The People's Paper May 2014

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MAKE A SCENe

The People’s Paper

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MATANUSKA VALLEY, ALASKA

7 YEARS IN PRINT!

locally-owned publication defies the odds MAGAZINE

DEAR PUBLISHER By Gregory Gusse Congratulations on your new paper.

The name is a somewhat peculiar choice, though Chartists did call theirs “The Champion of Political Justice and Universal Right”, certainly a sentiment we can all agree on. While on the subject of history, I do need to take exception to some of your emotional comments on the founding of this nation. First, as to tyranny, it might be said the tyranny of trying to regulate drug lords and their mules and of course the tax dodgers and the deadbeats who weren’t paying their bills was the tyranny to be fought. SEE PAGE 13

By Josh Fryfogle, Publisher I woke up this morning in a contemplative mood.

Lately a lot of things have happened. As I look back, I see that my life and efforts are filled with plot twists, unforeseen circumstances that shaped the future. Seven years in print! Technically speaking, last month’s issue of Make A Scene marked seven years, but it was in May of 2007 that the first issue of Make A Scene was published. I was an idealistic artist, focusing on music. The medium of music was the way that I could manifest my thoughts into something tangible. To create a vehicle to communicate complex ideas in a way that might be accepted by others. It was my individuation, as Carl Jung would have called it. Make A Scene was originally an idea I had to make my music heard. I realized that the media was the primary way that music was brought to the masses. And I realized that media

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had the power to make or break a musician’s chances of being heard. I was learning something about media - it’s who you know. 10 years ago is when the idea hit me - an epiphany. I wanted to make it happen, not wait for the media to validate my music, but bypass them altogether, going straight to the people. So, I started an open mic event at the old Teeland building in Wasilla. It was hugely successful, and it got to the point where it was standing room only. Then the fire marshall showed up, telling me that someone had made an anonymous call about us exceeding the capacity of the building. It was crushing. I’ll never understand why someone would want to do that. The fire marshall didn’t like doing it. He said that once the call is made, they have to act. Shortly thereafter, the next week even, I saw posters that the open mic had moved across town. I wasn’t invited. Imagine my hurt! But pain shapes us, and artists use pain to

clean the metaphorical brushes we use to paint our reality. I moved on, and that open mic that I wasn’t invited to? It failed. It lasted a few weeks, but Make A Scene continued to grow, even if only in my mind. Next, I was approached by the City of Wasilla about doing something similar, but at the new amphitheater at the Park. They offered me a decent budget, and with the help of the community, it was a success - Make A Scene lived on! Summer that year came to a close, and I put all of my energy into my music. I was enjoying a decent amount of success with performance when an official from the City of Wasilla approached me. She was quite complimentary of the job I had done with music in the park series, and asked me would I consider doing it again. Of course, I said yes. I asked her, since they were so complimentary of my previous work, if the City of Wasilla COntinues on PAGE 7 OF MAKE A SCENE Magazine

years! MAKE A SCENE PRESENTS

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• 1776: AMERICAN REVOLUTION Along “Tobacco Coast” (the Chesapeake), the Revolutionary War was variously known as “The Tobacco War.” Growers had found themselves perpetually in debt to British merchants; by 1776, growers owed the mercantile houses millions of pounds. British tobacco taxes are a further grievance. Tobacco helps finance the Revolution by serving as collateral for loans from France. • 1780-1781: VIRGINIA: “TOBACCO WAR” waged by Lord Cornwallis to destroy basis of America’s credit abroad (ATS) “ We seldom think of Washington and his crew as drug lords, like Colombians, but there is a lot of evidence to support such an assertion. It certainly isn’t an accident that Washington selected the pirates and smugglers from Marblehead to ferry him across the Delaware River. Of course, we really know the Revolutionary War was about taxes pretty much plain and simple, especially the Stamp Tax. This tax was established solely for the benefit of the colonists for their defense. It should be remembered that citizens in Britain were being taxed at a significantly higher rate to pay for the 7 Years War. “AN ACT for granting and applying certain stamp duties, and other duties, in the British colonies and plantations in America, towards further defraying the expenses of defending, protecting, and securing the same; and for amending such parts of the several acts of parliament relating to the trade and revenues of the said colonies and plantations..” If one sure legacy remains from the Revolutionary War; it is that Americans are a bunch of freeloaders (especially the wealthy) who expect their government to provide endlessly but fight bitterly not to pay for it. Thus we get today, “The Tea Party”. The other point that I bristle at is ”when our laws were just and few…who lived off the surplus created by a free nation…” • 1705: VIRGINIA Assembly passes a law legalizing lifelong slavery. . . . all servants imported and brought into this country, by sea or land, who were not christians in their native country . . . shall be . . . slaves, and as such be here bought and sold notwithstanding a conversion to christianity afterwards.” Laws might have been few but they weren’t just, maybe, even worse than today. It was a nation built on slavery. That is the surplus economy: COntinues on PAGE 3


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The People's Paper May 2014 by The Peoples Paper - Issuu