MaryamBaharvandi_2024_ArchPortfolio

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MARYAM BAHARVANDI 2023


Work Experiences May 2023-Aug2023

Intern-Mepis+ A

Chicago/United State

May 2022-Aug2022

Contributing to concept design and the design process. 3D modeling, Diagram Development, Rendering, Final Presentations, Marketing Animation. Softwares: Rhino, Revit, Enscape, Illustrator, InDesign Intern-MKSK Cleveland/United State

Jan2022-May2022

M A R YA M

Cleveland/United State

B A H A R VA N D I

mbaharva@kent.edu www.linkedin.com/in/maryambaharvandi

Aug 2019- 2021

2168561982

RESUME

I am a M.Arch student at Kent State University with a master’s in architectural engineering. With nearly two years of experience as an architecture designer, I worked on diverse residential projects before I came to the U.S. I also have internship experiences in the U.S for 6 months and work on projects of varying scales. Skills I was able to employ include 3D modeling in Rhino and Revit, conceptual design, diagramming, rendering, and presentation. I’m proud to have won two AIA Awards (2022 and 2023) and achieved different awards in architectural competitions. My move to the U.S. is driven by a commitment to broaden my professional experience in the best companies, understand design workflows, and work towards becoming a licensed architect. h

Softwares

3D MODELING Rhino Revit AutoCAD RENDERING Enscape TwinMotion Lumion AI Rendering ADOBE CREATIVE SUITE InDesign Illustrator Photoshop Premiere AfterEffect OTHERS 3D Print Laser Cut Unreal Engine GIS

Other Skills

Social Media and Content Creator

Engaged in various scale projects with a focus on design and presentation. 3D modeling, Diagram drawings, Assistance in final presentations, Master planning and detailing. Softwares: Rhino, AutoCAD, Photoshop, Illustrator, InDesign Graduate Assistant-CUDC

Summer2019-Now

Contributed to design charrettes and urban food district case studies. Explored design ideas related to urban textures and building reuse and Conceptualized ideas Softwares: Illustrator Architecture Designer Designed four residential projects and renovations. Primary sketches, floor plan design, material selection, and facade design, Site visits for construction process Software: AutoCAD, Rhino, TwinMotion, InDesign, Illustrator Instructor DOAAR Portfolio and presentation methods + Indesign Software Tutorials Diagrammatic Architecture and Design process+Illustrator Software Tutorials

Education SEP2022-Present Sep2016-Sep 2018 SEP2021-Aug 2022 2014-Sep2016

Master in Architecture - Kent State University Master in Architectural Engineering - Shomal University Landscape Architecture(24 Credits in Master’s program) - Kent State University Bachelor in Architecture - Sooreh art university

Awards Nov2023 Nov2022 Apr2023 Jan2023 Apr2022 Dec 2021 Dec 2021 Nov 2021 Aug 2021 Fall 2023,2022,2021 Spring 2023,2022 Spring 2021

AIA Cleveland Award (Honorable Mention) Project: Green Hub AIA Cleveland Award(Merit Award) Project: Red Walk Park Awad of Excellence CAED/Kent State University WA Award.World Architecture community Award (Winner) Project : A Layer Beyond Evolo Skyscrapers (Honorable Mention) Project: Adobe Farm Skyscraper Nonarchitecture Competition (Honorable Mention) Project : A Layer Beyond Nonarchitecture Competition (Honorable Mention) Project: Object City Garden Mango Competition (Top-Ten) Project: Object City Garden City Garden competition (Honorable Mention) Project: Object City Garden Fully Tuition Waiver Award $5000 Scholarship Partial Tuition Waiver Award

Extra Curricular Activities

Professional karate player and Karate Coach with numerous(Over 50) national andinternational awards 4rth dan black belt

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CONTENTS Professional

Competitions

Academic

CSX

City Garden

WynWood Hive

2023

Competiton 2021

Individual Project 2023

Dive pool

Observation Tower

2023

Competition 2020

Building Code 2022 Group project

The Pedestrian Analysis 2017 Group project

B House

A Layer Beyond

2021

Competition 2021

N 27

Adobe Farm Skyscraper

2020

Competition 2022

2772

Public space - Urban+Circle

2020-2023

Group project 2016

Green Hub Individual Project 2022

Cultural Dome Individual project 2018

Red Walk Park Individual Project 2021

AndishCentral Park Individual project 2017

Erie Cemetery Memorial Garden Individual project 2021

Sketches Iraj Bastom TOPM Individual project 2016 Hand sketch

Conceptual Sketches


AWARDS

2022 HONORABLE MENTION Category : Student

MERIT AWARD Category : Student

WA Award 2023 WINNER Category : Student

2021 2021 HONORABLE MENTION International SkyScraper Competition

HONORABLE MENTION International Competition Category : Aspacial

HONORABLE MENTION International Competition Category : Urban

Top-Ten International Competition Category : Digital Models

HONORABLE MENTION National Competition Between Young Architects and Offices


PROFESSIONAL

5


CSX Year:2023

Company: MEPIS+A Location: Chicago My Role: Desgin process, Diagramming, 3D Modeling, Rendering, Landscape Design Softwares: Revit, Enscape, Illustrator, InDesign CSX’s office space in Calumet City, Illinois. The addition of a new skylight in the lobby, a rooftop space, a connecting staircase, and a canopy for the drop-off area indicates a thoughtful approach to enhancing both the functionality and aesthetic appeal of the office environment. Skylight for Lobby:Introduce natural light, Open, inviting space; energy efficiency. CONCEPT AND Employee STRATEGY Rooftop Workspace: Outdoor work and recreation, well-being; green space, Solar Panels Connecting Staircase: Foster collaboration, Visual focal point Drop-off Canopy: Weather protection, Architectural statement; design identity. COMMUNAL COMMUNAL

HEADQUARTERS HEADQUARTERS ENTRANCE ENTRANCE CAMPAIGN CAMPAIGN HEADQUARTERS HEADQUARTERS

STORAGES

STORAGES

WASTE IT MNG

IT

OFFICE

WASTE MNG

HEADQUARTERS HEADQUARTERS ENTRANCE ENTRANCE

DISTRICT OFFICE DISTRICT OFFICE

AMENITIES AMENITIES CONCEPT AND STRATEGY

OPEN WORK AREA OPEN WORK AREA

COMMUNITY ROOM COMMUNITY ROOM

ELEC

HEADQUARTERS ProposedCAMPAIGN Canopy andCAMPAIGN Drop Off HEADQUARTERS TOILET

TOILET

STORAGES CAMPAIGN

OFFICE

RECEPTION

STORAGES

MOTHER TELE ROOM ROOM

OFFICE

OFFICE

MOTHER ROOM

IT

WASTE IT MNG

ELEC

JANELEC IDF J

RECEPTIONTELE

MOTHER TELE ROOM ROOM

OPEN WORK AREA OPEN WORK AREA

COMMUNITY ROOM COMMUNITY ROOM

TOILET WAITING ROOM WAITING ROOM

IDF

Calumet CSX Building | MEPIS

RECEPTIONTELE ROOM

COMMUNALCOMMUNAL AMENITIES AMENITIES

CAMPAIGN

HEADQUARTERS HEADQUARTERS COMMUNAL COMMUNAL DISTRICT OFFICE DISTRICT OFFICE AMENITIES AMENITIES

JANELEC IDF JAN

TOILET

RECEPTION

STAFF LOUNGE STAFF LOUNGE

MAIN ENTRANCE MAIN ENTRANCE

KITCHEN

KITCHEN STORAGE

STORAGE TOILET ROOM TOILET

COMMUNALCOMMUNAL AMENITIES AMENITIES

CAMPAIGN CAMPAIGN HEADQUARTERS HEADQUARTERS

DISTRICT OFFICE DISTRICT OFFICE

CommunalCommunal MOTHER ROOM MOTHER ROOM AmenitiesAmenities Campaign Campaign COMMUNITY COMMUNITY ROOM ROOM

Headquarters Headquarters RECEPTION RECEPTION Office Office District District

OPEN WORK AREA OPEN WORK AREA ROOMWAITING ROOM OFFICE OFFICE WAITING STORAGE STORAGE

MEETING ROOM MEETING ROOM

WAITING ROOM WAITING ROOM

STORAGE

STORAGE

OPEN WORK OPEN AREA WORK AREA

STAFF LOUNGE STAFF LOUNGE

COMMUNITY ROOM COMMUNITY ROOM

Rooftop, Proposed Site Plan and Solar Panels

CommunalCommunal MOTHER ROOM MOTHER ROOM AmenitiesAmenities Campaign Campaign COMMUNITY COMMUNITY ROOM ROOM Office

JANELEC IDF JAN

KITCHEN

TELE ROOM

DISTRICT OFFICE DISTRICT OFFICE

Office

ELEC

KITCHEN STORAGE

MAIN ENTRANCE MAIN ENTRANCE

TELE ROOM TELE ROOM

OfficeOffice

Headquarters Headquarters RECEPTION RECEPTION

STAFF LOUNGE STAFF LOUNGE

OFFICE

OFFICE

MOTHER TELE ROOM ROOM

STORAGE TOILET

MOTHER ROOM

OPEN WORK AREA OPEN WORK AREA Calumet CSX Building | MEPIS

STORAGE

STORAGE

ELEC EVENT ENTRANCE EVENT ENTRANCE

IDF

JANELEC IDF J

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HEADQUARTERS HEADQUARTERS ENTRANCE ENTRANCE

CONCEPT AND STRATEGY

CAMPAIGN CAMPAIGN HEADQUARTERS HEADQUARTERS

STORAGES COMMUNAL COMMUNAL DISTRICT OFFICE DISTRICT OFFICE AMENITIES AMENITIES

Office

Office

Private Toilet

JAN Meeting Room

CAMPAIGN CAMPAIGN HEADQUARTERS HEADQUARTERSOpen Work Area Waiting Room

Elec

OFFICE

WASTE IT MNG

IT

ELEC TOILET

Waste. Mng

OFFICE

WASTE MNG

OPEN WORK AREA OPEN WORK AREA

COMMUNITY ROOM COMMUNITY ROOM

IT Office

STORAGES

TOILET

RECEPTION

JANELEC IDF JAN

RECEPTIONTELE ROOM

IDF

MOTHER TELE ROOM ROOM

MOTHER ROOM

KITCHEN STORAGE

STORAGE TOILET

TOILET

ELEC

JANELEC IDF JAN

Idf

COMMUNALCOMMUNAL AMENITIES AMENITIES Mother R

Tele room

Staff Lounge Storage

Elevator

Open Work Office Room

Office

Toilet (W)

Community Room

WAITING ROOM WAITING ROOM

STAFF LOUNGE STAFF LOUNGE

MAIN ENTRANCE MAIN ENTRANCE

Storage

KITCHEN

Office

Proposed Plan

DISTRICT OFFICE DISTRICT OFFICE

CommunalCommunal MOTHER ROOM MOTHER ROOM AmenitiesAmenities mpaign Campaign COMMUNITY COMMUNITY ROOM ROOM

dquarters Headquarters RECEPTION RECEPTION Office Office District District

ORK AREA OPEN WORK AREA ROOMWAITING ROOM E OFFICE WAITING STORAGE STORAGE

TING ROOM MEETING ROOM

TELE ROOM

TELE ROOM TELE ROOM

OfficeOffice STORAGE

STORAGE

OPEN WORK OPEN AREA WORK AREA

COMMUNITY ROOM COMMUNITY ROOM

OFFICE

OFFICE

MOTHER TELE ROOM ROOM

IDF

MOTHER ROOM

OPEN WORK AREA OPEN WORK AREA

STAFF LOUNGE STAFF LOUNGE

STORAGE

Axonometric Section

EVENT ENTRANCE EVENT ENTRANCE

ORGANIZATION DIAGRAM

STORAGE

Calumet CSX Building | MEPIS

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Proposal

OPTION THREE ROOFTOP OUTDOOR

INDOOR

Canopy and Rooftop N CURRENT SITUATION

Stairs and Community Room

Calumet CSX Building | MEPIS

Calumet CSX Building | MEPIS

Offices and Skylight

Calumet CSX Building | MEPIS

Calumet CSX Building | MEPIS

Lobby and Sky Light

Calumet CSX Building | MEPIS

Calumet CSX Building | MEPIS

S

ROOF TOP

ACCESS

Rooftop VIEW+INTERACTION

SOLAR PANEL

Calumet CSX Building | MEPIS

Green Roof

8


Diveheart

Year:2023 Company: MEPIS+A Location: Chicago My Role:Design Process, Diagramming, 3D Modeling, Rendering, Workflow between softwares Softwares: Revit, Rhino, Enscape, Illustrator

Diveheart, the deepest pool in the USA, envisions a groundbreaking aquatic destination with three specialized pools—Diving, Community, and Therapy. Diveheart caters to diverse interests, from scuba diving and water training to therapy programs and scientific research. The facility prioritizes accessibility and inclusivity for disabled individuals, offering adaptive scuba opportunities. With a commitment to sustainability and cutting-edge technology, Diveheart integrates patented deep therapy pool features, providing a safe and transformative experience. The facility emphasizes visibility, safety, and a connection with nature, fostering community engagement and education. It also emerges as a unique hub for recreational activities and a center for health and wellness, science, and therapeutic rehabilitation.

COMMUNITY WING

Concept

THERAPY POOL: CONNECTION TO NATURE

A Street

A Street

A Street

Programming G Street

G Street

et

G Stre

G Street

et

G Stre

Open Cafe

Community Pool

et

Community Pool

Community Pool

Kitchen

Kitchen MECH

Breakout

Research

Therapy Pool

Therapy Pool

Command

Auditorium

Lockers

I Street RES.

Meeting

I St

100'

200'

400'

Connexions Building

reet

50'

Pool Mechanical

Connexions Building

reet

reet

0'

Service

Pool Mechanical

I St

I St

Connexions

Public

Lockers

Service

Mechanical

Legend

Mix Gas Tanks

Public

Lockers

Pool

Education/ Research

Scuba Service

Legend

Mix Gas Tanks

Building

Deep Pool

Office

Scuba Service

Service

Auditorium

Admin

Deep Pool

Office

Public

Reception

Lockers

Command

Admin

Legend

Lockers

Classroom Classroom

Reception

Research

Deep Pool

MECH

Open Retail

Surface Rehab

Surface Rehab

Classroom

RESEARCH

I Street

MECH

Therapy Pool

I Street

G Stre

Education/ Research

0'

50'

100'

200'

400'

Education/ Research

0'

50'

100'

200'

400'

AERIAL VIEW

9


B House

Category : Mixed-use/ Residential and commercial Year:2021 Location: Iran My Role: Designer Modeling and Rendering: Mahsa Imani Softwares: 3Ds Max, AutoCAD, Vray,Photoshop, Illustrator

B house: a 1-floor, 1300 sq.Ft residential project. The first floor features a private 2-bedroom residence with contemporary concrete and a Thermowood facade. Since it has access to the light just from one direction, there is a backyard, which makes two bedrooms enjoy backyard access for enhanced illumination and ventilation. It was important to the client to prior the living room to the lighting rather than the private parts. BACK YARD 1.2

BEDROOM +100

OKB

+100

OKB

CLOSET

0.2 3.72

2.68

0.68

4.1

CLOSET

2.7

BEDROOM BATHROOM KITCHEN

2.41 0.1

3.81 3.8

1.68

1.5

STORAGE

0.7

0.1

DINING AREA 7.09 6.19 5.4

LIVING ROOM

ENTRANCE

YARD

FLOOR PLAN 1:100

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N27

Category : Mixed-use/ Residential and commercial Year:2020 Location: Iran My Role: Designer Softwares: Rhino, AutoCAD, TwinMotion,Photoshop, Illustrator

N27: A 2-floor, 2000 sq. ft mixed-use project. Ground floor for lively commercial with round and straight window wall system. Second floor features a private 2-bedroom residence with a brick facade for privacy and light control. Simple, innovative living in every detail.

PROGRAM

PRIVATE SPACE

RESIDENTIAL

SERVICE

Second Floor

COMMERCIAL

SEMI-PUBLIC SPACE

First Floor

Entrance

+3.60

+3.60

+3.60

OKB +100

OKB +100

Second Floor

Second Floor Scale : 1:100

11


ACADEMICS


Wynwood Hive Year:2023 Location : Miami- United States Academic/ Individual Project

Wynwood Hive is a mirror, window, and canvas that reflects, exposes, and exhibits Miami’s vibrant community. Wynwood Hive is a mixed-use building that fuses architecture and urban context. From this formerly industrial Miami neighborhood, a vibrant and artistic community has grown, known for its colorful street art, creative atmosphere, and diverse community. Wynwood Hive is a cultural hub where art, music, and food converge. The façade of the building mirrors Wynwood›s creative spirit and serves as a captivating canvas, reflecting the dynamic program of its surroundings. The north-facing facade captures the living spirit of the Wynwood by creating a visual dialogue between the building and its surroundings. This interactive canvas displays an abstract composition of windows which reflects the neighborhood›s vibrant street art and diverse community. Each window is a different scene that connect interior activity to the dynamic culture on the street. The other surfaces of the building are sheathed with a mirrored curtainwall system that reflect the neighborhood and highlight its contextual significance. By day, it reflects the colorful and painting walls around it and at night, it transforms into a lantern.

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4000 m2 7500 m2 3500 m2

Amphiteather

Restaurant

7500 m2

3000 m2

Circulation

12000 m2

Visiting Artist Collection

Commerce

INTERACTIVE GALLERY

AMPHITEATHER

RESTAURANT

TOTAL AREA 37500

Interactive Gallery

1000 m2

H E A L I N G

H O U S E

Healing House

ARTIST

COMMERCIAL

Section 1:8” =1’ - 0”

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NW 3rd Avenue

NW 26th Street

DESIGN DISTRICT MIXED USE BUILDING

DESIGN DISTRICT MIXED USE BUILDING

KENT STATE UNIVERSITY

Site Plan

KENT STATE UNIVERSITY

PROFESSOR:Gregory Stroh

PROFESSOR:Gregory Stroh

STUDENT: Maryam Baharvandi

STUDENT: Maryam Baharvandi

5 4

Open to Below w

n

to

Belo

Ope

7 w

n

to

Belo

Ope

to

Belo

Ope

n

to

3

2

w

w

n

Belo

3

w

n

to

Belo

Ope

2

Ope

1

6

FORTH FLOOR PLAN

1

FIFTH FLOOR PLAN

w

n

to

Belo

Ope

SCALE :1/16" - 1'=00"

SCALE :1/16" - 1'=00"

4 Contents 1. Stairs 2. Elevator 3. Storage 4. Examination Room 5. Conference Room 6. Secretary 7. Mechanical DESIGN DISTRICT 8. Retail

5

Contents 1. Music Hall 2. Stairs 3. Elevator 4. Music Therapy(Individual session) 5. Music Therapy(Group session) 6. Terrace 7. Corridor

6

DESIGN DISTRICT MIXED USE BUILDING

MIXED USE BUILDING

Fourth Floor Plan 1:32” =1’ - 0”

KENT STATE UNIVERSITY PROFESSOR:Gregory Stroh

Fifth Floor Plan 1:32” =1’ - 0”

KENT STATE UNIVERSITY PROFESSOR:Gregory Stroh

STUDENT: Maryam Baharvandi

STUDENT: Maryam Baharvandi

10 2 3 9

2 6

5

2

1

3

4

9 w

w

n

to

Belo

n

to

5

3

Belo

Ope

10

w

Ope

2

n

to

Belo

Open to Below

Ope

SECOND FLOOR PLAN

8

2

3

THIRD FLOOR PLAN

SCALE :1/16" - 1'=00"

1

SCALE :1/16" - 1'=00"

Contents 1. Amphitheatre 2. Stairs 3. Elevator 4. Lobby 5. Interactive artist collection 6. Bathroom 7. Restaurant 8. Kitchen 9. Stairs to the gallery 10. Art retail

11 7

Second Floor Plan 1:32” =1’ - 0”

8

4

6

7

Contents 1. Gallery 2. Stairs 3. Elevator 4. Lobby(Healing house) 5. Exit door 6. Art therapy 7. Group session 8. Individual session 9. Lobby Gallery

Third Floor Plan 1:32” =1’ - 0”

DESIGN DISTRICT MIXED USE BUILDING KENT STATE UNIVERSITY PROFESSOR:Gregory Stroh STUDENT: Maryam Baharvandi

1

4 2 3

8

8

5

2 8

8

3

7

10

2

FIRST FLOOR PLAN

9

SCALE :1/16" - 1'=00"

8

8

9

8 8

8 11

Contents 1. Entrance 2. Stairs 3. Elevator 4. Lobby 5. Bathroom 6. Corridor 7. Open Space 8. Retail 9. Storage/Kitchen 10. Office 11. Buffer Zone

Ground Floor Plan 1:8” =1’ - 0” Section 1:8” =1’ - 0”

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Interior Elements and Hanging Cube The Wynwood Hive, situated in Wynwood, represents a captivating blend of industrial and contemporary design, transforming its interior into an artistic haven. At its core is a hanging cube, strategically placed as if it were a centerpiece in a gallery, symbolically echoing Wynwood’s industrial history. The exposed steel structure enhances the space, infusing it with a genuine and unfiltered atmosphere. The integration of a glazing system brings in natural light, establishing a dynamic interplay between the curated space and its surroundings. The cantilever design, extending dramatically beyond the main structure, serves both an aesthetic and functional purpose, creating covered outdoor spaces for a unique visual experience. Collectively, these architectural elements turn the interior into a gallery, narrating the story of Wynwood’s transformation. The space is not just an architectural marvel; it’s a convergence point for art, music, and food, offering visitors a unique and enriching experience. Wynwood Hive stands as a testament to the neighborhood’s evolution from an industrial past to a dynamic cultural hub, inviting all to partake in the vibrant energy of its cultural renaissance.

Section 1:8” =1’ - 0”

16


GREEN HUB

A Sustainable Urban Vision

Year:2022 Location : Chicago - United States Academic/ Individual Project

Winner Honorable Award

AIA

Cleveland Award Student Category

2023

Re imagining urban housing is crucial for providing long-term social wellbeing amid environmental, economic, and health challenges. Sustainable housing must blend architecture, nature, and public experience and through diverse landscapes for urban resiliency and regeneration, using landscape attributes as a foundation for an Eco-friendly community. Green Hub is a visionary project in Chicago’s West Loop that focuses on sustainable urban housing. It includes three main elements: planting trees for resilience, creating a green community, and offering adaptable housing to prevent gentrification. This project aims to improve the area’s environment, quality of life, and inclusivity. Issue: Urban Resilience and Green Depletion Addressing the rapid depletion of Chicago›s natural resources, particularly trees, amidst environmental challenges. Concept: Harmony in Diversity Fusing nature, architecture, and public experience, GREEN HUB transforms the West Loop into a thriving Eco-friendly community. Solution: Threefold Approach for Sustainable Living: a) Landscape Resiliency and Urban Forestry: Planting Thousand trees to combat climate change, flooding, and air pollution. b) Community-Centric Development: Raising tree canopies, expanding green spaces, proposing sustainable housing, and enhancing intersections. c) Adaptive Unit Typology: A forward-thinking blueprint incorporating mixed-use spaces, innovative housing, and adaptive units to prevent gentrification. In conclusion, GREEN HUB pioneers greener, resilient, and inclusive urban living, shaping a sustainable future for West Loop.

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Residen�al

A) Landscape Resiliency and Urban Forestry:

LAKE MICHIGAN

Project Boundry

Concept

LAKE MICHIGAN

SITE Tall Building Mobility

PARK

Parks

interntainment DownTown

CHICAGO RIVER

Users I-90

SITE AVE

SITE ?

Residen�al

MOUNDS

Residen�al

Mobility

North

North

Og d N

Og d

en Av e

West Loop

N

N

Og d

en Av e

West Loop

en Av e

North

West Loop

MOBILITY

URBAN FORESTRY

Line of mounds

Forests

SITE

SITE

SITE D Wight D. Eisenhower Expy Now

EN

ASHLAND AVE

GD

External Forces

Site Strategy

WEST LOOP

SITE

WO

MOBILITY

DWIGHT D. EISENHOWER EXPY

SITE ?

CULTURAL AND PARKS

DOWNTOWN

UNIVERSITY OF ILLINOS

URBAN FORESTRY

MOUNDS

D Wight D. Eisenhower Expy 2035

D Wight D. Eisenhower Expy 2075

18


B) Community-Centric Development:

Linear Trees

The increase in the tree canopy on Bari Street, the effects on the urban ecosystem Roof gardens as a space of buildings for residents to gather.

Sustainable residential building

The project has become a hub for the West Loop with attractive neighborhood and greenery spaces. A more livable and environmentally friendly community comes by raising the canopy of the trees from the site, expanding roof gardens, proposing sustainable houses, street trees, new pocket parks, intersection improvement, and Street narrowing to additional greenery offer sustainable development and in visionary spaces.

Parking Lot

Street Parking

Pocket parks as pause space as well as space between the path of street trees

Sustainable residential houses to increase the urban forest until 2050

Parapet walls Protect the trees and greenery from the wind. Canopy Area

Planting street trees to increase urban forest and tree canopy in the urban context Material: Precast Concrete. Facade : Steel Stainless

Parking Lot

Sustainable residential houses to increase the urban forest until 2050

Program: FoodCourt. Entrance to the top of the green floor and bridge.

Program: Commercial and Retail. Courtyards for sunlight and airflow. Have a connection with the green rooftop.

The bridge structure connects two sites like a green chain, allowing people to experience a -360degree view.

Mounds in the direction of the sunlight also emphasize the idea of nature and forest.

The hills on the building affect the interior space and make harmony with the ground. Sustainable residential houses to increase the urban forest until 2050

Pocket parks as pause space as well as space between the path of street trees

Landform and new giant mounds to bold the site from the context

Intersections Strategies

Pocket parks as pause space as well as space between the path of street trees

Pocket Parks

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C) Adaptive Unit Typology

Floor Plan Samples

In constructing a forward-thinking blueprint for the West Loop, the principal objectives encompass the incorporation of mixed-use spaces, the introduction of innovative housing models, and, within these, the integration of adaptive unit typologies to meet evolving demographic needs and prevent gentrification. The meticulous programming foresees a harmonious blend of residential, retail, commercial, recreational, cultural, and public sectors to foster a balanced and vibrant urban ecosystem.

Kitchen Living room

Storage

Closet Bathroom

Bathroom Closet

Walk-in Closet

Bedroom

Bedroom

2 Bedroom Apartment

Closet

Bathroom

Kitchen Living room

Kitchen Living room

Bedroom

E Walk-in Closet Storage

SOUTH

NORTH

CIRCULATION STRATEGY

NORTH

RESIDENTIAL

Storage

Closet Bathroom

Closet Bathroom

Bathroom Closet

LANDSCAPE COMMUNITY SPACE INTERNTAINMENT CINEMA CULTURAL RETAILS PARKING

COMMERCIAL PARKING RATAIL

PROGRAMMING

RESIDENTIAL

Bathroom Closet

Walk-in Closet

Walk-in Closet Bedroom Bedroom

SOUTH

2 Bedroom Apartment

Bedroom

Bedroom

Two bedroom apartment converted to 3 Bedroom Apartment three bedroom apartment. Closet

Bathroom

Kitchen

Mounds on the Roof

Living room

Bridge and Connection

Mounds on the Roof

Bedroom

Walk-in Closet

Storage

Closet Bathroom

Bathroom Closet

Walk-in Closet

Bedroom

Bedroom

W Adams St

Before Expansion

W Jackson Blvd

W Van Buren St

HARMONY AND REPETITION

After Expansion 3 Bedroom Apartment

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Cultural Dome Year:2018 Academic/Individual

Location: The city of shiraz is historical and cultural and has 27 cultural centers with different topics. The proposed location is on the southeast side of shiraz because the concentration of most of the cultural-historical buildings is in other parts of the city. Photography cultural centre: How can it simultaneously reflect the culture, old buildings, and history of tourists or locals in one place? Photography and its connection with all those give a reason to answer this question by designing a different cultural center. The focus is on developing a cultural-photography center that keeps all the cultural-historical objects in the city in one place so that you can visit all of them simultaneously and in one place. Modern geodesic dome as a cultural object: Therefore, focusing on the spherical shape of glass became necessary for four reasons: 1)The spherical mode emphasizes the center 2)The glass reflects the city›s old context, history, and culture. 3)Double curved sphere out of tesselated geometry and a 3d structural system contrasts with the context.

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Lobby

Office

Class

Gallery Meeting Library

Store

Cafe

connection of the glass to the structure

The materials used are steel and aluminum alloys, toughened laminated security glass that can be single, double or triple glazed, with various options for transparency. Geodesic domes are threedimensional structures using stable triangles approximating spheres to create multiple load carrying paths from point of load to point of support. Triangles are the strongest shape because they have fixed angles and don’t distort very easily.

Case Study The

Montreal

Biosphere

The Montreal Biosphere is a museum dedicated to the environment. It is located at Parc Jean-Drapeau, on Saint Helen Island in the former pavilion of the United States for the 1967 World Fair, Expo 67 in Montreal, Quebec, Canada. The museum s geodesic dome was designed by Buckminster Fuller.The building originally formed an enclosed structure of steel and acrylic cells.

Connection details of glass and structures

Connection details of glass and structure

Geodome (based on triangle) UNOFORM TEMPRATURE

NO FOUNDATION NEEDED

OPTIMAL AIR FLOW

MAXIMUM SOLAR GAIN

FLOOR PLAN

FIRST FLOOR PLAN

SECOND FLOOR PLAN

22


Code/ Occupancy

Envelope Systems: Precast Concrete Panel

Occupant Loads

5272 / 150 gross = 36 Business Areas

Residential

Seventh Floor: 7291/ 200 gross = 37 Residential

Eighth Floor: 6764/ 200 gross = 34

hth Eigor Flo

Residential 11’

234 + 36 = 270 Third Floor: 5287 / 150 gross = Business Areas 36 Fourth Floor: 5258Business / 150 Areas gross = 36

Exercise rooms

Sixth Floor: 7549/ 200 gross = 38

Required stairwells Since our occupant load per story is under 500, we need a minimum number of 2 egress stairs.

11’

Required stairs width Since our building is sprinklered 270 (.2) = 54” 54 / 2 = 27”

11’

Stairwells

7”

11’

Code minimum is 44” for each stairwell 11”

Tread depth 11”

th Fif or Flo

urth Fo or Flo

ird Th or Flo

nd co Se or Flo

18’

Required door width Since our building is sprinklered 270 (.15) = 40.5” 40.5 / 2 = 20.25” Code minimum is 32” clear (34” door)

nd ou Gr or Flo

Floor Plans and Egressing

Stairwells Separation

5.9

'

The longest distance between two corners is 138.8’ and on the 4th floor. '

13

8.6

13

Fifth Floor

Ground Floor

Envelope Systems: Precast Concrete Panel

th Sixor Flo

7” 44”

Raiser height The Standard 7” except the raisers meeting the landings that are 6.5” to perfectly work with the 11’ and 18’ floor levels.

Doors

Retail Store and Department Store

Since our building is sprinklered 138.8 / 3 = 46.3’ minimum

GYM

The final seperation between the two stairwells is 57.8’. Routel Insulating tempered glass Spider fitting Silicone sealant with backer rod

Steel tube

Developable Surface Systems : Spider Glass

7.2

'

Connector

Auditorium

13

Sixth Floor

7.8

'

13

Second Floor

Offices

Residential

57.8’ Routel Insulated Glazing Unit Spacer

138.7’

Routel

Mullion

Insulating tempered glass Spider fitting

Opticplacode connecting bolt

Silicone sealant with backer rod Connector

7'

Exterior Gasket

Welding

Spider fitting Connecting Bolt

Steel tube Silicone sealant with backer rod

Connector Steel tube

13

Eighth Floor

Seventh Floor

8' 13

Offices

Fourth Floor

Snap Cover/ Exterior Cap

Auditorium

Insulating tempered glass

Interior Gasket

Pressure Plate

Concrete

Residential

Routel Insulating tempered glass Spider fitting Silicone sealant with backer rod Connector

8.8 '

Steel tube

Offices

13

Third Floor

The challenge of this project is to make a basic design for a building with complex geometry. This design includes programming of the 8thfloor building and occupancy based on international building codes. In the second stage, each group member was responsible for designing a structured system, and I was responsible for designing the Steel structure. The third stage was the group design of the building envelope system in two types of curtain walls and precast panels, considering the percentage of glazing in each. And finally, design the developable surface system.

nth ve Se or Flo

6.5”

11’

Year:2022 Academic/Group Project My Role: Steel Structure System Design Participating in Occupancy Code and Egressing, Precast Concrete Envelop System, and Details of Developable Surface System Team: Maryam Baharvandi, Hamidreza Sohrabi, Isabella Smith, Christina Fernan

Assembly without fixed seatsunconcentrated

Fifth Floor: 8685 / 50 net = 174

11’

Building Code Structural,Envelope And Developable System

Ground Floor: 8643 / 60 gross = 145 Second Floor: Mercantile 3500 / 15 net = 234

'

1.7

13 Auditorium

Residential

23


Structural Systems: Precast Concrete

seroC riatS

Structural Systems: Steel

Structural Systems: Mass Timber 1

1 3’

2 22’ 00”

3

2

3

4

4

32’ 00”

31'-7 21"

3’

32’ 00”

30'-0"

30'-0"

A

Stair Cores

welded wire reinforcing

sitecast concrete topping

32’ 00”

Stair Cores

12” thick walls

B C

weld plate cast into beams

reinforcing bar ties

12”x 48” hollow-core slab

D 24”x24” precast column

Bolted end plate Replaceable Link Glued-in Rods (GIRs)

Steel panel zone

16”x16” precast column

Column

E

3’

REHTEGOT LLA

E

Beam

D

bearing pads

16”x 24” precast beams

5-layer CLT panel Insulation Support rails, air Gypsum board

28'-7 41"

32’ 00”

16” wide Beam

Laminated flooring Fibre board

A Grout

29'-5 41"

C

sroolF

column bars

weld plate cast into columns

15'-6 43 "

column ties

B

6'-7 43 "

20’ 00”

Column

14’ 6”

18” BEAM

erutcurtS leetS

16”*14” W SECTION COLUMN

32’ 00”

Views

North West

South East

South West

Structural Elevations Structural Elevations

Structural Systems: Poured In Placed Concrete 1

20.80’

2

19.50’

3

4

24.00’

17.00’

5

1

18.00’ 14.25’ 17.00’ 18.00’ 22.50’

2

19.50’

3

18.00’

4

26.00’

5

1

3

4

19.50’

17.50’

5

15.25’ 16.75’

14.00’

17.00’

D 18.00’

18.00’

D

E 18.00’

18.00’

E

F

F

2

22.00’

3

18.75’

4

21.00’

5

1

A 12.50’

27.50’

B 17.70’

1

12.50’

25.80’

C

17.00’

C

B

2

B

B

A

26.00’

A

18.25’

East elevation

17.70’

North elevation

5

F

1

East Elevation

18.25’

18.00’

F

A

South Elevation

4

24.00’

E

19.00’

E

West elevation

3

D

18.50’

D

South elevation

20.25’

C

21.00’

C

West Elevation

2

B

14.25’

B

North Elevation

22.75’

A

17.50’

A

29.00’

2

22.00’

3

18.75’

4

21.00’

5

24


Red WALK PARK Year:2021 Location: Cleveland,United States Academic/Individual Project

Winner Merit Award

AIA

Cleveland Award Student Category

2022

The Red Walk park is the centerpiece between the lake and the downtown. It is where a majority of the people walk to reach the lake daily and on weekends. Try redesigning the park as a public space within the city that is not like other parks but a piece of nature on a small scale. This park›s function is to allow people to experience nature on a small urban scale in the city center at any time of the day or night. Form: With a conceptual design, the idea of the new landform has been created by combining curved models by subtracting, adding, and mixing two models. Using datum and curved forms to shape brought us closer to the primary form, central path, and concept. Programming of the landscape and zones: The new proposed programming is divided into three main zones, 1) an open grassy area, 2) tree lines and 3) shrubs. The proposed landform is the result of layering the final conceptual clay model process and All these three zones› programming. All these three zones are connected with twisting pathways linking one to another. Seasonality: Having a line of Ginkgo trees and Norway maples and mixing them allows having a seasonality concept in the park. Besides, The red concrete pathways contrast the green of the grassy area during the summer, becoming consistent with the color of the seasonal trees during the fall. Zoning and New Contours: Try redesigning the park as a public space within the city that is not like other parks but a piece of nature on a small scale. Consequently, The new proposed programming is divided into three different main zones, 1) an open grassy area, 2) tree lines, and 3) shrubs. The proposed landform is the result of layering the final conceptual clay model process and All these three zones’ programming.

CORRENT CONTOUR LINES

PROPOSED PROGRAMMING

PROPOSED LANDFORM

PROPOSED CONTOUR LINES

PROPOSED CONTOUR LINES

Grass area

Line of Trees

Shrubs

25


FINAL SITE MODEL

SUBTRACTIVE

MIXED

CONTOUR MODEL

ADDITIVE

CONTOUR LINES DATUM

CONTOUR MODEL

26


Central Park Year:2017 Academic/Individual Project 2 Week Project

In recent years, due to economic problems, the people of the capital have migrated to smaller cities around it. One of these cities is the new city of Andisheh. This migration has caused a significant growth of construction in the town of Andisheh. One of the major problems of this new city is the lack of urban and green public spaces. This matter has not been paid attention to at all. In this project, an attempt has been made to design a large urban park to positively impact the city›s people both from the point of view of ecology and the health. The park includes the most modern light structures for various educational, cultural, and recreational activities. Artificial lakes, artificial hills as well as different native trees give people the opportunity to experience being in nature in a city without nature.

27


The Effe c t s Of

GREEN SPACE O n Ci tizens

Living in a city with enough green space could be manageable. Not only does stress directly impact wellbeing, but faulty attempts to cope with it may increase its negative effects. Both physical and mental products are considerable. The former such as increased diseases such as obesity and high blood pressure, and the latter, such as improving stress, anxiety, and feeling of depression. Urban green space, such as parks, playgrounds, and residential greenery, can promote mental and physical health and reduce morbidity and mortality in urban residents by providing psychological relaxation and stress alleviation, stimulating social cohesion, supporting physical activity, and reducing exposure to air pollutants, noise, and excessive heat. Exercise Circuit

Wet Zone

Grass Zone

Residential areas

Green spaces and farmland

Indoor and Outdoor meetin areas

Vacant lands

Walking road

Sitting Areas

Playgrounds

Performane space

Amphitheatre

Trees Zone

X-Games

Sculpture Gardens

Acoustic Wall Pannels

Flower Garden

Parking

Wet Zone

28


Main roads

S e c ti o n a l v i e w s Lakes

Try to not change the topography and using the arrangement of the natural and artificial physical features of an area.

Trees

Salix babylonica Platycladus orientalis Acer campestre Cupressus sempervirens Pinus

Using the benefits of the topograpy for designing to cooling the weather of the neighborhood.

Depending on the goals of the landscape design plan, we may use steps and terracing to create varying elevations. This helps us define use areas and add variety to the landscape.

High meadow and shrubs Low meadow and lawns

Final design

29


central city area

The Pedestrian Program : The Pedestrian Analysis of Amol City Analysis oldincontext The Old location : Amol Context Year:2017

Forty-seven hectares of the total eighty-seven hectares of the central section of Amol consist of the old urban textures. The recreation of urban settlements is an effort of the reproduction of the surrounding environment.

central city area Forty-seven hectares of the total available infrastructure eighty-seven hectares of the problematic of central sectioninterference of Amol consist traffic, lack of ofpedestrian the old and urban textures. The safety for pedestrian, insufficient recreation of urban settlements is standards of spaces for convenient anpedestrian effort of the reproduction of the movement. surrounding environment.

he Pedestrian Analysis of Amol City old context Group Project Year:2017

Mahmudabad

(Moyaralty ofMaryam Amol) Group Members: Ali Mohammadi, Baharvandi

Ali Mohammadi location : Amol My Role: All diagram development

Maryam Baharvandi

available infrastructure

Year:2017

The site and historical architecture texture of the Group Project city of Amol which is located in Mazandaran province .s. this research project, the goal was set to analysis of Amol) of(Moyaralty the decay of the old urban texture throughout time Ali Mohammadi and city development process. The place demonstrated Maryam Baharvandi in the following picture, are indications of what needs to be done to achieve a revival in this part of the city with an improvement for pedestrians, are arrangements historical architecture texture of the regarding forbidding the vehicle›s movement in this which area. is located in Mazandaran province

ch project, the goal was set to analysis f the old urban texture throughout time opment process. The place demonstrated g picture, are indications of what needs achieve a revival in this part of the city ement for pedestrians, are arrangements bidding the vehicle›s movement in this

problematic interference sorting the architectural age of pedestrian and traffic, lack of of neighborhoods historical sites, formulate an safety for pedestrian, insufficient essential ofinteraction the standards spaces for with convenient passerby people, following in a pedestrian movement.

Noor

meaningful reproduction of urban spaces.

Babol

Mahmudabad

Tehran

Noor

geographical boundary old Amol

expansion boundaries by the decade

Revitalizing the central texture of cities, and their sustainable developments, are a serious issue in urban planning.

Amol's geographical location is based on a plain with a flat topography. Throughout history, other sections of the city have been revolved around the city's core.

sorting the architectural neighborhoods boundariesage ofinquiry neighborhoods of inhabitants walking

frequency per week, formulate as a scale ofan historical sites, their interactivity with effective essential interaction with the environmental passerby people, features, following inis a a method of measuring the meaningful reproduction of urban pedestrian qualities. spaces.

Babol Identifying the Amol's central area's border.

Tehran

The central part of Amol with an area of 87 hectares includes only three percent of the whole city. However, its density and numerous urban functions there, profoundly exceed other parts of the city. Contemporary urban development had required, new routes connecting the rural parts of the city to its core area.

geographical boundary old Amol

expansion boundaries by the decade

Revitalizing the central texture of cities, and their sustainable developments, are a serious issue in urban planning.

Amol's geographical location is based on a plain with a flat topography. Throughout history, other sections of the city have been revolved around the city's core.

geographical boundary

geographical boundary The principal structure of the old

neighborhoods urban texture of boundaries Amol, and what

inquiry of of, inhabitants walking it consists are in a thriving frequency week, as a scale correlationperwith today›s urban of context. their interactivity with effective environmental features, is a method of measuring the pedestrian qualities.

Identifying the Amol's central area's border. The central part of Amol with an area of 87 hectares includes only three percent of the whole city. However, its density and numerous urban functions there, profoundly exceed other parts of the city. Contemporary urban development had required, new routes connecting the rural parts of the city to its core area.

geographical boundary

geographical boundary The principal structure of the old urban texture of Amol, and what it consists of, are in a thriving correlation with today›s urban context.

30


COMPETITIONS My role in all projects: Design development

and concept design, all two dimentional drawings, axonometric drawings and diagrams


Object City Garden Year:2021 Competition/Group Project My Role: Design Process and Development, 2D and 3D Diagrams Group Members: Ali Nazari, Ahmad Moghtased, Maryam Baharvandi, Mohammad Aghayi

Winner

Winner

Winner

Honorable mention

TopTen

Honorable mention

CityGarden Competition

2021

Mango Competition

non Architecture

2021

2021

Competition

When re-thinking and re-reading the old elements, produce new architectural forms, at the same time, they reveal hidden aesthetic features that were initially invisible to us. In re-defining the project planning and project issue in order to activate its facilities and capacities, the site and the program were expanded. In the Wproposed plan, the site area and its design problem have been developed from the design of the entrance counter and the mainentrance to the whole complex. In this way, the project has expanded a new layer in redefining architecture and turning it into objects to be seen. In this project, we re-think and re-read the architecture and historical Isfahan objects. collected objects from the history of this city have been detached and deconstructed from their previous context and finally they are recreating in a new and weird condition. This project is formed from the assemblage of founded objects and in the new context, it has gone beyond the previous condition and distanced from itself. In this way, the «Objects’ City-Garden» is born in the middle of this city in a weird reality.

32


33


Urban Context

34


Program-Function

What if we avoided detailed restricted schedule?f We avoid giving functionalityW to architecture because we think that new architectural objects that have been created have no predefined definition and these are the people who can walk among them, play sports or even have an artist to set up a gallery in them. Our idea is that artists and people to be able to use all of .these objects, their lands and spaces

Ornoment

What if we think of an alternative ?f Re-thinking the form and shape of historical and traditional carpets .will reactivate the capacity of this object as a decoration The carpet texture, which in the X and Y axes tries to represent the space like flower gardens, was used in an alternative way to ornament objects that have been somehow recreated in the Z-axis and this has led to the reproduction of the flower garden on this axis.In this way, the form and shape of Isfahan traditional carpets are out of the previous familiar position (spread on the ground) and .used in the weird reality and unfamiliar situation

35


Kurgi Observation Year:2020 Competition/Group Project Group Members: Hossein Mosavi,Maryam Baharvandi,Shayan Adham,Ali Jamali My Role: Design development, Diagram development The importance of the unique nature of Latvia, listed as a nature conservation area by UNESCO, on the one hand, and the fact that the horses of this area are close to extinction, on the other hand, motivated us to see this project beyond mere tower architecture. Instead of a tower for viewing, our project is a tower for being viewed- a project which emphasizes its circumference to highlight the importance of the unique nature of this conservation area and the environment of endangered horses.

Local And Territorial Scale

Trans-Regional Scale

Extraterritorial Scale

36


The Confrontation of

Two Form

This tower is not constructed with the aim of dominancy to the environment; it is also built to provide the maximum possible transparency and exposure. These ideas led to emptying the masses and replacing them with transparent programs. Multiple internal layers of the tower determine our social interactivity plans. The importance of building an infrastructure filled by group activities performed inside the tower increases by two folds due to the vicinity of the project location to borders. Accenting the importance of group activities was a key design factor that made it possible to put different folks and cultures near each other within the environment background and green bed. This way, visiting the tower and enjoying the environment will become a communal enjoyment and personal activity. The further we go from the tower core towards its external body, the calmer group activities we face.

37


Floor Plans and Programming The existence of an open area in the heart of green pastures and far from any habitation will raise these questions: how should our building communicate with around circumference? How is the visual relationship established between the tower and around the rim? How do pedestrians and drivers access the building? What is the role of the yard-owned building in the project? For us, the first important fact is that the tower is close to the center of Estonia. This caused our plans to be shifted to interactive and exhibitive ones. Preparing galleries in which the artistic works of two countries are introduced and providing exhibition and concert areas are among such plans which both lead to the cultural rapprochement of the countries and invite other countries to contribute to this interaction and dialogue. Among these plans, the classification of landscapes in terms of height and the definition of the tower functions. So that lower noise pollution functions were laid out at heights in our design. The ground floor serves as an exhibition salon. An additional salon on this floor introduces the rare species of Kurgi horse and provides guests with therapeutic experiences with the horses.

Heat Exchanger

Heat Exchanger

Aquifer

38


A Layer Beyond Year:2021 Competition/Group Project My Role: Design Process and Development, 2D Section and Diagrams Members:Ali Nazari, Maryam Baharvandi, Mohammad Saleh Sorkhei, Shaghayegh Bayat, Maryam Azizi Winner World Architectur community Competition

2023

Honorable mention

non Architecture Competition

2021

After the years of both conscious or unconscious mechanization of the human mind as well as environmental colonialism, we now have every motivation to recover the forgotten nature, abandoned justice, and equity in overpopulated and dominant cities. Contemporary cities reflect such weaknesses and the frailties of ourselves. A layer beyond is a proposal based on a critical re-evaluation of nature capacities, regardless of the built environment. The examination of the relationship between the city and the natural environment is embedded within a secondary type of relation between the city and daily life. “...if the design is merely an inducement to consume, then we must reject design; if architecture is merely the codifying of a bourgeois model of ownership and society, then we must reject architecture; if architecture and town planning is merely the formalization of present unjust social divisions, then we must reject town planning and its cities...until all design activities are aimed towards meeting primary needs. Until then, the design must disappear. We can live without architecture…”

Superstudio, 1971

Non-Plan Non-planning provides an assumption for communities to criticize preconditioned urban programs and introduces a new way of human coexistence with nature. This, in turn, attempts to bring human beings back to the possibility of benefiting from the natural environment irrespective of city infrastructure. This is directly rooted in the realm of human existence and social freedom. A layer beyond then tries to criticize this urbanization and totalitarianism. Dismantling planning, ignoring urban structures, and terminating material possession are intimately connected to the natural environment.

39


GEOLOGY

NORTH

SOUTH

GEOLOGY

HOW WE SEE UNTOUCHED NATURE IN HOW WE SEE ARCHITECTURE

NORTH

SOUTH

UNTOUCHED NATURE IN ARCHITECTURE

IRAN

Long mountain range

Permanent River Mixed Forest

IRAN

Caspian Sea The world largest Caspian Sea Lake The world largest Lake

Taking advantage of diverse climates

Several ecosystem

Long mountain

Highest peak in Iran

Lowland & Mixed Forest montane forest

Highest peak in Iran

UNESCO World UNESCO Heritage World Site

Highest volcano in Asea

Lowland & montane forest

Highest volcano in Asea

Permanent River

Flowingrange towards Lake Several ecosystem

Flowing towards Lake

Cold Winter

Volcanic Lake Cool Summers

Cool Summers

Water come from SNOW

Snow Cover peaks

Cold Winter

Waterfall in Acorn Forests

Snow Cover peaks Hot

summers

Heritage Site

Waterfall in Acorn ForestsLarg Salt Desert

Volcanic Lake Water come Canyon from SNOW with

Sedementary rocks

Hot Seasonal lakes summers Marshes and mud grounds

Unusual Geological

Valley Canyon with Natural Cement Sedementary & sand rocks

Unusual Geological Valley

Larg Salt Desert Seasonal lakes Marshes and mud %17 of worlds Palm grounds Tropical & Semi-Tropical region

Natural Cement & sand Vertical walls

Vertical walls

Sea

%17 of worlds Palm

Sea

Tropical & Semi-Tropical region

Oxygen Minimom Zone

Oxygen Minimom Zone

varied Caves

varied Caves

VARIATION OF CLIMATE

VARIATION OF CLIMATE

VARIED HEIGHT

VARIED HEIGHT

HIGH LEVEL

COLD AREA

HIGH LEVEL

COLDEST AREA

COLD AREA

PLEASANTLY MILD

COLDEST AREA

LOW LEVEL

PLEASANTLY MILD

WARMEST AREA

DRY & WARM WETHEAR

LOW LEVEL

WET AND WARM WEATHER

WARMEST AREA

DRY & WARM WETHEAR

WET AND WARM WEATHER

40


41


Adobe Farm Skyscraper Year:2022 Competition Project Members: Hamidreza Esmailnazari, Hosein Mosavi, Amir Hossein Saeedi Majd, Hossein Amery, Hossein Arshadi Soufiani, Ali Jamali, Maryam Baharvandi My Role : 2D & 3D Diagram Development. Winner Honorable mention

Evolo 2022

SkyScraper Competition

For centuries Isfahan city had been an oasis settlement, by dint of its surrounding fertile lands and prosperity. After the 1980s, the demand for water for industrial usage has raised gradually. The creation of large steelworks and other new industries along with the growing population, disable the scarce water resources to be utilized primarily for agriculture and now,Zayandeh River cannot supply all agriculture lands which are placed in along the river anymore, a landscape transformed to a skyscraper for answering the desire of access to the water and a layer of technology added for facilities agriculture with less use of water and energy. The skyscraper is formed by traditional technique which helps to provide high-quality organic fertilizer in the middle of desert Zayandeh River cannot supply all agriculture lands which are placed in along the river anymore, an agricultures landscape transformed to a skyscraper for answering the desire of local farmers in Isfahan who are forced to leave their farms due to the water shortage in Isfahan. The skyscraper is formed by combination of a traditional architectural passive way of living in the middle of desert and a layer of technology to facilities agriculture with scarcity of water. It retains the identity of the context; it is openand sustainable and try to protect threatened subcultural farmers in isfahan. The skyscraper is formed by the combination of a traditional architectural passive way, which facilitates living in the middle of the desert, and a layer of technology that provides agriculture with the minimum usage of water. Horizontal surfaces transformed into vertical surfaces. For solving light issues in a closed vertical environment, the transformation occurred by optimizing geometry according to the result of calculating the incident radiations and the amount of renewable energy that can be collected from photovoltaic or solar thermals.

42


River Zayandeh River to supply other areas, leaving their farms dry and threatening their livelihoods. The violent crackdown on protests was answered to them by the government in 2021. From another point of view in this historical region, which has extreme weather, architecture ways widely used for finding passive ways to solve relation between humans and nature. These architectural ways are bound with the culture and identity of the local people. Their lifestyle has formed inside different types of shelters to protect them in extreme weather situations.

Devocates Traditional Dovecotes in Isfahan were designed to produce large quantities of organic fertilizer for helping to farm in the middle of the desert and it was part of the traditional way of farming in Isfahan. In the central void of Dovecotes, thousands of holes were placed into the walls continuously for pigeons. The architecture method used in Dovecotes provides a suitable environment situation for pigeons in the middle of the desert in a passive way. The used material was unbaked mud brick plastered with mud. Timber was also rarely used.

43


The main logic and design approach of this project is determined by analyzing parametric environment modeling and traditional ways of solving environmental causes., UTCI diagrams Illustrate the thermal comfort model strictly for the ou tdo o r s.

44


SKETCHES


3 hour project 3 hour project Program : Iraj Bastom TOPM

instability

3 hour: Iraj project Program Bastom TOPM

instability

location : Kerman-Bam

Program : Iraj Bastom TOPM location : Kerman-Bam

instability

Year:2016 Iraj Bastam Tomb Individual project

Place the grave in underground direct vision Indirctly vision to the columns which is inspired from Mastabeh Place the grave in underground direct vision Indirctly vision to the columns which is inspired from Mastabeh

Place the grave in underground direct vision Indirctly vision to the columns which is inspired from Mastabeh

location : Year:2016 Kerman-Bam

Year:2016project Category : Sketch and Creativity Individual 3Hour Project

Individual project Iraj Bastam was a singer, who sang traditional musics, Iraj Bastam singer, who sang musics, died becuase of was Bamaearthquake . Thetraditional main concept becuase of Bam earthquake . The main concept for thedied project is showing both instability and spritual Iraj Bastam was a singer, who both sang instability traditionaland musics, for the project is showing spritual aspect together. Using both curve and oblique lines. diedaspect becuase of Bam earthquake . The main concept together. Using both curve and condition oblique lines. The former due to the peace and spritual for the project showing both instability and spritual formerisdue to the peace spritual condition of aspect theThe traditional musics and the and latter becuase of together. Using both curve and oblique lines. of the traditional musics and the latter becuase of theThe fact that earthquake is kind of imbalance and former the peace and spritual condition and the fact due thattoearthquake is kind of imbalance instability. Trianglemusics on its vertex islatter the best choice of the traditional becuase of instability. Triangle onand its the vertex is the best choice of the instability. fact that earthquake is kind of imbalance and of instability. instability. Triangle on its vertex is the best choice of instability. Inspiration form Mastabeh,an Inspiration form Mastabeh,an ancient place to entomb dead Using Golden ratio ancient place to entomb dead

Inspiration form Mastabeh,an ancient place to entomb dead

Mixing both

ing both curve shape and ve shape tringle(oblique) and Mixing both gle(oblique) curve shape and tringle(oblique)

Using Golden ratio

Using Golden ratio

Scale and harmony of the tomb

Scale and harmony of the tomb

Scale and harmony of the tomb

Using Golden ratio

Using Golden ratio Using Golden ratio

Using ramp for access to the

where the grave underground Using ramp for access tois places the underground where the grave is places

Using ramp for access to the underground where the grave is places

inspiration from the old porch ininspiration dry region of Iran(kerman) from the old porch

in dry region of Iran(kerman)

inspiration from the old porch in dry region of Iran(kerman)

De-emphisise with the entrance in order to emphesiswith on the TOMB De-emphisise entrance

in order to emphesis on TOMB

De-emphisise with the entrance in order to emphesis on TOMB

46


Conceptual Hand Sketches As a student, freehand drawing was part of my daily life.

47


THANK YOU


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