ARCHITECTURE PORTFOLIO Mary Ann Berendson
RÉSUMÉ
Basic information: Name: Mary Ann Berendson Nationality: Peruvian/German Contact details: +31 620 056 188 maberendson@arqus.pe Gordelweg 229D, 3039GC, Rotterdam, Netherlands Education: MSc Architecture: TU Delft 2017-2020 (graduated with Cum Laude) Architecture Bachelor studies: Universidad Ricardo Palma 2008-2013 Work experience: Wurck: September 2021 - present (www.wurck.nl) responsibilities: Designer and 3D modeller, 2D detailing, infrastructure and landscaping projects TWD: July 2020 - June 2021 (www.twd.nl) responsibilities: Designer for off-shore structures, 3D modelling, 2D detailing, client communication TU Delft Student Assistant at the Robotic Building studio: september 2018 - january 2019 responsibilities: Workshops organization, studio events communication, robotic fabrication assistant David Mutal Arquitectos: august 2016 - january 2017 (www.davidmutal.pe) responsibilities: 3D physical and digital models, detail development, 3D visualizations ARQUS E.I.R.L: june 2012 - july 2016 (www.arqus.pe) responsibilities: 3D models, detail development, 3D visualizations, construction site supervision Languages: Spanish - Fluent (Native language) English - Fluent German - Intermediate Dutch - Intermediate Skills: Adobe (Photoshop, InDesign, Illustrator, Premiere Pro) BIM (Revit, Archicad) 3D modelling and draftsmanship (Rhinoceros, 3D Max, Sketchup Pro, Autocad) Programming (Grasshopper, Dynamo) Rendering (Artlantis 6.0, Twinmotion, Lumion)
CONTENTS selected academic and professional projects
01. Parametric Healing Environments: TU Delft graduation project - Robotic Building/Architectural Engineering Studio September 2018 - January 2020 Tutors: Henriette Bier, Sina Mostafavi and Ferry Adema
02. Urban Borders (Finibus Urbana): TU Delft MSc1 - Hyperbody Studio October 2017 - january 2018 Tutors: Henriette Bier and Sina Mostafavi
03. Economic Faculty Project: Ricardo Palma University - Baracco Vertical Studio September 2012 - December 2012 Tutors: Juvenal Baracco
04. Non-Academic projects: Casa Omar Co-design and construction site supervision with Architect Ana Maria Villanueva February 2020 Studio: ARQUS (PE)
05. Non-Academic projects: Casa Roca Development of 3D model and 2D details November 2016 Studio: David Mutal architects (PE)
06. Non-Academic projects: Aalphen aan den Rijn brug Co-design, development of parametrically set 3D model and visualisations March 2022 Studio: Wurck Architects (NL)
01. Parametric Healing Environments This project is an exploration of computational design and robotic materialization in the context of the AMC hospital located in the south of Amsterdam. The pavilion serves as a parasitic intervention in the public spaces of the bulding, which is due for renovation. Its main purpose is to create Healing Environments for the users, integrating factors such as thermal comfort, lighting, acoustics, vegetation and spatiality.V TU Delft graduation project - Robotic Building/Architectural Engineering Studio September 2018 - January 2020 Tutors: Henriette Bier, Sina Mostafavi and Ferry Adema
N AMC Hospital, Amsterdam Faculty entrance Polyclinic entrance Main entrance Public transport line Working: clinics and offices Recovery: inpatient area
Mega building: Largest AMC in the Netherlands 560,000 m2
Complexity: Multi-layered, public, semi-public to private spaces
Functions: Hospital University Inpatient bed area
Value: Monument to-be, structuralist icon (heritage)
Lifespan: In function > 40 years
Education: university Halls and courtyards (public area of intervention)
Research questions: How to enhance overall sustainability of the AMC in the future? How to create healing environments within the public areas of a complex building such as the AMC hospital? What is the added value of parametric design, robotic fabrication and operation in the context of healing environments? How to integrate parameters such as acoustics, visuals, thermal comfort and spatial qualities in a design?
Most restaurants, lounges and commercial functions are concentrated on just the ground level, so it’s necessary to re-distribute these recreative functions throughout the different levels of the AMC.
Healing environment: a physical setting and organizational culture that supports patients and families through the stresses imposed by illness, hospitalization, medical visits and the process of healing. (Stichler, 2001).
Digital workflow (macro to micro):
Public areas of AMC masterplan intervention
Existing functions
New functions
clusters of space (metaballs)
Pavilion design within (1) selected cluster
New functions
1. Indoor-outdoor retreat 2. Collective Cocoon 3. Encounter Haven 4. Meditation Refuge 5. Transitional spaces 6. Sky garden
Geometry wrap of resulting cluster Structural analysis
Porosity design + Integration of platforms
Digital workflow (macro to micro): Variable porosity pavilion
Skin porosity
Interior structure porosity
1. Mesh faces exploded 2. Mesh divided by segments 3. Variable mesh face-size 4. Stress lines inform porosity location 5. Space requirments informs if porosity is convex or concave
1. Populating mesh geometry with points 2. More points in areas of higher stress 3. Result: point cloud with variable density 4. Voronoi 3D informed point cloud 5. Mesh from voronoi cells line segments 6. Interior structure with variable porosity
Integration of Meshes
Healing Environment parameters Floorplans and details:
1.
4.
2.
1.
3.
1. 5. Materials and details 1. 3D printed lightweight concrete 2. 3D printed wood cladding for user comfort 3. Localized heating (via radiation) 4. 4 mm diameter bolts in joints 5. AMC Concrete slab
Localized heating and cooling Integrated into seating
Experiential path Circulation of discovery
Different seating options + ergonomically optimized interior
Vegetation integration Bio-receptive porosity
Acoustic optimization Sound difussion strategies
Interactive art and media Projected onto pavilion 0m
5m
10 m
15 m
20 m
25 m FLOORPLAN 1:100
Healing Environment parameters Floorplans and details:
2.
Vegetation integration Bio-receptive porosity
3
4
• • • •
1.
Materials and details 1. 3D printed lightweight concrete 2. Bio-receptive concrete cavity 3. Embedded soft PET tubes 4. 4 mm diameter bolts in joints
Improved oxygen levels Temperature regulation Natural Air filters Visual enjoyment
Localized heating and cooling Integrated into seating areas
Acoustic optimization Sound difussion strategies Different seating options
connection to AMC
Experiential path Circulation of dis-
Vegetation integration Bio-receptive porosity 0m
5m
10 m
15 m
20 m
25 m
Healing Environment parameters Floorplans and details: Integrated irrigation system for embedded vegatation
rainwater collection +water pump connected to pavilion
Vegetation for hospital environment: • • • •
Self-clinging plants Low watering demands Artificial light possible Hydroponic (no soil) Parthenocissus quinquefolia
Hedera Felix
Trachelospermum jasminoides
Acoustic optimization Sound difussion strategies
Vegetation integration Bio-receptive porosity
Localized heating and cooling 0m
Different seating options 5m
10 m
15 m
20 m
25 m
Healing Environment parameters Floorplans and details: Sound diffusion strategy
3.
1. 2. 1.
3.
Materials and details 1. 3D printed lightweight concrete 2. Integrated acoustic pattern 3. 4 mm diameter bolts in joints
Vegetation integration Bio-receptive porosity
Experiential path <10% slope Circulation of dis-
Localized heating and cooling
Different seating options + ergonomically optimized Acoustic optimization
0m
5m
10 m
15 m
20 m
25 m
Design to Robotic Production advantages:
Pre-fabrication
Transport
Robotic milling of AMC
Assembly-in-situ
Robotically-controlled powder based 3D printing of pavilion components
Containers with components to AMC Hospital
Use of CNC milling of slab to create a base for the placement of components
Use of indoor cranes to place interlocking components, lifted with belts
Integrated railings, ramps and seating areas
Integrated acoustic optimization
Formal freedom: healing properties of organic geometries
Varied porosity: Scale, location and density
Smart operational systems allow for localized heating, cooling, lighting, etc.
New methods of production allow for diverse materialities and alternative structural solutions
non-standard + standard structure
a
b
c
6-axis robots for CNC milling of concrete slabs to create a base for the pavilion Rationalized system considering the existing situation
Design to Robotic Production process:
Tension + compression stress analysis
Tension and compression stress lines as guiding grid for component division logic
Part of pavilion as study case for componential logic
Regions of higher stress or compression inform the porosity of the inner
Division of components according to stress lines of tension and compression
Resulting Components
Positive-negative interlocking logic for components
Interior 4 mm bolts between components for additional reinforcement
variable porosity of interior structure informed by the concentration of forces
02. Urban Borders (Finibus Urbana) My first semester at TU Delft began with the Hyperbody studio, which focuses on computational design and robotic fabrication techniques. Together with my team, we designed a pavilion in the waterfront of Rotterdam that could protect users from the wind, provide different seating areas and porosity for various insects to take refuge in. It also integrates motion-responsive LEDs. TU Delft MSc1 - Hyperbody Studio October 2017 - january 2018 Tutors: Henriette Bier and Sina Mostafavi Students involved: Szymon Lapaj, Arav Kumar, Dafne Swank, Hidde Manders Role: Design concept development, presentation design
Urban Pavilion: Intervention in Rotterdam’s public area
Spatiality: Various degrees of sheltered to open areas
Functions: Wind + rain shelter Resting/sitting area City attraction
Design driver: Relationship to waterfront and environment
Fabrication method: Robotic production and operation
Passerbys:
Runners: Location: Boompjeskade, next to the Maas in the city of Rotterdam, Netherlands.
Water transport lines: waterbus, water taxis, commercial boats
N
Object
The main concept is the interaction between the city and nature in a waterfront pavilion that can be used by humans and insects alike
Function mapping of the pavilion
with porosity inside
Porosity inside = negative of final object (made of sand + binder)
The negative placed inside a cast, with the tectonics of the concrete surface
Concrete poured in layers, Object with sand inside depending on structural structure is placed on site. quality of negative Due to natural elements, sand will be removed
Porosity distribution informed by stress line analysis
03. Economic Faculty Project This project was developed during my bachelor studies and it’s an Economic faculty building for both graduate and post-graduate students (located in Lima, Peru). The main design driver was to create fluidity and multiple spaces for people to connect on different situations, such as study, recreation, classes and so on. The structure that supports the sinous university pavilions in a rythmic repetition of large ‘x’ shapped elements, defines these spaces, and the west-side facade shades them in an organic leaf-like pattern. Ricardo Palma University - Baracco Vertical Studio September 2012 - December 2012 Tutors: Juvenal Baracco
A
Fluidity + connection The different areas are connected in a loop like circuit,a smooth transition in-between Education + recreative spaces
Spaces:
2
5
3
4
6
1
Sun-shading facade The west-facing facade is shaded with an organic looking lattice B
1
B
1 7
Repetitive structural elements The rythm and distribution of the various areas is defined by the “X” shaped metal components A
1. Lecture room 2. Suspended Bridge Café 3. Suspended Bridge library 4. Main Plaza 5. Secondary Plaza 6. Group study area 7. Main library
7
7
0
10
20
30
40
50
Elevation A
Section B - B
04. Non-academic projects: Casa Omar The brief for this project was a beach summer home for a family of 4 plus visitors. The social areas are distributed in the front facade, oriented towards the sea.The open plan design is articulated through a series of courtyards and shading pergolas that provide natural light for the spaces in the basement and through the use of natural materials and colors that connect it to the context. My involvement in the project was from the concept, detailed design, till the site supervision. ARQUS E.I.R.L February 2020, location: Lima, Perú Co-designed and construction site supervision with Architect Ana Maria Villanueva
2.65
5
1.55
251.54
15
2.66
25
1.40
15
4
28.01 25
3.21
3
2
2.10
25
4.44
25
3.50
2.60
41
24
15
5'
S-03
25
6 S-04
7
8
A
15
A
LOSA CONCRETO PARA BANCA
3.80
DORMITORIO 1
DORMITORIO 2
DORMITORIO PRINCIPAL SALA +0.45
+0.45
S-01 7.10
S-01
10.00 1.90 25
TERRAZA +0.45 DORMITORIO SERVICIO 2
87
25
15
DORMITORIO SERVICIO 1
B
PISCINA
10.00
B
25 PARRILLA
1.35
+0.45 LAVANDERÍA
PROYECCIÓN CUARTO DE MÁQUINAS PISCINA
R
D' D
5
24
25
JARDINERA
D
S-02
76
2.95
GARAGE
D'
2.60 COMEDOR +0.45
2.34
S-02
3.65
COCINA
5.68
15
5.25
25
4.00 28.08
S-04
1.05
7
8
2 2
6
3 3
25
4.45
25
3.29
3.21
S-03
25
5'
4 4
5
5 5
4
3
5' 5'
2
6 6
7 7
8 8
+3.10
2.40 2.40
25
25
+3.10
PROYECTO:
+0.45
CAP 3015 amvillanueva@arqus.pe CONTACTO:
PLANO:
LAMINA:
PISO 1 (2)
A-1
OBSERVACIONES:
PROPIETARIO:
UBICACIÓN:
+0.45
FIRMA DEL PROFESIONAL:
CASA OA - PLAYA PALABRITAS LOTE 14
ANA MARIA VILLANUEVA MERINO
+0.45
DR. OMAR ALARCON Y SRA. PANAMERICANA SUR KM 97 DISTRITO DE ASIA PROVINCIA CANETE
DIBUJO:
ESCALA:
FECHA:
#Nombre del Técnico de CAD
1:50
amvillanueva@arqus.pe
19/05/2019
REV:
25
PROFESIONAL:
+0.45
±0.00
25
±0.00
2.40 2.40
-0.85 -0.85
-2.20
-2.20
-2.20
-2.20
-2.20 25
-2.20
8 8
7 7
25
SECCIÓN S-01 SECCIÓN S-01 6 6
5' 5'
5 5
4 4
3 3
2 2
Construction site views
+3.10
2.40 2.40
25
25
+3.10
±0.00 ±0.00
+0.15
+0.45
+0.45
+0.45
+0.45
+0.15
±0.00
SECCIÓN S-02 SECCIÓN S-02 D
±0.00
D
05. Non-academic projects: Casa Roca This project consists of an intervention and renovation for a house of monumental value in the historical district of Barranco in Lima, Peru. It is now a double residence, mirrored in its longer axis and sharing a common courtyard. My role was to model the complete project in Archicad and drawing the 2D details for the design, developed by the Architect David Mutal. The highlight was the representation of typologies and languages from the republican era of Peru together with the contemporary proposal of the intervention. David Mutal Arquitectos November 2016, location: Lima, Perú Design: Architect David Mutal. 3D BIM model, 2D detailing, visualizations: Mary Ann Berendson
0,180 0,180
B
A
Plan view and details of kitchen 0,100
6,330 2,930
3,400
0,100
0,810
0,090
0,610
0,100
0,600
0,400
SUPERFICIE DE CUARZO BLANCO SILESTONE e = 2 cm
R
0,150
0,800
0,550
2,930
PROYECCION MUEBLE ALTO 0,400
0,400
1,000 3,400
0,400
0,400
0,400
0,100 0,810 0,100PERFORACIÓN PARA REFRIGERADORA BAJO ESCALERA
3,400
C
HORNO
D
1,205
D 5,132 0,081
MESA COMEDOR DIARIO DE MADERA
MURO DE CONCRETO CARAVISTA
0,600
P06
0,400
PROYECCION CAMPANA EXTRACTORA DE ACERO INOX. O BLANCO
C
COCINA
1,299
SUPERFICIE DE CUARZO BLANCO SILESTONE e = 2 cm
NPT + 0.99 PISO MOSAICO ROSSELLÓ 20 X 20
0,917
3,753
LAVADERO MAGNUM PARA EMPOTRAR DE DOS POZAS CON DESAGUE CUADRADO
PROYECCION DIVISION INTERIOR MUEBLE BAJO
9,830 2,894
0,250
2,892
A
0,250
OBRA:
NOTAS GENERALES:
1,945
M03
M03
Arquitecto DAVID MUTAL VERMEULEN
DAVID MUTAL ARQUITECTOS
VIDRIO h = 40 cm
0,250
CAP 10541 - architectural association diploma 97
TITULO:
PLANO:
REVISIONES
LAMINA:
PLANTA DE COCINA A
DETALLE DE COCINA
REMODELACIÓN - CONSTRUCCIÓN VIVIENDA MULTIFAMILIAR (BI-FAMILIAR)
DC01
www.davidmutalarquitectos.com PROPIETARIO:
DIRECCION:
FAMILIA ROCA
ESTE DOCUMENTO ES PROPIEDAD INTELECTUAL DE DAVID MUTAL ARQUITECTOS NO PODRA SER REPRODUCIDO O DISTRIBUIDO EN NINGUN MEDIO IMPRESO, ELECTRONICO O DIGITAL, SIN LA AUTORIZACION ESCRITA DEL PROPIETARIO
COLABORACION:
MALECÓN JUNIN 136 BARRANCO LIMA - PERU
M.BERENDSON
ESCALA:
1/25 FECHA:
DICIEMBRE 2016
0,25
0,25
GSPublisherVersion 0.1.100.100
2,35
2,35 0,15
0,90
0,15
BARANDA DE FIERRO PINTADO 0.05m x 0.006m
0,75
0,24
0,73 0,15
0,90
0,90
0,73 0,15 0,25
0,25
VIDRIO h = 40 cm
0,02
0,55
0,02
GRIFERÍA VAINSA MINIMALISTA LEVEL TABLERO DE CUARZO BLANCO SILESTONE e = 2 cm
0,02
ENCHAPE CUARZO BLANCO SILESTONE
2,20
2,20
2,20
0,73
0,90
MUEBLE BAJO INTERIOR DE MELAMINE BLANCO, PUERTAS EN MDF ENCHAPADO ROBLE MALLADO
0,15
0,05 0,70
0,90
ENCHAPE DE CUARZO BLANCO SILESTONE
0,02
0,55
TABLERO DE CUARZO BLANCO SILESTONE e = 2 cm
MOSAICO ROSSELLÓ 20x20
MUEBLE ALTO INTERIOR DE MELAMINE BLANCO, PUERTAS EN MDF ENCHAPADO ROBLE MALLADO
1,30
RECUBRIMIENTO MADERA PUMAQUIRO
0,55
0,75
CAMPANA EXTRACTORA DE ACERO INOXIDABLE
0,24
0,24
RECUBRIMIENTO MADERA PUMAQUIRO
0,15
MURO CONCRETO CARAVISTA
0,250
M05 B
0,248
GRIFERÍA VAINSA MINIMALISTA LEVEL
MUEBLE BAJO INTERIOR DE MELAMINE BLANCO, PUERTAS EN MDF ENCHAPADO ROBLE MALLADO
06. Non-academic projects: Aalphen aan den Rijn brug This project consists of an intervention and renovation for a house of monumental value in the historical district of Barranco in Lima, Peru. It is now a double residence, mirrored in its longer axis and sharing a common courtyard. My role was to model the complete project in Archicad and drawing the 2D details for the design, developed by the Architect David Mutal. The highlight was the representation of typologies and languages from the republican era of Peru together with the contemporary proposal of the intervention. David Mutal Arquitectos November 2016, location: Lima, Perú Design: Architect David Mutal. 3D BIM model, 2D detailing, visualizations: Mary Ann Berendson