Academic portfolio
-MAHMOUD FAHMYINTRO A multdisiplinary architect seeking to find a comon ground between heritage conservation and architecture practies in more than the Act of conservation and in the act of urban development, on the smaller scale seeking to gain technical skills to be open for freelancing and outsourcing for artdirection and inteior designs.
Workshops 09-2019 12-2019
BTU Cottbus,Cairo university
08-2019 08-2019
City branding workshop
double masters of urban revitalization of historic city districts program joined in the intensive workshop on the city of Qusier - Egypt about water sensitive urban integrated approach to revitalized the historic city.
participated in a three days workshop for city branding held by archhub in the greek campus
INFO Name: Mahmoud Fahmy Email: m-h-fahmy93@hotmail.com Phone: +20201002178296 Instagram: mhfahmy93 Linkedin: Mahmoud Fahmy
08-2018 08-2018
Heritage for all community
01-2015 01-2015
AUC
• Attended heritage for all workshop for heritage management principles which took place in Alexandria putting the Shatby theater as a Case study
Participated in EL HEIZ – Water Resoures Museum Design Completion.
10-2014 10-2014
CLUSTER Urban Research/lab
we were chosen by the urban research office “cluster” to participate in a project with ETH zurich university , where we the Egyptians in the work shop were assigned to accompany the Msc students from ETH through their tour in Cairo urban structure and then help them in forming their diagnosis for their Msc project
EDUCATION 09-1998 06-2012
Cleopatra language school with a score of 94.6% in El Thanaweya El Amma Certificate (Math Section).
02-2016 06-2016
German university in Cairo -Bachelor project with A- degree with Dr.Tarek Naga
09-2012 06-2017
German University in Cairo Graduate student Faculty ofArchitectural Engineering with a GPA of 1.89 out of 0.7
Career oriented 03-2019 12-2019
German Archaeological Institute Junior Architect
CLUSTER Urban Research /lab 03-2015 Trainee 10-2018
10-2017 12-2017
• worked with CLUSTER for 3 months on Bab el louq project and French institute refurbishment project
3D modeling Post modeling Production and Rendering working drawings and BIM illustrations responsive architecture concepts
personal oriented 09-2016 present
03-2015 Organizer/ Usher for the EUF 06-2015 Forum participated at the EUF (Egypt Urban Forum) as CLUSTER Office Organizer and Usher in building a sample for Eco-house in Al Azhar park and ushering an exhibition held by cluster in Marriott hotel in Zamalek.
Footloose Egypt traveling agency trip facilitator/Organizer Joined the startup backpacking group Footloose Egypt as a Trip facilitator in some trip and organizer in some as a chance to go through Egyptian cities as wanderlust satisfaction and get to know new people and having fun in the process
Participant • worked with CLUSTER and joined in the French Institute exhibition for publishing housing Cairo
Quality control trainee Engineering Consultants GrouS.A. a trainee under the crew working in the Cairo Festival City CFC project according to a program made by the company ECG .. the project name was named university to work "U2W" my responsibilities was observing how does the finishing of the project done and receiving some of the materials with the engineers in the site
• Joined the Deutsche Archaeological Institute DAI excavation in the elephantine island in Aswan as junior assistant architect in Refurbishment of the old Aswan museum.
participated with the Urban Research lab Cluster as a trainee in more than on project during summer vacations between semesters for 3 years accordingly.
SOFTWARE SKILL
08-2013 09-2013
05-2017 present Trip planner got promoted to a trip planner to , form programs and logistics to new destinations in Egypt and abroad
-Table of content-Fustat Restoration Center....................................... integrated Architecural project -Nioyti Ecolodge........................................................ conceptual envioremental proemnade project -M20 Museum.......................................................... conceptual brutalist archiecture project -The Lego Experiment............................................... Adaptive Urbanism Project -Aswan elephantine museum restoration...................... heritage conservation project -Cluster “CAIRO DOWNTOWN PASSEGEWAYS� urban mapping project
Fustat restoration Center The project was for semester 3, the topic was about an integrated design for a craft restoration center to be built in the fustat reigon , the task was focusing on the spacial design, architectural innovations and building construction , the task was constricted with a program
Supervised by Dr.Holger Glaydes Participation By Mahmoud Fahmy Mark Estifan Muhamed el Fouly
the project began with a task of deisgining a form then assembling the program so in a way it was a simulation for a client oriented design the program was already dectitated and deisgn method was decided to be from the exterior to the interior
D
+27.5
17
19
18
B
20
21
16
22 23 24
El-Imam St.
15
25 26 14
27
UP
C
28
13 DN
29
12
30
11
31
10
DN
9 32
8 D
7
33 6 C
5 4 B
3
34 2
1
The zoneing of the building is divided on four sectors according to the assigned program - the workhops The project was to build a restoration center in the fustat old city in Cairo, concept began by studying the wind and the solar effects in the site and letting both factors to form the building.
- the lecture halls and exhibitions
The form was the main factor in the design to complete the main point of the concept which was making the building have its own modern theme in the old city but yet not sperated from the site.
- the admnstrative
-The building is oval, thats due to the solar effect and the sun path. -The building has a variable height roof ,thats due to the wind effect. -The building has a court yard, thats to preseve the privacy and solidatiry of the building. -The building is covered by curtain wall only , thats to keep it connected to the urban context visually.
- the eductationl sectors
the building heights and forms were formed to allow the northen wind to reach amuch as possible in the buildings, the workshops height and their ceilling slope allow the wind to reach the first floor in the educational area ,the area between the building and the site border on the west side an spread around the entrance and the louvers and letting the cooled down aired passing throughthe lake to reach the louvers,the louver themselves also actas a wind catcher as it splits some of the wind flow and let in the small 1m width area around the building so if a window is opened at any part of the building it gets enough air from the northern wind
The extentions of louvers were designed by flowing the sun path along the day over the building on each floor mainly on the southern elevation and by that providing shading factors that helps in traetings the building u value , and it supports the concept of the building of isolating it and making it introverted and yet inviting to go through as the wave form on the elevation can be an inviting factor
The fixed louvers, the main element forming the language of the building, the shading factor element , and a horizontal wind catchr , the louvers are carried around the building by hollow rectangular section beams rotating around the building , the louvers are made out of white reflective aluminum the The building is designed with this extra exterior layer to subdue the dissadvantage of the curtain walls by the louvers layer and making a thermal bridge between the exterior and interior layer of the building so the three diffrent nodes of ceiling ground connections curtain wall connections are either protcted by the louvre or by layering
since the building walls are curtain walls, the u value would have been enormus , so in order to reduce the u-value the curtain wall will be customized to endure the u-value by expanding the air gap between the glass sheets and fillin it with Argon gas as it has more thermal resistance value than normal air and it is colorless Noble gas so it wint react with surrounding materials or cause any view trouble in the panels, and inserting even more insulation rubber in increased gaps in the mullins will reduce the therma bridge effect since the whole wall is made of one element therefore the u value of one panel will be the same for the whole building U=(1/(0.13+0.04+(0.05/0.96)x2+(0.25/0.03) )= 0.116 W/m2K
Sound Reflectors , this element is placed in the conference hall ceilling to prevent the sound turbulence which will be caused by the false ceilling and the huge main frame beams in the ceilling, it is formed of a substance to absorb a small amount of the sound impact and its surface is adjusted in suitable angle to assure enough sound intensity reach all the conference hall users
since the design starts from a form more than inside out approach ,the form act as host for form alteration leading to innvoative details to add function to the space provided : the structure is morphed to support the space (in the lecturhall , the courtyard , the workshops), the building has an extra exterior layer to add climate resistance quality to the space , (overall the whole building) , and two elements were added to charecterise the spaces which are the lumions and the sound reflectors.
The structure of the building the building is a steel structure system consisting of 34 frames varies at heights depending on the roofs height We chose the steel structure in particular for two reasons 1- to form the curvature of the building and maintain the oval shape 2- to be easier to assemble the covering curtain wall for the building The structure of the connecting brigdge between the two sides of the building was made by forming a mesh of wide beams
The project was held for the design Studio VI. It was about an Eco-lodge and sand spa to be built in Aswan in Gharb-Suhail district. The main obstacle was linking between two sites, a Nile sites and a dessert site, the obstacle was in the hill between the sites with height of 50m. The solution was through making a 50m apart promenade architecture juxtaposing historical concept of the birth of the soul in the Nubian culture and linking the promenade to its spiritual concept.
Cultural Study In the ancient Nubian kingdom of Kush, the story of the creation was revolving around a pantheon as most of foreigners pantheons influenced by nature elements, due to the shear dependence on the environment assets in the formation of the Nubian civilization and accordingly on the lower scale on their live routine but on the higher level the story transcend to the formation of the spirit and what the mythology offers is a layer able to be form a common ground between the nature and the inhabitant on a spiritual scale.
The story begins from Jebl-Berkel when the first power named Aton created the gods Shu to be the god of the winds, and Tefnut to be the goddess of rains and they created the heaven and earth which are Nut and Geb, The creation was completed by Shu Assembling Nut to be A canopy over Geb to separate as they were in act of love , the separation of them was so he can exist between and by that forming a link of contrast, that link and that conflict was for manifested in the duality and it was the human spirit. In every spiritual meditation the human being was treated as the link between the earth and heaven through his actions and the spiritual level whether for a good or evil, as it stumble mainly upon facing the conflict The Concept The project is juxtaposing the link established between the pantheon and the human spiritual and revolve around the concept of the duality and the link between the two contrasts, offering a promenade between earth and heavens metaphors, a site resembles Geb a site resembles Nut and the promenade between them is the transcendence between the two phases.
NUT is the goddess of heaven,the language used to resemble the heavens was through making a vast courtyard and, focusing the space direction to be perpendicular on the design, emphasizing the connection to NUT
In the middle of the court yard there is a traditional wind catcher, this Nubian wind catcher is the link between NUT and SHU god of the wind as it is the last one in the wind route from the Nile site to the dessert site.
The Dessert Site Plan The court yard had two purposes The spiritual, its openness to the sky is what making it representing the goddess NUT. The vernacular, its courtyard design is made to form a flow of wind current to counter the extreme arid climate its placed in
The wind Design The
space is designed to accommodated wind flows through:
• • •
The difference in openings between the outer shell openings and the inner ones, Either by the triangular mesh opening adjacent to narrow doors in the vault around the building The wide opening in the room relative to the inward windows facing the courtyard
The flow is directed toward the wind catcher that helps in the circulation of the flow.
The Sand Baths
The Building is mainly designed to be an eco-lodge Spa that provide Sand baths ,which is served at the southern wing of the building , it is designed to form a cycle that reuse the sand directly from the sand dunes around the building and where the sand is slipped into the sand bath cylo and exits after the use in the session which provide a clean and provide the full experience of the spa the sand is used directly form the dessert of Aswan west bank which is a very soft and recommended in such a session
GEB is the earth god, the technique to represent the earth was through the toography of the nile site, the design is made of diffrent level on the slope of the nile bank
the building consist of the spa and the restaurant for the ecolodge so the main aspect in the building focuses on the view to the nile, the journy of the wind resmblence toward the dessert site begins at the end of the nile site as the easiest route through the 50 meters height hill is visible from this point the nile site is incuabating the mud baths as a continuation for the snad baths in the dessert site , the restaurant for the ecolodge allowed for the semi public use, th nile site is the open apace that connect the journy with the
The Design of the building is dictated by the multi leveled topography of the site, to form spaces that blend the building with the land , a very few building material is applied as it more of a vernaculer refurbishment to the site than adding an built space.
the building doesn't need the same wind add on like the dessert site as the nile water always giving a good breeze to the site
SHU is the wind god, this resemblance is the key element in the concept of the design , its not a building more than it is just a beacon to show the easiest route to climb the 5o meters hill.
the beacons are the traditional nubian air catcher each one represent a node and each node have a small tablet beneath it lookin at the nile to guide the perfect view and written on it a piec of the methodolgy to describe the journey in this promenade architecture the nodes are assembeld to give the eaisiest as they were place after an analysis on the hill to see where is the least sloped part to make the route over it
M20 Museum
The project was for Academic semester 7 design studio VII in the semester abroad in the Berlin GUC Campus The Design Studio of M20 Had a diffrent approach to make, the porject morphology and functionality be concept biased. the proposal was a museum contrastin with the Neu National Gallerie by Mies Van Rohe in berlin The process was through Three Tasks 1- Designing An Art space based on an Art piece 2-addig a sculpture to new Nationale gallerie 3-morphing trial to begin the project
Supervised by Dr.bess bernard Participation By Mahmoud Fahmy Sarah Morcos Maria joseph Lavinia sawires
The museum is formed to contrast with the simplicity of the neue national gallerie Inspired by the phenomena of watr refraction of light the design act as a fractured mirror that shows a new face for the neue national gallerie in a new language the design is extroverted reacting with the urban morphology that mimic its morphimg based on the soid and void map in the context
Task I -The Dialouge -
David Reed and Mary Heilmann worked together on The Two By Two exhibition in Hamburger Museum to show case their paintings forming dialogue between them with a conflict, The paintings we chose agree on the same message, but the way of expressing the purpose is totally different between Reed’s and Heilmann’s paintings.
Both of them talk about how a person’s life or character is manufactured through lots of events and situations overlaying each other to form a beautiful outcome. Reed succeeded in expressing those situations into emotions by using colors and curves to resemble how he felt in certain places or in different times. Heilmann focus on directly narrating the events separatly on each square and by gluing all the pieces together it formed one big picture.
We found the diversity between the two paintings that showed the same purpose as a strong asset that we decided to implement the experience each painting on it’s own, one with the emotional effect and the other with the narrative expression and at the end they would reach the same conclusion. So we chose BLACK as the surrounding for Reed’s painting and WHITE for Heilmann’s surrounding.
Why White? Because the painting is straight forward and easy to read, as white resembles clarity and purity it would serve this narrative painting perfectly
Why Black? Because black evokes strong feelings and can feel overwhelming as it also represents formality, mystery and the unknown. So painting the room in black and applying dim light will put the viewer in a certain mood that will help them understand the painting better.
Task II -The Rain Dropthe second task was to create a language between a sculpture and the neue National galerie, the task was asking for an inspiration of a material or a properties of nature to be implemented and react to the building
The rain drop ability of light refraction is The chosen way to show the diversity, through this property the form of the design was originated by reflecting the urban suroundings with the same technique as a rain drop the technique was inspired of the Cloud Gate Monument by the british indian artist Anish kapoor the sculpture was chosen to implement the chosen language
The language between the Building and the sculptureis n the contrast between the rigid steel corner and the smooth face of the bubble, and how it visualy offers a new morphology for the building on its surface. Cloud gate by anish kapoor
Task III -The morphing experiments-
on this task the requested was to form physical releif to further show case the language , and what isinterpreted by it which in the case of the project the key word was the diversity and inspired from the jewish mueum by daniel libenskiin berlin in applying the relation between the form of antique form and moder form The jewish mueum by daniel libenskiin berlin
first morph is generation of diversity from the reverse assembly , by makig the language of diversity in the orientation while the solid is constant to generate a complementry new form
second morph is generation of diversity from the exterior to the core from the complex to the simple form and the language is formed by the solids morphology
Third morph is generation of diversity from the exterior to the core from the complex to the simple form and the language is formed by the solids and voids
Expression
Juxtaposition
+ The Dialouge
Contradiction
+ =
The application
The M20 Concept
The language
To Apply the concept on the urban context we used the buildings form to direct it to make the dialoug with neue nationale galerie only , so the building form is complementry with th urban context except the neue national gallerile wich the building form is contradicting with.
The lego experiment
The project was fot the premaster semester in th 10th semester , the topic was about the urban design of an abandond area in alexandria in mina el basla district, the site was he deserted train station of mohamed ali so the project offered a good chance of studying a unique urban context
Supervised by Dr.Holger Glaydes Participation By Mahmoud Fahmy Mark Estifan Muhamed el Fouly
The project is held on the scale of a The project was fot theplace premaster neighborhood , taking in ansemesabanter in th 10th semester , the topic towasa doed historic train station related about theeconomical urban design abandond nenowed port ofin an alexandria area in alexandria in mina el basla district,site the issitesurrounded was he deserted train type station the by various of of mohamed ali so the project offered hybird housing typology between informalt-a good, chance of studying a uniqueprevious urban ies low class social housing, context workers housing so the concept is to let the flow go and only interfer with a charter in the form of typologies catalouge in a trial or an experiment to test the formation of the urban context based on the previous economic political and social background as an active influencer and the exsisting context as the experiment subject to morph in the siite through the morphing in the catalouge charter
URBAN SPECIATION
site
religious buildings youth centers hospitals schools
Mina El-Bassal
8 hectares Kafr Ashri
Tabyet Saleh
1,326 inh/hectare
El-Qabbary 52 inh/hectare*
366 inh/hectare
Site
Tabyet Saleh
8.3 hectares
El-Qabbary 135 hectares
Kafr Ashri
13 hectares
Site
9 hectares
inh/hectare*
Kafr Ashri
Tabyet Saleh
Tabyet Saleh
Koum el shoqafa
92% of the proposed plot times 1.38 6539 inhabitants
44% of the proposed plot times 2.27 7491 inhabitants
92% of the proposed plot times 1.08 11937 inhabitants
97% of the proposed plot times 1.03 500 inhabitants
social housing
Total density
366 inh/hectare
Building area
Building area
463 m2 / 0.05 h
Floors
12 floors
Unit/floor
8 units
Unit area
100 m2
110 m2
Number of inh.
480 inhabitants
150 inhabitants
Number of blocks 17 block
Total density
1,326 inh/hectare
Total density
52 inh/hectare
157 m2 / 0.015 h
Building area
463 m2 / 0.05 h
Building area
660 m2 / 0.066 h
Floors
4 floors
Floors
5 floors
Floors
5 floors
Unit/floor
3 units
Unit/floor
6 units
Unit/floor
6 units
Unit area
52 m2
Unit area
70 m2
Unit area
Number of inh.
60 inhabitants
Number of inh.
150 inhabitants
Number of inh.
site analysis
DSVII Alexandria Dialogues
Muhamad El-Fouly | Mark Estafan | Mahmoud Fahmy
هناجر كبس قطن
مكابس القطن
جامع القباري
بورصة القطن القباري
Cotton Burse Est. 1883
هنجر الصيانة
Makkabes el Cotton established in 1889 is no longer used in the cotton industry and they are renting the spaces as storage for other companies
كفر عشري
ميناء الدخيلة حمطة القباري
Train Repairing warehouse ElQabbary Mosque built in 1860
Linear structures that were used as a storage for goods when the station were functioning
Railways was the mainstation for passengers and goods till 1876 when el bab el gedid station were built for passengers only but the frieghtrail kept functioning till 1928 when Misrstation were built. Trains and goods transportation still operates in this area. Dekhela port was established in 1892.
Kafr Ashry nowadays is hosting 10,000 inhabitants and the urban fabric did not change since the mid of the 19th century, when the workers of the cotton industry started inhabit the area. In 2003 different projects and proposals started to appear to develop the area but nothing realized
El Qabbary Neighborhood were built in 1700s and it was named after (elQabbary)
1700s
1805
1810
1829
1854
ElQabbary Neighbourhood
Kafr Ashry cotton storages
Menna Elbassal
Port (Terrsana)
ElQabbary Station
1860
1876
ElQabbary ElBab Mosque Elgedid train station
1889
1892
1928
1967
2003
Makkabes ElCotton Company
Dekhela port
Misr Station
liquidation of the cotton industry
Kafr Ashry unrealized proposals
URBAN SPECIATION
The Strategyy
Shifting the public scope of interest the freight railway has always had, from being the key route of transporting goods to and from the Dekhela port, to being a valuable plot of half vacant land following the sheer decline in trading rates after 2011. The availability of land and the proximity to low services areas of Alexandria such as kafr ashry, gabbary and tabyet saleh, have not gathered enough market momentum that seduce actors of the real state sector to speculate around the site due to its condition as being part of the national railway network and its key role for .transporting goods, to and from the port
The low speculation status accompanied by the current low operation at its premises has rendered the empty areas within the vicinity of the station as a peculiar condition of stagnation that there is no enough influx of power that can act within the market dynamics and hierarchy of power or governance to propose a scheme that deprives a part so crucial to Egypt economic thriving from part of its operations and management space. Outlined by kafr ashry
which suffers from sever lack of appropriate housing schemes and accessibility to services accompanied by Alexandria’s overall acute need for housing to compensate the staggering increase in number of residents in recent decades poses a question of re-appropriating space and reprogramming of available structures to try and reach a solution to a much complex question of housing yet the relative temporality of the economic conditions does not suffice the insisting relevance of the question of housing. Retracing the start of kafr ashry and gabary areas, shows that people started to move to those areas last decade due to availability of working opportunity, thus posing a rhetoric of what constitutes what? Does the factory created the house or the house needs the factory
1:10,000
DSVII ARCH1001 . ALEXANDRIA DIALOGS . INVESTIGATING THE CO-CITY
Muhamad El-Fouly | Mark Estafan | Mahmoud Fahmy
URBAN SPECIATION
The approach that we wanted to follow through out the proposal was to work within the contexts and factors of the situation not with them. The aim was to maintain an extent of intensified flexibility in regard to urban block definitions and network hierarchy that allows an interchangeable appropriation of the block from housing to industrial scale and vice versa. Thus the urban block, with its constituents of house/structure, void/public space, as the main battlefield that is always in tension waiting to be reclaimed by what ever programme is redeeming at the time. This framework of scaled and rescaled urban block resulted in a new architectural language that is not repetitive and is organized through out the site to maintain a flexible projection of program when a change is needed and is in contrast/harmony with the already existing structures that are to be .reprogrammed The architecture language is structured to incubate key factors in the site; Mahmoudya canal, western edge of the site facing the operating rail way, level difference between kafr ashry and the plot and the History bridge. the main strategy is to work between a level of meticulous intervention according to each specific situation and maintain a level of coherent diversity through out the master plan. the intervention consists of a definite design of various building blocks that instigates various areas, building masses and fabrics that sustain social diversity and affordability to different social groups. At the same time the assumed appropriation of urban/industrial block by the rail way is achieved by a seamless acquisitions of the structures and their accompanying voids which double as urban voids of activities and their scale and specifications could be treated as a .incubator of businesses The adjourning edge of the rail way operates as a receiver of activities that grows naturally according to the simultaneous use of the facing housing block, giving the edge, an identity and a program for itself. The canal as a water body is reintegrated through two specific urban acupunctures that bridge the disintegration that has came by as a result of the separation between the site and the canal through the 18 m wide street, thus bridging the canal back to the urban block as a new embark towards total regeneration of the use value of the canal. All of the above factors work in relation to one another and in response to one another at the same time, that the neighbourhood life we target is not a monotonous continuous cycle of repeated routines and activities but rather a contingent metamorphosis of shaping and reshaping the programming of its essence. needs the factory
1:5,000
URBAN SPECIATION
1 3
5
4
7
6
2
C
1. office building
6. nursery
2. office (one floor)
8. education center
3. start-up office blg 4. school 5. vocational center 5 2
1
3
4
D
1. clincs 2. clincs (one floor) 3. gym 4. pharmacy 5. hospital
3 2
5
4
6
E
1. football field (5 players)
1
2. youth center 3. sport club 4. microbus stop 5. toktok stop 6. parking lot
1
5
6
1
2
5
3
6
7
4
F
1. mosque 2. church 3. jewish temple 4. theater 5. museum 6. library 7. art center
2.A + 4.B + /
2.A + /
7.A X 7.A + 4.B
catalogue | amendments
4.A + 4.B + /
DSVII ARCH1001 . ALEXANDRIA DIALOGS . INVESTIGATING THE CO-CITY
5.A + 2.C + 2.D + /
4.C + /
1.F + /
7.F + 6.F + 5.A + /
*
/
geometrical treatment
Muhamad El-Fouly | Mark Estafan | Mahmoud Fahmy
URBAN SPECIATION
a
b
a c b
c
d
e
d
1:500 e
1:500 e
aa
bb
cc
dd
ee 1:400
DSVII ARCH1001 . ALEXANDRIA DIALOGS . INVESTIGATING THE CO-CITY
Muhamad El-Fouly | Mark Estafan | Mahmoud Fahmy
شارع السي سي
جيش
ع ال شار
شارع الخلفاء الراشيدين جيش
شارع
ع ال شار
لثورة ا شارع
ورشة
الص
مر ال م
االخ
الخل ارع ش
شارع االيمان
شارع ورشة ال
دين شي الرا فاء
شارع البشاير
شارع المحطة القديمة
شارع المحطة القديمة
حطة شارع لثورة ا
سي السي شارع
الم شارع ديمة الق
شارع الوحدة شارع الوحدة
شارع الوحدة
M
Y
IT
-C
O
C
E
TH
G
N
I AT
G
I ST
VE
1:50
حضرموت مشويات
tiles mortar sand membrane concrete
0.12m 0.2m 0.02m 0.02m 0.12m
مفيش واهلل
tiles mortar sand concrete
0.12m 0.2m 0.02m 0.12m
tile blocks 0.06m sand 0.02m soil 0.02m earth هات فكة للتاكسي
1:200 DSVII ARCH1001 . ALEXANDRIA DIALOGS . INVESTIGATING THE CO-CITY
1:20 Muhamad El-Fouly | Mark Estafan | Mahmoud Fahmy