Design & Modern Art - 23th & 24th May 2019 (Mallams Oxford)

MALLAMS

Mallams 1788

DESIGN + MODERN ART

DESIGN + MODERN ART 23 & 24 MAY 2019 OXFORD

23 & 24 MAY 2019

www.mallams.co.uk

The The Peter PeterDingley Dingley Collection Collection

OXFORD OXFORD DECEMBER 2019 DECEMBER 2019

ForFor further details please contact Max Fisher on on 01865 241358 further details please contact Max Fisher 01865 241358 or max.fisher@mallams.co.uk www.mallams.co.uk or max.fisher@mallams.co.uk www.mallams.co.uk M AMLA LL ALMASM A H OHUOSUES E S UACUTCI O TN I OENEERESR, SB, OBCOACRADROD O S TSM CH ’ SL ’ SS TSRTEREETE , TO, XOF X OFRODR O T IM I CAHEAL E D XO1 X21 E2BE B

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Mallams Mallams 1788 1788

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Mallams 1788

DESIGN THURSDAY 23 MAY

MODERN ART FRIDAY 24 MAY

Viewing: Saturday 18 May 9am-1pm Monday 20 May 9am-5pm Tuesday 21 May 9am-5pm Wednesday 22 May 9am-5pm Auction Time: 11am Auction Location: Bocardo House, 24a St. Michael’s Street Oxford OX1 2EB +44 (0)1865 241358 www.mallams.co.uk

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PICTURE CATALOGUING TERMS Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist. However, intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Otherwise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

ARTIST’S RESALE RIGHTS Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006.

Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000

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Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

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Mallams 1788

CONTENTS SPECIALISTS:

THURSDAY 23 MAY DESIGN: Studio & Contemporary Ceramics

1 - 203

Design

204 - 360

Jewellery & Silver

361 – 385

Max Fisher 20th Century Design + Art max@mallams.co.uk

FRIDAY 24 MAY MODERN ART: Prints & Books

400 - 502

Artist’s Textiles

503 - 523

Paintings & Sculpture

524 - 696

Louise Dennis FGA DGA Jewellery louise@mallams.co.uk

AUCTION ENQUIRIES & CONDITION REPORTS Jack Stinson oxford2@mallams.co.uk +44 (0)1865 241358 MARKETING & PRESS ENQUIRIES

BIDS +44 (0)1865 241358 Fax +44 (0)1865 725483 or to bid via the internet www.the-saleroom.com

CONDITIONS OF SALE This auction is subject to important notices, conditions of sale and reserves, which can be found towards the end of the catalogue. online catalogue www.mallams.co.uk

oxford@mallams.co.uk +44 (0)1865 241358

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DESIGN THURSDAY 23 MAY

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1.

Mike Dodd (b.1943) Vase wood ash glaze, faceted sides impressed potter’s seal 22.5cm high. £60-100 (plus 27% BP* ARR*) 2.

Mike Dodd (b.1943) Vase light celadon glaze, faceted sides impressed potter’s seal 15.6cm high. £50-80 (plus 27% BP* ARR*)

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Phil Rogers (b.1951) Bottle vase ash and tenmoku glazes, squared sides impressed potter’s seal 17.5cm high, 17cm across. £100-150 (plus 27% BP* ARR*) 4.

John Leach (b.1939) at Muchelney Pottery Bottle vase, 2004 tenmoku with wax resist decoration impressed potter’s seal and date 16cm high. £40-60 (plus 27% BP* ARR*) 5.

Phil Rogers (b.1951) Bottle vase squared sides, chequerboard pattern with incised motifs impressed potter’s seal 19cm high, 12cm across. £80-120 (plus 27% BP* ARR*) 6.

Bernard Leach (1887-1979) at Leach Pottery Pot and cover blue and green glaze impressed potter’s and pottery seals 15cm high. £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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Bernard Leach (1887-1979) at Leach Pottery Jug dark green glaze impressed potter’s and pottery seals 23.5cm high. £100-200 (plus 27% BP* ARR*) 8.

Edward Hughes (1953-2005) Jug nuka and tenmoku glaze impressed potter’s seal 24.5cm high. £80-120 (plus 27% BP* ARR*)

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Svend Bayer (b.1946) Jug wood fired 26cm high. £60-100 (plus 27% BP* ARR*) 10.

Svend Bayer (b.1946) Vase poured slip decoration 16.5cm high. £60-100 (plus 27% BP* ARR*) 11.

Jim Malone (b.1946) Footed bowl ochre glaze, cut sides impressed potter’s and pottery seals 9.5cm high, 13cm diameter.

Provenance: The Nick Rocke Collection, no.255. £60-100 (plus 27% BP* ARR*) 12.

Richard Batterham (b.1936) Jar and cover green ash glaze, fluted sides painted mark 12.5cm high. £50-80 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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Attributed to Richard Batterham (b.1936) Vase green and ash glazes 28.5cm high. £60-100 (plus 27% BP* ARR*) 14.

Edward Hughes (1953-2005) Two plates wave decoration one impressed potter’s seal 26.5cm and 26cm diameter (2). £100-200 (plus 27% BP* ARR*)

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Edward Hughes (1953-2005) Two plates combed decoration impressed potter’s seals 26cm diameter (2). £100-200 (plus 27% BP* ARR*) 16.

Mike Dodd (b.1943) Vase tenmoku and rust glaze, faceted sides impressed potter’s seal 19.5cm high. £60-100 (plus 27% BP* ARR*) 17.

Mike Dodd (b.1943) Bowl wax resist and iron glaze impressed potter’s seal 9cm high, 13.5cm diameter. £40-60 (plus 27% BP* ARR*) 18.

Eddie Hopkins (1941-2007) at Winchcombe Pottery Vase dark blue glaze impressed potter’s and pottery seals 32.7cm high. £60-100 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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19.

Michael Leach (1913-1985) at Yelland Pottery Dish green and brown slip decoration impressed pottery seal 38.5cm across. £60-100 (plus 27% BP* ARR*) 20.

Derek Emms (1929-2004) Bowl porcelain, oxblood glaze impressed potter’s seal 8.5cm high, 17.2cm diameter. £80-120 (plus 27% BP* ARR*)

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Derek Emms (1929-2004) Three teapots porcelain, with green, blue and red brushwork impressed potter’s seals tallest 10.5cm high (3). £100-200 (plus 27% BP* ARR*) 22.

Derek Emms (1929-2004) Teapot porcelain, with celadon glaze impressed potter’s seal 11cm high. £30-60 (plus 27% BP* ARR*) 23.

Michael Cardew (1901-1983) at Winchcombe Pottery Jar and cover slipware, decorated with fish, with four lug handles impressed potter’s and pottery seal 38cm high. £100-200 (plus 27% BP* ARR*) 24.

Derek Emms (1929-2004) Two bowls porcelain, with celadon glazes and incised flower decoration impressed potter’s seals 13cm and 14cm diameter (2). £30-60 (plus 27% BP* ARR*) 25.

Nick Rees (b.1949) at Muchelney Pottery Vase wood fired impressed potter’s and pottery seals 20.5cm high, together with a John Jelfs vase (2). £30-60 (plus 27% BP* ARR*)

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BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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26.

Joanna Constantinidis (1927-2000) Tea bowl impressed potter’s seal 8.7cm high, 11.2cm diameter.

Provenance: A private London collection. £150-200 (plus 27% BP* ARR*) 27.

Colin Pearson (1923-2007) Platter, circa 1960s stoneware, with running glazes impressed potter’s seal 42cm x 35cm.

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Provenance: A private London collection. £200-300 (plus 27% BP* ARR*) 28.

Colin Pearson (1923-2007) Ladle, circa 1960s stoneware, impressed potter’s seal 22cm long.

Provenance: A private London collection. £80-120 (plus 27% BP* ARR*) 29.

Manner of Richard Batterham (b.1936) Vase green glazes, faceted sides 28cm high. £40-60 (plus 27% BP* ARR*) 30.

Phil Rogers (b.1951) Dish green glaze with incised sprigs impressed potter’s seal 25cm across. £40-60 (plus 27% BP* ARR*) 31.

Michael Cardew (1901-1983) at Wenford Bridge Chalice cup brushwork decoration impressed potter’s and pottery seals 13cm high. £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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32.

Michael Cardew (1901-1983) at Abuja Pottery Coffee pot running ash glaze impressed potter’s and pottery seals 18cm high. £100-200 (plus 27% BP* ARR*) 33.

John Leach (b.1939) at Muchelney Pottery ‘Black Mood’ vase, 1999 impressed potter’s and pottery seals 12cm high. £40-80 (plus 27% BP* ARR*)

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Nick Rees (b.1949) at Muchelney Pottery Vase and two bowls impressed potter’s and pottery seals vase 17.8cm high (3). £40-80 (plus 27% BP* ARR*) 35.

Phil Rogers (b.1951) Jar and cover salt glaze, faceted sides impressed potter’s seal 27cm high, 23cm across. £80-120 (plus 27% BP* ARR*) 36.

Bernard Leach (1887-1979) at Leach Pottery Bowl celadon glaze, incised motifs impressed potter’s and pottery seals 7cm high, 16cm diameter.

Provenance: A private London collection. £800-1200 (plus 27% BP* ARR*) 37.

David Leach (1911-2005) Bowl celadon with cut sides impressed potter’s seal 7.5cm high, 9.7cm diameter. £60-100 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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38.

Ray Finch (1914-2012) at Winchcombe Pottery Bowl tenmoku glaze impressed pottery seal 13.5cm high, 25cm diameter.

Provenance: The Peter Dingley Gallery, Stratford. £30-60 (plus 27% BP* ARR*)

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Style of Bernard Leach (1887-1979) Vase stoneware, brushwork decoration 22cm high, together with a vase with red glaze, impressed ‘CG’ (2). £40-60 (plus 27% BP* ARR*) 40.

Trevor Corser (1938-2015) at Leach Pottery Vase celadon glaze impressed potter’s and pottery seals 24cm high. £60-100 (plus 27% BP* ARR*) 41.

Leach School Charger tenmoku splashed glaze indistinct impressed potter’s seal 34cm diameter. £50-80 (plus 27% BP* ARR*) 42.

Clive Bowen (b.1943) Two tiles slipware, decorated with a bird and a fish 14.3cm x 14.3cm (2). £20-50 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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43.

Seth Cardew (b.1954) Dish tenmoku glaze, decorated with a bird 23.5cm across. £40-80 (plus 27% BP* ARR*) 44.

Gwyn Hanssen Pigott (1935-2013) Jug stoneware, with pitted white glaze impressed potter’s seal 33cm high. £50-80 (plus 27% BP* ARR*) 43

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David Frith (b.1943) Charger nuka and flambe poured glaze, cut sides impressed potter’s seal 43cm diameter. £200-300 (plus 27% BP* ARR*) 46.

David Frith (b.1943) Bowl celadon and tenmoku glazes impressed potter’s seal 30.5cm diameter. £80-120 (plus 27% BP* ARR*) 47.

Clive Bowen (b.1943) Bowl slip pattern rim, earthenware glaze 16cm diameter. £50-80 (plus 27% BP* ARR*) 48.

Clive Bowen (b.1943) Bowl slip pattern rim, earthenware glaze 19.7cm diameter. £80-120 (plus 27% BP* ARR*) 49.

Clive Bowen (b.1943) Jug slipware, honey glaze 35.5cm high. £150-250 (plus 27% BP* ARR*) 50.

Paul Barron (1917-1983) Vase and bowl tenmoku glaze impressed potter’s seals bowl 16.5cm diameter (2). £40-60 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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51.

Phil Rogers (b.1951) Box and cover ash glaze, faceted sides impressed potter’s seal 12cm high, 15cm diameter. £50-80 (plus 27% BP* ARR*) 52.

Phil Rogers (b.1951) Vase green glaze, faceted sides impressed potter’s seal 17cm high. £30-60 (plus 27% BP* ARR*)

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Phil Rogers (b.1951) Two pots and covers salt glazes impressed potter’s seals 8cm high and 8.5cm high (2). £40-60 (plus 27% BP* ARR*) 54.

Phil Rogers (b.1951) Dish ash and poured green glazes impressed potter’s seal 27cm diameter. £60-100 (plus 27% BP* ARR*) 55.

Manner of Shoji Hamada (1894-1978) Tea bowl green and black glazes 11cm high. £40-60 (plus 27% BP* ARR*) 56.

Ruthanne Tudball (b.1948) Footed charger soda glaze impressed potter’s seal 37cm diameter. £60-100 (plus 27% BP* ARR*) 57.

Toff Milway (b.1949) Casserole dish blue glaze, with incised sprigs signed 34cm across. £40-80 (plus 27% BP* ARR*) 58.

Mike Dodd (b.1943) Vase tenmoku glaze with orange neck impressed potter’s seal (covered with glaze) 20cm high. £50-80 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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59.

Phil Rogers (b.1951) Vase red glaze, with wax resist and finger wipe decoration impressed potter’s seal 21.5cm high. £80-120 (plus 27% BP* ARR*) 60.

Svend Bayer (b.1946) Jug wood fired 17.5cm high. £30-50 (plus 27% BP* ARR*)

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John Maltby (b.1936) Vessel gold and black abstract patterns signed 26cm high, 18.1cm across. £300-500 (plus 27% BP* ARR*) 62.

John Maltby (b.1936) Cup form decorated with abstract patterns, disc handle signed 18.5cm high, 23cm across. £300-500 (plus 27% BP* ARR*) 63.

John Maltby (b.1936) Cup form decorated with sun and grass, loop handle signed 14cm high, 13.5cm across. £100-200 (plus 27% BP* ARR*) 64.

John Maltby (b.1936) Jug decorated with abstract patterns, triangular handle signed 27.5cm high, 25cm across. £300-500 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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65.

John Maltby (b.1936) ‘Peter Grimes’ swing boat painted wood signed 35cm high, 25cm across. £200-400 (plus 27% BP* ARR*) 66.

Philip Evans (b.1959) Vessel textured finish with and gold leaf, light purple with red and yellow spots to exterior with red band impressed potter’s seal 11cm high, 10.4cm across. £60-100 (plus 27% BP* ARR*) 67.

Philip Evans (b.1959) Vessel textured finish with gold leaf, green exterior with red band impressed potter’s seal 14cm high, 12cm across. £80-120 (plus 27% BP* ARR*)

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Peter Lane (b.1932) Vase graduated glaze signed 8.5cm high, 15cm diameter. £80-120 (plus 27% BP* ARR*) 69.

Peter Lane (b.1932) Bowl stencilled glaze in yellow, pink, blue and black signed 9.5cm high, 31cm diameter.

Provenance: Ombersley Gallery, Worcestershire. £150-250 (plus 27% BP* ARR*) 70.

Chris Carter (b.1945) Footed bowl stoneware with manganese rim impressed potter’s seal 26cm diameter.

Provenance: Ombersley Gallery, Worcestershire. £150-250 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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71.

Chris Carter (b.1945) Vessel stoneware with textured glaze impressed potter’s seal 15.5cm high.

Provenance: Ombersley Gallery, Worcestershire. £80-120 (plus 27% BP* ARR*) 71

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Rachel Wood (Contemporary) Vessel stoneware with various textured glazes incised signature 15.4cm high, 14cm diameter. £100-200 (plus 27% BP* ARR*) 73.

Betty Blandino (1927-2011) Vase mottled green and white glaze impressed potter’s seal 31cm high. £200-400 (plus 27% BP* ARR*) 74.

Alan Wallwork (b1931) Floor vase partial white glaze, decorated with impressed roundels 82cm high. £300-500 (plus 27% BP* ARR*) 75.

Alan Wallwork (b.1931) Four vases stoneware, cylindrical forms each with incised monogram tallest 29.5cm high (4). £80-120 (plus 27% BP* ARR*)

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BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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Chris Carter (b.1945) Vessel bottle form, stoneware, with textured oatmeal glaze impressed potter’s seal 70cm high. £250-350 (plus 27% BP* ARR*) 77.

Chris Carter (b.1945) Vase stoneware with textured oatmeal glaze impressed potter’s seal 61cm high.

Provenance: Ombersley Gallery, Worcestershire. £300-500 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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David Frith (b.1943) Vase nuka glaze with flambé wax resist decoration impressed potter’s seal 56cm high, 37cm across. £400-600 (plus 27% BP* ARR*) 79.

Dylan Bowen (b.1967) Pair of flasks brown and cream slip decoration signed tallest 26cm high (2). £100-200 (plus 27% BP* ARR*)

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Steve Booton (b.1967) Moon flask dripped cream glaze on red ground impressed potter’s seal 32cm high. £60-100 (plus 27% BP* ARR*) 81.

Peter Hayes (b.1946) Bow form raku, red with turquoise disc signed overall 35cm high. £500-700 (plus 27% BP* ARR*) 82.

John Dunn (b.1944) Shallow bowl raku, blue and cream signed 27.5cm diameter. £50-80 (plus 27% BP* ARR*) 83.

David White (1934-2011) Footed bowl light blue crackled glaze impressed potter’s seal 9.7cm high, 20.7cm diameter. £100-150 (plus 27% BP* ARR*) 84.

David White (1934-2011) Bowl light blue crackled glaze with flattened rim impressed potter’s seal 14cm high, 16cm diameter. £100-150 (plus 27% BP* ARR*) 84

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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85.

David White (1934-2011) Footed bowl pink and white lustre crackled glaze impressed potter’s seal 20cm high, 15cm diameter. £80-120 (plus 27% BP* ARR*) 86.

Carla Matinho (Contemporary) Three jugs and a platter incised and painted decoration, depicting fruit stamped marks tallest jug 37.5cm high, platter 42.4cm across (4). £50-80 (plus 27% BP* ARR*)

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Bernard Irwin (b.1953) Vessel geometric coloured design signed 12.7cm high. £80-120 (plus 27% BP* ARR*) 88.

Eddie Curtis (b.1953) Jar and cover green and pink graduated glaze, with wooden handle impressed potter’s seal 24.6cm high. £100-200 (plus 27% BP* ARR*) 89.

Alan Wallwork (b.1931) Split oval incised initials 31cm high. £200-300 (plus 27% BP* ARR*) 90.

Patricia Shone (Contemporary) Vessel textured surface with green glaze 13cm high. £100-150 (plus 27% BP* ARR*) 91.

David Frith (b.1937) Casserole dish decorated with spots impressed potter’s seal 19cm high, 28.5cm across. £60-100 (plus 27% BP* ARR*) 91

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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92.

Margaret Frith (b.1943) Footed bowl tenmoku glaze, nuka glaze to interior impressed potter’s seal 10cm high, 24cm diameter. £100-150 (plus 27% BP* ARR*) 93.

Gilles Le Corre (Contemporary) Vase multi-coloured glaze impressed potter’s seal 12cm high, together with a Nick Caiger-Smith bowl, a Peter Ilsley bowl, and a small bud vase impressed ‘GB’ (4). £50-80 (plus 27% BP* ARR*)

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Guido Gambone (1909-1969) Bottle vase blue dipped glaze with purple splashes signed ‘Gambone, Italy’ 15cm high. £150-250 (plus 27% BP* ARR*) 95.

Vera Tollow (b.1931) Vase dripped green glaze with sgraffito lines 34.5cm high. £40-80 (plus 27% BP* ARR*) 96.

Gillian Montegrande (b.1960) ‘Swerve’ stoneware, white layer scraped back to grey layer signed 32cm high, 27cm wide. £40-80 (plus 27% BP* ARR*) 97.

Patricia Shone (Contemporary) Vessel textured white surface 9cm high. £100-150 (plus 27% BP* ARR*) 98.

Patricia Shone (Contemporary) Vessel textured surface with volcanic glaze impressed potter’s seal 13cm high. £80-120 (plus 27% BP* ARR*) 98

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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99: Ewen Henderson (1934-2000) Sculptural ‘buttressed’ form, circa 1992 mixed laminated clays 58cm high, 43.5cm across.

Provenance: A private London collection. £2500-3000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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100: Ewen Henderson (1934-2000) Vessel stoneware, poured green and brown glazes 46cm high.

Provenance: A private London collection. £2000-3000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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101.

Jeff Oestreich (b.1947) Vase green and white glaze with tenmoku dots impressed potter’s seal 20.8cm high, 15.3cm across. £50-100 (plus 27% BP* ARR*) 102.

Ruthanne Tudball (b.1948) Two jugs soda glazes impressed potter’s seals 25.5cm high and 23.5cm high (2). £50-100 (plus 27% BP* ARR*)

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Ruthanne Tudball (b.1948) Vase soda glaze, combed decoration impressed potter’s seal 24cm high. £40-80 (plus 27% BP* ARR*) 104.

American School Vase blue nuka glaze signed ‘Maija’ 16.5cm high. £30-60 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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105.

Gillian Montegrande (b.1960) ‘Futa-Suki-Sen’ stoneware, ark shaped vessel signed 26cm high, 34cm wide. £40-80 (plus 27% BP* ARR*) 106.

Peter Wills (Contemporary) Footed bowl cream glaze with chattered flared rim impressed potter’s seal and incised signature 9.8cm high, 25.4cm diameter. £100-200 (plus 27% BP* ARR*)

105

106

107.

Vladimir Tsivin (1949) Two Muses, 1990 stoneware 47cm high.

Provenance: A private London collection. £1000-1500 (plus 27% BP* ARR*) 108.

Angela Mellor (Contemporary) Bowl white with gold leaf motif impressed potter’s seal 7.5cm high, 12.7cm diameter. £40-60 (plus 27% BP* ARR*) 107 109.

Peter Wills (Contemporary) Bowl blue glaze with dipped white rim impressed potter’s seal 6.5cm high, 10cm diameter. £80-120 (plus 27% BP* ARR*) 110.

Peter Wills (Contemporary) Footed bowl white and turquoise glaze with brushwork panels impressed potter’s seal 7.3cm high, 11.2cm diameter. £80-120 (plus 27% BP* ARR*) 111.

Peter Wills (Contemporary) Shallow bowl turquoise glaze impressed potter’s seal 11cm diameter. £50-80 (plus 27% BP* ARR*)

108

109

110

111

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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112.

John Maltby (b.1936) Twin-handled vessel decorated with red cross and flowers, the reverse with abstract splashes signed 17cm high. £500-800 (plus 27% BP* ARR*) 113.

John Maltby (b.1936) Jug decorated with red crosses on abstract patterns signed 23cm high, 28cm across. £400-600 (plus 27% BP* ARR*)

112

113

114

115

114.

John Maltby (b.1936) Vessel spade form, decorated flowers and red triangles signed 20.5cm high, 15cm across. £600-1000 (plus 27% BP* ARR*) 115.

John Maltby (b.1936) Basket decorated flowers and spots signed 18cm high, 17,4cm diameter. £300-400 (plus 27% BP* ARR*)

117 116.

John Maltby (b.1936) Cup form decorated with cross on dark ground, disc handle signed 12cm high, 14cm across. £200-400 (plus 27% BP* ARR*)

116

117.

John Maltby (b.1936) Model of a boat oatmeal glaze on presentation plinth ‘S.Y.C Crash Boat Trophy ‘994’ 12cm high, 23.5cm across, together with a pottery boat by Sarah Vernon (2). £40-60 (plus 27% BP* ARR*) 118.

Peter Hayes (b.1946) Bow form, 1998 raku, white signed and dated overall 32cm high. £300-400 (plus 27% BP* ARR*)

118

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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119.

Sophie Cook (b.1974) Bottle vase with long slender neck and matte grey glaze impressed potter’s seal 29.5cm high. £100-150 (plus 27% BP* ARR*) 120.

Shozo Michikawa (b.1953) Bowl twisted form, with graduated ash glaze 24cm across. £100-200 (plus 27% BP* ARR*) 119

120

121

122

123

124

121.

Ken Matsuzaki (b.1950) Bowl shino glaze, on three loop feet 10.7cm high, 25.5cm across. £80-120 (plus 27% BP* ARR*) 122.

Waistel Cooper (1921-2003) Vase slender neck with bulbous body, textured rust coloured glaze, tenmoku interior signed 42cm high. £200-300 (plus 27% BP* ARR*) 123.

Waistel Cooper (1921-2003) Lamp base graduated nuka glaze, with original shade signed 59cm high (including shade). £80-120 (plus 27% BP* ARR*) 124.

Waistel Cooper (1921-2003) Vase stoneware with banded decoration signed 30cm high. £150-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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125.

Waistel Cooper (1921-2003) Vase stoneware with rust glaze signed 26.4cm high. £150-200 (plus 27% BP* ARR*) 126.

Waistel Cooper (1921-2003) Vessel inverted form, stoneware with oatmeal glaze signed 28.5cm high, 20cm across. £150-200 (plus 27% BP* ARR*)

125

126

127

128

129

130

127.

Mike Dodd (b.1943) Bottle vase tenmoku glaze, with loop handle and finger wipe decoration impressed potter’s seal 20.5cm high. £60-100 (plus 27% BP* ARR*) 128.

Anne Butler (Contemporary) Bowl porcelain, with grey and red slip decoration painted monogram 8.5cm high, 11.5cm across. £40-60 (plus 27% BP* ARR*) 129.

Anne Butler (Contemporary) Bowl porcelain, with grey and red slip decoration painted monogram 13cm high, 20cm diameter. £50-80 (plus 27% BP* ARR*) 130.

Anne Butler (Contemporary) Bowl porcelain, with grey slip decoration painted monogram 15cm high, 25cm diameter. £60-100 (plus 27% BP* ARR*) 131.

Mary Rich (b.1940) Beaker painted with gold geometric patterns signed 8.8cm high, together with a David White pot and cover (2). £40-80 (plus 27% BP* ARR*)

131

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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132.

Japanese School Two yunomi a stoneware example by Kotaro Sugimoto Mushiko Yuti and a porcelain example both boxed and with paperwork 9cm high and 5cm high (2). £40-60 (plus 27% BP* ARR*) 133.

Bernard Rooke (b.1938) Lamp base stoneware, totem form 42cm high. £50-100 (plus 27% BP* ARR*) 134.

Alan Wallwork (b.1931) Bowl stoneware, in the form of a bird impressed potter’s seal 16.5cm across. £30-60 (plus 27% BP* ARR*) 135.

Manner of Emmanuel Cooper (1938-2012) Bowl yellow glaze impressed potter’s seal covered by glaze 20.5cm diameter. £40-60 (plus 27% BP* ARR*)

132

133

134

135

136

137

138

139

136.

Tremaen Pottery Lamp base raised mayon decoration ‘Tremaen’ sticker, original shade 61cm high. £60-80 (plus 27% BP* ARR*) 137.

Rupert Spira (b.1960) Pair of beakers blue glaze impressed potter’s seals 9.5cm high (2). £200-400 (plus 27% BP* ARR*) 138.

Rupert Spira (b.1960) Beaker vase blue glaze impressed potter’s seal 23cm high. £300-500 (plus 27% BP* ARR*) 139.

Rupert Spira (b.1960) Bowl turquoise glaze impressed potter’s seal 25.6cm diameter. £500-800 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

29

140.

Lucie Rie (1902-1995) Coffee pot manganese glaze, sgraffito decoration impressed potter’s seal 20.5cm high. £1500-2000 (plus 27% BP* ARR*) 141.

Lucie Rie (1902-1995) and Hans Coper (1920-1981) Pouring vessel, circa 1960 manganese glaze with white interior impressed potter’s seals 10cm high, 13.5cm across. £800-1200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

30

142.

Lucie Rie (1902-1995) Vase, circa 1980s stoneware, white glazes, flaring lip impressed potter’s seal 28cm high.

Provenance: A private London collection. £3000-6000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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143.

Paul Soldner (1921-2011) Vase, 1995-96 raku with brushwork calligraphy 44.5cm high.

Provenance: A private London collection. £500-800 (plus 27% BP* ARR*) 144.

Sotis Filippides (b.1963) Bowl textured black glaze impressed potter’s seal 34cm diameter. £100-200 (plus 27% BP* ARR*)

143

144

145

146

147

148

145.

Peter Hayes (b.1946) Figural group stoneware signed overall 20cm high. £100-200 (plus 27% BP* ARR*) 146.

Geoffrey Eastop (1921-2014) Standing figure painted potter’s mark 58.5cm high. £300-500 (plus 27% BP* ARR*) 147.

Mary Rich (b.1940) Vase painted gold geometric designs on blue ground impressed potter’s seal 28cm high. £80-120 (plus 27% BP* ARR*) 148.

Mary Rich (b.1940) Three miniature vases and a teapot gold painted designs impressed potter’s seals tallest 12cm high (4). £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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149.

Derek Emms (1929-2004) Teapot tenmoku and treacle glazes impressed potter’s seal 21cm high. £100-200 (plus 27% BP* ARR*) 150.

Sarah Jenkins (Contemporary) Bottle and stopper matte black glaze with sgraffito decoration impressed potter’s seal 40.6cm high. £100-150 (plus 27% BP* ARR*)

149

150

151

152

153

154

151.

Sarah Jenkins (Contemporary) Bottle vase matte blue glaze with sgraffito landscape impressed potter’s seal 37cm high. £100-150 (plus 27% BP* ARR*) 152.

Kevin de Choisy (b.1954) Jug and bowl blue and green glazes impressed potter’s seals jug 19cm high (2). £40-80 (plus 27% BP* ARR*) 153.

Rob Sollis (b.1966) Vase ribbed with metallic glaze impressed potter’s seal 13.5cm high. £60-100 (plus 27% BP* ARR*) 154.

Peter Wills (Contemporary) Bowl stoneware with spiralled grey glaze impressed potter’s seal and incised signature 8.6cm high, 24.1cm diameter. £50-80 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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155.

Peter Wills (Contemporary) Footed bowl pink glaze and dripped manganese rim impressed potter’s seal and incised signature 7.5cm high, 17.5cm diameter. £150-250 (plus 27% BP* ARR*) 156.

Jennie Hale (Contemporary) Model of a bird raku signed 29.7cm high, 26cm across. £50-100 (plus 27% BP* ARR*)

155

156

157

158

157.

Angela Monckton at Aldermaston Pottery Bowl painted with abstract motifs painted marks 21.5cm diameter. £30-60 (plus 27% BP* ARR*) 158.

Laurence McGowan (b.1942) Handled bowl painted with a band of birds painted potter’s monogram 18.5cm high, 22.5cm diameter. £100-200 (plus 27% BP* ARR*) 159.

Laurence McGowan (b.1942) Two jugs and a vase with cover painted with birds and flowers painted potter’s monograms tallest 13.7cm high (3). £80-120 (plus 27% BP* ARR*) 160.

Laurence McGowan (b.1942) Two bowls decorated with birds painted potter’s monogram largest 17.8cm diameter, together with an Aldermaston bowl (3). £80-120 (plus 27% BP* ARR*)

159

160 BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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161.

Peter Beard (b.1951) Shell form sculpture blue and grey matte glaze, on wooden base impressed seal to base and shell 55cm high.

Provenance: The Round House Gallery, Derbyshire. £1000-1500 (plus 27% BP* ARR*)

162.

Peter Beard (b.1951) Circular form sculpture blue and grey matte glaze, on wooden base impressed seal 39cm high.

Provenance: The Round House Gallery, Derbyshire. £800-1200 (plus 27% BP* ARR*)

163.

Peter Beard (b.1951) Sail form sculpture blue and grey matte glaze, on stone base 44.5cm high.

Provenance: The Round House Gallery, Derbyshire. £500-700 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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164.

Sarah Jenkins (Contemporary) Sculptural piece matte blue glaze with sgraffito landscape impressed potter’s seal 26cm high. £100-150 (plus 27% BP* ARR*) 165.

David White (1934-2011) Bottle light blue crackled glaze with tan highlights impressed potter’s seal 19.7cm high. £70-100 (plus 27% BP* ARR*)

164

165

166

167

168

169

166.

Margaret Frith (b.1943) Dish poured glazes impressed potter’s seal 28cm across. £80-120 (plus 27% BP* ARR*) 167.

Andrew Hill (b.1964) Bowl raku incised initials 29.5cm diameter. £80-120 (plus 27% BP* ARR*) 168.

Peter Hayes (b.1946) Bow form, 2014 raku, white signed and dated overall 24cm high. £200-300 (plus 27% BP* ARR*) 169.

Derek Emms (1929-2004) Two pots with covers porcelain, with celadon glazes impressed potter’s seals 11cm and 9.4cm diameter (2). £30-60 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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170.

Svend Bayer (b.1946) at Wenford Bridge Dish blue brushwork decoration impressed potter’s and pottery seals 25.3cm diameter. £40-80 (plus 27% BP* ARR*) 171.

David Frith (b.1943) Box and cover impressed potter’s seal 8cm x 17cm, together with a Stoneshill pottery bowl and a blue and green studio pottery bowl (3). £50-80 (plus 27% BP* ARR*) 170

171

172

173

174

175

172.

Sophie Cook (b.1974) Bottle vase with long slender neck, green glaze impressed potter’s seal 16.5cm high. £80-120 (plus 27% BP* ARR*) 173.

John Lomas (Contemporary) Vase flared rim, with speckled blue glaze 32cm high. £30-50 (plus 27% BP* ARR*) 174.

Euan Uglow (1932-2000) Bowl ching glaze inscribed initials 16cm high, 39cm diameter.

Information: Euan Uglow built a reputation as one of the country’s leading figurative painters after studying at the Camberwell College of Arts under William Coldstream and the Slade School of Arts in the late 1940s/ early 1950s. From 1961, he started to teach part time at the Slade and taught many of the leading contemporary artists. This bowl was potted whilst teaching at the Slade.

Provenance: From the artist, thence by descent. £800-1200 (plus 27% BP* ARR*) 175.

Peter Wills (Contemporary) Vase pink glaze, disc shaped rim impressed potter’s seal 15cm high. £60-100 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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176.

Tony Laverick (b.1961) Vase, 2007 porcelain decorated with metallic strips monogrammed and dated 13cm high. £50-80 (plus 27% BP* ARR*) 177.

Tony Laverick (b.1961) Charger multi-coloured geometric patterns monogrammed 35cm diameter. £100-150 (plus 27% BP* ARR*)

176

177

178

179

180

181

178.

Bridget Drakeford (Contemporary) Vase celadon glaze with gilt mount to rim impressed potter’s seal and signed 13cm high, together with a Christine Gittens vase and a studio pottery bowl (3). £40-80 (plus 27% BP* ARR*) 179.

Tremaen Pottery Pair of lamp bases blue and white glazes 30cm high (excluding shades) (2). £50-100 (plus 27% BP* ARR*) 180.

John Maltby (b.1936) Footed bowl decorated with flower heads impressed potter’s seal 9.5cm high. £150-250 (plus 27% BP* ARR*) 181.

John Maltby (b.1936) ‘Alfred Wallis’ swing boat painted wood signed 35cm high, 25cm across. £200-400 (plus 27% BP* ARR*) 182.

Jim Malone (b.1946) Vase celadon glaze, Meiping shape, incised decoration impressed potter’s seal 31.5cm high. £200-300 (plus 27% BP* ARR*) 182

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183.

Jim Malone (b.1946) Bowl celadon glaze, incised fish decoration impressed potter’s seal 25.5cm diameter. £80-120 (plus 27% BP* ARR*) 184.

Philip Evans (b.1959) Vessel textured finish with and gold leaf, light purple exterior with red band impressed potter’s seal 10cm high, 10cm across. £60-100 (plus 27% BP* ARR*)

183

184

185

186

187

188

185.

Philip Evans (b.1959) Ceramic panel textured finish and gold leaf impressed potter’s seal and signed in pencil frame 54cm x 52cm. £200-300 (plus 27% BP* ARR*) 186.

Colin Carbis for Troika ‘Double Anvil’ vase initialled and marked ‘Troika Cornwall’ 36cm high, 17.5cm across. £200-300 (plus 27% BP* ARR*) 187.

Louise Jinks and Alison Brigden for Troika Two urn vases blue ground with geometric bands painted marks 25cm high (2). £100-200 (plus 27% BP* ARR*) 188.

Penny Black and Simone Kilburn for Troika Three urn vases oatmeal ground with geometric bands painted marks tallest 26cm high (3). £150-250 (plus 27% BP* ARR*) 189.

Louise Jinks and Holly Jackson for Troika Two urn vases green ground with geometric bands painted marks 26cm high (2). £100-200 (plus 27% BP* ARR*) 189 BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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190.

Colin Carbis and Alison Brigden for Troika Two vases cylindrical form with zig-zag decoration painted marks 19.5cm high (2). £80-120 (plus 27% BP* ARR*) 191.

John Bedding and Marilyn Pascoe for Troika Two vases cylindrical form, blue glazes with geometric patterns painted marks 20cm and 19cm high (2). £80-120 (plus 27% BP* ARR*) 192.

Louise Jinks and Sylvia Vallence for Troika Two vases cylindrical form, oatmeal glazes with geometric patterns painted marks 20.5cm high (2). £80-120 (plus 27% BP* ARR*)

190

191

192

193

193.

Alison Brigden for Troika Three vases painted marks tallest 21cm high (3). £100-200 (plus 27% BP* ARR*) 194.

Troika Wall plaque marked ‘Troika St. Ives’ 18.4cm x 12.5cm. £200-300 (plus 27% BP* ARR*) 195.

Nic Collins (b.1958) Storage bottle stoneware, wood fired signed 58cm high. £150-250 (plus 27% BP* ARR*) 196.

Alan Caiger-Smith (b.1930) at Aldermaston Pottery Bowl and cover, 1964 the bowl with loop handles, with ochre brushwork motifs signed and with date motif 19cm high. £80-120 (plus 27% BP* ARR*)

194

195

196

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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197.

Aldermaston Pottery Bowl decorated with pink and blue brushwork signed 30cm diameter. £40-60 (plus 27% BP* ARR*) 198.

Philip Leach (b.1947) ‘Fish’ vase brushwork fish on ochre glaze. impressed potter’s and pottery seals 38.5cm high. £200-300 (plus 27% BP* ARR*)

197

198

199

200

201

202

199.

Gillian Montegrande (b.1960) ‘Hidden Light’ vulcan stoneware vessel signed 32cm high, 24.5cm wide. £40-80 (plus 27% BP* ARR*) 200.

Gillian Montegrande (b.1960) ‘White Waves’ stoneware lidded vessel signed 49cm high, 40cm wide. £40-80 (plus 27% BP* ARR*) 201.

Gillian Montegrande (b.1960) ‘Black Forest’ stoneware, layered vessel signed 18cm high, 22cm wide. £40-80 (plus 27% BP* ARR*) 202.

Lucie Rie (1902-1995) Bowl elliptical form, with cream glaze and manganese drips impressed potter’s seal 9cm high, 16cm across. £1000-2000 (plus 27% BP* ARR*) 203.

Lucie Rie (1902-1995) Pouring vessel oatmeal glaze impressed potter’s seal 12.3cm high. £200-400 (plus 27% BP* ARR*) 203

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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204.

Robert Thompson of Kilburn (1876-1955) Mouseman desk, circa 1950 oak, canted top with low rear gallery above kneehole enclosed by six graduated drawers the sides and back panelled, all on octagonal feet carved mouse signature 136cm across, 74.5cm high, 50.5cm deep. £2000-3000 (plus 27% BP* ARR*) 205.

Robert Thompson of Kilburn (1876-1955) Mouseman monk’s chair oak, the curved back with woven design, above leather seat and octagonal carved legs carved mouse signature 80cm high, 63cm wide. £800-1200 (plus 27% BP* ARR*)

204

206.

Robert Thompson of Kilburn (1876-1955) Mouseman breadboard oak carved mouse signature 30cm across. £50-100 (plus 27% BP* ARR*) 207.

Robert Thompson of Kilburn (1876-1955) Mouseman pipe ashtray oak carved mouse signature 15cm diameter. £30-60 (plus 27% BP* ARR*)

205

207

206

208.

Robert Thompson (1876-1955) of Kilburn Mouseman tray oak carved mice signature 47cm across. £200-300 209.

Robert Thompson (1876-1955) of Kilburn Mouseman book trough oak carved mouse signature 45cm across. £150-200

208

209

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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210.

Colin Almack Beaverman book trough oak carved beaver signature 19cm high, 52cm wide. £80-120 (plus 27% BP* ARR*) 211.

Robert Thompson (1876-1955) of Kilburn Mouseman candlestick oak carved mouse signature 29cm high. £150-200 (plus 27% BP* ARR*)

210

211

212

213

214

215

212.

Louis Comfort Tiffany (1848-1933) ‘Favrile’ vase iridescent glass signed ‘L. C. Tiffany Favrile’ and numbered ‘774J’ 15cm high.

Provenance: Parke-Bernet Galleries, New York, 1972, Sale Number 3204, lot 97. £300-500 (plus 27% BP* ARR*) 213.

Degué, France Vase, circa 1920s amber coloured glass, sandblasted pattern signed, retailers label to underside 46.5cm high. £80-120 (plus 27% BP* ARR*) 214.

Ruskin Pottery Vase, 1927 blue and ochre lustre glaze impressed mark and date 25.5cm high. £200-400 (plus 27% BP* ARR*) 215.

William Moorcroft (1872-1945) ‘Eventide’ vase, circa 1925 impressed manufacturer’s marks signed in underglaze blue 15.8cm high. £400-600 (plus 27% BP* ARR*) 216.

William Moorcroft (1872-1945) Pair of coasters, circa 1930 decorated with purple and white flowers, with pewter mounts impressed manufacturer’s marks 12.3cm diameter. £100-200 (plus 27% BP* ARR*)

216

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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217.

Charles Brannam Vase, 1907 decorated with fish signed and dated 19cm high. £50-80 (plus 27% BP* ARR*) 218.

Secessionist School Box, circa 1900 walnut inlaid with brass impressed mark 12cm high, 23cm across. £200-300 (plus 27% BP* ARR*)

217

218

219

220

221

222

219.

Emile Gallé (1846-1904) Vase cameo overlaid glass, depicting a tree by a lake signed ‘Gallé’ in cameo 18cm high. £80-120 (plus 27% BP* ARR*) 220.

Emile Gallé (1846-1904) Vase cameo overlaid glass, decorated with thistles signed ‘Gallé’ in cameo 12.5cm high. £50-100 (plus 27% BP* ARR*) 221.

Emile Gallé (1846-1904) Powder box and cover cameo overlaid glass, decorated with lilies signed ‘Gallé’ in cameo 13cm diameter. £100-200 (plus 27% BP* ARR*) 222.

Daum Nancy Bowl, circa 1910 cameo inlaid glass with quatrefoil rim, depicting fruit and vines signed in cameo and with cross of Lorraine 15cm diameter. £100-200 (plus 27% BP* ARR*) 223.

Manner of Zsolnay Pair of Art Nouveau vases, circa 1900 the pottery vases with lustre glaze decorated with reeds, pewter mounts in the form of foliage with twin-handles impressed ‘3390 R’ 25cm high (2). £100-200 (plus 27% BP* ARR*)

223

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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224.

Tiffany Studios Near pair of candlesticks, circa 1900 brass, one with green Favrile glass inset stamped ‘Tiffany Studios 1222’ 23cm high (2). £600-800 (plus 27% BP* ARR*) 225.

Liberty & Co. Vase pewter, decorated in relief with stylised trees stamped ‘Tudric 02450’ 19cm high. £50-80 (plus 27% BP* ARR*)

224

225

226

227

228

229

230

231

226.

Secessionist School Wall clock enamel face printed with cornucopia of fruit, in colours on a white ground 31cm across. £250-350 (plus 27% BP* ARR*) 227.

Watcombe Pottery, Torquay Aesthetic vase, possibly by Christopher Dresser terracotta, decorated with storks and plants 38cm high. £50-100 (plus 27% BP* ARR*) 228.

Minton Gothic Revival table font white glaze impressed marks 12.5cm high, 16.5cm across. £200-300 (plus 27% BP* ARR*) 229.

W.M.F Art Nouveau candlestick, circa 1905 in the form of an owl on a column marked ‘83/3’ 41cm high. £250-350 (plus 27% BP* ARR*) 230.

Art Nouveau Collection of eight glass vases, late 19th Century hand painted and enamelled one signed ‘Moser 712/8’ tallest 12.5cm high (8). £200-300 (plus 27% BP* ARR*) 231.

W.M.F Claret jug, circa 1900 green glass and pewter embossed with maidens stamped ‘Plewkiewicz, Warszawa’ 37cm high. £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

45

232: Peter Waals (1870-1937) Dressing table walnut, with kneehole, fitted eight short drawers and five long drawers, on shaped chamfered feet.

75.5cm high, 192.5cm across, 53cm deep.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. Receipt from Peter Waals to Mrs Crowther dated 30 October 1935.

233: Peter Waals (1870-1937) Dressing table stool walnut, chamfered legs and ‘X’ shaped stretcher 46cm high, 48cm across, 35cm deep.

234: Peter Waals (1870-1937) Dressing table mirror walnut, chamfered supports and bevelled mirror 79cm high, 30cm deep.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. Receipt from Peter Waals to Mrs Crowther dated 30 October 1935.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. Receipt from Peter Waals to Mrs Crowther dated 30 October 1935.

£200-400 (plus 27% BP* ARR*)

£600-800 (plus 27% BP* ARR*)

Reference: The Work of Peter Waals, reprinted from the Cabinet Maker, September 28, 1935. £2000-4000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

46

235: Peter Waals (1870-1937) Wardrobe walnut, panelled front with four sliding doors, on shaped chamfered feet 198cm high, 153cm across, 51cm deep.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. Receipt from Peter Waals to Mrs Crowther dated 30 October 1935. £2000-4000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

47

236.

Peter Waals (1870-1937) Double bed walnut, panelled headboard and footboard 109.5cm high (headboard), 138cm across.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. Receipt from Peter Waals to Mrs Crowther dated 30 October 1935. £1000-2000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

48

237.

Peter Waals (1870-1937) Sideboard oak, with raised back, two central drawers, flanked by pedestals each with two cupboard doors and three drawers 121cm high, 206cm across, 50cm deep.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent.

Receipt from Peter Waals to Mrs Crowther dated 30 October 1935. £3000-5000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

49

238.

Peter Waals (1870-1937) Open bookcase oak, fitted one cupboard door to the top right, the rest with open shelves, on stepped feet 117.5cm high, 162cm across, 30cm deep.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. £2000-4000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

50

239.

Peter Waals (1870-1937) Drop-leaf dining table and six chairs oak, on chamfered tapering legs and chamfered cross supports, the chairs with original upholstery 76.5cm high, 166.5cm across, the chairs 51cm across, 93cm high.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. Receipt from Peter Waals to Mrs Crowther dated 30 October 1935.

Information: The table is designed to fit into the kneehole section of the sideboard. £3000-6000 (plus 27% BP* ARR*)

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240.

Workshop of Peter Waals (1870-1937) Blanket box oak, with panelled front on square cut legs 45cm high, 81.5cm across, 40cm deep.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. £200-400 (plus 27% BP* ARR*) 241.

Workshop of Peter Waals (1870-1937) Occasional table walnut 68cm high, 60cm across, 50cm deep.

240

241

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. £300-500 (plus 27% BP* ARR*) 242.

Attributed to Peter Waals (1870-1937) Standard lamp walnut, on stepped base 140cm high.

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. £400-600 (plus 27% BP* ARR*) 243.

Workshop of Peter Waals (1870-1937) Foot stool oak, with inset leather top (with handwritten note ‘the leather on this stool came from a World War II German aeroplane’) 112cm wide.

244

242

Provenance: Mrs Crowther (nee Goddard) and thence by family descent. £100-200 (plus 27% BP* ARR*) 244.

Manner of Liberty & Co. Side table, circa 1900 mahogany, four tiers with exposed joints 63cm high, 46cm wide. £50-100 (plus 27% BP* ARR*)

243

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245.

Attributed to Liberty & Co. Child’s settee, circa 1900 stained wood, lattice back, over caned seat and turned legs 65cm high, 75cm wide, 35cm deep. £200-300 (plus 27% BP* ARR*)

245

246.

Liberty & Co. Pair of child’s chairs, circa 1905 from the nursery rhyme range, oak with rush seats 72cm high (2). £250-350 (plus 27% BP* ARR*) 247.

Cotswold School Display cabinet, circa 1920 oak, with exposed joints, the top having two glass shelves, all raised on chamfered supports 158cm high, 84cm wide, 30cm deep. £400-600 (plus 27% BP* ARR*)

246

248.

Manner of Edward William Godwin (1833-1886) Arts & Crafts armchair ebonised, with heart motif pierced to top rail, Morris style fabric seat, over tapering legs 107cm high, 68cm wide. £200-300 (plus 27% BP* ARR*)

248

247

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

53

249.

Hugh Birkett (1919-2002) Dining table, 1987 walnut, the top over six shaped and carved supports signed and dated 74cm high, 111cm wide.

Information: Made to a special commission for Geoffrey H.Alpe (1908-2008), former Managing Director of Parker Knoll.

Provenance: Geoffrey H.Alpe; thence by descent. £1000-2000 (plus 27% BP* ARR*)

54

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

250.

Hugh Birkett (1919-2002) Bureau, 1986 walnut, the fall front enclosing pigeon holes and secret compartment, over three drawers, all raised on chamfered supports signed and dated 120cm high, 86cm wide, 42cm deep.

Information: Made to a special commission for Geoffrey H.Alpe (1908-2008), former Managing Director of Parker Knoll.

Provenance: Geoffrey H.Alpe; thence by descent. £3000-5000 (plus 27% BP* ARR*)

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251.

Hugh Birkett (1919-2002) Clock walnut, ebony and inlaid woods signed ‘Hugh Birkett, Moreton in Marsh’ 40cm diameter.

Information: Made to a special commission for Geoffrey H.Alpe (1908-2008), former Managing Director of Parker Knoll.

251

252

253

254

Provenance: Geoffrey H.Alpe; thence by descent. £500-800 (plus 27% BP* ARR*) 252.

Hugh Birkett (1919-2002) Wine table, 1997 walnut hinged top enclosing wine storage, panelled sides and top signed and dated 48cm high, 53cm wide.

Information: Made to a special commission for Geoffrey H.Alpe (1908-2008), former Managing Director of Parker Knoll. It is thought only two of this design were made, the first being sold at Mallams 2018 Design sale, lot 251.

Provenance: Geoffrey H.Alpe; thence by descent. £800-1200 (plus 27% BP* ARR*)

254.

Manner of Ernest Gimson (1864-1919) ‘Hayrake’ side table, possibly made by Hugh Birkett oak, the rectangular top with carved edge, over octagonal legs joined by chamfered stretcher 69cm high, 71cm wide, 41cm deep.

253.

Hugh Birkett (1919-2002) Specimen table, 1961 the top with twenty woods, over eight carved supports signed and dated 67cm high, 66cm wide.

Provenance: Geoffrey H.Alpe; thence by descent. £1000-2000 (plus 27% BP* ARR*)

Information: Made to a special commission for Geoffrey H.Alpe (1908-2008), former Managing Director of Parker Knoll.

Provenance: Geoffrey H.Alpe; thence by descent. £1000-3000 (plus 27% BP* ARR*)

255

255.

Hugh Birkett (1919-2002) Mirror oak, octagonal 35cm across.

Provenance: Geoffrey H.Alpe; thence by descent. £50-100 (plus 27% BP* ARR*)

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256.

Hugh Birkett (1919-2002) Dressing table mirror and five drawers over shaped and carved supports 135cm high, 109cm wide.

Provenance: Geoffrey H.Alpe; thence by descent. £2000-3000 (plus 27% BP* ARR*) 257.

Manner of Arthur Romney Green (1872-1945) Stool, circa 1920 oak, the oval top over carved legs and stretcher 46cm high, 48cm wide. £80-120 (plus 27% BP* ARR*)

256

258.

Manner of Liberty & Co. ‘Thebes’ type bamboo stool, circa 1900 36cm high, 44cm wide. £200-300 (plus 27% BP* ARR*) 259.

Gordon Russell (1892-1980) ‘Cirencester’ stool, circa 1927 mahogany and inlaid, swept handles over octagonal cut legs with ebonised feet, upholstered seat ‘The Russell Workshops Ltd Broadway’ brass label 36cm high, 63cm wide, 43cm deep. £500-800 (plus 27% BP* ARR*) 260.

Manner of Archibald Knox (1864-1933) Garden bench reconstituted stone, moulded with Celtic patterns, three base sections beneath two seat slabs 49cm high, 142cm side, 40cm deep. £400-600 (plus 27% BP* ARR*)

257

258

259

260

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261.

Manner of Heals Drop-leaf table, circa 1930 limed oak, rectangular top over turned supports 51cm high, 61cm wide. £100-150 (plus 27% BP* ARR*) 262.

Alfred Powell (1865-1960) for Wedgwood Vase painted blue and black floral pattern on white ground painted monogram and ‘4170’, impressed ‘Wedgwood’ 30cm high. £100-200 (plus 27% BP* ARR*)

261

262

263

264

263.

S.K Cope Vase, circa 1930 hand painted with Art Deco floral patterns signed 23cm high. £100-150 (plus 27% BP* ARR*) 264.

Barolac Pair of Art Deco candlesticks, circa 1930 opalescent glass, three branches joined by grape vines 23cm high (2). £150-200 (plus 27% BP* ARR*) 265.

Monteluce Pottery, Perugia Art Deco vase twin handles, painted with mythical creatures 38cm high. £50-80 (plus 27% BP* ARR*)

265

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266.

Brannam Pottery Two bowls and a jug green glaze one with incised signature bowl 23cm diameter (3). £50-80 (plus 27% BP* ARR*) 267.

F. Ouillon-Carrère Sword Dancer, 1919 signed and dated bronze on stepped onyx base 36cm high. £600-800 (plus 27% BP* ARR*)

266

268.

Benjamin Sheppard (19th/20th Century) Portrait bust of Somerset Beaumont, 1905 bronze signed and dated (in the cast) 28cm high. £200-300 (plus 27% BP* ARR*) 269.

Della Robbia Pottery Bowl earthenware with sgraffito and painted decoration incised marks and artist’s monogram 27cm diameter. £150-200 (plus 27% BP* ARR*)

267

268

269

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270.

Arts & Crafts Mirror, circa 1910 beaten copper with blue enamel cabochon detail 68cm x 56cm. £50-100 (plus 27% BP* ARR*) 271.

Glasgow School Pair of Arts & Crafts candlesticks wrought iron, in the form of thistle heads with beaten finish impressed mark ‘FW’ 21cm high (2). £400-600 (plus 27% BP* ARR*)

270

271

272

273

272.

Attributed to John Mackenzie for Newlyn Industrial Class Charger patinated copper, repousse with central bird with wings outstretched within a border of fish and waterweed 51cm diameter.

Literature: Hazel Berriman Arts and Crafts in Newlyn 1890-1930, Newlyn Orion, page 17 plate 4 for an original photograph of a group of Newlyn copper, circa 1900, including a version of this charger. £1500-2000 (plus 27% BP* ARR*) 273.

St. Albans School of Art Arts & Crafts jug, circa 1900 copper, embossed with band of Celtic knot decoration stamped 22cm high. £80-120 (plus 27% BP* ARR*) 274.

Attributed to John Pearson (1859-1930) Arts & Crafts Newlyn fire surround, circa 1900 copper, beaten and embossed with sunflowers and leaves 52cm x 102cm. £500-800 (plus 27% BP* ARR*)

274

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275.

Frank Brangwyn (1867-1956) for Royal Doulton Plate decorated vines and wheat printed marks and painted pattern no.

‘D5034’ 32cm diameter. £200-300 (plus 27% BP* ARR*) 276.

Attributed to Christopher Dresser (1834-1904) for Benham & Fraud Teapot copper and brass, square form stamped 17cm high. £30-60 (plus 27% BP* ARR*) 277.

ELO Cigarette box bakelite hinged top depicting a knight spearing a lion 6cm high, 17cm across. £50-100 (plus 27% BP* ARR*)

275

276

278.

Eva Zeisel for Schramberger Tea set, circa 1930 painted geometric patterns, comprising five cups and saucers, a milk jug and sugar pot manufacturer’s marks saucers 17cm diameter (12). £80-120 (plus 27% BP* ARR*)

277

278

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61

279. (above) Marion Dorn (1896-1964) Modernist rug, circa 1936 signed in weave (lower right) hand knotted wool pile 143cm x 196cm.

280. (below) Marion Dorn (1896-1964) Wilton Royal rug, circa 1936 signed in weave (lower right) hand knotted wool pile 143cm x 196cm.

Reference: Christine Boydell, The Architect of Floors, modernism, art and Marion Dorn designs, page 93, showing the same design used in the sitting room of Diana Wynyard’s flat.

Exhibited: Metropolitan Museum of Art, New York, 1937.

Reference: Christine Boydell, The Architect of Floors, modernism, art and Marion Dorn designs, page 12.

£3000-5000 (plus 27% BP* ARR*) £3000-5000 (plus 27% BP* ARR*)

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62

281.

Eric Ravilious (1903-1942) for Wedgwood ‘Boat Race’ bowl, 1938 the outside decorated with boat races in Oxford and Cambridge, the inside with Piccadilly Circus with manufacturer’s marks and ‘CL6263’ 31cm diameter, 13cm high. £1500-2000 (plus 27% BP* ARR*)

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282.

Manner of Betty Joel (1894-1985) Art Deco stool burr walnut, with exposed joints and stepped feet 44cm high, 43cm wide. £80-120 (plus 27% BP* ARR*) 283.

Jean Perzel (1892-1986) Table lamp, circa 1929 brass and opaline shade section stamped marks 42cm high. £400-600 (plus 27% BP* ARR*)

282

283

284

285

286

287

284.

Emile Gallé (1846-1904) Nest of four tables marquetry, inlaid in various woods depicting foliage and butterflies signed largest table 73cm high, 57cm wide, 38cm deep. £800-1200 (plus 27% BP* ARR*) 285.

Attributed to Orrefors Art Deco vase, circa 1930 glass, moulded with all-over geometric design 26cm high. £30-60 (plus 27% BP* ARR*) 286.

Charles Noke for Royal Doulton ‘Gnomes and Munchkins’ bowl manufacturer’s marks 19cm diameter. £60-100 (plus 27% BP* ARR*) 287.

Clarice Cliff (1899-1972) ‘Tennis’ pattern dish, circa 1930 Fantasque painted marks 17.6cm diameter. £200-300 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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288.

Susie Cooper for Gray’s Pottery ‘Cubist’ pattern jug Gray’s pottery marks 14cm high. £60-100 (plus 27% BP* ARR*) 289.

Susie Cooper for Crown Burlsem Tureen and cover, circa 1930 painted with red flower head within blue border Crown Burslem marks 27cm across. £40-60 (plus 27% BP* ARR*)

288

289

290

291

292

293

290.

Art Deco Lamp base bakelite, obelisk form 36cm high. £60-80 (plus 27% BP* ARR*) 291.

Eric Ravilious (1903-1942) for Wedgwood Five pieces of dinnerware in patterns ‘Garden Party’, ‘Harvest Festival’ and ‘Persephone’ printed and impressed manufacturer’s marks largest plate 25.5cm diameter (5). £50-100 (plus 27% BP* ARR*) 292.

Edward Bawden (1903-1989) for Wedgwood ‘Orient Line’ cup and saucer with black and purple printed pattern manufacturer’s marks cup 7cm high, saucer 14.5cm diameter. £50-100 (plus 27% BP* ARR*) 293.

Poole Pottery Vase, circa 1930s squat form, pattern TJ impressed marks 7.5cm high, together with a Poole Pottery jug (2). £30-60 (plus 27% BP* ARR*) 294.

Carter Stabler Adams Poole Pottery Vase painted in the ‘Bluebird’ pattern decorated by Ruth Pavely, shape 435, pattern VT 28cm high, 22cm across. £100-200 (plus 27% BP* ARR*)

294

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295.

Pierre D’Avesn (1901-1990) Vase blue glass, moulded with fish 28cm high. £150-200 (plus 27% BP* ARR*) 296.

Loetz Papillon vase, circa 1900 purple and blue iridescent glass 26.5cm high. £200-300 (plus 27% BP* ARR*)

295

296

297

298

299

300

297.

Clarice Cliff ‘Crocus’ bowl manufacturer’s marks and impressed ‘149’ 19.5cm diameter. £40-60 (plus 27% BP* ARR*) 298.

Susie Cooper Plate vegetable pattern to centre within brown and red border painted mark ‘Susie Cooper, England’ 20.5cm across. £40-60 (plus 27% BP* ARR*) 299.

Susie Cooper for Gray’s Pottery Tea set cream ground with silver lustre comprising nine pieces Gray’s pottery marks teapot 9cm high (9). £80-120 (plus 27% BP* ARR*) 300.

Susie Cooper for Crown Burlsem Art Deco Jug, circa 1930s Crown Burslem marks 14cm high. £40-60 (plus 27% BP* ARR*) 301.

Hendrik Wouda (1885-1946) for Pander & Son Set of six Art Deco chairs, circa 1920 oak, with drop-in leather seats 88cm high (6). £400-600 (plus 27% BP* ARR*)

301

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302.

Hans Brattrud (1933-2017) for Hove Mobler A set of four ‘Scandia’ chairs, designed in 1957 rosewood slatted chairs on chrome frames 82cm high, 48cm wide (4). £500-800 (plus 27% BP* ARR*) 303.

Sori Yanagi for Vitra Butterfly stool plywood joined by brass support signed 39cm high, 43cm wide. £300-500 (plus 27% BP* ARR*)

303 302

304.

Arne Jacobsen (1902-1971) for Fritz Hansen Set of six 3100 ‘Ant’ chairs, originally designed 1952 lacquered wood and chrome stamped manufacturer’s marks 77.5cm high (6). £200-400 (plus 27% BP* ARR*) 305

305.

Heals Sideboard, circa 1972 rosewood, with three mirrored doors and marble top 74cm high, 170cm wide.

Provenance: Bought directly from Heals, receipt for 1972. £200-400 (plus 27% BP* ARR*) 306.

Mid-Century Design Table yew wood, with carved supports 41cm high, 123cm wide. £200-300 (plus 27% BP* ARR*)

306

304

307.

Chris Eckersley (Contemporary) ‘Devon’ chair ash and elm 73cm high, 72cm wide, 43cm deep. £250-350 (plus 27% BP* ARR*) 308.

Manner of Terrence Conran Bureau, circa 1960 inlaid oak, with folding doors concealing pigeon holes and drawers partial label 105cm high, 115cm wide. £1000-2000 (plus 27% BP* ARR*)

307

308

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309.

Salvador Dali (1904-1989) for Rosenthal Snail and the Angel 1444/2000, ceramic plaque manufacturer’s marks 40cm x 36cm. £150-200 (plus 27% BP* ARR*) 310.

Moorcroft Jug and two vases decorated with fruit and flowers painted and impressed marks jug 17cm high (3). £100-200 (plus 27% BP* ARR*)

309

310

311

312

313

314

311.

Rene Lalique (1860-1945) ‘Cerises’ box, 1923 red bakelite type, moulded with cherries signed 7.5cm across. £100-200 (plus 27% BP* ARR*) 312.

Richard Guyatt for Wedgwood Queen Elizabeth II coronation mug, 1953 printed manufacturer’s marks 10.3cm high. £40-60 (plus 27% BP* ARR*) 313.

Robert Welch for Old Hall ‘Alveston’ tea set stainless steel manufacturer’s marks teapot 27cm across (3). £60-80 (plus 27% BP* ARR*) 314.

Arnold Machin (1911-1999) for Wedgwood ‘Zodiac Bull’ model, circa 1950 impressed marks 17cm high, 42cm long. £100-200 (plus 27% BP* ARR*) 315.

Cinque Ports Pottery Coffee set, circa 1960 decorated in French newspaper print manufacturers mark coffee pot 21cm high. £30-60 (plus 27% BP* ARR*)

315

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316.

Piero Fornasetti (1913-1988) ‘1955 Buon’ insulator porcelain decorated with gilt manufacturer’s marks 9cm high. £50-100 (plus 27% BP* ARR*) 317.

Richard Guyatt for Wedgwood Two commemorative mugs printed marks 10.5cm high, together with a Prince Andrew commemorative mug (3). £30-60 (plus 27% BP* ARR*)

316

317

318

319

320

321

318.

Siddy Langley (b.1955) Bowl, 1997 glass, with pink lustre hearts on turquoise ground signed and dated 12.5cm high. £60-100 (plus 27% BP* ARR*) 319.

Otto Brauer for Cascade Two ‘Gul’ vases in blue and clear glass one with label 26cm high (2). £30-60 (plus 27% BP* ARR*) 320.

Muller Freres Bowl blue and turquoise glass 28cm diameter. £80-120 (plus 27% BP* ARR*) 321.

Whitefriars Vase glass in arctic blue colourway 52cm high, together with a Whitefriars pulled blue glass bowl (2). £100-150 (plus 27% BP* ARR*) 322.

Karlin Rushbrooke (Contemporary) Goblet, 1975 glass decorated with red enamel lines 15cm high. £30-60 (plus 27% BP* ARR*)

322

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323.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Banjo’ vase, originally designed in 1967 meadow green coloured glass pattern no.9681 31.7cm high. £600-800 (plus 27% BP* ARR*) 324.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Banjo’ vase, originally designed in 1967 tangerine coloured glass pattern no.9681 31.7cm high. £400-600 (plus 27% BP* ARR*)

323

324

325

326

327

328

325.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Banjo’ vase, originally designed in 1967 kingfisher blue coloured glass pattern no.9681 31.7cm high. £400-600 (plus 27% BP* ARR*) 326.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Banjo’ vase, originally designed in 1967 cinnamon coloured glass pattern no.9681 31.7cm high. £300-500 (plus 27% BP* ARR*) 327.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Banjo’ vase, originally designed in 1967 willow coloured glass pattern no.9681 31.7cm high. £400-600 (plus 27% BP* ARR*) 328.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Cello’ vase meadow green coloured glass pattern no.9675 18cm high. £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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329.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Cello’ vase cinnamon coloured glass pattern no.9675 18cm high. £80-120 (plus 27% BP* ARR*) 330.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Cello’ vase tangerine coloured glass pattern no.9675 18cm high. £100-200 (plus 27% BP* ARR*)

329

330

331

332

333

334

331.

Geoffrey Baxter (1922-1995) for Whitefriars Two ‘Totem’ vases tangerine and indigo coloured glass pattern no.9671 26.5cm high and 26cm high (2). £100-200 (plus 27% BP* ARR*) 332.

Geoffrey Baxter (1922-1995) for Whitefriars Two ‘Totem’ vases willow and cinnamon coloured glass pattern no.9671 26.5cm high (2). £100-200 (plus 27% BP* ARR*) 333.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Drunken Bricklayer’ vase tangerine coloured glass pattern no.9673 21cm high. £60-100 (plus 27% BP* ARR*) 334.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Drunken Bricklayer’ vase kingfisher blue coloured glass pattern no.9673 21cm high. £60-100 (plus 27% BP* ARR*)

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335.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Drunken Bricklayer’ vase willow coloured glass pattern no.9673 21cm high. £60-100 (plus 27% BP* ARR*) 336.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Basket Weave’ vase kingfisher blue coloured glass pattern no.9667 26.7cm high. £80-120 (plus 27% BP* ARR*) 337.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Basket Weave’ vase willow coloured glass pattern no.9667 26.7cm high. £80-120 (plus 27% BP* ARR*)

335

336

338.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Bamboo’ vase tangerine coloured glass pattern no.9669 20cm high. £60-100 (plus 27% BP* ARR*) 339.

Geoffrey Baxter (1922-1995) for Whitefriars ‘Bamboo’ vase indigo coloured glass pattern no.9669 20cm high. £60-100 (plus 27% BP* ARR*)

337

338

339

340.

Vladimir Jelinek for Sklo Vase green and clear cased glass 27.5cm high. £50-80 (plus 27% BP* ARR*) 341.

Murano Bottle vase green glass 38cm high, together with a Czech double helix glass vase and a James Powell style glass ewer (3). £40-80 (plus 27% BP* ARR*)

340

341

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342.

George Elliott (1933-1998) Bottle vase green swirled glass signed 16.5cm high. £50-80 (plus 27% BP* ARR*) 343.

Per-Olof Strom for Alsterfors Vase, circa 1960s green cased glass 38.4cm high. £30-60 (plus 27% BP* ARR*)

342

343

344

345

344.

Michael Harris for Isle of Wight Vase glass, blue and green swirled design signed and with Isle of Wight label 10.5cm high. £30-60 (plus 27% BP* ARR*) 345.

Ruth Shelley (Contemporary) Bowl multi-coloured glass 16cm high.

Information: Ruth Shelly won the 2015 British Biennale Award. £200-300 (plus 27% BP* ARR*) 346.

Ruth Shelley (Contemporary) Bowl multi-coloured glass 17.5cm high.

Information: Ruth Shelly won the 2015 British Biennale Award. £150-250 (plus 27% BP* ARR*)

346

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347.

Alvar Aalto (1898-1976) for Iittala Two ‘Savoy’ vases clear glass both with ‘Made in Finland’ label, one with etched signature and numbered ‘451/1985’ 22cm and 16cm high (2). £50-100 (plus 27% BP* ARR*) 348.

Donald Pollard for Steuben Glass bowl pedestal form etched signature 33cm diameter. £50-80 (plus 27% BP* ARR*)

347

348

349

350

351

351

349.

Val Saint Lambert Decanter glass etched mark 24cm high, together with a faceted glass lemonade set and a pair of glass candlesticks (8). £60-100 (plus 27% BP* ARR*) 350.

Gernot Schluifer (1941-2008) Vase, 1972 cut glass, geometric design signed and dated 30.7cm high, together with a Schluifer cup (2). £50-100 (plus 27% BP* ARR*) 351.

Carlo Moretti Bowl glass, rounded form etched signature and sticker 22.5cm high, together with an art glass bowl (2). £50-100 (plus 27% BP* ARR*)

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352.

Clyne Farquharson (1906-1972) for John Walsh Walsh ‘Leaf’ pattern bowl, 1938 engraved glass signed and dated 30.1cm diameter. £150-200 (plus 27% BP* ARR*) 353.

René Lalique (1860-1945) ‘Oleron’ vase, 1928 opalescent glass decorated with fish etched ‘R. Lalique France, 1008’ 9.7cm high. £700-1000 (plus 27% BP* ARR*)

352

353

354

355

356

357

354.

René Lalique (1860-1945) ‘Bouton d’Or’ vase, circa 1920s opaque glass moulded with flowers etched ‘R. Lalique, France’ 14cm high. £80-120 (plus 27% BP* ARR*) 355.

Venini Handkerchief vase latticinio glass 8.5cm high, 11.5cm across. £80-120 (plus 27% BP* ARR*) 356.

René Lalique (1860-1945) Two Decanters, a vase, three wine glasses and a tray clear glass etched signatures tray 38cm diameter (7). £100-200 (plus 27% BP* ARR*) 357.

Lalique ‘Daphne’ powder box glass, moulded with a sleeping beauty to lid etched ‘Lalique, France’ 7.9cm diameter. £100-150 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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358.

Lalique ‘Robinson’ perfume bottle glass, moulded with a band of sparrows etched ‘Lalique, France’ 13.8cm high. £150-200 (plus 27% BP* ARR*) 359.

Lalique ‘Flacon’ perfume bottle, 2003 glass, moulded with a butterfly etched ‘Lalique, France’ in original box and with certificate 13cm high. £200-300 (plus 27% BP* ARR*)

358

360.

Lalique ‘Dahlia’ scent bottle moulded glass etched ‘Lalique France’ 13.4cm high. £50-80 (plus 27% BP* ARR*)

359

360

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361

362.

Archibald Knox (1864 - 1933) for Liberty & Co. ‘Cymric’ silver mounted manicure and pedicure set enamel Celtic knot detail the files signed ‘WHH’ for William Hair Haseler the tweezers signed ‘L & Co’ Birmingham hallmarks for 1905 the tweezers 11.3cm long (3). £80-120 (plus 27% BP* ARR*)

361.

Liberty & Co. ‘Cymric’ silver mounted dressing table set embossed with sinuous foliage Birmingham hallmarks for 1902-03 the brush 24cm long (4). £100-200 (plus 27% BP* ARR*)

362

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363.

Derek Elliott (b. 1963) for Guild of Handicraft Canteen of silver flatware and silver mounted cutlery for twelve place settings the flatware with hammered finish comprising table spoons, soup spoons, table knives, dessert knives, table forks and 24 dessert forks London hallmarks for 1986 total weight of weighable silver approximately 126.5oz (84). £1500-2000 (plus 27% BP* ARR*)

363

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364

365

364.

Keswick School of Industrial Art Arts & Crafts sugar bowl and spoon hammered silver plate stamped marks 8.5cm high. 14cm across. £30-60 (plus 27% BP* ARR*) 365.

Harald Nielsen (Danish, 1892 - 1977) for Georg Jensen Silver footed bowl hammered finish signed and stamped ‘HN Denmark Sterling’ London import marks for 1955 numbered 575B 10.3cm diameter. £100-150 (plus 27% BP* ARR*)

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366 366.

Gundorph Albertus (Danish, 1887 - 1970) for Georg Jensen ‘Bittersweet’ bracelet and ear clips suite stylised foliate design the bracelet signed and stamped ‘Sterling Denmark’ London import marks for silver, 1955 numbered 94B the ear clips signed and stamped ‘Sterling Denmark’ numbered 110 the bracelet 18.2cm long (2). £200-300 (plus 27% BP* ARR*) 367.

Gundorph Albertus (Danish, 1887 - 1970) for Georg Jensen 18ct gold panel brooch stylised foliate design signed and stamped ‘750 18k Denmark’ London import marks for 1981 numbered 1227 3.1cm long. £200-300 (plus 27% BP* ARR*)

368.

Arno Malinowski (Danish, 1899 - 1976) for Georg Jensen Brooch openwork heart enclosing foliage signed and stamped ‘925S Denmark’ numbered 242B 2.9cm across. £60-80 (plus 27% BP* ARR*) 369.

Arno Malinowski (Danish, 1899 - 1976) for Georg Jensen Silver brooch openwork heart enclosing a bird and foliage signed and stamped ‘Sterling Denmark’ London import marks for 1950 numbered 239 4.25cm across. £100-150 (plus 27% BP* ARR*)

367

368

369

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371 370

370.

Georg Jensen Brooch beads and foliage to an openwork scrolled border signed and stamped ‘925S Denmark’ numbered 236A 4.2cm across. £100-150 (plus 27% BP* ARR*) 371.

Georg Jensen Brooch sinuous foliage to an openwork oval border signed for 1933 - 1944 stamped ‘925 Sterling Denmark’ numbered 178 and a pair of ear studs by Georg Jensen signed and stamped ‘925S Denmark’ numbered 21 the brooch 5cm across (2). £100-150 (plus 27% BP* ARR*) 372.

Georg Jensen ‘Moonlight’ bracelet and ear pendants suite the bracelet signed and stamped ‘925S Denmark’ London import marks for 1975 numbered 11 the ear pendants signed and stamped ‘’925S Denmark’ numbered 17 the bracelet 20cm long (2). £200-300 (plus 27% BP* ARR*)

372

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375 373

374

373.

Flemming Eskildsen (Danish, b. 1936) for Georg Jensen Silver torque bangle signed and stamped ‘925S Denmark’ London import marks for 1982 numbered 215 6.15cm inner diameter. £100-150 (plus 27% BP* ARR*) 374.

Henning Koppel (Danish, 1918 - 1981) for Georg Jensen Silver ‘Amoeba’ brooch signed and stamped ‘Sterling Denmark’ London import marks for 1954 numbered 325 5.8cm across. £100-150 (plus 27% BP* ARR*)

375.

Isaac Cohen (Swedish, 20th Century) Smoky quartz dress ring circular mixed-cut smoky quartz raised abstract claw setting signed and stamped ‘ICO’ date code for 1971 ring size R. £30-50 (plus 27% BP* ARR*) 376.

Nanna Ditzel (Danish, 1923 - 2005) for Georg Jensen Earrings abstract panel design with screw-back fittings signed and stamped ‘Sterling Denmark’ numbered 130 4.1cm long. £80-120 (plus 27% BP* ARR*)

376

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377.

Harald Nielsen (Danish, 1892 - 1977) for Georg Jensen Silver tie bar signed and stamped ‘Sterling Denmark’ London import marks for 1955 numbered 61 4.9cm across. £30-50 (plus 27% BP* ARR*)

378

377

378.

Christian Veilskov (Danish, fl. 1963 - 1986) Torque collar necklace signed and stamped ‘Sterling 925S’ and torque bangle panelled design signed and stamped ‘Denmark Sterling Haandarbeide’ the collar 11.2cm inner diameter (2). £100-150 (plus 27% BP* ARR*)

379.

Søren Georg Jensen (Danish, 1917 - 1982) for Georg Jensen Cufflinks signed and stamped ‘Sterling Denmark 925S’ numbered 91 the panel 1.65cm across. £40-60 (plus 27% BP* ARR*) 380.

Flemming Eskildsen (Danish, b. 1936) for Georg Jensen Silver cufflinks signed and stamped ‘925S Denmark’ London import marks for 1975 numbered 84 and 5804 the panel 1.7cm across. £40-60 (plus 27% BP* ARR*)

379

380

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381

381.

Ivar T. Holth (Norwegian, 20th Century) Panel bracelet floral enamel decoration signed and stamped ‘925S Sterling Norway’ a pair of ear clips by Hroar Prydz white enamel decoration and a necklace of twist design green and white enamel decoration the bracelet 19cm long (3). £100-200 (plus 27% BP* ARR*) 382.

Marius Hammer (Norwegian, 1847 - 1927) Bangle continuous form blue enamel decoration signed and stamped ‘925S’ 7.05cm inner diameter. £50-70 (plus 27% BP* ARR*) 383.

Panel brooch stylised foliate design signed ‘Georg Jensen Inc USA’ stamped ‘Hand Wrought Sterling’ 4.8cm long. £50-70 (plus 27% BP* ARR*)

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84

382

383

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385 384

384.

Georg Jensen Cufflinks flowerhead design with lapis lazuli cabochons signed and stamped ‘925S Denmark’ panel diameter 1.55cm. £100-200 (plus 27% BP* ARR*) 385.

Levinger & Bissinger (attributed to) Jugendstil pendant necklace, circa 1900 spray of plique à jour enamel and blue stone flowerheads enclosing an oval blue stone doublet above a baroque pearl drop on a paper-link chain (clasp deficient) the pendant 3.9cm across.

Literature: For similar enamel and stone set pendants by Levinger & Bissinger see Fritz Falk, Jugendstil-Schmuck aus Pforzheim, Werner Wild Stiftung Arnoldsche, Stuttgart, 2008, pp. 226-229 £200-300 (plus 27% BP* ARR*)

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85

86

MODERN ART FRIDAY 24 MAY

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400.

Anthony Gross (1905-1984) ‘Farmyard with Ducks & Chickens’, 1939 38/50, numbered, signed, titled and dated in pencil (in the margin) etching 28cm x 38cm. £100-200 (plus 27% BP* ARR*) 401.

Michael Ayrton (1921-1975) Consecrated, from The Minotaur series, 1971 proof IX/X, signed and numbered in pencil (in the margin) etching 42cm x 61cm. £150-250 (plus 27% BP* ARR*)

400

401

402

403

404

405

402.

Michael Ayrton (1921-1975) Thasos, from the Archilochus suite, 1975 12/75, numbered in pencil etching 46cm x 38cm.

Provenance: Goldmark Gallery, Rutland. £100-200 (plus 27% BP* ARR*) 403.

David Michael Jones (1895-1974) The Water Compassed Me About, 1926 wood engraving 18cm x 14cm.

Provenance: Goldmark Gallery, Rutland. £80-120 (plus 27% BP* ARR*) 404.

Eric Ravilious (1903-1942) The Three Holy Children from the Apocrypha, 1929 wood engraving 18cm x 12.5cm. £80-120 (plus 27% BP* ARR*) 405.

Agnes Miller Parker (1895-1980) ‘Coquette’, 1934 25/35, signed, numbered, titled and dated in pencil (in the margin) wood engraving 19cm x 11cm. £100-200 (plus 27% BP* ARR*)

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406.

Michael Ayrton (1921-1975) Demeter, 1975 23/75, numbered in pencil (in the margin) etching and aquatint 44cm x 51cm. £80-120 (plus 27% BP* ARR*) 407.

Betty Pennell (b.1930) Garden, Francis Bacon, a pair, 1990 signed, numbered and titled in pencil (in the margin) wood engravings 26cm x 18cm (2). £30-60 (plus 27% BP* ARR*)

406

408

407

407

409

410

408.

Elizabeth Quandt (1922-1994) ‘Early Morning’, 1972 31/50, signed, numbered and titled in pencil (in the margin) etching 50cm x 38cm. £50-80 (plus 27% BP* ARR*) 409.

Sophie Ryder (b.1963) Minotaur 44/70, signed and numbered in pencil (in the margin) etching 28cm x 21cm. £80-120 (plus 27% BP* ARR*) 410.

Clare Leighton (1901-1989) ‘Going to the Festival’ 14/40, signed, numbered and titled in pencil (in the margin) wood engraving 19.5cm x 13cm. £50-100 (plus 27% BP* ARR*)

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411.

Edgar Holloway (1914-2008) ‘The Essex Watergate WC2’ 36/50, signed, numbered and titled in pencil (in the margin) etching 25.5cm x 16.5cm. £150-200 (plus 27% BP* ARR*) 412.

Henry Rushbury (1889-1968) On the Waveney signed in pencil (in the margin) etching 22cm x 43cm. £80-120 (plus 27% BP* ARR*)

411

413.

George William Tute (b.1933) ‘Landscape with Balloons’, 1986 41/95, signed, numbered, titled and dated in pencil (in the margin) wood engraving 31cm x 35cm. £40-60 (plus 27% BP* ARR*) 414.

Eric Gill (1882-1940) Girl in Bath, 1922 wood engraving 13cm x 13cm.

412

Provenance: Goldmark Gallery, Rutland. £40-80 (plus 27% BP* ARR*) 415.

Michael Blaker (b.1928) ‘The Old Bridge, Shoreham’ 1/30, signed, numbered and titled in pencil (in the margin) etching 29.5cm x 37.5cm. £50-100 (plus 27% BP* ARR*) 416.

Charlotte Ardizzone (1943-2012) Landscape signed in ink (lower right) etching 22cm x 31.5cm. £50-100 (plus 27% BP* ARR*)

413

415

414

416

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417.

Eric Gill (1882-1940) Nigra Sum Sed Formosa, 1929 wood engraving 15cm x 7cm, together with a Rex Whistler engraving, unframed (2).

Information: This wood engraving was used as an illustration for Canticum Canticorum published by the Cranach Press, Weimar in 1931. £50-80 (plus 27% BP* ARR*) 418.

Eric Gill (1882-1940) When: Peter and the Cock, 1934 wood engraving 25cm x 23cm, together with two similar Eric Gill wood engravings (3). £150-200 (plus 27% BP* ARR*)

417

417

419.

After Laurence Stephen Lowry (1887-1976) ‘Outside the Mill’ published by Adam Collection Ltd. blind stamp for The Fine Art Trade Guild 33.8cm x 24.2cm. £100-200 (plus 27% BP* ARR*) 420.

James Dolby (1909-1975) ‘Tore Outs’ 2/24, signed, numbered and dated in pencil (in the margin) wood engraving 12cm x 16.4cm.

Exhibited: Royal Academy, 1955, number 1071. £80-120 (plus 27% BP* ARR*)

418

419

420

418

418

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421.

Eric Gill (1882-1940) The Tennis Player wood engraving 11.5cm x 10cm.

Provenance: The Goldmark Gallery, Rutland. £80-120 (plus 27% BP* ARR*) 422.

Laura Knight (1877-1970) ‘Some Clowns’, 1930 signed, titled and inscribed in pencil (in the margin) etching 46cm x 31cm. £500-700 (plus 27% BP* ARR*)

421

422

423

424

425

426

423.

Laura Knight (1877-1970) ‘Lilian’,1930 artist’s proof, signed, titled and in pencil (in the margin) etching 44cm x 29cm. £400-600 (plus 27% BP* ARR*) 424.

Frank Brangwyn (1867-1956) The Blitz, London signed in pencil (in the margin) etching 73cm x 47cm. £300-500 (plus 27% BP* ARR*) 425.

Victor Anton (1909-1980) Triangular composition, 1957 3/12, signed, numbered and dated in pencil (in the margin) etching 14.5cm x 9.5cm. £200-300 (plus 27% BP* ARR*) 426.

Marc Chagall (1887-1985) King David, from the Bible suite, circa 1970s 417/1200, numbered in pencil lithograph 39cm x 30cm. £150-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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427.

Richard Shirley-Smith (b.1935) ‘2 Fantastiques’, 1984 10/100, signed, dated and numbered in pencil (in the margin) wood engraving 16cm x 12cm, with a further 20th Century wood engraving (2). £60-80 (plus 27% BP* ARR*) 428.

Allan McNab (1901-?)

‘Wash House, Hyeres’ 9/25, signed and numbered in pencil (in the margin) woodcut 17cm x 21cm. £100-200 (plus 27% BP* ARR*) 429.

Etienne Drian (1885-1961) Two Parisian scenes, circa 1920 signed in pencil (in the margin) etchings 39cm x 30cm (2). £80-120 (plus 27% BP* ARR*)

427

427

428

431

430.

Sarah Van Niekerk (b.1934) ‘The Labyrinth’ 21/50, signed, titled and numbered in pencil (in the margin) wood engraving 25cm x 17cm. £40-60 (plus 27% BP* ARR*) 431.

Mortimer Luddington Menpes (1855-1938) Street scene, Mexico, 1870 signed in pencil (in the margin) etching 22.2cm x 27.6cm. £80-120 (plus 27% BP* ARR*)

429

429

430

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432.

Mortimer Luddington Menpes (1855-1938) Indian street scene, 1914 signed in pencil (in the margin), and inscribed ‘To Pamela’ etching 14.6cm x 14.6cm.

Information: Pamela Plowden was a friend of Menpes. £80-120 (plus 27% BP* ARR*)

432

433.

Henri Matisse (1869-1954) Monique from Revue Hommage June 1944 nr 2 lithograph on Johannot 32.5cm x 25cm. £200-300 (plus 27% BP* ARR*) 434.

After Henri Matisse (1869-1954) Two studies of Lydia signed in the plate lithographs 21cm x 26cm and 26cm x 21cm (2). £40-80 (plus 27% BP* ARR*) 435.

Elisabeth Frink (1930-1993) Man and Horse VI 21/70, signed and numbered in pencil (in the margin) lithograph 58cm x 78cm. £800-1200 (plus 27% BP* ARR*)

433

434

435

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94

436.

Elisabeth Frink (1930-1993) Green Man (Black), 1992 12/70, signed and numbered in pencil silkscreen 58cm x 53cm.

Provenance: Bohun Gallery, Henley-on-Thames. £2000-3000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

95

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437.

Julian Trevelyan (1910-1988) ‘Adultery with Secretaries I’ 19/50, titled and numbered in pencil (in the margin), stamped signature etching and aquatint 26cm x 28cm.

Provenance: Bohun Gallery, Henley-on-Thames. £400-600 (plus 27% BP* ARR*) 438.

Julian Trevelyan (1910-1988) ‘Piazza Signoria’, 1965 artist’s proof, signed and titled in pencil (in the margin) etching and aquatint 49cm x 37cm. £200-400 (plus 27% BP* ARR*)

437

438

439.

Jim Dine (b.1935) Green Bathrobe, 1971 from an edition of 1000 lithograph published by Petersburg Press 79cm x 57cm, unframed. £80-120 (plus 27% BP* ARR*) 440.

Breon O’Casey (1928-2011) ‘River’ 6/20, signed, numbered and titled in pencil (in the margin) linocut 18cm x 51cm. £400-600 (plus 27% BP* ARR*) 441.

Victor Pasmore (1908-1998) Interior image, 1977 artist’s proof, signed and dated in pencil (in the margin) screenprint 73cm x 96.5cm. £200-400 (plus 27% BP* ARR*)

440 439

442.

Bryan Ingham (1936-1997) ‘Mediterranean Head’, 1997 31/75, signed and numbered in pencil (in the margin) etching 32cm x 24cm. £200-300 (plus 27% BP* ARR*)

441

442

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443.

Vaclav Bostik (1913-2005) Untitled signed in pencil (in the margin) etching 27cm x 23cm. £100-200 (plus 27% BP* ARR*) 444.

Robert Jacobsen (1912-1993) Turquoise composition 59/80, signed and numbered in pencil (in the margin) etching and aquatint 44cm x 64cm. £150-250 (plus 27% BP* ARR*)

443

446

444

445

447

448

445.

Robert Jacobsen (1912-1993) Ole Olsen - Speedway 33/80, signed and numbered in pencil (in the margin) etching and aquatint 44cm x 64cm. £200-300 (plus 27% BP* ARR*) 446.

Robert Jacobsen (1912-1993) Blue composition 23/75, signed and numbered in pencil (in the margin) etching and aquatint 64cm x 44cm. £150-250 (plus 27% BP* ARR*) 447.

Arts Council 1951 exhibition poster together with an Edward Bawden fabric print, a Richard Taverner screenprint, a Betty Swanwick lithograph and one other similar (5). £50-100 (plus 27% BP* ARR*) 448.

Edward Bawden (1903-1989) City of London, 1952 lithograph 101cm x 63cm, unframed. £200-400 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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449.

Graham Sutherland (1903-1980) ‘Bird and Mouse’, 1968 44/70, signed and numbered in pencil lithograph 44cm x 70cm. £600-800 (plus 27% BP* ARR*) 450.

Hiroshi Yoshida (1876-1950) ‘Evening in Nara’, 1933 signed and titled in pencil (in the margin) woodblock 39cm x 26cm. £200-400 (plus 27% BP* ARR*) 451.

Fred Taylor (1875-1963) Erasmus signed in the print lithograph 71cm x 58cm. £50-100 (plus 27% BP* ARR*)

449

450

451

452

453

454

452.

Parallel Prints 2013 NZ-UK Portfolio of prints featuring limited editions by Margaret Ashman, Anne Desmet, David Ferry, Gillian Golding, Timo Lehtonen, Johanna Love, Steven Mumberson, Sandy Sykes (8).

Information: A portfolio of the prints is in the collection of the V & A. £200-400 (plus 27% BP* ARR*) 453.

After Rabindranath Tagore (1861-1941) Veiled woman in profile, 1961 commissioned by Jawaharlal Nehru and the Indian Government to commemorate the centenary of Tagore’s birth in 1861 collotype 76cm x 53cm, unframed. £50-100 (plus 27% BP* ARR*) 454.

Ray Richardson (b.1964) ‘The Real McCoy’, 1998 96/125, signed, titled, dated and numbered in pencil (in the margin) lithograph 52cm x 52cm. £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

98

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455.

20th Century Poster El Fabuloso Mundo de la Serigrafia Ciudad Universitaria, April 18 - June 14 lithograph 69cm x 48cm. £30-60 (plus 27% BP* ARR*) 456.

Allen Jones (b.1937) ‘Polka’, 1965 12/60, signed, numbered and dated in pencil (in the margin) lithograph 61cm x 46cm. £400-600 (plus 27% BP* ARR*)

455

456

457

458

459

460

457.

Dudley Hardy (1865-1922) D’Oyly Carte Opera Company published by David Allen & Sons Ltd. lithograph 75cm x 50cm. £60-100 (plus 27% BP* ARR*) 458.

Michael Ayrton (1921-1975) Without speaking 19/50, signed and numbered in red pencil (in the margin) lithograph 47cm x 59cm. £200-300 (plus 27% BP* ARR*) 459.

Michael Ayrton (1921-1975) Eagle landscape, from The Greek Suite 42/50, signed and numbered in pencil (in the margin) lithograph 43.5cm x 64.3cm. £100-200 (plus 27% BP* ARR*) 460.

Elisabeth Frink (1930-1993) Scene from the Canterbury Tales series lithograph 55cm x 37cm. £50-100 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

99

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461.

Michael Ayrton (1921-1975) Four scenes from ‘Poems of Death’, first published 1945 lithographs 20cm x 12cm, unframed in folio (4). £40-80 (plus 27% BP* ARR*) 462.

Frances Richards (1903-1985) Girl and nature monogrammed in pencil (lower right) lithograph 22cm x 17cm, together with a similar signed lithograph by Frances Richards (2). £100-200 (plus 27% BP* ARR*)

463

463.

John Piper (1903-1992) Shadwell Park (Levinson 277) 63/75, signed and numbered in pencil (in the margin) screenprint 61cm x 76cm, unframed. £400-600 (plus 27% BP* ARR*) 464.

John Piper (1903-1992) Radcliffe Camera (Levinson 326) artist’s proof, signed in pencil (in the margin) lithograph 65cm x 43cm. £500-800 (plus 27% BP* ARR*)

462

462

465.

Julian Trevelyan (1910-1988) Peterhouse College artist’s proof, signed in pencil (in the margin) lithograph 38cm x 43cm, unframed, together with a Hugh Casson signed print (2). £200-400 (plus 27% BP* ARR*)

464

465

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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466.

John Piper (1903-1992) Llangloffan signed in pencil (in the margin) from an edition of 750 printed by the Cavendish Press, Leicestershire lithograph 39.7cm x 57.5cm. £200-300 (plus 27% BP* ARR*) 467.

Sidney Nolan (1917-1992) Descent, 1966 26/70, signed and numbered in pencil screenprint 60cm x 48cm. £300-500 (plus 27% BP* ARR*)

466

467

468

470

468.

Sidney Nolan (1917-1992) Homage au Prix Nobel, 1974 signed in pencil (lower middle) screenprint 49cm x 72cm. £80-120 (plus 27% BP* ARR*) 469.

Eric Gill (1882-1940) Two pairs of female nudes from Eric Gill, Twenty-Five Nudes, London: J. M. Dent & Sons, for Hague & Gill, 1938, first edition wood engravings each sheet 22.3cm x 13.8cm, unframed (4). £50-100 (plus 27% BP* ARR*) 470.

David Hockney (b.1937) Bounce for Bradford, 1987 lithograph 37cm x 54cm. £80-120 (plus 27% BP* ARR*)

469

469

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

101

471.

Robert Polhill Bevan (1865-1925) The Horse Mart (Barbican No.1), 1920 signed and inscribed in pencil (in the margin) lithograph 29cm x 39cm. £1000-2000 (plus 27% BP* ARR*)

472.

Robert Polhill Bevan (1865-1925) Horse Dealers, 1919 signed and inscribed in pencil (in the margin) lithograph 30cm x 39cm. £1000-2000 (plus 27% BP* ARR*)

473.

Robert Polhill Bevan (1865-1925) Crocks 3/40, numbered in pencil (in the margin) lithograph 31cm x 36.5cm. £1000-2000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

102

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474.

Helena Markson (1934-2012) Tower of London signed (lower right) lithograph 44cm x 57cm. £60-100 (plus 27% BP* ARR*) 475.

Georges Braque (1882-1963) ‘Les Peches’ and ‘Nature Morte’, circa 1950 collotypes published by the Ganymed Press 54cm x 69cm and 48cm x 60cm, unframed (2). £100-200 (plus 27% BP* ARR*)

474

475

476

477

478

479

476.

Alberto Giacometti (1901-1966) Head of the Artist’s Mother, 1950 printed from the original by the Ganymed Press in co-operation with Giacometti collotype 43cm x 31cm, unframed. £80-120 (plus 27% BP* ARR*) 477.

André Dunoyer de Segonzac (1884-1974) La Route de Grimaud, 1952 printed by the Ganymed Press collotype 53cm x 75cm, unframed. £50-100 (plus 27% BP* ARR*) 478.

Ivon Hitchens (1893-1979) Daffofils 53/375, signed and numbered in pencil (in the margin), only 100 of the 375 are signed lithograph published by the Adam Collection Ltd. 49.5cm x 59.3cm. £300-500 (plus 27% BP* ARR*) 479.

Patsy Reiseger (20th Century) ‘What a Dance’, 1981 1/12, signed, dated and numbered in pencil (in the margin) etching 19.7cm x 26.3cm. £50-80 (plus 27% BP* ARR*)

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103

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480.

Richard Bawden (b.1936) ‘Tea for Two’ 14/75, signed, titled and numbered in pencil (in the margin) linocut 49cm x 48cm. £80-120 (plus 27% BP* ARR*) 481.

MIchael Rothenstein (1908-1993) Radcliffe Camera from the Old Bodleian 55/75, signed and numbered in pencil linocut 50cm x 75cm. £150-200 (plus 27% BP* ARR*)

480

481

482

483

484

485

482.

John Brunsdon (1933-2014) ‘Point Lynas’ 148/150, signed, titled and numbered in pencil (in the margin) etching 50cm x 65cm. £100-200 (plus 27% BP* ARR*) 483.

MIchael Rothenstein (1908-1993) Tiger and parrots 7/50, signed and numbered in pencil (in the margin) linocut 61cm x 47cm. £150-200 (plus 27% BP* ARR*) 484.

Michael Tyzack (1933-2007) ‘Quintet’, 1968 artist’s proof, signed, titled and dated in pencil (in the margin) lithograph 74cm x 52cm. £100-200 (plus 27% BP* ARR*) 485.

Norbertine Von Bresslern-Roth (1891-1978) Panther and antelope signed in pencil (in the margin) wood engraving 21cm x 21cm. £200-300 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

104

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486.

Francis Kelly (1927-2012) ‘Nun’ 14/50, signed, titled and numbered in pencil (in the margin) etching 68cm x 56cm. £50-100 (plus 27% BP* ARR*) 487.

Nicola Slattery (b.1963) ‘A Greek Tragedy’, 1988 artist’s proof, signed, titled and dated in pencil (in the margin) lithograph 80cm x 56cm. £50-100 (plus 27% BP* ARR*) 487A. Victor Pasmore (1908-1998) ‘When the Curtain Falls, from Word and Image’, 1974 33/60, signed, numbered and dated in pencil (in the margin) etching and aquatint 70.5cm x 60.5cm.

486

487

487A

488

489

490

Provenance: The Selective Eye Gallery, Jersey. £300-500 (plus 27% BP* ARR*) 488.

After Walter Crane (1845-1915) Thirteen illustrations from ‘The Baby’s Opera’, published 1877 lithographs each 17cm x 17cm, unframed (13). £80-120 (plus 27% BP* ARR*) 489.

Richard Beer (1928-2017) ‘Piazza Armerina II’ 15/100, signed, titled and numbered in pencil (in the margin) etching and aquatint 61cm x 46cm. £80-120 (plus 27% BP* ARR*) 490.

Richard Beer (1928-2017) ‘Noto II’ artist’s proof, signed, titled and numbered in pencil (in the margin) etching and aquatint 63cm x 44cm. £80-120 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

105

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491.

After David Hockney (b.1937) The Arrival of Spring in Woldgate, East Yorkshire in 2011 (Twenty-Eleven) and another similar colour prints after the iPad drawings each 58cm x 44cm (2). £40-60 (plus 27% BP* ARR*) 492.

Bent Holstein (b.1942) ‘Nubian Still Life’ and ‘Nubian Glass’ signed, titled and numbered in pencil (in the margin) etching and aquatint both 72cm x 54cm. £150-250 (plus 27% BP* ARR*)

491

493

492

492

494

495

493.

A Collection of 20th Century wood engravings

by Hilary Paynter, Anne Hayward, John O’Connor, Yvonne Skargon Richard Shirley Smith and others (9). £100-200 (plus 27% BP* ARR*) 494.

Victoria Crowe (b.1945) ‘While in Venice’ titled and numbered in pencil screenprint 58cm x 58cm. £200-400 (plus 27% BP* ARR*) 495.

(Book) Alan Davie Small Paintings 1949-2000 signed in pen by Alan Davie published by The University of Brighton 21.7cm x 15.7cm. £40-60 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

106

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496.

(Book) David Hockney, Martha’s Vineyard and other places, My Third Sketchbook from the Summer of 1982 published by Thames and Hudson Limited, London 33cm x 24cm. £40-60 (plus 27% BP* ARR*) 497.

(Book) Faces, David Hockney signed in pen by David Hockney published by Laband Art Gallery 27cm x 21cm. £40-60 (plus 27% BP* ARR*)

496

497

498

499

500

501

498.

(Book) Pictures by David Hockney signed in pen by David Hockney published by Harry N. Abrams, Inc. Publishers, New York 27cm x 22cm. £50-80 (plus 27% BP* ARR*) 499.

(Book) Laura Knight: The Magic of a Line signed in pen by Laura Knight, 1965 published by William Kimber, London 24cm x 16cm. £50-80 (plus 27% BP* ARR*) 500.

(Book) Designers in Britain published by the New York Graphic Society Ltd, Connecticut five editions, 1,2,5,6 and 7 (5). £30-60 (plus 27% BP* ARR*) 501.

Habitat Catalogues from 1975 to 2001 thirty-five in total (35). £30-60 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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502.

(Book) Lucie Rie signed in pen by Lucie Rie, 1988 published by The Crafts Council 24.5cm x 19cm. £50-80 (plus 27% BP* ARR*) 503.

Hallam & Phippers Folio of fabric designs principally watercolour and gouache in leather folio, 57cm x 37cm. £100-200 (plus 27% BP* ARR*) 504.

Edinburgh Weavers ‘Marimba’, circa 1950-1960 linen printed ‘Marimba’ to the edge 180cm x 121cm, unframed. £50-100 (plus 27% BP* ARR*)

502

503

504

505

506

507

505.

Lucienne Day (1917-2010) for Heals ‘Tarn’, orange colourway, designed in 1957 screen-printed cotton textile printed ‘Tarn by Lucienne Day’ to selvedge 59cm x 66cm, unframed. £40-80 (plus 27% BP* ARR*) 506.

Lucienne Day (1917-2010) for Heals ‘Tarn’, white colourway, designed in 1957 screen-printed cotton textile printed ‘Tarn by Lucienne Day’ to selvedge 62cm x 83cm, unframed. £40-80 (plus 27% BP* ARR*) 507.

Lucienne Day (1917-2010) for Heals ‘Plantation’, designed in 1958 screen-printed cotton textile printed ‘Plantation by Lucienne Day’ to selvedge 60cm x 119cm, unframed. £40-80 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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508.

John Piper (1903-1992) for A. Sanderson & Sons Ltd. ‘The Stones of Bath’, green colourway, designed in 1959 screen-printed ‘Sanderlin’ textile 53cm x 54cm, unframed. £30-60 (plus 27% BP* ARR*) 509.

John Piper (1903-1992) for A. Sanderson & Sons Ltd. ‘The Stones of Bath’, blue colourway, designed in 1959 screen-printed ‘Sanderlin’ textile 53cm x 54cm, unframed. £50-100 (plus 27% BP* ARR*)

508

509

510

511

512

513

510.

Alan Reynolds (1926-2014) for Edinburgh Weavers ‘Weald’, 1959 screen printed cotton weave textile 45cm x 60cm, unframed. £50-100 (plus 27% BP* ARR*) 511.

James Wade for Heals ‘Spring Morn’, designed in 1952 screen-printed cotton textile 56cm x 66cm, unframed. £30-60 (plus 27% BP* ARR*) 512.

Sylvia Chalmers (1951-1990) for Heals ‘Jaborandi’, designed in 1953 screen printed cotton textile 58cm x 55cm, unframed. £30-60 (plus 27% BP* ARR*) 513.

Marian Mahler (1911-1983) for David Whitehead Ltd. ‘Bird cage’, 1947 screen-printed cotton textile 51cm x 57cm, unframed. £30-60 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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514.

Marian Mahler (1911-1983) for David Whitehead Ltd. ‘Bird chair’, 1953 screen-printed cotton textile 60cm x 108cm, unframed. £40-80 (plus 27% BP* ARR*) 515.

Lucienne Day (1917-2010) for Heals ‘Parkland’, designed in 1974 screen-printed cotton textile 60cm x 60cm, unframed. £30-60 (plus 27% BP* ARR*)

514

515

516

517

518

519

516.

Mary Warren for Heals ‘Nautilus’, in blue colourway, designed in 1956 screen printed cotton textile printed ‘Nautilus by Mary Warren’ to selvedge 62cm x 56cm, unframed. £30-60 (plus 27% BP* ARR*) 517.

Shirley Craven (b.1934) for Hull Traders ‘Le Bosquet’, designed circa 1960 screen-printed fabric 55cm x 66cm, unframed. £30-60 (plus 27% BP* ARR*) 518.

Marian Mahler (1911-1983) for David Whitehead Ltd. ‘Houses’, 1952 screen-printed cotton textile 102cm x 115cm, unframed. £40-80 (plus 27% BP* ARR*) 519.

Dorothy Carr for Heals ‘Oak’, designed 1958 screen-printed fabric 62cm x 61cm, unframed. £30-60 (plus 27% BP* ARR*)

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520.

Tibor Reich (1916-1996) for Tibor Ltd. ‘Dream Rose’ screen-printed cotton textile 62cm x 40cm, unframed. £30-60 (plus 27% BP* ARR*) 521.

Humphrey Spender (1910-2005) for Edinburgh Weavers ‘Inglewood’, 1958 screen-printed cotton weave textile 72cm x 82cm, unframed. £50-100 (plus 27% BP* ARR*) 522.

Lucienne Day (1917-2010) for Heals ‘Herb Antony’, designed in 1955 screen-printed cotton textile printed ‘Herb Antony by Lucienne Day’ to selvedge 48cm x 58cm, unframed. £30-60 (plus 27% BP* ARR*)

520

521

522

523

524

525

523.

Doreen Dyall for Heals ‘Full Bloom’, 1965 screen-printed cotton textile 153cm x 113cm, unframed. £50-100 (plus 27% BP* ARR*) 524.

Glynn Boyd Harte (1948-2003) Vaslav Nijinsky in Scheherazade signed in pencil watercolour and pencil 33cm x 23cm.

Information: The drawings were originally intended as promotional designs for a movie about Nijinsky. £100-200 (plus 27% BP* ARR*) 525.

Glynn Boyd Harte (1948-2003) Vaslav Nijinsky in a tennis outfit signed in pencil watercolour and pencil 33cm x 23cm.

Information: The drawings were originally intended as promotional designs for a movie about Nijinsky. £100-200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

111

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526.

Glynn Boyd Harte (1948-2003) Afternoon of a Faun signed in pencil watercolour and pencil 35cm x 30cm.

Information: The drawings were originally intended as promotional designs for a movie about Nijinsky. £100-200 (plus 27% BP* ARR*) 527.

Glynn Boyd Harte (1948-2003) Vaslav Nijinsky as Petrushka signed in pencil watercolour and pencil 33cm x 23cm.

526

527

528

529

Information: The drawings were originally intended as promotional designs for a movie about Nijinsky. £100-200 (plus 27% BP* ARR*) 528.

Glynn Boyd Harte (1948-2003) Vaslav Nijinsky in Le Spectre de la Rose signed in pencil watercolour and pencil 33cm x 23cm.

Information: The drawings were originally intended as promotional designs for a movie about Nijinsky. £100-200 (plus 27% BP* ARR*) 529.

Glynn Boyd Harte (1948-2003) Portrait of Nijinsky signed in pencil watercolour and pencil 49cm x 38cm.

Information: The drawings were originally intended as promotional designs for a movie about Nijinsky. £100-200 (plus 27% BP* ARR*) 530.

Paul Maze (1887-1979) Study of Nipee, a Pekinese, 1935 signed, inscribed and dated (lower right) red chalk 24cm x 20cm. £200-400 (plus 27% BP* ARR*) 530

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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531.

School of Josef Herman (1911-2000) Man outside a factory charcoal 19cm x 17cm, together with three similar studies (4). £200-400 (plus 27% BP* ARR*)

532

532.

Ken Howard (b.1932) Venice Campo Santo Stefano, 1988 signed and dated (lower right) watercolour 17cm x 21cm. £200-400 (plus 27% BP* ARR*)

533

533.

Ken Howard (b.1932) Towards Battersea Bridge signed (lower right) oil on board 19cm x 24cm. £300-500 (plus 27% BP* ARR*) 534.

Clifford Cyril Webb (1895-1972) Moorland Cottage signed (lower right) watercolour 35cm x 53cm.

Provenance: Blond Fine Art . £150-250 (plus 27% BP* ARR*)

534

531

531

531

531

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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535.

John Northcote Nash (1893-1977) The Villa Next Door, Provence, 1975 signed and dated (lower left) watercolour 48cm x 32.5cm.

Provenance: New Grafton Gallery, London, 1978; private collection.

Exhibited: New Grafton Gallery, London, John Nash, 1893-1977: Studio Memorial Exhibition, 1978, cat no 34. £800-1200 (plus 27% BP* ARR*) 536.

Patricia Simmonds (20th Century) ‘The Red Box No.1’ signed (lower right), titled (to reverse) oil on board 122cm x 59cm. £200-400 (plus 27% BP* ARR*) 537.

Patricia Simmonds (20th Century) Portrait with oranges, 1962 signed and dated (lower right) oil on board 122cm x 90cm. £300-500 (plus 27% BP* ARR*) 538.

Jack Hughes (20th Century) ‘Nerja’, 1957 signed, titled and dated oil on canvas 44cm x 58cm. £50-100 (plus 27% BP* ARR*)

536

537

535

538

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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539.

Harry Arthur Riley (1895-1966) ‘Montmartre, Paris’ signed (lower left), titled (to reverse) oil on board 39cm x 49cm. £100-200 (plus 27% BP* ARR*) 540.

Thomas John Coates (b.1941) ‘Mary painting’, 2004 monogrammed (lower left) , titled and dated (to reverse) oil on board 26cm x 30.4cm, unframed. £200-300 (plus 27% BP* ARR*)

539

540

541

542

543

544

541.

Thomas John Coates (b.1941) ‘Tom having a pint in the garden’, 2006 signed, titled and dated (to reverse) oil on board 15.3cm x 20.5cm, unframed. £100-200 (plus 27% BP* ARR*) 542.

William Bowyer (1926-2015) Shipping canal signed in pencil (lower right) watercolour 28cm x 33cm, unframed. £60-100 (plus 27% BP* ARR*) 543.

Lawrence Gowing (1918-1991) Still life with Chrysanthemums, 1947 signed and dated (upper left) oil on canvas 34cm x 46cm. £1000-2000 (plus 27% BP* ARR*) 544.

Lionel Bulmer (1919-1992) Summer field with girl signed (lower right) oil on board 51 x 61cm. £800-1200 (plus 27% BP* ARR*) 545.

Lucy Willis (b.1954) Bath time, 1985 signed and dated (lower left) watercolour 37cm x 56cm.

Provenance: Chris Beetles Ltd., London. £50-100 (plus 27% BP* ARR*)

545

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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546.

Sheila Findlay (Contemporary) Still life, table top and flowers signed (lower right) gouache 55cm x 74cm, and another similar by Sheila Findlay (2). £80-120 (plus 27% BP* ARR*) 547.

Raymond Moretti (1931-2005) Portrait of a clown, 1958 signed and dated (lower right) oil on canvas 79cm x 65cm. £200-400 (plus 27% BP* ARR*)

546

548.

Robert Clatworthy (1928-2015) Figure, 1996 signed and dated (lower left) acrylic 37cm x 27cm.

Provenance: Thompson’s Gallery, London. £200-400 (plus 27% BP* ARR*)

546

547

548

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

116

549.

Robert Clatworthy (1928-2015) Horse and Rider, 2007 1/9, signed and numbered bronze 31cm high, 25.5cm across. £2000-4000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

117

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550.

Padraig MacMiadhachain (1929-2017) ‘Earth among the Volcanoes of Lanzarote’, 1976 signed (lower right), titled and dated (to reverse) oil on board 44cm x 120cm. £400-600 (plus 27% BP* ARR*)

550

551.

British School Porthleven, 1974 inscribed and dated (to reverse) oil on card 22cm x 18cm. £50-100 (plus 27% BP* ARR*) 552.

Esther Barbara Nicoloux Kerr (1861-1950) ‘A Pot of Forget-me-nots’ oil on card 23cm x 31cm.

Provenance: Th Brook Street Gallery, London. £50-100 (plus 27% BP* ARR*)

551

552

553

553

553.

Robert Baker (1909-1992) Nude bathers by water gouache and oil on card 38cm x 58cm, together with a similar study, both unframed (2). £100-200 (plus 27% BP* ARR*) 554.

Lars Swane (1913-2002) View from a window, 1930 signed and dated (to reverse) oil on board 62cm x 62cm. £150-250 (plus 27% BP* ARR*) 555.

Victor Haagen-Muller (1894-1959) Danish landscape, 1932 signed and dated (lower right) oil on canvas 99cm x 119cm. £400-600 (plus 27% BP* ARR*)

554

555

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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556.

Fred Cuming (b.1930) Boulogne Harbour signed (lower left) oil on board 29.5cm x 29.5cm.

Provenance: Jonleigh Gallery, Guildford, 1988. £300-500 (plus 27% BP* ARR*) 557.

Eileen Hogan (b.1946) Bolingbroke Park 2, 1988 monogrammed and dated (lower right) oil on board 44cm x 44.8cm.

556

557

558

559

Provenance: Jonleigh Gallery, Guildford, 1988. £200-300 (plus 27% BP* ARR*) 558.

Eileen Hogan (b.1946) Greenhouse stairs monogrammed (lower right) oil on board 79cm x 82cm. £300-400 (plus 27% BP* ARR*) 559.

Denis Mitchell (1912-1993) Drawing for Sculpture 5, 1964 signed and dated (lower right) mixed media 28cm x 19cm.

Exhibited: Denis Mitchell 80th Birthday Exhibition. £500-800 (plus 27% BP* ARR*) 560.

Oscar Mellor (1921-2005) Small Object Imitating a Basket with a Ziggurat in the Distance, 1962 signed and dated (lower left) oil on canvas 40cm x 29.7cm. £100-200 (plus 27% BP* ARR*)

560

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

119

561.

Michael Ayrton (1921-1975) ‘Rock at Dusk’, 1961 signed and dated (upper left) mixed media on board 32cm x 52cm.

Provenance: Exeter College J.C.R. Art Fund, 1961; Matthiesen Ltd, New Bond Street, London. £1500-2500 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

120

562.

Michael Ayrton (1921-1975) Orpheus, 1957 3/9, numbered bronze, on wooden base 27cm x 38cm.

Provenance: Bruton Gallery, Somerset, 1976. £3000-5000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

121

563.

Michael Ayrton (1921-1975) Afternoon, 1973 6/12, numbered bronze, on wooden base 17.3cm across.

Provenance: Bruton Gallery, Somerset, 1980. £3000-5000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

122

564.

Michael Ayrton (1921-1975) Bather with Child, 1956 4/9, numbered bronze, on wooden base 40cm high.

Provenance: Bruton Gallery, Somerset, 1981. £3000-5000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

123

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565.

Laura Knight (1877-1970) The dovecote signed and inscribed (to reverse) charcoal and ink 64cm x 48cm, unframed.

Information: The picture appears to be a preparatory sketch for a painting entitled ‘Flight’ (exhibited at the Royal Academy in 1958) and was reputedly sketched in the gardens of Maurice Averill’s farm in Worcestershire. £700-1000 (plus 27% BP* ARR*) 566.

Feliks Topolski (1907-1989) Queen Victoria and Prince Albert by palace staircase watercolour 27cm x 27cm, together with a sepia watercolour of the same scene (2). £200-400 (plus 27% BP* ARR*)

565

566

568

569

567.

Feliks Topolski (1907-1989) Edward on horseback watercolour 30cm x 27cm. £200-300 (plus 27% BP* ARR*) 568.

Feliks Topolski (1907-1989) Edward VII in a hot air balloon watercolour 30cm x 28cm. £150-200 (plus 27% BP* ARR*) 569.

Pippa Mills (Contemporary) Spring Daffodils initialled (lower right) oil on paper 46cm x 29.5cm.

Provenance: Richard Hagen Fine Art. £40-80 (plus 27% BP* ARR*) 570.

Anthea Craigmyle (b.1933) Shepherds, 1999 signed and dated (lower left) mixed media 31cm x 38cm. £100-200 (plus 27% BP* ARR*) 570

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

124

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571.

Averil May Burleigh (1888-1949) Factory buildings signed (lower right) watercolour 27cm x 36cm. £60-100 (plus 27% BP* ARR*) 572.

Margaret Geddes (1914-1998) Two heads signed (lower right) pencils 17cm x 14cm. £40-60 (plus 27% BP* ARR*) 573.

Haydon Williams (b.1942) 3D Box Painting, 1969 signed and dated (to reverse) 44cm x 31cm, 14cm deep.

571

572

573

574

575

576

Provenance: Drian Gallery, London; Collection of Desmond Morris. £50-100 (plus 27% BP* ARR*) 574.

Cornelia Dibble (b.1937) Surrealist landscape signed oil on board 90cm x 120cm.

Provenance: Collection of Desmond Morris. £100-200 (plus 27% BP* ARR*) 575.

Elizabeth Holian (Contemporary) Surrealist landscape with butterflies and grammar phone signed (lower right) oil on canvas 90cm x 67cm.

Provenance: Collection of Desmond Morris. £100-200 (plus 27% BP* ARR*) 576.

Oscar Mellor (1921-2005) Pink Landscape II, 1959 signed and dated (lower left) oil on canvas 35cm x 45cm. £150-250 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

125

577.

Desmond Morris (b.1928) Unloving Couple, 1951 signed and dated (lower left) gouache on paper 30cm x 23cm. £1500-2500 578.

Desmond Morris (b.1928) The Inventor, 1993 signed and dated (lower left), titled (to reverse) oil on canvas 39cm x 30cm. £2000-3000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

126

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579.

Desmond Morris (b.1928) The Advisor’s Lament, 1992 mixed media on paper 30cm x 25cm. £1000-2000 (plus 27% BP* ARR*) 580.

Monica Maja Richardson (Contemporary) Abstract, 2018 signed and dated (to reverse) oil on canvas 55cm x 49cm. £50-100 (plus 27% BP* ARR*) 581.

William Selby (b.1933) ‘The Last Supper’ signed (lower right) acrylic on canvas 47cm x 56cm.

579

580

581

582

Provenance: John Noott Gallery, Broadway. £500-800 (plus 27% BP* ARR*) 582.

Mali Morris (b.1945) Curving form, 1996 signed and dated (to reverse) acrylic on canvas 48cm x 68cm. £200-300 (plus 27% BP* ARR*) 583.

Brian Lemesle Adams (1923-2011) Teazles in the kitchen garden, 1985 signed and dated (lower right) 22cm x 18cm.

Provenance: Sally Hunter Fine Art, London. £40-60 (plus 27% BP* ARR*) 583 584.

Attributed to Edgar Hubert (1906-1985) Compositions, a pair mixed media inscribed (to reverse) 16cm x 12cm (2).

Provenance: The Collection of Arthur Wesley Wheen (1897-1971), former keeper of the library at the V & A. £400-600 (plus 27% BP* ARR*)

584

584

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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586 585

585.

Rod Judkins (b.1936) Crossed lines artist’s label (to reverse) oil on canvas 118cm x 81cm, unframed. £300-500 (plus 27% BP* ARR*) 586.

Rod Judkins (b.1936) The view signed (lower right) oil on canvas 70cm x 100cm, unframed. £300-500 (plus 27% BP* ARR*)

587

587

587.

Rod Judkins (b.1936) ‘Study for Applicant’ and ‘Old Embassy’ both signed (to reverse) oil on canvas 31cm x 44.5cm and 42cm x 33cm, unframed (2). £80-120 (plus 27% BP* ARR*) 588.

Rod Judkins (b.1936) ‘Steep Decline’ and ‘After Hours’ both signed (to reverse) oil on canvas 27cm x 25cm and 31cm x 46cm, unframed (2). £80-120 (plus 27% BP* ARR*)

588

588

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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589.

Raymond Guerrier (1920-2002) Jug and farm buildings signed (lower left) oil on canvas 88cm x 105cm. £800-1200 (plus 27% BP* ARR*) 590.

Edward Wesson (1910-1983) Hastings Each Beach signed (lower right) oil on board 23.5cm x 33.5cm. £500-700 (plus 27% BP* ARR*) 591.

Edward Wesson (1910-1983) Chichester Canal at Birdham signed (lower left) oil on board 29cm x 42cm. £500-700 (plus 27% BP* ARR*)

589

592.

Mardi Barrie (1931-2004) Sea cave signed (lower right) oil on canvas 70cm x 90cm. £300-500 (plus 27% BP* ARR*) 593.

Mardi Barrie (1931-2004) Shadowed Interior signed (lower right) oil on canvas 69cm x 90cm.

590

591

592

593

Provenance: Bruton Gallery, Somerset. £300-500 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

129

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594.

Jean Marnat (1915-1988) Interior signed (lower right) oil on board 58cm x 38cm. £50-100 (plus 27% BP* ARR*) 595.

Edith Jenkinson (19th/20th Century) The Greenhouse signed (lower right) oil on canvas 59cm x 39cm. £100-200 (plus 27% BP* ARR*) 596.

Attributed to James Guthrie (1859-1930) Moonlit estuary, 1915 inscribed ‘To E.T from J.G 1915’ (to reverse) oil on board 24cm x 29.5cm. £200-400 (plus 27% BP* ARR*)

594

595

597.

Reginald Llewellyn Harvey (1888-1963) Before the off, Lewes signed (lower right), titled (lower left) oil on board 29cm x 39.5cm. £80-120 (plus 27% BP* ARR*) 596

597

598.

Linda Weir (b.1951) Still Life, St. Ives, 2017 monogrammed and dated (lower right) oil on board 64cm x 49cm. £300-400 (plus 27% BP* ARR*) 599.

Simeon Stafford (b.1956) ‘Rain Painting’, 2006 signed and dated (lower left), titled (to reverse) oil on canvas 76cm x 102cm, unframed. £700-1000 (plus 27% BP* ARR*)

598

599

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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600

601

602

603

604

604

600.

Paul Lucien Maze (1887-1979) The Guards Band signed (lower right) watercolour 21cm x 42cm. £700-1000 (plus 27% BP* ARR*)

603.

Paul Lucien Maze (1887-1979) Coldstream Guards on Parade initialled (lower right) watercolour 19cm x 31.5cm. £1500-2000 (plus 27% BP* ARR*)

601.

Paul Lucien Maze (1887-1979) Cavalry on the Mall signed (lower left) watercolour 19cm x 32cm. £1000-1500 (plus 27% BP* ARR*)

604.

Paul Lucien Maze (1887-1979) Cavalry, a pair signed (one lower left, one lower right) watercolour 19.5cm x 32cm. £1500-2000 (plus 27% BP* ARR*)

602.

Paul Lucien Maze (1887-1979) Cavalry and Coldstream Guards on Horse Guards Parade initialled (lower right) watercolour 17cm x 31cm. £1000-1500 (plus 27% BP* ARR*) BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

131

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605.

Michael Ford (20th Century) Portrait of a lady, 1955 signed and dated (lower right) pastels 47cm x 34cm. £50-100 (plus 27% BP* ARR*) 606.

Mario Maresca (1877-1959) Venetian scene signed (lower right) oil on canvas 48.5cm x 68cm. £300-400 (plus 27% BP* ARR*) 607.

Ken Howard (b.1932) Campo Santi Giovanni, Venice signed (lower right) oil on board 30.5cm x 25cm, unframed. £300-500 (plus 27% BP* ARR*)

605

606

608.

Ken Howard (b.1932) Santorini signed (lower right) oil on board 25.5cm x 30.5cm, unframed. £300-500 (plus 27% BP* ARR*) 609.

Thomas John Coates (b.1941) ‘The Flower Show’ monogrammed (lower left), titled (to reverse) oil on board 30cm x 30cm, unframed. £200-300 (plus 27% BP* ARR*)

607

608

609

610

610.

Pure Evil (b.1968) Roger Vadim’s NIghtmare (Brigitte Bardot), 2012 signed and dated (to reverse) spray paint on canvas 100cm x 100cm, unframed. £400-700 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

132

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611

611

611

611.

Pure Evil (b.1968) ‘Infinite Neon Bunny’ in three colours designs for light installations mixed media 55cm x 64cm (3).

Provenance: Brandler Galleries, Brentwood (signed artist card attached to reverse of one picture). £200-400 (plus 27% BP* ARR*)

612

612.

Randa Fawzi (1952-2016) Moonlit landscape, 1982 signed and dated (lower right) oil on canvas 59cm x 96cm. £80-120 (plus 27% BP* ARR*) 613.

Johan De Vries (1945-2002) Township churches, a pair, 1999 signed and dated acrylic on board 80cm x 60cm (2). £50-100 (plus 27% BP* ARR*)

613

613

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

133

614.

Mary Fedden (1915-2012) ‘Sunset at Menerbes’, 1994 signed and dated (lower left), titled (to reverse) watercolour and gouache 23.5cm x 21cm.

Provenance: Bohun Gallery, Henley-on-Thames. £800-1200 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

134

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615

615

616

615.

David Carr (1915-1968) Two sketches for engine series, circa 1959 pencil and watercolour 10cm x 12cm and 9cm x 12cm (2).

Provenance: Austin/Desmond Fine Art Limited, London. £100-200 (plus 27% BP* ARR*) 616.

Philip Jones (1933-2008) Study for landscape with figures, 1966 signed and dated in pencil (lower right) gouache 27cm x 36cm. £200-300 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

135

617.

Doris McCarthy (1910-2010) Derwentwater in Winter, circa 1950 signed (lower left) oil on board 28cm x 34cm. £2000-3000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

136

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618.

Jean Galt (b.1928) Swamp, 1977 inscribed and dated (to reverse) oil on board 17cm x 22cm. £40-60 (plus 27% BP* ARR*) 619.

Frederick Stanley Haines (1879-1960) The oak tree signed (lower left) oil on board 24cm x 29cm. £200-400 (plus 27% BP* ARR*) 618

619

620

622

620.

William Lee Hankey (1869-1952) Rue Mouffetard, Paris signed in pencil (lower right) watercolour 21cm x 29cm. £100-200 (plus 27% BP* ARR*) 621.

Armand Rassenfosse (1862-1934) Seated nude, 1895 signed and dated (lower left) pencil heightened with white 28cm x 11cm. £60-100 (plus 27% BP* ARR*) 622.

Harold Riley (b.1934) ‘Wellington Street School, Salford’, 1972 signed, titled and dated mixed media on paper 29cm x 30cm. £200-300 (plus 27% BP* ARR*) 623.

Saul Robertson (b.1978) ‘Lulled through the first dream of the night’, 2005 signed, titled and dated (to reverse) oil on linen 35cm x 40cm.

Provenance: The Contemporary Fine Art Gallery, Eton. £80-120 (plus 27% BP* ARR*)

623

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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624.

Douglas Owen Portway (1922-1993) Reclining nude signed (lower left) mixed media on canvas 25cm x 36cm. £300-500 (plus 27% BP* ARR*) 625.

Peter Welton (20th Century) ‘January Garden 5’, 1985 signed, titled and dated in pencil watercolour 35cm x 39cm, together with a smaller watercolour by Peter Welton (2). £50-100 (plus 27% BP* ARR*) 626.

Jane Dowling (b.1925) In the Studio initialled (lower right) oil on canvas 76cm x 50cm.

624

626

Provenance: From the artist’s estate. £200-300 (plus 27% BP* ARR*) 627.

Jane Dowling (b.1925) Transfiguration initialled (lower right) oil on canvas 61cm x 76cm.

Provenance: From the artist’s estate.

625

625

Exhibited: Royal Academy Summer Exhibition, 1992. £400-600 (plus 27% BP* ARR*) 628.

Mary Jackson (b.1936) St. Ives signed (lower left) oil on canvas 40.5cm x 50.5cm, unframed. £200-400 (plus 27% BP* ARR*)

628

627

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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629.

Murray Urquhart (1880-1972) The Circus signed (lower right) watercolour 37cm x 46cm. £250-350 (plus 27% BP* ARR*)

629

630.

Linda Weir (b.1951) St. Ives Harbour monogrammed (lower left) oil on board 46cm x 61cm. £300-400 (plus 27% BP* ARR*)

630

631.

R. Payne (20th Century) White China, 1964 signed and dated (lower right) oil on canvas 60cm x 75cm. £100-200 (plus 27% BP* ARR*)

631

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

139

632.

Auguste Rodin (1840-1917) Glaucus, circa 1886 cast 1980, no. 6 signed and dated, foundry mark of ‘E.Godard’ bronze 19.5cm high.

Provenance: Bruton Gallery, Somerset, 1982. £8000-12000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

140

633.

Robert Wlerick (1882-1994) Le Gavroche 6/8, signed and numbered, foundry stamp bronze 41cm high.

634.

Stephen Buxin (1909-1996) La Maternity, 1951 1/8, signed, numbered and dated bronze 23cm high.

£2000-4000 (plus 27% BP* ARR*)

£600-800 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

141

Maurice Wade (1917-1991) was an artist of repute, exhibiting at the Tib Lane Gallery in Manchester during the late 1960s and 1970s, and having considerable success with the Thackeray Gallery in Kensington, including three sell-out exhibitions in the early seventies. However, according to his wife Margaret, his popularity waned and he died a relatively unknown artist in 1991. It was only in 2009 when the Philips Art Gallery, Altrincham, presented an exhibition of his paintings, that a reappraisal of his work began.

Coincidentally, the exhibition was held in the old Tib Lane premises, two years after the proprietor, Mrs Green had closed her gallery after more than four decades.

635.

William Nicholson (1872-1949) Arnold Bennett pen and ink 17.5cm x 7.5cm.

636.

Bernard Meninsky (1891-1950) Study for The Hitch-Hikers signed (lower right) watercolour and gouache 25.5cm x 19cm.

Provenance: Tib Lane Gallery, Manchester, 1985, where purchased by Mr and Mrs Maurice Wade; thence by descent.

Provenance: Tib Lane Gallery, Manchester, 1985, where purchased by Mr and Mrs Maurice Wade; thence by descent.

£300-500 (plus 27% BP* ARR*)

£300-500 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

142

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637.

Ivor Abrahams (1935-2015) ‘Floor Piece’ 9/9, signed and numbered (in the bronze), titled (to base) bronze 16cm high, 23cm across. £100-200 (plus 27% BP* ARR*) 638.

Walter Bayes (1869-1959) ‘Il Sickert a Venezia’, 1930 initialled and dated (lower right) pen, ink and coloured pencil 25.2cm x 22cm.

Provenance: The Goupil Gallery, London.

637

638

639

640

Information: Walter Bayes was a painter, writer, illustrator and teacher who studied in London and Paris. He was a member of the Fitzroy Street Group and a founding member of the Camden Town Group. He formed a friendship with Walter Sickert, travelling together to Venice. £200-300 (plus 27% BP* ARR*) 639.

Peter L’Estrange (20th Century) Figure on a bench, 1983 signed and dated (lower right) 16.5cm x 16.5cm. £50-100 (plus 27% BP* ARR*) 640.

Jules Sher (b.1934) Circle forms, 1958 signed and dated (lower right) ink and wash 23.5cm x 21.6cm.

Provenance: From the collection of Denis Bowen, Artist and Gallery owner. £150-250 (plus 27% BP* ARR*) 641.

Richard Walker (b.1954) New York street signed (lower right) mixed media 67cm x 99cm. £500-800 (plus 27% BP* ARR*) 641

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

143

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642

642

643 642.

C. Newton (Contemporary) Two Oxford views both signed in pencil watercolours 32cm x 54cm and 27cm x 50cm (2). £50-100 (plus 27% BP* ARR*)

644

643.

C. Newton (Contemporary) Spires of Oxford, 2003 signed and dated in pencil (lower right) pen and ink 13cm x 28cm. £30-60 (plus 27% BP* ARR*) 644.

William Eric Thorp (1901-1993) From Blackfriars Bridge signed (lower left) oil on board 23cm x 27.5cm. £500-700 (plus 27% BP* ARR*) 645.

Edward Hartley Mooney (1878-1938) Village scene, 1918 signed and dated (lower left) oil on canvas 49cm x 60cm. £100-200 (plus 27% BP* ARR*)

645

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

144

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646

647

646.

Tissa Ranasinghe (b.1925) Mithuna (Couple) bronze with green patina 35cm high.

Provenance: Summer Exhibition, Royal Academy, London, 1989, catalogue number 612. £1000-2000 (plus 27% BP* ARR*) 647.

Manner of Barbara Hepworth (1903-1975) Twin forms cast stone sculpture fitting onto painted black base 24cm high, 15cm across. £100-200 (plus 27% BP* ARR*)

648

648.

Oscar Mellor (1921-2005) Levitation oil on canvas 62.7cm x 75cm. £200-300 (plus 27% BP* ARR*) 649.

Oscar Mellor (1921-2005) Doppelgänger, 1982 signed and dated (upper left) oil on canvas 101cm x 65cm.

Literature: The Paintings of Oscar Mellor (19212005), The Taurus Gallery, 2008, illustrated. £300-500 (plus 27% BP* ARR*)

649

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

145

650.

John Hoyland (1934-2011) Untitled, 1969 signed (lower right) acrylic on paper 74cm x 53cm. £2000-4000 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

146

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651.

Thomas Whalen (1903-1975) Woodcock and Grouse carved signature, paper label (to reverse) carved wood panels with stained colouring largest 47cm x 38cm (2).

Provenance: Furniture & Works of Art, Woolley and Wallis 10th January 2012, lot 491. £150-250 (plus 27% BP* ARR*) 652.

William Eric Thorp (1901-1993) The Houses of Parliament, early evening signed (lower left) oil on board 23cm x 27.5cm. £400-600 (plus 27% BP* ARR*)

651

653.

William Eric Thorp (1901-1993) Sunset on the Thames signed (lower left) oil on board 22cm x 28cm. £400-600 (plus 27% BP* ARR*) 654.

Jacob Kramer (1892-1962) Portrait of a lady in pink cardigan signed (lower right) oil on canvas laid on board 48cm x 37cm. £300-400 (plus 27% BP* ARR*)

652

653

654

655

655.

Gerard Dillon (1916-1971) Two figures in a surreal landscape, 1960 inscribed and dated (lower right) pen and ink 26cm x 36cm. £500-800 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

147

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656

657

656.

Desmond Morris (b.1928) ‘The Protagonists II’, 2004 signed and dated (lower left) acrylic on board 43cm x 33cm. £2000-3000 (plus 27% BP* ARR*) 657.

Desmond Morris (b.1928) Forgotten Friend, 1988 signed and dated (lower left) oil, ink and watercolour on paper 30cm x 21cm. £800-1200 (plus 27% BP* ARR*) 658.

Desmond Morris (b.1928) Playful Figure, 1988 signed and dated (lower right) oil, ink and watercolour on paper 30cm x 21cm. £800-1200 (plus 27% BP* ARR*)

658 BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

148

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659.

Clifford Fishwick (1923-1997) Portrait of Jack Pender, circa 1947 studio stamp (to reverse) watercolour 37cm x 27cm. £80-120 (plus 27% BP* ARR*) 660.

Arthur Henry Andrews (1906-1966) The violinist signed pen and ink 19cm x 25cm. £40-80 (plus 27% BP* ARR*)

659

660

661

663

661.

Paul Lucien Maze (1887-1979) Summer flowers signed (lower left) oil on board 89cm x 63cm. £600-900 (plus 27% BP* ARR*) 662.

George Callaghan (b.1941) Roll in the hay signed (lower left) oil on canvas 45cm x 60cm. £200-300 (plus 27% BP* ARR*) 663.

Paul Cherington (Contemporary) Two birds on steps, 2003 signed and dated (lower right) pastels 29.5cm x 20cm. £30-60 (plus 27% BP* ARR*)

662

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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664.

Mary Jane Alexander (20th Century) The missing fig leaf signed (lower left) watercolour 31cm x 45cm, together with two further watercolours by Mary Jane Alexander (3). £40-80 (plus 27% BP* ARR*) 665.

Sarah Raphael (1960-2001) The Madman signed (lower right) oil on board 59cm x 36cm. £600-1000 (plus 27% BP* ARR*) 664

664

666.

Elvic Steele (1920-1997) ‘Contrasts’ and three similar abstracts oil on board largest 16cm x 23cm (4). £150-200 (plus 27% BP* ARR*) 667.

William Gear (1915-1997) Untitled, 1980 signed and dated (lower right) acrylic 63cm x 44cm. £300-500 (plus 27% BP* ARR*)

666

664

665

667

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

150

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668.

Keith Dunkley (b.1942) ‘Sunshade’, 1992 signed and dated (lower left) oil on board 28cm x 28cm. £80-120 (plus 27% BP* ARR*) 669.

Alexander Carruthers Gould (1870-1948) ‘At Low Tide, Yachts - Minehead Harbour’ signed (lower right), titled (to reverse) oil on board 24cm x 34cm. £200-300 (plus 27% BP* ARR*)

668

669

670

671

672

673

670.

David Harrison (b.1954) ‘White Owl’, 2017 signed, titled and dated (to reverse) oil on card 14.5cm x 10cm. £500-800 (plus 27% BP* ARR*) 671.

David Chinyama (b.1978) ‘Sahara Travels’ signed and titled (to reverse) oil on canvas 78cm x 64cm. £200-300 (plus 27% BP* ARR*) 672.

Breon O’Casey (1928-2011) Untitled, 1967 signed and dated (lower right) mixed media 36cm x 43cm. £800-1200 (plus 27% BP* ARR*) 673.

Simeon Stafford (b.1956) ‘St. Pauls, London’ signed (lower left), titled (to reverse) oil on board 46cm x 61cm. £300-500 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

151

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674.

Simeon Stafford (b.1956) Street scene with green car, 2003 signed and dated (lower right) oil on canvas 45cm x 60cm. £500-800 (plus 27% BP* ARR*) 675.

Alfred Daniels (1924-2015) Arundel Terrace, Brighton, 1973 signed and dated (lower right) oil on board 50cm x 75cm. £1500-2000 (plus 27% BP* ARR*)

674

675

676

677

678

679

676.

John Anthony Park (1880-1962) Street scene signed (lower right) oil on board 29cm x 24cm. £500-800 (plus 27% BP* ARR*) 677.

Simeon Stafford (b.1956) ‘Mill Town’, 2007 signed (lower right), titled and dated (to reverse) oil on board 60cm x 87cm. £600-900 (plus 27% BP* ARR*) 678.

Linda Weir (b.1951) ‘Flowers, Palaces, Oceans’, 2011 signed, titled and dated (to reverse) oil on canvas 69.5cm x 50cm, unframed. £300-400 (plus 27% BP* ARR*) 679.

Manner of Alfred Wallace (1855-1942) PZ11 ship and lighthouse

by Max Wildman oil on card 19cm x 26cm. £200-300 (plus 27% BP* ARR*)

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

152

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680.

Roy Turner Durrant (1925-1998) Composition - Female Figure, 1955 signed and dated (lower left) mixed media on card 23.5cm x 14.5cm.

Provenance: Graham Gallery, Tunbridge Wells. £400-600 (plus 27% BP* ARR*) 681.

Evert Hartog Den (b.1949) Seated girl from an edition of 12, signed bronze 23.5cm high. £400-600 (plus 27% BP* ARR*)

680

681

682

683

682. Émile Antoine Bourdelle (1861-1929) La Cueillette 4/8, signed and numbered bronze 25cm high. £2000-3000 (plus 27% BP* ARR*) 683.

Miloslav Chlupac (1920-2008) Mother and child signed (lower left) watercolour and gouache 62cm x 45cm. £200-300 684.

Jens Birkemose (b.1943) Colour study, 1980 signed and dated in pencil (upper left) watercolour 19cm x 16cm. £200-400 (plus 27% BP* ARR*) 685.

John Bolam (1922-2009) Sea abstract, 1960 monogrammed and dated (lower right) mixed media on paper 35cm x 52cm. £80-120 (plus 27% BP* ARR*)

684

685

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

153

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686.

Mark Hearld (b.1974) ‘Sea Fish’, 2003 signed and dated (lower right) mixed media collage 30cm x 30cm. £200-300 (plus 27% BP* ARR*)

686

687.

Alan Furneaux (b.1953) St. Michaels Mount signed (lower right) oil on board 23cm x 30.5cm. £100-200 (plus 27% BP* ARR*)

687

688.

Alan Furneaux (b.1953) Newlyn street scene signed (lower left) oil on canvas 50.5cm x 76cm. £200-400 (plus 27% BP* ARR*) 688

689.

Hermine David (1886-1970) The flower market, Paris signed (lower right) oil on canvas 59cm x 74cm. £100-200 (plus 27% BP* ARR*)

689

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

154

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690.

Frederick Clifford Harrison (1901-1984) Golf clubs, 1969 monogrammed and dated (lower left) oil on board 108cm x 56cm. £500-700 (plus 27% BP* ARR*) 691.

Paul Birkbeck (b.1939) The train journey, 1997 signed and dated acrylic on paper 38cm x 49cm. £200-300 (plus 27% BP* ARR*) 692.

Jill Cowie Sanders (b.1930) Abstract form signed bronze on perspex base 7cm high. £30-60 (plus 27% BP* ARR*)

690

691

693.

Scott Ireland (b.1965) ‘Port Hagging Swim’, 1997 signed (lower left), titled and dated (to reverse) oil on board 31cm x 21cm. £80-120 (plus 27% BP* ARR*) 694.

Alan Furneaux (b.1953) Penzance by night signed (lower right) oil on board 81cm x 94cm. £300-500 (plus 27% BP* ARR*)

692

693

694

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

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695.

William Bowyer (1926-2015) Greek coastal view signed in pencil (lower right) watercolour 35cm x 54cm, unframed. £80-120 (plus 27% BP* ARR*)

695

696.

William Bowyer (1926-2015) Sailing boats signed in pencil (lower right) watercolour 34cm x 53cm, unframed. £80-120 (plus 27% BP* ARR*)

696

BP* – Buyer’s Premium of 27% incl. VAT @ 20% Lots marked ARR* may be subject to an additional fee - for full details please see contents page

156

A pair of 19th century diamond girandole ear pendants Sold for ÂŁ5,800 (hammer price) in March 2019

Jewellery & Silver Wednesday 31 July 2019 OXFORD Further entries invited Closing date: Friday 5 July

Enquiries: Jewellery & Watches Louise Dennis FGA DGA louise.dennis@mallams.co.uk Silver & Objets de Vertu Alicia Rogers alicia.rogers@mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street, Oxford OX1 2EB T: 01865 241358 www.mallams.co.uk

Mallams 1788

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NOTES

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NOTES

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Terms and Conditions NEW.qxp_Layout 1 15/02/2019 14:40 Page 1

BUYERS TERMS & CONDITIONS Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate. (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer. (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents. (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions. (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise.

The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22.5%. This premium is subject to VAT at the rate imposed by law.

VALUE ADDED TAX (VAT) Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk.Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

You may pay for purchases in a number of ways: Bank Transfer, Cheque, Debit card, Cash and Credit card to a maximum of £2000.00 (plus 2.28% VAT inc. on Business and NonEEA cards).

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in

writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale.The absence of any reference to condition in any description does not imply the lot is without fault.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 1. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

2. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

3. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

4. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

5. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyer’s responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre- 1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. Authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via thesaleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price.

DATA PROTECTION Personal data obtained about you will be used in accordance to our Privacy Policy. A copy of our Privacy Policy can be found on our website www.mallams.co.uk or requested by post from our Data Officer, Catherine Leach at Bocardo House, St Michael’s Street, Oxford, OX1 2EB, or by Email from privacy@mallams.co.uk.

The The Peter PeterDingley Dingley Collection Collection

OXFORD OXFORD DECEMBER 2019 DECEMBER 2019

ForFor further details please contact Max Fisher on on 01865 241358 further details please contact Max Fisher 01865 241358 or max.fisher@mallams.co.uk www.mallams.co.uk or max.fisher@mallams.co.uk www.mallams.co.uk M AMLA LL ALMASM A H OHUOSUES E S UACUTCI O TN I OENEERESR, SB, OBCOACRADROD O S TSM CH ’ SL ’ SS TSRTEREETE , TO, XOF X OFRODR O T IM I CAHEAL E D XO1 X21 E2BE B

New Inside Covers.indd 1

Mallams Mallams 1788 1788

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MALLAMS

Mallams 1788

DESIGN + MODERN ART

DESIGN + MODERN ART 23 & 24 MAY 2019 OXFORD

23 & 24 MAY 2019

www.mallams.co.uk