The Picture Sale - 27th February 2019 - (Mallams Oxford) by Mallams Auctioneers

MALLAMS

Mallams 1788

THE PICTURE SALE THE PICTURE SALE 27 FEBRUARY 2019

www.mallams.co.uk

Wednesday 27th February 2019 at 11am

Design+ Modern Art 23 and 24 May 2019 OXFORD

ABINGDON

Closing date for entries Thursday 11th April

THE

HOUSE & GARDEN SALE

Monday 18th and Tuesday 19th March 2019 at 11 am To Include Entries of: Decorative Furniture and Works of Art, Sculpture, Paintings, Silver, Rugs, Carpets and Textiles, Architectural Elements and Garden Ornament.

For enquiries please contact Max Fisher T: 01865 241358 or E: max.ﬁsher@mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street Oxford OX1 2EB

Mallams 1788

All enquiries, please contact Henry Cooke: T: 01235 462840 E: henry.cooke@mallams.co.uk www.mallams.co.uk Dunmore Court, Wootton Road, Abingdon OX13 6BH

Mallams 1788

The Picture Sale 27th February 2019 Oxford

Order of Sale Prints

1-100

Watercolours and Oils

101-447

Miniatures

450-458

Frames

460-479

Viewing Saturday 23rd February 9am to 1pm Monday 25th February 9am to 5pm Tuesday 26th February 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term â&#x20AC;&#x2DC;unframedâ&#x20AC;&#x2122; appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not. The absence of a frame in the photograph does not necessarily indicate that the work is unframed. To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding. Condition reports: oxford2@mallams.co.uk Important notice: Buyers premium 27% inclusive of VAT on each lot Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault.

Droit de Suite Important Notices: Changes to the Droit de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droit de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certiﬁcate of authenticity. Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part. ‘Circle of ’ … in our opinion the work is by an artist inﬂuenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%. For items selling above this ﬁgure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams. For more information visit www.dacs.org.uk. Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style. ‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date. ‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time. ‘After’ … in our opinion the work is a copy of a known painting by the named artist. ‘Signed’ … in our opinion the signature is by the hand of the artist stated. ‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

BID IN THE SALEROOM Register at the front desk in advance of the auction, where you will receive a paddle number with which to bid. Take your seat in the saleroom and when you wish to bid, raise your paddle and catch the auctioneer’s attention. LEAVE A COMMISSION BID You may leave a commission bid via the website, by telephone, by email or in person at Mallams’ salerooms. Simply state the maximum price you would like to pay for a lot and we will purchase it for you at the lowest possible price, while taking the reserve price and other bids into account. BID OVER THE TELEPHONE Book a telephone line before the sale, stating which lots you would like to bid for, and we will call you in time for you to bid through one of our staff in the saleroom. If you can’t get to the saleroom in person, a telephone bid still allows you live participation. ONLINE LIVE BIDDING Register online at the-saleroom.com to bid online live as the sale is taking place. You can also watch and hear the auction online. Please be aware that online bidding costs an extra 4.95% plus VAT of the final selling price. OVERSEAS BIDDERS Overseas clients will need to provide proof of identity (a scan of a passport or a national ID card) and payment card details prior to the auction. BUYER’S PREMIUM Each lot is subject to premium on the hammer price of 22.5% plus VAT – a total of 27%. For example: Hammer price – £100 Premium at 22.5% of £100 = £22.50 VAT at 20% of £22.50 = £4.50 Total price – £127 PAYMENT You may pay for your purchases in several ways: debit card, credit card (plus 2.28% VAT Inc. on Business and non-EEA cards), bank transfer, cheque or cash. COLLECTION & DELIVERY It is your responsibility to arrange collection of your purchases within one week of the sale. We do not offer postage from any of our branches. For postage enquiries, please contact the following directly: Pack & Send 01865 260610 or Mailboxes 01865 741729

Prints Lots 1-100

THERE IS A PREMIUM OF 22.5% OF THE HAMMER PRICE ON ALL SALES. THIS IS SUBJECT TO V.A.T.

1. HANSLIP FLETCHER (1874-1955) A house in Beaumont Street, Oxford, lithograph, pencil signed in the margin and inscribed ‘To Dr and Mrs Robinson with kind regards and recollections of a visit to Oxford in 1919’, 39 x 29cm £30-50

4. JOHN MARTIN (1789-1854) ‘Belshazzar’s Feast’, mezzotint, pub c.1826, 45.5 x 70cm With Sanders of Oxford £200-300

2. ALFRED COHEN (1920-2001) ‘Folkestone’, etching with aquatint in colours, pencil signed in the margin, titled and numbered 5/50, 27 x 34cm £60-80

3. JOHN MARTIN (1789-1854) ‘The Fall of Nineveh’, mezzotint, pub c.1830, 52 x 80cm

5. JOHN MARTIN (1789-1854) ‘Bridge Over Chaos’, mezzotint, pub. by Septimus Prowett 1824/26, printed by Chatfield & Coleman, 19 x 26.5cm

6. JOHN MARTIN (1789-1854) ‘Adam and Eve driven out of Paradise’ (Book 12 Line 641), mezzotint, published by Septimus Prowett 1827, fully lettered proof, 19 x 26.5cm £150-250

With Sanders of Oxford £200-300

With Sanders of Oxford £300-500

8. AFTER SIR EDWARD COLEY BURNE-JONES ‘The Bath of Venus’, photogravure, published by the Berlin Photographic Company, Berlin, 39.5 x 14cm; and four further similar to include ‘Aurora’; ‘Miss Amy Gaskel’; ‘Miss Margaret Burne-Jones’; and ‘Vesper’, varying sizes (5)

7. AFTER SIR EDWARD COLEY BURNE-JONES ‘The Mirror of Venus’, photogravure, published by the Berlin Photographic Company, Berlin, 31 x 51cm With Sanders of Oxford £100-150

9. J BOURNE ‘Working Shaft - Kilsby Tunnel, July 8th 1837’, aquatint engraving, 21 x 18cm; and five further various prints or engravings to include an Almanac print after David Gentleman ‘The Upper Library, Christchurch’; a lithograph view in Petra; two prints after Arthur Rackham; and ‘Dunstanborough Castle’ (6) £40-60

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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With Sanders of Oxford £200-300

9A. ROBERT MORDEN ‘Dorsetshire’, double-page engraved map with hand-colouring, 36 x 42.5cm; and a 19th Century aquatint engraving - Pisa, 21 x 35cm, both unframed (2) £20-30

12. NORMAN ACKROYD (b.1938) ‘Travels with Copper and Zinc 1981-1983’, a portfolio of sixteen etchings printed by Alan Smith and published by The Penny Press 1983, each etching signed, titled and numbered 11/25, the portfolio with slip case, contents page, map and title page, signed and numbered 11/20 and dated 1983, the etchings of varying sizes and all but four works now mounted and framed (16) £1000-1500

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15. JOHN CLUTTERBACK (20TH CENTURY) ‘Guinea Fowl’, lithograph, pencil signed, dated ‘81, titled and numbered 5/14, 32 x 22cm £40-60

10. NORMAN ACKROYD (b.1938) ‘September Day Break - Crockey Hill’, etching with aquatint, pencil signed in the margin, titled, dated 1982 and numbered 15/90, 41 x 41cm £150-250

11. NORMAN ACKROYD (b.1938) ‘Swinbrook Evening’, etching with aquatint, pencil signed in the margin, titled, dated 1983 and numbered 25/90, 34 x 50cm £200-300

13. NORMAN ACKROYD (b.1938) ‘Jackson’s Pond VI’, etching, pencil signed in the margin, dated ‘85, titled and numbered 44/110, 17.5 x 13cm £100-150

14. WILFRED R.E. FAIRCLOUGH (1907-1966) ‘Torcello, Lunch’, etching, pencil signed in the margin and dated 1979, 19 x 26cm; and one further by the same hand - ‘Venice, Two to One’, pencil signed in the margin, dated 1983, 16 x 19.5cm; together with two letters regarding the works from the artist (2) £100-150

15A. AFTER CATHERINE READ Elizabeth Duchess of Hamilton and Brandon and Duchess of Argyl, mezzotint with hand-colouring, 41 x 34cm oval; and four various etchings to include a coastal scene by Frank Short (5) £40-60

15B. ROWLAND LANGMAID (1897-1956) Henry’s Wharf looking towards London Bridge, etching, pencil signed in the margin, 12.5 x 25cm £80-120

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

16. LOUIS HAGHE AFTER DAVID ROBERTS ‘General View of the Island of Philae, Nubia’, lithograph, hand-coloured, pub. F.G. Moon c.1846, 36 x 52cm Prov: With Sanders of Oxford £100-200

18. AFTER FRED TAYLOR ‘Oxford’, a British Railway’s travel poster printed with lithographic aerial view of the city and with college crests, published by the Railway Executive ‘Western Region’ (PR13) and printed by Jordison & Co Ltd London and Middlesbrough, 100 x 126cm £300-500

19A. I SMITH AFTER SIR GODFREY KNELLER Peter I, Tsar of Russia, mezzotint in maple frame, 37 x 28cm £40-60

20. GLYNN BOYD HARTE (1948-2003) ‘Cafe Excelsior’, lithograph in colours, pencil signed in the margin, artist proof and numbered XII/XXX, 59 x 44.5cm £50-70

17. MICHAEL FAIRCLOUGH (b.1940) ‘Hadrian’s Wall’, and ‘Dunstanburgh Castle’, two etchings in colour with aquatint, pencil signed in the margin and numbered 98/295 and 72/295 respectively, published by Christie’s Contemporary Arts, 21 x 26.5cm, sold together with certificates of authentication attached verso (2) £120-180

19. SYLVIA EDWARDS (b.1937) ‘The Writing on the House’, screenprint, pencil signed, titled and numbered 35/225 in the margin, 80 x 60cm £40-60

21. TERRY MCKINNEY (20TH CENTURY) ‘Leafy Bouquet’, lithograph in colours, pencil signed in the margin, dated ‘90, titled and numbered 16/25, 77 x 53cm; and R * Lee - ‘The Onlookers’, lithograph in colours, pencil signed in the margin, dated 1991, titled and numbered 41/200, 43 x 32cm (2) £50-80

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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15C. HERBERT DICKSEE (1862-1942) Scottie Dog, etching, pencil signed in the margin, pub. c.1923 by Frost and Reed, 27.5 x 38cm £100-150

22. SUE SCULLARD (20TH/21ST CENTURY) Shepherds in the pub, woodcut, pencil signed and dated 1983 in the margin; and Hugh Wright Rudby (1855-1954) - ‘Oxford from Wolvercote’, signed and titled, watercolour, 25 x 33.5cm (2) £40-60

22A. H PYALL AFTER J POLLARD A North East View of the New General Post Office, aquatint engraving, hand-coloured, published by Messrs Fores, 43.5 x 59cm £60-80

23. GEORG BALTHASAR PROBST (1732-1801) ‘Fontana in Loco ad Dextram Labyrinthis’, engraving, hand-coloured, 30 x 42cm; two further similar; a French engraving; and two Old Master engravings, all unframed (6) £30-50

24. GIOVANNI BATTISTA PIRANESI ‘Veduta della Piazza di Monte Cavallo’, and ‘Veduta della Villa Estense in Tivoli’, two etchings, 47.5 x 71cm; and 47 x 69cm (2) £400-600

25. AFTER J QUITTAN Preparing timber and The Printing Press, a pair, lithographs in colour, 64 x 94cm, unframed (2) £60-100

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26. AFTER RUDOLF DIRR The Railway Station, lithograph in colours, 64 x 94cm, unframed £40-60

26A. AFTER GEORGE STUBBS ‘Eclipse’, mezzotint, hand-coloured, published by Laurie & Whittle c.1804, 25 x 35cm; two George Morland lithographs; and an engraved portrait of Oliver Cromwell after Van Dyck (4) £80-120

27. HENRY THOMAS GREENHEAD AFTER GEORGE ROMNEY Study of Emma Hamilton ‘Absence’, mezzotint, pencil signed in the margin, 50 x 40cm £30-50

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

28. DIMITRI Farm labourers working in a field, pencil signed in the margin and inscribed ‘Prueba del Artista’, etching, 32 x 49.5cm £80-120

29. AFTER SAMUEL PALMER ‘But see, the weary-pacing oxen, slow homeward from laboured furrows bring the plough sliding revers’d’, photogravure facsimile of a drawing, published Eclogues of Virgil 1884, 11 x 17cm (im) £30-50

30. AFTER SIR FRANK BRANGWYN (1867-1956) ‘Work’, a portfolio of ten plates reproduced in facsimile, published by the Berlin Photographic Company, 1914, each plate pencil signed in the margin together with title page and contents page, number 22 of 25 copies of the large paper edition and signed in pen to the printed label inside cover, sheet sizes 40 x 55cm £300-500

31. AFTER SIR FRANK BRANGWYN (1867-1956) A collection of 11 (of 20) prints from his drawings published by Verlag Artur Wolf, Vienna; together with contents page numbered 246/500, sheet sizes 48 x 40cm and in original box with decorative cover £100-200

32. AFTER FRANZ WINTERHALTER The young Queen Victoria, lithograph with hand-colouring, 30 x 25cm oval; and companion portrait of Prince Albert (2) £40-60

33. KENNETH STEEL (1906-1973) Cliff side with buildings, etching, pencil signed in the margin, 30 x 35.5cm £40-60

34. THOMAS MAJOR AFTER DAVID TENIERS ‘La Chasse aux Oiseaux, Vue de Flanders’, engraving c.1747, 30.5 x 37cm; and two further etchings or engravings to include - M.J. Lawless - Figures in an interior; and Leroy Kelly - River bridge with buildings, signed, dated 1968 and numbered 1/75, 19 x 22.5cm, one work unframed (3) £30-50

35. HOWARD PHIPPS (b.1954) ‘Interior - St Anne’s Gate, Salisbury’, wood engraving, pencil signed, titled, dated 1986 and numbered 15/100 in the margin, 11 x 8.5cm; and one further by the same hand - A Gateway leading to a Church, pencil signed in the margin, dated 1980 and numbered 42/50, 10 x 8cm (2) £50-70

36. MONICA POOLE (1921-2003) ‘Weed’, wood engraving, pencil signed in the margin, titled and numbered 31/100, 10 x 7cm; and Barbara Lawrence - ‘Shere Church’, wood engraving, pencil signed in the margin, titled and numbered 53/75, 8 x 10cm (2) £50-70

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

37. ERIC JAMES MELLON (1925-2014) A female nude, sepia etching, pencil signed and dated 1968, 36.5 x 28cm; and D * J * Neale (20th Century) Untitled work, signed, watercolour, 33 x 25cm (2) £30-50

38. AXEL HERMAN HAIG (1835-1921) Mont St Michel, etching, pencil signed in the margin, 91 x 66cm, unframed £50-80

39. AFTER CLAES VAN VISSCHER ‘London’, a panoramic engraved view on four sheets, 44.5 x 218cm (pl) £300-500

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41. RAPHAEL MORGHAN AFTER THEODORUS MATTEINI ‘Angelica e Medoro in Varj Modi...’, engraving, 47 x 37cm; and four various portrait engravings, 17th Century and later, framed in three (4) £50-80

42. GEORGE CRUIKSHANK ‘A Military Salutation’, etching, hand-coloured, 26 x 35cm; and three further humorous caricature etchings, each relating to problems of gout (4) £50-100

40. GEORGE CRUICKSHANK ‘The Headache’, etching with hand-colouring, 19 x 24cm; and three further caricatures engravings titled to include ‘A Tailor in a High Wind’, ‘A View from the Town Hall, Oxford’; and ‘Marriage’ (4) £50-100

43. 19TH CENTURY ENGLISH SCHOOL ‘Mr O’Brien’ the Irish Giant, the tallest man in the known world being nine feet high’, engraving with biographical details attached verso, 26 x 19cm £30-50

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

44. ROBERT SAYER AND J BENNETT (pubs) ‘Diogenes in search of an honest man’, mezzotint engraving with hand-colouring, pub. c.1775, 35.5 x 25cm £30-50

45. FRANCIS JUKES AFTER ROBERT FREEBAIRN ‘Fountain of Egeria near Rome’, aquatint engraving with hand-colouring, titled to margin (but obscured by mount), 42 x 56.5cm; and one further but smaller engraving similarly framed (2) £100-150

46. AFTER ROELANDT SAVERY A riverside shack with figures, etching, 21 x 28cm; and five further various etchings, subjects to include ‘The Deposition of Christ’; ‘Dante’; ‘Mary-La-Bonne’ etc (6) £100-200

47. HOWARD PHIPPS (b.1954) Interior with regency chair, wood engraving, signed, dated 1989 and numbered 69/100; together with a colour woodblock engraving for the Ditchling Horticultural Society 98th Annual Show, Wednesday July 28th 1920 (2) £40-60

48. 20TH CENTURY FRENCH SCHOOL A courting couple on a bench, etching, indistinctly signed in pencil to margin and inscribed ‘2 etat’, 24 x 16cm; and an etching after Bernard Buffet - Self Portrait, 16 x 11.5cm (2) £80-120

49. AFTER HELEN BRADLEY ‘Our Christmas Ducks’, print in colours, pencil signed in the margin and with FATG blind stamp, 40 x 50cm £50-80

51. AFTER JULES CHERET ‘Chemins de fer.P.L.M. Auvergne’, print in colours, for ‘les Maitres de L’Affiche’ series, 31 x 22cm; and three further similar (4) £50-100 50. RONALD SEARLE (1920-2011) ‘Love Feast’, lithograph in colours, pencil signed, dated 1981, titled and numbered 32/99, printed by Michel Cassé, edition RS Paris, 50 x 65cm £100-150

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

52. TIM BULMER (b.1958) ‘The Noblest Game of All’, etching with hand-colouring, pencil signed in the margin, titled and numbered 83, 16 x 40cm; two further cricketing related subjects by the same hand; and four others after Charles Crombie (7) £30-50

53. W.H. SIMMONS AFTER RICHARD ANSDELL ‘A Scene at Wiseton’, engraving, 57 x 67cm in maple frame £150-250

54. EILEEN SOPER (1905-1990) Skipping, etching, pencil signed in the margin, 12 x 17.5cm

55. EILEEN SOPER (1905-1990) ‘1921 Tiddlers’, etching, pencil signed in margin, 10 x 15cm

56. LAURIE AND WHITTLE (pubs) ‘Winter’, ‘Spring’, ‘Summer’ and ‘Autumn’ a set of four mezzotints with hand-colouring, pub. c.1794, 35 x 25cm (4) £200-300

57. FLORENCE BELL (exh.1900-21) ‘Barnard Castle’, etching, pencil signed in the margin and titled, 19.5 x 24.5cm £20-40

Prov: The estate of George and Eileen Soper With Chris Beetles Limited £80-120

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58. ROBERT LEDERMAN (20TH/21ST CENTURY) ‘Piano/Bass’, artist proof woodcut, pencil signed in the margin, dated 1988 and titled, 34 x 28cm £30-50

59. GRAHAM CLARKE (b.1941) ‘Quercus Berserkus’, etching in colours, pencil signed in the margin, titled and numbered 249/250, 34 x 54cm £80-120

Prov: The estate of George and Eileen Soper With Chris Beetles Limited £100-150

60. M DUBOURG AFTER W HEATH ‘Two French Officers taken by a Sergeant of the 18th Hussars at the Battle of Albuera’, aquatint engraving, hand-coloured, published by Edward Orme, 19 x 28cm; and seven further similar; and Needham after W Simpson - ‘The Cavalry Affair of the Heights of Bulganak - The First Gun’, lithograph in colours, 27 x 39cm (9) £80-120

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

61. T HODGETTS AFTER J.M.W. TURNER ‘Lauffenbourgh on the Rhine’, sepia mezzotint engraving for Liber Studiorum, 20 x 28cm; and three further to include ‘Little Devil’s Bridge over the Russ above Altdorft, Swiss’, ‘Lake of Thun, Swiss’ and ‘Solway Moss’ (4) £200-300

62. SUSAN POINT (b.1952) ‘Man and Eagles’, embossed print with gilt, pencil signed in the margin, titled, dated May ‘86 and numbered 810/1000, 23 x 29.5cm £50-70

63. HANS ERNI (1909-2015) ‘Incendie’, lithograph, pencil signed and numbered 113/250 in the margin, 45 x 60cm £50-70

64. AUGUSTUS JOHN (1878-1961) ‘The Dawn’, lithograph, 46 x 69cm, unframed £80-120

67. MICHAEL WOLGEMUT (1434-1519) ‘Frederick III and Pius II’, woodcut from the 1493 First Edition of the Nuremberg Chronicle Leaf CCCXVIII, 23 x 22cm, mounted but unframed £120-150

66. OLIVE F. OPENSHAW (fl.1930-1970) ‘Wood Engravings by Olive F. Openshaw’, a collection of forty wood engravings, each pencil signed and some titled; together with engraved frontispiece, all contained within a book £150-250

68. ANTHONY VAN DYCK (1599-1641) A portrait of Frans Snyders, published in 1632, etching, 24 x 16cm, mounted but unframed £40-60

69. 17TH CENTURY DUTCH SCHOOL The tree feller, etching, 13 x 16.5cm; and two further similar (3) £100-150

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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65. ELLIOT OFFNER (1931-2010) ‘Great Blue Heron’, woodcut, artist proof, pencil signed and titled, 35 x 28cm £50-70

70. AFTER CHARLES JOHNSON PAYNE (SNAFFLES 1884-1967) ‘The Season 1939-40’, print in colours, pencil signed in the margin and also printed with vignette, 28 x 48.5cm (im) £200-300

71. THOMAS SHOTTER BOYS (1803-1874) ‘Westminster from Waterloo Bridge’ and ‘London Bridge from Southwark Bridge’, a pair, lithographs in colours, 18 x 46cm; and five further London views by the same hand (7) £100-200

73. F JONES AFTER WILLIAM SIMPSON ‘Sebastopol from old Chersonese, an ancient church of St. Vladimir’, lithograph in colours, plate no. 36, published by Paul & Dominic Colnaghi & Co, 33 x 50cm; and five further similar (6) £150-250

74. GIUSEPPE VASI ‘Avanzi del Portico di Ottavia Presso la Chiesa di S. Angelo’, engraving, hand-coloured, apparently inscribed beneath the mount, 18 x 28cm; and companion, a pair (2) £40-60

75. JOHANNES KIP ‘Kingweston, The Seat of Edward Southwell Esq’, double-page engraving, hand-coloured, 35 x 43cm £30-50

76. AFTER JOHN KING ‘The Radley College, Beagles at Shellingford’, print in colours, pencil signed in the margin and numbered 46/250, 33 x 49.5cm; and one further after the same hand - The Cheshire Beagles, also pencil signed but numbered 250/250 and inscribed to ‘Jeffrey Shipway with all best wishes’, 34 x 50cm (2) £30-50

77. JAMES DANIELL AFTER HENRY SINGLETON ‘Admiral de Winter Resigning his Sword to Admiral Duncan’, mezzotint with hand-colouring, pub. c. 1799, 55 x 65cm £80-120

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72. THOMAS SHOTTER BOYS (1803-1874) ‘Hotel Cluny, Paris’ and ‘Hotel de Sens, Paris’, two lithographs in colours, 39 x 28cm; and one further ‘St. Etienne du Mont’ (3) £40-60

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

78. CHARLES G. LEWIS AFTER THOMAS JONES BARKER ‘The Relief of Lucknow and Triumphant Meeting of Havelock, Outram and Sir Colin Campbell, engraving, hand-coloured, 75 x 132cm (pl) £200-300

81. THOMAS LANDSEER AFTER ROSA BONHEUR The Horse Fair, engraving, 50 x 106cm £200-300

82. JOSEPH B. PRATT AFTER ROSA BONHEUR A Pride of Lions, engraving, inscribed in pencil to the margin, pub. c. 1894 by Lefevre, 66 x 85cm, unframed £100-150 83. JOSEPH B. PRATT AFTER ROSA BONHEUR Landscape with highland cattle, engraving, pub. c. 1893 by Lefevre, inscribed in pencil to the margin, 63.5 x 79cm, unframed £80-120

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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80. AFTER LIEUT JAMES HUNTER ‘A House at Bankipore, the Residence of Wm. Hunter Esq.’ and ‘A View of Ouscottah from Eadgah’, a pair, aquatint engravings with hand-colouring, 30 x 37cm; and two further aquatint engravings to include - ‘The Mosque of Four Hundred Pillars at Cairo’ and ‘Ruins in the Castle of Cairo near Joseph’s Hall’ (4) £80-120

79. THOMAS LUPTON AFTER J.W. SNOW ‘The Meet at Blagdon’, engraving, hand-coloured, 50 x 73cm £40-60

85. A GILBERT AFTER ROSA BONHEUR Head study of a bull, engraving, pub. c. 1885 by Lefevre, inscribed in pencil to the margin, 60 x 56cm, unframed £80-120

84. A GILBERT AFTER ROSA BONHEUR Head study of a lion, engraving, pub. c. 1893 by Lefevre, inscribed in pencil to the margin, 46.5 x 36cm, unframed £80-120

86. W.H. SIMMONS AFTER ROSA BONHEUR Donkey, engraving, pub. c. 1881, inscribed in pencil to the margin, 45.5 x 38cm, unframed; and J Peyrol Bonheur, a seated sheep, lithograph, 16.5 x 24.5cm (2) £60-100

87. AFTER ROSA BONHEUR A horse’s head, engraving, pub. c. 1882 by Lefevre, inscribed in pencil to the margin, 61 x 38cm, unframed £80-120

88. MASTER OF THE DIE AFTER MICHIEL COXIE Psyche’s father consulting the oracle, (plate 4) and Venus in her dove-drawn chariot complaining to Jupiter, (plate 18), two engravings from the ‘Story of Cupid and Psyche’ as told by Apuleius, 19 x 23cm, (framed in one) £40-60

89. PAUL CÉSAR HELLEU, (FRENCH 1859-1927) Portrait of Queen Alexandra c.1901, drypoint etching, signed with red crayon, 33 x 26cm Queen Alexandra (1844-1925) was the daughter-in-law of Queen Victoria and wife of King Edward VII who reigned 1901-1910. She was popular with the general public demonstrated by the fact they chose to name the newly opened public exhibition space in North London, Alexandra Palace, after her.

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Provenance: Originally purchased from the Duveen Estate and thence by descent £400-600

90. AFTER REMBRANDT VAN RIJN Lieven Willemsz van Coppenol, writing master, etching, 24 x 18.5cm; and two etchings after Albrecht Durer - ‘St. Jerome in his Study’, 25.5 x 19.5cm and ‘Melancolia’, 25.5 x 19.5cm, all unframed (3) £80-120

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90A. JACOBUS HOUBRAKEN AFTER VAN DYCK James Graham, Marquess of Montrose, etching, 38 x 23.5cm; and two further portrait engravings (3) £40-60

91. 17TH CENTURY FLEMISH SCHOOL AFTER MAARTEN DE VOS Scene from the Creation, etching, published by Matteo Florimi, 16.5 x 24cm; C * M * H *: A dead warrior, etching, on watermarked laid paper, 8.5 x 18.5cm; and eight further small etchings, all unframed (10) £100-200

92. ANGELO CAPPIARDI ‘A View of the Famous Campo Santo of Pisa’, aquatint engraving, 32 x 53.5cm; a quantity of mixed 18th and 19th Century engravings, mainly topographical; selected etchings by Hogarth; and Dalziell after Richard Doyle Bird’s Eye View of Society, all unframed (qty) £100-200

93. MORTIMER MENPES (1855-1938) A Dutch peasant, etching, pencil signed in the margin, 14 x 13cm; George Percival Gaskell (1868-1934) Landscape with cattle, etching, pencil signed in the margin, 19 x 28cm; and two further, all unframed (4) £40-60

93A. AFTER GIULIO CAMPAGNOLA St. John the Baptist in a landscape, engraving published by the British Museum c.1886, 37 x 24.5cm; four figure studies after old masters; and two engraved Bible title pages after the originals of 1537 and 1539, all unframed (7) £30-50

94. A COLLECTION OF OLD MASTER ETCHINGS AND ENGRAVINGS including works by or after: Byostino Scilla (x2); Annibale Caracci; Paul Brill etc; all but one stamped with collector’s stamp incorporating the letters G H and a unicorn head, all unframed (13) £200-300

96. AFTER HIROSHIGE Rain shower at Shono (from the 53 Stations of the Tokaido), woodblock print in colours, 22 x 35cm; and one further, both unframed (2) £30-50

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95. ROBERT HANCOCK OF WORCESTER (1730-1817) Chinoiserie designs, three engravings on one sheet, 8.5 x 25cm; three further similar sheets; one other by the same hand; and two portrait engravings, all unframed (7) £30-50

97. CLAUDE LORRAIN (1600-1682) The Rape of Europa, etching, 20 x 26cm

98. AFTER ANDREA MANTEGNA ‘The Battle of the Sea Gods’, two engravings on watermarked laid paper, 29 x 40.5cm and 29 x 41.5cm; and one further - ‘Descent into Limbo’, 27 x 28cm, all mounted but unframed (3) £800-1200

With P & D Colnaghi & Co £500-700

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99. AFTER VAN DER MEULEN Louis XIV, chariot sur le Pont-Neuf, etching on two sheets, 51 x 45cm and 51 x 29cms; and an 18th Century engraving - ‘Plan du Fort de Link’, 45 x 54cm, all unframed (3) £80-120

100. THOMAS PIROLI AFTER JOHN FLAXMAN ‘Compositions from the tragedies of Aeschylus’, thirty-one plates (including the title page), published by Miss Flaxman and Miss Maria Denman, oblong folio (lacks covers) £50-100

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Watercolours and Oils Lots 101-447

101. JOHN LIVESEY (1926-1990) Still life - Potted plants and fruit by a window sill, signed, oil on board, 57 x 30cm £80-120

102. JEAN REES (1914-2004) ‘Tenerife - View from Taoro Park, Puerto de la Cruz’, signed, gouache, 24 x 30cm £60-80

103. RUSSIAN SCHOOL A dacha in woodland surrounding, signed in cyrillic and dated ‘90, watercolour, 26 x 37.5cm £40-60

104. DONALD WILLIAM-OLSSON (1889-1961) The sea shimmering in golden sunlight, signed with initials, oil on canvas, 43 x 53cm £40-60

105. JAPANESE SCHOOL (LATE 19TH/EARLY 20TH CENTURY) River landscape with distant mountains, signed, also inscribed to the stretcher, oil on canvas, 14.5 x 21.5cm; and companion, a pair (2) £80-120

106. E * A * HUME (AUSTRALIAN 1862-1933) Still life - a blue vase of flowers, possibly eucalyptus, signed, oil on canvas, 34 x 44cm; and two further still lifes, one signed S.C. Cooksey, the other signed H.L. Grace (3) £80-120

107. CIRCLE OF WILLIAM NICHOLSON (1872-1949) The Nelson Jug, oil on canvas board, 35 x 29cm Inscribed in ink verso by Marguerite Steen (William Nicholson’s mistress)

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A copy of the Nelson Jug by William Nicholson. It has been suggested that it could be the work of Ben Nicholson £500-700

108. MAX GUNTHER (1934-1974) Figures in a street, signed, oil on canvas, 22.5 x 43.5cm £200-300

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109. * BOYCE A harbour with moored boats, signed, oil on board, 19 x 24cm £80-120

110. ARNOLD DE SOET (20TH CENTURY) Still life - a bowl of blackberries with further branch of fruiting berries alongside, signed, oil on board, 32 x 39cm £40-60

111. GERBER BERENDER? ‘The Forge’, inscribed with title verso and indistinctly signed, oil on board, 15 x 20cm £60-80

112. FOLLOWER OF WILLIAM MILLER FRAZER (1864-1961) A landscape with cottage in cloud filled sky, indistinctly signed with initials, oil on panel, 24 x 34cm £40-60

113. E BARREN A child sweeping, oil on canvas board, 39 x 29cm £30-50

114. RUSSIAN SCHOOL A river landscape at sunset, indistinctly signed and dated ‘89, oil on board, 23 x 40cm £80-120

115. ATTRIBUTED TO FRANK OWEN SALISBURY (1874-1962) Landscape with trees, signed (according to note verso), oil on board, 29 x 45cm

116. 19TH CENTURY NORWICH SCHOOL Landscape with water mill, oil on canvas, 27 x 35cm £80-120

117. ERNA PLACHTE (1893-1986) Head and shoulders portrait of a young girl, signed and dated 1957, pencil and sepia chalks, 41 x 29.5cm £40-60

Inscribed verso ‘Given by Sir William Rothenstein RA to Douglas and Sally Ewer’ £60-80

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119. REG GAMMON (1894-1997) Eunice winding fleece, signed, inscribed with title verso, oil on board, 36 x 27cm £300-500

118. ALFRED O’WILDE (19TH CENTURY) ‘Windermere Looking Towards Ambleside’, signed and dated ‘98, also signed verso and inscribed with title, oil on canvas, 18 x 39cm £80-120

121. 20TH CENTURY BRITISH SCHOOL A riverside industrial town with docked sailing vessels, oil on canvas, 50 x 39cm £70-90

122. ENGLISH SCHOOL (LATE 19TH CENTURY) A farmyard, oil on board, 20 x 24cm; and companion, a pair (2) £60-100

123. T * H * SCALES Coastal cliffs with archway, possibly Durdle Door, signed, mixed media, 64 x 48cm £80-120

124. MARGARET LIGHTBODY ‘Penelope’, signed with initials, oil on board, 51 x 41cm, unframed £40-60

125. WILLIAM J. MERRITT A roadside barn, oil on board, 22.5 x 27.5cm; and 19th Century Continental School - Portrait of a lady working with a cloth fragment, oil on canvas, 24.5 x 18.5cm (2) £40-60

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120. 20TH CENTURY CONTINENTAL SCHOOL Head and shoulders portrait of a lady wearing brown shawl, indistinctly signed and dated, oil on canvas, 59 x 49cm £100-150

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126. ATTRIBUTED TO JAMES STARK (1794-1859) A fallen tree, pencil sketch, 8 x 12cm £30-50

127. 19TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a gentleman with beard, signed with monogram and dated Feb ‘87, sepia chalks, 28 x 20cm; and one further head and shoulders study attributed to Frank Reynolds (2) £40-60

128. FRANK SHERWIN (1896-1985) ‘Evening on the Amalfi Coast’, signed, watercolour, 34 x 50cm; and two further works to include James Allen Shuffrey (1859-1939) - Field with barn, signed, watercolour, 24 x 32.5cm; and 19th Century Dutch School - An old lady by a fireside, watercolour, 20 x 15cm (3) £50-100

129. JOHN WHITE (1851-1933) A figure with donkey in a moorland setting, signed, watercolour, 36 x 53cm £100-200

130. 19TH CENTURY ENGLISH SCHOOL Portrait of a foxhound in a landscape, inscribed ‘Brusher’, oil on board, 28 x 37cm £80-120

131. WILLIAM TATTON WINTER (1855-1928) A shepherd herding sheep towards a barn with open doorway, signed, watercolour, 18 x 24.5cm £40-60

132. WILLIAM TATTON WINTER (1855-1928) ‘Near Sudbury, Suffolk’, signed, watercolour, 25.5 x 35.5cm £100-150

133. JULIA LOKEN (20TH CENTURY) Irises, signed, watercolour, 31 x 26.5cm £60-100

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134. VALERIE PETTS (19TH/20TH CENTURY) ‘Morweston, North Devon’, signed, watercolour, 34 x 26cm £50-80

135. WALTER SPENCER TYRWHITT (1859-1932) ‘Christchurch, Oxford from the House Top’, signed and dated 1911, watercolour, 32 x 48.5cm Inscribed with title to artist’s label verso £40-60

136. JOSEPH POWELL (1780-1834) An extensive open heath land with rabbits, signed, watercolour, 50 x 69cm £80-120

137. AUGUST VILHELM BOESEN (1812-1875) A pathway with rocky cragg leading to a lake with fishermen in a boat and distant mountains, signed with initials ‘A.W.B.’ and dated 1850, inscribed to stretcher verso, oil on canvas, 44 x 60cm £500-800

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138. CIRCLE OF THOMAS HUDSON (1701-1779) Half length portrait of a lady wearing a brown dress with blue shawl, oil on canvas, 72 x 59cm £1500-2500

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139. OLOF KRUMLINDE (1856-1945) A coastal inlet, signed, oil on canvas, 40 x 66cm £300-500

140. JAMES HERBERT SNELL (1861-1935) A wooded pool, reputedly Burnham Beeches, signed, oil on canvas board, 36 x 44cm £80-120

141. CONSTANCE COOPER (1868-1960) ‘The Lake: Pinewood Scout Centre’, signed, oil on canvas, 29.5 x 39cm; and a still life by the same hand, 14 x 19cm (2) £50-100

142. K * J * MONTEITH (19TH/20TH CENTURY) Spring flowers, signed with initials and dated ‘03, watercolour, 25.5 x 17.5cm £40-60

143. ATTRIBUTED TO CHARLES LESLIE (1835-1890) A mountain lakeside, oil on canvas, 25 x 35.5cm £60-80

144. H * LUCAS Figures in an eastern hillside landscape, signed, watercolour, 14.5 x 30cm £40-60

146. V * S * ‘Market Day Ardres (Calais, France)’, inscribed on stretcher verso, oil on canvas, 41 x 51cm; and three further similar, all unframed (4) £40-60

147. ANGELA THORNE (b.1911) Portrait of a gentleman with spectacles and wearing a bow tie, signed and dated 1947, oil on canvas, 56 x 41cm; and one further by the same hand - A fisherman repairing the nets in a harbour side town, signed and dated 1958, oil on canvas, 46 x 55cm, both unframed (2) £50-100

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145. 19TH CENTURY ENGLISH SCHOOL Landscape with church spires, possibly the view from the Tumulus in Parliament Fields of St Michael’s and St Anne’s Churches Highgate, watercolour, 10 x 17cm; and two further works to include Brian Martin - ‘Mevagissey Harbour’, signed, titled and dated 1993, watercolour, 16 x 21cm; and a sepia print after William Rothenstein, signed in pen to the margin (3) £50-100

149. THOMAS BAKER OF LEAMINGTON (1809-1869) A Distant View of Warwick, signed and dated 1839, oil on canvas, 24 x 29cm The work is recorded in one of Thomas Baker’s diaries held in the Birmingham museums and is numbered 150. We are grateful to Robert Mulraine for providing this information £300-500

148. AUGUSTUS JULES BOUVIER (1825-1881) A female beauty wearing tiara, signed, watercolour, 19 x 12.5cm £200-300

150. THOMAS BAKER OF LEAMINGTON (1809-1869) Landscape with figures at a bridge, signed and dated 1842, oil on canvas, 31.5 x 47cm With the Irish Art Union

151. MANNER OF FRA ANGELICO The Madonna with child, watercolour and gold leaf, 15 x 6.5cm in Italian gilt Gothic style, niche frame £80-120

The work is recorded in one of Thomas Baker’s diaries held in the archives of the Birmingham museums and is numbered 199. We are grateful to Robert Mulraine for providing this information. £300-500

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152. 19TH CENTURY ITALIAN SCHOOL The Madonna, watercolour, 15 x 12cm oval £100-150

153. HENRY FOLEY (1848-1874) A continental market town with church tower, signed, oil on canvas, 24 x 19cm £100-150

154. FOLLOWER OF PAUL FALCONER POOLE (1806-1879) Pastoral scene with dancing figure and boy piper, oil on canvas, 42 x 34cm £200-300

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155. 19TH CENTURY ENGLISH SCHOOL Lake scene with figures and cattle reputedly the Lake District, oil on canvas, 22 x 32cm £40-60 156. CARLO CHARLES ROLANDO (1844-1893) ‘Near Salzburg, Austria’, faintly signed and dated ‘75, oil on canvas, 52 x 84cm £300-500

158. WILLIAM TATTON WINTER (1855-1928) Figures on a wind swept roadway, signed and dated ?’90, watercolour, 28.5 x 39cm; and a figure scene attributed to John Absolon (1815-1895) (2) £50-100

160. WILLIAM CRABB (1811-1876) ‘Mrs James Dickson (neé Isabel Renwick 1787-1867), inscribed on labels verso, oil on canvas, 89 x 68.5cm £200-400

159. THOMAS HOPE MCKAY (act.1870-1930) A mountainous river landscape with sheep, signed, oil on canvas, 46 x 61cm £100-200

161. EDWARD CUCUEL (1879-1954) Dinner on the terrace, signed, gouache, 13.5 x 17cm £300-500

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157. ATTRIBUTED TO GEORGE CATTERMOLE (1800-1868) Venetian merchants with view of the Rialto Bridge, watercolour, 25 x 32cm £100-150

162. AMERICAN SCHOOL (LATE 19TH CENTURY) Figures at a church, oil on canvas, 64 x 53cm Prov. With Sotheby’s 14 December 2000 Lot 45 £400-600

164. MARTIN HARDIE (1875-1952) Sailing vessels in full sail moored at a quay, signed, watercolour, 27 x 36.5cm £60-80

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163. FOLLOWER OF GUIDO RENI (1575-1642) St Catherine, oil on canvas, 73 x 59cm £800-1200

165. S * K * CHAN (CHINESE SCHOOL) A junk at sea, signed and dated 1947, watercolour, 34 x 26cm; and one further similar, 28.5 x 22cm (2) £40-60

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166. ERIC HAYSOM CRADDY (1913-2007) Shipping at sunset, signed, oil on canvas board, 25 x 34cm £30-50

167. LUIGI DE CRESCENZO (19TH CENTURY) ‘Astroni’, signed, titled and dated 1837, oil on canvas, 24.5 x 37cm £200-300

168. ROBIN CRAIG GUTHRIE (1902-1971) ‘La Belle Elizabeth’, pencil study fragment, titled, 17 x 20cm (irregular) and super imposed on another similar study presumably depicting the same sitter, 30 x 20cm overall; and one further similar (2) £80-120

169. MAVIS BLACKBURN (b.1923) ‘The Edge of the Wood’, signed, oil on canvas, 40 x 35cm £80-120

170. GEORGE LITTLE (1927-2017) ‘Swansea Bay, Snow XIV’, signed and dated ‘85, watercolour, 36 x 36.5cm

171. DONALD AYRES (b.1936) ‘The Danesbrook - Exmoor’, signed, oil on canvas, 49.5 x 101cm £100-200

Exh. Welsh Arts Council £80-120

173. ADAM EDWARD PROCTOR (1864-1913) The faggot gatherer, signed and dated 1897, oil on canvas, 74 x 49cm £300-500

172. JÁNOSZ MOLNAR (1880-1960) Still life - A vase of chrysanthemum upon a table covering, signed, oil on canvas, 74 x 94cm £500-800

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174. OLIVER CLARE (1853-1927) Still lifes - A bunch of black grapes, apples, and greengages in a naturalistic earthy setting and a bunch of green grapes, peach, plums and strawberries in a similar setting, a pair, signed, oils, 22.5 x 17cm £300-500

175. CHARLES THOMAS BALE (act. 1866-1895) Still life - A basket with an abundance of grapes and peaches and blue and white ginger jar behind, signed, oil on canvas, 35 x 45cm £300-400

176. CHARLES STUART (act.1854-1893) Still life - A basket overflowing with grapes and morning glory on a stone ledge, signed, oil on canvas, 29 x 39.5cm; and companion, a pair (2) £500-800

177. BASIL EDE (1931-2016) A Redstart and A Swallow feeding chicks, a pair, signed, gouache, 23 x 18cm (2) £600-800

178. BASIL EDE (1931-2016) ‘Yellow Bunting’ and ‘Bullfinch’, a pair, signed, gouache, 25 x 19cm (2)

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With the Tryon Gallery Ltd £400-600

179. BASIL EDE (1931-2016) ‘Gold Crests’ and ‘Wrens’, a pair, signed, gouache, 25 x 18.5cm (2) With the Tyron Gallery Ltd £400-600

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181. ELIZABETH DAVIES A field mouse amongst poppies, signed, watercolour, 23 x 17cm oval; and four further similar (5) £80-120

180. FRANK WILLIAM WARWICK TOPHAM (1838-1924) A mischievous moment, signed and dated 1876, oil on canvas, 34.5 x 49.5cm £600-800

182. PHILIPPA WHITFORD (20TH CENTURY) Still life - An arrangement of apples and mixed flowers, signed, watercolour, 17 x 40cm; R * J * Hodrun? - Still life - Oyster shell and lemons upon a table ledge, signed, oil on board, 14 x 19cm; and two maps by Robert Morden - Gloucestershire and Somersetshire (4) £50-100

183. ANNE HOPKINSON (20TH CENTURY) Kingfisher and Bluetit, a pair, signed, watercolour and body-colour, 25 x 20cm (2) £40-60

184. ATTRIBUTED TO THOMAS ROWLANDSON (1756-1827) Figures conversing, pen, ink and watercolour, 10.5 x 8cm £80-120

185. FOLLOWER OF EDMUND ‘WATERFALL GILL (1820-1894) River landscape with waterfall, oil on board, 18 x 13cm oval £40-60

186. CONTINENTAL SCHOOL (LATE 19TH CENTURY) Bust length portrait of a young girl wearing a fur cap and overcoat, indistinctly signed, oil on board, 31 x 23cm £200-300

187. CONTINENTAL SCHOOL (LATE 19TH CENTURY) Head and shoulders portrait of a lady, oil on canvas, 24 x 18.5cm £150-200

188. FOLLOWER OF HENRIETTE RONNER-KNIP (1821-1909) Cats at play, indistinctly signed, oil on board, 35.5 x 46cm £100-150

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189. CIRCLE OF PETER MONAMY (1689-1749) A Royal Navy yacht firing a salute and further shipping in a calm, oil on canvas, 60 x 74cm £1500-2000

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190. BERNARD CECIL GOTCH (1876-1963) Broad Street, Oxford, signed and dated 1936, watercolour, 27 x 36cm £150-250

191. 17TH CENTURY CONTINENTAL SCHOOL The Christ Child preaching in the temple, oil on canvas, 35 x 28cm £200-300

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193. JOSEPH KIRKPATRICK (1872-1936) A farm girl harvesting in a cornfield, signed and dated 1901, watercolour, 23 x 16cm £300-400

192. 19TH CENTURY DUTCH SCHOOL Figures conversing on a meandering pathway with a mountainous lakeside town in the distance, oil on panel, 40 x 31cm; and companion, a pair (2) £400-600

194. JOSEPH KIRKPATRICK (1872-1936) Children gathering flowers in a field with hay stacks, signed and dated 1901, watercolour, 23.5 x 16cm £200-300

195. JOSEPH KIRKPATRICK (1872-1936) A mother with children in a sun drenched field with sheep, signed and dated 1901, watercolour, 16.5 x 23.5cm £250-350

197. CHARLES MARSHALL (1806-1890) ‘Hurstmonceaux Castle, Sussex’, signed, inscribed on artist’s label verso, oil on canvas, 30.5 x 45cm £200-300

198. NORMAN HENRY FRENCH (1906-1984) Dutch sailing vessels in a calm, signed, oil on canvas, 49 x 59.5cm £60-100

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196. ANNABELLE GOSLING (b.1942) A Spanish hillside town with road bridge, signed, oil on canvas, 62 x 90cm £100-200

199. ROLAND VIVIAN PITCHFORTH (1898-1982) Figures on the beach at low tide, signed, watercolour, 43 x 54cm £60-100

200. D * WARD (19TH CENTURY) ‘An After Dinner Story’, signed, inscribed ‘R.Ward’ to title tablet, oil on canvas, 38.5 x 49cm £100-200

201. JAN VAN PUYENBROECK (1887-1972) Portrait of Ralph Edgley wearing spectacles, shirt, tie and blue jacket, signed, oil on canvas, 58 x 48cm £80-120

202. JAN VAN PUYENBROECK (1887-1972) Head and shoulders portrait of a lady, signed, dated 1949 and inscribed ‘To my dear Ralph’, oil on board, 23.5 x 19cm £60-100

203. WILLIAM HENRY BARNARD (1767-1818) View from a woodland towards country dwellings, pencil and watercolour, 18.5 x 24cm £80-120

204. ISIL OZISIK (b.1939) ‘Istanbul - Dolmabahce’, signed, titled and dated 1971, pen, ink and watercolour, 46 x 66cm £60-80

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205. CIRCLE OF ROBERT CLEMINSON (act. c.1864-1903) A blackcock and grey hen in a mountain landscape, oil on canvas, 51 x 61cm £200-300

206. FOLLOWER OF THOMAS SEWELL ROBINS (1810-1880) A Dutch sailing vessel in high seas, watercolour, 39 x 53.5cm £200-300

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207. FRITZ KLINGELHOFER (1832-1903) African coastline with natives, signed, oil on panel, 25 x 56.5cm; and four further similar attributed to the same hand (5) £1200-1500

208. ANDRE DEVAMBEZ (1867-1943) Figures at a building with archway, signed, oil on panel, 26 x 21cm £1200-1500

209. ARTHUR NIELSEN (1883-1946) ‘Bogen’ (Norway), signed and inscribed ‘Bogen 1913’, oil on canvas, 37 x 46cm £150-200

211. BERNARD CECIL GOTCH (1876-1963) Christ Church from the Meadow, Oxford, signed, watercolour, 26 x 37cm £100-150

212. CHARLES CUNDALL (1890-1971) Early Morning, Orford, signed, oil on canvas, 37 x 54cm Prov: With Chapman Bros. Ltd, London £300-500

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210. EDOUARD JULES CHIMOT (1880-1959) A female nude upon a tree branch, signed, pastels, 31 x 23.5cm, mounted but unframed £200-300

213. HENRI FABRE (1880-1950) Sailing vessels off the coast, signed, oil on panel, 18.5 x 32cm (unframed) £40-60

214. PERCIVAL SKELTON (19TH/20TH CENTURY) Figures walking through an avenue of trees, signed, pen, ink, pencil and brown wash drawing, 14 x 36cm, mounted but unframed £40-60

215. GILBERT HOLIDAY (1879-1937) A police patrol with grandstand in the distance, signed, gouache, 22.5 x 17cm £100-200

216. CIRCLE OF JOHN HOPPNER (1758-1810) Head and shoulders portrait of a young lady with curly hair tied by a blue ribbon, oil on canvas laid onto board, 62 x 52cm oval £200-300

217. 18TH CENTURY CONTINENTAL SCHOOL Head and shoulders portrait of a gentleman wearing feathered cap, oil on panel, 4.5 x 4.5cm £60-80

218. J * S * W * (19TH CENTURY) A tearful moment, signed with monogram, oil on canvas, 49 x 39.5cm £80-120

219. RUSKIN SPEAR (1911-1990) Portrait of Girl with Hairband, 1940, signed and dated, pastels, 28.3 x 19.5cm

220. G * ZEVARRA ? (20TH CENTURY SOUTH AMERICAN SCHOOL) ‘Capachica’, signed, inscribed with title and dated 1936, oil on canvas board, 32.5 x 48.5cm £100-200

221. EDWARD ARDIZZONE (1900-1979) ‘St Paul’s School’, signed with initials, pencil sketch squared for transfer, 25 x 36cm £300-500

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Provenance: New Grafton Gallery, London, 1996; Private Collection £200-300

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222. THOMAS MATTHEW ROOKE (1842-1942) Semur-en-Auxois, signed and inscribed ‘Semur 1905’, watercolour, 32 x 42cm £100-150 223. PAUL BIRKBECK (b.1939) The train journey, 1997, signed, acrylic on paper, 38 x 49cm £300-500

225. LOUIS ÉMILE DARDOIZE (1826-1901) A country roadway at sunset, signed, inscribed ‘a mon brave ami A. Calmes?’, oil on canvas, 39 x 25.5cm £200-300

227. FRANK HENRY MASON (1875-1965) Sailing vessels off Dover, signed, watercolour, 25 x 35cm With J Morton Lee Fine Watercolours £200-300

226. SAMUEL JOHN MILTON BROWN (1873-1965) A sailing vessel in full sail, signed, watercolour, 29 x 29cm £100-200

228. ALAN SPEED (20TH CENTURY) ‘From a Window’, signed, artist’s label verso, 72 x 57cm, James Bourlet & Sons Ltd label and with fragments of Royal Academy Exhibition label verso; and five further works by the same hand to include a watercolour - View of an old railway station on the North Tyne railway (6) £100-200

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224. ATTRIBUTED TO THOMAS HARTLEY CROMEK (1809-1873) ‘Toscanella, Italy’, watercolour, 37.5 x 46cm £80-120

229. HARRY FIDLER (1856-1935) A drover driving cattle through a stream from a horse drawn cart, a further study verso, oil on canvas, 47 x 59.5cm £300-500

230. HARRY FIDLER (1856-1935) Ploughman with cart horses, oil on canvas, with further work painted verso, 55 x 106cm £500-700

231. HARRY FIDLER (1856-1935) Cattle resting in a field, signed (lower left), oil on canvas, 59 x 80cm £500-700

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233. THOMAS STOTHARD (1755-1834) A monk in a landscape gazing to the heavens, signed, watercolour en grisaille, 9.5 x 7cm; and one further - A sword fight in a woodland, 11.5 x 7cm (2) £150-250

232. HARRY FIDLER (1856-1935) ‘New Forest Ponies’, signed, oil on panel, 21.5 x 36cm Exh: Academy Exhibition according to label verso £300-500

234. 19TH CENTURY BRITISH SCHOOL A mountain river landscape, pastels, 82 x 115cm £200-300

235. FOLLOWER OF SIR HENRY RAEBURN (1756-1823) Portrait of an old Admiral seated beside a table, oil on canvas, 52 x 42cm £200-400

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236. H NIESSEN AFTER MELCHIOR DE HONDECOETER A cockerel, hen and further poultry by stone wall in a landscape setting, signed, oil on canvas, 92 x 110cm £300-500 237. ATTRIBUTED TO MARY POTTER (1900-1981) Life study, inscribed verso ‘M Potter Competition’, oil on canvas, 61 x 51cm, unframed £300-500

238. DAVID MUIRHEAD BONE (1876-1953) A landscape with distant town, signed, inscribed ‘To Isobel Munro with best wishes from Muirhead Bone’, pen, ink and watercolour, 9.5 x 20cm £100-150 239. EDOURD JEAN CONRAD HAMMAN (1819-1888) A snow capped landscape with messenger on horseback, signed, oil on panel, 20 x 32.5cm £200-300

241. ATTRIBUTED TO WILLIAM LEIGHTON LEITCH (1804-1883) Landscape study with a clump of trees, watercolour, 12 x 15cm £80-120

242. CHARLES WIRGMAN (1832-1891) A man wearing a peaked cap standing near a wine merchant shop, watercolour, coloured chalks and pencil, 12 x 21cm Exh: William Drummond Covent Gardens Gallery Ltd ‘Views and Sights in Paris in the 1850’s, Charles Wirgman 1832-1891, Autumn Exhibition 1976 Cat. No. 34 and sold together with the catalogue £80-120

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240. 19TH CENTURY ANGLO CHINESE SCHOOL A figure peddling goods with oriental onlooker, oil on canvas, 41 x 34cm £100-200

243. ATTRIBUTED TO DAVID COX (1783-1859) South Wales landscape, watercolour, 12 x 17cm

244. CHARLES FREDERICK ALLBON (1856-1926) A river landscape in summer time, signed, watercolour, 23 x 49cm; and companion, a pair (2) £80-120

245. ENGLISH SCHOOL (EARLY 19TH CENTURY) Head and shoulders portrait of a lady, side profile wearing a head scarf, indistinctly inscribed verso, oil on panel, 14 x 14cm £70-90

246. MAURICE ROYER (FRENCH) Still life - Coffee grinder and blue pot, signed, oil on canvas, 26 x 40cm £40-60

247. ALFRED CHAMP (1868-1938) A green grocer store, China Town, Los Angeles, signed and dated 1902, 33 x 36cm; and another similar by the same hand, signed and dated 1903, 35 x 24cm (2) £80-120

248. JOHN J. AUSTIN (19TH CENTURY) ‘Fullamoor Farm, Clifton Hampden, Oxon, the residence of James Latham Esq’, signed and dated 1857, titled beneath the picture, watercolour, 45 x 66cm £150-250

249. LEOPOLD RIVERS (1850-1905) Cattle watering in a river landscape, signed, watercolour on two conjoined sheets, 25 x 73cm; Arthur H. Enock (fl.1869-1910) - Cliffs at Kingswear, signed, apparently inscribed verso, watercolour en grisaille, 33 x 24cm; and an oil on panel - Farm Cottages, 31 x 39.5cm (3) £50-100

250. FRANCIS NICHOLSON (1753-1844) Windings of the Usk, Monmouthshire, watercolour, 23.5 x 39.5cm £80-120

251. WILLIAM HUGGINS (1820-1884) Two oxen in a landscape, oil on board, 43 x 58cm

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Prov: The daughters of James Bulwer, Crowborough Collection of Coxes, Henry Towner according to note verso £150-250

With a letter by Hester Williams verso dated 16 Feb 1884 explaining that , whilst not signed, she knew the work to be by William Huggins as he gave it to her as a wedding present in 1860 £150-250

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253. JOHN WHITE ABBOTT (1763-1851) Three peasants, two on horseback, going to market, dated ‘Oct 15 1815’, pen, ink and grey wash drawing, 14 x 13.5cm With the Heather Newman Gallery Prov: The artist’s family by descent according to label verso £100-150

255. CIRCLE OF HENRY FUSELI (1741-1825) Three witches, watercolour, 18.5cm tondo £40-60

256. WILLIAM LEIGHTON LEITCH (1804-1883) Figures and horses at the foot of a hilltop castle in a continental landscape, signed and indistinctly dated, watercolour, 20 x 29.5cm; and companion,a pair (2) £200-300

254. FRANCIS EDWARD JAMES (1849-1920) Landscape with farm buildings, signed, watercolour, 25 x 35cm Prov: The Art Exhibition Bureau ‘Edwardian Paintings’ Graves Art Gallery Sheffield 1952 paintings by Edwardian artists The Leger Galleries Limited November 1966 £40-60

257. ATTRIBUTED TO ANTHONY VAN DYKE COPLEY FIELDING (1787-1855) ‘A river with castle and shipping at sunset’, watercolour, 39 x 54cm Ex Colln Capt F S Montague £200-300

258. THOMAS BUTTERSWORTH JNR (1807-1842) ‘Arrival of the Red Advance of the Blue Rounding the South Foreland’, oil on canvas, 62 x 75cm, in maple frame with brass title plaque £2000-3000

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252. CUTHBERT EDMUND SWAN (1870-1931) A leopard crouching upon a tree branch, signed and dated 1907, watercolour, 35 x 51cm £100-150

259. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of Officer Archibald Murray seated in a chair reading a journal with further papers and inkwell on a table alongside, inscribed verso ‘Archd. Murray dated 1830 Malta’, oil on canvas, 47 x 39.5cm Also inscribed verso ‘Bequeath’d by the above to me and presented to the family by John Murray, London Novr 27 1840 £600-800 260. HANS NOBAUER (1893-1971) ‘Parsifal’, signed, inscribed on label verso, oil on board, 37 x 46cm £300-500

261. CIRCLE OF PETER DE WINT (1784-1849) Windmill on the Norfolk Broads, watercolour, 36 x 57cm £100-150

262. 19TH CENTURY ITALIAN SCHOOL A coastal bay with fisher folk and boat, inscribed ‘Sorrento’ and dated ‘1859’, watercolour, 29 x 45cm £80-120

263. W * R * AFTER HANSLIP FLETCHER HMS Victory, signed with monogram and inscribed, pen and ink drawing, 27 x 20.5cm £40-60

264. 17TH CENTURY ENGLISH SCHOOL Portrait of a lady wearing black head dress, laced trimmed falling collar and holding her left hand to her stomach, oil on canvas, 79 x 59cm; and companion portrait of a gentleman in a similar pose, oil on canvas, 74.5 x 62cm (2)

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The sitters are believed to depict members of the Clark Kennedy family £1000-2000

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265. 17TH CENTURY ENGLISH SCHOOL Portrait of Elizabeth Stuart (1596-1662) wearing a pearl necklace and earring, her dress with lace trimmed collar, inscribed ‘Elizabeth, Dr of James I married the King of Bohemia 1613’, oil on canvas, 74 x 63cm, in feigned oval Princess Elizabeth Stuart (1596-1662), Queen of Bohemia, was the daughter of James VI & I and his wife, Anne of Denmark. The sister of the beheaded Charles I, she was also the grandmother of Britain’s George I (the Hanoverian). £2000-3000

266. 19TH CENTURY FRENCH SCHOOL Portrait of Agathe D’Alencon with curly brown hair wearing a tiara, frilled collar, brown cloak and cap, oil on canvas, 60 x 49cm Inscribed on various old labels verso ‘Agathe D’Alencon épouse · 18 ans le comte constant du Trésor sous-préfet de Valognes et donne sa Démission en 1830. MÍre du comte Louis du Trésor, pÍre de la bonne de Bosmelet’ £400-600

268. AUGUSTUS JOHN (1878-1961) The Bathers, signed, pen, ink and grey wash drawing, 18 x 34.5cm, mounted but unframed Prov: Millicent Rogers Estate of Arturo Peralta Ramos II £600-800

270. AUGUSTUS JOHN (1878-1961) ‘Dorelia and Child’, signed, pencil drawing, 30 x 21cm, unframed Prov: Millicent Rogers Estate of Arturo Peralta Ramos II £400-600

271. FREDERICK JACOBUS DU CHATTEL (1856-1917) A shepherd driving sheep on a riverbank, signed, watercolour, 40.5 x 30cm £80-120

269. AUGUSTUS JOHN (1878-1961) A woman and child in a landscape, signed, charcoal, sepia chalks and wash drawing, 35.5 x 25.5cm, unframed Prov: Millicent Rogers Estate of Arturo Peralta Ramos II £600-800

272. FRANCIS NICHOLSON (1753-1844) A Pistyll Rhaeadr, North Wales, watercolour with touches of body-colour, 38.5 x 29cm Prov: With Michael Bryan Peppiatt Fine Art 2016 £400-600

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267. TOM W. QUINN (b.1918) Still life - a pottery jar, eggshell and knife on a table surface, signed, oil on board £80-120

273. ATTRIBUTED TO SAMUEL PROUT (1783-1852) ‘Palazzo Contarini Gran Canale, Venice’, pen, ink and watercolour, 41 x 28cm Ex. Colln. The Earl of Lovelace, Torridon House. Exh. Palace of Westminster 2012 according to a note verso £200-300

274. EDWARD SEAGO (1910-1974) ‘Early Spring, Upper Horning’, signed, oil on board, 25.5 x 34cm With P & D Colnaghi & Co £4000-6000

276. CIRCLE OF JAMES HOLLAND (1799-1870) Figures in an Italianate lakeland landscape, watercolour, 10 x 13cm; and companion, a pair (2) £80-120

277. ATTRIBUTED TO CATHERINE TYLNEY-LONG (1789-1825) A ship at sea in distress off coastline with Martello Tower, watercolour, 17.5 x 26cm; and Follower of David Cox A figure on a pathway in a rocky landscape, watercolour, 13 x 20cm (2) £60-100

278. CIRCLE OF THOMAS CHARLES LEESON ROWBOTHAM (1823-1875) Travellers crossing a stone bridge in a mountain landscape with watermill, watercolour, 26 x 37cm; and 19th Century English School - A coastal bay with rocks, signed with monogram W.C., watercolour, 24 x 33.5cm (2) £80-120

279. AN INDIAN MINIATURE painted with two lovers at a palace in a river landscape, gouache, 18 x 9cm £40-60

280. 19TH CENTURY ENGLISH SCHOOL Botanical study, watercolour on five segments, 33 x 38cm irregular £30-50

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275. 19TH CENTURY ITALIAN SCHOOL Head and shoulders portrait of an old man smoking a pipe, inscribed ‘?Cuezla Napoli’, oil on panel, 20 x 13.5cm; and companion, a pair; together with a set of six hand-coloured lithographs - Costume designs of Portugal, 28 x 21cm (8) £40-60

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282. ATTRIBUTED TO STEPHEN TAYLOR (act.1806-1812) Portrait of a gentleman seated at a table, faintly inscribed in ink to stretcher verso, oil on canvas laid onto panel, 37 x 32cm £200-300 281. G * REYNIER A lady seated in an interior writing at a table, signed, oil on canvas, 39.5 x 26cm £200-300

283. 19TH CENTURY ENGLISH SCHOOL The Coliseum Regents Park, signed with initials to mount and titled, pencil and brown wash drawing, 8.5 x 14cm; and two 19th Century watercolour miniature portraits, 19 x 14cm and 8 x 5cm (3) £100-150

284. FURNESS WILSON A mosque Istanbul, signed, gouache, 33 x 23cm; and two further pictures to include a still life, signed Lario; and a study of two children in the manner of Bartolozzi (3) £50-100

285. 20TH CENTURY ENGLISH SCHOOL View of Baker Street, London, inscribed on photocopy label verso ‘EHP from HBW July 1945’, pen, ink and watercolour, 29 x 22.5cm £40-60

287. HELEN COTTERILL (20TH/21ST CENTURY) ‘St Mark’s Square December’, signed and dated 2000, watercolour and pastel, 53 x 52.5cm £80-120 286. CHIQUITA ASTOR ‘JFH (reading the blessing) at Hatley’, inscribed verso and dated 1951, oil on canvas board, 29 x 39cm £80-120

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288. HELEN COTTERILL (20TH/21ST CENTURY) ‘Bridge - Cannaregio’, signed and dated ‘99, watercolour, 33 x 35cm; and a pair of still lifes by the same hand, signed and dated ‘95, watercolours, 36 x 36cm (3) £80-120

289. ITALIAN SCHOOL (LATE 19TH CENTURY) A bearded fisherman wearing a red cap, indistinctly signed and dated Capri 1898, watercolour, 25 x 19cm; and one further watercolour - View in Venice, indistinctly inscribed verso, 7.5 x 14cm (2) £60-80

290. VINCENZO LORIA (1849-1939) A fishing boat at sea, signed, watercolour, 14.5 x 35cm £60-80

291. FREDERICK MASSEY (19TH/20TH CENTURY) Fishing boats at anchor, signed and dated 1920, watercolour, 39 x 60cm £100-150

292. THOMAS SIDNEY (19TH/20TH CENTURY) ‘Bosham Sussex’, signed and titled, watercolour, 19.5 x 44cm £80-120

293. DAVID WALKER (1934-2008) Design for the children’s costumes in Massenet’s ‘Werther’, Glyndebourne 1966, signed with initial, inscribed with title and dated 1966, pencil and watercolour, 23 x 29.5cm With the Wright Hepburn Gallery £80-120

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294. 20TH CENTURY ENGLISH SCHOOL A tranquil sea, indistinctly signed, watercolour, 16.5 x 24cm £40-60

295. C * W * W * Dock scene Liverpool with Liver building in the distance, signed with initials, watercolour, 26 x 18cm £40-60

296. 19TH CENTURY ENGLISH SCHOOL Figures passing a churchyard, indistinctly signed and dated ‘?Jo Mullia 1857’, oil on canvas, 16 x 23cm £40-60

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298. HARRY BUSH (1883-1957) ‘Seascape with Headland’ and ‘A Wooded Landscape’, a pair, each stamped with studio stamp verso, oils on panel, 24 x 34.5cm (2) Exh: Oscar and Peter Johnson Ltd ‘A Brush with Bush’1985 Cat Nos. 74 and 8 £200-300

297. CIRCLE OF CECIL ALDIN (1870-1935) An inquisitive kitten, watercolour on ivorine, 10 x 15cm £40-60

299. HARRY BUSH (1883-1957) ‘A Coastal Hillside with Tree’ and ‘Hayfield with Distant Hills’, a pair, each stamped with studio stamp verso, oils on panel, 23 x 33.5cm (2) £150-250

300. ATTRIBUTED TO HARRY BUSH (1883-1957) An impressionist landscape with figure, oil on panel, 22 x 32cm; and three further by or attributed to the same hand, one stamped with studio stamp verso (4) £150-250

301. HENRY MOORE (1831-1895) Mid channel ‘Newhaven Packet’, signed, apparently dated Au 28 1882 (obscured by mount), watercolour, 34 x 52cm

302. TIM BULMER (b.1958) ‘A Slight Tumble’ (A skier in trouble), signed, titled, pen, ink and watercolour, 28 x 17cm; and four etchings by the same hand, subjects to include snowboarding, horse-racing, golf and DIY (5) £30-50

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The original watercolour for a large oil exhibited at the Royal Academy With Chris Beetles Limited 1986 £300-500

303. PIETER CHRISTOFFEL WONDER (1780-1852) Mother with children in the chapel at t’Huis de Haar near Utrecht 1809, signed, inscribed with title verso, oil on paper laid onto canvas, 39 x 47cm £300-500

304. TOM COATES (b.1941) River landscape with trees, signed with monogram, oil on canvas board, 20 x 30cm, unframed £100-200

306. LINDA WEIR (b.1951) Still life overlooking St Ives, signed with initials, oil on board, 64.5 x 38cm £200-300

305. JAMES W. MILLIKEN (act.1887-1930) ‘Burton Village Cheshire’, signed, watercolour, 19 x 29.5cm £60-100

307. CIRCLE OF JOHANNES BOSBOOM (1817-1891) A church interior with figures, indistinctly signed ?Juiiden, oil on panel, 40 x 28cm £80-100

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308. FOLLOWER OF JAN BRUEGHEL (1568-1625) Peasants merrymaking outside a tavern in a landscape, oil on canvas, 20.5 x 28.5cm £1200-1500

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309. RONALD BENHAM (1915-1993) Figures on a promenade overlooking a harbour, oil on panel, 25 x 33cm; and two further to include - A view of a ship at anchor in the manner of Seurat; and Beached rowing boats, all unframed (3) £150-250

311. RONALD BENHAM (1915-1993) Still life - Teapot with shell and bottle on a table surface, signed and dated ‘70, oil on canvas, 25 x 30cm; and four further still life studies, all unframed (5) £50-80

312. RONALD BENHAM (1915-1993) Head and shoulders portrait of an elegant African lady, oil on canvas board, 20 x 15.5cm; and four further portrait studies by the same hand, all unframed (5) £100-200

310. RONALD BENHAM (1915-1993) A country church, oil on board, 25.5 x 30.5cm; and three further similar, all unframed (4) £60-100

313. RONALD BENHAM (1915-1993) The Tack Room, oil on board, 33 x 25.5cm; and eight further sketches by the same hand, all unframed (9) £40-60

315. AUGUSTUS OSBORNE LAMPLOUGH (1877-1930) ‘Ruins Near Karnak’ and ‘Ruins in the Nile Valley’, a pair, signed and titled, watercolour and body-colour, 23 x 60cm (2) £100-150 314. G HUGO KOTSCHENREITER (1854-1908) A musical moment, signed and dated ‘83, oil on panel, 26.5 x 21cm £150-250

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316. GEORGE WEATHERILL (1810-1890) Sailing vessels Whitby Harbour, signed and dated 1877, watercolour, 13 x 21cm £300-500

317. LESLIE MATTHEW WARD (1851-1922) Full length portrait of a barrister, signed, ‘Spy’, gouache, 48.5 x 34cm; and a print of the same subject (2) Ex. Colln. David Wilde £200-300

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318. ALLEN FREER (b.1926) ‘Cwm Biga’, signed and titled, black ink and grey wash drawing, 15 x 23.5cm £30-50

319. ENGLISH SCHOOL (LATE 18TH/EARLY 19TH CENTURY) ‘Becky Falls’, inscribed with title, pen, ink and grey washes, 26 x 19cm £40-60

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320. WILLIAM ORAM (fl.c.1730-1777) Figures in an Italianate landscape with distant town, signed, oil on canvas, 63 x 144cm; in William Kent style gilt frame £1000-1500

321. WALTER BROOKES SPONG (1851-1929) ‘The Market Place Capri’, signed, inscribed ‘Capri Blanco’, in pencil under signature and titled to label verso, watercolour, 24 x 34.5cm £100-200

322. VIRGILIO COLOMBO (19TH CENTURY) A musical moment, signed, watercolour, 17.5 x 25cm; and companion, a pair (2) £200-300

323. * FABRICATORE A lone figure in a landscape with distant bay, signed, oil on canvas, 23 x 31cm £120-150

324. EUGENIO BENVENUTI (1881-1959) Gondolas Venice, signed, watercolour, 39 x 24cm £80-120

325. CIRCLE OF OLIVER CLARE (1853-1927) Still life - Yellow primroses in a naturalistic earthy setting, watercolour, 15cm tondo; and companion, a pair (2) £50-100

326. GEORGE F NICHOLLS (1885-1937) An Oxford Street, signed and dated ‘32, watercolour, 27 x 36cm; and one further similar by the same hand, 23 x 32cm (2) £60-100

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329. MILES EDMUND COTMAN (1810-1858) Ruined bridge over a lake, pencil and watercolour, 22 x 31cm 327. FOLLOWER OF FRANCOIS BOUCHER (1703-1770) Figure studies, indistinctly inscribed, sepia inks, wash and chalk sketch, 44 x 19.5cm £100-200

328. EDWIN HAYES (1819-1904) Sailing vessels at sea, watercolour and body-colour, 8.5 x 11cm Prov: Purchased at the artist’s sale at Christie’s Jan 23rd ‘05 according to note verso £80-120

Prov: Fine Art Society 1949 (No. 44); Fine Art Society label inscribed ‘From the John Sell Cotman Collection’ and entitled ‘The Devil’s Bridge’ Exh: Tate Gallery ‘Exhibition of Works by John Sell Cotman and some related painters of the Norwich School’ 1922 (No. 242) With the Martyn Gregory Gallery £150-250

331. JOSEPH NEEDHAM (c.1810-c.1880) A coastal roadway with hilltop castle, possibly Criccieth, signed, watercolour, 16 x 36cm £100-150 330. DAVID COX (1783-1859) Two figures on a tree lined country lane with hayfield, watercolour, 25 x 32cm With the Ruskin Gallery Limited £300-500

332. JOHN VARLEY (1778-1842) ‘Chillingham Castle’, signed and inscribed with title, pencil and watercolour, 30 x 42cm

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With Sanders of Oxford £300-500

333. EDWARD NEVIL (19TH/20TH CENTURY) ‘Malines’ and ‘Dieppe’, a pair, signed, watercolours, 36 x 26cm (2) £80-120

334. 20TH CENTURY AMERICAN SCHOOL A fishing boat docked at a quay, oil on board, 23 x 30cm, unframed Inscribed in pencil verso ‘Gloucester Motive No. 1, 1939’ (Gloucester, Massachusetts) £60-80

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335. AUGUSTA INNES WITHERS (1792-1877) Still life - fruit placed on a mossy bank, signed ‘Mrs Withers’ and dated 1863, watercolour, 22.5 x 32cm £100-150

336. 18TH CENTURY ITALIAN SCHOOL Mars the God of War, oil on panel, 27.5 x 22cm £200-300

337. THOMAS CHARLES LEESON ROWBOTHAM (1823-1875) An Italianate lakeside with figure beside a building and mountains in the distance, signed, watercolour heightened in white, 17 x 46cm £80-120

338. WILFRID BAILEY (19TH/20TH CENTURY) ‘Mallard rising from a moorland pool’, signed, oil on canvas, 49 x 75cm

339. CHRISTOPHER HILL (1948-1990) Still life - A vase of mixed flowers, signed, oil on canvas board, 49 x 39cm £80-120

340. RAOUL MILLAIS (1901-1999) Figures in a side street, Venice, signed, pastels, 11.5 x 14cm £200-300

341. RAOUL MILLAIS (1901-1999) Don Quixote on horseback, signed, pastels, 19.5 x 16.5cm £200-300

342. 19TH CENTURY NAIVE SCHOOL An interior with monkey and cats playing an upright guitar, oil on panel, 22 x 18cm oval £40-60

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With Mawson, Swan & Morgan Ltd, Newcastle-upon-Tyne £100-150

344. ATTRIBUTED TO RICHARD COSWAY (1742-1821) Madonna and Child, pencil study (unfinished), 30 x 20cm £80-120 343. CHARLES WALTER SIMPSON (1885-1971) A grey horse in a landscape, signed, watercolour, 31 x 48cm £200-300

345. 19TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a young girl, signed with a monogram ? J.D.W. and dated 1861, pencil drawing, 16.5 x 14cm With attribution to John Dawson Watson (1832-1892) verso £80-120

346. GRAHAM JONES (20TH CENTURY) Head study, side profile of a young man, signed, pencil, 21 x 17.5cm; and a 19th Century stipple engraving children picking apples, in maple frame (2) £40-60

347. 19TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a soldier in red coat, oil on canvas, 48 x 39cm oval £300-500

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348. CIRO CANZANELLA (b.1948) An Italian flower market, signed, oil on canvas, 49 x 69cm £100-150

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349. LOUIS PAPALUCA (1890-1934) The Bay of Naples with fisher folk preparing the nets, signed, oil on canvas, 48 x 78cm £200-300

350. ATTRIBUTED TO JOHN MIDDLETON (1827-1856) Landscape with cottage, watercolour, 22 x 33.5cm £200-300

351. A * W * S * Figures and sailing vessels at sea in a calm, signed with initials and dated 1855, watercolour, 12.5 x 18cm; and two further by the same hand (3) £80-120

352. RICHARD JAMES WILLIAMS (1876-1964) A nursery story, probably an illustration for a book, signed, pen, ink, watercolour and gouache, 29.5 x 22cm £150-250 353. THOMAS BUSH HARDY (1842-1897) ‘Scarboro’, signed, titled and dated 1890, watercolour, 23 x 31cm £200-300

355. W * CONNELLY (19TH/20TH CENTURY) ‘Primulas and Violets on a Mossy Bank’, signed and dated 1913, watercolour, 25 x 35.5cm; and Mildred Hall (19th/20th Century) - Still life, a spray of roses with bowl, signed, watercolour, 31 x 46cm (2) £60-100

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354. WARREN WILLIAMS (1863-1918) Dutch fisher folk conversing off the coast at low tide, signed, watercolour, 37 x 61cm £200-300

356. HERBERT ATKINSON (d.1936) Portrait of a fighting cock, signed and dated 1912, oil on canvas, 54.5 x 40cm £600-800

357. EDWIN HAYES (1819-1904) ‘Fishing Smack off Great Yarmouth’, signed, inscribed with title verso, oil on canvas, 21.5 x 29cm £300-500

358. EDWIN HAYES (1819-1904) Making for harbour, bears faint traces of signature, watercolour heightened in white, 14 x 22cm Inscribed on label verso ‘S.F. Williams (of Agnew’s) coll. 32...1903’ With Robert Dunthorne, the Rembrandt Gallery, Liverpool £200-300

359. PERCY LANCASTER (1878-1951) ‘The Old House’, signed, watercolour, 31 x 21cm £80-120

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360. ATTRIBUTED TO DANIEL TURNER (act.1782-1820) Lambeth Palace from the river, oil on canvas, 19.5 x 24.5cm £300-500

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362. ISABELLE KAUFMANN (CONTEMPORARY) Oxford, Radcliffe Square, signed with initials and dated 2015, oil and acrylic on board, 76 x 76cm £80-120

363. WILLIAM THORNLEY (act.1858-1898) ‘Sussex - Fishing Boats Ashore’, signed, inscribed with title verso, oil on canvas, 24 x 39cm £500-700

365. JOSHUA SMITH (1881-1938) Head and shoulders portrait of a young child, signed and dated ‘09, watercolour, 57 x 45cm, oval £200-300

364. MENO MUHLIG (1823-1873) The Chase, signed, oil on canvas, 40 x 31cm £300-500

366. AIDAN SAVAGE (b.1901) Side profile, portrait of a lady, signed and dated ‘29, pencil drawing, 43 x 29cm £80-120

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361. AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO The Madonna at Prayer, oil on board, 14 x 11cm, in Florentine carved and giltwood pierced frame £100-150

367. SIR LESLIE MATTHEW WARD (1851-1922) Portrait of a gentleman smoking, well dressed in evening attire and holding a letter, signed ‘Spy’, watercolour, 34 x 19cm £300-500

368. ATTRIBUTED TO JOHN RUSSELL (1745-1806) Two children, one eating an apple, pastels, 57 x 42.5cm Ex Christie’s Lot 54 16 March 1982 according to label verso £600-800

371. THOMAS COLLIER (1840-1891) ‘Nant Ffrancon’, signed, watercolour, 22 x 32cm With the Cotman Gallery Prov: Apparently from the well known collection of Walter Turner of Birmingham c.1940’s and then with the Graves Gallery October 1948 369. AN OLD INDIAN MINIATURE painted with princely figure and female attendants beneath a verandah, inscribed, gouache, 13 x 9cm £80-120

370. ROBERT BAKER (1909-1992) A collection of nine studies, mainly female nudes c.1950’s but also including a study of the artist’s daughter, varying media and sizes, all unframed (9) £300-400

Illus. Adrian Bury ‘The Life and Art of Thomas Collier R.I. Plate No. 66 according to note attached to work £100-150

372. SIMEON SOLOMON (1840-1905) Head and shoulders of a female beauty, side profile, her left hand clasped to her shoulder, signed with monogram and dated 1874, pencil drawing, 45 x 29cm £6000-8000

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373. WILLIAM ETTY (1789-1849) Study of a male nude, signed, pencil drawing, 17 x 11cm; Richard Westall (1765-1836) - Figures in an interior, the frontispiece to the 1824 book ‘Self Knowledge’ by John Mason, signed with initials, pencil drawing, 16 x 10cm (2) £100-120

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374. 17TH CENTURY NORTH ITALIAN SCHOOL An interior prison scene with soldiers and saints, brown ink and wash drawing on laid paper with ‘Heart and Scrolls’ watermark, 19.5 x 15cm; and 19th Century French School - Sketch of a bearded gentleman wearing a turban, pen and brown ink on paper, ex. Bonham’s London sale 23 January 2007, 21 x 13cm, both unframed (2) £120-150

377. JOSEPH - MARIE VIEN (1716-1809) An interior with figures, signed and with the collector’s stamp of Nicos Dhikeos (L.3529), pen, ink and brown wash drawing, 12 x 18cm £250-300

375. 16TH CENTURY ITALIAN SCHOOL IN THE MANNER OF VITTORE CARPACCIO (1465-1525) Angel study, brown ink on paper, 12 x 18cm Ex. Bonham’s London sale 18 August 2010 £100-150

378. 16TH CENTURY ITALIAN SCHOOL Jupiter and Juno, brown ink drawing, 18 x 30cm, mounted but unframed £80-120

376. ATTRIBUTED TO CESARE CORTE (GENOA 1550-1619) Christ kneeling, pen, ink and brown wash drawing, 19 x 25cm, oval £120-150

379. THOMAS MAISEY (1787-1840) A collection of fifty five drawings and watercolours, varying subjects, unframed in portfolio Thomas Maisey, President of the New Society of Painters in Watercolours (1833-1838) £180-220

381. ATTRIBUTED TO JOHN SINGER SARGENT (1856-1925) ‘Market Place, Spain’, watercolour, 24.5 x 18.5cm Ex: Colln Fred Barnard With the ‘Little Gallery’ London £400-600

380. ATTRIBUTED TO A.V. COPLEY FIELDING (1787-1855) ‘Riding the Storm’, watercolour, 12 x 15.5cm With the ‘Little Gallery’ London £80-120

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382. 18TH CENTURY SPANISH SCHOOL The Immaculate Conception, oil on canvas, 38 x 30cm, in period, silvered and ebonised frame with scratch carved decoration to the corners £120-150 383. GEORGE VICAT COLE (1833-1893) Cattle watering in a river landscape, signed, oil on canvas, 29.5 x 54.5cm £700-900

385. FOLLOWER OF CARLO DOLCI (1616-1686) The Penitent Magdalene, oil on canvas, 60 x 49cm £200-300 384. BLEWITT DOWLING (19TH CENTURY) A family resting in a coastal bay, signed and dated 1869, oil on canvas £600-800

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386. FOLLOWER OF JEAN-ANTOINE WATTEAU (1684-1721) An embracing couple in a landscape, oil on canvas, 25 x 20cm £200-300

387. 17TH CENTURY DUTCH SCHOOL Figures in an interior warming themselves by a fire, oil on canvas, 28 x 29cm £150-250

388. * EWEN (20TH CENTURY) An interior with formal gathering, signed and dated 1966, oil on canvas, 59 x 90cm £80-120

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389. ENGLISH SCHOOL (LATE 19TH CENTURY) Portrait of a seated female beauty in white dress holding a fan, oil on canvas, 53 x 43cm, unframed £80-120

390. ATTRIBUTED TO JOHN DOWNMAN (1750-1824) Half length portrait of a young lady wearing a bonnet, her dress tied by a blue ribbon, pencil and colour washes, 21 x 16cm oval With paper fragments verso extensively inscribed with further details of the possible sitter and provenance £200-300

391. CLARE WINSTEN (1894-1989) George Bernard Shaw, signed, oil on canvas, 106 x 84cm £1000-1500

392. CLARE WINSTEN (1894-1989) George Bernard Shaw, signed, oil on board, 30.5 x 25cm, unframed £200-300

393. ATTRIBUTED TO THE STUDIO OF MAURICE QUENTIN DE LA TOUR (1704-1788) ‘Mademoiselle Puvigny’ and ‘Marie-Anne de Camargo’, two head studies, pastels, 32 x 23cm (2) Prov: By descent to our present vendor, believed to have been purchased in France c.1920’s £1000-1500

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394. LYDIA CORBETT (b.1934) Still life - Two vases of flowers with jug upon a table surface, signed, pen, ink and watercolour, 39 x 49cm £80-120

395. AN OLD ILLUMINATED MANUSCRIPT LEAF painted with saint and attendant in a garden within formal and scrolling foliate border in colours and gilt on vellum, 18 x 12cm, unframed £100-200

396. 19TH CENTURY ENGLISH SCHOOL Portrait of a lady seated in a chair with posies of flowers to her hair and wearing a dark dress with lace collar, oil on canvas, 90 x 70cm £200-300

397. 18TH CENTURY CONTINENTAL SCHOOL The Good Samaritan, oil on canvas, 84 x 67cm £300-500

A loosely bound album comprising approximately ninety watercolours

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(Lot 398)

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398. COLONEL P.R. HOLMES (19TH CENTURY) A loosely bound album comprising approximately ninety watercolours, mainly maritime and named world topographical views, c.1855-1870’s, varying sizes and to include several folded panoramic views, the album itself 48 x 30cm; a smaller ‘Scrap’ album with five further similar views by Holmes; three larger loose works by the same hand; and further loose pen and ink character studies, vignettes and illustrations, unframed; together with a Victorian scrap album belonging to Clara Augusta Holmes and filled with assorted colour and black and white scraps Footnote: A selection of locations depicted include: Faro, Hogland, Madeira, Curacao, Port Royal Jamaica, Panama, Vancouver Island, The Havana Cuba, Rio de Janeiro, Falkland Islands, Straits of Magellan, Mare Island, S. Francisco, California, Cape of Good Hope, Cartagena, Gibraltar, Yokohama, Karak (Persia) etc £1500-2500

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400. ATTRIBUTED TO GEORG BUCHNER (1858-1914) ‘Barbele’, oil on panel, 13 x 9.5cm £60-80

401. FREDERICK WILLIAM DAVIS (1862-1919) A contented monk, signed and dated 1887, oil on panel, 28 x 20cm £150-250

402. FRANS VERVLOET (1795-1872) The Grand Canal, Venice, signed and inscribed ’Venice’, watercolour, 17 x 33cm £80-120

403. ANTONI PUIG MARTI (b.1916) A summer landscape with shepherd driving a flock of sheep, signed, oil on canvas, 22.5 x 31.5cm £60-80

404. FOLLOWER OF THE BARBIZON SCHOOL Figures gathered in a woodland, oil on canvas, 21 x 19cm £100-150

405. GEORGES VAN LEREN LEYDER? AFTER GIUSEPPE MARIA CRESPI Les Troyennes aveuglant Polymnestor’, signed, oil on canvas, 22 x 24cm; and L Nitra - Sailing vessels at sea, signed, oil on canvas, 25 x 20cm (2) £50-100

406. S * G * D * Head study of a young lady, inscribed ‘To Ida from S.G.D’, sepia chalk drawing, 28 x 21cm £40-60

407. JANE DOWLING (CONTEMPORARY) Still life - Pears on a plate, c.1970’s, oil on board, 20 x 21cm £100-150

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399. GILBERT GILCHRIST Barrage balloon with observers ejecting by parachute, signed, watercolour, 22 x 13.5cm £80-120

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408. JANE DOWLING (CONTEMPORARY) Autumn in the Park, watercolour squared for transfer, 24 x 35cm £100-150

409. JANE DOWLING (CONTEMPORARY) ‘On the Palatine’, c.1960, oil on board, 27.5 x 37.5cm £150-250

410. VERNON WARD (1905-1985) ‘The Sluys Canal, Bruges’, signed and dated 1924, oil on canvas, 35 x 44.5cm £200-300

411. TOM KEATING (1917-1984) Hunmanby Church in Winter, signed with monogram, watercolour heightened in white, 10 x 16cm

412. GEORGE OYSTON (1861-1937) ‘Moon Rise on the Dart at Dittisham’, signed and dated 1919, watercolour, 24.5 x 49cm, mounted but unframed £40-60

413. CECIL CUTLER (act.1886-1934) George V, signed, gouache, 23.5 x 16.5cm £150-250

415. HENRY JOHN SYLVESTER STANNARD (1870-1951) A Bedfordshire house with garden, signed, watercolour, 29 x 44cm £200-300

416. OLIVER CLARE (1853-1927) Still life - apples, plums and raspberries on an earthy bank, signed (signature partially rubbed), oil on board, 15 x 18.5cm £150-250

414. ENGLISH SCHOOL (EARLY 20TH CENTURY) ‘Dopey’ (from Snow White and the Seven Dwarfs), mixed media, 17.5 x 12cm £40-60

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Prov: Phillips 3.12.79 Sale 22544 no. 129 £80-120

418. BARCLAY WALKER (20TH CENTURY) ‘Warm Camp Wood, Bear Brook, New Brunswick’, ‘Partridge’ and ‘Moose’, a group of three, each signed and dated ‘79, watercolour and body-colour, 28 x 37.5cm, unframed (3) £40-60

419. ATTRIBUTED TO PAUL JONES (act.1855-1888) An interior with master and dogs, oil on canvas, 19 x 24cm £150-250

420. ENGLISH SCHOOL (EARLY 19TH CENTURY) River Bridge, Gloucester, with anglers on the riverbank, oil on canvas, 47 x 69.5cm £200-300

421. PETER LE CAVE (act.c.1769-1816) A farmer herding cattle in a rustic landscape setting, signed and dated 1802, watercolour, 13.5 x 20cm £80-120

422. VALERIE BATCHELOR (b.1932) ‘Flower Market, Venice’, signed, acrylics, 16.5 x 23cm £100-150

423. ENGLISH SCHOOL (EARLY 19TH CENTURY) ‘Ventnor Cove’, pen, ink and watercolour, 10 x 17cm £40-60

424. 20TH CENTURY BRITISH SCHOOL A country landscape with buildings, oil on board, 22 x 32cm £80-120

425. 19TH CENTURY ENGLISH SCHOOL Portrait of a lady at a window, oil on canvas laid onto panel, 22 x 18.5cm, unframed £80-120

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417. OLIVER CLARE (1853-1927) Still life - a branch of plums with greengages in a naturalistic setting, signed, oil on board, 30 x 23cm, unframed £100-200

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426. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a lady wearing frilled bonnet against a red velvet curtain with landscape beyond, oil on canvas, 74 x 61cm £300-500 427. ATTRIBUTED TO PHILIP BALLARD (exh.1820’s) ‘View in Mabel’s Furlong’ and ‘Malvern Worchestershire’, a pair, oil on canvas, 20 x 29.5cm (2) £300-500

429. 19TH CENTURY ENGLISH SCHOOL Cattle at a river bridge, signed ‘D Cox’, inscribed ‘Dartmoor’ and dated ‘1845’, watercolour, 26 x 34cm £40-60

430. ALBERT E. MARKES (1865-1901) Shipping off the coast, a pair, signed, watercolours en grisaille, 13 x 18cm (2) £70-90

431. ATTRIBUTED TO WILLIAM KIDD (c.1790-1863) Children Playing Ball in a Landscape with Distant Town and Children Playing Piggy Back in a Street, a pair, oil on canvas, 24 x 34cm (2) £600-800

432. ATTRIBUTED TO SIR WILLIAM RUSSELL FLINT (1880-1969) ‘Kitchen of the Vapore, Venice’, pencil drawing, 24 x 33cm Ex. Colln. Francis R Flint according to note verso £50-100

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428. ARTHUR BRISCOE (1873-1943) ‘A Fishing Harbour’, signed, titled and dated ‘32, watercolour, 25 x 35.5cm £100-150

433. MANNER OF GERRIT DOU A scholar reading a book upon a table, oil on metal panel, 17.5 x 24cm £40-60

434. ATTRIBUTED TO RUSKIN SPEAR (1911-1990) A wooded glade, oil on canvas, 40 x 49cm £80-120

435. 17TH CENTURY DUTCH SCHOOL Figure study, inscribed in ink ‘P.P. Rubbens (sic)...Fecit’, charcoal on blue paper, 36.5 x 26cm £200-300

436. THOMAS TAYLOR IRELAND (act.1880-1927) A wooded river landscape with figures fishing from a boat, Burnham Beeches, signed, watercolour, 34 x 51cm £80-120

437. CAREL WEIGHT (1907-1997) ‘Grantley Hall No.1’, circa 1950, inscribed and titled (to label verso), oil on canvas, 34.4 x 49.8cm

438. S * F * SCOTT (20TH CENTURY) ‘Morning Exercise’, signed, dated ‘68 and titled verso, oil on board, 35 x 75cm £80-120

Weight most likely painted this between 1950 and 1952, at the same time as ‘Grantley Hall through Trees’ which is part of the Government Art Collection, London £700-900

440. JOHN FALCONAR SLATER (1857-1937) Coastal breakers shimmering in the sunlight, signed, oil on board, 54 x 79cm £100-200

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439. CHARLES ROBERT DOYLY-JOHN (1906-1993) Fishing boats in a Mediterranean harbour, signed, oil on canvas, 23.5 x 34cm £200-300

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441. M * C * SAUNI ‘Tyaungoo Shore’ (Burma), signed, watercolour, 28 x 38.5cm; and three further by the same hand, all unframed (4) £300-500

442. JOHN GRENVILLE FENNELL (1807-1885) A coastal inlet with soldiers and fisher folk on the shore, a man-o-war and further shipping in the distance, signed and dated 1825, watercolour, 20.5 x 27cm; and 19th Century English School - A mountain landscape with ruined archway, signed S. Prout, watercolour, 28 x 22cm (2) £100-200

443. ALEXANDER WALLACE RIMINGTON (1854-1918) A riverside town with angler fishing and arched stone bridge, signed, watercolour, 24 x 34cm £100-150 444. GEORGE OWEN WYNNE APPERLEY (1884-1960) ‘Cadiz’, signed, inscribed with title and dated 1916, watercolour, 24.5 x 33.5cm £300-500

446. JOHN SYER (1815-1885) ‘Near Hunt House, Goathland, N. Riding, Yorkshire’ signed, watercolour, 17 x 33cm £30-50

447. ATTRIBUTED TO PETER DE WINT (1784-1859) Two figures on a country lane at sunset, watercolour, 19 x 27cm; and one further similar landscape, 20 x 51.5cm (2) £100-200

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445. 19TH CENTURY DUTCH SCHOOL Fishing smacks at sea, bears signature ‘H.W. Mesdag’, watercolour, 37 x 50cm £100-200

Miniatures Lots 450-458

450. 19TH CENTURY ENGLISH SCHOOL Portrait of a young lady wearing a necklace and lace trimmed white dress with landscape beyond, 7.5 x 5.5cm oval; and companion, a pair (2) £400-600

451. ALEXANDER GALLAWAY (act.1794-1812) Mr Hope Stewart of Ballikinrain, inscribed and dated 1810 verso, on ivory, 7 x 5.5cm oval £200-300

452. ENGLISH SCHOOL (LATE 19TH CENTURY) Portrait of a gentleman wearing bow tie and dinner jacket, signed with initials ‘R.H.’ and dated 1892, on ivory, 7.5 x 6cm oval £60-80

454. ALBIN ROBERTS BURT (1783-1842) Bust length side profile of a gentleman with brown hair wearing white stock and dark jacket, inscribed ‘painted by A.R. Burt 1813’ and also inscribed verso, watercolour, 7 x 5cm oval, and one further miniature portrait - a lady in side profile, 7 x 5cm (2) £80-120

455. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a gentleman with blond hair wearing white stock and navy blue jacket, indistinctly signed and dated 1811, on ivory, 7 x 5cm oval £100-150

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453. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portraits of the Revd. James Digweed and Mrs James Digweed, two miniatures, on ivory, each apparently inscribed verso (unchecked), 6.5 x 5cm oval and 7 x 5.5cm respectively (2) £100-200

456. ATTRIBUTED TO FRANCOIS DUMONT (1757-1831) The Princesse de Lamballe, bust length, her long curly hair tied by a blue ribbon, and wearing a blue dress décolleté, engraved with title to frame ‘The Princesse de Lamballe by Dumont’, on ivory, 8.5 x 5.5cm £300-500

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457. 19TH CENTURY CONTINENTAL SCHOOL Portrait of a young lady in a landscape with mountain range in the distance, 6cm tondo £80-120

458. 18TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a gentleman wearing powdered wig, black jacket and cravat, on ivory, 4 x 3.5cm oval £50-80

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Frames Lots 460-479

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyerâ&#x20AC;&#x2122;s Premium of 27% inc. VAT @ 20%

461. AN 18TH CENTURY ITALIAN SANSOVINO STYLE GILTWOOD FRAME with scroll and foliate carved border, rebate size 24 x 34.5cm £200-300 460. AN 18TH CENTURY VENETIAN EBONISED AND GILTWOOD PICTURE FRAME, the corners carved in relief with scrolling and flowering foliage, rebate size 65 x 48.5cm £200-300

462. AN EARLY 17TH CENTURY NORTH ITALIAN CASSETTA FRAME with rope work twisted sight, scrolling foliate and punch work decoration to the frieze and foliate carved outer border, rebate size 56.5 x 42cm £300-500

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463. AN 18TH CENTURY ITALIAN GILTWOOD FRAME, the sight carved with scrolling and flowering foliage in relief and with husks to the outer border, rebate size 68.5 x 53cm £250-350

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464. AN 18TH CENTURY ENGLISH GILTWOOD FRAME with acanthus carved and scrolling foliate decoration to the borders, rebate size 19 x 28cm £150-250

465. A LATE 18TH CENTURY GILT GESSO FRAME, the frieze of plain form with bead moulded and foliate outer edge, rebate size 122.5 x 92cm £150-250

466. AN ITALIAN EARLY 19TH CENTURY GILTWOOD FRAME, the deep concave frieze with fluted decoration and husk border, rebate size 75 x 59.5cm £200-300

467. AN 18TH CENTURY BOLOGNESE FRAME, the border with acanthus ornament and with oval site, rebate size 40 x 56cm £200-300

468. AN 18TH CENTURY VENETIAN GILTWOOD FRAME with foliate carved centres and corners, rebate size 75 x 56.5cm £200-300

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470. A 19TH CENTURY FRAME with plain concave frieze and foliate inner sight, rebate size 34 x 42cm; and an 18th Century style frame, rebate size 54.5 x 41.5cm (2) £50-100 469. AN 18TH CENTURY FLORENTINE GILTWOOD FRAME, the border profusely carved and pierced with acanthus and shell decoration, rebate size 56.5 x 42cm £150-250

471. A POLYCHROME AND GILT DECORATED TABERNACLE FRAME, in the Renaissance style with stepped pediment above two square section pilasters with foliate capitals flanking the sight and decorated with classical style motifs, currently incorporating a Medici print - Head of Christ after Leonardo Da Vinci, rebate size 35 x 27.5cm £150-250

472. AN EARLY 20TH CENTURY STAINED PINE PORTFOLIO OR PLAN CHEST of shallow form with hinged lid and brass handle, 139 x 103 x 15cm £20-40

473. A LATE 19TH CENTURY FLORENTINE GILTWOOD FRAME, the border carved and pierced with scrolling acanthus foliage and shell motifs, rebate size 30 x 25cm £60-80

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474. A 19TH CENTURY GILT GESSO FRAME, the cavetto border with leaf capped corners and beaded inner sight, rebate size 38 x 57cm £30-50

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476. A 17TH CENTURY STYLE DUTCH FRAME of ripple moulded form currently incorporating a Medici print, rebate size 52 x 35.5cm £40-60

478. AN 18TH CENTURY DUTCH TORTOISESHELL AND EBONY VENEERED FRAME with ripple moulded decoration and projecting corners to the inner cushion moulded border, rebate size 42.5 x 50.5cm £300-500

477. A LATE 19TH CENTURY GILT GESSO PICTURE FRAME, the cavetto border with strapwork decoration, rebate size 112 x 86cm £50-100

479. A LATE 19TH CENTURY ITALIAN CARVED AND PIERCED GILTWOOD FRAME with polychrome decoration of acanthus leaf form, rebate size 13 x 9.5cm £60-100

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475. A 19TH CENTURY EBONISED AND PARCEL GILT HOGARTH FRAME, rebate size 38.5 x 28cm; and further assorted frames £30-50

Desmond Morris Bodyworks A selling exhibition, showcasing over 60 works by Desmond Morris, to co-inside with the release of his new book Bodyworks.

5, 6 and 7 April 2019 OXFORD

For enquiries please contact Max Fisher T: 01865 241358 or E: max.ďŹ sher@mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michaelâ&#x20AC;&#x2122;s Street Oxford OX1 2EB

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BUYERS TERMS & CONDITIONS DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate. (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer. (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents. (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions. (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) “You”, “Your”, etc. refer to the buyer as identified in BIDDING PROCEDURES AND THE BUYER. (h) The singular includes the plural and vice versa as appropriate. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22.5%. This premium is subject to VAT at the rate imposed by law. VALUE ADDED TAX (VAT) Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. You may pay for purchases in a number of ways: Bank Transfer, Cheque, Debit card, Cash and Credit card to a maximum of £2000.00 (plus 2.28% VAT inc. on Business and Non-EEA cards). (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault. (3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 1. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 2. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 3. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 4. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 5. English law applies to the interpretation of these Conditions. ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930’s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyer’s responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations. Please note no license is required to sell or advertise within the EU if items are pre- 1947. ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. Authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. Confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via thesaleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. DATA PROTECTION Personal data obtained about you will be used in accordance to our Privacy Policy. A copy of our Privacy Policy can be found on our website www.mallams.co.uk or requested by post from our Data Officer, Catherine Leach at Bocardo House, St Michael’s Street, Oxford, OX1 2EB, or by Email from privacy@mallams.co.uk.

Design+ Modern Art 23 and 24 May 2019 OXFORD

ABINGDON

Closing date for entries Thursday 11th April

THE

HOUSE & GARDEN SALE

For enquiries please contact Max Fisher T: 01865 241358 or E: max.ﬁsher@mallams.co.uk www.mallams.co.uk Mallams Auctioneers, Bocardo House, St Michael’s Street Oxford OX1 2EB

Mallams 1788

All enquiries, please contact Henry Cooke: T: 01235 462840 E: henry.cooke@mallams.co.uk www.mallams.co.uk Dunmore Court, Wootton Road, Abingdon OX13 6BH

Mallams 1788

MALLAMS

Mallams 1788

THE PICTURE SALE THE PICTURE SALE 27 FEBRUARY 2019

www.mallams.co.uk

Wednesday 27th February 2019 at 11am