Design + Modern British Post-War Art - 6th & 7th December 2018 (Mallams Oxford) by Mallams Auctioneers

MALLAMS

Mallams 1788

DESIGN + MODERN ART

Design + Modern Art 6 & 7 DECEMBER OXFORD

6 & 7 DECEMBER 2018

www.mallams.co.uk

Mallams 1788

DESIGN THURSDAY 6 DECEMBER

MODERN BRITISH + POST-WAR ART FRIDAY 7 DECEMBER

Viewing: Saturday 1 December 9am-1pm Monday 3 December 9am-5pm Tuesday 4 December 9am-5pm Wednesday 5 December 9am-5pm Auction Time: 11am Auction Location: Bocardo House, 24a St. Michaelâ&#x20AC;&#x2122;s Street Oxford OX1 2EB +44 (0)1865 241358 www.mallams.co.uk

PICTURE CATALOGUING TERMS Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist. However, intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity. Otherwise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part. ‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period. ‘Follower of ’ … in our opinion the work is executed in the named artist’s style. ‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date. ‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time. ‘After’ … in our opinion the work is a copy of a known painting by the named artist. ‘Signed’ … in our opinion the signature is by the hand of the artist stated. ‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

ARTIST’S RESALE RIGHTS Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000

Euros and below 50,000 Euros is 4%. For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams. For more information visit www.dacs.org.uk. Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

Mallams 1788

CONTENTS SPECIALISTS:

THURSDAY 6 DECEMBER DESIGN: Studio & Contemporary Ceramics

1-145

Aesthetic & Art Nouveau to Arts & Crafts

146-221

Art Deco to Modernism

222-320

Jewellery + Silver

321-347

Max Fisher 20th Century Design + Art max@mallams.co.uk

FRIDAY 7 DECEMBER MODERN BRITISH + POST-WAR ART: Modern British & Post-War Design Artistâ&#x20AC;&#x2122;s Textiles

350-383

Prints 384-506 Louise Dennis FGA DGA Jewellery louise@mallams.co.uk

AUCTION ENQUIRIES & CONDITION REPORTS Jack Stinson oxford2@mallams.co.uk +44 (0)1865 241358 MARKETING & PRESS ENQUIRIES

The Orde Levinson Collection of Works by John Piper

507-514

Paintings & Sculpture

515-718

BIDS +44 (0)1865 241358 Fax +44 (0)1865 725483 or to bid via the internet www.the-saleroom.com

CONDITIONS OF SALE This auction is subject to important notices, conditions of sale and reserves, which can be found towards the end of the catalogue. online catalogue www.mallams.co.uk

oxford@mallams.co.uk +44 (0)1865 241358

Design THURSDAY 6 DECEMBER

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1. Henry Hammond (1914-1989) Bowl painted with fish impressed potter’s seal 12cm high, 22cm diameter. £200-300 (plus 24% BP* ARR*) 2. Henry Hammond (1914-1989) Footed bowl brushwork circles impressed potter’s seal 11.5cm high, 14.5cm diameter. £80-120 (plus 24% BP* ARR*)

3. Henry Hammond (1914-1989) Two bowls and a vase with brushwork decoration impressed potter’s seals vase 9cm high (3). £80-120 (plus 24% BP* ARR*) 4. Henry Hammond (1914-1989) Bowl painted with Mary and Jesus to interior, motifs to exterior impressed potter’s seal 11.7cm high, 25cm diameter. £200-300 (plus 24% BP* ARR*) 5. Jim Malone (b.1946) Korean bottle vase hakeme glaze with manganese splashes impressed potter’s seal 30.5cm high.

4 (detail)

Provenance: Purchased directly from Jim Malone. £150-250 (plus 24% BP* ARR*) 6. Phil Rogers (b.1951) Vase cylindrical form, incised decoration impressed potter’s seal 28.5cm high. Provenance: Rufford Arts Centre, Nottingham. £40-80 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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7. Phil Rogers (b.1951) Vase salt glaze, faceted sides, decorated with incised sprigs impressed potter’s seal 17.5cm high. Provenance: Oxford Gallery. £80-120 (plus 24% BP* ARR*) 8. Ursula Mommens (1908-2010) Flask tenmoku, loop handle to neck impressed potter’s seal 25cm high.

Provenance: Ashdown Gallery, Sussex, 1989. £100-150 (plus 24% BP* ARR*) 9. Edgar Campden at Aldermaston Pottery Vase circular form, painted gold lustre motifs painted potter’s monogram 15cm high. £40-60 (plus 24% BP* ARR*) 10. Edgar Campden at Aldermaston Pottery Charger painted ruby and gold lustre motifs painted potter’s monogram and date cipher 35.5cm diameter. £60-90 (plus 24% BP* ARR*) 11. Alan Caiger-Smith (b.1930) at Aldermaston Pottery Bowl, 1997 painted gold with fish swimming in a river on blue ground painted potter’s monogram and date cipher 15cm high, 18cm diameter. £200-400 (plus 24% BP* ARR*) 12. Edgar Campden at Aldermaston Pottery Pair of plates brushwork floral motifs painted potter’s monogram 26.3cm diameter (2). £50-80 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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13. Aldermaston Pottery Bowl brushwork blue pattern to interior painted potter’s monogram 22.8cm diameter. £30-60 (plus 24% BP* ARR*) 14. Alan Caiger-Smith (b.1930) at Aldermaston Pottery Set of three bowls painted turquoise, blue and red painted potter’s monograms Each 13cm across (3). £30-60 (plus 24% BP* ARR*)

15. Geoffrey Eastop (1921-2014) Vase oatmeal glaze, with wide rim painted potter’s monogram 16cm high. £80-120 (plus 24% BP* ARR*) 16. Barbara Cass (1921-1992) Jug and bowl wood ash glaze incised signatures Jug 20.5cm high (2). £60-100 (plus 24% BP* ARR*) 17. Barbara Cass (1921-1992) Bowl and vase incised signatures vase 10.5cm high (2). £40-60 (plus 24% BP* ARR*) 18. Mike Dodd (b.1943) Tea bowl green running glaze and incised sprigs impressed potter’s seal 10cm high, together with a Helen Pinchcome bowl (2). £40-60 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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19. Alan Caiger-Smith (b.1930) at Aldermaston Pottery Set of five goblets abstract motifs in blue brushwork painted potter’s monograms each 15.8cm high (5). £60-100 (plus 24% BP* ARR*) 20. Alan Caiger-Smith (b.1930) at Aldermaston Pottery Cheese dish and cover abstract motifs in green and blue brushwork painted potter’s monogram 26.5cm high, 32cm diameter. £100-150 (plus 24% BP* ARR*)

21. Edward Hughes (1953-2005) Bowl green and turquoise glaze with swirled decoration impressed potter’s seal 35.5cm diameter. £100-200 (plus 24% BP* ARR*) 22. Edward Hughes (1953-2005) Tray combed decoration impressed potter’s seal 41cm diameter. £150-250 (plus 24% BP* ARR*) 23. John Nuttgens (Contemporary) Vase celadon with rhododendron glaze impressed potter’s seal 21cm high. Provenance: Aberystwyth Arts Centre. £40-80 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

Lots 24-40 A private collection of ceramics by Peter Wright (1919-2003) “Wright emerged as an innovative and resourceful artist in the early 1950’s- at just the time that a young generation of potters were becoming more excited by what was going on outside ceramics. They responded enthusiastically to the post-war innovations in contemporary paintings and sculpture, particularly on the Continent. While Wright can be generically grouped with these potters, helping to produce some of the most experimental work of the fifties, sixties and early seventies, his disdain for any kind of promotion makes him an elusive, but nonetheless fascinating figure. He is a hidden chapter in the history of the studio movement” 24. Peter Wright (1919-2003) Interlocking abstract form speckled white glaze both sections with incised signature 17.5cm high, 26cm across. £200-400 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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25. Peter Wright (1919-2003) Footed bowl white and blue glaze, sgraffito decoration incised signature 16cm high, 22.5cm diameter. £100-200 (plus 24% BP* ARR*) 26. Peter Wright (1919-2003) Sculptural relief, circa 1970 painted gold centre incised signature 16.5cm high, 18cm across. £80-120 (plus 24% BP* ARR*)

27. Peter Wright (1919-2003) Model horse, circa 1960 incised initials 14cm high. David Leach particularly recalls Peter Wright’s vibrant animal sculptures, small bulls and horses with all the virile energy of Picasso, to whom they were clearly indebted. £60-90 (plus 24% BP* ARR*) 28. Peter Wright (1919-2003) Drinking vessel brown glaze, with Latin inscription incised signature 11cm high. £40-60 (plus 24% BP* ARR*) 29. Peter Wright (1919-2003) Vase slender body with spherical top, dipped glazes incised signature 25.5cm high. £100-200 (plus 24% BP* ARR*) 30. Peter Wright (1919-2003) Woman figure dark oatmeal glaze incised initials 14.5cm high. £40-60 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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31. Peter Wright (1919-2003) Seated figures porcelain with dark oatmeal glaze 21/200, both sections with incised signature, incised number 27.5cm high. £100-300 (plus 24% BP* ARR*) 32. Peter Wright (1919-2003) Maquette for seated figures porcelain with oatmeal glaze 27/200, incised signature and number 13.5cm high. £30-50 (plus 24% BP* ARR*) 31

33. Peter Wright (1919-2003) Interlocking kneeling figures porcelain 12/250, both sections with incised signature, numbered in ink 13.5cm high, 12.5cm wide. £80-120 (plus 24% BP* ARR*) 34. Peter Wright (1919-2003) Interlocking standing figures porcelain 2/250, both sections signed in ink, numbered in ink 19.4cm high, 8.3cm wide. £80-120 (plus 24% BP* ARR*) 35. Peter Wright (1919-2003) Interlocking prone figures porcelain with oatmeal glaze 22/200, with incised signature and number 11.3cm high, 18cm wide. £100-150 (plus 24% BP* ARR*) 35 36. Peter Wright (1919-2003) Interlocking lovers porcelain with oatmeal glaze 8/250, both sections with incised signature, numbered in ink 7.4cm high, 17.5cm wide. £80-120 (plus 24% BP* ARR*) 37. Peter Wright (1919-2003) Interlocking figures embracing porcelain with dark oatmeal glaze 59/200, both sections with incised signature, incised number 23.6cm high. £100-200 (plus 24% BP* ARR*) 36

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

38. Peter Wright (1919-2003) Abstract standing figure porcelain with oatmeal glaze 5/250, incised signature, numbered in ink 20cm high. £100-200 (plus 24% BP* ARR*) 39. Peter Wright (1919-2003) Standing figure group porcelain with green glaze, on wooden base 25cm high, 15.4cm wide. £50-100 (plus 24% BP* ARR*) 40. Peter Wright (1919-2003) Moving shapes wall piece, within white painted wooden mount signed (lower right) 14cm x 17.1cm £400-600 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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41. John Maltby (b.1936) ‘Sightseers in Salzberg’ signed and titled 21.5cm high, 18.5cm across. £200-400 (plus 24% BP* ARR*) 42. Katherine Pleydell-Bouverie (1895-1985) Jug celadon glaze, ribbed form impressed potter’s seal 14.9cm high. £40-60 (plus 24% BP* ARR*)

43. Leach Pottery Cider flagon dark glaze, looped handle impressed pottery seal 34cm high. £50-100 (plus 24% BP* ARR*) 44. David Leach (1911-2005) Vase ovoid form, wax-resist decorated with tenmoku and dolomite glazes impressed potter’s seal 17.3cm high. £100-200 (plus 24% BP* ARR*) 45. David Frith (b.1943) Jug green and blue mottled glaze, cut sides, decorated with chevrons impressed pottery and potter’s seals 27.4cm high. £60-100 (plus 24% BP* ARR*) 46. Mike Dodd (b.1943) Vase brown glazes impressed potter’s seal 26cm high. £80-120 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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47. Phil Rogers (b.1951) at Marston Pottery Bottle vase light brown glaze impressed pottery and potter’s seals 19.4cm high. £60-100 (plus 24% BP* ARR*) 48. Edward Hughes (1953-2005) Footed Dish ash glaze, combed decoration 24cm diameter. £100-150 (plus 24% BP* ARR*)

49. Alan Caiger-Smith (b.1930) at Aldermaston Pottery Bowl, 1992 blue and ochre floral motifs painted potter’s monogram and date cypher 27cm diameter. £80-120 (plus 24% BP* ARR*) 50. Henry Hammond (1914-1989) Vase painted brushwork foliate design incised monogram 34.5cm high. £100-200 (plus 24% BP* ARR*) 51. Trevor Corser (1938-2015) at Leach Pottery Vase brown and green glaze impressed potter’s and pottery seals 35cm high. £80-120 (plus 24% BP* ARR*) 52. Clive Bowen (b.1943) Jug slip decoration 25cm high. £30-60 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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53. Mike Dodd (b.1943) Vase andesite resist decoration impressed potter’s seal covered with glaze 32.5cm high. Provenance: Amalgam Gallery, London. £200-300 (plus 24% BP* ARR*) 54. Katharine Pleydell-Bouverie (1895-1985) Bowl fluted with green ash glaze impressed potter’s seal 8.5cm high. Provenance: Bonhams, London. £80-120 (plus 24% BP* ARR*)

55. Geoffrey Eastop (1921-2014) Bowl bronze detailing on red ground, blue interior painted potter’s monogram 16cm high. Provenance: Beaux Arts, Bath. £80-120 (plus 24% BP* ARR*) 56. Nick Rees (b.1949) at Muchelney Pottery Vase segmented form, brown glaze impressed pottery and potter’s seal 10.5cm high. Provenance: Bettles Gallery, Ringwood. £30-50 (plus 24% BP* ARR*) 57. Marcus O’Mahony (b.1952) Footed bowl pearl brushed porcelain slip, dark glaze 10.8cm high, 16.4cm diameter. Provenance: Alpha House Gallery, Sherborne. £60-100 (plus 24% BP* ARR*) 58. David Frith (b.1937) Box and cover chequerboard design impressed potter’s seal 7cm high, 17.5cm across. £80-120 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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59. David Frith (b.1937) Ginger jar tenmoku with a band of fern leaves impressed potter’s seal 16.5cm high. £60-90 (plus 24% BP* ARR*) 60. Margaret Frith (b.1943) Bottle vase tenmoku with white neck 23cm high. £50-80 (plus 24% BP* ARR*)

61. Derek Emms (1929-2004) Vase tenmoku glaze, twin handles impressed potter’s seal 19.3cm high. £50-100 (plus 24% BP* ARR*) 62. Derek Emms (1929-2004) Jug tenmoku glaze impressed potter’s seal 18.6cm high. £40-70 (plus 24% BP* ARR*) 63. Margaret Frith (b.1943) Dish red copper glaze impressed potter’s seal 29.3cm across. £40-70 (plus 24% BP* ARR*) 64. Geoffrey Whiting (1919-1988) at Avencroft Pottery Pin dish decorated with landscape impressed pottery seal 16.2cm diameter. £40-60 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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65. David John (b.1928) Plaque, 1965 depicting Jesus on the cross incised signature and date 17cm x 13cm. £40-60 (plus 24% BP* ARR*) 66. Derek Davis (1926-2008) Three vases cylindrical form each signed largest 18cm high (3). £150-200 (plus 24% BP* ARR*)

67. Robert Tinnyunt (b.1940) Vase decorated in tenmoku with foliate sprigs 43cm high. £50-80 (plus 24% BP* ARR*) 68. Mary Rich (b.1940) Teapot and a pot and cover highlighted with gilt impressed potter’s seals 7.5cm high and 6cm high (2). £40-60 (plus 24% BP* ARR*) 69. Mary Rich (b.1940) Footed bowl blue and mauve striped glaze impressed potter’s seal 21.2cm diameter, together with a Mary Rich blue and cream dish (2). £50-100 (plus 24% BP* ARR*) 70. Craig Underhill (b.1968) Slab vase engobe layers and oxide glazes incised signature 31.4cm high, 21cm across. £100-200 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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71. Craig Underhill (b.1968) Slab vase engobe layers and oxide glazes incised signature 37.2cm high, 38cm across. £200-300 (plus 24% BP* ARR*) 72. Craig Underhill (b.1968) Slab vase engobe layers and oxide glazes, decorated with crosses incised signature 34cm high, 26.5cm across. £100-200 (plus 24% BP* ARR*)

73. John Maltby (b.1936) ‘Butterfly’, 2010 signed, dated and titled 28.3cm high, 14cm across. £100-200 (plus 24% BP* ARR*) 74. Chris Carter (b.1945) Vessel brown oxidised glaze, double gourd form impressed potter’s seal 23cm high. £150-200 (plus 24% BP* ARR*) 75. Chris Carter (b.1945) Footed bowl dark glaze with oxidised interiors impressed potter’s seal 11.7cm high. £100-200 (plus 24% BP* ARR*) 76. Chris Carter (b.1945) Vase arrowhead shape, oxidised glaze impressed potter’s seal 14.4cm high. £70-100 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

77. Chris Carter (b.1945) Bowl brown oxidised glaze, squeezed oval rim impressed potter’s seal 18.3cm high, 41.7cm diameter. £300-500 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

78. Chris Carter (b.1945) Vessel stoneware, twisted form with textured oatmeal glaze, tenmoku interior impressed potter’s seal 46cm high. £350-450 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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79. Chris Carter (b.1945) Vessel stoneware, squeezed form with textured oatmeal glaze impressed potter’s seal 28.4cm high. £200-300 (plus 24% BP* ARR*) 80. Peter Hayes (b.1946) Sculptural form white signed overall 23cm high. £150-200 (plus 24% BP* ARR*)

81. Peter Hayes (b.1946) Long necked bow form signed overall 34cm high. £150-200 (plus 24% BP* ARR*) 82. David White (1934-2011) Bottle vase with wide rim, pink crackle glaze impressed potter’s seal 20cm high. £60-90 (plus 24% BP* ARR*) 83. David White (1934-2011) Footed bowl pink crackle glaze impressed potter’s seal 13.8cm diameter. £50-80 (plus 24% BP* ARR*) 84. David White (1934-2011) Vase bulbous form, pink crackle glaze impressed potter’s seal 13cm high. £50-80 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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85. Derek Clarkson (b.1928) Footed bowl speckled glaze with lined rim impressed potter’s seal 9.5cm high, together with two studio ceramic bowls (3). £50-80 (plus 24% BP* ARR*) 86. Contemporary School Six pieces of contemporary studio ceramics to include three raku bowls tallest 13.7cm high (6). £40-60 (plus 24% BP* ARR*) 87. Peter Wills (Contemporary) Bowl yellow glaze with manganese band to interior incised signature and impressed potter’s seal 12.3cm diameter. £60-100 (plus 24% BP* ARR*)

88. Peter Wills (Contemporary) Bowl orange glaze with dripped manganese rim incised signature and impressed potter’s seal 11cm diameter. £60-100 (plus 24% BP* ARR*) 89. Walter Keeler (b.1942) Two mugs green and turquoise sancai glaze both with impressed potter’s seal 9.5cm high and 7.3cm high (2). £50-80 (plus 24% BP* ARR*)

90. Walter Keeler (b.1942) Jug green and orange sancai glaze impressed potter’s seal 12.7cm high. £40-70 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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91. Eddie Curtis (b.1953) Vase copper red and black oxide graduated glaze impressed potter’s seal 17.3cm high. £60-100 (plus 24% BP* ARR*) 92. Peter Sparrey (b.1967) Bowl metallic red and blue glaze, combed pattern to interior impressed potter’s seal 20cm diameter. £50-80 (plus 24% BP* ARR*)

93. Elizabeth Raeburn (b.1943) Vase raku, sculptural form impressed potter’s seal 22.5cm high. Provenance: Casson Gallery, London. £100-200 (plus 24% BP* ARR*) 94. Betty Blandino (1927-2011) Vessel coiled with green band impressed potter’s seal 24cm high. £100-200 (plus 24% BP* ARR*) 95. Richard Phetean (b.1953) Jug slipware, with large elongated spout painted initials 66cm high. £50-80 (plus 24% BP* ARR*) 96. Richard Phetean (b.1953) Jug slipware painted initials 21.5cm high. £30-50 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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97. Alan Wallwork (b.1931) Vase incised potter’s initials 20.2cm high. £20-50 (plus 24% BP* ARR*) 98. Katharina Klug (b.1978) Two vessels black and white textured glaze, with green and yellow interiors impressed potter’s seals 15.7cm high and 15cm high (2). £60-100 (plus 24% BP* ARR*) 97

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99. Philip Evans (b.1959) Vessel textured finish with and gold leaf, blue interior impressed potter’s seal 9.7cm high, 13.4cm across. £50-100 (plus 24% BP* ARR*) 100. Philip Evans (b.1959) Vessel textured finish with and gold leaf, green exterior with red band impressed potter’s seal 10.4cm high, 12.4cm across. £50-100 (plus 24% BP* ARR*) 101. Philip Evans (b.1959) Vessel textured finish with and gold leaf, brown interior impressed potter’s seal 11.3cm high, 9.3cm across. £40-80 (plus 24% BP* ARR*) 102. Hilary Mayo (Contemporary) Three vessels stoneware with dripped detail impressed potter’s seals tallest 12.3cm high (3). £100-200 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

103. Edward Hughes (1953-2005) Charger tenmoku, pressed edges, wave decoration impressed potter’s seal 44cm diameter. £800-1200 (plus 24% BP* ARR*)

104. Edward Hughes (1953-2005) Charger green glaze, pressed edges, wave decoration impressed potter’s seal 41.5cm diameter. £800-1200 (plus 24% BP* ARR*) BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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105. Edward Hughes (1953-2005) Footed bowl green glaze impressed potter’s seal 23cm diameter. Broken in the kiln and professionally restored and enhanced with gold paint by Fiona Hutchinson. £300-400 (plus 24% BP* ARR*) 106. Vera Tollow (b.1931) Vase striped decoration painted potter’s signature 22cm high, together with three further pieces by Tollow (4). £60-100 (plus 24% BP* ARR*)

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107. Peter Wills (Contemporary) Footed bowl deep red glaze and dripped manganese rim impressed potter’s seal and incised signature 7.2cm high, 15.3cm diameter. £150-200 (plus 24% BP* ARR*) 108. Peter Wills (Contemporary) Footed bowl wood-ash glazed exterior, pink interior, sgraffito foot impressed potter’s seal and incised signature 9.8cm high, 17.4cm diameter. £150-200 (plus 24% BP* ARR*) 109. Peter Wills (Contemporary) Footed bowl cream glaze with chattered flared rim impressed potter’s seal and incised signature 9.8cm high, 25.4cm diameter. £150-200 (plus 24% BP* ARR*) 110. Rachel Wood (Contemporary) Vessel stoneware with various textured glazes incised signature 15cm high, 14.2cm diameter. £80-120 (plus 24% BP* ARR*)

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111. Rachel Wood (Contemporary) Vessel stoneware with various textured glazes incised signature 15.4cm high, 15.6cm diameter. £80-120 (plus 24% BP* ARR*) 112. Adam Buick (b.1978) Two moon vases each with impressed potter’s seal 9.7cm high, 8.8cm high (2). £60-100 (plus 24% BP* ARR*)

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113. Stephanie Black (b.1954) Vessel stoneware with horizontal banding impressed potter’s seal 13.3cm high. £60-100 (plus 24% BP* ARR*) 114. Stephanie Black (b.1954) Vessel stoneware with ribbed bands impressed potter’s seal 9.8cm high. £40-80 (plus 24% BP* ARR*) 115. Chris Carter (b.1945) Vessel stoneware, textured oatmeal glaze, tenmoku interior impressed potter’s seal 9cm high. £50-100 (plus 24% BP* ARR*) 116. Sophie Cook (b.1974) Bottle vase with long slender neck and matte white glaze impressed potter’s seal 41.5cm high. £100-150 (plus 24% BP* ARR*)

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117. John Maltby (b.1936) ‘The Seafarer’ mixed media, wood and ceramic signed 15cm across. £150-200 (plus 24% BP* ARR*) 118. John Maltby (b.1936) ‘Princess’ mixed media, wood and ceramic signed 12.3cm across. £80-120 (plus 24% BP* ARR*)

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119. Bernard Irwin (b.1953) Vessel geometric coloured design signed 39cm high. £200-300 (plus 24% BP* ARR*) 120. Bernard Irwin (b.1953) Vessel geometric coloured design signed 14.7cm high. £100-150 (plus 24% BP* ARR*) 121. Tony Laverick (b.1961) Dish painted gold and multi-coloured on turquoise ground painted initials 45.2cm diameter. £80-120 (plus 24% BP* ARR*) 122. Blandine Anderson (Contemporary) Chameleon and frog impressed potter’s seal 37cm across. £100-150 (plus 24% BP* ARR*)

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123. Ken Matsuzaki (b.1950) Tea bowl raku, dripped green glaze and painted motifs, cut sides original wooden box 10cm high. £60-100 (plus 24% BP* ARR*) 124. Philip Evans (b.1959) Vessel textured finish with gold leaf, tenmoku interior impressed potter’s seal 10cm high, 9.2cm across. £40-80 (plus 24% BP* ARR*)

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125. Viv Ross (b.1969) Bowl, dish and square bowl decorated with figures incised signatures square dish 35cm across (3). £80-120 (plus 24% BP* ARR*) 126. Margaret Frith (b.1943) Dish nuka and tenmoku glaze impressed potter’s seal 23cm across. £40-70 (plus 24% BP* ARR*) 127. Sophie Cook (b.1974) Vase with long slender neck and light blue glaze impressed potter’s seal 39cm high. £100-150 (plus 24% BP* ARR*) 128. Sophie Cook (b.1974) Vase with long slender neck and green glaze impressed potter’s seal 28.5cm high. £80-120 (plus 24% BP* ARR*)

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129. Rachel Wood (Contemporary) Vessel stoneware with various textured glazes incised signature 36cm high, 35cm diameter. £300-500 (plus 24% BP* ARR*)

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130. Michael Casson (1925-2003) Storage jar and cover oatmeal glaze impressed potter’s seal 47.3cm high. £80-120 (plus 24% BP* ARR*) 131. Tremaen Pottery Lamp base pebble form, with green and brown glaze, with original shade impressed pottery seal 82cm high (including shade). £40-80 (plus 24% BP* ARR*) 132. Anchor Pottery Tea set comprising seven pieces impressed marks teapot 22.5cm high (7). £30-50 (plus 24% BP* ARR*)

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133. Barry Steadman (b.1965) Vessel decorated with differing coloured slip 23.5cm high, 16.4cm across. £80-120 (plus 24% BP* ARR*) 134. Barry Steadman (b.1965) Vessel decorated with differing coloured slip 16.6cm high, 17.3cm across. £80-120 (plus 24% BP* ARR*) 133 135. John Nuttgens (Contemporary) Vase ovoid form, decorated with bamboo impressed potter’s seal 19cm high. £50-100 (plus 24% BP* ARR*)

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135

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136. Peter Sparrey (b.1967) Ginger jar tenmoku impressed potter’s seal 16.6cm high. £70-100 (plus 24% BP* ARR*) 137. Katharina Klug (b.1978) Vessel black and white textured glaze with green interior 20.5cm high. £40-70 (plus 24% BP* ARR*)

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138. Gilbert Portanier (b.1926) Horse and stand signed 40cm across. £100-200 (plus 24% BP* ARR*) 139. David Leach (1911-2005) Jug slipware with tenmoku glaze impressed potter’s seal 26cm high. £50-100 (plus 24% BP* ARR*) 140. North Devon Pottery Dish slipware, decorated with sgraffito of a jester possibly attributable to Ewenny Pottery 26cm diameter. £70-100 (plus 24% BP* ARR*) 141. Mary Rich (b.1940) Vase and teapot highlighted with gilt patterns on blue and white impressed potter’s seals 20cm high and 17cm high (2). £50-100 (plus 24% BP* ARR*)

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142. Laurence McGowan (b.1942) Footed bowl painted with birds and flowers painted potter’s monogram 20.2cm high, 17.3cm diameter. £50-100 (plus 24% BP* ARR*) 143. Laurence McGowan (b.1942) Vase with faceted sides, painted with birds and flowers painted potter’s monogram 17.7cm high. £40-60 (plus 24% BP* ARR*)

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144. John Harlow (Contemporary) Vase decorated with plants on blue and cream ground impressed potter’s seal 30.3cm high. £30-50 (plus 24% BP* ARR*) 145. Steve Woodhead (b.1956) Jug and charger decorated with blue flowers impressed potter’s seals charger 38.5cm diameter. £40-60 (plus 24% BP* ARR*) 146. J & J Kohn of Austria Rocking chair bentwood with cane seat labelled 55cm across. £200-300 (plus 24% BP* ARR*) 147. Mintons Art Nouveau vase decorated with a peacock on a Corinthian column impressed marks and model no.3707 32cm high. £80-120 (plus 24% BP* ARR*)

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148. Manner of Wilhelm Schmidt (1845-1938) Austrian side chair with woven leather back fitting into tapering oak frame 83cm high, 51.5cm wide. £100-200 (plus 24% BP* ARR*) 149. Walter Bosse (1904-1979) Model of a seated girl incised ‘SF’ 11cm high. £30-50 (plus 24% BP* ARR*)

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150. Goldscheider of Vienna ‘Tragedy’ wall mask, model no.6288 pottery manufacturer’s mark and incised model number 34cm high. £200-300 (plus 24% BP* ARR*) 151. Minton Aesthetic moon flask decorated with lilies and butterfly manufacturer’s mark 25.5cm high. £50-80 (plus 24% BP* ARR*) 152. Otto Eckmann (1865-1902) for Villeroy & Boch Secessionist tile, circa 1900 printed in brown on a celadon ground with stylised fox head design impressed marks 14.7cm x 14.7cm. £40-80 (plus 24% BP* ARR*) 153. Aesthetic Movement ‘Balfour’ tile set four tiles creating a flower in an urn, two additional tiles stamped marks each tile 15.4cm x 15.4cm (6). £60-100 (plus 24% BP* ARR*) 154. Alf Wallander (1862-1914) for Rörstrand ‘Dragonfly’ tea set comprising teapot, six cups and saucers, milk jug and sugar bowl manufacturer’s marks, and Mappin & Webb retail marks teapot 20.5cm high. £100-200 (plus 24% BP* ARR*)

154

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155. Dagobert Peche (1887-1923) Secessionist cup and saucer, circa 1910 porcelain, decorated with alternate panels of flowers saucer 14.5cm diameter. £40-60 (plus 24% BP* ARR*) 156. Manner of Kolomon Moser (1868-1918) Set of ten Art Nouveau ‘Meteor’ type wine glasses, circa 1900 tinted green and clear glass each 23.5cm high (10). £100-200 (plus 24% BP* ARR*)

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157. Attributed to Fritz Heckert (1884-1936) Three Jugendstil ‘flower form’ drinking glasses enamelled with petals to glass tallest 16.2cm high (3). £150-250 (plus 24% BP* ARR*) 158. Art Nouveau Eight drinking glasses with enamelled and coloured glass examples tallest 16.7cm high (8). £50-100 (plus 24% BP* ARR*) 159. Attributed to Rindskopf Pair of vases pink glass with iridescent swirls silver hallmarked mounts, by David Loebl 18.4cm high (2). £30-50 (plus 24% BP* ARR*) 160. Attributed to Archibald Knox (1864-1933) for Liberty & Co. Vase, design no.0957 pewter, with green glass liner stamped marks 20.7cm high. £80-120 (plus 24% BP* ARR*) 161. W.M.F Claret jug, circa 1900 green glass and pewter embossed with maidens stamped ‘WMF/TP’ 41.5cm high. £300-500 (plus 24% BP* ARR*) 161 BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

162. Emile Gallé (1846-1904) Vase, circa 1880 applied, wheel-carved, engraved and enamelled glass, heightened with gilt showing two otter pups within Japanese flowers wheel-engraved E. G. and Cross of Lorraine; engraved ‘E. Gallé à Nancy’ 8.9cm high. £2000-4000 (plus 24% BP* ARR*)

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163. George Walton for James Couper & Sons ‘Clutha’ vase, circa 1890 swirling white and orange opalescent glass 36.2cm high. Literature: see Robert Schutzler, Art Nouveau, Thames and Hudson 1964, page 92 for an almost identical example. £200-300 (plus 24% BP* ARR*) 164. Pierre-Adrien Dalpayrat (1844-1910) Vase, circa 1900 eggplant and ox blood glaze, with wooden stand remnants of signature to base 37.5cm high. £300-500 (plus 24% BP* ARR*)

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165. Camille Fauré (1874-1956) for Limoges Vase enamels, decorated with flowers signed ‘C.Fauré Limoges’ to neck 25cm high. Literature: Alberto Shayo, Camille Fauré, Limoges Art Deco Enamels, The Geometry of Joy, page 154. £1000-2000 (plus 24% BP* ARR*) 166. Martin Brothers Jug with angled handle, the body decorated with floral motifs incised ‘R.W Martin/I 74/Fulham’ 20.2cm high. £50-80 (plus 24% BP* ARR*) 167. Emily Partington for Doulton Lambeth Jug raised repeating patterns impressed marks 19cm high, together with a Doulton floral vase (2). £50-80 (plus 24% BP* ARR*) 167

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168. Manner of A.W.N. Pugin (1812-1852) Pair of candelabra brass, with writhen stems and brass leaves approximately 80cm high (2). £1000-2000 (plus 24% BP* ARR*) 169. Liberty & Co. Mantel clock, model no.01126 hammered pewter case with enamel dial stamped manufacturer’s marks 17.7cm high, 31.8cm wide. £400-600 (plus 24% BP* ARR*)

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170. Archibald Knox (1864-1933) for Liberty & Co. Pair of candlesticks, model no.022 pewter, with interlacing design to stems stamped manufacturer’s marks 17.5cm high. £80-120 (plus 24% BP* ARR*) 171. Ruskin Pottery Vase, 1922 lilac lustre glaze impressed manufacturer’s marks and date 22.5cm high. £100-200 (plus 24% BP* ARR*)

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172. Yattendon School of Art Arts & Crafts handled cup embossed motto ‘A Merry Goes, All the Way’ marked ‘4194’ 16.5cm high. £200-300 (plus 24% BP* ARR*)

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173. Manner of Newlyn School Pair of Arts & Crafts candlesticks brass, with twisted stems over embossed bases 30cm high (2). £50-100 (plus 24% BP* ARR*) 174. Benedict Studios Arts & Crafts planter beaten brass, strapped and twirled feet stamped 12cm high. £200-300 (plus 24% BP* ARR*)

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175. Newlyn School Arts & Crafts wall mirror, circa 1900 copper, repousse decorated with fish and shells stamped ‘Newlyn’ twice 59cm x 37cm. £500-800 (plus 24% BP* ARR*) 176. Keswick School of Industrial Art Arts & Crafts hot water jug hammered silver plate, with strapped leather handle stamped and signed ‘Robert Temple’ 15.5cm high. £60-80 (plus 24% BP* ARR*)

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177. Edward Barnsley (1900-1987) Refectory table, circa 1940s oak, the top over shaped chamfered supports united by a single stretcher 75cm high, 169cm long, 96cm wide. £2000-3000 (plus 24% BP* ARR*)

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178. Edward Barnsley (1900-1987) Dining Table, circa 1970 oak, the circular top extendable 76cm high, 157cm wide (without leaves). £2000-3000 (plus 24% BP* ARR*)

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179. Manner of Edward Barnsley (1900-1987) Cotswold School cabinet oak, two short drawers over cupboard section 96cm high, 63cm wide. £200-400 (plus 24% BP* ARR*) 180. Gordon Russell (1892-1980) Pair of armchairs, circa 1920s yew wood, ladder backs, turned supports and shaped arms over rush seat 95.5cm high, 62.5cm wide, 41cm deep. Provenance: Made for the New Library at The Downs School, Colwall, Malvern.

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Literature: See the 1927 Gordon Russell catalogue, for the chair design. £500-800 (plus 24% BP* ARR*) 181. Gordon Russell (1892-1980) Armchair, circa 1920s yew wood, shaped ladder back, ring turned supports and wide set shaped arms over rush seat 104.5cm high, 74cm wide, 42cm deep. Provenance: Made for the New Library at The Downs School, Colwall, Malvern. £300-500 (plus 24% BP* ARR*)

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182. George Montague Ellwood for Bath Cabinet Makers Arts & Crafts sideboard, circa 1900 oak, with two drawers and cupboard to front with hammered copper square handles 132cm high, 152cm wide, 64cm deep. £400-600 (plus 24% BP* ARR*) 183. Loys Lucha of Paris Disc brass, embossed with tropical fish stamped marks 18.4cm diameter. £50-100 (plus 24% BP* ARR*) 182

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184. Attributed to Loetz ‘Barbers’ bottle vase yellow and green glass 14cm high. £40-80 (plus 24% BP* ARR*) 185. W.A.S. Benson Standard lamp, circa 1880 brass and copper, claw feet and copper leaf shaped decoration 151cm high. £300-500 (plus 24% BP* ARR*) 186. Manner of Shapland & Petter Occasional table, circa 1900 mahogany, inlaid with mother of pearl, the circular top on tapering square cut supports retailers ivorine label 76cm high, 68cm diameter. £100-200 (plus 24% BP* ARR*)

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187. Arts & Crafts Post lamp, early 20th Century hammered black metal and glass 68cm high. £100-150 (plus 24% BP* ARR*) 188. Hugh Birkett (1919-2002) Jewellery box walnut with cherry lining ‘Hugh Birkett, Lapworth, Solihull’ paper label 14.5cm high, 28.5cm across. £500-700 (plus 24% BP* ARR*)

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189. Hugh Birkett (1919-2002) Jewellery box, 2001 Honduras rosewood signed and dated 11.5cm high, 26.2cm across. £300-400 (plus 24% BP* ARR*) 190. Hugh Birkett (1919-2002) Clock yew and boxwood ‘Hugh Birkett, Moreton-in-Marsh’ label 18cm diameter. £200-300 (plus 24% BP* ARR*) 191. Hugh Birkett (1919-2002) Panelled box, 1979 yew wood signed and dated 20cm high, 28cm wide. £200-300 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

192. Hugh Birkett (1919-2002) Display cabinet, 1983 yew and elm, wall mounted with arched glazed front, sitting on bracket signed and dated 115cm high, 89.5cm wide, 35cm deep. £1500-2000 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

193. Edward William Godwin (1833-1886) Occasional table, circa 1975 rosewood, the rectangular top over splayed supports 72cm high, 41cm wide. Literature: Susan Weber Soros, The Secular Furniture of E.W. Godwin, figure 222 for an almost identical design. £5000-8000 (plus 24% BP* ARR*)

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194. Cotswold School Model of a ram carved oak 19.6cm high. Provenance: Reputedly bought from Heals, circa 1960. £30-50 (plus 24% BP* ARR*) 195. Arts & Crafts Stool, circa 1940 oak, pegged joints and fabric top initialled 44cm high, 42cm wide. £60-90 (plus 24% BP* ARR*)

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196. Archibald Knox (1864-1933) for Liberty & Co. Arts & Crafts mantle clock, circa 1900 enamel dial within oak case carved with Celtic knot dial marked ‘Liberty & Co, Regent St.’ 33.5cm high. £300-500 (plus 24% BP* ARR*) 197. Manner of Yattendon School of Art Corner cupboard oak, the door carved with grape vines 112cm high. £100-150 (plus 24% BP* ARR*)

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198. The Rowley Gallery ‘The Halfway House’ marquetry panel mirror stamped (to panel) paper label (to reverse) 50.8cm x 19cm. £50-100 (plus 24% BP* ARR*)

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199. Leonard Wyburd (1865-1958) for Liberty & Co. Book table, circa 1905 oak, the sloped top over three tiers, with Moorish style beading to sides 82cm high, 59cm wide. £100-150 (plus 24% BP* ARR*)

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200. Philip Webb (1831-1915) for Morris & Co. ‘Longden’ tile in yellow 15cm x 15cm, together with a further Morris tile (2). £150-250 (plus 24% BP* ARR*) 200A. Raphael Collin (1850-1916) for Theodore Deck (1823-1891) Plate decorated with a monk and young man conversing signed 30.5cm diameter. £300-500 (plus 24% BP* ARR*)

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201. F. Duquesnoy, Paris Planter, 1892 cast bronze, depicting cherubs stamped 13.5cm high, 20.5cm wide. £100-200 (plus 24% BP* ARR*) 202. Archibald Knox (1864-1933) ‘Tudric’ vase, circa 1900 pewter with whiplash foliate handles stamped marks and numbered ‘029’ 24.5cm high. £200-300 (plus 24% BP* ARR*) 203. John Pearson (1859-1930) A near pair of chamber sticks, 1899 beaten copper, embossed with birds and squirrels stamped initials, date and model numbers ‘2455’ and ‘2456’ 33.5cm diameter (2). £250-350 (plus 24% BP* ARR*)

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204. Stevens & Williams ‘Caerleon’ Jug, circa 1930 opalescent orange glass, with Roman mask to handle 19cm high. £100-200 (plus 24% BP* ARR*) 205. Arts & Crafts French standing lamp, circa 1900 wrought iron and copper 156cm high. £200-300 (plus 24% BP* ARR*)

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205

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206. Ambrose Heal (1872-1959) for Heals ‘Letchworth’ dresser, circa 1910 oak, the plate rack over dresser with two short drawers and cupboard space Heals ivorine label 168cm high, 122cm wide, 45cm wide. £1500-2000 (plus 24% BP* ARR*) 207. Robert Thompson of Kilburn (1876-1955) Mouseman desk tray oak, with two recesses flanking the mouse carved mouse signature 12.3cm x 10cm. £200-300 (plus 24% BP* ARR*) 208. Robert Thompson of Kilburn (1876-1955) Pair of Mouseman napkin rings and an ashtray oak each with carved mouse signature ashtray 10cm across, napkin rings 4.7cm high (3). £120-150 (plus 24% BP* ARR*)

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209. Robert Thompson of Kilburn (1876-1955) Mouseman cheese board, circa 1940 oak, oval shaped board carved mouse signature (to board) 34.8cm across. £300-400 (plus 24% BP* ARR*)

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210. Robert Thompson of Kilburn (1876-1955) Mouseman cheese board oak, kidney shaped board carved mouse signature (to handle) 37.5cm across. £120-150 (plus 24% BP* ARR*) 211. Robert Thompson of Kilburn (1876-1955) Mouseman bowl oak, adzed surface carved mouse signature 30cm diameter. £150-250 (plus 24% BP* ARR*) 212. Robert Thompson of Kilburn (1876-1955) Mouseman stool oak, with woven tan leather top carved mouse signature 38cm high, 34cm across. £400-600 (plus 24% BP* ARR*)

212

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

213. Robert Thompson of Kilburn (1876-1955) Mouseman writing table oak, the kidney shaped top with adzed finish, with four fitting octagonal carved legs carved mouse signature 73cm high, 133cm across. £700-1000 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

214. Robert Thompson of Kilburn (1876-1955) Mouseman chest of drawers, circa 1930s/40s oak, adzed throughout to frame and panels carved mouse signature 92cm high, 91cm wide, 46cm deep. £3000-5000 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

215. Robert Thompson of Kilburn (1876-1955) Mouseman double bed frame oak, with panelled head and footboard, original metal rails carved mouse signature 6ft x 4ft. £1200-1800 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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216. Robert Thompson of Kilburn (1876-1955) Mouseman breadboard oak, octagonal shape carved mouse signature 30.7cm across. £100-150 (plus 24% BP* ARR*) 217. Robert Thompson of Kilburn (1876-1955) Mouseman ash tray oak carved mouse signature 10cm across. £40-60 (plus 24% BP* ARR*)

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218. Robert Thompson of Kilburn (1876-1955) Mouseman monk’s chair oak, the curved back with woven design, above leather seat and octagonal carved legs carved mouse signature 80cm high, 63cm wide. £1000-1500 (plus 24% BP* ARR*) 219. Robert Thompson of Kilburn (1876-1955) Mouseman rocking chair oak, with two lattice back panels and leather seat carved mouse signature 96cm high, 52cm wide. £800-1200 (plus 24% BP* ARR*) 220. Robert Thompson of Kilburn (1876-1955) Mouseman bookcase two sections with fourteen adjustable shelves carved mouse signature 198cm high, 168cm wide. Provenance: Purchased directly from Mouseman, circa 1950. £3000-5000 (plus 24% BP* ARR*) 221. Eric Ravilious (1903-1942) for Wedgwood ‘Harvest Festival’ pattern, fifteen pieces of dinnerware five plates, five smaller plates, and five bowls printed and impressed manufacturer’s marks largest plate 25.5cm diameter (15). £200-300 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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222. Clarice Cliff Three bowls, circa 1930 Bizarre painted marks 16.1cm diameter (3). £40-60 (plus 24% BP* ARR*) 223. Keith Murray (1892-1981) for Wedgwood Vase tapering form with ribbed decoration, in moonstone glaze printed manufacturer’s marks 18.8cm high. £100-200 (plus 24% BP* ARR*)

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224. Etling, France Art Deco vase purple glass, spherical form etched signature 22cm high. £60-100 (plus 24% BP* ARR*) 225. Art Deco School Vase decorated with a band of fish on a light blue ground incised signature 26.5cm high. £30-60 (plus 24% BP* ARR*)

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226. Clarice Cliff ‘Nasturtium’ pattern pot and cover Bizarre range marks 10cm diameter. £60-90 (plus 24% BP* ARR*)

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227. The Workshop of Émile Gallé (1846-1904) Nest of three tables inlaid, depicting squirrels, kittens and parrots each signed largest 36.8cm high, 43cm wide. £300-500 (plus 24% BP* ARR*) 228. Claude Mirval Art Deco model of mother and child bronze, on marble base signed in the cast 34.5cm high, 39.5cm wide. £600-900 (plus 24% BP* ARR*)

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229. Ercole Barovier (1889-1974) for Barovier, Toso & Co., Italy ‘Lenti’ vase, circa 1940 textured glass with gold inclusions and applications 20cm high, 27cm across. £1000-2000 (plus 24% BP* ARR*) 230. American School ‘Termos’ flask, circa 1940 based on the SC Johnson Research Tower, Wisconsin chrome plated with ebonised handled 27.5cm high. Note: The SC Johnson headquarters were designed by Frank Lloyd Wright. The Research Tower, started in 1944, was finally opened in 1950. They were designated as National Historic Landmarks in 1976. Frank Lloyd Wright also designed all the furniture for the building.

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Provenance: Purchased from Fifty/50 Gallery, New York, circa 1985. £100-200 (plus 24% BP* ARR*) 231. Attributed to Maurice Sterne (1878-1957) Study for ‘The Awakening’ bronze 21.5cm high. Provenance: Purchased in New York, circa 1970, along with a portrait of Georgia O’Keeffe, who was a friend of Sterne’s wife. £100-200 (plus 24% BP* ARR*)

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232. Lady Haig’s Poppy Factory Art Deco three-fold table top mirror with shagreen effect finish labelled 39cm high, 54.5cm wide. £80-120 (plus 24% BP* ARR*) 233. René Lalique (1860-1945) ‘Dans la Nuit’ scent bottle blue frosted glass decorated with stars moulded ‘R.LALIQUE’ 10cm high. £150-250 (plus 24% BP* ARR*)

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234. Art Deco School Scent bottle green glass, moulded with figures and foliage 21cm high. £30-60 (plus 24% BP* ARR*) 235. René Lalique (1860-1945) ‘Ondines’ bowl opaque glass model no.381, etched ‘R. Lalique, France’ 19.7cm diameter. £100-200 (plus 24% BP* ARR*) 236. Lalique Bowl opaque glass, moulded with Art Deco geometric pattern etched ‘R. Lalique’ 21cm diameter. £50-100 (plus 24% BP* ARR*) 237. René Lalique (1860-1945) for François Coty Three scent bottles frosted and moulded glass with applied labels in red leather carrying case etched marks case 8cm high, 20cm wide. £250-300 (plus 24% BP* ARR*)

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238. Lalique ‘Luxembourg’ vase frosted glass, moulded with cherubs etched ‘Lalique France’ 21.1cm high, 26.5cm diameter. £400-700 (plus 24% BP* ARR*) 239. Lalique ‘Bacchantes’ vase frosted glass, moulded with nude ladies etched ‘Lalique France’ 24.1cm high, 18.7cm diameter. £400-700 (plus 24% BP* ARR*)

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240. Monart Vase mottled blue glass original paper label 35cm high. £100-150 (plus 24% BP* ARR*) 241. Attributed to James Powell for Whitefriars Ewer in green glass together with A Webb style glass vase and an Art Nouveau glass vase (3). £50-100 (plus 24% BP* ARR*) 240

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241A. Archimede Seguso Vase orange and white latticinio glass 18cm high. £150-200 (plus 24% BP* ARR*) 242. Monart Vase glass, mottled green graduating to dark red 21cm high. £50-100 (plus 24% BP* ARR*)

241A

242

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243. Geoffrey Baxter for Whitefriars ‘Hooped’ vase, originally designed 1966 pattern no.9680, kingfisher coloured glass with Whitefriars label 28cm high. £100-200 (plus 24% BP* ARR*) 244. Geoffrey Baxter for Whitefriars ‘Nuts and Bolts’ slab vase, originally designed 1966 pattern no.9668, willow coloured glass with Whitefriars label 26.6cm high. £200-300 (plus 24% BP* ARR*)

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245. Geoffrey Baxter for Whitefriars ‘Cucumber’ slab vase, originally designed 1967 pattern no.9679, tangerine coloured glass with Whitefriars label 30.1cm high. £100-150 (plus 24% BP* ARR*) 246. Geoffrey Baxter for Whitefriars ‘Stitched Cube’ vase, circa 1970 pattern no.9811, kingfisher blue coloured glass with Whitefriars label 15cm high. £100-150 (plus 24% BP* ARR*) 247. Geoffrey Baxter for Whitefriars ‘Bark’ vase, originally designed in 1966 pattern no.9691, kingfisher blue coloured glass with Whitefriars label 23.4cm high. £70-100 (plus 24% BP* ARR*) 248. Geoffrey Baxter for Whitefriars ‘TV’ vase, originally designed in 1966 pattern no.9677, tangerine coloured glass with Whitefriars label 17.7cm high. £150-200 (plus 24% BP* ARR*)

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249. Geoffrey Baxter for Whitefriars ‘Sunburst’ vase, originally designed in 1966 pattern no.9676, willow coloured glass with Whitefriars label 14.5cm high. £100-150 (plus 24% BP* ARR*) 250. Geoffrey Baxter for Whitefriars ‘Bark’ vase tangerine coloured glass, with rare tapering base with Whitefriars label 26.1cm high. £200-300 (plus 24% BP* ARR*)

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251. William Wilson and Harry Dyer for Whitefriars ‘Knobbly’ vase, originally designed in 1963 pattern no.9609, kingfisher blue coloured glass with Whitefriars label 18cm high. £50-80 (plus 24% BP* ARR*) 252. Geoffrey Baxter for Whitefriars ‘Flared’ vase, originally designed 1969 pattern no.9708, blue and green swirled glass 21.5cm high. £50-80 (plus 24% BP* ARR*) 253. Roth Keramik ‘Guitar’ fat lava vase, circa 1970 model no.312 30cm high. £150-250 (plus 24% BP* ARR*) 254. Poole Pottery Three vases decorated with bands of flowers and birds manufacturer’s marks tallest 27cm high (3). £50-80 (plus 24% BP* ARR*) 255. Poole Pottery Pair of hors d’oeuvre dishes printed manufacturer’s marks 35cm across (2). £40-80 (plus 24% BP* ARR*) 256. Piero Fornasetti (1913-1988) Compass plate stamped manufacturer’s marks 24.1cm diameter. £60-80 (plus 24% BP* ARR*)

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257. Pablo Picasso (1881-1973) at Madoura Pottery Chouetton (A.R. 135) white earthenware ceramic vase stamped ‘Edition Picasso’, Madoura Plein Feu’ and marked ‘Moudoura/ Edition Picasso’ 25.2cm high. Originally conceived in 1952 and executed in an edition of 500. £3000-5000 (plus 24% BP* ARR*)

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258. Pablo Picasso (1881-1973) at Madoura Pottery Bird with worm (A.R. 172) white earthenware ceramic bowl stamped and marked ‘Edition Picasso’, Madoura Plein Feu’ and ‘Edition Picasso’ 15.9cm diameter. Originally conceived in 1952 and executed in an edition of 500. £1500-2000 (plus 24% BP* ARR*) 259. Pablo Picasso (1881-1973) at Madoura Pottery Oiseau sur la branche (A.R. 175) white earthenware ceramic bowl stamped and marked ‘Edition Picasso’, Madoura Plein Feu’ and ‘Edition Picasso’ 16cm diameter.

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Originally conceived in 1952 and executed in an edition of 500. £1500-2000 (plus 24% BP* ARR*) 260. Pablo Picasso (1881-1973) at Madoura Pottery Picador (A.R. 160) white earthenware ceramic plate stamped ‘Edition Picasso’, Madoura Plein Feu’ 20.3 cm diameter. Originally conceived in 1952 and executed in an edition of 500. £1300-1800 (plus 24% BP* ARR*) 260A. Galerie Madoura Pablo Picasso exhibition poster bears pencil signature and inscribed ‘H.C’ lithograph 34cm x 24cm, unframed. £100-200 (plus 24% BP* ARR*)

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260A

261. Nils Landberg (1907-1991) for Orrefors Vase green glass cased in clear glass etched signature and model no.3538/7 28cm high. £40-60 (plus 24% BP* ARR*) 261A. Per Lutken for Holmegaard vase blue glass etched signature 17cm high. £80-120 (plus 24% BP* ARR*)

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261A

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262. Edvin Öhrström (1906-1994) for Orrefors ‘Ariel’ vase, circa 1958 cased glass with spiralled bubbles etched signature and model ‘258A’ 19.5cm high. £30-50 (plus 24% BP* ARR*) 263. Arne Jacobsen (1902-1971) for Fritz Hansen Swivel chair, design no. 368 with green leather seat over aluminium base 124cm high. £150-250 (plus 24% BP* ARR*)

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264. Raak ‘Dream Island’ lamp with oval glass shade and chrome base 40cm high. £80-120 (plus 24% BP* ARR*) 265. Attributed to Maison Arlus, Paris Chandelier, circa 1950 with brass arms and four white glass shades approximately 50cm high. £200-300 (plus 24% BP* ARR*) 266. 6G Studio and Harvey Guzzini ‘Clan’ Floor Lamp, designed in 1968 chrome plated, plastic and perspex 50cm diameter. £250-350 (plus 24% BP* ARR*)

266

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267. Louis Kalff (1897-1976) for Philips, Eindhoven Tripod table lamp TL1012, designed in 1958 brass and green painted metal 28cm high. £100-200 (plus 24% BP* ARR*) 268. Fase of Madrid, Spain Desk lamp, model 520C, circa 1960s black painted and chromed with opaline glass stamped plugs 39cm high. £200-300 (plus 24% BP* ARR*)

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269. Fase of Madrid, Spain Desk lamp, model 520C, circa 1960s gold painted and chromed with opaline glass stamped plugs 39cm high. £200-300 (plus 24% BP* ARR*) 270. Luke Hughes (b.1957) ‘The Notery’ standing writing desk oak, the fall front revealing pigeon holes, over slender supports with ‘x’ shape stretchers 121cm high, 70cm wide. Reference: Betty Norbury, British Craftsmanship in wood, page 74. £200-400 (plus 24% BP* ARR*)

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271. Ludwig Mies van der Rohe (1886-1969) for Knoll International Pair of ‘Barcelona’ chairs tan leather cushions on stainless steel frames the cushions with ‘Knoll International, New York’ labels, with delivery date 1 June 1977 74cm high, 74cm wide, 82cm deep (2). £4000-6000 (plus 24% BP* ARR*)

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272. Mies Van der Rohe (1886-1969) for Knoll International Set of three Brno armchairs, originally designed 1929 probably from the 1960 re-issue chromed steel and black leather upholstery 82cm high, 48cm wide (3). £200-300 (plus 24% BP* ARR*) 273. Jørgen Kastholm (1931-2007) for Gordon Russell Desk, 1983 oak top on chrome supports, fitted drawers to front 74cm high, 177cm wide. £800-1200 (plus 24% BP* ARR*)

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274. Richard Young for Merrow Associates Coffee table chrome, glass and rosewood on wheels 53cm high, 55cm diameter. £300-400 (plus 24% BP* ARR*) 275. Hans Brattrud for Hove Mobler, Norway ‘Scandia’ swivel lounge chair, designed in 1957 rosewood slatted frame on chrome base, with original cushions 81cm across. £1500-2000 (plus 24% BP* ARR*) 276. Arne Wahl Iversen (1927-2016) for Vinde Møbelfabrik Desk, No.64, designed in 1961 teak, with an assortment of drawers over slender legs stamped ‘VM’, ‘No.64’ and ‘made in Denmark’ 83cm high, 100cm wide. £800-1200 (plus 24% BP* ARR*) 277. Fase of Madrid, Spain ‘Tharsis’ desk lamp, circa 1970s chromed steel with articulated arm stamped plugs. £300-400 (plus 24% BP* ARR*) 276

277

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278. Giancarlo Mattioli for Artemide Nesso table lamp, designed in 1967 orange plastic 34cm high. £200-300 (plus 24% BP* ARR*) 279. Danish School Teak wall mirror, circa 1960 tapering form 103cm x 55cm. £40-60 (plus 24% BP* ARR*)

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280. Otto Breuer (1897-1938) for Holmegaard ‘Gul’ vase in clear glass 25.2cm high, together with a Murano cased glass bowl (2). £40-60 (plus 24% BP* ARR*) 281. Robert Kilvington (Contemporary) Chair scorched oak 86cm high, 80cm deep. £100-150 (plus 24% BP* ARR*) 282. Robert Welch for Durlston Vanity mirror and candlestick, the mirror designed in 1969 circular stainless-steel mirror on teak support mirror 44cm high (2). £80-120 (plus 24% BP* ARR*) 283. Verner Panton (1926-1998) Wall panel red coloured plastic produced by Lüber, Schwitzerland 60cm x 60cm. £100-150 (plus 24% BP* ARR*)

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284. Liberty & Co. Desk set, circa 1970 covered in Italian leather, comprising six pieces stamped ‘made in Italy for Liberty’ writing surface 48cm across (6). £40-60 (plus 24% BP* ARR*) 285. Archimede Seguso (1909-1999) for Murano Oriental figure black glass manufacturer’s label 28.5cm high. £80-120 (plus 24% BP* ARR*)

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286. Fontana Arte Wall light glass frame with fitting semi-circular shade labelled 37.5cm high, 34cm across. £100-200 (plus 24% BP* ARR*) 287. Jacques Adnet (1900-1984) Coat stand, circa 1950s chrome and black metal 178cm high. £150-250 (plus 24% BP* ARR*) 288. Arne Jacobsen (1902-1971) for Stelton Ice bucket and tongs, circa 1968 stainless steel manufacturer’s label bucket 21.8cm high. £59-100 (plus 24% BP* ARR*) 289. Susan Williams for Portmeirion ‘Gold Check’ coffee set, 1966 comprising jug and four cups and saucers printed marks teapot 32cm high. £40-60 (plus 24% BP* ARR*)

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290. Everest for Heals ‘Long Tom’ Coffee Table, circa 1960 marquetry top on semicircular feet 35cm high, 151cm long. £300-500 (plus 24% BP* ARR*) 291. Scandinavian School Table lamp, circa 1960 tubular chrome body 46.5cm high (with bulb). £80-120 (plus 24% BP* ARR*)

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292. John Makepeace (b.1939) Bookends veneered wood and stainless steel stamped signature 14cm high, 15cm wide. £50-80 (plus 24% BP* ARR*) 293. Lorna Bailey (Contemporary) ‘Vogue’ vase, 2005 number 2 from an edition of 50 signed and numbered 31cm high. £30-60 (plus 24% BP* ARR*) 294. 1960s School Rug orange, white and yellow wool 208cm x 150cm. £50-100 (plus 24% BP* ARR*)

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295. Concessa Colaço (b.1929) Tapestry wall hanging signed (to reverse) 123cm x 129cm. £250-300 (plus 24% BP* ARR*)

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295

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296. Danish School Two teak occasional tables, circa 1970 with tray tops on folding stands largest 60cm diameter (2). £50-100 (plus 24% BP* ARR*) 297. Gino Vistosi (1925-1980) Chandelier chrome frame with twenty-four Murano orange glass discs approximately 73cm high. £500-600 (plus 24% BP* ARR*)

296

298. Murano Dish glass, with red, yellow and blue splashes, on stand signed 50cm diameter. £80-120 (plus 24% BP* ARR*) 299. Loetz Pair of vases blue iridescent glass with swirling pattern etched marks 17cm high (2). £100-200 (plus 24% BP* ARR*)

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300. Brent Severin for Holmegaard Set of eighteen ‘Princess’ glasses, originally designed 1957 some with etched marks champagne glass 10.5cm high (18). £50-80 (plus 24% BP* ARR*) 301. Arthur Umanoff for Raymor Pair of side tables, circa 1950 walnut, one with formica top 41cm high, 42cm diameter (2). £200-400 (plus 24% BP* ARR*)

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301

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302. Børge Mogensen (1914-1972) for Andersson & Söner Two chairs, circa 1960 oak with drop in fabric seats labelled armchair 75cm high, 63cm wide (2). £100-150 (plus 24% BP* ARR*) 303. Per Lutken for Holmegaard Glass bowl, 1955 clear green glass etched signature and date 20cm diameter, together with an unsigned example (2). £40-60 (plus 24% BP* ARR*)

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304. Daum, France Vase clear glass, with pulled handles etched mark 17cm high, together with a glass bowl by Crystal J.B France (2). £40-60 (plus 24% BP* ARR*) 305. Danish School Standard light, circa 1960 with twin adjustable lights 159cm high. £50-100 (plus 24% BP* ARR*) 306. Johannes Hedegaard for Royal Copenhagen Kneeling girl, model no. 21739 part blue glaze signed and printed manufacturer’s marks 34.4cm high. £100-200 (plus 24% BP* ARR*)

305 304

307. Daum, France Dish pate de verre glass moulded with dragonflys etched signature 16.5cm across, together with a Sevres vase (2). £80-120 (plus 24% BP* ARR*) 306

307

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308. Attributed to Osvaldo Borsani (1911-1985) Desk, circa 1950 walnut, glass, the shaped top with inset green glass above two pedestals, each with three drawers, on angled supports 78cm high, 176cm wide, 79cm deep. Provenance: Sotheby’s, London, Fine 20th Century Design, 19 May 2010, Lot 27. £3000-5000 (plus 24% BP* ARR*)

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309. Lord Snowdon for Wedgwood Silver Jubilee mug, and a 1977 Prince Philip mug printed marks 12.5cm high, 10cm high (2). £20-50 (plus 24% BP* ARR*) 310. Richard Ginori, Italy Two cups and saucers decorated with show jumping horses and attire manufacturers marks saucers 11cm diameter. £40-80 (plus 24% BP* ARR*)

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311. Bob Crooks (Contemporary) ‘Wavy’ bowl in green, blue, yellow and red glass etched signature 51cm diameter. £100-200 (plus 24% BP* ARR*) 312. Mdina Decanter, circa 1980 red glass with blue swirls 21cm high. £30-60 (plus 24% BP* ARR*) 313. Jens Quistgaard (1919-2008) for Dansk Ice bucket, circa 1965 rosewood, wasted form with carrying handle to top manufacturer’s marks 45cm high. Sold with Cites license. £200-300 (plus 24% BP* ARR*) 314. Theo Fennell Panadol case, 2003 silver London hallmark 10.5cm x 7.5cm, cased. £50-80 (plus 24% BP* ARR*)

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315. Geatano Sciolari (1927-1994) for Boulanger Chandelier chromed metal, geometric design 61cm across. £300-500 (plus 24% BP* ARR*) 316. Anglepoise Type Desk lamp, circa 1970 Orange Manufacturer by Herbert Terry & Sons 81cm high approximately. £60-100 (plus 24% BP* ARR*)

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317. Novoplast for Habitat ‘Rocket’ floor lamp with teak supports 112cm high. £100-200 (plus 24% BP* ARR*) 318. Benny Frandsen for ABO Randers, Denmark Pair of ball lights, circa 1960 in yellow, with rotating magnetic mechanism 14cm high. £80-120 (plus 24% BP* ARR*) 319. Michael Harris for Isle of Wight Paperweight, circa 1973 swirled glass with coachbolt prunt foot etched signature 7.5cm high. £60-80 (plus 24% BP* ARR*) 320. Margaret Anderson for Poole Pottery ‘Delphis’ dish printed marks 36cm diameter. £80-120 (plus 24% BP* ARR*)

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321. Archibald Knox (1864-1933) for Liberty & Co. ‘The Avoca’ pin dish, circa 1924 embossed with hearts and Celtic trails, on hammered ground hallmarks for Birmingham and stamped ‘50132’ 11.2cm x 9.2cm. £400-600 (plus 24% BP* ARR*) 322. W. H. Haseler Ltd. Arts and Crafts silver buckle heightened with mottled blue and green enamel panels signed, with Birmingham hallmark for 1906 7.3cm long. £70-90 (plus 24% BP* ARR*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

323. Attributed to Charles Robert Ashbee (1863-1942) for Guild of Handicraft Silver rose bowl, 1904 the hammered bowl fitting into frame decorated with lion masks flanked by wing shaped blue enamel, raised on fluted legs and lion paw feet stamped ‘GofHLtd’ and with English silver standard mark, date letter and hallmark for London 15.4cm high, 27.5cm diameter. £600-900 (plus 24% BP* ARR*)

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325

Lots 324 – 333 The Property of a Collector 324. Elizabeth Bonté Art Nouveau horn and paste pendant necklace the carved horn butterfly panel with turquoise paste cabochon and drop on brown cord suspension with similar bead spacers signed the pendant 10.2cm wide. £300-500 (plus 24% BP* ARR*)

325. Georges Pierre Art Nouveau horn brooch the carved insect panel with lacquered finish signed ‘GIP’, an Art Nouveau horn insect brooch signed ‘Lucas’, a cicada brooch, and two further insect brooches the first brooch 10cm wide. (5) £250-350 (plus 24% BP* ARR*)

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327

326. 20th Century Simulated tortoiseshell hair comb pierced and carved scroll decoration applied with butterfly wing panels 11cm long. £80-120 (plus 24% BP* ARR*) 327. Art Nouveau Horn and paste pendant necklace the carved horn insect panel with blue paste abdomen and drop on brown cord suspension with similar spacer beads indistinctly signed later 9ct gold brooch fitting the pendant 9.8cm long. £300-500 (plus 24% BP* ARR*)

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328. Arts and Crafts Enamel and gem set pendant necklace the circular polychrome enamel panel depicting the profile of a medieval queen to an openwork surround with enamel heart highlights issuing a green agate cabochon and baroque pearl drop below chain swags with green agate and enamel trefoil panels on trace-link back chain 49cm long. £300-500 (plus 24% BP* ARR*)

328

329 329. Arts and Crafts Pendant necklace the openwork foliate panel with blue paste cabochon issuing a blue paste drop on baton and hoop-link chain with paste bead spacers 59cm long. £80-120 (plus 24% BP* ARR*)

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330

332

331

330. Marius Hammer (Norwegian, 1847-1927) Enamel pendant necklace the openwork panel heightened with wirework and blue enamel beads surmounted by trace-link swags and chain signed and stamped ‘930S’ the pendant 6cm long. £150-250 (plus 24% BP* ARR*) 331. Art Nouveau Pendant necklace the tapered green and white paste panel depicting a classical maiden, bordered by flowers issuing a silk tassel drop on plaited silk necklace suspension accompanied by Henri Téterger case the pendant and tassel 16cm long. £200-300 (plus 24% BP* ARR*) 332. Lalique Glass pendant the heart-shaped panel depicting cupid with a bow and arrow signed 3cm long. £80-120 (plus 24% BP* ARR*)

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334

333. Art Deco Sautoir necklace yellow and black beaded panels issuing a tassel drop on bead and cord suspension and a further sautoir necklace with pear-shaped green panel drop the first necklace 170cm long. (2) £100-200 (plus 24% BP* ARR*)

335

334. Aarre & Krogh Collar necklace, bracelet and two brooches of stylised leaf design each signed and stamped ‘Sterling Denmark’ the necklace 38cm long (4). £150-200 (plus 24% BP* ARR*) 335. Regitze Overgaard (Danish, Contemporary) for Georg Jensen Silver and onyx ‘Sphere’ bangle signed and stamped ‘925S’ with London hallmark cased 6.7cm diameter. £80-120 (plus 24% BP* ARR*)

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336

336. Georg Jensen Cultured pearl set bangle of entwined sinuous form signed and stamped ‘750’ 6.8cm diameter. £800-1200 (plus 24% BP* ARR*)

337

337. Regitze Overgaard (Danish, Contemporary) for Georg Jensen ‘Infinity’ bangle signed and stamped ‘925S Denmark’ numbered 452 diameter 6.3cm. £200-300 (plus 24% BP* ARR*)

338

338. Anton Michelsen Bracelet of belcher-link design with T-bar and loop clasp signed and stamped ‘585’ cased 22cm long. £1000-1500 (plus 24% BP* ARR*)

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339. Theresia Hvorslev (Swedish, b.1935) for Alton Pendant designed as repeating hoop-shaped concave panels signed and stamped ‘830S’ Swedish date code for 1972 on a tapered collar, stamped ‘925 FS’ 8.3cm long. £100-150 (plus 24% BP* ARR*)

341. Hans Hansen (Danish, 20th Century) Silver bangle of tapered form with hoop clasp signed and stamped ‘925S Denmark’ London import marks for 1970 6.3cm diameter. £150-250 (plus 24% BP* ARR*)

340. Kultaseppa Salovaara Pendant of square convex form with pierced disc decoration signed and stamped ‘925’ on a trace-link chain the pendant 4.3cm long. £30-50 (plus 24% BP* ARR*)

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342. Regitze Overgaard (Danish, Contemporary) for Georg Jensen ‘Zephyr’ silver necklace signed and stamped ‘925S Denmark’ hallmarked for London 2007 numbered 500 56cm long. £150-250 (plus 24% BP* ARR*)

343. Kultateollisuus Ky Necklace and bracelet suite comprising geometric openwork links the necklace stamped ‘813H’, with Finnish date code for 1967 the bracelet stamped ‘830H’, with Finnish date code for 1969 62cm and 19.5cm long respectively (2). £100-150 (plus 24% BP* ARR*)

342

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343

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344. Gerald Benney (British, 1930 - 2008) Silver paperweight the rectangular bar with textured decoration stamped ‘OAP10’ signed, with feature hallmark for London 1987 10cm long. £100-200 (plus 24% BP* ARR*) 345. Georg Jensen 18ct gold panel bracelet signed and stamped ‘18k 750’ London import marks for 1983 numbered 959 cased 18cm long. £2000-3000 (plus 24% BP* ARR*)

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346. Anton Michelsen Panel brooch of abstract openwork design signed and stamped ‘750’ 5.6cm long. £300-500 (plus 24% BP* ARR*)

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347. Wendy Ramshaw (British, Contemporary) Seven 18ct gold stacking rings collet set with cabochons of varied hues to include amethyst, pink tourmaline and moonstone signed and hallmarked for London 1985 and a white metal and enamel band, unmarked on metal stand with inlay detail ring size O (8). Provenance: Purchased from the Victoria and Albert Museum in 1986. This lot is also accompanied by a catalogue from the Victoria and Albert Museum exhibition of Wendy Ramshaw, 6 October 1982 - 16 January 1983. £2000-3000 (plus 24% BP* ARR*)

347

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Modern Art FRIDAY 7 DECEMBER

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350. John Piper (1903-1992) for David Whitehead Ltd. ‘Tombs Church Monument’, 1954 screen printed cotton textile 42cm x 33cm. £200-300 (plus 24% BP* ARR*) 351. John Piper (1903-1992) for A. Sanderson & Sons ‘Glyders’, designed in 1959 screen printed ‘Sanderlin’ textile 50cm x 41cm. £200-300 (plus 24% BP* ARR*) 352. Ivon Hitchens (1893-1979) and John Hitchens (b.1940) for Hull Traders ‘Summer Flowers’, designed in 1961 screen printed cotton textile 26cm x 35cm. £100-200 (plus 24% BP* ARR*)

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353. Pablo Picasso (1881-1973) for Bloomcraft ‘Carnet II’, circa 1963 screen printed cotton textile 66.5cm x 49cm. £200-300 (plus 24% BP* ARR*) 354. Alan Reynolds (1926-2014) for Edinburgh Weavers ‘Legend’, 1963 screen printed cotton textile 40cm x 55cm. £200-300 (plus 24% BP* ARR*) 355. Alan Reynolds (1926-2014) for Edinburgh Weavers ‘Weald’, 1965 screen printed cotton weave textile 39.5cm x 56cm. £200-300 (plus 24% BP* ARR*)

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356. Robert Stewart (1924-1995) for Liberty & Co. ‘Machrihanish’, designed in 1954 screen printed cotton textile 52cm x 33cm. £150-250 (plus 24% BP* ARR*) 357. Frank Lloyd Wright (1868-1959) for F. Schumacher & Co. ‘Taliesin 10Z’, designed in 1955 screen print on linen 34.5cm x 34.5cm. £100-200 (plus 24% BP* ARR*) 358. Frank Lloyd Wright (1868-1959) for F. Schumacher & Co. ‘Taliesin 10Z’, designed in 1955 screen print on linen 34.5cm x 34.5cm. £100-200 (plus 24% BP* ARR*)

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359. Tibor Reich (1916-1996) for Tibor Ltd. ‘Tournament’ screen printed textile 59cm x 120cm. £80-120 (plus 24% BP* ARR*) 360. Tibor Reich (1916-1996) for Tibor Ltd. Pair of curtains screen printed textile together with 16 meters of ‘Moygashel’ fabric by Frank Valenta (3). £60-100 (plus 24% BP* ARR*)

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361. Althea McNish (b.1933) for Hull Traders ‘Golden Harvest’ designed in 1957 screen printed textile marked to selvedge ‘Golden Harvest by Athea McNish’ 112cm x 120cm (2). £60-100 (plus 24% BP* ARR*) 362. Pablo Picasso (1881-1973) for Bloomcraft Lines and Dots, circa 1960 screen printed textile on cotton 84cm x 53.5cm. £200-400 (plus 24% BP* ARR*) 363. Lucienne Day (1917-2010) for Heals ‘Plantation’, designed in 1958 screen printed cotton textile printed ‘Plantation by Lucienne Day’ to selvedge 97.5cm x 106cm, unframed. £50-100 (plus 24% BP* ARR*) 364. Hans Juda (1904-1975) for Heals ‘Tapa’, designed in 1962 screen printed cotton textile printed ‘Tapa by Hans Juda’ to selvedge 123cm x 50.4cm, unframed. £40-80 (plus 24% BP* ARR*)

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365. Edinburgh Weavers ‘Marimba’, circa 1950-1960 linen printed ‘Marimba’ to the edge 115cm x 121cm. £50-100 (plus 24% BP* ARR*) 366. Lucienne Day (1917-2010) for Heals ‘Herb Antony’, designed in 1955 screen printed cotton textile printed ‘Herb Antony by Lucienne Day’ to selvedge 47cm x 64cm, unframed. £40-80 (plus 24% BP* ARR*) 367. Sylvia Chalmers (1951-1990) for Heals ‘Jaborandi’, designed in 1953 screen printed cotton textile printed ‘Made in England’ to selvedge 60.5cm x 54cm, unframed. £30-60 (plus 24% BP* ARR*)

367

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368. Tibor Reich (1916-1996) for Tibor Ltd. ‘Age of Kings’, designed in 1964 screen printed cotton textile inscribed to selvedge 62cm x 120cm, unframed. £50-100 (plus 24% BP* ARR*) 369. Bernard Wardle Fabrics ‘Byzantine Horses’ screen printed fabric 62cm x 110cm, unframed. £40-80 (plus 24% BP* ARR*) 370. James Wade for Heals ‘Spring Morn’, designed in 1952 screen printed cotton textile 55cm x 58cm, unframed. £30-60 (plus 24% BP* ARR*)

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371. John Piper (1903-1992) for A. Sanderson & Sons Ltd. ‘The Stones of Bath’, blue colourway, designed in 1959 screen printed ‘Sanderlin’ textile 54cm x 56cm, unframed. £50-100 (plus 24% BP* ARR*) 372. John Piper (1903-1992) for A. Sanderson & Sons Ltd. ‘The Stones of Bath’, green colourway, designed in 1959 screen printed ‘Sanderlin’ textile 56cm x 60cm, unframed. £50-100 (plus 24% BP* ARR*) 373. Lucienne Day (1917-2010) for Heals ‘Tarn’, designed in 1957 screen printed cotton textile printed ‘Tarn by Lucienne Day’ to selvedge 64cm x 62cm, unframed. £50-100 (plus 24% BP* ARR*) 374. Donald Hamilton Fraser (1929-2009) for David Whitehead Ltd. ‘Cyclades’, circa 1960 screen printed cotton textile printed ‘Designed for David Whitehead by Donald Hamilton-Fraser’ to selvedge 60cm x 73cm, unframed £50-100 (plus 24% BP* ARR*)

374

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375. Hans Juda (1904-1975) for Heals ‘Vortex’, designed in 1966 screen printed cotton textile printed ‘Vortex by Hans Juda’ to selvedge 126cm x 146cm, unframed. £80-120 (plus 24% BP* ARR*) 376. Robert McGowen (c.1926-1989) for Edinburgh Weavers ‘Romulus’, designed circa 1958 screen printed textile 57cm x 82cm, unframed.

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Literature: Lesley Jackson, Alistair Morton and Edinburgh Weavers, p.158. £30-60 (plus 24% BP* ARR*) 377. Mary Warren for Heals ‘Nautilus’, designed in 1956 screen printed cotton textile printed ‘Nautilus by Mary Warren’ to selvedge 62cm x 61cm, unframed. £30-60 (plus 24% BP* ARR*) 378. Mary Warren for Heals ‘Pennons’, designed in 1958 screen printed cotton textile 99cm x 102cm, unframed. £50-100 (plus 24% BP* ARR*) 379. Christian Dior Square silk scarf shades of black, white and grey and four further silk scarves by Dior the first scarf 76cm long (5). £70-90 (plus 24% BP* ARR*) 380. Lesley King for Jacqmar Square silk ‘Toulouse Lautrec’ scarf themed with French posters another example themed with scenes from Charles Dickins novels and fourteen further scarves by Jacqmar the first scarf 88cm long (16). £70-90 (plus 24% BP* ARR*) 381. Liberty A collection of silk and fabric scarves various designs and colourways the largest scarf 89cm long (19). £80-120 (plus 24% BP* ARR*)

381

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382. Guy Laroche Square silk flowers scarf and a collection of further silk and fabric scarves including examples by Givenchy, Jaeger and Miss Feraud the first scarf 76cm long (13). £60-80 (plus 24% BP* ARR*) 383. Bernard Cheese (1925-2013) ‘Picking up a Crab Pot’, 1960 artist’s proof, signed, titled, dated and numbered in pencil (in the margin) lithograph 37cm x 51cm. £100-200 (plus 24% BP* ARR*)

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384. Eric Ravilious (1903-1942) ‘Pharmaceutical Chemist’, circa 1938 from High Street by Eric Ravilious and J.M Richards lithograph 22cm x 14cm. £50-100 (plus 24% BP* ARR*) 385. Eric Ravilious (1903-1942) ‘Submarine & Diving’, circa 1938 from High Street by Eric Ravilious and J.M Richards lithograph 22cm x 14cm. £50-100 (plus 24% BP* ARR*)

386

386. Eric Ravilious (1903-1942) ‘BBC, British art talks pamphlet’ lithograph 24.4cm x 18cm. £30-60 (plus 24% BP* ARR*) 387. Valerie Thornton (1931-1991) An Oxford College 14/70, signed and numbered in pencil (in the margin) etching and aquatint 33cm x 56.5cm. £80-120 (plus 24% BP* ARR*) 388. Valerie Thornton (1931-1991) Mese Verde, 1965 artist’s proof, signed and inscribed in pencil (in the margin) aquatint 76cm x 60cm. £60-90 (plus 24% BP* ARR*)

387

388

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389. William Gear (1915-1997) ‘Flight Form’, 1970 20/25, signed, numbered and titled in pencil (in the margin) screenprint 32.5cm x 44.2cm. £100-200 (plus 24% BP* ARR*) 390. Clifford Ellis (1907-1985) Freixo, 1956 signed and dated in pencil (lower) lithograph 38.5cm x 57.5cm.

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Exhibited: The Redfern Gallery, London, Metavisual Tachiste Abstract - Painting in England Today, 1957, catalogue no. 174. £50-100 (plus 24% BP* ARR*) 391. Lamberto Correggiari (20th Century) Black abstracts, a pair, 1979 both signed, numbered and dated in pencil (in the margin) lithographs 68cm x 48cm. £50-80 (plus 24% BP* ARR*) 392. David Hockney (b.1937) ‘Hancock Street, West Hollywood’, 1989 signed in pencil (lower right) lithograph poster 91.5cm x 61cm, unframed. Provenance: Christies London, Hockney Posters, 25th March 1999, lot 20. £200-300 (plus 24% BP* ARR*) 393. David Hockney (b.1937) ‘Ojai Festival’, 1981 36/100, signed, numbered and dated in pencil lithograph poster 75.5cm x 55.5cm, unframed. Provenance: Christies London, Hockney Posters, 25th March 1999, lot 101. £200-300 (plus 24% BP* ARR*) 393

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394. David Hockney (b.1937) ‘The Metropolitan Museum of Art, Department of Twentieth Century Art’, 1981 signed in pencil (lower right) lithograph poster 90cm x 60cm. Provenance: Christies London, Hockney Posters, 25th March 1999, lot 14. £200-300 (plus 24% BP* ARR*) 395. David Hockney (b.1937) ‘Seibu, Tokyo’, 1988 signed in pen (upper right) lithograph poster 36cm x 51cm.

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Provenance: Christies London, Hockney Posters, 25th March 1999, lot 57. £200-300 (plus 24% BP* ARR*) 396. David Hockney (b.1937) ‘Travels with a Pen, Pencil and Ink’, 1980 for the Tate Gallery, London signed in pencil lithograph poster 76cm x 50cm. Provenance: Christies London, Hockney Posters, 25th March 1999, lot 125. £250-350 (plus 24% BP* ARR*) 397. After David Hockney (b.1937) ‘Hockney paints the stage, Hayward Gallery’, 1985 signed in pencil (lower right) lithograph poster 101cm x 143cm. £200-300 (plus 24% BP* ARR*) 398. After David Hockney (b.1937) ‘Exhibition of Costume Drawings and Set Designs Ashmolean Museum Oxford’, 1981 lithograph poster 75.5cm x 95.5cm, unframed. £50-100 (plus 24% BP* ARR*) 399. After David Hockney (b.1937) ‘Parade, Metropolitan Opera New York’, 1981 lithograph poster 96.5cm x 61cm, unframed. £50-100 (plus 24% BP* ARR*)

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400. David Hockney (b.1937) ‘Giacomo Puccini,Turando’, for the Lyric Opera of Chicago signed in pencil (lower right) lithograph poster 91.5cm x 66cm, unframed. £150-250 (plus 24% BP* ARR*) 401. David Hockney (b.1937) ‘Hockney, Home Made Prints’, 1989 for the Cleveland Center for Contemporary Art signed in pencil (lower right) lithograph poster 58.5cm x 28cm, unframed. £150-250 (plus 24% BP* ARR*)

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402. David Hockney (b.1937) ‘Portrait of Cavafy in Alexandria’ from Fourteen Poems from C.P. Cavafy, 1966 134/500, published by Edition Alecto etching 38cm x 25.5cm. £250-350 (plus 24% BP* ARR*) 403. David Hockney (b.1937) ‘The Princess Searching’ from Six Fairy Tales from The Brothers Grimm, 1969 aquatint and etching from the unsigned edition of 400 29.5cm x 19.3cm. £250-350 (plus 24% BP* ARR*) 404. Henry Moore (1898-1986) Head of Prometheus 16/50, signed and numbered in pencil (in the margin) lithograph 34cm x 25.5cm. £600-800 (plus 24% BP* ARR*) 405. Elizabeth Blackadder (b.1931) Roman Wall I, 1963 29/50, signed, dated and numbered in pencil (in the margin) lithograph 54cm x 71cm. £500-800 (plus 24% BP* ARR*)

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406. Elizabeth Blackadder (b.1931) The Hand 27/30, signed and numbered in pencil (margin) etching and aquatint 47.5cm x 61cm. £300-400 (plus 24% BP* ARR*) 407. Elizabeth Blackadder (b.1931) Brassia Gireoudeana 9/10, signed and numbered in pencil (in the margin) etching 52.3cm x 66cm. £300-400 (plus 24% BP* ARR*)

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408. Elisabeth Frink (1930-1993) Horse and Rider, 1970 371/500, signed and numbered in pencil (in the margin) lithograph 57.5cm x 76.5cm. £500-800 (plus 24% BP* ARR*) 409. Elisabeth Frink (1930-1993) Eagle Owl 165/250, signed and numbered in pencil (in the margin) lithograph 76.5cm x 56cm. £500-800 (plus 24% BP* ARR*) 410. Attributed to Henry Moore (1898-1986) ‘Four Reclining Figures with Architectural Background’, circa 1974 a proof aside from the numbered edition of 200 lithograph 72cm x 57cm. £80-120 (plus 24% BP* ARR*) 411. Edwin La Dell (1914-1970) The Tower of London, 1947 from School Prints by Baynard Press, London lithograph 49cm x 76cm. £100-200 (plus 24% BP* ARR*) 412. Hans Erni (1909-2015) Incendie 113/250, signed and numbered in pencil (in the margin) lithograph 52cm x 66cm. £80-120 (plus 24% BP* ARR*)

412

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413. After Laurence Stephen Lowry (1887-1976) ‘Man Taken ill’ from an edition of 550, published by Adam Collection Ltd. blindstamp for The Fine Art Trade Guild 37cm x 28cm. £80-120 (plus 24% BP* ARR*) 414. Osmund Caine (1914-2004) ‘Grandma Asleep’, 1938 3/15, signed, titled and dated in pencil (in the margin) lithograph 36.2cm x 24.8cm. £70-100 (plus 24% BP* ARR*)

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415. Anthony Gross (1905-1984) Little Serignac Landscape 11/75, signed, titled and numbered in pencil (in the margin) inscribed ‘To Mr Hyde with my best Memories’ etching 28.5cm x 42.7cm. £150-250 (plus 24% BP* ARR*) 416. John Bellany (1942-2013) Wild Cat 37/50, signed and numbered in pencil (in the margin) etching 74cm x 55.5cm. £200-300 (plus 24% BP* ARR*) 417. Tom Titherington (1934-2003) ‘May Blitz’ A/P, signed and titled in pencil (in the margin) woodcut 44cm x 54cm. £80-120 (plus 24% BP* ARR*) 418. Lynd Ward (1905-1985) ‘Sanctuary’, 1939 signed, dated and titled in pencil (in the margin) woodcut 24.5cm x 16.5cm. £80-120 (plus 24% BP* ARR*)

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419. Robert Baker (1909-1992) Deer, circa 1930 wood engraving 21cm x 26.5cm, unframed. £60-100 (plus 24% BP* ARR*) 420. Ernst Fuchs (1930-2015) Untitled signed in pencil (in the margin) etching 37cm x 28cm, unframed. £80-120 (plus 24% BP* ARR*)

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421. Edward Wadsworth (1889-1949) ‘Dazzle Ship in Dry Dock’, 1918 woodcut on wove paper 13cm x 22cm. £300-400 (plus 24% BP* ARR*) 422. Edgar Holloway (1914-2008) Portrait of an elderly woman signed in pencil (in the margin) etching 21cm x 16cm, together with a copy of the catalogue for Holloway’s centenary exhibition (2). £50-100 (plus 24% BP* ARR*) 423. Joseph Pennell (1860-1926) The Big Chimney, Sheffield, 1910 signed in pencil (in the margin) etching 55cm x 42cm. £200-300 (plus 24% BP* ARR*) 424. Eric Gill (1882-1940) Two pairs of female nudes from Eric Gill, Twenty-Five Nudes, London: J. M. Dent & Sons, for Hague & Gill, 1938, first edition wood engravings each sheet 22.3cm x 13.8cm, unframed (4). £50-100 (plus 24% BP* ARR*)

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425. After Eric Gill (1882-1940) Two pairs of male nudes from Neville Spearman, First Nudes, London, 1954, first edition each sheet 25cm x 17cm, unframed (4). £50-100 (plus 24% BP* ARR*) 426. Mary Louise Coulouris (b.1939) ‘Club Row’, 1970 2/20, signed, numbered, titled and dated in pencil (in the margin) etching 49cm x 79cm. £30-60 (plus 24% BP* ARR*) 425

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427. Clive Arrowsmith (b.1949) Paul McCartney, 1982 signed and inscribed ‘For Peter’ taken for ‘Pipes of Peace’ album publicity photograph 41cm x 31cm. £100-200 (plus 24% BP* ARR*) 428. Trevor Ray Hart (b.1967) George Best at The Phene Arms signed and dated photograph 40.6cm x 30.3cm. £100-200 (plus 24% BP* ARR*) 429. John Stoddart (Contemporary) A collection of portraits to include Harry Dean Stanton, Sarah Raphael, Mandy Smith, Mick Jagger Tilda Swinton, James Fox, Anthony Quinn, Stephen Fry, Amanda Donohoe and Gina Bellman photographs (10). £100-200 (plus 24% BP* ARR*) 430. John Tunnard (1900-1971) Holiday lithograph from School Prints by Baynard Press, London 43cm x 70cm. £80-120 (plus 24% BP* ARR*)

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431. Winifred Mckenzie (1905-2001) ‘Glen Strae’ 1/20, signed, titled and numbered in pencil (in the margin) woodcut 17.3cm x 24cm. £100-200 (plus 24% BP* ARR*) 432. Karl Alexander Brendel (1877-1945) Cowherdess and cows signed and inscribed (in the margin) woodblock 22cm x 29cm. £120-150 (plus 24% BP* ARR*)

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433. Job Nixon (1891-1938) Goats on a mountain signed in pencil (in the margin) etching 23cm x 34.5cm. £70-100 (plus 24% BP* ARR*) 434. After John Nash (1893-1977) The Cornfield lithograph 47cm x 52.5cm. £100-200 (plus 24% BP* ARR*) 435. John Copley (1875-1950) ‘Jesus carried to his tomb, first state’ signed and inscribed in pencil (in the margin) lithograph 35cm x 43cm. £100-200 (plus 24% BP* ARR*) 436. Jack Coutu (b.1924) ‘Owl and Ivy’, 1960 9/50, signed, dated, titled and inscribed in pencil (in the margin) etching and aquatint 45cm x 61cm. £50-100 (plus 24% BP* ARR*)

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437. Jack Coutu (b.1924) ‘Winter Birds’, 1963 13/50, signed, dated, titled and inscribed in pencil (in the margin) etching and aquatint 42cm x 56cm. £50-100 (plus 24% BP* ARR*) 438. Jack Coutu (b.1924) ‘Snowy Owl’, 1973 3/100, signed, dated, titled and inscribed in pencil (in the margin) etching and aquatint 67cm x 51cm. £50-100 (plus 24% BP* ARR*)

437

439. Frank Downton (b.1936) Lines behind an oval signed in pencil (to the reverse) hand cut vinyl 55cm x 43.1cm. £50-100 (plus 24% BP* ARR*) 440. Norman Ackroyd (b.1938) ‘Snow at Coniston’, 1998 41/100, signed, titled and numbered in pencil (in the margin) etching 19cm x 14cm. £60-80 (plus 24% BP* ARR*)

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441. Albert Irvin (1922-2015) ‘Simone II’, 1922 184/275, signed, numbered, titled and dated in pencil (in the margin) screenprint 30cm x 42cm, unframed. £200-400 (plus 24% BP* ARR*)

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442. Patrick Heron (1920-1999) ‘Winchester Four II’, May 1967 9/33, signed, titled, numbered and dated in pencil (in the margin) screenprint 60cm x 92cm. £2000-3000 (plus 24% BP* ARR*)

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103

443. Joan Miro (1893-1983) Le Lezard aux Plumes d’or, plate 1, 1971 30/50, signed and numbered in pencil (in the margin) lithograph published by Louis Broder, Paris 41cm x 56cm. £800-1200 (plus 24% BP* ARR*)

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444. Nat Finkelstein (1933-2009) ‘4 coloured Andys’, 1994 AP 2/9, signed, titled and numbered in pencil (in the margin) screenprint 55cm x 75cm. £150-250 (plus 24% BP* ARR*) 445. Helen Lessore (1907-1994) ‘Winter Afternoon’ signed and titled in ink (in the margin) lithograph 32cm x 43cm, unframed. £40-60 (plus 24% BP* ARR*) 446. John Brunsdon (1933-2014) ‘Cotswold View, from Cleeve Hill’, 1975 26/100, signed, titled, dated and numbered in pencil (in the margin) etching 57cm x 79.4cm. £100-200 (plus 24% BP* ARR*)

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447. Joe Tilson (b.1928) Apollo Pythion, 1990 40/75, signed, numbered and dated in pencil silkscreen 114cm x 114cm. Provenance: NACF Prints, London, 1990. £300-500 (plus 24% BP* ARR*) 448. Craigie Aitchison (1926-2009) ‘Wayney going to Heaven Pink’, 1989 screenprint 63cm x 47cm. £300-500 (plus 24% BP* ARR*) 449. John Wells (1907-2000) Untitled, 1958 6/30, signed, dated and numbered in pencil (in the margin) lithograph 39.5cm x 52cm. £200-300 (plus 24% BP* ARR*)

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450. John Banting (1902-1972) Siamese Triplets, 1932 artist’s proof, 3/4, signed, dated and numbered in pencil (in the margin) linocut 16cm x 13.5cm. ‘Siamese Triplets’ is loosely a representation of a wooden, interlocking African carving given to the artist by Nancy Cunard in the late twenties. It is also possible that ‘Siamese Triplets’ symbolises in some way the tripartite relationship which Nancy Cunard, Brian Howard and John Banting shared. (Tate Gallery Report 1972-1974) £150-300 (plus 24% BP* ARR*) 451. Michael Rothenstein (1908-1993) Gothic White, 1962 22/35, signed and numbered in pencil (in the margin) lithograph 91cm x 53.5cm. £150-200 (plus 24% BP* ARR*)

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452. Henri Chopin (1922-2008) ‘Homage to Pierre Albert-Birot’, 1975 87/100, signed and numbered in pencil (in the margin) lithograph 37.5cm x 27.5cm. £100-200 (plus 24% BP* ARR*) 453. John Nash (1893-1977) Window Plants, circa 1945 from School Prints by Baynard Press, London lithograph 49.5cm x 75cm. £100-200 (plus 24% BP* ARR*) 454. Robert Tavener (1920-2004) ‘Sunflowers & Cottage’ 25/70, signed, numbered and titled in pencil (in the margin) lithograph 49cm x 75cm. £100-150 (plus 24% BP* ARR*) 455. Michael Rothenstein (1908-1993) Timber Felling in Essex, 1945 from School Prints by Baynard Press, London lithograph 49cm x 76cm, unframed. £100-200 (plus 24% BP* ARR*)

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456. Emilio Pettoruti (1892-1971) Pettoruti exhibition poster for Galerie Charpentier signed in pen and inscribed for J.P Hodin (lower right) lithograph 74cm x 52cm. £200-300 (plus 24% BP* ARR*) 457. Emilio Pettoruti (1892-1971) ‘Spazio e Movimento’ signed, numbered and inscribed in pencil lithograph 49cm x 65cm, unframed. £300-500 (plus 24% BP* ARR*) 456

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458. Maria Elena Vieira da Silva (1908-1992) Untitled, 1959 60/125, signed and numbered in pencil (in the margin) lithograph 19cm x 25cm. £400-600 (plus 24% BP* ARR*) 459. Ben Nicholson (1894-1982) ‘Pebble’, 1955 printed under the guidance of Nicholson at the Ganymed Press collotype 27cm x 33cm. £100-200 (plus 24% BP* ARR*) 460. William Carqueville (1871-1946) Lippincott’s advertising poster signed in the plate lithograph 34cm x 23cm. £40-60 (plus 24% BP* ARR*) 461. Marcel Fiorini (1922-2008) Seated figure 29/60, signed and numbered in pencil (in the margin) aquatint 70cm x 51cm. £40-60 (plus 24% BP* ARR*)

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462. Tate Gallery British Artists of the 60s poster lithograph 77cm x 51cm, together with a Hayward Gallery 1980s poster and four lithographs after Ralph Steadman, Hans Hartung etc. (5). £40-80 (plus 24% BP* ARR*) 463. After Charles Monroe Schulz (1922-2000) Four Peanuts comic strips, 1991 produced by United feature Syndicate on cellophane each 21cm x 30cm (4). £40-60 (plus 24% BP* ARR*)

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464. Mortimer Luddington Menpes (1855-1938) Venice (Pueble Market Place) signed in pencil (in the margin) etching 18.3cm x 24cm. £80-120 (plus 24% BP* ARR*) 465. George Scott Ingles (1874-) ‘The Church Tower’ 20/50, signed, numbered and titled in pencil (in the margin) woodblock 33.5cm x 23.5cm. £80-120 (plus 24% BP* ARR*) 466. Jean Armitage (1895-1988) ‘Turtle Doves’ 8/50, signed, titled and numbered in pencil (in the margin) woodblock 21.5cm x 26.1cm. £100-150 (plus 24% BP* ARR*)

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464

467. 1930s School ‘Bargees’, 1934 indistinctly signed, dated and titled in pencil (in the margin) woodcut 19.2cm x 16.6cm. £80-120 (plus 24% BP* ARR*)

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467

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468. Henri Matisse (1869-1954) Portrait of a woman lithograph 22.4cm x 18.4cm. Provenance: Aidan Meller Gallery, Oxford. £250-300 (plus 24% BP* ARR*) 469. Julia Farrer (b.1950) ‘Arena I’, ‘Arena II’, ‘Arena IV’ and ‘Arena V’ each signed, numbered and titled in pencil etchings each 9.5cm x 20cm (4). £100-300 (plus 24% BP* ARR*) 470. Laurence Stephen Lowry (1887-1976) ‘View of a Town’ signed and numbered in pencil (in the margin) Fine Arts Guild blindstamp lithograph 44cm x 55cm. £2000-4000 (plus 24% BP* ARR*) 471. Laurence Stephen Lowry (1887-1976) ‘Landscape with Farm’ signed and numbered in pencil (in the margin) lithograph 44cm x 52cm. £1500-2000 (plus 24% BP* ARR*)

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472A

472. Thomas Todd Blaylock (1876-1929) The Cloud signed (lower right) woodcut 19cm x 12cm, together with three further impressions of the print and another similar, unframed (5). £80-120 (plus 24% BP* ARR*) 472A. Frank Downton (b.1936) Red and black sun signed in pencil (to the reverse) hand cut vinyl 50.5cm x 50cm. £50-100 (plus 24% BP* ARR*)

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473. Thomas Todd Blaylock (1876-1929) ‘Thatching the Rick’, ‘Homewards’ and ‘Casting the Net’ each signed, titled and numbered in pencil (in the margin) etchings 20cm x 24cm, 17cm x 21.3cm and 16cm x 18.5cm, unframed (3). £50-100 (plus 24% BP* ARR*) 474. Catherine Grubb (b.1945) ‘Dryad’ signed and titled in pencil (in the margin) etching 77cm x 58cm, together with three further etchings by Catherine Grubb, unframed (4). £50-100 (plus 24% BP* ARR*)

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475. Paul Neagu (1938-2004) ‘The Flying Horse (of Kansu)’, 1974 73/75, signed, numbered, and dated in pencil (in the margin) lithograph 51cm x 69cm, unframed. £100-200 (plus 24% BP* ARR*) 476. Peter Max (b.1937) Colourful dress 3/100, signed and numbered in pencil lithograph 56.3cm x 76cm, unframed. £50-100 (plus 24% BP* ARR*) 477. Elisabeth Frink (1930-1993) Spinning Man V (Wiseman no.6) 55/65, signed, dated and numbered in pencil printed by Curwen Studio lithograph 80.5cm x 57.5cm. £300-500 (plus 24% BP* ARR*) 478. Marc Chagall (1887-1985) Galerie Maeght 1969-1970 Chagall exhibition poster lithograph published by Fernand Mourlot, Paris 78cm x 57cm, unframed. £50-100 (plus 24% BP* ARR*)

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479. After Wassily Kandinsky (1866-1944) Galerie Maeght Periode Parisienne Kandinsky exhibition poster lithograph published by Maeght Arte, Paris 72cm x 45.3cm, unframed. £40-80 (plus 24% BP* ARR*) 480. Pol Bury (1922-2005) Galerie Maeght Pol Bury Sculptures exhibition poster lithograph published by Maeght Arte, Paris 69cm x 54cm, unframed. £40-80 (plus 24% BP* ARR*)

482

481. Josef Albers (1888-1976) Edition Alecto Albers lithographs poster, 1965 lithograph 78cm x 57.5cm, unframed. £50-100 (plus 24% BP* ARR*) 482. Galerie Maeght Four exhibition posters for Rebeyrolle Guerilleros, Tapies, Le Yaounang and Artigas Ceramiques lithographs largest 77cm x 56cm, unframed (4). £30-60 (plus 24% BP* ARR*)

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483. London Arts Gallery Five posters, circa 1970 for exhibitions on Karel Appel, Janz Jennings/Leonelli McKinnon, Joyce Mansour/Pierre Alechinsky lithographs published by Maeght Arte, Paris largest 67cm x 48cm (5). £40-80 (plus 24% BP* ARR*) 484. Margret Bilger (1904-1971) Horse rider and figures signed and inscribed in pencil (in the margin) woodcut 25cm x 21cm, together with a similar woodcut by Bilger (2). £80-120 (plus 24% BP* ARR*)

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486

485. Ken Eberts (20th Century) Exception Motor Cars, 1991 Christies, Pebble Beach, California lithograph 59cm x 80cm. £100-200 (plus 24% BP* ARR*) 486. After John Piper (1903-1992) ‘Snape Maltings, towards the Marshes’, and ‘Snape Maltings from the Marshes’ colour prints 23cm x 30cm (2). £30-60 (plus 24% BP* ARR*) 487. Frank Brangwyn (1867-1956) Boats, Venice signed in pencil (in the margin) etching 26cm x 28cm. £100-200 (plus 24% BP* ARR*) 487

488. Katharine Cameron (1874-1965) ‘Butterflies’, 1921 signed in brown ink (lower left), signed and titled in pencil (upper right) etching 51cm x 20cm. £100-200 (plus 24% BP* ARR*) 489. Alberto Giacometti (1901-1966) Head and Shoulders of a Man, 1961 commissioned by Gallerie Maeght, Paris lithograph 38cm x 27.5cm. £80-120 (plus 24% BP* ARR*)

488 489

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490. Ethel Gabain (1883-1950) Seated Lady signed in pencil (lower right) lithograph 27.3cm x 22.1cm. £100-200 (plus 24% BP* ARR*) 491. Sylvan G. Boxsius (1878-c.1941) French farm signed in the print (lower right) woodblock 38cm x 29cm. £100-200 (plus 24% BP* ARR*) 490

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492. Yoshijiro Urushibara (1888-1953) Sweet Peas no.83, signed and numbered in pencil (in the margin) woodblock 32.5cm x 21.6cm. £80-120 (plus 24% BP* ARR*) 493. Jennifer Dickson (b.1936) ‘Signe’, 1961 signed, titled and dated in pencil (in the margin) etching 14cm x 9cm. Provenance: From the collection Denis Bowen (1921-2006). £80-120 (plus 24% BP* ARR*) 494. (Book) Paul Melia and Ulrich Luckhardt David Hockney, Paintings signed in pen by David Hockney published by Prestel, New York 31.5cm x 24.5cm. £80-120 (plus 24% BP* ARR*) 495. (Book) Douglas Percy Bliss Edward Bawden published by the Pendomer Press together with 2 further books on Edward Bawden (3). £40-60 (plus 24% BP* ARR*)

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497

496. (Book) Zandra Rhodes Zandra Rhodes, a lifelong love affair with textitles signed in pen by Rhodes 29cm x 24cm. £40-60 (plus 24% BP* ARR*) 497. (Book) Scottish National Gallery of Modern Art Alan Davie Drawings signed in pen by Alan Davie published by The Paragon Press. £40-60 (plus 24% BP* ARR*) 498. (Book) Giuliana Gramigna Repertorio 1950/1980 published by Mondadori, second edition, 2001. £100-150 (plus 24% BP* ARR*) 498

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501

499. (Book) Robert and Heather Tanner Woodland Plants number 725 from an edition of 900 published by Bocardo Press, Oxford together with another book on Robert Tanner (2). £40-60 (plus 24% BP* ARR*) 500. (Book) Books from the library of Josef Paul Hodin To include books on Ben Nicholson, John Bratby Barbara Hepworth, Elisabeth Frink and others some signed by the artists (18). £100-200 (plus 24% BP* ARR*) 501. Manner of Barbara Hepworth (1903-1975) Female torso marble, on composite base 23.5cm high. £80-120 (plus 24% BP* ARR*)

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502. (Book) Edward Wadsworth (1889-1949) Colnaghi’s exhibition catalogue, 1974 28.5cm x 22cm. £50-100 (plus 24% BP* ARR*) 503. Ronald King (b.1932) ‘Alphabet’, 1999 pop-out rag made paper produced by Circle Press 75cm x 51cm. £80-120 (plus 24% BP* ARR*) 504. (Book) David Bailey and Peter Evans Goodbye Baby & Amen, 1969 hardback, with inscription 36.5cm x 25cm. £60-100 (plus 24% BP* ARR*)

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503

505. John Piper (1903-1992) Llangloffan signed in pencil (in the margin) from an edition of 750 printed by the Cavendish Press, Leicestershire lithograph 39.7cm x 57.5cm. £200-400 (plus 24% BP* ARR*) 506. John Piper (1903-1992) Canons Ashby, Northamptonshire (Levinson 350), 1983 148/150, signed and numbered in pencil (in the margin) screenprint 56cm x 78cm. £400-600 (plus 24% BP* ARR*)

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504

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Lots 507-514 The Orde Levinson Collection of Works by John Piper (1903-1992)

507 John Piper (1903-1992) Foliate Head Blue to Gold, circa 1970 signed (lower right) ink, gouache and wax resist on paper 42cm x 52cm. Exhibited: River & Rowing Museum, Henley-on-Thames, John Piper: A Very British Artist, 2017-18. Provenance: From the collection of Orde Levinson. £4000-7000 (plus 24% BP* ARR*)

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508 John Piper (1903-1992) Nude, 1971 signed and dated (lower right) gouache and crayon on paper 37cm x 53cm. Exhibited: River & Rowing Museum, Henley-on-Thames, John Piper: A Very British Artist, 2017-18. Provenance: From the collection of Orde Levinson. £3000-5000 (plus 24% BP* ARR*)

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117

509 John Piper (1903-1992) ‘August Evening, Fawley Bottom’, 1984 signed (lower right), titled and dated (lower left) oils and mixed media on paper 46cm x 60.5cm. Exhibited: River & Rowing Museum, Henley-on-Thames, John Piper: A Very British Artist, 2017-18. Provenance: From the collection of Orde Levinson. £8000-12000 (plus 24% BP* ARR*)

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510 John Piper (1903-1992) North Moreton Church with Woman in Profile signed (lower right) mixed media on paper 38cm x 56cm. Exhibited: River & Rowing Museum, Henley-on-Thames, John Piper: A Very British Artist, 2017-18. Provenance: From the collection of Orde Levinson. £10000-15000 (plus 24% BP* ARR*)

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511 John Piper (1903-1992) Vase with Flowers signed (lower right) mixed media on paper 59.5cm x 77cm. Exhibited: River & Rowing Museum, Henley-on-Thames, John Piper: A Very British Artist, 2017-18. Provenance: From the collection of Orde Levinson. £8000-12000 (plus 24% BP* ARR*)

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120

512 John Piper (1903-1992) Church of St.Leonard, Blakemere, Herefordshire signed (lower right) oils on canvas laid on board 20.5cm x 28.8cm. Provenance: From the collection of Orde Levinson. £6000-8000 (plus 24% BP* ARR*)

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513 John Piper (1903-1992) Wymondham, Norfolk (Levinson 205), 1971 A/P, signed in pencil (in the margin) screenprint 99cm x 66cm. Provenance: From the collection of Orde Levinson. £1000-1500 (plus 24% BP* ARR*)

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122

514. John Piper (1903-1992) Flowers in a Black Pot (Levinson 410), 1988 60/70, signed and numbered in pencil (in the margin) etching and aquatint 62cm x 45cm. Provenance: From the collection of Orde Levinson. £800-1200 (plus 24% BP* ARR*) BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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515. Raymond Guerrier (1920-2002) Wild flowers in blue jug signed (lower right) oils on canvas 79cm x 40cm. Provenance: Redfern Gallery, London, 1953. £400-600 (plus 24% BP* ARR*) 516. Raymond Guerrier (1920-2002) Still life, fruit and jug signed (lower left) oils on canvas 64cm x 80cm. £500-800 (plus 24% BP* ARR*)

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516

517

518

517. Ken Howard (b.1932) Toward Malviya Bridge, 2015 signed (lower left), inscribed and dated (to reverse) oils on canvas 60cm x 29cm. £1000-2000 (plus 24% BP* ARR*) 518. Alan Furneaux (b.1953) SS118 boat by the town signed (lower left) oils on board 62.5cm x 63cm, unframed. £300-500 (plus 24% BP* ARR*) 519. Thomas John Coates (b.1941) Standing Nude monogrammed (lower left) pastels 60cm x 45cm. £300-400 (plus 24% BP* ARR*) 520. Robert Baker (1909-1992) Self-Portrait, 1928 signed and dated (lower right) pencil 28.5cm x 20.5cm, unframed. £150-250 (plus 24% BP* ARR*)

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520

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521. Robert Baker (1909-1992) Study for Wood Green Village Hall Mural and a further mural study gouache and oils on card 51cm x 41cm and 25cm x 51cm, unframed (2). £100-300 (plus 24% BP* ARR*) 522. Beryl Sinclair (1901-1967) Flowers in a blue vase, 1939 signed and dated (lower right) oils on canvas 75cm x 50cm. £100-200 (plus 24% BP* ARR*)

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523

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525

523. Beryl Sinclair (1901-1967) Summer flowers, 1949 signed and dated (lower right) oils on canvas 35cm x 45cm. £80-120 (plus 24% BP* ARR*) 524. Beryl Sinclair (1901-1967) Garden plant signed (lower right) oils on canvas 55cm x 40cm. £80-120 (plus 24% BP* ARR*) 525. Beryl Sinclair (1901-1967) Five still life paintings oils on canvas all unframed (5). £40-60 (plus 24% BP* ARR*)

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526. William Roberts (1895-1980) Study for Chamber Music, 1937 pencil 17cm x 20.3cm. Exhibited: Anthony D’Offay, London, William Roberts, Drawings and Watercolours, 28 November -19 December 1980. Provenance: The Artist’s Estate; Anthony d’Offay, London; Private Collection; thence by descent. £2000-3000 (plus 24% BP* ARR*)

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527. Norman Cornish (1919-2014) ‘John and Ann watching the T.V.’ signed and titled (lower right) pen and ink 21cm x 28cm. Provenance: The Stone Gallery, Newcastle. £700-1000 (plus 24% BP* ARR*) 528. John Bratby (1928-1992) ‘Patti’, 1991 signed, titled and dated in pencil (lower right) mixed media 37cm x 37cm. £300-500 (plus 24% BP* ARR*)

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528

529. John Bratby (1928-1992) ‘Dancer resting by the Javesha Bar’ signed and inscribed mixed media 38cm x 56cm. £300-500 (plus 24% BP* ARR*) 530. Jean Fusaro (b.1925) Agachi-oullins (Rhine) signed (lower right), inscribed (to reverse) oils on canvas 58cm x 79cm. £1000-1500 (plus 24% BP* ARR*) 531. Manja Scott (b.1945) Soft colours with black, 2005 initialled and dated (lower right) mixed media 19cm x 48cm. £80-120 (plus 24% BP* ARR*)

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531

532. Alfred Daniels (1924-2015) Jaffa Gate, Jerusalem signed and dated (lower left) acrylic on board 39.5cm x 55cm. £200-300 (plus 24% BP* ARR*)

532

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534

533 533. Richard Robbins (1927-2009) Still life of purple flowers signed (lower right) oils on canvas 60cm x 34cm. £200-300 (plus 24% BP* ARR*) 534. Austin Wright (1911-2007) Two figures in water, 1949 signed and dated (lower right) watercolour and ink 24cm x 34cm.

535

Provenance: Hart Gallery, Nottingham. £100-200 (plus 24% BP* ARR*) 535. Alex Campbell (b.1936) ‘The Ship’, 1993 signed (lower right), titled and dated (to reverse) acrylic on canvas 48cm x 74cm. £500-800 (plus 24% BP* ARR*) 536. Minou Steiner (b.1939) Still life of purple flowers signed (lower right) oils on card 38cm x 56cm. £50-80 (plus 24% BP* ARR*)

536

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538

537. Peter Kuhfeld (b.1952) In the studio signed (upper left) oils on board 20cm x 44cm. £400-700 (plus 24% BP* ARR*) 538. Peter Kuhfeld (b.1952) Reclining nude on red signed (upper right) oils on board 25cm x 27cm. £300-500 (plus 24% BP* ARR*) 539. Peter Kuhfeld (b.1952) Reclining nude on blue signed (upper right) oils on board 19cm x 22.5cm. £300-500 (plus 24% BP* ARR*)

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540

540. Frank Dobson (1888-1963) Nude signed in pencil pencil and watercolour 21cm x 31.5cm. £200-300 (plus 24% BP* ARR*) 541. Thomas John Coates (b.1941) Italian Village monogrammed (lower left) oils on board 16.2cm x 30.5cm, unframed. £150-250 (plus 24% BP* ARR*) 541

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542. Thomas John Coates (b.1941) The Committee monogrammed (lower left) oils on board 25.2cm x 30.4cm, unframed. £100-200 (plus 24% BP* ARR*)

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543

543. Olivier Foss (1920-2002) The Ball signed (lower right) oils on canvas 80cm x 99cm. £200-300 (plus 24% BP* ARR*) 544. Lucien Delarue (1925-2011) Paris signed (lower right) oils on canvas 64cm x 49cm. £200-300 (plus 24% BP* ARR*) 545. Rosicky (20th Century) Town square in summer signed (lower right) oils on canvas 62cm x 78.5cm. £80-120 (plus 24% BP* ARR*)

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545

546. Alaine Raya Sorkine (b.1936) ‘Chant Populaire D’Israël’, 1970 signed (lower right), titled and dated (to reverse) oils on canvas 113cm x 88cm. £2000-4000 (plus 24% BP* ARR*)

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547. David Tindle (b.1932) Michela, 2005 inscribed and dated (to reverse) tempera on board 28.5cm x 23.5cm. £300-400 (plus 24% BP* ARR*) 548. Philip Jones (1933-2008) ‘Red Painting I’, 1967 signed, titled and dated in pencil (lower right) oils on paper 24.5cm x 33.6cm. £200-300 (plus 24% BP* ARR*) 549. David Carr (1915-1968) Eighteen sketches for engine series, circa 1959 on two sheets pencil and watercolour 20cm x 24cm (2).

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548

Provenance: Austin/Desmond Fine Art Limited, London. £100-200 (plus 24% BP* ARR*) 550. David Carr (1915-1968) Engine study, circa 1959 charcoal and watercolour 21cm x 24.5cm. Provenance: Austin/Desmond Fine Art Limited, London. £100-200 (plus 24% BP* ARR*)

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In 1967 Desmond Morris had startled the world with his groundbreaking book The Naked Ape. But, long before becoming a famous author and subsequently a television personality, he had already gripped public attention as a painter. When his canvases were first shown in public, they managed to arouse public outrage. An exhibition held in 1948 inspired angry letters to the press, with demands that the exhibits be ‘burnt in a furnace’. Far from discouraging him, this reaction seemed to inspire Morris. At the heart of this previously denigrated style lie Morris’s contorted and fluid quasi life-forms named ‘biomorphs’. As this appellation suggests, the depictions are essentially biological in nature, appearing recognizably fleshy or bony. No two biomorphs are alike and yet they all have something in common. It is as though they belong to the same ‘family’ of beings. But, the biomorphs are not representations of the lower forms of life and Morris has insisted that his inventions are not biological illustrations. However, they undeniably reveal a certain correlation with the numerous forms of life that Morris had observed as a child in the family lake and then had gone on to study as a scientist. A much more significant experience for the adolescent Morris, during the Second World War, had been an illicit entry into the local mortuary, where soldiers who had been killed were in the process of being embalmed and, quite literally, pieced together. ‘I can remember the images to this day although it is more than half a century ago. It shook me rigid. Yet, I was intrigued by the internal organs of the human body that I had never seen before.’ Those heightened emotions and the extreme psychological impact have, since then, been filtering out of Morris’s unconscious through the mesh of a complex artistic oeuvre. The depth behind Morris’s works is significant: they are arguably no less than materializations of inner turmoil and untamed instincts hidden within the human psyche itself. There is humour, undoubtedly, but the sinister and menacing message is not far from the surface. Silvano Levy 132

551. Desmond Morris (b.1928) The Cosmopolitan 6/6, initialled and numbered (in the cast) bronze with signed certificate of authenticity 29.7cm high. £3500-4500 (plus 24% BP* ARR*)

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133

552. Desmond Morris (b.1928) Expressive Figure, 1988 initialled and dated (lower left) oils, ink and watercolour on paper 29.5cm x 20.9cm, unframed.

553: Desmond Morris (b.1928) The Tutor, 2010 initialled and dated (lower right) mixed media on paper 29.7cm x 42cm, unframed.

Literature: Silvano Levy, Desmond Morris Analytical Catalogue Raisonne 2000-2012, Redcliffe Press, Bristol, 2012, p.334, catalogue number 1988/79.

£1000-1500 (plus 24% BP* ARR*)

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554. Duncan Grant (1885-1978) Erotic figures, circa 1950 initialled (lower right) pen and ink 14cm x 9cm. Provenance: Sandra Lumis Fine Art, London. £300-500 (plus 24% BP* ARR*) 555. Keith Vaughan (1912-1977) ‘Sabbat’, 1975 titled and dated, studio stamp (to reverse) pencil on paper 26.1cm x 18.7cm. Provenance: From a Keith Vaughan album marked Harrow Hill. £400-600 (plus 24% BP* ARR*) 556. Keith Vaughan (1912-1977) Seated male nude studio stamp (to reverse) pencil on paper 24.9cm x 18.7cm.

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Provenance: From a Keith Vaughan album marked Harrow Hill. £400-600 (plus 24% BP* ARR*) 557. Keith Vaughan (1912-1977) Head study studio stamp (to reverse) pencil on paper 24.9cm x 18.7cm. Provenance: From a Keith Vaughan album marked Harrow Hill. £400-600 (plus 24% BP* ARR*) 558. Keith Vaughan (1912-1977) Male nude torso studio stamp (to reverse) pencil on paper 24.9cm x 18.7cm. Provenance: From a Keith Vaughan album marked Harrow Hill. £400-600 (plus 24% BP* ARR*) 559. Keith Vaughan (1912-1977) Sabbat torso studio stamp (to reverse) pencil on paper 24.5cm x 18.7cm. Provenance: From a Keith Vaughan album marked Harrow Hill. £400-600 (plus 24% BP* ARR*)

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560. Ronald Searle (1920-2011) Portrait of Robert Graves, July 26th, 1950 signed, dated, and inscribed (lower left) pen and ink 22cm x 17cm. Provenance: Leicester Galleries, London, October 1954, No.21. £300-500 (plus 24% BP* ARR*) 561. Maurice Field (1905-1988) Young bathers inscribed ‘One of the sketches for Building the Dam, Maurice Field’ (to reverse) oils on board 13.7cm x 23.4cm. £80-120 (plus 24% BP* ARR*)

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562. Christopher Compton Hall (b.1930) Le Poyet, 1972 signed and dated (lower left) oils on board 23.6cm x 30cm. £100-200 (plus 24% BP* ARR*) 563. Christopher Compton Hall (b.1930) Oak tree, Hamstead Marshall, 1973 signed and dated (lower right) oils on board 24.5cm x 29.6cm. £100-200 (plus 24% BP* ARR*)

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564. John Copley (1875-1950) The tow boat, 1949 signed and dated (lower left) watercolour 35cm x 24.5cm. £80-120 (plus 24% BP* ARR*) 565. Edna Heath (20th Century Irish School) Still life of yellow flowers signed (lower right) oils on board 49.2cm x 39cm. £70-100 (plus 24% BP* ARR*)

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566. George Weissbort (1928-2013) Rose with petals, 1971 signed and dated (lower right) oils on board 34cm x 50cm. £200-400 (plus 24% BP* ARR*) 566

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567. George Weissbort (1928-2013) Peppers and tomatoes, 1997 signed and dated (lower right) watercolour 27cm x 36.3cm. £100-300 (plus 24% BP* ARR*) 568. George Weissbort (1928-2013) The Park signed (lower right) oils on board 25cm x 34cm. £100-300 (plus 24% BP* ARR*) 569. George Weissbort (1928-2013) ‘Wine, Women and Song’ oils on board 28.5cm x 33.5cm. £200-400 (plus 24% BP* ARR*) 570. George Weissbort (1928-2013) Still life of white flowers, 1967 signed and dated (lower right) oils on board 50cm x 45cm. £200-400 (plus 24% BP* ARR*) 571. George Weissbort (1928-2013) Still life of fruit on a white drape signed (lower right) oils on board 43.8cm x 52.6cm. £200-400 (plus 24% BP* ARR*)

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572. Keith Vaughan (1912-1977) Recruits, circa 1940 studio stamp (under mount) pencil on paper 16cm x 9cm. £100-300 (plus 24% BP* ARR*)

573. Paul Storey (b.1957) Catherine waiting and doubting, 1988 oils on canvas 24.7cm x 41.2cm. £200-300 (plus 24% BP* ARR*)

574. Kenneth Draper (b.1944) Symphony, 1987 signed (lower right), titled and dated (lower left) pastels 30.3cm x 35cm. Exhibited: The South Bank Centre, London, Landscape Pastels by Kenneth Draper, 25th Nov 188 - 15th Jan 1989. £200-400 (plus 24% BP* ARR*)

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‘The Lustre Cup’ painted in the early 1950s is a prime example of Redpath’s work from the period. During the 1950s her still lifes had evolved; the compositions were created using small, identifiable pieces of pottery and porcelain and the palette was restrained to pale whites and muted pastel tones. Although she returned from her continental trips full of inspiration for landscapes and outdoor scenes, as many as half of the paintings she exhibited throughout the 1950s were still lifes.

575. Anne Redpath (1895-1965) The Lustre Cup signed (lower right) oils on board 48.4cm x 47.5cm.

Exhibited: Aitken Dott & Son, Festival Exhibition, Edinburgh,1954. Provenance: Aitken Dott & Son, Edinburgh; Private collection. £10,000-20,000 (plus 24% BP* ARR*)

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576. Carel Weight (1907-1997) ‘Grantley Hall No 1’ circa 1950 inscribed and titled (to label on reverse) oils on canvas 34.4cm x 49.8cm. Weight most likely painted this between 1950 and 1952, at the same time as ‘Grantley Hall through Trees’ which is part of the Government Art Collection, London. £1500-2500 (plus 24% BP* ARR*)

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577. David Muirhead Bone (1876-1953) Beach at East Rushton signed, dated and inscribed in pencil (lower right) watercolour 19.3cm x 26.5cm. £150-250 (plus 24% BP* ARR*) 578. Brian Willsher (1930-2010) Totem sculpture, 1987 signed and dated (to base) carved teak 26.2cm high. £200-400 (plus 24% BP* ARR*)

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579. Cyril Mann (1911-1980) St. Pauls oils on paper 25.5cm x 31.8cm. Provenance: With letter of authenticity from the artist’s wife. £300-500 (plus 24% BP* ARR*) 580. James Longueville (b.1942) ‘Buckingham Palace from St. James’ signed (lower right), titled and inscribed (to reverse) oils on board 34.6cm x 50cm. £300-500 (plus 24% BP* ARR*) 581. Linda Weir (b.1951) St. Ives, summer flowers, 2006 signed and dated (lower right) oils on canvas 40cm x 40cm. £300-500 (plus 24% BP* ARR*) 582. Julian Bailey (b.1963) Rowing boat by cliffs monogrammed (lower right) oils on board 37cm x 39.5cm. £300-500 (plus 24% BP* ARR*) 583. John Miller (1931-2002) ‘Beach’ signed and titled in pencil (on the mount) gouache 11.5cm x 10.4cm. £80-120 (plus 24% BP* ARR*)

583

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584. John Miller (1931-2002) ‘Summer Sand Spur’ signed and titled in pencil (on the mount) gouache 36cm x 36cm. £100-200 (plus 24% BP* ARR*) 585. 1930s School Abstract sculpture bronze on circular wooden base 44cm high. £80-120 (plus 24% BP* ARR*)

585 584

586. Jerzy Marek (b.1925) ‘Whispers’, 1976 signed (lower right), titled and dated (to reverse) oils on board 16.4cm x 18.4cm. £80-120 (plus 24% BP* ARR*) 587. Pierre Henry (b.1924) Roses, 1965 signed and dated (lower right) oils on board 60cm x 20cm. £70-100 (plus 24% BP* ARR*) 588. Harish Raut (1925-2002) Exotic figures signed (lower right) oils on board 43cm x 33cm. £100-200 (plus 24% BP* ARR*)

586

589. Jeff Harris (b.1932) ‘Blue Squares’, October 1960 signed, titled and dated (to reverse) oils on canvas 30.5cm x 60.5cm. £200-400 (plus 24% BP* ARR*)

587

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590. John Eaves (b.1929) ‘Orange & Black Insert’, 1969 signed, titled and dated in pencil (lower right) mixed media 58.5cm x 78.5cm. £200-300 (plus 24% BP* ARR*) 591. Geoffrey Doonan (b.1926) ‘Table Top’ inscribed and titled (to reverse) 69cm x 93cm. £200-300 (plus 24% BP* ARR*)

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592. Tom Titherington (1934-2003) Still life abstract, 1989 signed and dated in pencil (lower right) oils on paper 66cm x 51cm. £200-300 (plus 24% BP* ARR*) 593. Tom Titherington (1934-2003) Self-portrait, 1967 mixed media 75cm x 50cm. £150-250 (plus 24% BP* ARR*) 594. Tom Titherington (1934-2003) Standing female nude with a towel signed (lower right) charcoal 55cm x 29cm. £80-120 (plus 24% BP* ARR*) 595. Isabelle Kaufmann (Contemporary) Oxford, Radcliffe Square, 2015 signed and dated (lower right) oils and acrylic on board 76cm x 76cm. £200-300 (plus 24% BP* ARR*)

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596. Keith Vaughan (1912-1977) Green landscape mixed media 22cm x 31cm. Provenance: Sotheby’s London, Modern British Paintings, Drawings and Sculpture from the Collection of the late Sebastian Walker, November 1991, Lot 16; Belgrave Gallery, London; Private Collection. £1000-2000 (plus 24% BP* ARR*)

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597. Olive F. Openshaw (fl.1930-1970) Chariot pen and ink 9.5cm x 9cm. £80-120 (plus 24% BP* ARR*) 598. Olive F. Openshaw (fl.1930-1970) Victoria plums pencil on paper 25cm x 18cm. £100-150 (plus 24% BP* ARR*)

599

599. Olive F. Openshaw (fl.1930-1970) Alderly Edge, 1936 signed in pencil (lower right) watercolour, pencil and ink 28cm x 36cm. £100-150 (plus 24% BP* ARR*) 600. William Gear (1915-1997) Untitled, 1976 signed and dated (lower right) acrylic 32cm x 41.4cm. £200-300 (plus 24% BP* ARR*)

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601. William Gear (1915-1997) Untitled, 1966 signed and dated in pen (lower right) mixed media 35cm x 24.7cm. £200-300 (plus 24% BP* ARR*) 602. William Gear (1915-1997) Study, 1972 signed and dated (lower right) oils, gouache and pastel 62.5cm x 44cm. £400-600 (plus 24% BP* ARR*)

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144

603. William Gear (1915-1997) ‘Garden Gate’, August 1983 signed and dated (lower right) inscribed (to reverse) oils on canvas 81.2cm x 51cm. £2000-3000 (plus 24% BP* ARR*)

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145

In 1974 and 1975 Davie made a series of pieces on the theme of ‘The Studio’. They featured a collection of motifs and symbols placed in an interior (studio) environment. The animal that features is of no particular kind; it derives from drawings.

604. Alan Davie (1920-2014) ‘The Studio No.1’, August 1974 signed , dated and titled in pencil (lower left) gouache 51cm x 69cm. £2000-3000 (plus 24% BP* ARR*)

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605. Maurice Cockrill (1936-2013) Untitled, 1987 signed and dated (to reverse) oils on canvas 59.5cm x 75cm. Provenance: Bernard Jacobson Gallery, London. £1000-1500 (plus 24% BP* ARR*) 606. Phyllis Bray (1911-1991) ‘Tresco Landing Stage, Isle of Scilies’ titled and studio stamped (to reverse) watercolour 35cm x 52.7cm.

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Provenance: The Artist’s studio. £200-400 (plus 24% BP* ARR*) 607. Phyllis Bray (1911-1991) Kenwood Lake, Hampstead titled (to reverse) pastels 34cm x 45.7cm. Provenance: The Artist’s studio. £100-300 (plus 24% BP* ARR*) 608. Phyllis Bray (1911-1991) Beached yacht signed (lower right), studio stamp (to reverse) pastels 34cm x 45.7cm.

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Provenance: The Artist’s studio. £100-300 (plus 24% BP* ARR*) 609. John Cooper (20th Century) On the promenade signed (lower right) pastels 21.5cm x 17.3cm. Provenance: From the collection of Mr. Reiseger. £100-200 (plus 24% BP* ARR*) 610. Cyril Wilson (1911-2003) House of cards signed mixed media 25.4cm x 19.8cm. £200-300 (plus 24% BP* ARR*)

609

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611. Joan Darlington (b.1932) Arise signed (lower right) oils on board 60cm x 89.5cm. £150-250 (plus 24% BP* ARR*) 612. Michael Barnfather (b.1934) Near Banbury, 1967 signed and dated (lower left), titled (to reverse) oils on board 45cm x 90cm. £100-200 (plus 24% BP* ARR*)

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613. Roy Spencer (1918-2006) Garden at Ghent signed (lower right) oils on canvas 43.2cm x 71.1cm. £100-200 (plus 24% BP* ARR*) 614. Hamish Mackie (b.1973) Greyhound, 2004 1/12, signed, numbered and dated bronze on black marble base 32.5cm high, 58.5cm across. £1500-2000 (plus 24% BP* ARR*) 615. Hamish Mackie (b.1973) Wild cat, 2004 2/12, signed, numbered and dated bronze on black marble base 32.5cm high, 58.5cm across. £1500-2000 (plus 24% BP* ARR*) 616. Frank Brangwyn (1867-1956) ‘The Umbrella’ signed and inscribed ‘presented to his friend, Edward Canning Freeman, November 1943’ (to reverse) watercolour and gouache 25cm x 30cm. £700-900 (plus 24% BP* ARR*) 617. Averil Burleigh (1883-1949) Farmyard signed (lower right) watercolour 27cm x 36cm. £400-600 (plus 24% BP* ARR*)

617

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618. Gerald Wilde (1905-1986) Pier study, circa 1930 gouache 26cm x 36cm. Exhibited: The Institute of Contemporary Arts: ICA, Gerald Wilde: Retrospective Exhibition of Paintings and Graphic Work, London,1955; The October Gallery, Gerald Wilde Retrospective 1926-1986, London,1988. £200-400 (plus 24% BP* ARR*)

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619. Gerald Wilde (1905-1986) Abstract in black, blue and yellow inscribed (to reverse) oils on canvas laid onto board 16cm x 22cm. £150-250 (plus 24% BP* ARR*) 620. Jacques Lagrange (1917-1995) ‘Paysage de Launay’ signed (lower right) oils on canvas 14.5cm x 20.5cm. Provenance: Roland, Browse & Delbanco, London. £200-300 (plus 24% BP* ARR*) 621. David Hosking (Contemporary) Boats on the beach monogrammed (lower right) oils on canvas 76cm x 76cm. £100-200 (plus 24% BP* ARR*) 622. Simeon Stafford (b.1956) St. Ives Beach signed (lower right) oils on canvas 90cm x 89.5cm, unframed. £600-800 (plus 24% BP* ARR*) 623. Alan Furneaux (b.1953) Penzance moon singed (lower right) oils on board 80cm x 99.5cm. £300-500 (plus 24% BP* ARR*)

624. 1950s School Two wirework sculptures on plinth bases 47.3cm high (2). £80-120 (plus 24% BP* ARR*)

624

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625. James Hamilton Hay (1874-1916) Embankment signed (lower left) watercolour and charcoal 24cm x 29cm. £200-300 (plus 24% BP* ARR*) 626. Stuart Maxwell Armfield (1916-2000) Doubt signed (lower left) oils on board 45.5cm x 65.5cm. £200-300 (plus 24% BP* ARR*)

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627. Stanley Orchart (1920-2005) Hitchin, Hertfordshire signed (lower right) oils on board 23.8cm x 28.8cm. £100-200 (plus 24% BP* ARR*) 628. Mary Fedden (1915-2012) ‘Calabria’, 1977 signed and dated (lower left) watercolour and gouache 18cm x 20cm. £800-1200 (plus 24% BP* ARR*) 629. Mary Fedden (1915-2012) Cottages by the sea, 1978 signed and dated (lower left) watercolour 19cm x 17cm. £800-1200 (plus 24% BP* ARR*) 630. Mary Fedden (1915-2012) Mother and child on the beach, 1979 signed and dated (lower left) watercolour and gouache 14.1cm x 25.2cm, unframed. £1000-1500 (plus 24% BP* ARR*)

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631. Mary Fedden (1915-2012) The Bird that came to Breakfast, 2000 signed and dated (lower left) oils on board 76cm x 60cm. Exhibited: The Royal Glasgow Institute, October 2001. £10,000-15,000 (plus 24% BP* ARR*)

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632. Gilbert Spencer (1892-1979) Trees at Garsington signed (lower right) oils on canvas 45cm x 65cm. Provenance: Christie’s London, British and Irish Traditionalist and Modernist Paintings, 3 & 4 March 1988, lot 220; Private collection. Exhibited: Fine Art Society, London, Gilbert Spencer, July 1974, no.15. Fine Art Society, London, Men and Memories, 1972, no.118. Royal Academy, London, Gilbert Spencer Memorial, 1979. £3000-5000 (plus 24% BP* ARR*)

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633. Eardley Knollys (1902-1991) Landscape with trees and farm building signed (lower left) oils on paper 36cm x 50.5cm. £400-600 (plus 24% BP* ARR*) 634. Eardley Knollys (1902-1991) The Wooded road signed (lower right) oils on paper 69.5cm x 52cm. £300-400 (plus 24% BP* ARR*) 635. Eardley Knollys (1902-1991) Windy Day, 1983 signed (lower left) inscribed (to reverse) oils on paper 47cm x 67cm. £200-400 (plus 24% BP* ARR*) 636. Eardley Knollys (1902-1991) The red roof signed (lower left) oils on paper 52cm x 72cm. £300-500 (plus 24% BP* ARR*)

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637. Eardley Knollys (1902-1991) ‘Tree in Spring’, 1984 signed (lower left) inscribed (to reverse) oils on paper 44.5cm x 73.5cm. £300-500 (plus 24% BP* ARR*) 638. Eardley Knollys (1902-1991) Crop contrasts signed (upper left) oils on paper 54cm x 76.5cm. £300-500 (plus 24% BP* ARR*) 639. Eardley Knollys (1902-1991) Summer fields signed (lower right) oils on paper 52cm x 66cm. £300-500 (plus 24% BP* ARR*) 639

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640. Eardley Knollys (1902-1991) Pasture and plough signed (lower left) oils on paper 51.8cm x 69.5cm. £200-400 (plus 24% BP* ARR*) 641. Eardley Knollys (1902-1991) Red and yellow landscape signed (lower right) oils on paper 53cm x 75cm. £200-400 (plus 24% BP* ARR*)

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642. Eardley Knollys (1902-1991) Trees and mountains signed (lower left) oils on paper 48cm x 73cm. £100-200 (plus 24% BP* ARR*) 643. Eardley Knollys (1902-1991) Ploughed field and blue sky signed (lower left) oils on paper 51cm x 63cm. £200-400 (plus 24% BP* ARR*) 644. Eardley Knollys (1902-1991) The orange fields signed (lower right) oils on paper 55cm x 73cm. £300-500 (plus 24% BP* ARR*) 645. Jane Dowling (b.1925) Portrait of a girl, circa 1959 oils on canvas 39cm x 29cm. Provenance: From the Artist’s Estate. £300-500 (plus 24% BP* ARR*)

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646. Jane Dowling (b.1925) Portrait of a student painting, circa 2005 oils on canvas 49.5cm x 39cm. Provenance: From the artist’s estate. £200-400 (plus 24% BP* ARR*) 647. Jane Dowling (b.1925) Gardens Blenheim, circa 1965 initialled (lower right) oils on board 57cm x 65cm. Provenance: From the artist’s estate. £200-400 (plus 24% BP* ARR*)

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648. Jane Dowling (b.1925) Still life, circa 1967 initialled (lower left) oils on linen 45cm x 45cm. Provenance: From the artist’s estate. £200-400 (plus 24% BP* ARR*) 649. Sally Arnup (1930-2015) Italian greyhound V/X, signed and numbered bronze 52.5cm high, 44.5cm across. £1000-2000 (plus 24% BP* ARR*) 650. G. Harvey (Contemporary) Blue landscape oils and mixed media signed (lower right) 52cm x 64cm. £50-100 (plus 24% BP* ARR*) 651. Margaret Scobie (b.1948) Bush leaf medicine signed (to reverse) oils on canvas 56cm x 72cm. £80-120 (plus 24% BP* ARR*)

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652. Terry Frost (1915-2003) Upstaged, Yellow Lemon Collage, 1995 signed (lower right) acrylic 31.5cm x 39cm. £1500-2000 (plus 24% BP* ARR*)

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653. Henry Cliffe (1919-1983) Undulate smile, 1967 signed and dated (lower left) gouache 52cm x 75cm. £500-800 (plus 24% BP* ARR*) 654. David Michael Jones (1895-1974) Standing nude, 1927 signed and dated (lower right) pencil 36.2cm x 25.4cm.

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Exhibited: The Redfern Gallery, London, 17 August 1956. Provenance: Acquired by the vendor in the 1990s; private collection. £2000-3000 (plus 24% BP* ARR*) 655. Howard Carter (20th Century) Five architectural drawings, 1973 ‘Coughton Court’, ‘Honnington Hall’, ‘Compton Wynyates’, ‘Aston Hall’ and one other signed and dated watercolour and gouache each 75cm x 75cm (5). £100-200 (plus 24% BP* ARR*)

655

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656. David Cobb (1921-2014) ‘Low Sun Afon Honddu’ signed (lower) oils on canvas 49cm x 74.5cm. £150-250 (plus 24% BP* ARR*) 657. Derek Middleton (1917-2002) Black abstract, 1987 signed and dated (lower right) watercolour 30cm x 24cm, together with a watercolour abstract by Derek Middleton (2). £50-100 (plus 24% BP* ARR*)

656

658. Derek Middleton (1917-2002) Blue and green squares initialled (lower right) pastels 28cm x 18.5cm. £50-100 (plus 24% BP* ARR*) 659. Richard Robbins (1927-2009) Green park, 1977 signed and dated in pencil (lower right) watercolour 75cm x 95cm. £200-300 (plus 24% BP* ARR*)

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659

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660. Rainer Fetting (b.1949) Northern Landscape, Shore of North West Germany, 1997 oils on canvas 60cm x 89cm. Provenance: BCA Boukamel Contemporary Art, London, 2002. 8.9cm high. £15,000-20,000 (plus 24% BP* ARR*)

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661. William Bowyer (1926-2015) Cap Ferrat, 1987 signed and dated in pencil (lower right) watercolour 46.5cm x 52.8cm. Provenance: Bankside Gallery, London. £300-400 (plus 24% BP* ARR*) 662. Christopher Sanders (1905-1991) Continental landscape inscribed (to reverse) oils on canvas 50cm x 60cm. £200-300 (plus 24% BP* ARR*)

661

662

663. John Hadley Rowe (?-1975) Two nudes mixed media 17.6cm x 22.5cm. Provenance: Sotheby’s, 1998. £70-100 (plus 24% BP* ARR*) 664. John Hadley Rowe (?-1975) By moonlight watercolour 53.3cm x 35.8cm. Provenance: Sotheby’s, 1998. £100-150 (plus 24% BP* ARR*) 665. F.L.H Landscape with trees and mountain, 1926 monogrammed and dated (lower right) oils on board 23.8cm x 33cm.

663

664

Provenance: The Goupil Gallery, London. £100-200 (plus 24% BP* ARR*) 666. Attributed to Orovida Pissarro (1893-1968) Tiger watercolour 24.5cm x 38.5cm. £200-400 (plus 24% BP* ARR*)

665

666

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667. William Heath Robinson (1872-1944) ‘Ali Cogia, P.441’ monogrammed (lower right), signed in pencil (lower right) and inscribed ‘With all the seeming gravity of a judge’ (lower left) pen, ink and gouache 26cm x 21cm. £1000-2000 (plus 24% BP* ARR*) 668. Clarke Hutton (1898-1985) ‘Cafe Dancers’, 1955 inscribed (to reverse) mixed media on card 16.4cm x 20cm. £100-200 (plus 24% BP* ARR*)

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669

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669. Clarke Hutton (1898-1985) Still life of onions, 1944 initialled and dated (lower right) oils on canvas 19cm x 39cm. £100-200 (plus 24% BP* ARR*) 670. Michael Upton (1938-2002) Still life, table top, 1998 signed and dated (lower right) oils on card 23cm x 32cm. £200-300 (plus 24% BP* ARR*) 671. Frank Dobson (1888-1963) Nude signed in pencil (lower left) red chalk 25cm x 36cm. Provenance: From a private Gloucestershire estate. £600-800 (plus 24% BP* ARR*) 672. Frank Dobson (1888-1963) Nude, 1947 signed and dated in pencil (lower right) pencils and chalk 30cm x 47cm. Provenance: From a private Gloucestershire Estate. £600-800 (plus 24% BP* ARR*) 673. Frank Dobson (1888-1963) Standing Nude red chalk 33cm x 22cm. Provenance: From a private Gloucestershire Estate. £300-500 (plus 24% BP* ARR*)

672

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674. Jacob Epstein (1880-1959) Portrait of Kitty bronze on black marble base 38cm high, 27cm wide. Provenance: From a private Gloucestershire estate. Born 27 August 1926 to Epstein’s wife Kathleen Garman, Kitty features in numerous portraits; many painted, drawn and sculpted. Kitty married artist Lucian Freud in 1948, a marriage which did not last long, but resulted in two daughters. £6000-8000 (plus 24% BP* ARR*)

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675. Jacob Epstein (1880-1959) Sixth Portrait of Kathleen, 1941 bronze 66cm high, 49cm wide.

Literature: Richard Buckle, Jacob Epstein Sculptor,1963, p.268, pl.406 (another cast illustrated) Evelyn Silber, The Sculpture of Jacob Epstein: with a complete catalogue, 1986, p.189, no.316 (another cast illustrated). £10,000-15,000 (plus 24% BP* ARR*)

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676. Adrian Heath (1920-1992) Untitled, 1962 signed and dated (lower right) oils and mixed media on paper 74cm x 54cm. £2000-3000 (plus 24% BP* ARR*)

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678. Elliott Seabrooke (1886-1950) Landscape with farm buildings signed (lower right) oils on canvas 41cm x 58cm. £100-200 (plus 24% BP* ARR*) 679. Elliott Seabrooke (1886-1950) Landscape with trees oils on canvas 43cm x 60cm. £80-120 (plus 24% BP* ARR*)

678

680. Osbert Lancaster (1908-1986) ‘Well, I don’t exactly know, be he’s so conspicuously unimportant that i feel certain he must be a governor of the B.B.C.’, 1970 signed (lower right) titled and dated in printed font pen and watercolour 25cm x 14cm. £100-200 (plus 24% BP* ARR*) 679

681. 1960s School ‘Three Lonely Old Men’, 1969 signed indistinctly, titled and dated (to base) bronze cast 32cm high. £80-120 (plus 24% BP* ARR*)

680

681

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682. 1960s School ‘The Watchers’ and ‘Baptism’, 1969 signed indistinctly, titled and dated (to base) bronze cast 29.5cm high and 24cm high (2). £100-150 (plus 24% BP* ARR*) 683. 1960s School ‘Vires Aus’, 1969 signed indistinctly, titled and dated (to base) bronze cast 26.5cm high. £80-120 (plus 24% BP* ARR*)

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684. Ernest Amor (1889-1967) ‘Dolls’ House, Church Street, Kensington, London’ signed (lower right) watercolour 20cm x 27cm. £100-200 (plus 24% BP* ARR*) 685. Thomas John Coates (b.1941) Woman ironing monogrammed (lower left) oils on board 30.5cm x 25.3cm, unframed. £100-200 (plus 24% BP* ARR*) 686. Ken Howard (b.1932) Piazza Domenico, Naples signed (lower right) oils on board 30.3cm x 25.2cm, unframed. £400-600 (plus 24% BP* ARR*) 687. Ken Howard (b.1932) Figure on the beach in France signed (lower right) oils on board 25.5cm x 30.4cm, unframed. £300-500 (plus 24% BP* ARR*) 688. Ken Howard (b.1932) The Rhine at Basel, 2010 signed (lower right) oils on board 25.3cm x 30.3cm, unframed. £300-500 (plus 24% BP* ARR*)

687

686

688

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689. Lynn Chadwick (1914-2003) Miniature Lion IV, 1986 6/20, stamped ‘C/C 5’ and numbered bronze with brown patina 13cm across. Literature: D. Farr and E. Chadwick, Lynn Chadwick Sculptor, Lund Humphries, p.370-1, no.C51 (another cast illustrated) £3000-5000 (plus 24% BP* ARR*) 690. Hubert Pattison (20th Century) ‘Guitar Man’, 1971 signed, titled and dated (upper left) oil on paper 68cm x 48cm. £100-200 (plus 24% BP* ARR*) 691. Paolo Serra (b.1946) ‘Light and Space’ signed (lower middle) egg tempura 30cm x 30cm. £200-300 (plus 24% BP* ARR*)

689

692. Michael Brennand-Wood (b.1952) ‘Topkapi Saray’, 1989 signed, titled and dated (to reverse) construction in wood, textile, wire and metal 44cm x 44cm. £200-300 (plus 24% BP* ARR*) 693. Lysbeth Liverton (b.1942) ‘Picking Flowers at Les Montilles’ and ‘The Marsh from Little Appledare’ both signed (lower left) oils on board 19cm x 26cm and 19.5cm x 26.3cm (2). £150-250 (plus 24% BP* ARR*)

692

693

690

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694. Peter Cosslett (b.1927) Winter landscape signed (lower right) oils on canvas 39cm x 49cm. £300-500 (plus 24% BP* ARR*) 695. William Gear (1915-1997) ‘Bio-Form Study No.3’, 1976 signed and dated (lower right) mixed media 26cm x 38cm.

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Exhibited: R.B.S.A, Spring Exhibition, May 1977. £300-400 (plus 24% BP* ARR*) 696. Cléa Badaro (1913-1968) Landscape signed (lower left) oils on canvas 44cm x 34cm. Born in Egypt in 1913, Cléa Badaro moved to Switzerland at a very young age. She was a talented piano player, yet she had learned to draw before writing. She convinced her parents to let her enroll the School of Fine Arts in Lausanne and returned to Egypt in 1936. She depicted Egyptian scenes of daily life, but she also produced many portraits and landscapes. Most of the latter were painted in the Dolomites in Italy. £3000-5000 (plus 24% BP* ARR*) 697. Ronald Morton (b.1918) Surrealist beach scene, 1937 signed and dated (lower right) oils on board 27.5cm x 34.5cm. £80-120 (plus 24% BP* ARR*) 698. Hazel King-Farlow (1903-1995) ‘On the Road’ titled and inscribed to label (to reverse) oils on canvas 49cm x 59cm. Note: Hazel King-Farlow was born in New York in April 1903 and is the younger sister of influential gallery proprietor Peggy Guggenheim. Hazel was the only artist of the three Guggenheim sisters; she began painting in her teens and was prolific all her life.

699. John Allin (1934-1991) The butchers, 1972 signed and dated (lower right) oils on canvas 59cm x 71cm, unframed. £100-200 (plus 24% BP* ARR*)

Provenance: Stafford Gallery, London. £400-600 (plus 24% BP* ARR*) BP* – Buyer’s Premium of 24% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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700. Frank Jameson (1899-1968) Woodland bather signed (lower right) oils on canvas 59cm x 49cm. £700-1000 (plus 24% BP* ARR*) 701. Michael J. Praed (b.1941) Yellow light, textured walls signed (lower right) mixed media 26.5cm x 18cm. £80-120 (plus 24% BP* ARR*) 702. Sheila Tolley (Contemporary) Landscape approaching rain and Penwith landscape both monogrammed (lower left) watercolours 9.5cm x 18.5cm (2). £50-100 (plus 24% BP* ARR*) 703. Martin Mooney (b.1960) ‘Still Life on Kelim’ monogrammed (lower right) oils on board 91cm x 121cm.

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706

Provenance: Waterman Fine Art, London. £4000-6000 (plus 24% BP* ARR*) 704. Richard Robbins (1927-2009) Autumn landscape, 1970 signed and dated in pencil (lower right) watercolour 55cm x 78cm. £150-250 (plus 24% BP* ARR*) 705. Richard Robbins (1927-2009) Park view signed in pencil (lower right) pastels 17.5cm x 26.8cm. £40-80 (plus 24% BP* ARR*) 706. Edward Woore (1880-1960) Two folios of life drawings red chalks and pencils 36 drawings in total (36). £100-200 (plus 24% BP* ARR*)

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707. Arno Breker (1900-1901) Ikarus, 1969 signed in cast, foundry stamp bronze 30cm high. £1000-1500 (plus 24% BP* ARR*) 708. Julian Porisse (b.1927) Boats by a Jetty signed (lower left) oils on canvas 20.7cm x 25.7cm. £70-100 (plus 24% BP* ARR*) 707

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709. Francis Coudrill (1914-1989) Farouk in the Souk, circa 1948 watercolour 29.5cm x 24.5cm. Provenance: Wenlock Fine Art. £150-250 (plus 24% BP* ARR*) 710. John Marsden Dronsfield (19001951) A God signed and titled (lower right) pencil and watercolour the sheet 51cm x 37cm, unframed. Provenance: The artist and by family descent. £50-100 (plus 24% BP* ARR*) 711. John Marsden Dronsfield (1900-1951) Two studies of dancing girls signed pencil and watercolour the sheets 51cm x 37cm, unframed (2). Provenance: The artist and by family descent. £50-100 (plus 24% BP* ARR*) 712. Manner of Alan Reynolds (1926 - 2014) Abstract oils on board (signed ‘A REYNOLDS 77’) 37 x 31.5cm. £100-200 (plus 24% BP* ARR*)

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713. Stuart Semple (b.1980) ‘I Baptize Myself’ mixed media on paper 59cm x 49cm. Provenance: Martin Summers Fine Art Ltd., London. £50-80 (plus 24% BP* ARR*) 714. Léon Londot (1878-1953) Shipping lane signed (lower right) oils on canvas 60cm x 64cm. £400-600 (plus 24% BP* ARR*) 715. John Marsden Dronsfield (1900-1951) Two costume designs for the Queen’s attendant One titled in pencil (lower right) ink and watercolour the sheets 39cm x 26cm, unframed (2).

713

714

Provenance: The artist and by family descent. £50-100 (plus 24% BP* ARR*) 716. John Marsden Dronsfield (1900-1951) A Queen signed (lower right) titled (lower left) pencil and watercolour the sheet 51cm x 37cm, unframed.

715

Provenance: The artist and by family descent. £50-100 (plus 24% BP* ARR*) 717. Phyllida Nicholson (b.1924) Mountain girl signed (lower right) oils on canvas 59cm x 49cm. Provenance: Nottinghamshire Education Committee, no.35. £200-300 (plus 24% BP* ARR*)

716

717

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718. David Breuer-Weil (b.1965) ‘The Shell’, 1998 signed and dated (upper left) pencils 25cm x 30cm. Provenance: The Boundary Gallery, London. £50-100 (plus 24% BP* ARR*)

718

719. Peter Greenham (1909-1992) Collection of life drawings and sketches loose sheets and two student books pencil on paper unframed.

719

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CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. (3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations. Please note no license is required to sell or advertise within the EU if items are pre-1947. ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

MALLAMS

Mallams 1788

DESIGN + MODERN ART

Design + Modern Art 6 & 7 DECEMBER OXFORD

6 & 7 DECEMBER 2018