The Picture Sale - 10th July 2019 - (Mallams Oxford) by Mallams Auctioneers

Mallams 1788

The Picture Sale Wednesday 10th July 2019 at 11am OXFORD

Indian & Islamic Art Thursday 12th September 2019 | Cheltenham

Entries Invited Closing date: Friday 23rd August

Large Safavid tinned-copper basin Iran, 17th Century Esitimate ÂŁ800 - 1200

Enquiries: william.fisher@mallams.co.uk 01242 235712 Grosvenor Galleries, 26 Grosvenor Street, Cheltenham GL52 2SG www.mallams.co.uk

The Picture Sale 10th July 2019 at 11am Oxford

Order of Sale Prints

1-79

Maps

80-90A

Miniatures

91-101

Watercolours and Oils

102-511

Frames and Easels

512-520

Viewing Saturday 6th July 9am to 1pm Monday 8th July 9am to 5pm Tuesday 9th July 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not. The absence of a frame in the photograph does not necessarily indicate that the work is unframed. To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding. Condition reports: oxford2@mallams.co.uk Important notice: Buyers premium 27% inclusive of VAT on each lot Please note that condition reports are not printed in the catalogue or on our website. However, we are happy to provide them when requested, subject to our terms and conditions of sale. The absence of any reference to condition in any discription doesnot imply the lot is without fault.

Auction

Mallams Bocardo House 24a St. Michael’s Street Oxford OX1 2EB

Bids 01865 241358

To bid via the internet please go to www.the-saleroom.com Or to view the catalogue online go to www.mallams.co.uk

Droit de Suite Important Notices: Changes to the Droit de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droit de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certiﬁcate of authenticity. Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part. ‘Circle of ’ … in our opinion the work is by an artist inﬂuenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%. For items selling above this ﬁgure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams. For more information visit www.dacs.org.uk. Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style. ‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date. ‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time. ‘After’ … in our opinion the work is a copy of a known painting by the named artist. ‘Signed’ … in our opinion the signature is by the hand of the artist stated. ‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

BID IN THE SALEROOM Register at the front desk in advance of the auction, where you will receive a paddle number with which to bid. Take your seat in the saleroom and when you wish to bid, raise your paddle and catch the auctioneer’s attention. LEAVE A COMMISSION BID You may leave a commission bid via the website, by telephone, by email or in person at Mallams’ salerooms. Simply state the maximum price you would like to pay for a lot and we will purchase it for you at the lowest possible price, while taking the reserve price and other bids into account. BID OVER THE TELEPHONE Book a telephone line before the sale, stating which lots you would like to bid for, and we will call you in time for you to bid through one of our staff in the saleroom. If you can’t get to the saleroom in person, a telephone bid still allows you live participation. ONLINE LIVE BIDDING Register online at the-saleroom.com to bid online live as the sale is taking place. You can also watch and hear the auction online. Please be aware that online bidding costs an extra 4.95% plus VAT of the final selling price. OVERSEAS BIDDERS Overseas clients will need to provide proof of identity (a scan of a passport or a national ID card) and payment card details prior to the auction. BUYER’S PREMIUM Each lot is subject to premium on the hammer price of 22.5% plus VAT – a total of 27%. For example: Hammer price – £100 Premium at 22.5% of £100 = £22.50 VAT at 20% of £22.50 = £4.50 Total price – £127 PAYMENT You may pay for your purchases in several ways: debit card, credit card (plus 2.28% VAT Inc. on Business and non-EEA cards), bank transfer, cheque or cash. COLLECTION & DELIVERY It is your responsibility to arrange collection of your purchases within one week of the sale. We do not offer postage from any of our branches. For postage enquiries, please contact the following directly: Pack & Send 01865 260610 or Mailboxes 01865 741729

Prints and Maps Lots 1-90A

THERE IS A PREMIUM OF 22.5% OF THE HAMMER PRICE ON ALL SALES, THIS IS SUBJECT TO V.A.T.

1 AFTER BERYL COOK ‘Sabotage’, print in colours, pencil signed, titled and numbered 224/395, 31cm (octagonal) £80-120 (plus 27%BP*)

4 PAUL GAVARNI (1804-1866) Un ‘Fort’ dont le ‘Trois Six’ est le faible, lithograph for Physionomies Parisiennes, 39cm x 28cm (sh) (titles obscured by the mount)

2 TIFFANY MCNAB (1964-2010) ‘The King and Queen’, etching with aquatint in colours, pencil signed, titled and numbered 7/100 in the margin, 27cm x 19.5cm £30-40 (plus 27%BP*)

5 AFTER HENRI CASSIERS (1858-1944) A harbour with Dutch fisher folk, chromo-lithograph, 39cm x 97cm £20-40 (plus 27%BP*)

3 A GROUP OF EIGHT 19TH CENTURY FRENCH ENGRAVED SNAKE SUBJECTS, hand-coloured, 18cm x 10cm (X 6) and 23cm x 16cm (X 2), framed in one; and a collection of eight botanical engravings, framed in four (5) £40-60 (plus 27%BP*)

6 JOHN FREDERICK LEWIS (1805-1876) The Matador, hand tinted lithograph, 38cm x 28cm £100-150 (plus 27%BP*)

With Folio Fine Art Limited £50-70 (plus 27%BP*)

8A GRAHAM SUTHERLAND (1903-1980) ‘Gateway with setting Sun’, lithograph in colours, numbered 3/175, pub 1981 by Siro Teodorani Editore and in original card folder, 36cm x 27cm (sh) unframed £100-150 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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7 E.T.W. DENNIS OF SCARBOROUGH (PUBS) ‘Torgoch, Alpine Charr’, lithograph, hand tinted for ‘The Angler’, 19cm x 26cm; and five further similar (6) £50-70 (plus 27%BP*)

8 AFTER LOUIS WAIN ‘Blind Man’s Buff’, sepia print, 37cm x 82cm; and three etchings or engravings to include: ‘Unfix Bayonet’ and ‘Fix Bayonets’ after Rowlandson and an etching in the manner of Rembrandt (4) £30-50 (plus 27%BP*)

9 BERNARD SLEIGH (1872-1954) ‘The Land of Heart’s Desire’ (W.B. Yeats), wood engraving, pencil signed in the margin and dated 1921, titled verso and heavily inscribed, 14cm x 19cm £80-120 (plus 27%BP*)

10 CLAUGHTON PELLEW-HARVEY (1890-1996) A botanical fantasy, wood engraving, pencil signed in the margin, 27.5cm x 25cm £200-300 (plus 27%BP*)

11 CLAUGHTON PELLEW-HARVEY (1890-1996) The pine forest, wood engraving, pencil signed in the margin, dated 1925 and numbered 14/20, 8cm x 7cm £80-120 (plus 27%BP*)

13 ARTHUR JOSEPH GASKIN (1862-1928) ‘Thomas of Reading’, woodcut, pencil signed in the margin and titled, 8cm x 9cm Exh: Birmingham Art Gallery 1982 Gaskin Memorial Exhibition (n.32)

15 FREDERICK LANDSEER GRIGGS (1876-1938) ‘Laneham’, etching, pencil signed in the margin, 12.5cm x 11.5cm; two further works by the same hand (one unframed); and a print after Samuel Palmer but inscribed by F.L.Griggs and dated ‘Christmas 1928’ (4) £200-300 (plus 27%BP*)

16 SAMUEL PALMER (1805-1881) ‘The Willow’, etching, 12cm x 8cm; and after Samuel Palmer - ‘A Church Among Trees, A Ganymede Facsimile’, 15cm x 18cm (2) £100-200 (plus 27%BP*)

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12 CLAUGHTON PELLEW-HARVEY (1890-1996) Two swans, wood engraving, pencil signed in the margin, dated 1925 and numbered 12/25, 7.5cm x 10cm £80-120 (plus 27%BP*)

With The Heather Newman Gallery £60-80 (plus 27%BP*)

14 ARTHUR JOSEPH GASKIN (1862-1928) ‘Gathering Winter Fuel’, wood block, inscribed with initials in pencil to border and titled, 12cm x 9cm £40-60 (plus 27%BP*)

17 CHARLES HAZLEWOOD SHANNON (1863-1937) The romantic landscape, lithograph, 22cm x 22cm; and five further works by or after Samuel Palmer (X 2), Marc Chagall (X 2), and Philip de Loutherbourg, all unframed (6) £40-60 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

18 AFTER SIR EDWARD COLEY BURN-JONES Story of psyche, woodblock, 12cm x 8cm (im), 27cm x 20.5cm (sh), unframed £40-60 (plus 27%BP*)

19 WILLIAM HOLMAN HUNT (1827-1910) The abundance of Egypt, etching, 14.5cm x 11.5cm; another - The desolation of Egypt (plate 21 from etchings for the Art Union), 4cm x 10.5cm; and an etching after J.E. Millais, all unframed (3) £80-120 (plus 27%BP*)

20 THOMAS BONNOR (18TH/19TH CENTURY) ‘Sandywell Park’, engraving c.1779, 32cm x 39cm £40-60 (plus 27%BP*)

21 AFTER REMBRANDT ‘Jan Uytenbogaert, Armenian Preacher’, etching, 24cm x 19cm; and three Old Master engravings to include: portrait of Rubens after Van Dyck; classical maidens with cupids; and a Dutch landscape (4) £50-80 (plus 27%BP*)

22 MEYER AFTER STEPHANOFF ‘The Lieutenant of the Yeoman of the Guard’, etching with aquatint, hand-coloured, 40cm x 32cm; and three further to include: Roger Monk Esqr Exon of His Majesty’s Yeoman of the Guard’; memorial to Michael William Balfour; and a Daumier print (4) £30-50 (plus 27%BP*)

23 AFTER HONORÉ DAUMIER ‘Les Avocats et les Plaideurs’ (from Les Gens de Justice), monochrome print, 23cm x 18cm; and five further similar (6) £30-50 (plus 27%BP*)

24 P.W. TOMKINS AFTER F. BARTOLOZZI ‘Affection and Innocence’, stipple engraving in colours, 25cm x 31cm oval £30-50 (plus 27%BP*)

25 GEORGE GUEST (20TH CENTURY) A field with stone wall, hand-tinted lithograph, apparently numbered according to note verso (but unexamined out of frame), 51cm x 76cm £20-40 (plus 27%BP*)

26 WHITTOCK AND HYDE (PUBS) ‘London Westminster and Southwark as they appeared AD 1543...’, engraving on two conjoined sheets, 47cm x 161cm (sh); and two keys (3) £100-200 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

27 DAVID GENTLEMAN (b. 1930) ‘Lord’s Cricket Ground’ and ‘The Interior Lord’s Pavilion’, two lithographs in colours, each pencil signed and numbered 163/195, 45cm x 54cm and 46.5cm x 56.5cm respectively (2) £100-200 (plus 27%BP*)

28 J RYMAN (PUBS) ‘Cricket Match’ (from ‘A Few Recollections of Eton’), hand tinted lithograph, 27.5cm x 38cm With Thomas Agnew & Sons Ltd £50-70 (plus 27%BP*)

29 DAVID KOSTER (b. 1926) ‘Firetails’, etching in colours, pencil signed in the margin, titled and numbered 15/150, 29.5cm x 22cm; and one further by the same hand - ‘Green Finches’, pencil signed in the margin, titled and numbered 33/150, 29cm x 22cm (2) £50-100 (plus 27%BP*)

31 MONICA POOLE (1921-2003) Sluice Gate, wood engraving, signed in pen to the margin, 19cm x 15cm £60-80 (plus 27%BP*)

30 ROWLAND LANGMAID (1897-1956) ‘Tower Bridge’, etching, pencil signed in the margin and titled, 14cm x 21cm £60-80 (plus 27%BP*)

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32 KATHLEEN CADDICK (b. 1937) ‘Border Country’, etching in colours, pencil signed in the margin, titled and numbered 141/150, 24cm x 28.5cm; and five further etchings or prints to include: Gillian Lawson - ‘Clowns’, 14cm x 14cm; Mary George - ‘Hill Ground’, 12cm x 9.5cm; and three works after J.C. Armitage (Ionicus), each signed in pencil to the margin and numbered 32/75, 22cm x 30cm (6) £50-80 (plus 27%BP*)

33 SYDNEY MACKENZIE LITTEN (1887-1934) Interior with Windsor chair, etching, pencil signed in the margin, 32.5cm x 40cm £40-60 (plus 27%BP*)

34 AFTER RAYMOND ALLEN JACKSON (JAK) (19271997) ‘Madam! If ever I am forced into the National Health Service, I sincerely hope you’ll be first under my knife!’, print in colours, 43cm x 54cm £30-50 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

35 J HARRIS AFTER C HANCOCK ‘Satirist, Winner of the Great St Leger Stakes at Doncaster 1841, Rode by Wm. Scott’, aquatint engraving, published by Ackermann, hand-coloured, 37cm x 49.5cm; and one further - R.G. Reeve after J.F. Herring ‘Rowton, the Winner of the Great St Leger Stakes at Doncaster 1829’, 39cm x 48.5cm (2) £100-150 (plus 27%BP*)

36 BOWLES AND CARVER (PUBS) ‘Life and Death Contrasted - Or, An Essay on Woman’, ‘Death and Life Contrasted - Or, An Essay on Man’ a pair, etchings, numbered 518 and 519 respectively, handcoloured, 34.5cm x 24.5cm (2) £100-200 (plus 27%BP*)

37 AFTER ETIENNE ALPHONSE DINET ‘Abdel Ghourem et nour el Ain’, etching, indistinctly signed in pencil to the margin, 40cm x 32cm £40-60 (plus 27%BP*)

38 PAUL JEFFAY (1898-1957) Dock Side, Paris, etching, pencil signed in the margin and inscribed, artist’s proof, 40cm x 49cm £50-70 (plus 27%BP*)

39 MORRIS AFTER SYDNEY PARKINSON ‘A View of the Island of Otaheite with Several Vessels of that Island’ c.1787, engraving, hand-coloured, 21cm x 34cm £30-50 (plus 27%BP*)

40 20TH CENTURY JAPANESE SCHOOL Study of an owl, indistinctly signed in pencil and with seal mark, woodblock print in colours, 38cm x 25.5cm £30-50 (plus 27%BP*)

41 J.H. LE KEUX ‘View from the Parks Oxford Looking South Taken in the Year 1866’, pub, Macmillan & Co, c.1868, engraving for the Oxford Almanack, 1869, 64cm x 40cm; two further framed examples, each of which have calendars attached but folded to fit frames; and fourteen further similar Almanacks, varying dates but unframed (17) £120-150 (plus 27%BP*)

42 HAROLD WYLLIE (1880-1973) ‘A Barque Hove To For a Pilot’ and ‘together with Wind Jammers’, a pair, etchings, pencil signed in the margin, 16cm x 30cm (2) £80-120 (plus 27%BP*)

43 JOYCE HARGREAVES (20TH CENTURY) ‘Children and Carousel Night’, artist’s proof, etching with aquatint in colours, pencil signed in the margin, titled and dated May ‘70, 31cm x 42cm £20-40 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

45 EDWARD BOUVERIE HOYTON (1900-1988) ‘Squall off Maen-a-Vaar, Isles of Scilly’, etching in colours, pencil signed in the margin and titled, 24.5cm x 29cm £80-120 (plus 27%BP*)

44 FRANK HAROLD ROUND (1879-1958) ‘Harlech from Bro Dawel’, etching, pencil signed in the margin and dated 1930, 13.5cm x 24cm £20-30 (plus 27%BP*)

46 AFTER LOUIS WAIN ‘The Dentist’, a pair, early 20th Century prints, handcoloured, 13cm x 19.5cm; and one further - ‘The Ride’, 12.5cm x 19cm (3) £50-80 (plus 27%BP*)

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49 MICHAEL CARLO (b. 1945) Haymaking at Wivenhoe Park, etching in colours, pencil signed, dated ‘89, titled and numbered 22/50 in the margin, 20cm x 27cm; further various prints and engravings to include: two French engravings; four Manchester subjects; ‘Dr Johnson in the Ante-Room of Lord Chesterfield’, ‘Wolsey’s Gate’; a map of Colchester; and a print after Karl Spitzweg - ‘The Bookworm’ (11) £50-100 (plus 27%BP*)

47 GEORGE HUNT AFTER LT JOSEPH MOORE ‘Scene upon the Eastern Road from Rangoon looking towards the South’, Plate 13 from ‘Rangoon views and Combined Operations in the Birman Empire’, etching with aquatint, hand-coloured, published by Kingsbury & Co, 27cm x 37cm £40-60 (plus 27%BP*)

48 SAMUEL PROUT ‘Stonehouse Pool’, lithograph, pub. by T Palser, 26cm x 38cm £20-30 (plus 27%BP*)

50 J. DADLEY AFTER E. DAYES ‘A View of Wadham College from the Garden’, engraving, for the Oxford Almanack 1795, 31cm x 44cm £30-50 (plus 27%BP*)

51 I.W. TEGNER AND KITTENDORFFS (SCANDINAVIAN SCHOOL) AFTER F. RICHARDT ‘Bieresioholm’, lithograph heightened in white, 6cm x 25cm; and thirteen further similar (14) £40-60 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

54 I SMITH AFTER SIR GODFREY KNELLER ‘The Countess of Essex’, mezzotint, 34cm x 25cm; and three further similar (4) £200-300 (plus 27%BP*)

53 WALTER W. BURGESS (1856-1908) ‘In Academia Oxoniae Prospectus’, etching, pencil signed in the margin, 44cm x 68cm £200-300 (plus 27%BP*)

55 JACOBUS HOUBRAKEN ‘Sir Francis Drake’, engraving, 36cm x 23cm; and ten further similar to include Sir Isaac Newton, varying sizes (11) £200-300 (plus 27%BP*)

57 HERBERT DICKSEE (1862-1942) AFTER ROSA BONHEUR A family of lions, etching, pencil signed in the margin, 46.5cm x 65cm £200-300 (plus 27%BP*)

56 ATTRIBUTED TO WILLIAM LIONEL WYLLIE (18511931) The Thames looking towards Tower Bridge, etching, inscribed in pencil ‘W.L. Wyllie’ to margin, 29.5cm x 19cm £80-120 (plus 27%BP*)

58 ANTON LOCK (1893-1970) Winter landscape with horses, etching, signed in pencil with monogram to the margin, 13.5cm x 20.5cm; and one further similar, 16cm x 18.5cm (2) £40-60 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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52 AFTER GEORGE CATLIN The Snow-Shoe Dance, lithograph with hand-colouring, published by Currier and Ives, New York, 30.5cm x 43.5cm; and four prints after Day & Haghe - South African scenes, all mounted but unframed (5) £100-150 (plus 27%BP*)

60 AFTER ROWLAND VIVIAN PITCHFORTH ‘The Dining Hall, St Anne’s College’, print in colours for the Oxford Almanack 1962, 76cm x 56cm; another after Hermione Hammond - ‘Magdalen College, New Buildings from the North’; and ten further similar, mainly 20th Century, all unframed (12) £100-200 (plus 27%BP*)

61 AFTER DAVID GARLAND ‘Keble College Chapel’, print in colours for the Oxford Almanack 1971, 76cm x 56cm; another after Gilbert Spencer - ‘The Radcliffe Camera from Exeter College Garden for the year 1963’; another after David Gentleman - ‘View from the Mitre Hotel for the year 1968’; and ten further, mainly 20th Century, all unframed (13) £100-200 (plus 27%BP*)

62 AN ASSORTED LOT OF PRINTS AND ENGRAVINGS, MAINLY 19TH CENTURY TO INCLUDE: Portrait engravings; H.B. sketches etc, all but two unframed £50-100 (plus 27%BP*)

63 A COLLECTION OF APPROXIMATELY SIXTY FIVE VANITY FAIR PRINTS MAINLY TO INCLUDE Statesmen and politicians, some with legends and within a Vanity Fair Album Ninth Series portfolio, all unframed £80-120 (plus 27%BP*)

64 PROFESSOR WILLIAM UNGER AFTER FRANS HALS Etchings, a collection of twenty together with title page, Leiden 1873, the etchings varying in sizes, the support sheets 59cm x 40.5cm in portfolio £40-60 (plus 27%BP*)

65 W.H. TOMS AFTER JAMES MACE ‘The West View of Gibraltar from a bay’, etching, pub. c.1775 by J Boydell, 29cm x 93cm £150-250 (plus 27%BP*)

66 I HARRIS AFTER THOMAS BADERSLADE ‘Boughton within two miles of Northampton, one of the seats of the Right Honorable Thomas Earl of Stafford....’, engraving, hand-coloured, 43cm x 57cm; and five further similar, all unframed (6) £200-300 (plus 27%BP*)

67 AFTER DAVID SHEPHERD ‘At Readiness - Summer of ‘40’, print in colours, pencil signed in the margin, numbered 682/850 published by Soloman & Whitehead, and with ‘FATG’ blind stamp 57cm x 90cm £80-120 (plus 27%BP*)

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59 AFTER JOHN PIPER ‘The University Museum (Founded 1855)’, lithograph in colours for the Oxford Almanack 1956, 76cm x 56cm, unframed; and one further after Edward Bawden - ‘Trinity College Chapel’ for the Oxford Almanack 1957, both unframed (2) £80-120 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

69 AFTER HELEN BRADLEY ‘Winter’, ‘Spring’ and ‘Summer’, a group of three prints in colours, each pencil signed in the margin and with ‘FATG’ blind stamp 23cm x 30cm (3) £100-200 (plus 27%BP*)

71 WILLIAM HOGARTH ‘The Harlot’s Progress’, Plates 1 to 6, etchings from the Heath Edition (1822), 32cm x 39cm, all unframed (6) £100-150 (plus 27%BP*)

73 GIOVANNI BATTISTA PIRANESI ‘Altra Veduta del Tempio della Sibilla in Tivoli’, etching, 45cm x 68cm £80-120 (plus 27%BP*)

70 AFTER REMBRANDT The Marriage of the Virgin, etching, 23cm x 19cm; four further similar; and another by Johann Gottlieb Prestel, all unframed (6) £100-150 (plus 27%BP*)

72 WILLIAM HOGARTH An Election, Plates 1 to 4, etchings from the Heath Edition (1822), 43cm x 55cm, unframed (4) £100-150 (plus 27%BP*)

74 UGO DA CARPI AFTER RAPHAEL The miraculous draft of fishes, chiaroscuro woodcut, 22.5cm x 34cm £200-300 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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68 AFTER DAVID SHEPHERD ‘Muffin’, print in colours, pencil signed in the margin and numbered 257/850, published by Soloman & Whitehead, and with ‘FATG’, blind stamp 17cm x 15.5cm £40-60 (plus 27%BP*)

75 WATANABE A street with buildings, etching, pencil signed in the margin and numbered 28/100, 23.5cm x 17cm; another similar but numbered 26/100; Bernard Kohn (19051989) - ‘Gothic’, woodcut in colours, pencil signed in the margin, titled, dated 1971 and numbered 3/10, also inscribed, 18cm x 12cm; and one further etching (4) £30-50 (plus 27%BP*)

76 AFTER REMBRANDT The Little Jewish Bride (Saskia as St. Catherine), 11cm x 8cm; twelve further similar portrait engravings and three further after Rembrandt, framed in six £100-200 (plus 27%BP*)

77 AFTER REMBRANT The Flute Player, etching, 11.5cm x 14cm £80-120 (plus 27%BP*)

78 ALBRECHT DURER ‘The Circumcision’, 29cm x 29.5cm (plus 27%BP*)

79 JOHN MARTIN (1789-1854) ‘Bridge Over Chaos’, mezzotint, pub. by Septimus Prowett 1824/26, printed by Chatfield & Coleman, 19cm x 26.5cm

79A LAURIE AND WHITTLE (pubs) ‘Winter’, ‘Spring’, ‘Summer’ and ‘Autumn’ a set of four mezzotints with hand-colouring, pub. c.1794, 35cm x 25cm (4) £100-150 (plus 27%BP*)

With Sanders of Oxford £80-120 (plus 27%BP*)

Maps

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80 JOHN SPEED ‘Stafford Countie & Towne’, double-page engraving with inset vignette plans of Stafford and Lichfield to upper corners, Sudbury & Humble, hand-coloured, 39cm x 52cm (unframed) £60-80 (plus 27%BP*)

81 AN 18TH CENTURY FRENCH MAP of the Thames between Sandwich and Clay, with inset vignette view of the Thames from the Isle of Grain to London, doublepage engraving, hand-coloured, 46cm x 90cm; and an engraved map of St Olave and St Mary Magdalen Bermondsey, 30cm x 36cm, both unframed £80-120 (plus 27%BP*)

82 JOSEPH MOXON ‘The Travels of St Paul and other the Apostles’, doublepage engraving with inset vignette views of the life of St Paul to upper and lower borders, 32cm x 45cm; six further small engraved maps; and thirty one sheets from a 19th Century French atlas (incomplete), all unframed £30-50 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

83 JOHAN BAPTIST HOMANN HEIRS ‘Americae Mappa Generalis’, doublepage engraving, with decorative title cartouche and hand-coloured, 49cm x 56cm; and H Laillot - ‘Amerique Septentrionale’, also hand-coloured, 49cm x 59cm, both unframed (2) £100-200 (plus 27%BP*)

85 MICHAEL BURGHERS ‘The Map of Oxfordshire’, engraving with decorative title cartouche and borders with Coat of Arms, hand-coloured, 49.5cm x 48cm £200-300 (plus 27%BP*)

86 MICHAEL BURGHERS ‘The Map of Oxfordshire’, engraving with decorative title cartouche and college arms to the borders, handcoloured, 50cm x 49cm £150-250 (plus 27%BP*)

88 JOHANN BAPTISTE HOMANN ‘A General Map of Great Britain and Ireland with part of Holland, Flandres, France etc’, double-page engraving, with decorative title cartouche and inset vignette of the Shetland Islands, 49cm x 56cm; and Johann Baptiste Homann - ‘El Reyno de Espanna...’, double-page engraving, 50cm x 60cm, both unframed (2) £100-150 (plus 27%BP*) For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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87 ROBERT MORDEN ‘Oxfordshire’, double-page engraving, hand-coloured, 43cm x 37cm £30-50 (plus 27%BP*)

89 JOHANN BAPTISTE HOMANN ‘Aegyptus Hodierna’, double-page engraving with inset vignette of waterfalls and pyramids, handcoloured, 57.5cm x 49cm, unframed £200-300 (plus 27%BP*)

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90 JOHANNES JANSSON ‘Scotiae Pars Septentrio Nalis’, double-page engraving with decorative title cartouche, hand-coloured, 35.5cm x 46cm £60-80 (plus 27%BP*)

90A ROBERT MORDEN Oxfordshire’’, double-page engraving, with decorative title cartouche, hand-coloured, 41cm x 36cm £40-60 (plus 27%BP*)

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Miniatures Lots 91-101

92 ATTRIBUTED TO JAMES CLARKE HOOK (1819-1907) Half length portrait of a young boy, leaning by stone column, in a formal garden setting, signed with monogram and dated 185..., oil on panel, 16.5cm x 13cm £200-300 (plus 27%BP*) 91 J. FISHER OF BRISTOL (FL. 1849-1858) Two children, signed, watercolour 9cm x 11cm (im), 18.5cm x 24cm, oval (sh) £100-200 (plus 27%BP*)

94 N. RICCARDI (19TH/20TH CENTURY) Portrait of an officer in dress uniform, wearing an array of medals and orders, to include the Legion d’ honneur, sash and braids, with wooded parkland to the distance, signed, watercolour and body-colour on ivory, 13.5cm x 10.5cm (oval), in enclosed gilt metal mount £300-500 (plus 27%BP*) 93 C* TONNETIER? Portrait of a young gentleman in formal attire, seated by a blue curtain, signed and dated 1833, watercolour 21cm x 15.5cm; and companion, a pair (2) £200-300 (plus 27%BP*)

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95 ENGLISH SCHOOL (EARLY 19TH CENTURY) Bust length portrait of a gentleman with curly brown hair and wearing white stock and buttoned deep blue overcoat on ivory in double glazed case, the back inset with lock of hair, 7cm x 5.5cm oval £150-180 (plus 27%BP*)

96 ENGLISH SCHOOL A portrait of Queen Henrietta Maria (1609-1669), oil on metal, 9cm x 8cm, unframed £40-60 (plus 27%BP*)

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97 19TH CENTURY ENGLISH SCHOOL Portrait of a young lady wearing a necklace and lace trimmed white dress with landscape beyond, 7.5cm x 5.5cm oval; and companion, a pair (2) £200-300 (plus 27%BP*)

99 CIRCLE OF FRANCOIS DUMONT (1757-1831) Madame de Montesson, bust length, her long curly hair tied by a blue ribbon, and wearing a blue dress décolleté, engraved with title to frame ‘The Princess de Lamballe by Dumont’, on ivory, 8.5cm x 5.5cm £150-250 (plus 27%BP*)

100 19TH CENTURY CONTINENTAL SCHOOL Bust length portrait of a lady wearing a veil and crimson bodice, oil, 8cm tondo £150-180 (plus 27%BP*)

101 19TH CENTURY ENGLISH SCHOOL Portrait of a young lady wearing floral bonnet and white dress, her right hand poised towards her chin and with landscape beyond, on ivory, in morocco leather covered hinged and glazed case, 10cm x 7cm £100-150 (plus 27%BP*)

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98 ALEXANDER GALLAWAY (act.1794-1812) Mr Hope Stewart of Ballikinrain, inscribed and dated 1810 verso, on ivory, 7cm x 5.5cm oval £80-120 (plus 27%BP*)

Watercolours and Oils Lots 102-511

103 CIRCLE OF JACOB EPSTEIN (1880-1959) African figure study, signed ‘Epstein’, watercolour, 31cm x 22.5cm, unframed £80-120 (plus 27%BP*)

104 CIRCLE OF CHARLES NICOLAS COCHIN (16881754) Side profile head and shoulders study of a gentleman, pencil and sepia chalks, 10.5cm tondo £200-300 (plus 27%BP*)

105 ROBERT D. PASQUOLL (1881-1927) A sailing vessel with rowing boat moored at a harbour wall, signed, oil on board, 49.5cm x 55cm £500-700 (plus 27%BP*)

106 CIRCLE OF THOMAS BLINKS (1860-1912) A setter on point, oil on canvas, 45.5cm x 55cm £1000-1500 (plus 27%BP*)

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102 HERBERT BENHAM (20TH CENTURY) ‘Royal Canadian Signals, Levéé Dress’, signed and dated 1940, inscribed with title, gouache, 26.5cm x 19cm £50-80 (plus 27%BP*)

107 MICHAEL WHITTLESEA (b. 1938) A ballet dancer at a bar on her pointes, mixed media, 60cm x 33cm £100-150 (plus 27%BP*)

108 RENA FENNESSY (20TH CENTURY) ‘Fish Eagle at Lake Katwe’, signed ‘Rena’, titled verso, watercolour and body-colour, 39cm x 50cm £100-150 (plus 27%BP*)

The following 20 lots by family descent from the collection of Thomas Rishworth of Cheltenham

109 ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a young boy with siblings in a landscape, watercolour, 38cm x 32cm £500-700 (plus 27%BP*)

110 JAN BEDIJS TOM (1813-1894) Cattle shading beneath a tree in a sun drenched field, signed and dated 1872, oil on panel, 38.5cm x 56.5cm £800-1000 (plus 27%BP*)

111 ATTRIBUTED TO THOMAS CRESWICK (1811-1869) ‘The Foot Bridge’, oil on board, 34cm x 29cm With Thomas Agnew & Sons Manchester £600-800 (plus 27%BP*)

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112 JOHN WILSON CARMICHAEL (1800-1868) Vietri, Bay of Salerno, signed and dated 1853, oil on canvas, 50cm x 80cm £800-1200 (plus 27%BP*)

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114 ATTRIBUTED TO ALFRED VICKERS (1786-1868) A gypsy encampment, oil on canvas, 36.5cm x 49.5cm * Apparently signed according to old inventory £100-200 (plus 27%BP*)

113 THOMAS CRESWICK (1811-1869) ‘Le Bucheron’, signed, oil on canvas, 44cm x 59cm £800-1200 (plus 27%BP*)

115 THOMAS BAKER OF LEAMINGTON (1809-1869) View across a field from a woodland with cart horses and farmer, signed and dated 1839, watercolour, 17.5cm x 25.5cm £120-150 (plus 27%BP*)

116 JAMES HARDY JUNIOR (1832-1889) Gathering flowers, signed and dated 1862, watercolour, 41cm x 33.5cm oval £100-200 (plus 27%BP*)

117 ANTHONY VANDYKE COPLEY-FIELDING (17871855) A mountain landscape with drover and cattle, signed, watercolour, 17cm x 25cm with Arthur Tooth & Sons; and one further attributed to the same hand - A young gentleman seated beneath a tree, watercolour, 8.5cm x 11cm (2) £100-200 (plus 27%BP*)

118 * HARDY ‘View of ?Ovingbarth near Liverpool from Earlham Hotel’, signed, watercolour, 17.5cm x 35.5cm; and James Aumonier (1832-1911) - A figure on a country pathway, signed and dated 1862 (obscured by mount), watercolour, 15.5cm x 24cm (2) £80-120 (plus 27%BP*)

119 GEORGE VICAT COLE (1833-1893) ‘On the Thames’, signed with monogram and dated 1883, watercolour, 24cm x 33.5cm £80-120 (plus 27%BP*)

120 ROBERT THORNE WAITE (1842-1935) ‘Fisher Folk - The Donegal Coast’, signed, watercolour, 26.5cm x 73.5cm With Frost & Reed £300-400 (plus 27%BP*)

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121 19TH CENTURY ENGLISH SCHOOL Landscape with trees and cattle, oil on canvas, 20.5cm x 25.5cm, unframed and unstretched £80-120 (plus 27%BP*)

122 JASPER SALWEY (19TH/20TH CENTURY) Chipping Campden, signed, watercolour, 18.5cm x 27cm; and three further works to include - Mrs Jennings Campbell - ‘The Cedar Tree’; Thomas James Soper (18361890) - Harvest Time; and fishing boats at sea; the last item unframed (4) £40-80 (plus 27%BP*)

123 JOHN PEDDER (1850-1929) Windsor Castle from the River, signed, watercolour, 24cm x 34cm £40-60 (plus 27%BP*)

124 ATTRIBUTED TO JOHN LOUIS PETIT (1801-1868) Gloucester Cathedral, watercolour, 25cm x 36cm

125 ATTRIBUTED TO HENRY BRIGHT (1810/14-1873) ‘Stirling Castle’, watercolour, 22cm x 34cm £60-100 (plus 27%BP*)

126 ATTRIBUTED TO JULIUS CAESER IBBETSON (1759-1817) A country farmstead with workers, watercolour heightened in white, 25cm x 33cm £80-120 (plus 27%BP*)

The mount inscribed ‘Thomas Allom’ £40-60 (plus 27%BP*)

127 HENRY BRITTAN WILLIS (1810-1884) ‘Watermill Dolgelly, North Wales’, oil on canvas, 29.5cm x 39cm

128 BENJAMIN BARKER OF BATH (1776-1838) Father and child in a river landscape with wooden footbridge, watercolour, 20.5cm x 30cm; and one further watercolour in the manner of John Varley, similarly framed, 20cm x 31cm (2) £100-150 (plus 27%BP*)

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Variously labelled verso £150-250 (plus 27%BP*)

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129 DU BOIS FENELON HASBROUK (1860-1934) River landscape with tree and blossom, signed and inscribed ‘N.Y.’, watercolour, 26.5cm x 75cm; and 19th Century Continental School - A mountain lakeside with figures in a boat, watercolour, 24cm x 36cm (2) £40-80 (plus 27%BP*)

130 WILLIAM HENRY HUNT (1790-1864) Still life - ‘Roses and Mignonette’, signed verso ‘W Hunt’s Compliment 1849’, oil on panel, 23cm x 32cm, and two further oils to include - a 19th Century portrait of a lady, 78cm x 65cm; and a waterfall landscape, signed B.Y. Arnold, 74.5cm x 50cm, one item unframed (3) £50-100 (plus 27%BP*)

131 N KUFOUR? A young girl with doll, indistinctly signed and inscribed ‘Wien 12 Nov 40’, watercolour, 10.5cm x 8cm £20-30 (plus 27%BP*)

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132 ATTRIBUTED TO ALBERT GOODWIN (18451932) Tyrolean lake scene at dusk, signed with monogram, watercolour, 18.5cm x 27cm £80-120 (plus 27%BP*)

133 MAY-BROWNE OF WOOTTEN COURTENAY (c.1920/1930) ‘The Cops at Alcombe’, indistinctly signed, oil on canvas, 49cm x 59.5cm; and William Bright Morris (1844-1896/1912) - Landscape with farm buildings, oil on canvas, 24cm x 36cm (2) £50-100 (plus 27%BP*)

134 MANUEL DOBLAS PINTO (b. 1957) ‘Veles al Mar’, signed, also signed verso and inscribed with title, oil on canvas, 72.5cm x 60cm £250-300 (plus 27%BP*)

135 MARCESTEL (b. 1943) ‘The Dream Bouquet’, signed, oil on canvas, 29.5cm x 24.5cm £200-300 (plus 27%BP*)

136 19TH CENTURY ENGLISH SCHOOL ‘Lower Part of Peascod Street, Windsor 1865’, watercolour, apparently inscribed with title and date under mount and verso, 14cm x 20.5cm (with arched top) £80-120 (plus 27%BP*)

137 H * HATREL A mountain river landscape, signed, oil on panel, 32.5cm x 23cm; and G * E * Wright - shipping in a calm, signed, watercolour, 15cm x 22cm (2) £50-100 (plus 27%BP*)

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138 19TH CENTURY ENGLISH SCHOOL The West Lodge of Luton Hoo, Bedfordshire, watercolour, 17cm x 24.5cm £80-120 (plus 27%BP*)

139 19TH CENTURY FRENCH SCHOOL ‘Tarbes’, titled and indistinctly signed, watercolour, 24cm x 36cm £80-120 (plus 27%BP*)

140 WILLIAM SHACKLETON (1872-1933) ‘Storm across the Aire Valley.....(The last day 1924)’, signed and dated ‘25, lightly inscribed with title in pencil verso, gouache, 21.5cm x 54cm £150-250 (plus 27%BP*)

141 WILLIAM SHACKLETON (1872-1933) Embracing figures, signed and dated ‘13, oil on board, 28.5cm x 35.5cm £150-250 (plus 27%BP*)

142 R * BOWEN Portrait of a lion in a mountain landscape, signed, oil on canvas, 34cm x 44cm; and companion, a pair (2) £300-400 (plus 27%BP*)

143 JOHN BRATBY (1928-1992) Four knights in armour, signed and dated 7.4.65, pen and inks, 43cm x 27.5cm * With letter from the artist attached verso £300-400 (plus 27%BP*)

144 FOLLOWER OF GEORGE MORLAND (1763-1804) A Tender Moment, oil on canvas, 50cm x 62cm £200-300 (plus 27%BP*)

146 THOMAS TAYLER IRELAND (act. 18801927) River landscape in Spring, signed, watercolour, 34cm x 51cm; and companion, a pair (2) £150-250 (plus 27%BP*)

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145 FOLLOWER OF WILLIAM HODGES (1744-1797) Portrait of a South Sea Islander, oil on canvas, 74cm x 58cm (unframed) £300-500 (plus 27%BP*)

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147 CIRCLE OF FRANCESCO ALBANI (1578-1660) Landscape with putti, oil on canvas, 33.5cm x 39cm oval; and companion, a pair, in carved giltwood frames (2) £1500-2500 (plus 27%BP*)

148 FOLLOWER OF CLAUDE-JOSEPH VERNET (1714-1789) A romantic coastal landscape with shipping, figures and ruined tower, oil on canvas, 25cm x 34cm; and companion, a pair (2) £2000-3000 (plus 27%BP*)

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149 MIDDLE EASTERN SCHOOL (EARLY 20TH CENTURY) View of a city from a river, probably Istanbul, Turkey, signed ‘?L’Heriff’ and dated 1922, watercolour, 11cm x 17cm £50-70 (plus 27%BP*)

150 MYLES BIRKETT FOSTER (1825-1899) The Drinking Trough, stamped with studio stamp, watercolour, 14.5cm x 20cm With Agnews £300-500 (plus 27%BP*)

151 HARRY FIDLER (1856-1935) The Woodman’s Harvest, signed with monogram, oil on board, 26cm x 31cm £300-500 (plus 27%BP*)

153 HARRY FIDLER (1856-1935) Woman feeding chickens, signed, oil on canvas, 49.5cm x 59.5cm

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With the John Davies Gallery £800-1200 (plus 27%BP*)

152 HARRY FIDLER (1856-1935) The Dockside, signed, oil on canvas, 25cm x 29.5cm £300-500 (plus 27%BP*)

154 NEIL COX (b.1955) Sparrows and nasturtium, signed, watercolour, 30cm x 22.5cm * With the Hawker Gallery £80-120 (plus 27%BP*)

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155 NEIL COX (b.1955) ‘Boscastle Fulmars’,signed, watercolour, 44cm x 44cm * With the Hawker Gallery £80-120 (plus 27%BP*)

156 CHARLES JAMES ADAMS (1859-1931) Cattle in a meadow, signed and dated 1888, watercolour, 26cm x 37cm £80-120 (plus 27%BP*)

157 HARRY NAPPE (1860-1930) Twilight at the stable block, signed, watercolour, 32cm x 45cm £100-150 (plus 27%BP*)

158 MARY ELIZABETH DUFFIELD (1819-1914) Pink rose spray with water droplets, signed, watercolour, 27cm x 39cm £60-80 (plus 27%BP*)

159 LUCY KEMP WELCH (1869-1958) ‘Gloria’ and ‘Peggy’, two fox terriers, signed, inscribed with names, pastels, 34cm x 45cm £1500-2500 (plus 27%BP*)

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160 JOHN EDWIN NOBLE (1876-1941) The Sheep Pen, signed and dated 1933, watercolour, 39cm x 37cm £200-300 (plus 27%BP*)

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161 ATTRIBUTED TO CHARLES ROWBOTHAM (18561921) ‘The Conway Valley North Wales’, inscribed with title and dated 1882, watercolour and body-colour, 25cm x 49.5cm £80-120 (plus 27%BP*)

162 JOHN CLAYTON ADAMS (1840-1906) ‘The Wheat Field Ewhurst Hill, Nr Guildford’, signed, inscribed on label verso, watercolour, 34cm x 49cm £200-300 (plus 27%BP*)

163 CHARLES HARRINGTON (1865-1943) Low Tide, signed and dated ‘21, watercolour, 34.5cm x 53cm £80-120 (plus 27%BP*)

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164 CHARLES DIXON (1872-1934) Beached sailing vessel at low tide, signed and dated 1891, watercolour, 47cm x 111cm £200-300 (plus 27%BP*)

165 MARY KRISHNA (1909-1968) Ballet Dancers, a group of four, signed, pastels, 23cm x 14.5cm (X 3) and 23cm x 15cm (X 1) (4) £200-300 (plus 27%BP*)

166 SYDNEY FOLEY (1916-2001) ‘Tug ‘Challenge’, St. Katharine’s Dock’, signed, oil on canvas, 29cm x 39cm * With the Hawker Gallery £100-150 (plus 27%BP*)

167 SYDNEY FOLEY (1916-2001) ‘Barge at low tide’, signed, oil on canvas board, 20.5cm x 25.5cm

168 DENNIS SYRETT (b. 1934) ‘Warwick with Groom’, signed, oil on board, 22cm x 32cm

169 DENNIS SYRETT (b. 1934) ‘Through the thistles - Cley Mill’, signed, oil on board, 29cm x 21cm

* With the Hawker Gallery £80-120 (plus 27%BP*)

* With the Hawker Gallery £150-250 (plus 27%BP*)

* With the Hawker Gallery £100-150 (plus 27%BP*)

170 REGINALD MILLS (exh. 1921-1938) The Thirsty Calf, signed, watercolour, 26.5cm x 36.5cm £100-150 (plus 27%BP*)

171 FREDERIKE STOKHUYZEN (b.1938) Landscape with tree, signed and dated ‘08, oil on canvas, 35cm x 59cm * With the Hawker Gallery £100-200 (plus 27%BP*)

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172 JAMES GUTHRIE (1859-1930) A young lady at a sewing machine, signed, oil on canvas, 100cm x 69.5cm James Bourlet & Sons label verso £800-1200 (plus 27%BP*)

173 CIRCLE OF HARRY FIDLER (1856-1935) Hillside with ponies, signed ‘Fid’, watercolour, 26cm x 36.5cm £40-60 (plus 27%BP*)

176 CHINESE SCHOOL A bird perched on a rocky outcrop, grey wash drawing, 24cm x 42cm; and two further works to include: a still life; and an embroidered silk sleeve panel (3) £50-100 (plus 27%BP*)

174 I * E * The baby lambs, signed with monogram, watercolour, 21cm x 29.5cm; and two further by the same hand, 21cm x 29.5cm and 19.5cm x 27.5cm (3) £100-200 (plus 27%BP*)

175 JAMES SIMPSON ALDERSON (1856-1948) A spray of roses, watercolour, 15cm x 7.5cm; and two further works to include: Claude Hayes - River scene; and a print after Cecil Aldin (3) The Alderson Exhibited Plaitford House Gallery No. 294 £30-50 (plus 27%BP*)

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177 JAMES HARDY III (b. 1937) Men-O-War Ships in tranquil waters, one firing a salute, signed, oil on panel, 49cm x 89.5cm £250-350 (plus 27%BP*)

178 CHINESE SCHOOL (EARLY 19TH CENTURY) ‘Buah Namnam’, ‘Buah Rambottan’ and ‘Buah Nona’, a group of three botanical illustrations, each inscribed in latin and the first also inscribed in Jawi (Malay written in Arabic), pen, ink and watercolour, 35.5cm x 46cm (X2), 36cm x 47cm (X1) (3) £1000-1500 (plus 27%BP*)

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180 ALFRED EDWARD CHALON (1780-1860) Portrait of Miss Jameson, signed and dated 1841, titled to label verso, watercolour heightened in white, 43.5cm x 30cm Mary Anne Jameson (1824-1898) daughter of James Jameson (1781-1847) Director of the Bank of Ireland and joint owner of William and James Jameson Whisky Company (Dublin) Probably the drawing exhibited in the Royal Academy of 1844 No. 629 titled ‘Miss Jameson’ £200-300 (plus 27%BP*) 179 19TH CENTURY ANGLO-CHINESE SCHOOL A botanical specimen in bloom inscribed ‘S.H. N5’ and with character marks, watercolour, 40cm x 28.5cm, unframed £40-60 (plus 27%BP*)

182 JOSEPH HONORÉ MAXIME PELLEGRIN (1793-1869) ‘L’Union 1831’, signed ‘hr’ Pellegrin a Marseille 1831’, also inscribed with title to margin, watercolour, 44cm x 63cm £300-500 (plus 27%BP*)

183 FÉLIX DOMINIQUE DE VUILLEFROY (1841-1910) ‘St. Laurent Capne J. Ferrat Armateurs Michel Dromxaite & fils 1855’, signed and dated 1855, inscribed with title, watercolour, 44cm x 61.5cm £400-600 (plus 27%BP*)

184 THOMAS BUSH HARDY (1842-1897) ‘Ambleteuse’, signed with initials, inscribed with title and dated 1877, watercolour, 33cm x 48cm £50-100 (plus 27%BP*)

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181 LOUIS HONORE FREDERIC GAMAIN (1803-1871) ‘Globe Capne Baker Construit a Portsmouth (S.H.) en 1851 sous la Direction de M.P. Distilecho’, signed, dated 1865 and inscribed with title to margin, watercolour, 48.5cm x 61.5cm £300-500 (plus 27%BP*)

185 FFRANCESCO BERGAMINI (1851-1900) The Stubborn Mule, signed, watercolour, 53cm x 36cm £300-500 (plus 27%BP*)

186 JOSEPH DODD (1809-1894) ‘Screen and Altar, Dixmude Church, Belgium’, signed ‘J Dodd Bangor, N.W.’, inscribed with title and dated 1884, also variously inscribed verso, watercolour, 44cm x 31cm £200-300 (plus 27%BP*)

188 HENRY JOHN SYLVESTER STANNARD (1870-1951) ‘Biddenham near Bedford’, signed, watercolour, 25cm x 35.5cm £200-300 (plus 27%BP*)

190 JOHN VARLEY (1778-1842) Landscape with cottage, signed, watercolour, 10cm x 16.5cm £200-300 (plus 27%BP*)

187 G.A. PUMFREY Still life - a glass vase of mixed flowers, signed, oil on canvas, 34cm x 44cm £100-150 (plus 27%BP*)

189 CIRCLE OF HERCULES BRABAZON BRABAZON (1821-1906) A cathedral city at sunset, watercolour, 14cm x 18.5cm £80-120 (plus 27%BP*)

191 JOHN VARLEY (1778-1842) River landscape with gate, signed, watercolour, 18cm x 27cm

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* With old backing board attached verso inscribed in ink by H Varley (grandson) certifying the work as an original drawing by ‘Old John Varley’ £150-250 (plus 27%BP*)

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192 JOHN VARLEY (JNR) (1850-1933) The River Nile with dhows docked at a cliff edge and figures collecting water, signed and dated 1898, watercolour, 35cm x 51cm; and companion - ancient ruins at sunset, a pair (2)

193 SIR JOHN FIENNES TWISTLETON CRAMPTON BT (1805-1886) Mother and child with dog on a wooded pathway, pencil and watercolour heightened in white, 11.5cm x 8.5cm; and one further work in the manner of John Varley figures in a landscape, watercolour, 7.5cm x 12cm (2) £80-120 (plus 27%BP*)

194 WALTER DUNCAN (1848-1932) A sunlit forest glade, signed, watercolour and bodycolour, 18cm x 27cm £50-80 (plus 27%BP*)

195 S BUCKLE Moonlight - rock of Gibraltar, signed and dated ‘81, watercolour heightened in white, 32cm x 50cm £200-300 (plus 27%BP*)

196 WILLIAM AFFLECK (1869-1943) ‘Clifden - Hampden on Thames’, signed, watercolour, 19.5cm x 27cm £100-150 (plus 27%BP*)

197 HENRY CHARLES FOX (1855/60-1929) ‘Sewardstone, Essex’, signed, watercolour, 25cm x 35cm £100-150 (plus 27%BP*)

198 CIRCLE OF JOHN RUSSELL (1745-1806) Bust length portrait of a gentleman with powdered grey wig wearing frilled white stock and dark overcoat, pastels, 20cm x 16cm oval £120-150 (plus 27%BP*)

199 JOHN MCPHERSON (exh. 1865-1884) Cattle watering at a river with town in the distance, signed with initials, watercolour, 6.5cm x 13.5cm £60-80 (plus 27%BP*)

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* The former work inscribed ‘To my friend Ayerst Hooker in memory of a Nile voyage together’ £600-800 (plus 27%BP*)

200 20TH CENTURY SCHOOL Two figures, indistinctly signed ?Cordini, and dated ‘75, pencil drawing, 12.5cm x 22.5cm With the Barry Keene Gallery £80-120 (plus 27%BP*)

202 GEORGE ARTHUR FRIPP (1813-1896) ‘Laugharne Bay, South Wales’, signed, inscribed with title, watercolour, 21cm x 34cm £200-300 (plus 27%BP*)

201 GEORGE ARTHUR FRIPP (1813-1896) ‘Hay Barge on the Thames, Near Cookham’, watercolour, 17.5cm x 25cm With the Barry Keene Gallery £150-250 (plus 27%BP*)

203 GEORGE ARTHUR FRIPP (1813-1896) ‘Eel Traps on the Thames at Shiplake, September Afternoon’, signed, watercolour, 35cm x 51cm Exh. Royal Society of Painters in watercolours 1865 No. 118 (according to label verso) £300-500 (plus 27%BP*)

204 JOSEPH JOHN JENKINS (1811-1885) River landscape with harvesters, signed, watercolour, 33cm x 49cm

205 ARTHUR GLENNIE (1803-1890) ‘The Rock of Bonea, La Cava, Napoli’, signed, watercolour, 23cm x 33cm £100-200 (plus 27%BP*)

206 ROBERT THORNE WAITE (1842-1935) Landscape with figures, signed, watercolour, 36cm x 51cm £150-250 (plus 27%BP*)

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With the Barry Keene Gallery £150-250 (plus 27%BP*)

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207 HENRY JOHN KINNAIRD (1861-1929) ‘On the Thames Near Cookham’, signed and inscribed with title, watercolour, 49.5cm x 35.5cm £100-200 (plus 27%BP*)

208 CLAUDE HAYES (1852-1922) Landscape with traveller on horseback, signed, 36.5cm x 52cm; and Edward Tucker - Loch Katrine, signed, watercolour, 36.5cm x 55cm (2) £100-150 (plus 27%BP*)

209 * FRASER Portrait of a gentleman wearing a peak cap and spotty bow tie, signed and dated ‘31, oil on canvas, 59.5cm x 49.5cm £200-300 (plus 27%BP*)

211 THOMAS SIDNEY COOPER (1803-1902) Cattle watering in a wooded river landscape, signed, oil on canvas, 29cm (tondo) £600-800 (plus 27%BP*)

210 19TH CENTURY ENGLISH SCHOOL A Clean Shave, oil on canvas, 37cm x 46cm £250-350 (plus 27%BP*)

213 COMER PANNELL (19TH CENTURY) ‘Huntsman’s Snug’, signed and dated ‘93, inscribed with title verso, oil on panel, 19cm x 28.5cm £150-250 (plus 27%BP*)

214 R BERGERON Head study of a dalmatian, signed, watercolour, 26.5cm x 20cm £100-150 (plus 27%BP*)

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212 CIRCLE OF HENRY ALKEN (1810-1894) The Hunt, oil on canvas, 44cm x 49.5cm £200-300 (plus 27%BP*)

216 FOLLOWER OF CHARLES LEICKERT (1816-1907) A faggot gatherer with child in a winter landscape, oil on canvas, 24cm x 27.5cm £100-150 (plus 27%BP*)

217 JOHN RUSSELL Bust length portrait of a lady in a pensive mood, signed, pencil drawing, 23cm x 19cm £80-120 (plus 27%BP*)

218 FOLLOWER OF LEONOR FINI (1907-1996) Portrait of a dancing maiden, pencil, grey wash and sepia inks, 39cm x 27cm £50-80 (plus 27%BP*)

219 ENGLISH SCHOOL Full length study of a female nude, pencil drawing, 33.5cm x 11cm (arched top) £50-80 (plus 27%BP*)

220 FOLLOWER OF DR WILLIAM CROTCH (17751847) A wooded landscape, watercolour, 13cm x 19cm; with a further study, framed verso (2) £50-80 (plus 27%BP*)

221 19TH CENTURY ENGLISH SCHOOL A country pathway with figure on horseback, watercolour, 68cm x 50cm, unframed £30-50 (plus 27%BP*)

222 19TH CENTURY ENGLISH SCHOOL Travellers in a landscape at sunset with windmill, oil on canvas, 29.5cm x 39.5cm £100-200 (plus 27%BP*)

223 HAROLD LAWES (1865-1940) ‘Chesham, Bucks’, signed and inscribed with title, watercolour, 35cm x 26cm £60-80 (plus 27%BP*)

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215 * SANDRO (FRENCH SCHOOL, 20TH CENTURY) A linear figure study, signed and inscribed ‘Montparnasse, Paris’ and dated ‘54, also with inscription ‘a Madame Bergot Dreyer’, pencil drawing, 38cm x 28cm £100-150 (plus 27%BP*)

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224 EDWARD TUCKER (1830-1909) A mountain lakeside with sheep, signed ‘Edward Arden’, watercolour, 26cm x 36cm; and one further similar by the same hand, 25cm x 37cm (2) £80-120 (plus 27%BP*)

225 HENRI JOZEF DILLENS (1812-1872) A playful moment, signed and dated 1856, oil on panel, 20cm x 26cm £80-120 (plus 27%BP*)

227 LUIGI ROBERTO (1845-1910) Portrait of the steamboat ‘SS Treloske’ at sea, gouache, 36.5cm x 62cm £150-250 (plus 27%BP*)

228 CIRCLE OF DAVID COX (1783-1859) Drovers and cattle with sheep in a sunlit mountain landscape, watercolour, 18cm x 27cm £80-120 (plus 27%BP*)

226 JAMES MCCULLOUGH ROBERTSON (1869-1938) ‘The River from the Municipal Park Riversdale’, signed, inscribed with title verso, oil on canvas, 41.5cm x 31.5cm £100-200 (plus 27%BP*)

229 MANNER OF FRANS VAN MIERIS A smoke by the fireside, oil on metal panel, 16cm x 12cm £80-120 (plus 27%BP*)

231 DOUGLAS TEMPEST (1887-1954) The Child Boxer, signed, watercolour design for picture postcard, 15cm x 11cm; and two further similar, 15cm x 11cm and 9.5cm x 16.5cm, three framed in one Douglas Tempest was a well known picture postcard artist who illustrated topical cards for Bamforth £150-250 (plus 27%BP*)

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230 GIUSEPPE RIVA (1834-1916) A tender moment, signed and inscribed ‘Roma’, watercolour, 49.5cm x 36.5cm £300-500 (plus 27%BP*)

232 DONALD MCGILL (1875-1962) ‘What’s on the Menu Waiter?’, signed, watercolour, 20.5cm x 14.5cm £300-400 (plus 27%BP*)

233 DONALD MCGILL (1875-1962) ‘I’m getting on alright with my swimming so long as I keep one foot on the bottom’, signed, watercolour, 19cm x 12.5cm £300-500 (plus 27%BP*)

234 WILLIAM JOHN ‘BILL’ HOOPER (1916-1996) World War II caricature of P/O Percy Prune with onlookers, signed ‘Raff’, pen, ink and blue crayon, 42cm x 33cm William John Hooper, British Cartoonist and best remembered for the creation of the character Percy Prune who was used to warn pilots what not to do in military combat £80-120 (plus 27%BP*)

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235 19TH CENTURY ENGLISH SCHOOL Portrait of a spaniel in a mountain landscape, indistinctly inscribed, pencil and watercolour, 22.5cm x 29.5cm £100-150 (plus 27%BP*)

236 FOLLOWER OF JEAN BAPTISTE PERRONNEAU (1715-1783) Bust length portrait of a female beauty, her shoulder length hair tied by a ribbon and wearing a dress décolleté, pastels, 60cm x 45cm oval £100-200 (plus 27%BP*)

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237 CIRCLE OF SIR ANTHONY VAN DYCK (1599-1641) Bust length portrait of a young lady, her hair tied in a bun wearing a lace trimmed broad collar and doublet, oil on canvas, 57.5cm x 43.5cm £2000-3000 (plus 27%BP*)

238 CIRCLE OF HENRY WALTON (1746-1813) Portrait of Mr & Mrs Newton, he wearing powdered grey wig and brown jacket, she with silk bonnet and striped dress tied with a ribbon bow to her lace collar, a pair, oil on canvas, 51cm x 41cm in feigned ovals (2) £1000-1500 (plus 27%BP*)

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240 ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a boy archer in a landscape, oil on canvas, 111cm x 86cm, unframed £500-800 (plus 27%BP*)

239 ENGLISH SCHOOL (EARLY 19TH CENTURY) Bust length portrait of a gentleman with grey hair wearing white collar and dark jacket, oil on canvas, 39cm x 34cm £200-300 (plus 27%BP*)

241 AFTER SIR PETER LELY King Charles II, oil on canvas in feigned oval, 75cm x 62cm £100-200 (plus 27%BP*)

242 CIRCLE OF SIR ANTHONY VAN DYCK (1599-1641) Portrait of Charles Prince of Wales later Charles II, oil on canvas, 149cm x 93cm

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A version of the portrait at the Newport Restoration Foundation, Newport, Rhode Island £3000-5000 (plus 27%BP*)

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243 CIRCLE OF SIR GODFREY KNELLER (1646-1723) Half length portrait of a lady in a blue dress holding a posy of flowers to her bosom, oil on canvas, 75cm x 62cm, period carved giltwood frame £600-800 (plus 27%BP*)

244 18TH CENTURY ENGLISH SCHOOL Portrait of a lady in red dress with blue shawl, oil on canvas, 77cm x 64cm; in giltwood frame carved in relief with scrolling foliage and acorn buds £1000-1500 (plus 27%BP*)

245 CIRCLE OF GEORGE ROMNEY (1734-1802) Portrait of a lady, reputedly Lady Hamilton with long curly brown hair wearing a white dress and light jacket in woodland setting, oil on canvas, 93cm x 74cm in period giltwood frame, the border carved with trails of husks and ribbon ties £800-1200 (plus 27%BP*)

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246 CIRCLE OF JOHN CONSTABLE (1776-1837) Layer Marney Tower, oil on millboard, 35.5cm x 26cm Notes: John Constable visited Layer Marney in June 1814 whilst staying with Reverend Driffield at Feering in Essex and two sketches of the tower which he made in pencil and watercolour are known. The millboard has been professionally examined and dated to the early 19th century. Whilst the above work was formerly accepted as John Constable by the late Graham Reynolds, current scholarship does not fully endorse this view and an alternative attribution to Lionel Constable (fourth son of John Constable) has also been suggested. Provenance: 1. Formerly with Sir Alan Rae-Smith K.B.E. (Partner of Deloitte, Plender, Griffiths) as a gift by the Directors of Vickers in 1951 thence by family descent. 2. With Fergus Hall 3. Private Collection where bequeathed to our current vendor. For further information please contact the saleroom. £2000-3000 (plus 27%BP*)

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247 CIRCLE OF THEODOR VASILIEVICH SYCHKOV (1870-1958) A peasant girl at a fence in a winter setting, signed in cyrillic and dated 1932, oil on canvas, 99cm x 72cm £1000-1500 (plus 27%BP*)

248 LAWRENCE DELLER (20TH CENTURY) Three quarter length portrait of a lady wearing a frilled blouse and dark dress holding a letter, signed, oil on canvas, 124cm x 73cm £800-1200 (plus 27%BP*)

249 18TH CENTURY AMERICAN SCHOOL ‘Reverend Jackson of Ohio, USA 1760’, oil on canvas, 75cm x 62cm Apparently inscribed verso according to a note attached but now obscured by re-lining £300-500 (plus 27%BP*)

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250 F * ROBERT (1879-1942) A Dutch riverside, signed, oil on canvas, 38.5cm x 59cm £80-120 (plus 27%BP*)

251 KARL RONALD GILES (1916-1995) ‘That’s How the Aussies Do It - Bowl ‘Em on the Feet, Make ‘Em Hop out of the Crease, and BINGO!!’, inscribed ‘With thanks to Giles’ and titled, pen and inks, 26.5cm x 76cm The work was reputedly drawn by Giles for a cricket fan, exasperated at continued defeat in test matches by the Australians £300-500 (plus 27%BP*)

252 DAVID COX (1783-1859) ‘Eton’, signed, inscribed with title and dated 1820, watercolour, 17cm x 25cm With Sanders of Oxford 1979 and sold together with purchase invoice £600-800 (plus 27%BP*)

253 ALFRED WILLIAM RICH (1856-1921) Near Hurstpierpoint, signed and dated 1902, watercolour, 27.5cm x 38cm Exh: ‘Memorial Exhibition April 1923’ according to note verso £50-100 (plus 27%BP*)

254 THOMAS COLLIER (1840-1891) Newbury Common, signed, watercolour, 23cm x 33.5cm 255 ATTRIBUTED TO PAUL AND THOMAS SANDBY (18TH/19TH CENTURY) A group of figures at Roche Abbey, Yorkshire, watercolour, 34cm x 47cm Ex. Colln Mrs J Stephenson; Queen Charlotte; R.W. Mills; according to a private purchase invoice dated 17/11/83 and sold together with the work £600-800 (plus 27%BP*) For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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With Sanders of Oxford 1978 and sold together with purchase invoice £100-150 (plus 27%BP*)

256 ALEXANDER CARRUTHERS GOULD (1870-1948) ‘Looking towards Porlock Weir from the Bossington Side’, signed, watercolour, 24cm x 34cm £60-80 (plus 27%BP*)

257 CIRCLE OF JOHN VARLEY (1778-1842) ‘On the Dart’, watercolour, 20cm x 46cm With Sanders of Oxford 1980 where purchased and sold together with purchase invoice £80-120 (plus 27%BP*)

258 PERCY LANCASTER (1878-1951) ‘Grassington’, signed and inscribed with title, watercolour, 23cm x 33cm With P & D Colnaghi & Co Ltd £80-120 (plus 27%BP*)

260 JOHN NEWBERRY (b. 1934) Sunset over the lake, signed, watercolour, 15cm x 27cm; and two further works by the artist to include: a river landscape with bridge, 16.5cm x 28cm; and a coastal bay, 18cm x 20cm (3) £100-200 (plus 27%BP*) 259 JOHN C. HALFPENNY (19TH/20TH CENTURY) ‘Woodland, Woods at Lytchett Matravers’, signed, inscribed to artist label verso, watercolour, 34.5cm x 25cm £60-80 (plus 27%BP*)

262 JAMES WILLIAM WHITTAKER (1828-1876) A figure with dog crossing stepping stones in a mountainous river landscape, signed and dated 1860, watercolour, 31cm x 51cm

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261 JOHN VARLEY (1778-1842) River landscape with figures, watercolour, 19cm x 24.5cm £200-300 (plus 27%BP*)

With Studio One Gallery April 1982 and sold together with purchase invoice £50-100 (plus 27%BP*)

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264 GEORGE PYNE (1800-1884) The Garden and Buildings, St John’s College, Oxford, probably signed (but appears to be partially obscured by mount), watercolour, 20.5cm x 33cm

With Studio One Gallery Oxford Sept 1982 and sold together with purchase invoice £300-500 (plus 27%BP*)

With Sanders of Oxford Private sale 22/7/81 and sold together with invoice £300-400 (plus 27%BP*)

265 REGINALD DANIEL SHERRIN (1891-1971) Reculver Towers, Herne Bay, signed, gouache, 24cm x 39.5cm £80-120 (plus 27%BP*)

266 REGINALD DANIEL SHERRIN (1891-1971) Coastal Rock Stacks, a pair, signed, gouache, 36.5cm x 53cm; and one further by the same hand - West Country Cove, 25cm x 36cm (3) £50-100 (plus 27%BP*)

267 WILLIAM HENRY PEARSON (19TH/20TH CENTURY) ‘Heavy Weather’, signed and inscribed with title, watercolour heightened in white, 47cm x 70cm £80-120 (plus 27%BP*)

268 FREDERICK JAMES ALDRIDGE (1850-1933) Venetian sailing vessels docked at a harbour wall, signed, watercolour, 17.5cm x 12cm, and companion, a pair (2) £80-120 (plus 27%BP*)

269 HENRY PARSONS RIVIERE (1811-1888) ‘The Chelsea Pensioner’, inscribed and titled on old label attached verso, watercolour, 27cm x 21.5cm £80-120 (plus 27%BP*)

270 ATTRIBUTED TO GEORGE SHEFFIELD (18391892) Fisher folk at sea off a headland with ruin, indistinctly signed, pastel, 35cm x 52cm £80-120 (plus 27%BP*)

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263 BERNARD WALTER EVANS (1848-1922) ‘Harewood Castle, Yorkshire, Sketch from Nature’, signed and inscribed with title, watercolour, 36cm x 51cm

271 19TH CENTURY ENGLISH SCHOOL Beached sailing vessels, indistinctly signed, oil on panel, 18.5cm x 13cm; and an Isle of Wight sand picture by E * Dore - ‘Binstead Parsonage near Ryde’, variously inscribed and dated 1845, 8cm x 11cm (2) £40-60 (plus 27%BP*)

272 FRED BERE West Country scenes, a pair, signed, gouache, 25cm x 51cm triangular (2) £40-60 (plus 27%BP*)

274 CHARLES LOWE (c.1860-c.1920) Landscape, probably Hambledon, signed, watercolour, 24cm x 38cm £100-150 (plus 27%BP*)

273 CHARLES LOWE (c.1860-c.1920) View of a farm across a pond, signed, watercolour, 26cm x 37cm £100-150 (plus 27%BP*)

275 A * N * B * River landscape with church, signed with initials, watercolour, 24cm x 35cm; and five further works to include: Maurice Avondale - ‘In Herne Bay, Kent’; Fred Heines - Sheep watering at a pool at dusk; a mountain lake scene signed E.L.R. and dated 1861; a country roadway with cottage; and a field at harvest time, indistinctly signed, the last item unframed (6) £100-200 (plus 27%BP*)

276 CIRCLE OF GEORGE CLAUSEN (1852-1944) Portrait of a young girl wearing a bonnet with trailing blue ribbon in a wooded clearing, pastels, 38cm x 23cm in carved giltwood and gesso frame £500-700 (plus 27%BP*)

277 ALFRED H. POWELL Harebells and poppies, gouache, 23cm x 33cm Prov: Graham Bentley Watercolours and Drawings

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Purchased from the artist family according to label verso £100-150 (plus 27%BP*)

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278 LOUIS B. DAVIS (1861-1941) An angel with doves, design for a stained glass window, signed with monogram, watercolour, 14.5cm x 12cm

279 ARTHUR JOSEPH GASKIN (1862-1928) The Twelve Brothers, pencil, watercolour and body-colour with scratching out, 10cm x 11cm

With Norham House Gallery, Cockermouth, Cumbria £200-300 (plus 27%BP*)

With Campbell Wilson Pictures, Hove, East Sussex £200-300 (plus 27%BP*)

280 HENRY PAYNE (1868-1940) St Augustine preaching to Ethelbert, study for fresco, watercolour, 20cm x 33cm Exh:City Museum and Art Gallery, Chamberlain Square, Birmingham ‘Masterly Art’ (Birmingham School of Art 1884-1920) Nov. ‘86 to Jan. ‘87

Apparently a study for the fresco made for the Aston Boarding School Birmingham c.1900 through the Bromsgrove Guild £300-500 (plus 27%BP*)

282 JOHN THOMAS SERRES (1759-1825) ‘Civita - Castellana’, inscribed with title and dated ‘17 Maggio 1791’, pen and sepia inks, 21cm x 29.5cm; and another Italian scene by the same hand, 21cm x 33cm (2) £200-300 (plus 27%BP*)

281 ERIC GILL (1882-1940) ‘Out of thou bed when thou dost ryse...’, a verse in calligraphy taken from scrolls on the walls of the state bed chamber in Hurst House discovered when pulled down in 1847, signed in pencil with monogram and dated 1935, pen, ink and colours, 19cm x 17cm £300-500 (plus 27%BP*)

283 WILLIAM CALLOW (1812-1908) A wooded mountain stream, signed, watercolour, 31cm x 23cm £80-120 (plus 27%BP*)

284 19TH CENTURY ENGLISH SCHOOL Deer in a park with manor house, inscribed ‘Essendon’ to label verso, watercolour, 32cm x 49cm £100-150 (plus 27%BP*)

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Illus. Quinton Watt ‘The Bromsgrove School’ Pg 12 according to note verso

285 ATTRIBUTED TO GEORGE ARTHUR FRIPP (18131896) Italian landscape with ruined tower, pencil and brown wash drawing heightened in white, 14cm x 18cm £80-120 (plus 27%BP*)

286 ENGLISH SCHOOL (EARLY 19TH CENTURY) Landscape with church, watercolour en grisaille, 17cm x 24cm; and two further works to include 19th Century English School - portrait of ‘J.S. Cotman, 22cm x 15cm; and a city gateway, 9.5cm x 12cm (3) £50-80 (plus 27%BP*)

287 ENGLISH SCHOOL (EARLY 19TH CENTURY) Figures at the foot of a cascading waterfall in a rocky clearing, pen, ink and watercolour, 46cm x 34cm £40-60 (plus 27%BP*)

288 R.G.M. BONE Chimney, signed, watercolour, 20cm x 30cm; and English School (Early 20th Century) - Horses in a field, inscribed ‘W.C.Z.’ verso, pencil and watercolour, 14cm x 22cm (2) £40-60 (plus 27%BP*)

289 MARY NEWCOMB (1922-2008) ‘Three Figures Chatting’, signed with initials, pencil and coloured chalks, 25cm x 19cm

290 BERNARD WALTER EVANS (1848-1922) Landscape with undulating hills, signed, inscribed ‘Sketch from Nature’, watercolour, 36cm x 50cm £30-50 (plus 27%BP*)

291 PHILIP REINAGLE (1749-1833) Cattle in a field with farmer and his dog conversing to a lady at a stile, signed and dated 1810, oil on canvas, 36.5cm x 54.5cm

292 JONATHAN PRATT (1835-1911) A Good Read, signed and dated 1894, oil on canvas, 44.5cm x 30.5cm £400-600 (plus 27%BP*)

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The work appears to be indistinctly inscribed to old label verso ‘....R.R. Reinagle R.A.’ (Ramsay Richard Reinagle 1775-1862) £300-500 (plus 27%BP*)

With the Crane Kalman Gallery £150-250 (plus 27%BP*)

293 J * GILBERT Portrait of Samuel Walker (1715-1782), seated in a chair, his left hand resting upon some papers, signed and dated 1855, pastels, 57cm x 45cm Inscribed verso ‘Samuel Walker 1715-1782’ Founder of Walker Iron Works Masborough. Took up residence at Clifton Park near Rotherham. Founder Masborough Independent (Now Congregational Church) £200-400 (plus 27%BP*)

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294 MRS C.K. ROBERTSON (EXH. 18851923) Portrait of a young Scots boy seated in a landscape with a black labrador, a rifle resting under his right hand, signed and dated 1918, oil on canvas, 134cm x 97cm, unframed £300-500 (plus 27%BP*)

295 HERBERT ARNOULD OLIVIER (1861-1952) Portrait of a gentleman with walking cane seated in a wing armchair in a panelled interior, signed and dated 1916, oil on canvas, 126cm x 102cm £100-200 (plus 27%BP*)

299 GRAHAM RUST (b. 1942) ‘Children in a Vegetable Garden near Jan Ling’, signed and dated 1978, inscribed ‘Hong Kong’, watercolour, 14cm x 19cm; and one further by the same hand ‘Duck Farm near Lok Ma Chan’, signed and dated 1978, 17cm x 24cm (2) Each exhibited: Laing Crawford Exhibition 1928 numbers 22 and 17 respectively £80-120 (plus 27%BP*)

297 ENGLISH SCHOOL (EARLY 20TH CENTURY) Portrait of a military officer seated with cigarette in one hand and holding his cap in the other, pastels, 90cm x 69.5cm £100-200 (plus 27%BP*)

300 PETER LUTHER (20TH CENTURY) Farm buildings under full sun, signed, pen, ink and watercolour, 38cm x 56.5cm; and companion, a pair (2) £50-100 (plus 27%BP*)

298 AJAY SONI (INDIAN SCHOOL) A princess seated under a tree with two deer, gouache, 23cm x 16cm, in decorative mirrored glass frame; and a print of Sadler’s Wells Race Course in a similar frame (2) £50-100 (plus 27%BP*)

301 JOHN KEELEY (1849-1930) ‘Ullenhall, Autumn’, signed, watercolour, 11cm x 15.5cm; and two further by the same hand - ‘The Horse Pond’, 13.5cm x 10cm; and - ‘Coal Fields’, 11.5cm x 15cm (3) Each exhib. Brian Sinfield ‘Autumn Exhibition 1986 No.s 6,31 and 19 £100-200 (plus 27%BP*)

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296 19TH CENTURY ENGLISH SCHOOL Portrait of a lady, her hands clasped and seated in a chair, oil on canvas, 123cm x 102cm; and after Sir Joshua Reynolds - Portrait of Lavinia Bingham, Countess Spencer, oil on canvas, 76cm x 64cm, both unframed (2) £50-150 (plus 27%BP*)

302 REGINALD DANIEL SHERRIN (1891-1971) The Doone Valley, Exmoor, signed, gouache, 38.5cm x 89cm £120-150 (plus 27%BP*)

305 FELICITY JONES (20TH CENTURY) Portrait of a lady, signed and dated ‘72, pencil and watercolour, 58cm x 40cm; and another similar by the same hand in pastel, 53.5cm x 45cm; (2) Exhib. Medical Art Society Annual Exhibition £80-120 (plus 27%BP*)

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308 PAUL SANDBY MUNN (1773-1845) Welsh landscape with stream, watercolour, 6.5cm x 11cm £40-60 (plus 27%BP*)

303 HENRY JOHN DYKMAN (1893-1972) Still life - a bowl of roses and candlestick upon a table surface with mirror behind, signed, oil on board, 50cm x 75cm £100-150 (plus 27%BP*)

306 NORMAL THELWELL (1923-2004) ‘The Cricketers’, signed, pen, ink and watercolour, 27.5cm x 21.5cm Exh. Chris Beetles 5th-21st September 1990 No. 22 £500-700 (plus 27%BP*)

309 M * COLLINS Still life - a vase of flowers on a striped table covering, signed, watercolour, 42cm x 21cm; and one further by the same hand - Basket of apples, 30cm x 33cm (2) £60-100 (plus 27%BP*)

304 GEORGE ALEXANDER (1832-1913) A riverside country roadway with arched bridge and cottage, signed, watercolour, 48cm x 34cm; Diana Brinkley - ‘Red Flowers’, signed with initials, dated 1993 and inscribed ‘Grasshopper’, 60cm x 39.5cm; and Dalrymple - ‘Plan de la Baye Simon’, engraving handcoloured, 46cm x 34cm (3) £50-80 (plus 27%BP*)

307 TERENCE PARKES (1927-2003) ‘The Royal and Ancient Golf Club Arts Collection’, a group of nine pen and ink humorous cartoon studies together with signed title, varying sizes from 12.5cm x 11cm to 14.5cm x 17.5cm, framed in one Exh. Chris Beetles Ltd ‘Larry on Art 20th to 28th March 1991 No. 88’ £300-500 (plus 27%BP*)

310 CIRCLE OF GEORGE MORLAND (1763-1804) Figures seated at a table playing dominoes outside an inn, oil on canvas, 46cm x 56cm £100-200 (plus 27%BP*)

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311 HANS HANSEN (1853-1947) The snake charmer and Arabs outside a walled gateway, a pair, signed, watercolours, 24.5cm x 15.5cm; and one further by the same hand - River landscape at dusk with figure fishing from a boat, 18cm x 21cm (3) £300-400 (plus 27%BP*)

312 FOLLOWER OF ROBERT GALLON (1845-1925) A river landscape at sunset, oil on canvas, 24cm x 39cm; and Fred C. Phillips (19th/20th Century) - Two ornithological studies, watercolour, one signed and dated 2/4/02, 22.5cm x 35cm; the other signed with initials and dated 1899, 17.5cm x 22.5cm (3) £80-120 (plus 27%BP*)

313 ARTHUR H. TWELLS (b. 1921) ‘Helping Hands, Hilltop Bog, Nr Moville, Co. Donegal’, signed, oil on canvas, 29cm x 39.5cm £100-150 (plus 27%BP*)

314 ALBERT RIDGE (20TH/21ST CENTURY) A lady reading a journal, signed, oil on panel, 29cm x 37cm £80-120 (plus 27%BP*)

315 PELHAM DIXON (1859-1898) A beach at low tide with harbour in the distance, signed and dated 1896, watercolour, 15cm x 24.5cm £70-100 (plus 27%BP*)

316 HILDA MAY GORDON (1874-1972) Arabs at a Souk, watercolour, 16.5cm x 21cm; and Cornelius Pearson (1805-1891) - Llyn Cwellyn nr Beddgelert, signed, watercolour, 12cm x 34cm (2) £80-120 (plus 27%BP*)

318 JOHN VARLEY (1778-1842) A mountainous lakeside landscape with figures fishing from a rocky bank, watercolour, 11.5cm x 16.5cm With the Bonfiglioli Gallery £150-250 (plus 27%BP*)

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317 THOMAS COLEMAN DIBDIN (1810-1893) A riverside with Tudor manor house and figures fishing from a bank, signed and dated 1867, watercolour heightened in white, 25cm x 35cm £80-120 (plus 27%BP*)

319 JOHN VARLEY (1778-1842) A mountain landscape with figure seated at a riverbank, a tower nearby, signed, watercolour, 18cm x 26cm £300-500 (plus 27%BP*)

321 STUART IRWIN (20TH/21ST CENTURY) The Morris Dancers, signed with initials and dated ‘02, oil on board, 24cm x 33.5cm; and A * E * Hance (20th Century) - A lifeguard on horseback, signed, acrylics, 47cm x 29cm (2) £100-200 (plus 27%BP*)

322 THOMAS BUSH HARDY (1842-1897) ‘Chateau d’Amboise, Loire’, signed and dated ‘90, watercolour, 44.5cm x 69cm £300-500 (plus 27%BP*)

320 PAUL BOUVIER (1857-1940) Sailing vessels moored at a harbour, signed, oil on panel, 26cm x 34cm £200-300 (plus 27%BP*)

323 E * HENSCHEL A Dutch girl standing on a canal side promenade, signed and inscribed ‘Holland’, watercolour heightened in white, 45cm x 28cm £100-150 (plus 27%BP*)

325 WILLIAM HENRY NORTH (20TH/21ST CENTURY) ‘Top - Lit Clouds’, signed and dated 2011’, watercolour, 17cm x 26cm; and four further similar works by the same hand, varying sizes (5) £200-300 (plus 27%BP*)

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324 JOSEPHINE GHILCHIK (EXH. 1938-40) ‘Little Church Street, Chiswick’, signed, watercolour, 26.5cm x 36.5cm £40-60 (plus 27%BP*)

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326 19TH CENTURY ENGLISH SCHOOL Portrait of an elegant young lady seated in a chair, her hair in ringlets and wearing a lace trimmed green dress and adorned with jewellery, oil on canvas, 91cm x 74cm £500-700 (plus 27%BP*)

327 AFTER MEINDERT HOBBEMA ‘The Avenue at Middleharmis’, oil on canvas, 50cm x 69cm £200-400 (plus 27%BP*)

330 CIRCLE OF WALTER LANGLEY (1852-1922) ‘Daniel King Shepherd of Charminster 1893’, possibly signed with initials (upper right), oil on canvas, 55.5cm x 45cm £100-150 (plus 27%BP*)

329 ATTRIBUTED TO DAVID COX (1783-1859) A wind swept riverside landscape with figure at a jetty and watermill, signed, oil on canvas, 49cm x 75cm £300-500 (plus 27%BP*)

331 ARTHUR TUCKER (1864-1929) A coastal cliff top town, signed, watercolour, 23.5cm x 34cm £100-150 (plus 27%BP*)

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328 J * BARCLAY (19TH CENTURY) Figures in a mountain landscape with rushing stream, signed, oil on canvas, 62cm x 75cm £200-400 (plus 27%BP*)

333 BERNARD CECIL GOTCH (1876-1963) College view, signed, watercolour, 23.5cm x 36cm; and two further works attributed to the same hand, 37cm x 26.5cm and 34cm x 27cm (3) £100-200 (plus 27%BP*)

332 ENRICO COLEMAN (1846-1911) ‘Castel di Sangro’, signed, titled and inscribed ‘Roma’, watercolour, 29cm x 45cm £300-500 (plus 27%BP*)

334 FERDINAND HEILBUTH (1826-1889) Head and shoulders study of a gentleman, signed, watercolour, 21cm x 16cm Exh.Hazlitt Gooden & Fox ‘19th Century French drawings 15 June to 14 July 1978 Cat. No. 55’ £100-150 (plus 27%BP*)

335 JANET LEDGER (b. 1931) ‘Waiting in the Rain’, signed, oil on board, 17cm x 24cm; and one further industrial scene by the same hand, signed, oil on board, 10cm x 18cm (2) £200-300 (plus 27%BP*)

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337 FOLLOWER OF GEORGE PYNE (1800-1884) A cathedral city, watercolour, 16cm x 24cm; three further watercolours; two etchings and three modern works signed Schlee (8) £80-120 (plus 27%BP*)

336 ITALIAN SCHOOL ( 19TH/20TH CENTURY) Figures in a street with buildings and archway, indistinctly signed, watercolour and body-colour, 24cm x 16cm £40-60 (plus 27%BP*)

338 CIRCLE OF SAMUEL PROUT (1783-1852) Figures in a busy French street, inscribed No. 442, pen, brown ink and watercolour, 41cm x 29cm £70-90 (plus 27%BP*)

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339 CHARLES JAMES LEWIS (1830/36-1892) ‘Medmenham on Thames’, signed in red and indistinctly dated, oil on canvas, 35cm x 50.5cm £600-800 (plus 27%BP*)

340 ENGLISH SCHOOL (EARLY 19TH CENTURY) View of a village with church from an iron railed fence, oil on panel, 30cm x 21cm £300-400 (plus 27%BP*)

341 SAMUEL JOHN CARTER (1835-1892) Best of Friends, signed and dated 1867, oil on canvas, 59.5cm x 49.5cm £300-500 (plus 27%BP*)

342 DAVID HUMPHREYS (b. 1937) ‘Still life in a window’, signed and dated ‘59, inscribed verso, oil on board, 61cm x 50.5cm £100-150 (plus 27%BP*)

344 FREDA M. SKINNER (fl. 1920-1940) Harvesting cider apples near Taunton, Somerset, signed and dated 1939, oil on canvas, 64.5cm x 90cm With Chomé Fine Art £1000-1500 (plus 27%BP*)

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343 DAVID HUMPHREYS (b. 1937) ‘Boats and Fish Fécamp’, signed and dated ‘51, inscribed verso, oil on board, 47cm x 33cm; and one further by the same hand, 39cm x 29cm (2) £80-120 (plus 27%BP*)

347* THOMAS JONES BARKER (1815-1882) Portrait of an Eastern maiden in an interior with exotic birds, signed ‘T Barker Pinxt’ and dated ‘184...’, oil on canvas, 35.5cm x 29cm £200-300 (plus 27%BP*)

348 PRITCHETT (19TH CENTURY) ‘Ashridge, Herts’, signed, inscribed with title and dated May 30 1863, pencil and watercolour, 18.5cm x 39cm

349 KATHE NEUMANN MÜNZER (1877-1959) A stroll in the park, signed, charcoals heightened in white, 32cm x 23cm £80-120 (plus 27%BP*)

349A STANLEY ORCHART (1920-2005) ‘Richmond Park’, signed, watercolour, 38cm x 49cm (unframed) £60-80 (plus 27%BP*)

350 WILLIAM CLARK (1803-1883) Shipping in a calm, signed and dated 1876, oil on canvas, 36cm x 53.5cm £500-700 (plus 27%BP*)

351 19TH CENTURY ENGLISH SCHOOL Portrait of a bay hunter in a field with distant hills, watercolour, 25.5cm x 37cm £200-300 (plus 27%BP*)

352 AN ANTIQUE PANEL painted with princess and attendant figures in the Renaissance manner, oil on panel, 23cm x 29cm, unframed £200-300 (plus 27%BP*)

353 ATTRIBUTED TO DOROTHY MURIEL WHEELER (1891-1966) An exotic female beauty in a rocky coastal cove, watercolour, 31cm x 22cm, unframed £80-120 (plus 27%BP*)

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345 CIRCLE OF GEORGE CHINNERY (1774-1852) Portrait of a gentleman seated at a desk and smoking from a hookah pipe, oil on canvas, 53cm x 47cm £200-300 (plus 27%BP*)

Prov: Phillips sale of the Cottage Isfield Sussex (the late Mrs Diana Bridge) on 14th September 1988 £100-150 (plus 27%BP*)

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Inscribed in pencil ‘Appleby October ‘74 to mount backing board verso’ £200-300 (plus 27%BP*)

357 JOHN FAULKNER (1835-1894) ‘Kenilworth’, signed, inscribed with title, watercolour, 41cm x 64cm £200-300 (plus 27%BP*)

355 19TH CENTURY ENGLISH SCHOOL Figures picnicking in the grounds of a ruin, watercolour, 33.5cm x 45cm £50-100 (plus 27%BP*)

356 GORDON KING (b. 1939) The Knife Grinder, signed, oil on canvas, 29cm x 39cm £150-250 (plus 27%BP*)

358 JUAN SOLER (b. 1951) A Glorious Winter Day, signed, oil on canvas, 26.5cm x 21cm £300-500 (plus 27%BP*)

359 MISS S.F. WRIGHT (EXH. 1893-1911) Solitude, signed, watercolour and body-colour, 38cm x 27cm; and R.H.F. Seddon (19th/20th Century) - A girl on a country roadway, signed and dated 1907, watercolour, 36cm x 52cm (2) £100-150 (plus 27%BP*)

360 EILEEN CHANDLER (1904-C.1988) A Grand House, Moreton-in-Marsh, signed and dated 1944, watercolour, 27.5cm x 36cm; and a further view of the same building but from the front by the same hand, signed and dated 1945, watercolour, 36cm x 25.5cm (2) £60-80 (plus 27%BP*)

361 ROBERT MORLEY (1857-1941) ‘A Gleaner’, (a mouse feasting from a dish with onlooking spaniel puppies), signed, oil on canvas, 39.5cm x 60cm £150-250 (plus 27%BP*)

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354 F * B * (19TH CENTURY) Two children in a landscape with Indian palace in the distance, signed with initials, pencil and watercolour heightened in white, 28cm x 33cm, mounted but unframed

362 EDWARD LEAR (1812-1888) The Island of Cerigo (Kythira), Greece, inscribed and dated ‘23 May 1.101.45pm 1863’ and numbered ‘198’, pen, ink and watercolour with annotations, 32cm x 48.5cm With Thomas Agnew & Sons Ltd £5000-8000 (plus 27%BP*)

363 ALAN R ANDERSON (20TH CENTURY) ‘The Washing Line, North End, Iona’, signed, oil on board, 27cm x 39cm

364 CAROLINE BAILEY (b. 1953) ‘Loch Bay Slip’, signed, watercolour and body-colour, 44cm x 52cm

Purchased from Kranenberg & Fowler, Oban £100-200 (plus 27%BP*)

Exh. R.I. Painters in Watercolour, 1995, The Mall Galleries £300-500 (plus 27%BP*)

365 FREDERICK BECKETT (20TH/21ST CENTURY) ‘Under Repair’, signed, oil on board, 23.5cm x 34cm

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Exh. ROI 1993 at the Mall Galleries £150-250 (plus 27%BP*)

366 FRED CUMING (b. 1930) ‘The Salute from the Grand Canal, Venice’, signed, oil on board, 19cm x 24cm Purchased from W.H. Patterson Gallery, London 1993 and sold with original purchase receipt. £800-1200 (plus 27%BP*)

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367 IAN H. MARSHALL (1933-2016) HMS Illustrious, Grand Harbour, Malta 1898’, signed with initials, watercolour, 33cm x 53cm Exh. RSMA 1993 at the Mall Galleries £600-900 (plus 27%BP*)

368 JOHN LOWRIE MORRISON (b. 1948) ‘Iona - Front Street’, signed ‘Jolomo’ and dated ‘99’, also signed and dated verso, oil on board, 39cm x 39cm With the Kranenberg & Fowler Gallery 1999 £1500-2000 (plus 27%BP*)

371 E * L * Mountain lakeside landscapes, a pair, signed with initials, oils on canvas, 29cm x 59cm (2) £80-120 (plus 27%BP*)

Purchased from the artist’s studio £100-150 (plus 27%BP*)

370 NIKOLAI SEMENOVICH SAMOKISH (1860-1944) A ship in rough seas, signed in cyrillic, pen and inks, 21.5cm x 31.5cm; and one further by the same hand - A ship in dry dock, also signed in cyrillic, pen and inks, 32cm x 21cm (2) £200-400 (plus 27%BP*)

372 19TH CENTURY SWISS SCHOOL A mountainous lake with chalets, oil on board, 8cm x 12cm; and companion, a pair (2) £40-60 (plus 27%BP*)

373 * TAHEM (19TH/20TH CENTURY) ‘Even Tide’, signed, dated 12 and inscribed with title, watercolour, 17cm x 29cm £100-150 (plus 27%BP*)

374 JAMES FAED (1821-1911) River landscape with distant mountains, signed, oil on canvas, 33.5cm x 44cm With Alex Drysdale, 48 Frederick Street, Edinburgh £500-700 (plus 27%BP*)

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369 PAUL PHILLIPS ‘Updraught: Fulmar Petrel’, signed and dated ‘90, watercolour pencil, 26cm x 32cm

375 MAUREEN RICHARDSON (20TH CENTURY) Studies in colour, eighteen works, mixed media and wood pulp, each 10.5cm x 13cm and framed in two (2) £100-200 (plus 27%BP*)

376 J * ARMITAGE (19TH/20TH CENTURY) ‘Old Stead, Beadnell’, signed, titled and dated 1923, watercolour, 26cm x 24.5cm; and a mountain loch scene, indistinctly signed, watercolour, 14cm x 31.5cm (2) £50-70 (plus 27%BP*)

378 FRANCES LIVESAY (ACT. 1880-1914) A rocky mountain stream with trees, signed and dated 1867, watercolour, 32.5cm x 20cm £60-80 (plus 27%BP*)

377 GAZBIA SIRRY (B. 1925 EGYPT) Two girls, inscribed, oil on paper, 57cm x 42cm An image of the work has been viewed by a specialist Contemporary gallery in Egypt who have represented the artist for many years and they are fully confident of the above attribution. A photo of the work also shown to the artist c.2010 where she commented that she recalled the painting well and confirmed that it was one of a number sent for exhibition in the USA in the 1960’s

379 D * Y * COOKSON (20TH CENTURY) An industrial town, signed and dated 1975, oil on board, 25cm x 30cm £40-60 (plus 27%BP*)

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Prov: “From the Vincent Price Collection, Sears, Roebuck and Co” (For further details regarding this collection please see www.artistsnetwork.com/vincentprice) £6000-8000 (plus 27%BP*)

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380 MARY MCCROSSAN (1865-1934) ‘Vence A/M France’, signed and dated 1927, oil on board, 32cm x 39.5cm

381 NICHOLAS MYNHEER (B. 1958) ‘Embrace’, inscribed verso and dated 2004, oil on board, 15.5cm x 21.5cm £200-300 (plus 27%BP*)

382 19TH CENTURY ENGLISH SCHOOL ‘Lac d’Or’, signed with monogram, inscribed with title and dated ‘July 21 1881’, watercolour, 17cm x 26cm £60-80 (plus 27%BP*)

384 ALEX CAMPBELL (B.1936) ‘Tall Ship’, signed, titled verso and dated Jan 1993, acrylic on canvas, 48cm x 74cm £350-400 (plus 27%BP*)

385 RICHARD CATON WOODVILLE II (1856-1927) The Chariot Race, signed, watercolour en grisaille, 28cm x 52cm £100-200 (plus 27%BP*)

With further typed information regarding the painting and provenance attached verso £200-300 (plus 27%BP*)

383 C * KEELLYS? Beached sailing vessels at low tide, signed, oil on board, 38.5cm x 49cm £60-80 (plus 27%BP*)

387 SIMON BUSSY (1870-1954) ‘Etourneau Bleu’, signed with initials and dated ‘42, oil on canvas, 23.5cm x 18.5cm With Galerie Charpentier £3000-5000 (plus 27%BP*) 386 ATTRIBUTED TO NICHOLAS POCOCK (17401821) Farmstead with figure, watercolour, 17cm x 26cm, Exh: New Grafton Gallery, Feb 1970 No. 487; and one further work attributed to Newton Fielding (1799-1856) - a figure fishing from a barge, watercolour, 15cm x 23cm (2) £50-100 (plus 27%BP*)

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388 FOLLOWER OF DAVID TENIERS (1610-1690) An amorous couple at a table, oil on copper, 18cm x 14cm oval £600-800 (plus 27%BP*)

389 ATTRIBUTED TO CHARLES COOPER HENDERSON (1803-1877) A courier leading a travelling chariot, watercolour, 13cm x 33.5cm; and one further coaching scene, 6cm x 12.5cm (2) According to label verso a similar scene to the former part of lot can be found in ‘Cooper Henderson and the Open Road’ p62 Prov: With the Ewhurst Gallery, Basingstoke £180-220 (plus 27%BP*)

391 EDWARD CALVERT (1799-1883) Kildare Abbey, signed, brown wash drawing preparatory to a later lithograph published 1824, 34cm x 51cm, mounted but unframed £200-300 (plus 27%BP*)

392 GEORGE SIMSON (1791-1862) Elgin Chapter House, stamped with studio stamp ‘G. Simson, Edinburgh’, watercolour, 32cm x 46.5cm, mounted but unframed £150-250 (plus 27%BP*)

393 KARL ADAM HEINISCH (1847-1923) Moving the herd on the banks of a flooded river, signed and dated ‘74, oil on canvas, 18cm x 47.5cm £200-300 (plus 27%BP*)

394 ENGLISH SCHOOL (EARLY 19TH CENTURY) Harvest scene with two ladies resting beneath a tree, oil on panel, 17.5cm x 19cm £120-150 (plus 27%BP*)

395 19TH CENTURY ENGLISH SCHOOL A wooded landscape, oil on panel, 19cm x 24cm £40-60 (plus 27%BP*)

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390 RODNEY CHARMAN (b. 1944) ‘Early Morning - Whitby’, signed, dated ‘85 and inscribed verso, oil on canvas, 35cm x 45cm £100-150 (plus 27%BP*)

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396 RANDOLPH CALDECOTT (1846-1886) ‘Feeding Calves’, watercolour, 13.5cm x 18cm Inscribed on label verso ‘Designed for a bronze panel’ Lit. Engen, Rodney K. ‘Randolph Caldecott, Lord of the Nursery, Page 57 for image of the same used for a plaster bas-relief, Harvard College Library. A copy of the book is sold together with the lot £200-300 (plus 27%BP*)

397 PETER BARRETT (b. 1935) The mole and water rat in a boat on the river; and the mole in the wild wood, two designs for Kenneth Grahame’s, ‘The Wind in the Willows’, each signed, pen and inks, 11.5cm x 17cm, mounted but unframed (2) £150-250 (plus 27%BP*)

398 MIKE NORRIS (20TH CENTURY) Study of a horse’s head, signed and dated ‘92, oil on panel, 40.5cm x 30.5cm oval £80-120 (plus 27%BP*)

399 OSCAR WILSON (1867-1930) Two parrots on a flowering branch, signed with initials, watercolour and gilt, 23cm x 28cm £80-120 (plus 27%BP*)

400 JOHN VARLEY (1778-1842) River landscape with rocky escarpment and castle, signed, varnished watercolour, 9cm x 13cm; and companion, a pair (2) £300-400 (plus 27%BP*)

401 19TH CENTURY ENGLISH SCHOOL Full length study of a naked gentleman in classical style with laurel wreath around his midriff, oil on panel, 18cm x 12.5cm, unframed £40-60 (plus 27%BP*)

402 ENGLISH SCHOOL ‘Mermaid of Dartmouth. Capt. G. Pepperell 1841’, reverse glass painting, inscribed with title to the margin, 54cm x 70cm £300-500 (plus 27%BP*) 403 ATTRIBUTED TO JAMES STARK (1794-1859) An extensive landscape from a woodland, oil on canvas, 24cm x 34cm £300-400 (plus 27%BP*)

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404 PENELOPE LOTT (20TH/21ST CENTURY) Crowd scene, signed, pastels, 97cm x 68cm With Oliver Swann Galleries £300-500 (plus 27%BP*)

405 17TH CENTURY CONTINENTAL SCHOOL Landscape with cavalier on horseback, oil on canvas, 52cm x 44cm; and companion, a pair, both unframed (2) £300-400 (plus 27%BP*)

406 17TH CENTURY CONTINENTAL SCHOOL Diana, the Huntress seated in a landscape, oil on canvas, 49cm x 39cm, unframed £200-300 (plus 27%BP*)

407 CIRCLE OF RICHARD WILSON (1714-1782) Figures in a moonlit landscape with waterfall, oil on canvas, 94cm x 112cm, unframed £200-300 (plus 27%BP*)

408 KEN HOWARD (b. 1932) Santa Maria Della Salute from the Grand Canal, signed, oil on canvas board, 24cm x 19.5cm £800-1000 (plus 27%BP*)

409 JOHN ANSTER FITZGERALD (‘FAIRY FITZGERALD’ 1832-1906) The Gipsy Girl, signed, watercolour, 34cm x 23cm £500-800 (plus 27%BP*)

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410 MAURICE ALFRED DÉCAMPS (1892-1953) ‘Michelmas Daisies’, signed, oil on canvas, 45cm x 54cm £100-200 (plus 27%BP*)

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411 CHARLES NEAL (b. 1951) ‘River Evenlode, South of Oddington, Gloucestershire, Late Morning, July’, signed, oil on canvas, 90cm x 75cm With John Campbell Pictures, London October 1989 and sold together with original purchase invoice; also sold with a copy of ‘Surrey County’ magazine July 1995 which features an article about the artist £800-1200 (plus 27%BP*) 412 WALTER HENRY SWEET (1889-1943) A coastal bay with houses, signed, watercolour, 15cm x 29.5cm; and companion, a pair (2) £80-120 (plus 27%BP*)

413 WILLIAM MALIPHANT (1862-1932) Crossing the brook, signed, watercolour, 24cm x 36cm £150-250 (plus 27%BP*) 414 HAROLD VOIGT (b. 1939) ‘Still Life with Cup and Saucer No. 2’, signed, inscribed with title and dated 07/99 verso, mixed media on panel, 38.5cm x 52cm Exh: Harold Voight Exhibition - selected paintings 1972 to 2002 at Everard Read May - June 2002 £800-1200 (plus 27%BP*)

415 HAROLD VOIGT (b. 1939) ‘The Otto Bach’, signed and dated ‘99, inscribed with title to stretcher verso, oil on canvas, 47.5cm x 38cm £800-1200 (plus 27%BP*)

416 20TH CENTURY SCHOOL Still life - a pile of books and spectacles within a niche, indistinctly signed and dated ‘99, oil on board, 40cm x 40cm £200-300 (plus 27%BP*)

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417 19TH CENTURY ITALIAN SCHOOL Street market within classical ruins, signed with monogram, titled ‘Rome’ to back board verso, watercolour, 35cm x 23cm £40-60 (plus 27%BP*)

418 INDIAN SCHOOL Study of a prancing horse within decorative floral border, gouache, 38cm x 49.5cm £60-80 (plus 27%BP*)

419 GERALD PALMER (1904-1984) ‘The Ridges Under Light Snow, Langley and Ashridge Farm’, dated 1965, inscribed verso, charcoals/white chalk, 33cm x 53cm Gerald Palmer, formerly of Huntley & Palmers Biscuits £40-60 (plus 27%BP*)

420 WARREN WILLIAMS (1863-1918) ‘The River Glaslyn, North Wales’, signed, watercolour, 24.5cm x 45cm £100-150 (plus 27%BP*)

421 JOAN POTTER (20TH CENTURY) At the seaside, signed, watercolour, 21cm x 32cm £60-80 (plus 27%BP*)

422 HERBERT C AHIER (19TH/20TH CENTURY) An ocean liner with paddle steamer, signed and dated April 1909, watercolour, 28cm x 45cm; and companion, a pair (2) £150-250 (plus 27%BP*)

423 EDWARD HERSEY (b. 1948) ‘Curious’, signed, oil on panel, 16cm x 11cm With Stacy-Marks Ltd £400-500 (plus 27%BP*)

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424 ALBERT LUDOVICI JNR (1852-1932) ‘A Study’, signed and dated 1910, inscribed verso, watercolour, 19cm x 14.5cm unframed £40-60 (plus 27%BP*)

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425 PIETRO GALTER (18401901) Venetian fishermen at sunset, signed, oil on canvas, 25.5cm x 43cm; and companion, a pair (2) £2000-3000 (plus 27%BP*)

426 RICHARD H. HILDER (FL. 1836-1851) A cattle drover in a landscape with cottage beyond, oil on panel, 29cm x 39.5cm Prov: By family descent from the artist to Chomé Fine Art (November 1997) and sold with purchase invoice £200-300 (plus 27%BP*)

427 DANIEL MACLISE (1806-1870) A Royal Horse Artillery Officer in uniform with medal, signed and dated ‘July 1826’, pencil drawing, 25cm x 19cm Note: The Waterloo medal was the first ever campaign medal issued to all ranks and was distributed in 1816. Given the relatively short time span between its issue and the date on the portrait, it is very likely that the unknown officer is wearing this medal.

428 ALFRED JENKS (19TH/20TH CENTURY) Still life - chrysanthemum issuing from an earthenware jug, signed, oil on canvas, 45cm x 30cm £60-80 (plus 27%BP*)

429 JOHN VARLEY JNR (1850-1933) ‘The Ghants from Nessil Duncan’, signed and dated ‘91, watercolour, 17.5cm x 25cm With Sotheby Beresford Adams 29/10/81 £60-80 (plus 27%BP*)

With Abbott & Holder £300-500 (plus 27%BP*)

With the Tib Lane Gallery, Manchester £200-300 (plus 27%BP*)

431 JOHN SMITH ATHERTON (1877-1943) A river valley, signed, oil on board, 30cm x 39.5cm £100-150 (plus 27%BP*)

432 PIETRO SANSALVADORE (1892-1955) Trafalgar Square, London, from the roof of Norway House, oil on board, 22.5cm x 18.5cm £80-120 (plus 27%BP*)

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430 TREVOR GRIMSHAW (1947-2001) Hills and Clouds, signed and dated ‘72, pencil drawing, 12cm x 16cm

433 FRANCIS PHILIP STEPHANOFF (1790-1860) The Death of Henry IV in Westminster Abbey, Jerusalem Chamber 21.3.1413, signed, watercolour, 19cm x 23cm £50-80 (plus 27%BP*)

434 CIRCLE OF WILLIAM DANIELL (1769-1837) ‘Above Chunargarh 2nd Oct 1810’ and ‘The Motee Girna below Sicre Gulla 17 Oct 1810’, two, signed with initials and dated 1810, also inscribed in pencil with titles and numbered ‘71’ and ‘No. 101’ respectively, watercolours, 15cm x 27cm, 15.5cm x 26cm, mounted but unframed (2) £200-300 (plus 27%BP*)

436 FRANK MOSS BENNETT (1864-1953) A leisurely conversation, signed and dated 1923, oil on panel, 35cm x 49.5cm £400-600 (plus 27%BP*)

435 BOHUMIL HRADECNY (1876-1960) A tree lined pathway with figures, signed, inscribed on label verso, oil on board, 47cm x 58.5cm £50-80 (plus 27%BP*)

437 FRANK MOSS BENNETT (1874-1953) The Hunt Breakfast, signed and dated 1930, oil on canvas laid onto panel, 33cm x 48cm With the Alistair Anderson Gallery, Glasgow * McTear’s sale 06/03/14 Lot 1448 £600-800 (plus 27%BP*)

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438 F * HANSEN A Danish palace, signed, oil on canvas, 44cm x 64cm £80-120 (plus 27%BP*)

439 KARL MOLLER A country residence, probably from Husum, part of Copenhagen, signed and dated 1919, oil on canvas £50-100 (plus 27%BP*)

440 * BALKEN (DANISH SCHOOL) A meandering coastal pathway, signed, oil on canvas, 44cm x 66cm; and H * Hilsoe - A riverbank with beached rowing boat and jetty, signed, oil on canvas, 31cm x 41cm (2) £100-200 (plus 27%BP*)

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441 LARS HENDRIK C. KLIIM (1891-1942) ‘Snorebroen Christianshavn’ and ‘Dyvekes Gaard’, two, signed, oil on canvas, 38cm x 49cm and 40.5cm x 47cm respectively (2) £80-120 (plus 27%BP*)

442 19TH CENTURY ENGLISH SCHOOL Cattle watering at the foot of a river bridge, oil on canvas, 43.5cm x 59cm £100-200 (plus 27%BP*)

443 DUTCH SCHOOL (EARLY 19TH CENTURY) Sailing vessels with figures disembarking from the coast, oil on canvas, 41cm x 67cm £100-200 (plus 27%BP*)

444 GEORG RUETER (1875-1966) Head and shoulders portrait of a young man, signed and dated 1948, charcoal and sepia chalks, 39.5cm x 33.5cm £40-60 (plus 27%BP*)

445 ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a Dutch three master in full sail, inscribed ‘Holland’ in pencil to support mount, watercolour, 23cm x 32.5cm £40-60 (plus 27%BP*)

446 BISHNU HALDAR A female beauty making an offering at an Aladdin lamp, signed and dated ‘33, watercolour, 35cm x 23cm, unframed £60-80 (plus 27%BP*)

448 DANIEL SHERRIN (1868-1940) ‘The Brook, Redhill, Surrey’, oil on canvas, 60cm x 106cm With Astley House Fine Art £1000-2000 (plus 27%BP*) For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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447 HAMILTON JAY (ACT. 1875-1913) Children playing on a frozen pond, signed, oil on canvas, 39.5cm x 49.5cm £200-300 (plus 27%BP*)

450 L LEWIS (19TH CENTURY) Italianate lake scenes, a pair, signed and dated ‘99, watercolours, 22.5cm x 52cm (2) £80-120 (plus 27%BP*) 449 CLARENCE HENRY ROE (1850-1909) ‘In the Highlands’, oil on canvas, 59cm x 89.5cm £800-1200 (plus 27%BP*)

451 * WILLIAMS (19TH CENTURY) Landscape with farmstead and figures with horses nearby, a pair, one signed, oil on canvas, 45cm x 75cms, both unframed (2) £100-200 (plus 27%BP*)

452 ALBERT BERN (b. 1898) Sailing vessels off the coast, signed, oil on canvas, 48.5cm x 98cm £50-100 (plus 27%BP*)

453 C. FANIGLIULO? A harbourside town with sailing ship, indistinctly signed and dated 21.8.43, oil on board, 32.5cm x 48.5cm; and one further by the same hand but dated 1.9.1942, 42cm x 38cm (2) £80-120 (plus 27%BP*)

455 CONTINENTAL SCHOOL (LATE 18TH/EARLY 19TH CENTURY) Portrait of a lady, her hair brushed back wearing a pearl necklace, her corset with ribbon bow and posy of flowers and inscribed with the letters ‘D.C.’ to the lower fringe, oil on canvas, 78cm x 63cm oval £600-800 (plus 27%BP*)

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454 ENGLISH SCHOOL (LATE 19TH CENTURY) Portrait of a lady wearing spectacles and striped dress seated in a chair and holding a book, signed with initials ‘TFMS’ and dated ‘95, oil on canvas, 50cm x 44cm £100-150 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

456 GERALD REITLINGER (1900-1978) Still life - assorted oriental works of art on a table, inscribed verso, oil on canvas, 51cm x 91cm, unframed £50-80 (plus 27%BP*)

457 * DAW Kensington Gardens in Spring Time, signed, oil on board, 54cm x 37.5cm £200-300 (plus 27%BP*)

458 HELENE FRANCK (EXH. 1883-1911) The pleasures of life, faintly signed (lower right), oil on canvas, 49cm x 131cm The painting conserved by the Brick House Fine Art Conservation Jan 2013. A copy of the treatment report available with the lot £300-400 (plus 27%BP*)

460 JOSEPH WOODS (1776-1864) ‘Upper Fall at Cromiglaw’, watercolour en grisaille, 22cm x 15cm

461 ERNESTO BENSA (ACT. 1863-1897) The Ponte Vecchio, Florence, signed, watercolour, 56cm x 42cm £150-250 (plus 27%BP*)

From an album entitled ‘Antiquities and Scenery in Ireland’ by Joseph Woods Esq, author of ‘Letters of and Architect 1805’

457A PHILIP SMALLFIELD (ACT. 1882-1903) A barister at work, signed, watercolour, 24.5cm x 34.5cm £200-300 (plus 27%BP*)

459 19TH CENTURY NORWICH SCHOOL Landscape with drover and cattle at the edge of a river with barn beyond, oil on board, 28cm x 35cm £70-90 (plus 27%BP*)

462 ATTRIBUTED TO CAPTAIN CLAUDIUS RICHARD WILLIAM HARRIS (1826-1862) ‘View of the Modern Village of Mandoo’ and of the great mosque the ‘Jumah Musjaid’ and Front View of the Great Mosque ‘Jumah Musjaid’, a pair, watercolours, 22cm x 33cm, one unframed (2) £400-600 (plus 27%BP*)

With Abbott and Holder From the estate of the late Sir Howard Colvin £40-60 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

463 JACK M DUCKER (ACT. 1910-1930) ‘On the Avon, near Bidford’, signed, also inscribed and dated 1930 verso, oil on panel 36cm x 46cm £30-50 (plus 27%BP*)

465A GEORGE HENRY BOUGHTON (1833-1905) Highland Cattle, a pair, signed with initials, oils on board, 13.5cm x 17cm oval (2) £200-300 (plus 27%BP*)

464 ANTON LOCK (1893-1970) Horses in a woodland setting, oil on canvas, 44cm x 34cm £200-300 (plus 27%BP*)

465 ROGER DELLAR (20TH / 21ST CENTURY) A Venetian side canal, signed, watercolour 34.5cm x 25cm: and three further watercolours to include Colin Tuffrey- ‘Burning Off’ and ‘Short Rations’, a pair, signed, watercolours 12.5cm x 23.5cm ; and J. Dodworth ‘Iffley, near Oxford’, signed (but obscured by mount), watercolour 24cm x 36cm (4) £60-100 (plus 27%BP*)

466 ARTHUR E. DAVIES (b. 1893) ‘Drayton, Norfolk’, inscribed on artist’s label verso, oil on panel 22cm x 30cm The lot is sold with correspondence from the artist and includes a pencil sketch of the same area £200-300 (plus 27%BP*)

467 CHARLES FERDINAND HURTEN (1820-1901) Still life, a spray of mixed chrysanthemum, signed, oil on canvas board 38cm x 28.5cm Charles Ferdinand Hurten, floral artist, who worked for Copelands until the late 1890’s £400-600 (plus 27%BP*)

468 CHARLES FERDINAND HURTEN (1820-1901) A mixed spray of chrysanthemum in yellow, white and tones of red, signed oil on canvas, 54cm x 39.5cm

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Charles Ferdinand Hurten, floral artist, who worked for Copelands until the late 1890’s £300-500 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

469 A * G * Classical Cappricio scenes, a pair, signed with initials, gouache, 28.5cm tondo, mounted but unframed (2) £80-120 (plus 27%BP*)

470 CIRCLE OF EVERT COLLIER (1642-1708) Trompe - l’oeil, a portrait of Charles II, a newspaper, envelope and feather, pinned to a wooden panel, oil on canvas laid onto panel 63cm x 30cm, unframed £300-500 (plus 27%BP*)

471 19TH CENTURY NEAPOLITAN SCHOOL Figures dancing upon a terrace; and the Bay of Naples with Mount Vesuvius, smoking, a pair, oils on panel 18cm x 25.5cm (2) £400-600 (plus 27%BP*)

472 ENRICO COLEMAN (1846-1911) Drovers and horses crossing a river bridge, signed, inscribed in pencil verso, oil on panel, 13cm x 30cm £300-500 (plus 27%BP*)

473 ATTRIBUTED TO JAN VAN HUYSUM (1682-1749) Figures in a classical landscape with Temple, inscribed ‘V Huysum’ and with collector’s stamp, pencil drawing, 32cm x 26.5cm £100-200 (plus 27%BP*)

474 18TH CENTURY FLEMISH SCHOOL Figures and sheep in a landscape with turreted building, watercolour en grisaille, 19.5cm x 27cm £100-200 (plus 27%BP*)

475 17TH / 18TH CENTURY ITALIAN SCHOOL Figure study, watercolour en grisaille, 16.5cm x 22cm £100-200 (plus 27%BP*)

476 FOLLOWER OF JEAN ANTOINE WATTEAU (16841721) Blind Man’s Buff, inscribed ‘Watteau’, pencil drawing 26cm x 22cm £100-200 (plus 27%BP*)

477 THEODOR RECKNAGEL (1865-1945) Wisdom, signed, oil on panel, 17cm x 13cm £80-120 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

478 GEORGE EDWARD LODGE (1860-1954) A falcon on stand, signed watercolour and bodycolour, 7.5cm x 20.5cm; and companion, a pair, (2) £1000-1500 (plus 27%BP*)

479 GEORGE EDWARD LODGE (1860-1954) A kestrel with prey, signed watercolour and bodycolour, 27.5cm x 20.5cm £300-500 (plus 27%BP*)

480 GEORGE EDWARD LODGE (1860-1954) Sketch for illustration to ‘A Hawk for the Bush’, pencil study, heightened in white, 23.5cm x 17.5cm £80-120 (plus 27%BP*)

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481 MANNER OF JOHN SCOUGALL Portrait of Martin Luther against a green curtain with a shelf of books behind, inscribed ‘Martin Luther’, oil on copper, unframed 16cm x 12.5cm £100-200 (plus 27%BP*)

481A WILLIAM WARD GILL (1823-1894) Still life - a dead game bird on a grassy bank, signed, oil on board, 20.5cm x 34cm (arched); and companion, a pair (2) £200-300 (plus 27%BP*)

482 WILLIAM STONE (fl.1865-1878) ‘A winter scene in Worcestershire’, signed, inscribed with title verso, oil on canvas, 52cm x 34cm £150-200 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

483 CHARLES WHYMPER (1853-1941) A hoopooe bird upon a straw covered roof top, with further birds yonder, signed watercolour 36cm x 27cm £150-250 (plus 27%BP*)

484 FOLLOWER OF HERMANUS KOEKKOEK (18151882) Sailing vessels be-calmed, oil on board 20cm x 29cm £100-150 (plus 27%BP*)

485 A SMALL COLLECTION OF OLD MASTER DRAWINGS together with two attributed to William Edward Frost (1810-1877); and a 17th Century pencil drawing of horsemen, varying sizes, all unframed (7) £40-60 (plus 27%BP*)

486 ROGER DE LA CORBIERE (1893-1974) ‘St Jacut, Cote de N. Bretagne’, signed, inscribed with title verso, oil on canvas, 59cm x 90cm £150-250 (plus 27%BP*)

487 SCHOOL OF BARTOLOMEO PINELLI (1781-1835) Bible subjects, two pen and pencil drawings, 22cm x 25.5cm each; together with two Old Master pen, ink and wash drawings - Italian architectural subjects, 10.5cm x 15cm, all unframed (4) £80-120 (plus 27%BP*)

488 FOLLOWER OF GAETANO MARTORIELLO (16801733) Figures in a rocky coastal inlet, oil on canvas, 63cm x 75cm; and Russian School - Portrait of an invalid, oil on canvas, 54cm x 45cm (2) £200-300 (plus 27%BP*)

489 JOYCE C. HADDON (20TH CENTURY) ‘Paddling’, signed, oil on board, 20.5cm x 28cm

490 JOYCE HADDON (20TH CENTURY) Shoulder length portrait of a lady wearing floral patterned robe, signed, oil on board, 47.5cm x 39cm £40-60 (plus 27%BP*)

491 ERIC WALTER POWELL (1886-1933) Windsor Castle across the field, signed and dated 1928, watercolour, 34cm x 45.5cm; two small unsigned watercolours; and a view of Hastings attributed to Martin Stainforth (1866-1957), signed with monogram and dated 1915, watercolour, 14cm x 19.5cm (4) £50-80 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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Exh. NEAC 1991 at the Mall Galleries £80-120 (plus 27%BP*)

492 ANTHONY VAN DYKE COPLEY-FIELDING (17871855) ‘Winchelsea Castle - Evening’, watercolour, 12.5cm x 18cm

493 MARY JACKSON (b. 1936) ‘Jain Temple’, signed, watercolour, 50.5cm x 34cm With the New Academy Gallery £100-150 (plus 27%BP*)

494 WILLIAM WARREN Water carrier at a cottage door, signed and dated ‘90, watercolour, 25cm x 35.5cm £60-100 (plus 27%BP*)

Exh. Walker’s Galleries, New Bond Street, London 1932 No. 68 £80-120 (plus 27%BP*)

495 GEORGE DENHOLM ARMOUR (1864-1949) A Scotch boy fishing from a rocky bank, signed with initials, pencil drawing, 18cm x 23cm £40-60 (plus 27%BP*)

496 DAPHNE BAILEY Study of a chestnut horse with a further study verso, inscribed verso, pencil drawing, 24.5cm x 29cm £60-80 (plus 27%BP*)

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498 I * H * Still life - assorted objects and fruit upon a striped table covering with carved oak panelling behind and curtain to the side, signed with monogram, watercolour and body-colour, 51cm x 74.5cm £200-300 (plus 27%BP*)

497 WILLIAM KNIGHT KEELING (1807-1886) ‘Il Contrabandista’, watercolour and body-colour, 34.5cm x 52cm £80-120 (plus 27%BP*)

499 AN OLD RUSSIAN ICON painted with saint and attendant figures at a table, oil on panel, 12.5cm x 7.5cm £150-200 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

501 19TH CENTURY FRENCH SCHOOL Portrait of Agathe D’Alencon with curly brown hair wearing a tiara, frilled collar, brown cloak and cap, oil on canvas, 60cm x 49cm Inscribed on various old labels verso ‘Agathe D’Alencon épouse · 18 ans le comte constant du Trésor souspréfet de Valognes et donne sa Démission en 1830. Míre du comte Louis du Trésor, píre de la bonne de Bosmelet’ £200-300 (plus 27%BP*)

500 SALVATORI MONTULLO (19TH/20TH CENTURY) The wool winder, signed and inscribed ‘Naples 1871’, gouache, 36cm x 44cm £100-150 (plus 27%BP*)

504 EDWIN HAYES (1819-1904) Making for harbour, bears faint traces of signature, watercolour heightened in white, 14cm x 22cm 502 EDWIN HAYES (1819-1904) Sailing vessels at sea, watercolour and body-colour, 8.5cm x 11cm

503 JOSEPH NEEDHAM (c.1810-c.1880) A coastal roadway with hilltop castle, possibly Criccieth, signed, watercolour, 16cm x 36cm £50-80 (plus 27%BP*)

Prov: Purchased at the artist’s sale at Christie’s Jan 23rd ‘05 according to note verso £40-60 (plus 27%BP*)

505 ATTRIBUTED TO ANTHONY VAN DYKE COPLEY FIELDING (1787-1855) ‘Riding the Storm’, watercolour, 12cm x 15.5cm

Inscribed on label verso ‘S.F. Williams (of Agnew’s) coll. 32...1903’ With Robert Dunthorne, the Rembrandt Gallery, Liverpool £100-200

506 FREDERICK WILLIAM DAVIS (1862-1919) A contented monk, signed and dated 1887, oil on panel, 28cm x 20cm £80-120 (plus 27%BP*)

With the ‘Little Gallery’ London £30-50

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

507 ANTONI PUIG MARTI (b.1916) A summer landscape with shepherd driving a flock of sheep, signed, oil on canvas, 22.5cm x 31.5cm; follower of the Barbizon School - Figures gathered in a woodland, oil on canvas, 21cm x 19cm; Georges van Leren Leyder? after Giuseppe Maria Crespi - Les Troyennes aveuglant Polymnestor’, signed, oil on canvas, 22cm x 24cm; and L Nitra - Sailing vessels at sea, signed, oil on canvas, 25cm x 20cm (4) £100-200 (plus 27%BP*)

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509 ALEXANDER WALLACE RIMINGTON (1854-1918) A riverside town with angler fishing and arched stone bridge, signed, watercolour, 24cm x 34cm £80-120 (plus 27%BP*)

508 HENRY JOHN SYLVESTER STANNARD (1870-1951) A Bedfordshire house with garden, signed, watercolour, 29cm x 44cm £80-120 (plus 27%BP*)

510 RANDOLPH SCHWABE (1885-1948) Head and shoulders portrait of a gentleman, possibly Francis Dodd (1874-1949), wearing spectacles, jacket and tie, signed and dated Dec. 1939, pencil and sepia chalks, 27cm x 18cm, mounted but unframed £80-120 (plus 27%BP*)

511 LADY DE TABLEY Self portrait, inscribed on attached label, pencil drawing 23cm x 18.5cm £80-120 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

Frames and Easels Lots 512-520

513 A WINSOR AND NEWTON ARTIST’S STUDIO EASEL together with instructions, 161cm x 56cm folded £80-120 (plus 27%BP*)

514 A 19TH CENTURY GILT GESSO FRAME with fluted concave border and acanthus moulded corners, the edges with berried foliage and with egg and dart inner moulding, rebate size 123.5cm x 89cm £200-400 (plus 27%BP*)

515 A SET OF FIVE EARLY 20TH CENTURY FRENCH GILT FRAMES each with ribbon bow cresting and currently incorporating a botanical specimen after Redouté, rebate size 35cm x 27cm (5) £80-120 (plus 27%BP*)

516 AN 18TH CENTURY GILTWOOD FRAME, the cushion moulded border carved with scrolling acanthus decoration in relief, currently incorporating an engraving after Sir Noel Paton - ‘Mors Janua Vitae’, rebate size 78cm x 51cm £150-250 (plus 27%BP*)

517 A LATE VICTORIAN WALNUT FLOOR STANDING EASEL with lyre shaped side supports and height adjustable rest, 176cm high overall £150-250 (plus 27%BP*)

518 A FLORENTINE GILTWOOD FRAME, the border carved and pierced with scrolling foliage and currently incorporating a bevelled mirror plate, rebate size 40cm x 49.5cm £80-120 (plus 27%BP*)

519 A LATE 19TH CENTURY GILT GESSO FRAME, the border moulded with acanthus leaf ornament and currently incorporating a colour print after Sutton Palmer, signed in pencil by the artist, rebate size 84cm x 65.5cm £40-60(plus 27%BP*)

520 AN 18TH CENTURY STYLE GILTWOOD GIRANDOLE, with circular vacant reserve for a mirror or barometer, carved with ribbons, flowerheads and foliage, 81cm high £40-60(plus 27%BP*)

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512 AN 18TH CENTURY GILTWOOD AND GESSO FRAME, the corners carved in relief with scrolling and flowering foliage, rebate size 32cm x 39.5cm £30-50 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

Jewellery, Watches & Silver Wednesday 31 July 2019 at 11am OXFORD

Viewing times: Saturday 27 July Monday 29 July Tuesday 30 July And the morning

9.00am - 1.00pm 9.00am - 5.00pm 9.00am - 5.00pm of the sale from 8.30am

Enquiries: Jewellery & Watches Louise Dennis FGA DGA louise.dennis@mallams.co.uk Silver & Objets de Vertu Alicia Rogers alicia.rogers@mallams.co.uk Mallams Auctioneers, Bocardo House, St Michaelâ&#x20AC;&#x2122;s Street, Oxford OX1 2EB T: 01865 241358 www.mallams.co.uk

Mallams 1788

CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. (3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 2 %. This premium is subject to VAT at the rate imposed by law. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

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9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations. Please note no license is required to sell or advertise within the EU if items are pre-1947. ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional % commission charge + VAT at the rate imposed on the hammer price.

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

Mallams

1788

The Home Sale Monday 29th July 10am ABINGDON

To Include: Antique and Contemporary Furniture, Silver, Jewellery, Clocks, Ceramics, Metalware, Works of Art and Pictures.