Madeleine Gordon 2021 Interior Design Portfolio

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INTERIOR DESIGN PORTFOLIO STUDENT PORTFOLIO SELECTED WORKS

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MADELEINE GORDON G E O R G I A S TAT E - M AY 2 0 2 1

/maddieigordon

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mgordon30@student.gsu.edu

817.807.6563


CONTENTS 01 K I M B E R LY C L A R K / C O M M E R C I A L PG. 04-13

02 G E O R G I A S TAT E U N I V E R S I T Y / E D U C AT I O N A L PG. 14-27

03 T H E H U R T H O T E L / H O S P I TA L I T Y PG. 28-37

04 1 5 0 N A S S A U S T. / R E S I D E N T I A L

PG. 38-45

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01. K I M B E R LY C L A R K

Innovation Center and Corporate Office

Kimberly Clark’s campus location in Roswell, Georgia features a branded environment housing its corporate office and innovation center. A renowned paper company, Kimberly Clark produces mostly paper-based consumer products. The following design approach is influenced by the notion of trees and its inner rings symbolizing connectivity with sustainability at the core of the design. Throughout the Innovation Center, key elements driving the design are visible such as creating spaces that are a safe haven to spur new ideas, collaboration, and influence local and global connectedness, which all align perfectly with Kimberly Clark’s mission and corporate culture. The corporate office is methodically planned with attention to

CONCEPT IMAGERY

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spatial relationships, assisting workers in daily tasks and daily demands. At the core of the plan is a center for neighboring areas to easily join together in collaboration bringing diversity and creating an environment which is flexible and can be easily tailored to meet everyone’s workplace needs. Sustainability is a key factor composed throughout all areas of Kimberly Clark. With LEED standard considerations, the building features sustainable material selections, solar energy attributes, and locally derived plants. The mission of the paper- based company is set to reflect its standards throughout the entirety of its innovation center and corporate office design.

PRELIMINARY SKETCH


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Innovation Center

Resident Zone

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LEVEL 1 Innovation Center

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Client Zone Central Stadium Stair Innovation Lab Nomadic Zone Private Office

Corporate Office

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Wellness Room Small Huddle Phone Rooms Campus Cafe Patio

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Reception Resident Zone Nomadic Zone Small Huddle Large Huddle

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Wellness Suite Private Office Touchdown Focus Room Resource Zone

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Innovation Center Patio

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LEED Considerations / Energy Effieciency & Atmosphere 01 Solar Panels

03 Local Plants

02 Sustainable Material Selection

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Cafe

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The Barbury Cafe & Coffee Bar / Innovation Center & Campus Access

This cafe was created on the site’s campus as a local spot for workers to grab a snack and coffee. Located on the north east side of the building, the location allows for easy access to visitors attending the Innovation Center. The cafe is also adjacent to the patio, which helps foster a space for people to take a break or work in the outdoors. With Kimberly Clark’s mission towards sustainability, we wanted to highlight the natural material use in the interiors to create a warm and exciting environment. The wood wrapped acoustic panels help combat the sound in the space, and create a focal point as visitors enter the area.

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Central Stadium Stair

Informal Huddle Space

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LEVEL 2 01 02 03 04 05

Large Conference Nomadic Zonet Work Cafe Private Office Small Huddle

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Open Workstations Phone Rooms Conference Patio Touchdown

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Wellness Suite Large Huddle Central Stadium Stair Focus Rooms Ancillary/Storage

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02. G E O R G I A S TAT E U N I V E R S I T Y College of the Arts Building

Graduate Studio - Fall 2020 - 17,000 SF Donor Pre s entation for Georgia State University’s College of the Arts Renovation

Located in the heart of Atlanta, Georgia State University’s College of the Arts redesign focuses on the possibilities of delivering the future of design education at the university. The following project center’s attention on the analysis of research statistics to influence and drive all of the design decisions made throughout the College of the Arts’s remodel. This design proposal takes a high-level view of challenges that the existing space presents and provides possible solutions for the way Design Education needs to evolve in a post-COVID world. Throughout the research inquiry phase, the survey revealed that the existing space was not conducive for collaboration, inspiration, or creativity in both the physical

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and digital learning spaces. Some of the major problem areas that were identified are environmental separation, lack of human connection, and the need for a cohesive and adaptive curriculum delivery system. Because of Georgia State University’s central downtown context, the school ranks as one of the largest commuter schools in the state. After the effects of Covid, the university will continue to see a need for a hybrid learning model, which was a cardinal focal point throughout the design process. How can we increase accessibility for students outside of the learning environment and create a space where students can engage in both virtual and in-person formats?


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Research Inspired Design / Learning in an Era of COVID

In the Spring of 2020, the world of education was turned upside down. Student’s and teachers across the world were forced to completely change the way they engaged with their students and with each other. From the implementation of various technologies to enable virtual collaboration, to negotiating safety guidelines when using physical space, students and teachers were faced with myriad challenges, both on campus and off. This design proposal takes a high-level view of those existing challenges, and some that we may yet face, and presents possible solutions for the way Design Education needs to evolve in a post-COVID world. Prior to the design phases, we conducted research of established precedent and emerging education design trends, a collection of survey data from the current design 16

students, and an examination of the existing conditions of the College of the Arts building at GSU. Attempting to elevate the sense of community, both on-campus and online, the opportunities for creative collaboration and inspiration, we designed a space and a hybrid learning system that more fully reflects Georgia State’s core values of Diversity, Equity, and Inclusion. The survey data revealed a multitude of needs to improve the education experience on-site, as well as a demand for a more adaptive hybrid learning system. Points of focus for our project were to include highly flexible learning environments, integrated technology systems to support in-person and online learning formats, as well as visual stimulation and a connection to the outdoor world, which are crucial to the creative process.


FALL 2020

SPRING 2020

Need for Environment & Resource Improvement

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CURRENT STUDIO CONDITIONS Students surveyed were asked to rate the aspects of the current conditions of the Georgia State University College of the Arts building environment and resources to how they benefit or detract fromt their learning experience. Based on the survey results, the majority of the four categories assessed were represented as a serious impediment or lacking.

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62%

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VISUAL INTEREST

ILLUMINATION

Stimulating and inspirational surroundings

Appropriate natural lighting and artificial lighting


Ill. Existing Exterior Facade Ill. Existing Interior Conditions

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FLEXIBILITY OF SPACE

ENVIRONMENT OPTIONS

Ability to work in different settings and modes

Access to the outdoors, fresh air, and natural environment

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LEVEL 3 01 Hall

06 Offices

11 Critique Space

03 Lockers

08 Private Studios

13 Studio

02 Exhibition 04 Restroom

05 Classroom

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07 Library

09 Material Library 10 Patio

12 Collaborative Zone 14 Graduate Studio 15 Print Lab


LECTURE BASED CLASSROOM

SITE MAP - NEIGHBORHOOD

EXHIBITION

CORRIDOR & GALLERY SPACE

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The Collaborative Zones

The collaborative zones were an essential part of the redesign to help foster connectivity and create a working environment beyond the classroom. Visual interest was a pivotal element in the redesign, which is why transparency was highly used throughout these areas to increase connectivity to peers and the outdoors. The use of the branding colors were also translated throughout each of these areas, using modern variations of the blue and red color palettes from GSU’s branding package. Adjacent to the collaborative zones are the design studios that open directly into these spaces. Students have the ability to open or close off any enclosed space in the building with an adjustable wall system that includes either windows or writable surfaces. Doing this creates focused or co-working studios that foster connection, collaboration and enhance the traditional studio experience.

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The Patio / Branding Identified From All Angles

With its campus located in the heart of downtown Atlanta, we wanted the College of the Arts building to be easily identified from an aerial view. The concept driven for the patio space was to evaluate the branding component being used for the online learning platform and translate a uniquely branded environment throughout the exterior. The university’s mascot was simplified into a modern silhouette of a panther head. From what looks like an intriguing angular environment from ground level is interpreted into a branding element from above. This approach institutes a statement piece for Georgia State University by creating an easily identified icon from a birds-eye view of the city.

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03. THE HURT HOTEL

Luxury Boutique Hotel

The Hurt Hotel is a boutique hotel in downtown Atlanta, Georgia. Dating all the way back to 1912, the historic building overlooks Woodruff Park as well as the heart of downtown Atlanta. The hotel comprises over forty luxury guest rooms, and features state of the art guest experiences with its embedded cafe, work lounge, and library.

accents alongside a contemporary european escape. The Hurt Hotel preserves its experiences to those looking to escape the Atlanta action, and dive into a beautiful and unique experience.

The hotel also features The Woodruff, a restaurant to serve a unique dining experience for everyone in the greater Atlanta area. With The concept driven behind this de- access to the sky bar, the restaurant sign is to cater toward the universal features some of downtown Atlandesign standards with an emphasis ta’s greatest views. The restaurant on incorporating a variety of texdrew inspiration from Joel Hurt’s tures as well as methodical spatial wife, Annie Bright Woodruff. The planning. Changes in flooring hotel consists of painted brick surfaces and wall textures help dif- textures and gold finishes with a ferentiate private and public spacneutral palette to allow the maes, as well as the use of color and terials in the restaurant to speak light to help individuals immerse for themselves. The restaurant is themselves in the Hurt’s interior meant to inspire notions of someexperience. The design reflects a thing old, and something new. balanced blend of french art deco

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LEVEL 16 01 02 03 04 05

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Reception Lounge Cafe Private Office Storage

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Deluxe Room Junior Suite Luxury Suite Staff Lockers Touchdown

11 Restrooms 12 Phone Booth 13 Private Lounge


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Elevator Lobby Lounge Private Lounge Library Deluxe Room

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Junior Suite Luxury Suite The Woodruff The Woodruff Host Kitchen

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Junior Suite Luxury Suite The Woodruff The Woodruff Host

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Deluxe Room

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ROOM TYPES

Deluxe Room

Junior Suite

Luxury Suite

The Hotel features three different room types, including the deluxe room, junior suite, and luxury suite. All rooms are available in single and double beds, and feature full ADA compliant bath and kitchenette design. While all three differ in square footage, all varying room types feature the same interior finishes and fixtures. The bath design in each room layout

includes isolated vanities right outside the shower and water closet space. The use of pocket doors and a zero-step thresholds in the shower design helps create an easy access point that’s universally standard for anyone’s use. The variety in textures contiinue, ad help justify what area of space you are in throughout the plan. 33


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The Woodruff Skybar

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Luxury Suitue Kitchenette

The Woodruff Skybar

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LEVEL 18 | The Woodruff Skybar 01 Elevator Lobby

05 Patio Seating

03 Wrap Around Bar - Interior

07 The Woodruff Restaurant Stair Access

02 Lounge Seating

04 Wrap Around Bar - Exterior

06 Restrooms

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04. 1 5 0 N A S S A U S T. N YC C o n d o

For a New York based client, 150 Nassau Street composes a residential design project. Located at the American Tract Society building, the condominium overlooks City Hall Park and the Brooklyn Bridge. The plan consists of one bedroom and one-and-a-half bath, with its primary focus on it’s custom kitchen and bath design. The interior of 150 Nassau St combines a warm color

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palette, following with wood and metallic finishes. The space seeks inspiration from native New York artist Hunt Slonem, with infamous bird and bunny portraits. The condo’s light color palette helps highlight a minimal approach to the natural elements of the space, creating a sophisticated and inviting atmosphere.


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Kitchen Elevation

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The following custom kitchen design features a minimalist approach to kitchen design. The European style cabinetry creates space to purposefully organize and store the client’s belongings. The center island rises to 36” in height and invites

interaction throughout the rest of the floorplan. Track fixtures creates a modern approach to ample lighting throughout the space. Fixtures included are Viking, Sub-Zero, and Kohler.

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The following custom bath design features a floating double vanity coupled with a walk in shower. The following design embraces a minimalist approach with a contrast in finishes and materials. The room features textured chevron tile and wood accents in both the vanity and shower areas.

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The vanity provides fixtures from Kohler and includes shelf space underneath for storage. The shower features a zero-step threshold and an anti-slip texturized bamboo floor. The following design is intended to create a space to unwind and decompress after a cold New York city day.


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Master Walk-In Closet The following custom closet design features a double sided wardrobe with oak finishes and black iron accents. The windows are accented by bench seating for functional seating space, as well as multipurposed storage. The closet also features drawer assembly and shoe displays for versatile and easy access to clothing pieces. The ceiling features an acoustical felt covering to help contrast and warm the space. Hunt Slonem’s “Annunciation” piece is accented as the centerpiece of the walk in closet.

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THANK YOU

MADELEINE mgordon30@student.gsu.edu

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GORDON /maddieigordon

817.941.3251


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