The Picture Sale - 11th July 2018 (Mallams Oxford)

Mallams 1788

The Picture Sale THE PICTURE SALE - 1 1 J U LY 2 0 1 8 OXFORD

www.mallams.co.uk

Wednesday 11th July at 11am

Indian & Islamic Art

The Picture Sale

Wednesday 12th September Closing Date for entries Wednesday 22nd August

Wednesday 17th October 2018 OXFORD

John Sell Cotman (1782-1842) The North Side of South Gate, Yarmouth, Norfolk, 18 x 23cm From a private collection of fine 18th and 19th Century watercolours to be included in the sale

For more information please contact Robin Fisher on 01242 235712 or robin.fisher@mallams.co.uk Mallams Auctioneers, Grosvenor Galleries, 26 Grosvenor Street Cheltenham GL52 2SG www.mallams.co.uk

Mallams 1788

For further details please contact Rupert Fogden on 01865 241358 or rupert.fogden@mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street Oxford OX1 2EB

Mallams

The Picture Sale

11th July 2018 at 11am Oxford

Order of Sale Prints and Maps

1-78

Books

79-81

Miniatures

82-96

Oils and Watercolours

100-461

Frames

462-467

Viewing Saturday 7th July 9am to 1pm Monday 9th July 9am to 5pm Tuesday 10th July 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not.

The absence of a frame in the photograph does not necessarily indicate that the work is unframed.

To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding.

Condition reports: oxford2@mallams.co.uk Important notice: Buyers premium 24% inclusive of VAT on each lot Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale.

The absence of any reference to condition in any description does not imply the lot is without fault.

Droite de Suite Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

BID IN THE SALEROOM Register at the front desk in advance of the auction, where you will receive a paddle number with which to bid. Take your seat in the saleroom and when you wish to bid, raise your paddle and catch the auctioneer’s attention.

LEAVE A COMMISSION BID You may leave a commission bid via the website, by telephone, by email or in person at Mallams’ salerooms. Simply state the maximum price you would like to pay for a lot and we will purchase it for you at the lowest possible price, while taking the reserve price and other bids into account.

BID OVER THE TELEPHONE Book a telephone line before the sale, stating which lots you would like to bid for, and we will call you in time for you to bid through one of our staff in the saleroom. If you can’t get to the saleroom in person, a telephone bid still allows you live participation.

ONLINE LIVE BIDDING Register online at the-saleroom.com to bid online live as the sale is taking place. You can also watch and hear the auction online.

Please be aware that online bidding costs an extra 3% plus VAT of the final selling price.

OVERSEAS BIDDERS Overseas clients will need to provide proof of identity (a scan of a passport or a national ID card) and payment card details prior to the auction.

BUYER’S PREMIUM Each lot is subject to premium on the hammer price of 20% plus VAT – a total of 24%. For example: Hammer price – £100 Premium at 20% of £100 = £20 VAT at 20% of £20 = £4 Total price – £124 PAYMENT You may pay for your purchases in several ways: debit card, credit card (plus 2.28% VAT Inc. on Business and non-EEA cards), bank transfer, cheque or cash.

COLLECTION & DELIVERY It is your responsibility to arrange collection of your purchases within one week of the sale. We do not offer postage from any of our branches. For postage enquiries, please contact the following directly: Oxford – Pack & Send 01865 260610 or Mailboxes 01865 741729

Prints and Maps Lots 1-78

THERE IS A PREMIUM OF 20% OF THE HAMMER PRICE ON ALL SALES. THIS IS SUBJECT TO V.A.T.

1. SYDNEY R. JONES (1881-1966) The Royal Exchange, London, etching, pencil signed in the margin, 27 x 33cm; another by the same hand Clare College, Cambridge; and three etchings by Malcolm Osborne, all unframed (5) £80-120

2. ROWLAND LANGMAID (1897-1956) Racing Yachts - Shamrock, Britannia and Candida off Ryde, etching, pencil signed in the margin, 16 x 13.5cm; and two further by the same hand, all unframed (3) £80-120

3. GOUPIL & CO. AFTER E. GOODWYN LEWIS ‘The Last Supper’, photogravure, hand-coloured, 51 x 72cm; another - ‘The Baptism of Christ in Jordan’; and a 19th Century pastel portrait of a lady, 54 x 45cm (3) £40-60

4. EUGENE BEJOT (1867-1931) ‘Le Port de Boudoir’, etching, pencil signed in the margin, 23 x 28cm; and three further etchings by Sydney Mackenzie Litten, two unframed (4) £50-100

5. WILLIAM LIONEL WYLLIE (1851-1931) ‘A Stiff Breeze’, etching, pencil signed in the margin, 33 x 44cm, unframed £100-150

6. GRIGNION AFTER HECKEL ‘A View from Richmond Hill up the River’, hand-coloured engraving, published by Laurie & Whittle, 26 x 40cm £20-40

7. WILLIAM NICHOLSON (1872-1949) ‘HRH The Prince of Wales’, ‘Cecil Rhodes’ and ‘The Archbishop of Canterbury’, a group of three lithographs in colour, 25 x 23cm (3) £100-150

8. UTAGAWA HIROSHIGE (1797-1858) Cherry trees at night at the Yoshiwara, from the series ‘Famous Places in the Eastern Capital’, woodblock print in colours, 22 x 34cm, mounted but unframed £40-60

9. AFTER HAROLD RILEY ‘Hannelore’, monochrome print, pencil signed, dated ‘75, titled and numbered 7/25, 41 x 28cm £80-120

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

10. AFTER HAROLD RILEY ‘The Yellow Door’, print in colours, pencil signed in the margin and numbered 482/550, 24 x 19cm £100-150

11. AFTER PIETRO ANNIGONI A nude upon chaise longue, print in colours, 33 x 49cm £100-200

12. JAMES SIMON ‘The North Prospect of Mountague House’, engraving, printed for and sold by I. Smith, 47 x 59cm £100-200

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15. PIERRE DOUTERLEAU (b.1938) Coastal view with boats, lithograph in colours, pencil signed in the margin and numbered 304/350, 45 x 64.5cm; and two further similar by the same hand to include: street scene with cars, New York and a beach scene at low tide (3) £50-100

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13. EDWARD MILLINGTON SYNGE (1860-1913) Venice, etching, pencil signed in the margin, 17 x 25cm; and five further similar Italian and continental views, varying sizes (6) £80-120

16. PATRICIA REGNART (20TH CENTURY) ‘Crab Apple and Dogwood’, and ‘Hobs and Sloes’, two etchings in colour, each titled, pencil signed and numbered 22/75 and 42/75 respectively, 46 x 28cm (2) £30-50

14. EDWARD MILLINGTON SYNGE (1860-1913) ‘Lambeth Bridge from Victoria Gardens’, etching, pencil signed in the margin, 20 x 24.5cm; five further by the same hand; and two further pastoral scenes after Old Masters (8) £50-100

17. A 19TH CENTURY AQUATINT ENGRAVING - View of a harbour with fisher folk, hand-coloured in maple frame, 23 x 29cm £30-50

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

18. THOMAS ABEL PRIOR AFTER J.M.W. TURNER ‘The Town and Castle of Heidelberg’, engraving, 37 x 54cm in maple frame £30-50

19. PIET RACKWITZ (1892-1968) Moses en Arronstraat, Amersdam, etching, pencil signed in the margin, 49 x 39.5cm; another by the same hand Street scene, 31.5 x 23.5cm; and a photogravure after Anton van Anrooy (3) £40-60

20. DEUTSCHER KUNSTVEREIN ZU BERLIN (1904/1905) - A folio of four etchings or lithographs after Max Liebermann, Arthur Kampf, Hans Herrmann and Ludwig von Hofmann, each sheet size 32 x 45cm, the folio cloth bound with gilt title lettering; and miscellaneous further prints and engravings £80-120

21. JULIAN TREVELYAN (1910-1988) ‘Entrée deux Mers’, artist’s proof, etching with aquatint in colours, pencil signed and titled in the margin, 35 x 47cm

22. SIR DAVID MUIRHEAD BONE (1876-1953) Old Courthouse, Glasgow, etching, pencil signed in the margin, 13 x 19.5cm £100-150

23. WILLIAM NICHOLSON ‘Rudyard Kipling’, lithograph in colours, 28 x 22cm; and after David Low - ‘J.L. Garvin’, monochrome print, 19 x 16.5cm (2) £30-50

With the Zuleika Gallery £300-500

24. KERR EBY (1889-1946) Scout Planes at Dawn, etching, pencil signed in the margin from an edition of 90, 33 x 22cm; and two further to include: Henry Rayner - ‘Waterloo Bridge Construction 1936’, etching, pencil signed in the margin, 14 x 22cm; and John Coleman - ‘HMS Auckland’, lithograph, pencil signed in the margin, titled and dated 1939, 20 x 25cm (3) £200-300

25. BARNETT FREEDMAN (1901-1958) ‘15” Gun Turret HMS Repulse. August 1941’, lithograph in colours, published by the National Gallery and printed by the Baynard Press, 70 x 99cm With the Fine Art Society £300-500

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26. EDWARD ARDIZZONE (1900-1979) ‘Shelter Scene’, lithograph in colours, published by the National Gallery and printed by the Baynard Press, 65 x 98cm £100-200

27. RICHARD BEER (b.1928) Worcester College, etching with aquatint in colours, pencil signed in the margin, titled ‘Worcester’ and numbered 70/100, 42 x 57.5cm; and two J.S. Cotman etchings to include ‘The South Porch of the Church of Walpole, St Peter’ and ‘The Church of Wymondham’ (3) £50-80

29. MICHAEL BURGHERS AFTER T. WOOD ‘Musaei Ashmoleani’, engraving, 40 x 42cm; and Thomas Palser (pubs) - ‘George Wilson, The Pedestrian’, etching, pubs. c.1815, 28 x 21cm (2) £40-60

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31. OXFORD UNIVERSITY PRESS (pubs) A set of twelve months of the year produced to commemorate the Quincentenary of the Oxford University Press, each month with printed scene after earlier Oxford Almanacks and with calendars below, 39 x 29cm (12) £50-100

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28. MICHAEL ROTHENSTEIN (1908-1993) A solitary tree, artist’s proof, screenprint No. 3/15, pencil signed in the margin, 50 x 27cm £80-120

30. VIKING FONSTIAN? (20TH CENTURY) ‘Topolla’, lithogragh in colours, pencil signed in the margin, titled, dated and numbered 1/20, 44 x 30cm £20-30

32. MICHAEL RICHECOEUR (b.1946) ‘Distant Horses’, etching in colours, pencil signed, titled and numbered 89/120 in the margin, 41 x 60cm £30-50

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

33. WENCESLAUS HOLLAR (1607-1677) The Four Seasons, engravings, pub, c.1641, 25 x 17.5cm (4) With the O’Shea Gallery June 1997 £600-800

34. J.C. ARMYTAGE AFTER J.M.W. TURNER ‘Venice - The Bridge of Sighs’, engraving, hand-coloured, 17 x 26cm; and six further similar, all but one a Venetian scene after Turner (7) £30-50

35. BLAEU ‘Mona’ (The Isle of Man), hand-coloured engraving with decorative title cartouche and coat of arms, 38 x 27cm £30-50

36. AFTER DOROTHY WEBSTER HAWKSLEY ‘Peace’ (Mother and Child), lithograph in colours, 94 x 71cm £50-100

37. THE ILLUSTRATED LONDON NEWS (pubs) Panorama of London and The River Thames, engravings, hand-coloured on two sheets, 29 x 113cm and 29 x 117cm (2) £100-200

38. SYDNEY R. JONES (1881-1966) The Star and Garter, Richmond, etching, pencil signed in the margin, 23.5 x 38cm £40-60

39. CAPTAIN GRENVILLE COLLINS The Isle of Man, double-page engraving with decorative title cartouche and inset vignette of ‘Peel Castel’, hand-coloured, 44 x 56cm £80-120

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40. RICHARD WOODMAN AFTER BENJAMIN MARSHALL ‘Thomas Oldaker, 26 years Huntsman to the Berkeley Hounds on his favourite hunter Brush’, aquatint engraving, hand-coloured, 55 x 65cm; three further hunting engravings by C.R. Stock after William Shayer; seven further on a similar theme; and S.A. Edwards after Robert Gallon - ‘Eton from The Thames’, all unframed; and miscellaneous further loose engravings (qty) £80-120

42. DAVID LOGGAN ‘Collegium Lincolnience’, double-page engraving, 30 x 41cm, unframed £60-80

43. DAVID LOGGAN ‘Aula Beatae Mariae Virginis’, double-page engraving, 24 x 34.5cm (X3); and six further to include ‘Aula Cervina’ (X2); ‘Aula B Mariae Magdalenae’ (X3) and ‘Aula Novi Hospitii (X1), all unframed (9 in total) £80-120

44. DAVID LOGGAN ‘The North Prospect of the Theater of the University of Oxford...’, double-page engraving, 40 x 51cm; and one further similar, both unframed (2) £80-120

45. JAMES BASIRE AFTER H. O’NEILL ‘Part of the Quadrangle of Exeter College’, engraving, 36 x 48cm; and approximately thirteen further views of the college, all unframed (14) £40-60

46. A SMALL QUANTITY OF ENGRAVED OXFORD COLLEGE VIEWS TO INCLUDE: Hertford, Lincoln, New, Jesus, Trinity, University and Wadham, all unframed, approximately 20 in total £30-50

47. MICHAEL ANGELO ROOKER ‘St John’s College from the Garden’, engraving, 30 x 46cm; five further engraved views of the College; together with six engraved views of Worcester College and six views of Pembroke College, all unframed (18) £40-60

48. EDWARD AND MICHAEL ANGELO ROOKER Queen’s College, engraving, 33 x 48cm; two further similar; and five further views of Queen’s College (8) £40-60

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41. DAVID LOGGAN ‘Collegium Jesu’, double-page engraving, 29.5 x 40cm, unframed £60-80

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49. I DONAWELL ‘A View of Magdalen College in the University of Oxford, engraving, 29.5 x 44cm; and eleven further engraved views of the College, all unframed (12) £30-50

50. ISAAC TAYLOR AFTER D. HARRIS ‘The New Library at Oriel College’, 33 x 49cm (X4); six further engraved views pertaining to the College; together with a watercolour by Sophie D’Ouseley; and seven engraved views of Merton College, all unframed (18) £50-100

51. J.F. RAVENET AFTER SIR JOSHUA REYNOLDS ‘Lord Campden’, engraving, published by J. Boydell, 50 x 35cm; together with an Oxford Almanack for 1987; and a lithograph of Stephen Heller (unframed) (3) £30-50

52. A MIXED LOT OF PRINTS AND ENGRAVINGS TO INCLUDE: Bluck after Baker - ‘The White Horse and the Wiltshire Downs’, aquatint engraving, 25 x 38cm; William Nicholson - ‘Sir Henry Irving’; hunting engravings after John Leech, topography etc, all unframed £80-120

53. EILEEN COOPER (b.1953) Face study, etching with aquatint in sepia, pencil signed in the margin, dated 1991 and numbered 24/40, 8 x 8cm; and one further similar, 10 x 10cm (2) £50-100

54. DERRICK GREAVES (1927-2002) Large vase, signed in pencil, dated ‘75 and numbered 133/150 to the margin, colour etching, 50 x 37.5cm (pl); and a Japanese School study of a parrot on a pine branch, ink and body-colour, 15.5 x 15cm (2) £80-120

57. ALEC BUCKELS (20TH CENTURY) ‘The Shepherds Church, Yeolis’, wood engraving, pencil signed, titled, dated 1937 and numbered 6/50, 24.5 x 28cm; and two further etchings by Edgar Holloway and Percival Gaskell (3) £60-80

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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55. CIRCLE OF ABRAHAM BLOEMAERT (1566-1641) Head of an old woman, etching, 8 x 6.5cm £40-60

56. WALTER WILLIAM BURGESS (1856-1908) ‘Lindsey Wharf and Jetty, Old Chelsea’, etching, pencil signed and titled in the margin, 13 x 26cm; another by the same hand - ‘Madame Venturi’s House, Kings Road, Chelsea’, also signed in pencil to the margin and titled, 9 x 24cm; and one further by Herbert Menzies Marshall - The Thames with Tower of London, 15 x 22cm (3) £50-70

58. HENRY HERBERT LA THANGUE ‘A Study (Boy holding a calf)’, lithograph, 30 x 22cm; and assorted further various pictures £80-120

59. 18TH CENTURY ENGLISH SCHOOL ‘The Honble Robert Boyl’; ‘Sr Isaac Newton’; ‘Mr John Flamsteed’; ‘Mr Edmund Halley’; ‘Geffrey Chaucer’; ‘Edmund Spencer’; ‘William Shakespeare’; and ‘Benjaminus Johnson’, two mezzotints, 35 x 25cm (2) £100-200

62. G VALK AFTER PHILIPS WOUVERMAN A cavalry officer taking a welcome drink outside a camp, etching, 19 x 28cm; and four further various engravings to include: The weight of the Bible, engraving after Huijeh Allardt; a landscape engraving by C Galle; a hand-coloured engraving of Queens College, Oxford; and a western view of All Souls College, one unframed (5) £80-120

61. AFTER RAPHAEL The Prophet Daniel, engraving, 26 x 16cm; and two portrait engravings (3) £80-120

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64. 20TH CENTURY CONTINENTAL SCHOOL ‘Hippos Trojanos’, etching in sepia, indistinctly signed in pencil to the margin and numbered 293/350, 29 x 24cm £30-50

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65. J HARRIS AFTER HENRY ALKEN ‘The First Steeple Chase on Record’ Plates I to IV’, aquatint engravings, hand-coloured, published by Ben Brooks, 35.5 x 40cm, mounted but unframed (4) £100-150

60. DAVID LOGGAN ‘Collegium Omnium Animarum’, double-page engraving, 29 x 40cm £80-120

63. GUILLAUME DE L’ISLE ‘Les Isles Britanniques’, double page engraving, hand coloured, 47 x 61.5cm £60-100

66. GRAHAM CLARKE (b.1941) ‘A Time for Dancing’, etching in colours, pencil signed, titled and numbered 218/250 in the margin, 35 x 48cm £80-120

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

68. GRAHAM CLARKE (b.1941) ‘Vita’s White Garden’ and ‘Crabbers Retreat’, two etchings in colour, each pencil signed, titled and numbered 274/350 and 178/350 respectively, 26 x 33cm (2) £80-120

71. JOHN BOYDELL ‘A View of Governor Pitts House at Twickenham’, engraving, hand-coloured, published by J Boydell c.1753, 25 x 42cm; and two further engravings to include: J Clark after William Orme - ‘The Ceremony of Lord Nelson’s Interment in St Paul’s Cathedral Jan 9th 1806’; and Dubourg: Arrival at Brandenburgh House of the Watermen etc with an address to the Queen on the 3rd October 1820 (3) £50-80

70. JOHN MCKECHNIE ‘Theatre Goers’, screen-print, signed, dated ‘74, titled and numbered 17/25 in pencil to the margin, 21 x 26cm, mounted but unframed £30-50

69. AFTER E. ALBIN Botanical specimens with insects, etching, hand-coloured, 26 x 20cm; and three further similar (4) £40-60

72. GENTLEMAN CADETS OF THE ROYAL MILITARY COLLEGE: ‘Twelve Sketches from Nature selected from the Sketchbook (1849)’: A part set of nine lithographs together with title page printed by F.H. Dellamotte, 20 x 28cm (10) £100-200

73. EDWARD BOUVERIE HOYTON (1900-1988) ‘Wooda Bay’, etching, pencil signed in the margin and inscribed with title on the mount’, 13 x 14.5cm; another attributed to the same hand - Figure approaching a cottage, inscribed in pencil to the margin and numbered 1/100, 25 x 35cm; and Alfred Richard Blundell (1883-1968) - ‘The End of The Glade’, mezzotint, pencil signed in the margin, 16.5 x 25cm, all mounted but unframed (3) £80-120

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

74. JOHN HALL THORPE (1874-1947) ‘Haymakers’, woodcut in colours, pencil signed in the margin and titled, 34 x 26cm, mounted but unframed £100-150

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67. GRAHAM CLARKE (b.1941) ‘Shepherds’ and ‘Magi’, a pair, etchings in colour, each pencil signed in the margin, titled and numbered 218/250, 31 x 17cm (2) £80-120

75. JOHN HALL THORPE (1874-1947) ‘The Caravan’, woodcut in colours, pencil signed in the margin and titled, 33 x 26cm, mounted but unframed £100-150

76. A * STEWART WRIGHT (19TH/20TH CENTURY) Portrait of Horatio Nelson, mezzotint c.1924, hand-coloured, pencil signed in the margin, 64 x 43cm £80-120

76A. JOHN HALL AFTER BENJAMIN WEST ‘The Battle of The Boyne’, engraving, 46.5 x 59cm; and six further various prints or engravings (7) £50-100

77. ROBERT MORDEN ‘Westmorland’, double-page engraving, hand-coloured, 37 x 43cm; another - ‘Cumberland’; and Hermann Moll - ‘The County Palatine of Durham’ (3) £30-50

78. JACOB HOUBRAKEN ‘Petrus Primus Russolum Imperator’, engraving, 55 x 41cm; and further prints to include Oxford Almanacks, Vanity Fair etc (all unframed), approximately 22 in total £30-50

Books

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79. DUTHUIT, CLAUDE AND DUTHUIT-MATISSE, MARGUERITE ‘Henri Matisse, Catalogue Raisonné de L’Oeuvre Gravé établi avec la Collaboration de Francoise Garnaud’ Volumes I & II, Paris 1983; together with Duthuit, Claude ‘Henri Matisse Catalogue Raisonne des Ouvrages Illustrés établi avec la Collaboration de Francoise Garnaud, Paris 1988’, all with d/w (3) £200-300

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80. SCHNEIDER, PIERRE ‘Matisse’, with 930 illustrations, Thames and Hudson Pubs 1984, d/w in slip case; and two further works to include: Elderfield, John ‘Henri Matisse Retrospective’; and ‘Degas’ (3) £30-50

81. THE OLD WATERCOLOUR SOCIETY’S CLUB ANNUAL: Volumes 1-20; 24; 37-59; 61 and 63 (46) £50-100

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

Miniatures Lots 82-96

82. J * WOOD Children in a landscape setting, a pair, one inscribed ?J P Atlant, watercolours, 26.5 x 23cm (2) One miniature with attached label verso printed ‘Miniature and portrait painting by Mr J Wood artist...’ £400-600

83. AFTER ANTHONY VAN DYCK Portrait of Henrietta Anne Stuart as a child, indistinctly signed with copyist’s signature and inscribed, watercolour, 14 x 9.5cm; in carved hardwood frame With label verso printed ‘Guglielmo Miniati Tornitore...

Firenze’ £40-60

85. MANNER OF NICHOLAS DE LARGILLIERE (1656-1746) Portrait of a gentleman wearing a curly wig, white cravat and gold trimmed red jacket, 5 x 4cm oval; and one further painted with lady in a green dress, 5 x 3.5cm oval; each in gilt metal frame with ribbon bow cresting (2) £150-250

86. 19TH CENTURY ENGLISH SCHOOL Portrait of a lady, her black hair with ringlets and wearing a pleated black dress, on ivory, 11 x 9cm £40-60

87. A 17TH CENTURY STYLE OVAL MINIATURE painted head and shoulders of a young gentleman with long hair, moustache, high collar and dark jacket, oil on board, 5 x 4cm oval £40-60

88. FRENCH SCHOOL (EARLY 19TH CENTURY) Portrait of Angelique Joseph with long curly hair wearing a white head dress and bodice, and companion portrait of a gentleman with white stock and black overcoat, on ivory, 6cm tondo; in similar Empire style gilt gesso frames (2) £200-300

89. 19TH CENTURY FRENCH SCHOOL Portraits of a lady and gentleman, possibly Marie Antoinette and the young Louis XV, on ivory, 3.5 and 3cm oval respectively; in gilt metal frames, each with ribbon bow cresting (2) £80-120

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84. 18TH CENTURY CONTINENTAL SCHOOL Portrait of a man wearing powdered wig and mauve tunic, signed ? ‘Wel’, 3.5 x 3cm oval; in gilt metal frame with ribbon bow cresting £100-150

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

92. A PAIR OF 19TH CENTURY HAND-TINTED PORTRAIT PHOTOGRAPHS by Lock and Whitfield of Mr & Mrs Iltid Thomas in Morocco leather cases stamped ‘Lock & Whitfield, 178 Regent St.’, 7 x 5.5cm; and a Victorian ambrotype (3) £80-120

91. ENGLISH SCHOOL (LATE 18TH CENTURY/EARLY 19TH CENTURY) Portrait of a lady wearing white dress, her bonnet tied by a ribbon bow, on ivory, 7 x 5.5cm oval; and companion portrait of a gentleman wearing white cravat and deep blue overcoat, 6.8 x 5.5cm oval (2) £200-300

93. 19TH CENTURY ENGLISH SCHOOL Portrait of Richard Hussey Vivian, 1st Baron Vivian - Master General of the Ordnance, side profile, wearing a striped waistcoat and brown jacket, on ivory, 5 x 4cm; the velvet lined stand inset with tablet indistinctly inscribed but possibly the signature of the sitter £150-250

95. ENGLISH SCHOOL (EARLY 19TH CENTURY) Bust length portrait of a young lady with shoulder length curly hair and headband wearing décolletté dress, on ivory, 8 x 6cm oval £80-120

94. 17TH/18TH CENTURY ENGLISH SCHOOL Portrait of a young lady with long curly hair, cap and pearl necklace, wearing a buttoned green dress, oil on copper, 8 x 6.5cm; together with an unusual collection of late 19th/early 20th Century transparent mica costume designs fitting the miniature and in pressed leather case £200-300

96. M * E * B * Head and shoulders portrait of a young lady wearing necklace, signed with initials and dated 1911, watercolour, 27 x22cm oval £80-120

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90. 19TH CENTURY ENGLISH SCHOOL Portrait of Mrs Fitzgerald, standing with harp alongside and music score, hand-tinted photograph, 21 x 15cm (arched) in morocco leather hinged case £40-60

Oils and Watercolours Lots 100-461

100. ALFRED GRENFELL HAIGH (1870-1963) Portrait of ‘Joe’ and ‘Peter’ (A West Highland Terrier and Jack Russell), signed, dated 1935 and titled with names, oil on board, 19 x 27cm £200-300

101. * NILSON ‘Eglise St. Pierre, Martigues’, signed and dated ‘28, oil on canvas, 27 x 34cm £80-120

102. * KOPEEZKY ‘Trees’, signed, oil on board, 44 x 34cm £80-120

103. FOLLOWER OF GEORGE ARMFIELD (1808-1893) A dog in a landscape, oil on canvas, 49.5 x 40cm £40-60

104. A FOLIO OF APPROXIMATELY 129 WATERCOLOURS, drawings, pastels, mono-prints and pen and ink drawings by Mary Pearce, subjects mainly including landscapes and life studies, various sizes £100-200

105. CHARLES MAYES WIGG (1889-1969) ‘At Morning’, inscribed verso, watercolour, 25 x 35cm; two further watercolours to include Paula Ponca - a waterfall, inscribed verso and dated ‘1795’, 20 x 17cm; and a coastal scene in the manner of Henry Barlow Carter (3) £80-120

106. ATTRIBUTED TO DAVID COX SNR (1783-1859) Coastal shipping, watercolour, 15 x 22.5cm, Prov: Sothebys 5.5.1992; two further works to include: 19th Century English School: View of Hastings from the Minnis Rock, pencil drawing, 18 x 27cm; and a watercolour view of Harlech Castle (3) £80-120

107. EDWARD KINGTON BRICE (1860-1948) ‘Ashton Under Hill’, watercolour, signed, 22 x 36.5cm, Prov: From the Artist’s Studio Collection, Sothebys 1.12.1981; and J Deanne Simmons - ‘Wet Weather on the Thames at Wargrave’, inscribed on original label verso and also inscribed ‘Royal Academy’, watercolour, 28 x 51cm (2) £50-80

108. I * HEURTELOUP ‘Un pont sur une petite riviere avec une petite maison pittoresque dans le fond’, signed with monogram, pen, ink and watercolour, 8 x 15cm * Titled on label verso and dated 1873 £40-60

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109. JAMES AITKEN (c.1853-1935) Shipping in an estuary, signed, watercolour, 16.5 x 24cm £60-80

110. F.J. FETSCHE? A continental village with figure in an alley way, signed, watercolour, 36.5 x 26.5cm; and another by the same hand - Poppies and other flowers in a vase, signed and dated 1916, watercolour, 34 x 24.5cm (2) £100-150

111. A MCARTHUR ‘The Fish Market’, signed, watercolour heightened with white, 36 x 52cm; and two further watercolours to include: a country lane with cattle passing a cottage; and an upturned wicker basket or eel trap (3) £50-80

113. GEORGE EDWARD COLLINS (1880-1968) A fashionable young lady at a doorway, signed and dated 1910, watercolour, 27 x 18.5cm (unframed) £100-150

112. NEAPOLITAN SCHOOL ‘Napoli Da Posilipo’, gouache, 28.5 x 41.5cm £80-120

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114. 19TH CENTURY ENGLISH SCHOOL Portrait of a lady in an interior, oil on panel, 46 x 36cm; and a portrait of a sailor boy, oil on canvas, 37 x 30cm (both unframed) (2) £100-200

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115. 18TH CENTURY CONTINENTAL SCHOOL St Christopher with Christ Child, oil on canvas laid onto panel, 30 x 19cm £100-200

116. HELEN CORDELIA ANGELL (1847-1884) Still life - a dead green finch on a mossy bank, signed, watercolour, 12 x 18.5cm; and companion, a pair (2) £80-120

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118. ROY PERRY (1935-1993) ‘Winter in the Upper Test Valley’, signed, oil on board, 32 x 52cm £80-120 117. GERALD NORDEN (1912-2000) ‘Rio Degli Schiavoni’, signed, watercolour, 15 x 22cm £60-80

119. RUSSELL DOWSON (1841-1914) View of Windsor Castle from the Eton School Boat House, signed and dated 1888, watercolour, 26 x 37cm £80-120

120. F * M * SEVILLE (19TH CENTURY) ‘On the Severn From Pinkley Rough Near Shrewsbury’, signed and dated April 1889, watercolour, 35 x 52cm £40-60

121. 20TH CENTURY EASTERN SCHOOL Portrait of a young man with turban, indistinctly inscribed and dated 1948, oil on canvas, 86 x 69cm £80-120

122. FOLLOWER OF ALBERT GOODWIN (1845-1932) Shipping at Tower Bridge, London, bears monogram, charcoals heightened in white, 20.5 x 29cm £40-60

123. B * P * COLLINS? Head and shoulders portrait of a lady in medieval attire, signed, sepia chalk drawing, 29 x 19cm; and one further of an Asian gentleman wearing cap, 21 x 16.5cm; and 20th century English school: Head and Shoulders portrait of a lady, charcoals, 26 x 21 cms oval (3) £40-60

124. ATTRIBUTED TO FREDERICK JOHN WIDGERY (1861-1942) A heath land with grazing cattle and distant tors, gouache, 29 x 63cm £60-80

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126. ROBERT POHL (1917-1981) A mountainous river landscape, probably South Africa, signed and dated ‘48, oil on canvas, 31.5 x 47cm £100-150

127. CARL GEHRTS (1853-1898) A river landscape with cattle and farmhand, signed, pen and ink drawing, 20 x 38.5cm £60-80

128. * HEATH A greater spotted (Pied) woodpecker, signed, watercolour, 26 x 19.5cm £40-60

129. ATTRIBUTED TO PATRICK NASMYTH (1787-1831) Anglers fishing from a river bridge in an extensive landscape, inscribed ‘P Nasmyth’ verso, oil on panel, 17.5 x 16cm, unframed £80-120

130. J.R. SMITH ‘Great Gaddesden’, signed, watercolour, 35 x 42cm; and English School: figures on a harbour promenade, gouache, 20 x 26.5cm (2) £50-100

131. HENRY HOWARD HILES (b.1857) A hillside landscape, signed, oil on canvas, 32.5 x 40cm £80-120

132. ENGLISH SCHOOL: Figures working by barns, signed with monogram ?J.S. and possibly faintly inscribed, watercolour, 33 x 49.5cm £100-150

133. BERNARD FLEETWOOD WALKER (1892-1965) ‘Portrait of a Lady’, oil on canvas board, 39.5 x 29cm £80-120

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125. ALLERLEY GLOSSOP (1870-1955) A mountain range shrouded in sunlight, possibly the Drakensberg mountain range, South Africa, signed, oil on canvas, 24 x 19cm; and Alison Birch - A continental town with river bridge, signed, watercolour, 39 x 44cm (2) £80-120

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134. CIRCLE OF JOHN VARLEY (1778-1842) Figures resting in a mountainous river landscape, bears signature ‘J. Varley’, watercolour, 18 x 26cm £80-120

135. GEORGE R. COPCUTT (19TH/20TH CENTURY) ‘Ladakhi’, signed and titled, watercolour heightened in white, 31 x 22cm £60-80

136. J * VAN GELDER African landscape with figure, signed, inscribed verso ‘Comley’, oil on canvas, 54 x 70cm £30-50

137. ALFRED BENNETT BAMFORD (act. 1880-1930) View of North and East Cloister St Bartholomew, Smithfield, signed and indistinctly dated, watercolour, 25 x 17cm; and one further by the same hand - Cloister St Bartholomew The Great Smithfield, 24.5 x 16.5cm (2)

138. ERNEST MORRIS BURROWS (19TH CENTURY) Figures at a fountain in a continental square, probably Bruges, signed and dated 1878, watercolour, 43 x 31cm £60-80

139. JOHN SYER (1815-1885) ‘Whitby from Upgang’, signed with initials and titled, watercolour, 32 x 49cm £100-120

141. JEAN-PIERRE SERRIER (1934-1989) Children on the beach, a pair, signed and dated 1964, oil on canvas, 18 x 32cm (2) £100-200

142. 20TH CENTURY BRITISH SCHOOL Landscape with cottages, signed ‘Isherwood’, oil on canvas, 39.5 x 50cm £200-300

Each with further details attached to verso £200-250

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140. VIVIAN ROLT (1874-1933) An extensive landscape with figures, signed, oil on panel, 18 x 29cm £80-120

144. WILLIAM EDWARD MILLNER (1849-1895) Summer Fashions’, a young girl trimming her hat with firs, oil on board, 30 x 22cm

143. ALMA CLAUDE BURLTON CULL (1880-1931) Table Mountain, Cape Town, South Africa, signed, watercolour, 22.5 x 31.5cm £100-150

The work is signed in ink to a letter attached verso dated Jany 23rd ‘65. This also describes further features of the work £200-300

145. ATTRIBUTED TO MAJOR GENERAL DEDDLINS ‘Mentone’, signed ‘T.A. de M’ and dated ‘26, watercolour, 18 x 28cm £80-120

146. ANDRÈ DE LIEVIN (1910-1976) The coast at low tide, signed, oil on canvas, 44 x 54cm André de Lievin (a pseudonym for Pierre de Clausade) £400-600

147. MYLES BIRKET FOSTER (1825-1899) Bracken gatherers, signed with monogram, watercolour, 14 x 18cm Prov: Sotheby’s 6 November 1991 Lot No. 288 With Richard Green £1000-1500

148. MYLES BIRKET FOSTER (1825-1899) ‘Venice’, signed with monogram, watercolour, 14 x 9.5cm

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Prov: With old label verso inscribed ‘Scene in Venice by Birkett Foster bought at Agnews Exhibition 1884 Price 30 guineas for Freda Pritchard’ Sotheby’s 6 November 1991 Lot No. 302 £600-800

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149. MYLES BIRKET FOSTER (1825-1899) ‘Oestrich on the Rhine’, watercolour vignette, 10 x 12cm With the British Galleries, 7 Haymarket, London £300-500

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151. EVA HOLLYER (1865-1948) Two ladies in a summer garden, signed, watercolour en grisaille, 26 x 18cm £120-150

154. ALEXANDER GIBBS & CO (1858-1915) Design for a stained glass window at Boldre Church, Hants, printed with name to mount, watercolour, 41 x 26cm arched (mounted but unframed) £40-60

150A. WILLIAM WESTHOFEN (1842-1925) A mountain landscape with shepherd driving sheep, possibly South Africa, signed and dated July 1878, numbered 22, watercolour, 22 x 35cm £80-120

152. WALTER JENKS MORGAN (1847-1924) ‘Beaten’ - a boxer tended to by his second, signed, watercolour, 18 x 11.5cm £120-150

153. 19TH CENTURY AFTER CLAUDE LORRAINE View of a port with the Capitol, watercolour, 21 x 29cm; and 20th Century Continental School - a market square with fountain, oil on board, 30 x 38cm (2) £80-120

155. HERBERT MENZIES MARSHALL (1841-1913) Westminster Abbey, signed and dated 1901, watercolour, 10 x 16.5cm £100-150

156. LEWIS CHARLES POWLES (1860-1942) Cattle watering from a riverbank, signed, watercolour, 15.5 x 22.5cm; a watercolour landscape in the manner of John Varley; three further various watercolours; and four various prints or etchings, artists including Honore Dobbs and Gary Low, one item unframed (9) £50-100 157. No Lot

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150. JOHN MACALLAN SWAN (1847-1910) A comfy cat, signed and dated 1889, oil on board, 27 x 16.5cm £100-200

158. RICHARD H. HILDER (1813-1852) Wooded landscapes with figures and cattle, a pair, one signed (obscured by frame), oils on panel, 30 x 41cm (2) £400-600

159. BARCLAY WALKER (20TH CENTURY) ‘Warm Camp Wood, Bear Brook, New Brunswick’, ‘Partridge’ and ‘Moose’, a group of three, each signed and dated ‘79, watercolour and body-colour, 28 x 37.5cm, unframed (3) £50-100

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161. ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) ‘Mapledurham’, signed and titled, watercolour, 34 x 48cm £200-300

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160. ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) A continental summer landscape with village, signed, watercolour, 33 x 44cm £150-250

162. ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) An arched river bridge in summer time, signed, watercolour, 46 x 49cm £100-200

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163. ARTHUR HENRY KNIGHTON HAMMOND (1875-1970) A building with portico, signed, watercolour, 45 x 60cm £200-300

168. SOLOMAN COLE (c.1806-1893) Portrait of a seated gentleman holding a document, inscribed verso ‘Painted by Soloman Cole 1844’, oil on canvas, 89 x 70cm The sitter is reputedly a member of the Lowndes family With John Bly, 50 High Street, Tring, March 1992 £300-500

Prov: With the Peterloo Gallery, Manchester £100-150

166. CLAUDE HAYES (1852-1922) A sun drenched winter landscape with labourers, signed, watercolour, 52 x 74cm £250-300

167. SHOLTO JOHNSTONE DOUGLAS (1871-1958) ‘Figure beneath Provencale Trees near Vallescure’ and ‘Gathering Wood, Provence’, two watercolours, 24 x 19cm and 24.5 x 19.5cm (2) £50-100

169. ATTRIBUTED TO JOHANN CHRISTIAN VON MANNLICH (1741 - 1822) Portrait of a young gentleman with wavy brown hair wearing dark stock and overcoat, inscribed in pencil with attribution verso, oil on canvas, 42 x 32cm; and companion, a pair (2) Prov: with Hallidays December 1983 £300-500

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165. ADRIAEN VAN EVERDINGEN (1832-1912) ‘Evening in the Campagna’, signed and dated ?’69, watercolour, 28 x 46cm £100-200

164. PATTY MARTIN (20TH CENTURY) ‘Memory of Gozo’, signed, oil on board, 43 x 59cm; and one further by the same hand - ‘Russet’, signed, oil on board, 75 x 58cm (2)

171. RICHARD WILLIAM HALFNIGHT (1855-1925) A drover with sheep in a landscape, signed, watercolour, 25 x 35.5cm £60-80

172. FREDERICK BENI PARR (1887-1970) The home of Sir Walter Raleigh at Budleigh Salterton, signed F. Beni, watercolour, 25 x 36cm £80-120

173. EDWARD DUNCAN (1803-1882) ‘Scraps from Nature’, a Sketch Book containing approximately twenty sketches in pencil or ink, mainly stamped with monogram and some titled and inscribed, to include shipping scenes, ornithological subjects, landscapes etc., varying sizes bound in half calf and with title tablet to cover £80-120

174. CLAUDE HAYES (1852-1922) Landscape with grazing cattle, signed, watercolour, 24 x 34cm; and one further watercolour attributed to Thomas Baker of Leamington (1809-1869) - River landscape, 17 x 25cm (with provenance regarding the attribution attached to label verso) (2) £50-100

175. ENGLISH SCHOOL (EARLY 20TH CENTURY) ‘Padstow Pier’, titled and dated 16 Aug ‘39, pencil and watercolour, 23 x 29.5cm; and another similar by the same hand titled ‘Padstow’, 23 x 31cm (2) £40-60

176. G * MONEU? ‘Mrs Sarah Bernhardt’, signed, titled and dated ‘90, pastels, 42 x 31cm £50-100

177. ATTRIBUTED TO JOHN AUGUSTUS ATKINSON (1775-1833) Wilmington Priory, pen, ink and watercolour, with a further figure study verso, 16 x 22cm, mounted but unframed £80-120

178. ENGLISH SCHOOL (LATE 18TH/EARLY 19TH CENTURY) Shipping in an estuary overlooked by a fort, watercolour, 16.5 x 36cm, mounted but unframed

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170. MARTIN HARDIE (1875-1952) ‘Mouthier, French Jura’, signed, watercolour, 28 x 37cm £50-70

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With collector’s stamp for Sir Bruce S. Ingram (born 1877) (L.1405a) £50-80

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179. ATTRIBUTED TO DOROTHY ADAMSON (1894-1934) Cocker Spaniels, charcoals, 36 x 41cm; a further study, probably by the same hand, and two further works, all unframed (4) £30-50

180. DR WILLIAM CROTCH (1775-1847) ‘77 Emont Bridge From The Westmorland Side From a Print by T. Allom’, signed with initials and dated Nov 15 1842 and inscribed with title, watercolour, 16 x 23cm; and two further by the same hand to include ‘Wick Near Bath’, 15 x 22cm; and ‘’71 Bethgellert Merionethshire’, inscribed with further details below mount (according to note attached verso), 13.5 x 22cm (3) £150-250

182. DR WILLIAM CROTCH (1775-1847) A Parkland with river bridge, watercolour, 15 x 20cm Prov: Thomas Agnew & Sons Ltd; and two further works attributed to the same hand (3) £100-200

183. DR WILLIAM CROTCH (1775-1847) Queen’s College, Oxford 1814, pencil and grey wash drawing, 13 x 21cm

184. DR WILLIAM CROTCH (1775-1847) ‘Chiesa di S. Sabba Abate, Rome’, pencil and colour washes, 15 x 22cm

Prov: With the Wren Gallery Ltd £100-150

Prov: With Sanders of Oxford £100-150

185. DR WILLIAM CROTCH (1775-1847) ‘Eton College Chapel’, extensively inscribed, dated 10.20am Aug.1 1832, pencil and colour washes, 13 x 20cm

181. DR WILLIAM CROTCH (1775-1847) ‘Budleigh Salterton’, pencil and colour washes, 14 x 17.5cm; and one further by the same hand - ‘Budleigh Salterton - July 4 1833 Looking Back To Ye Honiton Road’, 12 x 17cm (2) Prov: Each with the Wren Gallery Ltd £200-300

186. SIR DAVID MURRAY (1849-1933) ‘Landscape, Bidford, Warwickshire’, signed and dated ‘99, oil on canvas, 44.5 x 59.5cm £800-1000

Prov: With Spink, King Street, St James’s, London £200-300

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188. RENÈE CARPENTIER-WINTZ (1913-2003) ‘Face au Large’, signed, oil on canvas, 100 x 80cm

190. JEAN YOUNG (1914-1995) A mother tending to her child’s hair, signed, oil on board, 26.5 x 20.5cm £200-300

191. JEAN YOUNG (1914-1995) Still life, a jug of flowers, plates, fruit and further utensils upon a table top, signed, oil on canvas, 44 x 100cm £200-300

192. J * C * LUND A welcome break, signed, watercolour, 18.5 x 29cm £80-120

193. THOMAS NICHOLSON TYNDALE (1860-1930) A lady at a cottage gateway in summer time, signed, also inscribed verso ‘Clifton Hampden, Oxfordshire’, watercolour, 19 x 29cm £50-100

194. EDMOND MORISON WIMPERIS (1835-1900) ‘Near Studland, Dorset’, signed with initials and dated ‘86, watercolour, 24 x 34cm £60-100

195. WILLIAM CALLOW (1812-1908) Distant view of Wells, signed, also initialled and dated ‘99 verso, watercolour, 25 x 35.5cm

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187. EDMOND YON (1836-1897) ‘L’Oije · Ourscamps’, signed, titled and inscribed ‘Souvenir Cordial’, oil on canvas, 26 x 34cm £200-300

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Exh. Salon de la Marine, 28 Oct 1972 £200-300

189. RENÈE CARPENTIER-WINTZ (1913-2003) Moored sailing vessels, signed, oil on board, 9.5 x 14cm; and one further marine scene, indistinctly signed, 9 x 16cm (2) £80-120

Prov: With the Manning Galleries Ltd £300-400

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197. MARCEL DYF (1899-1985) Claudine reading at a table, signed, oil on canvas, 54 x 44cm £3000-4000

196. JAMES CHISHOLM GOODEN (fl.1835-1875) Shipping in a heavy swell off the coast, watercolour, with a further sketch attached verso, 13 x 28cm Prov: Walker’s Galleries Ltd (Verity Waterlow Bequest) Heather Newman Galleries £50-80

199. G * J * BROUVER? Swans in flight over the coast at sunset, signed, oil on canvas, 49 x 69cm £50-80

201. C * M * JONES ‘Power Station, Barton’, signed, oil on board, 22.5 x 17.5cm £80-120

200. 20TH CENTURY ENGLISH SCHOOL Moored sailing vessels at dusk, indistinctly signed, oil on board, 21 x 42cm £40-60

202. ANDRÈ DE MOLLER (20TH/21ST CENTURY) Landscape with labourers in the Dutch style, signed verso and dated Jan 12th 2015, oil on canvas, 49 x 59cm £100-200

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198. * NORMAND ‘La Cote Pre’s de Nice’, signed, oil on canvas, 58 x 72cm £80-120

203. JOHN ERNEST FOSTER (1877-c.1965) Still life - a jug of roses, oil on canvas, 54 x 44cm £300-400

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205. CIRCLE OF THOMAS SIDNEY COOPER (1803-1902) ‘Dover Cliffs’, bears signature, oil on canvas, 49 x 74cm £200-400

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204. H * MARKS A French wooded landscape with distant dwelling, signed, indistinctly inscribed ‘Chal...’ verso, oil on canvas, 94 x 39cm £50-100

206. WYCLIFFE EGGINTON (1875-1951) ‘Peat Gatherers Caithness’, signed, watercolour, 52 x 74cm £300-500

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Lot 207: 18TH CENTURY ITALIAN SCHOOL Three classical figures in an interior, oil on canvas, 80 x 85cm Est. £800 – 1200

Lot 208: CIRCLE OF SIR GODFREY KNELLER (1646-1723) A lady seated in an interior with floral garland, her husband alongside holding a timepiece, oil on canvas, 82 x 69cm Est. £1000 – 1500

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Lot 209: FOLLOWER OF CORNELIS DROOCHSLOOT (1586-1666) An extensive pastoral landscape with figures outside an inn, oil on canvas, 160 x 192cm Est. £300 – 500

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Lot 210: ATTRIBUTED TO LE NAIN (17TH CENTURY) The spectacle vendor, oil on panel, 32 x 41cm Est. £800 – 1200

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Lot 211: ATTRIBUTED TO PIETER NASON (c.1612-1689) Portrait of a gentleman with long curly hair wearing a broad lace collar and armour, oil on canvas, 75 x 62cm Est. £2000 – 3000

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Lot 212: FOLLOWER OF JAN WYCK (1644-1702) An Arab calvary skirmish off a walled city, oil on canvas, 80 x 101cm Est. £2000 – 3000

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Lot 213: CIRCLE OF DANIEL MYTENS (c.1590-c.1647) Bust length portrait of a gentleman wearing lace ruff and maroon doublet, oil on canvas, 68 x 59cm, unframed Est. £2000 – 3000

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Lot 214: FOLLOWER OF GIOVANNI BATTISTA RUOPPOLO (1629-1693) Still life, an abundance of mixed flowers and upturned stoneware vase in a landscape setting, oil on canvas, 49 x 130cm Est. £1500 – 2500

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Lot 215: CIRCLE OF WILLEM WISSING (1656-1687) Half-length portrait of a lady with long dark curly hair and floral patterned bodice, oil on canvas, 77 x 64cm, oval, unframed Est. £700 – 900

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216. ATTRIBUTED TO GEORGE PYNE (1800-1884) Peckwater Quad, Christ Church, watercolour, 15.5 x 21.5cm, unframed £60-80

217. DONALD H FLOYD (1892 -1965) ‘The Pembrokeshire Coast’ signed,oil on canvas board 30cm x40cm £80-120

218. JOHN ALDRIDGE (1905-1983) ‘Orchard at Great Bardfield’, signed and dated ‘23 Mar ‘52, pencil drawing, 19 x 25cm; and one further by the same hand - ‘Hoorn’, signed with initials, titled and dated 1956, pen and ink drawing, 19 x 24cm (2) £100-200

219. JOHN ALDRIDGE (1905-1983) ‘Great Bardfield’, signed, inscribed with title and dated 1963, charcoal and colour washes, 18 x 24cm £300-500

220. CUZCO SCHOOL The young Christ child seated in a flower garden, oil on copper, 7.5 x 6cm £300-400

221. CHRISTIAN SELL (1831-1883) Franco Prussian War - German cavalry man escorting two French poilus, signed and dated ?1874, oil on panel, 13 x 17cm £250-300

223. DAVID HALDANE (20TH/21ST CENTURY) ‘Thames Cable Car/ ‘The view’s great but the ski-ing is lowsy’, signed, fibre tip pen, 16 x 10cm; and three further by the same hand - The Higgs Boson elementary particle was theorised in 1964 but finally discovered at Cern’s Large Hadron Collider in Switzerland on 4 July 2012, 16 x 11.5cm; ‘Andy Murray Hope/England expects every Scot to do his duty’, 18 x 11cms; and ‘Morecambe and Wise’, A scene from the 1972 sketch ‘New Balls Please’, 24 x 19cm (4) £80-120

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222. MEL CALMAN (1931-1994) Breakfast-time altercation: a demonstration drawing, signed, fibre tip pen, 1992, 18.5 x 15cm; and Nicholas Garland (b.1935) - Garland painting a political portrait, inscribed, signed and dated 27th May 1992, pen and ink, 20 x 29cm (2) £80-120

224. BERT THOMAS (1883-1966) The last of the G.I. Joes, Trafalgar Square, signed, ink and watercolour, 1945, 34.5 x 25.5cm £80-120

225. DAVID LANGDON OBE (1914-2011) ‘A1 at Lloyd’s Salvage Satisfaction’, signed, ink and wash, for Punch, 9th January 1957, 14.5 x 21cm; and Tom Webster (1886-1962) - ‘Nightmare of a Cartoonist who tried to cover all the sporting events of the week’, signed,inks, inscribed and dated 1925, 28 x 22cm (2) £60-100

227. B*B* BINGLEY (19TH CENTURY) A coastal town with figures resting on a harbour wall, signed and dated 1899, watercolour, 25cm x 34.5cm; and one further by the same hand, signed and dated ‘90, 24cm x 33.5cm (2) £60-100

226. G* M* PAYNE A comical golfing moment, signed, pen and brown inks, 20 x 26.5cm £80-120

228. WILLIAM ANDERSON (1757-1837) ‘A Dutch Hooker with a Frigate and a Third Rate’, oil on panel, 20.5 x 32cm

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With the Parker Gallery £1500-2000

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229. WILLIAM ANDERSON (1757-1837) ‘A Dutch Hooker Putting to Sea with an Indiaman and General Shipping off the Dutch Coast’, oil on canvas, 23.5 x 34cm With the Parker Gallery £1500-2000

230. V * V * B * ‘Evening by the Godavari River, India’, signed with initials, dated 1927 verso, watercolour, 20 x 35cm It has been suggested that the artist could be the miniaturist Violet Victoria Butler (1889-1980) who was in India in the 1920’s

231. * SCHMITZ (19TH234 CENTURY) A river landscape with figure on a path, signed, oil on canvas, 44 x 65cm For further history regarding the painting please contact the saleroom £100-200

Prov: Previously the property of Philip Furley Fyson, Botanist and Educator who worked in India and is noted as the author of the first illustrated volume on the Flora of the South Indian Hills. £80-120

232. FOLLOWER OF SALVATOR ROSA (1615-1673) A classical landscape with soldiers and figures, oil on canvas, 48 x 92cm £300-500

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233. CIRCLE OF WILLEM VAN DE VELDE II (1633-1707) Dutch men o’ war and further sailing craft at sea, signed with initials, pen and sepia washes on watermarked laid paper, 27 x 39cm, unframed £300-400

234. GEORGE WEATHERILL (1810-1890) ‘Whitby’, signed, watercolour, 9 x 14.5cm £300-500

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235. CIRCLE OF PETER MONAMY (1681-1749) Figures and shipping off the coast with a Dutch man o’ war in the distance, oil on panel, 28.5 x 44.5cm £300-500

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236. 19TH CENTURY ENGLISH SCHOOL AFTER CLAUDE LORRAINE View of a seaport, watercolour, 77 x 98cm £50-150

237. EDWARD MILLINGTON SYNGE (1860-1913) A side canal with church facade, probably Venice, signed and dated 1906, watercolour, 31 x 22.5cm; two further attributed to the same hand; and 19th Century Continental School - portrait of a gentleman with pipe, oil on canvas, 24.5 x 19cm (4) £50-100

238. ATTRIBUTED TO MISS F. MASON (exh.1892-95) Still life - a copper preserve pan and oranges upon a table, signed and dated 1894, oil on canvas, 49.5 x 72cm £100-200

239. JEFFREY PRATT (b.1940) A river bridge in the manner of Monet, signed, oil on canvas, 69 x 90cm £600-800

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240. ANTHONY FLEMMING (b.1936) ‘Battersea Reach’, signed, watercolour, 26 x 35.5cm Anthony Flemming a member of the Wapping Group of Artists and son of the artist Rowland Hilder Prov: With Duncan Campbell Fine Art £100-150

241. YVONNE BAUDON (20TH CENTURY) A continental mountainous landscape with lake, signed, oil on board, 36 x 44cm £40-60

243. ATTRIBUTED TO PIET RACKWITZ (1892-1968) ‘Grote Kerk, Lange Geldrse Kade, Dordrecht’, watercolour and body-colour, 29 x 39.5cm

244. LAJOS SZIKLAI (HUNGARIAN 20TH CENTURY) Still life - a vase of dahlias, signed, oil on canvas, 38 x 29cm

Prov: The attribution by family repute £200-300

Lajos Sziklai exhibited Budapest 1917 £80-120

245. FRANCIS WYNNE THOMAS (1907-1989) The Matterhorn, signed, oil on canvas, 49 x 74cm £100-200

246. WALTER TOMLINSON (c.1833-1909) The artist at work, faintly signed with monogram and also inscribed ‘Walter Tomlinson 1864’, oil on canvas, 71 x 92cm, unframed £200-300

247. ATTRIBUTED TO EDWARD CHARLES BARNES (act.1856-1882) ‘Waiting for Dinner’, inscribed verso ‘Waiting for Dinner

By Barns’, oil on board, 30 x 24.5cm £100-200

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242. * BURTON (19TH CENTURY) The river and church at Goring on Thames, signed, oil on canvas, 39 x 60cm £100-150

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248. 19TH CENTURY SWISS SCHOOL Mountain range, possibly Jungfrau, indistinctly inscribed verso, oil on panel, 39 x 50cm £100-200

249. PETER FINCH (1916-1977) Moonlight - Venice, oil on panel, 79 x 120cm Frederick George Peter Ingle Finch better known as an English-Australian actor The work is sold with an old accompanying letter from Yolande Finch (second wife of Peter Finch) confirming the attribution of the work £300-500

250. HENRY FOLEY (1848-1874) A continental market square with cathedral, signed, oil on canvas, 59 x 50cm £200-300

251. R * DARLOW ‘Madame B. du LépÍrvanche’, signed, oil on canvas, 45 x 35cm £50-100

252. 19TH CENTURY ENGLISH SCHOOL Portrait of a mother with child, colour chalks, 24.5 x 19cm oval; and a portrait engraving of Napoleon in maple frame (2) £40-60

253. CHARLES EDWIN FLOWER (b.1871) Mapledurham Mill, signed, watercolour, 32.5 x 43cm £80-120

254. CHARLES EDWIN FLOWER (b.1871) A stately home with flower garden, signed, watercolour, 37 x 25cm £80-120

255. CHARLES EDWIN FLOWER (b.1871) Cottage on the Green at Warborough next to The Six Bells, signed and dated 1925, watercolour, 26 x 34cm; and two further to include Stoke-by-Nayland Church, 41 x 31cm; and ‘Road Through The Chilterns’, 34 x 40cm (3) £50-100

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256. CHARLES EDWIN FLOWER (b.1871) Sailing vessels moored in tranquil waters, signed, watercolour and body-colour, 31 x 21cm £40-60

257. CHARLES EDWIN FLOWER (b.1871) Flower garden with statue of Cupid, signed, watercolour, 39 x 28cm; and one further by the same hand - Floral pathway at Kew Gardens, 34 x 24cm (2) £50-100

259. NICHOLAS HELY-HUTCHINSON (b.1955) A provencal landscape with roadway, signed with initials and dated ‘87, watercolour, 55 x 67cm £500-700

260. NICHOLAS HELY-HUTCHINSON (b.1955) Dining in the Mirabelle Restaurant, Mayfair, London, signed with initials and dated ‘87, watercolour, 55 x 97cm £800-1200

261. NICHOLAS HELY-HUTCHINSON (b.1955) ‘The Hereford Bull’, signed with initials, oil on canvas, 63 x 79cm

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258. NICHOLAS HELY-HUTCHINSON (b.1955) A provencal landscape with hilltop village, signed with initials and dated ‘87, watercolour, 34 x 41cm £300-500

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Exh. The Jerram Gallery, May 1995 No. 19 £800-1200

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263. ENGLISH SCHOOL (EARLY 20TH CENTURY) ‘Fountain Court’, signed with monogram, titled and dated 1932, watercolour, 32 x 59cm

265. STANLEY GRIMM (1891-1966) Still life, a vase of flowers upon a table surface with fruit alongside, signed and dated 1945, oil on board, 59 x 49cm £100-200

266. FOLLOWER OF CAMILLE BOMBOIS (1883-1970) A woodland with dappled sunlight, bears signature, oil on canvas board, 48 x 39cm £80-120

With W Heffer & Sons Ltd, Cambridge £50-100

268. A * B * (20TH CENTURY RUSSIAN SCHOOL) Landscape with figures, signed with initials and dated ‘84, inscribed in Cyrillic verso, watercolour, 24 x 44cm; and eight further works to include: a small Russian pencil drawing, indistinctly signed; a view of Durham Cathedral by Papas; a pastel flower study; a view of Culvall, Cornwall; a pencil sketch of a pistol; a Maison Kurt print; a pen and ink study of Madonna and child, inscribed verso ‘Joseph Crawhall Fecit, January 1852’; and a view of an Arabian street, all unframed (10) £80-120

269. G * S * VASIETSKI? Still life - a glass vase of roses, indistinctly signed, oil on canvas, 42 x 35cm £200-300

264. 20TH CENTURY ENGLISH SCHOOL Portrait of a semi clad lady wearing a frilled skirt, indistinctly signed ‘A.C.C...’, pastels, 48 x 32cm £80-120

267. 20TH CENTURY BRITISH SCHOOL A lady dressed in kimono knitting in a formal garden, watercolour with a further watercolour verso, 24 x 34.5cm; and three further works to include: a watercolour titled - ‘In Prince’s Street Gardens May 13 1906’, a charcoal portrait of an African boy dated 28/01/65 and inscribed Kano verso; and a 19th Century English pencil drawing of a cottage, all unframed (4) £50-100

270. WILLIAM MAINWARING PALIN (1862-1947) Portrait of Edith Sitwell seated in a chair, signed, oil on canvas board, 33 x 24.5cm Inscribed in pencil verso ‘Edith Sitwell Aug ‘20’ £300-500

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262. FOLLOWER OF CHRISTIAN WILHELM ERNST DIETRICH (1712-1774) Portrait of an old bearded man, oil on panel, 24 x 17.5cm £100-200

271. JOHN NICOLAS RHODES (1809-1842) ‘The Birds Rest’, signed, oil on panel, 32 x 27cm Exh. Clayton Hospital Exhibition, Watchfield No. 299 £300-500

272. ATTRIBUTED TO JOSEPH FARQUHARSON (1846-1935) A winter landscape with sheep, inscribed verso ‘Joseph Farquharson So Winter...’, oil on board, 16 x 29cm £300-500

274. ATTRIBUTED TO HENRY LINTOTT (1877-1965) ‘South Downs’, oil on panel, 26 x 34cm; and Hugh M. Ewing (exh.1928-32) - A farmyard, signed and dated 1926, watercolour, 26 x 28cm (2) £80-120

275. JOHN MACFARLANE (b.1948) Children’s costume design for Benjamin Britten’s ‘Midsummer Nights Dream’ at the Cologne State Opera 1988, signed and dated ‘88, mixed media, 32 x 47cm £100-200

276. JOHN MACFARLANE (b.1948) ‘Soldiers Tale - Tango Costume’, signed, titled and dated ‘86, mixed media, 37 x 52.5cm £80-120

277. CIRCLE OF DUNCAN GRANT (1885-1978) A woodland with barn, possibly faintly signed with initials (lower right), oil on panel, 16 x 25.5cm £200-300

278. JOHN NASH (1893-1977) Study for ‘Boat Yard’, watercolour, crayons and pencil, annotated and squared for transfer, 36 x 23.5cm

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273. EMILE ROBELLAZ (1844-1882) Inn scene with figures in combat, signed, oil on canvas, 16.5 x 14.5cm £100-150

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With the Malthouse Gallery Ltd, 3 Cork Street, London, Feb 1974 £500-700

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280. JOHN ALFRED WHEELER (1821-1903) ‘An Old Gray Pony’, inscribed ‘By J.A. Wheeler, Raglan Villa, Bath’ verso, oil on panel, 31 x 46cm, unframed £200-300

282. WILLIAM ERIC THORP (1901-1993) ‘Maldon, Essex’, signed, oil on canvas, 49 x 59cm £200-400

284. T * S * (19TH CENTURY) A white horse at a doorway, signed with monogram, oil on canvas, 33.5 x 45cm £80-120

281. 19TH CENTURY ENGLISH SCHOOL Still life - roses with water droplets in a naturalistic setting, oil on canvas, 29.5 x 22cm; and one further still life, indistinctly signed, 66 x 52cm, the latter unframed (2) £60-80

283. HUGH L. NORRIS (c.1863-1942) ‘Lilies and Magnolia’, signed, watercolour, 29 x 23cm With the Fine Art Society Ltd £60-80

285. WILLIAM WYLD (1806-1889) Coastal views, probably Devon, a pair, signed and dated 1876, watercolours, 29.5cm tondo (2) £100-150

286. F * J * COPNALL Portrait of a fisherman, signed and inscribed ‘Sketch’, oil on canvas, 52 x 44cm £100-150

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279. GLYNN BOYD-HARTE (1948-2003) ‘Metropolitain, Tuileries’, signed and inscribed ‘Paris January 1980’, pastels/coloured crayons, 40 x 58cm £200-300

287. GEORGE GOODWIN KILBURNE (1839-1924) ‘Boulogne Fisher Girl’, signed and dated 1874, watercolour, 32.5 x 19cm £200-300 288. PETER J. ASHMORE (20TH CENTURY) ‘A Stroll Along The Pier’, signed, watercolour, 14.5 x 31.5cm With Richard Hagen of Broadway £80-120

289. PETER J. ASHMORE (20TH CENTURY) ‘Holmes, Baker Street’, signed and dated ‘87, watercolour, 20 x 23cm With Richard Hagen of Broadway £100-150

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292. R * A * RAY (20TH CENTURY) ‘The Bullock Yard, Ford, Sussex’, signed, titled and dated 1919, watercolour, 24 x 32cm; and three further watercolours or pastels to include: a young girl in a summer landscape, indistinctly inscribed to old label attached verso; a study of a woodland; and a farm girl with calf in the style of Myles Birkett Foster (4) £50-150

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290. ARTHUR WILDE PARSONS (1854-1931) River landscape with shipping, signed and dated 1907, watercolour, 30 x 45cm £80-120

291. 19TH CENTURY ENGLISH SCHOOL Figures with plough horses resting by a barn in a landscape, indistinctly signed, watercolour, 13.5 x 19cm £60-80

293. ARTHUR HENRY JENKINS (1871-1940) A summer landscape with haystack, signed, indistinctly inscribed with title verso, oil on canvas board, 34 x 42cm £100-200

294. T * A * (19TH CENTURY) A young maiden in a landscape, signed with monogram, watercolour, 32 x 24cm £80-120

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295. HENRY HILTON (act. 1879-1888) River landscape with cattle, signed, watercolour, 10 x 15cm; and companion, a pair; together with one further by the same hand (3) £30-50

298. GEORGE WEISSBORT (1928-2013) A seated nude in landscape setting, signed and dated 1976, oil on board, 28 x 38.5cm Prov: From the artist’s estate £150-350

296. GEORGE WEISSBORT (1928-2013) A winter day, signed, oil on board, 35 x 31cm Prov: From the artist’s estate £200-400

297. GEORGE WEISSBORT (1928-2013) Still life - a bugle with open music score, signed and dated 1970, oil on canvas board, 28 x 38.5cm Prov: From the artist’s estate £100-300

299. GEORGE WEISSBORT (1928-2013) A tree lined field with tractor, oil on board, 18 x 27cm; and one further - two figures in a boat, oil on board, 14.5 x 21cm (2) Prov: From the artist’s estate £150-350

300. GEORGE WEISSBORT (1928-2013) Still life - a preserve jar, cup and materials upon a table surface, signed and dated ?1987, oil on canvas laid onto board, 30 x 40cm, unframed

301. GEORGE WEISSBORT (1928-2013) Still life - a glass jar, cauliflower, onions and draped table covering upon a surface, signed and dated ‘65, oil on paper laid onto board, 35 x 42cm; and one further still life by the same hand, signed and dated ‘76, oil on board, 33 x 41cm, both unframed (2)

Prov: From the artist’s estate £100-300

Prov: From the artist’s estate £200-500

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302. GEORGE WEISSBORT (1928-2013) Still life - fruit, cloths and bag of nuts upon a table surface, signed, inscribed ‘Vargo’ and dated 1957, oil on board, 29.5 x 39.5cm

303. GEORGE WEISSBORT (1928-2013) Still life - a violin upon a chair with guitar alongside, signed and dated 1974, oil on canvas board, 39 x 32cm

Prov: From the artist’s estate £250-450

Prov: From the artist’s estate £300-600

305. T * F * ALLEN (20TH CENTURY) Still life - Poinsettia in a pot, signed and dated ‘77, oil on board, 48 x 36cm £50-100

306. JOHN EDMUND MACE (1889-1952) A country village with river, signed and dated 1925, watercolour, 31 x 49.5cm; and E * A * Cook - river landscape, signed, dated June 1958 verso, oil on board, 25 x 35cm (2) £50-100

307. JOHN EDMUND MACE (1889-1952) ‘A Cottage Garden Bouquet’, a pair, signed, oils on panel, 38.5 x 28.5cm (2) £100-200

308. JULIA MCGRATH? Still life - a vase of mixed flowers, signed and indistinctly dated, oil on canvas board, 75 x 59cm £50-100

309. HAY HUTCHISON Cock O’ The Walk, signed with initials, inscribed with title to artist label verso, watercolour, 29.5 x 25cm; and one further by the same hand - Ducks around a stone trough, signed, watercolour, 34 x 24cm (2) £100-150

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304. AN OLD MASTER STUDY of St. Martin of Tours giving his cloak to a beggar, oil on canvas pinned to a backing support, 79 x 97cm £80-120

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310. HAY HUTCHISON Landscape with pigs, signed, watercolour, 39 x 49cm £100-150

311. LOUIS VAN STAATEN (1836-1909) ‘Near Rotterdam’, signed, watercolour, 39 x 59cm £80-120

312. KEN MESSER (b.1931) The Spires of Oxford, signed, watercolour, 46 x 63cm £100-200

313. ERNEST GEORGE (1839-1922) ‘Porto Venere, Spezia’ and ‘Carmogli’, a pair, the former signed with initials and each inscribed in pencil verso with inscriptions to Lord Berkeley, Christmas 1907, 21 x 29.5cm (2)

314. GEORGE BARNARD (1815-1890) A mountain landscape with water mill, signed and dated 1881, watercolour, 23 x 38cm £60-80

315. FREDERICK MERCER (act.c.1875-c.1937) ‘Rialto at Venice’, inscribed verso and signed and dated 1832 (according to a label verso) unchecked, watercolour, 4 x 5.5cm; and John Cockburn - ‘Dresden’, watercolour, 6.5 x 11cm (2)

With the Fine Art Society £80-120

317. ATTRIBUTED TO GEORGE RICHMOND (1809-1896) Portrait of a young lady with posy of flowers leaning against a stone balustrade with landscape beyond, watercolour heightened in white, 51 x 39cm

318. BENJAMIN D. SIGMUND (1857-1947) ‘Near Waters-Meet, South Devon’, signed, watercolour, 49 x 71cm £200-300

Authenticated by Raymond Lister (according to label verso) £300-400 For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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316. PETER CUMMING (b.1916) Christchurch College, Oxford, watercolour and body-colour, 10 x 15cm £40-60

Each work with Sanders of Oxford £50-80

319. PHILIPPA MARSHALL (1906-1995) ‘Night, Ravenscourt Square’, conte on gesso, 42 x 52cm; and one further similar, 34 x 44cm (2) £30-50

320. BERNARD POWELL Head and shoulders portrait of a lady wearing red dress, signed, oil on board, 39 x 49cm; and Robin Child - ‘View with Elderberry Tree’, signed, oil on board, 48.5 x 59cm (2) £50-100

322. ANGELA THORNE (b.1911) ‘Carlos Marques de Salamanca’, signed, oil on canvas board, 55 x 45cm £50-80

323. ANGELA THORNE (b.1911) Portrait of General Castanon, signed, oil on canvas board, 52 x 44cm £80-120

324. ANGELA THORNE (b.1911) Portrait of Jan Kurzke (Polish), signed and dated 1949, oil on canvas, 60 x 50cm £50-100

325. ANGELA THORNE (b.1911) ‘Andalucia’, signed and dated 1961, oil on canvas, 58 x 71cm

326. AFTER BARTOLOMÈ ESTEBAN MURILLO The beggar boy, oil on canvas laid onto board, 33 x 28cm £60-80

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321. WIM CARPREAU (20TH CENTURY) ‘Autumn Roses’, signed, oil on board, 59 x 75cm £30-50

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Exh. National Society 1980 at Mall Galleries With James Bourlet & Sons £100-200

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327. W * H * PINYON (20TH CENTURY) A twin masted sailing vessel at sea, signed, oil on canvas, 59 x 49cm W.H. Pinyon designed film posters for Warners & Fox. In the 1930’s he worked for Bill Bateman and was also illustrator/artist for Meccano in the 1950’s £200-300

328. 19TH CENTURY CONTINENTAL SCHOOL A wooded area with mountains in the distance, indistinctly signed, oil on panel, 25 x 46cm; and companion, a pair (2) £100-200

329. AFTER JOHN EMMS Hounds at rest, oil on panel, 10 x 14cm; and companion - Pointers in a landscape, a pair (2) £200-300

331. HENRY MAPLESTONE (1819-1884) A rocky river landscape with heron, signed, watercolour, 48 x 60cm £40-60

330. ROBERT NIGHTINGALE (1815-1895) The Day’s Bag, signed and dated 1888, oil on canvas, 59.5 x 44.5cm £2500-3000

332. DAVID RAMSAY SELLARS (1854-1922) ‘The Swish of the Wave’, signed and titled, watercolour, 20 x 34.5cm £100-150

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333. A * J * GRANT Bust length portrait of a lady, signed, oil on canvas, 49 x 39.5cm It has been suggested that the artist might be James Arden Grant (1887-1974) £150-200

334. COLONEL LIONEL GRIMSTON FAWKES (1849-1931) Windsor from the Thames, dated May 8 1911, watercolour, 22 x 34.5cm £40-60

335. 19TH CENTURY ENGLISH SCHOOL Portrait of a female beauty, her hair tied in a bun wearing a pleated silk dress tied by a waistband beneath a fur trimmed shawl, oil on canvas, 66 x 56cm £500-700

336. E * PORTER ‘Phyllis’, oil on board, 33 x 23cm

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With Leggatt Brothers £100-150

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337. NEVISON ARTHUR LORAINE (1863-1934) ‘A Day with the Old Berkeley’, signed, inscribed and titled on artist’s label verso, oil on board, 24 x 33.5cm; and an estuary scene attributed to the same hand, oil on board, 24 x 35cm (2) £200-300

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338. CIRCLE OF LADY ELIZABETH BUTLER (1846-1933) Cavalry officers and footmen on the march, indistinctly signed and dated 189..., oil on canvas, 84 x 123cm £800-1200

340. NORWICH SCHOOL (LATE 18TH/EARLY 19TH CENTURY) A country track with old house, oil on panel, 19.5 x 17cm £100-200

341. W * DOBSON (19TH CENTURY) A wooded river bank with cattle, signed and dated ‘90, oil on canvas, 24 x 34cm £80-120

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339. ATTRIBUTED TO ADA R. HOLLAND (exh.1887-1914) Portrait of a gentleman seated in an interior, his left arm resting upon a book, signed and dated ‘89, watercolour, 34 x 29cm £100-150

342. T * CORRIE? (19TH CENTURY) Making haystacks, indistinctly signed, oil on canvas, 24 x 34.5cm; and 19th Century English School - Figures in an interior presenting the day’s catch, oil on panel, 33.5 x 29cm (2) £100-150

344. S * J * V * ZONDEREN Shipping off a small Dutch harbour side, oil on canvas, 49 x 59cm £100-200

345. CIRCLE OF WILLIAM THORNLEY (1857-1935) Fisher folk unloading the catch at dusk, signed with monogram ?EP, oil on canvas laid onto card, 12 x 31cm; and a further oil - river landscape, 14.5 x 28cm, similarly framed (2) £300-500

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346. 19TH CENTURY ENGLISH SCHOOL Fishing vessels at sea, a pair, oils on panel, 18 x 23.5cm (2) £100-150

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343. EDWIN JOHN ELLIS (1841-1895) A fish market at low tide, signed, oil on canvas, 100 x 182cm £300-500

347. AUGUSTA INNES WITHERS (1792-1877) Still life - fruit placed on a mossy bank, signed ‘Mrs Withers’ and dated 1863, watercolour, 22.5 x 32cm £150-180

348. ATTRIBUTED TO JOHN THIRTLE (1777-1839) Landscape with windmill, watercolour, 19 x 27cm; and 19th Century English School - a fallen log, pottery jar and fence sections, brown wash drawing, 24 x 33cm (2) £40-60

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

349. 19TH CENTURY ENGLISH SCHOOL A coastal landscape with rock stack, signed ‘Girtin’, watercolour, 17.5 x 25cm; and an early 19th Century English School pen and ink drawing - a traveller crossing a foot bridge, 19 x 21cm (2) £40-60

350. 19TH CENTURY ENGLISH SCHOOL ‘Portrait of a Vagrant’ and ‘Portrait of an Old Lady Seated in a Chair’, a pair, watercolours, 21 x 18cm; and eleven further various works, artists to include: C.L. Colyn Thomson; A. Pittrivers etc, all unframed £50-100

351. HELEN COLLINS (20TH CENTURY) Ploughing the field, signed, pen, ink and watercolour, 14 x 26cm; and eleven further various watercolours and pencil drawings, all unframed (12) £40-60

352. CHARLES T. MILES (19TH/20TH CENTURY) ‘Dorchester 1919’, signed with monogram, watercolour, 17 x 25cm; ten further works by the same hand, mainly Shaftesbury or Gillingham views and two sketch books, each painted with topographical views, some titled and with pencil annotations £80-120

353. RONALD OSSORY DUNLOP (1894-1973) Figures in a parkland with trees, signed, watercolour, 36 x 54cm £60-80

354. FREDERICK JOHN WIDGERY (1861-1942) The Bristol Channel from the slopes of Dunkery Beacon, signed, gouache, 17.5 x 27.5cm £100-200

355. FANNY FARRER (19TH/20TH CENTURY) Still life - an earthenware jug of snowdrops, signed, oil on panel, 20.5 x 25.5cm; and companion, a pair (2) £150-250

356. HANS GLEISSNER (1880-1935) Sailing vessels docked in a harbour, signed, oil on canvas, 80 x 120cm £80-120

357. J * H * BARBIER ‘Rue de L’Hydre la Casbah, Algeria’, signed, watercolour, 37.5 x 26cm £50-70

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

359. EDWARD HENRY NIEMANN (fl.1863-1867) Landscape with seated figure, possibly Hampstead Heath with Harrow in the distance, signed and dated 1863, oil on canvas, 25 x 40cm, unframed £200-300

360. 19TH CENTURY ENGLISH SCHOOL Portrait of a lady seated in a chair, inscribed verso ‘Mrs Bertram Mitford, daughter of Sir Francis Ford, First Baronet June 1840’, watercolour, 34 x 25cm £40-60

361. JOHN WILLIAM NORTH (1842-1924) ‘A Warm September’, signed and dated 1907, watercolour, 23 x 33.5cm

363. JAMES W. BOOTH (1867-1953) ‘In the Dales’, signed, oil on canvas, 24.5 x 34.5cm £200-300

With Henry J. Mullen Ltd, Harrogate £200-300

362. 19TH CENTURY ENGLISH SCHOOL Half length portrait of a gentleman wearing dinner suit, his right arm resting upon two books, oil on canvas laid onto board, 28.5 x 23cm £200-300

364. FREDERICK GOLDEN SHORT (1863-1936) ‘Spring Sunlight’, signed and dated 1934, oil on canvas board, 21.5 x 37cm £100-150

365. GIOVANNI BARBARO (1864-1915) Portrait of a fisherman with pipe, signed, oil on canvas, 39 x 34cm £50-70

366. RODNEY CHARMAN (b.1944) Portrait of the clipper ship ‘Norman Court’, signed and dated ‘79, oil on canvas, 50 x 39cm £60-80

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358. DAVID HALL MCKEWAN (1817-1873) Landscape with mounted traveller on a rocky crag, signed and dated 1858, watercolour, 28 x 63cm, unframed £80-120

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367. GEORGE BRYANT CAMPION (1796-1870) A mountain lakeside with figures hauling a boat, signed (obscured by frame), watercolour, 23 x 39cm £80-120

368. LOUIS EUGENE COEDES (1810-1906) Bust length portrait of a gentleman wearing cravat, signed and dated 1851, pastels, 25 x 20cm oval £200-300

369. GEORGE STAINTON (act.1860-1890) A breezy day, signed, oil on canvas, 24 x 34cm £200-300

370. AGNES BOUVIER (1842-c.1892) Shoulder length portrait of a Spanish beauty, signed, watercolour, 16 x 13.5cm oval £80-120

371. ARTHUR CHARLES FARE (1876-1958) The Martyrs Memorial, St Giles, Oxford, indistinctly signed with initials, watercolour, 27.5 x 43cm £150-180

372. GARMAN MORRIS (act.1900-1930) ‘Staithes - Yorkshire’ and ‘On the South Coast’, two watercolours, each signed with initials and titled, 37 x 12cm and 37.5 x 13cm respectively (2) £60-80

374. CORNELIUS VARLEY (1781-1873) A mountain lakeside with figure on a path, signed, watercolour, 21 x 29.5cm £80-120

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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373. ATTRIBUTED TO DAVID COX (1783-1859) Landscape with figures on a path, watercolour, 16.5 x 26cm £80-120

375. CIRCLE OF ALFRED VICKERS (1786-1868) River landscape, possibly the Thames near Marlow, oil on panel, 28.5 x 23.5cm £150-200

376. JACK F. POLLOCK (19th CENTURY) ‘An Interesting Story’, signed and dated 1886, also inscribed with title verso, oil on canvas, 19 x 29cm £100-120

377. ERIC GODDARD (20TH CENTURY) A mounted female huntswoman off the coast, signed and dated 1977, oil on board, 39 x 49cm £200-300

378. WILLIAM ALBERT CLARK (1880-1963) Hereford cattle at a feeding trough, signed and dated 1905, oil on canvas, 50 x 76cm £2000-3000

379. ALAN SORRELL (1904-1974) The Ashmolean, Oxford, signed and dated 1966, pen, ink and watercolour, 34 x 51cm

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With Heather Newman Fine Art £1800-2200

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380. * ARMSTRONG (19TH CENTURY) ‘Geraldine R.C.Y.C. at Little Sodus New York’, signed, inscribed with title and dated ‘68, watercolour, 21 x 34cm With Hughes Studio, Vancouver BC £100-150

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

381. WILLIAM LIONEL WYLLIE (1851-1931) Shipping at sunset, probably The Thames, signed, oil on canvas, 34 x 19.5cm £800-1200

382. LAURA KNIGHT (1877-1970) The Australian Actor Sir Robert Helpmann as Hamlet at Stratford-on-Avon, signed, mixed media, 35 x 24cm With the Ruskin Gallery Ltd £1000-2000

384. WILSON HEPPLE (1854-1937) A kitten with ball of wool, signed and dated 1913, watercolour, 21.5 x 29cm £300-500

385. GEORGE PYNE (1800-1884) ‘Magdalen College from the bridge, Oxford’, signed and dated 1871, watercolour, 14 x 20cm £300-400

386. CIRCLE OF JOHN VARLEY (1778-1842) ‘Wicklow Glen’, ‘Wicklow Head’, ‘Roundwood Wicklow’ and ‘Wicklow Bay’, a set of four, watercolours, 23 x 29.5cm (4) £100-200

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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383. CIRCLE OF MYLES BIRKETT FOSTER (1825-1899) ‘A Family with donkey on a river bank’ and ‘Herding sheep through an open gateway’, a pair, each bearing monogram, watercolours, 10 x 15cm (2) £200-300

387. FREDERICK JOHN WIDGERY (1861-1942) ‘Hare Tor (Dartmoor)’, signed, gouache, 28 x 45cm With Wiseman’s Ltd of Southampton £150-250

390. CHARMIAN EDGERTON (20TH CENTURY) Still life - a vase of wild flowers, signed, pastels, 28 x 23cm £40-60

388. FREDERICK JOHN WIDGERY (1861-1942) Dartmoor, a pair, signed, gouaches, 35 x 53cm (2) £200-300

389. B * BRONTE ‘Cottage scene near Bromsgrove’, signed, inscribed with title verso, oil on board, 17.5 x 24cm; and William F Piper (20th Century) - ‘Low Tide, Bedruthan’, signed, inscribed with title verso, watercolour, 24.5 x 34.5cm (2) £80-120

391. ATTRIBUTED TO RUSKIN SPEAR (1911-1990) A wooded glade, oil on canvas, 40 x 49cm £150-250

392. MALTESE SCHOOL (20TH CENTURY) View of Valetta harbour, indistinctly signed and inscribed ‘Malta’, watercolour with body-colour, 6 x 16cm

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393. CIRCLE OF GEORGE VINCENT (1796-c.1831) Landscape with distant buildings, oil on canvas, 24.5 x 29.5cm, and an early 19th Century sepia wash study of figures mending nets on a beach (2) £150-200

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394. E * ZENO (1888-1956) The Grand Canal, Venice with Santa Maria Della Salute, signed, oil on canvas laid onto board, 29 x 25cm £100-200

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

395. JOHN CUNNINGHAM (b.1926) ‘Table Top with Flowers’, signed, inscribed with title verso, oil on paper, 26 x 18.5cm £600-800

396. ANTON KAULBACH (1864-1930) Portrait of a rabbi, signed, oil on canvas, 51 x 32cm, unframed £120-180

397. HENRY H. PARKER (1858-1930) ‘Hay Making in Surrey’ and Path to the Farm’, a pair, each signed, watercolours, 36 x 53cm (2) £80-120

398. ALFRED BOUCHER (1850-1934) ‘Chalands sur la Seine’, signed, bears title and the date 1936 (?) verso, oil on panel, 44 x 53cm £200-300

399. FRANK ROUSSE (act.1894-1917) ‘Sandsend’, signed, watercolour, 36 x 55cm, unframed £60-80

400. RUSSIAN SCHOOL (CONTEMPORARY) Still life - a vase of flowers, indistinctly signed and dated 2008, inscribed in cyrillic verso, oil on canvas, 60 x 50cm; and one further similar but smaller work, 35 x 35cm, each unstretched and unframed (2) £60-100

401. CARL THEODOR DEMIANY (1801-1869) Portrait of a lady from the Beit family seated in a chair with hands clasped and wearing a lace trimmed purple bonnet, signed and dated 1849, oil on canvas, 74 x 63.5cm £100-200

402. ATTILIO BACCANI (act.1844-1889) Portrait of Sarah Beit (née von Haller) from the court of Hanover seated in a chair with hands clasped and wearing a white frilled bonnet, signed and dated 1882, oil on canvas, 74 x 62cm, in carved giltwood frame with gadrooned border £200-300

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

403. EGISTO MASSONI (1854-1929) A side canal, Venice, signed and inscribed ‘Venezia’, watercolour, 52 x 36cm £100-200

404. MARCO NOVATI (1895-1975) Figures on a jetty, signed, oil on board, 35 x 45cm £60-80

405. FOLLOWER OF JEAN-BAPTISTE MONNOYER (1636-1699) Still life - a vase of mixed flowers, oil on canvas, 85 x 50cm, unframed £300-500

407. MARIA TERESA HEGG (1829-1911 SWISS) A woodland covered with flowers and ferns at the base of a tree, signed and inscribed ‘Vevey’, watercolour, 70 x 57cm £300-500

406. GIULIA CECCHI (19TH CENTURY) The River Arno, Florence, signed, watercolour, 16 x 34.5cm With Frost & Reed £200-300

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408. CIRCLE OF FRANCES E. JAMIESON (1895-1950) On the Cluny, Aberdeenshire, oil on canvas, 50 x 75cm; and one further - a mountain landscape with cottages, indistinctly signed, oil on canvas, 49 x 67cm (2) £80-120

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409. A * BRYANT Loading the cart, signed, oil on canvas, 49 x 59cm £80-120

410. PHILIP AINSWORTH (20TH CENTURY) Still life - a stoneware vase of mixed flowers, signed and dated 1945, oil on canvas, 75 x 69cm, oval Bears fragment of artist’s label verso £200-300

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

411. 19TH CENTURY BRITISH SCHOOL A mountain landscape with figures, watercolour, 45 x 66cm £30-50

412. CIRCLE OF GEORGE MORLAND (1763-1804) Preparing for market, bears signature and dated 1791, oil on canvas, 61 x 74cm £100-200

413. 19TH CENTURY ENGLISH SCHOOL Isaac Blessing Jacob, pencil drawing heightened in white, 31 x 45cm, unframed £30-50

414. 19TH CENTURY ENGLISH SCHOOL A good read, indistinctly signed, oil on canvas, 59 x 89cm £200-300

415. ANTOINE BOUVARD (1870-1955/56) Santa Maria Della Salute with Gondola, signed, oil on canvas, 48 x 64cm £3000-4000

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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416. JOAN VIVES LLULL (1901-1982) Mahon Harbour, Menorca, signed, oil on canvas, 48.5 x 60cm £500-700

417. FOLLOWER OF JOHN BAGNOLD BURGESS (1830-1897) Portrait of a lady with posy of flowers in her hair and holding a mask, oil on metal panel, 24 x 18.5cm £100-150

418. H * TODD Still life - a vase of roses, signed, oil on canvas, 50 x 60cm £30-50

419. ELLIOTT HENRY MARTEN (19TH/20TH CENTURY) A farmer with plough in a field, signed, watercolour, 24 x 33cm £30-50

420. E * R * Portrait of a tabby cat, signed with initials, oil on board, 22 x 19cm £100-150

422. 19TH CENTURY ENGLISH SCHOOL Scenes from the life of Don Quixote, a group of nine pencil drawings, various sizes, (framed in two) £100-200

421. TERRICK WILLIAMS (1860-1936) ‘Concarneau’, signed, pastels, 22 x 28cm With the Fine Art Society Ltd, 1.2.1937 No. 68 £300-500

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423. JOHN BENTHAM DINSDALE (1927-2008) ‘The Star of Persia’, signed, inscribed with title verso, oil on canvas, 24 x 29.5cm £250-300

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424. WELLEDA TOMASI (20TH/21ST CENTURY) Still life - a glass vase of mixed flowers, signed and dated ‘99, oil on board, 68 x 48cm £100-200

425. WILLIAM ARTHUR CHASE (1878-1944) Still life - a mixed bouquet in copper jug, signed, oil on board, 60 x 50cm £200-300

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

427. GERMAIN FABIUS BREST (1823-1900) Sailing vessels with figures at dusk, signed, oil on panel, 21 x 32.5cm £300-500

428. FREDERICK WHITEHEAD (1853-1938) The river near Bere Regis, signed, titled to old fragment of label attached verso, oil on canvas, 59 x 90cm £600-800

430. TIM FARGHER (b.1942) ‘The Italian Garden Pool, Garsington’, signed and dated 2001, ink and gouache, 43 x 68cm Artist’s label verso £150-250

431. IRENE PAIN (20TH CENTURY) ‘Vauxhall at Low Tide 1960’, signed, oil on canvas, 49.5 x 39.5cm £60-100

429. GARMAN MORRIS (act.1900-1930) ‘Hazy Morning’, signed and titled, watercolour, 22 x 12.5cm £40-60

432. SUSAN RYDER (b.1944) ‘Above West Ilsley’, signed and dated ‘84, oil on canvas, 49 x 59.5cm £300-500

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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426. ARTHUR D. RENDALL (19TH/20TH CENTURY) Bust length portrait of a lady, signed, pastels. 60 x 50cm £50-100

434. R * H * BROWNE ‘The Ambulance Train - A 4-4-2 Tank Engine of the London Tilbury and Southend Railway at the Head of an Ambulance Train in 1914’, signed, oil on board, 35.5 x 46cm, unframed 433. COLIN TUFFREY (b.1939) ‘Field Barn near Elsfield’, signed, dated 1991 verso, watercolour, 19.5 x 28.5cm; and Valerie Petts (20th/21st Century) - ‘Dawn, Port Meadow’, signed, watercolour, 18.5 x 32cm (2) £40-60

With printed label verso inscribed ‘Passenger Coaches of The Great Eastern Railway were modified and ready to go anywhere in Great Britain in less than a month from the outbreak of war - a magnificent feat of organisation’ £40-60

435. G * A * C * (20TH/21ST CENTURY) Study of a resting cat, signed with initials and dated ‘96, watercolour, 25 x 33cm £30-50

437. FOLLOWER OF PHILIP DE LASZLO (1869-1937) Bust length portrait of a female beauty with dark curly hair, oil on canvas, 50 x 40cm, unstretched and unframed £300-500

436. ATTRIBUTED TO LADY ANNE BLUNT (1837-1917) Portrait of a young child, oil on canvas, 53 x 39cm, unframed £50-80

438. J * S * W * (19TH CENTURY) A tearful moment, signed with monogram, oil on canvas, 49 x 39.5cm £200-300

439. GEORGE GREGORY (1849-1938) ‘Folly Inn, Medina River, Isle of Wight’, signed and dated 1900, watercolour, 8.5 x 11.5cm; and one further similar, 9 x 12cm (2)

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With the Malcolm Henderson Gallery, Bury Street, St James’s, London; £80-120

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441. ENGLISH SCHOOL (EARLY 19TH CENTURY) Derelict cottages with formal garden, watercolour, 22 x 37cm; and three further watercolours, one signed John Varley (4) £80-120

442. DOROTHEA SHARP (1874-1955) Phlox in Midsummer - A Study, oil on board, 25.5 x 33cm £1500-2000

444. JOHN MARSDEN DRONSFIELD (1900-1951) Set design showing a lady singing, signed, pen and ink, 29 x 38cm; with two further landscapes by Dronsfield (3) £50-100

445. JOHN MARSDEN DRONSFIELD (1900-1951) A collection of nine pen and ink studies, mainly showing characters from plays (9) £50-100

443. JOHN MARSDEN DRONSFIELD (1900-1951) City Square, signed and titled, ink and watercolour, 37 x 29cm; together with a similar building study by Dronsfield (2) £40-80

446. C * R * (19TH CENTURY) Sowing the seed, signed with monogram and dated 1872, pen and inks, 20 x 33cm £100-150

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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440. ATTRIBUTED TO PETER DE WINT (1784-1849) A cottage upon a hillside, pencil and brown wash drawing, 16 x 21cm; and one further attributed to the same hand - Traveller with dogs in a landscape with cottages, 18.5 x 16.5cm (2) £100-150

447. FOLLOWER OF WILLIAM BLAKE (1757-1827) Illustration for Dante’s Inferno, pencil drawing, 24 x 19cm £200-300

450. FOLLOWER OF PABLO PICASSO (1881-1973) Head study, indistinctly signed, charcoal and colour washes, 55 x 40cm £100-150

452. MALCOLM DRUMMOND (1880-1945) Bust length shoulder of a gentleman wearing shirt, tie and dark jacket, signed ‘Malcolm Drummond L.G.’, oil on canvas, 50 x 42cm

448. CHARLES EDWARD HERN (1848-1894) ‘Church Lane, Gorleston’, signed with initials and dated 1885, 26 x 17.5cm; and Victor Ames (exh. 1895-1917) ‘Villa Ombrellino, Florence’, signed, watercolour, 26.5 x 17.5cm (2) £100-150

449. ARTHUR FREEMAN (b.1933) A moored sailing boat, signed, inscribed ‘Neipaieys’, watercolour, 52 x 73cm £100-150

451. DERYCK FOSTER (1924-2011) Figures in a racing yacht at sea, signed, oil on board, 46 x 69cm £200-300

453. C * HARRINGTON Highland cattle watering at a mountainside pool, oil on board, 62 x 48cm £100-200

454. DAVID MARTIN (act.1887-1935) ‘Outward Bound’ and ‘The Clyde’, a pair, signed, watercolours, 25.5 x 37cm (2) £80-120

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Bears ‘United Society of Artist’s label fragment verso £200-300

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455. 20TH CENTURY BRITISH SCHOOL A country landscape with buildings, oil on board, 22 x 32cm £200-300

456. 19TH CENTURY ENGLISH SCHOOL Portrait of a lady at a window, oil on canvas laid onto panel, 22 x 18.5cm, unframed £150-250

457. CIRCLE OF SAMUEL PROUT (1783-1852) ‘Braubach’ and ‘Ghent’, a pair, watercolours, 39 x 26.5cm; and one further similar, 44 x 32cm (3) £40-60

458. ANGUS W. GUEST (act.1890-1915) ‘London Bridge in December’, signed, inscribed with title and with artist’s label verso, watercolour, 26 x 14cm £100-150

459. A * M * A ship in full sail, signed with initials, watercolour, 10.5 x 17.5cm; and one further watercolour attributed to Mason Jackson (1819-1903) - Goats in a mountain landscape, signed with monogram, 13.5 x 18.5cm (2) £60-100

461. NICHOLAS POCOCK (1740-1821) Smugglers hauling in a boat in a rocky cove with further shipping at sea, signed and dated 1791, watercolour, 39 x 55cm; and companion, a pair (2) £100-200

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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460. ATTRIBUTED TO AUGUSTUS WALL CALLCOTT (1779-1844) ‘On The Wye’, signed (obscured by mount), also inscribed in pencil with title verso, watercolour, 23 x 33cm £100-200

Frames

462. A 19TH CENTURY GILT GESSO FRAME, the cushion moulded border with acanthus leaf and floral decoration, rebate size 51 x 64cm (currently with mirror panel) £50-100

463. A 19TH CENTURY GILT GESSO FRAME of swept rococo form, the top centred by coat of arms and coronet, currently incorporating an engraving after Sir Edwin Landseer, rebate size 63.5 x 54.5cm £80-120

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464. AN ANTIQUE FLORENTINE GILTWOOD PICTURE FRAME, the borders profusely carved and pierced with acanthus decoration, rebate size 73 x 59cm £200-300

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465. A LATE 19TH CENTURY ROSEWOOD FRAME, the gilt inner slip moulded with berried foliage and currently with mirror panel, rebate size 67.5 x 47cm; another similar frame, rebate size 57 x 41cm (2); and one further item (3) £50-100

466. A 19TH CENTURY GILT FRAME, the cushion moulded border with acanthus and flowering foliage, rebate size 21 x 25cm; and three further frames to include an oak frame, rebate size 12 x 8.5cm; and a pair of maple frames, rebate sizes 14 x 21cm (4) £50-100

467. AN EARLY 20TH CENTURY GILT FRAME with ripple moulded border, rebate size 64.5 x 52cm £20-40

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

FURTHER ENTRIES INVITED

Tribal Art & Antiquities

Mallams 1788

Wednesday 26 September OXFORD Closing date Friday 7 September

For further information please contact Jack Stinson 01865 241358 or jack.stinson@mallams.co.uk www.mallams.co.uk

B O C A R D O H O U S E , 2 4 A S T. M I C H A E L’ S S T R E E T, O X F O R D O X 1 2 E B

Chinese & Japanese Art

Wednesday 24th October Closing Date for entries Friday 28th September

For more information please contact Robin Fisher on 01242 235712 or robin.ďŹ sher@mallams.co.uk Mallams Auctioneers, Grosvenor Galleries, 26 Grosvenor Street Cheltenham GL52 2SG www.mallams.co.uk

Mallams 1788

NOTES

Mallams

Absentee Bid Form Sale Date: ..........................................

Name: ............................................................................................

Address: ........................................................................................ ........................................................................................................ ........................................................................................................ ..................................................................

Postcode .....................

Telephone: 1 .................................... 2 .........................................

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Notices

Lot

Brief Description

Price Limit

I hereby request Mallams to bid for the lots listed herewith up to the hammer price stated.

The auctioneers, on my behalf, will try to purchase lots for the lowest possible price, in accordance with the usual bidding increments and taking into account the reserve and other bids.

I understand that if any bid is successful the total price payable by me is the sum of the final bid and the buyer’s premium (plus VAT).

I agree that the bids are made in accordance with the Conditions of Sale as printed in the catalogue.

I understand that absentee bids should be with the auctioneers at least one hour before the commencement of the auction.

Signed: ................................................ Date: .............................

CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged.

Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre-1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

Indian & Islamic Art Wednesday 12th September Closing Date for entries Wednesday 22nd August

The Picture Sale Wednesday 17th October 2018 OXFORD

John Sell Cotman (1782-1842) The North Side of South Gate, Yarmouth, Norfolk, 18 x 23cm From a private collection of fine 18th and 19th Century watercolours to be included in the sale

For more information please contact Robin Fisher on 01242 235712 or robin.fisher@mallams.co.uk Mallams Auctioneers, Grosvenor Galleries, 26 Grosvenor Street Cheltenham GL52 2SG www.mallams.co.uk

Mallams

For further details please contact Rupert Fogden on 01865 241358 or rupert.fogden@mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street Oxford OX1 2EB

Mallams 1788

Mallams

The Picture Sale THE PICTURE SALE - 1 1 J U LY 2 0 1 8 OXFORD

www.mallams.co.uk

Wednesday 11th July at 11am