Five Centuries | Auction 15 & 16 November 2023

15TH & 16TH NOVEMBER 2023 LIVE IN EDINBURGH & ONLINE

WEDNESDAY 15 & THURSDAY 16 NOVEMBER 2023 AT 10AM Sale Number LT760

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday 11th November 12 noon-4pm Sunday 12th November 12 noon-4pm Monday 13th November 10am-4.30pm Tuesday 14th November 10am-4.30pm Days of sale from 9am

Front Cover Lot 33 [detail] Left Lot 192 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

2

BUYER'S GUIDE

This sale is subject to our Standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

26% up to £20,000 25% from £20,001 to £500,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT † VAT at the standard rate payable on the hammer price ‡ Reduced rate of 5% import VAT payable on the hammer price Ω Standard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

Our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain.

For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

22.3

3

MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Katherine Wright

Gavin Strang

Head of Sale

Paintings & Drawings

Ceramics & Glass

Rugs & Carpets

Katie Hannah

Jamie Russell

Harry Fletcher

Kerstin Schaeffer

Furniture & Works of Art

Furniture & Clocks

Furniture, Clocks & Works of Art

Junior Specialist: Works of Art & Antiquities

4

ORDER OF SALE WEDNESDAY, 15TH NOVEMBER AT 10AM 1-53

The Cassencarie House Collection

54-177

British Furniture & Works of Art Part I

178-213

Paintings Part I

214-247

The Stevenson Collection

248-321

British Furniture & Works of Art Part II

THURSDAY, 16TH NOVEMBER AT 10AM 322-414

British Furniture & Works of Art Part III

415-430

Paintings Part II

431-506

Continental Furniture & Works of Art

507-516

Asian Furniture & Works of Art

517-574

Rugs & Carpets

575-577

Garden

5

THE HENRYSON-CAIRDS OF CASSENCARIE HOUSE, KIRKCUDBRIGHTSHIRE Cassencarie House is a now ruined Scottish baronial house with origins in a 16th century tower that formed its core. It sits on high ground overlooking the Cree estuary but protected from the east by steep rocky crags. It appears on Blaeu’s mid-17th century maps of Galloway, which were in turn based on Pont’s late 16th century work, identified as a large tower named ‘Kassinkary’ surrounded by parkland and an enclosure. The

CB in 1869 and promoted to Knight Commander of the Order of

earliest documented family connected to Cassencarie was the

the Bath (Civil division) in 1882 [offered here as lot 34]. Margaret

Muirs, who had possession of the house and estate from at

Henryson died in 1863 and in 1865 he remarried, to Elizabeth

least the second half of the 16th century. Cassencarie remained

Jane, to whom he remained married until his death in 1892.

under their stewardship until the 1860s when it was purchased by the Cairds and has remained in that family for five generations to the present day, making them only the second family to have ownership over the course of nearly five hundred years.

Sir James’ and Margaret’s son James Alexander Henryson-Caird (1847-1921) managed the family estate, now over 2,000 acres, during his father’s political career in London and took great interest in both shooting and fishing. He married Alice Mona

Originally a square defensive tower, the house went through

Alison in 1877, adopting the surname Henryson-Caird in 1897.

its first alteration in the 17th century when it was changed to

After his death in 1921 many of the valuable items from his

an L plan and given a grander appearance, with roll moulded

library were auctioned by Sotheby’s in 1922. His wife Mona

surrounds to the doors and windows. Renovations and

Caird (1854-1932) went on to become a feminist journalist

expansions over the intervening years continued and in the late

and prose writer. Spending most of her time in London, she

18th century a considerable extension was added to create a

was notorious for her unorthodox views on sexual relations

more balanced symmetrical appearance. The house, renamed

and her advocacy of civil liberties and animal rights, and was

Woodbourne, and its library were used as inspiration for Sir

instrumental in introducing the concerns of the New Woman

Walter Scott’s novel Guy Mannering. In the early 19th century a

into the public arena. Despite her important contribution to late

low service wing was added, and later in the 19th century after

Victorian culture, Mona was isolated for her views during her

the Cairds took possession a new three-storey wing was added

lifetime and became a silent voice. Recent study and scholarship

and the house’s appearance changed once again to the Scots

have rediscovered her contributions as an early radical feminist

baronial style with added turrets and crenelations. Sadly damp

critic of marriage and motherhood. Her portrait in later life, is

and dry rot damage eventually made the structure unsafe, and in

offered as lot 35.

the 1960s the family moved to the renovated stable block.

They had one son, Alison James Henryson-Caird, born in

Sir James Caird KCB FRS (Scottish, 1816-1892), the politician

1884 (in later life known as Alister). He had a long military

and agricultural writer, purchased the house and estate, and it

career serving in The King’s Own Scottish Borderers, firstly

is by his marriage to his first wife Margaret Henryson, that the

as Captain and then as Major. He was decorated in both the

Henryson-Caird line was created although the name wasn’t

First and Second World War, being awarded a Military Cross

adopted until 1897. Margaret Henryson was the daughter of

and mentioned in dispatches. Alister died in 1950 and was

Captain John Henryson, of the Royal Engineers of Stranraer. The

succeeded in turn by his son, Captain Murray Alister Cooper

military presence was strong in the Henryson family and several

James Henryson-Caird. He also served in the military and was

lots offered here reflect several generations of Henryson military

decorated in the Second World War. Their medals are offered as

appointments.

lot 37.

Sir James wrote extensively on issues of farming, land-use,

After almost 150 years within the Henryson-Caird family, the

and free trade, and took on governmental advisory positions

property is changing hands again. Lyon & Turnbull are pleased to

following the famines in Ireland and India. He was appointed a

offer the following collection to new owners.

6

THE CASSENCARIE HOUSE COLLECTION

1

2

PAIR OF CARVED OAK GLASTONBURY CHAIRS

FRENCH RENAISSANCE STYLE CARVED OAK ARMCHAIR

19TH CENTURY

19TH CENTURY

of typical form, the back panels carved with oak leaves and the monogram IJSH (2) 58cm wide, 90cm high, 41cm deep

the tall back with carved Romayne style and linen panels above a hinged seat flanked by open arms with lion’s head terminals, the box seat with further linen and foliate scroll panels, on stile feet

£300-500

76cm wide, 160cm high, 44cm deep

£300-500

3 SET OF SIX FRENCH LOUIS XIII STYLE OAK SIDE CHAIRS 19TH CENTURY the upright padded backs with pierced and carved crests with shells, C scrolls and flower filled urns, above stuff-over seats raised on shell and C-scroll carved cabriole legs joined by shaped stretchers (6) 49cm wide, 120cm high, 44cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

7

4 LARGE RENAISSANCE REVIVAL CARVED FIRE SURROUND LATE 19TH CENTURY, INCORPORATING EARLIER ELEMENTS the overmantel with a moulded cornice above a 17th century Italian cassone panel, richly carved with figures with scrolling foliage in fruit borders, raised on a pair of carved lion monopodia backed with stopfluted pilasters on square plinth bases 225cm wide, 214cm high, 48cm deep

£700-1,000

View of Dining Room, Cassencarrie House.

James Pugh, August 1958, Scottish National Buildings Record, Ministry of Works.

Lots 3, 4, 8, 28 and 48 can be seen.

8

5 INDO-PORTUGUESE GILT ALABASTER FIGURE OF THE MADONNA AND CHILD 19TH CENTURY modelled as the standing figure of the Madonna with flowing gold hair and applied gilt brass circular halo, holding the Christ Child, their robes gilt with a repeating cartouches and fleur-de-lis, the base with an eagle holding a cartouche with five towers, housed in a bone inlaid teak tabernacle of the same period, the doors with repeating floral designs and barley twist columns, the interiors with a green silk brocaded velvet (2) Figure 77cm high total; tabernacle 89cm high, 45cm wide, 25cm deep

£500-700

6Y SYRIAN HARDWOOD AND BONE INLAID ARMCHAIR LATE 19TH CENTURY of X form inlaid all over with geometric bands, rosettes, and star motifs 61cm wide, 96cm high, 36cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

9

7Y NORTH ITALIAN WALNUT, IVORY AND MARQUETRY ESCRITOIRE 19TH CENTURY the carved cornice above a frieze drawer inlaid with classical scenes of Amphitrite and Silenus with putti attendants, above a fall front inlaid with a Continental hunting scene, opening to an interior fitted with arcaded pigeon holes,foliate inlaid drawers, and a central recess; the lower part with three long drawers inlaid with grotesques and foliate scrolls and flanked by pilasters, on a foliate carved base with paw feet 103cm wide, 148cm high, 46cm deep Note: Sold in compliance with UK Government and APHA regulations, with (nontransferable) exemption registration reference TUFQ4163

£2,000-3,000

10

8 18TH CENTURY ENGLISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF LORD FAIRFAX Oil on canvas, and a companion, a pair, ‘Lady Fairfax’ (2) each 122cm x 100cm (48in x 39.5in)

£1,500-2,500

11

9 18TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF JOHANNES HENRYSON Oil on canvas 79cm x 62.5cm (31in x 25.5in) Note: By repute Henryson was a supporter of the Jacobite cause and raised his tenantry and fought for Charles in 1745. A note on the frame states he was physician to Charles Stuart, although this seems unlikely, as it is well-documented that his physician was Sir Stuart Threipland.

£400-600

10 GEORGE III PAINTED WALNUT LONGCASE CLOCK, JAMES SPEIGHT, TONG LATE 18TH CENTURY the hood with a pagoda pediment, enclosing a 12 inch brass engraved breakarch dial with silvered chapters with Roman numerals, subsidiary calendar dial flanked by scrolls and birds, the maker’s name inscribed to the top of the arch ‘Speight, Tong’, the arch with a painted scene of a shepherd with his flock, above a moulded trunk door with lenticle, on a plinth with bracket feet, the case painted with Classical motifs within scrolling foliage, the eight-day two train movement striking a bell 243cm high, 55cm wide, 30cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

12

11 DUTCH MARQUETRY QUARTET MUSIC STAND 19TH CENTURY the two-sided adjustable music rest with sliding extensions, on a tapered column and tripod base with brass castors, with floral marquetry throughout 90cm wide, 145cm high [lowest]

£600-800

12 DUTCH MARQUETRY ARMCHAIR EARLY 19TH CENTURY the tall padded back and enclosed arms above a stuff-over seat, in a floral marquetry frame raised on reeded tapered legs ending in brass caps and castors, in yellow brocade upholstery 67cm wide, 116cm high, 50cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

13

13 DUTCH WALNUT AND MARQUETRY SILVER TABLE 18TH CENTURY the galleried top with flowering urn marquetry above a long frieze drawer, raised on fluted square tapered legs with brass feet 77cm wide, 75cm high, 59cm deep

£400-600

14 DUTCH OAK AND MAHOGANY TROMPE L’OEIL MARQUETRY TEA TABLE 18TH CENTURY

15 FOUR DUTCH WALNUT AND MARQUETRY CHAIRS 19TH CENTURY comprising a matched pair of armchairs and a pair of side chairs, all with floral marquetry and padded seats in yellow brocade (4) Armchair 55cm wide, 88cm high, 47cm deep

£300-500

the top inlaid with a trompe l’oeil tea service, above a long frieze drawer and cabriole legs with floral marquetry and ending in pad feet 80cm wide, 73cm high, 61cm deep

£300-500

14

View of Arcaded Apartment, Cassencarrie House.

James Pugh, August 1958, Scottish National Buildings Record, Ministry of Works.

Lots 1, 2, 18, 26, 32, 38, 51 and part of lot 52 can be seen.

16 ITALIAN WALNUT AND MARQUETRY COMMODE LATE 18TH CENTURY the top with a central flower motif and canted corners above a long frieze drawer inlaid with foliate scrolls, over two further long drawers inlaid with a central reserve depicting a sun beneath drapery swags held by birds, on square tapered legs 114cm wide, 92cm high, 53cm deep

£1,000-1,500

15

17 19TH CENTURY BRITISH SCHOOL HEAD AND SHOULDER PORTRAIT OF A YOUNG MAN, PRESUMED TO BE A MEMBER OF THE HENRYSON FAMILY Oil on canvas, circular 64.5cm (25.25in) diameter

£500-700

18 SWEDISH GILT METAL MIRROR, IN THE MANNER OF BURCHARD PRECHT EARLY 18TH CENTURY the rectangular bevelled mirror plate within a floral engraved margin plate border surmounted by a compartmentalised cresting with a flowering urn finial flanked by smaller flowering urns 133cm high, 75cm wide

£1,000-1,500

19 DUTCH NEOCLASSICAL MAHOGANY AND SATINWOOD COMMODE EARLY 19TH CENTURY of breakfront outline, the crossbanded gallery top with outset square corners above a long frieze drawer and two short drawers, over a pair of crossbanded cupboard doors marked at the corners with patera, raised on square tapered legs 130cm wide, 101cm high, 49cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

16

17

20 GROUP OF TEN PORTRAIT SILHOUETTES OF THE HENRYSON FAMILY EARLY 19TH CENTURY depicting various members of the Henryson family, some sitters identified on the reverse, in ebonised and birdseye maple frames, two with [Master William James] Hobart Gallery trade labels and four with [William] Hamlet [the Elder], Bath, trade labels dated July 1820 (10) largest 16cm high

£600-800

21 REGENCY TALL GILTWOOD PIER MIRROR EARLY 19TH CENTURY the inverted breakfront ball moulded cornice above a frieze panel with a central flower medallion, over a long mirror plate flanked by acanthus clasped pilasters 165cm high, 65cm wide

£400-600

22 19TH CENTURY BRITISH SCHOOL HALF LENGTH PORTRAIT OF CAPTAIN ROBERT HENRYSON IN UNIFORM pastel 52cm x 43cm (20.5in x 17in) Note: According to a plaque attached to the frame, the sitter was involved in the construction of the British defences at Gibraltar.

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

18

23

24 Y

REGENCY GILTWOOD AND GESSO MIRROR

REGENCY ROSEWOOD WHATNOT

EARLY 19TH CENTURY

EARLY 19TH CENTURY

the inverted breakfront bead moulded cornice over a frieze panel with foliate scrolls above a rectangular mirror plate flanked by reeded Corinthian pilasters

the top with a pierced threequarter gallery above two further tiers, the base with a drawer, raised and divided by baluster turned supports, on turned legs with brass caps and castors

105cm high, 64cm wide

51cm wide, 98cm high, 40cm deep

£300-400

£400-600

25 PAIR OF WILLIAM IV MAHOGANY LIBRARY ARMCHAIRS EARLY 19TH CENTURY the curved button-upholstered backs above loose cushion seats flanked by open padded arms, raised on turned and tapered legs ending in brass caps and castors, with blue plush upholstery (2) 68cm wide, 98cm high, 52cm deep

£800-1,200

26 Y REGENCY ROSEWOOD TEAPOY EARLY 19TH CENTURY of sarcophagus form outlined with bead moulding, on a facetted baluster support and concave quadripartite base with bun feet 51cm wide, 81cm high, 39cm deep

£250-350

19

27 REGENCY MAHOGANY CHEVAL MIRROR, MANNER OF GILLOWS EARLY 19TH CENTURY the rectangular mirror plate supported between turned uprights with urn finials and adjustable brass candle arm, untied by upper and lower stretchers, raised on hipped and inlaid sabre legs ending in brass caps and castors 72cm wide, 177cm high, 60cm deep

£400-600

28 REGENCY STYLE MAHOGANY AND EBONY THREE PILLAR DINING TABLE 19TH CENTURY rounded rectangular top with ebony banding, raised on cannon barrel turned pillars with sabre legs ending in brass caps and castors, with two leaf extensions 344cm long, 71cm high, 122cm deep

£1,000-1,500

29 Y WILLIAM IV ROSEWOOD SOFA EARLY 19TH CENTURY the straight low back and high scrolling moulded arms over a long seat, raised on turned legs, upholstered in gold Damask fabric 215cm wide, 66cm high, 80cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

20

21

30 TWO WHITE MARBLE PORTRAIT BUSTS OF SIR JAMES CAIRD AND MARGARET HENRYSON MID 19TH CENTURY each modelled in drapery with socle supports; with a pair of square green terrazzo pedestals with stepped moulding and ebonised plinth bases (4) Busts 76cm and 72cm high; pedestals 123cm high

£1,500-2,500

31 Y REGENCY ROSEWOOD, GONCALO ALVES, BRASS INLAID AND PARCEL-GILT CARD TABLE EARLY 19TH CENTURY the banded fold-over D-shaped top with a bead moulded edge opening to a green baize playing surface, on a scroll support and arched X form base with inward scrolling feet with brass castors 92cm wide, 75cm high, 46cm deep [closed]

£600-800

32 WILLIAM IV NEEDLEWORK FIRESIDE BENCH EARLY 19TH CENTURY the long padded seat covered in wool needlework, on turned and tapered legs 129cm long, 46cm high, 30cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

22

33 SCOTTISH VICTORIAN DEPUTY LIEUTENANT UNIFORMS LATE 19TH CENTURY

by Henry Poole & Co, Saville Row, London, circa 1880, including a full dress scarlet double-breasted coatee with white lined tails, with crown and laurel wreath plated buttons and silver oakleaf embroidery to collar, cuffs and thistles to the tails, fitted with a pair of epaulettes, the crescents with a thistle in gold and silver embroidery, with a matching pair of trousers with silver lace stripe; also with a black doublebreasted coatee with gilt embroidery, with Royal coats of arms gilt buttons and silver and gilt oakleaf and foliate embroidery to collar and skirt-slashes, with a matching pair of trousers with gold lace stripe, the trousers with hand written label for Henry Poole, all four pieces with order number ‘89’ labels; and a black tall bicorn hat of military style with a loop of flat silver lace and gold bullion tassels, upright white over red feather plume; and a blue silk lined magistrates full hood with a cowl; together with a VICTORIAN DEPUTY LIEUTENANT COURTSWORD, by Morgan & Co, London, with etched blade decorated with foliage and the retailer’s details, gilt-brass hilt including down-turned shell-guard decorated with the crowned Royal cypher and foliage, solid crown pommel, with bullion sword knot, in a leather covered wooden scabbard with gilt brass single stud on the locket (7) sword 91cm long Note: Belonging to Sir James Caird KCB FRS (Scottish 1816 - 1892), who served as magistrate and deputy-lieutenant of the Scottish county of Wigtownshire at the end of his career. Sir James can be seen wearing the black coatee with his Order of Bath medal in the portrait accompanying lot 34.

£500-800

23

34 VICTORIAN CASED ORDER OF BATH MEDAL AWARDED TO SIR JAMES CAIRD KCB FRS (SCOTTISH 1816-1892) The Most Honourable Order of the Bath, K.C.B. (Civil) Knight Commanders set of insignia, comprising neck badge hallmarked 18ct yellow gold, maker R & S Garrard & Co, London 1881, with red full neck cravat complete with gold clasp fitments; and breast star in white metal, gilt and enamel, the reverse fitted with pin for wearing, in original Garrard presentation case; together with a HALF LENGTH PORTRAIT OF SIR JAMES CAIRD WEARING HIS K.C.B, oil on canvas, framed (2) Case 22cm long, 10cm wide

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

25

the sexes “inTotheplace relationship

of possessor and possessed, patron and dependent, is almost equivalent to saying in so many words, to the male half of humanity: ‘Here is your legitimate prey, pursue it.’

”

Phases of Human Development, 1894 Westminster Review, 141, pp.

37-51. (Reprinted in The Morality of Marriage and Other Essays, 1897, pp.

195-239.)

35 ANGELO GARINO (ITALIAN 1860-1945) HALF LENGTH PORTRAIT OF MONA CAIRD Signed, inscribed and dated ‘Nice 1918’, oil on canvas 89cm x 71cm (35in x 28in)

£600-800

Mona Caird was born Alice Mona Alison on 24 May, 1854

was not to her liking. This resulted in her only spending two

to an affluent family on the Isle of Wight. Also known by her

months of the year there, while spending the rest in London or

married name Alice Mona Henryson-Caird, she was a writer and

travelling abroad mostly on her own, with her husband staying

essayist dubbed a ‘priestess of revolt’ by the mainstream press

at Cassencarie to manage the estate. They lived parallel but

at the time. A notorious First Wave feminist writer, she wrote

distinctly different lives, with separate circles of friends that

seven published novels, short stories, a travel book, tracts on

reflected their differing interests and views on specific issues.

anti-vivisection, and many articles on the ‘Woman Question’

Their marriage produced a son, Alister James, who was raised

and other social and political issues. Her writings challenged

mainly in Scotland with his father, and whose subsequent

Victorian conceptions of femininity, filial duty, marriage and

military career was at odds with Mona’s beliefs and writings.

domesticity.

Her work stimulated widespread discussion of such

In 1877, at the age of 23, Mona married James Alexander

controversial subjects as undesired marital sex, birth control,

Henryson-Caird, who was eight years her senior. His estate,

unwanted pregnancy, single motherhood, wages for housework,

Cassencarie in Kirkcudbrightshire on the South coast of

public child care, free relationships and the right to adultery

Scotland, figures prominently in her fictional works. Despite

after marital breakdown. Mona Caird’s importance as an early

clearly being taken with the Gothic mansion and its surrounding

feminist writer has recently been re-discovered by academics

idyllic countryside, which provided the setting of a number

and Feminist scholars and her works provoke ongoing

of her novels, the stifling traditional life that came with it

discussion on women’s issues.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

26

36 SCOTTISH INFANTRY OFFICERS UNIFORMS EARLY 20TH CENTURY including two pairs of red coat and mess dress jackets, the smaller pair by Jones & Co, Regent Street Pall Mall, London; the second larger pair by Hawkes & Co, 14 Piccadilly W, both with handwritten canvas name labels, both red coats with regimental badges to the collars and cord epaulettes, both mess dress jackets with regimental buttons; together with an EDWARDIAN SCOTTISH OFFICER’S BASKET HILTED SWORD, by Hawkes & Co, London, the double-edged blade etched with initials, coats-of-arms, motto and dated 1902, with red silk tassel, fish skin and double wire handle, red canvas lined basket and steel scabbard; and a GEORGE V SCOTTISH INFANTRY OFFICER’S CROSS HILTED BROAD SWORD, by Hawkes & Co, London, double edged blade engraved with thistles and royal cipher for George V, fish skin grip bound with a single twist of silver wire, red silk tassel, contained in a leather field service scabbard (6) Larger sword 104cm long Provenance: Belonging to Major (Then Capt.)

Alison [Alister] James Henryson-Caird (Scottish 1884 - 1950), The King’s Own Scottish Borderers. The infantry officer’s cross hilted broad sword likely to have belonged to his son Capt. Murray Alister Cooper James Henryson-Caird.

£500-800

27

37 GROUP OF FIVE GREAT WAR MEDALS AWARDED TO MAJOR (THEN CAPT) ALISON [ALISTER] JAMES HENRYSON-CAIRD (1884-1950) of The King’s Own Scottish Borderers, including a Military Cross, GR, reverse dated and initialled A.J.H-C 27.5.15, 1914 Star (Capt. A. J. Henryson-Caird. K.O Sco. Bord.), British War and Victory Medals, M.I.D oak leaf (Capt. A. J. Henryson-Caird) and Defence Medal 1939-45, inside a fitted leather case; together with A GROUP OF FOUR WWII MEDALS, awarded to his son Capt. Murray Alister Cooper James Henryson-Caird, including 1939-45 Star, Burma Star, Defence and War Medals, unnamed as issued, inside a fitted leather case; together with a HALF LENGTH PORTRAIT OF MAJOR ALISTER JAMES HENRYSON-CAIRD, oil on canvas, signed with a monogram and dated 1915, inscribed, 76cm x 63.5cm (30in x 25in) (2) Cases 17cm long, 13cm wide

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

28

38 MARIUS JEAN ANTONIN MERCIÉ (FRENCH 1845–1916) DAVID AND GOLIATH bronze, medium brown patina, signed ‘A. MERCIÉ’ and ‘F. Barbedienne, Fondeur’ to the base 70cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

29

39 AFTER JEAN GIOVANNI BALLONI (ITALY, 19TH CENTURY) CUPID ENSLAVED bronze, light brown patina, signed ‘G Balloni’

40

61cm high, 21cm wide, 17cm deep

PAIR OF FRENCH CHAMPLEVÉ ENAMEL AND GILT BRONZE URNS

£300-500

LATE 19TH CENTURY the baluster bodies decorated with polychrome enamels on a gilt brass ground, mounted with satyr mask high loop handles linked by laurel swags, on circular acanthus moulded bases and scrolling bracket feet (2) 38cm high, 18cm wide

£300-400

41 TWO FRENCH ALABASTER, CHAMPLEVÉ ENAMEL AND GILT BRONZE TAZZAS 19TH CENTURY the larger with an oval body with an enamel band of scrolling flowers in polychrome enamels on a bleu celeste ground with scalloped appliques, flanked by scrolling handles with satyr masks, on a circular foot; the smaller of circular form decorated to match a square alabaster base with bracket feet (2) 40cm wide, 21cm high, 22cm deep and 33cm wide, 29cm high, 21cm deep

£300-500

30

42

43

VICTORIAN PAINTED OVERMANTEL MIRROR

EDWARDIAN MAHOGANY TWO TIER TABLE DUMB WAITER

the rectangular mirror plate in a fruit and flower carved frame with ribbon-tied flower garlands and a central laurel wreath flanked by urns

EARLY 20TH CENTURY

186cm high, 137cm wide

the graduated circular trays supported on a baluster turned column, raised on a moulded round foot, stamped 88986

£400-600

46.5cm high, 55cm diameter

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

31

44 VICTORIAN GESSO, GILTWOOD AND GILT BRONZE GIRANDOLES 19TH CENTURY the shaped mirror plates in beaded frames with acanthus scrolls, issuing three scrolling acanthus candle arms (2) 45cm high, 29cm wide

£300-500

45 EDWARDIAN MAHOGANY INLAID BOOK STAND EARLY 20TH CENTURY the two division top above an undertier and book trough, raised on square tapered legs ending in brass castors; together with a GEORGIAN STYLE SATINWOOD, HAREWOOD, AND PENWORK URN STAND, late 19th century, in the Sheraton style, the octagonal top with a flower motif inlay above a frieze with swag marquetry and a cup slide, raised on square tapered legs joined by an X stretcher (2) 55cm wide, 95cm high, 22cm deep; and 31cm diameter, 69cm deep

£400-600

32

46 FOUR CONTINENTAL CEREMONIAL SWORDS 19TH CENTURY including FRENCH NAVAL OFFICER’S SWORD, the steel flat back blade, ornate pierced brass hilt with fouled anchor and acanthus, ebony grip with cockle shells engraved with initials ‘VC’, with the remnants of a brass mounted leather scabbard and suspension loops; a SPANISH ARTILLERY OFFICERS SWORD, dated 1880, the blade etched with scrolling foliage and ‘Artilleria Fabrica de Tuledo’, pierced brass handle and steel scabbard; a CONTINENTAL CROSS HILTED SWORD, with engraved blade with wire wrapped handle and brass scabbard; a CONTINENTAL CROSS HILTED SWORD, with engraved triangular épée blade with wire wrapped handle; and a NORTH AFRICAN BERBER TYPE SWORD, with engraved brass and wooden mounts (5) largest 97cm long

£300-500

47 JAPANESE KATANA TAISHO PERIOD the blade with signatures to both sides of the tang, in mounts with brown ‘chopped straw’ lacquer saya, gilt bronze tsuba with two dragons around the outer edge and a scene of praying mantis amongst flowers to the centre, gilt bronze fuchi-kasira with scenes of tigers amongst bamboo, tsuka with ray skin same and leather tsuka ito 74cm long

£300-500

48 PAIR OF GEORGIAN STYLE SILVER-PLATED ARMORIAL WINE COOLERS LATE 19TH/ EARLY 20TH CENTURY of twin handled urn form, the rims chased with acanthus and shells above bodies engraved with the Henryson-Caird armorial, on circular bases, with liners (2) 28cm high, 23cm diameter

£300-500

33

49 BLACK FOREST CARVED BEAR STICK STAND LATE 19TH CENTURY the bear with glass eyes, standing with mouth open and holding a branch, on a fern-carved base 90cm high

£700-900

50 Y LATE VICTORIAN OAK SNOOKER SCOREBOARD AND BALL RACK LATE 19TH CENTURY made by J Ashcroft, Victoria St, Liverpool, the board with sliding score keepers with ivory knobs and a central slate, above a central ball rack with a hinged glazed front flanked by two slot drawers; together with an OAK REVOLVING CUE RACK AND A SELECTION OF CUES (2) Scoreboard 107cm wide, 74cm high, 21cm deep Note: Sold in compliance with UK Government and APHA regulations, with (nontransferable) exemption registration reference 8CEZHBUX

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

34

Hall of Arcaded Apartment, Cassencarrie House.

James Pugh, August 1958, Scottish National Buildings Record, Ministry of Works

51 CARVED STONE MANTELPIECE 17TH CENTURY the frieze panels carved in deep relief with scenes of Venus attended by putti 160cm wide, 33cm deep

£800-1,200

Note: By repute this carved stone mantelpiece once was placed in the early Italianate garden at Cassencarie. Archival photos from the late 1950s show it positioned inside the arcaded hall.

THIS LOT IS TO BE SOLD IN SITU AND MUST BE COLLECTED BY THE PURCHASER. PLEASE CONTACT LYON & TURNBULL FOR FURTHER DETAILS.

35

52 TWO ARCHITECTURAL CARVED STONE ELEMENTS FROM CASSENCARIE HOUSE LATE 19TH CENTURY/ EARLY 20TH CENTURY one a large square plaque carved in relief with the Henryson-Caird crest of a dexter hand fesseways couped at the wrist holding a six-point star ensigned with a crescent arg, above two coats-of-arms, the first with motto ‘Virtus Sola Nobilitat’, the other with motto ‘Nil Desperandum Est’ with the later inscription below ‘M.A.C.J., 1922’, within a moulded border; the other a lintel carved with thistles and the initials J.A. and A.M. centred by the monogram HC for Henryson-Caird (2) 71cm wide, 73cm high; and 90cm wide, 28cm high, 15cm deep Note: The lintel bears the monogram for Henryson-Caird, and the initials of James Alexander and his wife [Alice] Mona. It was most likely installed during the renovations to baronialise Cassencarie beginning in the 1880s. The large plaque bears the crest and coats-of-arms of Caird and Henryson, the initials and date M.A.C.J. 1922 were added to record the birth of Murray Alister Cooper James Henryson-Caird (d. 1988). It can be seen in archival images installed in the arcaded hall in Cassencarie.

£600-800

53 TWO GREEN PAINTED WROUGHT IRON GARDEN BENCHES EARLY 20TH CENTURY including a three-seat and a two-seat, both with plain slats and scrolling arms and legs (2) the larger 140cm wide, 81cm high, 58cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART I

54 OAK JOINT STOOL 17TH CENTURY the single plank seat with a chip carved edge, above a shaped frieze, raised on turned legs joined by peripheral stretchers 49cm wide, 54cm high, 28cm deep

£300-500

55 SMALL OAK CHEST LATE 17TH/ EARLY 18TH CENTURY the hinged top above a chip carved frieze and two panel front with lozenge inlay, raised on stile feet 70cm wide, 56cm high, 45cm deep

£250-350

56 CHARLES II OAK AND OYSTER VENEERED CHEST OF DRAWERS 17TH CENTURY with two short over three long panel moulded doors with oyster veneers and concentric line inlay, raised on later bracket feet 106cm wide, 105cm high, 54cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

38

57 OAK JOINT STOOL LATE 17TH CENTURY the single plank seat with a thumbnail edge, on turned and tapered legs joined by peripheral stretchers 45cm wide, 52cm high, 27cm deep

£600-800

58 EARLY OAK BIBLE BOX ON STAND 17TH CENTURY AND LATER with a hinged slope opening to an interior with shelves and drawers, the front and side panels carved with scrolling foliage, on a later stand 68cm wide, 96cm high, 53cm deep

£300-500

59 CHARLES II OAK CHEST OF DRAWERS 17TH CENTURY the top with a moulded edge above three graduated moulded panel drawers, raised on stile feet 85cm wide, 83cm high, 59cm deep

£500-700

60 CHARLES II OAK CHEST OF DRAWERS 17TH CENTURY the top with a moulded edge above four graduated moulded panel drawers, raised on stile feet 89cm wide, 85cm high, 56cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

39

61 SET OF TWELVE CARVED OAK DINING CHAIRS LATE 19TH CENTURY in the 17th century style with carved lion head finials above padded backs and seats, raised on turned legs with ceramic castors, comprising ten side chairs and a pair of armchairs Armchair 65cm wide, 102cm high, 56cm deep

£500-700

62 OAK REFECTORY TABLE 18TH CENTURY the three board top above a plain frieze and chamfered straight legs joined by peripheral stretchers 166cm wide, 76cm high, 75cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

63 NEEDLEWORK FRAMED WALL MIRROR LATE 17TH CENTURY AND LATER with silk and wool embroidered needlework scrolling floral borders backed with canvas 76cm high, 75cm wide

£400-600

64 QUEEN ANNE BURR OAK LOWBOY EARLY 18TH CENTURY the banded top above three short frieze drawers arranged around an arch, raised on turned and tapered legs joined by a peripheral wavy stretcher 76cm wide, 76cm high, 50cm deep

£600-800

65 GEORGE I BURR ELM, OAK, AND WALNUT KNEEHOLE DRESSING TABLE EARLY 18TH CENTURY the top with a moulded edge above a long crossbanded frieze drawer and arched recess with cupboard, flanked by banks of three drawers all with crossbanding, raised on bracket feet 80cm wide, 80cm high, 49.5cm deep

£600-800

66 WILLIAM AND MARY WALNUT AND MARQUETRY CHEST-ON-STAND LATE 17TH CENTURY the moulded cornice above a cushion moulded frieze drawer, over two short and three long graduated drawers, all with scrolling foliate marquetry, on a stand with two further short drawers, reduced in height 102cm wide, 117cm high, 57cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

41

67 QUEEN ANNE WALNUT AND MARQUETRY LONGCASE CLOCK EARLY 18TH CENTURY the hood with a flat moulded cornice above a square door, enclosing a 10 inch brass dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture, and two winding holes, with pierced mask spandrels, above a walnut moulded trunk door with a circular lenticle, on a square plinth with moulding, all inlaid with figural and floral marquetry panels on ebonised grounds, the twin train five pillar movement striking a bell 199cm high, 43cm wide, 24cm deep Provenance: Property of the late Mrs. Jean Bogie

£1,200-1,800

42

68 SET OF FOUR GEORGE III OAK HALL CHAIRS EARLY 19TH CENTURY of sgabello form, the shield shaped backs with a central roundel with a carved armorial, raised on vasiform supports with moulded roundels (4) 44cm wide, 99cm high, 40cm deep

£800-1,200

69 LATE GEORGE III FRUITWOOD SETTLE EARLY 19TH CENTURY the rectangular back with leaf carved splats and downswept arms above a drop-in seat upholstered in yellow damask, raised on square legs 177cm wide, 84cm high, 44cm deep Provenance: Property of the late Mrs. Jean Bogie

£400-600

70 GEORGIAN OAK DRESSER BASE 18TH CENTURY with three deep frieze drawers and a secret drawer above a shaped apron, raised on cabriole legs ending in pad feet 211cm long, 81cm high, 53cm deep

£700-900

43

71 GEORGIAN YEW AND WALNUT LONGCASE CLOCK, BY GEORGE CLOUGH 18TH CENTURY AND LATER the broken arch pediment above a walnut crossbanded square door flanked by Doric columns, enclosing a 10 inch brass dial with silvered chapter ring with Roman numerals and subsidiary seconds dial and two winding holes to the centre, signed ‘Geo Clough’, with pierced mask spandrels, above a walnut crossbanded shaped trunk door on a square plinth base with starburst inlay and raised on ogee bracket feet, the twin train movement striking a bell 204cm high, 59cm wide, 31cm deep Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe

£400-600

72 GEORGE I BURR ELM, MAHOGANY, AND OAK BUREAU EARLY 18TH CENTURY the cross and chequer banded slope opening to an arrangement of pigeon holes and drawers above two short and three long graduated drawers, on bracket feet 71cm wide, 92cm high, 38cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

73

74

GEORGIAN OAK SETTLE

GEORGE III OAK AND MAHOGANY MULE CHEST

18TH CENTURY

18TH CENTURY

the four panel back above a squab seat and sloping scrolled arms, raised on cabriole legs with pad feet 187wide, 107cm high, 71cm deep

the hinged top with a gallery rail and moulded edge above a pair of dummy drawers and an arrangement of five short drawers, raised on ogee bracket feet

£500-800

176cm wide, 104cm high, 56cm deep

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

45

76 PAIR OF LARGE BARLEY TWIST BRASS CANDLESTICKS

75

LATE 19TH CENTURY

GEORGE III OAK AND MAHOGANY MOONPHASE LONGCASE CLOCK, JOHN PATTISON, HALIFAX

the tall open twist stems on round spreading weighted bases (2) 59cm high

LATE 18TH CENTURY

£600-800

the swan neck cornice with embossed brass roundels, above a 13 inch painted breakarch dial with moonphase and central reserve painted with a gentleman and lady in an ironmonger’s workshop, Roman numeral chapter and subsidiary seconds dial, the spandrels painted with flowers, over a moulded arch trunk door flanked by brass mounted quarter columns, on a plinth base, the twin train eight-day movement striking a bell 225cm high, 58cm wide, 25cm deep

£500-800

77

78 YEW AND ELM WINDSOR ARMCHAIR EARLY 19TH CENTURY the low back with a pierced splat and shaped saddle seat, on turned legs joined by a crinoline stretcher

ASH AND ELM COMB-BACK WINDSOR ARMCHAIR EARLY 19TH CENTURY of typical form with a saddle seat and slightly outscrolled arms, on turned legs joined by an H stretchers 60cm wide, 94cm high, 43cm deep

£300-400

54cm wide, 91cm high, 37cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

46

79 OAK BARREL STICK STAND LATE 19TH CENTURY of tapered cylinder form with lug handles and metal banding 32cm diameter, 74cm high

£300-500

80 SET OF FOUR PROVINCIAL OAK LADDERBACK CHAIRS MID 19TH CENTURY the backs with shaped cross rails above wide dished saddle seats, raised on square legs joined by H stretchers (4) 51cm wide, 95cm high, 48cm deep

£800-1,200

81 ELM BOX SETTLE 18TH CENTURY the hooded tall back above a hinged box seat with enclosed arms 131cm wide, 149cm high, 48cm deep

£600-800

47

82 CHILDS OAK ORKNEY CHAIR EARLY 20TH CENTURY with a straw back and rush seat flanked by scroll arms 53cm wide, 82cm high, 37cm deep

£400-600

83 SET OF THREE GEORGIAN STYLE STEEL FIRE IRONS 19TH CENTURY with knopped handles, comprising a pierced shovel, a poker, and a pair of tongs (3) largest 78cm long

£300-500

84 LARGE WICKER LOG BASKET EARLY 20TH CENTURY of rectangular form 100cm wide, 63cm high, 89cm deep

£300-400

85 GEORGE II STYLE BRASS AND CAST IRON FIRE GRATE, BY BRATT COLBRAN & CO. EARLY 20TH CENTURY the arched fireback above a grate with bowed bars, flanked by pairs of acanthus and bead moulded columns with spiral urn finials, cast three times BRATT COLBRAN LONDON, and No. 140; with an associated grate insert 101cm wide, 53cm high, 47cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

86 MATCHED SET OF EIGHT OAK LANCASHIRE SPINDLE BACK SIDE CHAIRS 19TH CENTURY the backs with two rows of spindles above woven rush seats, raised on tapered legs ending in pad feet joined by peripheral stretchers, to include seven matching chairs and one similar 49cm wide, 97cm high, 37cm deep

£500-700

87 ELM OR CHESTNUT SCULLERY TABLE 19TH CENTURY the three board top with cleated ends above a frieze with two short drawers, raised on square tapered legs joined on the ends by stretchers 188cm wide, 79cm high, 93cm deep

£400-600

88 GEORGE III MAHGANY MULE CHEST 18TH CENTURY the hinged top with a gallery rail to the back, over a frieze with shell inlay and four dummy drawers, and four further short drawers, on ogee bracket feet 183cm wide, 118cm high, 54.5cm deep

£800-1,200

49

89 GEORGIAN OAK PRESS CUPBOARD EARLY 18TH CENTURY the moulded overhanging cornice with two turned drop finials, above three carved moulded arch panelled doors; the lower part with three short drawers over a pair of cupboard doors flanking a central panel, enclosing a single interior space, raised on bracket feet 141cm wide, 184cm high, 58cm deep

£400-600

90 PAIR OF YORKSHIRE MAHOGANY DRUNKARD’S ARMCHAIRS 19TH CENTURY of typical form, with leather insert seats and raised on trestle bases (2) 61cm wide, 80cm high, 48cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

50

91 GEORGE II WALNUT AND PARCEL GILT MIRROR MID 18TH CENTURY the shaped mirror plate in a gilt slip and scrolled fret frame with rocaille, C scrolls and foliate trails 121cm high, 68cm wide

£600-800

92 GEORGE II RED WALNUT TEA/ SILVER TABLE EARLY 18TH CENTURY the fold-over top with outset rounded corners opening to a compartmented interior, raised on cabriole legs with pointed pad feet 79cm wide, 74cm high, 31cm deep

£500-700

93 GEORGE I WALNUT HALL TABLE EARLY 18TH CENTURY the quarter-veneered top centred by a star motif, above a cavetto moulded frieze, raised on cabriole legs ending in pointed pad feet 128cm wide, 74cm high, 64cm deep

£500-700

94 QUEEN ANNE WALNUT KNEEHOLE DESK EARLY 18TH CENTURY the crossbanded top with a moulded edge above a long frieze drawer and eight short drawers flanking an arched recess with cupboard, raised on bracket feet 82cm wide, 80cm high, 48cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

51

95 FINE GEORGE I WALNUT BUREAU CABINET EARLY 18TH CENTURY of diminutive proportions, the straight moulded cornice above a bevelled mirror door opening to an interior with adjustable shelves; the lower part with a slope front enclosing pigeon holes and drawers, over three long drawers and raised on bracket feet 67cm wide, 174cm high, 51cm deep

£4,000-6,000

53

96 GEORGE II CARVED MAHOGANY SIDE CHAIR, TO A DESIGN BY GILES GRENDEY MID 18TH CENTURY the pierced shell splat back above an upholstered seat raised on acanthus carved cabriole legs ending in claw and ball feet 60cm wide, 98cm high, 43cm deep Note: This chair with its distinctive shell back is nearly identical to the famous set of chairs believed to have been supplied by Giles Grendey for Henry Hoare at Stourhead, Wiltshire, and illustrated in R. Macquoid and R. Edwards, The Dictionary of English Furniture, 1954, vol. I, p.275, fig. 154. Other chairs of related design are illustrated in Herbert Cescinsky, English Furniture of the Eighteenth Century: Vol. II (The Waverley Book Company Limited, London), figs. 38-40, pp.47-48.

£800-1,200

97 GEORGE III STYLE MAHOGANY KNEEHOLE DESK 19TH CENTURY the top with a brown leather insert and moulded edge, above a central short frieze drawer and kneehole recess flanked by banks of four graduated short drawers, the corners with scrolled volutes with lion mask capitals, the reverse with four long graduated drawers, on a plinth base 149cm wide, 75cm high, 102cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

98 GEORGE III MAHOGANY TRIPOD TEA TABLE LATE 18TH CENTURY the circular top with a pie-crust edge, raised on a fluted baluster column raised on acanthus carved cabriole legs ending in pointed pad feet 79cm diameter, 74cm high

£300-500

99 SET OF TWELVE GEORGE II STYLE CARVED MAHOGANY DINING CHAIRS, TO A DESIGN BY GILES GRENDEY, BY R. STRAHAN, DUBLIN EARLY 20TH CENTURY to include ten side chairs and a pair of armchairs, all with floral needlework upholstered seats, stamped on the seat frames R. STRAHAN, some bearing paper trade labels R STRAHAN & CO. LTD/ UPHOLSTER’S AND CABINET MAKERS/ 135 ST. STEPHENS GREEN, DUBLIN (12) 55cm wide, 97cm high, 44cm deep

£3,000-4,000

Note: This set of chairs with their distinctive shell backs are modelled after a famous set believed to have been supplied by Giles Grendey for Henry Hoare at Stourhead, Wiltshire and illustrated in R. Macquoid and R. Edwards, The Dictionary of English Furniture, 1954, vol. I, p.275, fig. 154. Robert Strahan & Co. gained the reputation for producing high quality furniture and were commissioned to design and manufacture for some of the great Irish country houses. The firm began trading in the 18th century, expanding through the 19th century and continued until 1969.

55

100 PAIR OF GEORGE II STYLE GILTWOOD MIRRORS 19TH CENTURY the cartouche shaped plates within moulded frames surmounted by foliate scroll cresting and flower heads (2) 73cm high, 39cm wide

£500-800

101 GEORGE II IRISH MAHOGANY STOOL 18TH CENTURY the horsehair padded seat on shell carved seat rails and cabriole legs ending on claw and ball feet 53cm wide, 47cm high, 44cm deep

£400-600

102 GEORGE II WALNUT AND LABURNUM BUREAU BOOKCASE EARLY 18TH CENTURY the breakfront moulded cornice above a pair of crossbanded moulded panel doors enclosing shelves and pigeon holes, with twin candle slides below; the lower part with a banded slope opening to pigeon holes and drawers, over four long graduated drawers, on later shaped bracket feet 98cm wide, 233cm high, 54cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

56

103 GEORGE II MAHOGANY WINE TABLE MID 18TH CENTURY the dished circular tilt top on a baluster turned column raised on cabriole legs ending in pointed pad feet 55cm diameter, 72cm high

£800-1,200

104 GEORGE II YEW AND WALNUT BUREAU CABINET EARLY 18TH CENTURY of small size, the moulded cornice above a crossbanded door with mirror panel, enclosing an adjustable shelf and drawer, a candle slide below; the lower part with a slope front opening to pigeon holes, drawers, secret compartments, and a covered well, over three long graduated crossbanded drawers, raised on bracket feet 75cm wide, 198cm high, 52cm deep

£1,500-2,000

105 GEORGE II WALNUT BUREAU EARLY 18TH CENTURY the crossbanded slope front opening to leather writing surface, an arrangement of drawers and pigeon holes, and a covered recess, above three long graduated drawers, raised on bracket feet 96cm wide, 102cm high, 55cm deep

£500-700

106 IRISH GEORGE II MAHOGANY STOOL MID 18TH CENTURY with a drop-in pad above a wavy seat rail raised on shell-carved cabriole legs ending in carved pad feet 48cm wide, 42cm high, 42cm deep

£300-500

57

107 GEORGE II STYLE CARVED MAHOGANY ARMCHAIR 19TH CENTURY the back with a pierced splat profusely carved with rocaille, C scrolls, and acanthus, above a drop-in seat with needlework cover flanked by scrolling arms carved with flowerheads and shell terminals, the seat rail similarly carved, raised on rocaille carved cabriole legs ending in carved shell feet 68cm wide, 96cm high, 43cm deep

£600-800

108 LATE GEORGE II MAHOGANY ARCHITECT’S TABLE MID 18TH CENTURY the rectangular hinged top with a ratchet adjustment and retractable book rest, above pivoting frieze drawers, on a telescope action square pedestal and tripod base with pad feet 70cm wide, 77cm high, 51cm deep

£600-800

109 PAIR OF GEORGE II STYLE MAHOGANY GAINSBOROUGH ARMCHAIRS LATE 20TH CENTURY the arched padded backs and wide seats flanked by part-padded arms with carved supports, raised on scroll carved cabriole legs ending in hairy paw feet, covered in green plush upholstery with close-nail trim (2) 74cm wide, 110cm high, 56cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

58

110

111

PAIR OF GEORGE II STYLE MAHOGANY GAINSBOROUGH ARMCHAIRS

GEORGE III MAHOGANY SERPENTINE SECRETAIRE CHEST OF DRAWERS

LATE 20TH CENTURY

MID 18TH CENTURY

the arched padded backs and wide seats flanked by partpadded arms with carved supports, raised on scroll carved cabriole legs ending in hairy paw feet, covered in green plush upholstery with close-nail trim, en suite with the previous lot (2)

the top with a moulded edge above a brushing slide lined with green baize over a central secretaire drawer flanked by short drawers, above three further long graduated drawers flanked by fluted angles, raised on ogee bracket feet

74cm wide, 110cm high, 56cm deep

102cm wide, 86cm high, 54cm deep

£1,200-1,800

£2,000-3,000

59

112 PAIR OF GEORGE III STYLE GILTWOOD MARBLE TOP PIER TABLES, IN THE MANNER OF ROBERT ADAM MODERN the rectangular white marble tops above anthemion and rams head moulded friezes, raised on square tapered legs headed by patera above husk trails and ending in block feet (2) 16cm wide, 93cm high, 55cm deep

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

113 GEORGE III WALNUT ARCHITECT’S DESK 18TH CENTURY the hinged and ratchet adjusted banded top with re-entrant corners and a projecting bookrest, above a pull-out front opening to a compartmented interior, on straight moulded legs 87cm wide, 74cm high, 59cm deep

£600-800

114 GEORGE III MAHOGANY SECRETAIRE BOOKCASE LATE 18TH CENTURY the dentil moulded cornice above a blind fret frieze over a pair of astragal glazed doors; the lower part with a secretaire drawer fitted with pigeon holes and drawers, flanked by a pair of short deep drawers, over a pair of panelled cupboard doors, raised on bracket feet 123cm wide, 223cm high, 61cm deep

£800-1,200

61

115 GEORGE III MAHOGANY HANGING CORNER CABINET 18TH CENTURY with a broken swan neck pediment with roundel terminals above an arched glazed door with astragals, flanked by reeded pilasters, the shelved interior painted pale blue 69cm wide, 117cm high, 37cm deep

£400-600

116 GEORGE III MAHOGANY DROP-LEAF BREAKFAST TABLE MID 18TH CENTURY the rectangular top with drop leaf sides, above a frieze drawer fitted with a baize lined slide, raised on chamfered straight legs joined by a concave undertier with threequarter gallery 56cm wide, 100cm open, 72cm high, 68.5cm deep

£400-600

117 GEORGE III MAHOGANY ARMCHAIR 18TH CENTURY the back with a pierced and interlaced splat, above a wide drop-in seat on square chamfered legs joined by stretchers 69cm wide, 97cm high, 44cm deep

£400-600

118 IRISH GEORGE III PAINTED RED WALNUT SERVING TABLE 18TH CENTURY the top painted to resemble green marble, with a moulded edge, above a carved and pierced apron with acanthus scrolls centred by an eagle, on square straight legs 137cm wide, 77cm high, 58cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

119 GEORGIAN SEDAN CHAIR LATE 18TH CENTURY of typical form with a pagoda top and part-glazed doors and sides, retaining some of the original painted leather; outlined with close nail head, the interior lined with striped satin interior 76cm wide, 175cm high, 95cm deep

£700-1,000

120 GEORGE III MAHOGANY ARMCHAIR 18TH CENTURY the shaped padded back above a wide seat flanked by scrolling open arms, raised on channel moulded straight legs joined by stretchers, in faded purple upholstery outlined with close nail trim 64cm wide, 96cm high, 44cm deep

£400-600

121 GEORGE III MAHOGANY BIRDCAGE TEA TABLE 18TH CENTURY the circular tilt top on a birdcage support, on a spiral knopped column and tripod base ending in pad feet 61cm diameter, 69cm high

£400-600

63

122

123

GEORGE III MAHOGANY WIG STAND

GEORGE III MAHOGANY LIBRARY BOOKCASE

18TH CENTURY

18TH CENTURY

the moulded circular top above a spherical powder cup and two drawers, on a triform moulded base raised on cabriole legs ending in pad feet

the dentil moulded cornice above a fluted frieze and a pair of tall astragal glazed doors with further fluted panels enclosing an ivory moiré silk lined interior with shallow glass shelves; the undercabinet with striae moulding over two moulded double panel doors, opening to a sliding tray, on a plinth base; later fitted for lighting

29cm diameter, 81cm high

193cm wide, 268cm high, 44cm deep

£250-350

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

124 SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY with pierced interlaced splats above drop-in seats covered in floral needlework, on chamfered legs joined by stretchers, to include five side chairs and an armchair (6) 76cm wide, 101cm high, 46cm deep

£500-700

125 GEORGE III MAHOGANY BANDED WINE TABLE LATE 18TH CENTURY the oval top on a turned baluster column and umbrella tripod base ending in spade feet 58cm wide, 72cm high, 48cm deep

£500-700

126 GEORGE III MAHOGANY CHEST-ON-CHEST, PROBABLY CHANNEL ISLANDS 18TH CENTURY the moulded cornice with outset squared corners over two short and four long graduated drawers, flanked by pilaster angles; the lower part with four further long graduated drawers, raised on ogee bracket feet 108cm wide, 218cm high, 62cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

127 GEORGE III MAHOGANY FALL FRONT SECRETAIRE 18TH CENTURY the dentil moulded cornice above a blind fret carved frieze and fall front, opening to an interior fitted with pigeon holes and drawers and a ratchetadjusted leather-lined slope; the separate lower part with a pair of moulded panel doors enclosing an arrangement of drawers, raised on ogee bracket feet; with Chubb locks 111cm wide, 159.5cm high, 49.5cm deep

£2,000-3,000

66

128

Note: The chair back design is taken directly from a design by Thomas Chippendale, published in his pattern book, The Gentleman and CabinetMaker’s Director, plate XII, first published in 1754.

PAIR OF GEORGE III CHIPPENDALE STYLE MAHOGANY SIDE CHAIRS, IN THE MANNER OF THOMAS CHIPPENDALE MID 18TH CENTURY the carved backs with pierced and interlaced splats, above drop-in seats with needlework upholstery, raised on acanthus carved cabriole legs ending in carved claw and ball feet (2) 60cm wide, 95cm high, 39cm deep

£400-600

Thomas Chippendale’s The Gentleman and Cabinet Maker’s Director, Plate XII

129

130 GEORGE III MAHOGANY SIDE CABINET, IN THE MANNER OF THOMAS CHIPPENDALE 18TH CENTURY the top with a moulded edge above a long frieze drawer and pair of moulded cupboard doors marked at the corners with roundels, on a plinth base 111cm wide, 84cm high, 40cm deep

£800-1,200

LATE GEORGE III MAHOGANY BOWFRONT DRESSING TABLE LATE 18TH CENTURY with a long crossbanded frieze drawer and two short drawers flanking an arched apron, raised on square tapered legs 84cm wide, 80.5cm high, 47cm deep

£700-900

67

131 GEORGE III CARVED GILTWOOD MIRROR 18TH CENTURY the shaped mirror plate in a giltwood rococo frame carved with C and foliate scrolls, fruit and flower garlands, and rocaille, with a large pierced leaf cresting 131cm high, 60cm wide

£1,800-2,200

132 GEORGE III MAHOGANY TEA TABLE 18TH CENTURY the circular dished top on a baluster stem and tripod base ending in pointed pad feet 57cm diameter, 71cm high

£400-600

133 SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS LATE 19TH CENTURY the top rails carved with scrolling acanthus above pierced vasiform splats, over green leather stuff-over seats with close nail trim, raised on acanthus and fleur-de-lis carved cabriole legs ending in claw and ball feet; to include a pair of armchairs and four side chairs (6) Armchair 62cm wide, 94cm high, 45cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

68

134 SET OF EIGHT GEORGE III FIDDLEBACK DINING CHAIRS 18TH CENTURY with pierced and carved ladder backs above stuffover seats with horsehair covers, raised on channel moulded square legs joined

by H stretchers, to include six side chairs and a pair of armchairs (8) 59cm wide, 95cm high, 49cm deep

£800-1,200

135 GEORGE III MAHOGANY CELLARET ON STAND 18TH CENTURY the hinged top with a moulded edge opening to an interior converted to a sewing box, with brass handles to the sides, the stand with square legs and brass castors 57cm wide, 66cm high, 38cm deep

£500-700

136 GEORGE III MAHOGANY INLAID SIDEBOARD LATE 18TH CENTURY of serpentine breakfront outline with a bow front centre and a long frieze drawer flanked by deep drawers, all crossbanded with boxwood and ebonising stringing, one deep drawer fitted as a cellarette, with oval fan inlay and corners, raised on square tapered legs ending in spade feet 167cm wide, 92cm high, 71cm deep

£500-700

69

137 GEORGE III GILTWOOD MIRROR MID 18TH CENTURY the rectangular mirror plate in a carved and pierced frame with C scrolls, twining branches, and rocaille, surmounted by a carved palm leaf roof pavilion cresting 119cm high, 69cm wide

£2,000-3,000

138 GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY the moulded swan neck pediment above a fluted frieze marked with roundels, over a pair of arched astragal glazed doors enclosing adjustable shelves; the base with a matching frieze and secretaire drawer opening to a green leather writing surface, drawers and pigeon holes, over three further long drawers, raised on shaped bracket feet 118cm wide, 255cm high, 58cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

70

139 SOUTH STAFFORDSHIRE ENAMEL KING CHARLES SPANIEL PATCH BOX LATE 18TH CENTURY of circular form with hinged cover, the body moulded in high relief with a reclining spaniel on a pink ground, the exterior of the cover enamelled with a spray of mixed flowers, with a plain interior 4.2cm diameter

£300-500

140 WEST PANS PORCELAIN TEABOWL CIRCA 1765-70 the rim decorated in underglaze mazarine blue with a border of ruyi and half mon motifs, unmarked 8.8cm diameter Provenance: The interior of the bowl bearing a paper label for the F. S. Mackenna Collection, No. 53

£250-350

141 GEORGE III FRUITWOOD MELON-SHAPED TEA CADDY LATE 18TH CENTURY the hinged cover with a stem over a body dappled with penwork spots and a metal escutcheon, on a base painted to resemble leaves, opening to a foil lined interior 15cm high, 13cm in diameter

£700-1,000

142 LATE GEORGIAN PENWORK WORKBOX EARLY 19TH CENTURY with three tiers, the top of sarcophagus form, the middle section fitted with artist’s paints and supplies, the base, with a further drawer, on straight square legs, decorated with ink and watercolour reserves of classical scenes and specimen woods 37cm wide, 58cm high, 31cm deep

£500-700

143 PAIR OF GEORGE III MAHOGANY TRAYS 18TH CENTURY rectangular with scrolling galleries and cut-out handles (2) 53cm wide, 7.5cm high, 31cm deep

£300-500

71

144 PAIR OF REGENCY STYLE GILT AND PATINATED BRONZE LAMPS 19TH CENTURY converted from candlesticks, with an urn candle nozzle and leaf cast pan on a reeded column with a circular domed foot cast with doves, quivers and arrows, with taupe pinch-pleated shades (2) 32cm high excluding fittings

£1,000-1,500

145 GEORGE III GILTWOOD WALL BRACKET 18TH CENTURY the shaped moulded platform supported on a crowned mask flanked by wings and volute scrolls, the pendant scroll terminal with a star and tree 40cm wide, 35cm high, 32cm deep

£300-500

146 SCOTTISH BRASS REFLECTING TELESCOPE ON STAND, BY THOMAS MORTON, KILMARNOCK LATE 18TH CENTURY 3 1/4” mirror, the 15 1/2” tube, focusing by long rod and screw, supported by a pair of turned pillars with altitude adjustment rack to one side, on a revolving circular base with brass tripod legs, the barrel end with eyepiece and engraved above with maker’s name ‘Tho.s Morton, Kilmarnock’ 47cm wide, 47cm high, 24cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

147 LATE GEORGE III SATINWOOD, EBONY, AND EBONISED LIBRARY BOOKCASE EARLY 19TH CENTURY the moulded cornice above a pair of astragal glazed doors enclosing shelves, the base with a pair of circular inlaid doors opening to further shelves, all flanked by ebonised fluted pilasters, over a shaped apron and raised on French bracket feet 145cm wide, 164cm high, 27cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

73

148 NEOCLASSICAL ADAMS STYLE CARVED AND PARCEL GILT TORCHERE LATE 19TH CENTURY the circular top with beading and moulded quatrefoil border with an acanthus pendant below, on three long downswept supports with ram head masks united by a lower tier with a flame finial, terminating in hoof feet set on a tripartite base 112cm high, 32cm diameter

£400-600

149 PAIR OF GEORGE III SATINWOOD AND PENWORK CARD TABLES LATE 18TH CENTURY the demilune crossbanded fold-over tops with radial veneers and central fan medallions, above crossbanded friezes and raised on square tapered legs ending in spade feet and headed by penwork patera (2) 92cm wide, 74cm high, 46cm deep

£3,000-5,000

74

150 GEORGE III MAHOGANY AND SATINWOOD INLAID SECRETAIRE LIBRARY BOOKCASE LATE 18TH CENTURY the straight lancet moulded cornice above a pair of bevel glazed and crossbanded doors enclosing adjustable shelves; the lower part of breakfront outline with a serpentine centre with four drawers, the top drawer fitted for writing with pigeon holes and drawers, flanked by banks of four short drawers, on a plinth base 154cm wide, 238cm high, 65cm deep

£800-1,200

75

151 GEORGE III HAREWOOD AND PARQUETRY INLAID WORK TABLE LATE 18TH CENTURY the top and sides with parquetry banded borders, above a frieze drawer and sliding work box, raised on square tapered legs outlined with stringing 48cm wide, 77cm high, 38cm deep

£600-800

152 GEORGE III MAHOGANY INLAID CARD TABLE LATE 18TH CENTURY the folding top with chevron and fan inlay opening to a red baize playing surface, above a frieze drawer and raised on square tapered legs 46wide, 92cm [open], 76cm high, 56cm deep

£400-600

153 GEORGE III MAHOGANY SERPENTINE CARD TABLE 18TH CENTURY with concertina action opening to a green baize playing surface, raised on chamfered moulded straight legs 92cm wide, 74cm high, 44.5cm deep [closed]

£600-800

154 GEORGE III MAHOGANY SMALL CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above a brushing slide and four long graduated drawers, on bracket feet 83cm wide, 81cm high, 47cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76

155 PAIR OF REGENCY STYLE GILT AND PATINATED BRONZE LAMPS 19TH CENTURY converted from candlesticks, with urn form nozzles above reeded stems on acanthus cast triform bases with paw feet, with pinch-pleated taupe shades (2) 33cm high excluding fittings

£1,000-1,500

156 GEORGE III MAHOGANY DUMBWAITER 18TH CENTURY with three dished tiers raised and divided by reeded baluster supports, on a tripod base ending in pointed pad feet 60cm diameter, 113cm high

£300-500

157 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular dished top, raised on a ring-turned knopped column and tripod base with cabriole legs and pad feet 40cm wide, 68cm high

£400-600

158 GEORGE III MAHOGANY STAGEBACK SIDEBOARD EARLY 19TH CENTURY the raised back with tambour door compartments and small drawers to the sides, above a breakfront bowed base with a long centre drawer flanked by cellaret drawers, raised on square tapered legs ending in spade feet 217cm wide, 110cm high, 69cm deep Provenance: Property of the late Mrs. Jean Bogie

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

77

159 SET OF SEVEN GEORGE III STYLE MAHOGANY DINING CHAIRS LATE 19TH/ EARLY 20TH CENTURY comprising six side chairs and an armchair, with acanthus carved crest rails above pierced interlaced splats and wide stuff-over seats in floral needlework upholstery, raised on chamfered square legs joined by stretchers 64cm wide, 1000cm high, 60cm deep

£500-700

160 LATE GEORGE III OVAL MAHOGANY BREAKFAST TABLE LATE 18TH CENTURY the crossbanded top on a plain ring-turned column and four outswept moulded legs ending in brass caps and castors 152cm wide, 70cm high, 134cm deep

£1,500-2,000

78

161 GEORGE III MAHOGANY AND SATINWOOD OCTAGONAL WINE TABLE LATE 18TH CENTURY the top with a banded edge raised on a slender turned column with outswept tripod legs and turned feet 51cm wide, 70cm high, 38cm deep

£500-700

162 LATE GEORGE III MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top on a ring turned column support and three outswept legs ending in brass caps and castors 139cm diameter, 72cm high

£600-800

163 LATE GEORGE III MAHOGANY STAGEBACK SIDEBOARD LATE 18TH CENTURY the raised platform back with sliding compartments above a bowfront base with three short frieze drawers flanked by cellaret drawers, raised on square tapered legs ending in spade feet, all outlined with boxwood stringing 219cm wide, 110cm high, 77cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79

164 SET OF FIVE LATE GEORGIAN EBONISED AND PAINTED ARMCHAIRS EARLY 19TH CENTURY in the Sheraton style, the square backs with lattice splats painted with roses above caned seats with loose cushions, raised on square tapered legs ending in spade feet and joined by stretchers (5) 57cm wide, 91cm high, 46cm deep

£400-600

165 GEORGE III MAHOGANY OVAL WINE COOLER 18TH CENTURY with twin brass bands and handles to the ends, raised on a separate stand with square tapered legs ending in brass caps and castors 66cm wide, 51cm high, 46cm deep

£1,000-1,500

166 LATE GEORGE III MAHOGANY DEMILUNE SIDE CABINET EARLY 19TH CENTURY the crossbanded central door opening to a green painted interior with a single shelf, raised on square tapered legs with spade feet 91cm wide, 96cm high, 41cm deep

£800-1,200

80

167 GEORGE III PAINTED SATINWOOD HANGING CABINET LATE 19TH CENTURY the cornice with a central table painted with a classical scene en grisaille, above a pair of astragal glazed doors enclosing adjustable shelves, with bracket supports 108cm wide, 86cm high, 21cm deep

£400-600

168 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN RUSSELL, FALKIRK EARLY 19TH CENTURY the hood with a swan neck pediment with embossed brass rosette roundels, enclosing a 13 inch gilt breakarch dial with silvered makers roundel to the arch signed ‘Jn. Russell, Falkirk, Watch Maker to His Royal Highness The Prince of Wales’, pierced gilt spandrels, with a silvered Roman numeral chapter with Arabic five minute markers, subsidiary seconds and calendar dials, the hood flanked by reeded Doric columns above a moulded arched trunk door flanked by reeded quarter columns, on a plain plinth base with bracket feet, the eightday movement striking a bell 208cm high, 53cm wide, 26cm deep

£400-600

169 GEORGIAN STYLE SATINWOOD AND SABICU MARQUETRY WRITING TABLE EARLY 20TH CENTURY the waisted oval top with concave ends, fitted with a green tooled leather insert, above a frieze inlaid with ribbon-tied drapery swags and a centre drawer to each side, raised on square tapered legs, all outlined with flower head marquetry and chequer banding 133cm wide, 76cm high, 93cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81

170 LATE GEORGE III MAHOGANY AND EBONY SECRETAIRE BOOKCASE EARLY 19TH CENTURY the moulded cornice above glazed mullioned doors outlined with ebony stringing enclosing adjustable shelves; the lower part with a secretaire drawer fitted with satinwood drawers and pigeon holes and a red leather writing surface, above a pair of circular panel doors opening to shelves and drawers, raised on bracket feet 127cm wide, 237high, 52cm deep Provenance: Property of the late Mrs. Jean Bogie

£1,000-1,500

171 PAIR OF GEORGE III MAHOGANY, SATINWOOD, AND FRUITWOOD MARQUETRY CORNER TABLES, IN THE MANNER OF INCE AND MAYHEW 18TH CENTURY the bowfront tops with quarter fan medallions, ribbon-tied husk swags and foliate scrolls, within a palmette border, above friezes with parquetry inlay and wavy aprons, raised on line inlaid square tapered legs ending in brass caps and ball feet; bearing Frank Partridge St. James/ New York ivorine trade labels (2) 79cm wide, 77cm high, 53cm deep

£1,500-2,500

82

172 GEORGE III STYLE GILTWOOD MIRROR 19TH CENTURY the oval bevelled mirror plate in a bead moulded slip surmounted by an urn with anthemion, flowerheads and ribbon-tied husk garlands cresting, with foliate scrolls below 138cm high, 123cm wide Provenance: Property of the late Mrs. Jean Bogie

£700-900

173 LATE GEORGE III MAHOGANY DRESSING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rectangular top with a three-quarter gallery over two frieze drawers, raised on reeded legs ending in brass caps 122cm wide, 82cm high, 55cm deep

£800-1,200

174 Y LATE GEORGE III MAHOGANY AND ROSEWOOD ‘GRECIAN’ SOFA EARLY 19TH CENTURY the serpentine back centred by an oval panel carved with an urn, above a long padded seat and scrolling arms, with a palmette carved frame raised on spiral carved legs with brass castors, covered in pink striped upholstery with bolster cushions 270cm wide, 100cm high, 65cm deep Provenance: Property of the late Mrs. Jean Bogie

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

83

175 LATE GEORGE III MAHOGANY CONSOLE TABLE EARLY 19TH CENTURY the shaped top over a banded frieze, raised on turned and reeded legs 100cm wide, 86cm high, 43cm deep

£500-700

176 Y GEORGE III ROSEWOOD ENVELOPE CARD/ WORK TABLE LATE 18TH CENTURY the divided hinged top opening to a green baize playing surface, above a frieze drawer and sliding workbag, raised on square tapered legs ending in brass caps and castors 46cm wide [closed] 91cm wide, 73cm high, 40.5cm deep

£1,000-1,500

177 LATE GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the top with a reeded edge over three long graduated drawers flanked by reeded pilasters, raised on turned legs 101cm wide, 87cm high, 56cm deep

£400-600

PAINTINGS PART I

85

178 LATER FOLLOWER OF DU JARDIN AN ITALIANATE LANDSCAPE WITH DROVERS Oil on canvas 87cm x 100cm (34.25in x 39.5in)

£2,000-3,000

179 🄰 19TH CENTURY DUTCH SCHOOL A COACHING PARTY AT AN INN Oil on panel 71cm x 104cm (28in x 41in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

86

180 16TH CENTURY NETHERLANDISH SCHOOL PORTRAIT OF A MAN IN FUR CAPE HOLDING A HEARTSEASE Oil on panel 34cm x 28cm (13.5in x 11in) Note: A handwritten letter verso states that ‘This portrait painted by Hans Holbein was bought at the sale of Alexander Stuart of Dunearn’s Paintings, 24th July 1706/1786 [indistinct], Price Five Guineas’.

Letter also states: ‘Sir Thomas More. “Like Cato firm, like Aristides just Like rigid Cincinnatus nobly poor, A dauntless soul erect who smiled on death”.

James Thomson’s Summer, line 1479’.

£3,000-5,000

181 17TH CENTURY FOLLOWER OF MICHIEL MIEREVELT PORTRAIT OF A NOBLEMAN Feigned oval, oil on panel 23cm x 18.5cm (9in x 7.5in)

£800-1,200

87

182 18TH CENTURY FOLLOWER OF VAN DE VELDE BRITISH MEN OF WAR SALUTING EACH OTHER Oil on canvas 38cm x 56cm (15in x 22in)

£2,000-3,000

183 18TH CENTURY DUTCH SCHOOL SETTING SAIL Oil on copper, and a companion, a pair, ‘A Dutch Galleon’ (2) each 6.5cm x 9.5cm (2.5in x 3.75in) Provenance: Brian L. Koetser, London, Private Scottish collection and thence by descent to the present owner

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184 REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST AT EMMAUS: THE LARGER PLATE (BARTSCH 87; NEW HOLLSTEIN 283) Etching and drypoint, 1654, signed and dated in plate, New Hollstein’s fourth state of five, on laid paper without watermark plate size 21cm x 16.2cm (8.25in x 6 3/8in), the sheet 22.5cm x 17cm)

£2,000-3,000

185 ADRIAEN VAN OSTADE (DUTCH 1610-1685) MOTHER AND TWO CHILDREN (BARTSCH, HOLLSTEIN, GODEFROY 14) Etching, 1675, on laid paper without watermark, from the fifth state of six, signed with initials in plate plate size 9cm x 7.1cm (3.5in x 2.75in), sheet size 10.2cm x 8.8cm (4in x 3.5in), unframed

£800-1,200

186 ATTRIBUTED TO RACHEL RUYSCH STILL LIFE WITH CHERRIES, GRAPES AND PEARS Bears indistinct signature, oil on canvas 34.5cm x 31cm (13.5in x 12.25in) Provenance: Leonard Koetser Ltd., London, Private Scottish collection and thence by descent to the present owner

£5,000-8,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

90

187 CIRCLE OF THOMAS HEEREMANS A RIVER LANDSCAPE WITH FISHERMEN

BY A CASTLE Oil on panel 28cm x 43cm (11in x 17in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£1,000-1,500

188 17TH CENTURY DUTCH SCHOOL A WOODED LANDSCAPE WITH TRAVELLERS ON A PATH Oil on conjoined panel 46cm x 56cm (18in x 22in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£800-1,200

91

189 FOLLOWER OF JAN BRUEGHEL THE YOUNGER THE GARDEN OF EDEN Oil on copper 17cm x 22cm (6.75in x 8.75in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£2,000-3,000

190 FRANCISCUS XAVERY (DUTCH 1740-1773) A WOODED LANDSCAPE WITH DROVERS Signed, oil on panel 28cm x 38cm (11in x 15in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

191 CIRCLE OF WILLEM VAN NIEULANDT FIGURES BY CLASSICAL RUINS Oil on copper, and a companion, a pair, also ‘Figures by Classical Ruins’ (2) 19cm x 24cm (7.75in x 9.5in) Provenance: S. Nystad, Den Haag, 7 November 1981; A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family.

£5,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

93

192 ATTRIBUTED TO MATTHIAS WITHOOS A FOREST FLOOR STILL LIFE WITH HEDGEHOG Oil on canvas 48cm x 55.5cm (19in x 22in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£10,000-15,000

94

193 ATTRIBUTED TO KLAES MOLENAER A WOODED RIVER LANDSCAPE WITH COTTAGES Oil on panel 24cm x 33cm (9.5in x 13in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£800-1,200

194 FOLLOWER OF DIRCK VERHAERT TRAVELLERS ON THE ROAD TO THE CASTLE Bears initials A.K. with inscription verso ‘Bothwell Castle’, oil on panel 27cm x 22cm (10.5in x 8.5in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£800-1,200

95

195 CORNELIS VAN POELENBURGH (DUTCH 1586-1667) TOBIAS AND THE ANGEL Signed with initials, with wax seal to backboard, oil on copper 18.5cm x 22.5cm (7.25in x 875in) Provenance: S.Nystad, Den Haag, 5 November 1976; A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family.

£5,000-8,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

97

196 CIRCLE OF JOOS DE MOMPER A WINTER LANDSCAPE WITH FIGURE DRIVING PIGS Oil on panel 24cm x 34.5cm (9.5in x 13.5in) Provenance: With label verso Kunstveilingen S.J.Mak Van Waay, Collectie Prof Dr. W Mengelberg A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£4,000-6,000

197 FOLLOWER OF JAN GRIFFIER A WINTER’S DAY Oil on panel 6.75cm x 11.25cm (2.75in x 4.5in) Provenance: Private Scottish collection and thence by descent to the present owner

£700-900

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98

198 CIRCLE OF VAN GOYEN TRAVELLERS AND FISHERMAN IN A DUNE LANDSCAPE Bears indistinct signature and dated 16**, oil on panel, wax seals to reverse 32.5cm x 53cm (12.5in x 20.75in) Provenance: N. V. Kunsthandel van Gebr. Douwes, Amsterdam with a signed photograph of authentication of the painting dated 21 November 1938; A.W.R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family.

Exhibited: Gemeente Musea Van Amsterdam, 6-5-92

£5,000-7,000

99

199 CIRCLE OF JEAN-MICHEL PICART A STILL LIFE OF FLOWERS IN A GILT-MOUNTED MARBLE VASE Oil on canvas 91cm x 76cm (36in x 30in)

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

200 LATER FOLLOWER OF BERCHEM A PASTORAL LANDSCAPE WITH CATTLE FORDING A STREAM Oil on canvas 55cm x 69.5cm (21.5in x 27.25in)

£400-600

201 MANNER OF DAVID TENIERS DRINKERS BENEATH A RUINED ARCHWAY Oil on canvas 76cm x 61cm (30in x 24in)

£700-1,000

101

202 🄰 FRANCIS SARTORIUS (BRITISH 1734-1804) STUDY OF A RACE HORSE WITH ATTENDANT GROOM Signed, oil on canvas 63.5cm x 76cm (25in x 30in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

203 ATTRIBUTED TO THOMAS SPENCER LORD PORTMORE’S CRAB Inscribed verso, oil on panel 17cm x 16cm (6.75in x 6.25in) Provenance: Purchased from Lady Sybil Grant’s Executors sale c.1955. Lady Sybil was the sister of the 6th Lord Rosebery of Mentmore and Dalmeny House

£1,500-2,000

204 L**GREEN (BRITISH 18TH CENTURY) LORD BRIDGEWATER’S CLOUDY Signed, inscribed with title to front of frame, gouache 15cm x 19cm (6in x 7.5in) Provenance: Purchased from Lady Sybil Grant’s Executors sale c.1955.

Lady Sybil was the sister of the 6th Lord Rosebery of Mentmore and Dalmeny House

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

103

205 AFTER JOHN FREDERICK HERRING ‘THE FLYING DUTCHMAN’ & ‘VOLTIGEUR’ RUNNING AT YORK, 13 MAY 1851 Bears signature and dated, oil on canvas 62cm x 123cm (24.5in x 48.5in), unframed Note: This painting is a copy of the original in Brodick Castle, Arran

£3,000-5,000

104

206 19TH CENTURY DUTCH SCHOOL FLOWERS IN A GLASS VASE Oil on board 11.5cm x 9cm (4.5in x 3.5in) Provenance: Leonard Koetser Ltd., London, Private Scottish collection and thence by descent to the present owner

£600-800

207 FOLLOWER OF RICHARD WILSON AN ITALIANATE LANDSCAPE WITH MONASTERY AND DISTANT VIADUCT Oil on canvas 45.5cm x 64cm (18in x 25.25in)

£500-800

208 STUDIO OF ALLAN RAMSAY HALF LENGTH PORTRAIT OF ANDREW FLETCHER, LORD MILTON Feigned oval, oil on canvas 76cm x 63.5cm (30in x 25in) Literature: Alastair Smart, Allan Ramsay, 1998. Smart lists the present example as in a Private Collection and is signed and dated 1748. He notes a further eight versions.

£1,000-2,000

105

209 CIRCLE OF JEAN BAPTISTE MONNOYER STILL LIFE OF FLOWERS IN A BRONZE URN Oil on canvas 75cm x 63cm (29.5in x 24.75in)

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

210 PETRUS VAN SCHENDEL (DUTCH 1806-1870) THE VEGETABLE STALL Signed, oil on board 75.5cm x 56.5cm (29.75in x 22.25in) Provenance: Private Scottish collection and thence by descent to the present owner

£15,000-20,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

108

211 JOHN FAED R.S.A. (SCOTTISH 1819-1902) ’LOOK AFTER THE PENNIES’ Signed, oil on canvas 61cm x 76cm (24in x 30in) Provenance: Private collection, Scotland

£1,000-2,000

Note: John Faed was born near Gatehouse of Fleet, Kirkcudbrightshire. Artistic talent emerged early and between the ages of 11 and 12 he worked as an itinerant miniature painter fulfilling portrait commissions for Galloway aristocracy. In his late teens Faed moved to Edinburgh to study at the Trustees Academy, and was soon regularly exhibiting portraits and historical and genre scenes at the Royal Scottish Academy. Many of his compositions derived from the works of William Shakespeare, as well as Walter Scott and Robert Burns; more still depict characters and scenes inspired by his native Dumfries and Galloway. Look After the Pennies is set within a humble domestic interior, and demonstrates Faed’s exquisite handling of light and shade to articulate form: delightful details such as the soft light on the boy’s green woollen beret, the older woman’s hands, and the dust on the well-used spinning wheel exemplify his mastery.

Faed’s paintings proved immensely popular to a Victorian audience in Britain, and he also had a significant following in the United States, in acknowledgment of which he painted an important posthumous equestrian portrait of George Washington (1856). Faed’s siblings James (1821-1911), Thomas (1826–1900) and Susan (1827–1909) were also successful artists.

109

212 OTTO EERELMAN (DUTCH 1839-1926) THE NEW BRIDE Signed and inscribed ‘Bruxelles’, oil on canvas 85cm x 65cm (33.5in x 25.5in)

£600-900

213 AFTER JOHN PRESCOTT KNIGHT THE MEETING OF NELSON AND WELLINGTON Oil on panel 24cm x 19cm (9.5in x 7.5in) Note: The circumstances of the meeting between Wellington and Nelson were recalled by Wellington in conversation with the noted diarist John Wilson Croker at Walmer Castle on October 1st 1834. In September 1805 Wellesley had just returned from India and was due to meet the Secretary of State in the Colonial Office at Downing Street. On entering the room he immediately recognized Nelson and since they were kept waiting by the Secretary of State they conversed for three quarters of an hour. Nelson was killed at the Battle of Trafalgar later that year.

It is not clear whether our painting is a copy of the original painting by Prescott Knight or the engraving by S W Reynolds of 1864

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

110

Joseph Mallord William Turner Bell Rock Lighthouse, 1819 [detail] National Galleries of Scotland. Purchased by Private Treaty Sale 1989 with the aid of funds from the National Heritage Memorial Fund and the Pilgrim Trust. Accession number: D 5181 A

The Stevensons are one of Scotland’s iconic families,

Multiple written sources, including the extensive account

their innovations shaping the country over two centuries.

by Robert Stevenson himself, describe the dangerous and

Most of the two hundred and seven lighthouses along

complicated construction. Multiple lives were lost due

the Scottish coast and islands have been engineered and

to treacherous weather conditions, and Stevenson once

built by the family over one hundred and fifty years and

only narrowly escaped the rock with his life. He was with

multiple generations.

a crew of men when one of their boats drifted away. Once

Robert Stevenson (1772-1850) found his calling early in life. While his mother wanted him to be a minister, he started assisting his stepfather Thomas Smith, a lighthouse engineer with the Northern Lighthouse Board. He must

the tide rises, the rock is submerged under sixteen feet of water, however luckily the Bell Rock pilot boat arrived on time, delivering a letter to Stevenson and rescuing the stranded men.

have been adept and a quick student, for at only nineteen

Three of Robert Stevenson’s sons went on to become

years old he was given responsibility to build his first

lighthouse engineers, Alan (1807-1865), who built Eilean

lighthouse on Little Cumbrae Island in the River Clyde. At

Musdile together with his father, Skerryvore, and eleven

twenty-five he was appointed engineer to the Lighthouse

others; David (1815-1886) and Thomas Stevenson (1818-

Board where he would serve until 1842, nearly fifty

1887) who worked together on twenty-eight lighthouses.

years. An innovator, he started using Fresnel lenses in his

Two of David’s sons continued the family tradition: David

lighthouses, and was honoured with a gold medal by King

Alan Stevenson (1854-1938) and Charles Alexander

William I of the Netherlands for his invention of using a

Stevenson (1855-1950) designed numerous lighthouses

system that would give each lighthouse its own signature

from the late nineteenth century to the late 1930s.

light sequence, allowing ships to identity their location.

The family’s legacy goes beyond lighthouses. Robert

He built at least fifteen lighthouses in his lifetime,

Louis Stevenson (1850-1894), the author of famous

including the important landmarks Sumburgh Head

works such as Kidnapped, Treasure Island, New Arabian

Lighthouse on Shetland; Cape Wrath Lighthouse at the

Nights and Dr Jekyll and Mr Hyde was Robert Stevenson’s

most North-Westerly point on the British Mainland;

grandson. Despite hopes by his father Thomas for Robert

and Tarbat Ness in the Moray Firth. Considering all, the

Louis to continue in the family business, Robert Louis

most impressive engineering feat remains the Bell Rock

changed trajectory to study law and then became a writer.

Lighthouse. Built from 1807 to 1810, it is the first rock

Fascinated by his grandfather and the accomplishments

lighthouse in the British Isles – a brass model of which can

of the family, he wrote about him in Records of a Family of

be found as lot 233 in this sale.

Engineers (1896).

Bell Rock had proved to be a danger to navigation for

The present selection of items has descended in the

centuries and gets its name from a local legend. In his

Stevenson family through multiple generations to the

account of the Bell Rock Lighthouse, Robert Stevenson

most recent owners, with pieces dating back to the 18th

stated, “There is a tradition that an Abbot of Aberbrothock

century through to the early 20th century. Lyon & Turnbull

directed a bell to be erected on the Rock, so connected with

are delighted to offer for auction this collection from such

a floating apparatus, that the winds and sea acted upon it,

an important and renowned Scottish family.

and tolled the bell, thus giving warning to the mariner of his approaching danger. Upon similar authority, the bell, it is said, was afterwards carried off by pirates, and the humane intentions of the Abbot thus frustrated”

THE STEVENSON COLLECTION

112

214 PAIR OF IRISH GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY with shell carved top rails above pierced splats and drop-in seats with needlework covers, raised on cabriole legs ending in trifid feet (2) 57cm wide, 98cm high, 40cm deep

£300-500

215 LATE GEORGE II MAHOGANY DISH-TOP TEA TABLE MID 18TH CENTURY the circular tilt top on a turned baluster column with cabriole legs ending in pad feet 69cm diameter, 68cm high

£300-500

216 QUEEN ANNE WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY the crossbanded top with a moulded edge, above two short and three long drawers, all outlined with stringing, raised on bun feet 95cm wide, 112cm high, 43cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

114

217 GEORGE III MAHOGANY AND SATINWOOD SERPENTINE TEA TABLE LATE 18TH CENTURY the crossbanded fold-over above a plain frieze and raised on square tapered legs 91cm wide, 74cm high, 45cm deep

£300-500

218 GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY the swan neck pediment with carved roundels and fretwork, above a dentil moulded frieze and astragal glazed doors enclosing adjustable shelves; the lower part with a secretaire drawer fitted with pigeon holes and drawers, above three long graduated drawers, raised on bracket feet 106cm wide, 237cm high, 57cm deep

£700-1,000

115

219 LATE GEORGE II MAHOGANY DOUBLE-FOLD TEA TABLE MID 18TH CENTURY the rectangular fold-over top opening on a single gateleg, above a frieze drawer and raised on cabriole legs ending in pad feet 78cm wide, 74cm high, 38cm deep

£400-600

220 Y SCOTTISH ROSEWOOD STICK BAROMETER, BY ADIE & SON EARLY 19TH CENTURY with brass vernier signed ‘Adie & Son, Edinburgh’, the plain case with arched top, with a stepped reeded bulb 88cm high Note: Born in 1774 Alexander Adie was the nephew of the renowned Scottish instrument maker, John Millar. Adie became his uncle’s apprentice in 1789 and his business partner, under the name of Miller and Adie, in 1804. The business continued to flourish after Miller’s death in 1815. Adie was predominately interested in meteorological instruments and notably invented the Sympiesometer, or marine barometer, in 1818. Appointed as optician to both William IV and Queen Victoria, his success was formerly recognised when he was elected a Fellow of the Royal Society of Edinburgh in 1819. He brought one of his sons, John, into partnership in 1835, while his two of his other sons set up businesses in London and Liverpool.

£800-1,200

221 GEORGE III BOWFRONT MAHOGANY TEA TABLE LATE 18TH CENTURY the fold-over top above a long frieze drawer, raised on square tapered legs outlined with stringing and headed by urn inlay, opening on a single gateleg 95cm wide, 73cm high, 49.5cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

116

222 Y ENGLISH SCHOOL, PORTRAIT MINIATURE OF A GENTLEMAN FROM THE STEVENSON FAMILY LATE 18TH/ EARLY 19TH CENTURY oval, watercolour and body colour on ivory, the sitter with grey hair, red coat with black stock and white cravat, the reverse with an oval glazed aperture, in an unmarked yellow metal frame with suspension loop; together with an ENGLISH SCHOOL, PORTRAIT MINIATURE OF J.W. STEVENSON, EARLY 19TH CENTURY, square, watercolour and body colour on ivory, the sitter with brown hair in a red full dress uniform with gilt epaulettes and collar, in leather frame case with arched brass mount, 7.5cm high, 5.5cm wide (2) 8cm high, 5.5cm wide Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference GZV61SUA (oval) and M8CL4FMZ (rectangular)

£300-500

223 Y PETER PAILLOU (BRITISH CIRCA 1757-1831) PORTRAIT MINIATURE OF A GENTLEMAN FROM THE STEVENSON FAMILY oval, painted with watercolour and body colour on ivory, signed ‘P Paillou 1799’, the sitter a man with a grey hair, blue coat with white stock and cravat, the reverse with a ring of pearlescent enamel enclosing an oval with seed pearl set initial ‘L’ mounted on woven plaits of hair, in an unmarked yellow metal frame with suspension loop, in a period locket case with red leather cover 9.5cm high, 6.5cm wide Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference QLZGJ7Z9

£300-500

224 GEORGE III STYLE MAHOGANY CHEST ON CHEST 19TH CENTURY the dentil moulded cornice above a pair of short drawers over three long drawers, the lower part with three further long graduated drawers, on bracket feet 112cm wide, 182cm high, 54cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

225 GEORGIAN STYLE GILTWOOD MIRROR 20TH CENTURY the rounded rectangular plate within a shaped frame with flower trails, acanthus, and C scrolls, surmounted by a pierced shell cresting 111cm high, 60cm wide

£400-600

226

227

GEORGE III MAHOGANY TEA TABLE

GEORGE III SATINWOOD, MAHOGANY, AND EBONY WORK TABLE

LATE 18TH CENTURY the fold-over demilune top above a frieze drawer, raised on moulded tapering legs 97cm wide, 70cm high, 43cm deep

£300-500

LATE 18TH CENTURY the octagonal crossbanded top above a frieze drawer and slide, raised on square tapered legs joined by an X stretcher 48cm wide, 76cm high, 37cm deep

£300-500

228 PAIR OF GEORGE III ELM ARMCHAIRS 18TH CENTURY the backs with pierced and carved splats above drop-in seats flanked by scrolled arms, raised on straight chamfered legs joined by stretchers (2) 66cm wide, 92cm high, 46cm deep

£400-600

118

229 HENRY SNELL GAMLEY RSA (SCOTTISH 1865-1928) RELIEF BUST OF ROBERT LOUIS STEVENSON plaster, signed ‘Gamley -09’ and initialled ‘R.L.S’, mounted inside a glazed oak frame 16.5 high, 14cm wide Provenance - The Fine Art Society Ltd, 12 Great King St, Edinburgh, August 1974

£250-350

230 VICTORIAN MAHOGANY AND PAINTED WOOD MODEL SHIP 19TH CENTURY the central Clipper type ship with three masts, rigging and deck detail, with a steam paddle tug in front and passing a small fishing boat to the side, on black painted stand in glazed mahogany case 73cm wide, 47cm high, 36cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119

231 NORTHERN LIGHTHOUSE BOARD CARVED PINE ROUNDEL 19TH CENTURY applied to the centre with a relief carved lighthouse with waves below, within a border inscribed ‘Northern Light House’ and the with the motto of the board ‘In Salutem Omnium’ (meaning ‘for the safety of all’) 17.5cm diameter

£250-350

232 PLASTER BUST OF ROBERT STEVENSON, AFTER SAMUEL JOSEPH 19TH CENTURY marked to the back ‘S JOSEPH SCULP./ EDINR 1827’; on an ebonised fluted column (2) Bust 54cm high; column 117cm high, 42cm diameter

£400-600

Note: Robert Stevenson, FRSE, FGS, FRAS, FSA Scot, MWS (Scottish 1772–1850) was a civil engineer, designer and builder of lighthouses. His works include the Bell Rock Lighthouse. This is a copy of a marble bust of Stevenson by Samuel Joseph RSA (British 1791 – 1850), commissioned in July 1824 by the Northern Lighthouse Board.

233 BRASS MODEL OF THE BELL ROCK LIGHTHOUSE CIRCA 1900 on a rectangular base, unmarked 24.2cm high, 10.8cm wide, 16.5cm deep The Bell Rock lighthouse, engineered by Robert Stevenson, was built between 1807 and 1810. The masonry work was to such a high standard that it has not been replaced for over 200 years. It lies in a treacherous stretch of the North Sea, twelve miles east of Dundee. The lighthouse was built on a rock known as the Bell Rock (or Inchcape).

According to legend the rock got its name because, in the 14th century, the Abbot of Arbroath had a warning bell installed on the rock, which floating debris, the winds and the sea would act upon to toll the bell and warn mariners of this approaching danger. Soon after installation the bell was carried off by Dutch pirates. The lighthouse had the first revolving light in Scotland. It was de-manned in 1988 and from then it has been remotely monitored from the Northern Lighthouse Board headquarters at 84 George Street, Edinburgh. It is still an active lighthouse today. Because of the engineering challenges that were overcome to build the lighthouse, it has been described as one of the Seven Wonders of the Industrial World.

£250-350

120

234 VICTORIAN BRASS SKELETON CLOCK, MUSTON & GATH, BRISTOL 19TH CENTURY the silvered chapter ring with Roman numerals and signed ‘Muston & Gath, Small St, Bristol’, held in a Gothic spire skeleton frame with visible movement, on an oval mahogany base with bun feet, the single train chain fusée timepiece movement with anchor escapement 32cm high, 20cm wide, 14cm deep

£300-500

235 CHARLES II OAK DRESSER 17TH CENTURY with three deep moulded panel drawers on baluster turned legs joined by stretchers 131cm wide, 92cm high, 44cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

236 VICTORIAN SCOTTISH FLY FISHING DISPLAY BOARD LATE 19TH CENTURY

by Forest & Sons, Kelso, displaying twenty flies on a cream card, set within a mount printed with a fishing scene, descriptions of the flies and the firm’s awards including ‘Awarded 5 Gold and Silver medals at The Great International Fisheries Exhibition, London, 1883’, in a glazed oak frame 30cm high, 43cm wide

£250-350

237 CARVED AND PAINTED WOOD BALANCING HORSE AND RIDER TOY 19TH CENTURY the carved wood horse surmounted with a cavalry rider wearing tricorn hat, brightly enamelled, the horse with a fur tail, the rider’s head and the horses front legs articulated, the horse attached to a steel wire with a lead weight, balanced on a painted wooden stand on a square base 36.5cm high

£250-350

238 GROUP OF SCOTTISH POTTERY CARPET BOWLS LATE 19TH CENTURY comprising sponged and plaid examples, including a jack (13) 8cm diameter

£250-350

239 PAIR OF SCOTTISH GRANITE CURLING STONES EARLY 20TH CENTURY with cast metal and Bakelite handles 26.5cm diameter

£250-350

122

240 SCOTTISH BLONDE MAHOGANY DRUMHEAD LONGCASE CLOCK, JAMES RITCHIE & SON, EDINBURGH EARLY 19TH CENTURY the moulded hood enclosing a 13 inch painted cream enamel signed dial with Roman numerals and subsidiary seconds and date dials, above a case with moulded door flanked by chamfered corners, on a plain plinth, the twin train movement striking a bell 208cm high, 46cm wide, 23cm deep

£500-700

241 REGENCY EBONY, OAK, AND BURR WALNUT CABINET, IN THE MANNER OF GEORGE OAKLEY EARLY 19TH CENTURY the ebonised top with canted outset corners above a long frieze drawer, over a pair of banded cupboard doors marked at the corners with roundels, enclosing seven graduated drawers, set at the corners with angled inlaid pilasters mounted as Egyptian terms, on a shaped ebonised plinth with brass castors 90cm wide, 88cm high, 57cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

124

242

243

KINGWOOD AND MARQUETRY BIJOUTERIE TABLE

SCOTTISH MAHOGANY WALL MOUNTED REGULATOR, JAMES RATTRAY, DUNDEE

19TH CENTURY the hinged serpentine top and sides with bevelled glass panels, raised on cabriole legs joined by an undertier, with floral marquetry and gilt metal mounts 61cm wide, 78cm high, 42cm deep

£300-500

MID 19TH CENTURY the scrolling carved crest moulding centred by a shell motif above a plain moulded glazed case with pierced aprons, enclosing a 13 inch silvered signed dial with Roman numerals and subsidiary seconds dial, with pierced brackets below, the twin train regulator movement striking a coiled steel gong 170cm high, 52cm wide, 26cm deep

£300-500

244 EARLY VICTORIAN MAHOGANY CELLARET MID 19TH CENTURY of sarcophagus form with ogee sides, on a plinth base 74cm wide, 55cm high, 47cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

245 PAIR OF FRENCH BRONZE FIGURES OF PUTTI, AFTER CLODION LATE 19TH CENTURY dark brown patina, modelled dancing and playing instruments on naturalistic bases (2) 23cm high, 11cm wide, 10cm deep

£250-350

246

247

FRENCH BRASS FOUR GLASS MANTEL CLOCK

EARLY VICTORIAN WALNUT, KINGWOOD, EBONY AND MARQUETRY GILT METAL MOUNTED CREDENZA

LATE 19TH CENTURY the white enamel Roman numeral dial with a visible Brocot escapement and compensating mercury filled pendulum, in a gorge brass case with bevelled glass sides, the brass twin train movement striking to a coiled steel gong, stamped Vincenti & Cie 30cm high, 18cm wide, 14cm deep

£200-300

MID 19TH CENTURY of serpentine outline, with a central cupboard door with flowering urn marquetry opening to a velvet lined shelved interior and flanked by glazed cabinets, all with further marquetry of ribbon-tied floral garlands and sprays and outlined with gilt metal mounts, on a plinth base 186cm wide, 116cm high, 50cm deep

£1,000-1,500

126

BRITISH FURNITURE & WORKS OF ART PART II

127

248 REGENCY GILTWOOD TRIPLE PLATE OVERMANTEL MIRROR EARLY 19TH CENTURY the ball moulded cornice above a frieze with Mars in a chariot drawn by lions approaching Venus, over triple bevelled mirror plates flanked by fluted pilasters with Corinthian capitals 135cm wide, 93cm high

£700-1,000

249 REGENCY SATINWOOD AND PENWORK GAMES TABLE EARLY 19TH CENTURY the square top with rounded corners, the penwork chess board bordered by acanthus friezes and rosettes, on a turned and fluted column with a chamfered square base with four sabre legs capped with brass paw feet with brass castors 46cm wide, 75cm high, 46cm deep Provenance: The Contents of Headington Hill Hall, Sotheby’s, London, 14 Jan 1993, Lot 60, where acquired by the present vendor

£400-600

250 REGENCY MAHOGANY WINGBACK ARMCHAIR EARLY 19TH CENTURY the square upright back flanked by deep wings and scroll arms above a stuff-over seat, raised on turned legs with brass caps and castors, covered in worn green plush upholstery 82cm wide, 109cm high, 59cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

251 REGENCY MAHOGANY LAMP TABLE EARLY 19TH CENTURY the rounded rectangular hinged top with ratchet support above a dummy drawer and two further drawers, with brass loop handles to the sides, raised on tall curved supports joined by an undertier and terminating in outswept legs with brass caps and castors 46cm wide, 73cm high, 37cm deep

£800-1,200

252 Y REGENCY ROSEWOOD BRASS INLAID SIDE CABINET EARLY 19TH CENTURY the galleried top over a pair of doors with brass wire inserts backed with yellow silk, the frame with brass inlaid classical motifs and opening to painted shelves, on a plinth base 138cm wide, 133cm high, 35cm deep

£1,000-1,500

129

253 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the convex mirror plate in an ebonised slip and moulded frame with ball mounts surmounted by a carved eagle and foliate cresting 90cm high, 63cm wide

£300-500

254 Y PAIR OF REGENCY ROSEWOOD AND BRASS PEDESTAL CABINETS, IN THE MANNER OF JOHN MCLEAN EARLY 19TH CENTURY the square tops with pierced brass galleries above cupboard doors with brass lion mask handles and grille inserts, enclosing shelved interiors, on bun feet, all outlined with brass mounts (2) 41cm wide, 88cm high, 39cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

255 Y REGENCY SATINWOOD AND ROSEWOOD WORK TABLE EARLY 19TH CENTURY the crossbanded top with drop leaf sides, above three short drawers, the top drawer fitted with a baize work slope, the reverse with a dummy drawer and deep drawer, raised on ring turned supports and quadripartite base with sabre legs ending in cast paw feet and castors 37cm wide, 72cm high, 50.5cm deep

£300-500

256 REGENCY STYLE MAHOGANY, EBONY AND BRASS INLAID TEA TABLE LATE 19TH CENTURY the crossbanded rounded rectangular top above a frieze with brass inlaid rosettes, the fold-over top opening with a pivot action, raised on a reeded baluster column and scrolling moulded legs ending in leaf cast brass caps and castors 107cm wide, 76cm high, 53cm deep

£300-500

257 SET OF SIX MAHOGANY ARMCHAIRS, IN THE MANNER OF THOMAS HOPE EARLY 19TH CENTURY the square backs and padded seats in reeded frames, raised on X-form supports joined by turned stretchers and centred by rosettes, in blue and taupe striped plush upholstery 53cm wide, 88cm high, 44cm deep

£2,000-3,000

131

258 PAIR OF REGENCY OAK ARMCHAIRS, IN THE MANNER OF THOMAS HOPE EARLY 19TH CENTURY the tablet backs above curved X form stretchers and curved caned seats, flanked by open scrolled arms and raised on sabre legs (2) 56cm wide, 87cm high, 45cm deep

£800-1,200

259 Y REGENCY ROSEWOOD AND BRASS INLAID BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top bordered with foliate detail brass inlay, on a square tapered column and concave quadripartite platform with further brass inlay, raised on scroll legs ending in brass lion paw caps and castors 125cm diameter, 76cm high Provenance: Property of the late Mrs. Jean Bogie

£2,500-3,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

132

260 PAIR OF REGENCY MAHOGANY ARMCHAIRS EARLY 19TH CENTURY the two bar backs above wide stuff-over seats flanked by scrolled arms, raised on turned and reeded tapering forelegs and sabre rear legs (2) 55cm wide, 85cm high, 47cm deep Provenance: Property of the late Mrs. Jean Bogie

£400-600

261 Y REGENCY ROSEWOOD CHIFFONIER EARLY 19TH CENTURY the superstructure with two tiers with wire grille sides, above a long frieze drawer and a pair of bead moulded cupboard doors, with brass handles to the sides, raised on bobbin-turned tapered legs ending in brass caps and castors 70cm wide, 132cm high, 55cm wide

£400-600

262 REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top with radial veneers and a bead moulded frieze, on a triform column support with scroll volutes and gadrooning and concave triform platform outlined with further bead moulding, raised on acanthus and rose medallion carved sabre feet ending in foliate cast brass caps and castors 138cm diameter, 73cm high Provenance: Property of the late Mrs. Jean Bogie

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

133

263 Y REGENCY ROSEWOOD BERGERE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the curved caned back and seat raised on turned and reeded tapered legs ending in brass caps and castors, with a horsehair loose cushion 58cm wide, 96cm high, 45cm deep

£800-1,200

264 REGENCY MAHOGANY BOX CELLARET, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the hinged top above moulded sides with brass handles to the sides, raised on turned and tapered legs 42cm wide, 50cm high, 33cm deep

£400-600

265 REGENCY MAHOGANY SERVING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, with frieze drawers to the short sides and dummy drawers to the front, raised on slender turned and reeded legs 153cm wide, 84cm high, 64cm deep

£800-1,200

266 Y REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY with an ogee moulded frieze drawer above a pair of doors with brass grill inserts lined with pleated yellow silk, on a plinth base 106cm wide, 86cm high, 35cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

267 REGENCY GONCALO ALVES, EBONY AND MAHOGANY BREAKFRONT SERVING TABLE, IN THE MANNER OF THOMAS HOPE EARLY 19TH CENTURY the banded breakfront top with a brass gallery over three short frieze drawers, raised on turned and reeded tapered legs ending in gilt brass lion paw feet 214cm wide, 94cm high, 133cm [including rail], 87.5cm deep

£4,000-6,000

135

268 MASON’S IRONSTONE PART DINNER SERVICE MID 19TH CENTURY with underglaze blue and overglaze polychrome enamel decoration, depicting a landscape with figures in a variant of the Willow pattern; comprising: eight dinner plates, twelve larger soup plates, twelve smaller soup plates, nine side plates, six graduated ashets, a hexagonal twin handled soup tureen, cover and stand, two hexagonal low tureens and covers, a hexagonal twin handled sauce tureen, cover and stand, and a gravy boat on stand; bases with blue printed ‘MASON’S PATENT IRON STONE CHINA’ mark (qty) largest ashet 43cm long, dinner plates 26cm diameter, tureen 29cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

136

269 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR 19TH CENTURY the inverted breakfront cornice with ball mounts above a frieze depicting a Classical tribute scene centred by a shrine to Diana, over three bevelled mirror plates flanked by Corinthian columns 90cm high, 143cm wide

£400-600

270

271

PAIR OF LATE REGENCY MAHOGANY CARD TABLES

PAIR OF REGENCY STAINED ASH ARMCHAIRS

EARLY 19TH CENTURY the D-shaped fold-over tops opening to green baize playing surfaces, above moulded friezes with lotus brackets, raised on square tapered columns and concave quadripartite bases with bun feet and brass castors (2)

EARLY 19TH CENTURY

90cm wide, 74cm high, 45cm deep [closed]

with bar backs with pierced scroll cross stretchers, above caned seats flanked by down-scrolling arms, raised on bobbinturned legs joined by stretchers (3)

£1,200-1,800

50cm wide, 52cm high, 40cm deep

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

272 Y REGENCY ROSEWOOD GAMES TABLE EARLY 19TH CENTURY the shaped oval top with a central reversible section with an inlaid chess board and concealing an inner red leather backgammon board, with curved covered wells to both ends, above a moulded frieze drawer and workbag slide, raised on end supports joined by a turned stretcher and ending in trestle bases with sabre legs with foliate brass caps and castors 70cm wide, 74cm high, 42cm deep

£500-700

273 REGENCY STYLE MAHOGANY LIBRARY TABLE LATE 19TH CENTURY

274 SET OF SEVEN REGENCY OAK AND ELM DINING CHAIRS EARLY 19TH CENTURY the scroll and bead-moulded back rails above foliate carved bars and drop-in seats with turned seat rails, raised on sabre legs, comprising five side chairs and a pair of armchairs (7) Armchairs 60cm wide, 87cm high, 45cm deep

£400-600

the top with a red leather insert with a tooled gilt border, above three short frieze drawers with the same opposing, raised on reeded tapered legs on later brass ball feet 153cm wide, 76cm high, 106cm deep

£600-800

138

275 REGENCY MAHOGANY CELLARET EARLY 19TH CENTURY of sarcophagus form, the interior with dividers for six bottles, raised on carved paw feet with brass castors 62cm wide, 52cm high, 50cm deep

£400-600

276 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS 19TH CENTURY the moulded bar backs with stretchers centred by a carved rosette, above stuffover seats with diamond woven cream upholstery, raised on fluted tapered legs 47cm wide, 85cm high, 47cm deep

£500-700

277 Y REGENCY ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular crossbanded tilt-top on a triform column and platform base outlined bead and reel moulding, raised on reeded scroll feet with brass castors 138cm diameter, 73cm high

£600-800

139

278 REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a moulded architectural frame with laurel twined pilasters surmounted by a moulded pediment with cartouche and scrolling foliate details 147cm high, 130cm wide

£800-1,200

279 Y REGENCY ROSEWOOD WOOD GAMES TABLE EARLY 19TH CENTURY the oval brass banded top with gallery ends and a central reversible section with an inlaid chess board, concealing an inner leather backgammon board, raised on ring-turned twin end supports joined by turned stretchers and ending in trestle bases with sabre legs 76cm wide, 74cm high, 41cm deep

£1,000-1,500

280 LATE REGENCY MAHOGANY DINING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, raised on turned and reeded tapered leg ending in brass caps and castors, with four leaf inserts 341cm long, 73cm high, 136cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140

281 REGENCY MAHOGANY LIBRARY ARMCHAIR EARLY 19TH CENTURY the square button-upholstered back above a stuffover seat and straight arms with carved patera facings, raised on square flute legs with brass caps and castors, covered in mustard yellow velvet 67cm wide, 107cm high, 55cm deep

£800-1,200

282 REGENCY OAK WRITING TABLE EARLY 19TH CENTURY the rectangular top with a brown leather insert writing surface, above a pair of short frieze drawers with dummy drawers opposing, raised on turned end supports and scrolled trestle bases united by a turned stretcher, on sabre legs ending in brass caps and castors 93cm wide, 72cm high, 58cm deep

£800-1,200

283 REGENCY MAHOGANY DWARF OPEN BOOKCASE EARLY 19TH CENTURY with two fixed shelves flanked and divided by reeded pilasters terminating on turned feet 99cm wide, 102cm high, 38cm deep

£1,500-2,500

141

284 FINE REGENCY MAHOGANY AND BRASS PARTNER’S WRITING TABLE, IN THE MANNER OF JOHN MCLEAN EARLY 19TH CENTURY the brown leather top with a gilt tooled edge above two short frieze drawers with the same on the reverse, the sides with dummy drawers, all with brass banding and star pulls, raised on part reeded and tapered legs ending in brass caps and castors 121cm wide, 77cm high, 121cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

285

286

PAIR OF REGENCY STYLE GIRANDOLE MIRRORS

REGENCY MAHOGANY COMPACTUM WARDROBE

LATE 19TH CENTURY

EARLY 19TH CENTURY

the convex mirror plates in beaded and moulded frames issuing three gilt metal foliate scrolling candle arms with moulded sconces, with eagle and Prince of Wales plume cresting and acanthus and rosette terminals below (2)

the bead moulded cornice carved with acanthus scrolls and a central shell motif, above a central set of seven graduated drawers outlined with bead moulding and flanked by cupboards with hanging space, all flanked and divided by spiral turned and reeded pilasters, on bun feet and a bead mould plinth base

99cm high, 36cm wide, 20cm deep

£400-600

232cm wide, 214cm high, 69cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143

287 PAIR OF GILT AND PATINATED METAL NEOCLASSICAL STYLE LAMPS 19TH CENTURY previously candlesticks, each with an urn candle nozzle and leaf cast pan, on a reeded column with a circular domed foot cast with a floral relief frieze and lattice tracery, with grey pinch-pleated shades (2) 40cm high, 13cm diameter

£800-1,200

288 PAIR OF GEORGE III MAHOGANY WINE TABLES LATE 18TH CENTURY the octagonal tops over a reeded and turned column, on tripod sabre legs with ball feet 38cm diameter, 74cm high

£600-800

289 PAIR OF REGENCY MAHOGANY BEDSIDE POT CUPBOARDS, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with three-quarter gallery tops over cupboard doors, raised on slender turned and reeded legs (2) 38cm wide, 78cm high, 33cm deep

£800-1,200

290 REGENCY MAHOGANY CHAMBER TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a reeded edge above a long drawer fitted with a slope, raised on turned and reeded tapered legs ending in brass caps and castors 76cm wide, 72cm high, 43.5cm deep

£400-600

291 SET OF REGENCY MAHOGANY BED STEPS EARLY 19TH CENTURY with three red leather lined steps, the top hinged and opening to a void interior, on turned and lobed feet 68cm wide, 48cm high, 45cm deep

£400-600

144

292 Y PAIR OF FINE REGENCY ROSEWOOD TRIPOD WINE TABLES EARLY 19TH CENTURY the squared tops raised on slender spiral carved baluster supports with scrolling tripod legs outlined with stringing and ending on ebonised ball feet (2) 43cm wide, 76cm high, 43cm deep

£4,000-6,000

293

294

REGENCY EBONISED AND PARCEL-GILT HANGING SHELF

ENGLISH PORCELAIN BOUGH POT, OF SCOTTISH INTEREST

EARLY 19TH CENTURY

57cm wide, 41cm high, 23cm deep

of demi-lune form, the central reserve painted with a view of Hopetoun House, South Queensferry, with a carriage being driven in the grounds, and to either side a painted classical fan motif enclosed within a gilt harebell border, the fluted lower body with gilt anthemion stylised decoration, raised on four bun feet, inscribed to the base ‘Hopetoun House / The seat of the right honourable the Earl / of Hopetoun’

£250-350

25cm high, 25cm wide

with a pierced brass gallery above a lower tier with two short drawers decorated with anthemion

EARLY 19TH CENTURY

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145

295 REGENCY SATINWOOD BRACKET CLOCK, BY CATLING, WELLINGBOROUGH EARLY 19TH CENTURY with break-arch top and brass handle, above the cream enamel dial with Roman numerals and signed ‘Catling, Wellborough’, above marquetry fan panels, the twin train chain fusée movement striking a bell, the engraved backplate also signed, raised on a plinth base 33cm high (handle down), 24cm wide, 17cm deep

£300-500

296

297

PAIR OF STAFFORDSHIRE COCKERELS

PARQUETRY AND WALNUT COUNTRY HOUSE POST BOX

19TH CENTURY

19TH CENTURY

each with a moulded white glazed body, the details such as feathers and grasses picked out in gilt, with black enamelled beak and red wattle and comb (2)

of upright form, the top with a letter slot over a hinged front door inlaid with various specimen woods in a star motif enclosed within chequer banded and zig zag borders, on bun feet, the interior fitted with a drawer

32cm high, 24.5cm wide

29cm wide, 40cm high, 24.5cm deep

£300-500

£300-400

298 TROMPE L’OEIL PAINTED PINE CHEST 19TH CENTURY, WITH LATER DECORATION of rectangular form, painted on three sides to resemble a Georgian country house, with hinged cover, the lock mechanism impressed HOBBS & CO LONDON 61.5cm wide, 39cm high, 26cm deep

£400-600

146

299 PAIR OF LARGE CHARLES X PATINATED BRONZE AND GILT LAMPS 19TH CENTURY converted from candlesticks, with urn form nozzles above tapering stems on acanthus cast triform bases with paw feet, with large cream pleated shades (2) 39cm excluding fittings

£1,200-1,800

300 PAIR OF BRONZE FIGURES OF SIR WALTER SCOTT AND LORD BYRON LATE 19TH CENTURY dark brown patina, modelled standing draped in robes and holding books, on circular bases (2) 45cm high Provenance: Property of the late Mrs. Jean Bogie

£400-600

301 GEORGE IV POLLARD OAK MANTEL CLOCK, TAYLOR & SON, BRISTOL EARLY 19TH CENTURY the cream enamel signed dial with Roman numerals, enclosed by an arched case flanked by two brackets supporting a high relief carved oak floral swag, raised on a plinth with bracket feet, the twin train chain fusée movement striking a coiled steel gong 45cm high, 37cm wide, 17cm deep

£600-800

302 GEORGE IV MAHOGANY BOTTLE CABINET EARLY 19TH CENTURY the top with a reeded edge above a pair of moulded doors opening to an interior with two sliding shelves with bottle dividers above an open void, on turned feet with brass castors 47cm wide, 78cm high, 44cm deep

£400-600

303 PAIR OF REGENCY ANGLOCOLONIAL EBONY FOOTSTOOLS EARLY 19TH CENTURY the padded tops flanked by turned and reeded ends, on reeded scroll supports with turned roundels (2) 41cm wide, 27cm high, 30cm deep

£400-600

147

304 PAIR OF GEORGE IV MAHOGANY AND NEEDLEWORK POLESCREENS 19TH CENTURY each hung with a needlework Royal Coat of Arms banner worked in metallic threads on red silk, on leaf carved tripod bases (2) 60cm wide, 153cm high Provenance: Property of the late Mrs. Jean Bogie

£700-900

305 Y IRISH LATE WILLIAM IV ROSEWOOD MARBLE TOPPED CENTRE TABLE EARLY 19TH CENTURY the rectangular verde antico marble top with rounded corners over a plain moulded frieze, raised on strongly carved legs with acanthus scrolls and ending in paw feet 105cm wide, 76cm high, 79cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

306 WILLIAM IV YEW OCCASIONAL TABLE EARLY 19TH CENTURY the circular top with segmented veneers on a baluster column and triform base with scroll feet 61cm diameter, 74cm high

£300-500

307 WILLIAM IV MAHOGANY PRESS CUPBOARD EARLY 19TH CENTURY the moulded cornice above a pair of bead moulded panel doors enclosing hanging space and a sliding tray; the lower part with two deep and two short drawers over three long graduated drawers 135cm wide, 217cm high, 61cm deep

£600-800

308 WILLIAM IV WALNUT FOOTSTOOL EARLY 19TH CENTURY the rectangular padded seat with a floral needlework cover, raised on scrolling X supports joined by turned stretchers 64cm wide, 43cm high, 51cm deep

£400-600

149

Sir John Lavery R.A., R.S.A., R.H.A. (1856-1941), The Artist’s Studio, 1910-13.

In the collection of the National Gallery of Art, Dublin, NGI, 1644

309 WILLIAM IV MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY the bevelled mirror plate in a cushion moulded frame and turned uprights and a trestle base with scrolled feet and castors 83cm wide, 145cm high, 74cm deep Provenance: Sir John Lavery R.A., R.S.A., R.H.A. (1856-1941) Thence by family descent Note: This cheval mirror appears in Lavery’s painting ‘The Artist’s Studio’, painted 191013, in the collection of the National Gallery of Art, Dublin, NGI, 1644

£800-1,200

310 PAIR OF WILLIAM IV MAHOGANY PEDESTAL CUPBOARDS EARLY 19TH CENTURY the square tops above doors with moulded Doric columns, on lobed bun feet (2) 48cm wide, 90cm high, 46cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

150

311 WHITE MARBLE BUST OF A GENTLEMAN, JOHN KIRK (SCOTTISH B.1832) DATED 1850 depicted in the classical style, the back inscribed ‘John Kirk Sculp, 1850’, with an associated socle 82cm high, 45cm wide, 25cm deep

£600-800

Note: “John Kirk of Dumfries (Scottish b.1832) joined the Royal Academy Schools in 1847... He exhibited at the Royal Academy, 1847-1854, and at the British Institution, 18491854, showing busts etc.” - Gunnis, R. Dictionary of British Sculptors 1660-1851, The Abbey Library, London, p.230

312 PAIR OF LARGE ASHWORTH IRONSTONE VASES AND COVERS MID 19TH CENTURY of octagonal baluster form with pierced twin scrolling dragon handles to the necks, decorated in the Chinese style on an apple green ground, the domed covers with entwined dolphin finials; impressed ASHWORTH 27 51cm high

£300-500

313 Y PAIR OF WILLIAM IV ROSEWOOD HALL CHAIRS EARLY 19TH CENTURY the back rails carved with rocaille and a quatrefoil openings, above padded backs and stuffover seats covered in buttoned upholstered yellow herringbone wool, raised on turned and tapered legs, the seat rails stamped A. RAE (2) 45cm wide, 80cm high, 40cm deep

£300-500

314 WILLIAM IV LARGE FOLIO CANTERBURY EARLY 19TH CENTURY with four divisions, the sides with carved flower head motifs, on flattened bun feet with ceramic castors 71cm wide, 56cm high, 58cm deep

£1,000-1,500

151

315 WILLIAM IV MAHOGANY BREAKFRONT BOOKCASE EARLY 19TH CENTURY of inverted breakfront outline, the pedimented cornice above glazed and mullioned doors enclosing adjustable shelves; the lower part with four corresponding moulded panel doors and a plinth base 262cm wide, 252cm high, 47cm deep Provenance: Property of the late Mrs. Jean Bogie

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

316 SCOTTISH LABURNUM BOBBIN-TURNED ARMCHAIR 19TH CENTURY the bobbin-turned frame with a squared back above a deep stuffover seat flanked by part-padded arms, the straight legs with brass caps and castors; covered in modern multi-stripe upholstery 65cm wide, 97cm high, 59cm deep

£600-800

317 WILLIAM IV MAHOGANY OPEN WINE COOLER EARLY 19TH CENTURY the tapered sides with acanthus scrolls and moulded panels, raised on scrolling rocaille feet with leather castors, fitted with a metal liner 70cm wide, 46cm high, 55cm high

£600-800

318 WILLIAM IV MAHOGANY CENTRE TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the long rounded rectangular top with a moulded edge above a plain frieze, raised on turned and reeded tapered legs 263cm long, 84cm high, 84cm deep

£700-1,000

153

319 IRISH WILLIAM IV MAHOGANY TEA TABLE

320 Y

EARLY 19TH CENTURY

WILLIAM IV ROSEWOOD ÉTAGERE EARLY 19TH CENTURY with three tiers raised and divided by spiral turned supports, the lower tier with a drawer, on turned legs with brass caps and castors

the fold-over top above an ogee moulded frieze, raised on an acanthus carved baluster support and concave quadripartite base on carved claw feet with brass castors 86cm wide, 77cm high, 43cm deep [closed]

£300-500

46cm wide, 103cm high, 38cm deep

£400-600

321 SCOTTISH REGENCY LABURNUM BRASS MOUNTED SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop leaf ends above a pair of short frieze drawers, with dummy drawers on the reverse, raised on bobbin-turned end supports and outswept reeded legs joined by a bobbin-turned stretcher and ending in brass paw caps and castors 81cm wide,140cm open,76cm high, 66cm deep

£400-600

END OF DAY ONE Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

154

DAY TWO: THURSDAY 16 NOVEMBER 2023 FROM 10AM

BRITISH FURNITURE & WORKS OF ART PART III

155

322 VICTORIAN GOTHIC STYLE GILT BRONZE AND BRASS MANTLE CLOCK, BY WILLIAM JEFFERIES, BRISTOL 19TH CENTURY the 5 inch silvered dial with Roman numerals, signed to the centre, in an arched architectural case with brass panels mounted with Gothic tracery and surmounted by three foliate finials, on a stepped base with cast scroll bracket feet, the twin train movement striking a bell 28cm wide, 38cm high, 18cm deep

£300-500

323 VICTORIAN CARVED OAK GOTHIC STYLE CHIMING LONGCASE CLOCK 19TH CENTURY the hood with trefoil crenelations and carved oak leaf panels and crocket spire mouldings, the sides with Gothic trellis sound frets, enclosing a brass dial with a silvered Roman numeral chapter ring and gilt floral engraved mask and three winding holes, a silvered subsidiary seconds dial, and blued steel fleur-de-lis hands, with ‘CHIME/ SILENT’ and ‘WESTMINSTER/ WHITTINGTON’ levers to the outer edge, above and moulded glazed Gothic arch trunk door, on a stepped plinth base with quatrefoil details, the three train quarter-chiming movement with pull repeat, striking both Westminster and Whittington chimes to a pin wheel of eight steel chimes with an additional strike chime 248cm high, 64cm wide, 35cm deep

£1,000-1,500

324 SET OF FOUR PAINTED GOTHIC REVIVAL HALL CHAIRS EARLY 19TH CENTURY with lancet arched backs above square seats with circular recesses, raised on turned and tapered legs, painted in mustard yellow outlined with black (4) 48cm wide, 89cm high, 39cm deep

£400-600

325 GOTHIC STYLE LIMED OAK AND LABURNUM TRESTLE TABLE, IN THE MANNER OF SIR ROBERT LORIMER EARLY 20TH CENTURY the rectangular top over a pair of short frieze drawers divided by carved heads of mythical figures, on pierced end supports with trestle bases and joined by a stretcher rail 152cm wide, 92cm high, 65cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

326 VICTORIAN MAHOGANY HALL TREE MID 19TH CENTURY with four branches and nine turned coat hooks, above a serpentine umbrella stand with metal insert and bun feet 96cm wide, 202cm high, 26cm deep

£600-800

327 EARLY VICTORIAN MAHOGANY DUET STAND MID 19TH CENTURY with twin scroll pierced ratchet adjusted rests on a brass extending pole and ring turned column ending on a circular base 146cm high, 42cm wide

£300-500

328 LARGE VICTORIAN MAHOGANY HALL SEAT MID 19TH CENTURY the long seat with raised cylinders to the ends and bullseye roundels, raised on turned and tapered legs 152cm wide, 58.5cm high, 43cm deep

£1,500-2,500

157

329 WILLIAM IV MAHOGANY COCKFIGHTING CHAIR EARLY 19TH CENTURY the horseshoe backrail set with two brass stick inserts to the arms and a brass inset rail running the full length, the back with a pierced Gothic triple arch flanked by carved trefoil frets, the stuffover seat with woven floral upholstery, on tapering fluted legs with acanthus carving and downswept back legs, brass and ceramic castors 65cm wide, 82cm high, 60cm deep

£300-500

330

331

WILLIAM IV GONCALVO ALVES SPECIMEN AND FOSSILISED STONE OCCASIONAL TABLE

LATE VICTORIAN MAHOGANY PARTNER’S DESK

19TH CENTURY the octagonal top set with various fossilised hardstones including septarian, fossilised coral, on a facetted column and triform base with bun feet, with paper trade label ‘FROM HARRISON’S/ UPHOLSTERY, CABINET, AND CHAIR MANUFACTORY/ CROWN STREET DISS.’ 56cm diameter, 75cm high Provenance: William and Miranda Goodbrey Note: William Harrison, advertising as an upholsterer and cabinet maker, is recorded operating in Diss, Norfolk, from 1820-1850.

£300-500

LATE 19TH CENTURY the top with a moulded edge and a green leather insert with gilt embossed Greek key borders, above three frieze drawers with the same opposing, raised on pedestals with three graduated drawers and cupboards on the reverse, on plinth bases with castors 152cm wide, 75cm high, 107cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

158

332 FOUR SCOTTISH CARVED LIMEWOOD TABLEAU SCENES FROM TAM O’SHANTER, WORKSHOP OF THOMAS HALL TWEEDY CIRCA 1860 carved in high relief depicting Souter Johnnie and Tam O’Shanter conversing and drinking while the Miller and proprietress look on; Tam drunk outside the tavern preparing to ride into the night; the interior of the haunted church with witches and warlocks dancing while the Devil plays bagpipes and Tam watches at the window; and Tam spurring Meg across the Brig P’Doon as the creatures give chase and the witches pull Meg’s tail off; each in a glazed mahogany case (4) 68cm wide, 41cm high, 18cm deep

£1,500-2,500

Note: Based in Newcastle, Thomas Hall Tweedy (1816-1892) was a noted woodcarver working in England in the mid-nineteenth century. Tweedy was primarily a business man rather than a craftsman. It is recorded by his apprentice Ralph Hedley that he only saw him hold a tool once when he changed the figure of Miranda from a panel of the “Tempest” into a rock. However, he did have the gift of recognising skilled workmen and giving them employment thus enhancing his considerable reputation. A set of four carved tableaux from ‘Tam O’Shanter’ attributed to Tweedy are in the collection of the Robert Burns Museum, Ayrshire, and are stylistically very close to this set.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

159

333 EARLY VICTORIAN WOOLWORK PICTURE SAMPLER MID 19TH CENTURY depicting an amorous couple in an Alpine landscape, above a townscape with figures, inscribed at the base ‘In Remembrance Of Earl Ellenboroughs School 1845, Woodmancote’, within a geometric border, with a poem in the margin of the lower edge, framed 88cm high, 70cm wide

£300-400

334 Y TWO VICTORIAN ARTIST’S BOXES 19TH CENTURY the largest in a mahogany case with a fitted wooden interior containing powder paints in glass containers with cork stoppers, ceramic mixing bowls in a fitted holder, glass pestle and mortar, a glass bottle of Essence de Lavande, and brushes, the cover with a brass swing handle and hooks, 28.5cm wide; and a two tier rosewood veneered box, the fitted interior containing block paints, a ceramic paint dish, brushes etc, the interior of the lid bearing a burgundy leather stamped maker’s label marked ‘NEWMAN’S MANUFACTORY’, with a key, 23.5cm wide the largest 23.5cm wide, 8cm high, 19cm deep

£400-600

335 THREE VICTORIAN MAHOGANY ARTIST’S BOXES MID-LATE 19TH CENTURY the largest a two tiered box with a fitted interior containing block paints, a glass water bowl, a paint mixing dish, and a brush stand, etc, with a key, the trade name Reeves & Sons, 113 Cheapside, London, printed in gilt to the interior of the lid, with a key, 22.8cm wide; a Winsor & Newton two tier box with fitted interior containing block paints, tube paints, a ceramic mixing bowl, and a ceramic artist’s palette, paper maker’s label in gilt to the interior of the lid, 21.7cm wide; and a small box complete with block paints, a brush and a key, blue and gilt paper maker’s label to the interior of the lid, 19.3cm wide (3) the largest 22.8cm wide, 7cm high, 14cm deep

£400-600

160

336 VICTORIAN STRIPPED PINE OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a moulded frame, flanked by Corinthian pilasters ending in foliate scrolls 135cm high, 120cm wide

£500-700

337 EARLY VICTORIAN WALNUT WATERFALL BOOKCASE MID 19TH CENTURY with three graduated tiers on spiral carved supports, the lower cabinet with moulded doors flanked by spiral carved corner columns, on a plinth base 97cm wide, 175cm high, 45cm deep

£1,000-1,500

338 Y EARLY VICTORIAN ROSEWOOD LIBRARY ARMCHAIR MID 19TH CENTURY the button-upholstered curved back above a stuffover seat and enclosed arms with foliate carved facings, raised on turned tapered legs, in blue and cream patterned upholstery 77cm wide, 107cm high, 52cm deep

£400-600

161

339 Y SET OF SIX EARLY VICTORIAN ROSEWOOD SIDE CHAIRS MID 19TH CENTURY with acanthus and floral carved open backs above dropin seats, raised on turned and tapered reeded legs (6) 46cm wide, 83cm high, 40cm wide

£300-500

340 VICTORIAN MAHOGANY AND BURR WALNUT COLLECTOR’S TABLE CABINET MID 19TH CENTURY the sarcophagus shaped top surmounted by a patinated metal lion, above a pair of panel doors enclosing four graduated drawers, the corners with turned pilasters, on a moulded base and squat feet 49cm wide, 45cm high, 37cm deep

£1,000-1,500

341 VICTORIAN MAHOGANY AND EBONY PARTNER’S DESK 19TH CENTURY the black leather top with a gilt tooled border and moulded edge, above three short drawers with ebony knobs and escutcheons, with dummy drawers opposing, raised on banks of three short drawers with cupboards opposing, on plinth bases 137cm wide, 77cm high, 106cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

342 PAIR OF VICTORIAN WALNUT AND MARQUETRY PIER CABINETS LATE 19TH CENTURY the tops with outset squared corners above cavetto moulded friezes, over single glazed doors flanked by gilt metal mounted angles and enclosing shelved interiors, on shaped plinth bases, with flower and butterfly marquetry throughout (2) 82cm wide, 106cm high, 37cm deep

£1,000-1,500

343 VICTORIAN WALNUT AND MARQUETRY BONHEUR DU JOUR 19TH CENTURY the superstructure with a central mirror and drawer flanked by glazed cabinets, above a slope front with oval boss opening to an interior fitted with pigeon holes and drawer and covered well, over a shaped frieze and raised on cabriole legs, with gilt metal and inlaid with floral marquetry throughout 87cm wide, 143cm high, 55cm deep

£600-800

344 VICTORIAN WALNUT INLAID, MARBLE TOPPED CREDENZA AND MIRROR MID 19TH CENTURY the shaped mirror in a palmette and acanthus carved frame above a white marble breakfront top, over a pair of glazed doors flanked by arch moulded doors flanked by fluted angles, on a plinth base 152cm wide, 189cm high, 46cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

163

345 VICTORIAN ITALIANATE GILT OVERMANTEL MIRROR MID 19TH CENTURY the two split arched plates within a gilt mask with painted dolphin and trident decoration, set inside a square frame with geometric moulding 168cm high, 166cm wide

£800-1,200

346 VICTORIAN CARVED OAK PEDESTAL DESK, BY DRUCE & CO. MID 19TH CENTURY the top with a brown leather insert and bead and rosette carved edge, above a central frieze drawer flanked by short drawers, raised on banks of three graduated drawers on plinth bases, the sides and back panels with foliate carved panels and further rosettes, bearing a paper label ‘FROM DRUCE & CO.,/ Upholsterers, Cabinet Makers, &c.,/ 68, 69, & 58 BAKER STREET/ PORTMAN SQUARE’ 138cm wide, 76cm high, 77cm deep Provenance: Dunstan Hall, Staffordshire Purchased 1937, thence by family descent

£400-600

347 VICTORIAN WALNUT, EBONISED AND MARQUETRY CREDENZA 19TH CENTURY of breakfront bowed shape, with a central quarterveneered door flanked by glazed curved doors, all enclosing shelved interiors, with gilt metal mounts on a plinth base 153cm wide, 104cm high, 38cm deep

£500-700

164

348 LARGE VICTORIAN GILT FRAMED OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a plain moulded frame 197cm high, 181cm wide

£400-600

349 Y VICTORIAN ROSEWOOD, INLAY, AND MARBLE TOPPED SIDE CABINET 19TH CENTURY the nero portoro marble top of breakfront outline with a moulded edge, above a line inlaid frieze over a central oval glazed door with yellow pleated silk lining and marked at the corners with scrolling foliate inlay, flanked by further glazed cupboards enclosing shelves, on a conforming plinth base 184cm wide, 105cm high, 38cm deep

£800-1,200

165

350 Y VICTORIAN AMBOYNA AND ROSEWOOD SOFA TABLE LATE 19TH CENTURY the crossbanded rounded rectangular top with drop ends, over two short frieze drawers with dummy drawers opposing, raised on outswept legs with brass castors and united by a turned stretcher 131cm wide (flap up), 81cm wide (flaps down), 70cm high, 57cm deep

£400-600

351 EARLY VICTORIAN WALNUT CHAISE LONG MID 19TH CENTURY with a high end and long serpentine seat above a flower-carved seat rail, raised on cabriole legs ending in scrolled toes, covered in yellow plush upholstery 164cm long, 78cm high, 62cm deep Provenance: Property of the late Mrs. Jean Bogie

£400-600

352 Y VICTORIAN ROSEWOOD CENTRE STOOL MID 19TH CENTURY the rectangular stuffover padded seat in a carved and moulded frame, raised on cabriole legs, covered in rose pink upholstery 75cm wide, 37cm high, 57cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

353

354

SUITE OF VICTORIAN WALNUT AND MARQUETRY PARLOUR CHAIRS

WEDGWOOD MAJOLICA JARDINIERE AND STAND

19TH CENTURY to include a gentleman’s armchair, a lady’s slipper chair, and a side chair (3) Armchair 69cm wide, 98cm high, 58cm deep

£400-600

19TH CENTURY the jardiniere with a border of rosettes above reserves with magnolia blossoms, on three bracket feet, the circular fluted columnar stand with a fruiting band above foliate swags, leopard masks, ribbons and classical portrait cameos, impressed ‘WEDGWOOD’ mark to both bases (2) Jardiniere 42cm diameter, 41cm high; stand 88cm high, 38cm diameter Literature: Illustrated in Dawes, Nicholas M, (1991), Majolica, Robert Hale Ltd. Figure 37.

£300-500

355 VICTORIAN BURR YEW-WOOD PEDESTAL PARTNER’S DESK 19TH CENTURY the top with a green leather insert and a moulded edge above one short and one dummy frieze drawer, on banks of three short drawer with plinth bases, the same on the reverse 138cm wide, 77cm high, 95cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

167

356 PAIR OF LATE VICTORIAN GILTWOOD GIRANDOLES LATE 19TH/ EARLY 20TH CENTURY the shield-shaped mirror backs with three shaped glass shelves, in giltwood frames issuing twin candle arms with three nozzles each (2) 90cm high, 65cm wide

£800-1,200

357 PAIR OF VICTORIAN DEMILUNE PAINTED SATINWOOD CARD TABLES 19TH CENTURY the fold-over tops painted with flower swags and central landscapes, opening to green baize, over a frieze painted with urns and flower garlands, on square tapered legs (2) 92cm wide, 77cm high, 46cm deep

£2,000-3,000

168

358 VICTORIAN WALNUT AND MARQUETRY WORK TABLE MID 19TH CENTURY the shaped oval hinged top opening to a fitted interior with a writing slope, over a fitted frieze drawer and sliding work box, raised on turned end supports and carved trestle bases joined by a turned stretcher and ending on ceramic castors 60cm wide, 71cm high, 40cm

£300-500

359 VICTORIAN AMBOYNA, EBONISED, PORCELAIN, AND GILT METAL MOUNTED SIDE CABINET 19TH CENTURY the breakfront top with a brass galleried central section with a mirrored recess flanked by doors with three-quarter brass galleries over panels mounted with Sèvres style porcelain plaques depicting French beauties against a blue celeste ground, all flanked and divided by fluted columns; the lower section with a moulded brass edge over three frieze drawers mounted with a rinceau frieze and further porcelain plaques, the centre drawer with a gilt tooled leather writing slope with easel support, above two mirror backed tiers flanked by fluted tapered supports, raised on toupie feet 135cm wide, 152cm high, 55cm deep Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe

£1,500-2,500

169

360 VICTORIAN WALNUT, EBONISED AND FRUITWOOD MARQUETRY CARD TABLE MID 19TH CENTURY the fold-over top with a moulded edge, inlaid with stylised flowers and line inlay, opening on a pivot action to a red baize playing surface, raised on four ring-turned supports centred by a turned finial and raised on carved outswept legs with ceramic castors 91cm wide, 72cm high, 43.5cm [closed]

£400-600

361 VICTORIAN AMBOYNA, MAHOGANY, EBONISED, AND JASPERWARE MOUNTED BONHEUR DE JOUR MID 19TH CENTURY the upper section with a brass pierced gallery and gilt metal mouldings above a pair of cupboard doors, opening to a three shelf interior, the lower section with a fitted single drawer with gilt tooled leather writing surface, all outlined with brass beading, supported on turned and fluted ebonised supports highlighted in gilt and mounted with jasperware roundels of classical scenes, united by a lower tier with knee recess, mounted on a rectangular plinth base with mirrored back and turned feet with casters 61cm wide, 128cm high, 52cm deep

£600-800

362 PAIR OF VICTORIAN WALNUT ARCHAIRS MID 19TH CENTURY the curved arched backs and enclosed arms in buttoned upholstery over deep stuff-over seats, the frames with acanthus carving and raised on cabriole legs with scrolled toes with ceramic castors, in blue plush upholstery (2) 69cm wide, 93cm high, 55cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

170

363 VICTORIAN OAK AND BRASS STICK STAND 19TH CENTURY with two divisions, the scrolling back panel and ring turned frame and uprights above a brass drip pan, on a moulded base 97cm wide, 86cm high, 29cm deep

£500-700

364 VICTORIAN AESTHETIC PERIOD OAK DINNER GONG LATE 19TH CENTURY the hand-beaten gong suspended in a through-tenon chamfered frame on a trestle base, with a woven leather beater 70cm wide, 108cm high, 43cm deep

£500-700

365 VICTORIAN OAK LARGE EXTENDING DINING TABLE LATE 19TH CENTURY the octagonal top with a reeded edge and moulded frieze, on turned and reeded baluster legs with ceramic castors, opening with a winding mechanism to incorporate four additional leaves 429cm long, 71cm high, 136cm deep

£1,000-1,500

171

366 EARLY VICTORIAN GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the arched mirror plate in a bead moulded giltwood frame surmounted by a central cartouche cresting 114cm high, 120cm wide

£500-700

367 VICTORIAN LARGE MAHOGANY PEDESTAL CHEST 19TH CENTURY the top with a moulded edge over five drawers with large turned knobs, on a plinth base 66cm wide, 107cm high, 50cm deep

£800-1,200

368 PAIR OF VICTORIAN MAHOGANY BEDSIDE CHESTS 19TH CENTURY, WITH ALTERATIONS the square tops with a moulded edge over four graduated drawers with turned knobs, on plinth bases (2) 35cm wide, 73cm high, 36cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

369 VICTORIAN AMBOYNA GILT METAL MOUNTED OCCASIONAL TABLE MID 19TH CENTURY the oval hinged top opening to a blue plush lined interior above a frieze set with gilt bronze foliate panels, raised on turned legs joined by an undertier and ending in brass castors 55cm wide, 72cm high, 37cm deep

£300-500

370 VICTORIAN MAHOGANY AND SATINWOOD INLAID OCCASIONAL TABLE LATE 19TH CENTURY in the Sheraton style, the oval crossbanded top with a brass gallery and centred by a musical trophy, raised on shaped tapered legs joined by a galleried undertier and ending in brass caps and castors 62cm wide, 72cm high, 40cm deep

£500-700

371 LATE VICTORIAN MAHOGANY REVOLVING BOOKCASE LATE 19TH CENTURY of large size, the square banded serpentine top above two revolving tiers divided and separated by turned spindles compartments, on cabriole legs with pad feet 63cm wide, 72cm high, 63cm deep

£700-900

173

372 VICTORIAN MAHOGANY SIDE CHAIR

373 LATE VICTORIAN MAHOGANY, SATINWOOD, AND GONCALO ALVES MARQUETRY ARCHITECT’S DESK, BY EDWARDS & ROBERTS LATE 19TH CENTURY the hinged banded top with ratchet adjustment above three short frieze drawers, the centre drawer fitted with a leather slope, above a recess with a pair of doors with artist trophy inlaid oval reserves, enclosing deep shelves, flanked by doors with urns inlay enclosing folio compartments, on a plinth base, stamped EDWARDS & ROBERTS to the drawer

MID 19TH CENTURY the moulded frame with downswept arms, over a serpentine seat upholstered in raspberry silk upholstery, raised on moulded cabriole legs and brass castors 49cm wide, 78cm high, 40cm deep

£500-700

122cm wide, 82cm high, 76cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174

374 TWO GOTHIC STYLE WROUGHT METAL CHANDELIERS 20TH CENTURY both with metal ring bands with scrolling strapwork borders, one with applied closed helmets, suspended on twist rods and issuing three pairs of candle arms with drip pans, fitted for electricity (2) 70cm high, 60cm in diameter; and 66cm high, 60cm diameter

£400-600

375 TOLE ADVERTISING MODEL OF A SALMON LATE 19TH/ EARLY 20TH CENTURY

376 VICTORIAN ROCKING HORSE LATE 19TH CENTURY dapple grey, with leather saddle and reins, on a platform rocking base Horse 107cm long, 88cm high

£400-600

377 TWO LABELLED TRUNKS 19TH CENTURY the first a domed top canvas and wicker trunk, bearing maker’s label Reid & Todd, Glasgow; the other a Scottish hide studded coaching trunk with maker’s label Alexander Walker, Edinburgh (2) 94cm wide, 68cm high, 60cm deep; and 91cm wide, 47cm wide, 48cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

realistically modelled and painted in the round 98cm long, 32cm high, 14cm deep

£300-500

175

378 VICTORIAN SAILOR WOOLWORK ‘WOOLIE’ PICTURE 19TH CENTURY of rectangular form, depicting a triple masted ship at sea passing a British fort, in a glazed simulated rosewood frame with gilt slip 50cm high, 63cm wide

£400-600

379 SCOTTISH FULL HIGHLANDER’S DRESS DIRK LATE 19TH/ EARLY 20TH CENTURY the basket weave carved handle set with orange paste to pommel, the leathercovered wooden scabbard with applied repousse thistle white metal mounts, set with bi knife and fork, 47cm long; together with an EDWARDIAN SILVER MOUNTED SGIAN DUBH, the acanthus and basket weave carved handle set with a pale yellow paste, the leather scabbard with interlaced Celtic design with beast heads, hallmarked Edinburgh 1900, 19.5cm long (2) larger 47cm long

£500-700

380

381

CASED UNSIGNED DOUBLE-ACTION FIVE SHOT PERCUSSION REVOLVER IN THE MANNER OF WEBLEY AND SCOTT

FRENCH ‘MODEL 1845’ INFANTRY OFFICER’S SWORD

MID 19TH CENTURY serial number 7580 ,90 bore rifled barrel with Birmingham proof marks retaining its original fire blued finish, the slab sided grips with crisp chequering showing no wear, the frame and cylinder all in new condition in its original fitted mahogany case the lid with blank round brass escutcheon, accessories include bag shaped copper powder flask retaining its original finish, brass bullet mould, unopened circular percussion cap box with original Eley Brothers label, tagger varnish patch box, a set of pre-prepared lead bullets, turned handle nipple screw, oil bottle, ram-rod and case key, all in lidded blue baize lined compartments, the barrel 11cm (4.33 inch)

the brass half basket single bar hilt with pierced floral design to the outer edge of the guard and a laurel pattern on the pommel, stamped ‘61777’ to the outer edge of the guard, the grip carved in walnut, back edge of the blade is engraved ‘Manufacture nationale d’armes de Chatellerault février 1915 Adj’t d’Infrie Mle 1845’ and the ricasso is stamped J C within individual circles, steel scabbard with matching numbers ‘61777’ & ‘JC’

case 32cm wide, 6.5cm high, 19.5cm deep

94cm long

£2,000-3,000

£300-500

EARLY 20TH CENTURY

176

382 Y LARGE TAXIDERMY DIORAMA OF BRITISH BIRDS EARLY 20TH CENTURY with fifty three specimens, to include a Nuthatch, Bitterns, wrynecks, Starling, Greater Spotted Woodpecker, Lesser Spotted Woodpecker, Green Woodpeckers, Blackbirds, Redwing, Ring Ousel, Tree Creeper, Song Thrushes, Mistie Thrushes, Fieldfare, Kingfishers, Cuckoos, Turtle Dove, Wood Pigeons, Nightjar, Dabchicks, Teal Ducks, Rock Dove, Coots, Moorhen, Jack Snipes, Dipper, Common Snipes, Lapwing, Heron and Mallards, in an ebonised case

by Bates of Eastbourne, wired 153cm wide, 106cm high, 55cm deep Provenance: The Sale of the Contents of Mr Potter’s Museum of Curiosities, Bonhams, Bolventor, Potter’s Museum, 23 Sept 2003, Lot 347

£1,000-1,500

383 VICTORIAN OAK AND COWHORN HALL STAND LATE 19TH CENTURY

BRAZILIAN MONKEY PUZZLE TREE WOOD, MOTH AND BUTTERFLY WING OCCASIONAL TABLE

the oak square support with five pairs of graduated horn hooks, a black metal umbrella rail below, on a rectangular base with a tray insert

EARLY 20TH CENTURY

182cm high, 63cm wide, 31cm deep

the circular top with an arrangement of butterfly and moth wings under glass, on a turned tapering column ending in a round base, remnants of an old trade label

Provenance: By repute sold by the Duke’s of Hamilton in The Hamilton Palace sale of 1919, reputedly made from the horns of white cattle from the Duke’s own herd

384

54cm diameter, 69cm high

£400-600

385 VICTORIAN COUNTRY HOUSE BRONZE AND CAST IRON DOOR STOP, OF HUNTING INTEREST LATE 19TH CENTURY with a dark brown patinated bronze figure of a hound surmounted by an upright handle modelled as a riding crop, on a cast iron base 24cm wide, 47cm high, 11cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Note: Hamilton Palace was a country house in Hamilton, South Lanarkshire, Scotland. It was the seat of the Dukes of Hamilton and is widely acknowledged as having been one of the grandest houses in the British Isles. The palace contents were dispersed in two huge sales in 1882 and 1919, including the two libraries and a renowned collection of fine and decorative art. It was demolished between 1921 and 1932 after coal works beneath the house were discovered to threaten its structural integrity.

£300-500

177

386 LARGE COLLECTION OF CHROMOLITHOGRAPH PRINTS FROM ‘CASSELL’S ILLUSTRATED BOOK OF THE DOG’ 1890 to include ‘English Setter, Ranger III’, ‘Rough Coated St. Bernards’, ‘Skye Terriers’, ‘Retrievers’ etc, printed by Vincent Brookes Day & Son, some in modern frames, a quantity unframed, and additional unframed prints of dogs in colour and black and white by other printers; over forty prints 27cm wide, 21cm high (excluding frames)

£700-1,000

387 ART DECO STYLE ENAMELLED DECANTER AND GLASS SET, OF HUNTING INTEREST EARLY 20TH CENTURY AND LATER comprising a cylindrical silver mounted cut glass decanter and stopper, with a maker’s mark for Goldsmiths & Silversmiths Co Ltd, hallmarked for Birmingham 1912, the square cut body with a panel enamelled with a hunting scene; with a set of six associated tumblers each with a gold rim and an enamelled hunting scene; on a rectangular chrome and wood twin handled tray with a printed hunting scene within a mirrored border, stamped Regent of London (8) Tray 36.5cm wide, decanter 25.5cm high

£600-800

388 VICTORIAN PAINTED LEATHER HUNTING CHEST-ON-STAND 19TH CENTURY the hinged top painted with a scene of a gentlemen toasting at a hunt banquet, the front and sides painted with a continuous hunt scene with mounted hunters and dogs in a landscape, all outlined with close nail trim and brass mask handles to the sides; on a stained mahogany stand in the Chinese Chippendale style 118cm wide, 87cm high, 59cm deep

£1,500-2,500

178

389 LATE VICTORIAN MAHOGANY CHIMING LONGCASE CLOCK LATE 19TH CENTURY

390 SET OF EIGHT GEORGIAN STYLE MAHOGANY DINING CHAIRS 20TH CENTURY

the moulded broken arch pediment above an arched brass dial with a moonphase to the arch, chapter ring with Roman numerals and Arabic five minute markers, subsidiary seconds dial, and three winding holes, with pierced brass putti spandrels, above an arched trunk door flanked by stop-fluted quarter columns, on a plinth base with blind fret angles and raised on ogee bracket feet; the eight day three chain movement chiming on eight bells 249cm high, 60cm wide, 29cm deep

£500-700

to include six side chairs and a pair of armchairs in the Hepplewhite style, the shield backs carved with wheat sheafs and husks, with blue padded drop-in seats on moulded square tapered legs joined by stretchers (8) 59cm wide, 97cm high, 46cm deep

£700-1,000

391 GEORGIAN STYLE THREE PILLAR DINING TABLE, BY HICKS OF DUBLIN MODERN the rounded rectangular top with a crossbanded edge, on cannon barrel columns and outswept moulded legs ending in hairy paw brass caps and castors, with two leaf extensions and two small leaves to make the centre section into a breakfast table, stamped HICKS with initials ET 425cm long, 76cm high, 106cm deep

£1,500-2,500

179

392 EXTENSIVE HAMMERSLEY & CO ‘QUEEN ANNE’ PATTERN DINNER AND TEA/COFFEE SERVICE MID 20TH CENTURY with printed and painted decoration of wide mixed flower borders within scallop edged gilt rims, comprising: fourteen dinner plates, 27cm diam; fifteen salad plates, 20.5cm diam; five large side plates, 17.5cm diam; nine smaller side plates, 15.5cm diam; twelve bowls, 17.5cm diam; eighteen small saucers; thirteen coffee cups; eleven tea saucers; ten tea cups; a large teapot; a smaller teapot; a coffee pot; large jug; cream jug; sugar bowl; preserve pot and cover; butter dish and cover; salt cellar; a footed bowl, 25cm diam; a strawberry basket incorporating a cream jug and sugar bowl; twin handled sandwich plate; round cake plate; oval serving dish, 37.5cm wide; a scallop shell moulded dish; a small square bon bon dish; and a small twin handled trinket dish; with various factory marks, some pieces with Jenner’s retailers mark, pattern 13166 (qty) dinner plates 27cm diameter

£600-800

393 GEORGIAN STYLE MAHOGANY BREAKFRONT BOOKCASE LATE 19TH/ EARLY 20TH CENTURY of small proportions, the moulded cornice above arched astragal glazed doors enclosing a red paper lined interior and adjustable shelves; the lower part with moulded panel doors enclosing further shelves, on a plinth base 158cm wide, 199cm high, 47cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

180

394 EDWARDIAN CARVED GILTWOOD OVAL MIRROR EARLY 20TH CENTURY the oval bevelled plate within margin plates divided by vacant cartouche mouldings and a gadrooned frame 119cm high, 85cm wide

£300-500

395 EDWARDIAN MAHOGANY AND SATINWOOD DISPLAY CABINET EARLY 20TH CENTURY in the Sheraton Revival taste, the bowfront glazed centre flanked by galleried tiers with an open shelf below, raised on square tapered legs ending in spade feet, bearing ivorine retailer’s label ‘JENNER’S, Prince’s St. Edinburgh’ 153cm wide, 190cm high, 49cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

181

396 EDWARDIAN YEW AND SATINWOOD ARMCHAIR EARLY 20TH CENTURY in the Sheraton style with a pierced splat and urn inlay, above a padded seat and scrolled arms, raised on square tapered legs ending in spade feet 51cm wide, 86cm high, 47cm deep

£300-500

397 Y LATE GEORGE III STYLE SATINWOOD LADY’S WRITING TABLE, BY R. STRAHAN, DUBLIN LATE 19TH/ EARLY 20TH CENTURY the ratchet-adjusted top with a brown leather insert and removable bookrest, the anterior fitted with a rising silk lined screen panel, above a long frieze drawer with ivory escutcheon and raised on square tapered legs ending in brass caps and castors, the drawer stamped R. STRAHAN, and paper trade label to back of drawer 49cm wide, 72cm high, 43cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference KTQBP3MR

£500-700

398 PAIR OF GEORGE III STYLE PAINTED SATINWOOD PEMBROKE TABLES MODERN the crossbanded shaped oval tops painted with ribbon-tied flower garlands, sprays, and musical trophies, above a frieze drawer with a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors, both with further painted swags, paterae, and husk trails (2) 76cm wide, 74cm high, 52cm wide 106cm [leaves up] Provenance: Purchased Harrod’s, 1980s

£1,000-1,500

182

399 PAIR OF ROYAL CROWN DERBY IMARI TWIN HANDLED URNS AND COVERS MODERN the gilt finial covers joined to the ovoid bodies by central rods, on socle bases, decorated in the Imari palette richly enhanced with gilding; red printed factory marks (2) 31cm high Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe

£500-700

400 PAIR OF GEORGE III STYLE SATINWOOD OCCASIONAL TABLES 20TH CENTURY the rectangular tops with gilt metal mounts, above a plain frieze on tapering fluted legs with carved acanthus capitals and turned feet (2) 46cm wide, 56cm high, 34cm deep Provenance: The Contents of Headington Hill Hall, Sotheby’s, London, 14 Jan 1993, Lot 93, where acquired by the present vendor

£300-500 The H.M.Y. Victoria & Albert III. Photograph by Wilse, Anders Beer (1865-1949) Norsk Maritimt Museum, Oslo, NSM.001219

401 VICTORIAN MAHOGANY CABINET, OF ROYAL INTEREST LATE 19TH CENTURY with two moulded panel doors enclosing shelves, flanked by fluted angles, on a plinth base with a brass plaque ‘FROM H.M.Y./ VICTORIA AND ALBERT’ 107cm wide, 89cm high, 35cm deep Note: The H.M.Y. Victoria & Albert III launched in 1899 and was commissioned in 1901. Queen Victoria had to lobby in the parliament for multiple years to get the previous yacht replaced, the winning argument being that both the German Kaiser and the Russian Tsar had bigger and more modern yachts than she did. The ship was designed to look similar to the previous royal yacht, a side-wheel steamer.

Unlike the ships of other monarchs of the time the vessel was purely a yacht, not a combination yacht and warship.

After serving four sovereigns and having made sixty passages, she was decommissioned as royal yacht in 1939; then served as a depot ship in the Second World War, and was broken up in 1954.

£500-700

183

402 VICTORIAN OVAL GILTWOOD MARGIN PLATE MIRROR LATE 19TH CENTURY the sectioned oval mirror plate in a carved giltwood frame and borders, surmounted by open C scrolls and foliate cresting 118cm high, 84cm wide

£800-1,200

403 Y EDWARDIAN MAHOGANY DRESSING TABLE EARLY 20TH CENTURY in the Georgian style, the hinged top opening to reveal a triple mirror and swing-out trays and glazed shelves, fitted with cream velvet inserts and a partial set of silver and ivory mounted dressing items, bearing retailer’s ivory label FINNEGAN’S/ NEW BOND S.W., Rd No. 541493, the silver hallmarked George Betjemann & Sons, London, 1908 60cm wide, 96cm high, 54cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 5A52DFEQ

£300-500

404 GEORGE III STYLE SATINWOOD OCCASIONAL TABLE 20TH CENTURY the oval quarter-veneered with brass banding, above a plain frieze on tapering fluted legs with carved acanthus capitals and gilt metal toupie feet 100cm wide, 46cm high, 62cm deep Provenance: The Contents of Headington Hill Hall, Sotheby’s, London, 14 Jan 1993, Lot 93, where acquired by the present vendor

£300-500

405 GROUP OF ROYAL CROWN DERBY PORCELAIN LATE 19TH/ EARLY 20TH CENTURY comprising a small pair of twin handled vases, the body of bulbous form with elongated flaring neck, 19.5cm high; a pair of small ovoid slender neck vases, 19.5cm high; and a pair of candlesticks, 16.3cm high; all in the Imari palette enriched with gilding, red printed factory marks (6) largest 19.5cm high Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184

406 FRENCH MAHOGANY FOLIO STAND, L’ESCALIER DE CRISTAL, PARIS LATE 19TH CENTURY of scrolled X form with foliate gilt metal mounts, stamped on the underside 75cm wide, 77cm high, 51cm deep

£300-500

407 CARVED MAHOGANY CHEVAL AND DRESSING TABLE MIRRORS EARLY 20TH CENTURY the arched crest rails with acanthus scrolls centred by Prince-of-Wales feathers and flanked by turned finials, the fluted uprights with rosettes, on pairs of reeded trestle supports (2) Cheval mirror 161cm high, 43cm wide; dressing table mirror 76cm high, 54cm wide

£300-500

408 PAIR OF GEORGIAN STYLE MAHOGANY BEDSIDE CHESTS 19TH CENTURY, WITH ALTERATIONS the square tops with a moulded edge above four graduated drawers on shaped plinths (2) 41cm wide, 79cm high, 37cm deep

£1,000-1,500

409 GEORGIAN STYLE MAHOGANY BENCH EARLY 20TH the drop-in seat covered in wool tweed, the frame carved with foliate scrolls and swags, raised on square tapered legs with bellflower trails and ending in spade feet joined by an H stretcher 101cm wide, 49cm high, 45cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185

410

411

ART DECO FROSTED GLASS WHITE METAL OVERLAID SCOTCH DECANTER AND STOPPER

ART DECO FROSTED GLASS WHITE METAL MOUNTED SCOTCH DECANTER WITH STOPPER

CIRCA 1930

of flattened octagonal form, overlaid with white metal sprays of thistles and the word ‘Scotch’, with further white metal overlay around the rim and to the top of the ball stopper

the cylindrical body with an elongated neck and flattened stopper, overlaid with banded white metal, the central panel with the inscription ‘Scotch’, the mounts marked Sterling in two places 29.7cm high

CIRCA 1930

25cm high

£600-800

£600-800

412 ASSEMBLED ART DECO STYLE DECANTER SET ON TRAY MODERN a set of three rectangular section glass decanters each with a white metal screw cap stopper, including three hallmarked silver spirit labels, one for Gin with hallmarks for Birmingham, 1931, Dingley Bros, one for Whisky with hallmarks for Birmingham, 1911, Lawrence Emanuel, and one for Brandy with hallmarks for Chester, 1907, Samson Morden & Co; and a spirit flask of flattened form with a white metal screw cap inner stopper and an outer screw on cup; on a chrome and wood twin handled rectangular glass topped tray, stamped Regent of London, together with a RECTANGULAR SILVER PLATED BISCUIT BOX, stamped EPNS (6) Tray 46.7cm wide, rectangular decanters 17cm high, 20.5cm wide

£600-800

413 FITTED WICKER FOUR PERSON PICNIC BASKET MID 20TH CENTURY the basket with metal swing handle and leather buckles, the cover interior fitted with four teaspoons, a sandwich knife and four saucers; the lined interior with rattan compartments containing four coffee cups printed with a green swag pattern, a glass milk bottle with white metal screw cap, a white metal sandwich box, and two white metal Thermos flasks; the cups and saucers with Foley China factory mark Basket 41cm wide, 15cm high, 30cm deep

£600-800

414 ELECTROPLATED DOUBLE SPIRIT TANTALUS, BY HUKIN AND HEATH EARLY 20TH CENTURY containing two cut glass decanters of swollen form, within a stand with a loop handle and a novelty lock in the form of a padlock, the stand stamped ‘H & H 1500 PATENT APPLIED FOR’, with a key, the decanters each with an associated spirit label, one a Chester silver example for Whiskey, the other an unmarked white metal example inscribed Brandy 25cm high

£250-350

187

PAINTINGS PART II

415 § JAMES MCBEY (SCOTTISH 1883-1959) PALAZZO DEI CAMERLENGHI - 1926 Etching, no. VIII, from the edition of 80, signed, inscribed ‘Venice’ and dated ‘October 1925’ in plate, signed and numbered in ink to margin plate size 33cm x 21.6cm (13in x 8.5in) Literature: Charles Carter, Etchings and Dry Points from 1924 by James McBey, A Supplement to the Catalogue by Martin Hardie, 1962, cat. no. 231

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

188

416 ADRIANUS JACOBUS VROLYK (DUTCH 1834-1862) BARGES OFF THE DUTCH COAST Indistinctly signed, oil on cradled panel 27cm x 39cm (10.5in x 15.25in) Provenance: A.W.R. Baron Mackay of Blaricum, Holland (1907-1995), and thence by descent through the family

£400-600

417 JOSEPH ARTHUR PALLISER SEVERN (BRITISH 1842-1931) SUNSET OVER ESTHWAITE WATER Signed and dated 1890, watercolour 30.5cm x 48cm (12in x 19in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

418

419

CHARLES EDWARD DIXON (BRITISH 1872-1934)

CHARLES EDWARD DIXON (BRITISH 1872-1934)

SHIPPING IN A BUSY PORT

LEAVING HARBOUR

Signed and dated 1891, watercolour

Signed and dated 1891, watercolour

40.5cm x 71cm (14in x 28in)

36cm x 59.5cm (14in x 23.5in)

£500-800

£500-800

190

420 § WILLIAM LEE HANKEY R.W.S. (BRITISH 1869-1952) FISHERWOMEN ON THE QUAYSIDE, BRITTANY, CIRCA 1896 Signed, oil on canvas 66cm x 91cm (26in x 36in)

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

191

421 EDWIN MASTERS (BRITISH 19TH CENTURY) A BUSY MARKET SCENE WITH FIGURES AND HORSEMEN Oil on canvas 51cm x 76cm (20in x 30in)

£400-600

422 WILLIAM THORNLEY (BRITISH 1830-1893) A BUSY HARBOUR SCENE

BY MOONLIGHT Signed, oil on canvas 20cm x 30.5cm (8in x 12in)

£600-800

192

423 KARL HEFFNER (GERMAN 1849-1925) FLOODED WOODLAND BY MOONLIGHT Signed, oil on panel 25cm x 32cm (9.75in x 12.5in)

£500-700

424 JOHN HORACE HOOPER (BRITISH 1851-1906) EVENING ON THE UPPER THAMES Signed, signed and inscribed verso, oil on canvas 46cm x 82cm (18in x 32.25in)

£600-800

193

425 WITOLD WEJCHERT (POLISH 1867-1904) THE MEET - A WINTER LANDSCAPE WITH TRAVELLERS IN A TROIKA Signed and dated ‘99, oil on canvas 79cm x 131cm (31in x 51.5in) Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe Note: With note verso which states ‘Picture from the Winter Palace of the Czar of Russia’

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

426 § SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) THE CHATEAU OF LA VACHERE, DRÔME Signed, watercolour 48cm x 66cm (19in x 26in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

195

427 § SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) THE ABBEY, SAINT-JEANDE-CÔLE, PERIGOURD Signed inscribed and dated on the backboard verso, watercolour 51cm x 68cm (20in x 26.5in) Provenance: Frost & Reed Exhibited: Royal Academy, 1965, no.2

£3,000-5,000

196

428 § SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) LEFT BEHIND Signed, watercolour 33cm x 49cm (13in x 19.25in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

429 § SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) THE LINE ABOVE THE CEVENNES Signed and dated 1920, watercolour 36cm x 50cm (14in x 19.5in) Provenance: M. Newman Ltd., London

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

199

430 § SAMUEL JOHN LAMORNA BIRCH R.A., R.W.S., R.W.A. (BRITISH 1869-1955) NORTH SHORE, LOCH MAREE Signed, oil on board 25.5cm x 33cm (10in x 13in) Provenance: Ian MacNicol, Glasgow

£500-800

201

431

CONTINENTAL FURNITURE & WORKS OF ART

NORTHERN ITALIAN CARVED GITLWOOD AND GESSO MIRROR LATE 17TH CENTURY probably Lombardy or the Veneto, the rectangular plate in a wide frame extensively carved with laurel and oak leaves, with pomegranates and other fruit 122cm high, 99cm wide, 18cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

202

432 PAIR OF ITALIAN GILTWOOD AND MARBLE WALL BRACKETS 19TH CENTURY with shaped white marble tops on large shell carved brackets (2) 52cm wide, 40cm high, 32cm deep

£400-600

433

434 ITALIAN BRONZE TAZZA 19TH CENTURY the basin cast in relief with putti and fruiting vines, supported on a column of bacchic infants and a goat with a laurel garland border

PAIR OF ITALIAN CARVED GILTWOOD TORCHERES 18TH CENTURY with acanthus carved finials and candle holders on long knopped standards (2) 180cm high

£400-600

39cm diameter, 42cm high

£400-600

435 PAIR OF WHITE MARBLE PILASTERS 19TH CENTURY of tapered square panel form on moulded bases (2) 40cm wide, 135cm high, 23cm deep

£800-1,200

436 PAIR OF FRENCH PATINATED BRONZE RENAISSANCE REVIVAL CANDLESTICKS,

BY FEUQUIÈRES & MARGUERITE 19TH CENTURY after Cellini, the scones, waisted stems and domed foot with relief scenes of figures, masks and rams’ heads, one base with makers stamp (2) 17cm high, 9cm diameter Note: The stems of these candlesticks are modelled after a 16th century tazza attributed to Benvenuto Cellini in the collection of the Louvre, Paris.

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

203

437 PAIR OF CARVED GILTWOOD PRICKET STICK TABLE LAMPS 20TH CENTURY of baluster form with acanthus carved knops and triform bases with paw feet, with cream pleated shades (2) 55cm high, excluding fittings

£300-400

438 PALISSY STYLE PUZZLE VASE AND A DISH,

BY MANUEL MAFRA, CALDAS, PORTUGAL LATE 19TH CENTURY

439 CONTINENTAL CARVED GILTWOOD PRICKET STICK LAMP

the vase of baluster form, the open lattice neck with a shredded clay ‘grass’ rim applied to each side with a snakehead spout, with twin snake form handles, the body with a mottled brown glaze and applied with lizards, frogs, and insects, impressed mark; the circular dish with a mottled brown glaze body, applied with a reptile emerging from a hollow log and with various other applied and moulded snakes, frogs, lizards, and insects, impressed mark (2) vase 46.5cm high, dish 40cm diameter

£250-350

19TH CENTURY of baluster form with acanthus carved knop and triform base with paw feet, converted to a lamp 87cm high, excluding fittings

£300-500

440 MALTESE WALNUT AND PARQUETRY SMALL COMMODE of concave outline, the shaped top with strapwork parquetry and a moulded edge, over two long drawers with corresponding parquetry inlay, raised on tall cabriole legs 85cm wide, 82cm high, 51cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

204

441 LARGE BAROQUE STYLE BRASS CHANDELIER OF RECENT MANUFACTURE with a central baluster stem terminating in a loop pendant finial and issuing eight C scroll arms with electrified candle sockets and wide drip pans, with cream pleated shades 100cm diameter, 80cm drop

£300-500

442 DUTCH COLONIAL TEAK AND EBONY BRASS MOUNTED SLANT TOP DESK 18TH CENTURY the slant top opening to a fitted interior, above a long frieze drawer to the base, raised on turned and tapered legs joined by scrolling X stretchers, with large pierced brass corner mounts, hinges, handles and bosses 92cm high, 81cm high, 58cm deep

£400-600

443 PAIR OF LOUIS XIV HIGH BACK CHAIRS EARLY 18TH CENTURY covered in red upholstery with tassel trim, on shaped legs joined by mutton-bone stretchers (2) 55cm wide, 100cm high, 42cm deep

£300-500

444 Y DUTCH COLONIAL ROSEWOOD AND EBONISED CENTRE TABLE 17TH CENTURY AND LATER the shaped rectangular crossbanded top with a gadrooned border, above a frieze with carved mounts and ebonised panels, on turned cup-and-cover legs joined by a cross stretcher outlined with ripple carving 194cm wide, 79cm high, 124cm deep Provenance: Bonhams, The Selected Contents of Meldon Park

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

205

445 PAIR OF FRENCH GILT BRONZE BAROQUE STYLE WALL APPLIQUES LATE 17TH/ EARLY 18TH CENTURY the pierced back plates with grotesque masks above a French royal coat-of-arms of a crowned Azure semé-de-lis flanked by female caryatids, the lower mask issuing three acanthus scrolling arms with pans and socles (2) 70cm high, 45cm wide, 30cm deep

£1,000-1,500

446 Y DUTCH WALNUT AND MARQUETRY DISPLAY CABINET ON CHEST 19TH CENTURY the arched moulded cornice above a pair of glazed doors and side lights enclosing shaped shelves; the base with two short over two long bombe drawers, on bracket feet, the whole covered in flower and urn marquetry 158cm wide, 237cm high, 44cm deep

£1,000-1,500

447 Y FLEMISH RED TORTOISESHELL AND EBONY MIRROR LATE 17TH CENTURY the rectangular bevelled plate mounted in a cushion moulded frame with triple ripple work borders 59cm high, 50cm wide

£400-600

448 CONTINENTAL MINIATURE FRUITWOOD COMMODE EARLY 19TH CENTURY the serpentine top over three long drawers with moulded panel fronts, brass handles and escutcheons, above a shaped apron and raised on scrolled feet 43cm wide, 35cm high, 23cm deep

£250-350

206

449 CONTINENTAL ‘APOLLO’ CARVED GILTWOOD BED EARLY 19TH CENTURY the headboard with a richly carved pediment with scrolls, an urn, acanthus and laurel garlands, flowerheads and a central medallion with a mask of Apollo on a sunburst, above an acanthus carved frieze and peach silk covered panel, the giltwood frame raised on acanthus carved feet 205cm long, 182cm high, 161cm wide

£1,500-2,500

450 FRENCH ROCOCO STYLE BRASS FENDER LATE 19TH CENTURY fluted with gadrooned borders, the ends with putti seated on trophies of war and flanked by flaming orbs 187cm long Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe

£300-500

207

451 SET OF FOUR REGENCY GILT BRONZE WALL LIGHTS EARLY 19TH CENTURY with a circular floral wreath surrounding a central lion face mask holding two leaf and reeded scroll arms ending in urn shaped nozzles fitted for electric lights (4) 28cm high

£600-800

452 FRENCH PAINTED AND PARCEL GILT TRUMEAU 19TH CENTURY the upper part with an oval portrait of a young woman with a bird, above a shaped mirror plate in a ribbontied frame, against a green painted ground 161cm high, 50cm wide

£300-500

453 FRENCH KINGWOOD, MAHOGANY AND MARQUETRY BIJOUTERIE TABLE 19TH CENTURY the hinged and shaped gilt metal banded rectangular top with floral basket marquetry panel, opening to a pink moiré silk interior with mirror, raised on square cabriole legs with satyr and acanthus mask full beaded mounts ending in acanthus sabot 59cm wide, 72cm high, 41cm deep

£400-600

454

455

LOUIS XV STYLE PURPLE WOOD AND KINGWOOD MARQUETRY COMMODE

PAIR OF SÈVRES STYLE CAMPANA VASES

LATE 19TH CENTURY

of twin handled form, painted to one side with a scene of musical courting couples, indistinctly signed, possibly Robert, each within a gilt roundel, further painted with a central band of flowers between gilt foliate borders, raised on a floral painted round socle foot, the twin handles in gilt with mask details, marked to base M. Imple de Sèvres (2)

the brêche d’Alep marble top with a moulded edge above three long serpentine bombé drawers with foliate marquetry panels, with acanthus and rocaille bronze mounts and handles, raised on short splayed bracket feet 125cm wide, 89cm high, 57cm deep

£1,500-2,500

EARLY 19TH CENTURY

17cm high

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

208

456 FRENCH JAPANNED TWO TIER ÉTAGERE 19TH CENTURY with two rounded rectangular graduated tiers decorated with birds and flowers in the Chinese taste, raised and divided by ebonised scrolling supports 80cm wide, 82cm high, 56cm deep

£400-600

457 458 FRENCH LOUIS XVI STYLE KINGWOOD AND AMBOYNA BUREAU PLAT MID 20TH CENTURY

459 FRENCH GILTWOOD DUCHESSE BRISÉE LATE 19TH CENTURY in the Louis XVI style, with oak leaf carved frames with ribbon-tied floral cresting, raised on fluted tapering legs and upholstered in blue moiré silk with loose cushion seats (3) 206cm long, 96 cm high, 70cm deep Provenance: Property of the late Mrs. Jean Bogie

£700-900

the brass banded serpentine top with red leather writing insert, above a shaped frieze with three short frieze drawers with dummy drawers opposing, raised on squared cabriole legs, with gilt bronze mounts throughout 113cm wide, 77cm high, 61cm deep

£600-800

FRENCH KINGWOOD AND WALNUT BUREAU DE DAME 19TH CENTURY the banded slope opening to an interior with drawers and pigeon holes, above two long serpentine drawers and raised on cabriole legs outlined with gilt metal mounts 74cm wide, 102cm high, 48cm deep

£400-600

209

460 PAIR OF FRENCH KINGWOOD AND WALNUT TABLES À CHEVET 20TH CENTURY the oval tops with pierced brass galleries above three short drawers, raised on slender cabriole legs with gilt metal mounts (2) 45cm wide, 73cm high, 33.5cm deep Provenance: Property of the late Mrs. Jean Bogie

£500-700

461 FRENCH KINGWOOD AND AMARANTH PORCELAIN MOUNTED JARDINIERE TABLE LATE 19TH CENTURY with a pierced gilt bronze gallery enclosing a rectangular void with metal liner, the sides mounted with oval Sèvres style porcelain plaques painted with exotic birds within gilt bronze mounts, raised on cabriole legs outlined with gilt bronze and ending in sabots 72cm wide, 84cm high, 42cm deep Provenance: Property of the late Mrs. Jean Bogie

£400-600

462 FRENCH KINGWOOD VERNIS MARTIN VITRINE LATE 19TH/ EARLY 20TH CENTURY the cavetto moulded and arched cornice above a pair of serpentine glazed doors and side lights with Vernis Martin panels of courting couples below, the interior lined with green brocade and fitted with glass shelves, raised on slightly splayed legs all outlined with gilt bronze mounts 127cm wide, 212cm high, 45cm deep Provenance: Property of the late Mrs. Jean Bogie

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

210

463 RARE MEISSEN ANTHROPOMORPHIC PART TEA SERVICE LATE 18TH CENTURY the cups and saucers of wrythen and basket weave moulded form; each piece painted to the centre with a humorous vignette of an animal engaged in various pursuits, such as a cat washing laundry, a fox carrying two baskets containing ducks and eggs, a kitten playing a lute to dancing mice etc.; all within a trellis border issuing sprays of flowers; with purple scale ground decoration to the gilt edged rims; comprising a teapot with matched cover, five saucers and three tea cups; underglaze blue crossed swords marks (8) teapot 11.5cm high, saucers 13.5cm diameter, cups 17cm high Provenance: Property of the late Mrs. Jean Bogie The anthropomorphic scenes on the porcelain in this group relates to a tradition of decoration inspired by characters in fables by writers such as Aesop and La Fontaine, which had been translated into prose by the 18th century in Germany and which would have circulated widely in educated society. The scenes were intended to point out the foibles of humanity and would have been humorous to an 18th century audience, who would have recognised the references to popular fables. The activities of the animals depicted are quite curious and specific and likely relate to a particular fable source. Anthropomorphic services created at Meissen are rare and few are in existence.

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

211

464 MEISSEN FIGURE EMBLEMATIC OF AMERICA MID 19TH CENTURY from a set of four figures representing ‘The Continents’; modelled as a bare breasted lady wearing a costume and headdress of colourful feathers, standing with a quiver of arrows, her left foot raised on a cornucopia of jewels, a golden bow and a small crocodile at her feet, underglaze blue crossed swords, one cancellation line, incised 1690; together with a MEISSEN FIGURE OF A LADY PLAYING A MANDOLIN, modelled standing, wearing a classical tunic with gilt floral designs, with a two tone green robe, a book of sheet music at her feet, on a square base with a moulded border of alternating circles and dots picked out in gilt, underglaze blue crossed swords, incised 1714 (2) America 16cm high, lady with mandolin 16.5cm high Provenance: Property of the late Mrs. Jean Bogie

£400-600

465 RARE MEISSEN ANTHROPOMORPHIC TEA CANISTER WITH COVER CIRCA 1770-1780 decoration attributed to Johann Georg Loehnig, the body of ovoid form, painted to each side with a humorous vignette, one side depicting a fox in ceremonial dress reading to an assembled group of a cat, cockerel and rat, two of whom carry a weapon; painted to the other side with a finely dressed cat and dog being pulled in a covered carriage by a cockerel and a rabbit; the body and cover with a gilt edged pink ribbon border incorporating small sprays of flowers; the cover with a finial handle in the form of a flower picked out in gilt; crossed swords with dot mark 12cm high Provenance: Property of the late Mrs. Jean Bogie Note: Johann Georg Loehnig (1743-1806) was a porcelain painter at Meissen who excelled in ‘animalier’ scenes.

£700-1,000

466 GROUP OF MEISSEN PORCELAIN LATE 18TH/EARLY 19TH CENTURY comprising an ecuelle and cover, of oziermoulded form, the body with bifurcated branch form handles, painted throughout with sprays and sprigs of deutsche Blumen, the cover with a flower form finial handle, underglaze blue crossed swords, 20cm wide; a tea canister of finely ribbed rectangular form with arched top, the domed cover with finial handle, painted in puce with flowers and foliage, blue crossed swords and star, 13.5cm high; and a cup and saucer of quatrelobed form, profusely painted in puce with flowers and foliage, with gilt highlights and gilt line rims, underglaze blue crossed swords (4) saucer 13cm wide Provenance: Property of the late Mrs. Jean Bogie

£400-600

212

467 FRENCH ROCOCO REVIVAL GILT BRONZE MANTEL CLOCK LATE 19TH CENTURY the white enamel dial with black Roman numerals and Arabic five minute markers, in a waisted rococo case with pierced fret panels surmounted by an acanthus finial, on an integral stand, the twin train brass movement striking a bell 34cm high, 22cm wide, 15cm deep

£300-500

468 FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK

469

LATE 19TH CENTURY

LATE 19TH CENTURY

the blue porcelain and gilt dial with Roman numerals, the arched case with an urn finial, flanked by acanthus scrolls, husk trails, and berries, a central porcelain panel of an amorous couple in a garden, on an acanthus moulded plinth with four bracket feet, the twin-train movement striking a bell 40cm high, 18cm wide, 13cm deep

£300-500

470 FRENCH GILT BRONZE AND SÈVRES STYLE ‘BLEU DE ROI’ PORCELAIN MANTEL CLOCK GARNITURE LATE 19TH CENTURY the jewelled and gilt porcelain dial painted with a landscape mask, the clock set within an a gilt bronze oval case with acanthus moulding and porcelain frieze panels, surmounted by a porcelain urn painted with reserves of courting figures and landscapes with female mask handles, the base with floral garland swag appliques on a pair of bracket and four toupie feet, the brass Japy Frères twin train movement striking a bell; with a pair of matching vases en-suite (3) the clock 33cm wide, 42cm high, 21cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAIR OF FRENCH PORCELAIN VASE LAMPS of baluster form, the bodies moulded with gilt floral swags, painted with a diaper pattern enclosing rose heads and further painted with bouquets and garlands of roses; converted with lamps with giltwood bases (2) 33cm high (excluding fittings)

£300-500

213

471

Y

AFTER LOUIS LÉOPOLD BOILLY (1761-1845) ’LES MUSTACHES’ AND ‘LES PRISEURS’, circular miniature paintings, watercolour on ivory, one with an amusing scene of gentlemen stroking their moustaches, the other with gentlemen taking snuff, in moulded ebonised and gilt frames (2) 6.5cm diameter Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference TB5VPC3K and 2UMLHX7E

£300-500

472 FRENCH MAHOGANY TRIC TRAC TABLE EARLY 20TH CENTURY the fold-over top opening to a baize playing surface, the base raised on tapered fluted legs and extending to reveal a reversible chess board, a backgammon board, and a roulette wheel, with covered compartments containing wood chess pieces, chequers, and backgammon counters, bearing a maker’s label ‘GURDJIAN RPT/ E.B./ PARIS/ CONSTANTINOPLE 91cm wide, 75cm high, 52cm deep [closed]

£1,500-2,000

215

473 PAIR OF CONTINENTAL BRONZE FIGURES LATE 19TH CENTURY modelled as a boy carrying a goat over his shoulder, the other a boy with fishing nets, unsigned, on veined purple oval marble bases (2) 43cm high

£400-600

474 HERCULES AND LICHAS, AFTER ANTONIO CANOVA (ITALIAN 1757-1822) LATE 19TH CENTURY bronze, dark brown and verdigris patina, unsigned 62cm high, 38cm wide, 20cm deep

£3,000-5,000

475 🄰 PAIR OF PATINATED METAL FIGURE GROUPS, AFTER EUROPE BOURET (FRENCH 1833-1906) EARLY 20TH CENTURY well cast metal with golden brown patina, depicting entwined lovers, signed BOURET, raised on chamfered black marble bases with gilt borders (2) 48cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

216

476 PAIR OF FRENCH PATINATED AND GILT BRONZE TWO-LIGHT CANDELABRA, AFTER EMILE-JOSEPH-NESTOR CARLIER 19TH CENTURY the twin arms with urn-shaped sconces and centred with a naked female gymnast, signed ‘E. Carlier’, the base in the form of an oil lamp embellished with theatrical masks and stamped ‘MARNYHAC, 1 RUE DE LA PAIX’, the foot with anthemion motifs and pine cones heightened with gilt (2) 24cm wide, 25cm high, 9.5cm deep Note: Marnyhac et Cie was the commercial name for the Société des Marbres et Bronzes Artistiques de Paris which was established in Paris in the mid 19th century. A competitor of the Barbedienne Foundry, the company specialized in luxury pieces and casts from models made by the best sculptors of the period.

477

£1,000-1,500

FRENCH EMPIRE STYLE GILT BRONZE AND MARBLE FIGURAL MANTEL CLOCK, MAPLE & CO, PARIS LATE 19TH CENTURY

the white enamel dial with Roman numerals signed ‘Maple & Co Ltd, Paris’, in a rectangular pedestal case modelled as a table, the female figure seated in a klismos chair and reading, raised on a stepped green marble plinth with palmette moulding on toupie bracket feet, the twin train brass movement striking a bell, signed Maple & Co and Samuel Marti 30cm wide, 30cm high, 14cm deep

£600-800

478 FRENCH GILT BRONZE AND MARBLE MANTEL CLOCK, LE PAUTE, PARIS 19TH CENTURY the white enamel dial with Arabic numerals signed in pink ‘Le Paute, A Paris’, the case topped with a pair of eagle head appliques issuing acanthus scrolls united by floral swags, the dial suspended above a pair of black slate columns flanked by gilt spiral fluted supports, on a lozenge shaped white marble base with beading and pierced wreath frieze and raised on toupie feet, the twin train movement with outside countwheel striking a bell 39cm high, 28cm wide, 10cm deep

£400-600

479 CONTINENTAL SATINWOOD AND EBONY LIBRARY TABLE, OF NAPOLEONIC INTEREST MID 19TH CENTURY the shaped rectangular banded top centred by a Maltese cross containing an oval reserve inscribed NAPOLEON, above two serpentine short frieze drawers, the corners with ebonised pendant finials, on waisted end supports and trestle bases with scrolled feet and brass castors, joined by a shell carved scrolling stretcher; one drawer inscribed in pencil ‘R.K. 1847’ 104cm wide, 75cm high, 56cm deep Note: Perhaps made to commemorate the fifty year anniversary of Napoleon’s Invasion of Malta

£600-800

217

480 481 PAIR OF FRENCH EMPIRE STYLE MAHOGANY ARMCHAIRS 19TH CENTURY with gilt bronze laurel garland mounts, the square backs, padded arms and stuffed over seats covered in ochre velvet, raised on square legs (2)

FRENCH EMPIRE MAHOGANY WORK TABLE EARLY 19TH CENTURY the tray top above a sliding workbag, raised on swan and lotus carved end supports with scrolling trestle bases 56cm wide, 71cm high, 42cm deep

£1,000-1,500

58cm wide, 95cm high, 50cm deep

£600-800

482 FRENCH AMBOYNA, AMARANTH, AND PORCELAIN MOUNTED SIDE CABINET 19TH CENTURY of breakfront D-shaped outline, the crossbanded top with gilt metal banding above a pair of cupboard doors mounted with oval Sèvres style plaques depicting 18th century French beauties and floral bouquets, flanked by curved glazed display cupboards enclosed glass shelves and a plush lined interior, on a plinth base raised on toupie feet, the whole with gilt bronze mounts 190cm wide, 114cm high, 45cm deep Provenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard Rawcliffe

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

218

483 FRENCH GILT BRONZE AND BRASS MANTLE CLOCK, HAMILTON & INCHES, PARIS LATE 19TH/ EARLY 20TH CENTURY the dial with silvered chapter ring with Roman numerals and pierced gilt centre mask, signed ‘Hamilton & Inches, Paris’, in an architectural case with a domed top with five finials, with Corinthian columns at the corners, the front scenes and columns decorated with filigree scrolling foliate decoration in silver and gilt metal, the central panel with a hunt scene of a rider and hounds chasing a stag, on a plinth base with toupie feet, the twin train movement striking a coiled blued steel gong, signed ‘J Marti’ 37cm high, 22cm wide, 13cm deep

£300-500

484 FRENCH MAHOGANY BRASS INLAID CENTRE TABLE LATE 19TH CENTURY the rectangular brass banded top inlaid with foliate scrolls, urns and drapery swags, above a long frieze drawer, raised on tapered legs joined by a curved X form stretcher 110cm wide, 78cm high, 63cm deep

£800-1,200

485 PAIR OF FRENCH MAHOGANY MARBLE TOPPED BEDSIDE CHESTS 19TH CENTURY the square moulded tops with canted corners and white marble inserts, above single frieze drawers and doors with glass knobs and enclosing shelved interiors, on plinth bases (2) 39cm wide, 81cm high, 35cm deep

£400-600

219

486 SECOND EMPIRE STYLE GILT BRONZE AND CUT GLASS BASKET CHANDELIER EARLY 20TH CENTURY with an acanthus cast corona hung with swags to a centre band issuing eight arms united by bows and floral swags, the swagged bottom with a pendant berry finial 124cm high, 80cm diameter

£600-800

487 FRENCH GILT BRONZE PENDULE D’OFFICIER,

BY JUMP & FILS, PARIS 19TH CENTURY the white enamel dial with Arabic numerals, two winding holes and signed ‘Jump & Fils, A/Paris’ and ‘93 Mount St, London’, in a beaded bezel and gilt bronze case with flower heads, laurel wreath and acanthus loop handle, raised on pad feet, the twin train brass movement striking a bell 11.5cm wide, 17cm high (handle down), 9.5cm deep

£400-600

488 LARGE FRENCH PORCELAIN CACHE POT AND STAND 19TH CENTURY the body with twin scrolling handles and moulded rocaille scroll rim, painted to the front with a romantic scene of lovers in a classical landscape, painted to the reverse with a floral bouquet, each scene within a moulded floral border, the white ground embellished with gilt foliate and scroll decoration throughout, the stand moulded with gilt mice and lizards and painted with two floral panels, raised on scroll moulded feet, unmarked 35.5cm high (including the stand)

£400-600

489 Y MATCHED PAIR OF FRENCH GOTHIC MAHOGANY AND ROSEWOOD OCCASIONAL TABLES MID 19TH CENTURY one in mahogany, the other rosewood, of matching design and size, the shaped tilt tops with a moulded edge on fluted columns and scrolling tripod bases (2) 66cm diameter, 69cm high

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

220

490

491

FRENCH GILT VERNIS MARTIN AND GILT BRONZE MANTEL CLOCK

PAIR OF CONTINENTAL TROMPE L’OEIL PAINTED PANELS

19TH CENTURY the cream enamel dial with black Roman numerals, the waisted case with rococo style acanthus mounts, the Vernis Martin body with central scene of an amorous couple in a garden surrounded by floral swags and scenes, on scrolling feet, the twin train brass Japy Frères movement striking a coiled steel gong 45cm high, 23cm wide, 13cm deep

LATE 18TH/ EARLY 19TH CENTURY oil on canvas, the oval reserves painted en grisaille of putti inside gilt frames with floral festoons, unframed (2) 49cm high, 72cm wide

£500-800

£300-500

492 Y NAPOLEON III RED TORTOISESHELL BOULLE MARQUETRY, EBONISED CARD TABLE 19TH CENTURY the serpentine fold-over top opening on a swivel action to a green baize playing surface, above a shaped frieze centred by gilt bronze Apollo masks and raised on square cabriole legs, the whole outlined with gilt bronze 90cm wide, 75cm high, 46cm deep

£300-500

493 NAPOLEON III EBONISED AND BOULLE MARQUETRY CABINET LATE 19TH CENTURY the top with projecting canted corners above deep frieze and pair of glazed doors enclosing a shelved interior and flanked by angles, all embellished with boulle marquetry and gilt bronze mounts, on a shaped plinth base 151cm wide, 110cm high, 39cm deep Provenance: Property of the late Mrs. Jean Bogie

£2,000-3,000

221

494 PAIR OF FRENCH PORCELAIN LAMP VASES 19TH CENTURY in the manner of Jacob Petit, of panelled campagna form with gilt serrated rims, the bodies painted with figures of Far Eastern men alternating with panels with scrolling foliate motifs, the lower body with moulded ovals brightly enamelled within gilt borders, with twin mask handles, on faceted socles raised on square section bases enamelled with panels of flowers and butterflies within gilt borders on a black ground, with a pair of cream pleated shades; unmarked (2) 42cm high (excluding fittings)

£400-600

495 PAIR OF FRENCH CHAMPLEVÉ ENAMEL AND GILT BRONZE URNS LATE 19TH CENTURY the baluster bodies decorated with polychrome enamels on a gilt metal ground, mounted with female mask handles, on circular acanthus moulded bases and scrolling bracket feet (2) 30cm high, 15cm wide, 9cm deep

£300-500

496 Y FRENCH TORTOISESHELL AND GILT BRONZE MANTEL CLOCK GARNITURE, PLANCHON, PARIS LATE 19TH CENTURY the cream enamel dial with Roman numerals and Arabic five minute markers, the waisted case with rococo style acanthus mounts on bracket feet, the twin train brass Japy Frères movement with outside countwheel striking a bell, signed Planchon, with a pair of two-branch candelabra en suite (3) Clock 41cm high, 20cm wide, 14cm deep

£400-600

497 Y NAPOLEON III EBONISED, TORTOISESHELL AND BOULLE MARQUETRY SIDE CABINET MID 19TH CENTURY the ebonised top above a pair of cupboard doors with raised oval panels in red tortoiseshell premiere partie marquetry, on a plinth base, with gilt metal mounts throughout 132cm wide, 112cm high, 43cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

222

498 NAUM ARONSON (RUSSIAN 1872 – 1943) BUST OF HECTOR BERLIOZ bronze, dark brown patina, signed ‘N aronson, 22’ and dated 1922 to the base with foundry stamp, mounted on a rectangular scagliola marble painted wooden plinth 33cm high, 15cm wide, 15cm deep

£800-1,200 Note: Naum (or Naoum) Aronson, was a Russian-Jewish sculptor known for his portraits, monuments, and busts of prominent political, scientific and artistic figures, including Louis Pasteur, Spartacus, Rasputin, and George Washington. By the turn of the twentieth century he was closely associated with the ideas of the central European Secessionists and was inspired by great Romantic composers such as Beethoven and Chopin.

499 BRONZE FIGURE OF PENELOPE, AFTER PIERRE-JULES CAVELIER (FRENCH 1814-1894) LATE 19TH CENTURY

by Barbedienne, light brown patina, modelled seated in an Klismos chair with a spindle, signed to the cast ‘F. BARBEDIENNE, Fondeur, Paris’, and with inset plaques ‘881, J. CAVELIER’ and ‘Reduction Mecanique A. Collas Brevete’ stamp 14cm wide, 15.5cm high, 9cm deep Note: The present bronze is a reduction of a marble shown by Pierre-Jules Cavelier at Salon of 1849, where it was greeted with great acclaim and equated with the masterpieces of Antiquity.

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

223

500 PAIR OF GOLDSCHEIDER PAINTED TERRACOTTA FIGURES LATE 19TH CENTURY modelled as an Arab man and companion, impressed marks (2) 70cm high

£600-800

501 FRENCH EGYPTIAN REVIVAL SLATE, GREEN MARBLE, AND BRONZE MANTEL CLOCK LATE 19TH CENTURY the white enamel dial with Arabic numerals, the stepped architectural case topped with a patinated bronze figure of a sphinx, the dial flanked by incised and gilded hieroglyphs, the sloped plinth base with a gilt winged scarab on brass bracket feet, the twin train movement striking a bell 39cm wide, 36cm high, 19cm deep

£300-500

502 MEISSEN PART COFFEE SERVICE AND TRAY LATE 19TH CENTURY painted with mixed floral bouquets within scrolling gilt cartouche borders, on grounds of various colours including royal blue, duck egg blue, pink, maroon, yellow and sky blue; comprising a blue ground oval tray with rocaille moulded scroll handles, a cream jug, a sugar basin and domed cover, six coffee cups and six saucers; underglaze blue crossed swords marks (15) Tray 45cm wide, saucers 10.5cm diameter, cups 4.8cm high Provenance: Property of the late Mrs. Jean Bogie

£400-600

224

503 SWISS GILT-BRASS ‘ATMOS’ CLOCK BY JAEGER LECOULTRE, GENEVA LATE 20TH CENTURY the circular dial with applied gilt chapters and gilt hands, the movement of typical form signed’ ATMOS / JAEGER LE COULTRE’ and numbered ‘546510’, with original silver card box 23cm high, 18cm wide, 14cm deep

£400-600

504 SWISS MUSIC BOX BY NICOLE FRÈRES, GENEVA LATE 19TH CENTURY the 8 inch brass cylinder playing four airs, stamped ‘42809’, the comb stamped ‘Nicole Freres’, with original tune card to the lid, in a walnut, ebonised and grain painted case numbered to the base, serial number ‘No. 42809 / 2314’ 40cm wide, 13cm high, 18cm deep

£300-500

505 FRENCH LEATHER AND BRASS BOUND CANVAS SUITCASE CIRCA 1920 with brass furniture and bosses, tan leather cornering and tan pig skin effect canvas, covered in travel stickers, opening to a striped cotton-lined interior with a single fitted tray with two straps, leather carry handle 66cm long, 42cm high, 24cm deep

£300-500

506 FRENCH GILT BRASS REPEATER CARRIAGE CLOCK, HAMILTON & INCHES, PARIS EARLY 20TH CENTURY the white enamel dial with black Roman numerals, signed ‘Hamilton & Inches, Paris’, in a gorge case with bevelled glass panels, the twin train brass movement striking a coiled blued steel gong, push button repeat to the top 16.5cm high (including handle), 8.5cm wide, 7.5cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ASIAN FURNITURE & WORKS OF ART

507 Y PAIR OF LARGE JAPANESE SHIBAYAMA PANELS 19TH CENTURY each decorated in ivory, abalone, and mother-ofpearl depicting birds of prey with prunus branches, in pierced hardwood frames carved with dragons (2) 106cm high, 63cm wide Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference L86XR3B8

£600-800

227

508 LARGE CHINESE PORCELAIN FAMILLE ROSE VASE LAMP 19TH CENTURY of baluster form with a domed cover, decorated with a fence with ruyi motifs, and with rockwork, flowering peonies, chrysanthemums and weeping willow, below a foliate ruyi border, mounted on an ormolu base with foliate details and scroll feet, now mounted as a lamp 56cm high (excluding fittings)

£500-700

509 LARGE CHINESE BLUE AND WHITE PORCELAIN VASE LAMP 19TH CENTURY of baluster form, painted in blue and white enamel with rockwork issuing flowers, with exotic birds perched amongst the foliage, on a pale duck egg blue ground, with twin handles modelled as Dogs of Fo, drilled at the base, on a hardwood ebonised stand 60cm high (excluding fittings)

£300-500

510 MATCHED PAIR OF CHINESE CARVED HARDWOOD AND MARBLE JARDINIERE STANDS LATE 19TH CENTURY both with lobed pink marble inserts set in flower and fruit carved and pierced frames raised on stylised cabriole legs ending in claw feet (2) Larger 68cm diameter, 59cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

228

511 INDIAN EMBROIDERED BANQUET CLOTH 19TH CENTURY with red embroidered flower motifs on a cream linen ground; together with an INDIAN EMBROIDERED TEXTILE with mirror panel appliques on a red ground, 178cm 60cm; and a TURKISH HAND TOWEL, 68cm x 39cm (3) largest 204cm long, 124cm wide

£300-500

512 SMALL ZANZIBAR CHEST 19TH CENTURY with pierced brass mounts and copper bosses 67cm wide, 27cm high, 31cm deep

£300-500

513 TWO BENARES BRASS TRAYS TABLES EARLY 20TH CENTURY the trays with embossed decoration and Islamic script, on folding stained hardwood stands with bobbin turnings (2) 58cm diameter, 61cm high; and 58cm diameter, 58cm high

£300-500

229

514 FOUR NORTHERN INDIAN DAGGERS 19TH CENTURY all with watered steel blades, including a pair of Pesh Kabz daggers with green stone and mother-of-pearl with red and black enamel handles, a Pesh Kabz type dagger with jadeite handle and Kard type dagger with a rock crystal handle with floral embossed white metal collar and gold damascened decoration at forte the largest 35cm long

£400-600

515 ANGLO-INDIAN JARDINIERE STAND LATE 19TH CENTURY the circular platform top on a flowering vine carved column with a stipple ground, on a circular leaf carved base with stylised paw feet 81cm high, 23cm diameter

£300-500

516 Y TWO INDIAN CARVED HARDWOOD OCCASIONAL TABLES LATE 19TH/ EARLY 20TH CENTURY one rectangular the other oval, both profusely carved with flower scrolls, palmettes, and animals, with central oval reserves carved with deities and accompanying animals, raised on lion’s head legs with ivory tusks (2) 123cm wide, 74cm high, 55cm deep; and 93cm wide, 65cm high, 62cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration references FVG7GEDT (oval) XHU19BG5 (rectangular)

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

231

RUGS & CARPETS

517 QUM ‘HUNTING’ CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover palmette, foliate and animal pattern, within red border 320cm x 233cm

£1,500-2,500

518 SERAPI CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brick red field with indigo, lemon and pink star medallion, ivory, pink and green spandrels, within indigo border 385cm x 279cm

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

232

519 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the light blue field with allover boteh, rosette and foliate lattice pattern, within red border 378cm x 276cm

£500-700

520 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the dark indigo field with red medallion, similar spandrels, within indigo border 396cm x 295cm

£1,000-1,500

521 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with pink and cream medallion, within light brown border 350cm x 252cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

233

522 NAIN PART SILK CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the light green field with ivory and indigo medallion, similar spandrels, within ivory border 292cm x 199cm

£500-700

523 TABRIZ ‘HUNTING’ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and animal pattern, within indigo border 365cm x 274cm

£1,200-1,800

524 KAZAK CARPET SOUTH CAUCASUS, DATED AH 1328 (1911 AD) the red field with large elongated indigo medallion containing two red lozenge medallions, within ivory border 323cm x 194cm

£400-600

234

525 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover cypress tree and rosette lattice pattern, within cream border 320cm x 224cm

£1,500-2,500

526 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the light green field with allover stylised foliate vine pattern, within pink border 393cm x 302cm

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

235

527 MAHAL CARPET WEST PERSIA, MODERN the red field with small cream medallion, camel and indigo spandrels, within cream border 408cm x 304cm

£400-600

528 HERIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with large indigo and red star medallion, ivory spandrels, within indigo border 420cm x 297cm

£600-800

529 KIRMAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the red field with indigo and cream medallion, light blue spandrels, within indigo border 412cm x 299cm

£400-600

236

530 MESHED CARPET, SIGNED AMOGHLI NORTHEAST PERSIA, MID 20TH CENTURY the camel field with allover palmette and foliate vine pattern, within camel border, signature to one end 387cm x 295cm

£1,000-1,500

531 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red field with indigo and ivory medallion, similar spandrels, within indigo border 574cm x 364cm

£400-600

532 AGRA CARPET NORTH INDIA, LATE 19TH CENTURY the indigo field with allover palmette and foliate vine pattern, within indigo border 456cm x 314cm

£400-600

237

533 TABRIZ CARPET, SIGNED AMIR KHIZI JAVAN NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the cream field with allover palmette and foliate vine pattern, within light blue border, signature to one end 351cm x 245cm

£2,000-3,000

534 TEHRAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the red field with allover bird and arabesque cartouche pattern, within indigo border, signature to one end 450cm x 306cm

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

238

535 YOMUT ENGSI TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with cruciform pattern, within red border, elem panel 143cm x 152cm

£300-500

536 537 QASHQAI RUG SOUTH PERSIA, LATE 19TH/ EARLY 20TH CENTURY the red field with three linked indigo lozenge medallions, similar spandrels, within narrow blue border 177cm x 110cm

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

KHAMSEH CARPET SOUTH PERSIA, LATE 19TH/ EARLY 20TH CENTURY the dark indigo field with allover stylised rosette pattern, within narrow polychrome border 225cm x 152cm

£300-500

239

538 SILK HEREKE PRAYER RUG WEST ANATOLIA, MID 20TH CENTURY the pale pink mihrab with bird filled tree of life, light brown spandrels, within indigo border 145cm x 89cm

£400-600

539 GENDJE RUG SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with allover polychrome octagon pattern, within ivory border 200cm x 120cm

£300-500

540 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover palmette and foliate vine pattern, within indigo border, signature to one end 211cm x 134cm

£300-500

240

541 KIRMAN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY of Ardabil design, the dark indigo field with raspberry medallion suspending pendants, similar ivory spandrels, within turquoise border 534cm x 379cm

£700-1,000

542 LARGE USHAK ‘TURKEY’ CARPET WEST ANATOLIA, LATE 19TH CENTURY the red field with columns of indigo palmettes and cruciform motifs, within indigo border 660cm x 378cm

£600-800

241

543 TABRIZ CARPET EARLY/MID 20TH CENTURY the red field with indigo medallion, cream spandrels, within indigo border 383cm x 275cm

£1,500-2,500

544 SAROUK CARPET WEST PERSIA, MODERN the indigo field with red and blue medallion, ivory and red spandrels, within red border 382cm x 271cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

242

545 KHORASSAN RUNNER EAST PERSIA, LATE 20TH CENTURY the cream field with allover boteh pattern, within cream border 713cm x 87cm

£2,000-3,000

546 KHORASSAN RUNNER EAST PERSIA, LATE 20TH CENTURY ensuite with the previous lot, the cream field with allover boteh pattern, within cream border 315cm x 90cm

£1,000-1,500

547 LESGHI RUNNER EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the dark brown field with six and a half polychrome star medallions, within ivory border 290cm x 115cm

£300-500

548 KURDISH RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the field with allover polychrome lozenge lattice pattern, within triple red and ivory borders 260cm x 109cm

£400-600

243

549 MAHAL RUNNER WEST PERSIA, LATE 20TH CENTURY the plain red field with foliate edge, within indigo border 488cm x 108cm

£800-1,200

550 HERIZ RUNNER NORTHWEST PERSIA, MODERN the red field with column of polychrome medallions, within narrow salmon pink border 488cm x 91cm

£700-1,000

551 USHAK RUNNER WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the pink field with palmette and foliate vine pattern, within narrow indigo border 361cm x 97cm

£300-500

552 KURDISH RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the abrash indigo field with allover stylised foliate lattice pattern, within ivory border 292cm x 102cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

244

553 CHINESE CARPET LATE 19TH/EARLY 20TH CENTURY the blue field with blue dragon in cloud medallion, similar spandrels, within blue/white border 247cm x 299cm

£600-800

554 KASHAN RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and blue medallion, indigo, ivory and pink spandrels, within indigo border 213cm x 139cm

£300-500

555 KIRMAN PRAYER CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the raspberry mihrab with foliate tree of life, camel spandrels, within indigo border 265cm x 203cm

£300-500

245

556 KHORASSAN CARPET EAST PERSIA, MID/LATE 20TH CENTURY the raspberry field with allover palmette and foliate vine pattern, within indigo border 437cm x 312cm

£700-1,000

557 PERSIAN STYLE SILK CARPET LATE 20TH CENTURY the ivory field with dense allover palmette and foliate pattern, within ivory border 446cm x 323cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

246

558 YOMUT PALAS CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with allover indigo lattice pattern, within brown border, kilim ends 357cm x 203cm

£300-500

559 PAKISTANI FLATWEAVE CARPET 20TH CENTURY the field with polychrome geometric patterned bands, cloth covered edges 422cm x 199cm

£300-500

560 SAFID KILIM CARPET UZBEKISTAN, EARLY 20TH CENTURY the field with alternating cream lozenge and reddish brown stripe panels 385cm x 161cm

£300-500

561 SHIRVAN KILIM CARPET EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with allover large polychrome shaped medallion pattern, within dark brown border 334cm x 187cm

£300-500

247

562 LAKAI FLATWEAVE CARPET UZBEKISTAN, MID 20TH CENTURY the cream field with allover polychrome octagon lattice pattern, within cream border 284cm x 170cm

£250-350

563 TABRIZ HADJI JALILI RUG NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with rust and indigo medallion, similar spandrels, within rust border 186cm x 145cm

£500-700

564 TABRIZ RUG NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the brown field with animal, palmette and foliate vine pattern, within light blue/brown border 165cm x 125cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

248

565 CHODOR CARPET TURKMENISTAN, LATE 19TH CENTURY the brown field with four columns of guls, within ivory border 266cm x 206cm

£500-700

566 TETEX CARPET GERMANY, EARLY/MID 20TH CENTURY the brown field with bird filled tree pattern, with animals to the bases, within brown border 305cm x 194cm

£800-1,200

567 HERIZ CARPET NORTHWEST PERSIA, MODERN the brownish red field with indigo, red and ivory medallion, ivory, brown and indigo spandrels, within indigo border 335cm x 241cm

£400-600

249

568 LARGE TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the burgundy field with allover palmette and saz leaf pattern, within turquoise border 768cm x 413cm Provenance: Pallinsburn House Sale, Lyon & Turnbull, 4 May 2005, lot 490

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

250

569 SOUTH PERSIAN CARPET MID 20TH CENTURY of Qashqai design, the field with allover polychrome hooked lozenge lattice pattern, within blue border 416cm x 312cm

£800-1,200

570 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the red field with indigo and red cusped medallion, ivory spandrels, within indigo border 380cm x 293cm

£800-1,200

571 TABRIZ CARPET NORTHWEST PERSIA, MODERN the indigo field with allover stylised foliate lattice pattern, within red border 385cm x 290cm

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

251

572 AMRITSAR CARPET NORTH INDIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover palmette and foliate pattern, within dark brown/indigo border 264cm x 234cm

£1,000-1,500

573 KHORASSAN CARPET EAST PERSIA, MID 20TH CENTURY the cream field with small rosette medallion and allover palmette and foliate vine pattern, within ivory border 346cm x 257cm

£1,500-2,500

574 KASHAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with indigo and blue medallion, red and camel spandrels, within indigo border 291cm x 238cm

£1,000-1,500

252

GARDEN 575 AFTER CANOVA, COMPOSITION STONE FIGURE GROUP OF THE THREE GRACES MODERN on a semicircular base 104cm high

£400-600

576 COALBROOKDALE CAST IRON ‘FERN AND BLACKBERRY’ PATTERN THREE PIECE GARDEN SUITE LATE 19TH CENTURY comprising a bench and pair of armchairs with wood slat seats, painted white (3) Bench 150cm wide, 91cm high, 37cm deep

£500-800

577 PAIR OF COLEBROOKDALE STYLE ‘NASTURTIUM’ BENCHES 20TH CENTURY painted white with slat seats (2) 129cm wide, 88cm high, 41cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

AUCTION 5 TH & 6 TH DECEMBER 2023 | LIVE FROM EDINBURGH & ONLINE

Following their closure after 154 years in the heart of Perth, Lyon & Turnbull are proud to present the final selection of jewellery from historic Scottish Jeweller, Cairncross of Perth.

EDINBURGH 0131 557 8844 | LONDON 020 7930 9115 | GLASGOW 0141 333 1992 | Browse & Bid Online www.lyonandturnbull.com

SCOTTISH PAINTINGS & SCULPTURE

AUCTION 7 TH DECEMBER 2023 LIVE FROM EDINBURGH & ONLINE

ALLAN RAMSAY (SCOTTISH 1713-1784) HALF LENGTH PORTRAIT OF GEORGE III IN RED COAT WITH THE STAR AND RIBBON OF THE GARTER Oil on canvas, and a companion, a pair, Queen Charlotte wearing a scarlet dress (2) £25,000-35,000

EDINBURGH 0131 557 8844 | LONDON 020 7930 9115 | GLASGOW 0141 333 1992 | Browse & Bid Online www.lyonandturnbull.com

256

CONDITIONS OF SALE 22.3 FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller. Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (🄰) next to its lot number.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for

any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted.

These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no

warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance

257 reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding.

Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

(c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and

bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used.

We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD

258 or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by

the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant antimoney laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of moneylaundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until

You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. C OLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites

259 We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead.

Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security

arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates

stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

22.3

260

GUIDE TO BIDDING & PAYMENT

REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale.

Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated.

In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

- ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Lot 449 [detail]

GLASGOWLYONANDTURNBULL.COM

|

EDINBURGH

|

LONDON