The Modern Living Sale - 7th March 2018 (Mallams Cheltenham)

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Mallams 1788

Modern Living

MODERN LIVING - MALLAMS CHELTENHAM - WEDNESDAY 7th MARCH 2018

www.mallams.co.uk

Wednesday 7th March 2018 Cheltenham

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Mallams 1788

Modern Living Wednesday 7th March 2018 at 11am

Viewing Friday 2nd March Monday 5th March Tuesday 6th March And the morning of the

Auction Mallams Grosvenor Galleries 26 Grosvenor Street Cheltenham GL52 2SG

Enquiries Condition Reports & Images Darren Ball cheltenham@mallams.co.uk

Bids 01242 235712 01242 241943 (Fax) To bid via the internet please go to www.the-saleroom.com Or to view the catalogue online go to www.mallams.co.uk

10am - 3pm 9am - 7pm 9am - 5pm sale

Conditions of sale This auction is subject to Important Notices, Conditions of Sale and Reserves.

Condition Reports Please note that there are no condition reports printed in the catalogue or on any website listing.

They are available on request from the ofďŹ ce or by email cheltenham@mallams.co.uk

Front cover – Lot 167 Back Cover - Lot 370

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Droite de Suite Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

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Mallams 1788

Order of Sale

Modern Living Wednesday 7th March 2018 at 11am

Furniture & Lighting

1-114

Painting & Prints

115-228

George Weissbort

229-253

Ceramics, Studio Pottery & Glass

254-372

Works of Art, Silver & Jewellery

373-436

Condition Reports and Images: cheltenham@mallams .co.uk Important notice: Buyer’s premium 24% inclusive of VAT on each lot Credit card fees where applicable are 2.28% inclusive of VAT Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale.

The absence of any reference to condition in any description does not imply the lot is without fault.

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Furniture & Lighting Lots 1 - 114

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7TH MARCH 2018

1 Liberty & Co. Oak hall seat, circa 1900 the ends with pierced heart decoration 73cm high, 77cm wide, 24.5cm deep. £100-200 (plus 24%BP*)

4 Heals Limed oak bureau, circa 1930 Fall front over two drawers, all raised on square cut supports ‘Heals Tottenham Court Road’ ivorine label 96cm high, 61cm wide, 37.5cm diameter. £200-300 (plus 24%BP*)

2 Heals Oak chest of six drawers, circa 1940 ‘Heals, Tottenham Court Road’ ivorine label 107cm high, 76cm wide, 46cm deep. £200-300 (plus 24%BP*)

5 Heals Oak stool, circa 1920 drop in top, over stepped frame and square cut legs 55cm high, 48cm wide, 36cm deep. £100-200 (plus 24%BP*)

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7 Manner of A.W.N Pugin Gothic revival oak centre/dining table, circa 1870 shaped ‘X’ ends joined by single stretcher 81cm high, 153cm wide. £200-400 (plus 24%BP*)

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3 Heals Oak ‘Letchworth’ chest of drawers, circa 1920 the three drawers with turned handles, all raised on square cut legs 77cm high, 91cm wide. £200-300 (plus 24%BP*)

6 Heals Set of six oak chairs, circa 1930 two carvers, all with rail backs and drop in seats 78cm high, 58cm wide. £400-600 (plus 24%BP*)

8 Heals Oak side table/writing desk, circa 1930 single drawer to front 77cm high, 69cm wide, 46cm deep. £100-200 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

9 Attributed to Edward William Godwin (1833-1886) for James Peddle Office chair, late 19th Century slatted back and turned arms on splayed legs 93cm high, 58cm wide.

Reference: For a similar example. Soros; Susan, ‘The Secular Furniture of E W Godwin, Newhaven and London’ 1999. £300-500 (plus 24%BP*)

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7TH MARCH 2018

11 Cotswold School Walnut miniature cabinet, circa 1920 with panelled doors and carved handles 47cm high, 35.5cm wide, 28cm deep. £100-200 (plus 24%BP*)

13 Manner of Edward Barnsley (1900-1987) Cotswold School oak coffee table shaped rectangular top over tapered supports 46cm high, 90cm wide. £80-120 (plus 24%BP*)

14 Attributed to Shapland and Petter Pair of mahogany armchairs, circa 1905 shaped open arms over drop in seat and turned legs 107cm high, 63cm wide 51cm deep. £40-80 (plus 24%BP*)

16 Manner of George Jack (1855-1931) for Morris & Co. Arts & Crafts mahogany occasional table, circa 1900 moulded top over turned supports 62cm high, 61.5cm wide. £100-200 (plus 24%BP*)

12 Manner of Liberty & Co. Ash shelving unit decorated with Moorish style beading and slatted shelves 96cm high, 66cm wide, 36cm deep. £80-120 (plus 24%BP*)

17 Reynolds of Ludlow Nest of three tables, circa 1960 two smaller rectangular tables fitting into oval shape table ‘’Reynolds of Ludlow’ brass label 47cm high, 125cm wide. £100-200 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

15 Heals Book table/drinks cabinet, circa 1930 octagonal form with both sides hinged to reveal drinks cabinet 60cm high, 54.5cm wide. £80-120 (plus 24%BP*)

18 Manner of Hans Wegner Teak rocking chair, circa 1960 rail back over black seat and turned supports 111cm high, 56cm wide. £40-80 (plus 24%BP*)

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10 Glasgow School Arts & Crafts magazine rack, circa 1900 with three recesses and pierced decoration to top 100cm high, 36cm wide. £100-200 (plus 24%BP*)

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19 Contemporary School Cherry wood and inlaid circular table inlaid with oak leaf design 58cm high, 69cm wide. £40-80 (plus 24%BP*)

20 Manner of Bruce Talbert for Gillows Two side chairs and a similar folding chair, circa 1880 with turned and carved frames pair 85cm high (3). £50-100 (plus 24%BP*)

21 Arts & Crafts Oak foot stool/occasional table, circa 1930 chip carved edges, pegged construction 41cm high, 65cm wide. £50-100 (plus 24%BP*)

23 Arts & Crafts Oak chest of drawers, 19th Century two short and two long drawers, with ebonised handles and locks 106cm high, 108cm wide. £100-200 (plus 24%BP*)

24 Betty Joel (1894-1985) for Token Works A near pair of walnut bedside cabinets, 1929 with open shelf over cupboard sections both with hand inscribed labels 60cm high, 48cm wide, 30cm deep. £400-600 (plus 24%BP*)

26 James Cox for Heals ‘1020’ oak chair, circa 1920 with shaped rail backs and drop in seats on ovolo moulded legs 9cm high,50cm wide, 44cm deep. £120-150 (plus 24%BP*)

27 Heals Oak bureau bookcase, circa 1920 glazed doors enclosing shelves over bureau and four drawers 190cm high. 107cm wide, 43cm deep. £400-600 (plus 24%BP*)

22 Early 20th Century School Oak filing cabinet the four drawers with chrome handles and locks 138cm high, 65cm wide. £300-500 (plus 24%BP*)

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25 Manner of Liberty & Co. ‘Thebes’ type bamboo stool, circa 1900 36cm high, 44cm wide. £100-200 (plus 24%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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31 Charles Rennie Mackintosh for Cassina DS2 table ebonised wood numbered 76cm high, 75cm wide. £100-200 (plus 24%BP*)

29 Heals ‘Tilden’ dark oak occasional table, circa 1920 circular top over turned supports 51cm high, 68cm wide. £200-300 (plus 24%BP*)

32 French School Wicker desk and stool desk 55cm high. £20-40 (plus 24%BP*)

34 Gordon Russell (1892-1980) Arts & Crafts oak three section wardrobe, 1928 each section fitting onto stand, assortment of drawers and cupboards with ebonised handles ‘The Russell Workshops’ paper label, designer Gordon Russell, cabinet maker C. Turner 183cm high, 175cm wide.

Provenance: Purchased from Gordon Russell by Mrs Hart of Erdington as a wedding gift for her daughter and son in law Mr & Mrs Leonard Sadler, thence by descent. £800-1200 (plus 24%BP*)

30 Arthur Simpson of Kendal (1857-1922) Oak settle, circa 1920 panelled back, open arms, with orange leather seat cushion ‘Arthur W Simpson, The Handicrafts, Kendal’ disc label 78cm high, 175cm wide, 78cm deep. £1000-2000 (plus 24%BP*)

33 Philip Tilden and Ambrose Heal for Heals Limed oak ‘Tilden’ table on double column end supports Heals ivorine label 75cm high, 152cm long. £600-900 (plus 24%BP*)

35 Gordon Russell (1892-1980) Arts & Crafts oak dressing table, circa 1928 mirror flanked by drawers with bog oak handles 140cm high, 139cm wide.

Provenance: Purchased from Gordon Russell by Mrs Hart of Erdington as a wedding gift for her daughter and son in law Mr & Mrs Leonard Sadler, thence by descent. £300-600 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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28 Gordon Russell (1892-1980) Cotswold school oak towel rail, circa 1925 chamfered frame 72cm high, 59cm wide. £300-400 (plus 24%BP*)

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7TH MARCH 2018

36 Gordon Russell (1892-1980) Arts & Crafts oak stool, circa 1928 chamfered frame with open joints, upholstered top 36cm high, 89cm wide.

Provenance: Purchased from Gordon Russell by Mrs Hart of Erdington as a wedding gift for her daughter and son in law Mr & Mrs Leonard Sadler, thence by descent. £100-300 (plus 24%BP*)

37 Arthur Simpson of Kendal (18571922) Oak chair, circa 1910 the back carved with flower, above leather seat 99cm high. £50-100 (plus 24%BP*)

39 Arts & Crafts Nest of four oak tables 66cm high, 56cm wide, together with a inlaid Arts & Crafts table (2). £50-100 (plus 24%BP*)

40 James Shoolbred & Co. Arts & Crafts carved occasional table two tier, stamped ‘Jas Shoolbred’ 50cm high. £40-80 (plus 24%BP*)

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42 Attributed to Liberty & Co. Arts & Crafts oak stick stand, circa 1900 pierced sides, with three recesses 73cm high, 55cm wide. £100-200 (plus 24%BP*)

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38 Manner of Arthur Simpson of Kendal (1857-1922) Arts & Crafts double bed frame, early 20th Century carved with 5 panels of stylised trees head end 99cm x 154cm. £100-200 (plus 24%BP*)

41 Attributed to Liberty & Co. Oak tripod table, circa 1900 trefoil top over triform base with trefoil cut-outs 74cm high. £100-200 (plus 24%BP*)

43 Reynolds of Ludlow Naturalistic yew coffee table in the style of George Nakashima on turned legs brass label to underside 41cm high, 144cm long. £100-200 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

44 BCM Adap-table Teak metamorphic shelves/table the three shelves folding to make a table brass label 111cm high, 114cm wide (extended). £100-200 (plus 24%BP*)

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7TH MARCH 2018

45 Art Deco School Cabinet, circa 1930 glass centre, flanked by panels of opposing grained wood on stepped feet 150cm high, 100cm wide, 52cm deep. £300-500 (plus 24%BP*)

46 Sofa / Day Bed Upholstered in red, on turned feet and brass castors Similar examples are known to have been retailed by Liberty & Co. 82cm high, 212cm wide, 92cm deep. £400-600 (plus 24%BP*)

47 Gio Ponti (1891-1979) Pair of ‘969’ chairs white lacquered frames and upholstered seats 85.5cm high (2). £200-300 (plus 24%BP*)

48 Gordon Russell Oak armchair ‘Gordon Russell Limited’ brass label 76cm high, 58cm wide, 43cm deep. £150-250 (plus 24%BP*)

49 Manner of Liberty & Co. Mahogany occasional table, circa 1900 Moorish style, with octagonal top over tapering legs 66.5cm high. £200-300 (plus 24%BP*)

50 James Shoolbred & Co. Mahogany stick stand, late 19th Century inlaid floral motifs over single drawer and cupboard ivorine label 104cm high, 94cm wide, 27cm deep. £100-200 (plus 24%BP*)

51 Heals Oak corner unit, circa 1930 cupboards and drawers with groove handles 119cm high, 94cm wide, 54cm deep. £200-300 (plus 24%BP*)

52 Attributed to Liberty & Co. Arts & Crafts sideboard, circa 1900 with mirrored top section over drawers and cupboards 164cm high, 122cm wide, 47cm deep. £200-300 (plus 24%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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7TH MARCH 2018

53 Gordon Russell ‘Weston’ range oak table, circa 1930s the rectangular top over fluted square legs Gordon Russell Ltd. brass label 74cm high, 84cm wide, 52.5cm deep. £100-200 (plus 24%BP*)

54 Cotswold School Oak nest of three tables with chamfered supports 46cm high, 53.5cm wide, 36cm deep. £80-120 (plus 24%BP*)

56 Heals Oak extending dining table, circa 1930 rounded edges and legs, the centre with extending mechanism ‘Heals Tottenham Court Road’ ivorine label 75cm high, 184cm wide. £100-200 (plus 24%BP*)

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58 Gordon Russell Pair of armchairs designed by W. H. (Curly) Russell in 1949 with blue striped upholstered seats 86cm high, 57cm wide, 47cm deep. £40-80 (plus 24%BP*)

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55 Gordon Russell Oak centre table, circa 1960 square top on tapering legs ‘Gordon Russell Ltd’ brass label 74cm high, 69cm wide. £50-80 (plus 24%BP*)

57 Gordon Russell Coffee table, circa 1970 ‘Gordon Russell Broadway’ label 38cm high,121cm wide, 45cm deep. £40-80 (plus 24%BP*)

59 Manner of Gordon Russell Cotswold School oak box on stand with ebonised band and handle 70cm high, 35cm wide, 26cm deep. £40-80 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

60 Manner of Liberty & Co. Arts & Crafts oak child’s chair carved heart motif, oval seat 73cm high, 37cm wide, 40cm deep. £30-60 (plus 24%BP*)

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62 Gordon Russell Nest of three tables rectangular tops on tapering legs stamped ‘Gordon Russell Limited’ 46cm high, 61cm wide, 38cm deep. £40-60 (plus 24%BP*)

64 Colin ‘Beaverman’ Almack Oak sideboard with adzed top over four central drawers flanked by panelled cupboards standing on 3 sledge feet, carved beaver signature 80cm high, 155cm wide, 45cm deep. £300-500 (plus 24%BP*)

67 Cotswold School Oak occasional table, circa 1930 16 sided top over ‘X’ shape base 49cm high, 50cm wide. £50-100 (plus 24%BP*)

63 Attributed to Neville Neal Pair of chairs and stools, circa 1970 rush seat over turned supports chairs 92.5cm high, stools 47.5cm high. £100-200 (plus 24%BP*)

65 Arts & Crafts Standing Lantern twisted wrought iron frame with two lights 185cm high. £80-120 (plus 24%BP*)

68 Shapland & Petter Mahogany & inlaid hanging wall cabinet stamped locks 50cm high, 71cm wide. £50-80 (plus 24%BP*)

66 Arts & Crafts Oak refectory table the quarter sawn top over pegged frame 75cm high, 184cm wide. £80-120 (plus 24%BP*)

69 Nigel Griffiths Oak coffer/blanket box panelled front with carved decoration 63cm high, 107cm wide. £100-200 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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61 Arts & Crafts Oak occasional table square cut legs and ‘x’ shape base 72cm high, 46cm wide. £40-80 (plus 24%BP*)

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7TH MARCH 2018

70 Nigel Griffiths Oak corner cupboard carved details, strapped metal hinges 59cm high. £40-60 (plus 24%BP*)

71 Edwardian School Steamer/travel trunk, circa 1900 canvas over wood frame brass label to front 59cm high, 76cm wide. £80-120 (plus 24%BP*)

73 Modernist School Pair of aluminium recliners, circa 1940 shaped frames, one with original padded seat cushion one stamped with patent number ‘6221’ 76cm high, 86cm deep.

Reference: The chairs are similar in design to Christie Tyler’s ‘Aeroplane’ chairs, designed in 1946. £200-400 (plus 24%BP*)

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76 After Marcel Breuer (1902-1981) ‘B33 Wassily’ armchair, circa 1970 black leather seat on tubular frame, originally designed 1929 purchased from Habitat 73cm high, 77cm wide. £100-200 (plus 24%BP*)

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72 Mid-Century School Vintage barbers chair chrome frame and faux leopard skin seat 93cm high. £100-200 (plus 24%BP*)

74 W. Sykes Horbury Ltd. ‘Sterling Rebound’ punching bag, circa 1940 floor standing, on cast iron base with two pairs of 1940s boxing gloves 145cm high. £100-300 (plus 24%BP*)

77 Thonet Style Bentwood rocking chair with cane seat 98cm high. £40-80 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

75 Industrial School Tripod spotlight/floor light adjustable head and supports ‘W. Phillip, London’ retail label 158cm high. £100-200 (plus 24%BP*)

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7TH MARCH 2018

79 Manner of Edward William Godwin (1833-1886) A pair of side chairs, circa 1880 turned and reeded frames with rush seats 88.5cm high, 45cm wide (2). £100-200 (plus 24%BP*)

78 Regency Style Pair of folding deck / garden chairs painted green with mesh metal frames 122cm high (folded) (2). £200-400 (plus 24%BP*)

82 Kelim rug 19th Century with multi-colour striped design 229cm x 145cm. £100-200 (plus 24%BP*)

81 Ziegler / Mahal small rug early 20th Century 196cm x 125cm. £100-200 (plus 24%BP*)

83 Manner of Liberty & Co. Moorish occasional table, circa 1900 octagonal top over carved and pierced frame 62cm high, 40cm wide. £40-60 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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80 Art Deco Two alabaster ceiling lights with original hanging chords largest 35cm diameter (2). £40-80 (plus 24%BP*)

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7TH MARCH 2018

84 Joe Colombo (1923-1978) ‘Boby’ storage unit/trolley originally designed 1970 74cm high, 41cm wide. £40-80 (plus 24%BP*)

86 Marcel Breuer (1902-1981) for Isokon Laminated plywood table/stool, circa 1930s detachable top with ‘Venesta’ sticker 47cm high, 44cm wide. £150-300 (plus 24%BP*)

85 Contemporary School Two chairs one carver, both with shaped yew seats on square frame 129cm high, 57.5cm wide (2). £40-80 (plus 24%BP*)

88 Arts & Crafts Oak magazine table, circa 1900 with twin lidded small compartments to each side 71cm high. £100-200 (plus 24%BP*)

89 Heals Cotswold oak occasional table circular top over ‘X’ shape base. £150-200 (plus 24%BP*)

90 Attributed to Stanley Webb Davies (1894-1978) Oak book trough, circa 1940 exposed joints, chip carved edges 24cm high, 39cm wide, 21cm deep. £100-200 (plus 24%BP*)

91 Neville Neal Cotswold School ash rocking chair with rush seat stamped to back leg 110cm high, 54cm wide. £200-300 (plus 24%BP*)

92 Heals Oak wardrobe, circa 1920 panelled front, ebonised handles, on square cut feet ‘Heals & Sons Ltd.’ ivorine label 178cm high, 92cm wide. £300-400 (plus 24%BP*)

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87 Heals Oak bedside cabinet having single cupboard raised on square cut legs. £150-200 (plus 24%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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7TH MARCH 2018

96 Manner of Gordon Russell Cotswold School oak occasional table chip carved legs 62cm high, 62cm wide. £150-250 (plus 24%BP*)

99 Arts & Crafts Hooded Orkney chair oak frame and woven straw back 141cm high, 63cm wide, 48cm deep.

Provenance: Arthur Mitchell; thence by descent. £200-400 (plus 24%BP*)

94 Gordon Russell Walnut occasional table, circa 1930 two tiers, with ‘Gunstock’ supports 45cm high, 61cm wide. £200-300 (plus 24%BP*)

97 Attributed to Liberty & Co. Moorish style table, circa 1910 circular top on six turned legs joined by beading 57cm high, 71cm wide.

Reference: Daryl Bennett Liberty’s Furniture 1875-1915, Antique Collector’s Club, page 29 figure 1.26 for a comparable table illustrated in the Yuletide Gifts catalogue, 1913. £100-200 (plus 24%BP*)

100 Arts & Crafts Orkney chair oak frame and woven straw back 105cm high, 64cm wide, 59cm deep.

Provenance: Arthur Mitchell; thence by descent. £100-200 (plus 24%BP*)

95 Heals Limed oak four fold screen, circa 1930 with inset glass panels 161cm high, 41cm wide. £300-400 (plus 24%BP*)

98 Manner of William Birch Pair of armchairs, circa 1920 with rush seats and backs 92cm high, 62cm wide. £100-200 (plus 24%BP*)

101 Arts & Crafts Child’s Orkney chair oak frame and woven straw back 87cm high, 54cm wide, 37cm deep.

Provenance: Arthur Mitchell; thence by descent. £100-200 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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93 Heals Oak and inlaid wardrobe, circa 1920 domed top, on bun feet 179cm high, 120cm wide. £400-600 (plus 24%BP*)

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102 Art Deco Walnut veneer desk one side set back with book shelves, the other with drawers 77cm high, 88cm wide, 56cm deep. £80-120 (plus 24%BP*)

105 George Nelson (1908-1986) ‘Coconut’ chair, designed 1955, model 5569 probably manufactured by Herman Miller purple woven fabric, enamelled steel and aluminium 81.5cm high, 103cm across.

Provenance: Bought by the current vendor’s family in 1961. £400-600 (plus 24%BP*)

103 R.A. Lister & Co Ltd of Dursley Oak stick stand, circa 1910 with brass bindings ivorine makers label 49cm high. £80-120 (plus 24%BP*)

106 Art Deco School French parquetry bookcase, circa 1940 three open shelves over cupboard section, on feet with applied brass detail 169cm high, 81cm wide, 21cm deep. £150-250 (plus 24%BP*)

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108 Mid-Century School Brass three prong ceiling light, circa 1950 with white glass shades 90cm high. £30-60 (plus 24%BP*)

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104 Severin Hansen for Royal Copenhagen Coffee table, circa 1970 with inset tiled top, the tile design attributed to Nils Thorsson manufacturer’s marks 51cm high, 114cm wide, 59cm deep. £150-300 (plus 24%BP*)

107 French School Brass nest of three tables, circa 1970 with mirrored tops 43cm high, 53cm wide, 37cm deep. £50-100 (plus 24%BP*)

109 Manner of Daum French ceiling light purple and white glass with original ceiling fitting applied brass flower heads to outside 35cm diameter. £30-60 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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111 James Shoolbred & Co. An Egyptian Revival hall bench, circa 1880 with brass mounts stamped ‘74864’ 63cm high, 55cm wide. £600-900 (plus 24%BP*)

112 Cotswold School Oak occasional table the circular top over four square cut supports stamped ‘AM Staverton’ 66cm high. £200-300 (plus 24%BP*)

110 Robertson & Co. Ltd, London Artist’s / Gallery easel, 19th Century with adjustable mechanism, brass label 225cm high approx. £100-200 (plus 24%BP*)

114 Glasgow School Arts & Crafts magazine rack, circa 1900 with three recesses and pierced decoration to top 100cm high, 36cm wide. £50-100 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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113 Manner of Betty Joel (1894-1985) Walnut side table, circa 1930s with two drawers to front 82cm high, 90cm wide, 50cm deep. £50-100 (plus 24%BP*)

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Paintings & Prints Lots 115 - 228

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7TH MARCH 2018

115 M.C Escher Three Exhibition Posters, 1960s 60cm x 37.5cm, 60cm x 43.5cm, 45.5cm x 61cm (3). £50-100 (plus 24%BP*)

116 Patrick Hughes (b.1939) ‘Waste Paper’, 1991 artist’s proof, 10/10, signed, titled and numbered (in the margin) screenprint 76cm x 55cm. £250-350 (plus 24%BP*)

117 Patrick Hughes (b.1939) ‘Good Morning’, 1991 50/75, signed, titled and numbered (in the margin) screenprint 80cm x 57cm. £250-350 (plus 24%BP*)

118 Stanley Spencer (1891-1959) ‘Marriage at Cana’ posthumous edition of 75 impressions Printed by Henry Trivick lithograph 55cm x 44cm. £30-60 (plus 24%BP*)

119 Norman Wilkinson (1878-1971) ‘Fettes College’, circa 1940s poster produced for London, Midland & Scottish Railway (LMS) to promote rail travel to Edinburgh 63cm x 100cm. £80-120 (plus 24%BP*)

120 Paul S. Sharp (1921-1998) ‘Ferryboat’, The Venus Portsmouth, 1956 signed and dated (in the margin) titled (to reverse) lithograph 22cm x 28cm. £30-60 (plus 24%BP*)

121 Fiona (20th Century) ‘Tulips on the table’, 1984 9/18, signed, titled and numbered (in the margin) linocut 53cm x 27cm. £30-60 (plus 24%BP*)

122 Frank Downton (b.1936) Grey shards on black signed in pencil (to the reverse) hand cut vinyl 58cm x 58cm. £50-80 (plus 24%BP*)

123 Frank Downton (b.1936) Multi-colour lines signed in pencil (to the reverse) hand cut vinyl 50cm x 42cm. £50-80 (plus 24%BP*)

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125 Frank Downton (b.1936) Orange/grey shapes signed in pencil (to the reverse) hand cut vinyl 50cm x 50cm. £50-80 (plus 24%BP*)

125A André Bicat (1909-1996) ‘S.Angelo in Vado’ artist’s proof, signed and titled in pencil (in the margin) lithograph 57cm x 77cm. £40-80 (plus 24%BP*)

125B André Bicat (1909-1996) Tuscan Farm 26/30, signed and numbered in pencil (in the margin) lithograph 57cm x 77cm. £40-80 (plus 24%BP*)

125C André Bicat (1909-1996) ‘Poppies’ 13/75, signed and numbered in pencil (in the margin) lithograph 77cm x 56cm. £30-60 (plus 24%BP*)

126 Paul Bisson (b.1938) ‘Shalford Mill’, 1984 4/350, signed, titled and numbered (in pencil) etching and aquatint 31cm x 34cm.

Provenance: Christies Contemporary Art. £70-100 (plus 24%BP*)

127 Ronald Brooks Kitaj (1932-2007) Good God, Where is the King, 964 40/40, signed, dated and numbered in pencil (lower left) screenprint 76.5cm x 50.7cm. £100-200 (plus 24%BP*)

128 Rodolfo Krasno (1926-1982) ‘L’etrange’,1961 10/36, signed, titled and dated in pencil (in the margin) aquatint 15cm x 26cm. £30-60 (plus 24%BP*)

129 Christine Hodgson (20th Century) ‘Melons’, 1961 6/10, signed, titled and numbered etching and aquatint 37.5cm x 49.5cm. £50-100 (plus 24%BP*)

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124 Frank Downton (b.1936) Black/grey road signed in pencil (to the reverse) hand cut vinyl 50cm x 50cm. £50-80 (plus 24%BP*)

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130 Justine Nason Arcade 118/200, signed, titled and numbered in pencil (in the margin) screenprint 33cm x 25cm, together with an engraving of a Continental hill top town, indistinctly signed, numbered and titled, 25.5cm x 36cm (2). £20-50 (plus 24%BP*)

131 Tibor Reich (1916-1996) for Tibor Ltd. ‘Age of Kings’, designed in 1964 screen printed cotton textile 61cm x 121cm. £40-80 (plus 24%BP*)

132 Lucienne Day (1917-2010) for Heals ‘Herb Antony’, designed in 1955 screen printed cotton textile 46cm x 64cm. £40-80 (plus 24%BP*)

133 Sylvia Chalmers (fl.1951-1990) for Heals ‘Jaborandi’, designed in 1953 screen printed cotton textile 56.5cm x 70cm. £40-80 (plus 24%BP*)

134 John Piper (1903-1992) for A. Sanderson & Sons ‘Stones of Bath’, designed in 1959 screen printed cotton textile in green colour way 35.5cm x 47cm. £30-60 (plus 24%BP*)

135 John Piper (1903-1992) for A. Sanderson & Sons ‘Stones of Bath’, designed in 1959 screen printed cotton textile in blue colour way 45cm x 53cm. £30-60 (plus 24%BP*)

136 Marian Mahler (1911-1983) for David Whitehead ‘Birdcage’, designed in 1947 screen printed cotton textile 49cm x 46cm.

Reference: The ‘Birdcage’ design was one of the first designs commissioned by design director John Murray. See p160, 1950s Fashion Print, Marnie Fogg. £30-60 (plus 24%BP*)

137 Mary Warren for Heals ‘Nautilus’, designed in 1956 screen printed cotton textile 58.5cm x 68cm. £40-80 (plus 24%BP*)

138 Lucienne Day (1917 -2010) for Heals ‘Tarn’, designed in 1957 screen printed cotton textile 63cm x 63cm. £40-80 (plus 24%BP*)

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140 After Eduardo Paolozzi (1924-2005) Two posters for the Soho Jazz Festival, 1986 screen prints largest 56cm x 41cm (2). £30-60 (plus 24%BP*)

141 June Berry (b.1924) ‘The green, green, grass’ 12/25, signed, titled and numbered in pencil (in the margin) coloured etching 59cm x 53cm. £50-100 (plus 24%BP*)

142 Howard Hodgkin (1932-2017) Still Life, 1980 60/100, monogrammed, dated and numbered in pencil silkscreen 79cm x 72cm. £800-1200 (plus 24%BP*)

143 Terry Frost (1915-2003) Orange & Blue Space, 1999 103/150, signed and numbered in pencil (in the margin) silkscreen 56cm x 55cm. £500-800 (plus 24%BP*)

144 Michael Rothenstein (1908-1993) Cockerel Turning Back II, 1992 artist’s proof I, signed in pencil (in the margin) Monoprint and silkscreen 84cm x 73cm. £300-500 (plus 24%BP*)

145 Michael Rothenstein (1908-1993) Butterfly on grey signed and inscribed ‘experimental press’ in pencil Monoprint and silkscreen 112cm x 76cm. £200-400 (plus 24%BP*)

146 Michael Rothenstein (1908-1993) Butterfly on violet signed and inscribed ‘experimental press’ in pencil Monoprint and silkscreen 112cm x 76cm. £200-400 (plus 24%BP*)

147 Michael Rothenstein (1908-1993) Butterfly on black signed and inscribed ‘experimental press’ in pencil Monoprint and silkscreen 112cm x 76cm. £200-400 (plus 24%BP*)

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139 Barbara Brown (1932-) for Heals ‘Omega’, designed in 1965 screen printed cotton textile 62cm x 40.5cm. £30-60 (plus 24%BP*)

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148 Graham Sutherland (1903-1980) ‘The Bird’, 1953 23/60, signed and numbered (in pencil) lithograph 47.5cm x 49.5cm. £600-900 (plus 24%BP*)

149 Joe Tilson (b.1928) ‘Liknon’, 1994 14/75, signed, dated and numbered in pencil silkscreen and woodblock 56cm x 75cm. £250-350 (plus 24%BP*)

150 Jean Dubuffet (1901-1985) Head study 17/50, stamped signature and numbered in pencil lithograph 31cm x 22cm. £50-100 (plus 24%BP*)

151 Henri Matisse (1869-1954) Femme au chapeau, Verve, 1939 lithograph in colours 31cm x 22.5cm. £80-120 (plus 24%BP*)

152 After Pablo Picasso (1881-1973) Twelve sheets from ‘Antipolis’, 1948 from Revue Verve - vol. V heliogravures (12). £80-120 (plus 24%BP*)

153 After Saul Steinberg (1914-1999) Derriere Le Mirroir portfolio, 1966 published by Maeght, Paris together with one other Derriere Le Mirroir portfolio (2). £40-80 (plus 24%BP*)

154 Gerald Cooper (1898-1975) Striped Lily, 1946 lithograph in colour from the School Prints Series 67cm x 44cm. £20-50 (plus 24%BP*)

155 Kerry Darlington (b.1974) ‘East of the sun, west of the moon’ signed (lower right) unique edition resin and 3D print 68cm x 75cm. £300-500 (plus 24%BP*)

156 After Salvador Dali (1904-1989) ‘Le Chevalier Chretien’ and ‘Le Cheval de Triomphe’ printed signature lithographs, by J.B.F edition d’art both 49cm x 39cm (2). £40-80 (plus 24%BP*)

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157 War Posters Fire Destroys Poster Join your Local Auxiliary Fire Service Poster US Government Don’t Throw Away Ammunition Poster Keep Punching Every Day, by Seaman Your Work Will Save Lives Poster Buy War Bonds Poster, by Xavier Gonzalez (6). £100-150 (plus 24%BP*)

158 Ethel Gabain (1883-1950) ‘The Art of Travel’ poster originally issued in 1921 for the Underground Electric Railways Co. of London lithograph 100cm x 61.5cm. £200-300 (plus 24%BP*)

159 Eileen Cooper (b.1953) ‘The Healer’, 1989 Artist’s proof, signed, titled and numbered (in the margin) etching and aquatint 59cm x 74cm. £100-200 (plus 24%BP*)

161 Norman Stevens (1937-1988) Topiary, 1984 2/50, signed, dated and numbered in pencil (in the margin) etching and aquatint 9.5cm x 12.5cm. £30-60 (plus 24%BP*)

162 Ann-Helen English (Contemporary) ‘Three Poses for Posterity’, 1985 signed, dated and titled in pencil etching and collage 62cm x 81cm. £50-100 (plus 24%BP*)

164 Adrian Ryan (1920-1998) A set of twelve erotic scenes each signed and numbered (in the margin) etchings 13cm x 13cm. £100-200 (plus 24%BP*)

165 Arthur Bell (1897-1995) ‘Cotswold Farm’ signed and titled (in the margin) etching 16cm x 23cm. £50-80 (plus 24%BP*)

160 Robert Lyons (20th Century) Warrior, circa 1960 signed (lower right) print, in original frame 95cm x 14cm. £30-60 (plus 24%BP*)

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163 Contemporary School ‘Sonnige Kuste’ and ‘Twilight’, a pair each signed ‘Ric’ (lower right) aquatints 19cm x 48.5cm. £30-60 (plus 24%BP*)

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166 E.J Storey (20th Century) ‘Piccadilly Circus’, 1925 signed and titled in pencil (in the margin) 30cm x 27cm. £80-120 (plus 24%BP*)

167 Clifford Cyril Webb (1895-1972) ‘Abinger Hammer’ 35/85, signed, titled and numbered (in the margin) woodcut 27cm x 21cm. £100-200 (plus 24%BP*)

168 Anthony Gross (1905-1984) ‘Swans in Greenwich Reach’ trial 1/2, signed and numbered in pencil (in the margin) etching 20cm x 23.5cm. £150-250 (plus 24%BP*)

169 Gerald Scarfe (b.1936) Margaret Thatcher as Joan of Arc 31/75, signed in pencil (in the margin) lithograph 76.5cm x 106cm. £100-200 (plus 24%BP*)

170 Ethel Moore (20th Century) Oriental Lady, 1937 signed and dated in pencil (in the margin) engraving 15cm x 12.5cm. £40-80 (plus 24%BP*)

171 Willem Anton Alexander Knip (1883-1967) Village harbour signed in pencil (lower right) etching 10cm x 15cm. £10-30 (plus 24%BP*)

172 Andrew Stahl (b.1954) Night Angel, 1986 artist’s proof, signed, titled and dated ( to reverse) from an edition of 15 lithograph 30cm x 30cm. £20-50 (plus 24%BP*)

173 Manner of Ivon Hitchens (1893-1979) Untitled inscribed ‘Hitchens’ and ‘Kalman’ (to the reverse) oils on canvas 60cm x 50cm. £200-400 (plus 24%BP*)

174 Edwin Hingwan (1930-1975) Caribbean landscape, 1966 signed and dated (lower right) oils on board 45cm x 53cm. £600-900 (plus 24%BP*)

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175 Edwin Hingwan (1930-1975) Still life of red and yellow flowers, 1968 signed and dated (lower left) watercolour 30cm x 40cm. £600-900 (plus 24%BP*)

176 Edwin Hingwan (1930-1975) Caribbean church signed (lower right) oils on board 43cm x 55cm. £300-500 (plus 24%BP*)

177 James Everett Kessell (1915-1978) Still life of fruit and a copper jug, 1963 signed and dated (lower right) oils on board 49cm x 59cm. £200-300 (plus 24%BP*)

178 Lucy Harwood (1893-1972) River landscape signed ( to reverse) oils on canvas 34cm x 44cm. £100-300 (plus 24%BP*)

179 Joan Somerville (Contemporary) Untitled signed (to label) mixed media collage 88cm x 88cm. £100-200 (plus 24%BP*)

180 Roger Murray (20th Century) ‘Gaff Ketch’, 1967 signed (lower left) inscribed (verso) oils on canvas 90cm x 67cm. £200-300 (plus 24%BP*)

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181 William Gear (1915-1997) Untitled, June 1963 signed and dated (lower right) mixed media 36cm x 26cm. £100-200 (plus 24%BP*)

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182 William Gear (1915-1997) Untitled, 1967 signed and dated (lower right) mixed media 40cm x 25cm. £150-300 (plus 24%BP*)

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183 William Gear (1915-1997) Untitled, November 1974 signed and dated (to reverse) acrylic 50cm x 74cm. £1000-2000 (plus 24%BP*)

188 Evert Moll (1878-1955) Dutch shipping signed (lower left) oils on canvas 32cm x 40cm. £80-120 (plus 24%BP*)

186 Stevenson Design for a fabric with flowering branches and bird signed in pencil (lower right) watercolour and pencil 41cm x 30cm. £40-80 (plus 24%BP*)

187 E. Storp (20th Century Continental School) Tree in Blossom signed (lower left) oils on canvas 48cm x 49.5cm. £80-120 (plus 24%BP*)

189 Olwen Jones (b.1945) ‘Landscape II’, 1967 signed (to reverse) oils on canvas 46cm x 38cm.

Provenance: Royal Academy School Students’ Exhibition 1967. £80-120 (plus 24%BP*) For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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185 J. Martin (20th Century) Crowd and Monument, 1963 signed and dated (lower right) mixed media 28.5m x 47cm.

Provenance: Royal West of England Academy, Bristol, 1963. £30-60 (plus 24%BP*)

184 William Gear (1915-1997) Untitled,1975 signed and dated (lower right) mixed media 79cm x 58cm. £800-1200 (plus 24%BP*)

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190 Mary Fedden (1915-2012) Still life of flowers, with house in the background, 1948 signed and dated (lower left) oils on canvas 76cm x 51cm.

Reference: This still life is one of the first paintings Fedden completed after the war when she moved in 1946 to Redcliffe Road, with her friend Maise Meiklejohn. The success of these paintings led to Fedden’s first exhibition at the Mansard Gallery in Heals. £5000-8000 (plus 24%BP*)

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191 Julian Trevelyan (1910-1988) Strawberry Hill House, 1988 signed and dated (lower left) oils on canvas 59cm x 74cm. £6000-8000 (plus 24%BP*)

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192 Julian Trevelyan (1910-1988) Windmills, 1964 signed and dated (lower left) oils on canvas 62cm x 77cm. £3500-4500 (plus 24%BP*)

193 Alan Davie (b.1920) Flag Walk from an edition of 21, woven signature (upper left) wool pile tapestry 208cm x 279cm. £3000-5000 (plus 24%BP*)

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195 Rozanne Bell (b.1962) Moonlit harbour town signed (lower right) mixed media 60cm x 28cm. £150-300 (plus 24%BP*)

196 Nicholas Fairbairn (1933-1995) Hot Sea, 1970 signed and dated (lower right) oils on board 49.5cm x 61.5cm. £50-100 (plus 24%BP*)

197 Ota Janecek (1919-1996) Wild flowers in sunlight, 1951 or 1957 signed and dated (lower right) oils on canvas 29cm x 38cm. £1000-2000 (plus 24%BP*)

198 Fred Uhlman (1901-1985) ‘The Abbey’ inscribed and titled (to reverse) oils on board 27cm x 39.5cm. £500-800 (plus 24%BP*)

199 20th Century School Countryside view, possibly of Evesham, 1974 indistinctly signed and dated oils on canvas 50cm x 76cm. £80-120 (plus 24%BP*)

200 MJ (20th Century School) Vase of flowers initialled (lower left) oils on board 24.5cm x 29.5cm. £50-80 (plus 24%BP*)

201 20th Century School Racing at Goodwood, circa 1960 oils on board 49cm x 60cm. £100-200 (plus 24%BP*)

202 Captain Cuthbert Julian Orde (1888-1968) Still life of flowers and ceramics signed (lower right) oils on canvas 53cm x 125cm. £50-100 (plus 24%BP*)

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194 Stephen Park (b.1953) Hare signed (lower right) oils on board 40cm x 40cm. £300-500 (plus 24%BP*)

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203 Captain Cuthbert Julian Orde (1888-1968) Portrait of a lady smoking against a rural backdrop, 1932 signed (lower left) oils on canvas 63cm x 53cm.. £50-100 (plus 24%BP*)

204 Captain Cuthbert Julian Orde (1888-1968) Portrait of a lady against a rural backdrop, 1934 signed (lower right) oils on canvas 60cm x 48cm. £50-100 (plus 24%BP*)

205 Mervyn Rowe (b.1936) The Queen’s guard, 1962 signed and dated (lower right) oils on board 50cm x 75cm. £50-100 (plus 24%BP*)

206 Auguste Elisée Chabaud (1882-1955) At the bar, 1924 signed ‘A.Chabaud’ (lower right) oils on board 16cm x 22cm. £500-800 (plus 24%BP*)

207 James MacIntyre (1926-2015) Coastal Landscape signed (lower right) oils on board 51cm x 61cm, unframed. £400-800 (plus 24%BP*)

208 Stern (1930s School) Child riding a pony, 1931 signed and dated (lower left) oils on canvas 63cm x 52cm. £80-120 (plus 24%BP*)

209 Mervyn Charlton (b.1945) White Bird, 1987 signed and dated (to reverse) oils on canvas 25cm x 30cm. £30-60 (plus 24%BP*)

210 Jack Vettriano (b.1951) Jack looking out the window, taken by Lesley Jones signed (lower right) by Jack Vettriano black and white photograph 21cm x 21cm.

Provenance: From the Iona House Gallery. Produced for the book Lovers and Other Strangers: Paintings by Jack Vettriano. £1000-2000 (plus 24%BP*)

211 Jack Vettriano (b.1951) Jack smoking in a doorway, taken by Lesley Jones black and white photograph 59cm x 39cm.

Provenance: From the Iona House Gallery. Produced for the book Lovers and Other Strangers: Paintings by Jack Vettriano. £1000-2000 (plus 24%BP*)

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213 Arthur Bell (1897-1995) Gloucestershire village, 1982 signed and dated watercolour 26cm x 36cm. £80-120 (plus 24%BP*)

214 Joan Hervey ( 20th Century) Malmounia Garden, Marrakech signed (lower right) pastels 25.5cm x 35.5cm. £40-70 (plus 24%BP*)

215 Richard Seddon (1915-2002) ‘Old Barn at Bury St. Edmunds, Suffolk’ watercolour and ink inscribed and titled (to reverse) 20cm x 48cm. £50-100 (plus 24%BP*)

216 James Henry Govier (1910-1974) Dancing Costers signed (upper left) pen and ink 21cm x 16cm.

Provenance: Sally Hunter Fine Art, London, 1994. £30-60 (plus 24%BP*)

217 Ernest Fedarb (1905-?)

Deck chair, Jargeau, 1962 signed (lower right) pen and watercolour 37.5cm x 52cm.

Provenance: Sally Hunter Fine Art, London, 1986. £30-60 (plus 24%BP*)

218 Mary Fedden (1915-2012) Montgaillard, 1970 signed and dated (lower left) pencils 69cm x 48cm. £1500-2500 (plus 24%BP*)

219 Thomas John Coates (b.1941) Orchestra studies, companion pieces one initialled (lower right) coloured crayons on paper 28.5cm x 40cm, and 28cm x 40.5cm (2). £30-60 (plus 24%BP*)

220 George Perryman (20th Century) ‘Atlas’, 1926 monogrammed and dated (lower right) pen and watercolour on paper 15.5cm x 11.5cm, together with a further sketch (2). £20-50 (plus 24%BP*)

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212 Arthur Bell (1897-1995) ‘Mdina, Malta’, 1984 signed, dated and titled watercolour 36cm x 25.5cm. £80-120 (plus 24%BP*)

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221 Victor Hammond Group of 1930’s original poster designs and book covers (13).

Reference: Victor Hammond was the Chief Designer, Interiors, for Austin Morris. He also worked as a Designer for the following: 1940/1950s - Standard Motor Company, Coventry (designed the Standard 8) 1960/1961 - Volvo, Gothenburg, Sweden (designed the Volvo P1800 as seen in the Saint) 1960/1970s - Ford Motor Company, Dagenham, Essex (designed D series truck/bus) 1980s - Self-employed Designer (projects included an armoured truck). Exhibited at Chelsea Barracks, London £100-200 (plus 24%BP*)

222 Victor Hammond Group of 1930’s watercolour and pen and ink studies some used for magazine and book illustrations.

Reference: Victor Hammond was the Chief Designer, Interiors, for Austin Morris. He also worked as a Designer for the following: 1940/1950s - Standard Motor Company, Coventry (designed the Standard 8) 1960/1961 - Volvo, Gothenburg, Sweden (designed the Volvo P1800 as seen in the Saint) 1960/1970s - Ford Motor Company, Dagenham, Essex (designed D series truck/bus) 1980s - Self-employed Designer (projects included an armoured truck). Exhibited at Chelsea Barracks, London £50-100 (plus 24%BP*)

223 Victor Hammond Group of 1970’s rally car designs including Scirocco Trans Am, Vauxhall, and Ford and other car studies Reference: Victor Hammond was the Chief Designer, Interiors, for Austin Morris. He also worked as a Designer for the following: 1940/1950s - Standard Motor Company, Coventry (designed the Standard 8) 1960/1961 - Volvo, Gothenburg, Sweden (designed the Volvo P1800 as seen in the Saint) 1960/1970s - Ford Motor Company, Dagenham, Essex (designed D series truck/bus) 1980s - Self-employed Designer (projects included an armoured truck). Exhibited at Chelsea Barracks, London £80-120 (plus 24%BP*)

224 Victor Hammond Group of 1930’s original car studies including an SS Jaguar 1938, a Chrysler Airflow, Lagonda, and others.

Reference: Victor Hammond was the Chief Designer, Interiors, for Austin Morris. He also worked as a Designer for the following: 1940/1950s - Standard Motor Company, Coventry (designed the Standard 8) 1960/1961 - Volvo, Gothenburg, Sweden (designed the Volvo P1800 as seen in the Saint) 1960/1970s - Ford Motor Company, Dagenham, Essex (designed D series truck/bus) 1980s - Self-employed Designer (projects included an armoured truck). Exhibited at Chelsea Barracks, London £150-200 (plus 24%BP*)

225 Victor Hammond Group of 1970’s car interior designs including photographs of the designer Victor Hammond Reference Victor Hammond was the Chief Designer, Interiors, for Austin Morris. He also worked as a Designer for the following: 1940/1950s - Standard Motor Company, Coventry (designed the Standard 8) 1960/1961 - Volvo, Gothenburg, Sweden (designed the Volvo P1800 as seen in the Saint) 1960/1970s - Ford Motor Company, Dagenham, Essex (designed D series truck/bus) 1980s - Self-employed Designer (projects included an armoured truck). Exhibited at Chelsea Barracks, London £50-100 (plus 24%BP*)

226 Victor Hammond Group of 1930’s original watercolour studies Reference: Victor Hammond was the Chief Designer, Interiors, for Austin Morris. He also worked as a Designer for the following: 1940/1950s - Standard Motor Company, Coventry (designed the Standard 8) 1960/1961 - Volvo, Gothenburg, Sweden (designed the Volvo P1800 as seen in the Saint) 1960/1970s - Ford Motor Company, Dagenham, Essex (designed D series truck/bus) 1980s - Self-employed Designer (projects included an armoured truck). Exhibited at Chelsea Barracks, London £30-40 (plus 24%BP*)

227 Willem Anton Alexander Knip (1883-1967) ‘Venetie’, 1932 signed, titled and dated (lower right) watercolour 32.5cm x 42.5cm. £100-200 (plus 24%BP*) 228 Hervey Adams (1903-1971) Landscape signed (lower right) pen and watercolour 31cm x 64.5cm. £50-100 (plus 24%BP*)

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Lots 229 - 253 From the studio of George Weissbort (1928-2013) George Weissbort was born in Brussels in 1928. Five years later he and his family moved to London. After early study with Arthur Segal, during the war he attended the Central School of Arts & Crafts, where life drawing was taught

by Bernard Meninsky and John Farleigh, and oil painting by Ruskin Spear and Rodrigo Moynihan.

He has exhibited at the Royal Academy and the Royal Society of Portrait Painters and has had various one man shows across London, Paris, Belgium, Germany and Mexico.

“To those willing to look, figurative painting is an open book and this is why, in the end, people will be studying with pleasure George Weissbort’s work in a hundred year’s time…”

David Lee, Paintings and Drawings by George Weissbort, 2008.

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230 George Weissbort (1928-2013) Harmony in grey pink and orange, 1993 signed and dated (lower right) oils on board 32cm x 40cm.

Provenance: Royal Academy Summer Exhibition 1994. £100-200 (plus 24%BP*)

231 George Weissbort (1928-2013) Still life of crysanthemums and a book signed (lower right) oils on board 73cm x 59cm £200-400 (plus 24%BP*)

232 George Weissbort (1928-2013) Still life of artist’s box and paints, 1964 signed and dated (lower left) oils on board 34cm x 49.5cm £100-200 (plus 24%BP*)

233 George Weissbort (1928-2013) Still life of tomatoes and Chinese vase signed (lower right) oils on board 32cm x 44.5cm. £150-250 (plus 24%BP*)

234 George Weissbort (1928-2013) Still life of radishes, 1961 signed and dated (lower right) oils on board 26cm x 37cm. £100-200 (plus 24%BP*)

235 George Weissbort (1928-2013) Still life of golf equipment and trophy oils on board 52cm x 43cm. £200-300 (plus 24%BP*)

236 George Weissbort (1928-2013) Still life of knife and fruit on a blanket oils on board 26cm x 37cm. £100-200 (plus 24%BP*)

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229 George Weissbort (1928-2013) The musical instruments, 1967 signed and dated (lower left) oils on board 35cm x 44cm.

Provenance: Gallery Petit, London. £200-300 (plus 24%BP*)

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237 George Weissbort (1928-2013) Still life of fruit on a table, 1951 signed and dated (lower right) watercolour heightened with white 25cm x 35cm. £100-200 (plus 24%BP*)

238 George Weissbort (1928-2013) Judaica, 1997 signed and dated (lower left) oils on board 34cm x 41cm.

Provenance: Catto Gallery, London. £200-300 (plus 24%BP*)

239 George Weissbort (1928-2013) Still life of a pot plant, 1969 signed and dated (lower right) oils on board 51cm x 30cm. £100-200 (plus 24%BP*)

241 George Weissbort (1928-2013) Still of life of fruits and a glass of water on red drape, 1988 signed and dated (lower right) oils on board 32cm x 45cm. £200-300 (plus 24%BP*)

242 George Weissbort (1928-2013) Still life showing golf club, silver trophy and Bells whisky oils on board 43cm x 52cm. £150-250 (plus 24%BP*)

243 George Weissbort (1928-2013) Still life of apple and grapes, 1989 signed and dated (lower left) oils on board 37cm x 44cm. £100-200 (plus 24%BP*)

244 George Weissbort (1928-2013) Still life showing George’s studio signed (lower right) oils on board 55cm x 45cm. £150-250 (plus 24%BP*)

245 George Weissbort (1928-2013) Still life showing books and classical marble figure, 1961 signed and dated (lower right) oils on board 35cm x 50cm. £150-250 (plus 24%BP*)

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240 George Weissbort (1928-2013) Still life of tuba and case oils on board 37cm x 60cm. £100-200 (plus 24%BP*)

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246 George Weissbort (1928-2013) Still life of marble bust, books and letters, 1961 signed and dated (lower right) oils on board 28cm x 44cm. £100-200 (plus 24%BP*)

247 George Weissbort (1928-2013) Still life of a ceramic urn, grapes and wine on red and white cloth, 1962 signed and dated (lower right) oils on board 55cm x 45cm. £100-200 (plus 24%BP*)

248 George Weissbort (1928-2013) Summer landscape, 1951 signed and dated (lower right) oils on board 38cm x 58cm. £200-400 (plus 24%BP*)

249 George Weissbort (1928-2013) Hampstead Heath, 1967 signed and dated (lower right) oils on board 27.5cm x 37.5cm. £100-200 (plus 24%BP*)

250 George Weissbort (1928-2013) The artist’s back garden near Hampstead Heath oils on board 24cm x 31.5cm. £100-200 (plus 24%BP*)

251 George Weissbort (1928-2013) Portrait of the artist’s first wife, 1958 signed and dated (lower left) oils on board 46.5cm x 37cm. £150-250 (plus 24%BP*)

253 George Weissbort (1928-2013) Nude reclined in a chair signed (lower right) oils on board £150-250 (plus 24%BP*)

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252 George Weissbort (1928-2013) Self portrait of the artist at work oils on board 61cm x 41cm. £200-400 (plus 24%BP*)

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Ceramics, Studio Pottery & Glass Lots 254 - 372

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254 John Jelf (b.1946) Vase celadon glaze impressed potter’s seal 23cm high. £70-100 (plus 24%BP*)

255 Mary Rich (b.1940) Vase blue glaze impressed potter’s seal 13.5cm high. £20-40 (plus 24%BP*)

256 Bridget Drakeford (Contemporary) Vase red glaze incised signature 13.5cm high. £30-50 (plus 24%BP*)

257 John Leach (b.1939) at Muchelney Pottery Vase tenmoku decoration impressed potter’s and pottery seal 17.5cm high, together with a Muchelney Pottery footed dish, 22.3cm diameter (2). £80-120 (plus 24%BP*)

258 Peter Swanson (b.1950) Vase tenmoku glaze impressed potter’s seal 27cm high. £80-120 (plus 24%BP*)

259 Effie Hegermann-Lindencrone (1860-1945) for Bing & Grondahl Bowl, circa 1917 porcelain in underglaze blue having modelled flowers as decoration marked ‘B.G Denmark 1154’ 13cm across. £100-150 (plus 24%BP*)

260 William Coleman (1829-1904) for Minton ‘Naturalist’ large dish, 1870 painted with pike and plants Minton manufacturer’s mark 54cm across. £100-150 (plus 24%BP*)

261 Craven Dunnill Jackfield tube lined charger decorated with Art Nouveau style flowers printed manufacturer’s marks 38.5cm diameter. £100-200 (plus 24%BP*)

262 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Set of five tiles, including ‘Flower Wheel’ patterns and other similar abstract designs, in blue, red, green, and yellow colour ways, each 15cm x 15cm (4). £40-60 (plus 24%BP*)

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264 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Set of six ‘Bird’ tiles, after Philip Webb each in a blue and white colour way each 15cm x 15cm (6). £40-60 (plus 24%BP*)

265 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Set of four tiles, after De Morgan depicting fish in a river finished with foliate patterns, in a blue, green and purple colour way each 15cm x 15cm (4) £40-60 (plus 24%BP*)

266 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Two sets of four tiles, decorated with flower and abstract designs in a lustred colour way, 6cm x 6cm and 8cm x 8cm (8) £40-60 (plus 24%BP*)

267 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) A collection of four pottery vases, each decorated with leaf patterns on a white glaze, potters marks to base, tallest 14cm high (4). £50-100 (plus 24%BP*)

268 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Vase, decorated with leaf pattern on a multicoloured glaze, potters marks to base, dated 1998, 21cm high £30-60 (plus 24%BP*)

269 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Two bowls, each decorated with a red glaze, one with central flower motif the other with a lustred finish, potters marks to base, each 21cm diameter (2) £30-60 (plus 24%BP*)

270 Ray Finch (1914-2012) for Winchcombe Pottery Stoneware jug brown/red glaze with lined decoration impressed mark 35cm high. £40-80 (plus 24%BP*)

271 Ray Finch (1914-2012) for Winchcombe Pottery Stoneware jug tenmoku glaze with combed decoration impressed mark 27cm high. £40-80 (plus 24%BP*)

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263 Kenneth Clark (1922-2012) and Ann-Wynn Reeves (b. 1929) Set of four ‘Flower’ tiles, in blue, brown and green colour ways, each 15cm x 15cm (4) £40-60 (plus 24%BP*)

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272 Ray Finch (1914-2012) for Winchcombe Pottery Stoneware jug tenmoku glaze, combed decoration impressed mark 22.5cm high. £30-60 (plus 24%BP*)

273 Ray Finch (1914-2012) for Winchcombe Pottery Stoneware jug amber/brown glaze impressed mark 26.5cm high. £30-60 (plus 24%BP*)

274 Ray Finch (1914-2012) for Winchcombe Pottery Stoneware jug Cream/brown glaze impressed mark 27.5cm, together with a similar unmarked stoneware jug, 19.5cm (2). £40-80 (plus 24%BP*)

275 Ray Finch (1914-2012) for Winchcombe Pottery Stoneware vase brown/cream glaze with combed design impressed mark and incised ‘IV’ 24cm high. £30-60 (plus 24%BP*)

276 Ray Finch (1914-2012) for Winchcombe Pottery Two stoneware footed bowls and one vase each with impressed mark vase 12.2cm high (3). £40-80 (plus 24%BP*)

277 Ray Finch (1914-2012) for Winchcombe Pottery Two stoneware bowls brown/red glaze with blue and white poured decoration both with impressed mark largest 29.5cm diameter (2). £50-100 (plus 24%BP*)

278 Winchcombe Pottery Five jugs and one jar with cover each with tenmoku glaze impressed marks largest 16.5cm (6). £20-50 (plus 24%BP*)

279 Ray Finch (1914-2012) for WInchcombe Pottery Stoneware jardiniere and four mugs impressed marks jardiniere 15.5cm high (5). £30-60 (plus 24%BP*)

280 Dave Wilson for Winchcombe Pottery Stoneware ginger jar celadon glaze impressed marks 23cm high. £20-40 (plus 24%BP*)

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282 Casa Pupo Ceramic table lamp stylised flower head design on gold painted base 42cm high. £40-80 (plus 24%BP*)

281 Seung-Ho Yang (Contemporary) Three stoneware moon vases naturalistic glazes largest 29cm high (3). £50-100 (plus 24%BP*)

283 Lavender Beard (1933-2003) for Upton Pottery Studio pottery chess set in green and white glaze. £40-80 (plus 24%BP*)

285 Attributed to Svend Bayer (b.1946) Two casserole dishes green/brown glaze each 14.5cm high (2). £40-80 (plus 24%BP*)

286 Billy Adams (Contemporary) Jug, 1995 with rough surface and gold painted handle signed and dated 32cm high. £30-60 (plus 24%BP*)

287 Pat Groom (Contemporary) Bowl and jug tenmoku bowl with impressed potter’s seal bowl 22.5cm diameter, together with a Muchelney pottery bowl (3). £30-60 (plus 24%BP*)

288 Timea Sido (Contemporary) ‘Tangled’ ceramic bowl and two tea lights each stamped and with label bowl 22.5cm diameter (3). £40-80 (plus 24%BP*)

289 Mexican Pottery Large bowl, circa 1960 twin handles, painted patterns 66cm across. £100-200 (plus 24%BP*)

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284 Tremaen Pottery Studio pottery lamp base decorated with flower heads 36cm high. £20-40 (plus 24%BP*)

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290 Clive Bowen (b.1943) Dish of square form, with slip decoration 42.5cm across. £80-120 (plus 24%BP*)

291 MIchael & Joanne Mosse for Llanbrynmair Pottery Salt glazed stoneware charger decorated with rider and wild deer impressed mark 31cm across. £50-80 (plus 24%BP*)

292 MIchael & Joanne Mosse for Llanbrynmair Pottery Salt glazed stoneware jug decorated with shepherd and sheep impressed mark 30cm high. £50-80 (plus 24%BP*)

293 Charlotte Rhead for Crown Ducal Charger flower design, marked 37cm diameter, together with a Worcester pot and cover

by Scottie Wilson (2). £50-80 (plus 24%BP*)

294 Marianne de Trey (b.1913) Two footed bowls fluted decoration each impressed potter’s seal each 21cm diameter (2). £40-100 (plus 24%BP*)

295 Mary Rich (b.1940) Two vases each impressed potter’s seal 18cm and 16.5cm high (2). £40-60 (plus 24%BP*)

296 Bernard Leach (1887-1979) Two St. Ives tiles painted with chickens and plants one with impressed marks the other monogrammed (lower right) both 10cm x 10cm (2). £40-80 (plus 24%BP*)

297 David Leach (1911-2005) Jug cream colour, with ribbed decoration impressed potter’s seal 22.5cm, together with a Japanese studio bowl (2). £30-60 (plus 24%BP*)

298 Rachel Bishop for Moorcroft ‘Noah’s Ark’ ginger jar, 1995 manufacturer’s marks and signed ‘MCC’ and dated in underglaze blue 16cm high. £200-300 (plus 24%BP*)

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299 Rachel Bishop for Moorcroft ‘Phoenix bird’ vase, 1996 manufacturer’s marks, signed and dated 21cm high, boxed and with certificate.

Reference: This vase was only produced in 1997 to promote the book ‘Moorcroft: The Phoenix Years’. £150-200 (plus 24%BP*)

301 Wendy Mason for Moorcroft Vase, 1993 in pinks, greens and yellows manufacturer’s marks, signed and dated 16.5cm high. £150-200 (plus 24%BP*)

302 Roger Guerin (1896-1954) Jardiniere dripped blue glaze signed and numbered 19cm high. £30-60 (plus 24%BP*)

303 Yoshitomo Nara (b.1959) ‘Too young to die’, 2002 painted ceramic ashtray printed marks 25cm diameter. £50-100 (plus 24%BP*)

304 Jacques Blin (1920-1995) Charger sgraffito decorated with ladies signed ‘JBlin’ 34.3cm diameter. £150-250 (plus 24%BP*)

305 Rachel Bishop for Moorcroft ‘Tribute to Charles Rennie Mackintosh’ pattern pair of vases, 2002 painted marks and date cipher, together with a pair of Moorcroft candlesticks vases 21cm high (4). £80-120 (plus 24%BP*)

306 Manner of Grueby Pottery Vase, early 20th Century green ground, decorated with raised flower heads incised ‘G’ to base 20.5cm high. £100-200 (plus 24%BP*)

307 Carter, Stabler & Adams for Poole Ceramic bowl decorated in yellows and black stamped manufacturer’s mark 16.5cm across. £30-60 (plus 24%BP*)

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300 Phillip Gibson for Moorcroft ‘Lizard Orchid’ vase, 2001 manufacturer’s marks, signed and dated 21cm high, boxed. £100-200 (plus 24%BP*)

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308 Ray Finch (1914-2012) at Winchcombe Pottery Vase brushwork motifs impressed pottery seal 33.5cm high. £80-120 (plus 24%BP*)

309 Modernist School Globular vase in greens and browns 29cm high. £30-60 (plus 24%BP*)

310 Attributed to Clementina Van Der Walt (Contemporary) Vessel painted foliate motifs impressed potter’s mark 31cm diameter. £30-60 (plus 24%BP*)

311 D. Leach Moon ceramic head, 1994 inscribed ‘D.Leach, 4 16.06.94’ on wooden base ceramic 20cm high. £30-60 (plus 24%BP*)

312 Modern School Lidded vessel in browns and blacks impressed potter’s seal 27cm high. £20-40 (plus 24%BP*)

313 A collection of Studio Pottery to include works by John Jelfs, Alan Hemming, Audrey Stockwin, Hugh West and others. £50-80 (plus 24%BP*)

314 St Ives Pottery Stoneware service comprising tea pot, 3 mugs, 3 bowls and 6 plates painted pattern tea pot 15.5cm high (13). £40-80 (plus 24%BP*)

315 Toff Milway (b.1949) for Conderton Pottery Saltglazed jug in blue impressed potter’s seal 49cm high. £40-80 (plus 24%BP*)

316 John Jelfs (b.1946) Soda fired jug in orange with grey stripes impressed potter’s seal 36cm high. £40-80 (plus 24%BP*)

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317 Matt Griggs (Contemporary) Cider jar slipware decoration in brown and yellow impressed potter’s seal 33cm high. £30-60 (plus 24%BP*)

318 Christopher White for Hookshouse Pottery (Westonbirt) Harlequin pattern jug incised intials 36cm high, together with a large studio pottery vase, signed ‘Elsa’ (2). £30-60 (plus 24%BP*)

319 Michael Casson (1925-2003) Storage jar and cover slip decoration impressed potter’s seal 21cm high. £50-100 (plus 24%BP*)

320 Michael Casson (1925-2003) Storage jar and cover slip decoration impressed potter’s seal 40cm high. £100-200 (plus 24%BP*)

321 Colin Kellam (b.1942) Planter poured glazes impressed potter’s seal 9.5cm high, 36cm across. £50-80 (plus 24%BP*)

322 Poole Pottery Three vases with iridescent mottled glaze stamped factory mark the largest 22cm high (3). £70-100 (plus 24%BP*)

324 Robert Tinnyunt (Contemporary) Vase decorated in tenmoku with foliate sprigs 43cm high. £40-80 (plus 24%BP*)

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323 Patricia Schelper Jones (Contemporary) Four enamel wall plaques the largest 30.5cm x 20.5cm (4). £40-100 (plus 24%BP*)

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325 Scandinavian School Royal Copenhagen jar and cover, stamped manufacturer’s marks 9.5cm diameter, together with three further Scandinavian vases (4). £50-100 (plus 24%BP*)

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326 John Leach (b.1939) at Muchelney Pottery Flask impressed potter’s and pottery seals 22.5cm high. £50-100 (plus 24%BP*)

327 Trevor Corser at Leach Pottery Vase tenmoku glaze impressed potter’s and pottery seals 21cm high. £50-100 (plus 24%BP*)

328 Ray Finch (1914-2012) for Winchcombe Pottery Two jugs together with an Eddie Hopkins jug impressed marks tallest 22cm (3). £60-100 (plus 24%BP*)

329 St Ives Pottery three mugs, 1975 impressed marks together with a studio vase (4). £20-50 (plus 24%BP*)

330 Steve Royston Brown (Contemporary) Mandrake - Double Tuber, 2009 ceramic mounted on board the board 90cm x 110cm. £300-500 (plus 24%BP*)

331 Bronte Mansion House Dwarves, Henry Sandon and John Twitchett both numbers 71 of 100 manufacturer’s marks tallest 11.5cm high (2). £50-100 (plus 24%BP*)

332 Douglas V Tootle for Kevin Francis Porcelain figures, Susie Cooper and Charlotte Rhead limited editions stamped manufacturer’s marks tallest 24.5cm high (2). £30-60 (plus 24%BP*)

333 Anita Harris Art Pottery Five vases in red and green glazes with gold highlights each marked tallest 28cm high (5). £70-100 (plus 24%BP*)

334 Hannah Barlow for Doulton Stoneware biscuit barrel, 1881 decorated with cattle, silver plated mounts incised initials and impressed factory marks 18cm high. £100-200 (plus 24%BP*)

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336 MIchael Casson (1925-2003) Storage jar and cover tenmoku glaze impressed potter’s seal 38cm high. £100-200 (plus 24%BP*)

337 Michael Casson (1925-2003) Bowl painted with landscape to inside and outside of bowl impressed potter’s seal 27.5cm diameter. £200-300 (plus 24%BP*)

338 Mary Rich (b.1940) Vase painted gold patterns on blue ground impressed potter’s seal 18.5cm high. £30-60 (plus 24%BP*)

339 David Leach (1911-2005) Miniature vase painted with flowers 7cm high, together with a John Pollex slipware bowl (2). £40-80 (plus 24%BP*)

340 Arts & Crafts Large ceramic bowl painted in gold and white on turquoise 40cm diameter. £200-300 (plus 24%BP*)

341 Keith Murray (1892-1981) for Wedgwood ‘Moonstone’ vase blue printed marks 23.5cm high. £100-150 (plus 24%BP*)

342 Livia Gorka (1925-2011) vase, circa 1950 black glaze with white and orange band painted signature 7cm high. £40-60 (plus 24%BP*)

343 Andrew Stahl (b.1954) Nude and Bird plate, 1987 signed and dated oil on ceramic 26.5cm. £20-50 (plus 24%BP*)

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335 Charles Lemanceau Art Deco model of two elephants, circa 1930 in light blue impressed signature 35cm high. £100-200 (plus 24%BP*)

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344 Bjorn Wiinbald (1918-2006) for Nymolle of Denmark 12 Months of the Year plaques ceramic each 15cm diamter (12). £50-100 (plus 24%BP*)

345 Andy Warhol for Rosenthal Studio-Line ‘Golden Angels’ mug 9cm high, boxed. £20-40 (plus 24%BP*)

346 Modernist School Iridescent glass vase with pulled rim indistinctly signed, and with Czech Republic sticker 27.5cm high, together with another smaller glass vase, 16.5cm high. £30-50 (plus 24%BP*)

347 Michael Powolny for Loetz Pair of ‘tango’ glass vases in yellow and black each 24.2cm high (2). £40-80 (plus 24%BP*)

348 Norman Stuart Clarke Glass scent bottle and a Okra glass vase and scent bottle, and three Orrefors pieces (7). £40-80 (plus 24%BP*)

349 Philippe Starck (b.1949) ‘La Bohem’ red vase, designed 2001 dyed polycarbonate 45cm high. £30-60 (plus 24%BP*)

350 Legras Red glass vase etched geometric design signed 21cm high. £200-300 (plus 24%BP*)

351 Rindskopf Art Nouveau glass vase, circa 1900 iridescent, in pewter mount 28cm high. £80-120 (plus 24%BP*)

352 20th Century Glass To include two Anthony Stern bowls, a green art glass vase, and a frosted Lalique style dish (4). £100-200 (plus 24%BP*)

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354 Geoffrey Baxter for Whitefriars Drunken Bricklayer glass vase tangerine colour way 21.5cm high. £70-100 (plus 24%BP*)

355 Attributed to Loetz Glass bowl opalescent white with blue rim 25.5cm diameter. £50-100 (plus 24%BP*)

356 Clement Massier Lustre vase painted with thistles impressed ‘Golfe-Juan A M’ 29cm high. £100-200 (plus 24%BP*)

357 Anthony Stern (Contemporary) ‘Seascape’ glass vase etched signature 26cm high. £50-100 (plus 24%BP*)

358 Tamara Aladin for Riihimaki/Riihimaen Five glass vases in various colours tallest 26cm (5). £40-80 (plus 24%BP*)

359 Erkki Vesanto (1915-1990) ‘Littala’ vase, circa 1958 in blue etched signature design number 3655 21.5cm high. £40-80 (plus 24%BP*)

360 Norman Stuart Clarke (b.1944) Glass paperweight iridescent blue and white together with a glass paperweight by Laurel Marie Hagner (2). £20-50 (plus 24%BP*)

361 20th Century Art Glass Eight pieces, including Isle of Wight Jane Charles, Stewart Hearn, Adam Aaronson (8). £80-120 (plus 24%BP*)

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353 Monart Glass ginger jar and cover orange/brown colourway paper label 24.5cm high. £70-100 (plus 24%BP*)

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362 Pastis 51 Apertif bottle and three Pastis glasses the bottle 18.5cm high. £20-40 (plus 24%BP*)

363 Henry Dean Four glass vases in blue, white and clear tallest 32cm high (4). £20-50 (plus 24%BP*)

364 Festival of Britain Glass decanter and six shot glasses the decanter 19cm high, together with a Collingwoods Festival of Britain cup and saucer, a small glass beaker and a glass dish (10). £70-100 (plus 24%BP*)

365 Peter Dreiser (1936-2006) A wheel engraved wine glass, 1972 depicting a leaping perch 23/30, signed, numbered and dated 15cm high. £250-350 (plus 24%BP*)

366 Daum Clear glass vase, circa 1945 etched signature ‘Daum + France’ 23cm high. £70-100 (plus 24%BP*)

367 Scandinavian School Four glass bowls one etched ‘PL’ for Per Lutken largest 18.5cm diameter. £50-80 (plus 24%BP*)

369 Attributed to Stuart & Sons ‘Peacock’ design glass vase blue/green pattern on clear glass 21cm across. £50-80 (plus 24%BP*)

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368 Frank Thrower for Dartington Seven ‘Hollywood’ glass bowls in the shape of daisies larger bowl 33cm diameter (7). £30-60 (plus 24%BP*)

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370 Simon Gate (1883-1945) for Orrefors Glass centre bowl, 1926 depicting classical nudes and animals above bands of frosted glass engraved by Arthur Diessner etched ‘Orrefors 1926 Simon Gate, N332’ 22cm high, 30cm diameter. £800-1200 (plus 24%BP*)

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371 Timo Sarpaneva for Iittala Eight ‘Ultima Thule’ glass bowls, circa 1960s all with textured design largest 19cm diameter. £30-60 (plus 24%BP*)

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372 Timo Sarpaneva for Iittala ‘Ultima Thule’ lemonade set, circa 1960s comprising jug and six beakers jug 20cm high. £30-60 (plus 24%BP*)

373 Coalbrookdale Two iron relief panels, circa 1880 designed by Benjamin Creswick designs originally used for Mackmurdo mantelpiece each 23.5cm x 39cm. £100-150 (plus 24%BP*)

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Works of Art, Silver & Jewellery Lots 373 - 436

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7TH MARCH 2018 376 Silvio Gazzaniga (1921-2016) for Bertoni of Milan Olympic trophy for 1960 Paralympics bronze, in the form of a figure beneath an arch with Olympic rings to the top manufacturer’s stamp on marble base 42cm high.

This trophy was probably awarded to a Paralympian for outstanding individual performance at the first international Paralympic Games in Rome in 1960.

Silvio Gazzaniga was a well renowned sculptor, most notably creating the FIFA World Cup Trophy, which was chosen by the committee in April 1971.

His designs also include the UEFA Cup Trophy (1972), the UEFA Super Cup Trophy (1973) and the Baseball World Cup Trophy (2001). £300-500 (plus 24%BP*)

375 Cotswold style Magazine rack 63cm high. £20-40 (plus 24%BP*)

377 Early 20th Century Frames Painted gold, 95cm x 72cm, and turquoise, 99cm x 115cm (2). £40-80 (plus 24%BP*)

378 Attributed to Liberty & Co. Moorish style mirror, circa 1900 mirror within square beaded frame 70cm x 61cm. £100-200 (plus 24%BP*)

379 Alpine Sledge Made from oak and iron pegs, circa 1930 122cm long. £30-60 (plus 24%BP*)

380 Modernist School Hand powered go-kart, circa 1940s painted blue and green on metal frame 115cm long. £200-300 (plus 24%BP*)

381 Music Stand Mahogany and cast iron frame, circa 1870 111cm high. £30-60 (plus 24%BP*)

382 Siemens Modernist wall clock, circa 1940 25cm diameter. £40-80 (plus 24%BP*)

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374 Newlyn style Arts & Crafts copper mirror octagonal, applied fleur de lis decoration 54.5cm across. £40-80 (plus 24%BP*)

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383 David Powell (1926-2001) Rosewood and ebony drinks tray, circa 1960 brass maker’s label 61cm x 37cm.

David Powell was an apprentice of Edward Barnsley, who designed and constructed furniture for Queen Elizabeth II, before moving to the U.S.A in 1969. This lot is sold with CITES licence. £100-200 (plus 24%BP*)

384 Anish Kapoor (b.1954) Teardrop table lamp wood and parchment monogrammed one of nine designs by leading British sculptors for the “At Home With Art” project 39.5cm high, boxed. £200-300 (plus 24%BP*)

385 After Thomas Cartier (1879-1943) Gilt bronze model of a panther snarling signed ‘T. Cartier’ 34cm across. £300-500 (plus 24%BP*)

386 Modern Art Books to include Graham Sutherland, Terry Frost, Paula Rego David Jones and Gaudier-Brzeska (6). £40-80 (plus 24%BP*)

387 Don White (Contemporary) Spalted beech platter maker’s label 60cm diameter. £200-300 (plus 24%BP*)

388 Christopher Rowlatt for the Presteigne Bindery A book of hand marbled end papers, 2010 bound in red leather signed and dated 32cm x 23cm. £100-200 (plus 24%BP*)

389 Mouseman Oak ashtray carved mouse signature 10cm across. £30-50 (plus 24%BP*)

390 Raphoplex Large display slide rule 29cm x 132cm. £20-40 (plus 24%BP*)

391 Witness Bonjisi (b.1975) Serpentine stone sculpture depicting two faces signed 81cm high. £50-100 (plus 24%BP*)

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392 Heals Oak circular mirror, circa 1920 43cm diameter. £80-120 (plus 24%BP*)

393 Modernist School Oval mirror within a border of multicoloured cut glass squares 95cm high. £100-200 (plus 24%BP*)

394 Mouseman Oak pin dish carved mouse signature 10.5cm across. £40-60 (plus 24%BP*)

395 Italian School Pair of table lamps, circa 1950 brass rings increasing in size, with black shades frames 39cm high. £100-200 (plus 24%BP*)

396 Les Heritiers, France Two table lamps wood bases with glass shades maker’s sticker 41.5cm high (2). £20-50 (plus 24%BP*)

397 Art Deco Walnut and glass frames, circa 1930 (2). £60-100 (plus 24%BP*)

399 Anglepoise style Desk lamp in chrome on black circular base 55cm high. £20-40 (plus 24%BP*)

400 A.J Rowley for The Rowley Gallery ‘Sunset Landscape’, circa 1920 marquetry panel ‘The Rowley Gallery’ paper label 85cm x 85cm. £100-200 (plus 24%BP*)

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398 Tom Merrifield (b.1932) ‘Troilus’ A/C, signed & inscribed bronze on marble base 66.5cm high. £500-800 (plus 24%BP*)

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401 Ceramic Review 42 in total, from 1974 to 1978 (42). £30-60 (plus 24%BP*)

402 W.A.S Benson Pair of Arts & Crafts andirons (fire dogs) in brass, design No.550 32.5cm high (2).

Reference: See Avril Denton; The Metalwares of ‘Mr. Brass Benson’, page 97, plate 74. £300-500 (plus 24%BP*)

403 Manner of Birmingham Guild of Handicraft Copper lidded vessel with textured finish, stylised handles and finial 49cm high. £200-300 (plus 24%BP*)

404 Maison Siegel of Paris Art Deco table mirror chrome stamped ‘Etable-is, Paris’ 95cm high. £200-300 (plus 24%BP*)

405 Arts & Crafts Hammered copper bowl with three sinuous handles 35cm across. £100-200 (plus 24%BP*)

406 Arts & Crafts Brass wall mirror hammered and repousse decorated with grapes and vines 63cm x 88.5cm. £200-300 (plus 24%BP*)

407 Benham & Froud Coal scuttle, in the manner of Christopher Dresser oak with brass Aesthetic style mounts 54cm across. £50-80 (plus 24%BP*)

408 W.A.S Benson Two graduated tea pots and a similar pot in brass and copper with turned wood finials two stamped tallest 24.5cm high (3). £40-80 (plus 24%BP*)

409 W.A.S Benson Two squat tea pots and a bowl in brass and copper, the tea pots with strainers tea pots stamped and with registration number ‘398951’ tallest 24.5cm high (3). £40-80 (plus 24%BP*)

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411 Attributed to Liberty & Co. Pewter coffee set comprising tea pot, coffee pot, sugar bowl the sugar bowl marked ‘0303’. £30-60 (plus 24%BP*)

412 Art Deco School Pair of mirrors rose tinted glass borders with applied flower heads 85cm x 51cm. £50-150 (plus 24%BP*)

413 W.M.F Secessionist metal bowl raised on three looped feet stamped 25cm diameter. £50-100 (plus 24%BP*)

414 James Dixon & Son Pair of Arts & Crafts silver candlesticks, 1904 with strapped decoration hallmarks for Sheffield 22.5cm high. £800-1200 (plus 24%BP*)

415 Arne Jacobsen for Stelton Coffee and tea set, originally designed 1967 comprising tea pot, coffee pot, hot water jug, milk jug, cream jug, sugar bowl and cover and twin handled tray all with manufacturer’s mark tray 36cm wide. £300-500 (plus 24%BP*)

416 Georg Jensen Steel cutlery set, circa 1960 each piece marked ‘Georg Jensen Stainless Steel’ 29 pieces in total (29). £100-200 (plus 24%BP*)

417 Robert Welch (1929-2000) for Old Hall Pair of coffee and pots, 4 serving dishes and a toast rack all with manufacturer’s mark coffee pot 19cm high (6). £40-80 (plus 24%BP*)

418 Elkington & Co. Arts & Crafts silver handled bowl, 1910 hallmarks for Chester, 18cm diameter together with a plain form silver bowl (2). £60-80 (plus 24%BP*)

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410 W.A.S Benson Three lidded vessels, a oil lamp and a tray in brass and copper two with stamped marks lamp 52.5cm high (5). £40-80 (plus 24%BP*)

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419 Christopher Lawrence for House of Lawrian Silver decanter and stopper, 1975 with textured bark finish hallmarks for London 22.5cm high. £100-200 (plus 24%BP*)

420 P. H. Vogel & Co. Silver lidded box, 1974 textured finish, gilt interior hallmarks for Birmingham 11cm high. £40-80 (plus 24%BP*)

421 Burberry Silver plated frame, 23cm x 17.5cm together with a Linley candlestick and an Asprey card (3). £50-100 (plus 24%BP*)

422 Albert Edward Jones (1878-1954) Silver inkwell, 1908 with buttress supports standing on balls of silver and repousse heart motifs maker’s mark and hallmarks for Birmingham 12cm across. £400-600 (plus 24%BP*)

423 Albert Edward Jones (1878-1954) Silver sugar sifter, 1916 cylindrical shape with applied Tudor rose decoration maker’s mark and hallmarks for Birmingham 17.5cm high. £150-200 (plus 24%BP*)

424 Albert Edward Jones (1878-1954) Silver sugar sifter, 1920 classical form on four bun feet maker’s mark and hallmarks for Birmingham 19cm high. £150-200 (plus 24%BP*)

425 Albert Edward Jones (1878-1954) Silver tea caddy, 1919 cylindrical shape with applied Tudor rose decoration maker’s mark and hallmarks for Birmingham 17.5cm high. £150-250 (plus 24%BP*)

426 Tiffany Studios ‘Pine needle’ silver gilt box, circa 1910 pierced metal frame with glass panels stamped ‘Tiffany Studios, New York, 800’ 11cm across. £100-200 (plus 24%BP*)

427 Art Deco School Pair of wall coat hooks steel 15.3cm high (2). £30-40 (plus 24%BP*)

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429 Albert Carter, Birmingham Art Deco silver and blue enamel dressing table set, 1934 comprising four brushes and a mirror hallmarked mirror 26cm. £60-80 (plus 24%BP*)

430 WMF Four Art Nouveau silver plated dishes in the form of leaves three stamped largest 28cm across (4). £40-80 (plus 24%BP*)

431 William Hair Haseler Enamel panel brooch depciting a peacock amongst flowerheads and foliage signed ‘WHH’ and stamped ‘Silver’ 4cm across. £80-120 (plus 24%BP*)

432 Ernest A. Blyth (British, 20th Century) for Ivan Tarratt 9ct gold panel brooch abstract geometric form signed, hallmarks for Birmingham 6.4cm long. £100-150 (plus 24%BP*)

433 20th Century School Pair of 9ct gold ear pendants stamped 5cm long. £40-60 (plus 24%BP*)

434 Arts & Crafts Hammered copper caddy spoon marked ‘GWG’ 7.2cm long. £30-50 (plus 24%BP*)

435 Georg Jensen Pair of silver earrings marked ‘Georg Jensen’ and stamped ‘925’ 1.6cm across, boxed. £40-80 (plus 24%BP*)

436 Jaeger Le Coultre Gentlemen’s 18ct gold wrist watch marked, case no. 9117 21 1418558 in original box, face 2.7cm diameter. £200-300 (plus 24%BP*)

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428 Danish School Silver pap boat partially stamped marks 11.5cm long. £30-50 (plus 24%BP*)

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CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged.

Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre-1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

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Mallams

Mallams Ref:

1788

Cheltenham: Telephone 01242 235712 Fax 01242 241943

Absentee Bid Form

Name: Address: Phone Bid

Post code Tel: 1

2

Com Bid

E-mail:

LOT

BRIEF DESCRIPTION

PRICE LIMIT

Notices Mallams will bid on behalf of the absentee bidder up to the hammer price stated on the lots listed here. The auctioneers will try to purchase these lots for the lowest possible price.

This will be done in accordance with the Condition of Sale printed in the catalogue and taking into account the usual bidding increments, the reserve price and other bids.

If any bid is successful the amount payable will be the sum of the hammer price and the buyers premium (plus VAT).

All bids should be with Mallams at least one hour before the start of the auction.

I understand and accept the above notices.

Sign: Print name: Date:

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Mallams 7th March Cheltenham Covers.qxp_Layout 1 23/02/2018 09:00 Page 1

Mallams 1788

Modern Living

MODERN LIVING - MALLAMS CHELTENHAM - WEDNESDAY 7th MARCH 2018

www.mallams.co.uk

Wednesday 7th March 2018 Cheltenham