José Sanmartín

SA N MA RT Í N GONZÁLEZ

E CADI

20 17

JOSÉ

Shanghai, China.

S e p t e m b e r 2014 - N ov ember 2 0 1 6

1 0t h J a n u a r y 1988

ht t p ://www.e c a di .com/ en /

Spain

P r o je ct A r c hi t e c t

I h a ve be e n l ea ding de s ign te a m s in b o th, larg e-scale p ro j e c t s s u c h as Uru m qi I n tern ational Air p o r t, an d smallsc a l e p r o j e c t s su ch as th e in tern a tio nal co mp e titio n fo r the e x t e n s i on of t h e Alv ar Aalto M u seum in Finland .

I h a ve be e n r e spon sible for all docume nts s ub mitte d to c o m p e t i t i on s participatin g on its pr o d uctio n and d e ve lo p me nt w i t h 3D m odels in Rhino an d Gr a ssh o p p er, p lans in Au t o CAD an d l a yo u t i n InDe s ign. I h av e u sually b e e n p o r tr aying arc h i t e c t u r e by m y self w ith Vr a y and Ph o t o sh o p and so m e t i m e s m an agin g ren der an d me d ia co mp anie s to o.

+ 3 4 6 9 3 80 0 996 jo se s an m ar t i n @ pr otonm a il.com

Shanghai, China.

2012

UA stu di o 7

D e c e m b e r 2013 - Au g u s t 2 0 1 4 ht t p ://ua c hi na .c o m.cn / en /

A R Q U I TE CTU R E + U R BA NI S M + L AN D S CAP E A. Ma st e r D e gr e e [ 5 ye a r s + f in a l deg ree proj ect ]

P r o je ct A r c hi t e c t In St ud i o 7 I wa s w i t h i n t h e des i g n t ea m dev el opi n g mi x - u s ed a n d of f i ce proj ect s on S D a n d DD ph a s es w i t h Aut o CA D, Rhi no a n d A dobe S u i t e. I w a s a l s o des i g n i n g s ev era l propos a l s a t ea rl i es t des i g n s t a g es a n d d o c um e nt a t i o n f or proj ect s pres en t a t i on w i t h t h e cl i en t .

F ran Mate o s, Le ó n 11

F ra n ci s co de V i t ori a U n i v ers i t y. M a dri d, S pa i n Ju n e 2 0 1 3

D e si g n P ro c e ss a n d A rc hi t e c t ur al Ex pr e s s i on Ma st e r

M a dri d, S pa i n .

S e p t e m b e r 2013 - O ct ober 2 0 1 3 ht t p s://www.b e h a n ce. n et / g a l l ery / 1 3 4 2 0 0 0 1 / Koen i g s h of - H ot el - en - M u n i ch - N i et o- y - S obej a n o/

S e nio r A r t i st

F ra n ci s co de V i t ori a U n i v ers i t y. M a dri d, S pa i n Ju n e 2 0 1 1

2 01 0

I am a S p a ni s h a r chite ctur a l de s ign er with e xp e r ie nce in e arly de s i g n stages wh ere big decis io ns o f a p r o je ct ar e mad e. W i t h four ye a r s of pr ofe s s i o n al b ackg ro u n d I have b ee n w or k i n g in Sh an gh ai, m ost of the time at E CADI, o ne o f C h i n a's l a r g e s t an d m ost talen ted ar chite ctur al s tud io s . I am n o w s e e k i ng a n ew opportu n ity to d e ve lo p my car e e r in the Net h e r l a n ds .

I was leading design strategy in several international competitions like Dessau Bauhaus (Germany), Oceanographic Museum (China), or Alvar Aalto competition (Finland). At the same time I was responsible of developing all kind of documentation for the submission panels which include digital drawings in AutoCAD, 3D modelling with Rhino+Grasshopper+Vray, and panel layout and diagrams in InDesign.

I was in charge for the visualisation images of every project, sometimes portraying architecture by myself, sometimes dealing with render companies.

In the Chinese Pavilion project (Cuba) I was involved in DD and CD phases too.

I wa s c r e a t i ng a rch i t ect u ra l i ma g es s ev era l proj ect s l i ke t h e K ön i g s h of H ot el i n M u n i ch , G erma n y by Ni e t o & S o b e j a no a rch i t ect s . I bu i l t i n 3 D t h e en t i re proj ect w i t h R h i n o a n d G ra s s h opper, s et t i n g ma t eri a l s a n d l i ght s f o r r e nd e ri n g i n Vra y a n d f i n a l l y pos t - produ ct i on i n Ph ot os h op. N i et o& S obej a n o w on t h e compet i t i on .

I d e ve l o p e d a soph i s t i ca t e a n d ca ref u l g es t u re on a rch i t ect u ra l v i s u a l i z a t i on u pg ra di n g my ren deri n g s k i l l s t o a ve r y hi gh l e ve l , es peci a l l y pos t - produ ct i on w i t h Ph ot os h op.

S e m i na r : G ra ssho p p e r a nd R h i n o L E Ó N 1 1 . M a dri d, S pa i n December 2 0 1 2

r e g is te r e d ar chite ct # 2 1716 COAM

S e m i na r : I n D e si g n : Gr a f i c D es i g n a n d La y ou t Selg asCa n o

M a dri d, S pa i n .

F ra n ci s co de V i t ori a U n i v ers i t y. M a dri d, S pa i n S ept ember 2 0 1 0

S e p t e m b e r 2010 - Ja n u a ry 2 0 1 1 ht t p ://se l ga sc a n o. n et

Inte r ns h i p

Au t o CA D, A dobe, Rev it, R h in o, Gra s s ho p p e r, Vr ay, S ke tch U p

S i nc e m y f i r st d a y i n t h ei r i mpres s i v e of f i ce, I w a s g rea t l y s u rpri s ed by t h e i n n ov a t i v e i dea s f rom t h a t va ngua r d i st a r c h i t ect u re of f i ce. La t er on , I u n ders t ood h ow deepl y I w a s i n f l u en ced by t h em.

Wo r k sho p " D w e l l i n Su i sta n ai b l e Land " 2 00 7

S pa n i s h n a t i v e, Englis h flu en t

É col e N a t i on a l e S u péri eu re d’A rch i t ect u re. Ly on , F ra n ce May 2009

O CE A N OGR APHI C M USEUM

Q i ng d a o, Sh an don g prov in c e; China 2 0 1 5 , r e s tricted com petition F I N A L I ST 1 0 5 .6 5 3 m 2 E CA D I

Tw o a r e t h e m ain con strain s of this p r o j e c t : t h e sin gu lar loc ation within t he s e a c o ast, an d a large an d c om p l e x program .

T h i s p r op o sal sim u lates as it wo uld ha d be e n grow n part by part, in c on t r a s t with th e grav ity of th e a p p e a r a nce of a stron g v olu me. E ve r y p i e c e i s differen t th u s all of the m lo o k t he s a m e ; like sm all fish erm an villag e.

We a l s o w an ted to be a lan dmar k o f h ow t h e pu blic space solv es the i nt e r s e c t i on with th e sea.

I h a ve de veloped an d gu ided the d e s i g n s t rategy w ith in a great te am.

A LVA R A ALTO M USEUM EXTEN S ION

J yvä s k yl ä ; F in lan d 2 0 1 5 , i n t ern ation al com petition 32 5 m 2 E CA D I

T h e g o a l is to design an ex tens io n t o c o n n e ct th e two m u seu m s, Alvar A a l t o m u seu m an d th e M u seu m o f Ce nt r a l F in lan d. B oth are significant w o r k s of arch itect Alv ar Aalto. T he ne w e xt e nsion will m ain ly serve as a s ha r e d s h op betw een th e m u s e ums .

O ur p r op o sal is a sequ en c e of ve r tical s p a c e s l i n ked by a zig zag ramp.

T h e a i m i s to m ax im ize th e leng th o f vi s i t or ´ s c ircu lation as a tou r, p laying mor e a s an ex h ibition space than a s hop.

A l l s h ow n docu m en ts are m ad e b y me : g r o u n d fl oor, 3 D an d as well a s b o th i ma g e s .

B AU HAU S M USEUM

D e s s a u, Germ an y 2 0 1 5 , i n t ern ation al com petition 8 . 32 0 m 2 E CA D I

We be l i e v e th e pu blic fu n ction o f a m u s e um like an u m brella whe r e un de r n e a t h , it accom m odates r e l a t i o n s h ips between different c i t y a g e n ts in a ran ge of sc ales : p u bl i c c i r c u lation s, c reativ e sp ace s , e x h i bi t i on areas, m eetin g points . T his r i c h i n t e r ac tion is th e m ain role o ur p r o p o s a l is perform in g.

T h e p r og r am is c learly organ ize d in t w o l e ve l s : pu blic fu n ction s h a ve b e e n p l a c e d on grou n d lev el an d exhib itio n s p a c e s i n th e u pper on e.

I de f i ne d program strategy an d b u i l di n g footprin t an d orien tatio n.

S e c t i o n s an d im ages too.

U R U MQI I NTER NATI ONAL AI R P ORT

U r um q i , Xin jian g prov in ce; C h ina 2 0 1 6 , r e s tricted com petition F I R ST P R ICE ( unde r cons tr uct io n ) 4.0 0 0.0 0 0 m 2 E CA D I c on s u l t a n ts: NAC O

D e a l i ng with an airport m ean s d e aling w i t h t h e h u ge sc ale. Th ere are als o ma n y t e a ms workin g elbow to e lb o w a nd fe e dback is fu n dam en tal.

My t e a m w as in c h arge of th e a r c hi t e c t u ral design for th e m a in b u i l di n g an d piers. I h ad th e p le as ur e t o de f i ne th e en tire roof, its c ur ve s a nd t h e r hy th m of th e sky ligh ts . I d e ve l o p e d ev ery th in g in 3 D with G r a s s h op p er for R h in o. Th is way a l l o w e d m e to m odify in real time ma n y n e e ds from oth er team s. Once w e fi n i s h th e design , I su perv is e d all p os t p r odu c tion w ork for th e me d ia.

P L A Z A D E ESPAÑA Ma dr i d , S pain 2 0 1 6 , i n t ern ation al com petition 1 80.6 41 m 2

Aut h or s : J o s é S a n m artín Te o Hi da l go Cl a r a A m ado

Ci t y c o u n cil w an ted to u n bloc k the c u r r e nt s i tu ation in th is em blematic a nd i m p o rtan t h u b in M adrid.

O ur t e a m en large th e in terv entio n b e yon d t h e lim its of th is plaza as a c i t y- s c a l e problem .

T h e i de a is restore th e biodiv er s ity o f g r e e n spaces creatin g a co mp le x ne t w o r k an d m ix it w ith pu blic s p ace.

T h e w a y t o ac h iev e th is goal is the c om m i t m en t of a radical redu ctio n o f r oa d t r a f f ic in M adrid c ity cen te r.

Ca lle d el Ma es tro Guerrero 2 .1 45 m ² P la za d e Cris tino Ma rto s 2 .2 8 4 m ² P la za d e lo s Cub o s 2 .5 0 0 m ² P la za Em ilio J im enez Milla s 1 .5 6 3 m ²

P la za d e Es pa ña 2 4.2 0 0 m ²

P la za d e Sa n Vic ente 5 .0 0 0 m ²

PR E S E N T pedes t ri a n = 1 .0 5 0 m 2 roa d t ra f f i c = 3 .47 0 m 2

23% 77%

PR O PO SA L pedes t ri a n = 3.3 40 m 2 74% roa d t ra f f i c = 1 .1 8 0 m 2 2 6 %

2 0 TH C E NTURY M USEUM

B e r l i n , G erm an y 2 0 1 5 , op e n c om petition 2 7. 5 0 7 m 2 E CA D I

T h i s i n t e r n ation al c om petition was l o ok i ng for th e ex pan sion of the N e ue N a t i on a l galerie of M ies v an der Rho e.

H a ns S c harou n dev eloped th e ur b an p l a n i n g for th e Ku ltu rforu m . He als o b u i l t t h e B erlin State L ibrary a nd the P h i l h a r mon ie, ju st su rrou n din g o ur s i t e. W he n M ies bu ilt th e N. N. , he d i s a g r e e d Sch arou n w ith its str o ng a nd r a t i o n al u rban presen c e. Our aim i s t o ke e p in tact th e perform ance o f Mi e s ´ s bu ildin g, followin g Hans ´s id e a.

I m a n a g e d to h an dle th ese c o mp le x p r o g r a m draw in g plan s an d se ctio ns .

O nc e w e deliv ered th e su bm is s io n, t he s c a l e m odel w as bu ilt by mys e lf.

FU E NT E SANTA SPA

La Pa l ma , C an ary I slan ds; Spa in 2 0 1 4, i n t ern ation al com petition 2 . 40 8 m 2 E CA D I T h i s p r oj ect h as su ch a beau tiful b a c kg r ou n d. F iv e cen tu ries ago the r e w a s a ve ry fam ou s n atu ral th er mal b a t h . S u dden ly, a v olcan o eru ptio n hi de t h i s poin t for 3 0 0 y ears until now, w h e n it was re- discov ere d . Lo cal g ove r nm en t dec ided to bu ilt a ne w t he r m a l bath an d let th e peop le e njo y i t s t h e r a p e u tic w aters. All th e ar e a is a n a t u r a l protected area w ith the o ld f l o w s fr o m th e v olcan o.

T h a t ´ s w h y radic al preserv ation was o u r m a i n pu rpose. Th e design in t w o vo l u m es let u s tou ch th e gr o und a t on l y 30% of th e footprin t. The s e vol u m e s w ere set perpen dic u lar to b e a b l e t o h an dle pu blic program (ab o ve ) a nd p r i ve t program ( below) .

A L Z HE I MER DAY CAR E

Q ui n t a n a , Leon ; Spain 2 0 1 7, c l i e n t requ est 1 .1 2 0 m 2 Aut h or s : J o s ĂŠ S a n m artĂ­n Cl a r a A m ado

A FA D E VA is a soc ial organ izatio n l o ok i ng for a n ew c en ter to exp and i t s a c t i vi t y. Th ey treat people with A l z he i me r an d offer su pport to the ir f a mi l i e s . Th eir requ irem en ts a r e ve r y s p e c i fi c a ccordin g to th e ac tivitie s t he y p e r f o rm .

A ve r y s i m ple stru ctu ral grid 5 x 4 me t e r s organ ize th e bu ildin g a nd d e f i ne i t s perim eter. Two c ou rtyar d s a r t i c ul a t e th e program , orien ta te the us e r s a n d let th e bu ildin g h as always na t u r a l l i gh t. A lim ited bu dget le ad us t o bu i l d ev ery th in g in grou n d flo o r.

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G r o u n d fl oor plan 0

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HO P E YO U L IKE IT!

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