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M A E M U R P H Y | selected works | 2 0 2 1
MAE MURPHY This series of selected works consists of pieces created at Iowa State University in the Undergraduate architecture program. The collection is focused on exploring conceptual topics and analog/digital techniques to investigate projects. There are themes of conceptual analysis, speculative investigations, and material research.
View more collage works featured on page 61
Architects cannot save the world-- however we do have a say on what is extracted, consumed, constructed, educated, designed and demolished. I am interested in how designers can change the way we use materials in order to create a mutual field of design that improves the current climate situation. Learn more: https://maemurphy.com/
ON THE BUTCHER’S BLOCK pg. 6-19
TEXTILE CO-OP pg. 20-35
C L I M AT E A C T I O N C E N T E R S pg. 36-45
CARCINOGEN CONSTRUCTION pg. 46-49
O F C H A N G E : D E AT H I N T H E M I D W E S T pg. 50-57
OPN EXPERIENCE pg. 58-61
P E R S O N A L E X P L O R AT I O N S pg. 62-63
RESUME pg. 64-65
ON THE BUTCHER’S BLOCK Fall 2020 | Des Moines, IA Project created with Cameron Wahlberg ARCH 401 Prof. Shelby Doyle Butchering the Past to Serve the Future:
“A major challenge for re-using building debris is knowing the quality, quantity and temporal availability of demolition material.” Cities become material mines available for future reuse. Robotic analysis, deconstruction, & maintenance is key to kick starting the process of creating a material library, research database and a path forward in the construction industry in the U.S. What happens when there are no more resources left to feed a consumerist appetite of extraction, abandonment and exploitation of materials? We butcher. To butcher is to carefully extract, examine, and reconstruct artifacts. Carefully taking pieces from existing sites and reassembling into new structures. The proposed space in Des Moines, IA at the once abandoned East DSM Train Depot provides care/preservation on a material scale through the process of a circular construction economy. Machines will carefully dissect/butcher the existing Depot an emphasis on brick and masonry. We propose techniques to provide care on a material scale through the process of circular construction economy. A practice keeping materials and products in the economy as long as possible by re-using or butchering them. Complete website: https://mwstudio.cargo.site/
2021 DLR Group B.Arch Integrated Design Studio Prize Winner
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Cities become material mines available for future reuse.
To butcher is to carefully extract, examine, and reconstruct artifacts.
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The pocketbook guide aims to examine different case studies of manual butchering as community engagement.
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on the butcher’s block
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1. De/Re Construction Lab 2. Material Education Classroom 3. Maintenance 4. Admin Offices 5. Computation / Design Research 6. Material Composition Lab 7. Staff Space 8. Gallery 9. Workroom / Library 10. Masonry Testing Lab 11. Open Innovation Space 12. Observation Deck 13. De/Re Construction Lab
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The Wabash Rail Network will be reinvested back into the larger transportation system of the Midwest.
Contractors, Architects, & Engineers are invit tests until they are again deconstructed.
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ted to investigate these
The public is also encouraged to visit these material archives in order to recall the story behind artifacts.
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on the butcher’s block
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View project website: https://mwstudio.cargo.site/
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on the butcher’s block
TEXTILE CO-OP Spring 2020 | Beacon, NY Project created with Samarth Vachhrajani ARCH 302 Prof. Pete Goche
Textiles are objects which carry stories and memories in them. They signify the conditions that once existed. Even in times such as now, where we find ourselves trapped in our houses, textiles are meant to ground oneself to remember the stories attached on the fabric with each stitch and stain. The building is located in Beacon, NY, a place where multiple hat factories existed. The city was once known as the “hat factory making the capital of New York State.” This work seeks to recognize this past of Beacon through art residency within Dia:Beacon. The proposed residency located to the west of the museum is where artists who work with textiles have the opportunity to participate in discussions of oral histories as a speculative form of generating new and just forms of textile labor production. The drawings within this project are textile objects. The fabric tapestry is a container of our thoughts, concept, and spatial strategy. Explorations with thread, sewing machines, acetone transfer and paper were encouraged. Inherited fabrics, clothes, and pattern pieces are held dear to our hearts due to the visual documentation of labor and physical work that go into sewing and textile creations.
2020 BWBR Competition Semifinalist
Right: Site Tapestry Acetone transfered canvas, stitched with sewing machine Thread, canvas, ink 18” x 24”
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Beacon, NY Map of Textile Factories
The project is located in Beacon, NY, a place where multiple hat factories existed. The city was once known as the “hat facto New York the fashion industry hub. Textiles as the containers of oral histories, are produced in some of the most precariou past of Beacon through a textile artist residency within the Dia:Beacon museum.
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ory making the capital of New York State” and contributed in making us and exploited labor conditions. The project seeks to recognize this Beacon, NY Textile Collages
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Material studies with canvas, trace paper, acrylic paint, white pen, felt, thread and strathmore paper.
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Exploratory Site Plan Acetone transfered and stitched with sewing machine Thread, paper, ink 12” x 18”
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Atmospheric Perspective Acetone transfered on canvas Thread, canvas, ink 12” x 18”
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Atmospheric Exterior Perspective Acetone transfered on canvas Thread, canvas, ink 6” x 8”
Sewn Floor Plans Acetone transfered on paper, sewn with machine Thread, paper, ink
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Ground Floor
First Floor
Second Floor
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Atmospheric Axon Diagram Acetone transfered on paper, edited in PSD Ink, paper 18” x 24”
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Atmospheric Section Acetone transfered on canvas Thread, canvas, ink 5” x 8”
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The collaborative tapestry is a final piece which we will keep as a textile object that testifies for the memory and labor that has been contributed to the project. Even in times such as now, where we find ourselves trapped in our houses, textiles are meant to ground oneself to remember the stories attached on the fabric with each stitch and stain. Above: Sewn canvas tapestry with acetone transfered drawings
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textile co-op
C L I M AT E A C T I O N CENTERS Fall 2019 | Des Moines, IA Project created with Run-Qian Lin
ARCH 301 Prof. Liza Walling As designers we must acknowledge that design has a political role in society. Buildings are not neutral. Climate change is happening. This project, the climate action centers, are built using prefabricated panels and locally sourced materials. These temporary structures are curated towards each site’s individual experience of climate change. The buildings are easily constructed and destructed, a modular process, of providing meeting spaces, equipment and storage within. The structures are imagined as a tool to implement the Green New Deal, or a similar proposal, dedicated to creating green jobs to help the economy in the U.S. It provides resources like water quality tools, emergency rescue equipment, soil analysis, land surveying. Windows framing views of different parts of the site along with an open floor plan to encourage people to walk outside and experience the empty site. Our small structures form a bottom-up approach to helping and providing sources for people in sites of climate crisis. This temporary governmental building structure advocates for on-site specific spaces to implement policies to engage the local community and obtain important feedback from communities within the new governmental facilities.
2020 Hansen Prize Finalist
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Iowa landscape section, drawing the Midwest grid
Fourmile Creek Flood Zone Map | Mapping is essential to understand the site
Flood Zone Site Plan at Fourmile Creek
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Map Research: Water
Map Research: Care
Map Research: Farm
Map Research: Vote
Structures are transportable and can fit in a semi truck
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These structures are resources on site which provide community spaces, tools, and equipment to the locals implementing the Fourmile Creek Greenway.
Floor plans are assembled in order to adapt to specific sites
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These Climate Action Centers provide the space to foster a new government structure to aid current community action groups advocate to implement change within the diverse local knowledge framework.
climate action center
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Our small structures form a bottom-up approach to helping and providing sources for people in sites of climate crisis. Sites located in a watershed area are under complete reconstruction due to the impending climate change occurring across the globe. It is time to encourage sites to develop an action plan.
What are we going to do when a one-hundred-year flood occurs? Or a five hundred? Are we prepared? Probably not.
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climate action centers
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climate action centers
CARCINOGEN CONSTRUCTION Fall 2019
Project created with Run-Qian Lin
ARCH 301 Prof. Liza Walling Carcinogenic building materials are present within almost every space created in the 20th and 21st century. Cancer is caused when two cells divide during mitosis in an incorrect way. They miscommunicate, replicated uncontrollably, obtain too many messages and/or divide incorrectly. Whatever the case, these bad cells begin to build up without the preventative checks in balances in place. This process is internal. The cell comes from within and destroy us. 20th century building materials --along with pretty much every manufactured item within consumerism today-- cause forms of cancer such as lung, stomach, pancreatic, bladder, kidney, skin, prostate, nasal passage, breast, testicular, and many more. This toxic relationship with our beloved materials causes the most harm. The difficult part of this analysis is the lack of research about the preventative measures of cancer. The very walls we build to shelter ourselves are the ones harming us. The Exhibition of Exploitation: Is a visual display of materials that expose us to toxic chemicals. This is important when understanding the political impacts of carcinogenic materials. We hear about banned materials only after thousands of cases have impacted our society. Phthalates, VOCS, formaldehyde, and spray foam building insulation are some of the most toxic examples of mediums that harm our bodies on a daily basis. This perpetual cycle instigates the very need to learn about our surroundings and what we consume.
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To what extent is it the architect’s role to specify/ modify/control/educate/advocate/create/care?
Where do we draw the line?
OF CHANGE : A GREEN BURIAL LANDSCAPE Spring 2019
ARCH 202 Prof. Reinaldo Correa We are inherently changing every moment of the day. Change is not linear, it is cyclical and ever present. The work featured is a green burial site located in the Midwest where locals are encouraged to bury their loved ones in a biodegradable casket to return their bodies back to the landscape. Over time the green burials bring nutrients back into the soil, allowing for regrowth and regeneration. The repetitive movement of change is built into our DNA most significantly in the cycle in which we decompose. The site in which our bodies decompose is a large factor in the process. Underground the body has time to replenish the soil with nutrients. It is time to devote our bodies back to the landscape with the least harmful process to regenerate the future. An opportunity is arising to return our bodies into the landscape and create a dialog towards a more environmentally friendly burial process in the U.S. Midwest region. Nonprofits such as the Midwest Green Burial Society are working to advocate for natural burial processes and raising awareness of the environmental impacts of conventional burials. This option not only changes the environmental impact of death, but also the mourning and grieving process. The process of death does not signify the end, in fact it is simply the beginning of something new.
Work selected for the 2020 ISU APEX Art Exhibition
Right: Elevation image of site model hand-painted with tree figures symbolizing the life and death cycle within the landscape.
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The process of death does not signify the end, in fact it is simply the beginning of something new. It is time to devote our bodies back to the landscape with the least harmful process to regenerate the future. The Site Model was created to gain inspiration from the organic landscape of an abstract model and understanding the ebb and flow of the life cycle-human or inhuman. Above: Detail images of Site Plan Model. Made from CNC plywood, lasercut molded acrylic, and plaster. Right: Collaged Landscape Map investigates sites for green burials in the Midwest. Created with CNC Site Model images, Photoshop collage and hand drawing. Artwork series selected for the 2020 ISU APEX Student Juried Art Exhibition
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of change
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6 months of growth
2 years of growth
10 years of growth
Standard Burial Landscape: chemical fertilizer Vault: steel and reinforced concrete Casket: hardwood, steel, copper, bronze Deceased: embalming fluid, primarily formaldehyde Marker: Large amount of stone material Cost: $10,000
Green Burial Landscape: no toxic fertilizer, similar to forest floor Vault: none Casket: biodegradable fabric, wood, cardboard, bamboo ect. Deceased: no toxins in the body Marker: could be found rock, wood indicator or GPS Cost: less than $2,000 page 55 of change
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of change
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ROOF R E N O VATION OPN Architects Summer 2019 | SummerT 2020 Des Moines, IA
TEMPORARY DUMPSTER LOCATION
I worked for two summers at OPN Architects in Des Moines primarily in Autodesk Revit. I developed skills of 3D modeling, construction documents, detail drawings, site visits, blubeam S markup edits, 3D point clouds, and more. Here is a sample project from my time as an intern for OPN.
REROOF AREA
PROTECT 2007 BLDG ADDITION
Urbandale Police Department Re-Roof Project completed with OPN Project Architect Curtis Engelhardt. PROJECT SITE MAP 1" = 60'-0"
PROJECT ROOF REPLACEMENT
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Featured to on this page is the Urbandale Police Department Re-Roof Project. I created a set of Construction Documents R from start to finish, modeled existing building in Revit from AutoCad documents/3D point cloud data, created a detailed Roof Plan, and a set of construction details. This was one of my first projects in Revit. I learned an extensive amount in the program and have worked on several other projects in Q Revit as well.
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100 Court Ave., Su Des Moines, IA 503 P: 515-309-0722 F: 515-309-0725 www.opnarchitect
2 1/2"
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All reports, plans, specificatio notes and other documents a OPN Architects, Inc. as instru the property of OPN Architec shall retain all common law, rights, including the copyrigh
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TPO MEMBRANE, ADHERE TO WALL 1/2" TREATED PLYWOOD SHEATHING, SECURE TO EX. CMU PARAPET
© 2019 OPN Architects, Inc.
EXISTING CMU PARAPET AND BRICK MASONRY
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CITY OF URBANDA 3600 86TH St Urbandale, IA 5032
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URBANDALE POLIC REPLACEMENT 3740 86th Street Urbandale, IA 5032
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Typical Section Detail at Roof Parapet
TYPICAL SECTION DETAIL AT ROOF PARAPET 3" = 1'-0"
ROOF DRAIN OVERFLOW, INBOARD/ OR OUTBOARD AS PER MANUFACTURER
TPO MEMBRANE, WELD SEAM TPO MEMBRANE ASSEMBLY, FULLY-ADHERED
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CLAMPING RING
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EX. ROOF DECK 15'-0"
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NOTES (Cont.): 4.
EXTEND THE REINFORCING MEMBRANE 5 1/2" MINIMUM OUT OF THE SUMP AREA OR PER ROOFING MANUFACTURE'S DETAIL. INSULATION TAPER SHALL NOT BE STEEPER THAN 3 INCHES (VERTICAL) IN 12 INCHES (HORIZONTAL). EXISTING PVC ROOF ASSEMBLY OVERFLOW DRAIN HAVEJOINT BUILT-IN WEIR WHICH EX. SHALL EXPANSION PREVENTS RAINWATER IMMEDIATELY ENTERING EXISTINGFROM CMU PARAPET SYSTEM. WEIR ELEVATION TO BE MAINTAINED AT 4" AND BRICK MASONRY ABOVE SPILLWAY FOR PRIMARY ROOF DRAIN.
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RIGID INSULATION EX. PVC MEMBRANE VAPOR RETARDER (VR) EX. PVC WELDED DECK SEEM BOARD
SECURE ROOF DRAIN HOUSING TO DECK AS PER MANUFACTURER
TPO MEMBRANE NOTES: FASTENER AS PER MANUF'R MEMBRANE 1.WELD ALL TPO BOLTS OR CLAMPS MUST BE IN PLACE TO PROVIDE CONSTANT COMPRESSION ON MANUFACTURER'S ROOF TYPE, R1 WATER CUT-OFF MASTIC. VARIES SEE PLAN
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NEW COPPER CLEAT AND STAINLESS STEEL FASTENER
NEW COPPER SOFFIT PANEL AND PERIMETER CLEAT
Featured to on this page is the Plymouth Congregational Church Renovation Project. I created a set of Construction Documents from start to finish, modeled existing building in Revit from AutoCad documents/3D point cloud data, created a detailed Roof Plan, and a set of construction details.
100 Court Ave., Suite 100 Des Moines, IA 50309 P: 515-309-0722 F: 515-309-0725 www.opnarchitects.com
All reports, plans, specifications, computer file notes and other documents and instruments OPN Architects, Inc. as instruments of service the property of OPN Architects, Inc. OPN Arc shall retain all common law, statutory and oth rights, including the copyright thereto. © 2020 OPN Architects, Inc.
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PLYMOUTH CONGREGATION UNITED CHURCH OF CHRIST 4126 INGERSOLL AVE. DES MOINES, IA 50312
PROVIDE STAINLESS STEEL DOWELS AS REQUIRED TO SECURE STONE COPING
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PLYMOUTH CONGREGATION CHURCH 4126 INGERSOLL AVE. DES MOINES, IA 50312
PROVIDE NEW COUNTERFLASHING, TYP.
Plymouth Church Renovation Project completed with OPN Project Architect James Peters.
EXISTING COPPER STEP FLASHING TO REMAIN
STEP FLASHING EXTE 3" = 1'-0" Project
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TIN-ZINC METAL FLASHING WIND CLIP INSTALLED @ 24" O.C., MINIMUM OF 2 PER RUN.
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EXISTING TIMBER OUTLOOKER FRAMING. AFTER REMOVAL OF WOOD FASCIA AND GUTTER, REVIEW CONDITION ROOF FRAMING WITH ARCHITECT BEFORE PROCEEDING WITH WORK.
EXIST. SLATE ROOF TO REMAIN
NEW COPPER CLEAT AND STAINLESS STEEL FASTENER
8" INSTALL NEW EPDM ON EXISTING MASONRY CURB.
NEW COPPER SOFFIT PANEL AND PERIMETER CLEAT
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TIN-ZINC METAL COUNTER FLASHING SNAP COVER
NEW EPDM NEW FLASHING ASSEMBLY
SALVAGE AND REINSTALL COPPER GUTTER. MAKE REPAIRS TO COPPER SHEET METAL AS REQUIRED WHERE DAMAGE OCCURS.
EXISTING EPDM ROOFING TO REMAIN
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REMOVE & REINSTALL BRICK COURSE AS REQUIRED FOR FLASHING INSTALLATION, PROVIDE SHORING AS REQUIRED.
INSTALL NEW EPDM ON EXISTING MASONRY CURB.
NEW THROUGH WALL 3" = 1'-0"
Key Plan
EXISTING THROUGH WALL FLASHING TO REMAIN
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TIN-ZINC METAL COUNTER FLASHING SNAP COVER
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EXISTING EPDM ROOFING TO REMAIN
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TIN-ZINC METAL FLASHING AND DRIP EDGE.
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TIN-ZINC METAL FLASHING WIND CLIP INSTALLED @ 24" MINIMUM OF 2 PER RUN.
TIN-ZINC METAL FLASHING WIND CLIP INSTALLED @ 24" MINIMUM OF 2 PER RUN.
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DAT U M : JO URNA L O F A R CH ITE CTU RE
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Editor & Contributor of ISU Architecture publication Read more: https://issuu.com/datum_isu
C O LLAGE : PE RS ON A L E X P L ORATION S Hand cut & digital techniques View more: https://maemurphy.com
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MA E M U R P H Y maem@iastate.edu 515.918.9255 Des Moines, IA https://maemurphy.com
E D U C AT I O N
EXPERIENCE
OPN Architects : Intern Summer 2019 / Summer 2020 - Des Moines, IA Studio Worked for two summers primarily in Autodesk Revit. Developed skills of 3D modeling, construction documents, detail drawings, site visits, blubeam markup edits, 3D point clouds, and more.
Iowa State University: Bachelor of Architecture Minors in Urban Studies and Women and Gender Studies Graduation: May 2022 / GPA: 3.8
ISU College of Design : Student Recruitment Ambassador Fall 2020 - PRESENT Collaborates with ISU College of Design faculty and staff to recruit incoming design students.
International Baccalaureate Diploma Programme Recipient / 2017
StratAA Publication : Co-creator and Co-editor Spring 2021 - PRESENT Created a new ISU architecture publication team inspired by the limitations brought about by COVID-19 pandemic and online reviews.
INTERESTS
Climate action advocacy, sustainability, inclusive design, materiality, social justice, education, & more.
SKILLS
Modeling: Revit, AutoCad, Rhinoceros, Grasshopper, V-Ray Rendering, DIVA. Graphic: Adobe Photoshop, Illustrator, InDesign, Acrobat, Revu Blubeam, Microsoft Office, Excel. Other: interest in laser-cutting, 3d printing, sewing/textiles, jewelry, and hand drawing.
REFERENCES
Deborah Hauptmann Professor and Chair of Architecture: Iowa State University 515.203.5757 / deborah@iastate.edu Danielle Hermann Associate Principal: OPN Architects
515.309.0722 / dhermann@opnarchitects.com
Rob Whitehead Associate Professor: Iowa State University 515.294.8276 / rwhitehd@iastate.edu
ISU Student Wellness : Peer Wellness Educator Spring 2019 - Fall 2020 Facilitated and presented information about holistic wellness to students and faculty on campus. Design Studies 102 : Peer Mentor Spring 2019 / Spring 2020 Provided criticism and advice for students in their first year of the ISU Design Core Program.
EXTRACURRICULAR
DATUM Student Journal of Architecture: Editor Curated, designed, edited, and formated latest ‘CARE’ publication. Design Wearables Team: Former President Started ISU Student Organization with professors Pateince Lueth, Nathan Edwards, and student team. Undergraduate Research Assistant Worked with ISU Professor Wheeler Spring and Fall 2018. Researched ‘Creating Sensory Spaces’ and French philosopher Jacques Rancière. Iowa Women in Architecture: Student Member Fall 2018 - PRESENT
ACHIEVEMENTS
DLR Prize Competition Winner - ARCH 401 Fall 2020 OPN Masterclass Workshop - Spring 2021 with guest Carole Lévesque BWBR Competition Semifinalist - ARCH 302 Spring 2020 Hansen Prize Finalist - ARCH 301 Fall 2019 Apex Juried Art Exhibition - Artwork Selected Spring 2020 Iowa State University Dean’s List - Fall 2018 - PRESENT
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MAE MURPHY maem@iastate.edu 515.918.9255