A0Module Name: ARCH3035 - Architecture Studio 5 Name: Mohammed Ahmed P-Number: 2401559 Tutor Name: Frank Breheny Project: Gallery Glass Sculpture Plan ground floor Scale: 1:200 Plan First Floor Scale: 1:200 Plan Second Floor Scale: 1:200 Plan Roof Scale: 1:200 Plan Site Scale: 1:2000 The Concept Process Design The inspection process Elevation - Left East - Scale: 1:200 Elevation Front North Scale: 1:200 Elevation Back South Scale: 1:200 Elevation - Right West Scale: 1:200 Perspective elevation Perspective elevation
AtBRIFEthe Covid 19 pandemic, many of us stated at home with our family so deeply research in Leicester city to getting the best idea to rise economies, to gives offer to the people in Leicester because many students in Leicester graduating a year and another opportunity is how we can help the people in Leicester city, go to the site spend nice time with the family and the place could be memorable for most people when they visiting the site also other ideas how involving people live out of the Leicester city to coming to look at this project has been designed. Dale Chihuly Artist interesting for me because the forms he works on it amazing when we look at his works, we feel happy and comfortable. He is an American glass sculptor and entrepreneur. His works are considered to possess outstanding artistic merit in the field of blown glass, “moving it into the realm of large-scale sculpture.” The technical difficulties of working with glass forms are considerable, yet Chihuly uses it as the primary medium for installations and environ mental artwork. Many students graduate at the De Montfort Univer sity a year also DMU, help students develop into creative professional such as craftsperson, jeweller, ceramicist, textile artist, designer-mak er, glass artist, designer, researcher, consultant, curator, buyer, stylist, and educator. Students at DMus will be encouraged to select a spe cialism, helping establish creative voice and be capable of producing inspiring work. Students will explore both traditional hand skills and emerging technologies while working with a wide range of materials such as hot glass. Students produce a wide range of objects, including individual artefacts for galleries and to the commission, small batches of related items, limited editions, public installations, and designs for industry. Another issue about conversation areas is buildings because the interesting keep vegetation from this location when people visit this location feeling confident.
earthHardcore -120mm Sand 65mm Vapor Barrier 10 mm Insulation 70 mm Concrete 100mm Floor Fishish 30mm 8- base concrete840mmfoundation360 9- GROUT ASREINFORCINGREQ’D19mm 480 mm 1080 mm 11- RIGID INSULATION60mm 12- Wall concrete100panelsmm 13- Veneer anchor 14- Air space 30 mm 15- RIGID215mmINSULATION60mm440mm 100mm 17- SELF-FURRING LATH BARRIERNOTE:WATER-RESISTANTBEHINDSELF FURRING LATH IS OPTIONAL 18- CEMENT PLASTER BASE COAT 1/2” BROWN COAT 1/4” SCRATCH COAT W/ LATH EMBEDDED 19 FINISH COAT 19 Column beam floor slab concrete 322 mm 20 UNIVERSAL BEAMS 305x165x54 mm 21 Bauder PE Foil Separation Layer 0.2mm 22 Bauder FSM600 Protection Mat 4mm 23 DrainageDSE40Layer 40mm 24 FilterAuderFleece mm 25 Bauder Extensive Substrate 100mm 26 Vegetation Wildflower Blanket 25mm 1- earth 2- Hardcore -120mm 3- Sand 65mm 4- Vapor Barrier 10 mm 5- Insulation 70 mm 6- Concrete 100mm 7- ARDEX Adhesive Floor Fishish 30mm base concrete840mmfoundation360 GROUT ASREINFORCINGREQ’D19mm 10- Concrete foundation 480 mm 1080 mm 11- RIGID INSULATION60mm 12- Wall concrete100panelsmm 13- Veneer anchor 14- Air space 30 mm 15- RIGID INSULATION60mm 16- Tarmac standard dense block 215mm 440mm 100mm 17- SELF-FURRING BARRIERNOTE:WATER-RESISTANTLATHBEHINDSELF FURRING LATH IS OPTIONAL 18- CEMENT PLASTER BASE COAT 1/2” BROWN COAT 1/4” SCRATCH COAT W/ LATH EMBEDDED 19 FINISH COAT 19 Column beam floor slab concrete 322 mm 20 UNIVERSAL BEAMS 305x165x54 mm 21 Bauder PE Foil Separation Layer 0.2mm 22 Bauder FSM600 Protection Mat 4mm 23 DrainageDSE40Layer 40mm Filter Fleece mm 25 Bauder Extensive Substrate 100mm 26 Vegetation Wildflower Blanket 25mm 12- Wall concrete100panelsmm 13- Veneer anchor 14- Air space 30 mm 15- RIGID INSULATION60mm 16- Tarmac standard dense block 215mm 440mm 100mm 17- SELF-FURRING BARRIERNOTE:WATER-RESISTANTLATHBEHINDSELF FURRING LATH OPTIONAL 18- CEMENT PLASTER BASE COAT 1/2” BROWN COAT 1/4” SCRATCH COAT W/ LATH EMBEDDED 19 FINISH COAT 19 Column beam floor slab concrete 322 mm 20 UNIVERSAL BEAMS 305x165x54 mm 21 Bauder PE Foil Separation Layer 0.2mm 22 Bauder FSM600 Protection Mat 4mm 23 DrainageDSE40Layer 40mm 24 FilterAuderFleece mm 25 Bauder Extensive Substrate 100mm 26 Vegetation Wildflower Blanket 25mm 1- earth 2- Hardcore -120mm 3- Sand 65mm 17- SELF-FURRING LATH 18- CEMENT PLASTER BASE COAT 1/2” BROWN COAT 1/4” SCRATCH COAT W/ LATH EMBEDDED 19 FINISH COAT 19 Column beam floor slab concrete 322 mm 20 UNIVERSAL BEAMS 305x165x54 mm 21 Bauder PE Foil Separation Layer 0.2mm 22 Bauder FSM600 Protection Mat 4mm 23 DrainageDSE40Layer 40mm 24 FilterAuderFleece mm 25 Bauder Extensive Substrate 100mm 26 Vegetation Wildflower Blanket 25mm earth 2- Hardcore -120mm 3- Sand 65mm Vapor Barrier 10 mm 18- CEMENT PLASTER 19 Column beam floor slab concrete 21 Bauder PE Foil Separation Layer 0.2mm 22 Bauder FSM600 Protection Mat 4mm 23 DrainageDSE40Layer 40mm Filter Fleece mm 25 Bauder Extensive Substrate 100mm 26 Vegetation Wildflower Blanket 25mm 8- base concrete840mmfoundation360 9- GROUT &ASREINFORCINGREQ’D19mm 16- Tarmac standard dense block 215mm 440mm NOTE:WATER-RESISTANT100mm FURRING LATH IS OPTIONAL 18- CEMENT PLASTER BASE COAT 1/2” BROWN COAT 19 FINISH COAT 19 Column beam floor slab concrete 322 mm 20 UNIVERSAL BEAMS 305x165x54 mm 21 Bauder PE Foil Separation Layer 0.2mm 22 Bauder FSM600 Protection Mat 4mm 23 DrainageDSE40Layer 40mm 24 FilterAuderFleece mm 25 Bauder Extensive Substrate 100mm 26 Vegetation Wildflower Blanket 25mm A0Module Name: ARCH3035 - Architecture Studio 5 Name: Mohammed Ahmed P-Number: 2401559 Tutor Name: Frank Breheny Project: Gallery Glass Sculpture Construction Section Detail Left East Scale: 1:50 Section Right West Scale: 1:200 3D Section Right West Scale: 1:200 Section Left East Scale: 1:200 Construction Section Detail Scale: 1:50
1 Unit DNA: Urban Strategy Primer Contents 1.0 Introduction p.2 2.0 Drawing Vocabulary p.3 3.0 Infographics p.4 4.0 Diagrams p.5 5.0 Urban Grain p.8 6.0 Urban Sections p.13 7.0 Site Plans p.16 8.0 Reportage Photography p.20 9.0 Physical Models p.25 10.0 Foam Models p.30 11.0 Additional Examples p.34 12.0 Viewing p.41 13.0 Useful Websites p.42 14.0 Reading p.43 Portfolio Module Name: ARCH3035 - Architecture Studio 5 Name: Mohammed Ahmed P-Number: 2401559 Tutor Name: Frank Breheny
he COVID-19 pandemic time is a tough time for socializing and econo mies because most people stay home, really it is a tough time for ev eryone, so, I thought for this project to design the place for these two things to help raise economies and to let people visit to site enjoy the time, the area could be memorable for all people when they visit the site. This project’s exciting idea is to make delightful stories for people when they visit the site and enjoy together. My opinion comes from that way, why I not to design a place while families go to site buy kinds of stuff daily, we need to go shopping to buy things every day, so at the same time, they enjoy time with to gether and buy something. The site I divide into three parts is the museum art gallery, next is coffee and restaurant in the same dis trict, and the final one is the market. These are exciting to design because the site is close to the conversation area and all facili ties; we need to use it daily to link to the site easily. Another idea I have, I want to evolve people from other cities come to visit the site so raise economies in Leicester. The Art gallery includes an a poem, comedy, sculptures out of the building, children’s activity, and other things I will show in the next pages. Another interesting idea is how to design the site in a four-season to keep the green area and keep normal temperature when people visit the site, make people happy in the building, the green space, and the idea came from that way, in the UK, most of the time it’s cold, most people visit parks in the summertime because the best idea how to make the green area always available for people to visit the site to enjoy with families and friends to eat in the restaurant to drink coffee and to walk down with families and friends in the area.
1.0 Introduction 2.0 Site Analysis 4.0 Case Study 5.0 Programme 6.0 Design Process 7.0 Physical Models Process 8.0 Collection Works 9.0 Devlopment works p 1 P 2 -8 p 9 -19 p 20 - 24 p 25 - 46 p 47 - 50 p 51 P 52 - 95 Content Brief
urban grain analysis
The graph shows all landmarks around Leicester city how can I link to my site to achieving a suitable design for the site, so all buildings I route to the site very interesting because most people visit those areas and one of my points I want to focus on it, it’s economy how I can involve people to visit the site.
urban grain analysis
Thedesign.proposal
consists of three towers and creates over 400 homes with ancillary accommodation. The scheme sits on a car parking plinth, with landscaped courtyard gardens above between the towers, which look over the wa terside. A set-back from the water creates a public towpath with continuous boat moorings along the waterfront. The building itself employs an ordered and robust design language, with a woven layering of materials and legible Qualitycomposition.CityApartments offers
urban analysis
Bath Lane is a large and exciting residential complex, on a landmark location at the gateway to Leicester’s Water side. The Waterside is an area targeted for substantial regeneration, this site being an important link in the urban
Bath Lane, Leicester
70 forms of accommodation
The Leicester Museum & Art Gallery (until 2021, New Walk Museum and Art Gallery) is a museum on New Walk in Leicester, England, not far from the city centre. It opened in 1849 as one of the first public museums in the United Kingdom. New Walk contains displays of science, history and art, both international and local. The original building was designed by Joseph Hansom, the designer of the hansom cab. It has been expanded several times, most recently in 2011.
bition.thePleaseenjoysals,(amateurs,andphotographicleryPhotographicPeople’sGalisaplaceforlocalsocietiestheirmembersprofessionandanyonewhotakingpictures).stopbytoseemostrecentexhi
urban analysis - museum locations
The Jewry Wall is a wide ruined wall of 2nd-century Roman masonry, with two large archways, in Leicester, England. It stands beside St. Nicholas’ Circle and St. Nicholas’ Chapel. It built the western wall of a public building in Ratae Corieltauvo rum (Roman Leicester), next to public baths, the foundations of which were excavated in the 1930s and are still open to view. The wall is named after the nearby Jewry Wall Museum.
The Leicester
Leicester Guildhall is the oldest building in town and is a heritage building. It was the first police station in Leicester from 1876 to 1900. It was through his doors many unsavoury char acters. In around 1390, the Grand Hall itself was designed as a meeting point for the Corpus Christi Guild (a small but strong community of entrepreneurs and gentry), and it is also thought Shakespeare was performing there in times of Tudor.
The Attenborough Arts Centre is an arts centre on Lancaster Road, Leicester, UK. It is the University of Leicester arts centre but also serves Leicester as a whole. The Centre is inspired by the work of filmmaker, actor and patron of the arts Richard Attenborough. It was opened in 1997 by Her Royal Highness, Diana Princess of Wales, after six years of funding efforts from Richard Attenborough. It hosts a gallery space, sixty-eight creative learning courses and a programme of in house performances.
MY OPINIONS about the museums in Leicester city, all museums in Leicester, do not include all groups, ages and ethnics, because for this project I work on, I focus on how to all groups, including making different activities for all ages when people to visit the site.
Leicester Cathedral, also known as Leicester Cathedral, is a Church of England cathedral in Leicester, England, and the Bishop of Leicester’s seat. In 1922, after creating a new diocese in Leicester in 1926, the church became a college church and became a cathedral in 1927. In 2015, after finding King Richard III’s bones close at the base of the lost Grayfriary Chapel, they were re-buried in the cathedral.
The Newarke Houses Mu seum in Leicester, England, is a public museum. It hous es the Royal Leicestershire Regiment museum and a variety of displays depicting post-medieval and contem porary Leicester. The muse um is within the precincts of the mediaeval ‘Newark, the ‘New Work’ of Henry of Grosmont, 1st Duke of Lancaster, and is close to the 15th-century Magazine Gateway. The De Montfort University campus is home to the museum.
These are the graphs that show all data about ethnic groups in Leicester, and it is important to me to understanding which type of design suitable for the location. The idea behind this is how to involve more people to visit the site.
urban analysis - ethnic groups
urban analysis
These are all data shown graphically to better un derstand how to involve people who come to the site from out of the city to spend time with fami lies and friends.
urban analysis - traffIC
This graphic show the load of the site traffic because critical to the site to make a design suitable for the site, my strategy for the location I want to make a convsetion area to hold more people, and I won’t drive traffic people to getting tired when visiting the site.
Case Study
The non-traditional design was controversial at the time because the house stands out among the Baroque, Gothic and Art Nouveau buildings for which Prague is famous.
The style is known as deconstructivist (“new-baroque” to the designers) architecture due to its unusual shape. The “dancing” shape is supported by 99 concrete panels, each a different shape and dimension. On the top of the building is a large twisted structure of metal nicknamed Mary’.
Building Name: The Dancing House
Location: Prague
In the middle of a square of buildings from the eighteenth and nineteenth century, the Dancing House has two main parts. The first is a glass tower that narrows at half its height and is supported by curved pillars; the second runs parallel to the river and is characterized by undulating mouldings and unaligned windows.
The building is 9 floors tall and consists of two floors underground. The layout of each of the floors varies due to the asymmetric shape of the building, causing the rooms inside to also be asymmetric. The commercial areas of the building are in the lobby and the first floor. The six floors above are used primarily as office spaces. The ninth floor housed a restaurant. Since the building takes a slim shape, and the building is split into two parts vertically, the office space is limited.
The building was designed in 1992 & was completed four years later in 1996.
Architecte Name: Frank O. Gehry
The “Dancing House” is set on a property of great historical significance. Its site was the location of a house destroyed by the U.S.
Date: 1989 - 1990
Location: Sapporo, Japan
Area: 535 m2
Case Study
For a two-fold programme of formal eating and relaxed lounging an opposition of moods was created. The result is two synthetic and strange worlds: fire and ice. Inspired by the seasonal ice buildings of Sapporo, the ground floor features cool- greys materialised in glass and metal. Tables are sharp fragments of ice: a raised floor level drifts like an iceberg across the space.
Building Name: Monsoon Restaurant Sapporo
Above the ice chamber whirls a furnace of fire, rendered in searing reds, brilliant yellows and exuberant oranges. A spiral above the bar tears through the ground-floor ceiling, curling up to the underside of the upper-level dome like a fiery tornado bursting through a pres sure vessel. A plasma of biomorphic sofas accommodates eating and lounging and allows an in nite con guration of seating types with movable trays and plug-in sofa backs.
Architecte Name: Zaha Hadid
Case Study Building Name: The newly opened Vessel is a new type of public land Architectemark Name: Heatherwick Studio Location: Hudson Yards, New York, United States Area: Completion:2210sqm2019Itisthecentralfeature
of the main public square in the Hudson Yards development, one of the largest real estate projects in American history, which is transforming a former rail yard in Manhattan’s Upper West Side into a completely new neighbourhood, with more than five acres of new public spaces and gardens.
design a centrepiece for Hudson Yards, something that would welcome visitors into the heart of the district and create a new place to meet in Manhattan. Part of the challenge was to create something memorable that would not be overwhelmed by the surrounding cluster of towers, or the scale of the new public space above the train platform.
Date: 2018
Building Name: V&A Dundee / Kengo Kuma and Associates
In addition to exhibits of artwork in the V&A collection, contemporary Scottish art and product design from the area are on display, making it a facility that is expected to become a new cultural centre in Scotland
The site faces the River Tay, and the architecture proposes a new integrated way to achieve harmony with the environment. The façade has a variety of shadows and changes created with multiple horizontal layers of precast concrete as a way to express the beautiful cliffs of Scotland with architec
Case Study
Ature.large horizontal “hole” was provided in the centre of the building. This “hole” represents an attempt to connect Union Street which runs through the centre of Dundee with the beautiful natural scenery of the River Tay. This feature was adopted in order to create a 21st century type cultural facility that is an integral part of the environment and community which replaces 20th century type art museums that were cut off from the environ ment.
Architecte Name: Kengo Kuma and Associates
Area: 8500 m²
Location: Scotland
Building Name: Jewel Changi Airport
Upon the building’s completion, it will be the tallest interior waterfall in the world. Rainwater that falls into the fountain will be pumped through the waterfall and used throughout the airport for building services and landscape irrigation systems.
Location: JewelDate:Area:135,700Singaporesqm2014-2019ChangiAirport
Architecte Name:Moshe Safdie
Case Study
seeks to reinvent the public concourse not just as an in-between space for travelers, but as a major public attraction. Public transit form the city passes through the city and the large garden and shopping space within the central dome establishes it as a node for public
Thegathering.structure, a torus-shaped glass dome, houses a lushly planted forest that climbs up the sides of the glass structure. The garden will include me andering walking trails, seating areas, and even a number of artificial waterfalls. An oculus at the center of the space, named the Rain Vortex, will allow water to cascade into the center of the space.
Although the metallic form of the exterior looks almost floral from above, from the ground the building more closely resembles a boat, evoking the past industrial life of the port of Bilbao. Constructed of titanium, limestone, and glass, the seemingly random curves of the exterior are designed to catch the light and react to the sun and the weather.
Building Name: The Guggenheim Museum Bilbao Architecte: Frank O. Gehry Location: Bilbao, Basque Country, Spain. Date: 1997
Case Study
Set on the edge of the Nervión River in Bilbao, Spain, the Guggenheim Museum is a fusion of complex, swirling forms and captivating materiality that responds to an intricate program and an industrial urban context. With over a hundred exhibitions
The riverside site is on the northern edge of the city center. A road and railway line is to the south, the river to the north, and the concrete structure of the Salve Bridge to the east. Making a tangible physical connection with the city, the building circulates and extrudes around the Salve Bridge, cre ates a curved riverside promenade, and forms a generous new public plaza on the south side of the site where the city grid ends. The building alludes landscapes, such as the narrow passageway to the main entrance hall reminiscent of a gorge,or the curved walkway and water features in response to the Nervión River.
Case Study
Building Name: Tate Modern - Art Gallery
Architecture firm: Herzog and de Meuron Architectural style: Contemporary architecture
Tate Modern is one of the largest museums of modern and contem porary art in the world. As with the UK’s other national galleries and museums, there is no admission charge for access to the collection displays, which take up the majority of the gallery space, while tickets must be purchased for the major temporary exhibitions. The gallery is a highly visited museum, with 5.9 million visitors in 2018, making it the sixth-most visited art museum in the world, and the most visited in Britain.
Tate Modern is a modern art gallery located in London. It is Britain’s national gallery of international modern art and forms part of the Tate group. It is based in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark. Tate holds the national collection of British art from 1900 to the present day and inter national modern and contemporary art.
Location: London
The development of new residential, office and leisure facilities, and outdoor landscaping with a new pedestrian bridge. The gallery is funded by founding partners Wakefield Council and The Hepworth Estate; major funders Arts Council England and Heritage Lottery Fund with additional funding from European Regional Development Fund, Homes and Communities Agency and Yorkshire Forward.
Date: 2011
Case Study
Building Name:The Hepworth Wakefield gallery
Architecte Name: David Chipperfield
Location: Wakefield: uk
The Hepworth Family Gift, donated through a special scheme facilitated by the Art Fund, comprises a unique collection of prototypes and models in plaster, alu minium and wood, from which casts were made in bronze or aluminium at the foundry. The majority are original plasters on which Hepworth worked with her own hands. Shown alongside the plasters will be tools and materials from Hepworth’s studio.
amed after Barbara Hepworth, who was born in Wakefield in 1903 and lived there with her family until the age of 18, with 5,000 square metres of gallery space, The Hepworth Wakefield is the largest purpose-built art gallery to open in Britain since the Hayward on London’s Southbank in 1968, and provides a permanent public legacy for the artist in her home city.
Case Study
Successful residential cells feature slow interior traffic that allows for pedestrian-focused streets. Trees, centrally located parks, supermarkets, and schools increase the quality of life for residents in this cell. Although the residential cell should provide a quiet living area, it should not be completely disconnected from the rest of the urban nucleus. This connection is provided primarily through the arterial main roads and the public trans portation centers found along them.
Residential Cell
Ashoods.urban
Linear Cell
The largest cell in the nucleus is the central cell. This cell is often the origin of the city and in the physical center. Central cells have the highest density of pedestrian traffic, therefore housing a large concentration of stores and restaurants. Since these cells have often divested of automobile infrastructure, public transportation plays an important role in the movement of people towards the center. Cities such as Stuttgart and Munich have strong central cells that connect commerce and pedestrians.
The way in which a cell is used is can also determine its size and traffic pattern. Cell functions can range from offering only the basic conditions for living to including more diverse uses such as parks and com merce. Cells with a priority on pedestrian accessibility typically feature residential housing, and cells with heavy automobile traffic favor business and industry.
areas develop, each city forms a unique structural logic. With this structure usually conceived on an ad-hoc basis, politi cal terms such as “metropolitan area” and “neighborhood” are not always useful when analyzing and comparing the performance of Throughcities.
Cell Function
Central Cell
The smallest typology of urban cells is the block cell, which is a singular block surround ed by main traffic arteries. Due to high automobile and pedestrian traffic, high-rise office buildings typically concentrate here. The bustling nature of these cells discourages the development of quieter programs such as living and dining. Examples of block cell sub centers are the financial districts in Los Angeles, Melbourne, Taipei, and Shanghai.
A linear cell is often created when a main artery is divided into two one-way streets, causing more narrow and pedestrian-friendly avenues. Along with factors such as slow automobile traffic and strong public transportation, linear cells are important commer cial hubs. Copacabana is an example of a linear cell that has long been utilized as a desti nation for shopping in Rio de Janeiro.
a thoughtful investigation of existing urban areas from around the globe using satellite images and personal expe riences, Urban Being offers an insight into how transportation networks and streets capes can be best organized to promote a healthy metropolitan environment.
How the Layout of Urban “Cells” Affects The Function and Success of Neighbor
Industrial Cell
Block Cell
Due to their access to highways, railroads, or rivers, large central cells are conducive to industry. The growth of a city has been historically tied to the success of its industrial exports and is still a vital factor in its strength.
5
The New Regional Pattern: Besides the High rice City from 1927 Ludvig Hilbersheimer’s sketched in regional structure of “industries and gardens, workshops and farms”12 alongside existing rail track and highways, connecting the major cities of the east coast and Lake Michigan structure were zones of agriculture, industry and habitation following rivers and major mining and quarrying. The proposal dispersed the industrial production of the big cities, pushing the growth of industry and habitation southwards. In the urban areas of these linear cities the distance to a railway station was 15 20 minutes on foot, in the rural areas 15 20 minutes by car.
Le Corbusier and the linear city: Through CIAM Le Corbusier became involved in the Russian discussion on the side of the ‘centralists’ but was at the same time fascinated by the ideas of The linear City13 , The Russian ‘decentralists’ criticised his La Ville Contemporaine for being a traditional concentric city, and as a response he wrote Réponse a Moscou14, in which he modified the project to La Ville Radieuse The urban design was still centred on high density, but now the concentric part was merged with an extensible linear city.
The wing formed linear city, the alleged Pilotes Plan,, comprises two zones of superquadres on each side of the 160 m traffic axis, comprising a highway with local roads on each side. A superquadre is a green residential neighbourhood of 6 stories apartment blocks on pilots facilitated
Le Corbusier and the linear city: Through CIAM Le Corbusier became in volved in the Russian discussion on the side of the ‘centralists’ but was at the same time fascinated by the ideas of The linear City13, The Russian ‘decen tralists’ criticised his La Ville Contemporaine for being a traditional con centric city, and as a response he wrote Réponse a Moscou14, in which he modified the project to La Ville Radieuse. The urban design was still centred on high density, but now the concentric part was merged with an extensible linear city.
Une Cité-Industrielle: An industrial City was elaborated by Tony Garnier as an ideal city in 1904: ”It is a fictional city: let us imagine that cities in Rive de Gier, Saint Etienne, Saint , Chasse and Givors have conditions like this city. The location of the project is in a region of the South eastern , and the city is constructed with local materials.”9
Une Cité-Industrielle: An industrial City was elaborated by Tony Garnier, and exhibited as an ideal city in 1904: ”It is a fictional city: let us imagine that cities in Rive-de-Gier, Saint-Eti enne, Saint Chaumont, Chasse and Givors have conditions like this city. The location of the project is in a region of the South-eastern France, and the city is constructed with local materials.
, reports by UN and The World Bank conclude, that the largest impacts of urban controlling the urban growth along public transit routes, establishing more efficient transport corridors.7.
Brasilia: The construction of Brazil’s new capital was initiated 1956 and in augurated 1960. Brasilia realized a long time plan to move the Central Gov ernment from the Atlantic Coast, intending to strengthen industrially and habitually the country’s inland. The urban plan was the winning competition entry by Lucio Costa, while Oscar Niemeyer was commissioned as architect of the majority of the governmental institutions.
Later in his testament, Mise au point, July 1965, he wrote that“the Linear Industrial City, was a necessary and redeeming form for solution of problems that had preoccupied reformers of good will, of all points of view, … We must localize industry and discover the meaning of the term to localize ”16 The term emerges from a critique of the cities of the industrialized world and his array of alternatives e.g. The three human settlements, where he sketches the relations between centered cities, the rural settlements and the proposed linear industrial city.
Remodelling: Taken as programme the modern house and the modern city were elaborated by more architects, a few of which explicitly contributed to a wider vision of the modern city, e.g. Le Corbusier, Ludwig Hilbersheimer or Raymond Hood, whose radical urbanism signified the opposed tendency of other of their fellow contemporaries, e.g. Bruno Taut or Frank Lloyd Wright, representing the trend towards sub-urbanization of the City.
3temAdjacent
N.A. Milyutin: In 1930 Milyutin elaborated a proposal to the development of Volgograd, which in accor dance with the existing linearity along the river, Volga, proposed 6 lengthwise zones of functions. These were all relatively narrow to shorten the distance crosswise e.g. between work 5 and home. Milyutin put forward 6 zones organised preferable along rivers, lakes or closely to nature. and home. Milyutin put forward 6 zones organised preferable along rivers, lakes or closely to nature. The order of the zones was: 1.: railroad, 2.: industries and institutions, 3.: park bands, 4.: residential areas comprising: common facilities, private homes and childcare, 5.: sport facilities, 6.: Farming with horticulture and livestock.
Parallel hereto, reports by UN and The World Bank conclude, that the largest impacts of urban development is achieved by controlling the urban growth along public transit routes, establishing more efficient transport corridors.7.
Brasilia: The construction of Brazil’s new capital was initiated 1956 and inaugurated 1960. Brasilia realized a long time plan to move the Central Government from the Atlantic Coast, intending to strengthen industrially and habitually the country’s inland. The urban plan was the winning competition entry by
Le Corbusier and the linear city: Through CIAM Le Corbusier became involved in the Russian discussion on the side of the ‘centralists’ but was at the same time fascinated by the ideas of The linear City13 , The Russian ‘decentralists’ criticised his La Ville Contemporaine for being a traditional concentric city, and as a response he wrote Réponse a Moscou14, in which he modified the project to La Ville Radieuse. The urban design was still centred on high density, but now the concentric part was merged with an extensible linear city
URBAN FORM
FACTORScities.INFLUENCING
structures based on linear growth were Ludwig Hilbersheimer’s
Une Cité- An industrial City was elaborated by Tony Garnier as an ideal city in 1904: ”It is a fictional city: let us imagine that cities in Rive de Gier, Saint Etienne, Saint , Chasse and Givors have conditions like this city. The location of the project is in a region of the South eastern , and the city is constructed with local Thismaterials.”Industrial, linear city was based upon the utopian socialist,
The overall plan was o linear city of three bands as a continuous overlapping nine square grid, distributing the counterposed housing sectors of high rise towers and low rise houses with interposed sectors of common social and recreational facilities, including sectors left over to horticulture. public transportation arteries along the linear city band between the housing neighborhoods to the industrial plant were supplied with pedestrian overpasses to bigger recreational complexes.
Mise au point, July 1965, he wrote that“the Linear Industrial City, was a necessary and redeeming form for solution of problems that had preoccupied reformers of good We must localize industry and discover the meaning of the term to from a critique of the cities of the industrialized world and his array The three human settlements, where he sketches the relations between centered and the proposed linear industrial city.
4 Social, political & economical forces.
The Linear City: Linear cities, as urban planning proposals, were elaborated in the late 19th Century by Arturo Soria y Mata for an area outside Madrid, and by Tony Garnier, La Cité Industrielle. At the late 1920th’s and 30th more linear city were proposed by the Russian architects N.A. Milyutin, I. Leonidov and M. Ginzburg. Later plans and
Magnitogorsk: Ivan Leonidov’s ”project for a socialist resettlement” at the Magnitogorsk chemical metallurgical plant was based at the criteria that the prime aim was "first, a new social concept, and second, its translation into architecture." The project merged the urbanists’ and the de urbanists’ ideas of new social concepts and translated into an architecture, which comprised both low rise housing of two storey and high rises of thirteen storey. In the project the low rise housing inhabited groups of sixteen people occupying a house in a group of eight houses, which formed a neighborhood of 128 inhabitants The high rises were formed in pairs of twin towers, each inhabiting 96 people, and so forming a neighborhood of 192 people. Both designs were supplied with common amenities for hygiene, leisure and consumption In the surrounding parkscape were located: nurseries, a kindergarten, a central club for cultural activities, a cinema, a meeting hall/auditorium and fields for physical exercise and for mass meetings.
In the 1950th the ideas of linear cities were rediscovered under the auspices of ASCORAL15 , and was presented by LC as a solution to regional transportation and localization i.e. to urbanisation
La Ciudad Lineal: In the late 19th century the Spanish journalist and republican Arturo Soria y Mata proposed a linear city, which he published as articles in El Progreso in 1882: ”The city is shaped by its flows of traffic as 500m wide city -band with any necessary length. … When in the middle of this band is placed tramways and trains, supply lines of water, gas and electricity; basins, gardens and occasionally public buildings, nearly all the overpopulated city’s would be solved.”
Case Study
In the 1950th the ideas of linear cities were rediscovered under the auspices of ASCORAL15 , and was presented by LC as a solution to regional transportation and localization i.e. to urbanisation. his many proposals, and his experience from Chandigarh, he recognized the idea of linear the question of proper localization as the key question, la clef, of urban design.
The New Regional Pattern: Besides the High-rice City from 1927 Ludvig Hilbersheimer’s sketched in 1949 a linear regional structure of “industries and gardens, workshops and farms”12 alongside existing rail track and highways, connecting the major cities of the east coast and Lake Michigan. The new linear structure were zones of agriculture, industry and habitation following rivers and major mining and quarrying. The proposal dispersed the industrial production of the big cities, pushing the growth of industry and habitation southwards.
After his many proposals, and his experience from Chandigarh, he recognized the idea of linear cities and stressed the question of proper localization as the key question, la clef, of urban design.
1 Geography
2 Spatial imprint of an urban transport sys physical infrastructures
The Russian Revolutions’ linear cities: In the aftermath of the Russian Revolution o. 1930 more proposals and contributions towards the social rebuilding were presented. Among the city planners were proponents of both centralisation and decentralisation. The former alleged urbanists’ proposal was gigantic urban blocks housing a thousand or more inhabitants.
Brasilia: The construction of Brazil’s new capital was initiated 1956 and inaugurated 1960. Brasilia realized a long time plan to move the Central Government from the Atlantic Coast, intending to strengthen industrially and habitually the country’s inland. The urban plan was the winning competition entry by Lucio Costa, while Oscar Niemeyer was commissioned as architect of the majority of the governmental institutions. The urban design is a wing formed linear city following the shore of the nearby Lago Paranoás The plan is lengthwise organised around a traffic axis following the wing form, which crosswise is split by the axis of governmental buildings, like an arrow on a bow. At the junction of the axis is located the city centre.
He is most well known for his concept of the Liner City for application to Madrid and and design of the city
Jointly, they confer a level of spatial arrange ment to
1URBANelsewhere.FORMphysicallayout
This Industrial, linear city was based upon the utopian socialist, foremost Charles Fourier and Jean Baptiste Godin, and their ideas and projects. The city comprises 35.000 inhabitants and is located on a plateau sloping down to a river. Factory areas are located separately and between these and the dwellings is the railroad. In close vicinity lies an older city. The city is divided in blocks by 30 m of width north south and 150m of length east west; streets are east west 13-19m, north south 20m. All areas around buildings are public, shaping a continuous green park. This final proposal was published 1917, the year of the Russian Revolution.
2 Period of development
Magnitogorsk: Ivan Leonidov’s ”project for a socialist resettlement” at the Magnitogorsk chemical-metallurgical plant was based at the criteria that the prime aim was “first, a new social concept, and second, its translation into architecture.” The project merged the urbanists’ and the de-urbanists’ ideas of new social concepts and translated into an architecture, which comprised both low-rise housing of two storey and high-rises of thirteen storey. In the project the low-rise housing inhabited groups of sixteen people occupying a house in a group of eight houses, which formed a neighborhood of 128 inhabitants.
Soria proposed three applications of the linear city: as ring around an existing city, as a string connecting cities through open land, and new cities in nonurban areas like Andalucía or along the Catalan coast. In 1894 he was commissioned by Companiá Madrilena de Urbanisatión to realise a neighbourhood in Madrid as a ribbon of garden residences along a tramway. 8
Arturo Sorla Y Mata (1844 - 1920) was an internationally important Spanish urban planner whose work remains highly inspira tional today.
3 Trade practiced
Leonidov’s basic idea of the new social concept and its translation into architecture were expressed in the following aims: 1 : The arrangement of a group living in such a way as to avoid enforced socialization and excessive densities, which would inhibit the spontaneity of daily life; 2. To establish a close relationship between architecture and nature thereby abolishing private lots and gardens; To provide a maximum freedom for living arrangements and for interpersonal relationships; To create a state of resilience (elan de vie) through the planned organization of a given territory.
La Ciudad Lineal: In the late 19th century the Spanish journalist and republican Soria y Mata proposed a linear city, which he published Progreso in 1882: ”The city is shaped by its flows of traffic as 500m wide city -band with any necessary length. … When in the middle of this band is placed tramways and trains, supply lines of water, gas and electricity; basins, gardens and occasionally public buildings, nearly all the overpopulated city’s would be solved.”
foremost Charles Fourier and Jean Baptiste Godin, and their ideas and projects. The city comprises 35.000 inhabitants and is located on a plateau sloping down to a river. Factory areas are located
La Ciudad Lineal: In the late 19th century the Spanish journal ist and republican Arturo Soria y Mata proposed a linear city, which he published as articles in El Progreso in 1882: ”The city is shaped by its flows of traffic as 500m wide city-band with any necessary length.
three applications of the linear city: as ring around an existing city, as a string connecting cities through open land, and new cities in nonurban areas like Andalucía or along the Catalan coast. In 1894 he was commissioned Companiá Madrilena de Urbanisatión to realise a neighbourhood in Madrid as a ribbon of garden residences along a tramway. 8
Case Study
This one of my diagram designs for the site, and my inspiration come from all drawings I did with group inspiration. The interior site I will like to make the green area when people visit the site to enjoy the place because this idea is in teresting for me is the most time in the UK its cold most people in the summer visit to park. However, I would like to design a place in the four sessions still be green for the site to make available anytime people can visit the site.
Mini Market
programme and district design GalleryArt RestaurantCoffeeshop
My idea for the site is to make two green areas, one of the green spaces from the interior and the other from the exterior; the idea came from the British Iron Center.
programme and district design
Art Gallery
RestauranCoffeeAreat
MarketMini
RestauranCoffeeAreat
MarketMini carpark
Art Gallery
Small river
programme and district design
The car park added in my requirement because it is a facility when people use the site, but I show it in the diagram. Still, I think the place I chose for the car park is unsuitable. I need to change the car park area to another suitable for the design program. The tiny river needs a bridge, and I think a proper bridge to inspire by Cecil Balmond or Thomas Heatherwick.
Art Gallery Market
One of the ideas is the tram railway. I added into my key view to focus on my design for the site when in the future city council they may have a plan for the Leicester city should be the site suitable for it to bring railway into the area.
programme
Long River Tram Railway and district design
carpark Small River
RestauranCoffeeAreat
optional I
These place include restaurant and coffee shop, the façade looks at the long river when people in the building, they can to look at river to see beautiful view.
MarketMini
The one of have, because around the site hasn’n.
Kitchen MemberBarBar Free ExhibitionsDisplay Free StairsDisplay&Lift The TheTerraceTerraceTanksBookshop&BarTanksFreeExhibitionsDisplay Exchange Members Room GalleryArt Clore Hub lightphenomenonHistoryActivitiesFunnyFunnySculptureSculpturePoemArtCartoonZoo CoffeeShop Restaurant
The place include mini market.
Sainsburyits
Site key plan These keys view options the site could be, and I work on it to design for the area may help me keep going with the process to produce a better design for the site.
Drawings Inspiration By Antony Gormley - Sculptures
Form Apply on the site from different angles, and I rendered to understand how the architecture form works for the site.
These are my drawings. I was inspired by Antony Gormley sculpture to produce a new kind of architecture form for the site.
3D Models I Inspiration By Antony Gormley - Sculptures
This is one of the ideas I routed the form to make optional for design the site.
These are 3D models I apply on the site, and from the different stage, I use materials and concept to open the way to design for the site. I inspire these models by Antony Gormly artist, James Turrell artist, Schmidt Hammer Lassen architect and David Chipperfield, architect.
3D Model Apply On The Site
One Of The Optional Design For The Site
One Of The Optional Design For The Site
These are hand drawing perspective and elevation; I inspire James Turrell artist Schmidt Hammer Lassen architect and David Chipperfield architect, to produce this kind of concept for the site.
One Of The Optional Design For The Site
These are hand drawing perspective and elevation; I inspire Donald Judd, artist and Bjarke Ingels architect, to produce this kind of concept for the site.
Thomas Heatherwick Architect - The Vessel Building – Drawings
The Vessel building interesting for this kind of project what I am thinking about it because this kind of design has a link with my project process; I will follow his work to make a bridge to mix ideas with Olafur Eliasson artist when people visit the site to show beautiful concept from interior and exterior to make reflective between inside and outside of the building.
Optional Pentagon5Angles Hexagon6Angles Heptagon7Angles Octagon8Angles Nonagon9Angles 10DecagonAngles bridge optional Forms
Thomas Heatherwick Architect – –
Thomas Heathrwick architect works on an octagon form, which has eight angles; he also used it for a bridge; this kind of shapes is optional for me to use for the small river, which is a path in the site.
Forms
Hand drawing – optional apply on the site
This is one of the optional ideas I inspired by Thomas Heatherwick; this drawing shows welcoming to the people when visiting the site.
Anish Kapoor – Drawing & 3D Models
This is another idea I inspire by Anish Kapoor to design my site, and I develop this kind of form I apply on the site to understand better how it works on the site.
Elevation drawing
Section, plan & concept drawing
From this drawing, I focus on constructing how it works on the site, and I show the drawing concept to drive me to the final design.
Plan design
Shap Story
materials texture
Diller Scofidio architect – drawings
I draw this drawing to add my design project to help when I design elevations to gives me kind of stories to add the meaning of the building; this drawing I inspired by Andreas Gursky photograph in Paris Montparnasse
For the drawing, I was inspired by Philippe Starck, his design of the exciting building form how he de signs elevations and vegetation.
Drawings
For the drawing, I used pencil colours, and I was inspired by David Hockney, which is his technique interesting because one of the ideas I’m focusing on is the green area; I will like to design the place when people visit the site make them happy.
This drawing interesting for me, and I inspired by Diller Scofidio architect to add my collection note when designing the site.
Richard Serra Sculpture is interesting forms to take to process to design the site; also Frank Gehry architect one of the famous architect in the world, and he inspired by Richard Serra because this kind of forms interest ing to take project process design.
Richard Serra Sculpture - Drawing
Frank Gehry – Drawings
FOrms
Frank Gehry – Drawing s
Structures
Frank Gehry building drawings, the type of form I like ti to use in my project.
These two drawings are interesting for my project to put in my case to use in my process design, especially the concept and structure design by Peter Bohlin architect.
Drawing options
This is one of the forms interesting for me when designing for the site, so Frank’s architect form he used for his project because I inspired I take to my case to boost by him. I apply one place to show the concept to know how the form works on the site.
Drawing
All these are drawings it’s necessary to put in my case when I start my design process because these drawings help me better understand concepts, materials, and construction to apply on the bridge to knowing how it works on the site.
Cecil Balmond & Cheret Bozic – drawings
Cheret Bozic – drawings
All these are drawings it’s necessary to put in my case when I start my design process because these drawings help me better understand concepts, materials, and construction to apply on the bridge to knowing how it works on the site.
physical models - form strawsropeWoodPaper
tracing over
drawing forms inspiration
frank gehry architect
Renzo piano architect richard serra artist
Peter Bohlin architect
&
Concepts optional materials
The collection works to start process design
concept design and site plan Site Plan: scale 1: 1800 Car CoffeeBridgeBridgeRestaurantsSculptureMiniparkMarketGalleryAgriculture’s
site plan design Ground floor plan design scale 1:1800 First Floor plan design scale 1:1800
Scale 1:1000
elevations & Section design East Elevation Scale 1:1000 South Elevation Scale 1:1000 North Elevation Scale 1:1000 West Elevation Scale 1:1000 East Section Scale 1:1000
The gallery designing for Dale Chihuly Artist
He is an American glass sculptor and entrepreneur. His works are considered to possess outstanding artistic merit in the field of blown glass, “moving it into the realm of large-scale sculpture.” The technical difficulties of working with glass forms are considerable, yet Chi huly uses it as the primary medium for installations and environmental artwork.
Building Name: Monsoon Restaurant Sapporo Artist Name: Dale Chihuly
Dale Chihuly’s ideas are big ones, often stretching the limits of his chosen media. He loves a good challenge. Over the years, Dale has de veloped a host of innovative techniques to achieve his artistic vision. He is keen to experiment and unafraid of failure. Whether attempting to make Macchia up to four feet in diameter, or stretching the limits of glass for his Rotolo series, experimentation is an essential part of Dale’s creative process.
We will help you develop into a creative professional such as craftsperson, jeweller, ceramicist, textile artist, designer-maker, glass artist, designer, researcher, consultant, curator, buyer, stylist or educator. You will be encouraged to select a specialism, helping you establish your own personal creative voice and be capable of producing inspiring work. You will explore both traditional hand skills and emerging technologies while working with a wide range of materials such as hot glass, clay, paper, fine metals, plastics, resin, wood and textiles. Students produce a wide range of objects, including individual artefacts for galleries and to commission, small batches of similar items, limited editions, public installations and designs for industry. Bespoke objects are produced for domestic, interior spaces, exterior spaces, to be worn on the body, and can be hand-held or largescale sculptural pieces. Professional practice is embedded throughout the course to grow your entrepreneurial and business skills, preparing you for your career. Graduates have gone on to set up their own craft workshops, secure roles in design studios with brands including Sainsbury’s, work in the craft industry with leading ceramicists, for example Sue Pryke and Hannah Tounsend, as well as to collaborate with the likes of the National Trust. **Key features:*** DMU is ranked in the top 15 for Art courses in the UK, accord ing to the Guardian University Guide 2021. * Work on live projects with industry experts to gain valuable skills and experience. Recent briefs have been set by Wedgwood, Water ford and Argos Home. * Establish yourself by entering national and international com petitions. DMU graduates have won many accolades, including the Goldsmiths’ Precious Metal award, and have exhibited at prestigious events such as New Designers and One Year In. * Graduates have gone on to set up their own craft workshops, work in design studios with brands such as Sainsbury’s Argos, work in the craft industry with leading ce ramicists such as Sue Pryke and Hannah Tounsend, as well as to collaborate with the likes of the National Trust. * Gain valuable international experience as part of your studies with our DMU Global programme. Previous trips have taken students to explore Urban Glass in Brooklyn, experience a design-centred culture in Copenhagen, and understand how their art practice sits within an international context in Berlin. * The award-winning Vijay Patel Building provides both the space and the facilities to foster creative thinking, where ideas can develop and flourish for all of our art and design students. * We provide core workshop materials at no cost, and give cash awards – £150, £200 and £300 in years one, two and three respectively – to support personal materials/printing costs*.
How many students graduate a year at De Montfort University
Course info
this porject how to help students
keys the project could be
key measurements & link with keys
key measurements & link with keys concept
Case Study
Date: 1929
The house single handily transformed Le Corbusier’s career as well as the principles of the International Style, becoming one of the most im portant architectural precedents in the history. Villa Savoye’s detachment from its physical context lends its design to be contextually integrat ed into the mechanistic/industrial context of the early 20th century, conceptually defining the house as a mechanized entity.
Location: HOUSES POISSY, FRANCE
Text description provided by the architects. Situated in Poissy, a small commune outside of Paris, is one of the most significant contributions to modern architecture in the 20th century, Villa Savoye by Le Corbusier. Completed in 1929, Villa Savoye is a modern take on a French country house that celebrates and reacts to the new machine age.
Building Name: Villa Savoye
Architecte Name: Le Corbusier
Case Study Rainscreen Cladding System CUPACLAD • Use Rainscreen cladding • Applications Facades • Characteristics Natural slate panels, concealed self-drilling stainless steel screws, ventilated and insulation system combined. • Sizes 50x25, 50x20 and 50x15 cm • Certification ISO 9001 Quality and ISO 14001 Environmental certifications
The CUPACLAD® 101 RANDOM system is made up of 50x25, 50x20 and 50x15 cm slates installed horizontally with concealed screws. Cupa Pizarras CUPACLAD® 101 systems use self-drilling stainless steel screws with large diameter flat heads, specially selected by our engineers to guarantee perfect fixing and to reduce installation times.
The screws enable you to install various shapes and sizes of slates and are totally concealed behind the slates in the row above, allowing the natural slate to shine out on its own.
Case Study UNDERSIDE OF BEAM DETAIL 02.120.1201 REV.OPTION03/02/091 OPTION 1A: A SHAPED BLOCK AT TOP COURSE; OR OPTION 1B: CUT OUT FACE SHELL AND REPLACE AFTER GROUTING; HEIGHT VARIES BOND BEAM AT SECOND COURSE FROM TOP THROUGH BOLT OR LAG BOLT AS REQ’D FOR SHEAR TRANSFER 1/4” THK x 6” WIDE PLATES FOR SHEAR TRANSFER; WELD TO BEAM AFTER CMU PLACEMENT OPTION 1A OPTION 1B SIZE GAP FOR DRIFT & DEFLECTION OF BEAM FOR TYPE HYBRID; OR FILL GAP W/ DRYPACK FOR TYPE II OR TYPE III HYBRID GROUT & REINFORCING AS REQ’D © 2019 International Masonry Institute Base of Wall Detail 01.030.0332 KEY WORDS Base of wall, Foundation, Veneer, Brick, Flashing, Drainage, Weeps, Anchored01.030.0332,High-performing,Thermally-efficient,veneerKEYNOTESBrickveneer01ConcretemasonrybackupHorizontaljointreinf.w/eye&pintleveneeranchors0231Airspace:2"recommended,1"min.req'dbycode36 Reinforcement per structural design 37 Insulation41 Thru-wall flashing51 Termination bar w/ cont. bead of sealant @ top 52 Drip edge: seal and adhere to foundation 54 Weep vents59 barrierAir/moisture/vaporasreq'd61 Concrete foundationmasonry96 Grout per structural design 22 Below compatiblewaterproofinggradew/ substrate 63 Transition membrane64 Veneer anchor32 51 01 02 22 31 37 41 54 59 61 63 64 64 96 36 Control joint73 34 Cavity drainage insert34 Slab on grade05 05 22 52 32 © 2011 INTERNATIONAL MASONRY INSTITUTE PLANK AT BEARING WALL DETAIL 02.120.0851 REV. 11/25/08 TOP OF WALL 2’ 0 HORIZ. x 2’ 0” VERT. #4 DOWELS AND GROUT AT PLANK KEYWAYS 3” MIN. BEARING & BEARING STRIP BOND BEAM W/ (2) #5, CONT., OR AS REQ’D GROUT & VERTICAL REINFORCING AS REQ’D. SOLID REINFORCEMENTHORIZ.SHOWNMOISTURENOTE:PLANKPRECASTCMUCONCRETEVENEER&AIR/BARRIERNOTJOINT costruction
Case materialsStudyand textures
Case SculptureStudy forms
Case movementStudy- glass workshop
concept development 1
concept development 2
concept development 3
concept development 4
concept development 5
ground fLoor - plan
First fLoor - plan
Second fLoor - plan
Roof - plan
Back Elevation - East
front elevation - West
right elevation - North
left elevation - south
front section - north
Back section - East
front elevation - West
right elevation - North
right elevation - North
south
left elevation -
Back section -
East
Back section -
East
ground fLoor - plan
fLoor
First - plan
Second - plan
fLoor
- plan
Roof
perspective elevations
perspective elevations
site scale 1:2000
passive air design
This project is a glass sculpture gallery, this project much great because central Leicester city does not have a green area. After all, this location has more advantages to keep the green area when people visit the site they can enjoy with the family and to raising economy especially in COVID 19 time many marketing lose a lot of money, this project helps economies raising money again. This project has another offer for students in Leicester city to work in the glass sculpture gallery, this project it is the first project in the UK I have designed because I choose dale Chihuly artist, he works a different kind of forms sculpture and in the world has not design gallery for him, this idea its great for me to design a gallery to find many advantage ideas to build this project.