F F A AS S H HI I ON ONTECHNOLOGY
M M A A I IT T R R I I S S A A V V A A N N I I
ARCHI TECTURE
Declaration I declare that this written submission represents my ideas in my own words and where others' ideas or words have been included, I have adequately cited and referenced the original sources. I also declare that I have adhered to all principles of academic honesty and integrity and have not misrepresented or fabricated or falsified any idea/data/fact/source in my submission. I understand that any violation of the above will be cause for disciplinary action by the Institute and can evoke penal action from the sources which have thus not been properly cited or from whom proper permission has not been taken when needed.
MAITRI ASHOK SAVANI
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Inspiration {legends from fashion}
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ABBREVIATIONS VR-VIRTUAL REALITY AI-ARTIFICIAL INTELLIGENCE PEST-POLITCAL,ECONOMIC,SOCIAL AND TECHNOLOGICAL CMT-CUT MAKE TRIM SERVICES MOQ-MINIMUM ORDER QUANTITY FTA- FREE TRADE AGREEMENT AQL-ACCEPTED QUALITY LEVEL INSPECTION
LIST OF FIGURES FIGURE 0-I:INFLUENCES OF FASHION
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FIGURE 0-II:EVOLUTION OF DRESS [ANIMAL SKIN< WOVEN MATERIAL<SILK<STATUS<RELIGION<FASHION<WORK<SPORTS CLOTHING] 9 FIGURE 0-III:THE(B)ORDER OF PENELOPE’S WEAVE
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FIGURE 0-IV: TEXTILE WORKERS IN INDUSTRIAL REVOLUTION
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FIGURE 0-V: INDUSTRIAL ADVANCEMENT IN TECHNOLOGY
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FIGURE 0-VI:ATHENS: ERECHTHEUM
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FIGURE 0-VII:AVANT GARDE FASHION-ANTI-FASHION [MODERNISM GHITTA CAISERMAN-ROTH]
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Abstract
Figure 0-I:Influences of fashion
I don’t do fashion, I am fashion -Coco Channel Today, lets propound on fashion, which is important form of first self-expression, in the current scenario, it’s cliche to judge people based on their appearance but our clothing introduces our personality, economic status, sexual differentiation, occupation, social and culture background, and even broaches on personal level of displaying their unique taste in colour, style, pattern, brand and mood choices. Fashion is an inferior art followed by application of various concepts, theory with intellectual ideas forming preeminent discipline and aesthetic elite. Concerning fashion as a noumenal phenomenon, there is no question that fashion has both
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positive and negative meanings as a noumenon, says philosopher Immanuel Kant, as according to him it is a case of unreflected and blind imitation. Taking social phenomena into account from the dawn of modernity, fashion has had cultural and economic significance. The German philosopher and sociologist Georg Simmel (1858-1918) affirms view of spencer and Veblen and how fashion equalizes and imitates society, but in a paradoxical fashion, distinguishes time and class as it changes continuously today, since the mass markets have launched, increasing both mass production and consumption to meet the rising needs of the growing population. Various mechanisms have been adapted to fulfil their needs. There is no doubt that fashion is a separate and distinct industry with its own traditions, rules, and fundamentals, but it is also influenced and rooted in art, architecture, science, music, and technology. The emergence of social media, upgradation of machinery, and information consumption apps has created swooping angles and gained attention from the fashion industry, including marketing, manufacturing, and e-commerce. Technology has taken its roots in fast production catering to the masses.
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Acknowledgement This RESARCH has benefited greatly from the support of many people, some of whom I would sincerely like to thank here. To begin with, I am deeply grateful to Ar. Mihir Bhatt sir for supporting in this interesting topic for investigation and who has been my mentor during my thesis project. Not only they were able to provide useful hints and advice, but they also gave me the chance to develop deeper teaching skills by entrusting me with leading tutor duties. They were also the advisor for all my thesis work throughout my project, deserves special recognition for their always highly competent remarks and suggestions and particular praise for their openness and their calm and friendly manner which allowed me to convey everything most graciously. Thank you very much. Furthermore, I would like to thank my batch mate for supporting me all the time, giving me all the strength and motivation need throughout my thesis project and without them my journey would have been incomplete. Finally, but first in my heart, my parents and my younger brother are due my deep gratitude for their continued moral and financial support throughout my studies and believing in me, the former being of much greater importance
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Preface
Figure
0-II:Evolution
of
dress
[Animal
skin<
woven
material<silk<status<religion<fashion<work<sports clothing]
Manfred Kayser, Ralph Kittler, and Mark Stoneking; anthropologists from the Max Planck institute for Evolutionary Anthropology performed the analysis of human genetic body lice which suggested that clothing was originated around 1,70,000 years ago. Clothing serves many functions, including protection from types of weather, acting as insulation in cold or heat, protecting against rough surfaces, insects, snakes, and toxic materials, and acting as a barrier between skin and the environment. Clothing also provides comfort to the body. Prior to the 17th century, most clothing was hand-made, made from natural elements; animal skin, fur, grass, leaves, bone and shells, garments were often draped or tied with needles made from animal bone, which touched upon ideology of weaving fibres as alternative of animal hides and emerged basketry techniques of making a cloth. Hand in hand, history of clothing gave rise to
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history of textile, where humans invented weaving, spinning, knitting, tools and other techniques to make the fibre used for cloth, process was similar as followed earlier, but got their alternative as instead of animal skin-cloth and animal bone needle-thread, people started designing cloths according to their need, culture, and social background, and tailors started establishing their names after 17th century. Certain quality and style of tailoring became associated with the name of the tailor. Later, the conception of clothing began to require the skills of someone with fashion authority and high levels of competence and the era took the turn towards western fashion world, as the term designers and whole fashion industry came into picture.
Figure 0-III:The(b)order of Penelope’s weave
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Background “Fashion is part of the daily air, and it changes all the time, with all the events. You can even see the approaching of a revolution in clothes. You can see and feel everything in clothes.” – Diana Vreeland Fashion from prehistoric times to the current age of globalization; influenced by multicultural, economic, and social perspective, exploring diverse and colourful historical evolution of human attire, clothing differs during climatic conditions, religious observances, regions and countries, social and ethnic background, recreation activities, evolution of materials, rites of passage and other human needs and purposes. Second industrial revolution was a phase of rapid standardization and industrialization people
felt
period, need
of
catering faster production, here’s when technology took its first giant leap on fashion, in 19
th
century
with the invention and production
Figure 0-IV: Textile workers in Industrial revolution
of
sewing
machine,
which
was
greatest
advancement
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invention sewing 900 stitches per minute. Fashion technology advanced slowly over the course of decades, responding largely to changes with tools and techniques, fashion has turned into big industry being at the forefront of innovation in forward looking and cyclical manner. Technology has survived in the industry since ages and today, fashion technology has shifted on robots that sew and cut fabric, AI algorithm that predicts style trends, VR technology mirrors in dressing room, advancement in materials computer aideddesign software’s and an array of other innovations show Figure 0-V: Industrial advancement in technology
how technology is
automation, personalizing and speeding up the fashion space.
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Resemblance in fashion and architecture Art is connection between these two disciplines I believe that both fashion and architecture are bridging subjects, with varied implications and inspirations as they connect, but the most fundamental element they have in common is the necessity of clothing and shelter for humans. A normal man may see this field as possessing its own singular identity, but they also deal with a wide range of factors, such as current economic conditions, current political events, social and cultural conditions, which work exactly in harmony with the relationship between art, science, and technology. Despite differences in scale, space, and volume, there is always an existing relationship that embodies constant changes in style and taste for conceptions and theories. Subjects are crouched under complexity, simplicity, modernity. The transient perception of time, mindsets, organization, methodologies, creativity, interest, sustainability, and dynamic environmental intermediates between fashion and architecture.
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Figure 0-VI:Athens: Erechtheum
In architecture, fashion has been incorporated since the Greeks used gender in their columns. A fabric imitation served as the inspiration for elements such as flutting. The fascinating topic of fashion and architecture is explored from the Middle Ages to the present day. Architecture is used for the construction of buildings as shelter while fashion is used for clothing to get shelter to the body. Although the process is similar, there is a distinct difference at certain points. Vitruvius, an ancient architect, theorist expresses his thoughts in a book on architecture (De Architectura) which viewed the human body as pure beauty in both symmetry and proportion. Further, genders were distinguished in the application of clothing and adornment in Greek architecture where Greek Doric-order columns represent males referred to as Kouroi who usually wore a bronze or gilt belt to accentuate nudity and female referred to as kourai who dressed in peplos or free drapery resembling the style, culture, social background, and storyline of the time which in a way already had a deeper connection in the history in terms of fashion and architecture but the essence of this connection has been seen extinguished recently by many architects due to various factors. Looking at the current situation, many artistic approaches have been attempted in two-dimensional form such as street art depicting a
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language. Fashion uses structural pieces as an element in the design of the cloth while architecture refers weaves, threads, and drapes itself into urban fabric, which in a way is creating deeper connection in designing temporal distinctness in fashion and architecture, capitalizing on unique rates for developing. On a deeper level, fashion, and architecture both have less to do with luxury and design, but everything to do with feeling comfortable in your own skin and in your habitat. -Karen moon, co-founder of Stylemusée “If style is the language of architecture, fashion represents the wide – and – swirling-cultural currents that shape and direct that language” -says Rybczynski, Even if all materials are of equal value to the artist, they are not equally suited to all his purposes of the building. The architect’s general task is to provide a warm and liveable space. Carpets are warm and liveable. He decides for this reason to spread out one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet on the floor and the tapestry on the wall require a structural frame to hold them in the correct place. To invent this frame is the architect’s second task. This is the correct and logical path to be followed in architecture. It was in this sequence that mankind learned how to build. In the beginning was cladding. Man sought shelter from inclement weather and protection and warmth while he slept. He sought to cover himself. The covering is the oldest architectural detail. Originally it was made from animal skins or textile products. This meaning of the word is still known today in the Germanic languages. Then the covering had to be put up somewhere if it was to afford enough shelter to a family! Thus, the walls were added, which at the same time provided protection on the
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sides. In this way the idea of architecture developed in the minds of mankind and individual men.
-Adolf loos: the principle of cladding
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Introduction The human body has "first skin," clothing is designated as "second skin," and fashion is designated as "third skin”. Fashion is dynamic global industry, a vibrant platform playing important role in social, cultural, political, and economic status. Fashion consist of 4 major steps. A) Production of raw materials. B) Production of fashion goods. C) Retail sales. D) Various forms of advertising and promotion. Fashion is not only seen as purely aesthetic but is also medium for people to create an overall three-dimensional art as unique and self-fulfilling, maybe part of someone’s identity and express their opinion, comfort and liking. Fashion connotes different but also shows sameness signifying latest distinction or a community with similar ideology. Fashion has its close relation with trends (an ephemeral look lasting for shorter span) and style (expression that last for many seasons and is often connected to cultural movements), reason of change in style and trend is when different designers are influenced by outside stimuli and reflect their inspiration in their work, where inspiration can be from any art form, scientific reason, cinema, celebrity, technological advancement, creative exploration, architecture design ideas or music influence. Growth and declination of fashion are analysed by forecasters on the basis of PEST analysis, which in
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terms affect the fashion market industry. Social media with celebrity and influencers, annual or seasonal fashion show is reflection of trends, current 4 main major fashion capitals are acknowledged to be Paris, Milan, New York city and London, but even countries like China, Japan, India and Pakistan with significant local and global markets have traditionally large textile industries. Evolution in fashion industry revolves around social, political, and technological influence. Even media has significant role and plays important part in fashion journalism and fashion blogs. Today, many teens have started fashion blogging and keeping world updated and attracting with upcoming or current products, and fashion and has become a source of advertising and promotion. So thus, concluding on broader perspective, cultural theorist Ted Polhemus and Lynn Procter describe fashion as adornment consisting of 2 parts A) Fashion- quick evolution, not affiliated with one group or area of world but spreads throughout the world B) Anti-fashionfixed changes
and little
over time Figure 0-VII:Avant Garde fashion-anti-fashion [Modernism Ghitta Caiserman-Roth]
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Area of concern “I think there is beauty in everything. What 'normal' people perceive as ugly; I can usually see something of beauty in it." -says Alexander McQueen According to the research, clothing has a symbolic significance. Wearing clothes with specific meanings can affect our psychological state. Fashion is "enclothed cognition", a two-way street, causing negative or positive effect to mind. Fashion provides an opportunity to be independent in our thinking, maintains positive self-esteem, and serves as entertainment. It's not harmful to be fashionable in a limit but being fashionable has made us all stronger. Many traditional wears in India served positive environment but traditional wears have lost its essence in fast fashion, it’s not necessary to wear traditional to stay positive, such positiveness can be in any article of clothing if we stop clogging our wardrobe with waste cloths and pursue cloths satisfying our comfort, personality, and culture. Fashion looking for innovation, focusing on next generation, with collection of historical interventions and having time zone of the shifting perspective encroaching on new design, details, materials, and technology have given new direction in upliftment of the industry. This industry is progressing every day in production, marketing and giving new standards, but there is more need of being sustainable, making customization, so that people value their cloths and
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understand that it is creative as well as complex process of making thread to designer dress. We can co-relate architecture and fashion with a clock where the cycle of style, ideology, concept, and theory may repeat but span of architecture is analogous to hour cycle and fashion is analogous to minute cycle. We have evolved with various style, form, and function. In architecture, volume survives on longer pace of time and scale with its solidity and permanence tackling client needs, restrictions, technology, climatic consideration, and design intent, while fashion has derived new concept of fast fashion rejecting past variations and falls for new ideas and concepts lasting at the time frame of four months where design seasons are revealed in advance before 6 months of release. This constant is losing the value and essence of traditional methods increasing gap between technology and culture. But both disciplines have users as important subject. In the fashion industry, as we are all aware, the process is a long-oriented one, whose pieces are multifaceted in themselves in which we understand many people being involved at every step-in manufacturing, distributing, and retailing. We can never forget we have to cater to mass production, so the world has bought fast fashion, but instead of degrading our ethics of making dresses and dumping as landfills, why not find the other way to process and cater mass?
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Scope Fashion is more harmonised form of expressive style of living, as far as visuality goes; it is inspiring and celebrates beauty. Despite common belief, I believe that it also encourages individuality, as it allows people to grow as individuals with their own unique style accessed on fresh trends. Change is good, so the industry has tried to come up with different style and trends within a short range of time called fast fashion. Sometimes we lose interest because we want something new in life and fashion which is repetitive makes us bored. Consumers want something that would dazzle them, the possibility to get better understanding, inspiration and come up with new ideas, is when people understand close relation with every person related to field. If things repeat for a short span of time, chances of repetition increase while that coming on adequate amount of time as good design requires time and skills. Fashion gives an inspiring personality, beautification, sign of status, inner delight and brings energy and activates confidence in life. Similarly, architects also create a mood for users in those similar tangents, so using architecture as source for fashion industry can give new colours of metamorphosis. Technologies have influenced many aspects of society the way clothes are made today compared to how they were made years ago. There are several tools that have contributed to help designers create beautiful designs with deep details. Today, several technologies are applied to the production of bioengineered materials. Impact of technology in fashion industry has been observed in making mobile e-commerce websites, making new materials and
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patterns, use of artificial intelligence (AI), 3-dimensional planning, laser stamped fashion being fast -paced, this digital era has helped us cater mass production. So, technology is the aspect we cannot negotiate its contribution.
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Limitation Fast fashion has created a mentality of instant gratification. Businesses in the fashion industry are focused on agility and speed. In the event that they spot a trend, they deploy their hyper-rapid design and supply chain systems to make the trend available as soon as possible. While fast fashion brands release 52 "micro-seasons" per year, traditional fashion houses release just one or two. Social media has sped up this process. Social media and influencer marketing make it easy for new trends to travel quickly, resulting in consumer demand for hypercheap fashions. Still, there is a dark side to fast fashion. Fashion fast brands are notorious for manufacturing low-cost and low-quality clothes in factories with questionable working conditions, relying on low-wage workers. Moreover, lowdurability clothes produced in large quantities quickly promote excessive textile waste due to their rapid production. “See now, buy now “and low cost have encouraged consumers to fill up wardrobes. Each year, approximately 12.8 million tons of clothing is disposed of in landfills. According to McKinsey, the fashion industry emits 2.1 billion metric tons of greenhouse gases per year. International flights and maritime shipping combined contribute about 4% of global greenhouse gas emissions. Fashion is estimated to be responsible for ten percent of global CO2 emissions, twenty percent of industrial wastewater, and twofourths of insecticides and eleven percent of pesticides. At personal level, cognitive dissonance is a psychological phenomenon that is caused when an action isn't aligned with our personal beliefs or values, leading this `to conflict that causes a mental uneasiness. Fashion being inexplorable as
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cultural element which is charming but is threatening with the turn it may take. Currently, Ruth Engs from Indiana University says that some people get addicted to shopping because of the way they feel while shopping. Shoppers' brains release endorphins and dopamine as they shop, and over time, these feelings grow into addiction. People need to stay aware that there is a thin line in following fashion as art and expressing ourselves and then making fashion a mockery subject where dress is not even felt useful and made because they wish to innovate. Fashion is not about being on judgements, its more on being understood. Body shaming, sexual discrimination, and racism are the stereotypes the industry is trying to overcome, and this message should be in mind of not only industry but also users. "Fashion is very important. It is life-enhancing and, like everything that gives pleasure, it is worth doing well.”
—Vivienne Westwood
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Hypothesis Explore the experiential nature of a space transitioning through changing perceptions of time blended by architecture, fashion, technology and art with its form, function and aesthetic, a space for a community, which will be portrayed on the platform.
Aim "My commitment is to make a strong and modern collection without compromising my ethics and key values, taking into consideration where materials come from and who is making them—luxury with a conscience, or in other words, honest luxury." —Gabriela Hearst One stop solution for people to cater gap between traditional artist and modern machines, giving locals, small industry, entrepreneur, craftsman, and artisans a platform to showcase their ideas and talent on global level. Designers designing with the use of technology as the tool and exhibiting their ideas to the world, understanding the process and conveying message of its impact, while giving them a choice and taking ideas from the users to understand them.
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Objective •
Interplay, overlap, and overlay within architecture and fashion
•
Cultural identity
•
Creative deconstruction
•
Deriving cloth from thread and analysing deeper connections with materials
•
Temporal experience
•
Social impact on culture
•
Fast fashion and losing identity of the trend
•
Learning the process
•
Impact on environment with tons of cloth fabrics
•
Consolidate design infrastructure
•
The fashion design industry with intellectual inputs, human resources, market information.
•
Trends and forecasting.
•
Dynamic networking of every dimension
•
Dedicated information technology infrastructure.
•
Functions
•
Need of customization
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In terms of architecture, aims to amalgamate fashion and architecture When architecturally we describe fashion, or we fashionably describe architecture, understanding of these expressions change and become unrefined. A unique situation stands out from this revelation, two very different qualities of spatial definition have been defined by the organization and use of the terms. But these exhibit surface-level, superficial understandings of how the disciplines overlap and influence.so spatially incorporating the essence of fashion in architecture or architecture in fashion to bring new experience to the users and functionally giving one stop solution, where ideas stay intact.
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Theories of architect in fashion Body and building (2002)Joseph Rykwert, architectural historian explains the significance of the analogy is the idea that a building is also dressed in the same manner a human body.
The roots of architectural invention (1993)David Leatherbarrow points out that clothing, cosmetics, and jewellery on the human body are analogous to finishing materials which are used on the structure of a building.
Darned in dreams: fashion and J. Jodernity (1985) Elizabeth Vilson reminds us that the naked body underneath the clothes and paint is somehow unfinished, vulnerable, and leaky at the margins and is in appropriate and clothing is important for purpose of modesty.
"On architectural styles" (1869)Semper's theory is that considers dressing to be strongly associated with art and adornment. Not simply to provide shelter and protection.
Style in the technical and tectonic arts or practical aesthetics (1860-63)Semper observes that there is a strong correlation between architectural dressing and body dressing and discusses in great detail textiles, costumes and jewellery Inquest
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Inquest Architecturally seeking knowledge and being fashionable, in what ways are their backgrounds and cultures similar and divergent? Architectural and fashion concepts create physical environments which reflect societal values, success, and identity; however, they are directly related to changes in given factors expressing culture. While both disciplines are creative problem-solving fields are the similarities we look upon, and architect's prototypes usually last for a longer period, while fashion revolves in cycles that are constantly evolving making them diverge.
Architecture exhilarated fashion? Or Fashion exhilarated architecture? Co-relation may be interesting depending on the audience. Take, for example, the louis Vuitton building designed by Gehry, which adds to the brand's lustre and coolness. At that moment, it's worthwhile when the fashion and architecture icons fuse architecture and fashion where architects respond for what they made, and the designers respond for its proper functionality towards building and industry and in a way finding ways to inspire each other.
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Parallel or juxtapositions in fashion and architecture? In my opinion, fashion and architecture are juxtapositions. When someone creates a moment that becomes an inspiration for many, this form of evolution continues without end, so parallelism is knockoff in this area. Similarity in both fields is the parallel fraction of the system.
What are the reasons for constant change in styles and trend with respect to passage of time? New replaces old. Popular stars wouldn't stay popular if they did the same thing over and over again, instead they'd come up with new angles to maintain their popularity, today users and buyers are easily influenced by social media sometimes so much so that staying up with trends is their primary concern.
What
are
potential
effects
of
overlapping
science,
technology, engineering and art on architecture and fashion? An artwork is a manifestation of feelings, and all artistic works have a technical side, more readily clear in architecture and sculpture, less so in paintings and music, and least apparent in poetry. Technology and art are closely linked by time. As technology gains a foothold in fashion and architecture design, crossovers can mean maximizing performance and functionality, as well as presenting a more independent experience no matter where the cloth is used in fashion. Sociology, art studies, media studies, design studies, as well as gender
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studies and culture science provide innovative ways to start research and progress beyond costume studies to fashion studies.
Are both industry chasing deadlines? The fashion industry has evolved long back by turning from print to digitization and meanwhile the concept of prefabrication process of structure is getting its roots in the industry, catering population, and increasing desires so these industries are scrambling to meet deadlines, the result continues to cater the quality and both industries are constantly trying to lead.
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Conclusion Fashion is a fast-moving and volatile creative discipline, designing a long-term ‘fashionable’ building is a complex, experimental, and high-risk scheme. The ramp aspires to be the ‘fashionable’ element of the building with its wild form, it resonates with the temperamental whimsicality in the prognostication of fashion trends. The variability and flexibility in the programme, furnishing and finishing of the building to be restyled, redesigned, and refashioned and therefore, be, a la mode. With the arrival of a new season’s collection and its respective campaigns, new themes and ideas will need to be publicized. Interior designers and decorators would be hired to envision, curate, and customize the space in a way that depicts the brand’s essence and the collection’s conceptual motifs.
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Bibliography& Figure citation SYNOPSIS Eun jung kang.(02 Jan 2020).A Dialectical journey through fashion and philosophy .(pp 25-38).What Immanuel Kant Would Say About Fashion: The Metaphysics of the Pursuit of the Self by Way of Fashion.springer link. Patrick Aspers and Frederic Godart. (22 may ,2013). Sociology of Fashion: Order and Change. Annual reviews. PREFACE Davis, Nicola (16 September 2021). "Scientists find evidence of humans making clothes 120,000 years ago - Tools and bones in Moroccan cave could be some of earliest evidence of the hallmark human behaviour". The Guardian. Retrieved 16 September 2021. Toups, Melissa A.; et al. (January 2011). "Origin of Clothing Lice Indicates Early Clothing Use by Anatomically Modern Humans in Africa". Molecular Biology and Evolution. Conference, Textile Institute (Manchester, England) (1988). Pre-print of Conference Proceedings: Textile Institute 1988 Annual World Conference, Sydney, Australia, 10-13 July. Textile Institute. BACKGROUND Kittler, Ralf; Kayser, Manfred; Stoneking, Mark (2004). "Molecular Evolution of Pediculus humans and the Origin of Clothing". Current Biology. Ruckman, J.E.; Murray, R.; Choi, H.S. (1999-01-01). "Engineering of clothing systems for improved thermophysiological comfort: The effect of openings". International Journal of Clothing Science and Technology. 11 (1): 37–52 RESEMBLENCE OF ARCHITECTURE AND FASHION Giorgio Riello.( May 19, 2020). An engaging survey from the Middle Ages to the present, presenting fashion as a complex process that reflects economic, social, and political changes. Back in Fashion.Western Fashion from the Middle Ages to the Present. Yale university press. Neue freie press. (4 sept1898).penguin class (2019) Adolf loos: the principal of cladding. Design manifestos. Org
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INTRODUCTION Kaiser, Susan b. (2019). Fashion and cultural studies. Bloomsbury visual arts. Isbn 978-1350109605. Oclc Fixing fashion: clothing consumption and sustainability". Uk parliament. 2019. Timothy brook: "the confusions of pleasure: commerce and culture in Ming China" (university of California press 1999); this has a whole section on fashion. AREA OF CONCERN Author SCOPE Prajapati, v., (16 feb 2020). Fashion impact. How is fashion changing?, techprevue LIMITATION Angilia, (may 11, 2021). The future of fashion: from design to merchandising, how tech is reshaping the industry. Cb insights, RECOVERY BRANDS LLC. (2021). Shopping Addiction Symptoms, Causes and Effects. Psychguides.com, subsidiary of American Addiction Centers, Inc. HYPOTHESIS Author AIM Author OBJECTIVE Author IN TERMS OF ARCHITECTURE , AIMS TO AMALGAMATE FASHION AND ARCHITECTURE Author THEORY OF ARCHITECTURE IN FASHION Suherman . R. (march 1995). The significance of dressing in architecture: the theories of semper and loos. Theory and history, the university of new south wales.
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INQUEST SARAH KIMES(2021). Fashion & Architecture: More Similar Than You Might Think.
DISCUSSION IN AN INTERVIEW BETWEEN TIM AND IGNAZ.A Chapter of the American Institute of Architects Copyright © 2021 AIA Dallas. CONCLUSION Author
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SYNOPSIS Figure A: Influences of fashion Joachim Schirrmacher. (16 Feb 2010). Strength of fashion-Fashion by C.Neeon, Berlin . Kristian Schuller. Figure
B:
Evolution
of
dress
[
Animal
skin<
woven
material<silk<status<religion<fashion<work<sports clothing] Patrick White. (22 Mar 2018). Evolution of clothing- Lifestyle. Figure C: The(b)order of Penelope’s weave Ellen harlizius-klück .(22 Oct 2016). Ancient weaving/reconstruction. Hypotheses. Figure D: Textile workers in Industrial revolution History crunch Writers. (22 Jan 2016). Textile manufacturing in the industrial revolution. History crunch. Figure E: Industrial advancement in technology Gerber Technology. (20 May 2019). Automating apparel industry. Gerber Software Figure F: Athens: Erechtheum Ron Gatepain. Caryatid porch of the Erechtheum, on the Acropolis at Athens. Britannica Figure G: Avant Garde fashion-anti-fashion[Modernism Ghitta Caiserman-Roth] Ghitta Caiserman-Roth. (9 Apr 2017) Fashion and anti-fashion. Exposition Art Blog RESEARCH METHODOLOGY Figure 0-I:Research methodology Authors
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T. h. a. n. k.
Y. o. u.
