Test Publication

Page 1

Piano score


After the Snow for Violin, Cello & Piano

 

 

Grave q = 50

  

 

 Grave q = 50

mf espress.

   

     

   

 

 

 

   

pedal ad lib.

7

pp

 

pp



 

 

         

 

    

 

rall.

 

 

mp

 

             p              rall.

Copyright

A tempo

mf

 

 

 

A poco più mosso

 

 

A  

poco più mosso

mf

             

   

                      



Malcolm Lindsay

 

mf espress.

A tempo

 

                                

12 

 

 

 

        

                    2009, Malcolm Lindsay

p

 


Piano score

18 

  





 

pp





 



rall.

rall.

 



mf

30



  

 

rall.

 rall.

 

   







mf

 B A tempo

mf

        

A tempo

 

B A tempo

rall.

             p              

 

                                

24 

rall.

 



  

dim. poco a poco

        

A tempo

mf

p

                   

 

3



 

 

                       

A tempo

    pp

A tempo

mf

 

 

   

 

 

 

  

  

 

 


4

Piano score

37 < q = q. > C

 

      

< q = q. >

    

  

 

    

mp espress. e rubato.

       41  

 



 

mp intense

poco a poco più f a 59

        

46

 

   

 

  

     

 

          

mp

   





poco a poco più f a 60





poco a poco più f a 60

        

 

       

ped. sim.

    

 

     

mp intense

 

  



       

 

  

C

     

 

f

   

 

       

 

    

    

  

    

     











            

 

 

         

         

         

 

  


51

 









 

 

 

  

  

 







  

 

  

    

   

    

 

   

                    







 

 



 

 

f



                    



 



 

  

    

   

    

 

 

 

 

 









 











 

p

p dolce



  



  

60

5

  

                

56 

Piano score

     p dolce        

    

 

            

    

  

  


6

Piano score

65

 

 

mp

 

 

  





 

mp

  

  

mp

  

  

69

 

*

   

pizz

D

       

 

  

*



     

   

  

    

  

poco a poco più f a 89

  

 

          

(quasi rit.)

  

   

  

  

  

  

  

      

   

D

73

    

 

  



 

  

    

    

 

     

 



  

 

       

 

 

    

 

     

  



   



 



 



  

mp



 

 

      

 

    



  



  

  

   

  

* bracketed figures are played in free tempo over the period denoted by arrow

 


77

 

Piano score

                   

    

   

      

 



                   

85

 





  

   

 

  

  

 











      

   

    



  

             



 

 



  

81



  

   

  

 

7



  

 

    

 

  



  



   





      

 

 

      

   



   

 

 



      

     

 3

  




8

Piano score

89



(quasi rit.)



 

        

 

  

    





    

 

mp

   

    

 

mf

 

  

    

 



  

    

  

   



    



   

    

   



 

(quasi rit.)

   

93

 

 

   

 

p

 

       

   

    

    

   

   


   

97

Piano score

E Con moto q. = 120



arco

  

f

  

E Con moto q. = 120

 

9

            mf

                             ped. sim. 

99 





 

101

  

f

f

 

    

 

    



   

   

    

   

 

 

   



 

  

  





      

   

   

   

   

  

    


10

Piano score

103

 

          

    

105 

  

 

107 

 

 

  

   





 

f

 

  

con forza

  



 

   

   

     

   

 

  

 

  

   

  

   

      

 

  

   



 

  arco   (f)

   

 

            mf           

  

  

    





 



 

 

  

   

 

   

 

     

    

 


109

 









    

   

   

111

            

  

113

  

     

    

   

     ff molto agitato

   

  

   



   

  

  

cresc.

   

    

   







           

  

11

          

           

  



Piano score





 

 

   

      



            

                ff molto agitato                               ff molto agitato

      


12

115 

          

      

117 

  



    



     

 

                                               



   

           

Piano score

 

                     



                       

      

 

                                     

                                  119

   

                  

                                         

 

    

   

 

     

     


122 

Piano score

 

F

 

 

  

F

 

Tempo primo

Tempo primo

mf

mf espress.

 

(cluster)

129

  

mf espress.

       

 

   

mp

  

    

    

  



 

                     

 

        

 

  

                                           

    

 

    

  

 

     

    

 

134

f

 

    

13

G

       

(cluster)

Moderato q = 74

"quasi improvisational"

 mp

3

3

       

"quasi improvisational"

mp

    mp dolce    

5:4

       

3

G Moderato q = 74

f

    

   

    

  

   

 

 

   

     3

    

  


14

Piano score

138

   

  

 

 

3

 

 

mf



   

147 

       

f

        f

  

        

        3

   

    



    mf    

f



 

    



        

   

    

   

 



      

        

    

mp

   

    

 

          

mf

      



    

 





   

5:4

      

142

3:2

   

  

mp

  mp   

  

    

  


Piano score

150

3

3

           4       

   

  

     

15

        

cresc. pococ a poco

 



cresc. pococ a poco

  cresc.   pococ a poco 

   

152

                            

      

153

   

                           

 

      

   

   

f

f

   

    

f

    

       

 mf

   mf

 

mf

 


16

156







Piano score

                      

      

161 

f

f

   f       

 

    



    

   

             

   

    

   

                                             

 

164

   



6

 

    

   

   mp     

 

     

   

 

 



mp

  

           



  





         

    

      

 

    

 

  

mp

 

  

 

 

 

 

 



  

   

       

    


Piano score

169 

 

    

 

    

174

 

 

p

 

 

  p

 

p

   

mf

 

 

 



 

  

   

   

  mf  



   

   

 

   

H Tempo primo

       

 

 

mf espress.

  

 



   

 

 

 





   

 

   

   





 

  



 

 

        

   

 

   

 

 

mf espress.

 

mf espress.

 

 



 



  

   

 

       

dolce

H Tempo primo

  

mf

  





    

181

17

   

 

    

             


18

Piano score

187 

    

       

192 

  

  

 

   

 

  





 

  

    

 

   

 

mf

I

 

   

   

     mf            

         

       

    

  

      

   

  

 

 

   

197 

 

 

 

   

   

I

       



   

3



   

 

  

   

   


Piano score

199

 

3

  

  

 

203 

 

               

 

 

  

 

  

 

J Con moto q. = 120



  

J Con moto q. = 120

 

  

f

    

p

p

   

  

  

 

 

200

19

   

   

      

mf

                             ped. sim.  f


20

205 





  

f

207

 

    

 

   

  

   

   

  

   

 

    

 

 

   

   

   

    

            

  







209 

  

 

  

  





      

  

Piano score







  

  



   

  

   

 

    (f)

    

 


Piano score

 

211



 

213 

 

  

con forza

  

  

   



 



 

   

  

 

  

f

  

 

           

  

215

 

 

  

    



    

 

 

   

   

   

 

   

 

  

   

 

   

 

     

   

 







  

      

 

 

            mf           

   

21

          

   

    

   

   

 


217

22

Piano score

             

  

   

  

  

    



219

   

    

   

    

   









           

  



   



      



    

           

ff molto agitato



                ff molto agitato                             ff molto agitato

221 

          

       

      

            

            

 

                                                 


223

Piano score

   

   

     

              



                       

      

 

23

                                    



           

           

 

          

           

 

   

225

  

   

                                         

   


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.