Five Centuries | Auction 15 & 16 May 2024

15TH & 16TH MAY 2024

EDINBURGH LIVE ONLINE

WEDNESDAY 15 & THURSDAY 16 MAY

2024 AT 10AM

Sale Number LT789

VIEWING

Saturday 11th May 12 noon-4pm

Sunday 12th May 12 noon-4pm

Monday 13h May 10am-4.30pm

Tuesday 14th May 10am-4.30pm Days of sale from 9am

BUYER'S GUIDE

BUYER’S PREMIUM

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

26% up to £20,000

25% from £20,001 to £500,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

† VAT at the standard rate payable on the hammer price

‡ Reduced rate of 5% import VAT payable on the hammer price

Ω Standard rate of import VAT on the hammer price

Lots affixed with ‡ or Ω symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE

§ indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the Hammer Price is less than £1,000. The charge for works of art sold at and above £1,000 and below £50,000 is 4%. For items selling above £50,000, charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk.

This sale is subject to our Standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction before we will be delighted to help you.

REGISTRATION

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/Driving licence)

2 – Proof of address (utility bill/bank statement). We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT

For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. Our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT

Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell. Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES

Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites

COLLECTION OF PURCHASED LOTS

All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or condition of a lot, or just want to find out more about the auction process.

Nick Curnow Paintings & Drawings

Douglas Girton Head of Sale

Katherine Wright Ceramics & Glass

Gavin Strang Rugs & Carpets

Jamie Russell Furniture & Clocks

Kerstin Schaeffer Junior Specialist: Works of Art & Antiquities

Harry Fletcher Furniture, Clocks & Works of Art

Katie Hannah Furniture & Works of Art

ORDER OF SALE

WEDNESDAY, 15TH MAY AT 10AM 1-63

The John Butterworth Collection

Select Furniture from a Private Collection, Buckinghamshire

British Furniture & Works of Art Part I

A Private Collection of English Enamelware

British Furniture & Works of Art Part II

Paintings Part I

British Furniture & Works of Art Part III

THURSDAY, 16TH MAY AT 10AM

Property from the Estate of the Late

Robert Bogdan

Paintings Part II

Continental Furniture & Works of Art

Asian Furniture & Works of Art

Rugs & Carpets

Garden & Architecture

CURATED: THE JOHN BUTTERWORTH COLLECTION

John Butterworth, with his loyal wife Mary Goody by his side, set out on his antiques odyssey over fifty years ago.

John and Mary originally created JW Butterworth Antiques in the 1960s from the Mill House in Clophill, Bedfordshire, with John traversing the country in search of the best pieces of furniture while Mary ran the showrooms at the Mill. John’s appreciation for heritage and fine craftsmanship, coupled with a keen and discerning eye, kept him focused on fine pieces from the 17th, 18th and early 19th century. He would travel the length and breadth of Britain sourcing the most exceptional pieces, then strap them to the roof of his Morris Minor before setting off for his next destination.

A charismatic storyteller, John has always been generous with sharing his knowledge about the pieces he discovered, while Mary provided a warm welcome to customers who visited the showrooms. The couple made a winning combination and the business evolved and grew, so much so that in 1971 a new name, Reindeer Antiques, was born, accompanied by a move to new premises, a 17th century coaching inn in Potterspury, Northamptonshire.

The business continued to flourish, no doubt through the couple’s hard work and enthusiasm, and in 1988 Reindeer Antiques expanded further, this time to London, opening a landmark shop at 81 Kensington Church Street, long known as a destination for art and antiques. For over thirty-five years Reindeer Antiques has occupied a coveted corner location there, albeit more recently with a new owner.

In recent years John and Mary desired to enjoy the life they had created together and to step back from the daily running of the business. John has continued to buy and sell

in a more informal fashion, and had the great pleasure in seeing his daughters Jane and Laura embark on their own adventure in the family business. After a long and rewarding career, John and Mary have now made the decision to close this chapter of their life and focus their attentions on family and other ventures. Lyon & Turnbull are delighted to be able to offer the following lots for sale at auction, all curated by John and a testament to his years of experience and ability to spot a ‘good thing’.

1

GEORGE II WALNUT AND PARCEL GILT PIER MIRROR

2ND QUARTER 18TH CENTURY

the shaped mirror plate with a bevelled edge in a gilt moulded slip with swan neck cresting with carved giltwood rosettes and a central urn finial 130cm high, 72cm wide

£800-1,200

2

3

GEORGE II WALNUT SERPENTINE TEA TABLE

18TH CENTURY

GEORGE II STYLE

WALNUT ARMCHAIR

MID 19TH CENTURY

the shaped toprail with a central shell carved motif over an acanthus carved baluster splat, above a drop-in seat pad covered in needlework and shellcarved seat rail, flanked by scroll over open arms with carved eagle head terminals, raised on shell and bellflower carved cabriole legs with flowerhead scrolls and ending on claw and ball feet

84cm wide, 108cm high, 50cm deep

£4,000-6,000

the fold-over top above a long frieze drawer, raised on cabriole legs with knurl feet

85cm wide, 75cm high, 38cm deep [78cm open]

£700-1,000

4

GEORGE II STYLE WALNUT AND PARCEL-GILT STOOL, IN THE MANNER OF WILLIAM KENT

19TH CENTURY

the drop-in padded seat over a shell and scroll carved seat rail, raised on lion mask carved cabriole legs with paw feet

71cm wide, 50cm high, 56cm deep

£800-1,200

5

GEORGE II MAHOGANY

OCTAGONAL TRIPOD TEA TABLE

MID 18TH CENTURY

the octagonal tilt top raised on a knopped and wrythen carved column support, with acanthus carved legs ending in pointed pad feet

59cm diameter, 69cm high

£800-1,200

6

GEORGE II MAHOGANY

TRIPOD TEA TABLE

MID 18TH CENTURY

the rectangular tilt top with a moulded edge and re-entrant corners, on a birdcage support and ring-turned baluster column, raised on cabriole legs ending in pad feet

86cm wide, 71cm high, 61cm deep

£500-700

7

GEORGE II MAHOGANY

LOW CLOTHES PRESS

MID 18TH CENTURY

the moulded caddy top above a pair of chamfered panel doors enclosing sliding trays, with brass handles to the sides, raised on bracket feet with enclosed castors

122cm wide, 98cm high, 63cm deep

£700-1,000

9

LATE GEORGE II / EARLY GEORGE III MAHOGANY TRIPOD TEA TABLE

MID 18TH CENTURY

the circular tilt top on a ring-turned tapered column and tripod legs ending in pad feet

80cm diameter, 79cm high

£1,000-1,500

LATE GEORGE II CADDY TOP CHEST OF DRAWERS

the caddy top over a brushing slide and four long graduated drawers, raised on bracket feet

92cm wide, 86cm high, 50cm deep

£1,200-1,800

8

GEORGE II MAHOGANY FRETWORK MIRROR

MID 18TH CENTURY

the rectangular mirror plate in a moulded gilt slip and scroll frame with a pierced cresting centred by a gilt ho-ho bird

80cm high, 43cm wide

£500-700

11

GEORGE III MAHOGANY OPEN ARMCHAIR 18TH CENTURY

in the French manner, with an upholstered back and seat in a channel moulded frame, raised on cabriole legs ending in underscrolled feet on pads, the rear legs with castors

69cm wide, 95cm high, 51cm deep

£800-1,200

12

EARLY GEORGE III MAHOGANY WINE TABLE

MID 18TH CENTURY

the circular dished top with a reeded edge, on a slender baluster column, raised on reeded scrolling legs terminating in scrolled toes

34cm diameter, 71cm high

£3,000-5,000

13

GEORGE III MAHOGANY UPHOLSTERED STOOL 18TH CENTURY

the padded rectangular seat with a needlework cover raised on acanthus carved cabriole legs with scrolled toes

62cm wide, 50cm high, 44cm deep

£600-800

14 Y

GEORGE III MAHOGANY

HEXAGONAL RENT OR LIBRARY

TABLE, IN THE MANNER OF GILLOWS OF LANCASTER 18TH CENTURY

the hexagonal top with a moulded edge and brown leather insert with gilt embossed border, above six frieze drawers with inlaid ivory tablets numbered 1-6 and original brass handles, the top with full rotating action on internal steel runners and castors; raised on a square cabinet base with cupboards on opposing sides, the panels outlined with moulding with re-entrant corners, resting on a plinth 115cm wide, 78cm high

£15,000-20,000

Note: This form of library table with lettered drawers is also described as a ‘rent’ table, although this is a term which probably dates from the twentieth century. A manuscript design from Gillows Sketch book of 1792 shows another library table inscribed P. F. Cawthorne Esq., which has a square pedestal base supporting a circular top with drawers and a centered covered well. See Susan Stuart, Gillows of Lancaster and London 1730-1840, vol. I, plate 283. A similar example to the present lot is illustrated in Lanto Synge, Mallett’s Great English Furniture, London, 1991, p. 123. A related example sold Sotheby’s, New York, 24 April, 2008, lot 90.

Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 6638XB9V.

15

GEORGE III THREE TIER MAHOGANY DUMBWAITER

18TH CENTURY

the graduated dished tiers with a moulded edge and divided by baluster turned supports, raised on a tripod base with pad feet and castors

61cm diameter, 107cm high

£600-800

16 Y

GEORGE III MAHOGANY APOTHECARY’S CASE

LATE 18TH CENTURY

in the form of a chest of drawers, the hinged top opening to a compartmented interior with a lift-out tray above a void, the compartments with bottles, glass vials, and clay pipe bowls, the front and back panels with dummy drawers with ivory knobs, opening to further compartments and bottles, on a moulded base, with brass bail handles to the sides

35cm wide, 36cm high, 30cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference RNAGBA4T

£250-350

17

GEORGE III MAHOGANY AND BOXWOOD INLAID CELLARET

18TH CENTURY

of upright rectangular form, the hinged lid opening to a compartmented interior, with a pair of cupboard doors below and brass handles to the sides, raised on short ogee bracket feet

56cm wide, 68cm high, 34cm deep

£700-1,000

18

GEORGE III MAHOGANY WINE COOLER

18TH CENTURY

of ogee sarcophagus form, the hinged moulded top above sides mounted with brass handles, the interior with a lead lining, on a moulded plinth base marked at the corners with carved acanthus, on brass castors

74cm wide, 55cm high, 54cm deep

£800-1,200

19

GEORGE III MAHOGANY BUREAU

18TH CENTURY

the slope front opening to a fitted interior with pigeon holes, drawers, and a central cupboard, with a blue velvet lined writing surface below, over four graduated long drawers, raised on bracket feet

92cm wide, 105cm high, 53cm deep

£800-1,200

GEORGE III MAHOGANY AND HAREWOOD PARQUETRY AND MARQUETRY MARBLE TOPPED BOMBE COMMODE, IN THE MANNER OF PIERRE LANGLOIS MID 18TH CENTURY

the serpentine green marble top with a moulded edge above four long graduated drawers with original rococo mounts, the trellis parquetry panels centred by floral marquetry with foliate gilt metal pulls and escutcheons, above a shaped apron, flanked by angles with trailing acanthus gilt bronze mounts headed by female masks, the side panels with trellis parquetry centred by a cartouche with urn marquetry, all raised on French bracket feet with gilt bronze acanthus mounts

142cm wide, 89cm high, 69cm deep

£8,000-12,000

The present commode belongs to a small group of similar pieces that appear to have been made by foreign cabinetmakers working in England during the 1760s and 1770s. The most fully documented of these is the Frenchman Pierre Langlois (fl. 1759-1781) although other emigre cabinet makers such as Christopher Fuhrlogh, Johann Christian Linning and George Haupt were also producing furniture in the same oeuvre at this time. See Lucy Wood, Catalogue of Commodes, London, 1994, pp. 168-170, for a discussion on a group of related commodes in the Continental manner.

The relationship between cabinetmakers and marquetry cutters at this period is somewhat unclear, and it is certainly possible that an individual’s special skills were used by a number of cabinet-makers at the same time. As Christopher Gilbert notes in The Life and Works of Thomas Chippendale ‘It has never been adequately explained how London cabinet-makers who, over the previous fifty years, had become accustomed to producing furniture which was either richly carved or faced with naturally figured veneers, managed quite suddenly to recruit accomplished marquetry workers to satsify the demand for elaborately inlaid pieces in the newly fashionable Neo-Classical taste’.

GEORGE III MAHOGANY

LIBRARY ARMCHAIR

18TH CENTURY

the padded back with an arched top rail over a square stuff-over seat, flanked by padded arms with curved supports, raised on cabriole legs ending in pad feet with recessed castors, in yellow flame stitch upholstery

61cm wide, 98cm high, 46cm deep

£700-1,000

22

GEORGE III MAHOGANY

SIDE TABLE

18TH CENTURY

the rectangular top with a moulded edge over a frieze with a central entablature carved with floral swags, raised on square section legs with corner brackets and egg-and-dart carving to the fore edges, ending on block feet

137cm wide, 81cm high, 76cm deep

£1,500-2,500

23

GEORGE III ‘CHINESE CHIPPENDALE’ MAHOGANY SILVER TABLE

LATE 18TH CENTURY

the rectangular top with a moulded edge above a carved blind fret carved frieze, raised on chamfered square legs with pierced corner brackets and blind fret carving

83cm wide, 72cm high, 55cm deep

£2,000-3,000

25

GEORGE III MAHOGANY TRAY TABLE 18TH CENTURY, THE TABLE BASE LATER

the tray with pierced and carved everted gallery sides with cut-out handles, raised on a later blindfret table base with square chamferred legs with pierced corner brackets and joined by a pierced H form stretcher

62cm wide, 56cm high, 49cm deep

£1,000-1,500

24

IRISH GEORGE III STYLE MAHOGANY INLAID DRESSING TABLE MIRROR, BY BUTLER OF DUBLIN LATE 19TH CENTURY

the oval mirror plate between tapering supports with brass urn finials, the base with a fall front opening to fitted with compartments and three shaped drawers, above a long moulded drawer, on shaped bracket feet, bearing original trade label 44cm wide, 74cm high, 27cm deep

£300-400

GEORGE

I WALNUT CROSSBANDED CHEST-ON-CHEST

EARLY 18TH CENTURY

of slim proportions, the projecting cavetto moulded cornice with canted corners, over three short and three long graduated and featherbanded drawers with original brass hardware; the lower part with three further long graduated drawers similarly finished and flanked by canted angles, raised on bracket feet 99cm wide, 179cm high, 58cm deep

£2,500-3,500

27

GEORGE III SATINWOOD SIDE TABLE

LATE 18TH CENTURY

the crossbanded serpentine top above a banded long drawer, raised on square section legs ending in spade feet

84cm wide, 73cm high, 48cm deep

£2,000-3,000

28

GEORGE III MAHOGANY, SATINWOOD AND PAINTED DEMILUNE CONSOLE TABLE

LATE 18TH CENTURY

the demilune top with floral painted banded borders, raised on square section legs outlined with stringing and ending in spade feet

132cm wide, 87cm high, 59cm deep

£3,000-5,000

SHERATON

REVIVAL SATINWOOD, PURPLE HEART AND MARQUETRY CARD TABLE

LATE 19TH CENTURY

the banded serpentine fold-over top with fan and anthemion inlay opening on double gate-legs to a green baize lined interior, over a frieze with a foliate inlaid entablature, raised on ring-turned tapered legs with carved acanthus capitals

89cm wide, 75cm high, 46cm wide (92cm open)

£2,500-3,500

30 Y

LATE GEORGE III ROSEWOOD AND BRASS INLAID WORK TABLE

EARLY 19TH CENTURY

the rectangular hinged top with brass inlaid re-entrant corners, opening to a compartmented interior and work bag, on ring-turned supports above an undertier, all raised on tripod sabre legs ending in brass caps and castors

44cm wide, 79cm high, 38cm deep

£500-700

31

LATE GEORGE III SATINWOOD, TULIPWOOD, AND YEW PEMBROKE TABLE

LATE 18TH CENTURY

the banded rounded rectangular top with drop sides outlined with stringing, over a frieze drawer to one end and a dummy drawer opposing, raised on square tapered legs headed by yew veneer panels and ending on brass caps and castors

55cm wide [leaves down] 109cm [up], 71cm high, 77cm deep

£700-1,000

33

GEORGE III MAHOGANY BOOKCASE CABINET

18TH CENTURY

the superstructure with a broken swan neck pediment over a shelf; the lower part with a pair of panel moulded doors opening to shelves, raised on turned feet

70cm wide, 141cm high, 39cm deep

£800-1,200

32

GEORGE III STYLE CUT GLASS NINE LIGHT CHANDELIER

LATE 19TH CENTURY

the central stem issuing nine scrolling candle branches, hung with prism drops and swags

142cm drop, 84cm diameter approximate

£3,000-4,000

34

GEORGE III MAHOGANY SERVING TABLE

18TH CENTURY

the rectangular top above a plain frieze with central entablature, raised on square section legs

137cm wide, 81cm high, 58cm deep

£1,000-1,500

35 Y

GEORGE III HAREWOOD, ROSEWOOD, AND BOXWOOD BREAKFRONT MARQUETRY MARBLE TOPPED COMMODE 18TH CENTURY

the shaped Siena marble top with a moulded edge over three long drawers with original brass handles and inlaid with a central oval reserve with a neoclassical urn within laurel leaf borders and scrolling foliate motifs, flanked by large scale diaper pattern inlay marked with foliate motifs, the crossbanded sides with matching inlay, raised on cabriole legs with gilt bronze sabots

94cm wide, 87cm high, 46cm deep

£4,000-6,000

PAIR OF GEORGE III SATINWOOD, MAHOGANY, AND INLAID CARD TABLES

18TH CENTURY

with demilune fold-over crossbanded tops with halfpatera inlay, opening to green baize lined playing surfaces, above friezes inlaid with fan and wheat medallions, raised on square section tapering legs outlined with stringing (2)

92cm wide, 73cm high, 43cm wide [closed]

£6,000-8,000

37

GEORGE III MAHOGANY, EBONY AND BOXWOOD WINE TABLE

LATE 18TH CENTURY

the rounded rectangular top on a slender ring turned baluster column and splayed tripod legs ending in ball feet

51cm wide, 74cm high, 38cm deep

£400-600

GEORGE III MAHOGANY AND EBONY CONSOLE TABLE

18TH CENTURY

the rectangular top outlined with ebony stringing, above a fluted frieze centred by a crossbanded entablature, raised on square section stop-fluted tapering legs headed by paterae and ending on spade feet

139cm wide, 84cm high, 59cm deep

£2,500-3,500

LATE GEORGE III MAHOGANY AND EBONY STRUNG DAVENPORT LATE 18TH CENTURY

the sliding slope top with a brown leather writing surface opening to an interior fitted with pigeon holes, above a pen drawer and twin slides to either side, over four long graduated drawers with dummy drawers on the reverse, raised on short square legs brass caps and castors

43cm wide, 88cm high, 51cm deep

£1,500-2,500

GEORGE III MAHOGANY, EBONY AND BOXWOOD INLAID SOFA TABLE

EARLY 19TH CENTURY

the fruitwood crossbanded top above an arrangement of short drawers and dummy drawers to all sides, raised on shaped end supports joined by a turned central stretcher, on sabre legs ending in brass caps and castors

120cm wide 73cm high 66cm deep

£2,000-3,000

LATE GEORGE III MAHOGANY BOWFRONT SERVING TABLE

LATE 18TH CENTURY

the bowfront top above a pair of fluted short frieze drawers flanked and divided by fan inlay, raised on square tapered legs on waisted spade feet

144.5cm wide, 95cm high, 75cm deep

£1,500-2,500 40

43

42

GEORGE III STYLE GILTWOOD MIRROR

LATE 19TH CENTURY

the oval mirror plate in an ebonised slip and moulded frame surmounted by an eagle and plinth with chains to acanthus scrolls, with a pendant Prince of Wales plumes below 100cm high, 64cm wide

£400-600

GEORGE III MAHOGANY AND TULIPWOOD OCTAGONAL LAMP TABLE

LATE 18TH CENTURY

with a hexagonal crossbanded top raised on slender outswept legs joined by a shaped undertier

49cm wide, 70cm high, 45cm deep

£700-1,000

44

GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY

the rectangular top with an oval veneered reserve, above a pair of short frieze drawers, raised on square tapered legs

91cm wide, 72cm high, 51cm deep

£1,500-2,500

PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS

18TH CENTURY

in the Hepplewhite French style, the cartouche shaped backs above wide serpentine seats flanked by part-padded outscrolled arms, raised on cabriole legs, covered in sage green floral silk damask (2) 63cm wide, 91cm high, 45cm deep £2,500-3,500

46

REGENCY MAHOGANY WINE COOLER EARLY 19TH CENTURY

of sarcophagus form, the pyramidal hinged cover opening to a void interior, the corner angles carved with roundels and scrolled details, raised on stylised paw feet

80cm wide, 63cm high, 57cm deep

£1,000-1,500

47

REGENCY BRONZED AND PARCEL-GILT TORCHERE STAND EARLY 19TH CENTURY

the circular leaf carved platform top on a tapering turned and lotus carved column ending in a circular base raised on carved hairy paw feet

46cm wide, 118cm high

£600-800

48

REGENCY MAHOGANY CENTRE TABLE EARLY 19TH CENTURY

the rounded rectangular top above a long frieze drawer, on lotus carved end supports with platform bases raised on paw feet with castors 115cm wide, 74cm wide, 69cm deep

£2,000-3,000

49

IRISH REGENCY MAHOGANY CENTRE TABLE

EARLY 19TH CENTURY

the circular marble top enclosed within a foliate carved border, supported on three scrolling acanthus carved legs headed by green man masks and joined by a central pomegranate finial, on a triform platform raised on paw feet

50cm diameter, 77cm high

£2,500-3,500

REGENCY MAHOGANY AND MARBLE TOPPED BOWFRONT CHIFFONIER

EARLY 19TH CENTURY

the later green marble top above a frieze marked with bosses, bosses, above a pair of bowfront cupboard doors enclosing a shelved interior and flanked by green ruched silk covered doors, raised on bulbous reeded feet

158cm wide, 92cm high, 43cm deep

£2,000-3,000

REGENCY OAK AND BRASS INLAID SIDE CABINET, BY ELIEZER PORTER, LINCOLN

DATED 1820

of inverted breakfront outline, the rectangular top with a moulded brass edge above three sprung frieze drawers above a pair of recessed central cupboard doors enclosing a shelved interior, flanked by further cupboards enclosing small drawers labelled with inlaid alphabet letters, raised on short scrolled feet; the whole profusely inlaid with brass arabesques, anthemion and foliate scrolls, signed by the cabinet maker ‘Eliezer Porter Cabt Maker Lincoln/ May 1820’ 156cm wide, 89cm high, 44cm deep

£4,000-6,000

Note: Eliezer Porter’s death is recorded in Lincoln in 1822 at the age of twenty-seven. The lack of other pieces of other documented furniture signed by this cabinetmaker could be explained by his early death, two years after the date inscribed on the present lot.

52

PAIR OF REGENCY STYLE CREAM PAINTED AND PARCEL-GILT ARMCHAIRS

LATE 19TH CENTURY

the scrolled bar backs painted with classical scenes over caned backs and loose cushion seats flanked by scrolled open arms, raised on gilt reeded front legs headed by patera and ending on brass caps and castors (2) 51cm wide, 82cm high,, 44cm deep £500-700

53 Y

REGENCY MAHOGANY

OCTAGONAL CELLARET

EARLY 19TH CENTURY

the hinged top with a reeded edge, opening to a compartmented interior, with three dummy drawers with ivory escutcheons and a real drawer to the base, raised on square section legs with brass caps and castors 61cm wide, 78cm wide, 47cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference FK9CJJ96

£500-700

55

REGENCY GILTWOOD CONVEX GIRONDOLE MIRROR

EARLY 19TH CENTURY

the circular convex mirror plate in a reeded ebonised slip and lotus-clasped moulded frame issuing a pair of scrolling candle branches, surmounted by an eagle and rock cresting

78cm high, 52cm wide

£500-700

SET OF FOUR GEORGE III

MAHOGANY NESTING TABLES

LATE 18TH CENTURY

each with a cockbead moulded edge, on slender turned legs joined by curved stretchers and ending on arched trestle feet (4)

largest 43cm wide, 73cm high, 30cm deep

£600-800

57

REGENCY MAHOGANY WINE COOLER

EARLY 19TH CENTURY

of sarcophagus form, with a lead lined interior, the tapering panelled sides raised on reeded bun feet with ceramic castors

77cm wide, 47cm high, 59cm deep

£500-700

56

REGENCY MAHOGANY GOTHIC REVIVAL STOOL

EARLY 19TH CENTURY

the upholstered padded seat raised on panel moulded square section front legs with Gothic arch brackets and ending on block feet with brass castors, the rear legs inset and plain square section 54cm wide, 50cm high, 32cm deep

£300-500

58

REGENCY MAHOGANY STOOL

EARLY 19TH CENTURY

with a rectangular padded seat raised on scrolled legs headed by patera and joined by a shaped platform stretcher

56cm wide, 40cm high, 41cm deep

£400-600

59 Y

REGENCY ROSEWOOD AND IVORY MOUNTED WORKTABLE

EARLY 19TH CENTURY

the rounded rectangular top over a frieze drawer with ivory pulls and escutcheon, with a sliding workbox below covered in pleated cream fabric, raised on waisted end supports with ivory roundels and united by an undertier raised on scrolled feet

51cm wide, 77cm high, 41cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference GYJVV6ZF

£600-800

60 Y

LATE REGENCY ROSEWOOD AND BRASS INLAID BREAKFRONT CHIFFONIER

EARLY 19TH CENTURY

the marble top above four cupboard doors lined with pleated green silk, flanked by pilasters and raised on a conforming plinth 168cm wide, 92cm high, 38cm deep

£2,000-3,000

FRENCH TRANSITIONAL TULIPWOOD, AMARANTH, AND FRUITWOOD MARQUETRY SECRETAIRE A ABBATANT, BY PIERRE-ANTOINE VEAUX (1738-1784)

the grey veined marble top above a frieze drawer flanked by shell and rocaille cast ormolu chutes to the angles, over a banded fall front centred by a laurel draped oval reserve inlaid with a musical trophy flanked by ribbon-tied flower sprays, opening to a fitted interior with drawers and compartments, with a pair of cupboard doors below, with conforming inlay with a laurel draped oval reserve with an urn flanked by further ribbon-tied flower sprays, above a shaped apron with an ormolu rocaille mount, raised on short cabriole legs with sabots, stamped on the carcass P.A. VEAUX 93cm wide, 143cm high, 39cm deep

Note: Pierre-Antoine Veaux was made maitre in 1766. £10,000-15,000

62

NAPOLEON III MAHOGANY, EBONY AND BRASS DISPLAY CABINET

MID 19TH CENTURY

the pierced brass gallery above a glazed door and side panels enclosing a shelved interior, the door flanked by brass lined pilasters and patinated metal mounts of Classical figures, raised on paw feet

89cm wide, 174cm high, 43cm deep

£2,000-3,000

63

SWEDISH GILT BRONZE NEOCLASSICAL DESK STAND

EARLY 20TH CENTURY

the pair of inkwells modelled as urns with pierced covers and rams’ mask handles, the centre well with a cover with foliate moulding, the breakfront base with rope twist border and set with friezes of putti playing music, the top engraved ‘Carl Grabow, Sextioårsdagen’

42cm wide, 28cm high, 16cm deep

Note: By repute presented to Swedish artist Carl Grabow (1847-1922) on the occasion of his 60th birthday, circa 1907.

£500-700

64

CHARLES II WALNUT ARMCHAIR

LATE 17TH CENTURY

the carved caned back flanked by spiral turned supports and surmounted by scroll carved cresting with double eagle, the downswept arms with foliate carving above a caned seat, raised on block and spiral carved legs united by spiral stretchers

124cm high, 62cm wide, 60cm deep

£400-600

65

OAK WAINSCOT ARMCHAIR 17TH CENTURY

the scrolled crest rail carved with stylised leaves and berries, above a panel back carved with a lozenge and rope strung seat flanked by down scrolling open arms, the channel moulded seat rail raised on turned baluster forelegs joined by peripheral stretchers

57cm wide, 114cm high, 55cm deep

Provenance: Purchased Huntington Antiques, Ltd., 1986

£600-800

66

CHARLES II OAK AND LEATHER SETTLE MID 17TH CENTURY

the rectangular back above a long seat flanked by drop-down iron ratchet adjustable sides, all covered in brown leather outlined with brass close nail trim, raised on turned legs united by peripheral stretchers

153cm wide, 98cm high, 60cm deep

Provenance: Purchased Huntington Antiques, Ltd., Stow-on-the-Wold, 1990

Note: Literature: Illustrated in John C. Rogers, ‘English Furniture’, 1923, p. 50. £2,000-3,000

ELIZABETH I / JAMES I OAK JOINT STOOL

LATE 16TH/ EARLY 17TH CENTURY

the moulded square seat above a cushion moulded frieze carved with scrolling foliage, raised on turned legs, united by channel moulded stretchers, peripheral stretcher with rope twist carving 44cm square, 40cm high

Provenance: Purchased Huntington Antiques, Ltd., 1991

£3,000-4,000

68

JAMES I OAK REFECTORY TABLE

EARLY 17TH CENTURY

the wide single board top with cleated ends above a front frieze panel carved with swags, scrolls and mythical beasts, raised on six turned baluster legs joined by stretchers

355cm wide, 79cm high, 80cm deep

Provenance: Purchased Huntington Antiques, Ltd., Stow-onthe-Wold, 1977

£15,000-25,000

MATCHED SET OF TEN CHARLES II OAK BACKSTOOLS

MID

17TH CENTURY

the cushioned square backs over stuff-over seats, raised on turned legs united by bobbin turned front bars and peripheral stretchers, upholstered in verdure tapestry style fabric outlined with brass close nail trim (10) 91cm high, 49cm wide, 40cm deep

Provenance: Purchased Hunting Antiques, Ltd, Stow-on-the-Wold, 1995

£3,000-4,000

EXCEPTIONALLY LONG PROVINCIAL GEORGIAN ELM REFECTORY TABLE 18TH CENTURY

the long three board top with cleated ends raised on a pair of angled end supports with iron brace bars; one end fixed with an iron dog ring

431cm wide, 76cm high, 71cm deep

Provenance: Purchased Huntington Antiques, Ltd., Stow-on-the-Wold, 1994

£4,000-6,000

71

CHARLES I CARVED

OAK PANEL CHEST

17TH CENTURY

the hinged top above a two panel front, carved allover with stylised geometric and foliate motifs, raised on stile feet

137cm wide, 81cm high, 61cm deep

£300-500

72

CHARLES II OAK, EBONISED, MOTHER-OF-PEARL AND BONE

INLAID CHEST-ON-CHEST

MID 17TH CENTURY

the upper section with a single panelled door above a deep drawer with fall front; the lower section with three long drawers, all with bone and mother-of-pearl inlaid panels of scrolling foliage, with cast iron ring handles, raised on bun feet

117cm wide, 137cm high, 67cm deep

Provenance: Property from a Scottish country house

£1,000-1,500

BRITISH FURNITURE & WORKS OF ART PART I

OAK GATE LEG TABLE 18TH CENTURY

the rectangular top with drop sides, raised on spiral twist legs and turned feet

88cm wide [open], 73cm high, 93cm deep

£400-600

74

CHARLES I OAK PRESS CUPBOARD

EARLY/MID 17TH CENTURY

the upper part with two doors divided by a recessed panel, above a centre door flanked by further recessed panels, over a shaped apron and open undertier, raised on stile legs

124cm wide, 152cm high, 45cm deep

£600-800

GEORGE I WALNUT CHEST OF DRAWERS

EARLY 18TH CENTURY

the quarter-veneered and crossbanded top above a pair of short drawers over three long graduated and crossbanded drawers, raised on shaped bracket feet, the drawers stamped L.L. GRAVER

103cm wide, 98cm high, 51cm deep

£800-1,200

75

GEORGE II WALNUT BUREAU BOOKCASE

EARLY 18TH CENTURY

the cavetto moulded cornice above a pair of glazed doors enclosing adjustable shelves; the base with a featherbanded and crossbanded slope opening to an arrangement of pigeon holes, drawers, and a recessed compartment, above two short and two long drawers, raised on bracket feet

92 wide, 222cm high, 62cm deep

£800-1,200

77

SET OF SIX WILLIAM AND MARY WALNUT

SIDE CHAIRS

LATE 17TH

CENTURY

foliate carved pierced splat tops over light blue velvet stuffover seats, raised on scroll legs joined by scrolling H-form stretchers (6)

53cm wide, 121cm high, 36cm deep

£1,000-1,500

79

78

GEORGE I WALNUT LONGCASE CLOCK, BY CORNELIUS HERBERT, LONDON BRIDGE EARLY 18TH CENTURY

the brass breakarch dial with silvered chapter ring with Roman numerals and Arabic five minute markers, subsidiary seconds dial and date aperture to the engraved centre mask, pierced brass spandrels, the arch set with a silvered signature roundel signed ‘Cor. Herbert, London Bridge’ flanked by pierced dolphins, the flat caddy top hood with breakarch moulding below, the dial flanked by Doric columns with brass capitals, the figured walnut veneered trunk with a rectangular door with a brass mounted lenticle, on a plain plinth base with step moulding on a serpentine bracket foot, the twin train movement striking a bell

215cm high, 51cm wide, 24cm deep

Note: Cornelius Herbert, London Bridge, circa 1670-1720; F.J. Britten,’Old Clocks and Watches and Their Makers’, p. 767

£800-1,200

WILLIAM AND MARY WALNUT AND FRUITWOOD SEAWEED MARQUETRY CHEST OF DRAWERS

LATE 17TH CENTURY

the quarter-veneered top with a central oval marquetry reserve and quarter-round reserves to the corners within a moulded edge, above two short and three long graduated drawers with matching marquetry reserves, the side crossbanded side panels with further marquetry, raised on lobed bun feet

99cm wide, 86cm high, 57cm deep

£1,000-1,500

80

GEORGE II WALNUT CHEST-ON-CHEST

the projecting moulded cornice over three short and three long graduated drawers, the lower part with three further long graduated drawers, raised on bracket feet

102cm wide, 173cm high, 50cm deep

£700-900

81

GEORGE III MAHOGANY SMALL ESTATE CABINET

18TH CENTURY

the rectangular top over a pair of panel moulded doors opening to an interior fitted with pigeon holes, drawers and shelves, on a plinth base

102cm wide, 88cm high, 30cm deep

£600-800

EARLY GEORGE III MAHOGANY AND NEEDLEWORK POLESCREEN

MID 18TH CENTURY

the rectangular needlework panel depicting a flowering urn worked in gros and petit point stitches, on a baluster turned column with a tripod base ending in pointed pad feet

52cm wide, 135cm high

£300-500

83

GEORGE II MAHOGANY AND PARCEL

GILT TOILET MIRROR

MID 18TH CENTURY

the rectangular plate with a bevelled edge in a gilt moulded slip and moulded frame flanked by square moulded uprights surmounted with brass urn finials, the base with three short drawers and raised on ogee bracket feet

44cm wide, 56cm high, 22cm deep

£400-600

84

GEORGE II WALNUT KNEEHOLE DRESSING TABLE

EARLY 18TH CENTURY

the quarter-veneered and crossbanded table with a moulded edge and re-entrant corners, above a long deep frieze drawer and recess with cupboard door flanked by banks of three short drawers, all with crossbanding, raised on bracket feet

77cm wide, 73cm high, 46cm deep

£2,000-3,000

85

IRISH GEORGE II MAHOGANY OPEN ARMCHAIR

MID 18TH CENTURY

the shaped backrail centred by a double eagle head and acanthus with carved shells on the ears, above a pierced vasiform splat, over a stuffover concave seat covered in dark green velvet and flanked by serpentine arms ending with carved eagle’s heads, on chamfered square legs joined by an H stretcher

70cm wide, 97cm high, 56cm deep

Provenance: Descended in the Cusack family of Abbeville, County Dublin, Ireland. Previously offered at Christies, London, Important English Furniture, 5th April 2001, Lot 253, The Property of The Late Robert Cusack-Jobson Esq.

Thence by descent to the present owner.

£500-700

86

GEORGE III MAHOGANY DISH-TOP TRIPOD TEA TABLE

18TH CENTURY

the circular tilt top on a fluted tapering column and cabriole legs ending in pad feet

67cm diameter, 70cm high

£400-600

87

GEORGE III MAHOGANY LONGCASE CLOCK, BY THOMAS

SHERWOOD, DONCASTER

LATE 18TH CENTURY

the brass breakarch dial with silvered chapter ring with Roman numerals and Arabic five minute markers, subsidiary seconds dial and date aperture to the silvered engraved centre mask, pierced brass spandrels, the arch set with a silvered signature roundel signed ‘Sherwood, Doncaster’ flanked by a pair of pierced rococo spandrels, the hood with turret top pediment topped with three ball and eagle finials, above a moulded breakarch, the dial flanked by Corinthian fluted columns with brass capitals, the trunk with breakarch door inlaid with a flame mahogany oval flanked by canted corners, on a plinth base with step moulding on bracket feet, all with boxwood stringing, the twin train movement striking a bell 237cm high, 47cm wide, 25cm deep

Note: Thomas Sherwood, Doncaster, b.1748 - d.1792; Brian Loomes, ‘Watchmakers & Clockmakers of the World’ Vol 2, p.212

£400-600

88

SCOTTISH EARLY GEORGE III MAHOGANY CHEST OF DRAWERS, POSSIBLY WILLIAM BRODIE

MID 18TH CENTURY

the top with a moulded edge above four long graduated drawers with original rococo gilt brass swan-neck handles and escutcheons, raised on shaped bracket feet

110cm wide, 99cm high, 58cm deep

£1,500-2,500

GEORGE II WINGBACK ARMCHAIR

2ND QUARTER 18TH CENTURY

the arched back and projecting wings above a loose cushion seat flanked by padded scrolled arms, raised on carved cabriole legs with claw and ball feet and brass castors, in yellow and gold patterned upholstery

88cm wide, 117cm high, 58cm deep

£1,000-1,500

90

GEORGE III MAHOGANY KNEEHOLE DRESSING TABLE

MID 18TH CENTURY

the rectangular top over a brushing slide and long frieze drawer, above a recessed cupboard flanked by banks of three short drawers, on bracket feet 83cm wide, 82cm high, 52cm deep

£700-1,000

91

EARLY GEORGE III MAHOGANY DRESSING CABINET

MID 18TH CENTURY

the rectangular top with a blind-fret carved edge above a pair of short drawers and a long drawer, over a further pair of mirrored cabinet doors, all within a blind-fret frame raised on shaped bracket feet

107cm wide, 84cm high, 54cm deep

£1,000-1,500

92

GEORGE III MAHOGANY

READING TABLE

18TH CENTURY

the hinged adjustable rectangular top with a bookrest rail, raised on a tapered column and tripod base with pad feet

51cm wide, 73cm high, 34cm deep

£400-600

GEORGE III MAHOGANY ‘CHINESE CHIPPENDALE’ LIBRARY ARMCHAIR CIRCA

1760

the square padded back above a stuffover seat flanked by padded slightly serpentine arms with blind-fret carved curved supports, raised on straight legs with pierced brackets and leather castors; covered in cafe au lait plush upholstery with close nail trim; together with a LATE GEORGE III MAHOGANY FOOTSTOOL, on splayed feet, upholstered to match (2)

70cm wide, 97cm high, 74cm deep

£600-800

93

SCOTTISH GEORGE III OAK LONGCASE CLOCK, BY WILLIAM VEITCH, HADDINGTON

LATE 18TH CENTURY

the brass breakarch dial with silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, pierced brass spandrels, the arch set with a silvered signature plate signed ‘William Veitch, Haddington’, the hood with broken swan neck pediment centred by a brass eagle and ball finial above a line cut frieze, the dial flanked by Doric columns, the trunk with plain breakarch door, on a plain plinth base with step moulding on bracket feet, twin train movement striking a bell

228cm high, 52cm wide, 26cm deep

Note: Veitch, William, Haddington, 1758-81; John Smith, ‘Old Scottish Clockmakers From 1453 to 1850’, p. 387

£400-600

GEORGE III MAHOGANY

CONCERTINA ACTION CARD TABLE

MID 18TH CENTURY

the rectangular fold-over top opening to a playing surface, the baize now lacking, above a blind-fret carved frieze raised on square chamfered legs with pierced brackets and ending on brass castors

92cm wide, 77cm high, 45cm deep [closed]

£500-700

GEORGE III MAHOGANY AND SATINWOOD BUREAU BOOKCASE

18TH CENTURY

the key moulded cornice above a lancet moulded frieze and a pair of astragal glazed doors enclosing adjustable shelves; the lower part with a secretaire drawer fitted with pigeon holes and drawers, over a pair of moulded cupboard doors, raised on shaped bracket feet

125cm wide, 217cm high, 63cm deep

£1,000-1,500

97

GEORGE III MAHOGANY ‘CHINESE CHIPPENDALE’ ESTATE CUPBOARD

18TH CENTURY AND LATER

of breakfront outline, the fretwork and dentil moulded cornice above five drawers flanked by cupboards enclosing further drawers, on a later stand with a fret carved frieze and pierced bracket feet

125cm wide, 139cm high, 55cm deep

£800-1,200

99

GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS

18TH CENTURY

the serpentine top with a moulded edge and straight sides, over four long graduated drawers, flanked by fluted angles and raised on bracket

92cm wide, 85cm high, 54cm deep

£1,500-2,500

98

GEORGE III MAHOGANY SERPENTINE CARD TABLE

MID 18TH CENTURY

the serpentine fold-over top with a moulded edge and opening on a single gateleg to a green baize playing surface, above a fluted frieze raised on channel moulded straight chamfered legs with carved corner brackets

75cm wide, 74cm high, 37cm deep [closed] 75cm deep [open]

£400-600

100

PAIR OF GEORGE II GILTWOOD LOW CHAIRS, IN THE MANNER OF WILLIAM KENT

18TH CENTURY

the padded backs with arched toprails and curved carved gilt uprights, over wide seats, the upholstery lacking, and raised on carved cabriole legs (2) 48cm wide, 65cm high, 42cm deep

£800-1,200

101

GEORGE III MAHOGANY WING ARCHAIR

LATE 18TH CENTURY

the tall back with an arched top rail and serpentine ears above a loose cushion seat and scrolled arms, raised on channel moulded straight legs joined by stretchers; in cream floral upholstery

74cm wide, 121cm high, 59cm deep

£500-700

102

GEORGE III MAHOGANY WINE TABLE 19TH CENTURY

the circular top on a slender turned baluster column, raised on a tripod base ending in pad feet

50cm diameter, 72cm high

£400-600

103

PAIR OF GEORGE III MAHOGANY BEDSIDE COMMODES

LATE 18TH CENTURY

the rectangular tray tops with wavy galleries and cut-out handles, over pairs of doors outlined with stringing, the bases with two dummy drawers concealing pull-out commodes converted to single drawers, on square moulded legs (2)

51cm wide, 76cm high, 46cm deep

£1,800-2,200

104

CONTINENTAL PUCE CAMAIEU

ENAMEL SNUFF BOX

18TH CENTURY

on white ground, painted harbour scenes to all sides, the lid and interior of the lid; together with a smaller POLYCHROME ENAMEL SNUFF BOX painted with a landscape with classical ruins to the lid and flowers to each side, 6.5cm wide, 3cm high, 5cm deep (2) 8cm wide, 3.5cm high, 6cm deep

£300-400

105

BATTERSEA

ENAMEL SNUFF BOX

18TH CENTURY

the hinged lid with a pastoral tableau of a shepherdess and a bagpiper, the interior of the lid with a suggestive scene of an amourous couple with an empty birdcage; the exterior painted with pastoral scenes with figures

7.5cm wide, 3.5cm high, 6.5cm deep

£300-500

106

TWO ENGLISH ENAMEL PATCH BOXES

18TH CENTURY

the first and largest painted with courting couples, the lid opening to a portrait of a lady with a fan; the second painted with a shepherdess and flower sprigs, 6.5cm wide, 3.5cm high, 5cm deep; together with an ENAMEL TREFOIL LID, painted with a courting couple, 6cm deep, 6cm wide (3)

8.5cm wide, 4cm high, 6cm deep

£500-700

108

GROUP OF FOUR BILSTON ENAMEL SNUFF OR PATCH BOXES

18TH CENTURY

comprising a rectangular turquoise ground snuff box with puce camaieu scenes of putti; a circular blue patch box with a polychrome rural scene on the lid within raised gilded enrichments and flower sprigs to the sides, 5cm diameter, 3cm high; a pink ground oval patch box with a pastoral scene enclosed by gilt swags, 6cm wide, 3cm high, 4.5cm deep; and a yellow and blue lattice rectangular patch box with a river scene on the lid, 5cm wide, 4cm deep, 3cm high (4)

6.5cm wide, 3.5cm high, 5cm deep

£300-500

107

THREE SMALL STAFFORDSHIRE ENAMEL PLAQUES

18TH CENTURY

to include a pair, one painted with an angler, the other with a pilgrim, with a town in the background; and a circular plaque with a central hole, painted with cattle and cow shed, 3cm diameter (3)

3.2cm high

£250-350

109

THREE STAFFORDSHIRE ENAMEL PATCH BOXES

18TH CENTURY

the first oval on white ground with green lattice, with raised flower sprigs and gilt swags to the lid and sides; the second rectangular on teal ground with white cartouches painted with flower sprigs, framed by raised white swags and leaves, 6.5cm wide, 4cm high, 5cm deep; the third rectangular on white ground with raised heart and central cloud shape framed by yellow ribbon borders and small raised blue dots and flower sprigs, 5cm wide, 2.5cm high, 4cm deep (3)

9cm wide, 4cm high, 5cm deep

£400-600

GROUP OF SIX ENAMEL SNUFF AND PATCH BOXES

18TH CENTURY

comprising an oval patch box showing the personification of Britannia, inscribed ‘Britannia attended with Peace & Plenty’; a green tinted round soap stone box with an inset enamel roundel in the lid, painted with landscape ruins, a peacock, and fruit to the interior, 5.5cm diameter, 2.5cm high; an oval snuff box with a stylised paisley pattern in yellow and purple on blue ground, 6cm long, 4cm deep, 2cm high; an oval patch box with a central raised sprig of white flowers enclosed by a zigzag border, 5cm wide, 2.5cm high, 3.5cm deep; an oval patch box with a central flower enclosed by raised dots, 5cm long, 2.5cm high, 4cm deep; and a novelty medallion painted as a pocket watch, with two ladies in a garden to the reverse, 4cm diameter, 1.5cm deep (6) 5cm long, 3cm high, 4cm deep

£500-700

111

GROUP OF THREE ENAMEL SCENT CONTAINERSS

18TH CENTURY

comprising a blue ground perfume bottle, painted to both sides with courting couples enclosed by raised white flowers, with a metal screw top; a small cobalt blue egg-shaped vinaigrette, 2.2cm wide, 3cm long; and a Bilston potpourri with a pierced lid painted with a crown enclosed by flower sprigs, 4.5cm diameter, 1.5cm high (3) 8cm high, 2cm deep

£400-600

112

THREE GEORGE III ENAMEL CANDLESTICKS

18TH CENTURY

to include a pair of South Staffordshire sticks with pierced drip pans, decorated with bird, flower, and fruit filled reserves against a dark blue ground; and a single Battersea enamel stick with a scalloped drip pan, decorated with flower sprigs on a white ground; together with a SOUTH STAFFORDSHIRE ENAMEL SALT, decorated with flower reserves against a blue ground (4) 25cm and 18cm high

£600-800

113

TWO CONTINENTAL PORCELAIN BODKIN CASES

LATE 18TH CENTURY

in the Meissen style, one with yellow metal mounts, the other with white metal mounts, 11.6cm and 12.2cm long; one with a stand (2)

11.6cm and 12.2cm long

£400-600

114

GROUP OF THREE ENAMEL PERFUME NECESSAIRES

18TH CENTURY

the first teal coloured with raised flower garlands, opening to two glass scent bottles; the second painted with urns and doves in a garden, opening to a glass scent bottle, 5.5cm high, 2.5cm wide; the third blue and white chequered with raised gilt dots,opening to a glass scent bottle, 5.5cm high, 2.5cm wide; together with a PINK ENAMEL VINAIGRETTE, with raised flower sprig decorations, 5cm high (4)

7cm high, 3.5cm wide

£300-500

115

GROUP OF TEN ENGLISH ENAMEL PATCH BOXES

18TH CENTURY

comprising a pink oval box and a green circular box, 3.5cm diameter, 2.5cm high, both with raised swags and flower sprigs; two oval patch boxes inscribed ‘Forget me not’ and ‘Keep this for my Sake’, with mirrors inside, 4cm wide, 2.5cm high, 3.5cm deep; an oval souvenir box inscribed Cheltenham Wells, 4.5cm wide, 2.5cm high, 4cm deep; a circular patch box with the lid painted with a landscape and a mirror to the interior, 3.5cm diameter, 2.5cm high; a circular box with an urn on the lid, inscribed ‘Life is Uncertain’, 3cm diameter, 2cm high; three further small circular patch boxes, inscribed with ‘Trifles from Respect’, ‘Love her who gives this trifle’ and ‘Friendship Sincere tis a Virtue dear’, each 2.2cm diameter, 1.5cm high (10) the largest 5cm wide, 3cm high, 4cm deep

£400-600

116

GROUP OF THREE ETUIS

18TH CENTURY

the first English enamel in pink with white cartouches painted with flowers, the gilt metal hinged lid opening to reveal manicure and sewing tools; the second English enamel in Sevres blue with cartouches painted with flowers, a hunting scene and a courting couple, the gilt metal hinged lid opening to reveal sewing tools, 8cm high, 3cm wide, 2cm deep; the third in white porcelain in the Meissen style, painted with courting couples in quatrefoil cartouches to the front and back, surrounded by flowers and colourful insects, with a further scene of a couple in a landscape to the interior of the lid, 6cm high, 3.5cm wide, 2.2cm deep (3) 10cm high, 4.5cm wide, 2,5cm deep

£600-800

117

SIX STAFFORDSHIRE ENAMEL

BODKIN CASES

LATE 18TH CENTURY

to include one with landscape and architectural scenes within white enamel scroll borders on a pink ground with white enamel diaper and flower decoration, with gilt metal mounts, 13cm long; one with similar decoration and a gilt metal mount on the base, 10.8cm long; one with architectural and pastoral scenes with gilt rocaille scroll borders, on a blue ground with white enamel diaper designs, containing a screw-on scent bottle, with gilt metal mounts, 15cm long; one with a landscape on a dark blue ground, containing a screw-on thimble, 13.1cm long; one of fluted form with sprays of flowers spaced with patterned blue ribbon, with engraved yellow metal mounts, 11.8cm long; and one with floral sprays within gilt rocaille scroll borders and gilt metal mounts, 12.1cm long; all with wood stands (6) the longest 15cm

£500-700

118

THREE BILSTON BONBONNIERES

LATE 18TH CENTURY

modelled as apples with hinged lids; the first with streaky red and green paint on yellow ground and signed to the interior R. L. 763 VOL; the two others with dappled red paint and green streaks on yellow ground, 4.5cm high, 4cm wide and 3cm high, 3.5cm wide (3)

4.5cm high, 5.5cm wide

£600-800

119

BILSTON ENAMEL BONBONNIERE

MID/ LATE 18TH CENTURY

modelled as a dog’s head, with a gilt brass mount and hinge, the cover decorated with a flower sprig

4.5cm long, 3.5cm wide

£400-600

120

BILSTON ENAMEL BONBONNIERE

MID/ LATE 18TH CENTURY

modelled as a recumbent stag, with a gilt brass mount and hinge, the enamel cover painted with a landscape scene of a figure and cottage by a lake

7cm wide, 4cm high

£800-1,200

BRITISH FURNITURE & WORKS OF ART PART II

121

GEORGE III MAHOGANY BASIN STAND

MID 18TH CENTURY

the moulded ring top above a centre tier with two short drawers and surmounted by a globular powder container, all raised and divided by turned supports and a tripod base with pad feet

50cm wide, 84cm high

£250-350

122

GEORGE III MAHOGANY TALL CHEST-ON-CHEST, PROBABLY CHANNEL ISLANDS

18TH CENTURY

the dentil moulded cornice above two short and three long drawers, flanked by canted fluted angles; the lower part with three further long graduated drawers raised on shaped bracket feet

117cm wide, 203cm high, 55cm deep

£600-800

123

GEORGE III MAHOGANY SMALL CHEST OF DRAWERS

18TH CENTURY

the rectangular top with a moulded edge over two short and three long graduated drawers, raised on bracket feet

86cm wide, 81cm high, 49cm deep

£400-600

GEORGE III SAMPLER, WORKED BY ELIZABETH MORTON, AGE 10 DATED 1781

in silk on linen, depicting a flowering vase, with baskets, trees, stags, birds, figures, and other animals enclosing a central motto ‘Diligent Study And Application ….. Surmount The Greatest Difficulties … ’, signed in a reserve flanked by angels, ‘Elizabeth Morgan the Tenth/ Year of her Age july 1781’, above a lower band with coronets, anchors, and crowned lions, within a meandering flower border, framed 40cm high, 28cm wide sight size

£800-1,200

£400-600 124

125

PAIR OF GEORGE III STYLE MAHOGANY TRAY-TOP TABLES

LATE 19TH CENTURY

the rectangular gallery tops with cut-out handles, above a three-quarter galleried lower tier, on tall square tapering legs (2) 45cm high, 82cm wide, 30cm deep

126

IRISH GEORGE III MAHOGANY PEAT BUCKET 18TH CENTURY

with ring-turned sides and a brass bail handle and brass banding

39cm diameter, 62cm high [handle up]

£800-1,200

127

GEORGE III MAHOGANY KNEEHOLE DRESSING TABLE

LATE 18TH CENTURY

the moulded rectangular top above a long frieze drawer and central kneehole with a cupboard and apron drawer, flanked by three drawers to each side, raised on bracket feet

79cm wide, 84cm high, 47cm deep

£600-1,000

129

128

GEORGE III MAHOGANY BUTLER’S TRAY AND STAND LATE 18TH CENTURY, THE STAND LATER the tray with deep shaped galleries with cut-out handles to all sides, on a folding stand tray 64cm wide, 54cm deep, 11cm high

£300-500

GEORGE III MAHOGANY BRASS BANDED OCTAGONAL WINE COOLER 18TH CENTURY

the hinged cover above a slightly tapered body with brass banding, raised on splayed square legs

49cm wide, 68cm high, 45cm deep

£300-500

130

GEORGE III MAHOGANY SIDEBOARD

LATE 18TH CENTURY with a rectangular inverted breakfront top, above a fluted frieze, the central drawer flanked by a wine cooler and cupboard, raised on a plinth

175cm wide, 91cm high, 59cm deep

£800-1,200

SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS

18TH CENTURY

the serpentine toprails over pierced vasiform splats and drop-in seats and wavy seat rails, raised on plain square legs joined by stretchers, comprising six side chairs and a pair of armchairs (8) sidechairs 44cm wide, 95cm high, 44cm deep; armchairs 65cm wide, 95cm high, 49cm deep

£500-700

GEORGE III MAHOGANY

SERVING TABLE

LATE 18TH CENTURY

the rectangular top above a plain frieze, raised on square tapered legs with carved roundel masks, ending in waisted spade feet, the base with old trade label ‘Norman Adams Ltd, 8-10 Hans Road, London, SW3’ 153cm long, 89cm high, 61cm deep £2,000-3,000

134

GEORGE III OLD SHEFFIELD PLATE TEA URN AND COVER

LATE 18TH CENTURY

133

GEORGE III MAHOGANY LARGE TABLE COASTER

EARLY 19TH CENTURY

of plain circular form, with ring turnings to the underside, fitted with leather castors 37cm diameter

£700-1,000

of slender urn form, with a pair of foliate decorated fluted hoop handles, the waisted cover with urn finial, beaded borders, the tap with turned ebony handle, on a circular stem with fluted border, set on a square plinth base with ogee bracket feet

56cm high, 27cm wide, 24cm deep

£250-350

135

PAIR OF BOW ‘QUAIL’ PATTERN OCTAGONAL PLATES

CIRCA 1760

painted in the Kakiemon style, the space painted with insects and sprigs (2)

24cm wide, 24cm high

£300-500

136

PAIR OF GEORGE III

MAHOGANY KNIFE BOXES

LATE 18TH CENTURY

each with banding and line inlay, the sloping hinged lids enclosing void interiors, the arc-en-arbelette fronts with silvered mounts and central brass handles (2)

35.5cm high, 22cm wide,

37.5 deep

£1,000-1,500

PLYMOUTH PORCELAIN MODEL OF A PHEASANT CIRCA 1770

the crested bird with long tail feathers, perched on a tree stump applied with flowers and foliage, with polychrome enamel decoration; paper label to base inscribed ‘Cookworthy’s Hard Porcelain Plymouth. A. Trapnell’ and a paper label for ‘Albert Amor 2000 Exhibition’

21 cm high

Provenance: This piece bears two inventory sticker numbers, 603 and 1833, which appear to relate to the A. Trapnell collection. A publication entitled ‘A Catalogue of Bristol and Plymouth Porcelain, with examples of Bristol glass and pottery, forming the collection made by Mr Alfred Trapnell’ was published by Albert Amor in London, 1912.

Note: For a coloured pair see Anne McNair, The Lady Ludlow Collection of English Porcelain (2007), p.186, no.169. Bonhams have offered white glazed examples of this model on 8th September 2010, lot 113, and 29th September 2020 lot 163.

£1,200-1,800

In 1768, William Cooksworthy of Plymouth became the first person in Britain to make true or hardpaste porcelain of the type then being imported from China by the English East India company. It had taken many years of experimentation. He applied for a patent, established a company and began production on a commercial scale. The Plymouth factory was never commercially successful due to lack of finance and the challenges of working with a new and unstable material. The factory was short lived, closing in 1770. Production was transferred to Bristol.

139

REGENCY FRUITWOOD AND PAPER DECORATED WORKBOX EARLY 19TH CENTURY

138

CASED SET OF DRAUGHSTMAN’S INSTRUMENTS, BY GEORGE ADAMS, LONDON MID 18TH CENTURY comprising a selection of brass and steel instruments in a green velvet lined fitted red-stained shagreen case

17.8cm wide, 4cm high, 11cm deep

£1,000-1,500

the domed hinged cover centred by an octagonal printed picture of a mother and child within a gilt decorated and pressed paper border, opening to a pink paper lined and fitted interior with a lift-out tray, the centre compartment with a handwritten section of poem by Alexander Pope, the exterior with brass lion’s mask handles and raised on brass ball feet

26cm wide, 18cm high, 21cm deep

£350-450

140

GEORGE III MAHOGANY

TRIPOD TEA TABLE

18TH CENTURY

the circular dished top on a turned baluster column support and tripod base ending in pad feet

61cm diameter, 71cm high

£500-700

141

IRISH MAHOGANY TALLBOY

18TH CENTURY

the moulded cornice above a dentil moulded frieze, over a pair of short drawers and six graduated long drawers, on bracket feet

97cm wide, 178cm high, 60cm deep

£600-800

142

GEORGE III

MAHOGANY WING ARMCHAIR

LATE 18TH CENTURY

the back with a serpentine top rail and wings above a loose cushion seat flanked by scrolled arms, raised on square legs joined by peripheral stretchers and ending on brass castors, in brown and gold floral floral upholstery

78cm wide, 116cm high, 56cm deep

£600-800

143

GEORGE III MAHOGANY CHEST OF DRAWERS

18TH CENTURY

the crossbanded top with a moulded edge above two short and three graduated long drawers, on bracket feet

95cm wide, 82cm high, 55cm deep

£600-800

144

SCOTTISH GEORGE III MAHOGANY ‘COCKPEN’ ARMCHAIR

LATE 18TH CENTURY

the square lattice back above a padded concave seat flanked by open arms and raised on cluster column legs joined by stretchers 84cm high, 58cm wide, 54cm deep

£600-800

145

GEORGE II MAHOGANY

TRIPOD TEA TABLE

MID 18TH CENTURY

the circular tilt top on a baluster column and tripod base ending in pad feet 91cm diameter, 72cm high

£300-500

146

GEORGE III MAHOGANY

LIBRARY BOOKCASE

MID 18TH CENTURY of shallow profile, the dentil moulded cornice above a blind-fret carved frieze and a pair of astragal glazed doors enclosing adjustable shelves; the separate lower part with a pair of short drawers over two long drawers, raised on shaped bracket feet

125cm wide, 219cm high, 36cm deep

£1,500-2,500

147

MANNER OF DIERIC BOUTS THE ELDER ECCE HOMO

Oil on panel

22.5cm x 15cm (8.75in x 6in)

£800-1,200

148

VENETIAN SCHOOL MADONNA AND CHILD

Pencil and sepia wash on brown paper

37cm x 29cm (14.5in x 11.5in)

£300-500

149

ATTRIBUTED TO KLAES MOLENAER

A WOODED RIVER LANDSCAPE WITH COTTAGES

Oil on panel

24cm x 33cm (9.5in x 13in)

Provenance: A. W. R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£400-600

150

FOLLOWER OF DIRCK VERHAERT

TRAVELLERS ON THE ROAD TO THE CASTLE

Bears initials A.K. with inscription verso ‘Bothwell Castle’, oil on panel

27cm x 22cm (10.5in x 8.5in)

Provenance: A. W. R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£400-600

CIRCLE OF WILLEM VAN NIEULANDT

FIGURES BY CLASSICAL RUINS

Oil on copper, and a companion, a pair, also ‘Figures by Classical Ruins’ 19cm x 24cm (7.75in x 9.5in)

Provenance: S. Nystad, Den Haag, 7 November 1981; A. W. R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family.

£2,000-3,000

152

ATTRIBUTED TO JEAN-BAPTISTE

MARIE PIERRE (FRENCH 1714-1789)

DANAE AND THE SHOWER OF GOLD Oil on copper

25cm x 20cm (9.75in x 8in)

Note: For a similar composition in reverse see Sotheby’s, Paris, June 26th 2014, lot 35

£2,000-3,000

153

ATTRIBUTED TO FRANCESCO GRIMALDI FIGURES IN AN ARCADIAN LANDSCAPE

Pen and ink on buff paper

23cm x 33cm (9in x 13in)

Provenance: P & D Colnaghi & Co. Ltd, London as Annibale Carracci

£300-500

ATTRIBUTED TO MATTHIAS WITHOOS

A FOREST FLOOR STILL LIFE WITH HEDGEHOG

Oil on canvas

48cm x 55.5cm (19in x 22in)

Provenance: A. W. R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£5,000-8,000

155 FRENCH SCHOOL

HEAD AND SHOULDER PORTRAIT OF PHILIP V OF SPAIN

Oil on canvas

39cm x 31cm (15.25in x 12.25in)

£800-1,200

Note: In her Mary Beale exhibition catalogue at the Geffrye Museum (1999, p.53) Tabitha Barber quotes from Charles Beale’s account books which describes the stretcher as having ‘half lapped corner joints nailed together with 3 conical headed nails. The bars have rounded edges but no distinct bevel’. See the photograph of the reverse of our painting for a similar construction.

156

MARY BEALE (BRITISH 1633-1699)

HALF LENGTH PORTRAIT OF WILLIAM FORSTER AGED 8

Signed, inscribed and dated 1683, feigned oval, oil on canvas

76cm x 63.5cm (30in x 25in)

£4,000-6,000

157

FOLLOWER OF LUDOLPH BACKHUIZEN

THE BRITISH FLEET IN STORMY SEAS

Oil on canvas

61cm x 53cm (24in x 21in)

£600-900

159

SIR THOMAS LAWRENCE P.R.A (BRITISH 1769-1830)

PORTRAIT OF ELEANOR CARNE

Inscribed extensively on a label verso, pastel on paper, oval

30cm x 24cm (11.75in x 9.5in)

Note: The note verso states: ‘Eleanor Carne born 13th Nov. 1769, only child of Rev. John Carne Nash by Eleanor his wife, daug.r of Rich. Carne Esq. This picture was taken by Sir Thos. Lawrence, President of the Royal Society when he was only 17 years old and Miss Carne was then 14 years. Miss Carne was married to Thomas Mark ….. of Cheltenham, 29th August 1790. He died 19th Nov. 1819 aged 70 at Nash. She died at Nash 10th Oct. 1842 aged 73’.

£2,000-3,000

158

WILLIAM AIKMAN (SCOTTISH 1682-1731)

HALF LENGTH PORTRAIT OF ELIZABETH JOHNSTON

Signed and inscribed verso, oil on canvas

76cm x 63.5cm (30in x 25in)

Note: There is a letter attached to this lot from the former keeper of the Scottish National Portrait Gallery, R.E. Hutchison, confirming its attribution.

£700-1,000

160

MANNER OF ANDRIES VERMEULEN A WINTER LANDSCAPE WITH FIGURES COLLECTING FIREWOOD Bears signature, oil on panel 46cm x 61cm (18in x 24in)

£800-1,200

161

FRANCISCUS XAVERY (DUTCH 1740-1773)

A WOODED LANDSCAPE WITH DROVERS Signed, oil on panel 28cm x 38cm (11in x 15in)

Provenance: A. W. R. Baron Mackay of Blaricum, Holland (1907-1995) and thence by descent through the family

£800-1,200

BRITISH FURNITURE & WORKS OF ART

PART III

162

GEORGE III MAHOGANY

SMALL BUFFET OR WHATNOT

LATE 18TH CENTURY

the rectangular top raised on ringturned supports, over a lower tier with a cockbead moulded cupboard door, raised on turned feet

71.5cm wide, 80cm high, 41.5cm deep

£300-500

163

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, BY WILLIAM GILLIES, ST. NINIANS

LATE 18TH CENTURY

the brass breakarch dial with Roman numerals, subsidiary seconds dial and date aperture to the engraved centre mask, pierced brass spandrels, the arch set with a signature roundel signed ‘Wm Gillies, St Ninians’ flanked by a pair of pierced dolphins, the hood with broken swan neck pediment centred by a brass ball finial, above a boxwood pierced foliate frieze, the dial flanked by free Corinthian fluted columns with brass capitals, the trunk with shaped arch door with stringing flanked by Doric quarter columns, on a plain plinth base with step moulding on bracket feet, the twin train movement striking a bell

218cm high, 53cm wide, 25cm deep

Note: Gillies, William, St. Ninians, 1775 - Old Scottish Clockmakers From 1453 to 1850, John Smith, p.159

£400-600

164

PAIR OF GEORGE III MAHOGANY ARMCHAIRS

LATE 18TH CENTURY

in the Hepplewhite style, the shield backs with pierced foliate splats carved with harebells, above pink upholstered stuffover seats flanked by downswept arms, raised on reeded square tapered legs with spade feet joined by stretchers (2) 61cm wide, 98cm high, 52cm deep

£400-600

165

SET OF NINE HEPPLEWHITE STYLE MAHOGANY DINING CHAIRS

LATE 18TH CENTURY

the backs with arched top rails above pierced baluster splats, over drop-in seats with serpentine seat rails, raised on square tapered legs joined by stretchers, to include eight side chairs and an armchair (9) armchair 58cm wide, 101cm high, 49cm deep

£500-700

166

GEORGE III MAHOGANY AND INLAY SMALL SERPENTINE SERVING TABLE

LATE 18TH CENTURY

the serpentine top centred by an oval reserve with a shell motif, above three short crossbanded frieze drawers, raised on square tapered legs ending in block feet and with fan inlay corner brackets 107cm wide, 88cm high, 61cm deep

£4,000-6,000

167

GEORGE III MAHOGANY SMALL CHEST OF DRAWERS

18TH CENTURY

the top with a moulded edge above a brushing slide and four long graduated drawers, on bracket feet

83cm wide, 81cm high, 47cm deep

£400-600

168

GEORGE III MAHOGANY AND INLAY SERPENTINE SERVING TABLE

LATE 18TH CENTURY

the banded top over three frieze drawers outlined with chequer banding, raised on fluted square tapered legs

141cm wide, 90cm high, 66cm deep

£800-1,200

169

GEORGE III MAHOGANY DOUBLE CHAIR BACK SETTEE

LATE 18TH CENTURY

the shaped toprail over pierced splats carved with swags above a black leather upholstered serpentine seat outlined with close nail trim and flanked by downswept open arms, raised on square tapered legs with spade feet

103cm wide, 95cm high, 48cm deep

£800-1,200

170

PAIR OF GEORGE III MAHOGANY SIDE CHAIRS

18TH CENTURY

the serpentine top rails above pierced vasiform splats, over drop-in seats raised on square chamfered legs joined by stretchers (2)

97cm high, 54cm wide, 50cm deep

£300-400

171

GEORGE III MAHOGANY LIBRARY BOOKCASE LATE 18TH CENTURY

the lancet moulded cornice over a pair of astragal glazed doors opening to a fabric-lined interior with adjustable shelves, above five short drawers; the associated base with two pairs of moulded cupboard doors opening to sliding trays, on bracket feet

184cm wide, 276cm high, 48cm deep

£1,000-1,500

172

GEORGE III MAHOGANY, SATINWOOD AND AMBOYNA PIER TABLE

LATE 18TH CENTURY, THE DECORATION LATER

the demilune top with radiating veneers with a painted flower border, above a frieze with floral swags, raised on square section legs painted with bellflower trails

135cm wide, 84cm high, 53cm deep

£600-800

173

PROVINCIAL WALNUT PAINTED DIAL LONGCASE CLOCK

19TH CENTURY, POSSIBLY AMERICAN the cream enamel breakarch dial with Roman numerals and Arabic five minute markers, inner date dial within the chapter ring, painted half rosette spandrels, the arch painted with a landscape roundel with swags and winged bird, the hood with broken swan neck pediment with carved rosettes centred by a turned ball finial, above a plain frieze, the dial flanked by free turned columns, the trunk with dentil moulding above a shaped arch door flanked by fluted Doric quarter columns, on a plinth base with raised moulded lozenge flanked by corresponding columns on a bracket foot, the twin train movement striking a bell

247cm high, 50cm wide, 29cm deep

£500-700

174

GEORGE III SATINWOOD

BERGERE ARMCHAIR

LATE 18TH CENTURY

the square enclosed padded back and downswept arms above a stuffover seat raised on square tapered legs ending in spade feet, covered in cream and blue striped silk upholstery

61cm wide, 87cm high, 55cm deep

£400-600

175

GEORGE III MAHOGANY BUREAU BOOKCASE

LATE 18TH CENTURY

the moulded cornice above astragal glazed doors enclosing adjustable shelves; the lower part with a sloping fall enclosing a fitted interior, above four graduated drawers, raised on bracket feet

100cm wide, 217cm high, 52cm deep

£700-1,000

176

LATE GEORGE III MAHOGANY HAT AND COAT STAND

LATE 18TH CENTURY

the central baluster turned column surmounted with a knop finial above a horizontal shaped arm and four upturned branches, raised on tripod base with outswept legs ending in simple downturned feet

176cm high, 65cm wide

£700-900

178

177

GEORGE III MAHOGANY SIDE TABLE

LATE 18TH CENTURY

the rectangular top with a moulded edge above a long frieze drawer and arched apron, raised on square tapered legs

81cm wide, 73cm high, 50cm deep

£400-600

GEORGE III MAHOGANY

WASHSTAND

LATE 18TH CENTURY

179

SET OF FOUR GEORGE III

MAHOGANY SIDE CHAIRS

LATE 18TH CENTURY

in the Hepplewhite style, the shield backs with pierced splats carved with flowerheads and palmettes, above stuffover seats covered in floral needlework, raised on square reeded and tapered legs ending in spade feet and joined by stretchers (4) 54cm wide, 93cm high, 52cm deep

£400-600

the top with a tall three-quarter gallery and fitted with a rising mirror, covered compartment and a basin recess, above a frieze with a dummy drawer flanked by short drawers, raised on ringturned legs joined by a concave undertier; with an associated Chinese export blue and white porcelain basin

82cm wide, 101cm high, 56cm deep

£300-500

181

GEORGE III MAHOGANY

SERPENTINE SIDE CABINET, ATTRIBUTED TO GILLOWS

EARLY 19TH CENTURY of bowed breakfront outline, with three central graduated bowfront drawers lanked by concave cupboard doors with oval strung inlaid veneers, raised on short tapering legs with spade feet

141cm wide, 88cm high, 58cm deep

£3,000-5,000

180

MATCHED PAIR OF GEORGE III MAHOGANY DEMILUNE BEDSIDE COMMODES, IN THE MANNER OF GILLOWS

LATE 18TH CENTURY

the hinged demilune tops above pairs of cupboard doors with dummy drawer fronts, concealing fitted commode interiors, above wavy aprons and raised on French bracket feet (2)

70cm wide, 78cm high, 50cm wide; and 68.5cm wide, 73cm high, 49cm deep

£1,000-1,500

182

ENGRAVED COMPOSITE STEM WINE GLASS

MID 18TH CENTURY

the drawn trumpet bowl engraved with fruiting vines, the engraving extending onto the stem, the plain stem set into a beaded knop, over a short plain section, on a conical foot

17.1cm high

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£300-500

183

ENGRAVED AIR TWIST CHAMPAGNE GLASS

MID 18TH CENTURY

the double ogee bowl engraved with a band of fruiting vines, over an annulated collar, raised on an inverted baluster mercury twist stem, on a domed foot with folded rim

17.7cm high

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£300-500

185

TWO ENGRAVED AIRTWIST ALE GLASSES

MID 18TH CENTURY

184

TWO COMPOSITE STEM WINE GLASSES

MID 18TH CENTURY

one with a drawn trumpet bowl, the stem with a beaded knop between two plain knops, over a plain section and a plain knop, on a domed foot, 18.4cm high; the other with a drawn trumpet bowl over a section of plain stem above a plain knop and an inverted baluster airtwist stem, on a conical foot (2)

the tallest 18.7cm high

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£500-700

one with a drawn trumpet bowl engraved with hops and ears of barley, on an air twist stem over a conical foot with folded rim, 20.2cm high; the other with an elongated round funnel bowl engraved with hops and ears of barley, over a double series airtwist stem with a central corkscrew and a seven ply spiral band, on a conical foot (2)

the tallest 22.2cm high

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£400-600

186

GROUP OF TWELVE GEORGIAN RUMMERS

EARLY 19TH CENTURY

to include a set of six with rounded bowls cut with circular panels, on knopped stems and a round spreading foot, 15cm-16cm high; and six various rummers, the bowls partially cut with flutes or panels (12)

15cm - 17.5cm high

£250-350

187

TEN VARIOUS WRYTHEN DWARF ALE GLASSES

18TH CENTURY

all with a conical wrythen moulded bowls, on knopped stems and a conical foot (10)

13cm - 14.9cm high

£250-350

188

COMPOSITE STEM GLASS GOBLET

MID 18TH CENTURY

the drawn trumpet bowl on a plain stem set into an inverted baluster stem, over a conical foot with a folded rim

21.3cm high

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£400-600

189

LARGE COMPOSITE STEM GOBLET

MID 18TH CENTURY

the drawn trumpet bowl on a plain stem set into a triple annulated knop, over a section of plain stem, over a conical foot with folded rim

23.6cm high

191

SIX VARIOUS GEORGIAN GLASSES

18TH CENTURY

190

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£500-700

ENGRAVED GLASS GOBLET

18TH CENTURY

the round funnel bowl engraved with fruiting vines and a butterfly/ moth, raised on a cylindrical stem enclosing a long tear, on a conical spreading foot

18cm high

Provenance: Collection of the late G. A. Cannon, Chelsworth, Suffolk

£400-600

including an airtwist glass with an elongated round funnel bowl on a stem with two knops, 20.1cm high; an airtwist glass with a drawn trumpet bowl on a plain stem, 15.5cm high; an engraved opaque twist glass, the bowl engraved with a bird and a flower on a leafy branch, 14.9cm high; a further opaque twist stem glass, 12.6cm high; an ale glass with a drawn trumpet bowl, engraved with hops and barley on a plain stem with a folded foot, 15.2cm high; and a small plain stem glass engraved with a bird and a flower, 11.5cm high (6) tallest glass 15.5cm high

£300-500

192

GEORGIAN OAK REFECTORY TABLE 18TH CENTURY

the three board cleated top raised on end supports with trestle bases and joined by a straight stretcher with a further centre support bracket

239cm long, 75cm high, 87cm deep

£700-1,000

193

OAK DRESSER BASE

LATE 17TH/ EARLY 18TH CENTURY

the top with a moulded edge above three short twin-panel moulded frieze drawers, above a pair of moulded panel cupboard doors flanked and divided by further moulded panels, raised on stile feet

188cm wide, 84cm high, 53cm deep

£800-1,200

194

SET OF SEVEN GEORGE III EBONISED AND POLYCHROMED BEECH DINING CHAIRS

LATE 18TH CENTURY the backs with curved toprails and vertical splats over rush seats, raised on turned tapered legs joined by stretchers, to include six side chairs and an armchair (7)

44cm wide, 81cm high, 40cm deep

Armchair 54cm wide, 87cm high, 44cm deep

Provenance: Ex Leighton Hall, Cumbria

£400-600

196

CAST IRON FIREBACK

17TH CENTURY

of cusped arched outline, with a lion passant, thistle, rose, and fleur-de-lys, dated 1644

79cm wide, 70cm high

Note: This fireback may have been made in reference to the Scottish origin of the Stuart dynasty showing the allegiance between Scotland, England and France. Other exampes exist with dates ranging from 1641 to 1649, the year of Charles I’s execution. A similar example dated 1649 is in the collection of the Victoria & Albert Museum, London (acc. no.492-1901) (seeJeremy Hodgkinson,British Cast-Iron Firebacks of the 16th and 17th Centuries, (Worth, Crawley: Hodgersbooks, 2010), p. 178, no. 258).

£300-500

195

ELEVEN LARGE SANDEMAN PORT BOTTLES

19TH CENTURY

olive green, of typical cylindrical form, each with a moulded label to the front inscribed ‘SANDEMANS PORT’ (11) approximately 57cm high

Note: Capacity is just under 5.5 litres

£300-500

197

GEORGIAN ADAM STYLE STEEL AND

BRASS FIRE BASKET

19TH CENTURY

the arched cast iron fireback above a three bar grate flanked by foliate cast shoulders above a serpentine fluted apron with interspersed paterae, raised on square tapered legs with large urn finials

102cm wide, 71cm high, 46cm deep

£400-600

SET OF TWELVE REGENCY BEECH AND ASH HOOP BACK DINING CHAIRS

EARLY 19TH CENTURY

the arched backs over channelled vertical splats and drop-in seats, raised on channelled square tapered legs, to include ten side chairs and a pair of armchairs (12) 50cm wide, 91cm high, 42cm deep

£1,000-1,500

199

GEORGIAN OAK DRESSER BASE

MID 18TH CENTURY

the rectangular top above a central pair of panel cupboard doors flanked by further panel doors and short drawers, all separated by fluted pilasters, raised on bracket feet 185cm wide, 82cm high, 55cm deep

£800-1,200

200

SCOTTISH GEORGE III OAK LONGCASE CLOCK, BY GEORGE YOUNG, LOCKERBIE

LATE 18TH CENTURY

the brass breakarch dial with silvered chapter ring with Roman numerals and Arabic five minute markers, subsidiary seconds and date dials to the engraved centre mask, pierced brass spandrels, the arch set with a silvered signature roundel signed ‘Geo Young, Locherby’ flanked by a pair of pierced dolphin, the hood with broken swan neck pediment with engine turned brass roundels centred by an eagle finial, above a pierced foliate frieze, the dial flanked by Doric half columns with brass capitals, the trunk with shaped arch door on a plain plinth base on bracket feet, the twin train movement striking a bell 225cm high, 52cm wide, 25cm deep

£400-600

GEORGE I ELM BUREAU

EARLY 18TH CENTURY

the slope front enclosing an arrangement of drawers and pigeon holes and a later black tooled leather skiver, over four graduated long drawers and a pair of lopers, raised on bracket feet

90cm wide, 108cm high, 53cm deep

£500-700

202

TWO WINDSOR ARMCHAIRS

19TH CENTURY

the first in yew with a low spindle hoop back and sadde seat with turned legs joined by an H stretcher; the second in elm and ash with a high spindle hoop back with a pierced centre splat and saddle seat raised on turned legs with stretchers (2)

one 56cm wide, 90cm high, 36cm deep; the other 65cm wide, 109cm high, 45cm deep

£300-500

203

GEORGIAN OAK CHEST OF DRAWERS

18TH CENTURY

the caddy top over two short and three long graduated drawers, raised on bracket feet

90cm wide, 87cm high, 46cm deep

£300-500

204

WILLIAM AND MARY OAK

PANEL LINEN CHEST

LATE 17TH CENTURY

the hinged top above a three panel front raised on tall stile feet joined by a front stretcher

147cm wide, 94cm high, 54cm deep

£300-500

205 Y

PAIR OF REGENCY ROSEWOOD AND BRASS INLAID OCCASIONAL TABLES

EARLY 19TH CENTURY

each with an octagonal top with segmented veneers, raised on faceted column supports and triform bases with scroll carved feet (2) 53cm diameter, 72cm high

£1,000-1,500

206

LATE REGENCY MAHOGANY CHAISE LONGUE

EARLY 19TH CENTURY

probably Scottish, the long deep padded buttoned seat and scroll end with a bias scrolled back with acanthus detail and eagle head terminal, raised carved palmette legs with brass castors, in a grey velvet upholstery

180cm wide, 85cm high, 56cm deep

£1,800-2,200

207 Y

GEORGE IV ROSEWOOD FOLDOVER TEA TABLE

EARLY 19TH CENTURY

the rectangular hinged top above a foliate scroll carved frieze, raised on a baluster support carved with lotus and acanthus and ending on a circular base, raised on claw feet with recessed castors

92cm wide, 75cm high, 46cm deep [closed]

£400-600

208

REGENCY MAHOGANY TEA TABLE

EARLY 19TH CENTURY

the D shaped fold-over top with a reeded edge, raised on a square tapered column outline with bead moulding, on a quadripartite base with carved paw feet and brass castors

101cm wide, 75cm high, 50cm deep (100cm open)

£300-500

209

REGENCY MAHOGANY DROP LEAF DINING TABLE, IN THE MANNER OF GILLOWS

EARLY 19TH CENTURY

comprising a centre section with drop leaf sides and a pair of rounded D ends, the top with a reeded edge, raised on turned and reeded tapered legs ending in brass castors

330cm long, 75cm high, 127cm deep

£1,500-2,500

210

REGENCY MAHOGANY AND EBONY BANDED STAGEBACK SIDEBOARD

EARLY 19TH CENTURY

the superstructure with drawers and sliding compartments above bowfront centre section with a long frieze drawer with an arched recess drawer below fitted with a baize liner, flanked by deep drawers and raised on reeded and tapered legs

225cm wide, 116cm high, 80cm deep

£500-700

212 Y

GEORGE IV ROSEWOOD LIBRARY TABLE

EARLY 19TH CENTURY

the rounded rectangular top above two short frieze drawers, on tapered square section end supports with trestle bases raised on carved paw feet

138cm wide, 74cm, 56cm deep

£600-800

211

SET OF TEN WILLIAM IV MAHOGANY DINING CHAIRS, BY GILLOWS

EARLY 19TH CENTURY

the curved bar backs with lotus carved splats, above stuff-over seats covered in blue striped velvet upholstery, raised on ring turned and tapered reeded legs, comprising eight side chairs and a pair of armchairs, the armchairs and two others stamped ‘Gillows Lancaster’ (10) armchairs 59cm wide, 85cm high, 54cm deep £2,000-3,000

213

REGENCY MAHOGANY BOWFRONT SIDE

TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY

the bow front top over two short frieze drawers, raised on slender turned and tapered legs

100cm wide, 76cm high, 53cm deep

£400-600

GEORGE

III MAHOGANY WASHSTAND, BY GILLOWS

LATE 18TH CENTURY

the rectangular hinged top opening to an interior with an arrangement of boxes with turned bone knobs and cut glass bottles, flanking an easel backed mirror, the front with three dummy drawers over a centre double height drawer fitted with a ceramic washstand, flanked by two pairs of short drawers, stamped ‘Gillows Lancaster’ to one drawer, on tapering square legs with brass caps and castors

81cm wide, 86cm high, 56cm deep

£800-1,200

216

REGENCY MAHOGANY LAMP TABLE

EARLY 19TH CENTURY

the rectangular top with a reed moulded edge above a long frieze drawer, raised on ring-turned tapered legs ending in brass caps and castors

51cm wide, 73cm high, 42cm deep

£500-700

218

215

REGENCY GILTWOOD

CONVEX MIRROR

EARLY 19TH CENTURY

the circular mirror plate in a reeded slip and deep moulded giltwood frame with ball mounts

66cm diameter

£300-500

217

REGENCY MAHOGANY DRESSING

TABLE, IN THE MANNER OF GILLOWS

EARLY 19TH CENTURY

the top with a reeded edge and threequarter gallery, above a long frieze drawer flanked by pairs of short drawers arranged around an arch, raised on slender turned and reeded legs ending in brass caps and castors

110cm wide 83cm high, 52cm deep

£1,000-1,500

REGENCY STYLE LEATHER UPHOLSTERED CENTRE STOOL MODERN

the oxblood red buttoned leather with close nail trim, raised on turned mahogany legs with brass caps and castors

124cm wide, 38cm high, 74cm deep

£500-700

219

SET OF THREE REGENCY MAHOGANY NESTING TABLES

EARLY 19TH CENTURY

the rectangular tops raised on slender block and ring turned tapered legs joined by a rear stretcher, on trestle bases, the centre table inlaid with a games board (3)

51cm wide, 73cm high, 36cm deep

£600-800

220

REGENCY MAHOGANY WHATNOT CABINET

EARLY 19TH CENTURY

the rectangular open top tier above two pairs of panel cupboard doors with two further drawers below, raised on ring-turned legs

51cm wide, 159cm high, 38cm deep

£400-600

REGENCY MAHOGANY FOLDOVER TEA TABLE, IN THE MANNER OF WILLIAM TROTTER

EARLY 19TH CENTURY

the rectangular crossbanded top on a waisted squared support clasped with carved lotus blossoms, on a concave quadripartite base with bun feet with brass castors

97cm wide, 77cm high, 46cm deep [closed]

£300-500

222

REGENCY MAHOGANY CHIFFONIER

EARLY 19TH CENTURY

the shelved superstructure with shaped uprights, above a reeded edge top and a pair of cupboard doors with Grecian key moulding, enclosing a shelved interior, raised on a turned feet

89cm wide, 124cm high, 37cm deep

£500-700

223

LATE REGENCY LARGE MAHOGANY SERVING TABLE, PROBABLY SCOTTISH

EARLY 19TH CENTURY

the rectangular top above a three frieze drawers centred with a tablet, raised on acanthus carved, reeded and gardrooned tapering legs on later ceramic castors

184cm wide, 98cm high, 55cm deep

£1,000-1,500

225

GEORGE III MAHOGANY OCTAGONAL DUMBWAITER

LATE 18TH CENTURY

with two graduated tiers on reeded centre columns, on an octagonal cabinet base with a cupboard door, raised on square tapered legs

51cm wide, 137cm high

£400-600

224

SET OF SIX REGENCY MAHOGANY AND BRASS INLAID DINING CHAIRS

EARLY 19TH CENTURY

with tablet backs with gadrooned pediments and foliate brass inlay and pierced horizontal splats, above drop-in seats covered in yellow ochre velvet, with brass lined seat rails and raised on brass lined sabre legs (6)

80cm high, 46cm wide, 45cm deep

£500-700

226

REGENCY MAHOGANY AND SATINWOOD BREAKFAST TABLE

EARLY 19TH CENTURY

the banded rounded rectangular top with a plain moulded edge, raised on a turned column and four reeded splayed legs ending in brass caps and castors

152cm wide, 73cm high, 106cm deep

£400-600

227

REGENCY MAHOGANY BUTLER’S TRAY AND STAND EARLY 19TH CENTURY

the gallery tray with cut out handles, on a folding X form stand tray 71cm long, 59.5cm wide, 7cm deep

£300-500

229

REGENCY MAHOGANY BRASS MOUNTED SIDE CABINET EARLY 19TH CENTURY

the rectangular top above three doors with brass grille inserts lined with pleated peach coloured silk, enclosing a shelved interior, on a plinth base

153cm wide, 94cm high, 41cm deep

£1,000-1,500

228

SMALL GEORGE III MAHOGANY DEMILUNE SIDEBOARD LATE 18TH CENTURY

with a central drawer over an arched recess drawer, flanked by moulded cupboard doors, raised on slender square section legs ending on brass caps and castors

115cm wide, 81cm high, 58cm deep

£800-1,200

230

REGENCY MAHOGANY SOFA TABLE

EARLY 19TH CENTURY

the rounded rectangular top with twin drop-leaf ends above a pair of short frieze drawers, on end supports with arch bracket supports and outswept legs ending in brass caps and castors

103cm wide (155cm with flaps open), 73cm high, 66cm deep

£400-600

231 Y

PAIR OF FINE REGENCY ROSEWOOD OCCASIONAL TABLES

EARLY 19TH CENTURY

the square tops with moulded edges raised on turned and faceted baluster supports with concave triform bases and turned bun feet (2)

48cm wide, 75cm high, 48cm deep

£2,000-3,000

232 Y

REGENCY ROSEWOOD AND COROMANDEL LIBRARY TABLE

EARLY 19TH CENTURY

the rounded rectangular top with coromandel banding over a pair of short frieze drawers, raised on end supports with outswept legs ending in brass paw caps and castors

126cm wide, 54cm high, 76cm deep

£500-700

233

REGENCY MAHOGANY BOOKCASE CABINET

EARLY 19TH CENTURY

the upper part with a moulded cornice and plain frieze over astragal glazed doors enclosing shelves, with an arched recess below; the lower part with a centre drawer and arched apron flanked by pairs of short drawers, on square tapering legs

91cm wide, 206cm high, 50cm deep

£600-800

234

REGENCY MAHOGANY

WINE TABLE

19TH CENTURY

the circular top over a spiral carved column, on a concave tripartite base with paw feet

44cm diameter, 72cm high

£900-1,200

235 Y

PAIR OF REGENCY MAHOGANY AND ROSEWOOD

CROSSBANDED CARD TABLES

EARLY 19TH CENTURY

the D shaped tops with crossbanded borders, opening to green baize playing surfaces, raised on turned slender tapering legs (2)

89cm wide, 76cm high, 45cm deep [closed]

£500-700

237

REGENCY SIMULATED ROSEWOOD WINDOW SEAT

EARLY 19TH CENTURY

the long cushion seat flanked by high scrolling ends, the frame carved with acanthus and reeded panels, raised on turned and reeded legs ending in brass caps and castors; in rose and gold striped upholstery

156cm wide, 74cm high, 40cm deep

£400-600

236 Y

REGENCY ROSEWOOD SOFA TABLE

EARLY 19TH CENTURY

the rounded rectangular top with drop ends over two short frieze drawers with dummy drawers opposing, outlined with brass and with gilt metal mounts, on twin turned end supports on outswept legs united by a turned stretcher, and ending in brass caps and castors

148cm wide (open), 94cm wide (closed), 73cm high, 62cm deep

£400-600

238 Y

REGENCY ROSEWOOD SOFA TABLE

EARLY 19TH CENTURY

the rounded rectangular top raised on faceted baluster end supports on platform bases with recessed castors

133cm wide, 77cm high, 67cm deep

£400-600

239 Y

REGENCY ROSEWOOD OCCASIONAL TABLE

EARLY 19TH CENTURY

the rectangular top outlined with bead moulding above a frieze drawer, raised on a foliate carved baluster support, and concave quadripartite base with bun feet

51cm wide, 74cm high, 39cm deep

£1,000-1,500

240 Y

SCOTTISH REGENCY ROSEWOOD AND GONCALO ALVES SOFA TABLE, IN THE MANNER OF WILLIAM TROTTER

EARLY 19TH CENTURY

the crossbanded rectangular top with rounded corners and a crossbanded edge, above a pair of short frieze drawers with mahogany linings, flanked by scroll carved bracket supports, with dummy drawers to the reverse, raised on rectangular end supports with platform trestle bases carved with roundels and acanthus leaf carvings, raised on faceted turned feet with recessed brass castors

122cm wide, 73cm high, 66cm deep

£3,000-4,000

241 Y

LATE REGENCY ROSEWOOD BREAKFAST TABLE

EARLY 19TH CENTURY

the circular tilt top with a gadrooned moulded edge, above a tapered column and concave tripartite base with scroll feet

128cm diameter, 74cm high

£500-700

242

REGENCY MAHOGANY BERGERE EARLY 19TH CENTURY

with a caned back, enclosed arms, and seat, the frame carved with scrolls with acanthus and berry motifs, with a leather seat cushion and part padded arms, raised on reeded and tapered legs ending in large brass caps and castors

67cm wide, 102cm wide, 50cm deep

£1,200-1,800

243 Y

REGENCY ROSEWOOD SMALL OPEN BOOKSTAND EARLY 19TH CENTURY

the rectangular top over frieze drawers and raised on square column supports carved with pilasters headed by anthemion, the base fitted with two long drawers and dummy drawers, on a moulded plinth base

53cm wide, 73cm high, 40cm deep

Provenance: Sold in these rooms, 12 August 2011, lot 80

£1,500-2,500

244

CARY’S 12 INCH NEW TERRESTRIAL TABLE GLOBE EARLY 19TH CENTURY

with hand coloured gores and cartouche printed ‘Cary’s New Terrestrial Globe/ Delineated From the best Authorities extant/ Exhibiting the late Discoveries towards the North Pole/ and every improvement in Geography to the present time/ London’ mounted in brass meridian and horizon ring with calendar and zodiac scales, in a mahogany tripod stand united by a lower tier set with a compass overall 63cm high £3,000-5,000

245

REGENCY MAHOGANY WORK TABLE

EARLY 19TH CENTURY

the rounded rectangular top with drop leaf sides, above two dummy drawers concealing a deep drawer and dummy drawers on the reverse, raised on turned and tapered legs ending in brass caps and castors

76cm wide [leafs up], 38 [down], 71cm high, 51cm deep

£400-600

246

WILLIAM IV LARGE MAHOGANY WHATNOT

EARLY 19TH CENTURY

of generous proportions, with four tiers raised and divided by ring-turned baluster supports capped with acorn finials, the base with a drawer, raised on ring-turned legs 66cm wide, 172cm high, 40cm deep

£800-1,200

247

REGENCY MAHOGANY INVERTED BREAKFRONT BOOKCASE CABINET

EARLY 19TH CENTURY

with a central open bookcase with adjustable shelves flanked by cupboards with brass grille insert doors lined with pleated yellow silk, on short block feet 118cm wide, 83cm high, 40cm deep

£500-700

248

REGENCY UPHOLSTERED ARMCHAIR

EARLY 19TH CENTURY

the square back and enclosed arms over a cushion seat, the arm facings carved with acanthus, raised on turned and tapered legs headed by bullseye roundels and ending in brass caps and castors

75cm wide, 107cm high, 55cm deep

£400-600

250

REGENCY MAHOGANY TEA TABLE, IN THE MANNER OF JAMES MEIN OF KELSO

EARLY 19TH CENTURY

249

REGENCY MAHOGANY AND EBONISED CHEVAL MIRROR

EARLY 19TH CENTURY

the rectangular mirror plate within a turned frame with block corners and surmounted turned knopped finials, on trestle base with outswept legs ending in palmette cast brass caps and castors

80cm wide, 177cm high, 60cm deep

£1,500-2,000

the rounded rectangular fold-over top with gadrooned edge above a plain frieze, supported on a turned baluster column and circular platform base raised on hipped outswept legs ending in brass caps and castors

100cm wide, 76cm high, 50cm deep [closed]

£400-600

251

REGENCY GONCALO

ALVES WHATNOT

EARLY 19TH CENTURY

of rectangular form with three tiers, the middle tier with a drawer, raised and divided by turned supports and ending in brass caps and castors

50cm wide, 110cm high, 37cm deep

£400-600

253

252 Y

REGENCY ROSEWOOD AND FRUITWOOD

INLAID GAMES TABLE

EARLY 19TH CENTURY

the rectangular fold-over top opening to reveal inlaid games boards, above a frieze drawer, raised on spiral legs on trestle bases joined by stretchers, on ball feet

51cm wide, 75cm high, 38cm deep

£300-500

REGENCY YELLOW PAINTED PINE CHEST OF DRAWERS

EARLY 19TH CENTURY

the rectangular top with with a moulded edge over two short and three long graduated drawers, grain painted and outlined with foliate scrolls, raised on turned feet

96cm wide, 105cm high, 46cm deep

£400-600

255

REGENCY MAHOGANY CANTERBURY

EARLY 19TH CENTURY

with four concave divisions and a centre handle with turned spindles at the corners, above a base drawer, raised on turned legs ending on brass caps and castors

49cm wide, 48cm high, 34cm deep

£300-500

256

GEORGE IV SATINWOOD AND BRASS MOUNTED OPEN BOOKCASE

EARLY 19TH CENTURY

the top with a pierced three quarter gallery over two shelves flanked by lotus capped pilasters, the base with two short drawers, raised on short tapered legs with brass caps and castors

91cm wide, 103cm high, 38cm deep

£600-800

254

NEAR PAIR OF LATE REGENCY MAHOGANY LIBRARY CHAIRS

EARLY 19TH CENTURY

the curved and arched backrails supported by bobbin turned spindles, above studded black leather pad seats, on lotus flower carved and turned front legs and splayed back legs, all with brass caps and castors (2)

52cm wide, 89cm high, 50cm deep

£1,500-2,500

257

VICTORIAN GILTWOOD FRAMED MIRROR

19TH CENTURY

the bevelled mirror plate in a carved giltwood and gesso frame with ribbon-tied oak leaves

118cm high, 97cm wide

£500-700

258

PAIR OF GEORGE IV CARVED MAHOGANY

JARDINIERE STANDS

EARLY 19TH CENTURY

the bowls carved in high relief as lotus flowers with copper liners, on lotus carved columns with tripartite bases carved with rosettes and raised on turned feet (2)

97cm high, 37cm diameter

Provenance: Purchased Christies, ‘The Selected Contents of Finavon Castle’, 10th October 1983

£1,000-1,500

259 Y

WILLIAM IV ROSEWOOD BREAKFAST TABLE

EARLY 19TH CENTURY

the circular tilt top on a triform tapered column and platform base raised on disc feet with brass castors

125cm diameter, 72cm high

Provenance: Great House, Dedham, Essex

£300-500

260 Y

WILLIAM IV ROSEWOOD LAMP TABLE

19TH CENTURY

the circular top over a lotus carved column and concave tripartite base with bun feet

51cm diameter, 71cm high

£500-700

261

WILLIAM IV MAHOGANY DUET

MUSIC STAND

EARLY 19TH CENTURY

with fold-down music rests and four articulated brass candle holders, on a tapered and turned column on a triform base outlined with gadrooning and raised on turned bun feet

106cm high, 45cm wide, 46cm deep

£500-700

262

WILLIAM IV MAHOGANY LEATHER UPHOLSTERED RECLINING ARMCHAIR

EARLY 19TH CENTURY

the button upholstered adjustable back and scrolled enclosed arms over a cushioned seat with adjustable footrest slide, raised on turned legs with brass caps and castors

70cm wide, 114cm high, 50cm deep

£800-1,200

263

GEORGE IV PAINTED AND PARCEL-GILT OVERMANTEL MIRROR

EARLY 19TH CENTURY

the leaf moulded cornice above an acanthus and palmette moulded frieze centred by classical mask medallion, above the rectangular mirror plate in an anthemion moulded slip flanked by acanthus clasped reeded columns with pendant pinecone finials 193cm high, 156cm wide £1,000-1,500

264 Y

GEORGE IV ROSEWOOD JARDINIERE TABLE, ATTRIBUTED TO GILLOWS

EARLY 19TH CENTURY

the tray top gallery carved with c-scrolls and gadrooned moulding, the top with a lift-out tray revealing a metal grill and recess, on a turned and foliate carved column with a tripod base, richly carved with acanthus scrolls

49cm wide, 79cm high, 39cm deep

Provenance: Private collection, Buckinghamshire

£1,500-2,500

265

WILLIAM IV GONCALO ALVES BREAKFAST TABLE, BY M. WILLSON, GREAT QUEEN STREET 19TH CENTURY

the circular tilt top with segmented veneers, on a lotus carved column support ending on a tripartite base with carved bun feet, stamped on the block M. WILLSON 68 GREAT QUEEN STREET

122cm diameter, 75cm high

£400-600

266 Y

WILLIAM IV ROSEWOOD LIBRARY ARMCHAIR

EARLY 19TH CENTURY

the rectangular padded back with a carved scrolling acanthus pediment above a stuffover sesat flanked by the padded scrolled arms, raised on reeded tapered legs headed by carved rosettes and ending on brass caps and castors; covered in needlework upholstery

60cm wide, 110cm high, 68cm deep

£400-600

269 Y WILLIAM IV MOTHER-OFPEARL INLAID ROSEWOOD JEWELLERY

CASKET

EARLY 19TH CENTURY

attributed to William Wilson, Edinburgh, of rectangular form with sarcophagus caddy top, inlaid with mother of pearl scrolling foliate motifs and gadrooned moulded borders, the hinged lid opening to a lift-out tray, the double doors with four brass inlaid drawers, the sides with a pair of turned knob handles, on bracket feet

33cm wide, 34cm high, 26cm deep

£300-500

270

LARGE

268

267

VICTORIAN WALNUT

TABLE TOP ESTATE CABINET

LATE 19TH CENTURY with a pair of panel doors enclosing an arrangement of twenty-four pigeon holes, each stencilled with a letter of the alphabet, on a plinth base 64cm wide, 68cm high, 27cm deep

£400-600

JOSEPH HOLDCROFT MAJOLICA FIGURE OF A PUG DOG

LATE 19TH CENTURY

modelled seated on its haunches on a buttoned, tasseled cushion, impressed numerals 430 and JH makers mark 28cm high, 19.5cm wide

£600-800

PAINTED PINE ‘COUNTRY HOUSE’ CHEST

LATE 19TH CENTURY, THE DECORATION LATER

polychrome painted to represent a large seven bay Georgian country house, with carrying handles to the sides

78cm wide, 42cm high, 39cm deep

£400-600

271

TWO MINIATURE MAHOGANY APPRENTICE CHESTS OF DRAWERS

19TH CENTURY

one modelled as an ogee chest with three drawers and barley twist columns, turned bone handles; the other as a plain chest with three graduated drawers with mahogany knobs, on French bracket feet (2) 28cm wide, 29.5cm high, 20cm deep and 27.5cm wide, 30cm high, 16cm deep respectively

£250-350

272

MAHOGANY BOOK PRESS

19TH CENTURY

with a screw threaded press plate and yoke crossbar

33cm wide, 36cm high, 26cm deep

£250-350

THREE VICTORIAN NEEDLEWORK PICTURES

MID 19TH CENTURY

the first depicting a cavalier spaniel with puppies on a cushion, worked in turkey rug and tent stitches with beadwork details; the second depicting a saddled roan horse, worked in turkey rug and tent stitches, the horse with a glass button eye, mounted on a green velvet backing; the third a large format canvas depicting a birdof-paradise with a glass button eye perched on a flower garland, worked in turkey rug and tent stitches; all framed (3)

40cm x 47cm; 31cm x 33cm; 94cm x 68cm

£300-500

274

VICTORIAN PAINTED WALNUT TABLE CABINET, OF CANINE INTEREST

19TH CENTURY

with a pair of banded doors enclosing six crossbanded short drawers, above a long base drawer, the top painted with a St. Bernard and spaniels in a courtyard and titled ‘The Sentinels’, the doors with an interior view of a spaniel with two lurchers, titled ‘Dash, Hector, & Hero’, the other door painted with three working dogs in an outbuilding, titled ‘The Keeper’s Dogs’ 35cm wide, 35cm high, 18cm deep

£600-800

276

TWO PAIRS OF EDWARDIAN BRASS PULLMAN LAMPS

EARLY 19TH CENTURY

with baluster stems and tripod bases, fitted for electricity (4)

£250-350

275

PAIR OF EBONISED AND PARCEL GILT MIRRORED HANGING CORNER SHELVES

EARLY 19TH CENTURY

with three graduated tiers with mirror backs enclosed by rope-twist gilt mouldings and surmounted by carved flower bouquet finials (2)

42cm wide, 86cm high, 23cm deep

£400-600

277

VICTORIAN MAHOGANY REVOLVING TRIPOD BOOK STAND

LATE 19TH CENTURY

the banded circular top on a baluster column over three galleried book compartments, on an umbrella tripod base

47cm diameter, 69cm high

£400-600

278

LATE VICTORIAN STAINED BEECH LIBRARY STEPS

LATE 19TH CENTURY

with four steps with a moulded fore edge and a top tier with a fixed vertical arm, on a braced A-form frame with two ceramic wheels to the rear supports

48cm wide, 193cm high, 80cm deep

£1,000-1,500

279

PAIR OF SCOTTISH GOTHIC REVIVAL

ARMORIAL HALL CHAIRS

MID 19TH CENTURY

with pierced gothic arch backs with crocketed finials, bearing polychrome and gilt cartouches with a crowned A, on bobbin turned legs (2)

44cm wide, 87cm high, 33cm deep

£300-500

281

GOTHIC REVIVAL

OAK HALL BENCH

MID 19TH CENTURY the arched panel ends with quatrefoil cutouts and plinth bases, supporting a plank seat with a blind fret carved seat rail

153cm wide, 92cm high, 44cm deep

£400-600

280

PAIR OF VICTORIAN GOTHIC REVIVAL HALL SEATS, BY WILLIAM A. & SYLVANUS SMEE

MID 19TH CENTURY

with pierced panel backs and sides above plank seats, with embossed brass trade label

WILL’M A, & SYLV’NS SMEE/ MANUFACTURERS 9 FINSBURY PAVEMENT/ LONDON (2)

47cm wide, 78cm high, 36cm deep

£800-1,200

284

VICTORIAN CHAISE

LONGUE

MID 19TH CENTURY

the shaped back and scrolled ends covered in button upholstered red damask, raised on turned walnut legs with brass castors

212cm wide, 82cm high, 76cm deep

£800-1,200

282

EARLY VICTORIAN MAHOGANY

SHAVING STAND

MID 19TH CENTURY

the adjustable oval mirror plate in a moulded frame above a table top with two hinged compartments, raised on a baluster turned column and scrolling tripod base

43cm wide, 168cm high, 41cm deep

£250-350

283

EARLY VICTORIAN MAHOGANY CARD TABLE

MID 19TH CENTURY

the rectangular top opening to a baize lined interior, above a foliate and rosette moulded frieze, raised on a turned baluster column and concave quadripartite base with scrolled feet and brass castors

92cm wide 73cm high 46cm deep [closed]

£400-600

285

PAIR OF CHINESE FAMILLE VERTE PORCELAIN VASES

20TH CENTURY

mounted as lamps, of shouldered baluster form with domed covers, decorated with reserves of warriors on horseback, against a black speckled ground with butterflies and lotus, on carved wood bases; with pleated cream shades (2)

41cm high, excluding fittings

£300-500

287

PAIR OF MID VICTORIAN MAHOGANY BEDSIDE

CHESTS OF DRAWERS

19TH CENTURY

the tops with chamfered fore edges above four graduated drawers flanked by fluted pilasters, on plinth bases (2)

43cm wide, 75cm high, 38cm deep

£1,200-1,800

286

PAIR OF VICTORIAN MAHOGANY AND LEATHER

ARMCHAIRS

LATE 19TH CENTURY

the brown buttoned leather open backs and arms on turned front supports, above shaped saddle seats raised on turned front legs and outswept rear legs joined by crinoline stretchers, and ending in brass caps and ceramic castors (2) 83cm high, 56cm wide, 60cm deep

£1,200-1,800

288

EARLY VICTORIAN MAHOGANY DWARF BOOKSTAND

MID 19TH CENTURY

freestanding with three graduated rounded rectangular tiers raised and divided by turned end supports with turned finials, on flat trestle bases with scroll block terminals

92cm wide, 83cm high, 31cm deep

£500-700

289

PAIR OF VICTORIAN UPHOLSTERED ARMCHAIRS

LATE 19TH CENTURY

with curved and arched button upholstered backs above loose cushion seats flanked by straight enclosed arms, covered in floral print chintz, raised on turned wood legs with brass castors; with green and red striped slipcovers (2)

70cm wide, 93cm high, 78cm deep

£800-1,200

290

VICTORIAN BURR WALNUT ETAGERE

MID 19TH CENTURY

with three graduated tiers raised and divided by turned spindles and pierced end supports, on turned legs with brass caps and ceramic castors

62cm wide, 107cm high, 41cm deep

£400-600

291

PAIR OF CHINESE PORCELAIN FAMILLE VERTE BALUSTER VASES

20TH CENTURY

mounted as lamps, of baluster form, decorated with scrolling foliage and flowers, the foot rim with a band of peaches on leafy branches, fitted for electricity, unmarked (2)

46cm high

£300-500

292

VICTORIAN AMBOYNA AND EBONISED BRASS MOUNTED

OCCASIONAL TABLE

19TH CENTURY

the circular top on slender fluted columns united by a tripartite undertier, on outswept legs

45cm diameter, 75cm high

£600-800

293

AESTHETIC PERIOD EBONISED, AMBOYNA, AND PARCEL GILT ETAGERE, BY PITT AND SCOTT

CIRCA 1860

with three trapezoidal tiers raised and divided by tapered fluted columns, with incised decoration enhanced with gilding

97.5cm wide, 120cm high, 38.5cm deep

£600-800

294

VICTORIAN EBONISED AND NEEDLEWORK CENTRE STOOL SECOND HALF 19TH CENTURY

the rectangular padded seat with a Berlin woolwork cover depicting bands of birds and flowers, raised on ring-turned legs, joined by a turned H-stretcher

91cm wide, 65cm deep, 43cm high

Provenance: Purchased Christies, South Kensington, 5th June 1979

£300-500

295

VICTORIAN UPHOLSTERED EASY ARMCHAIR

LATE 19TH CENTURY

the arched button upholstered back above a deep padded seat flanked by scrolled arms, raised on turned legs with brass caps and brass and ceramic castors; in foliate and flower patterned upholstery

74cm wide, 86cm high, 60cm deep

£300-400

296

VICTORIAN WALNUT EASEL

LATE 19TH CENTURY

in the rococo style, carved with C and foliate scrolls and with an adjustable picture rest

178cm high, 54cm wide

£400-600

297

VICTORIAN WALNUT AND EBONISED CREDENZA 19TH CENTURY

the shaped bowfront top above a foliate marquetry frieze, over a central pair of banded and inlaid panel doors enclosing a single shelf interior, flanked by curved open shelves to the sides, with gilt metal mounts, on a plinth base

182cm wide, 106cm high, 45cm deep

£500-700

VICTORIAN WALNUT

WRITING TABLE

LATE 19TH CENTURY

the shaped rectangular top with a moulded edge and green tooled leather writing surface, above a scroll shaped frieze carved with shell motifs and with two drawers to one side, raised on cabriole legs carved with acanthus cartouches and ending in scroll feet

158cm wide, 77cm high, 99cm deep

£2,000-2,500

299

VICTORIAN TURKEY CARPET

UPHOLSTERED CHESTERFIELD SOFA LATE 19TH CENTURY of typical form covered in rust mohair upholstery with carpet panels to the back, seat, and arms, raised on ebonised turned legs with ceramic castors 210cm wide, 70cm high, 88cm deep, seat 62cm deep

£600-800

300 PAIR OF ‘BRIDGEWATER’ UPHOLSTERED EASY ARMCHAIRS, BY HOWARD & SONS 20TH CENTURY

with slightly arched button backs and scrolled arms over stuff-over seats, raised on turned front supports with brass caps and castors, stamped ‘I 7459/6136’ to rear legs; upholstered in Howard & Sons signature monogram print, with floral printed mulberry coloured slipcovers (2)

73cm wide, 61cm high, 91cm deep

£3,000-5,000

301 SET OF EIGHT QUEEN ANNE STYLE MAHOGANY DINING CHAIRS MODERN

comprising six side chairs and a pair of armchairs, with baluster splats above drop-in seats, raised on C scroll carved cabriole legs ending in pad feet (8) armchairs 62cm wide, 100cm high, 45cm deep

£1,000-1,500

VICTORIAN MAHOGANY EXTENDING DINING TABLE

19TH CENTURY

the rounded rectangular top with a moulded edge, raised on lobed and faceted tapered legs ending in brass caps and ceramic castors

360cm long [extended]; 73cm high, 132cm deep; 155cm long [closed]

£700-1,000

MAHOGANY BOOT AND WHIP STAND

19TH CENTURY

with an arched top rail with brass handle, and pegs and holders for eight pairs of boots, on trestle bases

89cm wide, 98cm high, 30cm deep

£250-350

304

VICTORIAN WALNUT WINE TABLE

19TH CENTURY

the circular top over a wavy frieze, with a central carved column on a tripartite base ending in scroll feet

50cm diameter, 71cm high

£600-800

305

PAIR OF VICTORIAN UPHOLSTERED ARMCHAIRS

19TH CENTURY

the curved and arched button upholstered backs above loose cushion seats flanked by straight scrolling arms, covered in cream and blue pattern striped upholstery, raised on turned wood legs with Cope’s patent brass caps and castors; with rose pink and blue patterned slipcovers (2)

72cm wide, 86cm high, 79cm deep

£800-1,200

307 Y

19TH CENTURY

ENGLISH GILT BRASS

REPEATING CARRIAGE CLOCK

LATE 19TH CENTURY

the white enamel dial with blue Roman numerals, gilt Arabic five minute markers and a gilt centre mask, inside a pierced gilt brass mask with silvered backing, in an Anglaise Riche gilt brass case with dentil friezes, the panels with pierced brass grills and bevelled glass, the top with a button repeat and angled handle, the twin train brass movement with a silvered platform lever escapement and striking on a coiled steel gong, the backplate stamped ‘8325’; in an glazed Moroccan leather case, the base stamped with matching number 10cm wide, 19cm high [handle up], 9cm deep

£500-700

RENAISSANCE REVIVAL EBONY, SILVERPLATED, IVORY AND HARDSTONE MOUNTED PARAFFIN LAMP

the silvered reservoir with a opaque white glass shade above a turned column with a gilt metal collar set with moonstone, garnet, and rock crystal cabochons, raised on a circular base set with boulder opal roundels separated by mother-of-pearl panels within leaf-cast silvered banding, raised on shell cast feet

64cm high to top of fitting, 89cm with shade

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference L878PW38

£400-600 306

GILT BRONZE AND BRASS

CHINOISERIE MANTEL CLOCK

LATE 19TH CENTURY

the cast gilt dial with recessed engraved silvered Roman numerals set in an architectural pagoda case with a stepped top mounted with finials, the panels cast with Chinoiserie figures in garden landscapes, on a stepped plinth base, the brass twin train movement striking a bell 21cm wide, 32cm high, 12cm deep

£400-600

309

MINTON WHITE GLAZED COCKEREL AND MONKEY TEAPOT AND COVER CIRCA 1870

the egg-shaped body with a handle modelled as a monkey holding reins attached to a spout in the form of a cockerel, the body applied with an embossed roundel to either side and raised on three branch form feet, the cover applied with a snail handle; registration mark, faint date mark, incised numerals 624

13.5cm high

£400-600

311

310

FRENCH GILT BRASS AND CHAMPLEVE ENAMEL CARRIAGE CLOCK

LATE 19TH CENTURY

the cream enamel chapter ring with black Roman numerals inside a gilt mask, in an Anglaise Riche gilt brass case with dentine friezes, the top, Corinthian columns and base with cream and pale blue floral Champlevé enamel, with bevelled glass panels, enamelled angled handle, the twin train brass movement with a platform lever escapement and striking on a coiled steel gong, the backplate stamped ‘Made in France’; in a glazed Moroccan leather case 10.5cm wide, 20cm high [handle up], 9cm deep

£400-600

PAIR OF MINTON AESTHETIC MOVEMENT BOTTLE VASES

DATE MARK FOR 1888

possibly by Christopher Dresser, of squat bulbous form, the elongated neck with stylised green enamel elephant handles applied to a band of red ground with stylised leaf and flower designs in gilt, with further gilt scrolling and foliate decoration throughout, the foot rim with a band of stylised scrolling design, printed and impressed factory marks, date mark, impressed numerals 2828 (2)

28.5cm high

£800-1,200

312

FRENCH BRASS AND CHAMPLEVE ENAMEL FOUR GLASS MANTEL CLOCK

EARLY 20TH CENTURY

the gilt dial with Roman numerals, enamel centre mask and bezel, the case with a moulded pediment over four enamel Corinthian columns holding four bevelled glass panels, the moulded stepped base with bracket feet, the twin train movement movement signed ‘J Marti & Cie’, striking to a blued steel gong, with an enamelled mercury pendulum 28cm high, 17cm wide, 14cm deep

£300-500

Note: The strong and heavily fortified Black Sea port of Sevastopol, on the south-west coast of the Crimea, was the main naval base of the Russian Black Sea Fleet. During the Crimean War (1853–56), the capture or destruction of this stronghold became the main military object of the allied British, French and Turkish armies opposing Russia. Sevastopol endured an eleven-month siege before finally capitulating to the enemy in September 1855. In order to prevent the restoration of Sevastopol as a Russian stronghold the British destroyed the dry docks in January 1856 and Fort St Nicholas was destroyed by the French in February 1856.

313

PAIR OF CHINESE YELLOW GLAZED TIANQIUPING PORCELAIN VASES

20TH CENTURY

converted to lamps, decorated in white with birds and tree peonies and mounted on carved wooden stands, fitted for electricity (2)

47.5cm high [excluding fittings]

£400-600

315

314

VICTORIAN MAHOGANY AND MARBLE TABLE, OF CRIMEAN WAR INTEREST

MID 19TH CENTURY

the rounded rectangular top with an inset marble slab inscribed ‘SEVASTOPOL DOCKSS [SIC] 1855’ over frieze drawers to opposing sides with dummy drawers on the others, supported on a leaf carved baluster and four scrolled outswept legs

64cm wide, 71cm high, 57cm deep

£400-600

EARLY VICTORIAN MAHOGANY LEATHER UPHOLSTERED LIBRARY ARMCHAIR

MID 19TH CENTURY

the buttoned back above a deep stuffover seat flanked by padded open arms, covered in red leather, on turned legs with brass castors

74cm wide, 94cm high, 90cm deep

£600-800

VICTORIAN BURR AND POLLARD OAK KIDNEY-SHAPED KNEEHOLE DESK, IN THE MANNER OF GILLOWS MID 19TH CENTURY

the top with a red leather insert and pierced brass gallery to the back edge, above an arrangement of nine banded drawers around a kneehole recess, the reverse with three open shelves, on a plinth base 121cm wide, 73cm high, 21cm deep

Provenance: Private collection, Bershire, purchased Butchoff Antiques

£6,000-8,000

Note: The form of this desk can be traced to a design for ‘A Kidney Table,...for reading and writing...: at each end are a number of small drawers’ from Thomas Sheraton’s The Cabinet-Maker and Upholsterer’s Drawing-Book, 1793, pl. 58. The form became very popular during the 19th century. ‘An Oak Pedestal and Kidney Table’ is found in the Gillows’ Estimate Sketch Books, dated 1840, the back also fitted with three shelves. A similar example is illustrated, Susan Stuart, Gillows of Lancaster and London 1730-1840, Woodbridge, 2008, vol. I, pp. 338-339, pl. 393.

317

ENGLISH

BRASS 2

1/2 INCH

TABLE

TELESCOPE,

BY TROUGHTON & SIMMS, LONDON

EARLY 19TH CENTURY

the 29 inch body-tube signed to top, with rack and pinion eyepiece extension tube focusing, raised via a compass joint and brass column with telescopic stabilising rod with rack and pinion adjustment to a folding tripod base with cabriole leg

97cm wide, 49cm high, 30cm deep

£400-600

318

TWIN PEDESTAL PADOUK CAMPAIGN DESK, BY A. FOLEY & SON, SALISBURY

EARLY 19TH CENTURY

the top with a moulded edge and leather insert above a long frieze drawer raised on banks of three drawers, on turned feet, stamped on the drawer and pedestal

128cm wide, 76cm high, 62cm deep

£1,000-1,500

BRASS-BARRELLED FLINTLOCK

BLUNDERBUSS, BY KETLAND & CO, BIRMINGHAM & LONDON

LATE 18TH/ EARLY 19TH CENTURY

with three-stage 14 ½ inch barrel turned and belled at the muzzle, octagonal breech stamped ‘TY7230’, London proof marks, signed flat foliate border engraved lock with roller on the frizzen spring, ‘KETLAND & CO.’ forwards of the hammer, walnut full stock carved with a shell behind the barrel tang, brass mounts comprising pierced side-plate, stamped ‘TY7230’, vacant escutcheon cast with a shell above and bracket below, trigger-guard with acorn finial and engraved with a flower-head on the bow, replacement wooden ramrod barrels 36.5cm long, 77cm long

£400-600

Note: William Ketland & Co. are recorded in Birmingham between 1808 and 1831. The company had a London branch at 2 Copthall Buildings in 1818.

SINGLE-BARRELLED TRANTER-PATENT HAMMER

ROOK RIFLE, BY R B RODDA & CO.

LATE 19TH CENTURY

serial number 61760, with octagonal 26 inch barrel, dove-tailed foresight, standing notch rear-sight with additional folding leaf, engraved signature near breech to top-flat ‘R. B. Rodda & Co., London and 7 & 8 Dalhousie Square, Calcutta’, under-lever central hammer action with ejector, chequered straight hand walnut butt-stock, smooth iron heel-plate, suspension loops to the butt and barrel 104cm long, barrel 66cm long

Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament.

GLOBE/ Compiled

MOST AUTHENTIC

including all the recent/ GEOGRAPHICAL DISCOVERIES. / EDWARD / GEOGRAPHICAL PUBLISHER & C/ 6 CHARING CROSS

LONDON., in a brass meridian band and horizon ring, the stand with turned legs ending in brass caps and castors, united by a compass dial 56cm diameter

322

EDWARDIAN CASED TAXIDERMY HERON

EARLY 20TH CENTURY

mounted in a wetland landscape with painted back board

61cm wide, 77cm high, 28cm deep

£300-500

325

VICTORIAN HORN ARMCHAIR

LATE 19TH CENTURY

323

MAHOGANY AND BRASS SHIP’S WHEEL, MACTAGGART, SCOTT & CO., EDINBURGH

EARLY 20TH CENTURY

with eight spokes, the hub engraved with the maker’s name

86cm diameter

£400-600

324

INDIAN BLACKBUCK ANTLER AND BRASS OCCASIONAL TABLE

LATE 19TH CENTURY

the circular brass tray top supported on a frame composed from seven interconnected antlers

38cm diameter, 52cm high

£250-350

the back and arms made from mounted horns above a hide covered circular padded seat, raised on four horn legs ending in castors

62cm wide, 89cm high, 62cm deep

£400-600

326

NARWHAL TUSK AND WROUGHT

STEEL STANDARD LAMP

EARLY 20TH CENTURY

partial tusk, mounted in polished steel fittings on a tripod base

128cm high, 41cm diameter, tusk 86cm long

Note: CITES STATUS: Narwhal Monodon

Monoceros – CITES Appendix II - Annex A

Sold with non-transferable transaction

specific Article 10 Certificate Reference Number 24GBA10T8WKCP

£3,000-5,000

327

WEST INDIAN SHELLWORK OCTAGONAL SAILOR’S VALENTINE

MID 19TH CENTURY

composed from a variety of shells arranged in concentric and geometric patterns; centred with a pink flower enclosed within a rectangle, surrounded by a pointed star; within a white painted wood frame

35.5cm diameter

£300-500

328 Y

VICTORIAN 56-HOUR MARINE CHRONOMETER, D. MCGREGOR & CO, GLASGOW, NO.2257 19TH CENTURY

with a 3 ¾ inch silvered dial with subsidiary seconds and wind hours remaining dials, signed ‘D. McGregor & Co., Makers to the Admiralty, Glasgow & Greenock’, in a rosewood and brass bound case mounted with two ivory plaques, with winding key 18cm wide, 19cm high, 18cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference T75VQ5UF

£1,000-1,500

331

FOLK ART CASED SHIP DIORAMA

19TH CENTURY

with a three-masted sailing ship resting on the back of a large fish, raised on a galleried platform and spiral carved frame; the ship flanked by parcel gilt serpent entwined columns surmounted by unicorns, accompanied either side by white painted large stylised figures of Britannia and a heralding angel, with figures of sailors, a cat, and other creatures, in an ebonised case

48cm high, 65.5cm wide, 27.2cm deep

£400-600

329

FRENCH NAPOLEONIC PRISONEROF-WAR BONE MODEL FRIGATE

EARLY 19TH CENTURY

forty-eight gun with three masts and rigging, polychrome painted, with six figures standing on deck ship 32cm long, 29cm high

£800-1,200

330

CASED MODEL OF THE TWO MASTED SAILING SHIP CAROLINE

EARLY 19TH CENTURY

fully rigged but sails lacking, in a glazed mahogany case with a painted backboard

75cm wide, 64cm high, 33cm deep, overall; ship 64cm long approximate

£500-700

333

332

PAIR OF MID VICTORIAN MAHOGANY

BEDSIDE CHESTS OF DRAWERS

19TH CENTURY, WITH ALTERATIONS

the tops with a moulded edge and rounded forecorners, above five graduated drawers with central turned knobs, on plinth bases (2)

46cm wide, 82cm high, 39cm deep

£1,200-1,800

MATCHED PAIR OF VICTORIAN UPHOLSTERED ARMCHAIRS, IN THE HOWARD

19TH CENTURY

STYLE

with low arched buttoned backs and scrolled arms over loose cushion seats; one covered in cream muslin with painted turned legs and ceramic castors, the other in floral print upholstery with turned wood legs, brass caps and ceramic castors; with pink floral printed linen slipcovers (2)

73cm wide, 86cm high, 61cm deep; 71cm wide, 78cm high, 55cm deep

£600-800

334

SMALL MAHOGANY

PEDESTAL DESK

19TH CENTURY

the top with a red leather insert within a moulded edge, above three moulded frieze drawers, raised on banks of three graduated drawers, the reverse with dummy drawers and cupboards, on plinth bases with castors

122cm wide, 77cm high, 69cm deep

£600-800

PAIR OF LATE VICTORIAN PAINTED SATINWOOD ARMCHAIRS

LATE 19TH CENTURY

in the Sheraton style, the rectangular openwork padded backs above wide bowfront seats flanked by enclosed padded arms, raised on ring-turned and tapered legs ending in brass caps and castors, painted throughout with flower bouquets, garlands, and birds (2)

66cm wide, 97cm high, 53cm deep

£800-1,200

VICTORIAN SATINWOOD, ROSEWOOD, AND PARCEL-GILT OPEN BOOKCASE

LATE 19TH CENTURY

of inverted breakfront outline, with two adjustable shelves with satinwood facings, flanked by ribbon-wrapped reeded Corinthian columns, raised on lotus carved tapered feet 114cm wide, 102cm high, 35cm deep

£2,000-3,000

VICTORIAN CHESTERFIELD SOFA

LATE 19TH CENTURY

of typical form, on turned mahogany legs with ceramic castors, covered in a coral pink Indian pattern fabric

198cm wide, 69cm high, seat

51cm deep

£400-600

338

PAIR OF GILTWOOD WALL SCONCES

20TH CENTURY

with ribbon tied backplates carved with fruit-filled baskets, issuing twin scrolling foliate candle branches (2)

62cm high, 26cm wide

£250-350

339

EDWARDIAN UPHOLSTERED EASY CHAIR, IN THE HOWARD STYLE

LATE 19TH CENTURY

with rolled arms and back above a deep loose cushion seat, raised on turned legs with ceramic castors; covered in green pattern upholstery

89cm wide, 85cm high, 63cm deep

£300-500

340

GEORGIAN STYLE MAHOGANY PEDESTAL PARTNER’S DESK

LATE 20TH CENTURY

the top with a gilt tooled green leather writing surface above three frieze drawers raised on banks of three graduated drawers, on plinth bases with castors, the reverse with three frieze drawers above cupboards, the sides with large brass handles

160cm wide, 76cm high, 104cm deep

£1,800-2,200

341

PAIR OF EDWARDIAN LARGE BRASS CANDLESTICK LAMPS EARLY 20TH CENTURY

with urn form candle nozzles on tapering knopped stems on a domed foot on a square platform, with a pair of pleated white silk shades (2)

41cm high excluding fittings

£600-800

egg-and-dart moulded friezes with central shell motifs, raised on acanthus carved cabriole legs ending in claw and ball feet (2)

148cm wide, 84cm high, 65cm deep

£2,000-3,000

343

UPHOLSTERED LIBRARY ARMCHAIR MID 20TH CENTURY

the low arched loose cushion back and seat flanked by straight scrolled arms, raised on tapered square legs with brass castors, covered in brown tweed check fabric

76cm wide, 77cm high, seat 65cm deep

£300-500

345

PAIR OF IRISH GEORGE II

STYLE CONSOLE TABLES

MODERN

the rectangular simulated marble tops above a deep frieze centred by carved shell motifs and scolling acanthus, raised on acanthus carved cabriole legs and ending in carved hairy paw feet (2)

109cm wide, 86cm high, 61cm deep

£2,000-3,000 344

LOUIS XVI STYLE ARMCHAIR FROM THE CUNARD LINES R.M.S. BERENGARIA, BY

CHARLES-FRÉDÉRIC MEWÈS

CIRCA 1912

the mahogany frame with carved and moulded backrest, carved arm support with scroll ends and fluted legs, X-stretchers, recovered in red plush velvet

56cm wide, 96.5cm high, 51cm deep

£400-600

Note: The Berengaria was a German built ocean liner originally named SS Imperator. At the time of completion she was the largest passenger ship in the world and launched in 1912, just weeks after the sinking of the Titanic. She was purchased by Cunard in 1919 and rechristened Beregaria after the queen consort of Richard the Lionhearted, and remained in service until 1938.

346

PAIR OF GEORGIAN STYLE

BRASS AND MAHOGANY

PEAT BUCKETS

MODERN

with Gothic arch carving to the bodies, twin brass bands, bail handles, and brass liners (2)

38cm diameter, 41cm high (handles down)

£1,200-1,800

347

FLAME MAHOGANY DRESSING TABLE, BY WHYTOCK & REID

MID 20TH CENTURY

the shaped rectangular tray top over a central drawer flanked by banks of two drawers, raised on cabriole legs with pad feet, maker’s stamps in the drawers

126cm wide, 77cm high, 62cm deep

£400-600

349

MAHOGANY LONG STOOL, BY WHYTOCK & REID

20TH CENTURY

with a carpet upholstered drop-in seat pad, raised on moulded straight legs joined by peripheral stretchers

105cm wide, 29cm high, 40cm deep

£400-600

348

UPHOLSTERED EASY ARMCHAIR, BY WHYTOCK & REID

MID 20TH CENTURY

in the Howard style, the scroll padded low back above low enclosed arms and a loose cushion seat, covered in Whytock & Reid signature print fabric, on square tapered legs with brass castors; the leg stamped WHYTOCK & REID

EDINBURGH 4/164; with a slipcover 72cm wide, 87cm high, seat 63cm deep

£600-800

GREY PAINTED WOOD OVAL

MARGIN PLATE MIRROR

20TH CENTURY

the oval bevelled mirror plate with a reeded frame and margin plates divided by rosettes and acanthus mouldings

123cm wide, 89cm high

Provenance: Private collection, Berkshire 351

EDWARDIAN UPHOLSTERED LIBRARY ARMCHAIR, BY HOWARD & SONS

EARLY 20TH CENTURY

the arched back above a loose cushion seat flanked by straight scrolled arms, on square tapered legs with brass castors, upholstered in dark blue multi polka dot fabric, stamped on the leg 11709, the castors stamped HOWARD & SONS LTD LONDON

72cm wide, 86cm high, 76cm deep

£1,000-1,500

352

REGENCY STYLE THIRTY LIGHT GUT GLASS CHANDELIER MODERN

with four tiers of scrolling candle arms with deep cut drip pans and hung with prism swags and pendant drips, fitted for electricity

145cm drop, 107cm diameter, approx.

£2,000-3,000

353

PAIR OF ‘CLARENCE’ SOFAS, BY BEAUMONT & FLETCHER MODERN

with hump backs and high scroll arms above two cushion seats, raised on splayed legs, covered in fern ‘Como’ silk velvet outlined in close nail trim (2) 217cm wide, 100cm high, seat 59cm deep

£3,000-5,000 END OF DAY ONE

DAY TWO: THURSDAY 16 MAY 2024 FROM 10AM

PROPERTY FROM THE ESTATE OF THE LATE ROBERT BOGDAN

The late Robert ‘Robbie’ Bogdan (1950-2023) was known for his kindness, hospitality, and boundless enthusiasm. Educated at Gordonstoun, he went on to read medieval history and geography at St Andrews University. This was followed by a PGCE at St Catherine’s College, Cambridge. He went on to teach Geography for forty years at Charterhouse School, Surrey, where he ran the hockey team, a sport at which he excelled, retiring in 2015. In 2019 he became the chairman of the Scottish Castles Association, where his love of the history and heritage of Scotland could be indulged. He loved nothing better than scrambling over the wilder parts of Scotland looking for castle ruins and Scottish tower houses. Accounts of his trips, often taken in his 1930s Riley, were shared in the Association’s newsletters and journal.

Robert’s grandfather, Vladislav Bogdanovich, studied law at Moscow University, graduating in 1914. A career in the Russian Imperial Navy followed, and by 1917 he was married with a young son, Andrew, working in London attachéd to the Imperial Russian Embassy. As a result of the Russian Revolution, the family essentially found themselves stateless and refugees, and so remained in Britain where they settled. As a young man Andrew met Mhairi Irvine when she was the commandant of the naval hospital on the Isle of Man. They married in 1946, with Robert being born in 1950, preceded by his brother Nicholas in 1947. During this time the family name was shortened from Bogdanovich to Bogdan.

Mhairi, who was born an Irvine, was closely tied to the Burnett and Ramsay families, and it is through the Ramsays that Robbie’s association with Barra Castle came about. A

16th century tower house in Aberdeenshire, Barra Castle was home to the Ramsay family since the 18th century. In the early 20th century marriage brought the castle under the ownership of the Irvines, and in the early 1960s it passed to Robbie’s grandmother, Dorothy Irvine [née Burnett], who remained there for four decades. Robbie was a regular visitor and in the 1980s bought a cottage nearby, where animals, friends, and newcomers alike were always welcome. A gifted storyteller, he took great pleasure in showing guests some of the quirky artefacts tucked away in chests and cupboards that had been accumulated by his Russian or Scottish ancestors. Some of these treasures are included for sale here, including lot 374, a Russian icon attributed to Semyon Galkin, and lot 373, a French gold and Italian micromosaic box by Pierre Andre Montauban.

Following his sad passing, Robert leaves his partner Diana and a multitude of friends, whose lives were made richer by the twinkle in his eye and generosity of spirit. Lyon & Turnbull are pleased to offer the following lots for sale to new owners so that their story continues.

Barra Castle, Aberdeenshire

Robert Bogdan

ITALIAN RENAISSANCE STYLE DERUTA MAIOLICA CHARGER

18TH CENTURY

centrally painted with the bust of a soldier in profile, wearing a helmet with mask details and an inscribed banner, the rim with alternating panels bearing scale decoration and stylised foliate designs, unmarked

31.5cm diameter

£250-350

355

TWO ITALIAN MAIOLICA WET DRUG JARS

18TH CENTURY

one of ovoid form with twin strap handles, the body with a scrolled banner inscribed ‘A. DI. SCORZONER’, above a coat of arms bearing a star, a white band and a crown within a cartouche, the ground with figural, scrolling and foliate motifs, the reverse undecorated, 29cm high; the other with one strap handle to the reverse, the spout above an obscured coat of arms within a cartouche, with a banner inscribed ‘Sirop: Di Cic: C. Rhab’, the ground decorated with blue scrolling foliage throughout, 24.5cm high; together with a FRENCH FAIENCE WET DRUG JAR with an inscribed band and floral decoration on a cream ground, 20.5cm high, and a small FRENCH FAIENCE DRUG JAR of waisted footed form with an inscribed banner and similar floral decoration (4) small drug jar 12cm high

£300-500

356

GEORGIAN OAK SETTLE

18TH

CENTURY AND LATER

the back with five chamferred panels above a plank seat flanked by scrolling open arms, raised on turned front legs

185cm wide, 101cm high, 45cm deep

£500-700

LARGE DUTCH PICTORIAL NEEDLEWORK SAMPLER

DATED 1830

with two alphabets and a number series, the field filled with flower-filled baskets, flower sprays, birds, bands, urns, buildings, and geometric motifs, within a varied border of flowers, leaves, and acorns, in an ebonised frame

57cm high, 72cm wide sight size

£500-700 358

359

GEORGIAN OAK SETTLE

18TH CENTURY

the six arched chamfered panel back above a plank seat flanked by downswept open arms, raised on cabriole front legs ending pad feet

GROUP OF DUTCH DELFT

18TH CENTURY AND LATER

comprising a pair of vases and covers, decorated with pastoral scenes of a lady carrying a jug, with further stylised floral decoration to the reverse, each domed cover with a lion and ball finial, each marked with an underscore 2 to the base, 43.5cm high; a pair of smaller vases of flattened baluster form, decorated with flowering peony and weeping willow and with stylised flowers to the reverse, makers marks, 21.5cm high; and a hanging plaque painted with a scene with a ship, a windmill and a house in a landscape, within a moulded border of cartouche form, with a pierced hanging hole, unmarked (5) the plaque 23cm wide, 21cm high

£250-350

£400-600 357

215cm wide, 99cm high, 53cm deep

361

MEISSEN GREEN GROUND TWO HANDLED CUP CIRCA 1740

the cup with slightly flared gilt rim decorated to both sides with Kauffahrtei scenes within a Bottger lustre and gilt cartouche, on a green ground, blue crossed swords; together with a MEISSEN SAUCER painted to the centre with a European landscape scene within a gilt cartouche with shell motifs, the rim with further gilt stylised scroll decoration, with flower sprigs on the white ground, blue crossed swords with gilt T (2) cup 8cm high, saucer 12.6cm diameter

£250-350

360

TWO ENGLISH PORCELAIN TULIP VASES

EARLY

19TH CENTURY

each with an open purple striped flower blossom and a smaller bud and leaves, on domed naturalistic bases (2) 11cm high

£250-350

363

GEORGIAN MAHOGANY

APOTHECARY’S CASE

EARLY 19TH CENTURY

the divided hinged front opening to reveal fitted compartments, drawers with ivory knobs, glass bottles, the reverse with a compartment with sliding cover; a brass handle to the top

30cm wide, 26cm wide, 19cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 7QW2DPME

£250-350

362

GEORGE III MAHOGANY

TEA TRAY

LATE 18TH CENTURY with fretwork gallery sides and baize lined underside

64cm long, 45cm wide, 6cm high

£300-500

366

GEORGE III MAHOGANY AND INLAID SERPENTINE STAGEBACK SIDEBOARD

LATE 18TH CENTURY

the stageback superstructure with tambour doors over a serpentine top, above three frieze drawers and central recess with two further tambour doors flanked by deep drawers, raised on square tapered legs

183cm wide, 117cm high, 76cm deep

£700-1,000

364

AFTER RICHARD PATON

THE ROYAL DOCKYARD AT DEPTFORD AND ANOTHER SIMILAR, THE ROYAL DOCKYARD AT CHATHAM

hand coloured engraving by W.Woollett (2) 49.5cm x 66.5cm (19.5in x 26.25in) sight size

£300-500

365

REGENCY MAHOGANY DROP-LEAF DINING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY

the oval top opening on six reeded and turned legs ending in brass caps and castors

150cm wide [leaves up], 73cm high, 121cm deep

£600-800

367

GEORGE III MAHOGANY DEMILUNE TEA TABLE

LATE 18TH CENTURY

the boxwood strung fold-over demilune top above a plain frieze, raised on square tapered legs, with a concealed drawer to the reverse 97cm wide, 74cm high, 44cm deep [closed]

£300-500

368 Y

LATE GEORGE III MAHOGANY BUREAU BOOKCASE

LATE 19TH CENTURY

the moulded cornice above a line inlaid frieze, above a pair of arched astragal glazed doors enclosing adjustable shelves, the lower part with a secretaire drawer fitted with pigeon holes and drawers with ivory knobs over a pair of panel cupboard doors enclosing sliding trays, raised on bracket feet 118cm wide, 223cm high, 56cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference W3DG5N8P

£700-1,000

369

REGENCY MAHOGANY SOFA EARLY 19TH CENTURY

the low straight back and enclosed downswept arms with turned baluster supports, raised on turned legs ending in brass caps and castors; in caramel corduroy and velvet upholstery

188cm wide, 89cm high, 53cm deep

£500-700

FRANCIS TOROND (BRITISH, 17431812) , SILHOUETTE CONVERSATION GROUP

LATE 18TH CENTURY

Interior, Barra Castle, circa 1962 showing lot 370

ink on paper, depicting a fashionable couple seated at a table by a window, she has her hair in a banging chignon with lace ribbons, and a posy on her chest, and reads from a book; he wears a frock coat with his hair tied in a queue, and writes with a quill, with an oval label below ‘Torond/ No. 18/ Wells Street’, in a gilt matted oval mount and ebonised and gilt moulded frame 33cm x 44cm.

excluding frame

£800-1,200

Note: A later handwritten note on the reverse identifies the sitters as George Mackay, 5th Baronet of Reay, and his wife, however this attribution is spurious as the 5th Lord of Reay died in 1768, a decade before Francis Torond was actively working as a silhouette artist. The 6th Lord of Reay was unmarried, so it is uncertain who the sitters may be.

371 Y

REGENCY ROSEWOOD AND SATINWOOD CYLINDER BUREAU

EARLY 19TH CENTURY

the plain top above a brass inlaid cylinder front opening to an interior with pigeon holes, drawers with ivory knobs, and a brown leather slide with fold out book rest, above an arched kneehole enclosed by an arrangement of five short drawers, raised on turned tapering legs ending in brass caps and castors 92cm wide, 99cm high, 56cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 3T5JKGHT

£500-700

372

REGENCY MAHOGANY SOFA

EARLY 19TH CENTURY

the low back and scrolling arms above a loose cushion seat, the frame carved with reeded panels all raised on turned and reeded legs with brass caps and ceramic castors, covered in blue floral upholstery 226cm wide, 81cm high, 64cm deep

£500-700

FRENCH GOLD, ENAMEL, AND ROMAN MICROMOSAIC SNUFF BOX, BY PIERRE

1809-1819

ANDRE MONTAUBAN, PARIS

rectangular with rounded corners, the lid inset with a micromosaic of a doe and faun in a mountainous landscape, in the manner of Nicola Albaccini, within a foliate scrolling garland border outlined with blue enamel fillets, the sides and base with engine turned panels of concentric circles and foliate scroll bands, the corners in the form of doric columns, the interior and lid stamped with title and maker’s hallmarks, a guarantee mark to the side rim edge

8.5cm long, 6cm wide, 2cm high

£10,000-15,000

Note: Born in Paris in 1763, Pierre-André Montauban is only recordedin Paris from 1800, whenhe entered a post-revolutionary mark as bijoutier; garnisseur from 30 quai des Orfèvres. As garnisseur, he specialised in mounting miniatures or other types of panels, such as micromosaics, in gold boxes. Because no boxes with Montauban’s maker’s mark are to be found with a post-1819 Paris mark, it is generally assumed that he either died or retired before then.

For comparable snuff boxes with micromosaic panels see an example with a Roman micromosaic by Antonio Aguatti, representing Cupid driving a shellchariot, in the Gilbert Collection, London, acc no. 474-2008; and another with a micromosaic of an Italianate landscape, in the Metropolitan Museum of Art, New York, acc no. 42.53.14.

376

GEORGE IV ENGLISH SILVER GILT AND AGATE SNUFF BOX

HALLMARK FOR JOHN LINNIT, LONDON, 1821

the hinged lid and base formed of two panels of slight concave agate with a faceted edge, set in reeded borders with engine turned body and a floral embossed clasp 8.5cm long, 5cm wide, 2.5cm high

£500-700

374

RUSSIAN

ORTHODOX ICON OF THE VIRGIN AND CHILD

ATTRIBUTED TO SEMYON GALKIN, MOSCOW, CIRCA 1908-1917

painted panel mounted in a silver and gilt oklad, modelled as ‘Our Lady of Kazan’ with the Theotokos’ head inclined towards the child, her embossed and chased maphorion mantle with a star-shaped cross, his hand raised in benediction, the oklad struck to the halo, mantle and lower edge of the frame with makers mark SG in cyrillic and a Moscow Kokoshnik mark, one edge incised ‘N38367, 6156/¾’, with an orange velvet backing, mounted inside a fitted walnut box with glazed lid, the icon 22.5cm high, 18cm wide 28cm high, 24cm wide, 6cm deep

Note: See Sotheby’s, London, Russian Works of Art, Fabergé and Icons, 30 Nov 2021, Lot 649, a silver gilt icon of St Alexey the Metropolitan of Moscow, by Semyon Galkin of the same period. The icon is of almost identical size, the border is the same, the painting of the face and hands are very similar and the embossing and chasing of the robes are comparable. The three sets of marks are also stamped in a similar placement to the oklad.

£500-800

375 Y

FRENCH GILT METAL AND IVORY AIDE MEMOIRE 19TH CENTURY

the shaped rectagular cover set with five miniature landmark views of Paris painted on ivory, the moire silk lined interior with a paper notebook, pocket, and a gilt metal propelling pencil 10cm long, 7cm wide

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference SU545KPD

£300-500

377

TWO FRENCH SOUVENIR BOXES 19TH CENTURY

the first a navette shaped straw-work box decorated with a waterside scene of boats and a harbour town, the base with scrolling leaf and flower motifs, with puce marbled interior, inscribed ‘Arsenal at Toulon’; the other a motherof-pearl and white metal card case decorated with a flower filled urn and inlaid ‘Souvenir’ and ‘Damitie’ (2) box 8.5cm wide, card case 8.5cm high, 4.6cm wide

£300-500

STUDIO OF DAVID MARTIN

PORTRAIT OF GEORGE AND EDWARD FINCH-HATTON

Oil on canvas

101.5cm x 137cm (40in x 54in)

Note: The Scottish painter David Martin ran a large and productive workshop and the present work was probably executed as a studio replica of a larger version of the composition that remained in the Finch-Hatton family for several generations.

See L. Dixon, “David Martin (1737-1797): A Catalogue Raisonné of his Portraits in Oil”, MPhil Dissertation, University of Saint Andrews 1995, p. 86, cat. no. 13.

£3,000-5,000

379

JAMES HAMILTON A.R.S.A (SCOTTISH 1853-1894)

SIR DUNCAN CAMPBELL WAS ABOUT TO REPLY....WHEN ANNET LYLE ENTERED THE APARTMENT

Signed and dated 1893, oil on canvas 114.5cm x 179cm (45in x 70.5in)

Provenance: Exhibited: Royal Scottish Academy 1893, no.141

Note: The subject of the painting is based on an episode in Sir Walter Scott’s ‘A Legend of Montrose’

£600-800

380

NICOLAAS STEFFELAAR (DUTCH 1852-1918)

WINDING THE SKEIN

Signed, with the artist’s seal verso and titled on a label, oil on panel

35cm x 25.5cm (13.75in x 10in)

£700-1,000

381

ATTRIBUTED TO PETER LE CAVE THE FORD

Oil on panel

37.5cm x 50cm (14.75in x 19.75in)

£500-800

382

SIR DANIEL MACNEE P.R.S.A

(SCOTTISH 1806-1882)

HOME FROM THE FIELDS

Signed, oil on canvas, framed

76cm x 61cm (30in x 24in)

£600-900

383 FOLLOWER OF WILLIAM SHAYER HALT BY THE INN

Bears signature, oil on canvas

33cm x 53cm (13in x 21in)

£500-800

384

WILLIAM HUGGINS (BRITISH 1824-1910)

GOATS IN A MOUNTAIN LANDSCAPE

Signed and dated 1857, oil on board

76cm x 63.5cm (30in x 25in)

Provenance: Arthur Ackermann and Peter Johnson Ltd, London

£1,000-1,500

FREDERICK WILLIAM JACKSON

(BRITISH 1859-1918)

HARVEST-TIME

Signed, oil on canvas

51cm x 61cm (20in x 24in)

£2,000-3,000

Frederick William Jackson’s HarvestTime encapsulates the amalgam of tradition and artistic innovation for which the Staithes School is renowned. Over successive harvest seasons the Staithes coastline would have turned to gold as generations of farmhands piled hay into stacks. By the turn of the century, the livelihood of Staithes’ farmers and fishermen were threatened by encroaching industrialisation. The Staithes painters, themselves fleeing urbanisation, were enchanted by the coastal community’s connection to the land and sea, and sought to document their dwindling way of life. The artistic activity buoyed the town’s economy, and the Staithes Group coexisted with the locals in an unlikely but mutually-beneficial harmony.

Jackson evokes the brilliance and clarity of the coastal light in late summer. The expansive sky, sea and fields are denoted with an almost exclusive use of pale blue and golden yellow pigment. These contrasting hues (directly opposed on the colour wheel) and the bisection of the composition along the horizon invest the scene with striking lucidity - which Jackson disrupts by inverting the tones of the land and sky in the farm hand’s straw hat and worker’s jacket.

In the spare palette and compositional balance, one might identify the European modernist impulse to eschew pure representation and instead prioritise form, line, colour and atmosphere. Exceedingly well-travelled, Jackson had just returned from a yearslong sojourn in Paris where he studied the Barbizon School, and he brought to Staithes inflections of an impressionist style and a commitment to painting en plein air. Harvest-Timeis a superlative example of the artist’s work from this period, which Lyon & Turnbull are delighted to present to the market.

Note: The colours on the horse belong to John Gully (1783-1863). Gully was a colourful character who became an English champion prizefighter after having been imprisoned for debt due to the failure of his butchery business. Upon Gully’s retirement from the ring in 1808 he took up horse racing. An inveterate gambler, in 1827 Gully once lost £40,000 backing his horse Marmeluke in the St.Ledger.

386

ENGLISH SCHOOL C.1840

WEIGHING IN AT THE RACE TRACK

Oil on canvas

48cm x 130cm (19in x 51.25in)

Provenance: Lyon & Turnbull, Edinburgh, Blair Castle 15 March 2012, lot 527 (sold for £14,000 + premium)

£4,000-6,000

In 1832, however, he made £85,000 winning both the Derby and the St. Ledger, winning the Derby again in 1844 with Pyrrhus. In addition to his racing interests Gully became M.P. for Pontefract from 1832-1837, having purchased the nearby estate of Ackworth Park. Gully was twice married and had 12 children with each wife. He died aged 79.

387 ARTHUR LANGLEY VERNON (BRITISH 1841-1922) BEFORE THE HUNT

Signed, oil on canvas

61cm x 95cm (24in x 37.5in) £600-900

388

WILLIAM COLLINGWOOD

SMITH R.W.S. (BRITISH 1815-1887)

THE CLAUDIAN AQUEDUCT ON THE CAMPANIA, ROME

Signed and dated 1885, watercolour

44cm x 96cm (17.25in x 37.75in)

£200-300

389 §

NOEL GEORGES BOUVARD (FRENCH 1912-1972)

GONDOLA ON A VENETIAN CANAL

Signed, oil on canvas

28cm x 35.5cm (11in x 14in)

Provenance: E. Stacy-Marks Ltd, Eastbourne, B.506

£800-1,200

390 DANIEL SHERRIN (BRITISH 1868-1940)

LIGHTNING LEADING THE RED JACKET

Signed, oil on canvas 71cm x 114.5cm (28in x 45.25in)

£500-800

391 § MORRIS MEREDITH WILLIAMS (BRITISH 1881-1973)

A SUNLIT RIVER POOL

Signed, oil on canvas

56cm x 76cm (22in x 30in)

£600-800

392 §

SIR WILLIAM RUSSELL

FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) HOPEFUL RIPPLES IN MORNING HAZE, CHATEAU GAILLARD

Signed, inscribed and dated June 1967 to backboard

28cm x 38cm (11in x 15in)

£1,500-2,000

393 §

SIR WILLIAM RUSSELL

FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) LOCH-SIDE GARDENS

Signed, watercolour

25.5cm x 38cm (10in x 15in)

£1,200-1,800

Note: Inscription to backboard reads: ‘For my dear brother artist Reg Moore, With happy recollections and sincerest good wishes, From W. Russell Flint, March 26th, 1968’.

394 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969)

A LITTLE BEACH ON THE SEINE

Signed, inscribed and dated ‘May 25th 1968’ on the backboard, watercolour

28cm x 38cm (11in x 15in)

£1,200-1,500

395 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) ON THE TRALIGILL BURNBEN MORE, ASSYNT

Signed, watercolour

33cm x 24cm (13in x 9.5in)

£600-800

396

JAMES ABBOTT MCNEILL WHISTLER R.B.A. (AMERICAN 1834-1903)

THE DRAPED FIGURE, SEATED (WAY 46; LEVY 74; STRATIS/ TEDESCHI 72) - 1893

Transfer lithograph with stumping, drawn on fine-grained transfer paper, on cream laid paper, with artist’s printed butterfly monogram, bears butterfly monogram in pencil to lower margin the sheet 36.9cm x 24cm (14.5in x 9.5in), unframed

£1,000-1,500

398

JAMES ABBOTT MCNEILL WHISTLER R.B.A. (AMERICAN 1834-1903)

THE DANCING GIRL (WAY 30; LEVY 45; STRATIS/TEDESCHI 29) - 1889/1903

Transfer lithograph, drawn on coarse-grained transfer paper, from the posthumous edition, with artist’s printed butterfly monogram the sheet 26cm x 20cm (10.25in x 8in), unframed

£800-1,200

399

MORTIMER MENPES

R.I.,R.B.A (BRITISH 1855-1938) PORTRAIT HEAD OF WHISTLER

Signed, pencil, inscribed on contemporary label verso ‘Drawn from life in Paris’ 24cm x 18.5cm (9.5in x 7.25in)

Provenance: Mrs James Cobey, Pasadena, California, in 1975

£500-700

397

JAMES ABBOTT MCNEILL WHISTLER R.B.A. (AMERICAN 1834-1903)

TÊTE-À-TÊTE IN THE GARDEN (WAY 54; LEVY 85; STRATIS/ TEDESCHI 90) - 1894/1904

Transfer lithograph, drawn on fine-grained transfer paper, from the posthumous edition, with artist’s printed butterfly monogram the sheet 31cm x 20cm (12.25in x 8in), unframed

£500-700

CONTINENTAL FURNITURE & WORKS OF ART

‘Battle between Romans and Barbarians’, 1527, engraving by Giovanni Giacomo Caraglio (c. 1500 or 1505 - 1565), after Raphael.

Image © Ashmolean Museum, University of Oxford

Note: Guido di Merlino, mentioned in Urbino documents between 1523 and 1564*, ran a successful workshop in the 1540s and produced work at this time decorated with Roman History subject matter. Another workshop workingin this genre at that time was that run by Francesco di Silvano*.

*See: Tin-glaze and Image Culture - the MAK maiolica collection in its wider context by Timothy Wilson, Vienna 2022, p98, cat 54, and p36, cat 4.

400

ITALIAN URBINO MAIOLICA PLAQUE DEPICTING A BATTLE SCENE FROM ROMAN HISTORY

POSSIBLY PAINTED IN THE WORKSHOP OF GUIDO DI MERLINO OR THE WORKSHOP OF FRANCESCO DI SILVANO, CIRCA 1540-45

the surrounding border of this dish has been cut away leaving a central well depicting a scene of battle with a city and a mountainous landscape in the background; the well is mounted within a thin metal band; the battle scene is copied directly from an engraving by Giovanni Giacomo Caraglio (after Raphael) of 1526-27; it probably depicts the Battle of Heraclea between the Romans and the Greeks under the command of Pyrrhus; (restored), unmarked approximately 30cm diameter

Provenance: Estate of Prof Francis Wormald (19041972), palaeographer and art historian.

Presented to Francis Wormald on his retirement in 1967 from anaccompanying list of subscribers. Purchased from ceramics dealer Alfred Spero. £1,500-2,500

401

SET OF FOUR ETRUSCAN REVIVAL MAHOGANY AND MARQUETRY ARMCHAIRS

LATE 19TH CENTURY

the curved tablet backs with fan medallion cresting above inlaid ribbon-tied laurel wreaths, above serpentine leather padded seats flanked by U shaped arms on spiral carved supports with lion head terminals, raised on cabriole legs with carved lion paw feet (4) 56cm wide, 89cm high, 43cm deep

£1,000-1,500

402 Y NORTH ITALIAN WALNUT, IVORY AND MARQUETRY HALL BENCH 19TH CENTURY

the back panel inlaid with various hunting scenes with figures on horseback, surmounted by scroll carved pediment with an inlaid panel with grotesques within foliate carved borders, above a hinged seat opening to a void interior and flanked by carved lion armrests, the base with with two further inlaid panels with hunting scenes and centered by a crest carving, raised on double dolphin feet 158cm wide, 159cm high, 57cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference NWZMABUX

£2,000-3,000

404 PAIR OF ITALIAN GILTWOOD ARMCHAIRS

LATE 19TH CENTURY

the tall padded backs with arched top rails above wide stuffover seats flanked by open scrolling arms carved with palmettes, raised on scroll carved cabriole legs ending in scrolled toes, upholstered in gold silk fabric with red velvet appliques highlighted with metallic threads (2) 69cm wide, 117cm high, seat 51cm deep £500-700

VENETIAN BLUE PAINTED AND PARCELGILT PIER MIRROR

18TH CENTURY

the rectangular mirror plate in a blue painted inner moulded frame enclosed in carved and pierced rococo frame with C scrolls, fruit, shell motifs and rocaille with trellis reserves 176cm high, 108cm wide £800-1,200

ITALIAN EMBOSSED ‘ANIME’ MILANESE SUIT OF ARMOUR, IN THE MANNER OF FELIPPO NEGROLI

19TH CENTURY, IN THE 16TH CENTURY STYLE

in the Mannersist style, comprising a burgonet with one piece skull with pointed peak and neck guard, decorated with volutes and acanthus leaves, pair of cheek-pieces; the articulated cuirass of ‘anime’ construction with a breastplate overlaid with an embossed winged cherub mask, the basal plate with a further human mask and skirt of two lames; the arm defences with a pair of spaulders embossed alla romana with large lion masks, vambraces and large couters, and gauntlets; the leg defences with articulated cuisses, the poleyns embossed with further masks, on a mannequin body for with carved wood head, mounted on an ebonised plinth with castors

196cm high overall

£2,000-3,000

Note: The present lot, a most extraordinarily fanciful suit of armour, was made in the 19th century, and is based on the work of the 16th century Italian armourer Filippo Negroli, whose embossed armour was praised by sixteenth-century writers as ‘miraculous’ and deserving ‘immortal merit.’

The second quarter of the sixteenth century witnessed the emergence of a new fashion of armour design based on the forms and ornament found in classical art. Embossed in high relief, richly gilt, and damascened in gold and silver, these lavish parade armours all’anticawere worn by Renaissance kings and captains who wished to project an aura of power and virtue by arraying themselves like the heroes of ancient Roman history and mythology.

The re-creation of classically inspired armour is invariably associated with Filippo Negroli, the most innovative and celebrated of the renowned armourers of Milan.

Within the Negroli family, Filippo was the best known of his extremely successful generation, which included his brother Francesco, a skilled damascener in the service of Emperor Charles V, and his cousin Giovan Paolo, a talented master who provided armour to the French court.

The extraordinary technical abilities of the Milanese armourers, combined with their imaginative adaptation of decorative motifs from the antique, such as lion and Medusa heads, fantastic creatures, and abundant foliate ornament, gave rise to an original art form that evokes the pomp and pageantry of the Renaissance courts.

406

EUGENE LOUIS LEQUESNE (FRENCH, 1815-1887)

THE DANCING FAUN

bronze, dark brown/green patina, signed on the base ‘E. LEQUESNE’ and ‘Susse Fres Edt. Paris” and stamped with the Susse Frère Paris foundry mark, revolving on a faceted square green marble plinth base

79cm high, 27cm square

£800-1,200

MASSIVE RENAISSANCE REVIVAL TWIN HANDLED LUSTRE

of urn-shaped form, the ovoid body enamelled in underglaze blue with highlights throughout in ochre lustre, decorated to one side with a scene of a man having slayed a faun, and to the reverse with a man attacking a centaur who has seized a maiden, each scene within a cartouche on a blue ground decorated with Renaissance motifs, the handles in the form of scrolling tendrils issuing from a mask, raised on a round socle foot, marked to the base Robbia/Gauldo Tadino/Italia/3 62cm high

£400-600

VASE, GUALDO TADINO, PERUGIA 20TH CENTURY

PAIR OF ITALIAN CARVED GILTWOOD MIRRORS

of cartouche form, the frames carved with rocaille strapwork and c-scrolls,

18TH CENTURY

of elongated slightly waisted cylindrical form, painted in blue with scrolling flowers, the diagonal label inscribed ‘Se Carda Mi’

31.5cm high

Provenance: Estate of Prof Francis Wormald (19041972), palaeographer and art historian

Note: For a similar albarello see Rudolf E. A. Drey, ‘Apothecary Jars’, (London, 1978), pl. 77A

£300-500

SPANISH CATALONIAN MAIOLICA ALBARELLO

411

410

CONTINENTAL BRONZE

FIGURE OF KRONOS 19TH CENTURY

dark brown patina, with his typical attributes, raised on a rectangular Siena marble base

15cm wide, 20cm high, 7cm deep

£300-500

THE DANCING FAUN, AFTER THE ANTIQUE

19TH CENTURY

bronze, dark brown patina, on a moulded rectangular Siena marble base

34cm high, 10.5cm wide, 10.5cm deep

£400-600

413

FRENCH BRONZE BUST OF AJAX, AFTER THE ANTIQUE

LATE 19TH CENTURY

dark brown patina, raised on a polished bronze turned socle and square pink variegated marble base

29cm high, 15cm wide, 10cm deep

£300-500

412

BRONZE FIGURE OF MARCUS AURELIUS ON HORSEBACK, AFTER THE ANTIQUE 19TH CENTURY

dark brown patina, on a rectangular green marble base; together with a BRONZE BUST OF LUCIUS CAECILIUS LUCUNDUS, green patina, on a circular bronze base, 22cm high (2)

Marcus Aurelius: 18.5cm high, 14.5cm long, 8cm deep

£300-500

Note: Glass panels such as the present ones would have been a common sight in what is now southern Germany and Switzerland starting in the late 15th century. They would not only be used in churches, as is still the case today, but also castles, townhalls, inns, guildhalls and private houses. One of the present panels is signed to the bottom right with the initials HS. Identifying the painter and his place of work: Hans Schnyder from Rapperswil, a town in Switzerland which had a lively glass production from at least the early 16th century. Schnyder seems only to have been active in Rapperswil from around 1600 to his death in 1616.

414

TWO SWISS PAINTED AND LEADED GLASS PANELS

EARLY 17TH CENTURY

the first a ‘Willkommscheibe’, depicting a mercenary holding a long gun over his shoulder and presented with a chalice by his wife, with smaller scenes of a dinner party above, the figures identified as Heinrich Ott Von Güderberth and his wife, dated 1607; the other centred by a heraldic shield beneath the figure of a man holding a castle turret and a star, flanked by figures of St Ulrich and St Anna, with a scene of the battle of Lechfeld (910) above, with dedication below to Ulrich Ulrich Von Schwyz and his wife Anna Birchlerin, dated 1615; both mounted in modern wood frames with trestle bases (2)

32cm high, 21cm wide, excluding frames

£400-600

The second panel is a so-called Willkommscheibe, or welcome panel, which were usually commissioned by the family themselves to celebrate the safe return of the husband from war. The central image of these panels is always the husband shown with a weapon, in this case a musket, and the wife handing him a welcome drink in a goblet. The scenes above are unique to each panel, in this case showing a group of men around a table welcoming back their friend after his service in the war, and the wife serving them a jug, followed by a fool in his typical regalia. The bottom part of this glass panel seems to have been cut off, but it still shows the heraldry of the family, their names and what may have been the sign of the guild of stone masons.

Note: The inscription, which appears to be in early Danish, roughly translates as ‘When God is with us, He will save us in our hearts’

415

NORTHERN EUROPEAN CARVED OAK CHEST, PROBABLY DANISH

EARLY 17TH CENTURY

the hinged board top above a front panel carved with a religious inscription and dated 1631, above four deep carved panels depicting male and female figures in architectural niches, the sides with carved quatrefoil foliate panels and wrought iron handles, on sledge feet

164cm wide, 71cm high, 78cm deep

Provenance: Property from a Scottish country house

£1,000-1,500

416

NORTH GERMAN DATED PEWTER STEIN

MID 17TH CENTURY

the hinged domed cover engraved with thumbpiece, above a tapered body bearing an armorial and inscribed ‘Hans Barckmaai, 1645’, with a scrolled handle and terminating on a circular bulbous moulded foot

19cm high, 12cm wide

£300-500

417

TWO PAINTED GLASS AND SILVER MOUNTED BOTTLES

18TH CENTURY, WITH LATER DECORATION AND MOUNTS

the first an onion shaped green glass bottle, later painted with a naval battle scene, inscribed with ‘1658 Zeeslag van Holland onder Bevel van Lt Admr van Nes’, and a lion crest to the reverse; the other a brown glass globe bottle of flattened form, painted with a naval battle and a crest to the reverse with a red lion over blue and white stripes, 21.5cm high; both with silver collars and stoppers, hallmark for Frederick Augustus Burridge, London 1906 (2) the larger 24cm high

£250-350

418

FLEMISH OAK REFECTORY TABLE

18TH CENTURY

the rectangular plank top above a moulded frieze, raised on large cup-and cover legs united by a peripheral stretchers

229cm wide, 75cm high, 86cm deep

£600-800

419

DUTCH OAK BOMBÉ SCHRANK OR PRESS CUPBOARD

LATE 18TH CENTURY

the arch moulded cornice centred by a carved scalloped cartouche, above a pair of moulded arch doors opening to a shelved interior with two centre drawers with three short drawers below; the base with two short over three long drawers flanked by canted angles, above an apron raised on scroll bracket feet 173cm wide, 223cm high, 64cm deep

Provenance: Great House, Dedham, Essex

£600-800 420

COLLECTION OF DELFT LOBED DISHES

18TH CENTURY

all of lobed, fluted form, enamelled in blue with decoration such as garden scenes, a bird and figure in landscape designs; also including a larger dish with underglaze blue and overglaze yellow enamel decoration showing figures and landscape decoration (6) 21.5-34cm diameter

Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass Department, Victoria & Albert Museum, London

£250-350

COLLECTION OF DELFT BLUE AND WHITE PLATES

18TH CENTURY

comprising one painted with a house with a sponged tree in the background, Mellor Collection label to the reverse; one painted with buildings and tree by the waterside with a boat in the foreground; an octagonal plate, possibly Bristol, with Chinoiserie decoration; a Bristol plate painted with whale spouting water; a plate with stylised geometric decoration; a shallow bowl decorated with peony and blossom issuing from rockwork; a Liverpool plate painted with a lady sitting under a parasol; and another with a figure in a chinoiserie setting (8)

19cm - 29.5cm diameter

Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass Department, Victoria & Albert Museum, London

Note: For examples of the Bristol whale plate and the Liverpool plate with the lady under a parasol see English Delftware, Garner and Archer, Faber & Faber Ltd, 1972, plate 67C and plate 84A. £300-500

423

COLLECTION OF POLYCHROME DELFT PLATES

18TH CENTURY

comprising a plate decorated with a sponged shrub in a pot, F H Garner label to the reverse; a plate with similar sponged foliate decoration with double concentric bands on the rim; a plate painted to the centre with a swan with a manganese band on the rim; a plate, probably Lambeth, painted in green, blue and manganese enamels with an architectural and landscape scene, with a stylised foliate border to the rim; a Lambeth plate painted to the centre with three flowers with stylised floral details on the border; a plate with overglaze enamel Chinese inspired decoration depicting a peony, weeping willow and fencework, Gary Atkins label to the reverse; and a Dutch plate profusely painted in blue, green and ochre with stylised floral designs, inscribed 5 to the reverse; and a plate painted in manganese with a weeping willow and foliage by the water, with stylised motifs and Chinese characters on the rim (8)

22-23cm diameter

422

TWO DUTCH DELFT TOBACCO JARS WITH COVERS CIRCA 1800

of ovoid form, one inscribed ‘GEM:GRAPPE’ within a cartouche enamelled with flowers and scrolling foliage, marked A PVMW (for the De Grieksche A factory), with a brass cover and knopped finial; the other inscribed ‘St Domingo’ within a cartouche enamelled with stylised scrolling foliage and flowers and flanked to each side by a native figure holding a cigar, the brass cover with acorn finial, marked with an incised V (2) 31cm and 35cm high including the covers

£300-500

Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass Department, Victoria & Albert Museum, London £300-500

424

PAIR OF DUTCH WALNUT AND MARQUETRY ARMCHAIRS

EARLY 19TH CENTURY

the curved panel backs with arched crest rails with shell and scrolling foliate marquetry, above panels depicting Apollo in a chariot pulled by a pair of horses, the serpentine seats with insect and flower marquetry and flanked by part-enclosed arms carved with dophin head terminals, raised on cabriole legs ending in claw and ball feet (2)

62cm wide, 113cm high, 59cm deep

£600-800

425

DUTCH WALNUT AND MARQUETRY SERPENTINE COMMODE

18TH CENTURY

the serpentine top above three graduated long drawers and shaped apron, the drawers with gilt brass ring handles with embossed backplates with classical busts, the whole covered in floral marquetry enclosed by scrolling borders, raised on French bracket feet

113cm wide, 86cm high, 56cm deep

£1,000-1,500

426

DUTCH WALNUT MARQUETRY

DRESSING TABLE MIRROR

18TH CENTURY

the rectangular hinged mirror surmounted by a carved shell and scrolls, over three stepped long drawers, the whole inlaid with flowering vines

42cm wide, 71cm high, 28cm deep

£200-300

DUTCH FLORAL MARQUETRY DEMILUNE MAHOGANY TABLE 19TH CENTURY

the flower inlaid top above a tambour door frieze, raised on square tapered legs with further foliate marquetry

78cm wide, 75cm high, 40cm deep

£300-500

428

PAIR OF DUTCH WALNUT AND MARQUETRY SIDE CHAIRS

18TH CENTURY

the tall shaped backs with vasiform splats with flowering urn marquetry, over drop-in seats raised on cabriole legs, all outlined with floral marquetry (2)

51cm wide, 106cm high, 40 cm deep

£300-500

429 Y DUTCH WALNUT, EBONISED AND MARQUETRY MARBLE TOPPED DISPLAY CABINET

EARLY 19TH CENTURY

the shaped white marble top over a glazed door flanked by further glazed panels, within fruitwood and ivory floral marquetry borders, enclosing a shelved velvet lined interior, raised on turned feet 170cm wide, 93cm high, 48cm deep

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 7AQWAYPS

£800-1,200

433

SOUTHERN GERMAN

OAK AND FRUITWOOD

MARQUETRY CHEST

430

AUSTRIAN CARVED LINDEN WOOD AND PATINATED METAL DOG’S HEAD WALL APPLIQUE

LATE 19TH CENTURY

realistically carved as a hound’s head with inset glass eyes, mounted in a patinated metal frame in the form of a horn handled whip

31cm high, 20cm wide, 25cm deep

£400-600

431

CONTINENTAL GILTWOOD MANTEL CLOCK

EARLY 20TH CENTURY

LATE 18TH/ EARLY 19TH CENTURY

with domed lid above a front with marquetry birds and flowers and a pair of octagonal raised panels with marquetry additional birds and flowers, flanked and divided by by marquetry flowering urns, the sides with wrought iron handles, on bun feet

142cm wide, 79cm high, 66cm deep

Provenance: Property from a Scottish country house

£400-600

the cream enamel dial with Roman numerals and silvered bezel, mounted in the centre of the carved gilded walnut case, modelled as a hunting trophy with a pheasant and a hare hung from a tree stump, with tassled hunting bag below on a naturalistic base with toadstools, the French single train timepiece movement winding from the back with platform level escapement

46cm high, 31cm high, 12cm deep

£300-500

432

TWO BLACK FOREST CARVED BEARS

LATE 19TH / EARLY 20TH CENTURY

the larger with glass eyes; together with a SMALL BLACK FOREST CARVED MOTHER BEAR AND TWO CUBS, the mother with glass eyes (5)

largest 23.5cm long; smallest 3.5cm long

£400-600

435

434

FRENCH PROVINICAL OAK ARMOIRE

18TH CENTURY

the moulded cornice above a moulded frieze and pair of shaped moulded panel doors enclosing hanging space, above a shaped apron

146cm wide, 218cm high, 68cm deep

£300-500

MEISSEN IMARI DISH

CIRCA 1735

painted in underglaze blue and enhanced with polychrome enamels, decorated with a branch issuing peony flowers and foliage, bamboo leaves and prunus, with a butterfly and further winged insect, within concentric underglaze blue circles, the rim with an iron-red cell border incorporating four flower cartouches, crossed swords and the letter K to the reverse, the foot rim incised 3

34cm diameter

£400-600

436

PAIR OF FRENCH PROVINCIAL WALNUT CONSOLE TABLES

19TH CENTURY

the serpentine tops above single drawers and serpentine aprons, raised on square cabriole legs with pad feet (2)

126cm wide, 83cm high, 65cm deep

£600-800

437

FRENCH GILT BRONZE MANTEL CLOCK

LATE 19TH CENTURY

the white enamel dial with Roman numerals and Arabic five minute markers, signed indistinctly, the case surmounted by a figure of Ceres in the guise of a girl holding a sickle and bushels of wheat, flanked by scroll ends with acanthus details strung with floral garlands, on a shaped base with gadrooned edge on cast acanthus feet, the twin-train movement signed ‘Popon, A Paris’ and numbered ‘1754’, matching number pendulum, striking on a bell

26cm long, 35cm high, 11cm deep

£300-500

438

PAIR OF FRENCH LOUIS XV STYLE GILT BRONZE CANDLESTICKS

LATE 19TH CENTURY

the nozzles, waisted stems and wide bases cast with rocaille and butterflies with scalloped cartouches, the bases marked ‘F.C.’ & ‘M.C,1801 T’ respectively (2)

27cm high, 15cm diameter

£500-700

439

PAIR OF FRENCH MAHOGANY FAUTEUILS

18TH CENTURY

with cartouche shaped backs above wide serpentine stuff-over seats flanked by part-padded scrolling arms, raised on cabriole legs (2) 60cm wide, 88cm high, 48cm deep

£500-700

440

PAIR OF FRENCH GILTWOOD BOWFRONT CORNER CONSOLE TABLES

19TH CENTURY

with upholstered close-studded velvet tops above shaped friezes centred by cartouches, on channel moulded S-scrolled centre supports (2)

76cm wide, 89cm high, 55cm deep

Provenance: Christie’s, 17 January 2001, lot 339

£1,000-1,500

441

LOUIS XV KINGWOOD, TULIPWOOD AND PARQUETRY MARBLE TOPPED COMMODE MID 18TH CENTURY

the serpentine veined grey marble top with a moulded edge above three long crossbanded enclosing parquetry reserves, mounted with ormolu foliate handles and escutcheons, above a shaped apron with a foliate mount, the angles outlined with ormolu mounts and contintuing to slender lsplayed legs with sabots

137cm wide, 91cm high, 68cm deep

Provenance: Private collection, Berkshire

£5,000-8,000

443

PAIR OF FRENCH BRONZE FIGURES OF PUTTI, AFTER CLODION 19TH CENTURY

emblematic of Summer and Autumn, one holding a sickle and a bunch of grapes, the other shouldering a sheaf of wheat, both on square Siena marble bases (2)

21.5cm high, 7cm wide, 7cm deep

£300-500

VINCENZO GEMITO (ITALIAN, 1852-1929) THE WATER CARRIER (L’ACQUAIOLO)

polished bronze, modelled as a nude boy holding a water pot and cup, mounted on a rectangular grey marble base in the form of a fountain with Neptune mask spout and trough below 25cm wide, 65cm high, 28cm deep

£600-800

Note: The Italian Gemito exhibited a sculpture of a young fisherboy at the Salon in Paris in 1877 (‘Il Pescatore’, the bronze now in the Museo Nazionale del Bargello, Florence). The success of this work encouraged him to continue in this genre, giving his models more expressive poses. He created this statuette in Naples, gaining inspiration from the cheeky children on the street, nicknamed ‘scugnizzo’. Gemito was one of the sculptors in the second half of the 19th century known as the ‘Neo-Florentines’ who took their inspiration from the Italian Renaissance, particularly from the sculptures of Verrocchio, Donatello and Giambologna. This work follows in the tradition of the ‘Fisherman dancing the Tarantella’ by Francisque Duret (Louvre) and of the ‘Young Neapolitan Fisherboy’ by Rude (Louvre). However, it also draws on ancient Roman statuary, such as the numerous bronze fauns with slender bodies discovered in the ruins of the luxury villas of Pompeii and Herculaneum.

444

PAIR OF SÈVRES STYLE BISCUIT PORCELAIN VASES WITH COVERS LATE 19TH CENTURY

each of urn form, the domed covers with a fruiting vine finial and gilt metal mounts, the bodies with a biscuit frieze moulded with putti in motion draped with flower garlands; the rams’ head handles, scrolling frieze and other details on the body enamelled to simulating gilt metal, while the shoulder, lower body and foot are enamelled to simulate purple marble, the round socle foot on a square base, raised on gilt metal mounts (2) 41.5cm high

Provenance: Property of the 3rd Lord Carrington, Marquess of Lincolnshire, thence by family descent.

£400-600

446

PAIR OF NEOCLASSICAL PINK MARBLE AND GILT METAL CANDLESTICKS

19TH CENTURY

the garlanded tapering reeded stems surmounted by acanthus leaf and bead moulded candle nozzles, on circular bases (2) 17cm high

£300-400

447

FRENCH GILT BRONZE AND GREY MARBLE THREE PIECE CLOCK GARNITURE

19TH CENTURY

the clock with a cream enamel dial with Roman numerals and Arabic five minute markers, mounted in a case modelled as a drum, held by a running putto figure blowing a trumpet, on a naturalistic base with beaded rim, set on a grey marble column with bows and chain swags mounted on a laurel border and square plinth base, the single train timepiece movement with platform level escapement, with a pair of figural two branch candelabra garnitures en suite (3) the clock 33cm high, 13cm square

£500-800

445

PAIR OF FRENCH BRONZE FIGURES OF LOVERS LATE 19TH CENTURY

modelled as a barefoot young couple in romanticised country dress, on naturalistic stump bases, the bases numbered ‘4051’ and ‘4052’ 31cm high

Note: The subject of the present lot is most likely based on the wildly popular 18th century novel by Jacques-Henri Bernardin de Saint-Pierre and depicts the idyllic lovers Paul and Virginia

£500-700

448

FRENCH NOVELTY GILT METAL FIGURAL CIGAR STAND

19TH CENTURY

with a figure of Pierrot with a hinged hat and open mouth, standing beside a basket with his concealed arm reaching inside, on a moulded plinth base, unmarked 22cm wide, 21cm high, 11cm deep

£300-500

449

FRENCH WHITE MARBLE AND GILT BRONZE FOUR GLASS MANTEL CLOCK

LATE 19TH CENTURY

the white enamel dial with black Roman numerals linked by floral garlands, the case surmounted by a marble urn with gilt floral spray and mounts, the bevelled glass embellished with scrolling acanthus and trophy appliques to the sides, the marble base with acanthus moulding and scrolling friezes on toupie feet, a sunburst mask pendulum, the brass twin-train movement striking a bell and signed Vincenti & Cie

20cm wide, 45cm high, 13cm deep

£300-500

451

VICTORIAN KINGWOOD AND MARQUETRY GILT METAL MOUNTED CARD TABLE, BY DRUCE & CO. LATE 19TH CENTURY

in the French taste, the gilt-metal banded fold-over top with scrolling foliate inlay opening to a green baize playing surface, above a shaped apron and raised on cabriole legs outlined with gilt metal and ending in sabots; with a metal Druce & Co. trade label and partial paper label

87cm wide, 79cm high, 44cm deep [closed]

£500-700

452

LOUIS XV CARVED OAK MARBLE TOPPED CONSOLE TABLE 18TH CENTURY

the serpentine veined rouge marble top above a carved openwork frame with acanthus scrolls and rocaille

96cm wide, 85cm high, 43cm deep

£400-600

450

FRENCH KINGWOOD, MAHOGANY AND MARQUETRY BIJOUTERIE TABLE 19TH CENTURY

the shaped rectangular top with gilt metal banding and a floral basket marquetry panel, opening to a pink moiré silk interior with mirror, raised on square cabriole legs with satyr and acanthus mask full beaded mounts ending in acanthus sabot 59cm wide, 72cm high, 41cm deep

£300-500

453 Y

FRENCH ROSEWOOD, KINGWOOD AND TULIPWOOD

PARQUETRY SERPENTINE CARD TABLE

19TH CENTURY

in the Louis XV style, the fold-over banded top with tumbling block parquetry, opening to a green baize playing surface, above a shaped frieze and raised on slender cabriole legs with gilt metal mounts

57cm wide, 74cm high, 41cm deep

455

LOUIS XV TULIPWOOD AND BOIS SATINE MARBLE TOPPED BOMBE COMMODE

18TH CENTURY

the serpentine breche violette marble top with a moulded edge, above three short drawers and a pair of long drawers with banded cartouches with foliate cast ormolu handles and escutcheons, above a shaped apron with an auricular foliate mount, the angles with pierced chutes with C and foliate scrolls, leading to splayed feet with sabots

124cm wide, 86cm high, 61cm deep

£1,500-2,500 454

PAIR OF CONTINENTAL MARQUETRY AND PAINTED BEDSIDE TABLES

EALY 20TH CENTURY

the burr walnut veneered demilune tops with moulded pie crust edge, above two cupboard doors with marquetry panels of floral vases, with foliate carved aprons on three scrolling cabriole legs (2) 57cm wide, 84cm high, 32cm deep

£800-1,200

PAIR OF RED MARBLE PEDESTALS

19TH CENTURY

of plain form with circular moulded platforms on square bases (2)

122cm high

Provenance: Sotheby’s, London, Cobham Hall, July 22nd 1957, ensuite with lots 388 & 389, in that sale. These pedestals were paired with two Roman busts by John Bligh, 4th Earl of Darnley (1767 – 1831), Cobham Hall.

£600-800

457

LARGE FRENCH EMPIRE WALNUT AND SATIN BIRCH CENTRE STOOL

EARLY 19TH CENTURY

the hinged rectangular deep seat cushion covered in blue velvet upholstery, opening to a void interior, above a deep seat rail raised on scroll carved trestle supports joined by turned stretchers, on ceramic castors

70cm wide, 54cm high, 60cm high

£500-700

458

NAPOLEON III

EBONISED AND BOULLE MARQUETRY CABINET

LATE 19TH CENTURY

the top with projecting canted corners above deep frieze and pair of glazed doors enclosing a shelved interior and flanked by angles, all embellished with boulle marquetry and gilt bronze mounts, on a shaped plinth base

151cm wide, 110cm high, 39cm deep

Provenance: Property of the late Mrs. Jean Bogie

£500-700

Y

459

NAPOLEON III EBONISED, RED TORTOISESHELL AND BOULLE MARQUETRY SERPENTINE SECRETAIRE A ABATTANT

MID 19TH CENTURY

the moulded top above a fall front with three dummy drawers enclosing an interior fitted for writing, over four further serpentine drawers, on a plinth base, the whole outlined in brass with gilt metal mounts

63cm wide, 125cm high, 37cm deep

£500-800

461

PAIR OF FRENCH EMPIRE MAHOGANY FAUTEUILS, BY JACOB FRERES EARLY 19TH CENTURY

the square padded backs with scroll carved top rails, above bowfront stuffover seats flanked by lotus carved scrolled open arms, raised on forelegs carved with torches and ending in paw feet, one stamped JACOB FRERES/ R MESLEE and stencilled MONTEL, in blue plush upholstery (2)

62cm wide, 98cm high, 47cm deep

Provenance: Purchased Anthony Hurst Antiques, Woodbridge, 1960s

Great House, Dedham, Essex

£1,500-2,500

460 FRENCH PARCEL-GILT AND WALNUT PEDAL HARP, BY ETIENNE CHAILLOT

MID-19TH CENTURY

forty five strings and eight pedals, the column head with gilt gesso relief nymphs and acanthus scrolls on a fluted pillar, signed ‘Etienne Chaillot, Rue St. Honore 338 Paris’ and numbered ‘302’ 171cm high, 82cm wide, 60cm deep

Note: Etienne Chaillot followed in the tradition of this grandfather Antoine Chaillot and father Pierre Chaillot, Parisien harp makers, who starting in the 1770s continuing on the family business into the middle of the 19th century.

£1,000-1,500

462

PAIR OF FRENCH RESTORATION PATINATED AND GILT BRONZE LAMPS EARLY 19TH CENTURY

converted from candlesticks, with scalloped and acanthus nozzles above reeded stems on acanthus cast triform bases, with box pleated white shades

61cm high [including fitting], 17cm diameter

£2,000-3,000

463

ARTHUR JACQUES LEDUC (FRENCH,1848-1918)

A HORSE WITH CHARACTER bronze, dark green patina, signed located on the saddle cloth ‘LEDUC, A TORIGNY’, mounted on a textured stone rectangular base 67cm wide, 52cm high, 30cm deep

Note: Arthur-Jacques le Duc trained in the studio of animal sculptor Pierre Le Nordez at the École des Beaux-arts in Caen. He moved to Paris in 1872, and between 1890 and 1907 regularly exhibited animal subjects in plaster, stoneware and ceramics at the Salon, inspired by the works of Antoine-Louis Barye. Fascinated by equines, he produced several equestrian portraits including, in a more historicist vein, the monument to Constable de Richemont in Vannes.

£1,200-1,800

464

SECOND EMPIRE STYLE GILT AND PATINATED BRONZE FIGURAL CLOCK GARNITURE, BY CHARPENTIER ET CIE, PARIS LATE 19TH CENTURY

the white dial with Roman numerals and moon hands, signed ‘Charpentier & Cie, Bronziers, Rue Charlot 8, Paris’, the square case flanked by two reclining patinated bronze figures of King Edward III and his son the Black Prince after Félix Maurice Charpentier (French 1858-1924), modelled as warriors in heraldic tunics and armour, set on a large black marble rectangular plinth base with gilt bronze moulding and bracket feet, the signed brass twin-train movement striking on a bell, with a pair of figural candlesticks en suite, with figures of knights in fleur-de-lys heraldic tunics and armour on hexagonal bases, holding aloft a large weapon trophy, surmounted by a lion mask helmet with single candle nozzle (3) the clock 75cm wide, 46cm high, 20cm high deep; the garnitures 86cm high, 24cm diameter

Note: The firm of Charpentier & Cie was located at 8, rue Charlot (presumably next door to Paul Sormani) in Paris from 1860. From circa 1870 - 1890 they merged with Lemerle and exhibited at the Paris Exposition Universelle in 1878. Félix Maurice Charpentier (French 1858-1924) studied at the École des BeauxArts in Avignon, then worked in the studios of Jules Cavelier and Amédée Doublemard at the École des Beaux-Arts in Paris. After 1879 he exhibited at the Salon des Artists Francais.

£3,000-5,000

465

466

EUGENE-ANTOINE AIZELIN (FRENCH, 1821-1902)

MIGNON

bronze, dark brown patina, the base inscribed ‘MIGNON’ and signed ‘E. AIZELIN 1880’, with ‘F. BARBEDIENNE Fondeur Paris’ signature, stamped with the ‘REDUCTION MECHANIQUE COLLAS BREVETE’ and numbered ‘924’, 80cm high; on a fitted ebonised plinth bronze 80cm high; 173cm high overall

Note: Aizelin began his studies under Dumont at the Ecole des Beaux Art in 1844 and debuted at the Salon in 1852. He exhibited there regularly until 1897 and also at the Exposition Universelle in 1900. Barbedienne edited a number of his models including the present example, in the following sizes: 34cm, 40cm, 54cm, 67cm, 80cm, of which this is the largest size.

Literature: Les Bronzes du XIXie Siecle, P. Kjellberg, Les Editions de l’Amateur, Paris, page 37.

£3,000-5,000

FRENCH PATINATED BRONZE AND MARBLE FIGURAL MANTEL CLOCK

LATE 19TH CENTURY

the white enamel dial with Roman numerals and Arabic five minute markers, signed ‘Polti Freres, A Tours’, the black and green marble breakfront fluted case surmounted by a bronze figure of a seated Sappho after Jean-Jacques Pradier (French, 1792-1852), cast by Susse Fres, dark brown patina, signed ‘J. PRADIER SUSSE FRES’, the twin train brass movement with outside countwheel striking on a bell 56cm wide, 58cm high, 22cm deep

£400-600

468

PAIR OF FRENCH ELECTROPLATED FIGURAL CANDELABRA

20TH CENTURY

each modelled as a draped classical girl supporting three scrolling candle branches with fruiting drip pans and flower-form nozzles, raised on a column base hung with swags on a square plinth, unmarked (2)

49cm high

£1,000-1,500

469

RUSSIAN PORCELAIN VASE BY VIKTOR MIKHAILOVICH ZHBANOV, LOMONOSOV PORCELAIN FACTORY CIRCA 1970

467

GROUP OF SIX GLASS PAPERWEIGHTS

19TH CENTURY

to include a French millefiori weight, probably St. Louis; a small French weight with a pansy and star cut base, 5.5cm diam.; two French miniature garland weights, probably Clichy, 4.5cm diam.; a miniature sand and aventurine rock weight, 4.5cm diam.; and a carpet ground weight, 6cm diam. (6) largest 6.5cm diameter

£300-500

the vase of bulbous form tapering to a narrow neck, decorated with trees heavily laden with snow, on a dark grey ground, marked with factory mark and ‘Made in USSR, Hand Painted, Author V. Zhbanov’

25cm high

£250-350

Note: Viktor Mikhailovich Zhbanov (19201988) was a leading artist of the Lomonosov Porcelain Factory. His works are preserved at the State Hermitage Museum and other Russian museum collections. For other vases by this artist, please see Galina Agarkova and Nataliya Petrova, 250 Years of Lomonosov Porcelain Manufacture St. Petersburg 17441994, St. Petersburg, 1994, p. 205.

ASIAN FURNITURE & WORKS OF ART

470

CHINESE FAMILLE ROSE BALUSTER VASE

19TH CENTURY

of slender tapering form, decorated with seven female heavenly figures standing on clouds above a field of cranes and flowers, one crane being ridden by another goddess holding a fly whisk; mounted on a gilt bronze base and cover; the base of the vase and rim removed, now mounted as a lamp 65cm high

471

CHINESE RED LACQUER AND CARVED WAISTED CORNER LEG TABLE

19TH CENTURY

the single plank top enclosed in a frame above a frieze carved in low relief with dragons, on straight square section legs 140cm wide, 55cm high, 31cm deep

£600-800

£400-600 Left Lot 472 [detail]

CHINESE

HONGMU

AND MOTHER-OF-PEARL SIDE CABINET

QING DYNASTY, 19TH CENTURY

comprising three cupboards of panel construction, the centre with two pairs of doors each with a shaped cartouche inlaid with military figures engaged in combat by a walled building, enclosed by scrolling floral motifs and bands, flanked and divided by further panels and drawers decorated to match with temples, pavillions, butterflies, gourds, and prunus blossoms, above a pierced and intricately carved apron with dragons twisting through foliage and raised on bracket feet 122cm wide, 114cm high, 40.5cm deep

Provenance: Provenance: Sir James Hall, The Mansionhouse of Dunglass, Cockburnpath, Berwickshire

Sold Dowells Ltd, Edinburgh, 20th-22 November, 1945

UK private collection

£3,000-5,000

474

473

PAIR OF JAPANESE IMARI JARS AND COVERS 19TH CENTURY

in the typical palette, the covers with pointed finials above panelled bodies decorated with lotus, chrysanthemums, peonies and prunus with fences, on carved hardwood stands (2)

44cm high

£600-800

PAIR OF JAPANESE IMARI LOBED VASES

19TH CENTURY

of baluster form decorated in the typical palette with panels of flowering urns and reserves with scholarly figures, highlighted in gilt (2)

38.5cm high

£400-600

476 Y

INDIAN HOSHIAPUR BRASS AND IVORY INLAID

OCTAGONAL OCCASIONAL TABLE

LATE 19TH CENTURY

the octagonal top on a folding base with arched brackets, inlaid throughout with vines and leaves

51cm diameter, 52cm high

475

TWO JAPANESE IMARI JARS AND COVERS 19TH CENTURY

in the typical palette, the larger decorated with flowers, rocks, trees, and birds with a pavillion and garden terrace, the cover with a blanc de chine fu lion finial; the other similarly decorated with a reserve with a phoenix, the cover with a red glazed fu lion finial (2)

62cm and 54cm high

£600-800

Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference E4V1ZF2R

£300-500

477

SUSANI

UZBEKISTAN, 19TH CENTURY the cream field with central palmette and foliate lattice panel, within similar larger format border 182cm x 115cm

£500-700

478

ANGLO INDIAN TEAK FOLDING PLANTATION CHAIR

19TH CENTURY

with an awning stripe cloth slung seat, on arched legs

64cm wide, 85cm high, 166cm deep

Provenance: Purchased from Alastair Goldsworthy, February 1975

£300-500

479

SUSANI

UZBEKISTAN, 19TH CENTURY

the cream field with circular rosettes and vine pattern, within similar border

243cm x 188cm

£500-700

480

SUSANI

UZBEKISTAN, 19TH CENTURY

the field with large red circular medallion surrounded by smaller similar, within similar border

232cm x 200cm

£500-700

481

SUSANI

UZBEKISTAN, 19TH CENTURY

the field with six large red circular medallions, within palmette border

254cm x 198cm

£400-600

RUGS & CARPETS

482

HERIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY

the rust brown field with indigo and red star medallion, ivory, red and blue spandrels, within dark indigo border

363cm x 287cm

£700-900

483

AFSHAR CARPET

SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY

484

HERIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the red field with indigo and red star medallion, ivory and red spandrels, within indigo border

324cm x 244cm

£700-900

the indigo field with allover boteh pattern, within triple red and blue borders

280cm x 150cm

£400-600

485

MAHAL CARPET

WEST PERSIA, EARLY 20TH CENTURY the red field with allover palmette and foliate vine pattern, within dark indigo border

368cm x 266cm

£1,000-1,500

486

QUM CARPET

CENTRAL PERSIA, EARLY 20TH CENTURY the ivory field with allover angular foliate pattern, within red border

380cm x 252cm

£700-900

487

QUM CARPET

CENTRAL PERSIA, EARLY 20TH CENTURY the indigo field with light brown medallion, light blue spandrels, within indigo border

305cm x 212cm

£500-700

488

MAHAL CARPET

WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY

the red field with allover foliate vine pattern, indigo spandrels, within indigo border

373cm x 274cm

£700-900

489

USHAK CARPET

WEST ANATOLIA, EARLY 20TH CENTURY

the plain brown field with light brown medallion, olive spandrels, within blue border

415cm x 342cm

£800-1,200

490

USHAK ‘TURKEY’ CARPET

WEST ANATOLIA, LATE 19TH CENTURY

the red field with columns of olive palmettes and cruciform motifs, within narrow olive border

440cm x 368cm

£600-800

491

TABRIZ CARPET, SIGNED AMIR KHIZI JAVAN

NORTHWEST PERSIA, EARLY/MID 20TH CENTURY

the cream field with allover angular palmette and foliate vine pattern, within puce border

377cm x 314cm

£1,500-2,500

492

PERSIAN STYLE SILK CARPET MODERN

the cream and pink field with indigo medallion, pink spandrels, within indigo border

310cm x 248cm

£2,500-3,500

493

HERIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY

the brick red field with large indigo, blue and red star medallion, ivory, red and green spandrels, within indigo border

450cm x 375cm

£800-1,200

494

TABRIZ CARPET

NORTHWEST PERSIA, EARLY 20TH CENTURY

the cream field with allover palmette and vine pattern, within yellow border

350cm x 260cm

£1,500-2,500

495

TEHRAN CARPET

CENTRAL PERSIA, EARLY/MID 20TH CENTURY

the light pink field with allover palmette and foliate vine pattern, within cream border

373cm x 295cm

£800-1,200

496

WEST ANATOLIAN CARPET

LATE 20TH CENTURY

the olive field with allover palmette and foliate vine pattern, within ivory border

308cm x 239cm

£700-900

497

NORTHWEST PERSIA, LATE 19TH CENTURY

the rust field with large cream and light blue medallion with rosette centre, similar spandrels, within rust border

553cm x 396cm

£10,000-15,000

LARGE TABRIZ ‘HADJI JALILI’ CARPET

498

LAVAR KIRMAN CARPET SOUTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY

of prayer rug design, with cream mihrab with tree filled columned arches, purple spandrels with script bands, within purple border

357cm x 278cm

£3,000-5,000

499

KASHAN CARPET

CENTRAL PERSIA, LATE 20TH CENTURY

the eau de nil field with allover palmette and foliate vine pattern, within olive border

403cm x 298cm

£1,000-1,500

500

LARGE ZIEGLER CARPET

SULTANABAD, WEST PERSIA, LATE 19TH CENTURY

the light blue abrash field with allover palmette and vine pattern, within wide cream border

585cm x 430cm

£8,000-12,000

501

SHIRVAN LONG RUG

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY of kilim design, the brown field with four polychrome lozenge medallions and Akstafa birds, within ivory border

309cm x 127cm

£600-800

502

SOUTH CAUCASIAN LONG RUG

LATE 19TH/EARLY 20TH CENTURY

the indigo field with three polychrome lozenge medallions, within ivory border

265cm x 120cm

£600-800

504

503

BIDJOV KUBA LONG RUG

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the abrash light blue field with polychrome serrated V pattern, within dark brown border

334cm x 165cm

£400-600

CHAJLI LONG RUG

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the indigo field with four square polychrome medallions, within red border

292cm x 115cm

£250-350

505

CHELABERD LONG RUG

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the red field with three polychrome sunburst medallions, within narrow ivory border

258cm x 143cm

£500-700

506

KARABAGH LONG RUG

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the brown field with four ivory and indigo sunburst medallions, within purple border

268cm x 130cm

£500-700

508

507

CHELABERD LONG RUG

SOUTH CAUCASUS, LATE 19TH/ EARLY 20TH CENTURY

the red field with three ivory and polychrome medallions, within narrow ivory border

303cm x 152cm

£400-600

KUBA CARPET

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the abrash indigo field with five polychrome medallions and various other motifs, within ivory border

315cm x 174cm

£500-700

509

LONG NORTHWEST PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the indigo field with allover herati pattern, within ivory border

550cm x 106cm

£600-800

510

QASHQAI RUNNER

SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY

the abrash indigo field with seven polychrome linked lozenge medallions, within narrow yellow border

484cm x 105cm

£500-700

512

KUBA RUNNER

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the red field with four pink and indigo medallions, within abrash green border

283cm x 113cm

£300-500

511

NORTHWEST

PERSIAN RUNNER

LATE 19TH/EARLY 20TH CENTURY

the abrash indigo field with allover foliate pattern, within diagonal striped border

353cm x 133cm

£500-700

513

KARAJA RUNNER

NORTHWEST PERSIA, MODERN

the red field with column of multiple polychrome medallions, within indigo border

469cm x 94cm

£600-800

514

PAIR OF USHAK RUNNERS

WESTERN ANATOLIA, LATE 19TH/EARLY

20TH CENTURY

each with light blue field with foliate motifs, within ochre border (2)

each approximately 346cm x 85cm

£400-600

516

QASHQAI RUNNER

515

NORTHWEST PERSIAN RUNNER

EARLY/MID 20TH CENTURY

the red field with six polychrome medallions, within ivory border

346cm x 85cm

£300-500

SOUTH PERSIA, EARLY 20TH CENTURY

the indigo field with three ivory and red shaped medallions, yellow spandrels, within red border

310cm x 116cm

£800-1,200

LARGE DOROKHSH CARPET

EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY

the field with allover polychrome rectangular tree and foliate lattice pattern, within black border

526cm x 364cm

£3,000-5,000

518

SAROUK FEREGHAN RUG

WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY

the salmon pink field with elongated indigo and cream medallion, cream spandrels, within indigo border

197cm x 131cm

£800-1,200

519

ZEJWA KUBA RUG

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the brown field with three red and ivory medallions, within light brown border

240cm x 130cm

£600-800

521

MARASALI RUG

EAST CAUCASUS, LATE 19TH/ EARLY 20TH CENTURY

the indigo field with allover boteh pattern, within ivory border; and a BAHKTIARI RUG, the ivory field with indigo medallion, blue spandrels, within indigo border (2)

172cm x 118cm and 195cm x 128cm

£200-300

522

QASHQAI RUG

SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY

the indigo field with red medallion, red and ivory spandrels, within ivory border

160cm x 135cm

£200-300

520

KASHAN ‘MOHTSAHAM’ RUG

CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY

the indigo field with ivory, blue and red medallion, red and brown spandrels, within indigo border

203cm x 138cm

£500-700

523

ANATOLIAN PRAYER RUG

LATE 19TH/EARLY 20TH CENTURY

the polychrome field with lozenge medallion, within polychrome striped border

£100-200

524

GENDJE RUG

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH

CENTURY

the brown field with allover boteh pattern, within narrow indigo border

209cm x 96cm

£250-350

525

SHIRVAN RUG

EAST CAUCASUS, LATE 19TH/EARLY

20TH CENTURY

the indigo field with three polychrome lozenge medallions, within yellow border

190cm x 124cm

£700-900

526

FACHRALO KAZAK RUG

SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the indigo field with two red medallions, within indigo border

153cm x 118cm

£300-500

527

LESGHI RUG

EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY

the red field with three indigo star medallions, within ivory border

205cm x 107cm

£300-500

528

TETEX CARPET

GERMANY, EARLY/MID 20TH CENTURY

of Heriz design, the red field with indigo and green star medallion, ivory, pink and green spandrels, within indigo border

333cm x 250cm

£800-1,200

529

TABRIZ CARPET, SIGNED FARAJI NORTHWEST PERSIA, MID 20TH CENTURY

the plain indigo field with red medallion, camel spandrels, within red border

344cm x 245cm

£500-700

531

TWO EAST CAUCASIAN RUGS

LATE 19TH/EARLY 20TH CENTURY

530

PEKING

CARPET

NORTH CHINA, LATE 19TH/ EARLY 20TH CENTURY

the plain cream field with open floral vine medallion, surrounded by four smaller roundels, similar spandrels, within cream border

415cm x 340cm

£300-500

one Lesghi, the blue field with two and a half red and ivory star medallions, within ivory border; the other a Kuba, the brown field with three blue and light brown medallions with ivory wing motifs, within narrow brown border (2)

168cm x 120cm and 154cm x 118cm

£300-500

532

USHAK CARPET

WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY

the blue field with allover palmette and vine pattern, within red border

480cm x 412cm

£800-1,200

533

LARGE KIRMAN CARPET

SOUTHEAST PERSIA, EARLY/MID 20TH CENTURY

the red field with allover foliate medallion and strapwork lattice pattern, within red border

505cm x 348cm

£1,500-2,500

534

BELOUCH CARPET

NORTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY

the rust red and brown lattice field with nine elongated forms, within red border

330cm x 206cm

£700-900

535

BAKHTIARI CARPET

WEST PERSIA, EARLY 20TH CENTURY

the red field with indigo, red and ivory medallion, similar spandrels, within indigo border

550cm x 368cm

£1,500-2,500

536

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the crimson red field with allover palmette and scrolling vine pattern, signature to one end 434cm x 400cm

£3,000-5,000 537

HERIZ CARPET

NORTHWEST PERSIA, EARLY/MID 20TH CENTURY

the red field with large grey and red medallion, ivory, red and grey spandrels, within grey border

412cm x 318cm

£1,500-2,500

538

SULTANABAD STYLE CARPET MODERN

the olive field with allover palmette and foliate vine pattern, within cream border

280cm x 213cm

£800-1,200

539

TEKKE CARPET

TURKMENISTAN, LATE 19TH CENTURY

the brick red field with five columns of thirteen guls, within red border, elem panels

327cm x 226cm

£300-500

540

USHAK ‘TURKEY’ CARPET

WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY

the red field with indigo palmette and cruciform columns, within red border

365cm x 320cm

£400-600

541

TABRIZ CARPET

NORTHWEST PERSIA, MID 20TH CENTURY

the yellow cream field with allover palmette and foliate vine pattern, within rust border

261cm x 261cm

£800-1,200

542

TETEX CARPET

GERMANY, EARLY/MID 20TH CENTURY

of Tabriz design, the field with rectangular lattice pattern with animal filled cream medallion, within indigo border

335cm x 251cm

£800-1,200

543

QUM CARPET

CENTRAL PERSIA, MID 20TH CENTURY

the ivory field with allover palmette, foliate vine, animal and bird pattern, within red border

297cm x 215cm

£800-1,200

544

REGENCY STYLE PAINTED GARDEN BENCH MODERN

545

PAIR OF MEDIEVAL STYLE COMPOSITION STONE JARDINIERES

19TH CENTURY of deep basin form, each with eight cherubs holding up crests, on square plinths (2) 59cm diameter, 41cm high

£300-500

546

with a slat back and seat, painted white outlined with green, the seat painted to simulate awning stripes

124cm wide, 78cm high, 46cm deep

£250-350

THREE ROUGH HEWN STONE TROUGHS

varying rough rectangular shapes, some with drainage holes (3)

84cm wide, 26cm high, 45cm deep; 62cm wide, 27cm high, 52cm deep; and 56cm wide, 28cm high, 42cm deep

£300-500

547

COMPOSITION STONE FIGURE OF ‘SPRING’

20TH CENTURY

the draped standing figure with a blossom crown holding a basket with flowers, on a circular base; with a rectangular plinth with fruiting wreaths on all four sides

153cm high overall, 45cm wide, 45cm deep

£300-500

548

PAIR OF LEEDS POTTERY LEFCOWARE FIRECLAY

LOW URNS

EARLY 20TH CENTURY

of low lobed form with a band of flowerheads, on separate socle bases, in a buff glaze, impressed marks (2)

50cm diameter, 51cm high

£300-500

549

PAIR OF POURED STONE PLANTERS

20TH CENTURY

with basket-weave sides and rope-twist borders (2)

36cm high, 47cm diameter

£250-350

FOR BUYERS (UK)

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue. These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate. “You”, “Your” means the Buyer. Lyon & Turnbull Ltd. acts as agent for the Seller. Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (��) next to its lot number.

A. BEFORE THE SALE

1. DESCRIPTIONS OF LOTS

Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS

We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below.

(a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale. Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way.

(b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon.

(c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3.

WITHDRAWAL

Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4.

JEWELLERY, CLOCKS & OTHER ITEMS

(a) Jewellery:

(i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future.

(ii) All types of gemstones may have been improved by some method. You may request a gemmological report for

any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report.

(iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report.

(iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced.

(b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys.

(c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no

warranties are given.

(d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300.

(e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID

1. NEW BIDDERS

(a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration. We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following:

(i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement)

(ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and;

(iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements.

(b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS

We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance

reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS

If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON

(a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/her.

(b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON

If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES

The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services.

(a) Phone bids

Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections.

(b) Internet Bids

For certain auctions we will accept bids over the internet. For more information please visit our Website. We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

(c) Written Bids

While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE

1. ADMISSION TO OUR AUCTIONS

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES

Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot.

3. AUCTIONEER’S DISCRETION

The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING

The Auctioneer accepts bids from:

(a) Bidders in the saleroom;

(b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and;

(c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS

Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER

The saleroom video screens and

bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS

Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8.

RELEVANT LEGISLATION

You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY

1. THE PURCHASE PRICE

For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium. No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction. Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2.

VALUE ADDED TAX

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots.

(a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme.

(b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE)

This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than £1,000. The charge for works of art sold at and above £1,000 and below £50,000 is 4%. For items selling above £50,000, charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES

1. SELLER’S WARRANTIES

For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else. If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense. The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE

We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make

no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if:

(a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or

(b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or

(c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must:

(a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed

that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES

(a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes.

(b) Where You are bidding on behalf of another person You warrant that:

(i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant antimoney laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so;

(ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and;

(iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of moneylaundering, terrorist activities, or other crimes.

F. PAYMENT

1. MAKING PAYMENT

(a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year.

(b) Any payments by You to us can be applied by us towards any sums owing by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied.

(c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name.

(d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the

earlier of the following:

(i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing.

(e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any payment whichever is later. Please note we do not accept cheques. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us.

(f) No purchase can be claimed or removed until it has been paid for.

(g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) To proceed against You for damages for breach of contract;

(b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You;

(c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs).

(d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof;

(e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale;

(f) To retain that or any other Lot sold to You until You pay the Total Amount Due;

(g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied. You will be deemed to have granted

such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and

(i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE

(1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website

(2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion;

(i) Charge You storage costs at the rates set out on our Website.

(ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs.

(iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING

1. TRANSPORT

AND SHIPPING

We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2.

EXPORT OF GOODS

Buyers intending to export goods should ascertain;

(a) Whether an export licence is required; and

(b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION

Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites

We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties.

(b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or

(ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph.

(c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services.

(d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot

(e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS

1.

OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if;

(i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or

(iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission. We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot.

4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM

Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY

(a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers.

(c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids.

(d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security

arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION

Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE

We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11.

LAW AND JURISDICTION

(a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law

(b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate;

“Bidder” a person who has completed a Bidding Form

“Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates

stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website

“Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer;

“High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above;

“High Value Lot” a Lot with a lower Estimate of £30,000 or above;

“Lot” each Item offered for sale by Lyon & Turnbull;

“Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses;

“Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty;

“Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions;

“VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com

2.

GLOSSARY

The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings:

“Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to

“Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

GUIDE TO BIDDING & PAYMENT

REGISTRATION

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

1 – Government issued photo ID (Passport/Driving licence)

2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM

At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

BIDDING OUTSIDE THE SALEROOM BY PHONE

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING

Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

- ABSENTEE BIDDING

Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com

-

BID LIVE ONLINE

Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

PAYMENT

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods:

BANK TRANSFER

Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS

We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH

No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS

Please refer to page 2 of this catalogue.