass panel etched ‘The Jungle/ Rowland Ward 7.25/ 166 Piccadilly’54 79 45 54cm wide, 79cm high, 45cm deep

£400-600

572

BLACK FOREST BEAR STICK STAND

LATE 19TH CENTURY

standing upright, its head set with glass eyes and an open mouth, holding a branch-form stick holder in its paws, on a naturalistic base with metal tray insert 81cm high

£1,800-2,200

574

TWO PAIRS OF LARGE TAXIDERMY EUROPEAN RED DEER ANTLERS

one with twelve points, the other with thirteen, both with stripped skulls (2)

102cm wide tip to tip and 101cm wide tip to tip

£500-600

573 Y

TWO SETS OF LARGE TAXIDERMY ANTLERS

the first a set of European red deer antlers with fifteen points, on a stripped skull; the other a set of Woodland caribou on a partial skull (2) 100cm wide point to point and 83cm wide point to point

£500-700

TWO VICTORIAN TAXIDERMY BIRD DISPLAYS AND DOMES

19TH CENTURY

the first with a goshawk, the other with a lilac-breasted roller and red-legged honeycreeper, both mounted on a branch in a naturalistic setting, contained in glass domes with ebonised bases (2)

the larger 43cm high

£300-500

576 Y

VICTORIAN TAXIDERMY BIRD DISPLAY AND DOME

19TH CENTURY

with ten specimens including parakeets, finches and songbirds, mounted on a branch in a naturalistic setting, in a glass dome and ebonised base

37cm wide, 51cm high, 21cm deep

CITES STATUS: Article 10 Exempt as all worked specimens in a finished state before 3 March 1947

£300-500

ASIAN FURNITURE & WORKS OF ART

577

PAIR OF LARGE JAPANESE PORCELAIN AND FAUX LACQUER VASES LATE 19TH CENTURY

the flared mouths with wavy rims above narrow necks and bulbous bodies, decorated with floral reserves against a black and red simulated lacquer ground enhanced with gilt details, red six character marks to bases (2)

77cm high

£400-600

578

CHINESE RED LACQUER AND GILT CHEST-ON-STAND 19TH CENTURY

the doors decorated with courtly scenes, the sides and top with figures and mythical beasts, on a pierced and foliate carved hardwood stand with cabriole legs and stylised claw feet 96cm wide, 95cm high, 56cm deep

£800-1,200

579

CHINESE HONGMU AND RATTAN OPIUM BED LATE 19TH/ EARLY 20TH CENTURY

the rectangular woven top above a rope and bi disc carved frieze, raised on four straight legs joined by two side-stretchers and terminating with inwardly curved feet 174cm wide, 50cm high, 82cm deep

£400-600

580

ANGLO-INDIAN EBONY AND BRASS FOUR-POST BED

LATE 19TH CENTURY

the head and footboards carved in relief with shell motifs and foliate scrolls above spindle galleries, the tall corner posts with turned finials and connected by a canopy frame, raised on tall turned and faceted lotus carved legs; together with a modern mattress

214cm high, 191cm high, 124cm deep

Provenance: Commissioned by Sir Thomas Villiers (1869 – 1959)

Purchased at auction in Sri Lanka 1973

£2,000-3,000

581

LARGE SOUTH INDIAN BRONZE URULI VESSEL

20TH CENTURY

Tamil Nadu or Kerala, of wide squat form with a pair of cast handles, one side with an inscription in a Tamil script, probably Malayalam

75cm diameter, 24cm high

Provenance: With original purchase receipt dated April 1987 from Jonathan Harris Works of Art, 54 Kensington Church Street, London, W8 4DB

£300-500

582

BURMESE CARVED AND PIERCED HARDWOOD AND WIRE INLAID MIRROR

20TH CENTURY

the rectangular bevelled mirror plate in a pierced and carved frame with scrolling lotus blossoms and leaf motifs 126cm high, 98cm wide

£300-500

583

INDIAN CARVED EBONY CEREMONIAL COW POKE LATE 19TH CENTURY

the knopped end above a carved and engraved shaft with floral designs within geometric borders, terminating in a brass tip 143cm long

£300-500

584

MASHRABIYA, HARDWOOD, BONE, MOTHEROF-PEARL, AND EBONY HANGING CABINET LATE 19TH CENTURY

comprising an arrangement of arched recesses, shelves and cupboards, with geometric inlay throughout and the cornice centred with an Islamic text panel 68cm wide, 123cm high, 18cm deep

£400-600

586

WOOL EMBROIDERED SIGNED KASHMIRI SHAWL

19TH CENTURY

embroidered throughout with palmettes and arabesque scrolls on a red ground in a colour blocked border, bearing a signature in the central black medallion and also within the design 296cm long, 138cm wide £400-600

585 SUSANI UZBEKISTAN, 19TH CENTURY

embroidered in panels and joined on a linen ground, the field decorated with repeating flowerheads and foliage, framed by borders of meandering serrated vines, palmettes and arabesques, with a printed cotton chintz backing of repeating red rosettes 224cm long, 145cm wide £800-1,200

RUGS & CARPETS

587

ISFAHAN CARPET

CENTRAL PERSIA, MID/LATE 20TH CENTURY the ivory field with allover palmette and foliate vine pattern, within crimson red border

391cm x 284cm

£1,000-1,500

588

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY the light brown field with indigo medallion, within light brown border

370cm x 266cm

£1,000-1,500

589

KASHAN CARPET

CENTRAL PERSIA, MODERN

the indigo field with blue and brown medallion, similar spandrels, within indigo border

444cm x 293cm

£600-800

590

TABRIZ CARPET

NORTHWEST PERSIA, MODERN the washed reddish beige field with allover palmette pattern, within brown border

285cm x 296cm

£600-800

591

HERIZ

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and salmon pink star medallion, ivory, pink and indigo spandrels, within indigo border

338cm x 266cm

£1,200-1,800

592

TABRIZ STYLE CARPET

MODERN

the indigo field with blue, pink and cream medallion, ivory bar spandrels, within light blue border

344cm x 246cm

£400-600

CARPET

593

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the red field with allover palmette pattern, within cream border, signature to one end

390cm x 296cm

£1,500-2,500

594

SERAPI CARPET

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY

the brick red field with large indigo and pink medallion, light blue spandrels, within indigo border

377cm x 257cm

£2,500-3,500

595

TABRIZ STYLE CARPET

MODERN

the ochre field with allover foliate pattern, within indigo border

418cm x 304cm

£400-600

596

KASHAN CARPET

CENTRAL PERSIA, MODERN

the pink field with indigo, light pink and cream medallion, cream spandrels, within indigo border

376cm x 273cm

£1,200-1,800

597

KASHAN CARPET

CENTRAL PERSIA, MODERN

the eau de nil field with allover palmette and foliate vine pattern, within olive border

438cm x 298cm

£1,200-1,800

598

ISFAHAN CARPET

CENTRAL PERSIA, MODERN

the indigo field with small ivory medallion, allover palmette and scrolling vine pattern, within indigo border, signature to one end

408cm x 315cm

£1,200-1,800

601

599

HERIZ CARPET

NORTHWEST PERSIA, LATE 20TH CENTURY the brownish red field with indigo and cream medallion, similar spandrels, within indigo border

400cm x 283cm

£1,200-1,800

600

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within light brown border

410cm x 296cm

£1,500-2,500

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the turquoise field with allover palmette and arabesque vine pattern, within ivory border, signature to one end

390cm x 290cm

£1,500-2,500

603

VARAMIN CARPET

CENTRAL PERSIA, EARLY/ MID 20TH CENTURY

the cream field with allover rosette lattice pattern, within grey border

316cm x 202cm

£1,500-2,500

602

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the red field with allover palmette pattern, within ivory border

345cm x 305cm

£2,000-3,000

604

HERIZ CARPET

NORTHWEST PERSIA, LATE 20TH CENTURY

the red field with indigo star medallion, ivory and red spandrels, within indigo border

324cm x 244cm

£1,500-2,500

605

QUM SILK RUG

CENTRAL PERSIA, LATE 20TH CENTURY

the salmon pink field with indigo medallion, brown spandrels, within script cartouche border

143cm x 75cm

£400-600

606

QUM SILK RUG

CENTRAL PERSIA, LATE 20TH CENTURY

the yellow field with slate medallion, light brown spandrels, within slate border, signature to one end

119cm x 79cm

£500-700

607

ISFAHAN CARPET

MID/LATE 20TH CENTURY

the ivory field with allover palmette and vine pattern, within red border

221cm x 148cm

£400-600

608

KASHAN PRAYER RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY

the plain burgundy mihrab with lamp and floral vase between columns, within indigo border, signature to one end 200cm x 134cm

£500-700

609

LARGE TABRIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY

the burgundy field with allover palmette and saz leaf pattern, within turquoise border 768cm x 413cm

Provenance: Pallinsburn House Sale, Lyon & Turnbull, 4 May 2005, lot 490

£4,000-6,000

610

ISFAHAN CARPET

CENTRAL PERSIA, MID/LATE 20TH CENTURY

the ivory field with red cusped medallion, within red border

345cm x 271cm

£1,200-1,800

611

KASHAN CARPET

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY

the indigo field with red and ivory medallion, red and blue spandrels, within red border

406cm x 265cm

£600-800

612

TETEX CARPET

GERMANY, EARLY/MID 20TH CENTURY

the red field with allover harshang pattern, within olive border

383cm x 282cm

£1,000-1,500

613

TETEX CARPET

GERMANY, EARLY/MID 20TH CENTURY

the ivory field with allover stylised palmette pattern, within indigo border

378cm x 295cm

£1,500-2,500

614

HERIZ

NORTHWEST PERSIA, EARLY 20TH CENTURY

the brick red field with indigo and salmon pink medallion, ivory spandrels, within indigo border

360cm x 251cm

£1,600-1,800

615

TABRIZ

NORTHWEST PERSIA, MID 20TH CENTURY

the indigo field with allover palmette and foliate pattern, within rust border, signature to one corner

393cm x 299cm

£1,000-1,500

CARPET

CARPET

617

PAIR OF USHAK RUNNERS

WEST ANATOLIA, LATE 19TH/ EARLY 20TH CENTURY

each with pink field with serrated lozenge and stylised vine pattern, within narrow indigo border (2) 361cm x 96cm and 355cm x 92cm £1,000-1,500

616

SOUTH CAUCASIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the indigo field with allover boteh pattern, within ivory border

315cm x 118cm

£300-500

618

HERIZ RUNNER

NORTHWEST PERSIA, MODERN

the reddish brown field with column of medallions, within narrow indigo border

365cm x 70cm

£800-1,200

619

NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the indigo field with allover herati pattern, within red border

500cm x 109cm

£700-1,000

620

KARAJA RUNNER

NORTHWEST PERSIA, MODERN

the cream field with column of polychrome medallions, within narrow indigo border

405cm x 77cm

£600-800

621

SARAB RUNNER

NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY

the indigo field with three octagonal medallions, within triple border with boteh end panels

364cm x 85cm

£500-700

622

TEKKE CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY

the brick red field with three columns of eleven guls, within red border, lozenge elem panels 243cm x 145cm

£300-500

623

KHOTAN CARPET

EAST TURKESTAN, MID 20TH CENTURY

the blue field with circular floral medallion, Greek key spandrels, within polychrome border; and a LESGHI RUG, the indigo field with three star medallions, within yellow border (2) 245cm x 147cm and 156cm x 126cm

£300-500

624

KUBA RUG

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the indigo field with allover lattice pattern, within blue border

171cm x 125cm

£250-350

625

CHINESE CARPET

EARLY 20TH CENTURY

the pink field with circular foliate medallion, scrolling foliate spandrels, within blue border

365cm x 280cm

£400-600

626

JOSHAGAN CARPET

CENTRAL PERSIA, MODERN

the dark red field with indigo lozenge medallion, similar spandrels, within indigo border

350cm x 245cm

£500-700

627

INDO-PERSIAN CARPET

EARLY/MID 20TH CENTURY

the red field with allover foliate vine pattern, within slate grey border

356cm x 279cm

£500-700

628

NAIN CARPET

CENTRAL PERSIA, MID/LATE 20TH CENTURY the cream field with light brown and cream medallion, within light brown border

361cm x 242cm

£600-800

629

KAYSERI CARPET

CENTRAL ANATOLIA, MID/LATE 20TH CENTURY the cream field with elongated indigo medallion, beige spandrels, within indigo border

400cm x 247cm

£300-500

630

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the light orange field with indigo and ivory medallion, within blue border

411cm x 320cm

£500-700

631

KASHAN CARPET

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red and blue medallion, similar spandrels, within red border

535cm x 321cm

£5,000-7,000

632

LARGE PEKING CARPET

NORTH CHINA, LATE 19TH/EARLY 20TH CENTURY the brown field with allover lattice pattern, light brown medallion, dragons to the corners, within brown border

800cm x 400cm

£6,000-8,000

634

QUM SILK RUG

CENTRAL PERSIA, MID/LATE 20TH

CENTURY

the silver field with cream medallion, within indigo border

153cm x 99cm

£400-600

635

CENTRAL PERSIAN SILK RUG

MID/LATE 20TH

CENTURY

the salmon pink field with puce cusped medallion surrounded by cartouches and scrolling border, signature to one end

140cm x 132cm

£300-500

633

EUROPEAN NEEDLEWORK CARPET

PROBABLY PRINCIPALLY LATE 18TH CENTURY

the cream field with circular medallion of two geese, scrolling floral vine surround, within similar border

286cm x 206cm

£1,000-1,500

636

HERIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY the ivory field with allover geometric foliate pattern, within indigo border

331cm x 253cm

£1,800-2,400

637

DOROKSH CARPET

NORTHEAST PERSIA, EARLY 20TH CENTURY the red field with light blue lozenge medallion, indigo spandrels, with allover herati pattern, within ivory border

432cm x 305cm

£1,000-1,500

638

TABRIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY

the indigo field with allover herati pattern, within indigo border

382cm x 289cm

£1,500-2,500

639

ISFAHAN RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the raspberry field with slate blue medallion, similar spandrels, within slate blue border

209cm x 131cm

£250-350

640

KIRMAN CARPET

CENTRAL PERSIA, EARLY/MID 20TH CENTURY the red field with dark indigo star medallion, similar spandrels, within dark indigo border

228cm x 141cm

£300-500

641

BIDJAR RUG

WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with foliate medallion and allover herati pattern, salmon pink spandrels, within blue border

198cm x 140cm

£250-350

643

JOSHAGAN CARPET

CENTRAL PERSIA, MID/ LATE 20TH CENTURY

the blue field with red lozenge medallion, indigo spandrels, within ivory border

323cm x 160cm

£600-800

642

TETEX CARPET

GERMANY, EARLY/MID 20TH CENTURY

the brick red field with allover stylised palmette pattern, within slate grey border

329cm x 242cm

£1,600-1,800

644

HERIZ CARPET

NORTHWEST PERSIA, MODERN

the brownish red field with indigo, red and ivory medallion, ivory, brown and indigo spandrels, within indigo border

335cm x 241cm

£400-600

646

HERIZ CARPET

NORTHWEST PERSIA, EARLY/MID 20TH CENTURY

the red field with indigo and ivory cusped medallion, ivory spandrels, within indigo border

376cm x 263cm

£600-800

645

TABRIZ CARPET

NORTHWEST PERSIA, LATE 20TH CENTURY

the red field with allover palmette pattern, within cream border

472cm x 302cm

£2,000-3,000

647

TABRIZ CARPET

NORTHWEST PERSIA, EARLY/MID 20TH CENTURY of Ardebil design, the red field with ivory medallion, similar spandrels, within indigo border

381cm x 301cm

£3,000-5,000

648

TABRIZ HADJI JALILI CARPET

NORTHWEST PERSIA, LATE 19TH/EARLY

20TH CENTURY

the cream field with red and camel star medallion, similar spandrels, within rust brown border

371cm x 292cm

£1,500-2,000

650

SOUTH CAUCASIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the brown field with allover octagonal medallion pattern, within narrow brown border 258cm x 131cm

£300-500

649

SOUTH CAUCASIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the blue field with allover boteh pattern, within polychrome border 207cm x 109cm

£300-500

651

NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the indigo field with allover boteh pattern, within ivory border

£300-500

652

PAIR OF IRON WINE RACKS

LATE 19TH CENTURY

with an iron frame and wrought iron bottle supports, each capable of holding approximately 136 bottles (2)

104cm wide, 183cm high, 26cm deep

£500-800

653

PAIR OF COLEBROOKDALE STYLE ‘NASTURTIUM’ BENCHES

20TH CENTURY

painted white with slat seats (2)

129cm wide, 82cm high, 67cm deep

£800-1,200

654

COMPOSITION STONE FIGURE GROUP, ‘THE THREE GRACES’ AFTER CANOVA MODERN on a semicircular base

83cm high

£300-500

655

COMPOSITION STONE FIGURE OF VENUS ITALICA, AFTER CANOVA MODERN on a semicircular base

128cm high

£400-600

656

LARGE DOULTON LAMBETH STONEWARE URN AND PEDESTAL

19TH CENTURY

of campana form cast with fruiting vines and mask loop handles, the socle lacking, on a later square pedestal stamped DOULTON LAMBETH

urn 62cm high, 69cm diameter; pedestal 90cm high

£600-800

657

PAIR OF GREY GRANITE OVAL CISTERNS

19TH CENTURY of flattened oval form with waisted bodies and rectangular bases (2)

46cm wide, 30cm high, 27cm deep

£400-600

CONDITIONS OF SALE 22.3

FOR BUYERS (UK)

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used. Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller. Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (��) next to its lot number.

A. BEFORE THE SALE

1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/ images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below.

(a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way.

(b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery:

(i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future.

(ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least

three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report.

(iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report.

(iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced.

(b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys.

(c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300.

(e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID

1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following:

(i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement)

(ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and;

(iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements.

(b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance

reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her.

(b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services.

(a) Phone bids

Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections.

(b) Internet Bids

For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live

bidding.

(c) Written Bids

While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE

1. ADMISSION TO OUR AUCTIONS

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot.

3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING

The Auctioneer accepts bids from:

(a) Bidders in the saleroom;

(b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and;

(c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER

The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

1. THE PURCHASE PRICE

For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots.

(a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger

(†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique

items.

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. SELLER’S WARRANTIES

For each Lot, the Seller gives a warranty that the Seller;

(a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and;

(b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively,

“Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser. This Guarantee does not apply if:

(a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or

(b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or

(c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading. This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must:

(a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and

(b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the

right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes.

(b) Where You are bidding on behalf of another person You warrant that:

(i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so;

(ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and;

(iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT

1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year.

(b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied.

(c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name.

(d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us

of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following:

(i) When You collect the Lot; or

(ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing.

(e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(f) No purchase can be claimed or removed until it has been paid for.

(g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) To proceed against You for damages for breach of contract;

(b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You;

(c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs).

(d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof;

(e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale;

(f) To retain that or any other Lot sold to You until You pay the Total Amount Due;

(g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and

(i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE

(1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website

(2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion;

(i) Charge You storage costs at the rates set out on our Website.

(ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs.

(iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING

1. TRANSPORT AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS

Buyers intending to export goods should ascertain;

(a) Whether an export licence is required; and

(b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/imports-

We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties.

(b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or

(ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph.

(c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services.

(d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot

(e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS

1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if;

(i) Any of our warranties are not correct, as set out in paragraph E3,

(ii) We reasonably believe that completing the transaction is or may be unlawful; or

(iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot.

4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of

the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www. lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@lyonandturnbull. com.

10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law

(b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd

(Registered in Scotland No: 191166

| Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate;

“Bidder” a person who has completed a Bidding Form

“Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your”

“Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website

“Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer;

“High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above;

“High Value Lot” a Lot with a lower Estimate of £30,000 or above;

“Lot” each Item offered for sale by Lyon & Turnbull;

“Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses;

“Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty;

“Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions;

“VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com

2. GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings:

“Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to

“Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

GUIDE TO BIDDING & PAYMENT REGISTRATION

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/Driving licence)

2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM

At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

BIDDING OUTSIDE THE SALEROOM BY PHONE

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING

Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING

Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com

- BID LIVE ONLINE

Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

PAYMENT

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

BANK TRANSFER

Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS

We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH

No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS

Please refer to page 2 of this catalogue.

Inside Back Cover: Lot 235 [detail]