Sinfonia in F

Violin I Jerré Tanner

Sinfonia in F Aukele (the Swimmer)

orchestra score

Malama Music

Honolulu · Hawai’i

2

Sinfonia in F · "Aukele (the Swimmer)" music by Jerré Tanner

I: Introduction

Allegro  pizz.        

Violin I    

6

1





    

          2  20 arco      13



27



34



    



  





  









 



3 



      









     

  









Poco a Poco Cresc.     

4 Allegretto  Ritard. ten.                







  

 



cresc.



      



             





41

48







  



ten.

© 1987 Jerré Tanner · All rights reserved

  

  

 





 

 

 

 

    

    

Andante  pizz.

7             

55

5

        

68

   

3

II: Swimming and Wrestling

6     

2         

   

     

   

      

          

8

 sim.           7 

arco

espressivo

      

82

   

        

 

8



89

 

6

4 4 4                        

100

         



 



10 116                           

121

   

125

   

128

                     con sord. 9   4        

 



 

4

4

4

4

109

          





senza sord.

          

4

 

                11                                  

4

   

132

   

136

2

 

                       

                        

   





                                          142     139

                  12  Allegretto  Pesante 144 3                             13  149                                                   156                                       

162

   

168

   

173

    

                                     

14                            

   

       

15                      

5

a Poco Ritard.     Poco                                           Andante  16                            184                                            188                                 190                           192   179

17 Stringendo           194                  Andante  196    3                18 Molto Lento  2           

 

Espressivo



 

 

2

espressivo

       

  

III: Abyss of Despair

202

210

      



 





    

 

4

19

2

6

  

Poco a Poco Cresc. modo ord.                               20   Molto Espressivo                                     sul G

216

 



          229    222

Poco a Poco Moreno sul G 3              

234

21 Andante                   

269

    

273

    

286

    

290

     

 



     

IV: Ka-mo`o-inanea

22

10

242

264

    



23 Poco a Poco Cresc.     



12



 24                            6  6        25 Piú Mosso    8                Poco a Poco Accel. e Cresc.                                       Allegretto  26 Piú Mosso 27 Allegro       4 5 5        

28

     

313



3

     

3 

29 Andante        

321

6

   3   

                       3 Un Poco Ritard.

Molto Ritard.

3            

3

307

6

6

6

  

3

6

3

3

  

6

7

6

  

6

  

  

                                   

328



6

  

6

3



div. a 2

6

6

                   

        unis.                                              6 6 6 6 6 6unis.  6  6 6 6 6 6        30 Allegro  Poco a Poco Accel.    334             331



                               Stringendo       341                                           6 6 338

Mæstoso    343    

6



 







6

 



