Malaurie SanniĂŠ
multimedia graphic design
Malaurie SanniĂŠ
multimedia graphic design
About I am a multimedia graphic design student at École Supérieure d’art des Pyrénées (Art School) in Pau (France). I obtained my DNAP (Visual Bachelor Degree) in june, 2015 and I continue my studies to obtain a DNSEP (Visual Master Degree).
malaurie.sannie@gmail.com +33 6 43 73 20 09 malauriesannie.fr
Rhizomes January 2014
Rhizomes is an animation where I mixed drawing, stop motion and video. It is an interaction between three screens : This arborescence represents and highlights the flora and fauna kingdoms with poetry.
6 It is a digital collage like some of Michel Gondry’s works mixing reality and stop motion.
Spoerri
May 2014 Working in teams, we designed posters and programs for a series of lectures on Daniel Spoerri and the Eat Art.
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Safari Bazar Club
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May 2014
Safari Bazar Club is a team photographic work. We collected and staged daily objects in burlesque situations. For
exemple, the banana is peeled like for a surgical operation. The final is a photography fanzine.
Service après vente
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May 2014
I propose a video and perfomance project: This is a filmed performance in which the videos are coming one after another.
With friends, we have established a performance protocole : speak about computer waste. Some proposed to fix (repair), others have made a sculpture, or even destroyed these objects.
Building des PyrĂŠnĂŠes
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May 2014
This edition was made during a workshop with Benoit Santiard, studio Building Paris. In tandem, we had to create a narration about a place through an edition in black and white without any text. We chose two spaces : a real space, the datacenter, and a virtual space, the web. We collected datacenter pictures, complex
and organized places, and emblematic pictures which compose the web. Then, we modified the text code of these images to provoque random bugs. We wanted to confront the architecture of the code of these digital images and datacenter architecture as a way to create, in the edition, a labyrinth where error and organisation are together.
Stockage de donnĂŠes May 2014
I propose an analogy to the database. This cloud grows when it absorbs data in the real life. It represents memory accumulation and dematerialising.
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Correspondances amoureuses
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January 2014
I question love correspondences with different mediums : the letter, the phone and the Internet. The tools change our relationships and our way to communicate. In the past, we waited
for a love letter, now we are victims of simultaneity. As we can see in the film Her (Spike Jonze, 2013) we can ask ourselves : in the future will it be possible to fall in love with artificial intelligence ?
Winter
January 2014 Winter is a condensed sans serif font. It is perfect for short texts and titles. It takes inspiration from winter landscapes including bare branches, that’s why its name is Winter.
20 It was used for the École Supérieure d’Art des Pyrénées’s stand in the book exhibition in Pau in November 2014
Cavale
January 2015 I propose a page layout of the text Cavale (Run) by Nathalie Quintane. It is composed of story pieces and it is written in nonlinear prose. Nathalie Quintane offers 21 different beginnings (« 21 débuts ») , that I highlight at the start of the website. They are independent, the user can click on a part, read it, return to the home page (with the arrow) or scroll, and read another part. Then, I focused in the fifth part, highlighted by a purple tone. The first reading is difficult and not really understandable. After, we can notice
22 there are two times in the same story : a hold-up by « Bonnot’s gang », and a Guestapo mission, 30 years later. These two periods take place in the same text but in different times of the story. I wanted to highlight these two periods with a condensed font and a regular font. To force reading, the layout is composed to two columns. The user must go back up to read the second part. This return shows the writing process of the poetess. She invites the reader to travel through her text with repetitions of the same words or the same ideas.
Le droit à la ville
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January 2015 This is a page layout of David Harvey’s text Droit à la ville (Right to the city). He criticizes the town planning : How does the development of downtown areas makes the middle classes leave to make room for the upper class ?
I confront impressive architectures pictures and abandoned buildings pictures, focused on Detroit. The second iconography are notes which give information about the authors quoted in the text.
Failles Ordinaires May 2014
This edition is a display of GÊraldine Lay’s photography book Failles ordinaires.
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Mondes parallèles ?
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January 2014
In this photography project, the parallel worlds are little commons things that make our daily routine more beautiful. Nothing was staged and everything comes from real situations. For exemple,
I met a man, sitting on the floor playing the instrument who looked out of the world around him, yet no one payed attention to him.
Constellations May 2015
Constellations is a web-documentary : It highlights the neighborhood of Les Halles, in Pau. I propose a sensitive collection of daily things in the city. The visit is split between a virtual visit and a real one in the neighborhood. This photographic collection is indexed by
30 geo-localization on a digital map. The objective is to highlight things we don’t, or no longer, pay attention to. To access the website, I put stickers in the city, with a QR-code, website address and the project name.
(infra) ordinaire
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June 2015
(infra)ordinaire is a web-documentary : It highlights the little things in the neighborhood of Les Halles, in Pau. These small things are a part of the urban landscape and define its identity. It is a singular and poetic look at the place where I live. To make this project I first walked through the streets, following my emotions like situationnists’ « derives ».
I looked at the insignificant little things like Georges Perec did. The title project, (infra)ordinaire, is linked to his book with the same name. Then, I categorized my collection by putting these little things on a digital map, marking them with a red cross. Finally, I propose a personal narration for each object with video animation.