The Art & Music Sale Oxford - 23rd October 2019 (Mallams Oxford)

MALLAMS

Mallams 1788

THE ART & MUSIC SALE 23RD OCTOBER 2019

www.mallams.co.uk

The Art & Music Sale Wednesday 23rd October at 11am OXFORD

Chinese, Japanese & Asian Art

Mallams

30th & 31st October 2019 CHELTENHAM

A Chinese bronze figure of a Daoist-priest, late Ming 32cm high.

From a Gloucestershire private collection Estimate ÂŁ4000 - 6000

1788

Jewellery,Watches & Silver 13 November 2019 Oxford

Sale enquiries: Louise Dennis FGA DGA 01865 241358 or louise.dennis@mallams.co.uk www.mallams.co.uk

Mallams

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The Art & Music Sale

Wednesday 23rd October 2019 at 11am Oxford

Order of Sale Prints

1-104

Maps

105-109C

Musical Instruments, Paintings and Music Scores

110-157

Watercolours and Oils

158-464

Miniatures

466-477

Frames and Easels

480-490

Viewing Saturday 19th October 9am to 1pm Monday 21st October 9am to 5pm Tuesday 22nd October 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not.

The absence of a frame in the photograph does not necessarily indicate that the work is unframed.

To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding.

Condition reports: oxford2@mallams.co.uk Important notice: Buyers premium 27% inclusive of VAT on each lot Please note that condition reports are not printed in the catalogue or on our website. However, we are happy to provide them when requested, subject to our terms and conditions of sale. The absence of any reference to condition in any discription does not imply the lot is without fault.

Auction

Bids 01865 241358

Bocardo House 24a St. Michael’s Street Oxford OX1 2EB

To bid via the internet please go to www.the-saleroom.com

Mallams

Or to view the catalogue online go to www.mallams.co.uk

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Droit de Suite Important Notices: Changes to the Droit de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droit de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

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BID IN THE SALEROOM Register at the front desk in advance of the auction, where you will receive a paddle number with which to bid. Take your seat in the saleroom and when you wish to bid, raise your paddle and catch the auctioneer’s attention.

LEAVE A COMMISSION BID You may leave a commission bid via the website, by telephone, by email or in person at Mallams’ salerooms. Simply state the maximum price you would like to pay for a lot and we will purchase it for you at the lowest possible price, while taking the reserve price and other bids into account.

BID OVER THE TELEPHONE Book a telephone line before the sale, stating which lots you would like to bid for, and we will call you in time for you to bid through one of our staff in the saleroom. If you can’t get to the saleroom in person, a telephone bid still allows you live participation.

ONLINE LIVE BIDDING Register online at the-saleroom.com to bid online live as the sale is taking place. You can also watch and hear the auction online.

Please be aware that online bidding costs an extra 4.95% plus VAT of the final selling price.

OVERSEAS BIDDERS Overseas clients will need to provide proof of identity (a scan of a passport or a national ID card) and payment card details prior to the auction.

BUYER’S PREMIUM Each lot is subject to premium on the hammer price of 22.5% plus VAT – a total of 27%. For example: Hammer price – £100 Premium at 22.5% of £100 = £22.50 VAT at 20% of £22.50 = £4.50 Total price – £127 PAYMENT You may pay for your purchases in several ways: debit card, credit card (plus 2.28% VAT Inc. on Business and non-EEA cards), bank transfer, cheque or cash.

COLLECTION & DELIVERY It is your responsibility to arrange collection of your purchases within one week of the sale. We do not offer postage from any of our branches. For postage enquiries, please contact the following directly: Pack & Send 01865 260610 or Mailboxes 01865 741729

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Prints Lots 1-104

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THERE IS A PREMIUM OF 22.5% OF THE HAMMER PRICE ON ALL SALES THIS IS SUBJECT TO V.A.T.

1. SAMUEL & NATHANIEL BUCK ‘The South West Prospect of the University and City of Oxford’, engraving, 29 x 77cm £80-120

2. JOHANNES KIP ‘Didmarton the Seat of Robert Codrington Esq’, double page engraving, 35 x 43cm; and three further similar (4) £200-300

3. AFTER HELEN BRADLEY The Park on May Day, print in colours, pencil signed in the margin and with FATG blind stamp, 45 x 60cm; together with two prints after Sir William Russell Flint, each signed in pencil (3) £50-80

4. FELIX BRACQUEMOND AFTER JEAN LOUIS ERNEST MEISSONIER ‘Partie Perdue’, etching, pencil signed in the margin, 41 x 48cm £80-120

5. STEPHEN GOODEN (1892-1955) ‘St George slaying the Dragon’, etching, pencil signed in the margin and dated 1935, 16cm tondo, unframed £30-50

6. JOHN YOUNG AFTER WILLIAM BEECHEY The Gypsy Fortune Teller, mezzotint, hand-coloured, 52 x 42cm; and John Young after John Hoppner - ‘The Peep Show’, mezzotint, 52 x 42cm (2) £40-60

7. 19TH CENTURY ENGLISH SCHOOL Farmyard scenes in the manner of George Morland, a pair, mezzotints in colour, 53 x 45cm (2) £40-60

8. F CHESHAM AFTER C CALTON A loosely bound book of 116 heraldic crest engravings, 23 x 19cm (pl), 29 x 23cm (sh) £40-60

9. A FOLIO OF VICTORIAN ENGRAVINGS of ‘Portraits of Distinguished Men of all Ages and all Nations’, (approximately eighty six), 27 x 19cm (sh) £40-60

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10. NATHANIEL PARR AFTER WILLIAM WILLIAMS ‘Collegium Orielense (Oriel College)’, aerial view, double page engraving, 48 x 56cm £80-120 11. AFTER WILLIAM WILLIAMS ‘Collegium Orielense (Oriel College)’, a perspective view with gabled facade, double page engraving, 37 x 48cm £80-120

13. AN OXFORD ALMANACK for the year 1736 engraved with aerial view of Oriel college and benefactors, 50 x 45cm; another for the year 1770; together with a re-strike of the Oxford Almanack for the year 1770, 49.5 x 47cm (3) £80-120

14. ISAAC TAYLOR AFTER D. HARRIS ‘The New Library at Oriel College’, engraving, hand-coloured, 31 x 45cm; nine further Oriel College prints or engravings; and two others to include - ‘The Cathedral and Radcliff Library Oxford’ and ‘A View of the High Street’ (12) £80-120

15. DAVID LOGGAN ‘Collegium Orielense’ (Oriel College), double page engraving 30 x 41cm £60-80

16. DAVID LOGGAN ‘Aula Beatae Mariae Virginis’ (St Mary Hall), double page engraving 23cm x 35cm; together with William Williams - ‘Aula B. Mariae Magdalenae’-Magdalen College, Oxford 38 x 34cm (2) £30-50

17. ALLEN WILLIAM SEABY (1867-1953) ‘Sheldrakes’, woodcut in colours, pencil signed in the margin, 21 x 33cm £150-200

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12. AFTER WILLIAM WILLIAMS ‘Collegium Orielense (Oriel College)’, a perspective view with gabled facade, double page engraving, 38 x 48cm; together with an engraved plan of the college, 37 x 46cm; and one further - ‘Aula Beatae Mariae Virginis (St Mary Hall)’, 37 x 45cm (3) £100-150

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18. ANTHONY CARDON AFTER HENRY EDRIDGE ‘His Most Gracious Majesty George III’ stipple engraving, pub c 1812 by H. Edridge and Colnaghi & Co., 42.5 x 31.5cm £40-60

19. JOSEPH WOLF AND WILLIAM HART ‘Milvus Migrans (Black Kite)’, lithograph for John Gould’s Birds, hand-coloured, 51 x 35cm; and six further similar (7) £100-200

20. AFTER THOMAS ROWLANDSON ‘Shoulder Arms 1st. Motion...’, No. 6 from ‘Loyal Volunteers of London and Environs, Infantry and Cavalry in their respective uniforms’, etching and aquatint, hand-coloured and published by Ackermann c.1798, 25 x 19.5cm; and seven further similar (8) £100-200

21. J KIP ‘The Tower of London’, engraving, hand-coloured, 21 x 33.5cm; another similar - ‘London Bridge’; together with five military subject prints or engravings; three Vanity Fair prints and one further - ‘Vauxhall’ (11) £50-100

21A. MATTHAUS MERIAN Gehet zu schiff in Engelland uber Zufahren, engraving, hand-coloured, 31 x 37cm £40-60

22. FLORENCE PAGE (19TH/20TH CENTURY) ‘Peter Pan’, etching, pencil signed in the margin and titled, 13.5 x 9.5cm; James Grant - ‘London’ (Westminster Abbey), etching, pencil signed in the margin, 15 x 10.5cm; two further etchings, indistinctly inscribed; and five botanical prints (9) £30-50

24. FOLLOWER OF MARC CHAGALL (1887-1985) Adam and Eve, lithograph, 23 x 13.5cm £50-80 23. PAUL NASH (1889-1946) ‘Moonlight Voyage’, lithograph in colours, 39.5 x 53.5cm £200-300

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25. ERIC RAVILIOUS Three vignettes from Thrice Welcome, wood engravings, each 4 x 7cm (on one sheet) £80-120

26. CURWEN PRESS (PUBS) An exhibition poster - ‘60 Paintings for ‘51 An Exhibition of Contemporary Paintings Organised by the Arts Council for the Festival of Britain The City Art Gallery Manchester’, lithograph in colours, 75 x 51cm; and one further lithograph - Sleeping nude (both unframed) (2) £50-80

27. AFTER PAUL JONES ‘Meconopsis’, print in colours, 52.5 x 36.5cm

28. AFTER MAURICE UTRILLO ‘Le Chateau de St Bernard, Montmartre’, lithograph, stamped with signature to the margin, numbered 6/20, 31 x 25cm

29. GWEN RAVERAT (1885-1957) St John’s Old Bridge, Cambridge, woodcut, 61 x 51cm £100-200

30. GEORGE HEAP ‘The East Prospect of the City of Philadelphia in the Province of Pennsylvania’, engraving, 16 x 49.5cm £80-120

31A. FRANCESCO BARTOLOZZI AFTER GUERCINO Libyan sibyl, etching in sepia, 30 x 27cm £50-70

32. EDWARD MILLINGTON SYNGE (1860-1913) Farmyard with logs, etching, pencil signed in the margin, 20 x 25cm; and four further to include The Harbour, Antibes; Via Cassia - Rome; Amiens Cathedral; and Embrun? Cathedral, all mounted but unframed (5) £80-120

With the Tryon Gallery Ltd £30-50

Prov: With The Redfern Gallery £40-60

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31. ADELINE S. ILLINGWORTH (1858-c.1930) The Rathani: Portal, Rothenburg of Tauber, etching, pencil signed in the margin, 28 x 19.5cm; two further by the same hand; a pair of 19th Century maple frames; and four further various pictures (9) £30-50

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36. EDWARD MILLINGTON SYNGE (1860-1913) ‘Ten Etchings in Spain’, etchings, pencil signed in the margin, limited to forty sets, published by James Connells & Sons, 1907, with title page, varying sizes (lacks plate 10) in original cloth bound portfolio £200-300

39. SHEILA HORTON (20TH CENTURY) ‘Dorelia, Fred and the Plants’, etching, pencil signed in the margin, titled, artist’s proof, 39.5 x 45cm; and three further prints or etchings, artists to include Jenny Devereux, Matthew Wright and Darline Pepper (4) £50-100

34. EDWARD MILLINGTON SYNGE (1860-1913) The Quarry, etching, pencil signed in the margin, 25 x 25cm; and three further to include: ‘Rothenburg from the Public Gardens’; ‘Rothenburg from the Tauber Valley’; and ‘Rothenburg’, all mounted but unframed (4) £100-200

35. A COLLECTION OF APPROXIMATELY FIFTY ETCHINGS by Edward Millington Synge (1860-1913), many signed in pencil to the margin, varying sizes; and two by Frank Newbolt, all unframed £400-600

37. JOHN BRUNSDON (1933-2014) ‘Autumn’, etching with aquatint in colours, signed in pencil to the margin and titled, 45 x 60cm £80-120

38. HILARY PAYNTER (b. 1943) ‘Cat Show’, wood engraving, pencil signed in the margin, titled and numbered 4/400, 17.5 x 17.5cm; and one further after Louis Wain, both mounted but unframed (2) £40-60

40. SYLVAN G. BOXSIUS (1878-c.1941) Spring (Landscape with horses), woodcut in colours, 36 x 28cm £40-60

41. ROBERT HILLS (1769-1844) A pasture with resting sheep, etching, published c.1809, 12 x 36cm; another similar but smaller etching; and an engraved view of the corner of Ann Street and Congreve Street, Birmingham as it was in 1783 (3) £30-50

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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33. EDWARD MILLINGTON SYNGE (1860-1913) ‘Olive Trees near Tourretteo?’, etching, 20 x 25cm; and two further similar - ‘Study of Olive Trees’ and ‘The Pond of the Frogs’, signed in pencil to the margin, all mounted but unframed (3) £80-120

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42. 20TH CENTURY EASTERN EUROPEAN SCHOOL Horses at sunset, woodcut in colours, indistinctly signed in the margin ? P Sabdola, dated 1960 and numbered 190, 26 x 12cm; and three further various works artists to include Amary Barnes (X 2) and Kyriakides (X 1) (4) £40-60

43. MARC CHAGALL (1887-1985) Abraham and Sarah, lithograph in colours, 34 x 25cm

45. VALERIE THORNTON (1931-1991) ‘Capitals Serrabone’, etching with aquatint in colours, pencil signed in the margin, titled, dated ‘81 and numbered 9/75, 21 x 14cm (pl), 64.5 x 51cm (sh), unframed £60-80

46. ANTHONY GROSS (1905-1984) ‘Pedestrian with Dog’, etching, pencil signed in the margin, titled and numbered 9/75, 22.5 x 27.5cm (pl), 50 x 66cm (sh), unframed £80-120

With the Goldmark Art Gallery £80-120

44. MARK CHAGALL (1887-1985) Ahasuerus Sends Vasthi Away, lithograph in colours, addition Verve Paris, 1960 according to label verso, 34.5 x 25cm £100-150

47. MICHAEL ROTHENSTEIN (1908-1993) Cockerel with distance city, screen print, pencil signed in the margin and numbered 9/75, 30 x 28cm (im), 65 x 51cm (sh), unframed £40-60

49. HUBERT VON HERKOMER (1849-1914) Portrait of John Ruskin, mezzotint, published by the Fine Art Society 1880 in an edition of 75, 49.5 x 36cm £200-300

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48. ERIC GILL (1882-1940) ‘My Love Among the Lilies’, wood engraving on Japon tissue paper, 5 x 8cm (im), 31 x 24cm (sh); and two further to include - ‘Experiments in Cross Hatching’ and ‘Nativity with Midwife’; and Marjory Scott (20th Century) - ‘Winter’, wood engraving, 15.5 x 12.5cm, all mounted but unframed (4) £80-120

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50. SUE GOLLIFER (b. 1944) ‘Untitled Q2’, screenprint in colours, pencil signed, titled, numbered 74/150 and dated ‘82 in the margin, 48 x 48cm; and one further print, signed ‘D. Duplock’, 78 x 56cm (2) £50-100

50A. MAURICE DE VLAMINCK (1876-1958) Une église dans le Vexin, etching, 10 x 13cm £60-80

51. A 17TH CENTURY ENGRAVING - ‘Praga, Bohemiae Metropolis ACCV Ratissime Expressa’, hand-coloured, 19 x 47cm; and one further similar ‘Palatium Imperatorum Pragae...’ 15 x 49cm (2) £30-50

52. ST AULAIRE AFTER L MAZZARA ‘Phénomene de Trombes Marines’, monochrome lithograph by Engelmann, 23.5 x 74.5cm £100-150

53. GEORGE HAWKINS FOR DAY & SON ‘Building for the Great Exhibition in London 1851’, lithograph, published by Ackermann, c.1850, 36 x 95cm £30-50

54. LUCAS VORS FERMANS AFTER JOANNES PEETERS ‘Malta’ and ‘La Citta di Malta’, two engravings, 12 x 27cm (framed in one) £60-80

56. AFTER JOHN PIPER View from the Upper Common Room - The Queen’s College, print in colours for The Oxford Almanack 1972, 68 x 48cm; and four further similar (5) £100-150

57. SIR WILLIAM NICHOLSON Fox Hunting - January, lithograph in colours, 19 x 19cm; a set of six cock fighting prints after W. Fielding; after H.M. Bateman - ‘Beagling’, print in colours, signed by the artist in the margin, 24.5 x 37cm; and a military print - Scots Highlanders (9) £40-60

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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55. BERNARD PICART ‘Pagode de la Chine’, Grande Pagode de la Chine’ engraving, 33 x 41cm; and further prints and engravings to include two after George Morland; Daniel in the Lion’s Den; a water nymph after Chabas; a Chinese study of a bird upon a branch; and Richard Beer - ‘St Paul’s’, etching with aquatint, pencil signed in the margin, 62 x 42cm (7) £30-50

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57A. WILLIAM HEATH ‘Doing Homage’, hand-coloured etching, 25.5 x 37cm; a further French hand-coloured engraving ‘Dejeuner de Mr Mignard, 20.5 x 25cm, various other similar prints, and a folder of unframed 18th and 19th Century engravings and other prints (qty) £100-200

58. AFTER DR EDWARD WILSON ‘Paraselene Jan. 15.11 9.30pm Cape Evans McMurden Sound’, print in colours, 28.5 x 22cm £30-50

60. GIOVANNI BATTISTA PIRANESI ‘Lapides Capitolini Sive Fasti Consulares Triumphalesq Romanorum Ab Urbe Condita Usque Ad Tiberium Caesarem’, title page and dedication page to Pope Clement XIII, two etchings, 51 x 36cm; and two further similar (4) £400-600

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62. GIOVANNI BATTISTA PIRANESI ‘Bassorilievo antico che si vede nel Portico della Chiesa de SS Apostoli’, etching, 48 x 72cm; and two further similar (3) £300-500

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59. DEMARTEAU AFTER J.B. HUET ‘La Jeune Bergere’, etching with aquatint, 21 x 27cm; another similar; and a pair of lithographs after Boucher and J.B. Huet, all mounted but unframed (4) £30-50

61. GIOVANNI BATTISTA PIRANESI Il Campo Marzio Dell’Artica Roma, etching, 45 x 29cm; and four further similar (5) £400-600

63. GIOVANNI BATTISTA PIRANESI ‘Veduta dell’ insigne Basilica Vaticana Coll’ampio Portico e Piazza adjacente’, etching, 47 x 71cm £300-400

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64. GIOVANNI BATTISTA PIRANESI ‘Veduta della Gran Piazza e Basilica di S. Pietro...’, etching, 46 x 70cm £200-300

65. GIOVANNI BATTISTA PIRANESI ‘Veduta di Campo Vaccino, etching, 46 x 70cm £150-250

66. GIOVANNI BATTISTA PIRANESI ‘Veduta Interna della Basilica di S. Maria Maggiore’, etching, 42.5 x 67cm £200-3000

67. GIOVANNI BATTISTA PIRANESI ‘Altra Veduta Del Tempio Della Sibilla in Tivoli’, etching, 45 x 66cm £100-200

69. GIOVANNI BATTISTA PIRANESI ‘Veduta del Pantheon d’Agrippa’, etching, 48 x 70cm (unframed) £50-100 68. GIOVANNI BATTISTA PIRANESI ‘Veduta della Cascata Di Tivoli’, etching, 47 x 70cm £100-200

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70. WILTON-ELY, JOHN ‘ Giovanni Battista Piranesi The Complete Etchings’, Vols I and II, 1994, Alan Wolfey Fine Arts 1994 hardback, pictorial d/ws; and three further Piranesi volumes (5) £100-200

71. J.SW. MULLER AFTER GIOVANNI PAOLE PANNINI Ruins of Ancient Rome, engraving published by J Boydell, 48 x 60cm; and another similar, 46 x 58cm (2) £80-120

72. JOANNES VOLPATO AFTER PETRUS CAMPORESI ‘Loggie di Rafaele nel Vaticano’, etching, 62 x 41cm; and an engraved view of London as it was in the year 1647 (2) £60-80

73. ANTOINE MASSON AFTER NICOLAS MIGNARD ‘Petrus Dupuis Monsfortensis Pictor Regius Academicus’, etching, 31 x 23cm; and a small quantity of further various portrait engravings, mainly 17th and 18th Century, all unframed £80-120

73A. JOHANNES KIP ‘Stoke Bishop the Seat of Sr. Thomas Cann’, engraving, 34 x 42cm; and George Vertue after Sir Godfrey Kneller ‘Frances Lady Carteret’, engraving, 32 x 22cm (2) £30-50

74. MINNIE CORMACK (1862-1919) ‘Nell Gwynne’, mezzotint, pencil signed in the margin, pub. c.1903 by J.P. Mendoza, 50.5 x 43cm £30-50

75. CYNTHIA DECEMBER (20TH CENTURY) ‘Spanish Graffiti’ embossed print in colours, pencil signed in the margin, titled and numbered 60/200, 74 x 57cm

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Sold with certificate of authenticity attached verso £40-60

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76. GIOVANNI BATTISTA PIRANESI ‘Antichita d’Albano e di Castel Gandolfo Descritte ed incise da Giovambatista Piranesi’ and ‘Descrizione and disegno dell ‘Emissario del Lago di Albano’, and appendix (Di Due Spelonche), plates 456-504 (some loose and lacking pls.

458,461,462,464 and 478) together with text, Firmin Didot pubs., 1836, sheet sizes, 58.5 x 80.5cm, bound in maroon cloth with leather spine and gilt title tablet to cover.

The flyleaf inscribed “Ex dono Marchionissae Nataliae Ferrajoli mense decembre MDCCCCXLIII” Inscribed and stamped Bibl. Rom. S.I. Inv 8790 £2000-3000

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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77. CLEMEMTINO VANNETTI (1754-1795) The well of Bandusiae (from Horace Chapter 3 line 13), etching c.1790, 38 x 48cm (unframed) £40-60

78. J * C * ROBINSON A pastoral landscape in the rain, etching, pencil signed in the margin, 20 x 25cm; another by the same hand; an etching by William Strang; and one further print signed

by Victoria Chase - ‘The Catalonian Cap’, all unframed (4) £30-50

78A. CLAIRE HALIFAX (20TH CENTURY) ‘Flying over Oxford roof tops’, silk screen, signed in pencil to the margin, titled and numbered 34/75, 46 x 65cm £100-150

79. ENGLISH SCHOOL (EARLY 19TH CENTURY) ‘The Right Honorable Rear Admiral Lord Nelson K.B.’, mezzotint, hand-coloured, 34.5 x 25cm; and Camille Foncé (1867-1937) - Rouen Cathedral, etching in colours on vellum, pencil signed in the margin, 58 x 46cm (2) £40-60

80. JANOS KASS (1927-2010) ‘Hippocrates’, etching in colours, signed in pencil to the margin and also with ‘JK’ blind stamp, 16 x 9.5cm; and one further - ‘Don Quixote’, 30 x 18cm, both unframed (2) £20-30

81. AFTER PETER EVANS ‘Le Vieux Comptoir’, print in colours, pencil signed in the margin, 31 x 31cm; and four further similar, all unframed (5) £80-120

82. AFTER PETER EVANS Rio dei Mendicanti, print in colours, pencil signed in the margin, 37 x 29cm; and three further similar, all mounted but unframed (4) £80-120

83. AFTER SIR HUGH CASSON St John’s College, print in colours, signed in pencil with initials, 24 x 19cm; and five further similar, three unframed (6) £120-150

84. CHARLES MOSLEY AFTER DAVID OGBORNE ‘An Exact Perspective View of Dunmow, late the Priory, in the County of Essex’, engraving, hand-coloured, 35 x 53cm £60-80

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85. LAURA KNIGHT (1877-1970) Dressing Room No. 1, etching with aquatint, pencil signed in the margin, 15 x 20cm

86. ALLAN GWYNNE JONES (1898-1982) ‘Southwold Fair 1912’, etching final state 75 impressions, pencil signed in the margin and dated 1927, 20 x 29cm £100-200

With the Royal Exchange Art Gallery £400-600

87. JAMES GILLRAY ‘Hounds Finding’ and ‘Hounds Throwing Off’, a pair, etchings with aquatint, hand-coloured, 22 x 32cm (2) £40-60

88. JAZET AFTER CARLE VERNET ‘Cheval de Course au Moment du Départ’, aquatint engraving, hand-coloured, 35 x 41.5cm; and companion, a pair; and a further pair of similar engravings (4) £40-60

90. WILLIAM BAILLIE (1723-1810) ‘The Siamese Ambassador who attended the court of King Charles I. Reubens made the above described drawing just before he left England ..........’ 1636, engraving, c.1774, 49 x 32.5cm, unframed £40-60

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86A. AFTER DAVID GARLAND ‘Keble College Chapel’, print in colours for the Oxford Almanack 1971, 76 x 56cm; another after Gilbert Spencer ‘The Radcliffe Camera from Exeter College Garden for the year 1963’; another after David Gentleman - ‘View from the Mitre Hotel for the year 1968’; and ten further, mainly 20th Century, all unframed (13) £50-100

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89. G BODENEHR AFTER KRUGER ‘Perga Fluviatilis’, print in colours, 24.5 x 39cm; and seven further similar (two unframed) (8) £40-60

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91. CLAUGHTON PELLOW-HARVEY (1890-1966) ‘Kites’, woodcut, pencil signed in the margin, titled, dated 1925 and numbered, 12.5 x 14cm £300-500

92. WINIFRED AUSTEN (1876-1964) ‘Snipe’, etching in colours, pencil signed in the margin and titled, 24.5 x 21cm With Charles Nicholls & Son £60-80

93. AFTER ARCHIBALD THORBURN ‘Breaking Up the Covey’ and ‘Coming Over the Guns’, a pair, monochrome prints, each pencil signed in the margin, pub. c.1893 by Leggatt Brothers, 38 x 55cm (2) £100-200

94. AFTER EDWARD BAWDEN ‘Trinity College Chapel’, print in colours for the Oxford Almanack 1957, 64 x 43cm; and two further after John Piper to include: ‘The University Museum for the Year 1956’ and ‘View from the Upper Common Room, The Queen’s College for the Year 1972’ (3) £150-250

95. JAMES STUART AND NICOLAS REVETT ‘the Antiquities of Athens’ a group of five engravings from the work, printed by John Haberkorn 1762, approximately 53 x 35cm (x4) and 38 x 45cm (x1) (5) £50-100

96. BOWLES AND CARVER (PUBS) ‘Partridge Shooting’, etching with aquatint, numbered 572 and hand coloured 25 x 35cm; and J* Kleim, figures on a footbridge in a continental mountainous landscape, signed watercolour 17 x 25cm (2) £40-60 97. LEON DANCHIN (1887 - 1938) Two setters, etching in colours, pencil signed in the margin, 46 x 86cm £100-200

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99. LOUIS LEMPEREUR AFTER DAVID TENIERS ‘Delices des Flamans’ and ‘Amusements Flamans’ a pair, etchings 44 x 29.5cm (unframed) (2) £40-60

101. AFTER J.M.W. TURNER ‘Devonport’, sepia photogravure by Pellisier and Allen, 19 x 26cm and four further similar (5) £30-50

102. TOM SLATTER ‘The End Point - NYC’ (Twin Towers), etching with aquatint in colours, pencil, signed in the margin, titled, dated 2001 and numbered 12/75, 40 x 40cm, unframed £40-60

103. FERDINANDO GREGORI AFTER CORREGGIO ‘Cupido Che Acconcia L’Arco’, stipple engraving, 44 x 24cm; a small quantity of further miscellaneous prints and engravings, costume designs etc; two etchings by C Martyn and a replica ‘English Atlas’ after Jansson (all unframed) £50-80

104. G. B. CIPRIANI AFTER BARTOLOZZI Perseus armed by Pallas and Mercury, etching in sepia, 20 x 20cm; and five further various etchings and engravings (6) £40-60

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98. LEPICIE AFTER DAVID TENIERS ‘Le fumeur Flamand’, etching c. 1744, 25.5 x 18cm and P. Chenn after Teniers ‘Le Buveur Flamand’ 28 x 30cm and J.G. Wille after G. Schalken, ‘Jenne Joueur d’instrument’, etching 26.5 x 20cm and one further similar after Adrien Ostade (4) £80-120

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Maps Lots 105-109C

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105. JOAN BLAEU Oxfordshire, engraving, the title cartouche flanked by academics, Royal Crest to upper border and college crests to the sides, hand-coloured, 38 x 51cm £200-300

105A. JOHN OGILBY ‘The Continuation of the Road from Bristol to Chester’, double-page engraving, hand-coloured, 35 x 46cm £60-80

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106. JOHN SPEEDE ‘Britain, As it Was, Devided in the Tyme of the Englishe; Saxons Especially during their Heptarchy’ engraving, the main image flanked by borders decorated with various early British rulers, hand coloured, Sudbury and Humble, 39 x 52cm £300-500

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107. JOHN SPEEDE ‘The Counti of Warwick’, aerial double page engraving with inset vignette plans of ‘Warwick’ and ‘Coventree’ and Coats of Arms from the families of the Earls of Warwick, hand-coloured, Bassett & Chiswell, 39 x 52cm £150-250

108. ROBERT MORDEN ‘Oxfordshire’, engraving, hand-coloured, 43 x 36cm £40-60

109. JAN JANSSON Oxfordshire, engraving, the title cartouche adorned with figures and cherub and with the arms of the colleges to upper corners, hand-coloured, 38 x 49.5cm, mounted but unframed; and six further small maps (7) £120-150

109A. JOHN OGILBY ‘The Road from the City of Salisbury Com Wilts to Campden Com Gloc’, double page engraving, hand-coloured, 34 x 45cm; and one further - ‘The Road from London to Dover’, 33 x 46cm (2) £80-120

109B. WILLEM AND JAN BLAEU ‘Le Theatre du Monde ou Nouvel Atlas D’Angleterre’, title page engraving, hand-coloured, 42 x 25cm; and two further to include - ‘Britannia Vol. 1’, 36 x 22.5cm and ‘The Achievement of our Sovereign King James after Hondius’, 38 x 24cm (3) £80-120

109C. CAPTAIN GREENVILLE COLLINS ‘A Draught of Portland, the Shambles and the Race of Portland’, double page engraving, hand-coloured, 42 x 61cm £40-60

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Musical Instruments, Paintings and Music Scores Lots 110-157

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110. A BRONZE BUST modelled in the form of Franz Schubert, signed ‘L. Piedbouef’, 12cm high £40-60

111. CHARLOTTE FAWLEY (20TH/21ST CENTURY) ‘Pas de Deux’- ‘Irek and Altyna’, (Mukhamedov and Assylmuratova), signed and dated 2000, acrylic and watercolour, 52 x 33cm The artist was given access to the Royal Ballet, Covent Graden to paint the leading dancers at the time £80-120

113. ARTHUR HENRY ANDREWS (1906-1966) The Violinist, signed, pen and ink drawing, 18 x 24.5cm £30-40

112. FREDERICK DANIEL HARDY (1826-1911) The Family Quartet, signed and dated 1858, pastels 38 x 53.5cm £300-500

115. A RUDDALL CARTE OPEN G SHARP 1867 PATENT FLUTE with silvered keys and cleaning rod, stamped Ruddall Carte & Co, 23 Berners Street, Oxford Street, London and numbered 4428 in original morocco leather fitted case £400-600

116. PARRY, JOSEPH (ed.)

Cambrian Minstrelsie, a national collection of Welsh songs, Vols 1-6, pubs. T C and E C Jack 1893 with chromo-lithograph frontispieces and pictorial cloth boards d/ws (6) £30-50

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114. A 19TH CENTURY EIGHT KEY FLUTE in original morocco leather covered case £60-100

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117. 19TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of Jenny Lind, oil on board, 14 x 11cm oval Jenny Lind (1820-1887) Swedish opera singer and one of the most highly regarded singers of the 19th Century £40-60

120. DEREK INWOOD (1925-2012) ‘Cello and Piano’, signed, oil pastel, 29 x 20cm £80-120

118. A MANDOLIN, the rosewood back with line inlay, mother of pearl and tortoiseshell decorated sound hole and with makers label inscribed ‘Francesco Salomone, Napoli’, 62cm overall; and another similar (2) £80-120

119. A GETZEN ETERNA SEVERINSEN BRASS TRUMPET in velvet lined and fitted case with outer zip cover and leather carrying handle £200-300

121. GEORGE WEISSBORT (1928-2013) ‘The Proposal’, signed, oil on canvas board, 33 x 26cm

122. 19TH CENTURY ENGLISH SCHOOL Choristers in an ecclesiastical interior, indistinctly signed and dated 1883?, oil on canvas, 69 x 50cm £100-200

Exh. Royal Academy Summer Exhibition 1991 £200-300

123. A PORTATIVE ORGAN AND STAND made by Donald Gill, the organ of traditional form with twenty five keys, inscribed with makers name and dated 1988, 41cm wide x 65cm high, the stand of music cabinet form with two hinged doors enclosing seven shelves, upon castors, 41cm wide x 72cm high (2) The late Donald Gill, maker, taught instrument making at West Dean College and was renowned for his portative organs £200-300

125. A WALNUT CASED CLAVICHORD by Donald Gill, the keyboard well inscribed with name and dated ‘MCMLXXXVI’, 130cm wide (no stand) £80-120

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124.

No Lot

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126. A WOODEN DUET MUSIC STAND made by Donald Gill with height adjustable mechanism and turned column, shaped tripod, 109cm high adjusting to approximately 147cm £50-100

127. A COLLECTION OF WOODWIND INSTRUMENTS, some made by Donald Gill and signed; together with a Metronome £50-100

128. A C.G. CONN LTD ELKHEART-IND USA SOUSAPHONE TUBA in silvered brass, the 53cm bell with engraved decoration £50-100

129. H * MAJENNE A young boy with concertina, signed and dated 1891, oil on canvas, 53 x 42cm £200-300

130. SALVATORE MARESCA (19TH/20TH CENTURY) The guitar player, signed, oil on canvas, 24 x 18cm; and companion, a pair (2) £300-500

132. BERNARD BARON AFTER CARLO DOLCI ‘At last divine Cecilia came, Inventress of the vocal frame’, engraving, published by J. Boydell, 50.5 x 36cm £60-80

131. A PRINTED MUSIC SCORE for ‘Zoo Station’, words by Bono and music by U2, signed in green pen by members of the band, copyright 1991 Blue Mountain Music Ltd, 28 x 21cm £30-50

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133. ATTRIBUTED TO CHARLES KEENE (1823-1891) Two musicians with dancers, charcoals and coloured chalks, 12.5 x 20.5cm, mounted but unframed £30-50

134. A VIOLIN with two piece back, 60cm overall with bow, cased £80-120

135. A HOHNER ‘ROCKWOOD’ LX30 3/4 SIZE ELECTRIC GUITAR, the finger board with sunburst finish, Serial No. 037835, 80cm overall in case £60-80

136. A ROSEWOOD CASED CLAVICORD by John Morley of London, the hinged keyboard well inscribed in gilt ‘Johannes Morley Londini Fecit’, numbered 763, 112cm wide Sold with Article 10 Certificate No. 585654/01 £200-300 137. EDMUND XAVIER KAPP (1890-1978) Portrait of Frederick Delius, lithograph, pencil signed in the margin and numbered 75/100 and titled, 43 x 34cm £100-200

139. 19TH CENTURY ENGLISH SCHOOL Portrait of a young lady with harp beneath a red draped curtain, oil on copper, 29.5 x 25cm £300-400 138. PAUL WOODROFFE (1875-1954) ‘Polly Put the Kettle On’ and ‘Bye Baby Bunting’, two illustrated musical scores, pen, ink and watercolour, 28 x 22cm and 29 x 22cm (2)

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The lot is sold together with the book ‘Thirty Old Time Nursery Songs arranged by Joseph Moorat and pictured by Paul Woodroffe, published by P.C. & E.C. Jack, also with an original woodcut by Paul Woodroffe and associated literature regarding the artist £300-500

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140. A VIOLIN with two piece back and printed label for Wolff Bros., numbered 301 and dated 1894 together with bow in fitted case £300-500

141. A CZECH MADE VIOLIN with two piece back and printed Anthonius Stradivarius label together with bow, cased £30-50

142. A MITTENWALD VIOLIN circa 1880-1890 with single piece back and printed label inscribed ‘Antonius Stratuari Cremonien Fecit’, together with bow, cased £700-900

143. A GERMAN VIOLIN with two piece back and printed label inscribed ‘Copie of Stradivarius’ together with two bows, one stamped ‘Schruetter’ in fitted case £200-300

‘THE ROBERT JACOB COLLECTION OF ILLUSTRATED SHEET MUSIC COVERS’ Lots 146 to 149A are the final part of an extensive collection of Illustrated Sheet Music Covers and Scores from the estate of the late Robert Jacob.

The late Mr Jacob’s meticulously prepared hand-written and typed catalogue/index is available for reference during the viewing of the sale.

145. A BUFFET CRAMPON & CO. OF PARIS CLARINET Serial No. 306551 in velvet lined fitted case, together with assorted sheet music in leather case £60-80

146. A QUANTITY OF SHEET MUSIC for piano, mainly late 19th/ early 20th century and comprising many decorative covers, titles including, The artist’s Polka, Bric-a Brac Polka, Wait for the Turn of the Tide, March Across the Desert etc., (4 boxes) £80-120

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144. A 19TH CENTURY VIOLIN with two piece back, and label inscribed ‘Caspar da Salo in Brescia 1586’; together with bow in fitted carrying case £100-200

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147. A QUANTITY OF SHEET MUSIC for piano, mainly 1930’s and comprising decorative covers, titles including, the Skaters’ Waltz, Wagon Wheels, A Beautiful Lady in Blue, Moonbeams on the Lake etc., (3 boxes) £40-60

147A. A QUANTITY OF SHEET MUSIC for piano, mainly 1940’s and comprising decorative covers (2 boxes) £30-50

148. A QUANTITY OF SHEET MUSIC for piano, early 20th Century and onwards, mainly military and war covers and titles including, The Abyssinian Expedition, Vaillance Polka - Militaire, The R.A.F March Past etc., (one box) £20-30

149. A QUANTITY OF SHEET MUSIC COVERS for piano, early 20th century and later curiosities and general interest, titles including Lusitania Waltz., Aeroplane Waltzes, The Glider etc., together with a box of professional copies circa 1940’s (2 boxes) £30-50

149A. A QUANTITY OF SHEET MUSIC COVERS for piano, principally 1950’s and 1960’s in two boxes, together with assorted covers for films, music, T.V. in two boxes (4 boxes total) £40-60

150. A VIOLA with two piece back and with label inscribed ‘Louis Fussell’ maker Bedford 1989 £100-200

151. A GERMAN COPY OF A MAGGINI VIOLIN

by E.R. Schmidt with two piece back, stamped ‘Maggini’ and of reddish brown patination £200-300

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152. A MAGGINI STYLE VIOLIN with two piece back of deep brown patination £200-300

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153. A LATE 19TH CENTURY VIOLIN possibly French Caussin School, with two piece back and two bows, cased £300-500

154. A LATE 19TH CENTURY GERMAN VIOLIN the two piece back with decorative mother of pearl inlaid cartouche and inscribed ‘M. Svendsen 1898’ and ‘H. Svendsen 1911’, with bow, cased £100-200

156. AN INTERESTING COLLECTION OF ARCHIVE MATERIAL from the music publishers Phillips and Page.

To include: Charles Gounod: Three hand-written manuscripts for ‘The King of Love’, ‘Adoro te Supplex’ and ‘For ever with the Lord’, each notated in brown ink, titled to front covers and signed, one dated ‘Juillet ‘93’, 35 x 27cm; also an inked manuscript for ‘Poet’s Corner’ music by Berthold Tours and words by Alfred Phillips; inked manuscripts and printed music for arrangements of ‘Sing me to Sleep’ by Edwin Greene; letters and correspondence about and from Edwin Greene; together with printed music scores for ‘Floretta’ by Mr Sydney Hubert Page (co-founder of the firm) under the pseudonym of Fabian Rose and further printed material and agreements etc., pertaining to the publishing business Footnote: Alfred Phillips and Sydney Hubert Page entered into partnership as music publishers in 1884.

In the same year they commissioned Charles Gounod to compose the popular setting of ‘The King of Love My Shepherd is’. They also went on to publish further works by the acclaimed composer to include ‘O Divine Redeemer’. With regard to secular music the firm looked to Edwin Greene whose greatest success with the public was probably the song ‘Sing me to Sleep’. £300-500

155. ERIC MASEFIELD (20TH/21ST CENTURY) A lady playing the violin, signed, oil on board, 34 x 39.5cm £40-60

157. 17TH CENTURY DUTCH SCHOOL An evening feast with music and dance, oil on canvas, 56 x 75cm £600-800

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Watercolours and Oils Lots 158-464

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158. ALFRED OLIVER (1886-1921) A woodland in Spring and Autumn, a pair, signed, oil on panel, 12 x 16.5cm (2) £300-400

159. WILLIAM BARNES WOLLEN (1857-1936) ‘M.I. and artillery moving on to a position’, signed, titled and inscribed ‘Pretoria 1900’, also inscribed ‘To Capt.

Waite 10th Hussars, Prince of Wales’, pencil and grey washes, 34 x 49cm £40-60

160. PAUL FLAUBERT (1928-1994) A lady seated in a wooded clearing, signed, oil on panel, 17.5 x 22.5cm £80-120

161. PAULINE S. HALL (1918-2007) ‘Patas Monkeys II’, signed, watercolour, 56.5 x 36.5cm

162. EVA ALDBROOK (b.1925) ‘By the Window’, signed with initials, oil on canvas, 59.5 x 49.5cm £100-200

163. BERNARD FLEETWOOD WALKER (1892/93-1965) The toy dolls, signed, oil on board, 49 x 59cm £300-400

164. * AGRICOLA Still life - a basket of mixed flowers upon a table top, signed, oil on canvas, 62 x 75cm £100-200

With the Mall Galleries £30-50

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165. AN OLD RUSSIAN ICON painted with the Joy of All Who Sorrow, in colours on a brown ground, 32 x 27cm £200-300

166. GERALD ACKERMANN (1876-1960) An open landscape with trees, signed, watercolour, 23.5 x 35.5cm £50-80

167. WILLIAM JOHN CHARLES PITCHER (1858-1925) ‘Peasants Act I, signed ‘Wilhelm’ and dated 1901, inscribed with title, watercolour, 17.5 x 25.5cm £80-120

168. J * GIRAND River landscape with trees, signed, pencil and grey washes, 29.5 x 21.5cm £40-60

169. ATTRIBUTED TO SIR DAVID WILKIE (1785-1841) Landscape in the Holy Land 1840/1, inscribed with title in pencil to support board, with a pencil study verso, watercolour, 9.5 x 20cm

170. 19TH CENTURY CONTINENTAL SCHOOL Figures in a romantic landscape setting, gouache, 11.5 x 17cm £60-80

Prov: R.W. Alston and Leonard G. Duke Collections according to pencil notes verso £200-300

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171. AGNES HOLDING Still life, a nest of eggs with apple blossom, Dieppe, signed, watercolour, 22 x 26.5cm; and one further watercolour - ‘Street in Dieppe’ attributed to Charles Goddard Napier, 41 x 27cm, the latter item unframed (2) £50-80

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172. ROBIN DARWIN (1910-1974) ‘Over the Severn from Haresfield Beacon’, signed and dated ‘35, watercolour heightened in white, 25 x 34cm £40-60

173. DOUGLAS PINDER (1886-1949) ‘Tavy Cleave’ and ‘Bren Tor’, a pair, signed, watercolours, 44 x 73cm (2) £80-120

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174. 19TH CENTURY SCHOOL Portrait of a Greek revolutionary warrior in Byronic pose, with long dark hair, buttoned tunic, waistcoat and gun pouch, oil on canvas, 78 x 63cm £800-1200

175. 17TH CENTURY DUTCH SCHOOL Still life - a vase of mixed flowers on a ledge, oil on canvas, 58 x 43cm £500-700

176. 17TH CENTURY DUTCH SCHOOL ‘The Blind See’, possibly signed with initials ?J.S., oil on panel, 68 x 83cm, in period pine frame carved in relief £1000-2000

179. JOHN ALFRED WHEELER (1821-1903) A fox terrier, signed, oil on canvas board, 14.5 x 20cm; and one further similar, 14 x 15.5cm (2) £500-600

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178. FRANK REYNOLDS (1876-1953) ‘Golfer (very much off his game) - One Round Nearer The Grave’, signed, pen and inks, 22 x 27cm; and two further by the same hand (3) £100-200

177. CIRCLE OF JOHN WOOTTON (c.1682-1765) A bay racehorse with groom and mounted horseman, oil on canvas, 62 x 75cm £2000-3000

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180. PATRICIA HEDGES ‘Quiet Corner, Tunisia’, signed, watercolour, 37 x 27cm; and thirty three further by the same hand, all unframed (34) £40-60

182. HENRY BARLOW CARTER (1803-1867) ‘Storm off Whitby’, signed, watercolour, 16.5 x 23.5cm £150-250

181. JOSEPH FRANCOIS VILLEVIEILLE (1826-1916) ‘Fishing from a Stream’, signed, indistinctly inscribed on reverse and dated 1878, oil on panel, 12 x 19.5cm £200-300

183. FREDERICK CARTER (1885-1967) ‘Boarding House Horrors’, pen and ink, 21 x 17cm Prov: Appleby Brothers, Ryder Street, St James’s, London £30-50

184. WILLIAM RIDGEWELL (1881-1937) ‘Discipline’, signed and titled, original cartoon, pen and ink, stamped on reverse with date ‘7th February 1934’, 35.5 x 28cm £60-80

185. THOMAS ROWLANDSON (1756-1827) ‘A Babe Cruel Man’, signed and titled, sepia inks and colour washes, 13 x 7.5cm £800-1200

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186. ELIZABETH SOUTHERDEN BUTLER (1846-1933) ‘Un de la Vieille 1815’, signed with initials, dated 1915 and inscribed with title, watercolour, 48 x 29.5cm; and J Hastee? - Gondolas, Venice, signed, watercolour, 25 x 36cm (2) £200-300

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187. OSBERT LANCASTER (1908-1986) ‘Combien de Kilometres D’Ici a Stow-Sur-le-Wold, s’il vous plait’, signed, pen, ink and colour wash cartoon with typed tablet below dated ‘30.XII.77’, 24.5 x 13cm £80-120

188. NICHOLAS BENTLEY (1907-1978) ‘Agatha Christie’, signed and titled, pen and ink cartoon, 13 x 15cm £40-60

189. ANTHONY VANDYKE COPLEY FIELDING (1787-1855) Shipping at low tide, signed, watercolour, 16.5 x 25cm £200-300

191. WALTER ERNEST WEBSTER (1878-1959) ‘An Attentive Friend’, signed, watercolour, 59 x 39cm £500-700

190. A * TURNER A Yarmouth fishing smack and further sailing vessels off the coast, signed, oil on canvas, 29 x 59.5cm £250-300

192. ANDREW MACCALLUM (1821-1902) Figures in a street with mosque, signed, dated 1873 and inscribed ‘Cairo’, watercolour, 66 x 49cm £300-500

193. LEONARD STOPPANI (1919-1989) An amorous couple, signed and dated ‘52, charcoals, 58.5 x 40.5cm £80-120

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195. CHINESE SCHOOL A bird perched upon a tree branch, watercolour, 29.5 x 37cm; and four Chinese character mark studies (5) £20-40

196. THOMAS ADOLPHUS FALCON (1872-1944) ‘Studland Church, Dorset’, signed with monogram, inscribed with title on reverse, watercolour and pastel, 40 x 44cm £100-200

197. MAX LUDBY (1858-1943) ‘River Crossing’, signed and dated 1902, watercolour, 24.5 x 36.5cm £100-120

198. ETHEL BAYNE (exh. 1905) The Demon Golfer, signed and dated ‘09, watercolour, 29 x 17cm £50-70

199. JANICE THOMPSON ‘Effy’, signed and dated 1980, oil on board, 22 x 16.5cm £80-120

200. MANNER OF GUIDO RENI Study of a female saint looking towards the heavens, pencil and sepia chalks, 15.5 x 14cm £30-50

201. CECIL LAWRENCE BURNS (1863-1929) ‘Uran, Bombay’, signed and inscribed with title, watercolour, 31.5 x 47.5cm; and one further by the same hand - The Dal Lake, Kashmir, 32.5 x 49cm (2)

202. A * B * BURNS A collection of twelve works by or attributed to A.B. Burns to include landscapes and a still life, various sizes (12)

Note: Cecil Lawrence Burns was principal of Camberwell School of Arts & Crafts 1897-1899 and Principal of Bombay School of Art 1899-1918 £100-200

Note: A * B * Burns was married to the artist Cecil Lawrence Burns £80-120

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194. AN OLD ILLUMINATED MANUSCRIPT LEAF, double sided, with seventeen lines of Latin text in gilt and colours on vellum, 14.5 x 9cm £80-120

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203. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a young boy with siblings in a landscape, watercolour, 38 x 32cm £300-500

204. HARRY FIDLER (1856-1935) Woman feeding chickens, signed, oil on canvas, 49.5 x 59.5cm With the John Davies Gallery £300-400

205. MARY REMINGTON (b.1910) Still life - a green glass wine bottle, copper jug, mushrooms and lemons, on a cloth covered table surface, signed and dated 1987, oil on board, 34 x 45cm With the Fosse Gallery, Stow-on-the-Wold £200-300

206. 19TH CENTURY ENGLISH SCHOOL A figure in classical dress with putti representing Music and the Arts, a pair, sepia drawings, 19 x 14cm oval; L Morgan - River landscapes, a pair, signed, watercolours, 33 x 21cm; and a hand-coloured engraving (5) £40-60

207. ANTHONY ROBERT KLITZ (1917-2000) Manchester Cathedral, signed, oil on canvas, 44 x 34cm £150-250

208. ANTHONY ROBERT KLITZ (1917-2000) Horse Guards Parade, signed, oil on canvas, 49 x 100cm £400-600

209. JAMES GREIG (1861-1941) Magdalen Bridge, Oxford, signed, watercolour, 46 x 31cm £80-120

210. JAMES GREIG (1861-1941) Thatched Cottage, Selworthy, signed and inscribed ‘Selworthy’, watercolour, 36.5 x 44cm £40-60

211. BERNARD CECIL GOTCH (1876-1963) Black Poplars at Binsey, signed, watercolour, 25 x 36.5cm £60-100

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213. * CHAPMAN (20TH CENTURY) ‘Crécy-la-Chapelle’, signed and dated ‘84, signed again and inscribed with title verso, oil on canvas, 44.5 x 53cm £80-120

214. MICHAEL BROCKWAY (b.1919) ‘Gloucester Docks’, signed and dated 1974, watercolour, 27 x 37cm

215. H * F * HOOKE View in Hamelin, watercolour, 33 x 45cm; and Cornelius Pearson (1805-1891) - River landscape with artist sketching, signed and dated 1868, watercolour, 19 x 41cm (2) £50-100

216. WILLIAM CALLOW (1812-1908) ‘Canale Della Posta, Venice’, signed and dated 1876, watercolour and body-colour, 40 x 32cm

217. ENGLISH SCHOOL (EARLY 20TH CENTURY) Portrait of an wizened Oriental lady, indistinctly signed with initials CNB? and dated 1935, watercolour, 19 x 14cm; and a further study of a gentleman by the same hand, 39 x 27cm (both unframed) (2) £50-100

218. EDNA B. DE MAURICE Arlington Mill, Gloucestershire 1982, signed, watercolour, 16 x 26.5cm; N * A * Canning - ‘Winter Evening’, signed, watercolour, 26 x 36cm; and a study of a tiger, signed ‘Nikki’, 55 x 45cm (3) £50-100

219. 19TH CENTURY CHINESE SCHOOL Portrait of a lady with fan, watercolour on pith paper, 20 x 10cm; and one further - an archer, 20 x 12cm (2) £30-50

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212. HILARY GODDARD (b.1935) Landscape in Spring, signed, inscribed verso and dated ‘96, oil on canvas, 39 x 75cm £60-80

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With Foord & Dickinson £4000-6000

Artist’s label verso £60-80

220. 19TH CENTURY ENGLISH SCHOOL A farming family with goat in a farmyard setting, oil on canvas, 41 x 34cm £60-100

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221. FOLLOWER OF WILLIAM DOMMERSON A bustling harbourside town, oil on canvas, 69 x 106cm (unframed) £100-200

222. ARCHIBALD THORBURN (1860-1935) ‘Blackgame’, signed, pencil and watercolour, 9.5 x 9.5cm

223. ARCHIBALD THORBURN (1860-1935) ‘Shag’, signed with initials and dated ‘March 25th 1915’, watercolour, 16 x 12cm

With Holland & Holland £200-300

With Holland & Holland £300-500

224. BEN HOSKYNS (b. 1963) Stag in Winter, signed with initials, watercolour, 19 x 25cm

225. JOHN MITCHELL (20TH CENTURY) ‘Mon Fils’ Winner 2000 Guineas 1973 Derby Runner 1973 (Karl Hatfield Up) Owner Jack Davis, signed and dated 1973, watercolour, 25 x 35cm £40-60

226. RAYMOND WILLIAM ROBERTS (20TH CENTURY) Woman and fruit tree, oil on canvas, 51 x 61cm (unframed); and one further work by the same hand, 8 x 11cm (2) £40-60

227. BARBARA LAWRENCE (20TH CENTURY) Clandon Park, West Clandon, Surrey, signed and dated 1986, watercolour, 39.5 x 53cm £30-50

228. JOHN FORD (20TH CENTURY) A collection of approximately eighteen pencil sketches and watercolours, mainly figurative and formal subject matters, varying sizes, unframed Note: Some of the above designs were used for the book ‘Borneo Jungle’ - Oxford University expedition led by Tom Harrison £50-100

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With Holland & Holland £200-300

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229. SARAH WELLS PAGE (1855-1943) Portrait of Mrs Malony seated in a chair, signed and inscribed ‘A Chere Md Molony souvenir bien affections de S Page’, oil on canvas, 39.5 x 31.5cm

230. WILLIAM HENRY COLLIER (d.1853) Portrait of Mrs Gayer (née Whitty) wearing a silk dress with yellow shawl and holding a flower posy, signed and inscribed “Posthumous”‘, oil on board, 39 x 29cm £300-500

The lot is sold together with a pair of hand-tinted photographic portrait miniatures, each depicting a further member of the Malony family 8.5 x 5.5cm £300-500

231. STUART SCOTT SOMERVILLE (1908-1983) The Lake of Death - A Corner of the Seventh Nyamgassani Lake at 12,500 feet on Ruwenzori, with tree heathers and the giant blue spike of Lobelia Wollastonii, signed and dated 1935, oil on canvas, 54 x 44cm Note: The painting was reproduced for the fly leaf of Synge, Patrick M. ‘Mountains of the Moon An Expedition to the Equatorial Mountains of Africa’ pub. E.P. Dutton & Company New York £200-300

232. STUART SCOTT SOMERVILLE (1908-1983) River landscape with palm trees, faintly signed, oil on board, 34 x 29cm £80-120

234. ATTRIBUTED TO STUART SCOTT SOMERVILLE (1908-1983) Still life - a vase of mixed flowers on a marble ledge, oil on canvas, 61 x 51cm £200-300

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233. STUART SCOTT SOMERVILLE (1908-1983) Landscape with wise man, signed with monogram, grey wash drawing, 32 x 26cm; and assorted unframed sketches £50-100

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235. JACOB EPSTEIN (1880-1959) ‘Epping Forest’, signed, watercolour, 57 x 45cm Exh. The Redfern Gallery Oct. 1936 £1500-2000

236. ATTRIBUTED TO EDWARD MILLINGTON SYNGE (1860-1913) Coastal view with distant town, watercolour, 23.5 x 34cm; and Eric Leazell (20th Century) - ‘Majorcan View’, signed, watercolour, 18 x 40.5cm (2) £40-60

238. FREDERICK GOODALL (1822-1904) Portrait of a Marsh Arab, signed with monogram and dated 1871, oil on canvas, 51 x 34cm £700-900

237. GEOFFREY HAMILTON RHOADES (1898-1980) A wooded clearing, signed with initials, oil on panel (with further work verso), 26 x 34cm; and companion, a pair (2) Geoffrey Rhoades, art teacher at Ruskin School, Oxford 1953-1972 £300-500

240. ALISON MACGREGOR GRIMLEY (CONTEMPORARY) ‘Das Lied von der Erde (Song of the Earth)’, signed and titled verso, oil on canvas, 100 x 80cm £80-120

241. ALISON MACGREGOR GRIMLEY (CONTEMPORARY) ‘Breaker Four’, signed and titled verso, oil on canvas, 90 x 90cm £80-120

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239. 17TH CENTURY SCHOOL The discovery of the cup in Benjamin’s sack on the return to Canaan, oil on panel, 49.5 x 78cm £300-500

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242. 20TH CENTURY ENGLISH SCHOOL Figure study, oil on canvas, 91 x 91cm £100-200

243. CECILY OSMOND SMITH (1917-2005) A reclining nude, inscribed verso, oil on board, 59 x 90cm £50-100

244. KARL HAGEDORN Van Eyck Square, Bruges, signed and dated ‘47, pen, ink and watercolour, 35 x 51cm £40-60

245. RICHARD PHENE SPIERES (1838-1916) ‘Church at Bourg Charante’, watercolour, 33.5 x 25cm

246. BERT LANE A ramshackle cottage, signed, watercolour, 19 x 29cm £40-60

247. EDWARD JONES ‘Caring’, signed and dated ‘87, oil on canvas board, 34 x 24cm £40-60

249. 20TH CENTURY ORIENTAL SCHOOL Figure study, impressed with oriental seal marks in red and inscribed ‘Hanoi’ and dated ‘99, pen, ink and gouache, 21 x 15cm £40-60

250. CIRLE OF LAURA KNIGHT (1877-1970) A female classical dancer, bears signature, pencil drawing, 16.5 x 11cm

Prov: Christies sale 21 February 1958 Lot 43 (one of three) and sold together with photostats of relevant pages of catalogue £250-300

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248. 19TH CENTURY ENGLISH SCHOOL Still life - a vase of mixed flowers with bee, watercolour and gouache, 29 x 24cm £80-120

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Reputedly from Papworth House £40-60

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251. JEAN-ROBERT ANGO (d.1773) The faint Madonna supported by one of the three maries after Daniele da Volterra, pencil drawing, 12 x 20cm; and a study of two women seated attributed to Maurice Feild (1905-1988), pencil and sepia chalks, 29 x 24cm (2) The first part of lot ex Christie’s sale no. 5954 lot 279 April 21st 1998 (part) £50-80

252. ADOLPHE FELIX CALS (1810-1880) A Winter landscape with solitary figure, signed ‘Cals X’ and dated 1859, oil on canvas, 28 x 40cm oval £400-600

253. SAMUEL EVANS (1762-1835) Farmyard with resting cattle, signed and inscribed ‘Eton 1807’, pencil drawing, 25 x 35.5cm With Jeremy Maas & Co. Ltd £80-120

254. ENRIQUE CASTELLS CAPURRO (1913-1987) Cowboys on horseback, signed and dated ‘79, pen, ink and watercolour, 36 x 53cm With the Tryon Gallery Ltd £300-500

256. JOHN WARD (20TH CENTURY) ‘Christie’s’, signed and dated 1967, pencil and watercolour, 45 x 31cm

With Spink of London £100-200

Exh: Jeremy Maas & Co. Ltd, John Ward Exhibition 1967 no. 35 £80-120

257. JOHN MACWHIRTER (1839-1911) ‘Late Autumn Braes of Bulguidder’, signed ‘MacW’, watercolour, 25 x 34cm £30-50

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255. JOHN DOYLE (b.1928) ‘San Giovanni e Paulo, Rome’, signed, watercolour, 27 x 45cm

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259. LUIGI AMATO (1898-1961) Portrait of a gentleman wearing cream shirt and buttoned red waistcoat, signed and inscribed ‘930’, pastels, 51 x 42cm £300-500

258. LUIGI AMATO (1898-1961) Mother and child, signed and inscribed ‘Anacaprio 938’, pastels, 48 x 62.5cm £300-500

260. W * VIZARD Portrait of Frances Augustus Coombs (née Griffith’s) aged 67, finely dressed, seated in a chair and with open book to her hands, signed and dated ‘89, oil on canvas, 57 x 47cm

261. J * H * B * Portrait of a young boy seated in a chair, signed with initials, watercolour, 26 x 16cm £40-60

262. CHARLES WIRGMAN (1832-1891) ‘Louvain’, inscribed with title, pencil and colour washes, 11 x 15cm £50-70

264. EDITH MARY GARNER (b.1881) A French market square, signed, watercolour, 25.5 x 35.5cm; and one further similar, probably by the same hand (2) £40-60

265. ERNEST ALBERT CHADWICK (1876-1955) ‘The Ford, Hampton in Arden and Packhorse Bridge’, signed, watercolour, 37.5 x 54cm £100-200

With further genealogical details regarding the sitter to typed label verso £100-200

263. WILLIAM HENRY GORE (act.1880-1927) Landscape with horses drinking from a river, signed, oil on canvas, 34 x 52cm

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Exh. Newbury District Museum May 1988 No. 23 ‘Paintings by W. Henry Gore’ £80-120

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266. JACK M. DUCKER (act.1910-1930) ‘Hazlemere Farm, Surrey - Sleepy Hollow’, signed, inscribed with title verso and dated 1926, oil on canvas, 35 x 58cm £80-120

269.

FREDERICK THOMAS DAWS (1878-c.1956) Portrait of a greyhound ‘Westcrofter’, signed and dated ‘27, oil on panel, 26 x 34cm; and two further similar (3) £300-500

267. GEORGE SMITH A family by the fireside, oil on panel, 19.5 x 24.5cm; and two further pictures after A de Savatek and Frances Miles (3) £100-200

268. HENRY RYLAND (1856-1924) River landscape with fishermen, signed, oil on canvas, 37 x 54.5cm £150-200

270. WILLIAM WILLIAMS OF PLYMOUTH (1808-1895) A drover with cattle in a hillside landscape, signed, watercolour, 29 x 45cm £100-120

271. ODIN ROSENVINGE (1880-1957) Kantara, Suez Canal, signed and inscribed ‘Kantara 1918’, watercolour, 22.5 x 42.5cm £250-350

273. SIMEON STAFFORD (b. 1956) ‘Falmouth’, signed, oil on canvas, 76 x 102cm, unframed £500-700 272. HENRY JOHN DOBSON (1858-1928) Interior with mother feeding a child upon a stool, a cradle nearby, signed, oil on canvas, 49 x 59.5cm £500-700

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Two Portrait Drawings by Dante Gabriel Rossetti Lots 274 and 275 depict respectively the English physician and poet Dr Thomas Gordon Hake (1809-1895) and his son George Gordon Hake (1847-1903), both of whom were to become great friends of Rossetti in the artist’s later years.

Rossetti first became aware of Dr T.G. Hake through publications of his poetry, which the artist admired greatly. They first met in 1869 and communicated by post for the next nine years, exchanging views and advice on the art of poetry.

Not long after their first meeting Rossetti’s health deteriorated dramatically and Dr T.G. Hake became a great aid, companion and physician to him, even taking him into his own home in Roehampton in 1872. At the same time his son, George Gordon Hake, was visiting from Oxford and assisted in caring for Rossetti. Together with the artist and poet William Bell Scott they accompanied Dante Gabriel to a house in Scotland placed at his disposal to promote his recovery. From there they moved on to a farmhouse at Trowan, which is where these drawings were executed.

George had thoughts of pursuing a career in journalism but Rossetti persuaded him to stay on instead as his secretary and companion, first at Trowan and from September 1872 at Kelmscott. Their working relationship continued until 1877, when the artist’s ferocious temper became too much to bear although George remained a helper and a friend.

George Gordon Hake went on to have a distinguished career as an archaeologist, working for the British colonial authorities in Cyprus, and many of his finds can still be seen in the British Museum. His later life, until his death, was spent in Mashonaland, East Africa, and his papers are to be found in the archives of Rhodes House, Oxford.

The drawings are unusual in their depiction of men rather than women and mark Rossetti’s return to comparative normality after the complete breakdown of his health. They are an extraordinary feat of draughtsmanship at such a turbulent period in the artist’s life. Indeed, excluding the portrait of Theodore Watts-Dunton, the artist’s brother, William Michael Rossetti, believed them to be the best of Dante Gabriel’s male portraits.

For further information please see William Gaunt ‘Two Portrait Drawings by Dante Gabriel Rossetti’ (The Connoisseur December 1942). A copy of this article is available for viewing at the saleroom.

274. DANTE GABRIEL ROSSETTI (1828-1882) Portrait of Dr Thomas Gordon Hake, signed with monogram and dated 1872, conté crayon, 44 x 29.5cm Exh: Royal Academy of Arts, London Rossetti Exhibition 1973 No.74 Illus: The Frontispiece for “The Poems of Thomas Gordon Hake”, Elkin Matthews and John Lane (pubs), London 1894

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Prov: By family descent £10000-15000

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275. DANTE GABRIEL ROSSETTI (1828-1882) Portrait of George Gordon Hake, conté crayon, 43 x 31.5cm Exh: Royal Academy of Arts, London, Rossetti Exhibition 1973 No.75 Prov: By family descent £20000-30000

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276. JACQUES-EMILE BLANCHE (1861-1942) ‘New College, Oxford’, signed, inscribed with title verso, oil on canvas 59 x 86cm £2000-3000

277. CIRCLE OF MARY BEALE (1633-1699) Portrait of a lady with shoulder length curly hair and wearing a dress décolletté within an oval architectural surround 75 x 62cm £800-1200

278. SEYMOUR JOSEPH GUY (1824-1910) Portrait of John Ruskin, signed with monogram ‘’SJ’ Guy N.Y.’ (New York) and dated 1897, oil on canvas, 30 x 25cm Seymour Joseph Guy, artist and member of the National Academy of Design, born and trained in London but emigrated to New York in 1854 Footnote: In the mid to late 1890’s Ruskin’s great friend William Holman Hunt arranged one of the foremost photographers of the day Frederick Hollyer to photograph Ruskin at his home in Brantwood, Coniston where Hunt may well have also arranged the pose.

Whereas an oil copy of the photograph by Dutch artist Garschagan executed in 1902 is known, the above painting executed five years earlier in date

by Seymour Joseph Guy appears also to be a copy of the photograph which has, until recently, not been recorded. (for further information please see Dr. James S. Dearden ‘The Portraits of John Ruskin’ pg. 180)

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Provenance At some stage sold by Hirschl & Adler Galleries, Fifth Avenue, New York to an American Collector as ‘English School’. £5000-8000

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279. PIETRO GALTER (1840-1901) Venetian fishermen at sunset, signed, oil on canvas, 25.5 x 43cm; and companion, a pair (2) £1000-1500 280. JEAN BAPTIST MALCHAIR (1729-1812) ‘The South Side of St Mary Magdalen College Grove from Recollection. Feb. 18.1795. Oxon’, watercolour, titled to backing sheet and with a further pencil sketch verso, 23.5 x 34.5cm, mounted but unframed £200-300

281. SAMUEL PROUT (1782-1852) Fishermen hauling boats onto a beach beside a jetty, pen, ink and watercolour over pencil, 18 x 27cm Engraved: Lithographed by Samuel Prout for ‘Microcosm’: The artist’s sketchbook of groups of figures, shipping, and other picturesque objects 1841, part pl. II Exhibited: London, Lowell Libson Ltd Watercolours and Drawings 2003 No. 37 London, Lowell Libson Ltd British Watercolours 2014 No. 34 £300-500

282. WILLIAM TURNER OF OXFORD (1789-1862) Haymaking - Study from nature in Osney Meadow, near Oxford, looking towards Iffley, signed and inscribed ‘Oxford’, painted in 1854, watercolour and gouache, 25 x 35cms Collections: Frederick Parker Morrell, c.1838-1908; Harriette Morrell, widow of the above, 1925; Morrell sale, Knight, Frank & Rutley, Black Hall, Oxford, 28 April 1925, lot 169, bought 4 gns; Mrs Warren, purchased at the above sale; A.P. Warren, by descent, 1971; R.E. Alton MC; by descent to 2011 Literature: Susie O’Reilly, Christopher Titterington and Timothy Wilcox, William Turner of Oxford (1789-1862) exhibition catalogue, 1984-5, cat no. 79, repr. p. 73 Exhibited: London, The Royal Society of Painters in Watercolours, 1854, no.78 (5gns); Thos. Agnew & Sons, London, January-February 1972; Woodstock, Oxfordshire County Museum, William Turner of Oxford (1789-1862), 1984-5, touring exhibition to The Bankside Gallery, London, and The Museum and Art Gallery, Bolton, cat. no. 79 £2000-3000

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283. JOHN ‘WARWICK’ SMITH (1749-1831) Cilgerran Castle on the river Teifi, Pembrokeshire, with a figure carrying a coracle, watercolour, 15 x 22cm Collections: Mrs E.P. Frankel; Private Collection, USA, 2009 Exhibited: London, Agnew, 105th Annual Exhibition of Watercolours and Drawings, 1978, no. 39; London, Lowell Libson Ltd, British Watercolours, 2014, no. 9 £300-500

284. WILLIAM TURNER OF OXFORD (1789-1862) New College from Parkland, oil on board, 19.5 x 24.5cm £300-500

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287. WILLIAM COLLINS (1788-1847) Cockle gatherers off the coast at low tide, signed and dated 1831, oil on canvas, 49 x 62cm £300-500

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285. CIRCLE OF JOHN VARLEY (1778-1842) A cottage facade with figures, a pair, watercolours, 11 x 24cm (2) £300-500

286. GEORGE JONES (1786-1869) Tomb House, Windsor Castle, brown wash drawing heightened in white, 12.5 x 18.5cm

288. JOSEP MYRET ALEU (1912-1999) Still life - a lustre vase bowl and oranges upon a patterned table covering, signed and dated 1962, oil on canvas, 53 x 64cm £100-200

289. DAVID SIMONSON (1831-1896) Portrait of a young child with curly brown hair wearing a coral necklace and pleated white dress, signed and dated ‘Wien 1862’, oil on canvas, 39 x 34.5cm oval; and one further portrait of a child similarly dressed, 41 x 38cm oval (2) £600-800

Ex. Colln. H.S. Reitlinger (1822-1950) £200-300

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291. CIRCLE OF SIR PETER LELY (1618-1680) ‘John Gaches Chaplin to Charles II’ inscribed with title and ‘an:aet:54 painted

by Sir Peter Lilly (sic)’, oil on canvas, 69 x 56cm, unframed £200-400

290. CONTINENTAL SCHOOL (EARLY 19TH CENTURY) Portrait of a young girl, her white frilled dress tied by a turquoise waistband and holding an open book, oil on canvas, 58 x 47cm oval £400-600

293. ROWLAND HILL (1915-1979) ‘In a Southerly Wind’, signed, inscribed with title to label verso, oil on canvas, 44 x 59cm £120-150 292. 17TH CENTURY ITALIAN SCHOOL A bacchanalian revelry, oil on canvas, 68.5 x 86cm £2000-3000

295. SIMON HART (b.1969) Church of St Peter’s, signed and dated ‘96, mixed media, 66 x 39.5cm With the Century Galleries Ltd, Henley £100-200

296. KARL GERHRTS (1853-1898) A river landscape with cattle and farm hand, signed, pen and ink, 19.5 x 38cm £40-60

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294. ANDRE SALOMON LE TROPÈZIEN (20TH CENTURY) A Mediterranean harbour with sailing boats, signed, artist label verso, oil on panel, 23 x 33.5cm £120-150

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299. ENGLISH SCHOOL (EARLY 19TH CENTURY) ‘Dolgelly Post Boy’, indistinctly signed with initials, inscribed with title and dated ‘Aberystwith (sic) 1805’, watercolour, 20 x 31cm £30-50

298. ARTHUR FREEMAN (b.1933) ‘Fisherman Working No.1, signed and dated ‘77, watercolour, 24 x 18.5cm

301. RICHARD HENRY WRIGHT (1857-1930) ‘Dent Blanche’, signed, titled and dated 1912, watercolour heightened in white, 17.5 x 25.5cm, unframed £80-120

302. A * W * ‘View Near Henley’, signed with initials, oil on panel, 27 x 35cm

304. CHARLES JAMES MCCALL (1907-1989) A standing nude, signed, charcoals, 37 x 24cm £80-120

305. NIELS HANS CHRISTIANSEN (1850-1922) Figures in a winter woodland setting, signed and dated 1887, oil on canvas, 75 x 125cm £200-300

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297. ELEANOR IRELAND (b.1926) ‘Danescombe Valley, The Tamar’, signed, mixed media, 34 x 49cm £60-80

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With the Thackeray Gallery, Kensington Square, London £50-70

The panel stamped ‘Lechertier Barbe Ld. London S.W’ Inscribed ‘Alan Walton’ in pencil verso £80-120

300. AN INDIAN MINIATURE painted with a hunting on horseback scene, gouache, 9.5 x 14.5cm £30-50

303. ATTRIBUTED TO PHILIPP PETER ROOS (ROSA DI TIVOLI) (1655-1706) A group of sheep in landscape setting, oil on canvas, 76 x 102cm; and companion, a pair (2) £2000-3000

306. W * B * ‘The Tudor House’ and ‘Harvard House’, signed with initials, watercolour and body-colour, 55 x 76cm £80-120

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307. 18TH CENTURY ITALIAN SCHOOL The Nativity, oil on copper, 23 x 17.5cm in period tortoiseshell veneered and ebonised frame £1000-1500

309. 17TH CENTURY ITALIAN SCHOOL ‘S. Fran. S. Antonii et S. Clara’, oil on copper against a gilded background, 14.5 x 20cm, unframed £800-1200

312. THOMAS BUSH HARDY (1842-1897) A fishing boat at sea with further shipping beyond, signed and dated ‘87, watercolour and body-colour, 76.5 x 49cm

310. 18TH CENTURY ITALIAN SCHOOL The Virgin Mother and Child with St. John, oil on copper, 7.5 x 5.5cm oval in carved giltwood frame £200-300

313. GARSTIN COX (1892-1933) A wooded pool with distant cottage, signed, oil on canvas, 49 x 60cm £300-400

With letter of provenance attached verso £500-700

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311. ENGLISH SCHOOL (EARLY 19TH CENTURY) Landscape with cattle watering at a river and church in the distance, oil on canvas, 43.5 x 58cm £200-300

308. 18TH CENTURY CONTINENTAL SCHOOL The Virgin Mary watching over the Sleeping Christ Child, oil on copper, 22.5 x 17cm; in giltwood and gesso frame £300-500

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315. ALAN FURNEAUX (b.1953) ‘Joyosa Boats’, signed (beneath mount), gouache, 41 x 76cm £150-200

316. EDWIN SWAN (b.1873) A leisurely read, signed and dated 1911, oil on canvas, 38 x 50cm £200-300

317. * ROSSI A Neapolitan fisher boy smoking, signed, oil on canvas, 37 x 24cm £100-150

318. MAURICE CODNER (1888-1958) ‘The Cum Hola River, County Clare, Eire’, signed, oil on canvas board, 29 x 34cm

319. PETER BURMAN (b.1950) Sailing vessels at low tide, signed, watercolour, 24.5 x 35cm £40-60

320. AFTER WILLIAM MULREADY ‘The Last In’, watercolour, 17 x 24cm £60-80

321. ATTRIBUTED TO FREDERICK GOFF (1855-1931) The Thames at Greenwich, signed, watercolour, 11 x 19cm £100-150

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314. GARSTIN COX (1892-1933) A rocky stream with silver birch trees, signed, oil on canvas, 63 x 76cm, unframed £250-300

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Exh. The Royal Institute of Oil Painters, Piccadilly, London £80-120

322. JOHN KOENAKEEFE MOHL (1903-1985) African village with labourers, signed and dated ‘56, oil on canvas board, 40 x 50cm £200-300

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323. RENÉ SHAPSHAK (1899-1985) Interior with nude, signed, oil on canvas, 41 x 31cm unframed £40-60

324. INDIAN SCHOOL A canopied terrace with figures, gouache, 33 x 23cm; and one further similar (2) £50-100

325. B * CHITOV (20TH CENTURY RUSSIAN) The Great Procession, signed in cyrillic and dated 1998, watercolour, 8 x 56cm £60-80 326. JULIEN CREYTENS (1897-1972) Boats docked at a harbour jetty, signed, oil on canvas, 62 x 75cm £100-200

327. 19TH CENTURY ENGLISH SCHOOL The Spires of Oxford, inscribed ? ‘14 A2’, oil on black lacquer panel, 34cm tondo £300-400

328. AN OLD ILLUMINATED MANUSCRIPT LEAF decorated with Latin text in gilt and colours, double-sided, 18 x 13cm £100-200

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329. WILLIAM HENRY WILLIAMSON (1820-1883) A fishing boat off the coast, signed and dated 1857, oil on canvas, 18 x 36cm; and companion, a pair (2) £50-100

330. JOHN NEWBERRY (b. 1934) The Sluice at Osney Lock, signed, watercolour, 18 x 18cm; and one further - Sun in clouds from Cabo Girao, signed, watercolour, 15 x 23cm (2) Exhibited at Sanders Oxford 1979/1980 respectively £60-80

331. SYDNEY LEE (1866-1949) ‘The Cathedral Close, Rochester, Kent’, signed and indistinctly dated, oil on panel, 22 x 38.5cm Artist’s label verso £60-80

333. WILLIAM GAUNT (b.1900-1980) Dejeuner sur I’Herbe, signed, dated 1971 and inscribed with title, watercolour, 38 x 56cm

334. SANDRA PEPYS (20TH CENTURY) ‘Cloud and Sunshine over Jerusalem, signed, oil on canvas, 45 x 61cm

With Michael Parkin Fine Art £60-80

With Michael Parkin Fine Art £80-120

With Duncan Campbell Contemporary Art £200-250

335. 20TH CENTURY ENGLISH SCHOOL Sailing vessels, Brixham Harbour, indistinctly signed, oil on board, 60 x 121cm £100-200

336. H * SILK A day at the beach, signed, watercolour, 33 x 47cm £50-100

337. VINCENT BROWN (1901-2001) Snow capped landscape with buildings, signed and dated ‘36, oil on board, 37 x 43cm £100-200

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332. ERNEST HEBER THOMPSON (1891-1971) The Lake, Annecy, signed with initials, watercolour, 24 x 34cm

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339. FREDERICK WILLIAM HULME (1816-1884) ‘Pyrford Church, Surrey’, signed, inscribed with title verso, oil on canvas, 48 x 38cm £300-400

338. HUBERT WELLINGTON (1879-1967) Stroud Canal, variously inscribed verso and with artist’s label, oil on panel, 18 x 22cm £80-120

340. ANNA L MICHON Brittany Cottages, signed, oil on canvas, 59.5 x 49.5cm £60-80

341. 19TH CENTURY NEAPOLITAN SCHOOL British men-o-war in the bay of Naples with Vesuvius erupting, 40 x 63cm £80-120

342. SAMUEL JOHN LAMORNA-BIRCH (1869-1955) ‘The Lilt of a June Day Deveronside’, signed and dated 1944, inscribed with title to artist’s label verso, oil on canvas, 62 x 75cm £3000-5000

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343. CLAUDE SPERO (19TH/20TH CENTURY) A busy market square, signed, indistinctly inscribed with title ‘Le Festive du...’, watercolour, 41.5 x 68cm (arched) £300-500

344. JOHN DENTHAM-DINSDALE (1927-2008) ‘The Dar Pomorza’, ‘The Gorch Fock’ and ‘The Eagle’, a group of three watercolours, two signed, 32 x 41cm (X1) and 41 x 32cm (X2) (3)

345. PAUL FLAUBERT (1928-1994) ‘Jeune Fille au Jardin’, signed, oil on panel, 23 x 17.5cm £60-100

From a portfolio of ten watercolour drawings of sailing ships both past and present executed especially to celebrate ‘The Tall Ships’ of New York 1986 £100-150

346. ATTRIBUTED TO JAN WYNANTS (1632-1684) Landscape with rampaging figures outside a thatched barn, oil on copper, 15 x 20cm £300-500 347. JEAN EVE (1900-1968) ‘Le Pont de Bray-Lu’, signed, inscribed with title to stretcher verso, oil on canvas, 45.5 x 53.5cm With Arthur Tooth & Sons June 1954 and sold together with purchase invoice £200-400

348. JOHN DOWNMAN (1750-1824) Portrait of a lady, side profile, wearing a frilled bonnet and with shoulder length curly hair against a landscape setting, signed and dated 1784, pencil, colour chalks and watercolour, 21 x 16cm

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The sitter is believed to be Mary ‘Perdita’ Robinson, actress, Royal mistress, feminist, poet and novelist £500-700

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349. JOHN NIXON (c.1750-1818) Figure study, signed with initials, numbered 112 and inscribed ‘Brighton’, watercolour, 18 x 12.5cm £80-120

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350. J * Y * GUINNESS? An open landscape from a wooded country pathway, indistinctly signed and titled verso, oil on canvas, 45 x 66cm £80-120

351. * VIGNAT A coastal bay, French Riveria, signed, oil on canvas, 37 x 59cm £100-200

353. IAN ADLEY (20TH CENTURY) ‘Mrs Norris - Anna Massey Episode One. Mourning 1806’, pen, ink and watercolour, costume design for the BBC Television adaptation of Jane Austen’s Mansfield Park directed by David Giles, signed and dated 1982 and inscribed with title, 40.5 x 28cm £40-60

354. CLARE HUBER Head and shoulder portrait of the poet laureate Ted Hughes, signed and dated ‘97, pen and inks, 20 x 14.5cm (arched) The work is executed in the form of fish hooks and reproduced in the angling magazine ‘Waterlogged’ £30-50

352. 19TH CENTURY ENGLISH SCHOOL View from a bay Tantallon Castle looking towards Bass Rock, signed ‘D Cox’ and dated ‘49, watercolour, 22.5 x 36.5cm; together with a further work in the manner of David Cox with fishermen at a rocky stream, 21 x 28cm; and a pen and ink sketch figures at a cottage door reputedly from a notebook of Peter de Wint, 19.5 x 29cm (3) £50-100

357. ENGLISH SCHOOL (LATE 18TH/EARLY 19TH CENTURY) Landscape with trees, bears signature ‘Thos.

Gainsborough’, oil on panel, 16 x 20cm £80-120

355-356 No Lots Lots 359 – 368 are a collection of works by Martin Hardie (1875-1952) keeper of Prints and Drawings at the Victoria and Albert Museum and writer on watercolours. They were previously in the collection of the American author and scholar Morton Norton Cohen (1921-2017).

359. MARTIN HARDIE (1875-1952) A church in a marshy landscape, signed, watercolour, 21 x 36.5cm Prov. Christies June 18th 1974 Lot 124 Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £50-70

360. MARTIN HARDIE (1875-1952) Cherry Blossom in Thunderstorm, Villa Pisano, Arquato, signed and dated 1918, watercolour, 19.5 x 15cm Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £40-60

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358. MAXIME DETHOMAS (1867-1929) Seamstress with Montmartre behind, signed with monogram, charcoal and watercolour, 49 x 67cm £100-200

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361. MARTIN HARDIE (1875-1952) Sens Cathedral, Bourgogne from the river, signed, watercolour, 23 x 34cm

362. MARTIN HARDIE (1875-1952) ‘Beginning of Spring, Arquata’, signed and dated ‘Ap 1918’, watercolour, 16.5 x 22cm

Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £60-80

With Abbot & Holder August 1983 Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £40-60

363. MARTIN HARDIE (1875-1952) ‘The Madonna of the Fishermen, Chioggia’, signed and inscribed ‘Chioggia’ and dated 1925, watercolour, 37 x 24.5cm

364. MARTIN HARDIE (1875-1952) Vetheuil on the Seine, Val d’Oise, signed, inscribed ‘Vetheuil’ and dated 1924, watercolour, 28 x 47cm

365. MARTIN HARDIE (1875-1952) The Valley at Mouthiers Near Angouleme, signed, watercolour, 32.5 x 53cm

366. MARTIN HARDIE (1875-1952) Landscape, probably Italy c.1918, signed, watercolour, 21.5 x 28cm

Prov. With Christies 1974 Thomas Agnew

Prov. Sothebys 6 November 1974 Lot 13 (from the collection of the artist’s younger son)

Prov. Sothebys sale 2 October 1974 Lot 25

Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £80-120

Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £100-150

367. MARTIN HARDIE (1875-1952) The Basilica of Notre Dame Cathedral, Boulogne, signed and inscribed ‘Boulogne 1917’, watercolour, 27.5 x 16.5cm

368. MARTIN HARDIE (1875-1952) Suffolk trees August 1938, signed, watercolour, 23 x 31cm

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Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £60-80

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Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £40-60

Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £80-120

With documentary information from Dr Frank Hardie attached verso Ex. Colln. Professor Morton Norton Cohen, University of New York, Guggenheim Humanities Fellow, Author, Biographer of Lewis Carroll and collector of Martin Hardie paintings £40-60

369. FOLLOWER OF SAMUEL PROUT (1783-1852) A figure collecting water at a wellhead in a continental landscape with tower behind, bears signature ‘Rubens Santoro’, watercolour, 26 x 20.5cm £40-60

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370. CIRCLE OF JOHN RUSSELL (1745-1806) Shoulder length portrait of a lady wearing a mob cap and pleated silk neck scarf, pastels, 58 x 48cm and companion painting of a young girl with dog in an interior, a pair, 58 x 48cm (2) £1000-1500

371. HILARY HENNES (née Miller) (b. 1919) Sheep shearing, gouache and watercolour, 39 x 46cm and four further similar but mounted on two, mounted but unframed (5) £100-200

372. BRUNO DI SOPRA (20TH CENTURY) African figures dancing, signed and dated 1940, inscribed ‘Fantasia’, pen, ink and watercolour, 24.5 x 36.5cm £40-60

373. MAJOR GENERAL HENRY HOPE CREALOCK (1831-1891) ‘The Evening Star that Rises Over Sebastopol at Sunset visible from the Eagles Nest with the Naked Eye of a Clear Evening’, signed and variously dated, inscribed with title, pen and inks, 27 x 41.5cm, unframed £100-200

374. ANTHONY MCHALE A family seated around a fire place, side, pen, ink and watercolour, sketched for publication, inscribed with notes, 35 x 40cm, mounted but unframed; and two photographic prints, one by Charles Bennett - View in New Zealand, the other - A View at Coogee, New South Wales, Australia, all mounted but unframed (3) £80-120

375. CLAUGHTON PELLEW-HARVEY (1890-1966) A river landscape with sluice gate in Summer, signed with monogram, watercolour, 24 x 34.5cm

376. CONTINENTAL SCHOOL (EARLY 19TH CENTURY) Portrait of a gentleman wearing bow tie, dark waistcoat and green jacket, his right arm resting upon a chair, oil on canvas, 41 x 31.5cm in gilt and gesso French empire style frame £80-120

377. ADAM EAST (19TH CENTURY) Snipe in a wooded clearing, signed, pencil and watercolour, 12.5 x 9.5cm; and C * C * (19th Century) ‘Red Grouse’, signed with initials, dated 1831 and titled, pencil and watercolour, 16 x 18cm (2) £80-120

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With Austin Desmond Fine Art £200-300

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379. J* TERY Landscape with solitary figure and distant castle, signed, oil on board, 12 x 17cm £50-80

380. 20TH CENTURY ENGLISH SCHOOL A moored sailing vessel with town beyond, oil on plywood panel 26 x 33cm; and one further by the same hand (2) £50-100

381. JOHN EDWIN NOBLE (1876-1941) The Sheep Pen, signed and dated 1933, watercolour, 39 x 37cm £100-150

382. ATTRIBUTED TO CHARLES ROWBOTHAM (1856-1921) ‘The Conway Valley North Wales’, inscribed with title and dated 1882, watercolour and body-colour, 25 x 49.5cm; together with Reginald Mills (exh. 1921-1938) The Thirsty Calf, signed, watercolour, 26.5 x 36.5cm (2) £50-100

383. I * E * The baby lambs, signed with monogram, watercolour, 21 x 29.5cm; and two further by the same hand, 21 x 29.5cm and 19.5 x 27.5cm (3) £50-100

384. GIUSEPPE RIVA (1834-1916) A tender moment, signed and inscribed ‘Roma’, watercolour, 49.5 x 36.5cm £200-300

385. ENGLISH SCHOOL (EARLY 19TH CENTURY) Bust length portrait of a gentleman with grey hair wearing white collar and dark jacket, oil on canvas, 39 x 34cm £80-120

386. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a boy archer in a landscape, oil on canvas, 111 x 86cm, unframed £200-300

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378. WILLIAM GEORGE JENNINGS (1763-1854) Figures on the Heath, Hampstead, oil on board, 9.5 x 13.5cm £100-150

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388. MANNER OF ROGIER VAN DER WEYDEN Portrait of a lady in traditional dress with town and clock tower beyond, oil on panel, 53 x 33cm £500-700

387. 19TH CENTURY CONTINENTAL SCHOOL Odysseus seeking refuge beneath a tree, oil on canvas, 100 x 70cm (unframed) £400-600

390. JOHN VARLEY JNR (1850-1933) ‘The Ghants from Nessil Duncan’, signed and dated ‘91, watercolour, 17.5 x 25cm With Sotheby Beresford Adams 29/10/81 £40-60

391. WILLIAM LANGLEY (1880-1920) ‘Ardinglass Castle’, signed and dated 1892, watercolour, 24 x 35cm £80-120

392. THOMAS BARKER OF BATH (1769-1847) Figures collecting water from a rocky outcrop with coastal bay in the distance, signed with monogram, oil on canvas, 23.5 x 39cm £200-300

393. CIRCLE OF ANDREA LANDINI (1847-1912) A game of chess, indistinctly signed and inscribed ‘Roma’, watercolour, 51 x 35cm £200-300

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389. 19TH CENTURY FRENCH SCHOOL Des Champs Elysée, oil on panel, 13.5 x 23cm £600-800

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394. CHARLES LOW (c.1860-c.1920) View of a farm across a pond, signed, watercolour, 26 x 37cm £80-120

395. CHARLES LOW (c.1860-c.1920) Landscape, probably Hambledon, signed, watercolour, 24 x 38cm £80-120

396. MILES BALMFORD SHARP (1897-c.1981) A Channel Islands view with fort, signed and dated ‘27, oil on board, 31.5 x 39.5cm £80-120

398. ATTRIBUTED TO ANNIE SWYNNERTON (1844-1933) Portrait of a lady wearing a fur trimmed maroon dress and with distant hills beyond, oil on canvas, 59 x 49cm £600-800

397. MILES BALMFORD SHARP (1897-c.1981) Landscape with gate, signed, oil on canvas, 50 x 60cm £80-120

399. JOHN WHITE (1851-1933) ‘Morning on the Cliffs near Falmouth, Cornwall’, signed, watercolour, 28 x 46cm

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With Eland’s Art Gallery, Exeter £400-600

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400. ALISON PULLEN (20TH CENTURY) ‘Chiswick House’, signed and dated ‘97, collage and mixed media, 27 x 22.5cm £40-60

401. JUAN SOLER (b. 1951) A Glorious Winter Day, signed, oil on canvas, 26.5 x 21cm £200-300

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402. BERNARD HICKEY (20TH CENTURY) Saint Guiraud, Provence, France, signed watercolour 30 x 39.5cm; Valerie Petts (20th / 21st Century) ‘ Port Meadow Sunset II’, signed watercolour, 10 x 19cm; and another similar by Valerie Petts 9 x 18cm (3) £40-60

403. ROBERT WINTER (1872-1930) River landscape with distant church, signed watercolour, 35 x 52cm; and follower of Peter de Wint, landscape with distant hills, watercolour, 18.5 x 30cm (2) £30-50

404. MATT GROGAN (b.1947) Still life, a green jug with mixed flowers upon a table surface in an interior, with window beyond, signed, oil on board, 33.5 x 52.5cm £800-1200

405. JACK PAUL HANLON (1913-1968) View from the villa, signed, watercolour, 14 x 20cm £150-250

406. J* LIGHT (19TH CENTURY) ‘The bud and the blossom’, signed and inscribed with title, pencil drawing 23 x 16.5cm; and 19th Century English school, a courting couple glancing past Cupid, pencil drawing and wash, 22.5 x 18cm (2) £80-120

407. N*E*R* The Flower Market, signed with initials and dated ‘93, watercolour, 20 x 32cm £40-60

408. THOMAS FAED (1826-1900) A young maiden with basket by a wooden style in a country landscape with church in the distance, signed, oil on canvas, 90 x 69.5cm £1000-1500 409. FOLLOWER OF SIR THOMAS LAWRENCE (1769-1830) Portrait of a lady with dog and portrait of a gentleman holding a book, a pair, oils on canvas, 76 x 64cm, unframed (2) £200-400

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411. ROGELIO EGUSQUIZA (1845-1915) Still life - Hollyhocks, signed and dated 1886, oil on board 71 x 35cm

413. FOLLOWER OF J.M.W. TURNER (1775-1851) A lake view with boats and distant ruin at sunset, oil on canvas 43 x 53cm £150-250

414. ROBERT LENKIEWICZ (1941-2002) Portrait of the holiday camp magnate Billy Butlin, oil on canvas, 49 x 47cm

416. FOLLOWER OF J.M.W. TURNER (1775-1851) Gateway at Thun, Switzerland, pencil drawing, 23 x 30.5cm £100-120

417. CYRUS CUNEO (1879-1916) ‘Rosina Caught Her Breath as She Saw a Figure rise from the seat of the Gondola and help Fiametta in’ signed mixed media, watercolour and en grisaille heightened in white, 36 x 26cm (unframed) £80-100

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410. JAMES GARDEN LAING (1852-1915) ‘On the Solway-Annan’, signed and titled, watercolour, 29.5 x 45cm £100-150

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with the Calton Gallery, Edinburgh £250-300

with certificate label attached verso £100-150

412. STANLEY GRIMM (1891-1966) Still life - a stoneware vase of sunflowers, signed, oil on canvas, 70 x 50cm £150-250

415. 19TH CENTURY ITALIAN SCHOOL Portrait of a lady in traditional costume within an interior, indistinctly signed, watercolour 34 x 24cm £50-80

418. LAWSON WOOD (1898-1957) Design for a frieze, these sectional watercolours numbered 1,4 and 5, one signed with initials and dated ‘20, each 14 x 31.5cm, another similar three sectional frieze, together with further related material and assorted brown wash drawings attributed to Ted Kautzky (1896-1953) and a watercolour by T L Hare £80-120

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420. MAURICE TAQUOY (1878-1952) Getting ready for the hunt, signed, pen, ink and watercolour, 11 x 14.5cm £50-80

422. CLARKSON STANFIELD (1793-1867) ‘Arch of Constantine, Rome’, and ‘Fish Market, Rome’, two watercolours, 20 x 14.5cm and 18.5 x 13cm respectively (2) Provenance Purchased from Exhibitions at the Noel Gregory Gallery, Farnham Common c.

1979/1980 £500-800

424. DAVID SIMONDS (b. 1961) Tony and Cherie Blair in an industrial setting in the manner of Gainsborough, signed pen, ink and watercolour, 12 x 16cm, mounted but unframed, and an exhibition poster for the British-Danish Cartoon Exhibition after Riddell-’Oh God, Not Maastricht Agagin’, 76 x 52cm (both unframed) A copy of the above poster is in the Cartoon Museum £50-80

421. ATTRIBUTED TO MATTHIEU IGNACE VAN BREE (1773-1839) Madonna and Child, stamped with artist’s initials, ink and sepia wash, 14.5 x 12cm, oval, mounted but unframed £100-200

423. CLARKSON STANFIELD (1793-1867) The Doge’s Palace venice, watercolour, 6.5 x 9cm; four further to include, The Bridge of Sighs, 10.5 x 7cm; Leaning Tower, Bologna, 10 x 6.2cm; Abbey Ruins, 9 x 6.5cm; Italian street scene with arcaded building, 9 x 6.5cm; a self portrait pen and ink sketch, signed in pencil and dated 1840, 7.5 x 6cm, and a Tyne & Wear Museums 1979 Clarkson Stanfield exhibition catalogue (7) Provenance Purchased from Exhibitions at the Noel Gregory Gallery, Farnham Common c.

1979/1980 £1000-1500

425. E* MOURETTI (20TH CENTURY) Venetian canal with gondola, signed, oil on canvas, 53 x 109cm £300-500

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419. FOLLOWER OF THE BARBIZON SCHOOL A church across a moonlit river from a wooded pathway, oil on panel, 10.5 x 18cm £50-80

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426. * CHAVET A summer day by the river, signed oil on canvas, 60 x 90cm £80-120

427. SAMUEL HENRY ALKEN (1810-1894) Leading through a fence, clearing a fence, clearing a hedge, and a heavy tumble, a set of four, all signed and one dated 1881, pencil and watercolour, 21.5 x 29cm (4) with Galerie George, 96-98 George Street, London £300-500

428. ALFRED FREDERICK WILLIAM HAYWARD (1856-1939) A workshop interior, signed, oil on board, 43 x 33xm £80-120

429. ERIC FREDERICKS ‘The White House Thatcham (Garden View); and ‘The White House’, two, signed, pen, ink and watercolour 20 x 28cm and 19.5 x 22cm ; and 20th Century Russian School; abstract, signed, gouache, 50 x 35cm (3) £40-60

430. 19TH CENTURY ENGLISH SCHOOL Portrait of an elegant young lady seated in a chair, her hair in ringlets and wearing a lace trimmed green dress and adorned with jewellery, oil on canvas, 91 x 74cm £200-400

431. CIRCLE OF SIR ANTHONY VAN DYCK (1599-1641) Portrait of Charles Prince of Wales later Charles II, oil on canvas, 149 x 93cm A version of the portrait at the Newport Restoration Foundation, Newport, Rhode Island £2000-3000 432. DAVID COX (1783-1859) ‘Eton’, signed, inscribed with title and dated 1820, watercolour, 17 x 25cm

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With Sanders of Oxford 1979 and sold together with purchase invoice £200-300

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434. PERCY LANCASTER (1878-1951) ‘Grassington’, signed and inscribed with title, watercolour, 23 x 33cm With P & D Colnaghi & Co Ltd; together with John C. Halfpenny (19th/20th Century) - ‘Woodland, Woods at Lytchett Matravers’, signed, inscribed to artist label verso, watercolour (2) £50-100

435. JOHN VARLEY (1778-1842) River landscape with figures, watercolour, 19 x 24.5cm £100-150

436. HENRY JOHN SYLVESTER STANNARD (1870-1951) ‘Biddenham near Bedford’, signed, watercolour, 25 x 35.5cm £100-200

437. CIRCLE OF HENRY ALKEN (1810-1894) The Hunt, oil on canvas, 44 x 49.5cm £100-200

438. JOSEPH DODD (1809-1894) ‘Screen and Altar, Dixmude Church, Belgium’, signed ‘J Dodd Bangor, N.W.’, inscribed with title and dated 1884, also variously inscribed verso, watercolour, 44 x 31cm £100-200

439. * FAIRBAIRN Portrait of a mature lady wearing a bonnet, signed, watercolour, 32 x 25cm £30-50

440. 19TH CENTURY ENGLISH SCHOOL View from a wooded hillside looking towards a lake, oil on board, 30.5 x 23cm (unframed) £100-120

441. JULES PASCIN (1885-1930) A party in full swing, signed, pen and ink and wash ‘en grisaille’, 15 x 20cm £250-300

With Sanders of Oxford 1978 and sold together with purchase invoice £60-100

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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433. THOMAS COLLIER (1840-1891) Newbury Common, signed, watercolour, 23 x 33.5cm

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442. PIOTR NIKITOVICH RESHETNIKOV (1936-2003) River landscapes near Moscow, Summer and Autumn, a pair, signed and dated 1992, inscribed verso, 78 x 138cm (2) £200-400

443. JAMES SEYMOUR ADAMS (act. 1883-1888) The Goose Girl, signed and dated ‘88, oil on canvas, 29 x 45cm £200-300

444. GEORG SCHONREITER (c.1840-1883) A Winter Day, signed, oil on canvas, 40 x 67cm £100-200

445. 20TH CENTURY THAI SCHOOL Paddy field with labourers, indistinctly signed ‘Ti/Margoy’ and dated ‘71, further inscribed verso ‘Bangkok Thailand’, oil on canvas, 39.5 x 29.5cm; and a 20th Century beach scene signed ‘Monty’, oil on canvas, 32 x 39.5cm (2) £40-60

446. JULES SANDEE Feeding the ducks, signed, oil on panel, 19.5 x 24cm; and a farm scene in the manner of Georgina Lara, oil on board, 21 x 28cm (2) £40-60

447. CIRCLE OF ALBIN ROBERTS BURT (1783-1842) Portrait of a gentleman seated in a bergere chair, watercolour, 26.5 x 21.5cm £50-70

448. CIRCLE OF HENRY EDRIDGE (1768-1821) A young girl with dog in a landscape with urn, pencil and wash drawing, 23 x 14cm £200-300

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449. WILLIAM PITT (act. 1851-1890) Figures outside a gabled cottage, signed with monogram and dated 1859, watercolour, 17 x 22cm; and a pair of 19th Century botanical studies, watercolours, 19.5 x 14cm (3) £50-80

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450. LOUIS ROBERT JAMES (1920-1996) ‘Farm Wagon’, signed and dated ‘54, oil on canvas, 39.5 x 49.5cm £300-500

451. ITALIAN SCHOOL (17TH/18TH CENTURY) Tobias and the Angel, pen and inks, numbered ‘57’, 15 x 19cm (unframed) £80-120

452. ATTRIBUTED TO FRANZ XAVIER WINTERHALTER (1805-1873) Drapery study, signed, pencil drawing, 15 x 13.5cm; and a further head study, 10.5 x 15cm, each mounted on one sheet; together with a pencil drawing of a traveller in a wooded landscape signed J.B. Nixon and dated 1813, 44 x 32cm; and two further works, all but one unframed (4) £80-120

453. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a lady, her hair tied by a black ribbon, and wearing a white dress with coral necklace, pencil and watercolour, 17 x 14cm oval £80-120

454. AFTER JOHN MICHAEL WRIGHT ‘Sir John Strangeways’, watercolour, 22 x 15cm (unframed) £30-50

456. 20TH CENTURY FRENCH SCHOOL ‘November, Paris’, oil on panel, 33 x 24cm Variously inscribed in pencil verso £40-60

455. AFTER LEONARDO DA VINCI Self portrait, oil on panel, 19.5 x 16cm £100-150

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457. GERTRUDE HARVEY (1879-1966) Swooning Lovers, faintly signed, oil on board, 49 x 40cm £300-500

458. T.T. HEWENSTI AFTER SIR EDWIN LANDSEER Portrait of a dog’s head, inscribed and dated 1838, oil on canvas, 44.5 x 59.5cm £300-400

460. T * S * ‘St Thomas’ Hospital’, signed with initials and dated 1908, pastels, 17 x 24cm £40-60

461. LT. COLONEL K.A. PLIMPTON ‘Old Prison, Burford’, signed, oil on panel, 32 x 40cm £80-120

462. W * J * JACKSON Pug dogs startling a cat, signed, oil on canvas, 51.5 x 69cm, unframed £150-200

463. PETER L’ESTRANGE (20TH CENTURY) ‘Radcliffe Camera’, signed and dated ‘76, oil on paper, 24 x 16cm

464. ITALIAN SCHOOL (19TH CENTURY) Portrait of a gentleman, half length, with grey hair, black coat and stock, and wearing a medal group, signed ‘Vallone, Napoli 1841’, verso, oil on canvas, 21.5 x 18cm £100-200

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459. MICHAEL BROCKWAY (b. 1919) Ridge of the black mountains, signed, pen, ink and watercolour, 11 x 30cm £50-80

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* With the Bohun Gallery £60-80

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Miniatures Lots 466-477

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466. 18TH CENTURY CONTINENTAL SCHOOL Portrait of a gentleman, side profile, wearing grey powdered wig, grey jacket and embroidered floral waistcoat, gouache, 16 x 12cm oval £100-200 467. PHILIP AUGUSTUS BARNARD (c.1820-c.1890) Portrait of two sisters, full length, one with flower posy, faintly signed, watercolour, 22 x 18cm £50-70

469. CONTINENTAL SCHOOL (18TH/19TH CENTURY) Salvator Mundi, oil on copper panel, 6.8 x 5.5cm, with moulded gilt frame £100-200

468. ENGLISH SCHOOL (EARLY 19TH CENTURY) Three sisters in an interior with red curtain, on ivory, 11 x 10cm; and companion, a pair (2) £150-250

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470. FRENCH SCHOOL (19TH CENTURY) Portrait of a gentleman, bust length, with blue coat and white chemise, pastel on copper panel, oval, 11.5 x 9cm £60-80

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471. 19TH CENTURY ENGLISH SCHOOL ‘Hon. Georgiana Mary Amelia Bloomfield b.1809 M. Henry Trench of Carngort Park 1836’ and ‘Hon. Harriott Bloomfield (1806-1901) m. Colonel Thomas Kingscote 1833’, a pair, watercolours, 16.5 x 11.5cm oval; and ‘Henry Trench of Cangort Park’, 13 x 9.5cm oval (3) £100-150

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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473. J FISHER OF BRISTOL (fl. 1849-1858) ‘Francis Synge August 19, Seven Years Old in June 1844’ and ‘Emily Francis Synge August 19 Nearly Nine Years Old 1844’, a pair, each signed and dated 1844, watercolours, 11 x 9cm; together with a 19th Century silhouette depicting the same sitters in a landscape, pencil, wash and cut paper heightened in gilt, 17 x 26.5cm in maple frame (3) £200-300

472. ENGLISH SCHOOL (EARLY 19TH CENTURY) Harriott, 1st Lady Bloomfield (1776-1868), on ivory, 7 x 5.5cm oval £40-60

474. J FISHER OF BRISTOL (fl. 1849-1858) ‘Margaret Synge, wife of Francis Synge’ and ‘Jane Bathurst Elder Sister of Margaret Synge’, a pair, signed and dated, watercolours, 17 x 14cm oval; and one further - ‘Jane Harkness neé Law, wife of Revd Robert Harkness’, signed, watercolour, 20 x 15.5cm oval (3) £150-250

477. 19TH CENTURY ENGLISH SCHOOL Portrait of a young lady wearing floral bonnet and white dress, her right hand poised towards her chin and with landscape beyond, on ivory, in morocco leather covered hinged and glazed case, 10 x 7cm £50-80

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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476. AFTER SIR JOSHUA REYNOLDS Portrait of Mrs Siddons, watercolour on ivory, 4 x 3cm, oval in gilt metal frame, cast with fruiting vine decoration £40-60

475. J FISHER OF BRISTOL (fl. 1849-1858) Shoulder length portrait of a lady with long black hair wearing a blue dress, signed, watercolour, 12 x 9.5cm £60-80

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Frames and Easels Lots 480-490

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480. A 19TH CENTURY CONTINENTAL GILTWOOD FRAME, the border carved with fruiting vine decoration, rebate size 25.5 x 20.5cm £60-80

481. A 19TH CENTURY ROSEWOOD FRAME with moulded and gilded inner slip, rebate size 45 x 61cm; and another similar, rebate size 29.5 x 66cm, each currently incorporating a pencil drawing attributed to Alexander Wust (1837-1876), the latter inscribed ‘Norway ‘63 (2) £40-60

482. A SET OF THREE LATE 19TH CENTURY GILT AND GESSO FRAMES with cabochon and scroll ornament to the corners, rebate sizes 52 x 41cm (3) £150-250

484. A LATE VICTORIAN ARTIST’S OAK STUDIO EASEL, the height adjustable rest operating by a turned and ebonised screw and with crank handle, 74cm wide x 206cm high £300-400

483. A PAIR OF 19TH CENTURY GILT GESSO FRAMES, each surmounted by Royal Shield and with further moulded ornament and trophies to the sides and apron, currently incorporating lithographs of Queen Victoria and Prince Albert, rebate size 48 x 39cm, oval (2) £80-120

486. AN EDWARDIAN EASEL FRAME, the border painted with scrolling foliage in William Morris style on a cream ground, with label verso inscribed ‘Beatrice Cameron, 70 Mortimer Street, Regent St.’, rebate size 24 x 19cm £40-60

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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485. A PAIR OF 19TH CENTURY OVAL GILT AND GESSO FRAMES moulded with floral sprays, rebate sizes 23.5 x 28cm; and one further similar but smaller frame (3) £30-50

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488. AN OAK EASEL of typical form with folding legs adjusting by an iron wing nut, approximately 186cm high £40-60

487. A 19TH CENTURY GILT GESSO FRAME in William Kent style with projecting upper corners centred by a Coat of Arms and floral swags, currently incorporating an engraving of Marie Antoinette after Rossline, rebate size 79 x 59cm With The Rowley Gallery Ltd label verso £80-120

T 489. A FRENCH EMPIRE GILT AND GESSO FRAME with lamb’s tongue sight and plain hollow with swan and cornucopia corners, rebate size 75 x 61cm £100-200

490. A 19TH CENTURY GILT AND GESSO FRAME, the border moulded with anthemion decoration, rebate size 59 x 43.5cm £40-60

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The Collectors’ Sale ENTRIES INVITED Closing date 15 November

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BUYERS TERMS & CONDITIONS DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate. (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer. (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents. (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions. (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) “You”, “Your”, etc. refer to the buyer as identified in BIDDING PROCEDURES AND THE BUYER. (h) The singular includes the plural and vice versa as appropriate.

BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise.

The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22.5%. This premium is subject to VAT at the rate imposed by law.

VALUE ADDED TAX (VAT) Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

You may pay for purchases in a number of ways: Bank Transfer, Cheque, Debit card, Cash and Credit card to a maximum of £2000.00 (plus 2.28% VAT inc. on Business and Non-EEA cards).

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 1. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

2. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

3. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

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5. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930’s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyer’s responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre- 1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. Authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. Confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via thesaleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price.

DATA PROTECTION Personal data obtained about you will be used in accordance to our Privacy Policy. A copy of our Privacy Policy can be found on our website www.mallams.co.uk or requested by post from our Data Officer, Catherine Leach at Bocardo House, St Michael’s Street, Oxford, OX1 2EB, or by Email from privacy@mallams.co.uk.

Chinese, Japanese & Asian Art

Mallams

30th & 31st October 2019 CHELTENHAM

A Chinese bronze figure of a Daoist-priest, late Ming 32cm high.

From a Gloucestershire private collection Estimate ÂŁ4000 - 6000

Jewellery,Watches & Silver 13 November 2019 Oxford

Sale enquiries: Louise Dennis FGA DGA 01865 241358 or louise.dennis@mallams.co.uk www.mallams.co.uk

Mallams 1788

MALLAMS

Mallams

THE ART & MUSIC SALE 23RD OCTOBER 2019

www.mallams.co.uk

The Art & Music Sale Wednesday 23rd October at 11am OXFORD