made in italy
2011 general catalogue 2007 “For the painter, no longer existing are colored objects but outcomes of compositions of pastes. What for you is a delightful flower (as notion or a part of sentiment) for me is a chord based on pink lake, pale blue on white and sallow yellow slightly cooled by emerald. Yet not ceasing to remain a flower�. Gianni Maimeri, Treatise on Painting, 1933
We thank all of our employees who, with their professionalism, commitment and dedication, have contributed to the excellent reputation that Maimeri products have worldwide. in cover, Gianni Maimeri, Self-portrait (detail), 1916, oil on canvas, cm 50x41 Fabio Pietrantonio, Guerriero di pace (detail), mixed technique on canvas
“Keep everything that is not necessary out of the painting, everything that is not felt” Gianni Maimeri, The diary October 31 1905
Superior Oil Colours Oil and pure pigment, nothing else. The product of a dream and of outstanding technical achievement, Maimeri Puro superior oil colours are the most advanced and yet the most traditional of oil colours. Restoring the outstanding simplicity and quality of original oil colours to paint formulas: that was the dream of painter and paint manufacturer Gianni Maimeri, though his dream which did not take
Maimeri Puro on concrete form as paste in a tube until three generations down the line. Striving for simplicity and purity, putting years of technical experience to work, Maimeri’s company came up with the formulas for the 80 colours in this range one by one. Using the best quality safflowerpoppy seed oils that will not yellow and stable pigments which require no additives to produce a perfect impasto, Puro offers top quality, the perfect manufacturing process and the correct balance between binder and pigment. Squeeze a tube of Maimeri Puro, and you’re squeezing the very idea of oil colours.
Maimeri Puro
00 = superior oil colours,complete range 80 colours in 6 price groups
All colours
Whites
12 = 40 ml tube
22 = 150 ml tube Sales unit 3 pieces
Sales unit 3 pieces
018
020
053
054
060
081
082
083
084
102
103
105
HHH
gr. 1
106
HHH
gr. 1
181
HHH
gr. 3
278
HHH
Titanium White
Naples Yellow Reddish
Garnet Lake
Burnt Sienna
Titanium Dioxide PW6
Zinc Oxide PW4 Anthraquinone PO43
Quinacridone PV19 Dioxazine PV23
Original Natural Earth calcinata PBr7
HHH
gr. 1
107
HHH
gr. 1
182
HHH
gr. 3
296
HHH
Zinc White
Naples Yellow Deep
Rose Lake
Green Earth
Zinc Oxide PW4
Zinc Oxide PW4 Synthetic Iron Oxide PY42
Quinacridone PV19
Natural Earth PG23
HHH
gr. 3
109
HHH
gr. 3
191
HHH
gr. 1
309
HHH
gr. 1
gr. 1
gr. 4
Avignon Orange
Nickel Titanate Yellow
Red Ochre
Cadmium Green Light
Quinacridone PR 206
Antimony-Nickel-Titanium Oxides PY53
Natural Earth PY43
Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7
HHH
gr. 4
116
HHH
gr. 2
224
HHH
gr. 4
310
HHH
Cadmium Orange
Primary Yellow
Cadmium Red Orange
Cadmium Green Deep
Cadmium Sulphoselenide PO20
Arylide Yellow PY97
Cadmium Sulphoselenide PR108
Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7
HHH
gr. 1
125
HHH
gr. 3
226
HHH
gr. 4
316
HHH
Mars Orange
Orange Lake
Cadmium Red Light
Cobalt Green Light
Synthetic Iron Oxide PY42+PR101
Anthraquinone PO43
Cadmium Sulphoselenide PR108
Cobalt-Titanium Oxides PG50
HHH
gr. 4
128
HHH
gr. 3
228
HHH
gr. 4
317
HHH
Cadmium Yellow Light
Golden Lake
Cadmium Red Medium
Cobalt Green Deep
Cadmium Sulphide PY35
Synthetic Iron Oxide PY42
Cadmium Sulphoselenide PR108
Cobalt-Titanium Oxides PG50
HHH
gr. 4
131
HHH
gr. 1
232
HHH
gr. 4
322
HHH
Cadmium Yellow Lemon
Yellow Ochre
Cadmium Red Deep
Cupric Green Light
Cadmium Sulphide PY35
Natural Iron Oxide PY43
Cadmium Sulphoselenide PR108
Brominated Phthalocyanine PG36
HHH
gr. 4
132
HHH
gr. 1
248
HHH
gr. 1
324
HHH
Cadmium Yellow Medium
Yellow Ochre Light
Mars Red
Cupric Green Deep
Cadmium Sulphide PY35
Natural Iron Oxide PY43
Synthetic Iron Oxide PR101
Chlorinated Phthalocyanine PG7
HHH
gr. 4
134
HHH
gr. 1
250
HHH
gr. 2
325
HH
Cadmium Yellow Deep
Golden Ochre
Transparent Mars Red
Hooker’s Green
Cadmium Sulphide PY35
Natural Earth PY43
Synthetic Iron Oxide PR101
Diarylide Yellow PY83 Phthalocyanine Beta PB15:3
HHH
gr. 1
162
HHH
gr. 1
256
HHH
gr. 2
333
HHH
Mars Yellow
Raw Sienna Light
Primary Red - Magenta
Green Gold
Synthetic Iron Oxide PY42
Original Natural Earth PBr7
Quinacridone PV19
Arylide Yellow PY97 Brominated Phthalocyanine PG36
HHH
gr. 2
163
HHH
gr. 1
261
HHH
gr. 3
336
HHH
Transparent Mars Yellow
Raw Sienna Deep
Tiziano Red
Verde Chromium Oxide
Synthetic Iron Oxide PY42
Original Natural Earth PBr7 Calcined Original Natural Earth PBr7
Quinacridone PR209
Chromium Oxide PG17
HHH
gr. 1
174
HHH
gr. 3
263
HHH
gr. 3
348
HHH
Naples Yellow Light
Crimson Lake
Sandal Red
Viridian
Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42
Quinacridone PR122 Quinacridone PR 206
Pyrrole-pyrrole PR254
Hydrated Chromíum Oxide PG18
gr. 4
gr. 5
gr. 5
gr. 2
gr. 2
gr. 2
gr. 2
gr. 2
gr. 3
350
356
359
368
373
374
377
391
HHH
gr. 2
392
HHH
gr. 2
452
HHH
gr. 6
493
HHH
Turquoise Green
Ultramarine Deep
Cobalt Violet Deep
Raw Umber
Phthalocyanine PB16
Sodium Polysulphide-AluminosilicatePB29
Cobalt Phosphate PV14
Natural Earth PBr7
HHH
gr. 2
400
HHH
gr. 2
459
HHH
gr. 1
507
HHH
Emerald Green
Primary Blue - Cyan
Mars Violet
Warm Grey
Zinc Oxide PW4 Brominated Phthalocyanine PG36
Phthalocyanine Beta PB15:3
Synthetic Iron Oxide PR101
Titanium Dioxide PW6 Zinc Oxide PW4 Synthetic Iron Oxide PBk11
HHH
gr. 2
405
HHH
gr. 2
460
HHH
gr. 3
510
HHH
gr. 1
gr. 1
gr. 1
Berlin Blue
King’s Blue Light
Mineral Violet
Cool Grey
Phthalocyanine alfa PB15:1
Zinc Oxide PW4 Titanium Dioxide PW6 Cobalt Aluminium-Chromium Oxides PB36
Manganese Ammonium Pyrophosphate PV16
Titanium Dioxide PW6 Zinc Oxide PW4 Sodium Polysulphide-Aluminosilicate PB29
HHH
gr. 6
407
HHH
gr. 2
473
HHH
gr. 2
513
HHH
Cerulean Blue
King’s Blue Deep
Verzino Violet
Neutral Grey
Cobalt Aluminium-Chromium Oxides PB36
Zinc Oxide PW4 Titanium Dioxide PW6 Cobalt-Aluminium Oxides PB28
Quinacridone PR122
Titanium Dioxide PW6 Zinc Oxide PW4 Synthetic Iron Oxide PBk11
HHH
gr. 5
409
HHH
gr. 2
476
HHH
gr. 1
514
HHH
gr. 1
gr. 1
Cobalt Blue Light
Green Blue
Mars Brown
Payne’s Grey
Cobalt-Aluminium Oxides PB28
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
Synthetic Iron Oxide PR101PBk11
Sodium Polysulphide-AluminosilicatePB29 Bone Black PBk9
HHH
gr. 5
436
HHH
gr. 2
477
HHH
gr. 2
535
HHH
Cobalt Blue Deep
Violet Lake
Transparent Mars Brown
Ivory Black
Cobalt-Aluminium Oxides PB28
Dioxazine PV23
Synthetic Iron Oxide PR101
Bone Black PBk9
HHH
gr. 2
440
HHH
gr. 2
484
HHH
gr. 1
537
HHH
gr. 1
gr. 1
gr. 1
Faience Blue
Ultramarine Violet
Vandyke Brown
Carbon Black
Anthraquinone PB60
Sodium Polysulphide-AluminosilicatePV15
Calcined Original Natural EarthPBr7 Bone Black PBk9
Carbon Black PBk7
HHH
gr. 2
451
HHH
gr. 6
492
HHH
gr. 1
540
HHH
Ultramarine Light
Cobalt Violet Pale
Burnt Umber
Mars Black
Sodium Polysulphide-AluminosilicatePB29
Cobalt Ammonium Phosphate PV14
Calcined Natural Earth PBr7
Synthetic Iron Oxide PBk11
0099101 ARTE BEECHWOOD BOX 25x35 cm Cardboard box Metal dividers Palette 12 assorted 20 ml tubes 2 white bristle brusches 1 safflower oil 75 ml bottle 2 charcoal box
“Keep everything that is not necessary out of the painting, everything that is not felt�
Oil Colours This line of oil colours offers the tonalities of the master artists of the Italian Renaissance: in paint composition, in grinding pigments and in the use of rare semi-drying oils, non-yellowing and crystal clear. Many pigments in this range correspond to the ancient originals; others replace,
Gianni Maimeri, The diary October 31 1905
in calibrated and perfect imitation, compounds of heavy metals that, being toxic, harmful
Rinascimento or polluting, should no longer be used. This also provides for safe mixtures of colours, eliminating any risk of alteration. Research into ancient pigments made it possible to select the finest and most stable colours, eliminating problems with incompatible substances once hard to mix.
Rinascimento
00 = oil colours, complete range 11 colours at a sole price
All colours
00 = 40 ml tube
Sales unit 3 pieces in 3 price groups
022
HHH
gr. 8
gr. 9
Ceruse Titanium Dioxide PW6
108
HHH Vasari Yellow
Antimony-Nickel-Titanium Oxides PY53
169
HHH
gr. 9
gr. 9
Kermes Lake Anthraquinone PR83
217
HHH Paris Red
Cadmium Sulphoselenide PR108
281
HHH
gr. 9
Vermillon Cadmium Sulphoselenide PR108
314
HHH
gr. 10
Greek Green Cobalt-Titanium Oxides PG50
349
HHH
gr. 10
Malachite Green Hydrated ChromĂum Oxide PG18
379
HHH
gr. 9
Murano Blue Cobalt-Aluminium Oxides PB28
401
HHH
gr. 8
Michelangelo Blue Sodium Polysulphide Aluminosilicate PB29
478
HHH
gr. 8
gr. 8
Mummy Gilsonite NAT.Bk6
538
HHH Bistre Carbon Black PBk7
“ There’s a strong link between technique and subject” Gianni Maimeri, The diary December 29 1905
Extrafine oil colours Tradition and innovation. The qualities of the components and workmanship that go into Artisti oils combine harmoniously to yield a product that represents the best of both tradition and innovation. The impastos offer the average drying rate typical of oil painting to permit optimum use of blending and allow the artist to take up the paints again and continue work. The line offers a vast palette of 106 colours, including a number of authentic historical
Artisti pigments such as Flake White and Zinc White, Aureolin and true Sienna Earth, Prussian Blue, Manganese Violet, and Bitumen. Maimeri’s decision to continue producing valuable classic pigments which are all but impossible to find these days means that the artist must comply with the ancient basic rules of mixing. The less lightfast pigments, and especially those which are hazardous to the health, have recently been replaced with synthetic pigments guaranteeing comparable colour purity with improved stability and safety. The few colours still considered to some degree damaging to the health, obviously to be used with due precautions, are always marked with the “harmful” symbol.
Artisti
01 = Traditional Oil Colours, complete range 102 colours in 8 price groups
All colours
All colours
Whites
Whites
02 = 20 ml tube
06 = 60 ml tube
22 = 150 ml tube Sales unit 3 pieces
34 = 500 ml can Sales unit 3 pieces
Sales unit 6 pieces
012
018
HHH
Sales unit 3 pieces
gr. 1
083
HHH
gr. 1
084
HHH
gr. 1
091
HHH
HHH
gr. 1
092
gr. 1
094
082
124
gr. 6
098
HH
gr. 4
126
HH
HH
HHH
gr. 5
177
gr. 4
178
HHH
gr. 1
179
HHH
HH
HHH
gr. 1
181
HHH
Yellow Ochre Light
Garnet Lake
Diarylide Yellow PW83 Titanium Dioxide PW6 Benzimidazolone PO36
Natural Iron Oxide PY43 Synthetic Iron OxidePY42
Quinacridone PV19 Dioxazine PV23
gr. 4
133
HHH
gr. 1
183
HHH
Indian Yellow
Yellow Ochre Pale
Magenta Lake
Anthraquinone PO43
Benzidine Yellow PY17 Diarylide Yellow PY83 Anthraquinone PO43
Zinc Oxide PW4 Natural Iron Oxide PY43 Synthetic Iron OxidePY42
Quinacridone PR122 Dioxazine PV23
HHH
gr. 4
102
HHH
gr. 4
134
HHH
gr. 1
184
HHH
Mars Orange
Mars Yellow
Golden Ochre
Solferino Lake
Synthetic Iron Oxide PR101
Synthetic Iron OxidePY42
Natural Iron Oxide PY43 Natural Iron Oxide PY43
Quinacridone PR122 Dioxazine PV23
HHH
gr. 5
105
HHH
HHH
gr. 4
159
Naples Yellow Light
Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron OxidePY42
gr. 5
106
HHH
gr. 5
162
HH
gr. 4
191
HHH
Yellow Stil de Grain
Red Ochre
Hansa Yellow GP Y1 Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBk7
Synthetic Iron OxidePR101 Natural Iron Oxide PY43
HHH
gr. 6
gr. 6
gr. 5
gr. 5
gr. 5
gr. 5
gr. 1
gr. 4
Quinacridone PR122 Quinacridone PV19
Chrome Yellow Lemon (Hue)
HH
Geranium Lake
Natural Iron Oxide PY43
132
HH
Anthraquinone PR83 Quinacridone PV19 Dioxazine PV23
Yellow Ochre
gr. 4
gr. 6
Permanent Madder Deep
Original Natural Earth PBr7 Natural Earth PY43 Bone Black PBk9
131
Quinacridone PR122 Diarylide Yellow PY83
Raw Bergamo
gr. 4
Antique Rose (Alizarin) Madder
Benzidine Yellow PY17 Diarylide Yellow PY83 Calcined Original Natural Earth PBr7
HH
Quinacridone PR122 Benzidine Yellow PY17
Cadmium Sulphide PY35
176
Rose (Alizarin) Madder
Gamboge (Hue)
HH
gr. 4
Indanthrene Orange
Zinc Oxide PW4 Titanium Dioxide PW6 Arylide Yellow PY97
081
gr. 7
Titanium Dioxide PW6 Hansa Yellow 10G PY3
Brilliant Yellow Light
080
Giallo di cromo limone (Hue)
Zinc Oxide PW4 Titanium Dioxide PW6
076
Cadmium Yellow Deep
Titanium Dioxide PW6 Hansa Yellow G PY1
Super Rapid White
HHH
HH
Chrome Yellow Light (Hue)
Titanium Dioxide PW6
075
Benzidine Yellow PY17
Super White
060
HH
Cadmium Sulphide PY35 Cadmium Sulphide PY35
Zinc Oxide PW4
058
122
Zinc Oxide PW4 Titanium Dioxide PW6
Zinc White
026
gr. 7
Transparent Yellow
Zinc Oxide PW4 Titanium Dioxide PW6
024
Cadmium Yellow Medium
Titanium White
020
HHH
Flake White (Hue)
gr. 1
195
HHH
Brilliant Yellow Deep
Naples Yellow Reddish
Raw Sienna Light
Ultramarine Red
Zinc Oxide PW4 Titanium Dioxide PW6 Arylide Yellow PY97
Zinc Oxide PW4 Titanium Dioxide PW6 Benzimidazolone PO36
Original Natural Earth PBr7
Sodium Polysulphide-Aluminosilicate PV15
HHH
gr. 7
107
HHH
gr. 5
163
HHH
gr. 1
212
HHH
Cadmium Orange
Naples Yellow Deep
Raw Sienna Deep
Quinacridone Rose
Cadmium Sulphoselenide PO20
Zinc Oxide PW4 Titanium Dioxide PW6 Arylide Yellow PY97
Original Natural Earth PBr7 Calcined Original Natural Earth PBr7 Chromium Oxide PG17
Quinacridone PV19
HHH
gr. 7
109
HHH
gr. 5
167
HH
gr. 6
224
HHH
gr. 6
gr. 8
Cadmium Yellow Light
Nickel Titanate Yellow
Permanent Carmine
Cadmium Red Orange
Cadmium Sulphide PY35 Cadmium Sulphide PY39
Antimony-Nickel-Titanium Oxides PY53
Anthraquinone PR83
Cadmium Sulphoselenide PR108
HHH
Cadmium Yellow LemonCadmium Sulphide PY35
gr. 7
112
HH
gr. 4
175
HH
gr. 6
226
HHH
Permanent Yellow Lemon
Madder (Alizarin) Light
Cadmium Red Light
Hansa Yellow 10G PY3
Anthraquinone PR83 Quinacridone PR122 Anthraquinone PO43
Cadmium Sulphoselenide PR108
gr. 8
228
230
232
244
HHH
gr. 8
296
HHH
gr. 8
297
gr. 1
392
HHH
gr. 4
HHH
gr. 8
307
HHH
gr. 7
402
HHH
Cadmium Green
Prussian Blue
Cadmium Sulphoselenide PR108
Cadmium Sulphide PY35 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7
Ferric Ferrocyanide PB27
gr. 1
317
HHH
HHH
HHH
HHH
HHH
gr. 4
336
gr. 6
339
gr. 4
340
gr. 1
348
gr. 1
356
gr. 1
358
gr. 4
368
Hansa Yellow G PY1 Phthalocyanine Beta PB15:3
gr. 4
Cinnabar Green Yellowish
373
Hansa Yellow G PY1 Sodium Polysulphide-Aluminosilicate PB29
gr. 4
Cinnabar Green Deep
374
Sodium Polysulphide-Aluminosilicate PB29 Hansa Yellow 10G PY3 Hansa Yellow G PY1
HH
gr. 5
Green Lake
378
Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1 Diarylide Yellow PY83
HHH
410
HHH
gr. 4
Ultramarine Green Sodium Polysulphide-Aluminosilicate PB29 Chlorinated Phthalocyanine PG7
380
HHH
HHH
gr. 4
436
HH
gr. 4
440
HHH
gr. 5
451
HHH
Cobalt Ammonium Phosphate PV14
gr. 6
452
HHH
Viridian
Cobalt Violet Deep
Chromium Oxide idrato PG18
Cobalt Phosphate PV14
gr. 4
454
HHH
Emerald Green
Indanthrene Violet
Zinc Oxide PW4 Chlorinated Phthalocyanine PG7 Hansa Yellow 10G PY3
Quinacridone PR122 Quinacridone PV19 Dioxazine PV23
HH
gr. 4
458
HHH
Sap Green
Manganese Violet
Chlorinated Phthalocyanine PG7 Diarylide Yellow PY83 Anthraquinone PR83
Manganese Ammonium Pyrophosphate PV16
HHH
gr. 7
459
HHH
Cerulean Blue
Mars Violet
Ossidi di cobalto alluminio e cromo PB36
Synthetic Iron OxidePR101
HHH
gr. 7
466
HHH
Cobalt Blue Light
Quinacridone Violet
Cobalt-Aluminium Oxides PB28
Quinacridone PR122
HHH
gr. 7
470
HH
Cobalt Blue Deep
Bitumen
Cobalt-Aluminium Oxides PB28 Cobalt-Aluminium Oxides PB28
Gilsonite NAT.Bk6
HHH
gr. 4
474
HH
492
476
HHH
gr. 1
gr. 1
gr. 1
gr. 4
gr. 1
gr. 4
Indanthrene Blue
Mars Brown
Anthraquinone PB60
Synthetic Iron Oxide PR101PBk11
493
HHH
gr. 8
Natural Earth PBr7 Chromium Oxide PG17
535
HHH Bone Black PBk9
gr. 8
540
HHH
gr. 5
555
HHH
Bone Black PBk9 Sodium Polysulphide-Aluminosilicate PB29
gr. 6
gr. 4
gr. 6
gr. 1
gr. 6
Naphthol AS PR146 Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7
gr. 5
HHH
Vine black
Phthalocyanine Beta PB15:3
gr. 1
Synthetic Iron OxidePBk11
Brown Madder (Alizarin)
Mars Black
Phthalo Blue
HHH
HHH
Ivory Black
Sodium Polysulphide-Aluminosilicate PB29 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7
HH
490
Raw Umber
Cobalt Violet Pale
gr. 4
Calcined Natural Earth PBr7
Permanent Green Deep
HHH
Burnt Umber
Sodium Polysulphide-Aluminosilicate PV15
gr. 5
HH
Natural Earth calcinata PBr7 Bone Black PBk9 Carbon Black PBk7
Cadmium Sulphide PY35 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7
gr. 1
Cassel Earth
Ultramarine Violet
488
Dioxazine PV23 Anthraquinone PR83
gr. 6
Calcined Original Natural Earth PBr7 Bone Black PBk9 Carbon Black PBk7
Violet Lake
HHH
Anthraquinone PR83 Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7
Permanent Green Light
HHH
484
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
gr. 5
gr. 1
Calcined Original Natural Earth PBr7 Original Natural Earth PBr7 Natural Earth PG23
Phthalo Blue Green
Chromium Oxide PG17
Cinnabar Green Light
HH
gr. 7
Chromium Titanium Oxide PG50
Calcined Original Natural Earth PBr7
HH
Chrome Oxide Green
Burnt Sienna
HH
Cobalt Green Deep
Synthetic Iron OxidePR101 Natural Earth PBr7
HHH
HHH
Brown Stil de Grain
Cadmium Red Deep
HHH
HHH
Vandyke Brown
Sodium Polysulphide-Aluminosilicate PB29
Pozzuoli Earth
294
Natural Earth PG23 Natural Earth PBr7 Chlorinated Phthalocyanine PG7
Synthetic Iron OxidePR101 Natural Earth calcinata PBr7 Synthetic Iron OxidePY42
290
HHH
482
Transparent Brown
Cadmium Sulphoselenide PR108
Venetian Red
288
gr. 4
Ultramarine Deep
Anthraquinone PO43 Quinacridone PV19
287
Antique Green Earth
Red Lead (Hue)
286
Cadmium Red Purple
Quinacridone PV19
278
HHH
Sodium Polysulphide-Aluminosilicate PB29
Quinacridone Red
276
390
Natural Earth PG23 Chlorinated Phthalocyanine PG7
Synthetic Iron OxidePR101
262
gr. 1
Cadmium Sulphoselenide PR108
Mars Red
260
Ultramarine
Synthetic Iron OxidePR101 Sodium Polysulphide-Aluminosilicate PB29
258
Green Earth
English Red
248
HHH
Cadmium Red Mediumo
gr. 4
“ The painter must do as the poet or the musician does: speak; the word that calls up a world” Gianni Maimeri, The diary December 29 1905
fine oil colours The Artist’s daily bread and butter. Anyone professional or amateur – who picks up a tube of Classico oil paints will find in it just what they need. Classico fine oil colours are versatile, offering an unsurpassed price to quality ratio. These colours are produced by strict principles that yield a top quality product. They revolutionise the criteria by which a economical (rated “fine”) range is judged. They contain no waxes or thickeners, (no manufacturing
Classico shortcuts). The colour palette includes the best original natural earths and true cadmium pigments. Average pigment concentration is very high. Formulas are perfected to balance the drying times of all colours. Bright, lively colours with overall harmony in the palette, Classico colours are made with modern non-toxic, non-polluting pigments that improve lightfastness. All colours may be intermixed together in any ratio or proportion, without limits. All this thanks to Maimeri’s vast experience, summed up in an oil line that has proven to be so successful it has become the daily workhorse of a whole generation of artists.
Classico
03 = Extrafine Oil Colours, complete range 77 olours in 3 price groups
All colours
All colours
All colours
Reduced range 30 colours marked by t
02 = 20 ml tubetto
06 = 60 ml tubetto
24 = 200 ml tubetto Sales unit 1 piece
34 = 500 ml can Sales unit 1 piece
Sales unit 6 pieces
018
019
020
026
075
HHH
Sales unit 3 pieces
t
gr. 1
106
gr. 2
276
HHH
gr. 1
t
gr. 1
gr. 2
t
gr. 2
Synthetic Iron Oxide PR101 Natural Earth PR101 Calcined Natural Earth PBr7
HHH
t
gr. 2
107
HHH
gr. 2
214
HHH
gr. 2
278
HHH
Titaniumzinc White
Naples Yellow Deep
Quinacridone Rose Light
Burnt Sienna
Zinc Oxide PW4 Titanium Dioxide PW6
Zinc Oxide PW4 Synthetic Iron Oxide PY42 Arylide Yellow PY97
Zinc Oxide PW4 Quinacridone PR122
Original Natural Earth calcinata PBr7
HHH
t
gr. 2
110
HHH
Zinc White
Permanent Orange
Zinc Oxide PW4 Titanium Dioxide PW6
Benzimidazolone PO62 Anthraquinone PO43
HHH
t
gr. 2
111
HHH
t
Zinc Oxide PW4 Titanium Dioxide PW6
Arylide Yellow PY97 Titanium Dioxide PW6
gr. 2
112
HHH
HHH
HHH
gr. 2
114
gr. 3
116
HHH
gr. 1
248
gr. 3
131
HHH
t
gr. 2
249
t
gr. 1
251
Yellow Ochre
gr. 3
132
HHH
gr. 1
253
gr. 3
134
HHH
gr. 1
256
gr. 1
161
HHH
t
gr. 1
258
Original Natural Earth PBr7
t
Naples Yellow Light Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42
gr. 3
167
HHH
gr. 3
Permanent Carmine Quinacridone PV19 Quinacridone PR206
285
t
gr. 2
262
HHH
Vermilion Deep (Hue)
Cadmium Sulphoselenide PR108
Pyrrole-pyrrole PR254 Quinacridone PV19
HHH
gr. 3
286
HHH
HHH
HH
Hansa Yellow GPY1 Phthalocyanine BetaPB15:3
gr. 1
287
HH
Hansa Yellow GPY1 Sodium Polysulphide-Aluminosilicate PB29
gr. 2
288
HH
Cinnabar Green Deep
Anthraquinone PO43
Hansa Yellow GPY1 Phthalocyanine Alpha PB15:1 Benzimidazolone PO36
gr. 2
290
HHH
Permanent Red Light
Green Lake
Benzimidazolone PO36 Pyrrole-pyrrole PR254
Arylide Yellow PY97 Chlorinated Phthalocyanine PG7 Phthalocyanine BetaPB15:3
HHH
HHH
HHH
gr. 2
296
HHH
t
gr. 1
gr. 1
gr. 1
Green Earth Natural Earth PG23 Chlorinated Phthalocyanine PG7
t
gr. 2
307
HHH
t
Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7
gr. 3
321
HHH
t
Phthalo Green
Quinacridone PR209
Chlorinated Phthalocyanine PG7
Venetian Red Synthetic Iron Oxide PY42 Calcined Natural Earth PBr7 Synthetic Iron Oxide PR101
gr. 3
Cadmium Green
Quinacridone Red
HH
gr. 1
Cinnabar Green Yellowish
Permanent Red Orange
HHH
gr. 1
Cinnabar Green Light
Quinacridone PR122
Raw Sienna
Arylide Yellow PY97 Anthraquinone PO43
t
Cadmium Red Medium
Primary Red - Magenta
Natural Iron OxidePY43 Synthetic Iron Oxide PY42 Zinc Oxide PW4
Indian Yellow
Benzimidazolone PO36 Pyrrole-pyrrole PR254
Quinacridone PV19 Pyrrole-pyrrole PR254
Golden Ochre
Cadmium Sulphide PY35
HHH
HHH
Vermilion Light (Hue)
Permanent Red Deep
Yellow Ochre Light Natural Iron OxidePY43 Titanium Dioxide PW6 Synthetic Iron Oxide PY42
284
Synthetic Iron Oxide PR101
Natural Iron OxidePY43 Synthetic Iron Oxide PY42 Zinc Oxide PW4
gr. 3
Mars Red
Arylide Yellow PY97 Benzimidazolone PY175
Cadmium Sulphoselenide PR108
Primary Yellow
HHH
HHH
Cadmium Red Deep
Arylide Yellow PY97 Isoindoline PY139 Titanium Dioxide PW6
Cadmium Yellow Deep
HHH
232
Permanent Yellow Deep
Cadmium Sulphide PY35
HHH
gr. 2
228
Benzimidazolone PY175
Cadmium Yellow Lemon
HHH
gr. 2
Permanent Yellow Lemon
Cadmium Sulphide PY35
HHH
HHH
226
Cadmium Sulphoselenide PR108
Permanent Yellow Light
HHH
gr. 2
Cadmium Red Light
Super Rapid White
Cadmium Yellow Light
105
Quinacridone PV19 Quinacridone PR206 Dioxazine PV23
Cadmium Sulphide PY35
098
HHH
Zinc Oxide PW4 Titanium Dioxide PW6 Anthraquinone PO43
Cadmium Orange
084
178
Zinc Oxide PW4 Titanium Dioxide PW6
Zinc Oxide PW4 Isoindoline PY139 Arylide Yellow PY97
082
gr. 2
Pozzuoli Earth
Brilliant Yellow Deep
081
t
Permanent Madder Deep
Zinc Oxide PW4 Benzimidazolone PY175
080
Naples Yellow Reddish
Brilliant Yellow Light
076
HHH
Titanium White
gr. 1
336
HHH
Chrome Oxide Green Chromium Oxide PG17
gr. 2
gr. 2
339
340
356
HHH
gr. 2
392
HHH
t
gr. 2
535
HHH
Sodium Polysulphide-Aluminosilicate PB29
Dioxazine PV23
Bone Black PBk9 Carbon Black PBk7
HHH
gr. 1
400
HHH
t
gr. 2
465
HHH
gr. 2
540
HHH
t
gr. 1
gr. 1
gr. 2
gr. 2
gr. 2
Permanent Green Deep
Primary Blue - Cyan
Permanent Violet Reddish
Mars Black
Chlorinated Phthalocyanine PG7 Phthalocyanine Alpha PB15:1 Benzimidazolone PY175
Phthalocyanine Beta PB15:3 Phthalocyanine PB16
Quinacridone PV19 Dioxazine PV23
Synthetic Iron Oxide PBk11
HHH
gr. 3
HHH
t
gr. 2
HHH
gr. 3
Cerulean Blue
402
405
408
HHH
t
gr. 1
Cobalt Blue Light (Hue)
gr. 2
t
410
414
448
gr. 1
003
HHH
Titanium Dioxide+Mica+ Synthetic Iron Oxide
HHH
gr. 3
488
HH
gr. 1
137
HHH
King’s Blue Light
Brown Stil de Grain
Light Gold
Zinc Oxide PW4 Cobalt Aluminium-Chromium Oxides PB36
Naphthol AS PR146 Diarylide Yellow PY833 Chlorinated Phthalocyanine PG7
Titanium Dioxide+Mica+ Synthetic Iron Oxide
HHH
HHH
gr. 2
490
HHH
gr. 2
492
HHH
t
Chlorinated Phthalocyanine PG7 Phthalocyanine BetaPB15:3
Calcined Natural Earth PBr7
t
HHH
Cobalt Violet (Hue)
Sodium Polysulphide-Aluminosilicate PB29
Quinacridone PV19 Dioxazine PV23
t
gr. 2
HHH
gr. 1
t
gr. 1
gr. 1
Natural Earth PBr7 Chromium Oxide PG17
gr. 2
514
HHH
HHH
Titanium Dioxide+Mica+ Synthetic Iron Oxide
Raw Umber
0398052 CARDBOARD BOX 5 x 60 ml tubes (Primary colours - White - Black)
0398100 PLASTIC BLISTER 10 x 20 ml tubes assorted
493
151
Deep Gold
Calcined Original Natural Earth PBr7 Bone Black PBk9 Calcined Natural Earth PBr7
Burnt Umber
HHH
gr. 1
Cassel Earth
Phthalo Blue Green
Ultramarine Light
0398051 CARDBOARD BOX 6 x 20 ml tubes (Primary colours - 2 Whites - Black)
t
Calcined Original Natural Earth PBr7 Bone Black PBk9 Carbon Black PBk7
Zinc Oxide PW4 Phthalocyanine BetaPB15:3
gr. 1
Ferric Ferrocyanide PB27
Sodium Polysulphide-Aluminosilicate PB29 Zinc Oxide PW4 Phthalocyanine Alpha PB15:1
HHH
Silver
Sky Blue
484
Vandyke Brown
Cobalt Blue Deep (Hue).
HHH
gr. 1
Prussian Blue
Zinc Oxide PW4 Phthalocyanine PB16 Chlorinated Phthalocyanine PG7
Sodium Polysulphide-Aluminosilicate PB29 Zinc Oxide PW4 Titanium Dioxide PW6
HHH
HHH
Turquoise Blue
Cobalt Aluminium-Chromium Oxides PB36 Phthalocyanine Alpha PB15:1
391
463
Benzimidazolone PY175 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6
Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7
371
gr. 1
Ivory Black
Sap Green
370
t
Permanent Violet Blueish
Zinc Oxide PW4 Benzimidazolone PY175 Phthalocyanine Beta PB15:3
368
Ultramarine Deep
Emerald Green
358
HHH
Permanent Green Light
Payne’s Grey Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9
“Keep everything that is not necessary out of the painting, everything that is not felt�
Coarsely Ground Oil Colours The chromatic assortment of Coarsely ground Mediterranean. Colours is basic, because only a few essential tones are needed to render the magic of a harmonic motion. Pure and, one may say, fundamental, the colours of this light are in any case calibrated to capture every nuance and modulation needed for sunny,
Gianni Maimeri, The diary October 31 1905
luminous and natural painting. The grain size of these colours is larger than for other
Mediterraneo oil paints and paste density is thicker, with brushstrokes accentuated. The colour dried on the canvas damps the ray of light and softens tones, giving the surface a rugged feel. Mixable with other oil colours.
Mediterraneo
03 = coarsely ground oil colours, complete range 11 colours at a sole price
All colours
03 = 60 ml tube Sales unit 3 pieces
028
HHH
Santorini White Titanium Dioxide PW6
057
HHH
Trinacria Orange Benzimidazolone PO62
088
HHH
Vesuvius Yellow Antimony-Nickel-Titanium Oxides PY53
089
HHH
Damascus Yellow Benzidine Yellow PY17
213
HHH
Provence Rose Lake Quinacridone PR122
218
HHH
Sevilla Red Monoazoic PO5
315
HHH
Salento Green Hydrated ChromĂum Oxide PG18
357
HHH
Green Obsidian from Pantelleria Ferrous Nitrous Beta Naphthol PG8
396
HHH
Ercolano Blue Cobalt Aluminium-Chromium Oxides PB36
397
HHH
Capri Blue Sodium Polysulphide-Aluminosilicate PB29
439
HHH
Grasse Violet Sodium Polysulphide-Aluminosilicate PV15
“Keep everything that is not necessary out of the painting, everything that is not felt�
Oil Colours The Italian Natural Earth colours are created with pigments of antique origin that have always been used to make the colours that until a few years ago characterized the regional schools of painting throughout Italy. The colours of Roman houses, of Venetian palaces, of the Umbrian or Tuscan hill-towns.
Gianni Maimeri, The diary October 31 1905
The grain size of the dispersed pigment is larger than for traditional oil paints.
Terre grezze d’Italia The paste is denser, the appearance more opaque due to a different refraction of the light, the tone is more natural and the coat is thicker and more material. Italian Natural Earth colours can be mixed with other oil paints. Slight discontinuities in tone are a guarantee of the authenticity and naturalness of the product, which contains no additional colorants of organic synthesis.
Terre Grezze d’Italia
03 = oil colours, complete range 11 colours at a sole price
All colours
03 = 60 ml tube Sales unit 3 pieces
030
HHH
Terra bianca di Carrara Calcium Carbonate PW18
031
HHH
Orange Earth from Herculanum Natural Iron Oxide PY43
033
HHH
Yellow Earth from Rome Natural Iron Oxide PY43
034
HHH
Yellow Earth from Verona Natural Iron Oxide PY43
035
HHH
Raw Sienna Original Natural Earth PBr7
036
HHH
Venetian Red Earth Natural Iron Oxide PR101
037
HHH
Sardinian Red Earth Calcined Original Natural Earth PBr7
038
HHH
Burnt Sienna Calcined Original Natural Earth PBr 7
039
HHH
Green Earth from Verona Natural Earth PG23
040
HHH
Antique Green Earth from Verona Natural Earth PG23
041
HHH
Brown Earth from Florence Calcined Original Natural Earth PBr7
“ The painter must do as the poet or the musician does: speak; the word that calls up a world�
Oil Colours
Gianni Maimeri, The diary December 29 1905
high quality at a convenient price safety and respect
In Maimeri Olio has been perfected all the expertise gained in many years of work, free from binding precedents, aiming towards an element that changes one’s view of oil colours, completing an assortment of the existent with what had been lacking. 38 essential colours well balanced and with new pigments. for the environment. All toxic or harmful substances have been excluded from
Maimeri Olio the formulation, modern, efficient, useful . Composed of layers of plastic material coupled with an impenetrable and impermeable barrier, the tube is therefore exceptionally practical and manageable and, above all, extremely resistant. Average drying time for the range is less than for other oil colours, decreasing work time, freeing time spans, providing some savings and allowing for the use of painting techniques and utensils more in tune with acrylic colours while enjoying the brilliance of oil paints. The range includes 4 oil painting mediumsof new formulationn in the same 200-ml tube.
Maimeri Olio
05 = Oil Colours, complete range 38 colours at a sole price
All colours
24 = 200 ml tube Sales unit 3 pieces 018
020
HHH
191
Titanium Dioxide PW6 Sodium PolysulphideAluminosilicate PB29
Carbon Black PBk7
HHH
214
256
HHH
258
HH
131
132
161
Synthetic Iron Oxide PBk11
400
HH
Primary Blue - Cyan
Naphthol AS PR 146
Phthalocyanine Beta PB15:3
HH
402
HHH
HH
Hansa Yellow PY3
Monoazoic PO5
Monoazoic Strontium Salt PR 48:3
HH
Cinnabar Green Light
Hansa Yellow PY1
Hansa Yellow PY1 Phthalocyanine Beta PB15:3
296
Green Earth
Synthetic Iron Oxide PY42
Natural Earth PG23
336
HHH
Yellow Ochre Light
Chrome Oxide Green
Synthetic Iron Oxide PY42 Titanium Dioxide PW6
Chromium Oxide PG17
356
HHH
HH
Impasto oil medium matt
HHH Synthetic Iron Oxide PR101 Synthetic Iron Oxide PBk11
HHH
852
Impasto oil medium gloss
Synthetic Iron Oxide PR101 Synthetic Iron Oxide PBk11
492
HHH Burnt Umber Calcined Original Natural Earth PBr7
493
Mars Brown
Permanent Carmine
Sap Green
Monoazoic calcium salt PR57:1
Ferrous Nitrous Beta Naphthol PG8
853
HHH Natural Earth PBr7
514
HHH
Impasto oil medium coarse
Raw Umber
Chlorinated Phthalocyanine PG7
358
851
Vandyke Brown
Emerald Green
Original Natural Earth PBr7
HH
HHH
HHH Dioxazine PV23
484
HHH
Yellow Ochre
HHH
HHH
Cobalt Violet (Hue)
476
Primary Yellow
HHH
Oil painting primer
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
448
HH
Hansa Yellow PY1 Disazoic PO13
286
Sky Blue
Carbon Black PBk7 Phthalocyanine Alpha 15:1
Vermilion Deep (Hue)
850
HHH
Indigo
Permanent Yellow Deep
HH
Ferric Ferrocyanide PB27
422
HHH Prussian Blue
414
Vermilion Light (Hue)
285
HHH
Primary Red - Magenta
Permanent Yellow Lemon
HH
Sodium PolysulphideAluminosilicate PB29
Calcined Original Natural Earth PBr7
284
HHH
Titanium Dioxide PW6 Quinacridone PV19
Hansa Yellow PY1 Disazoic PO13
540
Mars Black
Burnt Sienna
HH
HHH
Ultramarine Light
Permanent Orange
Raw Sienna
167
391
Quinacridone Rose Light
Monoazoic PO5 Monoazoic Strontium Salt PR 48:3
278
HH
HHH
Quinacridone Red
Titanium Dioxide PW6 Disazoic PO13
116
Synthetic Iron Oxide PR101
Naples Yellow Reddish
114
HHH
Titanium Dioxide PW6
Synthetic Iron Oxide PY42 Titanium Dioxide PW6
112
535
Ivory Black
Naples Yellow Light
110
HHH
Cobalt Blue Light (Hue)
Zinc Sulphide PW7
106
370
Red Ochre
Zinc White
105
HHH
Titanium White
Payne’s Grey Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11
“Keep everything that is not necessary out of the painting, everything that is not felt”
Oil Colours New colours have entered the imagination of the contemporary and younger generations, they are the hues of a colourful dreamscape. They are the colours of video, of high-definition, of the liquid crystals of the virtual. Maimeri HD, 30 oil colours mostly based on high concentrations of organic-synthesis pigment. So the colours aren’t opaque
Gianni Maimeri, The diary October 31 1905
and muted but have luminosity and vibrant transparency. Thanks to their composition and grinding,
HD HD oil colours allow light to pass in a diffused fashion. They have properties the opposite of opacity. They are limpid, translucent. All the tints in the range are devoid of substances considered hazardous for humans and the environment.
HD
06 = Oil Colours, complete range 30 colours at a sole price
All colours
16 = 75 ml tube Sales unit 3 pieces
570
571
HHH
582
BLACK HACKER
Chromium Oxide PG17
Carbon Black PBk7
HHH
583
584
HHH MOON WHITE Titanium Mica
585
HH LIFE YELLOW
575
576
577
578
579
580
STURDUST PURPLE Titanium Mica
597
HH
STARDUST BLUE
Hansa Yellow 10G PY3 Phtalocyanine Beta PB15.3
Titanium Mica
HHH
557
HH
Ferrous Nitroso Beta Naphtol PG8
587
HHH
Synthetic Iron Oxide PBk11
H FLASH MAGENTA Fluorescent Dye fixed on Resin
599
HHH HEAVY METAL
598
Hansa Yellow G PY1
HHH
LUCKY GREEN
RESET GREEN
HH
HHH
Hansa Yellow 10G PY3 Chlorinated Phtalocyanine PG7
CAUTION YELLOW
H
TILT YELLOW
NOBLESSE BLUE
FLASH YELLOW
Diarylide Yellow PY83
Phtalocyanine Alpha PB15:1
Fluorescent Dye fixed on Resin
588
HH
AVATAR BLUE
Anthraquinone PO13 Hansa Yellow G PY1
Phtalocyanine Beta PB15:3
HH
589
oILM e DIUM ECO
HHH
ENERGY ORANGE
MADE I N ITALY
HHH
FIREWALL RED
COOL BLUE
Monoazoic PO5
Sodium Polysulphide Aluminium Silicate PB29
HH
590
HHH
REBEL RED
SOUL BLUE
Naphtol AS PR112
Ferric Ferrocyanide PB27
591
HHH
HHH
LUXURY RED
DRY OCHRE
Quinacridone PV19
Synthetic Iron Oxide PY42
593
HH RED DEVIL
HHH
HHH Synthetic Iron Oxide PR101
594
HHH
GAME OVER PURPLE
URBAN GREY
Dioxazine PV23
Carbon Black PBk11
Thinner suitable for all oil colours, mixable with water, non-hazardous for human health nor for the environment. Liquid like water, colourless, with a barely perceptible odour, the Oil Medium can be used indoors without causing disturbances. For very sensitive users the workplace should be ventilated during or after use. Oil Medium is the ideal alternative to traditional solvents (turpentine, white spirit, odourless thinner), it reduces the density of oil colours, softening the paste and making the application easier and smoother. It can also be applied with a dropper to avoid waste or the product can be added to the colour in controlled quantity. Excessive use may cause dull or dry areas on the painted surface and therefore it is advisable not to exceed 30% of Oil medium with respect to the colour. It evaporates more slowly than traditional solvents, however we recommend closing the container well after use in order to avoid unnecessary dispersion. If clean, the remnants of Oil Medium can be returned to the original bottle after use and reused countless times. The product does not slow down the oxidation of oil colours and can be disposed of in household drains. Keep out of the range of children.
oILCL ea N e5 ECO MADE I N ITALY
FLASHBACK UMBER
Monoazoic calcium salt PR57:1
581
596
FREEDOM GREEN
Chlorinated Phtalocyanine PG7
586
HHH
HH
HAZARD GREEN
Hansa Yellow 10G PY3
574
HHH
Titanium Dioxide PW6
Titanium Dioxide PW6
573
595
GREEN DRAGON
DOUBLE WHITE
572
HHH
NO COLOUR
Ammonia-free cleanser mixable and dilutable with water. Non-hazardous for human health nor for the environment. It thoroughly cleans all painting tools, such as brushes, painting knives, palettes and mixing bowls. Suitable for cleaning the insides of plastic tubes allowing a perfect recycling of the tubes. Slightly straw yellow, it is odourless and has excellent dispersion power, removing all traces of oil and pigment. Slightly foamy. For cleaning plastic tubes cut the end of the tube just below the weld. Pour the detergent into the tube either pure or slightly diluted with water. In order to obtain maximum cleaning power shake well or use a bottlebrush to clean the low end of the tube. For cleaning painting tools use the detergent slightly diluted with water or if necessary for a stronger action directly on the support with a soft sponge in a way not to damage the painting instruments. For cleaning the painting supports follow the instructions for cleaning the tools. We recommend taking action immediately to avoid permanent stains on easels, tables or other supports caused by the drying of oil colours.
“ The aesthetic emotion is always an act of synthesis, perhaps an act of love” Gianni Maimeri, The diary Spring 1907.
extrafine acrylic colours All the colours of acrylic painting. Artists looking for acrylic colours with guaranteed quality and lightfastness will find what they are looking for in Brera Acrylics. All Maimeri’s experience with colour has been combined in this extrafine range of 72 colours, all made with the highest degree of lightfastness. These are colours for professionals, responsive to great skill and dexterity and offering fantastic
Brera Acrylic colours in return. In addition to all the pigments most commonly required by artists, the range offers a number of metallic and translucent hues, perfect for contemporary art as well as for decoration and other special uses. These special colours, produced with precious materials, may be intermixed with other more transparent colours in the range to obtain a wide range of chromatic effects. Brera Acrylic is the top of the line in acrylic painting. The binder in all colours is an ultra fine emulsion of acrylic resin with the addition of special preservatives, surfactants and UV filters which help maintain a resistant, supple film with a smooth, silky, matte finish.
Brera Acrylic
08 = Extrafine Acrylic Colours, complete range 72 colours in 3 price groups
All colours
Reduced range 42 colours marked by
Reduced range 12 colours marked byt
06 = 60 ml tube
22 = 150 ml tube
30 = 350 ml jar Sales unit 1 piece
Sales unit 3 pieces
018
020
052
054
063
068
072
074
081
082
083
084
HHH
Sales unit 3 pieces s t s
gr. 1
100
HHH
gr. 1
226
HHH
s
gr. 2
331
HHH
s
Titanium White
Lemon Yellow
Cadmium Red Light
Olive Green
Titanium Dioxide PW6
Benzimidazolone PY175
Cadmium Sulphoselenide PR108
Isoindoline PY139 Chlorinated Phthalocyanine PG7 Benzimidazolone PO36
HHH
s
gr. 1
116
HHH
t s
gr. 1
228
HHH
t s
gr. 2
333
HHH
gr. 1
gr. 2
Zinc White
Primary Yellow
Cadmium Red Medium
Verde oro
Zinc Oxide PW4
Arylide Yellow PY97
Cadmium Sulphoselenide PR108 Cadmium Sulphoselenide PR108
Arylide Yellow PY97 Sodium Polysulphide-Aluminosilicate PB29
HHH
gr. 1
131
HHH
s
gr. 1
232
HHH
gr. 2
336
HHH
Brilliant Orange
Yellow Ochre
Cadmium Red Deep
Chrome Oxide Green
Anthraquinone PO43
Synthetic Iron Oxide PY42
Cadmium Sulphoselenide PR108
Chromium Oxide PG17
HHH
gr. 2
134
HHH
gr. 1
234
HHH
s
gr. 2
339
HHH
s
gr. 1
s
gr. 1
Cadmium Orange
Golden Ochre
Naphthol Crimson
Permanent Green Light
Cadmium Sulphide PY35 Cadmium Sulphoselenide PO20
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42+PR101
Pyrrole-pyrrole PR254 Quinacridone PV19
Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7
HHH
s
gr. 2
147
HHH
s
gr. 2
248
HHH
gr. 1
340
HHH
Quinacridone Orange
Quinacridone Gold
Mars Red
Permanent Green Deep
Quinacridone PR206
Synthetic Iron Oxide PY42
Synthetic Iron Oxide PR101
Chlorinated Phthalocyanine PG7 Arylide Yellow PY97 Titanium Dioxide PW6
HHH
s
gr. 1
161
HHH
t s
gr. 1
256
HHH
t s
gr. 2
350
HHH
Flesh Tint
Raw Sienna
Primary Red - Magenta
Turquoise Green
Titanium Dioxide PW6 Anthraquinone PO43
Synthetic Iron Oxide PY42 Isoindoline PY139 Anthraquinone PO43
Quinacridone PV19
Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7
HHH
gr. 1
165
HHH
s
gr. 2
257
HHH
gr. 2
356
HHH
Orange Yellow
Bordeaux
Pyrrole Red
Emerald Green
Arylide Yellow PY97 Isoindoline PY139
Dioxazine PV23 Quinacridone PV19
Pyrrole-pyrrole PR254
Arylide Yellow PY97 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6
HHH
s
gr. 2
170
HHH
gr. 3
258
HHH
gr. 2
364
HHH
s
gr. 1
gr. 1
gr. 1
gr. 1
Brilliant Yellow
Quinacridone Crimson
Quinacridone Red
Brilliant Blue
Arylide Yellow PY97 Titanium Dioxide PW6 Isoindoline PY139
Quinacridone PR122 Quinacridone PR206
Quinacridone PR209
Sodium Polysulphide-Aluminosilicate PB29 Titanium Dioxide PW6
HHH
s
gr. 2
214
HHH
gr. 1
278
HHH
s
gr. 1
367
HHH
s
Cadmium Yellow Light
Quinacridone Rose Light
Burnt Sienna
Cerulean Blue (Hue)
Cadmium Sulphide PY35
Titanium Dioxide PW6 Quinacridone PR122 Anthraquinone PO43
Synthetic Iron Oxide PR101 Isoindoline PY139 Synthetic Iron Oxide PR101PBk11
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
HHH
s
gr. 2
219
HHH
gr. 2
321
HHH
t s
gr. 1
368
HHH
gr. 1
gr. 3
Cadmium Yellow Lemon
Brilliant Red Light
Phthalo Green
Cerulean Blue
Cadmium Sulphide PY35
Anthraquinone PR168
Chlorinated Phthalocyanine PG7
Cobalt Aluminium-Chromium Oxides PB36
HHH
s
gr. 2
221
HHH
s
gr. 2
323
HHH
gr. 1
372
HHH
gr. 3
Cadmium Yellow Medium
Brilliant Red Deep
Yellowish Green
Cerulean Blue
Cadmium Sulphide PY35
Pyrrole-pyrrole PR254 Quinacridone PV19 Quinacridone PV19
Titanium Dioxide PW6 Arylide Yellow PY97 Chlorinated Phthalocyanine PG7
Cobalt Aluminium-Chromium Oxides PB28
HHH
s
gr. 2
224
HHH
gr. 2
325
HHH
s
gr. 1
375
HHH
gr. 1
Cadmium Yellow Deep
Cadmium Red Orange
Hooker’s Green
Cobalt Blue (Hue)
Cadmium Sulphide PY35
Cadmium Sulphoselenide PR108
Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42 Carbon Black PBK7
Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Beta PB15:3 Titanium Dioxide PW6
378
380
390
394
400
443
447
466
468
476
484
492
HHH
s
gr. 1
493
HHH
s
Phthalo Blue
Raw Umber
Phthalocyanine Alpha PB15:1
Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101
HHH
s
gr. 2
507
HHH
Indanthrene Blue
Warm Grey
Anthraquinone PB60
Titanium Dioxide PW6 Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PY42
HHH
t s
gr. 1
510
HHH
gr. 1
gr. 1
gr. 1
Ultramarine
Cool Grey
Sodium Polysulphide-Aluminosilicate PB29
Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11
HHH
s
gr. 1
513
HHH
gr. 1
s
gr. 1
Permanent Blue Light
Neutral Grey
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7
Titanium Dioxide PW6 Synthetic Iron Oxide PBK11
HHH
t s
gr. 1
514
HHH
Primary Blue - Cyan
Payne’s Grey
Phthalocyanine Beta PB15:3
Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBK7
HHH
s
gr. 2
535
HHH
Violet
Ivory Black
Dioxazine PV23
Carbon Black PBK7
HHH
gr. 1
540
HHH
s
t s
Brilliant Violet
Mars Black
Titanium Dioxide PW6 Dioxazine PV23
Synthetic Iron Oxide PBK11
HHH
gr. 3
006
HHH
t s
Quinacridone Violet
Iridescent Silver
Quinacridone PR122
Titanium Dioxide+Mica Titanium Dioxide+Mica+ Synthetic Iron Oxide
HHH
gr. 2
016
HHH
t s
gr. 1
Quinacridone PR122 Titanium Dioxide PW6 Dioxazine PV23
Titanium Dioxide+Mica
gr. 1
146
HHH
Mars Brown
Iridescent Gold
Synthetic Iron Oxide PR101PBk11
Titanium Dioxide+Mica+ Synthetic Iron Oxide
HHH
gr. 1
201
HHH
Vandyke Brown
Iridescent Copper
Calcined Original Natural Earth PBr7 Quinacridone PV19 Carbon Black PBK7
Mica+Synthetic Iron Oxide
HH
t s
gr. 1
471
HHH
gr. 1
gr. 1
Iridescent White
gr. 1
s
Violet Reddish
HHH
gr. 1
s
gr. 2
gr. 1
Burnt Umber
Iridescent Bronze
Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PR101PBk11 Diarylide Yellow PY83
Bioss. di tit.+Mica+Synthetic Iron Oxide Mica+Synthetic Iron Oxide Carbon Black PBK7
“Refinement in art is often a sign of weakness and superficiality� Gianni Maimeri, The diary May 17 1908.
fine acrylic colours The greatest versatility in acrylic colours. The Polycolor line is intended to make the most of the enormous versatility of a painting technique which has revolutionised the way the world is painting in the past fifty years. Polycolor contains a special ultra fine acrylic emulsion binder, a high tech product which dries to produce an extremely strong, resistant, supple, opaque film which performs very well even out of doors, exposed to natural elements.
Polycolor All pigments are highly concentrated to offer excellent coverage and colour impact (100 ml of paint will cover about 3 square metres). All colours are lightfast and may be intermixed freely. The range includes seven indelible metallic colours intended for a wide range of uses in billboards and decorating. Polycolor colours are ideal for covering large surfaces, for beautiful stage sets, for interior decorating and indoor and outdoor murals.
Polycolor
12 = Fine Acrylic Colours, complete range 54 colours at a sole price
TAll colours
Reduced range 49 colours marked by t
All colours
All colours
02 = 20 ml tube
06 = 60 ml tube
20 = 140 ml jar
34 = 500 ml jar Sales unit 1 prices
Sales unit 6 pieces
018
020
021
052
068
072
074
083
100
104
116
118
HHH
Sales unit 6 pieces
Sales unit 3 pieces
131
t
HHH
t
304
HH
t
Titanium White
Yellow Ochre
Brilliant Green Light
Titanium Dioxide PW6
Synthetic Iron Oxide PY42 Titanium Dioxide PW6
Hansa Yellow 10G PY3 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7
HHH
t
161
HHH
t
305
HH
404
HHH
t
King’s Blue
t
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7
408
HHH
t
Zinc White
Raw Sienna
Brilliant Green Deep
Turquoise Blu
Titanium Dioxide PW6 Zinc Oxide PW4
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42+PR101
Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1 Titanium Dioxide PW6
Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
HHH
165
HH
321
HHH
t
438
HHH
t
Ivory White
Bordeaux
Phthalo Green
Lilac
Titanium Dioxide PW6 Synthetic Iron Oxide PY42
Naphthol AS PR12
Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6
Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PV15
HHH
t
166
HH
t
323
HH
t
443
HHH
Brilliant Orange
Carmine
Yellowish Green
Violet
Benzimidazolone PO36
Naphthol AS PR146 Naphthol AS PR9 Titanium Dioxide PW6
Hansa Yellow 10G PY3 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7
Dioxazine PV23 Titanium Dioxide PW6
HHH
t
191
HHH
t
336
HHH
t
447
HHH
Flesh Tint
Red Ochre
Chrome Oxide Green
Brilliant Violet
Titanium Dioxide PW6 Quinacridone PV19 Benzimidazolone PO36
Synthetic Iron Oxide PR101
Ossido di cromo PG17
Titanium Dioxide PW6 Dioxazine PV23
HHH
t
208
HHH
t
356
HHH
t
484
HHH
t
t
t
Orange Yellow
Rose Pale
Emerald Green
Vandyke Brown
Benzimidazolone PO62
Titanium Dioxide PW6 Quinacridone PV19
Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Phthalocyanine Alpha PB15:1
Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PBk11
HH
t
220
HHH
t
358
HH
t
492
HHH
t
Brilliant Yellow
Brilliant Red
Sap Green
Burnt Umber
Titanium Dioxide PW6 Hansa Yellow G PY1
Naphthol AS PR9
Chlorinated Phthalocyanine PG7 Diarylide Yellow PY83 Naphthol AS PR112
Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101 Carbon Black PBK7
256
HH
HHH
t
366
HHH
t
493
HHH
t
Cadmium Yellow Medium
Primary Red - Magenta
Sky Blue
Raw Umber
Cadmium Sulphide PY35 Hansa Yellow G PY1 Diarylide Yellow PY83
Quinacridone PR122
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
Synthetic Iron Oxide PY42+PR101 Synthetic Iron Oxide PBk11 Synthetic Iron Oxide PR101PBk11
HH
t
263
378
HHH
HHH
t
514
HHH
t
Lemon Yellow
Sandal Red
Phthalo Blue
Payne’s Grey
Hansa Yellow 10G PY3
Pyrrole-Pyrrole PR254
Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1
Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBK7
HH
t
278
HHH
t
388
HHH
t
530
HHH
t
Naples Yellow
Burnt Sienna
Navy Blue
Black
Hansa Yellow 10G PY3 Titanium Dioxide PW6 Synthetic Iron Oxide PY42
Synthetic Iron Oxide PR101 Synthetic Iron Oxide PY42+PR101 Synthetic Iron Oxide PR101
Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBK7
Synthetic Iron Oxide PBk11 Carbon Black PBK7
HH
t
280
HH
t
390
HHH
t
541
HHH
t
Primary Yellow
Vermilion (Hue)
Ultramarine
Micaceous Black
Hansa Yellow G PY1 Titanium Dioxide PW6 Hansa Yellow 10G PY3
Naphthol AS PR112
Sodium Polysulphide-Aluminosilicate PB29
Micaceus Iron Oxide PBk11 Carbon Black PBK7
HH
Deep Yellow Diarylide Yellow PY83 Titanium Dioxide PW6
t
298
HHH Verdaccio
Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Cromium Oxide PG17
400
HHH
t
003
HHH
t
Primary Blue - Cyan
Silver
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7
Titanium Dioxide+Mica+Graphite
017
144
HHH
t
148
HHH
t
475
HHH
t
497
HHH
t
Platinum White
Rich Gold
Bronze
Steel
Titanium Dioxide+Mica
Titanium Dioxide+Mica+ Synthetic Iron Oxide
Titanium Dioxide+Mica+Synth.Iron Oxide Carbon Black PBK7 Mica+Synthetic Iron Oxide
Micaceus Iron Oxide PBk11 Titanium Dioxide+Mica+Grafite
HHH
t
200
HHH
t
Pale Gold
Copper
Titanium Dioxide+Mica+ Synthetic Iron Oxide
Mica+Synthetic Iron Oxide
1298173 INTRO SET CARDBOARD BOX 13 assorted 20 ml tubes
1298058 INTRO SET - CARDBOARD BOX 8 assorted 20 ml tubes 1 Gloss Medium 75 ml bottle 1 White bristle brush
1298100 PLASTIC BLISTER 10 assorted 20 ml tubes
1298051 PRIMARY CARDBOARD BOX 6 x 20 ml tubes assorted (Primary colours - 2 White - Black)
“Keep everything that is not necessary out of the painting, everything that is not felt�
fluid acrylic colours Resistant, fluid and glossy, extremely easy to apply. Perfect adherence on every type of material, canvas, paper, plastics, textile, wood, metal, resin. Pleasant to use, the colours have the ideal viscosity for being used pure or mixed with each other. The brush spreads the colour softly and without difficulty, it is smooth and pliable.
Gianni Maimeri, The diary October 31 1905
The brushstroke is uniform and homogenous; traces are avoided.
Polyfluid Versatile and precise, the colours can be combined with the polycolor range in order to enhance and define details, particular elements are highlighted by the impressive contrast between the mat finish of Polycolor and the gloss of Polyfluid. Excellent results are also obtained when Polyfluid is used with acrylic pastes and Polycolor Gesso.
Polyfluid
11 = Fluid Acrylic Colours, complete range 30 colours at a sole price
All colours
14 = 60 ml bottle Sales unit 6 pieces
010
050
068
112
114
325
HHH
Hooker’s Green
Titanium Dioxide PW6
Chlorinated Phthalocyanina PG7 Phthalocyanina Beta PB15:3
HH
346
185
220
264
275
311
Carbon Black PBk7
HHH
Deep Green
Silver
Naphthol AS PR112 Diarylide Yellow PY83
Chlorinated Phthalocyanina PG7 Phthalocyanina Beta PB15:3
Titanium Dioxide+Mica PW20 Synthetic Iron Oxide PBk11
HHH
348
HH
017
HHH
Flesh Tint
Viridian
Platinum White
Synthetic Iron Oxide PY42+ PR101 Titanium Dioxide PW6
Hansa Yellow 10G PY3 Phthalocyanina Beta PB15:3
Titanium Dioxide+Mica PW20
HH
409
HHH
144
HHH
Permanent Yellow Lemon
Green Blue
Pale Gold
Hansa Yellow 10G PY3
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3c
Titanium Dioxide+Mica PW20 Synthetic Iron Oxide
HH
414
HHH
Yellow Ochre Light
Cyan
Synthetic Iron Oxide PY42
Phthalocyanina Beta PB15:3
426
HH
HHH
Raw Sienna
Ultramarine
Ferrous Nitrous Beta Naphthol PG8 Synthetic Iron Oxide PY42+PR101
Phthalocyanina Alfa PB15:1 Dioxazine PV23
443
HH
HHH
Magenta
Violet
Naphthol AS PR146
Dioxazine PV23
472
HH
HHH
Brilliant Red
Brown
Naphthol AS PR112
Synthetic Iron Oxide PR101+PBk11
500
HH
HHH
Ruby
Grey
Naphthol AS PR146 Dioxazine PV23
Carbon Black PBk7 Titanium Dioxide PW6
508
HHH
HHH
Burnt Sienna
Dust
Synthetic Iron Oxide PR101+PBk11 Synthetic Iron Oxide PR101
Carbon Black PBk7
HH
Light Green Hansa Yellow 10G PY3 Chlorinated Phthalocyanina PG7
148
514
HHH Payne’s Grey
Phthalocyanine Beta PB15:3 Carbon Black PBk7
HHH
Rich Gold Titanium Dioxide+Mica PW20 Synthetic Iron Oxide
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
418
HHH
HHH Sky Blue
Diarylide Yellow PY83
157
Carbon Black
003
HHH
HHH
Orange
Permanent Yellow Deep
132
537
HH
White
700 Colourless Medium
“Desire is more beautiful than the thing desired.�
Fine Acrylic Dense Colours
Gianni Maimeri, The diary December 2, 1907.
brush, keeping their smoothness intact.
A new-generation colored acrylic paste with great elasticity, enabling you to create relief effects while retaining the chosen color and its brilliance. The colors can be perfectly mixed using a spatula or In the impasto stage the colors blend, creating secondary tones that are clean and bright, with no need to add water.
Polycolor 3D
“A man is an artist when he succeeds in externalizing what he has inside.� Gianni Maimeri, The diary Spring 1907.
Fine Acrylic Reflect Colours Eight exceptional new tints that capture the light and reflect and multiply it. The primary colors plus white, black and the three metal colors most in demand, formulated with latest-generation pigments. Pearlescent pigments, products to accentuate color luminosity to the hilt. Fragments of light incorporated into paint to give even more extraordinary shadings to artwork. To experiment with light directly with the paintbrush.
Polycolor Reflect
Polycolor 3D
11 = Fine Acrylic Dense Colors for painting to thickness, complete range 24 colours at a sole price
All colours
20 = 140 ml jar Sales unit 6 pieces 018
021
072
100
116
118
131
HHH
280
HHH
378
HH
HHH
Titanium White
Yellow Ochre
Vermilion (Hue)
Phthalo Blue
Titanium Dioxide PW6
Synthetic Iron Oxide PY42
Naphthol AS PR112
Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1
161
HHH
304
HHH
390
HH
HHH
Ivory White
Raw Sienna
Brilliant Green Light
Ultramarine
Titanium Dioxide PW6 Synthetic Iron Oxide PY42
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42+PR101
Hansa Yellow 10 G PY3 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7
Sodium Polysulphide-Aluminosilicate PB29
165
HHH
Bordeaux
Benzimidazolone PO62
Naphthol AS PR12
166
HH
321
HH
Orange Yellow
400
HHH Phthalo Green
Primary Blue - Cyan
Chlorinated Phthalocyanine PG7
356
HH
HHH Phthalocyanine Beta PB15:3
447
HHH
HHH
Lemon Yellow
Carmine
Emerald Green
Brilliant Violet
Hansa Yellow 10 G PY3
Organic Pigment PR 4 Quinacridone PR122
Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7
Titanium Dioxide PW6 Dioxazine PV23
256
HH
358
HHH
492
HH
HHH
Giallo primario
Primary Red - Magenta
Sap Green
Burnt Umber
Hansa Yellow G PY1
Quinacridone PR122
Ferrous Nitrous Beta Naphthol PG8
Synthetic Iron Oxide PR101PBk11
278
HH
366
HHH
530
HHH
HHH
Deep Yellow
Burnt Sienna
Sky Blue
Black
Hansa Yellow G PY1 Organic Pigment PR 4
Synthetic Iron Oxide PR101
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
Carbon Black PBk7
Polycolor Reflect
11 = Fine Acrylic Reflect Colors, complete range 8 colours at a sole price
All colours
20 = 140 ml jar Sales unit 6 pieces
561
HHH
563
White di titanio Bianco
Titanium Dioxide Dioxide+Mica Titanium PW6
562
HHH
564
AntiquediSilver Bianco zinco
565
HH Titanium Dioxide+Mica Hansa Yellow 10 G PY3 Hansa Yellow G PY1
Titanium Dioxide+Mica
566
HHH
HH
t
Hansa Yellow 10GPY3 Titanium Dioxide PW6
H
Titanium Dioxide+Mica Phthalocyanine Beta PB15:3
Verde bril-
Titanium Dioxide+Mica lante chiaroPV19 Quinacridone
566
HHH Cyan
Magenta
Titanium Dioxide+Mica Synthetic Iron Oxide PY42 Titanium Dioxide PW6
564
HHH
567
Sequin Gold
Rich Gold Ocra gialla
Titanium Dioxide Dioxide+Mica Titanium PW6 Titaniumdi Dioxide+Mica+Synthetic Iron Oxide Ossido zinco PW4
HHH
Yellow
t
568
HHH BlackReale Blu
Titanium Dioxide Dioxide+Mica PW6 Carbon Blackbeta PBK7PB15:3 Ftalocianina Chlorinated Phthalocyanine PG7
“Every time the artist works he must work towards a masterpiece.�
Arcylic Modelling Paste
Gianni Maimeri, The diary December 30, 1908.
The pearly white of seashells, gold, silver and bronze
Eight pastes with extremely plastic consistency. Rich, doughy, dense and painterly. They can be spread on canvas and any other support like three-dimensional modeling materials. in paste, coarse-grain quartz, stainless steel, bitumen as black and dense as asphalt and a super-light white paste to amplify thickness. Use pure.
Polycolor Body
Polycolor Body
59 = Acrylic Modelling Paste, complete range 8 products at a sole price
All colours
20 = 140 ml jar Sales unit 6 pieces 801
803
HHH
804
HHH
810
HHH
Pearl White Paste
Silver Paste
Bitumen Paste
Titanium Dioxide+Mica
Titanium Oxide+Mica Carbon Black PBK7
Gilsonite NAT.Bk6
HHH
806
HHH
811
HHH
813
HHH
Quartz Paste Silica
816
HHH
Steel Paste
Gold Paste
Bronze Paste
Super Light Paste
Steel Powder
Titanium Dioxide+Mica+ Synthetic Iron Oxide
Titanium Dioxide+Mica+Synth. Iron Oxide Mica+Synthetic Iron Oxide Carbon Black PBK7
Hollow glass micro-spheres
Polycolor Film 6332025 SATIN PICTURE VARNISH Colourless varnish applied to create a highly resistant satin film. areosol spray 400 ml 6332669 GLOSS PICTURE VARNISH Colourless varnish applied to create a highly resistant gloss film. areosol spray 400 ml 6332673 MAT PICTURE VARNISH Colourless varnish applied to creates a highly resistant matt film. areosol spray 400 ml
Polycolor Gesso
58 = acrylic gesso, complete range 5 products at a sole price
All products
Reduced range marked by â–ź
34 = 500 ml bottle
40 = 1000 ml bottle
Sales unit 2 pieces
Sales unit 1 pieces
696
694
695
â–ź White
698 Black
Coarse
697 Ice White
Ivory
“Refinement in art is often a sign of weakness and superficiality� Gianni Maimeri, The diary May 17 1908.
acrylic colours Is an acrylic colour of a new generation, a new acrylic language, strong, rapid, adaptable to the heart and spirit of those who use it. New generation acrylic polymer in microemulsion with good binding and adhesion characteristics, uv resistance, colour retention and good, resistance to external conditions. 72 vivid bright and clean colours, good adhesion to all supports paper, cardboard, wood, canvas, wall,
Maimeri Acrilico glass, ceramics, textiles, all kinds of metal. Good pigment concentration can be diluted with water in any proportion mixable with all water-based media, very flexible also when applied in thick layers. Easy to work the brushstroke spreads easily and complements artistic expression even with highviscosity colour paste. Satinated finish translucid, in between gloss and mat. High density paste (buttery consistence). ording to the chemical class of the single pigment. Good resistance to dirt.
Maimeri Acrilico
09 = Acrylic Colours, complete range 72 colours at a sole price
All colours
All colours
Reduced range ▲
Reduced range ▼
16 = 75 ml tube
24 = 200 ml tube Sales unit 3 pieces
34 = 500 ml l jar Sales unit 1 piece
40 =1000 ml l jar Sales unit 1 piece
Sales unit 3 pieces
018
020
021
★★★
▲▼
116
102
105
106
Yellowish Green
Synthetic Iron Oxide PR101
Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7
★★★
▲
117
★★
▲▼
331
★★★
Golden yellow
Permanent Red Light
Olive Green
Zinc Suphide PW7
Naphtol AS PR112 Hansa Yellow 10 G PY1
Hansa Yellow G PY1 Naphthol AS PR112
Synthetic Iron Oxide PY42 Chromium Oxide PG17
★★★
▲
120
★★
▲
253
★★★
▲
★★★
▲
339
▲▼
256
★★★
▲▼
★★
▲▼
Permanent Green Light Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7
Naphthol AS PR146 Dioxazine PV23
Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7
131
★★
Permanent Red Deep
Yellow Greenish
340
★★
▲
Mars Orange
Yellow Ochre
Primaire Red - Magenta
Permanent Green Deep
Synthetic Iron Oxide PY42+PR101
Synthetic Iron Oxide PY42
Quinacridone PV 19
Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7
134
★★
★★★
▲
259
★★
▲▼
350
★★★
▲
Permanent Orange
Golden Ochre
Permanente Red Medium
Turquoise Green
Hansa Yellow G PY1 Naphthol AS PR112
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101
Naphthol AS PR112
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7
161
★★★
★★★
▲▼
Raw Sienna
Synthetic Iron Oxide PY42+PR101+PY42
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101
★★
▲▼
165
266
274
★★
Scarlet
Titanium Dioxide PW6 Hansa Yellow G PY1
Naphthol AS PR146
Monoazoic PR4
▲
166
★★★
▲
191
★★
▲
210
Permanent Yellow Lemon Hansa Yellow 10G PY3
★★
▲
212
▲▼
Diarylide Yellow PY83
278
214
★★★
★★
▲▼
Sap Green Ferrous Nitrous Beta Naphthol PG8
▲▼
362
★★★
▲
Burnt Sienna
Sky Blue Light
Naphthol AS PR146
Synthetic Iron Oxide PR101
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3
280
★★★
★★
▲
370
★★★
▲▼
Red Ochre
Vermilion (Hue)
Cobalt Blue Light (Hue)
Synthetic Iron Oxide PR101
Naphthol AS PR112 Naphthol AS PR146
Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Sodium Polysulphide-Aluminosilicate PB29
298
★★★
★★★
▲
371
★★★
▲
Venetian Rose
Verdaccio
Cobalt Blue Deep (Hue)
Titanium Dioxide PW6 Synthetic Iron Oxide PR101
Synthetic Iron Oxide PY42 Chromium Oxide PG17 Carbon Black PBk7
Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1 Sodium Polysulphide-Aluminosilicate PB29
303
★★★ Quinacridone PR122
Diarylide Yellow PY83 Hansa Yellow G PY1
Permanent Yellow Deep
▲
358
Carmine
Quinacridone Rose
Permanent Yellow Medium
★★
★★
▲
Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1
★★
Bordeaux
★★ Emerald Green
Pyrrole-pyrrole PR254
Naples Yellow Light
★★★
356
★★★ Transparent Red
Mars Yellow
Titanium Dioxide PW6 Synthetic Iron Oxide PY42
114
251
★★
Zinc Blanc
Naples Yellow Deep
113
★★
Hansa Yellow 10 G PY3 Hansa Yellow G PY1
Titanium Dioxide PW6 Synthetic Iron Oxide PR101
112
323
★★★
Titanium Dioxide PW6
Naples Yellow Reddish
107
248
Mars Red
Titanium Dioxide PW6 Synthetic Iron Oxide PY42
062
▲▼
Primaire Yellow
Ivory Blanc
060
★★
Titanium Blanc
★★★
▲
321
385
★★
★★★
Brilliant Green Light
Manganese Blue (Hue)
Hansa Yellow 10 G PY3 Phthalocyanine Beta PB15:3
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
★★★
▲▼
388
★★★
▲
Quinacridone Rose Light
Phthalo Green
Navy Blue
Titanium Dioxide PW6 Quinacridone PR122
Chlorinated Phthalocyanine PG7
Phthalocyanine Beta PB15:3 Dioxazine PV23 Carbon Black PBk7
0998190 0998190 CARDBOARD BOXCARDBOARD BOX 5 x 75 ml 5 x 75 ml (primaire - blanc - (primaire black) - blanc - black) 0998192 0998192 CARDBOARD BOXCARDBOARD BOX 5 x 200 ml 5 x 200 ml (primaire - blanc - (primaire black) - blanc - black)
390HHH Ultramarine
HHH ▲▼
▲▼
507
Ultramarine
HHH
Warm Grey
Sodium Polysulphide-Aluminosilicate Sodium Polysulphide-Aluminosilicate PB29 PB29
400HHH
507HHH
Warm Grey
Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PBK11 Synthetic Iron Oxide PY42+PBK11
510HHH
HHH
Primaire Blue - CyanPrimaire Blue - Cyan
Cool Grey
Cool Grey
Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3
Titanium Dioxide PW6 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate Sodium Polysulphide-Aluminosilicate PB29-Synthetic Iron Oxide PB29-Synthetic PBK11 Iron Oxide PBK11
402HHH Prussian Blue
HHH ▲▼
▲▼
510
514
HHH Prussian Blue
HHH
Payne’s Grey
Phthalocyanine Alfa PB15:1 Phthalocyanine Alfa PB15:1 Carbon Black PBk7 Carbon Black PBk7
405HHH
514HHH
Payne’s Grey
Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3 Carbon Black PBK7 Carbon Black PBK7
537
HHH
537HHH
HHH ▲▼
▲▼
King’s Blue Light King’s Blue Light
Carbon Black
Carbon Black
Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3
Carbon Black PBk7
Carbon Black PBk7
409HHH Green Blue
HHH
540
HHH
Turquoise
Turquoise
003
HHH ▲▼
▲▼
003HHH
HHH ▲
Silver
Silver
017
017HHH
HHH ▲
Ultramarine Violet Ultramarine Violet
Platinum Blanc
Titanium Dioxide PW6 Titanium Dioxide PW6 Dioxazine PV23 Dioxazine PV23
Titanium Dioxide+Mica Titanium Dioxide+Mica
462HHH
HHH ▲
▲
137
▲
HHH ▲
151
151HHH
HHH ▲
Dioxazine PV23
Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide
Dioxazine PV23
HHH
200
Mars Brown
Burnt Umber
HHH ▲▼
▲▼
Raw Umber
475
475HHH Bronze
Burnt Umber
HHH ▲▼
▲▼
Raw Umber
Synthetic Iron Oxide PY42Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101 Carbon Black PBk7 Carbon Black PBk7
▲
Deep Gold
HHH ▲
▲
Copper
Titanium Dioxide+Mica Titanium Dioxide+Mica
HHH
Bronze
Mica+Synthethic Iron Oxide Mica+Synthethic PW20 Iron Oxide PW20 Titanium Dioxide+Mica+Synthethic Titanium Dioxide+Mica+Synthethic Iron Oxide PW20 Iron Oxide PW20 Carbon Bl.PBK7 Carbon Bl.PBK7
Synthetic Iron Oxide PPR101 Synthetic PBk11Iron Oxide PPR101 PBk11
493HHH
200HHH Copper
Synthethic Iron Oxide PR101+PBK11 Synthethic Iron Oxide PR101+PBK11
492HHH
▲
Light Gold
Deep Gold
Mars Brown
▲
Platinum Blanc
Permanent Violet Reddish Permanent Violet Reddish
476HHH
▲
Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide
Titanium Dioxide PW6 Titanium Dioxide PW6 Dioxazine PV23 Dioxazine PV23 Quinacridone PR122 Quinacridone PR122
HHH ▲
137HHH Light Gold
Permanent Violet Reddish Permanent LightViolet Reddish Light
465HHH
▲
Mars Black
Titanium Dioxide+Mica Titanium Dioxide+Mica Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide
Titanium Dioxide PW6 Titanium Dioxide PW6 Chlorinated Phthalocyanine Chlorinated PG7 Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3
440HHH
HHH ▲
Synthetic Iron Oxide PBk11 Synthetic Iron Oxide PBk11
Chlorinated Phthalocyanine Chlorinated PG7 Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3
430HHH
540HHH Mars Black
Green Blue
562
562HHH Silver antique
HHH
Silver antique
Titanium Dioxide+Mica PW20 Titanium Dioxide+Mica PW20 Carbon Black PBk7 Carbon Black PBk7
5843693 5843693 GESSO MAIMERI ACRILICO GESSO MAIMERI ACRILICO 500 ml jar 500 ml jar Sales unit 2 pieces Sales unit 2 pieces 5840693 5840693 GESSO MAIMERI ACRILICO GESSO MAIMERI ACRILICO 1000 ml jar 1000 ml jar Sales unit 1 piece Sales unit 1 piece 5844693 5844693 GESSO MAIMERI ACRILICO GESSO MAIMERI ACRILICO 2500 ml jar 2500 ml jar Sales unit 1 piece Sales unit 1 piece
“Drawing is an invention of the spirit, a way of fixing thought� Gianni Maimeri, The diary Maimeri, May 28 1908
superior watercolours MaimeriBlu pans are still made by hand. In order to ensure that the product is not adulterated with additives or artificial processes which would alter its genuine quality, Maimeri still performs a number of stages in preparation of individual pans by traditional manual methods. Thus the purity of formula and composition that is the true quality of these watercolours is preserved. In designing the palette of 72 colours, preference
MaimeriBlu was given to the pigments offering the greatest transparency, without prejudice, attempting to achieve top colour quality and lightfastness in the simplest possible way. 52 colours are pure, consisting of a single pigment bound with authentic top quality gum-arabic from Sudan and distilled water. The clear, fresh tone of watercolour painting is the result of the exceptional clarity of the colours. Pure. Simple. Extraordinarily transparent. Like all MaimeriBlu colours.
MaimeriBlu
16 = Superior Watercolours, complete range 72 colours in 4 price groups
All colours
All colours
04 = 15 ml tube
08 = 1,5 ml pan
Sales unit 6 pieces
013
053
054
081
082
084
098
105
106
109
110
112
HHH
Sales unit 6 pieces
gr. 1
114
HHH
gr. 1
251
HHH
gr. 2
324
HHH
Chinese White
Permanent Yellow Deep
Permanent Red Light
Cupric Green Deep
Zinc Oxide PW4
Isoindoline PY139
Anthraquinone PR168
Chlorinated Phthalocyanine PG7
HHH
gr. 2
116
HHH
gr. 2
253
HHH
gr. 2
325
HHH
Avignon Orange
Primary Yellow
Permanent Red Deep
Hooker’s Greenr
Quinacridone PR206
Arylide Yellow PY97
Anthraquinone PR177
Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42 Isoindoline PY139
HHH
gr. 3
125
HHH
Cadmium Orange
Orange Lake
Cadmium Sulphoselenide PO20
Anthraquinone PO43
HHH
gr. 3
128
HHH
gr. 2
256
HHH
gr. 1
331
Primary Red - Magenta
gr. 3
261
HHH
gr. 1
gr. 2
Chromium Oxide PG17
gr. 2
338
HHH
Cadmium Yellow Light
Golden Lake
Tiziano Red
Permanent Green Yellowish
Cadmium Sulphide PY35
Quinacridone PO49
Quinacridone PR209
Arylide Yellow PY97 Brominated Phthalocyanine PG36
HHH
gr. 3
131
HHH
gr. 1
262
HHH
gr. 1
339
HHH
Cadmium Yellow Lemon
Yellow Ochre
Venetian Red
Permanent Green Light
Cadmium Sulphide PY35
Synthetic Iron Oxide PY42
Synthetic Iron Oxide PR101
Benzimidazolone PY175 Brominated Phthalocyanine PG36
HHH
gr. 3
161
HHH
gr. 1
263
HHH
gr. 2
340
HHH
Cadmium Yellow Deep
Raw Sienna
Sandal Red
Permanent Green Deep
Cadmium Sulphide PY35
Original Natural Earth PBr7
Pyrrole-pyrrole PR254
Benzimidazolone PY175 Chlorinated Phthalocyanine PG7
HHH
gr. 1
174
HHH
gr. 2
270
HHH
gr. 1
348
HHH
Indian Yellow
Crimson Lake
Dragon’s Blood
Viridian
Isoindoline PY139 Synthetic Iron Oxide PY42
Quinacridone PR206 Pyrrole-pyrrole PR254
Calcined Original Natural Earth PBr7 Quinacridone PR209
Hydrated Chromíum Oxideo PG18
HHH
gr. 1
181
HHH
gr. 2
278
HHH
gr. 1
350
HHH
Naples Yellow Light
Garnet Lake
Burnt Siennaa
Turquoise Green
Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42
Quinacridone PV19 Dioxazine PV23
Calcined Original Natural Earth PBr7
Phthalocyanine PB16
HHH
gr. 1
182
HHH
gr. 3
296
HHH
gr. 1
358
HHH
gr. 1
Sap Green
Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PR101
Quinacridone PV19
Natural Earth PG23 Chromium Oxide PG17
Isoindoline PY139 Chlorinated Phthalocyanine PG7 Anthraquinone P043
gr. 2
226
HHH
gr. 3
316
HHH
gr. 2
359
HHH
Nickel Titanate Yellow
Cadmium Red Light
Cobalt Green Light
Blu di Berlino
Antimony-Nickel-Titanium Oxides PY53
Cadmium Sulphoselenide PR108
Cobalt-Titanium Oxides PG50
Phthalocyanine Alpha PB15:1
HHH
gr. 2
232
HHH
gr. 3
317
HHH
gr. 4
368
HHH
gr. 2
Green Earth
gr. 1
gr. 1
Rose Lake
gr. 1
Naples Yellow Reddish
HHH
gr. 1
Olive Green
Quinacridone PV19
HHH
gr. 1
gr. 1
gr. 4
Permanent Orange
Cadmium Red Deep
Cobalt Green Deep
Cerulean Blue
Benzimidazolone PO62
Cadmium Sulphoselenide PR108
Cobalt-Titanium Oxides PG50
Cobalt Aluminium-Chromium Oxides PB36
HHH
gr. 1
250
HHH
gr. 1
322
HHH
gr. 1
373
HHH
Permanent Yellow Lemon
Transparent Mars Red
Cupric Green Light
Cobalt Blue Light
Benzimidazolone PY175
Synthetic Iron Oxide PR101
Brominated Phthalocyanine PG36
Cobalt-Aluminium Oxides PB28
gr. 4
374
377
391
392
400
402
HHH
gr. 4
409
HHH
gr. 1
465
HHH
gr. 1
492
HHH
Cobalt Blue Deep
Green Blue
Permanent Violet Reddish
Burnt Umber
Cobalt-Aluminium Oxides PB28
Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3
Quinacridone PR122 Dioxazine PV23
Calcined Natural Earth PBr7
HHH
gr. 2
422
HHH
gr. 1
473
HHH
gr. 1
493
HHH
Faience Blue
Indigo
Verzino Violet
Raw Umber
Anthraquinone PB60
Ferric Ferrocyanide PB27 Carbon Black PBk7
Quinacridone PR122
Natural Earth PBr7
HHH
gr. 1
440
HHH
gr. 1
477
HHH
gr. 1
514
HHH
gr. 1
gr. 1
gr. 1
Blu oltremare chiaro
Ultramarine Violet
Transparent Mars Brown
Payne’s Grey
Sodium Polysulphide-Aluminosilicate PB29
Sodium Polysulphide-Aluminosilicate PV15
Synthetic Iron Oxide PR101
Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9
HHH
gr. 1
449
HHH
gr. 4
484
HHH
gr. 1
535
HHH
Ultramarine Deep
Cobalt Violet
Vandyke Brown
Ivory Black
Sodium Polysulphide-Aluminosilicate PB29
Cobalt-Aluminium Oxides PB28 Quinacridone PV19
Calcined Original Natural Earth PBr7 Bone Black PBk9
Bone Black PBk9
HHH
gr. 1
460
HHH
gr. 4
486
HHH
gr. 1
537
HHH
gr. 1
gr. 1
gr. 1
Primary Blue - Cyan
Mineral Violete
Sepia
Carbon Black
Phthalocyanine Beta PB15:3
Manganese Ammonium Pyrophosphate PV16
Bone Black PBk9 Natural Earth PBr7
Carbon Black PBk7
HHH
gr. 1
463
HHH
gr. 1
488
HHH
gr. 1
560
HHH
Prussian Blue
Permanent Violet Blueish
Brown Stil de Grain
Neutral Tint
Ferric Ferrocyanide PB27
Dioxazine PV23
Synthetic Iron Oxide PR101 Brominated Phthalocyanine PG36
Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBk7
1698202 MOULDED METAL BOX Cardboard box 24 assorted 1.5 ml pans
1698201 MOULDED MET Cardboard box 12 assorted 1.5 ml pans
“The aim of art is knowledge: but art, in order to be art, must be done� Gianni Maimeri, The diary Maimeri, December 3 1908
extrafine watercolours The initiate’s portal to watercolour painting. When we renewed our Maimeri watercolours, we decided to maintain one line offering the best quality to price ratio in a range of colours all offered at one single price. The result is Venezia: a range of 36 colours which are all maximum lightfast and can all be intermixed together. In coming up with the new palette and choosing pigments, Maimeri removed all cadmium and cobalt based colours and reduced
Venezia chrome content to a minimum in order to eliminate toxins and heavy metals, offering a final answer to the problem of environmental impact, both in the usage and in the production of this product. Research continues all over the world, and the relationship between paint and the environment continues to improve, on the basis of a new awareness that Maimeri has made more than a goal, but an ongoing commitment. In Venezia watercolours pigment concentrations are determined in each individual colour in order to obtain a highly harmonious palette of soft shades reminiscent of the colours of the city they are named after.
Venezia
18 = Extrafine Watercolours, complete range 36 colours at a sole price
All colours
All colours
04 = 15 ml tube
08 = 1,5 ml pan
Sales unit 6 pieces
013
062
068
098
112
HHH
Sales unit 6 pieces
251
131
161
174
182
244
400
HHH
Primary Blue - Cyan
Zinc Oxide PW4
Anthraquinone PR168
Phthalocyanine Beta PB15:3
HHH
253
HHH
402
HHH
Permanent Orange
Permanent Red Deep
Prussian Blue
Benzimidazolone PO36
Anthraquinone PR177
Ferric Ferrocyanide PB27
HHH
256
HHH
416
HHH
Flesh Tint
Primary Red - Magenta
Cerulean
Zinc Oxide PW4 Synthetic Iron Oxide PY42+PR101
Quinacridone PV19
Zinc Oxide PW4 Phthalocyanine Alpha PB15:1
HHH
274
HHH
428
HHH
Indian Yellow
Scarlet
Sky Blue Ultramarine
Isoindoline PY139 Synthetic Iron Oxide PY42
Pyrrole-pyrrole PR254
Sodium Polysulphide-Aluminosilicate PB29
HHH
278
HHH
HHH
463
296
HHH
HHH
Permanent Violet Blueish
Burnt Sienna Calcined Original Natural Earth PBr7
Benzimidazolone PY175
116
Permanent Red Light
Permanent Yellow Lemon
114
HHH
Chinese White
Dioxazine PV23
465
HHH
Permanent Yellow Deep
Green Earth
Permanent Violet Reddish
Isoindoline PY139
Natural Earth PG23 Chromium Oxide PG17
Quinacridone PR122 Dioxazine PV23
HHH
321
HHH
484
HHH
Primary Yellow
Phthalo Green
Vandyke Brown
Arylide Yellow PY97
Chlorinated Phthalocyanine PG7
Calcined Original Natural Earth PBr7 Bone Black PBk9
HHH
323
HHH
486
HHH
Yellow Ochre
Yellowish Green
Sepia
Synthetic Iron Oxide PY42
Arylide Yellow PY97 Brominated Phthalocyanine PG36
Natural Earth PBr7 Bone Black PBk9
HHH
339
HHH
492
HHH
Raw Sienna
Permanent Green Light
Burnt Umber
Original Natural Earth PBr7
Benzimidazolone PY175 Brominated Phthalocyanine PG36
Calcined Natural Earth PBr7
HHH
340
HHH
493
HHH
Crimson Lake
Permanent Green Deep
Raw Umber
Pyrrole-pyrrole PR254 Quinacridone PR206
Benzimidazolone PY175 Chlorinated Phthalocyanine PG7
Natural Earth PBr7
HHH
358
HHH
514
HHH
Rose Lake
Sap Green
Payne’s Grey
Quinacridone PV19
Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42
Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9
HHH
392
HHH
535
HHH
English Red
Ultramarine Deep
Ivory Black
Synthetic Iron Oxide PR101
Sodium Polysulphide-Aluminosilicate PB29
Bone Black PBk9
“There are no great and minor artists: there are artists, and non-artists� Gianni Maimeri, The diary 27 febbraio 1909.
extrafine gouache colours Smooth, mat and opaque painting. A new range of extrafine gouache colours makes the most of the potential of gouaches to preserve the original properties and qualities of this ancient method of applying colour. Completely water-soluble pastes now offer total coverage in combination with brilliance in all shades. Gouache colours are perfect for use on all bases: prepared cardboard and canvases, porous surfaces and paper. Their top quality binder and high pigment concentration make
Maimeri Gouache these paints perfect for air-brushing and for all types of graphics work, after appropriate dilution. The colours in the palette have been chosen with a new use in painting in mind: a complete set of bright, lively colours permitting even the most demanding painters to obtain all the shades they require. Two whites and two blacks, ten reds, eight blues, nine greens and four metallic colours: a glance at the colour chart will give you an idea of the thought that went into selection of the colour palette. All this to maintain the prestige and quality of a unique product. Not watercolours, not acrylic colours: those who paint with Maimeri gouache colours are well acquainted with the spirit of gouache painting.
Maimeri Gouache
20 = Extrafine Gouache Colours, complete range 54 colours in 2 price groups
All colours
Bianco
02 = 20 ml tube
06 = 60 ml tube
Sales unit 3 pieces
018
020
050
052
068
086
100
104
116
118
131
135
HHH
Sales unit 3 pieces
gr. 1
161
HH
gr. 1
288
HH
gr. 1
400
HHH
Titanium White
Raw Sienna
Cinnabar Green Deep
Primary Blue - Cyan
Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PY42 Diarylide Yellow PY83
Hansa Yellow GPY1 Phthalocyanine Beta PB15:3
Phthalocyanine Beta PB15:3
HHH
gr. 1
165
HH
gr. 1
304
HH
gr. 1
402
HHH
Zinc White
Bordeaux
Brilliant Green Light
Prussian Blue
Zinc Oxide PW4
Naphthol AS PR146 + Phthalocyanine Alpha PB15:1
Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7
Ferric Ferrocyanide PB27
HHH
gr. 1
166
HH
gr. 1
305
HH
gr. 1
414
HHH
gr. 1
gr. 1
Orange
Carmine
Brilliant Green Deep
Sky Blue
Benzimidazolone PO62
Naphthol AS PR146 Phthalocyanine Alpha PB15:1
Hansa Yellow 10GPY3 Phthalocyanine Beta PB15:3
Phthalocyanine Beta PB15:3
HH
gr. 1
184
HHH
gr. 1
331
HHH
gr. 1
415
HHH
Brilliant Orange
Solferino Lake
Olive Green
Cerulean (Hue)
Diarylide Yellow PY83 Naphthol AS PR112
Dioxazine PV23 Quinacridone PR122
Chromium Oxide PG17 Synthetic Iron Oxide PY42
Phthalocyanine Alpha PB15:1
HH
gr. 1
191
HHH
gr. 1
342
HH
gr. 1
438
HHH
gr. 1
gr. 1
gr. 1
Flesh Tint
Red Ochre
Pine Green
Lilac
Titanium Dioxide PW6 Diarylide Yellow PY83 Anthraquinone PO43
Synthetic Iron Oxide PR101
Phthalocyanine Alpha PB15:1 Hansa Yellow GPY1
Sodium Polysulphide-Aluminosilicate PV15 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29
HH
gr. 1
223
HH
gr. 1
347
HHH
gr. 1
445
HHH
gr. 1
Light Yellow
Cadmium Red (Hue)
Viridian (Hue)
Blueish Violet
Hansa Yellow 10GPY3 Hansa Yellow GPY1
Naphthol AS PR122 Naphthol AS PR146
Chlorinated Phthalocyanine PG7
Sodium Polysulphide-Aluminosilicate PB29 Dioxazine PV23
HH
gr. 1
256
HHH
gr. 1
356
HH
gr. 1
468
HHH
Lemon Yellow
Primary Red - Magenta
Emerald Green
Violet Reddish
Hansa Yellow 10GPY3
Quinacridone PR122
Chlorinated Phthalocyanine PG7 Hansa Yellow 10GPY3
Dioxazine PV23 Quinacridone PR122
HH
gr. 1
274
HH
gr. 1
358
HH
gr. 1
484
HHH
gr. 1
gr. 1
Naples Yellowi
Scarlet
Sap Green
Vandyke Brown
Titanium Dioxide PW6 Hansa Yellow 10GPY3 Synthetic Iron Oxide PY42
Naphthol AS PR112
Ferrous Nitrous Beta Naphthol PG8
Synthetic Iron Oxide PR101PBK11 Synthetic Iron Oxide PY42 Carbon Black PBK7
HH
gr. 1
278
HHH
gr. 1
375
HHH
gr. 1
486
HHH
Primary Yellow
Burnt Sienna
Cobalt Blue (Hue)
Sepia
Hansa Yellow GPY1 Hansa Yellow 10GPY3
Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101
Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Beta PB15:3
Synthetic Iron Oxide PY42+PR101 Carbon Black PBK7
HH
gr. 1
284
HH
gr. 1
391
HHH
gr. 1
492
HHH
Deep Yellow
Vermilion Light (Hue)
Ultramarine Light
Burnt Umber
Diarylide Yellow PY83 Benzimidazolone PO62
Hansa Yellow GPY1 Naphthol AS PR112
Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PR101PBk11 Carbon Black PBK7
HHH
gr. 1
285
HH
gr. 1
392
HHH
gr. 1
493
HHH
Yellow Ochre
Vermilion Deep (Hue)
Ultramarine Deep
Raw Umber
Synthetic Iron Oxide PY42
Naphthol AS PR112 Hansa Yellow G PY1
Sodium Polysulphide-Aluminosilicate PB29
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101PBk11 Carbon Black PBK7
HHH
gr. 1
286
HH
gr. 1
398
HHH
gr. 1
514
HHH
gr. 1
gr. 1
gr. 1
gr. 1
Deep Ochre
Cinnabar Green Light
Paris Blue
Payne’s Grey
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101
Hansa Yellow GPY1 Chlorinated Phthalocyanine PG7
Sodium Polysulphide-Aluminosilicate PB29 Ferric Ferrocyanide PB27
Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBK7
525
530
HHH
gr. 1
003
HHH
gr. 2
151
HHH
gr. 2
Black Lake
Silver
Deep Gold
Bone Black PBk9 Aniline Black PBk1
Titanium Dioxide+Mica+Graphite
Titanium Dioxide+Mica+Synthetic Iron Oxide
HHH
gr. 1
137
HHH
gr. 2
200
HHH
Black
Light Gold
Copper
Bone Black PBk9 Aniline Black PBk1
Titanium Dioxide+Mica+Synthetic Iron Oxide
Mica+Synthetic Iron Oxide
gr. 2
2098058 INTRO SET CARDBOARD BOX 8 assorted 20 ml tubes 1 Pencil and Charcoal Fixative 75 ml bottle 1 White bristle brush
2098335 PLASTIC BOX Plastic dividers 12 assorted 20 ml tube
2098330 CARDBOARD BOX 6 assorted 20 ml tube (primary – 2 white – black)
“The sketch is a study, an attempt� Gianni Maimeri, The diary June 1910.
Metallic powder colours A discrete, toned-down glimmer of gold is often what gives an ornament its secret fascination. Watersoluble metallic powder colours, used individually or mixed with gouaches or watercolours to obtain an infinite variety of hues, are also recommended for small-scale restoration work and for touching up frames and gilding. Metallic powder is kept dry and diluted only at the time of use to prevent oxidation and preserve its full brightness and splendour.
Gold Powder Simply dip a damp brush into the powder jar to obtain a colour which is easily applied to the surface to produce a perfectly smooth, covering coat.
All colours
14 = 60 ml bottle Sales unit 6 pieces
003
H
Silver
23 = Metallic powder colours, complete range 6 colours at a sole price
148
Aluminium powder pMeTAL1
140
H
Ducat Gold
H
Pale Gold Bronze powder pMeTAL2
Rich Gold Bronze powder pMeTAL2
152
Bronze powder pMeTAL2
144
H
H
Sequin Gold Bronze powder pMeTAL2
200
H
Copper Bronze powder pMeTAL2
“ When you draw houses, remember that people live in them” Gianni Maimeri, The diary January 21 1912.
fine gouache colours Very few people know how much Maimeri owes students the world over. Comparing notes with the young, with people who are just learning about art, is a demanding and difficult task, but the payback in terms of imagination and innovation has well exceeded our expectations. A range of gouache colours dedicated to them must meet a number of basic requirements. Tempera fine gouache colours are just the thing: simple,
Tempera Fine convenient, versatile; not too many colours, but well positioned over the colour spectrum to permit easy creation of all combinations. The paints can be diluted to any degree, used pure or thinned like watercolours. They are fully compatible and can be freely intermixed with one another and with other waterbased colours. They are sold in small packages with an excellent price to quality ratio, without any misleading manufacturer claims of “hype”. Very few people know how happy we are at Maimeri to see our colours in the hands of children and students.
Tempera Fine
25 = Fine Gouache Colours, complete range 27 colours at a sole price
All colours
Bianco
02 = 20 ml tube
06 = 60 ml tube
Sales unit 6 pieces
010
072
100
116
118
131
HHH
Sales unit 3 pieces
304
256
274
278
284
003
HHH
Silver
Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29
Hansa Yellow 10GPY3 Hansa Yellow GPY1 Chlorinated Phthalocyanine PG7
Titanium Dioxide+Mica Titanium Dioxide+Mica+Synthetic Iron Oxide
HH
305
HH
137
HHH
Orange Yellow
Brilliant Green Deep
Light Goldo
Diarylide Yellow PY83 Naphthol AS PR112
Hansa Yellow 10GPY3 Phthalocyanine Beta PB15:3
Titanium Dioxide+Mica+Synthetic Iron Oxide
HH
347
HHH
151
HHH
Giallo limone
Viridian (Hue)
Deep Gold
Hansa Yellow 10GPY3
Chlorinated Phthalocyanine PG7
Titanium Dioxide+Mica+Synthetic Iron Oxide
HH
356
HH
Primary Yellow
Emerald Green
Hansa Yellow GPY1 Hansa Yellow 10GPY3
Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Hansa Yellow 10GPY3
HH
358
HH
Deep Yellow
Sap Green
Diarylide Yellow PY83
Ferrous Nitrous Beta Naphthol PG8
HHH
375
HH
HHH
Cobalt Blue (Hue) Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6
Synthetic Iron Oxide PY42
166
Brilliant Green Light
Yellow Ochre
161
HH
White
390
HHH
Raw Sienna
Ultramarine
Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Ferrous Nitrous Beta Naphthol PG8
Sodium Polysulphide-Aluminosilicate PB29
HH
400
HHH
Carmine
Primary Blue - Cyan
Naphthol AS PR146 Naphthol AS PR9
Phthalocyanine Beta PB15:3
HH
402
HH
Primary Red - Magenta
Prussian Blue
Naphthol AS PR146
Phthalocyanine Beta PB15:3 Dioxazine PV23 Carbon Black PBK7
HH
443
HHH
Scarlet
Violet
Naphthol AS PR112
Dioxazine PV23
HHH
492
HHH
Burnt Sienna
Burnt Umber
Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101PBk11
Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PY42 Carbon Black PBK7
HH
530
HHH
Vermilion Light (Hue)
Black
Naphthol AS PR112 Hansa Yellow GPY1
Carbon Black PBK7
“Drawing is the product of thought, of poetry, of the spirit� Gianni Maimeri, The diary December 16 1912
varnish colours Pure, authentic, lightfast pigments mixed with mastic resin and refined hydrocarbon solvents are the ingredients that go into this line of colours that has proven popular with restoration and conservation workers the world over. Restoration is a severe test, pitting half a century of Maimeri quality against the great masterworks of western art. This line makes use of a number of earths, which Maimeri still obtains from the best sources: authentic Sienna Earth,
Restauro often replaced by imitations using artificial oxides in today’s colours, various shades of Green Earths, authentic Umber Earths and Cassel Earths. Ocres, natural iron oxides, are still obtained by grinding the mineral; Maimeri does not use artificial precipitates prepared by industrial processes. Only the Lakes have been replaced by new products of organic synthesis, which maintain the same tone as the traditional pigment but with better lightfastness. Naples Yellow is lead antimoniate, as required by medieval recipes, and of course the mastic resin used is from the Island of Chios, whose name has always been linked with the best-known varnish resin.
Restauro
33 = Varnish Colours, complete range 33 colours in 4 price groups
All colours
02 = 20 ml tube Sales unit 6 pieces
018
020
081
082
083
084
104
131
133
134
161
167
HHH
gr. 1
178
HH
gr. 2
390
HHH
gr. 2
Titanium White
Permanent Madder Deep
Ultramarine
Titanium Dioxide PW6 Zinc White PW4
Anthraquinone PR83 Sodium Polysulphide-Aluminosilicate PV15
Sodium Polysulphide-Aluminosilicate PB29
HHH
gr. 1
224
HHH
gr. 4
416
HHH
gr. 4
White di zinco
Cadmium Red Orange
Cerulean
Zinc White PW4
Cadmium Sulphoselenide PR108
Cobalt Aluminium-Chromium Oxides PB36
HHH
gr. 3
228
HHH
gr. 4
474
HH
Cadmium Yellow Light
Cadmium Red Medium
Brown Madder (Alizarin)
Cadmium Sulphide PY35
Cadmium Sulphoselenide PR108
Hydrated Chromíum Oxide PG18 Diarylide Yellow PY83 Anthraquinone PR83
HHH
gr. 3
242
HHH
gr. 1
482
HHH
Cadmium Yellow Lemon
Indian Red
Transparent Brown
Cadmium Sulphide PY35
Synthetic Iron Oxide PR101
Natural Earth PG23 Original Natural Earth PBr7 Original Calcined Natural Earth PBr7
HHH
gr. 3
276
HHH
gr. 1
484
HHH
Cadmium Yellow Medium
Pozzuoli Earth
Vandyke Brown
Cadmium Sulphide PY35 Cadmium Sulphide PY35
Synthetic Iron Oxide PR101 Natural Earth PBr7
Original Calcined Natural Earth PBr7 Bone Black PBk9
HHH
gr. 3
278
HHH
gr. 1
490
HHH
Cadmium Yellow Deep
Burnt Sienna
Cassel Earth
Cadmium Sulphide PY35
Calcined Original Natural Earth PBr7
Natural Earth PBr7
HHH
gr. 2
290
HH
gr. 2
492
HHH
Naples Yellow
Green Lake
Burnt Umber
Zinc White PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42
Chlorinated Phthalocyanine PG7 Benzidine Yellow PY17 Diarylide Yellow PY83
Calcined Natural Earth PBr7
HHH
gr. 1
296
HHH
gr. 1
493
HHH
Yellow Ochre
Green Earth
Raw Umber
Natural Iron Oxide PY43
Natural Earth PG23
Natural Earth PBr7
HHH
gr. 1
297
HHH
gr. 1
535
HHH
Yellow Ochre Pale
Antique Green Earth
Ivory Black
Natural Iron Oxide PY43 Zinc White PW4
Natural Earth PG23 Original Natural Earth PBr7
Bone Black PBk9
HHH
gr. 1
336
HHH
Golden Ochre
Chrome Oxide Green
Natural Iron Oxide PY43 Natural Iron Oxide PY43
Chromium Oxide PG17
HHH
gr. 1
348
HHH
gr. 2
gr. 2
Raw Sienna
Viridian
Original Natural Earth PBr7
Hydrated Chromíum Oxide PG18
HH
gr. 2
372
HHH
Permanent Carmine
Cobalt Blue
Anthraquinone PR83
Cobalt-Aluminium Oxides PB28
gr. 4
gr. 2
gr. 1
gr. 1
gr. 1
gr. 1
gr. 1
gr. 1
“ Colour is matter, sense, reality� Gianni Maimeri, The diary December 16 1912.
ketonic resin colours Ketonic resin colours for restoration are the outcome of a study intended to complete the range of colours for retouching which Maimeri offers for conservation and restoration work of all kinds the world over. The new range of colours, produced by binding lightfast tested pigments with ketonic resin and selected hydrocarbon solvents only, now offers the greatest reversibility and resistance to yellowing. Ketonic resin colours are offered alongside the
Restauro traditional line of mastic resin based colours for restoration in response to the most recent demands of scientific research into the conservation of works of art. While the proven line of mastic resin colours is ideal for touching up works which have been varnished or finished with traditional natural resins, this new line is better suited for use with modern synthetic varnishes, now used in restoration and conservation even of older paintings, adding the value of unbeatable lightfastness in the binder. The two lines may be mixed together and thinned using the same thinners.
Restauro con resina chetonica 34 = Ketonic Resin Colours, complete range 20 colours in 3 price groups
All colours
12 = 40 ml tube Sales unit 3 pieces
018
054
082
116
131
HHH
gr. 1
161
HHH
gr. 1
278
HHH
gr. 1
400
HHH
Titanium White
Raw Sienna
Burnt Sienna
Primary - Cyan
Titanium Dioxide PW6 Zinc White PW4
Original Natural Earth PBr7
Calcined Original Natural Earth PBr7
Phthalocyanine Beta PB15:3
HHH
gr. 2
167
HHH
gr. 2
336
HHH
gr. 1
492
HHH
Cadmium Orange
Alizarine Carmine
Chrome Oxide Green
Burnt Umber
Cadmium Sulphoselenide PO20
Quinacridone PR122 Quinacridone PR206
Chromium Oxide PG17
Calcined Natural Earth PBr7
HHH
gr. 2
228
HHH
gr. 2
347
HHH
gr. 1
493
HHH
Cadmium Yellow Light
Cadmium Red Medium
Emerald Green (Hue)
Raw Umber
Cadmium Sulphide PY35
Cadmium Sulphoselenide PR108
Chlorinated Phthalocyanine PG7
Natural Earth PBr7
HHH
gr. 1
242
HHH
gr. 1
372
HHH
gr. 3
514
HHH
gr. 1
gr. 1
gr. 1
gr. 1
Primary Yellow
Indian Red
Cobalt Blue
Payne Grey
Arylide Yellow PY97
Synthetic Iron Oxide PR101
Cobalt-Aluminium Oxides PB28
Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9
HHH
gr. 1
256
HHH
gr. 1
390
HHH
gr. 1
535
HHH
Yellow Ochre
Primary Red - Magenta
Ultramarine
Ivory Black
Natural Iron Oxide PY43
Quinacridone PV19
Sodium Polysulphide-Aluminosilicate PB29
Bone Black PBk9
3399495 MAHOGANY CHEST 30 x 40 cm interior Wooden dividers Palette 32 Assorted 20 ml tubes 34 Assorted MaimeriBlu Superior Watercolours 1.5 ml pans 1 Fixative Varnish 250 ml bottle 1 Mastic Varnish 250 ml bottle 1 Turpentine Essence 250 ml bottle 1 Petroleum Essence 250 ml bottle 4 Ceramic bowls 1 Ceramic palette 1 Brush washer 12 Kolinsky sable brushes 3 Painting knives 3 Palette knives
gr. 1
“ The great question in painting is how to combine drawing with colour” Gianni Maimeri, The diary December 16 1912
pure artists’ pigments When we demand something more, something different from a painting technique, we have to go back to the pigments. As always, pure finely-ground pigment is the starting point for every special paste, for every new undertaking and for every new colour, in art, decoration and restoration. For artists wishing to work with such rare ancient techniques as fresco, egg tempera or encaustic painting, or give free rein to the wildest experiments, a genuine, dependable
Pigments pigment provides a dependable point of departure. This is why Maimeri offers not only ready-made colours but pure pigments packaged and sold in powder form, quality tested and guaranteed with the Maimeri name, in recognition of the fact that painting is a never-ending work in progress. This range of pigments is designed to meet all artists’ needs: from the ancient harmonious palette to the most vivacious tones of contemporary art. All colours are sold in precious glass jars like those once used in apothecaries or in the paint workshops where powders like these used to be kept.
Pigmenti
35 = Pure Artist’s Pigments, complete range 60 colours in 6 price groups Every color has different a specific weight, the weight is expressed in grams on the label in relation to the capacity of the jar.
All colours
17 = 100 ml ampoule Sales unit 3 pieces 018
020
054
060
062
081
082
083
HHH
lllll
gr. 1
111
HHH
lllll
gr. 4
348
HHH
lllll
Titanium Dioxide PW6
Hansa Yellow G PY1
Cadmium Sulphoselenide PR108
Hydrated ChromĂum Oxide PG18
HHH
lll
gr. 2
112
HH
lllll
gr. 1
228
HHH
lllll
gr. 4
368
HHH
lllll
gr. 5
gr. 5
Bianco di zinco
Permanent Yellow Lemon
Cadmium Red Medium
Cerulean Blue
Zinc White PW4
Hansa Yellow 10 G PY3
Cadmium Sulphoselenide PR108
Cobalt Aluminium-Chromium Oxides PB36
HHH
llll
gr. 3
114
HH
lllll
Cadmium Orange
Permanent Yellow Deep
Cadmium Sulphoselenide PO20
Diarylide Yellow PY83
HHH
lllll
gr. 1
130
HHH
lllll
gr. 2
gr. 1
230
232
HHH
lllll
gr. 4
373
HHH
lllll
Cadmium Red Purple
Cobalt Blue Light
Cadmium Sulphoselenide PR108
Cobalt-Aluminium PB28
HHH
lllll
gr. 4
374
HHH
lllll
Mars Orange
Italian Ochre
Cadmium Red Deep
Cobalt Blue Deep
Synthetic Iron Oxide PR101
Natural Iron Oxide PY43
Cadmium Sulphoselenide PR108
Cobalt-Aluminium PB28
HHH
lllll
gr. 6
131
HHH
lllll
gr. 1
244
HHH
lllll
Permanent Orange
Yellow Ochre
English Red
Anthraquinone PO43
Natural Iron Oxide PY43
Synthetic Iron Oxide PR101
HHH
llll
gr. 3
132
HHH
lllll
Cadmium Yellow Light
Yellow Ochre Light
Cadmium Sulphide PY35
Natural Iron Oxide PY43
HHH
llll
gr. 3
134
HHH
Cadmium Sulphide PY35
Natural Iron Oxide PY43
llll
gr. 3
162
HHH
llll
gr. 3
167
HHH
lllll
gr. 1
186
HHH
248
HHH
lllll
252
HH
lllll
gr. 1
278
HHH
lllll
Original Natural Earth PBr7
Calcined Original Natural Earth PBr7
l
gr. 3
296
HHH
lllll
Permanent Carmine
Green Earth
Anthraquinone PR83
Natural Earth PG23
lllll
gr. 4
321
HHH
lllll
Mars Yellow
Magenta Quinacridone
Phthalo Green
Synthetic Iron Oxide PY42
Quinacridone PR122
Chlorinated Phthalocyanine PG7
HHH
lllll
gr. 4
193
HHH
335
lll gr. 3
Naples Yellow
Ultramarine Rose
Antimony-Nickel-Titanium Oxides PY53
Sodium Polysulphide-Aluminosilicate PV15
HHH
lllll
gr. 3
212
HHH
lllll
HHH
391
gr. 3
392
HHH
lllll
gr. 1
HHH
lllll
gr. 1
Ultramarine Deep
gr. 1
402
HHH
l
gr. 1
Prussian Blue Ferric Ferrocyanide PB27
gr. 1
428
HHH
lllll
gr. 1
Sky Blue Ultramarine Sodium Polysulphide-Aluminosilicate PB29
gr. 2
431
HHH
lllll
gr. 5
Phthalocyanine Turquoise
lllll
Phthalocyanine Beta PB15:3
gr. 5
440
lllll
HHH
lllll
gr. 2
Ultramarine Violet
Cobalt-Titanium Oxides PG50
336
HHH
Sodium Polysulphide-Aluminosilicate PB29
Light Green Oxide
gr. 4
gr. 2
Sodium Polysulphide-Aluminosilicate PB29
Burnt Sienna
HHH
gr. 2
Naphthol AS PR9
lllll
lllll
Phthalocyanine Alpha PB15:1
Synthetic Iron Oxide PR101
gr. 1
HHH
gr. 5
Ultramarine Light
Raw Sienna Light
HH
378
gr. 5
Phthalo Blue
Permanent Red
Golden Ochre
HHH
gr. 1
gr. 1
Mars Red
lllll
Cadmium Yellow Lemon
Cadmium Sulphide PY35
109
226
Viridian
Cadmium Yellow Deep
104
gr. 1
Cadmium Red Light
Cadmium Sulphide PY35
102
lllll
Permanent Yellow Light
Cadmium Yellow Medium
084
HH
Titanium White
Sodium Polysulphide-Aluminosilicate PV15
gr. 3
451
HHH
l
Nickel Titanate Yellowo
Quinacridone Rose
Chrome Oxide Green
Cobalt Violet Pale
Antimony-Nickel-Titanium Oxides PY53
Quinacridone PV19
Chromium Oxide PG17
Cobalt Ammonium Phosphate PV14
gr. 6
452
HHH
lllll
gr. 6
Cobalt Violet Deep
lllll Hight
Cobalt Phosphate PV14
459
lllll Hight
HHH
lllll
gr. 2
HHH
l
gr. 3
Mineral Violet Manganese Ammonium Pyrophosphate PV16
HHH
lllll
gr. 4
Permanent Violet Dioxazine PV23
476
HHH
lllll
gr. 2
Mars Brown Synthetic Iron Oxide PR101PBk11
485
HHH
lllll
gr. 1
Caput Mortuum Synthetic Iron Oxide PR101
490
HHH
lllll
gr. 1
Cassel Earth Natural Earth PBr7
492
HHH
lllll
gr. 1
Burnt Umber Calcined Natural Earth PBr7
493
HHH
lllll
gr. 1
Raw Umber Natural Earth PBr7
535
HHH
lllll
gr. 1
lllll
gr. 1
Ivory Black Bone Black PBk9
537
HHH Carbon Black
Carbon Black PBk7
540
HHH
lllll
Mars Black Synthetic Iron Oxide PBk11
lllll Medium lllll Scarce
Synthetic Iron Oxide PR101
464
-Medium
lllll Medium
Mars Violet
460
Lime resistance
gr. 2
- Low
“ Painting must taint the painter’s entire life. Gianni Maimeri, The diary January 23 1917.
charcoals and gum eraser Charcoals, the ideal instrument for tracing compact, smooth black lines, are now produced from particular kinds of wood burned in a vacuum to ensure that they are completely charred. Traditionally charcoals were manufactured exclusively from the wood of the spindle-tree, but now willow wood is preferred, as it offers the same quality and is more widely available. Lines drawn with charcoal are strong and full of
Charcoals character, and enclose the full content of many works. Gianni Maimeri himself demonstrated the power and emotional content of the line obtainable with the product in his collection I Musicisti. (The Musicians)
6255000 GUM ERASERS
6263100 SCENOGRAPHY CHARCOALS
pack 20 each, size 25 gr.
variable diameters lenght 13 cm approximately
WILLOW CHARCOALS N°1
WILLOW CHARCOALS N°2
diameters 5 mm lenght 14 cm
diameters 10 mm lenght 14 cm
6261005 6261010 6261025 6261050
contains contains contains contains
5 each 10 each 25 each 50 each
6262005 6262010 6262025 6262050
contains contains contains contains
5 each 10 each 25 each 50 each
Auxiliary products for oil painting code description
composition
features and use notes
sizes
600 ODOURLESS THINNER
Refined petroleum distillate, aromatic-free
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Refined petroleum distillate
Light thinner, fast evaporation. Good solvent power. Ideal for cleaning brushes.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Essential oil extracted from conifer buds
Vegetable solvent of antique origins. Medium-slow evaporation. Sensitive to light and air, when mixed with colours it tends to give a mat effect. Suitable also for cleaning brushes.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Thixotropic alkyd resin White spirit Excipients Titanium dioxide
Oil based primer, with little absorbency. It does not need thinning. More coats are to be applied 24 hours apart, for a smoother surface. Ideal base for oil colours, but suitable for other mediums as well.
500 ml
= 34
Linseed oil Petroleum essence White spirit Drying agents
Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Thixotropic alkyd resin White spirit Drying agents
Gel to reduce the drying time of oil colours, leaving their viscosity unchanged. Use sparingly, checking the drying time reduction. Shake the bottle well before using.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Safflower oil Drying agents Fillers
Pigment-free oil colour: its consistency and body make it suitable for painting heavy coats. Mixed with colours very rich in pigments, it reduces costs without altering their consistency. It dries quickly and does not yellow.
60 ml
= 06
Tixotropic Acrylic resin (15%). White spirit Thickeners
This is a semi-shiny amber-colored medium that improves fluidity and transparency and softens brushstrokes. It is easy to mix, using brush or palette-knife and can be used instead of oil. When coating or overlapping colors nothing else is needed to increase the flexibility of subsequent layers: just increase the amount of Oilyn, gradually adding it as work proceeds.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
White spirit Linseed oil
Medium to reduce the oil colours consistency, without loosing their richness, as solvents do. It tends to yellow.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Safflower seed extract (saffranon)
Drying oil recently introduced, with similar features to poppy seed oil. It does not yellow and dries quickly. It helps to soften and make more fluid oil colours. Particularly suitable for white and light colours.
75 ml 250 ml 500 ml
= 16 = 26 = 34
Refined linen seed extract
Drying oil, it has the tendency to yellow. Good drying quality. Used as medium, increases the brightness and glossiness of the colour, spreads the brush stroke, so reducing its marks.
75 ml 250 ml 500 ml 1000 ml 5000 ml
= 16 = 26 = 34 = 40 = 48
XN
For oil painting Flammable Harmful
604 PETROLEUM ESSENCE F
XN
For oil painting Highly flammable Harmful Dangerous for the environment
606 ESSENZA DI TREMENTINA RETTIFICATA
XN
For oil painting Flammable Harmful Dangerous for the environment
616 OIL PAINTING PRIMER For oil painting Flammable
626 DRYING MEDIUM
XN
For oil painting Flammable Harmful Dangerous for the environment
628 DRYING GEL MEDIUM For oil painting Flammable Dangerous for the environment
632 IMPASTO MEDIUM For oil painting
645 OILYN F
For oil painting Highly flammable Dangerous for the environment
646 OILY THINNER
XN
For oil painting Flammable Harmful
648 SAFFLOWER OIL For oil painting
650 LINSEED OIL For oil painting
Auxiliary products for oil painting code description
composition
features and use notes
sizes
652 STAND LINSEED OIL For oil painting
Refined linseed oil, polymerised through heating
High viscosity oil, with tendency to yellow. It imparts a very glossy texture and spreads the brush stroke. It is advisable to wait about 1 month before varnishing the painting with a finish product.
75 ml 250 ml
= 16 = 26
654 WALNUT OIL
Refined walnut kernel extract.
Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.
75 ml 250 ml 500 ml
= 16 = 26 = 34
Refined poppy seed extract
Valuable oil of extreme purity and lightfastness. It does not yellow and dries slowly. Similar to safflower oil, it is particularly suited for white and very light colours.
75 ml 250 ml 500 ml
= 16 = 26 = 34
Refined petroleum distillate Aromatic content lower than 20%
Thinner with good solvent power for oil colours and varnishes. Very slow evaporation. Suitable also for cleaning brushes and palettes.
75 ml 250 ml
= 16 = 26
Dammar resin (40%) Turpentine essence Alcohols
Traditional final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours.
75 ml 250 ml 500 ml 1000 ml 5000 ml
= 16 = 26 = 34 = 40 = 48
Ketonic and acrylic resin (25%) White spirit Poppy seed oil
Fatty varnish that, mixed with oil colours, prevents uneven drying, and produces bright tones. Increases the adhesion to the surface and the flexibility of colours. Use sparingly.
75 ml
= 16
Ketonic and acrylic resin (45%) White spirit UV filter
Glossy, non yellowing varnish.Wait till the painting is fully dry before varnishing. Particularly protective thanks to its UV filter. Reversible product.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Acrylic resin (30%) White spirit Silica
Iridescent solution that produces a mat, very resistant film. Shake well before using.Do not apply on very absorbent surfaces, if not previously treated with insulating varnish. It can be mixed with Gloss picture varmish to obtain different degrees of glossy or mat effects. Reversible product.
75 ml 250 ml 500 ml
= 16 = 26 = 34
Natural mastic resin from Chios (31%) Turpentine essence
Very valuable natural varnish of antique tradition. It is very flexible and elastic, giving to the painting a particular brightness. It tends to yellow in time. Reversible product.
75 ml 250 ml 500 ml
= 16 = 26 = 34
Acrylic and ketonic resin (35%) White spirit
Final varnish combining the flexibility and hardness qualities of its components. It can also be used for other mediums.
75 ml 250 ml
= 16 = 26
Ketonic resin (25%) White spirit Petroleum essence
Light final varnish. Suitable to remove mat areas formed on unfinished areas, while painting.Medium drying time. It is also used as final varnish, when little gloss is required.
75 ml 250 ml 500 ml
= 16 = 26 = 34
For oil painting
656 POPPY OIL For oil painting
660 WHITE SPIRIT
XN
For oil painting Flammable Harmful Dangerous for the environment
664 DAMMAR VARNISH
XN
For oil painting Flammable Harmful Dangerous for the environment
666 PAINTING VARNISH
XN
For oil painting Flammable Harmful Dangerous for the environment
670 GLOSS PICTURE VARNISH F
XN
For oil painting Highly flammable Harmful Dangerous for the environment
674 MAT PICTURE VARNISH
XN
For oil painting Flammable Harmful Dangerous for the environment
682 MASTIC VARNISH
XN
For oil painting Flammable Harmful Dangerous for the environment
684 PICTURE VARNISH
XN
For oil painting Flammable Harmful Dangerous for the environment
686 RETOUCHING VARNISH F
XN
For oil painting Highly flammable Harmful Dangerous for the environment
Auxiliary products for water-based painting code description
composition
features and use notes
sizes
608 OX GALL
Clarified and refined ox gall
Unpleasantly scented fluid with tensioactive properties that improve the adhesion on paper and power of watercolours and gouaches. It prevents colour changes and blotches.
75 ml 250 ml
= 16 = 26
Acrylic resin in water emulsion Titanium dioxide Fillers Stabilisers
Ideal primer for acrylic colours. It can also be used for any other type of paint. It dries in about 30 minutes. It is, however, better to wait 24 hr before painting over. Basically, it insulates the painting from the surface, so ensuring its better adhesion and durability. Adheres to all surfaces.
500 ml 5000 ml
= 34 = 48
Acrylic resin in water emulsion Carbon black Fillers Stabilisers
Ideal primer for acrylics, it provides the same coverage as White gesso. It dries in 30 minutes. It can be used with any other type of paint. Adheres to all surfaces.
500 ml 5000 ml
= 34 = 48
Acrylic resin in a water emulsion Titanium dioxide Fillers Stabilisers
Ideal primer for acrylic based colours.Adheres to all surfaces.Mat finish improves colour adhesion. Dries in 30 minutes.May be used with all types of painting techniques.
500 ml 1000 ml
= 34 = 40
Gum arabic Glycerine Water
Opalescent solution that increases watercolour transparency and colour brightness. It improves the adhesion to the surface and spreads the brush stroke.
75 ml
= 16
622 GLOSS MEDIUM
Acrylic resin in water emulsion Stabilisers
Milky fluid that increases the brightness of acrylic colours, improving their film resistance. It may also be used as finish, applying it only when the paining is absolutely dry.
75 ml 250 ml
= 16 = 26
627 MAT GEL MEDIUM
Acrylic resin in water emulsion Silica Thickeners and stabilisers
Colourless acrylic base, added to the colour increases its colouring power and brightness, letting unchanged its viscosity. Useful in thick painting techniques. Once dry, it is irreversible.
250 ml
= 26
Acrylic resin in water emulsion Thickeners and stabilisers
Colourless acrylic medium, useful for thick painting techniques. It increases slightly the brightness of the colour and the drying time, leaving their viscosity unchanged. Particularly recommended for diluting colours for glazing.
250 ml
= 26
Acrylic resin in water emulsion Thickeners and stabilisers
Colore acrilico non pigmentato. Conveniente per tecniche a spessore. Aumenta moderatamente la brillantezza dei colori mantenendone inalterata la viscositĂ e prolungando leggermente i tempi di essiccazione. Particolarmente indicato per la diluizione dei colori nella tecnica delle velature.
250 ml
= 26
Acrylic resin in water emulsion Silica Thickeners and stabilisers
Colourless acrylic glazing with high viscosity. Added to colours it improves their viscosity and gives a smooth, velvety texture. Useful for thick painting. It makes possible to obtain strong glossy/mat contrasts.
250 ml
= 26
Acrylic resin in water emulsion Silica
Milky fluid that reduces the shine of acrylic colours. It can be used also as mat finish. Mixed with Gloss medium makes possible to produce numberless degrees of shiny or mat effects. Shake well before using.
75 ml 250 ml
= 16 = 26
For watercolour and gouache
614 GESSO Acrylic colours primer
615 BLACK GESSO Acrylic colours primer
617 FINE GESSO Acrylic primer
620 WATERCOLOUR MEDIUM For watercolour painting
For acrylic painting
For acrylic painting
629 DENSE GEL MEDIUM (GLOSS) For acrylic painting
630 GEL MEDIUM (GLOSS) For acrylic painting
631 DENSE GEL MEDIUM (MAT) For acrylic painting
636 MAT MEDIUM For acrylic painting
Other auxiliary products code description
composition
features and use notes
sizes
602 LAVENDER ESSENCE
Rectified lavender essence
Pleasantly scented thinner. It dries less fast than Turpentine essence. It is also used as medium in oil painting.
75 ml
= 16
Chios mastic resin and ketonic (10%) Plasticiser Alcohols Ethyl acetate
Clear fluid to protect drawings and increasing the medium adhesion to the surface. Spray with quick movements. Keep the container well closed.
75 ml
= 16
Chios mastic resin and ketonic (11%) Alcohols
Fixative from a conventional formula, with very valuable resin. Spray application. Keep the container well closed.
75 ml
= 16
618 ARTISTS’ MASKING LATEX
Natural rubber latex Ammonia Water
Milky fluid to apply with brush to mask out surfaces not to be painted. Drying the latex makes a flexible and water resistant film, easy to remove. Clean the brush immediately after use.
75 ml
= 16
624 BRONZING MEDIUM
Ketonic resin (45%) White spirit
Clear solution, completely neutral, it is the perfect mastic for bronze, aluminium powder or any other pigment.
75 ml
= 16
Linseed stand oil Wood stand oil White spirit Drying agents
Cement. Apply the gold leaf 12 hour after coating with the product. Once dry, rub forcefully the gold leaf with a wool rug.
75 ml 250 ml 500 ml
= 16 = 26 = 34
662 VENETIAN TURPENTINE
Venetian turpentine (91%) White spirit
Golden solution, called also “Fatty essence”, it is used as medium for Terzo Fuoco ceramic pigments. It is used as medium in oil painting, to increase the shine and flexibility of the colour surface.
75 ml 250 ml
= 16 = 26
667 ACRYLIC PICTURE VARNISH
Acrylic resin (30%) White spirit UV filter
Finishing varnish based on non yellowing solvent, easy to apply. The UV filter makes this finish very suitable for outdoor painting.
75 ml 250 ml 500 ml
= 16 = 26 = 34
668 WATER-BASED PICTURE VARNISH
Acrylic resin in water emulsion (80%) Stabilisers
An alternative to traditional solvent varnish. Easy to apply, it enhances the colour brightness. It does not yellow with time.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
671 MAT WATER-BASED PICTURE VARNISH
Acrylic resin in water emulsion (72%) Silica Stabilisers
Alternative product to conventional solvent varnishes. Easy to apply, it imparts a mat finish. It does not yellow in time.
75 ml 250 ml 500 ml
= 16 = 26 = 34
672 WAX-PICTURE VARNISH
Ketonic resin (45%) Beewax White spirit
Universal finish. Warm and shake before using. Its cloudy look does not affect the final appearance of the painting, which in fact acquires a soft and silky texture.
75 ml
= 16
676 FIXATIVE VARNISH
Acrylic resin (18%) White spirit
Clear and transparent solution, it does not yellow. It fixes and protects the painting or any other object. Suitable for any application. Clear and colourless, it is slightly mat if applied in a thin coat, while it acquires a glossy look in thicker coats.
75 ml 1000 ml
= 16 = 40
For oil and ceramic painting XN
610 PENCIL AND CHARCOAL FIXATIVE F
Highly flammable
612 PASTEL FIXATIVE F
XN
Highly flammable
Flammable Harmful Dangerous for the environment
644 OPERATION FOR GOLD LEAF XN
Flammable Harmful Dangerous for the environment
For oil and ceramic painting Flammable
XN
For oil and acrylic painting Flammable Harmful Dangerous for the environment
For oil and acrylic painting
For oil and acrylic painting
Flammable Dangerous for the environment
XN
Flammable Harmful Dangerous for the environment
Other auxiliary products code description
composition
features and use notes
sizes
678 PATINA VARNISH
Urethane oil and Alkyd resin (56%) White spirit Drying agents
Fatty amber finish, giving the painting an antique look. It is used as undercoat for the Picture cracking finish. It yellows in time.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
680 INSULATING VARNISH
Vinyl resin (12%) Alcohols Acetates
A clear, colourless varnish for application over mat colours prior to application of Final mat varnish. Acts as insulation to prevent sedimentation of matifying components contained in products to rise to the surface, resulting in white spots.
250 ml
= 26
Starch Dextrin Water Antifermentation agents
Amber solution, ready to use. Brush over the surface treated with the Patina varnish. Once the cracks are formed and blackened, apply another coat of Patina varnish.Temperature and humidity of the environment affect the size of the cracks.
75 ml 250 ml 500 ml 1000 ml
= 16 = 26 = 34 = 40
Flammable Dangerous for the environment
F
Highly flammable Irritant
688 PICTURE CRACKING VARNISH
Auxiliary products for restoration code description
composition
features and use notes
sizes
601 THINNER FOR RESTORATION
Isoparaffin hydrocarbons aromatic
Odourless thinner, scent-free. It is used to dilute the Final varnish for restauration. Particularly indicated for an even application of varnish coats.
75 ml 250 ml
= 16 = 26
Essential oil extracted from conifer buds
Vegetable solvents of old tradition. Medium-slow evaporation. Sensitive to the light and the air, mixed with the colors it stretches to opacify. Suitable also for cleaning brushes.
75 ml
= 16
Amyl acetate Aromatic hydrocarbons Ethyl acetate Isopropyl alcohol
Similar to aromatic solvents, this powerful solvent is definitely less toxic. Particularly indicated for removing natural resin varnishes.
75 ml
= 16
Ketonic resin (50%) Isoparaffin hydrocarbons
Delicately applied, this varnish avoids the removal of Varnish colours for restoration. Thin with the Thinner for restoration.
75 ml
= 16
Natural mastic resin (40%) Turpentine essence
Highly priced natural varnish of traditional use. Very flexible. To use as addition to restoration colours.
75 ml
= 16
Ketonic resin (22%) White spirit
Very fast drying, light varnish for retouching and restoration. Moderately shiny, it does not yellow.
75 ml
= 16
XN
Flammable Harmful
607 BI-RECTIFIED TURPENTINE ESSENCE
XN
For oil painting Flammable Harmful Dangerous for the environment
661 STRONG SOLVENT FOR RESTORATION F
Highly flammable
677 FINAL VARNISH FOR RESTORATION XN
Harmful
683 CONCENTRATED MASTIC VARNISH XN
Flammable Harmful Dangerous for the environment
687 RETOUCHING VARNISH FOR RESTORATION XN
Flammable Harmful Dangerous for the environment
Aerosol code description
composition
features and use notes
sizes
603
SICCATIF VARNISH
Acrylic resin 3% Mixture of solvents 71% Mixture of siccatives from 0,5% to 1% Butan, Isobutan, Propan 25% UV filter
Varnish based on desiccative additives. It reduces notably the drying time and it doesn’t modify the shades. Suitable exclusively for oil colors.
bombola 400 ml
= 32
FIXATIVE
Ketonic resin 6% Petroleum distillates 58% Castor oil 1% LPG propellant 35% UV filter
Colourless varnish to use sparingly to fix and protect drawings, paste gouaches. Keep the can in a vertical position, spraying in quick movements, at a distance of about 30 cm from the drawing.
bombola 400 ml
= 32
VERNICE DAMAR
Dammar resin 22,4%, Turpentine oil 25,24%, N-butyl alcohol 8,44%, Solvent naphtha (petroleum) hydro treated heavy Note P Benzene 9,91%, Dimethyl ether 15%, Liquefied Petroleum Gas Note K 1,3- Butadiene 19%
Tradition final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours. Spray on with a rapid movement, holding can upright at a distance of about 30 cm from the work.
bombola 400 ml
= 32
FINAL VARNISH
Ketonic resin 16% Petroleum distillates 49% LPG propellant 35% UV filter
Colourless varnish producing a very resistant film. It is used to varnish thoroughly dry oil paintings, acrylics, etc. Shake before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.
bombola 400 ml
= 32
FINAL MAT VARNISH
Acrylic resin 10% Petroleum distillates 54% Silica 1% LPG propellant 35% UV filter
Colourless varnish, producing a very resistant mat film. It contains an opaque texturing agent, which tends to settle at the bottom, it is therefore advisable to shake the can well before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.
bombola 400 ml
= 32
FIXATIVE VARNISH
Acrylic resin 9% Petroleum distillates 41% LPG propellant 50% UV filter
Universal, colourless protective varnish.Invisible when sprayed in a thin coat.It is used to fix and protect documents, drawings,watercolours, prints, gouache and oil paintings.It dries fast. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.
bombola 400 ml
= 32
RETOUCHING VARNISH
Ketonic resin 10% Petroleum distillates 55% LPG propellant 35% UV filter
Colourless light varnish, to be used also while painting, to eliminate opaque spots that may appear on unfinished areas. It dries fast and is moderately glossy. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.
bombola 400 ml
= 32
F
609 F
665 F
669 F
673 F
XN
675 F
685 F
Extremely flammable
Extremely flammable Irritant
Extremely flammable Harmful Dangerous for the environment
Extremely flammable Irritant
Extremely flammable Irritant Dangerous for the environment
Highly flammable
Extremely flammable