ARCHITECTURE PORTFOLIO Mary Ann Berendson
RÉSUMÉ
Basic information: Name: Mary Ann Berendson Nationality: Peruvian/German Contact details: +31 620 056 188 maberendson@arqus.pe Dirklangenstraat 110, 2611HX, Delft, Netherlands
Education: MSc Architecture: TU Delft 2017-2019 (graduated with Cum Laude) Architecture Bachelor studies: Universidad Ricardo Palma 2008-2013 High school: Hiram Bingham International School of Lima - IB Programme 2003-2007 Elementary school: Markham college 1995-2002 Work experience: TWD: July 2020 - present (www.twd.nl) responsibilities: Designer for off-shore structures, 3D modelling, 2D detailing, client communication TU Delft Student Assistant at the Robotic Building studio: september 2018 - january 2019 responsibilities: Workshops organization, studio events communication, robotic fabrication assistant David Mutal Arquitectos: august 2016 - january 2017 (www.davidmutal.pe) responsibilities: 3D physical and digital models, detail development, 3D visualizations ARQUS E.I.R.L: june 2012 - july 2016 (www.arqus.pe) responsibilities: 3D models, detail development, 3D visualizations, construction site supervision Freelance: 3D visualizations, model construction, 2D drawings for thesis, photography
Languages: Spanish - Fluent (Native language) English - Fluent German - Intermediate (B2) Dutch - Basic Skills: Adobe (Photoshop, InDesign, Illustrator) BIM (Revit, Archicad) 3D modelling (Rhinoceros, 3D Max, Sketchup Pro) Programming (Grasshopper) CAD (Autocad) Rendering (Artlantis 6.0, Twinmotion, Lumion)
CONTENTS selected academic projects
01. Parametric Healing Environments: TU Delft graduation project - Robotic Building/Architectural Engineering Studio September 2018 - January 2020 Tutors: Henriette Bier, Sina Mostafavi and Ferry Adema
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02. Pastoor Van Arskerk gallery: TU Delft MSc2 - Heritage and Architecture Studio February 2018 - July 2018 Tutors: Alexander de Ridder
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03. Urban Borders (Finibus Urbana): TU Delft MSc1 - Hyperbody Studio October 2017 - january 2018 Tutors: Henriette Bier and Sina Mostafavi
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04. Economic Faculty Project: Ricardo Palma University - Baracco Vertical Studio September 2012 - December 2012 Tutors: Juvenal Baracco
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05. The Family House (Memory): Ricardo Palma University - Baracco Vertical Studio March 2013 - July 2013 Tutors: Juvenal Baracco
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06. Non-Academic projects: Casa Omar, Baella House, Roca House details February 2020, April 2017, November 2016
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01. Parametric Healing Environments TU Delft graduation project - Robotic Building/Architectural Engineering Studio September 2018 - January 2020 Tutors: Henriette Bier, Sina Mostafavi and Ferry Adema This project is an exploration of computational design and robotic materialization in the context of the AMC hospital located in the south of Amsterdam. The pavilion serves as a parasitic intervention in the public spaces of the bulding, which is due for renovation. Its main purpose is to create Healing Environments for the users, integrating factors such as thermal comfort, lighting, acoustics, vegetation and spatiality.
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01. Parametric Healing Environments: context Mega building: Largest AMC in the Netherlands 560,000 m2
Complexity: Multi-layered, public, semi-public to private spaces
Functions: Hospital University Inpatient bed area
Value: Monument to-be, structuralist icon (heritage)
Lifespan: In function > 40 years
Outpatient + visitors: 350,000 a year stay < 4 hours Staff + students: Over 11,000 stay > 8 hours Inpatients: >1000 beds 2,600 patients/year 24 hours stays
Faculty entrance
Main entran Public transport line
N 3
nce
Polyclinic entrance
The AMC, located in the south of Amsterdam, the Netherlands: unsuccessful attempt to integrate vegetation, lighting, user friendly materials + missed potential for clean energy generation in facades
Working: clinics and offices
Recovery: inpatient area
Education: research and university
Public area: halls and courtyards (area of intervention)
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01. Parametric Healing Environments: concept Healing environment: a physical setting and organizational culture that supports patients and families through the stresses imposed by illness, hospitalization, medical visits and the process of healing. (Stichler, 2001).
• indoor air quality
• thermal comfort Technical Parameters
• acoustical quality
• visual or lighting quality
• Individual factors / + ergonomics & spatial qualities
• Social support
• Relaxation opportunities
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Qualitative parameters
• Positive distractions
How to enhance overall sustainability of the AMC in the future?
How to create healing environments within the public areas of a complex building such as the AMC hospital?
What is the added value of parametric design, robotic fabrication and operation in the context of healing environments? How to integrate parameters such as acoustics, visuals, thermal comfort and spatial qualities in a design?
Most restaurants, lounges and commercial functions are concentrated on just the ground level, so it’s necessary to re-distribute these recreative functions throughout the different levels of the AMC.
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01. Parametric Healing Environments: programme
1. Indoor-outdoor retreat 180 m2 2. Collective Cocoon 150 m2
4. Meditation Refuge 70 m2
New functions
3. Encounter Haven 100 m2
5. Transitional spaces 15 m2 6. Sky garden 30 m2
A. Restaurants
B. Café
D. Retail/Shop
E. Library
F. Laboratories
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Existing functions
C. Supermarket
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01. Parametric Healing Environments: digital workflow macro
Public areas of AMC masterplan intervention
Existing functions
A. Restaurants B. Café C. Supermarket D. Retail/Shop E. Lbrary F. Labs G. Office space
New functions
1. Indoor-outdoor retreat 2. Collective Cocoon 3. Encounter Haven 4. Meditation Refuge 5. Transitional spaces 6. Sky garden
clusters (metaball formation) of space in courtyards + corridors
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New functions represented by point cloud of variable density + radius
Clusters of space (intervention) within public spaces of the AMC building, contrasting with AMC structure
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01. Parametric Healing Environments: digital workflow meso
Pavilion design within (1) selected cluster
New functions
1. Indoor-outdoor retreat 2. Collective Cocoon 3. Encounter Haven 4. Meditation Refuge 5. Transitional spaces 6. Sky garden
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Geometry wrap of resulting cluster Structural analysis
Porosity design + Integration of platforms
Geometry wrap of selected cluster
Structural Analysis: compression and tension stress lines
Porosity design informed by stress lines and levels of pavilion informed by levels of AMC hospital 12
01. Parametric Healing Environments: digital workflow micro
Variable porosity pavilion
Skin porosity
Interior structure porosity
1. Mesh faces exploded 2. Mesh divided by segments 3. Variable mesh face-size 4. Stress lines inform porosity location 5. Space requirments informs if porosity is convex or concave
1. Populating mesh geometry with points 2. More points in areas of higher stress 3. Result: point cloud with variable density 4. Voronoi 3D informed point cloud 5. Mesh from voronoi cells line segments 6. Interior structure with variable porosity
Integration of Meshes
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Resulting porosity, informed by stress lines adaptable to various scales, locations and densities
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01. Parametric Healing Environments: climatic design summer vs. winter PV panels on the southern area of the AMC 20,000 m2 >3,655 MWh per year
25°C
Solar chimney ventilation
Rainwater collection and treatment (766 L/m2 of precipitation per year in Amsterdam)
Heat exchange
Greenhouse effect
0°C
Roof gardens on the Northern roofs + insulation and green areas
Heat exchange
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N
Masterplan of intervention
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Hospital function + proposed programme A. Restaurants B. Café C. Supermarket D. Retail/Shop E. Lbrary F. Labs G. Office space
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40
50 m
1. Indoor-outdoor retreat 2. Collective Cocoon 3. Encounter Haven 4. Meditation Refuge 5. Transitional spaces 6. Sky garden 16
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01. Parametric Healing Environments: Floor plans + details functions and healing parameters
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2.
3.
1.
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Materials and details 1. 3D printed lightweight concrete 2. 3D printed wood cladding for user comfort 3. Localized heating (via radiation) 4. 4 mm diameter bolts in joints 5. AMC Concrete slab
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1. Indoor-outdoor retreat 180 m2 Group Activities, eating, gathering, concerts
2. Collective Cocoon 150 m2 Group Activities, eating gathering
1 2
0m
5m
10 m
Localized heating and cooling Integrated into seating
15 m
20 m
25 m
Experiential path
Different seating options + ergonomically optimized interior
Interactive art and media Projected onto pavilion
Acoustic optimization Sound difussion strategies
Vegetation integration Bio-receptive porosity 18
01. Parametric Healing Environments: Floor plans + details functions and healing parameters
4.
2.
3.
1.
5.
Materials and details 1. 3D printed lightweight concrete 2. 3D printed wood cladding for user comfort 3. Localized heating (via radiation) 4. 4 mm diameter bolts in joints 5. AMC Concrete slab Seating areas cladded in 3D printed wood fiber components for comfort Reference: Emerging Objects prototypes
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2. Collective Cocoon 150 m2
3. Encounter Haven 70 - 100 m2
3. Encounter Haven 70 - 100 m2 0m
5m
10 m
15 m
20 m
25 m
Localized heating and cooling Integrated into seating areas Acoustic optimization Sound difussion strategies
Different seating options
Experiential path Vegetation integration Bio-receptive porosity 20
01. Parametric Healing Environments: Floor plans + details functions and healing parameters
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Vegetation integration Bio-receptive porosity
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4
• Improved oxygen levels • Temperature regulation • Natural Air filters • Visual enjoyment
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Materials and details 1. 3D printed lightweight concrete 2. Bio-receptive concrete cavity 3. Embedded soft PET tubes 4. 4 mm diameter bolts in joints
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3. Encounter Haven 70 - 100 m2
0m
3. Encounter Haven 70 - 100 m2
5m
10 m
15 m
20 m
25 m
Localized heating and cooling Integrated into seating areas Acoustic optimization Sound difussion strategies Different seating options
connection to AMC
Experiential path Vegetation integration Bio-receptive porosity
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01. Parametric Healing Environments: Floor plans + details functions and healing parameters
Integrated irrigation system for embedded vegatation rainwater collection +water pump connected to pavilion
Vegetation for hospital environment: • Self-clinging plants • Low watering demands • Artificial light possible • Hydroponic (no soil) Parthenocissus quinquefolia
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Hedera Felix
Trachelospermum jasminoides
6. Sky garden 70 m2
5
0m
Vegetation integration Bio-receptive porosity
Localized heating and cooling
5m
10 m
5. Transitional space 15 m 20 m
25 m
Acoustic optimization Sound difussion strategies
Different seating options 24
01. Parametric Healing Environments: Sections + details functions and healing parameters
Sound diffusion strategy
3.
2. 1.
Materials and details 1. 3D printed lightweight concrete 2. Integrated acoustic pattern 3. 4 mm diameter bolts in joints
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2. Collective Cocoon 150 m2 Group Activities, eating gathering
3. Encounter Haven 70 - 100 m2 relaxing, gathering
0m
Vegetation integration Bio-receptive porosity
5m
10 m
15 m
20 m
25 m
Experiential path <10% slope
Localized heating and cooling
Acoustic optimization
Different seating options + ergonomically optimized
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01. Parametric Healing Environments: Sections + details functions and healing parameters
4. 3.
2. 1.
Materials and details
A t
1. 3D printed lightweight concrete 2. Integrated acoustic pattern 3. 4 mm diameter bolts in joints 4. LED + sensors LED fixture + Responsiveness sensors
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6. Sky garden 70 m2 Relaxing, contemplation
3. Encounter Haven 70 - 100 m2 Group Activities, relaxing
2. Collective Cocoon 150 m2 Group Activities, eating gathering
0m
1. Indoor-outdoor retreat 180 m2
5m
10 m
15 m
20 m
25 m
Localized heating and cooling Different seating options Experiential path <10% slope
Vegetation integration Access from the AMC
Acoustic optimization 28
01. Parametric Healing Environments: Materialization
Pre-fabrication
Transport
Robotic milling of AMC
Assembly-in-situ
Robotically-controlled powder based 3D printing of pavilion components
Containers with components to AMC Hospital
Use of CNC milling of slab to create a base for the placement of components
Use of indoor cranes to place interlocking components, lifted with belts
Design to Robotic Production Advantages Varied porosity: Scale, location and density Integrated railings, ramps and seating areas
Integrated acoustic optimization
Formal freedom: healing properties
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Smart operational systems allow for localized heating, cooling, lighting, etc.
New methods of production allow for diverse materialities and alternative structural solutions
non-standard + standard structure
a
b
c
6-axis robots for CNC milling of concrete slabs to create a base for the pavilion Rationalized system considering the existing situation
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01. Parametric Healing Environments: Materialization
Tension and compression st
Tension and compression stress lines as guiding grid for component division logic
Part of pavilion as study case for componential logic
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Regions of higher stress or compression
tress analysis
Division of components according to stress lines
Resulting Components
variable porosity of interior structure informed by the concentration of forces
Positive-negative interlocking logic for components
Interior 4 mm bolts between components for additional reinforcement
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02. Pastoor Van Arskerk gallery TU Delft MSc2 - Heritage and Architecture Studio February 2018 - July 2018 Tutors: Alexander de Ridder The topic of this project was the renovation of Religious heritage in the Netherlands due to the increasing secularism. Many church buildings are now vacant yet still hold monumental value to be rescued. I had the possibility of visiting the Pastoor Van Arskerk church in the Hague; the spatial qualities and materiality inspired in me the idea of transforming it into a temple for art. The intervention displays a contrasting archi-tectural language so as to emphasize the existing nature of Aldo Van Eyck’s design.
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02. Pastoor Van Arskerk gallery: context Religious building: Spatiality: Aldo Van Eyck’s Contrasting church design spatial experiences
Functions: Church Dwelling for priests
Value: Monument to-be, structuralist icon (heritage)
Lifespan: In function > 50 years
Church members: 400 a week stay < 3 hours Priests: 5 Stay: permanent
zz z
main entrance
pavilion bridge
Public transport line
N
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main exit
The church, located in Den Haag, the Netherlands, is special because of its variation in space, height difference and play of light. It represents Aldo Van Eycks design principles: reciprocity, the structural elements as components of order and character and the circle as a motif.
Gothic nave: high traverse space Crypt: low closed rectangular space
Intervention: Inside-outside transition pavilion and art gallery
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02. Pastoor Van Arskerk gallery: concept The spatiality and meditative, shelter-like genius locci of the church gave me the idea to transform it into an art gallery for sculptures and installations.
Introversion to extroversion When transforming the meditative church into an immersive sculpture gallery it can be opened to the exterior environment.
Disruptiveness: Grid + free form... the intervention relates to but contrasts with the original building in terms of form and materiality.
In-between threeshold The intervention connect the interior and exterior spaces with an in-between threeshold (the pavilion embracing the church)
Interaction between space and art Sculptures and installations of a certain kind could interact with the sober environment of the church and Aldo Van Eyck’s principles
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Artists that resonate with Aldo Van Eyck’s design principle (to display the purest essence of an idea):
Jeff Koon
Mariko Mori
Anish Kapoor
Sheela Gowda
James Turrell
Linda Benglis
Constantin Brancusi
Richard Serra 44
02. Pastoor Van Arskerk gallery: floorplan 1
A
+1.00 m
2
+1.00 m
+0.75 m
+0.50 m
+0.50 m
A
+0.25 m +0.25 m
+0.00 m
2
1
space in-between
6 4
inside outside 2
5
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1 circulation
1. Entrance lobby 2. Lecture hall+shop 3. Gallery area 4. Café 5. Wardrobe+lockers 6. Kitchenette 45
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03. Urban Borders (Finibus Urbana) TU Delft MSc1 - Hyperbody Studio October 2017 - january 2018 Tutors: Henriette Bier and Sina Mostafavi Students involved: Szymon Lapaj, Arav Kumar, Dafne Swank, Hidde Manders Role: Design concept development, presentation design My first semester at TU Delft began with the Hyperbody studio, which focuses on computational design and robotic fabrication techniques. Together with my team, we designed a pavilion in the waterfront of Rotterdam that could protect users from the wind, provide different seating areas and porosity for various insects to take refuge in. It also integrates motion-responsive LED fixtures.
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03. Urban Borders (Finibus Urbana): context Urban Pavilion: Intervention in Rotterdam’s public area
Spatiality: Various degrees of sheltered to open areas
Functions: Wind + rain shelter Resting/sitting area City attraction
Design driver: Relationship to waterfront and environment
Passerbys:
Runners:
Water transport lines: waterbus, water taxis, commercial boats
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Fabrication method: Robotic production and operation
Location: Boompjeskade, next to the Maas in the city of Rotterdam, Netherlands. This location is thriving with commercial and residential areas as well as green, open spaces
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03. Urban Borders (Finibus Urbana): concept
The main concept is the interaction between the city and nature in a waterfront pavilion that can be used by humans and insects alike
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Function mapping of the pavilion 56
03. Urban Borders (Finibus Urbana): materialization
Object with porosity inside
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Porosity inside = negative of final object (made of sand + binder)
The negative placed inside a cast, with the tectonics of the concrete surface
Concrete poured in Object with sand layers, depending on inside structure is structural quality of placed on site. Due negative to natural elements, sand will be removed
Porosity distribution informed by stress line analysis 58
04. Economic Faculty Project Ricardo Palma University - Baracco Vertical Studio September 2012 - December 2012 Tutors: Juvenal Baracco This project was developed during my bachelor studies and it’s an Economic faculty building for both graduate and post-graduate students (located in Lima, Peru). The main design driver was to create fluidity and multiple spaces for people to connect on different situations, such as study, recreation, classes and so on. The structure that supports the sinous university pavilions in a rythmic repetition of large ‘x’ shapped elements, defines these spaces, and the west-side facade shades them in an organic leaf-like pattern.
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04. Economic Faculty Project: context University design: Fluidity: Integrated study Seamless transition and recreational between sectors building
Functions: Post-grad and grad economy faculties Recreational areas Library Cafeteria Staff + students: Over 5,000 stay > 8 hours
Visitors of public spaces Over 250/day stay > 4 hours
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Design driver: Integration of study + recreation spaces
Fabrication method: Repetitive metalic structural elements + Concrete slabs
District of Surco in the city of Lima in Peru lacks green spaces and public infrastructure. The Panamerican Highway is embedded into the urban fabric and is surrounded by both residential and commercial buildings.
MSc faculty: Study rooms + aulas
BSc Faculty: pre-grad school faculty
Recreation: cafés and common areas
Green areas: plazas and parks
Panamericana Sur Highway
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04. Economic Faculty Project: concept A
Education + recreative spaces
4 Sun-shading facade The west-facing facade is shaded with an organic looking lattice
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1
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Repetitive structural elements The rythm and distribution of the various areas is defined by the “X” shaped metal components
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1. Lecture room 2. Suspended Bridge Café 3. Suspended Bridge library
Fluidity + connection The different areas are connected in a loop like circuit,a smooth transition in-between
4. Main Plaza 5. Secondary Plaza 6. Group study area 7. Main library
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5 1:100 model
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04. Economic Faculty Project: elevation and section
Repetitive structural elements The rythm and distribution of the various areas is defined by the “X” shaped metal components
Elevation A
Section B - B
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1:100 model
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05. The Family House (Memory): Ricardo Palma University - Baracco Vertical Studio March 2013 - July 2013 Tutors: Juvenal Baracco The focus of the Memory Studio within the Baracco Vertical Studio is to explore how our memories and stories influence our design process. Among the different tasks was the design of a house for my family, in which the various relationships and dynamics between us is tranlsated into spatial connections, sequences and hierarchies. For example, my mother’s office (suspended cube to the right on the image) has visuals of the surrounding areas since she has a leading and bread-winnign role in our home.
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05. The Family House (Memory): context House design: The proposal is a metaphorical home for my own family
Continuity: The house is united by a continuous path of connection
Functions: Semi-public and private spaces within the house (layers of privacy)
Design driver: Representation of dynamic between family members
Fabrication method: Traditional construction techniques: concrete structure
Family members: - Mom - Dad - Brother - Me Visitors
View
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ws to the ocean
The project is located in the Punta Hermosa district in Lima, Peru. It is transitioning from a seasonal destination for the summer to a place of permanent residence, expanding its infrastructure and popularity.
Continuous roof: connector of spaces
Social areas: kitchen, living room, lounge
Private rooms: Facing the ocean
Mom’s studio: Over-view of the other spaces Garden: Free, open areas for recreative activities
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05. The Family House (Memory): floorplans and section
1 A
B
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D’ cross ventilation
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Continuous roof: connector of spaces Social areas: kitchen, living room, lounge Private rooms: Facing the ocean
View towards the Pacific Ocean
Mom’s studio: Over-view of the other spaces Garden: Open areas for recreative activities
Section 1 - 1 72
06. Non-academic projects: Casa Omar ARQUS E.I.R.L February 2020, location: Lima, Perú Co-designed and construction site supervision with Architect Ana Maria Villanueva The brief for this project was a beach summer home for a family of 4 plus visitors. The social areas are distributed in the front facade, oriented towards the sea.The open plan design is articulated through a series of courtyards and shading pergolas that provide natural light for the spaces in the basement and through the use of natural materials and colors that connect it to the context. My involvement in the project was from the concept, detailed design, till the site supervision.
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06. Non-academic projects: Casa Omar Ground floor plan and sections 2.65
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LOSA CONCRETO PARA BANCA
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DORMITORIO 1
DORMITORIO 2
DORMITORIO PRINCIPAL SALA +0.45
+0.45
S-01 7.10
S-01
10.00 1.90 25
TERRAZA +0.45 DORMITORIO SERVICIO 2
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DORMITORIO SERVICIO 1
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PISCINA
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PROYECCIÓN CUARTO DE MÁQUINAS PISCINA
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S-04
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PROYECTO:
PROFESIONAL:
CAP 3015 amvillanueva@arqus.pe CONTACTO:
PLANO:
PISO 1 (2)
A-1
OBSERVACIONES:
PROPIETARIO:
UBICACIÓN:
+0.45
LAMINA:
FIRMA DEL PROFESIONAL:
CASA OA - PLAYA PALABRITAS LOTE 14
ANA MARIA VILLANUEVA MERINO
+0.45
DR. OMAR ALARCON Y SRA. PANAMERICANA SUR KM 97 DISTRITO DE ASIA PROVINCIA CANETE
DIBUJO:
ESCALA:
FECHA:
#Nombre del Técnico de CAD
1:50
amvillanueva@arqus.pe
REV:
19/05/2019
25
±0.00
2.40
-0.85
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-2.20
25
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SECCIÓN S-01 8
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+3.10
+0.45
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SECCIÓN S-02 D
A
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+3.10
+0.45
+0.45 JARDIN LATERAL
25 2.40
2.40
25
PROPIEDAD DE TERCEROS JARDIN LATERAL
-2.20
SECCIÓN S-03
25
-2.20
25
PROPIEDAD DE TERCEROS
2.40
2.40
25
+3.10
A
25
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LIMITE PROPIEDAD
D'
LIMITE PROPIEDAD
D
SECCIÓN S-04 PROYECTO:
PROFESIONAL:
CAP 3015 amvillanueva@arqus.pe
PLANO:
UBICACIÓN:
OBSERVACIONES:
PROPIETARIO:
DR. OMAR ALARCON Y SRA. PANAMERICANA SUR KM 97 DISTRITO DE ASIA PROVINCIA CANETE
amvillanueva@arqus.pe
FIRMA DEL PROFESIONAL:
Sección Construcción (1), Sección Construcción
CASA OA - PLAYA PALABRITAS LOTE 14
ANA MARIA VILLANUEVA MERINO
CONTACTO:
DIBUJO:
ESCALA: 1:50
#Nombre del Técnico de CAD
FECHA: 19/05/2019
REV:
Construction site views
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06. Non-academic projects: Casa Baella ARQUS E.I.R.L April 2017, location: Lima, Perú Co-designed with Architect Ana Maria Villanueva The brief for this project was to design a countryside home for a family of 6 plus visitors. The social areas are distrubuted on the ground floor to connect them with the swimming pool and terrace, oriented for a maximum exposure to the sun during the summer months. The first floor has the private rooms and tv rooms, visually connected to the ground floor through a mezzanine. The materiality is coherent with the local landscape of the surrounding dunes and dry climate. My involvement in the project was from intial concept till detailed design of interior spaces and facades.
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06. Non-academic projects: Casa Baella
9 4.94 40 11.2 31 6.7
1 6.29
80 9.7
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5 9.38 5 9.38
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49 3.0
39 5.1 10 3.9
6 .23 12 28 3.7
97 7.0
16
15 0.9
80 5.5
15 14 13 12 11 10
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9 .39 16
7 6 5 4 3 2 1
31 5.4 18 6.3
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x 0.
8= 18
0 3.20
91 7.0
PRIMER NIVEL
Interior view of social areas 4 2.83
77 1.2
9 4.94 5 2.11
47 3.1 80 29 9.7 2.4
05 5.2
N 35 2.3
26 2.9
96 2.8 L SC
9 .28 15 94 6.9
69 3.0
38 3.3
63 3.0 16 15 14 13
02 2.9
12 11 10
9
8 7
0 .00 20
6 5 4 3 2 1
17
x 0.
8= 18
0 3.20
91 7.0 02 6.5 02 6.5
01 3.6
SEGUNDO NIVEL
80
06. Non-academic projects: Casa Roca David DavidMutal MutalArquitectos Arquitectos November November2016, 2016,location: location:Lima, Lima,Perú Perú Design: Design:Architect ArchitectDavid DavidMutal, Mutal.2D 3Dand BIM3D model, BIM details: 2D detailing, Mary visualizations: Ann BerendsonMary Ann Berendson This brief The project for consists this project of an wasintervention to design aand countryside renovation home for afor house a family of monumental of 6 plus visitors. valueThe in the social historical areas are distrubuted district of Barranco on the in Lima, ground Peru. floorIt to is connect now a double them residence, with the swimming mirrored pool in its and longer terrace, axis and orientated sharingfor a a maximum common courtyard. exposure Mytorole thewas sun to during model thethe summer complete months. projectThe in Archicad first floorand hasdrawing the private the rooms 2D details andfor tv rooms, the design, visually developed connected by the toArchitect the ground David floor Mutal. through The ahighlight mezzanine. was the Therepresentation materiality is coherent of typologies with and the local landscape languages from of thethe republican surrounding era of dunes Peruand together dry climate. with the contemporary proposal of the intervention.
82
84
Interior view of double-height kitchen
MURO CONCRETO CARAVISTA
0,90
BARANDA DE FIERRO PINTADO 0.05m x 0.006m
RECUBRIMIENTO MADERA PUMAQUIRO
RECUBRIMIENTO MADERA PUMAQUIRO
MOSAICO ROSSELLÓ 20x20
DETALLE DE BARANDAS COCINA A - PATIO INTERIOR 1/25
0,180 0,180
B
A
Plan view and details of kitchen 0,100
6,330 2,930
3,400
0,100
0,810
0,090
0,610
0,100
0,600
0,400
SUPERFICIE DE CUARZO BLANCO SILESTONE e = 2 cm
R
0,150
0,800
0,550
2,930
PROYECCION MUEBLE ALTO 0,400
0,400
C
1,000 3,400
0,400
0,400
0,400
0,100 0,810 0,100PERFORACIÓN
3,400
PARA REFRIGERADORA BAJO ESCALERA
C
HORNO
D
1,205
P06
0,400
PROYECCION CAMPANA EXTRACTORA DE ACERO INOX. O BLANCO
D 5,132 0,081
1,299
3,753
0,600
MESA COMEDOR DIARIO DE MADERA
MURO DE CONCRETO CARAVISTA
COCINA
SUPERFICIE DE CUARZO BLANCO SILESTONE e = 2 cm
0,917
NPT + 0.99 PISO MOSAICO ROSSELLÓ 20 X 20
LAVADERO MAGNUM PARA EMPOTRAR DE DOS POZAS CON DESAGUE CUADRADO
PROYECCION DIVISION INTERIOR MUEBLE BAJO
9,830 2,894
0,250
2,892
OBRA:
NOTAS GENERALES:
1,945
Arquitecto DAVID MUTAL VERMEULEN CAP 10541 - architectural association diploma 97
TITULO:
PLANO:
REVISIONES
LAMINA:
PLANTA DE COCINA A
DETALLE DE COCINA
REMODELACIÓN - CONSTRUCCIÓN VIVIENDA MULTIFAMILIAR (BI-FAMILIAR)
DC01
www.davidmutalarquitectos.com PROPIETARIO:
DIRECCION:
FAMILIA ROCA
ESTE DOCUMENTO ES PROPIEDAD INTELECTUAL DE DAVID MUTAL ARQUITECTOS NO PODRA SER REPRODUCIDO O DISTRIBUIDO EN NINGUN MEDIO IMPRESO, ELECTRONICO O DIGITAL, SIN LA AUTORIZACION ESCRITA DEL PROPIETARIO
ESCALA:
COLABORACION:
MALECÓN JUNIN 136 BARRANCO LIMA - PERU
M.BERENDSON
0,250
M05
A
0,250
0,250
M03
M03
DAVID MUTAL ARQUITECTOS
VIDRIO h = 40 cm
B
0,248
GRIFERÍA VAINSA MINIMALISTA LEVEL
1/25 FECHA:
DICIEMBRE 2016
CAP 10541 - architectural association diploma 97
PROPIETARIO:
FAMILIA ROCA
0,24 0,24 0,02
MALECÓN JUNIN 136 BARRANCO LIMA - PERU
0,73
0,02
VIDRIO h = 40 cm
MUEBLE BAJO INTERIOR DE MELAMINE BLANCO, PUERTAS EN MDF ENCHAPADO ROBLE MALLADO
0,15
0,90
0,02 DIRECCION:
0,90
0,73 0,15 REMODELACIÓN - CONSTRUCCIÓN VIVIENDA MULTIFAMILIAR (BI-FAMILIAR)
TITULO:
PLANO:
DETALLE DE COCINA
COLABORACION:
M.BERENDSON
REVISIONES
LAMINA:
SECCIÓN A Y B DE COCINA 1:25
www.davidmutalarquitectos.com
ESTE DOCUMENTO ES PROPIEDAD INTELECTUAL DE DAVID MUTAL ARQUITECTOS NO PODRA SER REPRODUCIDO O DISTRIBUIDO EN NINGUN MEDIO IMPRESO, ELECTRONICO O DIGITAL, SIN LA AUTORIZACION ESCRITA DEL PROPIETARIO
GRIFERÍA VAINSA MINIMALISTA LEVEL TABLERO DE CUARZO BLANCO SILESTONE e = 2 cm
0,25
OBRA:
Arquitecto DAVID MUTAL VERMEULEN
2,20
2,20
2,20 0,25
0,15 NOTAS GENERALES:
DAVID MUTAL ARQUITECTOS
ENCHAPE CUARZO BLANCO SILESTONE
0,73
0,90
0,05 0,70
MUEBLE BAJO INTERIOR DE MELAMINE BLANCO, PUERTAS EN MDF ENCHAPADO ROBLE MALLADO
0,15
0,90
ENCHAPE DE CUARZO BLANCO SILESTONE
0,02
0,55
TABLERO DE CUARZO BLANCO SILESTONE e = 2 cm
0,55
1,30
MUEBLE ALTO INTERIOR DE MELAMINE BLANCO, PUERTAS EN MDF ENCHAPADO ROBLE MALLADO
0,55
0,75
CAMPANA EXTRACTORA DE ACERO INOXIDABLE
0,75
0,24
2,35 0,15
0,25
2,35 0,15
0,25
GSPublisherVersion 0.1.100.100
ESCALA:
1/25 FECHA:
DICIEMBRE 2016
DC03 86
