Madhuri Machchhi | Repertoire of Dreams by Madhuri Machchhi Jain

S M A E R D F O E IR O REPERT A human mind is capable of creating intangible architecture through dreams. By Madhuri Machchhi Jain

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APPROVAL O F THESIS BO OK FOR FINAL ARCH ITECTURAL P ROJECT DEPARTMEN T OF ARCHIT EC SCHOOL OF ARCHITECTU TURE, R E, ART AND AMERICAN DESIGN, UNIVERSITY IN DUBAI

STUDENTS FU

LL NAME:

THESIS BOO

K TITLE:

THESIS ABS

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STUDENT’S

SIGNATURE

PROFESSOR

S NAME:

PROFESSOR

Madhuri Mac

hchhi Jain

REPERTOIRE

A human mind is capable of his dreams. W creating intang e use the refe ible architectu rence of photog re through reoccurring th raphs, past m oughts to crea emories and te the architec This books stud tural space w ies understand ithin our drea s and studies designing inta ms. the process of ngible architec our subconscio tu re a space which . The architec us ture space wou is “dream-like” , in our awake ld propose It wishes to cr state, in our re eate happy, pr al community. otective nature knows that w of our best dr hat distinctly eams. For, one make a dream best situation; , a dream is it the best s idea of reac It hopes to prov lives for yourself. hing the ide different pe start to wande op le ou t there a spac r, question an e where they d dr to discover th finally eir free soul. Pe eam. Where they can allow themselves rhaps, where repertoire th th ey can all com eir dreams on e together an one universal d ground.

Dr. Georges K

achaamy

S SIGNATUR

OF DREAMS

DATE:

E: DATE:

ERD

SMA

ms Drea Machchhi f o ire Madhuri perto by

5, , 201 right y p edï¿½ o C serv ts re h g i r All

For m Raju y loving l drea Machch mother, ms. hi Ja A to dr eam nd for e in, who h . very body as gifte d who have me with been bles sed

ACKNOWL

EDGMENT

There are m any people help they did who deserv , directly or es acknowle indirectly. dgment for every little However, th ere are few who deserv es special th anks. Almighty. My Parents

, for always

My brother,

being there

and little sist

er.

My friends, Arun Parsa each and eve d, who helped me with the earliest ry idea. drafts and h I am especi as heard my ally gratefu book. l to him for believing in me and the concept of th e Maria Ahme d, who truly and helped u n derstood wh me to edit a at message nd proffered I was trying the book. to deliver Dania Sathya n , K h yati Pancho Albuquerqu li and e for always supporting m Sterlin Sebastian, and Sharon e. Abhishek M itruka, who being dream from the ea er and who rliest I have has indirect shared the li topic for my ly given me keness of thesis. the ignition And to choose th is My greatly ta le n te d professor, Lu lot ideas to is Castaned bind and co a who provi mpile the bo ded me with ok. a My dear pro fe ss o r, D r. Georges K source of po achaamy, w sitivity, know ho h ledge, guida him enough nce and enco as been a constant for helping me to bring uragement. the best out I cant thank of me.

TABLE OF CO

NTENTS

CH I: ON THE PO

INT OF DREAM

E R A S M A E R D UNIVERSAL DREAMS

28-67

30-49

AL EMER G OUR EPH RLD

32 33-35 36-39 40-43 44-48 49 50-55

WO RIN II.1 MEASU S, MIRROR OF INNER 1.10 DREAMare Dreams?

1.11 What Civilization s Impact on ess 1.12 Dream r Consciousn ou s, Maps of 1.13 Dream aming Brain 1.14 The Dre Dream ts us in our si 1.15 God Vi n io tit rs Supe 1.16 Tales of AMS

56-67 58-61 62-63 HE DREAM

ES OF DRE 1.20 SHAD DT ERS BEHIN 1.30 DREAMybody Dreams 1.31 Ever ue am come Tr 1.32 A Dre

T DREAM IL U B A G IN Y CH III: STUD THE PLE FOR

8-93

70-75 OF ART SS E M T C 76-79 E F S, A PER

II.2 DREAM WORDS OF A WRITER 80-83

G 2.10 A PAINTIN 84-87 OLORS OF C 0 .2 2 88-89 T ART URREALIS S 0 .3 2 S E 94-99 G PICTUR 2.40 MOVIN USIC M F O Y N O 100-113 2.50 HARM S M A E R D

NATURE TION II.3 WHEN PURE CREA , E R U T C E II.4 ARCHIT EAMS OF OUR DR

14-27

I.1 IMMER SIO I.2 BUILDIN N IN TO DREAM G I.3 REPERT DREAMS IN THE CIT Y OF DREA OIRE OF DR 16-17 MS EAMS I.4 THE SIL VER LININ 1 8-1 G 2 9 0-21 22-23

28-113

AY CO M S M A E R D T A CH II: WH

ING

114-177 116-125

M RICAL- TE 118-121 A. HISTO RS S IO E P E DREAM 122-125 Y OF ASL R A U T C N A III.1 THE S ION P E L 126-175 III.2 ASC E C A E SP -145 REAM LIK SEU BLAU 128 3 D A T N E U N,M 146-16 B. CURR F ILLUSIO Y, NINGBO O D U O L III.3 C ISTOR EATING H M R C E R 4 164-175 I. II SEU , E U G M D E IC L R KNOW HISTO LOUD OF C L A T S ES Y III.5 CR NFLUENC O C E D E MUSE

0-19 8 1 IBLE

ANG T N I E H

EF TIO LIN GM IV.2 2 .10 RELA GING TH THE FRA D ING BRI 2.20 OLLECT C 2.30

CH V:

ER V I N U HE

OUN R G L A

D SITRK N A E C A P S I: CH V E NETWO

183 I86

T G N I 186 Z I L A I R 199 S TE 187- 91 A ACE P M 1 S : 190CH IV TECTUREAMING THSEPACESRIX D SPACE CE E T I E SPA TED ARCH IV.1 DRE KING THNSHIP MRAAGMENTEN

RO HEIG 6.20 IGURE G HTS G F I 6.30 IGHT L N 6.40

224-226

VI.1 SIT LOTTING MUSEUMSTO TH E SITE 1.10 P USEUMS SITE

227

ING M O THE 1.20 LINK G LANDMARKS T IN K 1.30 LIN

THESIS

VI.2 SYN

2 196-2

201 198- 205 202- -203

20 205 204-

207 206- NA

E TIONION ANC NA C N E I L D T E RIP R S O E G G T C Y 210 I IN S N 208- -209 V.1 SSITE DE ESSIBILITRROUND D ZONI 208 10 V.2 2.10 ACC AND SU NS AN 2 E O I T T SI A 0 L 2 . U 2 215 REG LATIONS 211- 211 E T Y I R V.3 S3.10 REGUING ISTO 212 H O N T O Z K 215 AC ICTURE 3.20 B 213S G P C OIN GER 221 STI URE 215- -217 V.4 G4.10 LAR SER PICT ACTERI UA 216 18 AQ AR CLO T 2 4.20 RAL CH NA AND ES N E M U A FAU N TAK S N 219 T O A R 21 V.5 N5.10 FLOR THE SU IND TAKE LT ENVI I Y 220-2 TH W U A E P B AL SIT 5.20 ATH TH P XTU ION DEN E T 5.30 GY AT ON AM TE C 0 POPULT TYPOLO D DIAGR I S 6 1 H 6. V. UN

222-231

IONS T A L E R R O C E

PROGRAMMIN G THE ARCHITECT URE OF NIGHT

DESIG NING T HE U N I V CH VI ERSAL I: APP ROAC GROU HING ND A DR VII.1 VII.2 EPHEM VII.3 FRAGM ERAL P ER E DRE AMS NTED R MANE LAB EALIT NCE YRIN Y TH

EAM

232-2

2342 242- 41 2 246- 45 247 11

1 DREA

MS A

RE UN

IVERS

G N I M A E R D F HE POINT O

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I.1 IMMER SI I.2 BUILDI ON IN TO DREAM NG DREAMS IN THE CITY OF DREAMS I.3 REPERT OI I.4 THE SIL RE OF DREAMS VER LINING

EAM

I.1

O DR T N I N O I IMMERS

We all gifte d

by this mysti

cal experien ce known a s dream. Dreams are d efined as, “a tions occu s e ri e s of though rring in a p ts, erson’s min recreate the d during sle images, and sensamemories o ep.” In our f the past, cr our worst fe dreams, we eate how th ars through e future wo nightmares. memories a u ld be W nd re-occurr e reference ing thoughts the photogra or fight When we d phs, to ream, we en create the sp ter the space ace within o past voluntarily o we once be ur dreams. r involuntari lon ly to this sp task. We tra ace to this sp ged to. We lead ourse vel into this lves ace to finish spa thing inside the in it. We feel th ce -our consciousness a t its peak- fe complete at space an like the sou d every emo e nd o tion attache ling everyfloor, the sig f birds, the smell of o d to ur old home it. Senses ht of mounta , th ins and rive space, and rs, we feel th e touch of a wooden all the othe r senses th em. We dre The sights w am of that e see, the sp at make that space. imagination a ce s w e . That mysti create are n cal p ever that once ap pealed to us lace could either be a co spaces out of our pure or distort re llage of diffe state, fail to al sp rent spaces understand. That shadow ace that we, from our within our d conscious y, intangible reams has n space that w o room in ou r real plana e create r world. If our mind can create form, is it n the real life ot possible space in o to recreate scious-dre ur dreams the archite amy state in desired in our real cture of ou r subconlife?

DREA G N I D L I U I.2 B

EAMS

F DR O Y T I C E IN TH

“DREAM BIG”, These ruler of Dub ai, asks peo is the motto ple to live w Sheikh Moh ith. ammed Bin Rashid Al M Since the 19 aktoum, the 6 0 current ’s, Sheikh Za Saeed Al M ye d b in Sultan Al aktoum drea Nahyan, form mt of creati in 1971 whe ng a federa er ruler of A n Dubai, Ab tion of the E bu Dhabi, a u Dhabi, Sh joined to cre m nd Sheikh R ir a a rj te ah, Ajman, s in the regio ate the Unit ashid b Umm Al Qu ed Arab Em n. Their dre its growth. w a ir ams came tr in in a tes. Their un From that d , Fu ja ir a h ue and Ras Al ay onwards, ity gave stre Khaimah (in the country 1972), has never st ngth to the country and UAE, as a co opped dream indicated th untry, is the e start of ing, never st things for h vision of H.H opped grow is country a in S g h . e ik h Zayed bin nd for his pe stated, “I h Rashid Al M ople, which ad many d a kt d id not exist. oum. He dre reams. I dre world.” Th He amt of all th amt of our at was the eg land keepin is a dreamer, our vision dream he d ary leader w ood g pace wit reamt all h h h o th is life.” e growth o Following h f the mode is st rn e ps is Sheikh book ‘Flashe Mohammed s of Though Bin Rashid A ts’, he said, pursue their l Maktoum, “The future dreams.” Fu the current is for those rther, he sta countries in ruler of Dub who dare to ted, “We sh the world”. ai. In his dream and ould have e find the cou very right to rag dream of be coming amo e to This country n g the best is d re aming ever strongest, a since the be nd the longe g in ning to achie st. It is behin the United A ve the big o d the “est.” rab Emirate r the biggest It is believe s is due in la of construct , the tallest d that the “S rge part to th ion technolo , the u cc e ess of the co gy to be cha limits of an growing, an nstruction b llenged with architectura d still dream oom l o u u topia, which t financial re ing. Utopia, if achieved, gard.” This allows the li co ca mits untry is still n be only ach Dreams sho developing, ieved here.” w u s st th ill ings that re in the UAE ality makes , have no s u s b u elieve are im ch in “dare to d possible. As ream”. There word as “impossible Sheikh Moh ”. This coun is so much o city of Drea ammad said try does not pportunity o ms. So much , “We, b e ff lieve in imp that people e and desires. ossible, it b migrate from red for everyone, so m e u lieves ch o ther countrie that Dubai is Dubai, the ci s for better known as th ty o f li d vi re e ng, for fulfil ams with a most approp ling their dre leader who riate context a h m a s s for a Dream a vision and Museum. also believe s deeply in dreaming, is the

1.Du ba 2. M i History . (n.d oh .). Re 3. Be mmad b trie in llin 4. Vic i, O., & Rashid, A ved Sep temb Dagli key, . (20 e 1 K. (2 014, o, L. (200 3). Flash r 27, 201 8 Janu e 5 ary 4 ). New fr s of thou .<http:// w ). Sh ontie ght: eikh Inspir ww.dub r s in Moh ai.ae amm architect ed by a dialo /en/abo ed: T ure: utdu gu D he M bai/P an o ubai betw e at the a f Vis ion a een vis governm ges/Duba ion a e nd A nd re nt summ iHistory.a ction ality. . Ret it 20 rieve 13. D spx > Verc d Se e ptem lli, Italy: ubai: Mo tiv ber 2 Whit 9, 20 e Sta ate Pub lishin 15 r.

EAMS

I.3 R

OF DR E R I O T R EPE

Proposed arc hitecture sp our commu ace intents nity. It inten to create a ds to create “dream-lik dreams. On a happy and e” space in e knows tha protective n t what make situation; th ature of our s a dream, is e best lives best its idea of re for ourselve space where aching the b s. This wou they finally ld provide p est start to wo eople out th nder, ques e re a ti o n and dream This space w . il l b e a d ream, where which can b e touched a nd not just fe people can visit while can be real. awake, a sp lt for once a The purpose ace nd g of this proje feature of a ct is to leave ive us hope that dream dream and d a n re impression aming. The is not conce of the happ limit of the ntrated just y “dream-like within the fo goes beyon ” environme ur walls of th d it. It wants n t e th a rc e they go. hitecture pro visitor to ca rry their dre posed; it ams with th em, whereve r It would pro vide a space understood of interface to meet the where drea problems of ms are atte repertoire reality. It ca mpt to be their dream n be a place s and unders could be in for people to tand the me the form of aning behin writing, pain space will e d ting, sketch ncourage th ing or just re it. Archive e activity of one’s life, a co rding it. This g athering an nd in d discussing It will be like terpreting it with the h th e dreams of elp of psych going to a li oanalyst an brary of dre traveling th d psychiatrist. e space tha ams and re t he/she did ading a pers . on’s life and It is just no and enrich th t going to be a museum eir knowled like space w ge and expe create a ‘ne rience and le here they can come, visi ed’ for peop t, ave. This pro le to appreci undiscovere ject wishes ate the side d. Visiting th to of them, wh is project w feel the ‘ne ich they have ill be like go ed’ to go to left ing to a rest enrich your aurant whe taste of su re you bconsciou s.

ING

R LIN I.4 SILVE

Dream is th altogether co e mysterious space we create whic mposed in th h e most desi that cannot red way. Dre is a replica of reality, b be found in ut a a m book diction , as such, is must be a fe ary of dream an aspect ar to some, s m to ight be a th going sky-d understand rill iving. Dream it. What s can be very to someone else, like analysts ha for example subjective. ve moved o “That’s why n from the to a more b today’s drea old-fashio espoke ap n m e d “dream dic p ro thought of, a c h .” T he true mea tionary” id since huma n ea in n g it y o f our dream are many dif first realized s has been ferent types how to spea o k, f dreams, an what you dre think and sl d several dif eep. There am includin ferent facto g your age, race, gende rs, which aff health cond r etc. Differe ition, culture ect nt tribes an dreams. Dif background d culture ha ferent gene , ve ra h a ti d o have had dif different vie n, religions, ferent theori ws on culture, psy chologists, es on dream philosophers s. There are va rious culture part of the cu s in the past lture and ha , which mad d special sig made them e dream-sh nificance to master the dreams. Perh aring skill of unde nightmares. rstanding th This project eir dreams a aps, this had s aims to bri understandin nd acceptin n g back that g. Why doe g their activity of d s one dream but what w ream sharin ? Is one answ e know is w g and er that has e dream to still not fou fulfill our in ndner desires. Everyone d reams – eve is no single n babies in architecture the womb a , which is d nd animals Dreaming is evoted to ad – Yet, there that human dress such a activity whic to understa universal th h is so unde nd it. With a ing. restimated ll difference one can und because on s and odds, erstand the e fails dreaming is sub-conscio his conscio still univers us state of h us state. a l if is life, he ca n easily ma ster

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N 1. DREA AMI S IN OU ION E 3 R 1 IT 1. THE D ITS U RST AMS 1.14 GOD VIS F SUPE E S R M HE D 1.15 TALES O DREA DT F N O I 1.16 H S DE RS BE REAMS A H S EAME BODY D E TRUE 0 2 . R VERY 1 COM D 1.30 1.31 EA DREAM 1.32

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This Scienc question ha sh es even if till has not f aunted huma o w n u they co e do not kno nd the ultima ity since the beginn w wha me fro t e answ ing tt m severa l religio and most im hey are, wha er for it. All o of time. t they a portan f us dre us, phil tly, re am osophic al, psy why do we h made of or w ; cholog a here do v e the ical the ories b m? There are ased o n dream s.

ATIO T ON CIVILIZ

IMPAC 1.12 DREAM

eso’s in M n ia r e m ighly in k to Su TIMES tes bac believed so h T a d N s E I m . . They 1. ANC ut drea tablets ory abo 0 to 3100 B.C ams on clay t is h d 0 e e imenRecord h is about 50 ds of their dr ther d r ic o o h n c a e w r , s l e e , he potamia hat they mad he trav ile dreaming ody , s m t a / her b one dre has wh dreams t when dventures he er leaves his re one of a h t d e s we eliev the a dream They b r world. All t world. The and Assyrian od sent the a e s h h n in t nia not r bad. G sion, a xperiences it . The Babylo types: good o demons. of o ye orld actuall the dream w e dreams in t re the works e l iz r e w v o to tra categ bad dreams lture to e first cu ams while th e r d dreams good g that, sight. in v e li ms, be able in GYPT ENT E on drea provide valu or dreams. I C w N ie v A n 2. ples f l tion ca modern took a m interpreta they had tem psychologica n ia t p t a h a e r it h Egy s t d t w s s d rie ring eam c an visit. P ymboli ly in dr le suffe were s eved so high where peop healthy would them to their if s e d ly eli They b re the temple ere complete ms, and guid was believe It a e . e w w dr als e from ho These ople w terpret their ed like hospit eive messag e p r o ld rec lso us issues e people in were a les, they wou th s d le e p lp m p e h te m hose te . These insight pt in one of t hem heal. ry own t le heir ve h his bed t d e t a a sick s h would help it e who cr hic ream w f those 200 god, w culture imself in a d o t e s n ir o f be h is he n sees y his wife,’” s believed to were t a s m n a ia t If a a eir “ w h . w t a ” Egyp e n y dow riving his messag d ionar e t t c o is i r e d h T yw “dream fire, it means in the book. addition, the . d g e In d B . in r s h 0 o am 00 .C rec catc s they s through dre rds back to 2 e g a s s me reco God which om the g-ofsent fr on papyrus, eanin s nd-m a m a y r e dr isto om/h

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1.12 DREAM IMPACT ON CIVIL

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1.12

N CIVILIZATIO N O T C A P DREAM IM sopolike Me re t s ju , n we igi EECE ine or by God, and R v i G d T e v lp a as IEN will he eams h ams w 3. ANC that dr e sent in dre isions which were made d e v e ec beli sag ions Greeks ypt. The mes olutions or d ilitary decis m g s r E , o and etic ical tamian sidered proph portant polit n Im o . C . s who actions interpreters the one from God. o take d n a s them t sulting dream essage temple they on dream e to receive m heir life that after c d a h y hop of t , the a part yptians them in Like Eg would visit ame so much itals. c or hosp healing ally be needed mples eventu ealing temple h te d in to These MS nsferre a noses r t e F DREA r O of Hyp , we D n O o G s E e H h t :T logy s. He is Greek mytho PHEUS R m O a e M r 3.1 people od of d ding to reek g other Accor d in his arms any G e h t n m eus is ep and his ture or eople a ty, Morph of all p about their fu ntrol of reali f sle s o m d a o e g r o s c d e d m h e e t a a h h t t h e with who is onsible for ving dr al form sp leep ha ould help him eus in his re elp in their e s r d is n u e h w h so ph have a . His brothers dream. Mor who needed y images e t e would n s n h a t o e f h v d t o e sen rts t to ing m in a upcom the unreal pa to reach ou and he could take any for im ld s d fear an hich helped h ster of dream , also he cou s a w m , m a s wing as the in their dre . He w dreams s to people on or visi dream.7 ’s n o s ves in ., per er belie nd and RY B.C p U e T e N d E d mi pe 5TH C , develo he dreamer’s . s u 3.2 BY t li c r Hera ly in t with it osophe reated entire thing to do it state of il h p t a l c The gre reams were force had any mers menta o live their a d l e t a eant t atur ; tha als dr dreams utside supern dreams sign ow they are m dreams. He ur h o of at fo that no o believed th how dreamer piritual view or images o t t s s s n a la o ld P ies of p ey cou lato’s n That th ntinued on P to our memor c . . d n i m li co related ams symbo istotle f-dre life. Ar d dreams are dreams are od-o g e te ed s-th pheu sugges fe. He believ /mor li .com y t g n e lo ho pres kmyt e s-gre 5, from myth 1 reek er 8, 20 .g w mb ww tp:// ved Dece t h m 5, fro 3). Retrie 1 , 201 ber 8 January m e c , 011 d De ieve ltures. (2 r t e Cu .). R . (N.d Ancient ams f Dre reams in o d Go fD The ing o us – d Mean rphe n 7 Mo History a e 8 Th

1.12 DREAM IMPACT ON CIVILIZATIO

4. ANC

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OME Th They b e Romans w ere lar elieved gely pe dreams . Roma rson with be influenced b n Scho tter mo y Gree passio lar kp n, ra come f emotions an s openly disc l values and a hilosophy on u rom Go c d d s ds. Dail experienc sed that dre tions produc reams. ed mor ams ar es of e y Laws eo al v were a pplied eryday life a utput of our Augus a o n n wn d d sugg tus, th dreams ested in they do not e suc a dreams might h re prophetic cessor of Juli . us a . town. ve dream abo There were la Cesar, stron g ut the empire ws demandin ly believed t hat , should g every cit share it in the m izen who arket o 5. NAT f their IVE AM ERICA NS Nat dream ive American s had m philoso ph an was de ep spi ies for each. y different tr ritual H ibes an thing t oweve co d o r, also co be sacred, d nnection wi the most com many differen nsidere th natu t ivine, mon be d an re world a li nd it is divine. They b d connecte and believ ef they had ed d. an elieved Alte dream Therefore, D everyreams takes y medicin rnate realit w ou to a y e that came f . While a per differe ere rom th son is n t e dream sick, in As a rit the trib w o r ld eo e were a a visio pplied. , rituals and n ques f initiation, w t. They hen a c needs wer hild lik dream e water and e asked to st ren hits pub erty th food. T or visio ay alon ey h heir no e in place w ithin th f their spiritu starvation w the forest w ad to go for e tribe a o ithout l u id ld en la . This r ite was tity, of their p st until they basic ge u practic ed in m rpose of life a t a o nd their s t of the 9 Ev er tribe. Wha ett, F. (n.d t-do .).

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percep is your t that o g E . o concep ding Eg erstan lieved in the uld have a d n u f he o sho step, o ung be e next the world. J ilarly, the Eg Shadow”. T h t o t t en to im he form Jung w lf in relation opposites. S r ego” or “T ry primitive es of in a ve yourse ounte tion of erse compris he named “c re one hides h iv he the un art too, whic the part w ingle is p r e e t d in s ns m n e a t ” n e Id r s cou “ p it r , e , like reud’s pretatio be int shadow eird” like F ir inter nships, annot c e h t s m d w n “ tio ea ctive a and is hat dr e, rela all eved t highly subje nces of lif ual possess li . e b ie ly e r r id ur m e a o iv p ir Jung f y, as dreams personal ex s that an ind guide, for y e a r s v lar w belie e you idual’ particu on an indiv .12 He also . Dreams ar s m n d e depen and situatio interpret th o ss progre ired ‘tools’ t u q the re state. ou. e on of y orm i awak t a t n f e repres flects you in f a ly S p L e R r sim it rm o Z PE ms are very person, taneous fo a e 3. FRIT r arts d t t, e tha pon t the p c s d n je e e b ly v s o n e e r o li p ry e e Perls b u dream, eve pinion, is th t in dream re ed that by , v o n o e e y is li m g h e b le dream in in e Everyth er. A dream, n and every onscious. He ns from the t to c tio ec io th or ano al express , while being ngs and emo able to conn your u li e lf in e d indivi ted in himse , all those fe gs. You will b ve balance c ie s n t h je li r c e e a r a e p f e o t on en ose le ting th ur hidd l be ab connec discover yo d hence, wil an uld you co emotionally lf e yours related irectly cts life. d e r a s and a oblems and pr ese problem an find DLER s A s e D r t E c R th fs 4. ALF ount o solution for ality but you not m a t a e h r d eved t elp fin also did ect on He beli s. Dreams h ere is no eff m. He ious mind or a e r d h nconsc at”. Th throug s dream to one l “scapego fe problems working of u a li e i as soc of your real ference in th asleep. s if n or d io ious e t is k lu onsc so there ou are awa sofc t e a t h a t t d/s believe s, whether y om/o out.c u io gy.ab c s lo n o ch co

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are reams d , le ib eak in h the B throug God may sp , in a y EAMS a R w D m e L r h LICA to all t ollowers. ‘Fo it. In a drea is s 1. BIB e n f e e u v i ue fG sl m book o o meet his tr es not perce en, while e h t their m m t Fro kes n do pon seals a a t u d s m s n l u t l a s e a ep f er, y te, Je f men the rou , or in anoth en deep sle the ears o s h y n a one w f the night, w then He ope , o vision n their beds -16. o 4 g :1 AITH? berin ion.’ Job 33 TIAN F IS R t H c C -8) instru n. 41:1 VISIT IN e D (G O . G s t ES 2:6) re even HY DO of futu hets (Num. 1 1.1 W s r -19) e d a Prop al le t. 27:17 -8) t b is a lo H g (M o n t . s to war e revelation n. 37:5 ) 15 ecision id - rtain d our lives. (Ge Kings 3:5-15 v e o c r t p s o t in r (I a o f . g s a y r stin aye - n us to war His divine de titions and pr b’s l e a - p s, Jaco e t t e n h e p c o e to rev r r er our to His P - elation to answ v ich e r e - ), in wh rovid 2 p :1 o t 8 d (2 e Jacob the he visit was by oing towards n to When m a e r g : ve td a. ladder esis, the firs with its head and from hea e new n b d e h l t e g r il d f a n o w e e book e grou en from cob that ther from Israel. v a ladder In th e a h f o o s Ja dt the one a dream travele sage to he had with angels red as a mes ney replacing s e s, jour oseph heaven is was consid with his ions, J is c im h e h T d g . in earth panyin t certa marry accom agains s u n him to t be r angels s a k w s a o t d ited , do no eph an n he vis its Jos son of David om the Holy is v l e b. Whe g seph n an r is fr ays “Jo d in he ment, a Dream e New Testa y. The angel s at is conceive r In th use wh her Ma pt Mot y home, beca e c c a and Mar to take afraid Spirit.”

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Drea have b ms of certain ee p discov n responsible eople have h eries i elped t f o r some o n invento rs all h human histo of the most make human a c history to their ry. Scie ve had reativ .D e d n f making ield, which ch reams, which tists, musicia and scienti reams f n anged ic dreams h s e , lp ma them t the famous h o make thematician dreams ave been see world. Thes s, great ep given: n by som e great in different w roblem solvin contribution s ays to minds us. Som g & decision which 1. SCIE w e e nt dow o NCE n on re f the most cords a re as 1.1 ALB ERT EIN STEIN: THE TH Albert EORY O Einstein F RELA ground TIVITY h br ad drea ms of h Alan Lig eaking achie ve is h that his t man, which ments. As giv own, which he en in th is a co famous llage o e book lped him to m he had theory f ‘Einste the dre ake when of rela in a one of h its mos e was a tee tivity was i ms of Albert ’s Dream’ by ns E t impor n tant dis ager. In sho pired by hi instein, says s drea rt we c covery m, an in histo 1.2 AU ry by a say that, the which GUST K dream world g EKULÉ of a te : THE O enage ot UROBO August boy. ROS BE Kek the mo NZENE st impo ulé is the ma D REAM n respo rtant c try: Be hem nz ns compo ene. He could ical compou ible for the in un nd in th vention n e the ben d, and it was ot figure out o a mole field of orga f one of zene co in a dre nic che cular s which mpoun am wh tructur misformed d. The ere he e Quotin an ancient rin dream was a discovered th for his new g him, truth.” “let us g like figure bout a snake e ring structu , which re of seizing learn is to dra em the called an O its own tail, uro n we m ay per boros. haps f ind the

48. H o 49. 1 w Dream 0 Dr eam ing Can s Th at Ch Inspire Y ou ange d Hu r Most B man Histo rilliant Id e ry. (n .d.). as. (n.d.) Retr ieve . Retriev d De e cem d Decem ber 8 , 201 ber 8, 20 5, fro 1 m ht 5, from h tp:// www ttp://m.h u .wor ld-of ffpost.c om -lucid -drea /us/ent ry ming .com /427683 8 /10drea ms-t

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vies his mo am he d n a r AMER directo w that a dre ory: MES C known n u hist e kno n 2.1 JA a was le did h sful movies in He t n it o L r . e s Cam ces l one bot. James ost suc cessfu of a ro r. In 1981 the most suc two of the m ream he had e Terminato h r t d T o o f a n it e le m d r e ib e ro then w ld be respons hich came f out and nam b w u a ll o t a w m , a 2 d USIC ha dre nd tor 1 a ot, which he IRES M a P S in m IN r T Te rob lish IC THA ed the us Eng o E MUS H m sketch T a f : Y E rld CARTN g is the wo ber of most hit son ed this hit UL MC A m P e m .2 e 2 s h is t h p f f o e com o song he eo n as on the 60’s. On said that he is w h o t n d k is ate ell ing He is w Beetles’ dur ed in 1965. It ream he recre he greats and s t nd ‘The s relea d. After the d ered one of rock ba y’, which wa a id h s n . e o g h c n is so da am ‘Yester song in a dre ow this song rsions of this n e v ic n t r e s e acou no. Ev making cov his pia had on w have been no N artists INATIO SSASS A S R IS E H D M OF coln AT LEA : DREA ram Lin ut his N h L b 3. GRE O A C , a LIN ric abo AHAM of Ame ally dreamt R s B e t A a . t S tu 3.1 United ed that he ac of the v t e n li e e b id Pres . It is Former ted on 1865 ened. a in LIFE sass it happ VED HIS A was as ation before S T A H ve had in EAM T d to ha m R e v Assass D e E li e H a b LER: T d a dre ld was OLF HIT he wor War 1 he ha mediately t in s r 3.5. AD World etal. Im dictato ive feared fe. During the d by molten m by an explos t s o m e the is li was hit rround The of that saved h was su hortly after it th full fate. s r m ie a e ld s a dr so l a lucid ed him and t his post and escaping a de s.htm w f o eam le h im s h e h d in-dr , n p a that ls u a e im rs ther e woke m/an n.co after h ng the soldie ur-sig o y s li il hat ms w.w drea shell k /ww chicE TER ON: TH

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ings nse th and it e s o t s d f t worl lows u e. It al to a differen of light, dea l b i s s o t s p h g u g m the i takes lind si ouchin s allow apable of. It . It gives a b f their feet t lace m a e r D be inc arsh reality he feeling o ay be the p e may h ed t ms m that w s escape a dicapp ssly. “Drea und.” n a u orld. h s A e e arl y fo nd. real w lect l e mak l u f s a i o n s n h u i t f f r to lo is ey ref the fee nd while th mon ground can be more e true, we scious m u m e o o o r r o c c e g c to ur n al t th the nivers believe tha it for dream ind helps o ur dreams. u e r e wh e wa es us ious m ty of o It mak pe. While w r subconsc he tangibili o t u each and o s us h nfluIt give tive energy t things to r have i of t i , d l i h r s s g o the po do all the ri ther w These dream kes o e h t o to ma ry. state t imited rse of histo e real, and l t s u j ot ou an b s are n e the c ams c Dream and chang ophetic dre come true” reality that pr “Dreams do enced ople show ehow pe great eve that som li one be

II.2 T MESS C E F R E P A , S M A E DR OF ART

WRITER 2.10 WORDS OF A PAINTING 2.20 COLORS OF A RT 2.30 SURREALIST A RES 2.40 MOVING PICTU MUSIC 2.50 HARMONY OF “All art is perhaps

a form of dream” -

Borges 69

2.10 WORDS OF A

2.11 POETRY

WRITER

1. A DREAM WITHI

N A DREAM

Poe seems puzzled an d cannot understand things that matter to the confusion in watch him slip away. In the ing first part, he talks of is going away. His ho his lover who pes, dreams are unfu lfilled and then he as really matter? Does ks does it it matter if it takes da y or more for her to go tively, is this the visi ? Alternaon that he has been fabricating? He does the love of his life – not know if if it is actually real or just the dream that he In stanza 2, he is try has seen. ing too hard to grasp to sand, which deno as reflected by the fa te the time, lling sand in an hour glass. Moreover, his when slips away fro dream ends m his fingers- and he weeps, deeply. The slips away from him sand or time , the love of his life pa rts from him. He asks Go it is possible to hold d whether onto anything in lif e—whether that ev tighter could he have en if he held it made them stay, or, is possible to hold to all? He starts to ques anything, at tion that the reality th at we are seeing is real. not itself This poem talks abou t how people are so holding on and not let obsessed with idea ting go. But what if th of e person is just obse nothing. Poem has a ssing over lot to say about thin gs disappearing fro Things cannot last fo m one’s life. rever, just like dream, its last for a moment vanishes, its epheme and then it ral. And when we loo k back, the reality do real, after all. esn’t seem so Life is perhaps just an illusion, a dream, wi know what real is? Ho th in a dream. We re ally don’t w does one ever kn ow?

52. Shmoop Ed itorial Team. (20 08, November www.shmoop 11). A Dream .com/dream-w Within a Drea ithin-a-dream/ 53. A Dream W m: Stanza 2 Su stanza-2-summ ithin a Dream: mmary. Retrie ary.html Poe. (n.d.). Re ved December trieved Decemb 8, 2015, from er 8, 2015, fro http:// m http://cumm ingsstudyguid es.net/Guides 7/Dream.html

“Take this kiss upon the brow! And, in parting from you now, Thus much let me avowYou are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sandHow few! yet how they creep Through my fingers to the deep, While I weep- while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream? “ - Edgar Allan Poe

â&#x20AC;&#x153;Hold fast to dreams For if dreams die Life is a broken-winged bird That cannot fly. Hold fast to dreams For when dreams go Life is a barren field Frozen with snow.â&#x20AC;? - Langston Hughes

2.10 WORDS OF A

2.11 POETRY

WRITER

2. DREAMS

rds. as wings are to bi dreams are to life at th on to as ld ide ho em ot po nn is ca Th e and if we fre u yo e ak m ey th d e its They make you fly an e dream that give lif y, cold, barrel. It is th pt . em ing is e liv y lif , all ms re t ea no dr those t meaning is ou th wi e, os rp pu t ou es meaning. Living with true. You have to choic make dreams come to er d, ad re rte se ks as de a em of This po ping middle at broken-winged ho s in the in life, either to be th d, which flies fearles bir e th be to or , ms ea dr frozen field with no y. sk sunny

11/07/11/

press.com/20

khenry15.word

, from https://

mber 8, 2015 Retrieved Dece

men

howCom ). nalysis.html?s (2011, July 10 12/02/poetry-a ston Hughes. : Dreams Lang y.blogspot.ae/20 sis log aly tho an an em em s/ Po 54. n-hughe m http://juliapo -dreams-langsto er 8, 2015, fro poem-analysis trieved Decemb logy. (n.d.). Re tho An 7 em 48 Po . 71 55 350178 60#c26958566 t=13897973714

I’ll take the dream I had last night And put it in my freezer, So someday long and far away When I’m an old grey geezer, I’ll take it out and thaw it out, This lovely dream I’ve frozen, And boil it up and sit me down A dip my old cold toes in.”

2.10 WORDS OF A

2.11 POETRY

WRITER

3. FROZEN DREAM

Shel has a funky sty le of writing, this po em may appear a we funny poem on surfa ird ce where she is just writing to freeze his actually it is a giant dreams but metaphor and has a really deeper meaning . By freezing here, he means to save his dr eams, without it being rusted or decay. He wishes to preserve them forever. He wi save them for them shes to time when he is old and gray and when lif and dull. He could loo e is boring k out for his dream, which he has kept sto his freezer, make them re d in fresh and hot, and re fresh his old memor these young dream ies by s. He believes, we all may have that one dr it’s the best dream we eam that had, and struggle sle ep to dream of it. Or perhaps an old dream is there that you have had wh ich you would like re relive someday. heat;

56. Philipchirc op. (n.d.). Retrie ved December the-dream-i-h 8, 2015, from ad-last-night http://www.ph 57. “Frozen Dr ilipchircop.com/ eam” by Shel post/37355947 Sil ve rstein - Outside 903/frozen-dr wordpress.com eam-ill-takePo /2015/04/17/fr em. (2015, Ap ril 17). Retrieve ozen-dream-by -shel-silverstein d December 8, 2015, from htt -outside-poem ps://thinkinbou / tpoetry.

― - Shel Silverstein, A Light in the Attic

WRITER 2.10 WORDS OF A RE 2.12 LITERATU

PEARE

S DREAM – SHAKES

GHT’ 1. MIDSUMMER NI

ms are an importthe title suggest drea As y. ed m co ve lo a s the meaning of This play is Dream; it emphasize t’s gh Ni r me um ids M nics of dreams. ant theme in in A d in the actual mecha te es er int e yb ma e ing overall bizarre, play. Shakespear ughout the play creat ro th ed at cre re e ar ns and mistaken Impossible events es, magic, love potio iri fa e ar e er Th . nt rtain events occur surreal environme ssible in dreams. Ce po ly on e ar s ing th (sparks) incentives, such normal sense of flow. its es los e Tim n. tio tments. The dream without explana undergo the enchan ng mi ea dr ile wh rs that of animals, Its characte ral and sensual like tu na re mo is d te pic the characters. where love is de n desires for love of de hid e th d te tra ns however, is not which may demo . Here, the outcome, re tu fu ed ict ed pr to presentation of Dreams are used but are simply the re ve ha ey th ms ea dr t against their affected by the 59 This leads them to ac lf. se r ei th d an Midsummer Night’s their emotions play was entitled “A y wa e th is is th d an in a dream, “Are habitual nature, as to if they reality or ed zzl pu e ar rs te ac ar yet we sleep, Dream”. The ch seems to me/That It e? ak aw e ar e w plot line perhaps you sure/That is dreaminess of the Th . ks ea sp r te ac ar 58 we dream” ch f, may be a dream.” his work. Other indicates, “life itsel dreams and motifs in of e or ok sp n te of e ar as a dominant theme Shakespe at employ dreaming th e ar pe es . ak re su Sh ea of notable works y IV, Measure for M meo and Juliet, Henr plot device include Ro . (n.d.).

lp - eNotes.com

mework He , outcome? - Ho cember 8, 2015 they affect the . Retrieved De eam? How do DREAM. (n.d.) Dr T’S t’s GH gh NI Ni r R ME dsumme 58. A MIDSUM dreams in A Mi importance of 59. What is the , 15 20 8, er mb Retrieved Dece

2.10 WORDS OF A

2.11 POETRY

2. THE TEMPEST –

WRITER

SHAKESPEARE

“We are such stuf f as dreams are mad rounded with a slee e on; and our little life is p.”- Shakespeare These lines are spok en by the magician Pr ospero to remind his and her fiancé that mo daughter rtal life is like dreams , they both end quick ly. “Stuff” might repres ent the artistic thing , the tangible things in creating fantasy, that go and he says that we , as in people, are th our dreams are “mad ose stuff which e of”. “little life” ma y represent the brief mortal life, we have dream of our , which are “rounded of” completed by sle ep.

60. Such stuff as dreams are made on - Shak speare-quotes/w espeare Quote e-such-stuff-d s. (n.d.). Retrie reams-made ved December

8, 2015, from

http://www.en

otes.com/shak

WRITER 2.10 WORDS OF A RE 2.12 LITERATU

ONDERLAND

3. ALICE IN THE W

eam. She is Alice’s very own dr is ng tti se nd rla de ll of confusion and Alice in Won e not so real. It is fu ar at th ms ea dr s ha imals. We know she unconscious and nd, like talking to an la m ea Dr in en pp nces events in which unusual things ha e continually experie sh e, er th er ov e us ip to herself and her is dreaming beca riences in relationsh pe ex r he t re rp te “in she attempts to 62 world”. rland she is in see is that the wonde to g tin es er int r ve characters that What is howe nding, and self-made sta er nd su mi d an y; the leaders give is full of confusion e. The justice is fault ns se ke ma n’t es do t maybe its do things which is the dream word, bu is Th y. nit d.61 va re pu on little less exaggerate a t command based jus , ld or w al re . rent from are not fair for omen perhaps not so diffe its own people that by ed rib sc th de wi ng its tti It has its own se s. It has the same tra ry of morals and ethic more here. Time has It has its own dictiona y and hatred is even elt cru e th e yb ma , ical form of time, same standards use it is a psycholog ca Be . ng mi ea dr is e me to an end, frozen when sh an end, the dream co to s me co e nc rie pe Wonderland’s ex 63 l life will. just how our morta d December (n.d.). Retrieve

8, 2015, from

/al-

charts.com/lit

http://www.lit

. /themes.htm in Wonderland .com/lit/alice ww.sparknotes -wonce’s Adventures , from http://w dy guide to Ali s-adventures-in 15 ce stu 20 s ali 8, art /a/ er Ch ure Lit mb m/literat 61. The emes ved Dece .cliffsnotes.co RLAND. Retrie -wonderland/th ww -in DE /w res ON p:/ W ntu htt IN ve m ice-s-ad ADVENTURES er 8, 2015, fro (n.d.). ALICE’S trieved Decemb 62. Carroll, L. rland. (n.d.). Re -wonderland res in Wonde -in ntu res ve Ad ntu ’s ve ce -ad 63. Ali mes-in-alices al-essays/the derland/critic

2.20 COLORS OF A

PAINTING

1781 THE NIGHTMARE, 1. HENRY FUSELI, titute of Arts) Ins it 250 cm (Detro × 0 18 , as nv ca on oil d has led to an ny interpretations an ma d ive ce re s ha eories of dream and The painting ury psychoanalytic th nt ce hnt ee et nin e of the painting on introduction to lat imed to keep a copy cla s ha ud Fre d un unconscious. Sigm ent in Vienna. est, shows that she the wall of his apartm p of the woman’s ch to on s sit e ur fig ng incubus” which is The horrifyi scribed as “imp or an de is e ur fig is Th . re ason to have sexual having a nightma is asleep for the re e sh n he w p to on form nightmare by a spirit that sits appears to take a m ea dr r He . em th does not represent intercourse with horse. However, horse e th d an p im s ive Samuel Johnson’s the way she perce e evil spirit does. As th t bu , ] ing int pa e th a mare or “mara, [is the nightmare in ge (1755) defined it, ua ng La to sh or t gli en En e rm th to A Dictionary of gy, was related to in heathen mytholo which seems t, es ch r he on an evil spirit that, re, sat right up he p im e Th .” rs pe can be seen in her suffocate slee rience of suffocation pe ex l ica ys ph e Th r. to pressure on he frightened. ocked, titillated, and posture, as she is sh

er 8, 2015, trieved Decemb emy. (n.d.). Re 67. Khan Acad -nightmare he li-t se -fu nd/a/henry cism-in-engla

from https

romanti-

/romanticism/

coming-modern

humanities/be

ademy.org/ ://www.khanac

2.20 COLORS OF A

PAINTING

DREAM THE ARCHITECT’S 2. THOMAS COLE, 53 x 84 1/16 in oil on canvas, 1840, ates through centuries cre e great architecture th a of it’s on if iti as os ing ap xt int Its ju ts the pa dream of a city. He se s ct’ ing ite int ch pa ar e or th y of cit the ideal . The foreground of by arch and columns 4) reclines on stacks stage show, framed Ithiel Town (1784-184 ct, ite it, ch on ar ed ng av mi gr ea en dr is where n has his name of column. The colum have y that he dreams to books resting on top th s of the view at cit ist ns co nd ou gr ck ba and the nsist of from his room. composed, which co he n w to m ea dr l realistic The view is the idea e painting has a “sur Th e. ac sp d an re ctu chite rical order. real and imaginary ar are arranged in Histo ing ild bu of s rie se e ”. Th amples of intensity of Vision ion and also show ex at iliz civ rn te es W of tory ages and It represents the his mixture of different he “t of a ide is th ed lik other cultures. Town aginary picture”. im e m ture because sa e th styles in understanding the pic lem ob pr no d ha c y to see the The American publi e one who had luxur th is ss cla r pe up e it. Th cityscape they could relate to America dream of a ke ma to ed tri er int e pa undaries outside world. Yet th consist of endless bo ich wh s, nt me nu mo at re ment, and the light th of complex architectu the crystalline environ d ale of An sc e. of tim sts d ra an nt e co of spac gerated the ag ex He . all it ns te igh nts people to covers the city and br ntasy and that he wa fa a is it s te ica ind the monuments, which emisphere”. dream of this new “h /romaner 8, 20 trieved Decemb tmare emy. (n.d.). Re -fuseli-the-nigh nry 67. Khan Acad he /a/ nd cism-in-engla ticism/romanti

coming-modern

humanities/be

academy.org/

://www.khan 15, from https

2.30 SURREALIST A RT “I believe in the fu ture resolution of th reality, which are ese two states, drea seemingly so cont m and radictory, into a ki reality, surreality, nd of absolute if one may so spea k.” - André Breton, Man ifestos of Surrealism Surrealism artwork ca n have evidenced lon of Picasso, where he g back, even in the pa intings paints the dream or starry nights and wr Aristotle. It’s an art of iting of Plato, letting your soul free and creating what yo scious mind tells you ur subconto. The Surrealism literar y, intellectual, and ar enced the writings of tistic movement has influpsychologist Sigmun d Freud. It aimed to outside the constraint create art s of Society. The Surre alist used the simila Sigmund Freud and ot r techniques her psychologist to ma ke their patients subc thoughts to be brough onscious t out on surface. The implied this same te they believed that cre chniques, for, ativity which comes out from our instinctu the unconscious is mo al drives of re provoking, authen tic and powerful that from your conscious which comes , cause when is restr ained in its conscious to write and create ar . They wished t spontaneously, involu ntary, like one dreams become nervous. It is , breathe or without control of hu ma n conscious mind. In involuntary actions ar psychology e called “automatism ”.

70. MoMA Le arning. (n.d.). Retrieved Dece ping-the-subc mber 8, 2015, onscious-auto from https://ww matism-and-d w.moma.org/l reams earn/

moma_learning

/themes/surre

alism/tap-

2.30 SURREALIST A

For, they wanted interpreting dreams. in ep de ed ow sh o r unspoken Surrealist als s are a channel fo m ea Dr . ms ea dr e’s how it will end. create art, like on you start; you do no en wh e er wh s, re si e work surrealist feelings and de ur sub-conscious. Th yo th wi ke ta u yo at product, rather It’s the journey th achieve desired final to aim at wh gin be ories, fillings, produced did not them in form mem ed ok ov pr d in m us their subconscio s. desires and dream d frottage, Surrealist ch as automatism an su ed us re we s ue e dream world, Odd techniq subconscious and th e th of es ag im et pr ts include René attended to inter s. Some of these artis rie ste my d an ts cre visualizing its se dor Dalí. Max Ernst and Salva Magritte, Man Ray, s, designers, writers inters, photographer pa l ra ve se e ar e er create which is not so Currently th tism in surrealism to ma to au of ch oa pr who use the ap bconscious. ks the language of su real but instead spea

er 8, 2015, fro

trieved Decemb

alism. (n.d.). Re

of Surre 71. The Origins alism.html

rre-

m/Origins-of-Su

tory/surrealis

ive.com/arthis

.arthistoryarch m http://www

2.30 SURREALIST A

ORY TENCE OF MEM I. THE PERSIS(Sp 1931. 9), 198 4– 190 , ish an Salvador Dali

pe of the painting, equately. The landsca ad ite qu d me na is r Dali. In addition, The painting , the home of Salvado ht lig rt Po les mb se re hangs similarly on the beachfront, tree to dry, the watch e th on ing ng ha t lef here represents the the clothes are , the melting watch be ay M e. tre of ch an ed this painting the dried out br a hometown. He paint od ho ild ch of y or em be recreating fading of his m implied that he could be n ca d it d an y nt ve ey have almost fade when he was se s but with time, th m ea dr s hi in s ie those memor , d hard to comprehend away. n looks as weird, an te of ing int a pa e st ak ali The Surre places, things all m Unrelated people, r interpretation of just like our dreams. icable ways. Anothe pl ex in s m ea dr r n description of his collage in ou eam state. Dali’s ow dr a ts pic de it at th ” plays a key role the painting is photographs.” “Dream m ea dr ed int pa dan pretation painting. art as being “h d open view to inter an ic at igm en e th g e red clock, like its in understandin eating the face of th ts an d an , es tch wa we experience Melting pocket passage of time that tic ra er e th t en es pr re es not hold any decaying, may esents how time do pr re o als e yb ma It . melting away, thus while dreaming ss, irrelevant and are ele us is It . ld or w m power in drea “persistent”. seem anything but . om/

lting ing of the Me Memory: Mean Persistence of meaning.html li ksDa oc r -cl do ing lva 72. Sa emory-melt rsistence-of-m salvador-dali-pe

gomenon.c

, from http://le

cember 8, 2015

Retrieved De Clocks. (n.d.).

2.40 MOVING PICTU

RES

1. INCEPTION This futuristic’s movie eccentric concept is that allows you to sh that there exists a te chnology are your dreams in a space with anothe the main character is r person. Cobb, an architect himself, and in his past, a bu and lived in the drea ilder of dreams m space world for an en tire lifetime, with his wife, who was so en wife. His tranced by the defin ition of the fabric of existed in the ‘limbo reality that ’ dream state, starte d to believe that the never was a dream dream truly , but reality itself. The architect is a fre e designer in their dr eams and in these dr being created, the law eams s of physics and matte r do not apply. You ca as big as you wan n dream t, as wild as you wa nt, you just need to fo Cobb asks his co-wor cus your mind. ker Ariadne to not bu ild things from her me “is the easiest way mory as it to lose grasp of w hat’s real and wha and if one loses that t is a dream,” distinction, they cann ot mentally different reality and dream an iate between d continue life under th e misperception that in fact, reality. the dream is, A theory about the mo vie suggest that the in the mind of mai whole movie take n character, Cobb an s place d that it is just his re wife leaving him in on sponse to his e dream state and his inability to give up an in his current dream d move on, state, making the en tire movie a dream fo r Cobb. 66. Major Them es and Symbols in Inception by Major-Themes Christopher No -And-Symbols lan. (n.d.). Retrie -In-Inception-By ved December -Christopher-N 8, 2015, from olan-b218a6 http://www.hy perink.com

RES

2.40 MOVING PICTU

2. WHAT DREAMS

MAY COME (1998)

movie is said to the chard Matheson, this Ri by l ve no 78 19 e Williams (1951Based on th yed by the late Robin pla le ro ic at am dr d , which gives us most spiritual an highly spiritual movie a is me Co ay M ms ris Neilson who 2014). What Drea and the afterlife. Ch h at de of t ep nc co up in a beautian idea about the a car crash, and ends in s die s, am illi W e his paitings, The is played by Robin orld, which is just lik w m ea dr ed ct pe ing a light and dark ful and an unex heaven and hell, giv of w vie nt re fe dif ry portray heaven and movie shows a ve uals and textures to vis my ea y dr es us It . en he has capabilit side to the movie e character is in heav th n e he liv W be er. to nn d ma hell in a artistic own mind, he just ha own world, with his of designing is very and dream.

A Glimpse Come’ Offered t Dreams May 5670268.html le: How ‘Wha n_ Ro l ty_ ua ali irit itu Sp -williams-spir illiams’ Most 14/08/11/robin (n.d.). Robin W npost.com/20 Blumberg, A. /www.huffingto p:/ htt m fro , 11, 2015

life. Retrieved

Into The After

December

2.40 MOVING PICTU

RES

1. ALICE IN WONDE

RLAND: THROUGH

THE LOOKING GLAS

S (2016) Alice in Wonderland : Through the looking American film which glass, is an upcoming is a sequel to Tim Bu rtons Alice in Wonde in 2010. In the movie rland released Alice played by Mia Wasikowska comes magical looking gl across a ass and returns to the fantastical and realm of Underland the dreamy , where she meets th e fantastic creatures like the white rabbit, of this realm the Cheshire Cat, the Mad Hatter and many like the previous mo others. Just vie this movie is also expected to have that colorful and surre dreamy, al sceneries.

Alice Through the Looking Gla ss - ComingSo through-the-loo on.net. (n.d.). king-glass-201 Retrieved Dece 6#/slide/1 mber 11, 2015

, from http://w

ww.comingso on.ne

t/movie/alice

RES

2.40 MOVING PICTU

D (2000)

4. PASSION OF MIN

Berliner released riller movie by Alain th ic nt ma ro l ica log ts for Marie played This a psycho y and reality co-exis as nt fa e er wh vie mo has two lives, and in 2000. This is a in her dream. Marie e lif le ub do a ing liv know which of the by Demi Moore, movie she does not e th In m. ea dr r he one takes place in two lives is real.

ved December

. (n.d.). Retrie Plot Summary

11, 20

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.com/title/tt01

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2.50 HARMONY OF

MUSIC

1. # 9 DREAM BY JO

HN LENNON

So long ago Was it in a dream, wa s it just a dream? I know, yes I know Seemed so very real, it seemed so real to me ........ ...... ........ Dream, dream away Magic in the air, wa s magic in the air? I believe, yes I believe More I cannot say, wh at more can I say?â&#x20AC;? He was inspired by dream he had. He sa and wrote about it do w a dream, and woke wn as melody. This wa s Johns one of the mo song. He says that th st favorite ere was something ab out that dream that that it was real. He kn made him feel ew it was a dream, ye t it felt so real to him chooses not to belie that he ve it. In that dream he could hear the sprit he could feel music talking to him; touching his soul. He could hear the so and see spirit dancing und of the river . Somehow, it was all so magical to him an it was a dream that d he knew went away. Yet, He questions the magic by chance. He wanted if th at was real, to keep that experie nce, that dream with For that dream mad him forever. e him believe, it is not that he is can dis anyway to say more cover reality to it. 64. John Lenn on: #9 Dream | The Beatles songs/9-dream/ Bible. (n.d.)

. Retrieved De

cember 8, 2015

, from http://w

ww.beatlesbib le.

com/people/joh

n-lennon/

2.50 HARMONY OF

MUSIC

IS),”

S (ARE MADE OF TH 2. “SWEET DREAM1983 , Eurythmics single

made of this “Sweet dreams are e? Who am I to disagre I travel the world And the seven seas, for something......” Everybody’s looking

. It had one of ” was number 1 song ms ea Dr et we “S , In year 1983, single . iry my video ever made kes you feel fancy, fa most striking and drea th de of anything at ma ma ality e Re ar a. ms ide ea is dr th t th ee Sw disagree wi to e on no is e sh els r fe ormation booklet in like world. The write es, is so harsh. The inf go e e sh er ev e er wh e of This) says that th whereas, eet Dreams (Are Mad Sw s um ha y alb od 83 yb 19 er ’ ev , ics Eurythm nd the world we live. If we go arou me it, abuse you and so song is about our life ex ll me of them wi plo So e. e living lif inu of nt e co os ld rp ou some pu eless, one sh rth ve Ne u. yo by ed us you to get would get abused or , dreams will help be ay M . up ad he his th his life, moving on, wi it. h throug

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Retrieved anings. (n.d.).

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15, from http:/

December 8, 20

rbing, persuasive sive, indelible, distu en eh pr om t-c no e lik member more Paintings are of dreams that we re ll fu is re tu ra ite “L , we see the body dreams. Whereas ose. In any artwork, Pr ine nc Fra id sa n” blended in a variety clearly than our ow at make the dream, th s nt me ele e th th of the dreamer, wi eater with the of ways. es everything as a th se nd mi his , ms ea spaces in his When one dr es an intangible act, at cre He . ium or dit intangible as actors and the au painting something as or e ur at er lit o int e eatest writers and dream. To translat g exercise for the gr tin ina sc fa ry ve a en d I paint my a dream, has be eam my painting, an dr “I id, sa gh Go n u penetrate the artists. Vincent Va ms and by dreams; yo ea dr h ug ro th d re te er of expression. dream”. Art is fil creativity and pow ke vo in s m ea Dr rise to visual art doings of reality. is creativity gives Th e. ut ro al tic ys m We all travel a sting images. creating most arre

II.3 EAMS WHEN NATURE DR

II.3 WHEN NATUR

E DREAMS

3.10 THE NORTHER

N LIGHT (SCANDIN

AVIA)

A person need not kn ow the science behin d the northern lights amazed by it. You ca n see this cosmic lig to be ht show in the Amer Alaska, which can be ican state of seen various shades of red, blue and gree very “out of this wor n. This is a ld” phenomenon, as it can be seen in othe well. This event is ve r planets as ry hard to predict an d it’s considered as ra people who see this re treat to the (listosaur). This even t is seen mostly in wi sky is clear and solar nter, when the activity is at its maxim um (smithsonanmag )

3.20 ANTELOPE CA

NYON (ARIZONA,

USA)

This is a canyon which is formed by millions very little amount of of years of flowing wa light enters the deep ter. A er areas of this cany causes the walls of on which, which the canyon to appe ar in different colo This is an extremely rs (epicdash). beautiful place with the right combinatio height, length, rock co n of width, lor, ambience and lig hting and it makes it place to visit (america a dreamy nsouthwest).

73. 5 Otherworl dly Natural W onders in the 2015, from htt United States p://listosaur.c - Listosaur | Hu om/travel/5-o 74. These Spell ngry for Know therworldly-na binding Light ledge. (2011, tural-wonders Phenomena W November 17 nianmag.com/ -in-the-united ). Retrieved De ill Make You Belie -states/ travel/these-sp cember 8, ve in Magic. (n.d.) ellbinding-ligh t-phenomena-w . Retrieved De cember 8, 2015 ill-make-you-b , from http://w elieve-magic180954561/?no ww.smithso-ist

E II.3 WHEN NATUR

DREAMS LAND)

AITOMO, NEW ZEA (W S VE CA RM O W 3.30 GLOW

o just outside Waitom orms cave is located ww very glo a o e ar om s ait ve W ca e Th nd. These island of New Zeala n er n of rth tio no la e pu th po at e ip Townsh e to the larg du e ar d an , try un co the are found famous attraction in blue-green light, and a t ou e giv es ur at e cre e caves a glow-worms. Thes tone walls, give thes es lim e th th wi ng , alo to be more only in New Zealand caves are estimated e es Th e. nc bie am my ost inspiring beautiful and a drea s as the country’s m nd sta w no it d an , old than 30 million years lii). (em rs de on w l natura

D, (VAADHOO ISLAN 3.40 SEA OF STARS

MALDIVES)

o islands, at a beach in Vaadho ed at loc is n ea oc of to its glowing This dreamy wave d sea of stars due lle ca is lce pa is Th of s. Raa Atoll in Maldive , by a certain species e to bioluminescence du s like e ce ar pla r ich he wh ot , es us av rio sea w en seen in va be s ha is Th r. te wa lif e adia in Ca ormicroorganisms in th ia, the coast of Leuc Ind in ds an isl p ee the shore of Lakshadw (whenonearth). nia and other places

er 8, 2015, trieved Decemb March 23). Re dly…. (2014, Ba So l ve Tra dly/ ver Wanted To e_canyon/ Dream. I’ve Ne anted-travel-ba anyons/antelop at Belong In A m-ive-never-w re. est.net/slot_c h-belong-drea p://inspiremo thw ces On Earth Th art htt ou Pla s-e m ns al ce ca fro rre , eri pla 15 Su 8, 20 ww.am 75. 32 -surrealved December , from http://w icdash.com/32 15 trie .ep 20 Re . 8, ww d.) er /w (n. mb p:/ In. ce from htt Jump Right . Retrieved De You Want To Canyon. (n.d.) e That’ll Make 76. Antelope p-right-in/ Photos Of Natur u-want-to-jum ing -yo tak ke ath ma Bre tllre-tha 77. 29 atu f-n s-o oto aking-ph com/29-breatht

II.3 WHEN NATUR

E DREAMS

3.50 ZHANGYE DA

NXIA LANDFORM

(CHINA)

This colorful rock form ation is found at Zhan Geological Park in Ga gye Danxia Landform nsu Province, China. This is a result of de sandstone and othe posit of red r minerals for the pa st 24 million years. W rain also played a ma ind and jor part in the format ion of this colorful lan different colors make df orm. These it look like a Martian landscape as we wa its like walking thro lk th rough it, ugh a painting. Thes e landscapes show us nature. the art of

3.60 TUNNEL OF LO

VE (KLEVEN, UKRA

INE)

An un-used railway track in a small town of Kleven in Ukraine turned into a romant has now ic and dreamy pathwa y for couples, due to growth of trees an natural d plants around it fo rming an arc like struc called the tunnel of ture. This is love. It’s become a co mm on spot for couples to walk through this an take a d it’s difficult to see outside the tunnel du of the trees around th e to the density e space (ibtimes). It is believed that an couple make in th y wish a e tunnel, comes tru e.

78. 23 Captiva ting and Chari smatic Places www.emlii.co Around Earth m/a659cabb/23 You Won’t Be -Captivating-a lieve Truly Exist 79. The Sea of nd-Charismati Stars on Vaad . (n.d.). Retrie c-Places-Arou ved December hoo Island, Ma hoo-island-mald nd-Earth-You-W 8, 2015, from ldi ves. (n.d.). Re ives/ on’t-Believe-T http:// trie ved December ruly-Exist 80. Colourful 8, 2015, from htt rock formations p:/ /whenonearth.n in the Zhangy e Danxia Land et/know-sea-s form Geologic tars-vaadal Park. (n.d.). Retrieved Dece mber 8, 2015

E II.3 WHEN NATUR

DREAMS

UNI (BOLIVIA)

3.70 SALAR DE UY

e world’s largest salt hwest of Bolivia is th ut so e e th in i un Uy Salar De or the wet season th iles. During the rainy M . cts sq 00 fle re 38 d to an up mirror flat stretching the world’s largest o int s rn tu t fla lt sa world’s largest (emlii). ating bizarre illusions the sky perfectly, cre

KJAVÍK, ICELAND) EY (R ES V A C E IC 3.80. SKAFTAFELL

Vatnajökull l Park which is part of na tio Na ll fe ta af Sk ct a lot of This is located at nders in this park attra wo l ra tu na e Th d. these caves National Park in Icelan e ice caves. Usually th lly cia pe es s er ph auty of this visitors and photogra , we can see the be ht lig to d se po ex are dark, but when (placestosee). taking and dreamy th ea br is ch hi w cave

d December 8,

15). Retrieve ]. (2012, May

es. p://www.ibtim

2015, from htt

ing-

athtak OTOS etime.com/bre nnel of Love [PH estoseeinyourlif raine Forms Tu p://www.plac 30 htt ay Track in Uk 12 m ilw 34 fro , Ra nt15 ed pla 20 us er8, 81. Un hernobyl-pow ved December -tunnel-love-c d. (n.d.). Retrie co.uk/ukraine Caves in Icelan Skaftafell Ice ing tak ath 82. Bre -755/ aves-in-iceland skaftafell-ice-c

100

II.4 RE CREATION U P , E R U T C E IT H C AR OF OUR DREAMS

IN TS EL M T A TH E C PA 4.10 S E TO THE EXISTENC IS IN TOUCH WITH 4.20 SPACE THAT SE LIMITLESS UNIVER OES NOT 4.30 PLANE THAT D F CONSTRAINT ITSEL T IS CLOSE TO 4.40 A SPACE THA INFINITY SOMETHING 4.50 A SPACE FOR UNIVERSAL ARCHIVING THE 4.60 A SPACE FOR 101 INNOCENCE

II.4 ARCHITECTUR E, PURE CREATION O F OUR DR

EAMS

Nature, Universe or Almighty creates the dream world for huma their awake state. Th ns in ey bliss that nature ba ck in their dreams in desired way. Then try the most to replicate it back, in the most possible ba nature by our creative ck to the skills. It is a cycle th at they live in; loop have created throug that they h the beginning of humankind.

102

TENCE

IS ELTS IN TO THE EX M T A TH E C PA S 4.10 OTO-

JIM PAVILION, SOU FU 4.11 SERPENTINE A MELTING DREAM

here. This its best composition in e ar re ctu ite ch Ar id of linear white Nature and of several layers of gr t ou de ma is ion vil a chaos of “cloud”, like pa rface, it appears to be su e th m Fro le. po al ite architecture vertical-horizont t on the deep, this wh bu , ns lum Co l ca rti vironment of its horizontal and Ve lts in to the green en me at th y ing th me so e can fascinate you “b is trying to creat id, that this Pavilion sa o ot te jim hi Fu w l u ia So ic e surrounding. Lik e really sharp, artif ntrast [between] th such a beautiful co rience”. nic, formless expe grids and the orga

ww. , from http://w cember 8, 2015 ion-2013/ ). Retrieved De vil 29 pa er rymb lle pte -ga Se ne jimoto. (2013, to-on-serpenti re-sou-fujimo green”- Sou Fu lting into the cture-and-natu something me tween-archite -be ate ng cre thi to d me so 83. “I trie d-to-create13/09/29/i-trie dezeen.com/20

103

4.20 SPACE THAT IS IN TOUCH WITH LIMITLESS UNIVERSE

4.21 RODEN CARTER , JAMES TURRELLSPACE THAT IS LIMITLESS James Turrell wished to create a space wh felt. It is a space that ere knowledge could be is limitless with no bo undaries. It links the the celestial moveme visitor with nts of planets, stars and distant galaxies of Visual perceptio . It’s a place n, space lights up an d something happen touches you. In Jame s there and s Turrell words, “it ha s visions, qualities universe of possib 84. and a ilities.” He has sh aped the remains of eruption in to giant ob th e volcanic servatory Tower. The “Sky Spaces” to br closer to heaven an in g you d aware of the ephe meral nature and th of the physical wor e reality ld.

84. About. (n.

d.). Retrieved

104

December 8, 20

15, from http:/

/rodencrater.co

m/about

TRAINT

ES NOT CONS O D T A TH E N LA P 4.30 ITSELF

SIER

ROWTH, LE CORBU

4.31 UNLIMITED G PARIS

e symbolic emphasis eum wanted to creat us M is th h ug ro th universe. The Le Corbusier cture, just like the ite ch ar ite fin in d trance from below. on an unlimite on support of the en s nd sta , be cu of e room that spins Museum, in shap iral structure forms a sp e th of t oin dp mi e the nature laws of The origin or th rbusier spiral follows Co Le y. tit en ss dle of organic life”. to become an en the manifestation l al e rli y. de un ch hi rse in metaphoric wa growth, “law w ing to recreate unive try is re ss ctu ele ite tim ch , ar ss He through his end. Dream is endle architecture has no is project. th in en se be Just like dreams this n g, which ca din en ar cle no t bu n and has an origi

q=Unlimite &lpg=PA125&d 5kC&pg=PA125 VChMI_P__2b d=X_igJKO7y Go s?i ok wC AE /bo Q6 .ae s.google ved=0CD4 m https://book hl=en&sa=X& fro SI& , 15 tnX 20 t6v 8, Q9 PS ved December jgeeZiNUkzc9 r. (n.d.). Retrie THK&sig=m3F 86. Le Corbusie ots=RBAqowL h, le C r&source=bl& wt sie gro rbu d Co ite le lim growth, epage&q=Un wJwA9#v=on 21yAIVTJkeCh3

105

4.40 A SPACE THA T IS CLOSE TO INFI

NITY

106

T IS 4.40 A SPACE THA

CLOSE TO INFINIT

MUSEUM, SAANA 4.41 TESHIMA ART TESHIMA, JAPAN

vely. It was space and art collecti of m eu us M a is m lm Teshima Art Museu also, blend in the ca Rei Natios Art work, th wi ” an st to xi lk oe wa “c a to ke proposed visitors to ta and Teshima. It asks id structure, environment of the isl ty comes from its flu ini inf of a ide e Th . re tu architecture infinite building struc e drop of water, this th e lik st Ju r. te wa of olve in inspired from a drop s just about to diss ha it t bu t, en an rm t pe the calm city composes to be no es the seashore, and lud inc t ex nt co e Th it. the context around a. im of Tesh nature and dary between the un bo e bl ea rm pe mewhere The space creates thing happens- but so no e er wh e ac sp a is a space to the architecture. It deeper meaning. It is a is e er th e, ud lit so s. is just like our dream in that nothing there tless, nothingness; gh ei w of g in el fe create proach the ip, visitors do not ap rsh wo of s ce pla al g through a Similar to tradition mferential path leadin cu cir ing nd wi a via t museum directly, bu st. re fo small r in 360°. (n.d.)

ctive virtual tou

t | intera Museum of Ar 85. Teshima | useum-o a-m him tes urtual-to

active-vir-

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/electronic-ey

15, from http:/

cember 8, 20 . Retrieved De

107

4.50 A SPACE FOR

SOMETHING UNIV

ERSAL

4.51 THE WEATHER PROJECT, OLAUFER ELIASSO N- LONDON This museum aims to enhance the social interaction betwee people and interact n ion of human with nature. The purpose weather as the subje of using ct of the project come s from an eight-cent Samuel Johnson theo ury writer ry. He established th at, when two English the topic used to sta men meet, rt a conversation is we ather. Olafur Eliasso universal subject, n takes this â&#x20AC;&#x2DC;weatherâ&#x20AC;&#x2122; as an idea to build a space that rience, mediation an inv olves exped representation. Th e replica of sun and infuses the space, as lig ht in a big hall if it is inviting the en vironment outside. huge hall, where visi Ab ove the tors lie down to m ediate and interact mirror that reflects ba , there is the ck the real space. Th e overall experience magical and overwh of the space is elming.

87. Olafur Elias son the Weathe r Project: Abou exhibition/unil t the installat ever-series-olaf ion. (n.d.). Retrie ur-eliasson-w ved December eather-projec 8, 2015, from t/olafur-eliasso http://www.ta n-weather-proj te.org.uk ect

108

/whats-on/

ARCHIVING 4.60 A SPACE FOR

4.61 MUSEUM OF ISTANBUL

THE INNOCENCE

AN PAMUK

INNOCENCE, ORH

torical significance, on of art pieces or his cti lle co a t no is m s hold no material This Museu y things. These thing ar . din or of on cti lle e heart of a person but instead a co the innocence of th d an s “ re ce si en de oc e inn th of worth but just ing book, “Museum the noble prize winn erything ends ev r, ve re fo ys It’s a live building of that nothing sta er nd mi re a It’s k. in us in the objects by Orhan Pamu of them stays with e nc se es e th t bu , them. Sometimes and lovers leave we have collected of d an t lef ve ha ey th or feelings that in our dreams. this reappears to us

. /www.nytimes 15, from http:/ December 8, 20 d ve trie Re l. sed on Nove useum-ofs Museum Ba /cool-stuff/a-m l.html?_r=0 sh Writer Open m/travel-blog vel-in-istanbu /been-seen.co sed-on-his-no , April 29). Turki p:/ ba 12 mhtt (20 eu m J. us fro y, , ed s-m 15 88. Kenn mber 8, 20 n-pamuk-open Retrieved Dece /30/books/orha , November 8). com/2012/04 Ordinary. (2012 the of um se 89. A Mu the-ordinary

109

110

e really knows. Yet, eam though? No on to What is a perfect dr estion, have learned rned to think and qu lea ve feels e ha on ns , ma ms hu ea dr ce sin rld. In , for a dream like wo rld wo e ct ar rfe ms pe ea a r Dr fo . ss hope happine els the serenity and fe d h with an , uc fe to sa in d, d te an s ec prot th themselve wi h uc to in el fe e on ithin usâ&#x20AC;?. capable of making le universe lies w ho w e th y,â&#x20AC;&#x153; sa ey th r dreams the Universe. For, tive moment like ou ec bj su a n ca , is n at is seen Now, the questio intangible space th an d ul Co d? ne ai itecture be can ever be expl eated? Can an arch cr re be ly ib ss po be felt only in dreams, could senses that could ue iq un e th l al h dedicated to touc in dreams?

111

112

113

114

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115

116

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S ASCLEPIU F O Y R A ANCTU III.1 THE S MON ASCLEPION A III.2 PERG

117

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in his cted rguably e r e a aries came us is anctu Epidaur lepius be s y n t f Asc d ma ary a . g, ha e sanctu he cult o e healed n i l a t e h b , t H C o e thos od of ieia t 350 B ius, g amongst around to asclep p e l c As wever, rting ked in gean t. Sta rims floc Ho n . r a t u r e Ae eninsula g o h t n hon ost impo ular. Pil p o n d p nesia ocate the m singly po city l Pelopon k a e e r e they p r inc all G y made u were set m y s r t a n N ll an cou s to es. ATIOrus is a smane of the m f the Dreamer d worri o C t O u n o L Epidau an is o aa lp n set ould he ily life for incub e e t 1.10 g f e o a w y d .A were read . This heir tline ce. coas ern Gree k temples al beauty y from t ts. To be voided. a h r a h e Sout ost Gre d by natu and aw ith thoug ans were M n e e w d o b s ti un ve nd as isola surro msel hol a s. It w u i were eleves in ifying the like alco p e r s s Ascl pius, them ay of pu ven food ed to of Ascle ilt in t a c w e i d e It’s a f dreams PIUiSc temple dea cult statumple was bur where E L C it on o r AS was a Do and it had e in the te ation cente F O PLEin buildingumn templeest structuer and incubeir cure. M E T The ma 11 col The old templ out th s . 1.20. s ab n by here oth a g. colum longer t acted b ve dream x i epin s e s l o i a i s n e h rec h is D. T the e for whic ar 430 A ep and plac ation for visit a e e s l a the y could s ould incub ned le esig place of clepius w thhouses d s peop s a e wa od A re ba d as spac was use nd the g . There a N r O a l T articu reams sleep a them ABA p d to ld 0 h 3 . T is t to have nts wou the cure 1 e p g i t e n l i le s e pa d br Peop ipers. Th ams, an e h r wors in their d place. s euphoriatthem ed to thi from http:// r 8, 2015, h be m c ce De atta .). Retrieved odules/ More. (n.d

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ASCLEPION S.NO. 1 2 3 4 5 6 7 8

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TE 1 SI

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Merit: T TRICT, ABU DHAB he site modern Museum is well connec I te s like Lo Nationa lM uvre Abu d to the new Dhabi, Z and Ne useum. It’s also ayed uro ne well acc logical Resea ar the Psycholo rch Lab essed an gy or d it’s in o Abu Dha ne of the atories. It’s very bi. prime lo De Mer cation in it : It ’s the requ a ired site round fifteen tim . Abu Dh es large city of D abi rea r th dreamer ms, Dubai has s is good location an omethin migrants g more to but the and loca ls. offer the 5. CULT UR

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227

228

“Archit ec little mo ture is about t ryi re like o ur drea ng to make the ms” worl

-BJARK

E INGEL

229

230

231

232

3 DESIG

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AM 233

234

A E R D A G IN H C A O R P P A : II CH V

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235

VII.1 EPHEMERAL

PERMANENCE OF

A DREAM

236

ETC

T SK

EP ONC

1.10 CONCEPT

Dre create am is the p ro o creatin ur own ethe cess of hum re g a an arc real world al world sy nity that we hitectu archite mboliz all wi The de re to recre cture into d ing real wo sdom. They rld. a r en s e te ig a perma nence n aims to re dream wor m world, is If our mind able us to ld in to is cap it not to our spond space ab po ep th to o wishe at lies with hemeral dr an archite ur waking l ssible for us le of ives? cture t eams. s to “b in- don to find ha T r e This e ndless idge” the j through th he aim is to t can be po ou e si fi journe perio d. y one rney to the fragmentati nd the agita ted to give naviga altern on of l t ed, tra at The ay tes to, foreve ive world di ers in betw nce invoke overall for sp e r evol m d ves; i laced from en. It archite reamers to floats like a n r e cr its ep c c heme ality. of inta ture creates oss the thre loud with p ral ermea shold. ngible natura ble gla The tr makes l subtl s p a c a s e e n i s of the ts way throu in our dre gradation. slucent, pe box lining The cl rmeab that ams. dream gh the o le W u the pr t ogram hat one rem slab creatin hereas, th d embodies mass of e“ g w e t univer se, sim ould lie in t mbers vivid a space tha vertical e he emptine mpty” l t o s y u c . , l h T i t n a a h c r n i acteriz luding s is w eously In the tunne s h e c ‘ e s c l r r t p s r e “happ e all th hose f eating iritual ation o ra y e j v faith, accidents f this archit ertical dyna ourney’, rea functional gment love a e ” p c m c h art o w t i i u c n her re ity g to th nd eve e top, f rything e could fee space it opt . to the l, s im that m akes o ense and to isms to crea ne dre uch th te a pl e glim am. a pse of ce of hope,

237

1.20 CONCEPTUAL

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VII.2 FRAGMENTE D REA

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Dre seen i ams are of te n resear Buddhist an n compared ch of s d Jain ism ph to a mirror. ub very ra This c ilosop re one conscious om hy n for on e to ob remembers ess and its , and also in parison has d t b se h e emerg S e as d rve overall em in episo sire full nat igmund Fre een u i u r s dic fr dream re. Ho eflecti d conne am w s o c has its act like frag ted fragmen n of oneself es, making ever, Itâ&#x20AC;&#x2122;s .( m ts o i Which wn story, y ents of a m (Schwartz Jung). Drea t really hard et the 2 i m r can m 0 r s o 0 r 3). Th typic , wh y re ak image of us i e one ques flect the o ere each ind ese fragme ally n a dre tion, t nts of i b v serve idual p ha am, is reality t what if th r in a very p art of it, ei ec and no t the r mage in the uliar way. eality itself. mirror, the

243

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VIEW

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Greek Archit ecture Dream , Tholo s appe whole s a r to us story, and fo as frag himse l m lo lf of the stuck in a w his min ents of me mories d dream v i throu s u al . . With howev in the Labyrinth gh the edg While one er onc tr , d e e w r e o i a t n h m-wor e ente a feeli s of these ies to unde The de l r d rsta s n , s f g th th ig ra dream s are j n aims at c e conscious e same spa of no escap gments, o nd the e r u ne mi ce, tho eating design state t st mes from t gh se h a h s i dream nstead hope ages from s space not a e whole dre same peop e understan t find a ubcon ding l s to cr world. e p m u feels zzle o sudd sc ea walls, T it’s a p he dream L te a space ious and ne r maze tha enly feels l familiar ik to ed not abyrin in our lace o While th fg w be sol ne needs t e a maze. th o solv ved lik the sa e openings reat openn is not a puz aking lives e, for e a pu that o me tim zle ins ess an within n zz The tit e it function the wall al d an oppor tead is a de e feels and le (Jung). T tunity low dr vision he tail ne le Lab as ‘fra sanctu for n eam yrin in th tw m a healin ry of Askle th is based es’ to the l ers to see t ew forms o ork of trans e abyrin on pi g, hrough fs ec th. situate Asklepios w os; Tholos the name other patial awar ting o s . e d next f ection as sai It was n a maz d ment f t of spa ess. or par o the templ to visit the built next to e from Gree c e , at ticular e k d psychi . Next to Ab reamers in the temple o mythology, their d atric c aton, T built in f Aske ases o r r simp holos was s eams while lpios. The G the o ly bee u n a pla ggested to they sleep i d of n Aba act for ce for to wande m of s hock t n rers. reat-

245

3.2O CONCEPTUAL

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248

â&#x20AC;&#x153;De ing, fe ep into that ar d dream ing, doubtin arkness pee g, drea ri before .â&#x20AC;? ming d ng, long I st oo reams no mo d there, wo rtal ev n er dar dered to -EDGA R ALLA N POE

249

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