Modern Living - 15th August 2019 (Mallams Cheltenham) by Mallams Auctioneers

Modern Living

1788

MALLAMS

MODERN LIVING

Thursday 15th August 2019 CHELTENHAM T H U R S D A Y 1 5 T H A U G U S T 2 0 1 9 C H E LT E N H A M

www.mallams.co.uk

Mallams

Mallams 1788

Modern Living Thursday 15th August 2019 at 11am

Viewing Tuesday 13th August 9am - 7pm Wednesday 14th August 9am - 5pm

Auction Mallams Grosvenor Galleries 26 Grosvenor Street Cheltenham GL52 2SG

Enquiries Condition Reports & Images cheltenham@mallams.co.uk

Contact cheltenham@mallams.co.uk Bids 01242 235712 01242 241943 (Fax) To bid via the internet please go to www.the-saleroom.com Or to view the catalogue online go to www.mallams.co.uk

Conditions of sale This auction is subject to Important Notices, Conditions of Sale and Reserves. Condition Reports Please note that there are no condition reports printed in the catalogue or on any website listing. They are available on request from the ofďŹ ce or by email cheltenham@mallams.co.uk

Droite de Suite Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certiﬁcate of authenticity. Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part. ‘Circle of ’ … in our opinion the work is by an artist inﬂuenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%. For items selling above this ﬁgure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams. For more information visit www.dacs.org.uk. Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style. ‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date. ‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time. ‘After’ … in our opinion the work is a copy of a known painting by the named artist. ‘Signed’ … in our opinion the signature is by the hand of the artist stated. ‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

Mallams 788

Order of Sale

Modern Living Thursday 15th August 2019 at 11am Furniture

1 - 106

Photographs, Prints & Paintings

107 - 249

Ceramics

250 - 343

Glass

344 - 410

Silver, Works of Art and Collectables

411 - 442

Condition Reports and Images: cheltenham@mallams .co.uk Important notice: Buyerâ&#x20AC;&#x2122;s premium 27% inclusive of VAT on each lot Credit card fees where applicable are 2.28% inclusive of VAT Condition Reports: Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault.

Furniture 1 - 106

1 Arts & Crafts Copper fire surround made from three sections, studded construction, finished with two hooks 103cm x 97cm £300-400 (plus 27%BP*)

2 Arts & Crafts Oak chair octagonal cut legs, plank seat with carved back 89cm high £50-100 (plus 27%BP*)

3 Arts & Crafts Ironwork candle stand adjustable bracket, twisted details 154cm high £40-60 (plus 27%BP*)

4 Arts & Crafts Pair of oak stools each carved with a hand painted crest, red leather, pegged joints, carved details each 44cm x 24cm, 42cm high (2) £50-100 (plus 27%BP*)

5 Arts & Crafts Oak dresser finished with carved rose motifs, brass handles, stylised cut-outs 55cm x 125cm, 195cm high £200-300 (plus 27%BP*)

6 Arts & Crafts Occasional table square top, turned legs and single shelf 43cm x 43cm, 70cm high £50-100 (plus 27%BP*) 5

7 Attributed to Liberty & Co Childs settee, circa 1900 stained wood, lattice back over cane seat and turned legs 65cm high, 75cm wide, 35cm deep £60-120 (plus 27%BP*)

8 Arts & Crafts Ironwork and copper lamp blown glass shade 180cm high £40-80 (plus 27%BP*)

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9 Arts & Crafts Metalwork fender decorated with a sun pattern 150cm x 35cm £40-60 (plus 27%BP*)

10 Manner of Simpson of Kendal Oak corner cupboard panels carved with flowers and fruits, finished with brass handle 104cm high £60-120 (plus 27%BP*)

11 Mid 20th Century Teak bureau cabinet over two shelves and tapering legs 76cm x 43cm, 100cm high £60-120 (plus 27%BP*)

12 Arts & Crafts Adjustable table top mirror single drawer, heart cut- outs, carved details 57cm x 38cm £200-300 (plus 27%BP*)

13 Arts & Crafts Three book thrones, circa 1910 largest 46cm across £80-120 (plus 27%BP*)

14 Arts & Crafts Firescreen, circa 1890 inset embroidered panel attributed to Leek Embroidery Society 87cm high £200-300 (plus 27%BP*)

15 Art Deco Mahogany veneered side table round top with two tone veneer over two shelves 60cm diameter, 59cm high £100-200 (plus 27%BP*)

16 Pugin style Red painted mahogany table carved legs and supports, pegged construction 92cm x 61cm, 75cm high £500-800 (plus 27%BP*)

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17 Apprentice of Barnsley Pair of upholstered mahogany armchairs each 90cm high £200-400 (plus 27%BP*)

18 Émile Gallé (1846-1904) Inlaid marquetry occasional table decorated with a landscape with tree inlaid Galle signature to top 44cm x 51cm, 72cm high £300-400 (plus 27%BP*)

19 In the manner of Morris & Co Stained wood stool, late 19th Century plywood curved seat over turned legs 34cm high £40-60 (plus 27%BP*)

20 In the manner of Liberty & Co Small mahogany bookshelf heart cut out, four shelves 86cm high £40-60 (plus 27%BP*)

21 Liberty & Co Mahogany side table hexagonal top, six turned legs, cut out supports 51cm high £60-80 (plus 27%BP*)

22 Liberty & Co Pair of stained wood armchairs rush seats, carved back supports, turned legs 85cm high (2) £100-200 (plus 27%BP*)

23 Early 20th Century Pair of walnut armchairs curved arms, carved details, fabric seats each 93cm high (2) £150-200 (plus 27%BP*)

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24 1930’s Bentwood chair cushion seat, ladder back 87cm high £40-60 (plus 27%BP*)

25 Gordon Russell Elm side table plank top over a single drawer, pegged joints 86cm x 53cm, 79cm high £200-300 (plus 27%BP*)

26 Stanley W. Davis Stained wood log bin plank sides, fan cutouts, studded details 41cm across £80-120 (plus 27%BP*)

27 In the manner of Liberty & Co Oak drop leaf table carved to the ends with rose decoration, pegged supports, round plank top 120cm x 120cm, 78cm high £100-200 (plus 27%BP*)

28 In the manner of Romney Green Square occasional table octagonal carved legs, cross braced, carved repeating pattern 50cm x 50cm, 64cm high £80-120 (plus 27%BP*)

29 In the manner of Philip Webb Oak round table sloping turned legs and supports around a central leg, the top detailed with two carved lines 127cm diameter, 73cm high £800-1200 (plus 27%BP*) 29

30 Liberty & Co Dressing table swing mirror over a single drawer and turned legs 84cm x 50cm, table 76cm high £60-120 (plus 27%BP*)

31 In the manner of Morris & Co Stained wood armchair curved arms and legs, red upholstered seat 79cm high £60-80 (plus 27%BP*)

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32 Cotswold School Pair of ash armchairs ladder-back, rush seats and turned supports and legs each 106cm high £60-120 (plus 27%BP*)

33 Art Deco Triptych dressing mirror part shagreen, ivory finials and feet, bevelled mirror 68cm high, 98cm across £200-300 (plus 27%BP*)

34 Country House painted pine carrying case handwritten ‘Lord Hindlip, Hindlip Hall, Worcester, England’ to side, two doors to the top finished with iron work fittings 72cm x 47cm, 63cm high £100-150 (plus 27%BP*)

35 Liberty & Co Pair of oak child’s chairs, circa 1905 from the nursery rhyme range with rush seats 72cm high (2) £200-300 (plus 27%BP*) 34

36 In the Manner of Edward William Godwin (1833-1886) Arts & Crafts armchair ebonised with heart motif pierced to top rail, Morris style fabric seat over tapering legs 68cm wide x 107cm high £200-300 (plus 27%BP*)

37 Hendrik Wouda for Pander & Son (1885-1946) Set of six oak Art Deco chairs, circa 1920 with drop in leather seats 88cm high (6) £400-600 (plus 27%BP*) 36

38 Attributed to William Birch Arts & Crafts oak dining table, circa 1900 round plank top overturned crossed braced legs 110cm diameter, 71cm high £200-300 (plus 27%BP*)

39 Liberty & Co Stained wood stick stand finished with heart cut-outs, inset metal tray 28cm x 22cm, 69cm high £200-300 (plus 27%BP*)

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40 In the Manner of Ernest Gimson Armchair rush seat, ladder back, turned details 98cm high £60-120 (plus 27%BP*)

41 Cotswold School Ash ladder back highchair rush seat, bentwood legs 92cm high £60-80 (plus 27%BP*)

42 Cotswold School Ash child’s chair rush seat, ladder back 64cm high £60-80 (plus 27%BP*)

43 Cotswold School Oak coffee table carved legs and supports 134cm x 57cm, 58cm high £100-150 (plus 27%BP*)

44 Cotswold School Oak bedside cabinet two drawers, squared legs 48cm x 30cm, 68cm high £40-80 (plus 27%BP*)

45 Cotswold School Oak side table single drawer, squared finish, carved handle 50cm x 34cm, 77cm high £60-120 (plus 27%BP*)

46 Cotswold School Small side table carved repeating pattern, square legs and supports 40cm x 31cm, 40cm high £50-100 (plus 27%BP*)

47 Cotswold School Small oak bookshelf carved repeating pattern, two shelves, pegged joints 40cm high £30-40 (plus 27%BP*)

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48 Cotswold School Walnut book rack dark wood inlay to handles and drawers 43cm across £50-100 (plus 27%BP*)

49 Cotswold School Oak drop-leaf small table octagonal top 56cm x 56cm, 48cm high £30-60 (plus 27%BP*)

50 Cotswold School Oak throne chair, circa 1960 pegged joints, ski shaped legs, carved arm rests, Harris Tweed upholstery seat 50cm x 49cm, 120cm high £300-400 (plus 27%BP*)

51 Cotswold School Set of three fire irons, circa 1910 carved linear design, twisted form, tongs finished with a moulded rose shovel 75cm across £300-400 (plus 27%BP*) 50

52 Cotswold School Oak stool, circa 1910 attributed to Edward Gardiner, rush seat, turned legs and supports 30cm x 46cm, 49cm high £100-200 (plus 27%BP*)

53 Cotswold School Ash child’s chair, circa 1905 designed by Ernest Gimson, made by Edward Gardiner, ladder-back and rush seat 35cm x 31cm, 63cm high £200-300 (plus 27%BP*)

53 54 Ambrose Heal for Heals Painted chest of drawers, circa 1900 five drawers and two cupboards, pair of ‘owls eye’ cabinet doors 115cm x 46cm, 155cm high £400-600 (plus 27%BP*)

55 In the manner of Heals Oak coffee table round top made from four pieces of wood over a single shelf, cross braced legs 63cm, 51cm high £50-100 (plus 27%BP*)

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56 Heals Oak book table octagonal top over two shelves 57cm x 57cm, 58cm high £60-120 (plus 27%BP*)

57 Heals Oak bureau fitted cupboard over three drawers and turned feet 44cm x 74cm, 93cm high £60-80 (plus 27%BP*) 56

58 Gordon Russell Veneered chest of drawers three drawers, tapering legs maker’s label to back 91cm x 49cm, 84cm high £60-120 (plus 27%BP*)

59 Heals “St Ives” oak dressing chest, circa 1895 Guild of Handicraft metalwork, mirror to top maker’s mark to top drawer 53cm x 107cm, 78cm high (top of chest) £800-1200 (plus 27%BP*)

60 Heals Oak sideboard, circa 1920 three drawers over two cupboards, carved handles inset white maker’s label to inside of drawer 137cm x 50cm, 94cm high £400-600 (plus 27%BP*)

61 Heals Oak bureau bookcase, circa 1920 glass fronted bookcase over a single cupboard and three drawers, raised on carved legs 76cm x 43cm, 180cm high £400-600 (plus 27%BP*)

62 Heals Arts & Crafts Colonial mahogany wardrobe, circa 1910 made from two sections, mirrored and panelled doors, base with two drawers, dovetail joints 155cm x 58cm, 200cm high £400-600 (plus 27%BP*)

63 Heals Colonial mahogany dressing chest, Arts & Crafts circa 1910 swing mirror over four drawers, carved linear details, brass handles 106cm x 46cm, 75cm high (chest only) £300-500 (plus 27%BP*)

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64 Heals Set of four oak dining chairs, Cotswold School lattice work backs, the carver with curved arms and turned supports duck-egg blue checked upholstery 53cm x 44cm, 92cm high £400-600 (plus 27%BP*)

65 65 Heals Oak bedside cabinet, circa 1910 panelled door finished with an ebony handle, cedar shelves, raised on feet 40cm x 40cm, 76cm high £200-300 (plus 27%BP*)

66 Heals Oak cricket table, circa 1910 plank top over three squared legs, 76cm diameter, 65cm high £400-600 (plus 27%BP*)

67 Heals Walnut coffee table, circa 1930 hexagonal top over a single shelf, book matching veneer, linear carved details 70cm x 70cm £300-400 (plus 27%BP*)

68 Heals Walnut glass fronted bookcase, 1930 book matching veneer, carved handles, two adjustable walnut shelves 91cm x 26cm, 102cm high See Heals Living Room and Dining Room Catalogue, circa 1930 £300-400 (plus 27%BP*)

69 Edward Barnsley (1900-1987) Oak dining table, circa 1970, the circle top extendable with two leaves 157cm, 76cm high £1500-2500 (plus 27%BP*)

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70 Gordon Russell Oak coffee table round plank top over tapered legs maker’s label to underside 61cm diameter, 45cm high £80-100 (plus 27%BP*)

71 Gordon Russell Nest of three tables veneered, tapering legs maker’s stamp to underside largest 60cm x 39cm, 46cm high £80-100 (plus 27%BP*)

72 Mid 20th Century Marble and brass console table 106cm x 34cm, 84cm high £50-100 (plus 27%BP*)

73 Eero Saarinen for Knoll ‘Tulip’ coffee table solid marble top over and cast metal base 102cm diameter, 41cm high £500-800 (plus 27%BP*)

74 Gordon Russell Nest of three tables, circa 1930 square legs, carved details to edges each with maker’s label to underside 67cm x 44cm, 46cm high (3) £50-100 (plus 27%BP*)

75 Gordon Russell Oak coffee table round plank top on tapered legs maker’s stamp to underside 60cm diameter, 45cm high £60-80 (plus 27%BP*)

76 Tom ‘Gnomeman’ Whittaker of Littlebeck Oak wall shelf unit two shelves, carved details, pegged joints carved signature Gnome 38cm x 81cm, 18cm deep £100-200 (plus 27%BP*)

77 Gordon Russell Veneered coffee table, mid 20th Century tapered legs maker’s label to underside 120cm x 45cm, 40cm high £60-120 (plus 27%BP*)

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78 Mouseman Oak rocking chair lattice work back, leather seat, pegged joints and carved details carved signature mouse to leg 99cm high £400-500 (plus 27%BP*) 79 Mid 20th Century Teak armchair elongated back, angular design 119cm high £60-80 (plus 27%BP*) 80 Gordon Russell Veneered bedside cabinet single cupboard over tapering legs stamped maker’s label to back 32cm x 37cm, 61cm high £40-60 (plus 27%BP*) 79

81 Vintage Metal filing cabinet manufactured by Roneo four drawers finished with brass handles 62cm x 40cm, 132cm high £80-120 (plus 27%BP*) 82 Jean Perzel (1892-1986) Table lamp, circa 1929 brass and glass shade engraved factory mark to underside 42cm high £200-300 (plus 27%BP*) 83 Arne Jacobsen for Fritz Hansen Set of four plywood chairs, 1999 seat over three chrome legs original label to underside each 75cm high (4) £150-200 (plus 27%BP*)

84 Alan Peters OBE (1933-2009) Korean/Japanese style chest of drawers 1982/1983 thirteen drawers on raised feet, open back design, walnut, tropical olive and cherry wood with black iron handles sold with the original preliminary sketches, invoice and correspondence between Alan Peters and the client 106cm x 45cm, 85cm Provenance:- Commission piece for a Cheltenham client in March 1982. This chest of drawers was displayed at the “Furniture in Context” exhibition at the British Crafts Centre in London from 13th August 22nd September 1982 with a magazine clipping of an article from that time, by Tanya Harrold, which describes the exhibition and the Alan Peters item, (copy included with the lot).

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- Exhibited at the Alan Peters exhibition at the Cheltenham Art Gallery and Museum Exhibition 14th December-8th February 1986 . Number 6 (with a copy of the exhibition catalogue) - Illustrated ‘Furniture Maker’ by Alan Peters illustration 11. His personal account at the preface to the exhibition catalogue describes a visit to Japan in 1975 after an Arts Council Bursary in the hope of finding some stimulus for the surface decoration of his work . Since his return he became more interested in the methods of construction and this was strengthened by a further visit to South Korea and Taiwan in 1980 after receiving the Winston Churchill travelling fellowship award. Using home-grown hardwoods the culmination of these stimuli can be seen in this magnificent chest of drawers. £3000-4000 (plus 27%BP*)

85 Alan Peters OBE (1933-2009) Yew wood table top made from two symmetrical planks on square legs seller’s label to underside 122cm x 62cm, 67cm high £250-350 (plus 27%BP*)

86 Alan Peters OBE (1933-2009) Yew wood coffee table plank top over squared legs, linear carved details maker’s mark to underside 64cm x 47cm, 38cm high £150-250 (plus 27%BP*)

87 Albert “Eagleman” Jeffray (Mouseman Apprentice) Four oak chairs leather upholstered seats carved eagle mark to each chair 45cm x 40cm, 87cm high £300-400 (plus 27%BP*)

88 Cotswold School Walnut and burr tray, circa 1920 inlaid to centre 60cm across £80-120 (plus 27%BP*)

89 Mouseman Oak headboard panelled, pegged joints, carved details to the top, with brackets including original invoice from Robert Thompson Craftsmen Ltd, 1995 138cm x 58cm £250-500 (plus 27%BP*)

90 Gordon Russell Nest of three tables tops with carved linear details over squared legs the smallest with maker’s label to underside largest 67cm x 44cm, 46cm high £50-100 (plus 27%BP*)

91 Hugh Birkett (1919-2002) Walnut Bureau, 1986 the fall front enclosing pigeon holes and secret compartment, over three drawers, all raised on chamfered supports signed and dated 86cm x 42cm, 120cm high Provenance: Made to a special commission for Geoffrey H. Alpe (1908-2008), former Managing Director of Parker Knoll £2000-3000 (plus 27%BP*)

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92 Hugh Birkett (1919-2002) Specimen table, 1961 the top with twenty woods, over eight carved supports signed and dated 66cm wide x 67cm high Provenance: Made to a special commission for Geoffrey H. Alpe (1908-2008), former Managing Director of Parker Knoll £600-800 (plus 27%BP*)

93 93 Hugh Birkett (1919-2002) Dressing table mirror and five drawers over shaped and carved supports signed and dated 109cm wide x 135cm high Provenance: Made to a special commission for Geoffrey H. Alpe (1908-2008), former Managing Director of Parker Knoll £1000-2000 (plus 27%BP*)

94 Edward Barnsley (1900-1987) Mahogany chest of drawers four drawers over raised feet, inlaid linear details to handles, chest and drawers 93cm x 50cm, 80cm high £2000-3000 (plus 27%BP*)

95 Attributed to Hugh Birkett (1919-2002) Walnut bed frame stylised supports, finished with carved edges and finials bed head 114cm x 107cm Provenance: Made to a special commission for Geoffrey H Alpe (1908-2008), former Managing Director of Parker Knoll £300-400 (plus 27%BP*)

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96 Fritz Hansen Six chairs designed by Arne Jacobsen, mid 20th Century black painted wood over metal legs maker’s label to underside 46cm x 46cm, 74cm high (6) £200-300 (plus 27%BP*)

96 97 In the Manner of Terrence Conran Bureau, circa 1960 inlaid oak, with folding doors concealing pigeon holes and drawers partial label 115cm wide x 105cm high £500-1000 (plus 27%BP*)

98 Robert Heritage for Gordon Russell Teak side table, c1960 four drawers, rounded carved details 183cm x 50cm, 73cm high £100-200 (plus 27%BP*) 97

99 Robert Heritage for Gordon Russell Teak dining table, circa 1960 two extending leaves 122cm x 91cm, 73cm high (closed) £100-200 (plus 27%BP*)

100 Robert Heritage for Gordon Russell Set of ten dining chairs, circa 1960 including two carvers, teal striped upholstery seat 47cm x 47cm, 68cm high (10) £150-250 (plus 27%BP*)

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101 Robert Heritage for Gordon Russell Teak cabinet, circa 1960 three cupboards, one with fixed shelves, raised on squared legs 91cm x 40cm, 58cm high £100-200 (plus 27%BP*)

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102 Robert Heritage for Gordon Russell Teak sideboard, circa 1960 two cabinets with adjustable shelves, finished with cut out handles 180cm x 50cm, 73cm high £100-200 (plus 27%BP*)

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103 Hans Brattrud for Mobler (Norwegian,1933) Set of four “Scandia Prince” rosewood stacking chairs, c1960 bent wood slats over chrome legs each 83cm high Cites certificate reference number: 580403/01 £400-600 (plus 27%BP*)

104 Danish School Teak sideboard, mid 20th Century three drawers and two cupboards over raised feet Danish maker’s label to back 240cm x 45cm, 71cm high £300-400 (plus 27%BP*)

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105 Danish School Teak extending dining table, mid 20th Century two additional leaves, tapering legs and supports 160cm x 85cm (closed), 74cm high £100-200 (plus 27%BP*)

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106 Danish School Set of four teak dining chairs rush seats, ladder back, tapering legs made in Denmark, Danish Control furniture makers, label to underside of each 78cm high (4) £100-200 (plus 27%BP*)

Photographs, Prints & Paintings 107 - 249

107 Paddy Somerfield (b. 1947) Collection of six photographic prints including portraits and landscapes two signed examples unframed, largest 33cm x 22cm £80-120 (plus 27%BP*)

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108 Louis John Rhead (British/American, 1857-1926) Original “Read the Sun” Poster, 1895 lithograph blind stamp to bottom right 37cm x 26cm £100-150 (plus 27%BP*)

109 Eileen Hogan (British 1946) ‘Palm House’ lithographic print title and signature to margin framed and glazed, 50cm x 40cm £50-100 (plus 27%BP*)

110 20th Century Two abstract studies lithographic prints each indistinctly signed to margin unframed, 52cm x 37cm £50-100 (plus 27%BP*) 109

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111 Eve Arnold for Magnum (American 1912-2012) ‘In the Frame, The Misfits’, 1960 photographic giclee print, 33/495 signature and edition to margin, with certificate framed and glazed, 108cm x 82cm £200-300 (plus 27%BP*)

112 Eve Arnold for Magnum (American 1912-2012) ‘Getting ready, Los Angeles’, 1960 photographic giclee print, 194/495 signature and edition to margin framed and glazed, 74cm x 59cm £200-300 (plus 27%BP*) 111

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113 After Reynolds Arnold (19191980) Exhibition poster, December 1959 lithograph in colours unframed, 63cm x 47cm £100-200 (plus 27%BP*)

114 Royal Naval College Greenwich pageant poster, circa 1930 lithograph in colours unframed, 77cm x 51cm £200-300 (plus 27%BP*)

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115 John Brunsdon (British 19332014) ‘Suffolk Coastline’ etching in colours, 88/100 signature, title and edition to margin framed and glazed, 53cm x 44cm £80-120 (plus 27%BP*)

116 John Brunsdon (British 19332014) ‘Neath’ etching in colours 39/150 signature, title and edition to margin framed and glazed, 68cm x 51cm £100-200 (plus 27%BP*)

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117 John Brunsdon (British 19332014) ‘Valley in the Hills’ etching in colours, 100/150 signature, title and edition to margin framed and glazed, 66cm x 60cm £100-200 (plus 27%BP*)

118 John Brunsdon (British 19332014) Country lane in Wiltshire etching in colours, 6/100 title, signature and edition to margin framed and glazed, 82cm x 68cm £100-200 (plus 27%BP*)

119 John Brunsdon (British 19332014) Derwent Water by Moonlight etching in colours, 10/150 signature, title and edition to margin framed and glazed, 82cm x 67cm £100-200 (plus 27%BP*)

120 John Brunsdon (British 19332014) ‘Malvern Hills’ etching in colours, 128/350 signature, title and edition to margin framed and glazed, 83cm x 72cm £100-200 (plus 27%BP*)

121 John Brunsdon (British 19332014) ‘Edale’ etching in colours, 338/350 signature, title and edition to margin framed and glazed, 83cm x 72cm £100-200 (plus 27%BP*)

122 John Brunsdon (British 19332014) ‘River Wye’ etching in colours signature, edition and title to margin framed and glazed, 83cm x 72cm £100-200 (plus 27%BP*)

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123 John Brunsdon (British 19332014) ‘Home Bottom’ etching in colours, 80/125 signature, title and edition to margin framed and glazed, 68cm x 64cm £100-200 (plus 27%BP*)

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124 John Brunsdon (British 19332014) ‘Industrial Landscape’ etching in colours, 67/150 signature, title and edition to margin framed and glazed, 68cm x 50cm £100-200 (plus 27%BP*)

125 Feliks Topolski (1907-1989) ‘Legal London Series, Lord Hailsham’ screen print, 71/78 edition and signature to margin framed and glazed, 71cm x 56cm £60-120 (plus 27%BP*)

126 20th Century Abstract study of a house against a hill photographic print signature and date to lower right framed and glazed, 59cm x 50cm £30-40 (plus 27%BP*) 125

126 127 Trevor Price (British 20th Century) ‘Lovers in the Bath I’ Royal Academy Summer Exhibition, 1991, label verso etching in colours 5/100 edition, title, signature and date to margin framed and glazed, 46cm x 35cm £30-60 (plus 27%BP*)

128 Robyn Denny (British 19302014) untitled, 1966 screen print, 63/75 signature, date and edition to lower right framed and glazed, 76cm x 50cm £800-1200 (plus 27%BP*) 127

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129 Robyn Denny (British 19302014) untitled, 1976 screen print, 71/75 signature, date and edition to lower right framed and glazed, 76cm x 50cm £800-1200 (plus 27%BP*)

130 Gillian Ross (British 20th Century) ‘Water Garden I’, 1984 mono type print title, signature and date to margin framed and glazed, 70cm x 60cm £50-100 (plus 27%BP*)

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131 Anne Marie Le Quesne (20th Century) Street light screen print, artist’s proof title edition and signature to margin framed and glazed, 102cm x 67cm £150-200 (plus 27%BP*)

132 John Brunsdon (British, 19332014) ‘Vale Oaks’ etching in colours, 311/350 title edition and signature to margin framed and glazed, 91cm x 67cm £150-200 (plus 27%BP*)

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133 Bob Sanders (British, 20th Century) ‘Tulips’ screenprint, 74/200 title edition and signature to margin framed and glazed, 63cm x 54cm £30-40 (plus 27%BP*)

134 Jean King (British, 20th Century) ‘Meadow Rise’ screenprint, 55/100 edition title and signature to margin framed and glazed, 54cm x 44cm £30-40 (plus 27%BP*)

135 Hugh Collins (British, 20th Century) ‘Robert Jackson and Co Ltd, 172 Piccadilly London W1’, 1979 lithographic print, 38/250 edition and monogram to margin framed and glazed 55cm x 45cm £30-40 (plus 27%BP*)

136 20th Century Abstract study of a phoenix, 1979 screen print, 106/200 signature, date and edition to margin framed and glazed, 34cm x 33cm £30-50 (plus 27%BP*)

137 Ronald A. Glendenning (British 1926) ‘Red Bridge Bath’, 1979 lithographic print, 16/75 signature, date, title and edition to margin framed and glazed, 63cm x 50cm £60-120 (plus 27%BP*)

138 Barbara Jones (British 19121978) ‘Avery’ lithograph in colours, 41/70 edition, title and signature to margin framed and glazed, 82cm x 65cm £100-150 (plus 27%BP*)

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139 Hans Erni (1909-2015) ‘Incemdie’ lithograph, 113/250 signature and edition to margin framed and glazed, 88cm x 75cm £30-60 (plus 27%BP*)

140 James Kirkup (British Poet, 1918-2009) Nine posters “Bewick by Kirkup” and “Kirkup Posters” each a poem with illustrations contained in two cloth bound folios (9) £80-120 (plus 27%BP*) 139

140 141 Jean Carton (1912-1988) Nude study etching, 3/35 signature and edition to margin framed and glazed 43cm x 35cm £30-50 (plus 27%BP*)

142 Trevor Winkfield (20th Century) ‘The Way Home’, 1988 screen print, artist’s proof edition, title and signature to margin framed and glazed, 51cm x 37cm £40-60 (plus 27%BP*)

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143 Bernard Childs (British 19101985) ‘Plenty’, 1962 etching in colours, 7/15 title, date, edition and signature to margin framed and glazed, 34cm x 27cm £60-80 (plus 27%BP*)

144 Farah Jackson (20th Century) ‘Ducru Beaucaillou’ etching in colours, 26/150 edition, title and signature in pencil framed and glazed, 68cm x 55cm £40-60 (plus 27%BP*)

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145 R. A. Palgrave (British, 20th Century) Landscape photography, mid 20th Century a collection of fifteen landscape photographs including rural, industrial and domestic views, chromogenic prints many signed and titled with exhibition labels and awards to verso each approx. 36cm x 28cm (15) £60-80 (plus 27%BP*)

146 R. A. Palgrave (British, 20th Century) Landscape photography, mid 20th Century a collection of fifteen landscape photographs including rural, industrial and domestic views, chromogenic prints many signed and titled with exhibition labels and awards to verso each approx. 36cm x 28cm (15) £60-80 (plus 27%BP*)

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147 R. A. Palgrave (British, 20th Century) Landscape photography, mid 20th Century a collection of fifteen landscape photographs including rural, industrial and domestic views, chromogenic prints many signed and titled with exhibition labels and awards to verso each approx. 36cm x 28cm (15) £60-80 (plus 27%BP*)

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148 After David Hockney Exhibition poster, ‘Hockney Paints The Stage’, 1983-1984 lithographic print unframed, 87cm x 69cm £30-40 (plus 27%BP*)

149 Graham Bannister (1954) Still life of flowers and ceramics screen print, 80/100 edition and signature to margin framed and glazed, 78cm x 64cm £50-100 (plus 27%BP*)

150 Joseph W Winkelman (British 1941) Kleiner Solstein, 1998 etching, 18/150 title, edition, signature and date to margin framed and glazed, 75cm x 70cm £50-100 (plus 27%BP*)

151 Antonio González Niko (20th Century) “Che Guevara, Hoy y Siempre”,1983 lithographic poster framed and glazed, 74cm x 54cm £80-120 (plus 27%BP*)

152 Cecile Reims (20th Century) Fish seller etching signed to margin framed and glazed, 38cm x 27cm £30-50 (plus 27%BP*)

153 20th Century Japanese calligraphy woodblock print indistinct signature and title to margin framed and glazed, 41cm x 31cm £30-50 (plus 27%BP*)

154 After Pablo Picasso ‘A Girl with a Jug’ collotype print, circa 1950 printed from the original by the Ganymed Press unframed, 74cm x 63cm £60-100 (plus 27%BP*)

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155 After Francis Hodgkins ‘Pumkins’ collotype print, 1952 printed by Ganymed Press unframed, 84cm x 63cm £80-120 (plus 27%BP*)

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156 After Maurice De Vlaminck ‘Lupins and Poppys’ collotype print, circa 1950 printed by Ganymed Press unframed, 72cm x 59cm £50-100 (plus 27%BP*)

157 Gerald Clements (20th Century) ‘Bottle, Vase and Fruit Bowl’, 1967 woodblock print, 1/2 title, edition, signature and date to margin unframed, 66cm x 51cm £50-100 (plus 27%BP*)

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158 After Pablo Picasso ‘Flowers’, 1903 collotype print, circa 1950 printed from the original by Ganymed Press unframed, 70cm x 54cm £50-100 (plus 27%BP*)

159 After Pablo Picasso Nature Morte aux Poissons collotype print printed from the original by Ganymed Press unframed, 66cm x 55cm £50-100 (plus 27%BP*)

160 After Max Ernst ‘The Petrified City’ collotype print, circa 1950 printed by Ganymed Press unframed, 67cm x 58cm £60-120 (plus 27%BP*) 159

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161 After Thomas Bewick Vignettes collotype print, circa 1950 printed by Ganymed Press unframed, 58cm x 46cm £40-50 (plus 27%BP*)

162 Julio Gonzales ‘Personnages’ collotype print, circa 1952 printed by Ganymed Press unframed, 40cm x 31cm £50-100 (plus 27%BP*)

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163 After Fernand Leger ‘Verve No. 1. Vol 1.’, circa 1930 print taken from the folio entitled Les Quatre Elements, Leau framed and glazed, 58cm x 48cm £30-40 (plus 27%BP*)

164 20th Century Three reproduction prints after Richard Lindner and Henry Toulouse Lautrec each framed and glazed, 42cm x 30cm (3) £30-40 (plus 27%BP*)

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165 20th Century Three reproduction prints after Henri Matisse, Edgar Degas and August Rodin two framed and glazed, 54cm x 44cm (3) £30-40 (plus 27%BP*)

166 Benedict Rubbra (British 1965) Abstract composition, 1992 lithographic print, 48/100 edition and signature to margin framed and glazed, 88cm x 75cm £30-60 (plus 27%BP*)

167 Annora Spence (British 1963) ‘Dog and Yoyo’ print, 116/235 edition, title and signature to margin framed and glazed, 82cm x 59cm £50-100 (plus 27%BP*)

168 Henderson Cisz (Brazilian 1960) L’Opera lithographic print, 95/295 edition, title and signature framed and glazed, 62cm x 59cm £80-120 (plus 27%BP*)

169 After Marc Chagall (RussianFrench 1887-1985) Exhibition poster for Galerei Maeght, 1981 lithographic print framed and glazed, 92cm x 59cm £60-80 (plus 27%BP*)

170 Suzanne Meunier (20th Century) Study of a female nude, 1937 lithograph pencil signature to margin walnut frame, glazed, 30cm x 26cm £30-40 (plus 27%BP*)

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171 After Gus Bofa (1883-1968) ‘La Baionnette’ lithographic poster framed and glazed, 46cm x 38cm £30-60 (plus 27%BP*)

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172 Cathy Baxter (20th Century) ‘Pear II’ etching in colours, 1/20 edition, title and signature to margin together with a nude study, black and white etching, indistinct signature to margin each framed and glazed, largest 35cm x 31cm (2) £30-60 (plus 27%BP*)

173 Graham Clark (British 1941) ‘April’ etching in colours, 97/250 title, edition and signature to margin framed and glazed, 31cm x 28cm £40-60 (plus 27%BP*)

174 Edward Barton (1936-2012) Horse racing scene oil on canvas, signed lower right 60cm x 50cm £40-80 (plus 27%BP*) 173

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175 Raymond Alan Jackson (British 1927-1997) “Take the A40 to Burford” drawing/watercolour signed lower left, inscription to margin 60cm x 50cm £80-120 (plus 27%BP*)

176 Mid 20th Century Abstract study of a garden watercolour signed John Lawrence 1961 to lower right framed and glazed, 90cm x 65cm £40-60 (plus 27%BP*) 175

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177 Richard Walker (1954) New York street scene mixed media signed lower right framed and glazed, 118cm x 86cm £500-600 (plus 27%BP*)

178 Tatiana Gorshunova (1954) Full length portrait of a woman, 2001 acrylic on canvas monogram and date to lower right unframed, 75cm x 54cm £100-200 (plus 27%BP*)

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179 Henri R.B. Lepetit (French 1956) Street scene with market sellers oil on canvas signed to lower right framed, 80cm x 70cm £150-200 (plus 27%BP*)

180 William Selby (British 1933) ‘The Last Supper’ acrylic on canvas signed lower right framed and glazed, 77cm x 67cm

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181 Derek Middleton (1928-2002) Abstract study, 1970 watercolours signature and date to lower left framed and glazed, 86cm x 80cm £100-150 (plus 27%BP*)

182 Douglas Charles (20th Century) Coastal view, 1979 oil on canvas signature and date to lower left framed, 96cm x 57cm £60-80 (plus 27%BP*)

183 Priscilla Hanbury (British 1921-2008) Study of two fishermen oil on canvas artist’s stamp to lower right framed, 82cm x 57cm £250-300 (plus 27%BP*)

184 Neil Westwood (British 20th Century) Study of sheep in the snow watercolours signature to lower left framed and glazed, 64cm x 49cm £150-200 (plus 27%BP*)

185 British 20th Century High street with shoppers, Cromer watercolours on paper signed ‘Quantrill’ to lower left framed and glazed, 50cm x 40cm £60-80 (plus 27%BP*)

186 Guy Worsdell (British 19081978) ‘Concert in Kensington Town Hall’ ink on paper signature and title to lower right framed and glazed, 40cm x 34cm £40-60 (plus 27%BP*)

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187 Horace Mann Livens (18621936) Woodland scene with two figures watercolour/drawing signature to lower left framed and glazed, 42cm x 36cm £80-120 (plus 27%BP*)

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188 Gabriella Rainer-Istvanfy (1877-1964) Portrait of a puppy oil on canvas signed to lower right framed and glazed, 33cm x 28cm £150-200 (plus 27%BP*)

189 Fred Dubery (British 19262011) Nightime street scene signed to lower right framed, 33cm x 27cm £50-100 (plus 27%BP*)

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190 20th Century Still life study of pebbles acrylic on canvas signed Esteve to lower left framed, 36cm x 36cm £40-60 (plus 27%BP*)

191 Frank Downton (British 1936) Abstract composition cut vinyl on board signature to verso 57cm x 57cm £40-60 (plus 27%BP*)

192 Frank Downton (British 1936) Abstract composition cut vinyl on board signature to verso 57cm x 50cm £40-60 (plus 27%BP*) 191

192 193 Richard Robbins (British 19272009) Still life of flowers oil on canvas signed lower right framed £100-200 (plus 27%BP*)

194 Liz Duff (British 20th Century) Still life study of apples oil on board signed lower right framed, 58cm x 48cm £50-100 (plus 27%BP*)

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195 Liz Duff (British 20th Century) Still life of flowers watercolours signed to lower right framed and glazed, 54cm x 40cm £50-100 (plus 27%BP*)

196 Liz Duff (British 20th Century) Beach scene oil on canvas signed to lower right framed, 57cm x 47cm £50-100 (plus 27%BP*)

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197 20th Century Still life study of flowers oil on board framed, 70cm x 55cm £80-120 (plus 27%BP*)

198 English school Portrait of an entertainer with monkey oil on canvas indistinct signature to upper right framed, 86cm x 74cm £80-120 (plus 27%BP*)

199 Desmond Morris (British,1928) “Idealist” 1988/93 ink and watercolour on paper signed lower right framed and glazed, 35cm x 35cm £800-1200 (plus 27%BP*)

200 William Gear (British, 19151997) Untitled, 1980 acrylic on paper signature and date to lower right framed and glazed, 85cm x 65cm £300-400 (plus 27%BP*)

201 William Gear (British, 19151997) Untitled, 1967 mixed media on paper signature and date to lower right framed and glazed, 76cm x 55cm £300-400 (plus 27%BP*)

202 William Gear (British, 19151997) Untitled, 1975 mixed media on paper signed and dated to lower right framed and glazed, 80cm x 65cm £300-400 (plus 27%BP*)

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203 Lyn Baxter (British 20th Century) ‘Arbroath Harbour’ mixed media/watercolours signature to lower left framed and glazed, 100cm x 80cm £100-200 (plus 27%BP*)

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204 Donald H. Floyd (British 18921965) Landscape with river oil on canvas signed to lower right framed, 68cm x 52cm £100-200 (plus 27%BP*)

205 Anthony Palliser (British, 1949) “Conversation”, 3/4/1972. oil on canvas signature and title to verso 128cm x 97cm £800-1000 (plus 27%BP*)

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206 Rod Judkins (British 1936) ‘The View’ oil on canvas signed lower right framed and glazed, 106cm x 76cm £100-200 (plus 27%BP*)

207 Rod Judkins (British 1936) ‘Crossed Lines’ oil on canvas artist’s label to verso unframed, 119cm x 81cm £100-200 (plus 27%BP*)

208 Robert Chandler (British 1952) ‘Still Life IV’ and ‘Still Life III’ each mixed media gallery label to verso framed and glazed, 88cm x 70cm (2) £50-100 (plus 27%BP*)

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209 Rudolph Helmut Sauter (18951977) ‘Tulips’ oil on board original gallery label to verso, signed to lower left framed, 75cm x 58cm £100-200 (plus 27%BP*)

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210 Iris Adams (20th Century) Three abstract studies watercolours one with artist’s monogram each framed and glazed, largest 40cm x 33cm £60-80 (plus 27%BP*)

211 Robin Reckitt (British 1928) Pair of street scenes, Winchcombe pastel studies signed lower left and right each framed and glazed, 40cm x 36cm £80-100 (plus 27%BP*)

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212 Michael Ayrton (1921-1975) Rock at dusk, 1961 mixed media on board signed and dated upper left framed and glazed, 66cm x 46cm Provenance: Exeter College, J.C.R. Art Fund, 1961 Matthiesen Ltd, New Bond Street, London £800-1200 (plus 27%BP*)

213 20th Century Impressionistic landscape with house oil on board indistinct signature to lower right framed, 68cm x 53cm £30-50 (plus 27%BP*)

214 Robert Bird (British 20th Century) Abstract landscape with building watercolours indistinct title and signature to margin framed, 36cm x 34cm £30-50 (plus 27%BP*)

215 Scott Nisbet (British 19102002) ‘Wood’ mix media title and signature to margin framed and glazed, 44cm x 32cm £40-60 (plus 27%BP*)

216 20th Century Three surrealist landscapes watercolours each indistinctly signed to lower right framed and glazed, largest 72cm x 55cm £60-120 (plus 27%BP*)

217 David Chinyama (1978) ‘Great Dyke and Quarry’ mixed media each signed lower left 56cm x 43cm £100-150 (plus 27%BP*)

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218 Alan Davie (British 19202014) Abstract composition, June 1973 oil on canvas signed in pencil to lower right framed, 59cm x 49cm £600-800 (plus 27%BP*)

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219 Richard Price (British 20th Century) Abstract composition, 1977 resin on board signature and date lower right 123cm x 61cm £50-100 (plus 27%BP*)

220 Stephen Kissel (American, 1938-2015) Three abstract studies acrylic on paper one with monogram to lower left each glazed, largest 80cm x 55cm Stephen Kissel was an American abstract artist painting in the South of France in the late 1960s and 70s. Influences include Joan Miro and Alexander Calder, in particular Alexander’s Solo Exhibition at the Maeght Foundation 1969 £100-200 (plus 27%BP*)

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221 Ken Howard (British 1932) ‘San Mario’ oil on board signed to lower right, gallery label to verso framed, 35cm x 30cm £1000-1200 (plus 27%BP*)

222 20th Century Still life study of a flower in interior oil on canvas indistinct signature to lower left framed, 77cm x 60cm £40-60 (plus 27%BP*)

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223 William Mills (British 19231997) Black and white abstract composition drawing/watercolour, 3/59 signature and edition to lower left framed and glazed, 50cm x 40cm £60-120 (plus 27%BP*)

224 Early 20th Century Shipping scene oil on canvas indistinct signature to lower right framed, 60cm x 45cm £50-100 (plus 27%BP*)

225 Attributed to Thomas Bush Hardy (British 1842-1897) Coastal scene, 1889 drawing on paper initials to lower left mounted on paper, framed and glazed, 30cm x 27cm £80-120 (plus 27%BP*)

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226 Eva Giannetti (20th Century) River scene with bridge oil on board signed to lower left framed and glazed, 34cm x 29cm £50-100 (plus 27%BP*)

227 William Mills (British 19231997) Flowers I, 1989 watercolours monogram and date to lower right framed and glazed, 48cm x 40cm £60-80 (plus 27%BP*)

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228 20th Century Landscape with buildings oil on canvas indistinct signature to verso framed, 61cm x 51cm £40-60 (plus 27%BP*)

229 Eric Addison (20th Century) View from aeroplane window acrylic on canvas signature to verso framed, 64cm x 48cm £30-60 (plus 27%BP*)

230 Ted Hoefsloot (1930-2013) ‘Cottages near George (Cape)’ oil on board signed to lower right framed, 75cm x 62cm £80-120 (plus 27%BP*)

231 Ted Hoefsloot (1930-2013) ‘Scene near Cydenbury’ oil on board signed to lower left framed, 75cm x 62cm £80-120 (plus 27%BP*)

232 Ann Hands (British 20th Century) ‘Fishermen’, 1965 oil on board/metalwork artist’s label to lower right framed, 120cm x 75cm £100-200 (plus 27%BP*)

233 Steve Burgess (Canadian, 1960) Portrait of a Masai warrior oil on canvas signed lower right framed, 80cm x 60cm £1500-2500 (plus 27%BP*)

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234 Steve Burgess (Canadian, 1960) “Giants of Africa”, 1996 oil on canvas signed lower right framed, 107cm x 75cm £1500-2500 (plus 27%BP*)

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235 235 Steve Burgess (Canadian, 1960) “El Tigre”, 1998 oil on canvas signed lower right framed, 107cm x 75cm £1500-2500 (plus 27%BP*)

236 Steve Burgess (Canadian, 1960) Portrait of a Masai child oil on board signed lower right framed, 57cm x 42cm £600-1200 (plus 27%BP*) 237

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237 Frank Wootton (British 19111998) Gymkhana, 1976 oil on canvas, signed lower right framed 70cm x 57cm £800-1200 (plus 27%BP*)

238 Mid 20th Century Still life of fruit, 1964 acrylic on board signed, Jacobo to lower right framed, 86cm x 72cm £100-150 (plus 27%BP*)

239 Richard James (British 1937) ‘Floral Abstract I’, circa 1973 acrylic on canvas unframed, 51cm x 46cm £30-50 (plus 27%BP*)

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240 Willem Leendert Bruckman (1886-1928) Study of a cathedral interior watercolours signature to lower right unframed and mounted, 61cm x 51cm £80-120 (plus 27%BP*)

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241 Willem Leendert Bruckman (1886-1928) Study of barn watercolours framed and glazed, 67cm x 53cm £80-120 (plus 27%BP*)

242 Willem Leendert Bruckman (1886-1928) Collection of nine topographical studies including Brugge watercolours/pastels on paper each signed each unframed and mounted, 68cm x 58cm (9) £200-400 (plus 27%BP*)

243 Philip Jones (British 19332008) landscape with figures, 1966 gouache signed and dated in pencil to lower right framed and glazed, 49cm x 40cm £100-200 (plus 27%BP*)

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244 David Carr (British 19151968) Abstract study, 1958 charcoal/watercolour gallery label to verso framed and glazed, 38cm x 28cm £100-200 (plus 27%BP*)

245 Duncan Macgregor (British 1961) Abstract study of a tree acrylic on board signature to lower right, gallery label to verso framed, 60cm x 48cm £300-400 (plus 27%BP*)

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246 Duncan Macgregor (1961) Abstract study of a yacht acrylic on board signed lower left framed, 78cm x 48cm £300-400 (plus 27%BP*)

247 Fabian Perez (Argentinian 1967) Full length portrait of a woman watercolour/drawing signed to lower right framed and glazed, 80cm x 67cm £1000-1500 (plus 27%BP*)

248 David Birtwhistle (British 1947) “Ganders” drawing/watercolours pencil signature to lower right framed and glazed, 55cm x 45cm £80-120 (plus 27%BP*)

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249 Richard Adams (British 1960) ‘Holiday Town’ varnished pastel on paper signature to right, gallery label to verso framed and glazed, 102cm x 62cm £2500-3000 (plus 27%BP*)

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Ceramics 250 - 343

250 Michael Graves for Swid Powell (American, b. 1834) “Little Dripper” ceramic Coffee Set coffeepot, dripper, sugar bowl and milk jug, each decorated in a terracotta, blue and gold colourway on a white ground factory marks to base coffee pot 22cm high £150-200 (plus 27%BP*)

251 John Wadsworth for Minton flower pot and sugar jar, c1930 each decorated in the Art Deco style with red and black linear details on a cream ground factory marks to base sugar jar, 21cm high (2) £150-200 (plus 27%BP*)

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252 Aesthetic style Six “Balfour” pattern Staffordshire earthenware tiles, c1880 depicting an urn with flowers, green, yellow, blue and brown colourway factory marks to reverse each, 15cm x 15cm (6) £60-80 (plus 27%BP*)

253 Aesthetic Movement Two large hand painted plates, late 19th Century each depicting a weaver, blue on a white glaze each 34cm across (2) £80-120 (plus 27%BP*)

254 Late 19th Century Hearthstone tile depicting Bacchus, brown glaze marked ‘Cambridge’ to verso framed, 18cm x 18cm £40-60 (plus 27%BP*)

255 Late 19th Century Pair of tiles each depicting a stag within a landscape, hand carved, deep brown glaze each framed, 48cm x 33cm (2) £80-120 (plus 27%BP*)

256 Fine Art Tile (British 20th Century) Three ceramic tiles moulded with a hare, rams head and radishes, circa 1990 two with factory mark to back largest 31cm x 15cm (3) £30-50 (plus 27%BP*)

257 Scottie Wilson for Royal Worcester Six piece coffee set, circa 1960 each cup and saucer decorated with fish and birds artists’ signature and factory mark to base saucer 14cm across (6) £60-120 (plus 27%BP*)

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258 Aldermaston Pottery Terracotta bowl with blue abstract decoration on a white ground artist’s signature to underside 27cm across £30-60 (plus 27%BP*)

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259 John Leach (British 1939) Small bowl brown glazed with incised linear decoration studio mark to base 9cm high £40-60 (plus 27%BP*)

260 Lionel Miskin (20th Century) Stoneware vase hand painted figures and animals on a brown glaze hand painted artist’s mark to base 18cm high Department Head Falmouth Art College, lecturer in Art History. £30-40 (plus 27%BP*)

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261 Troika pottery Stoneware vase square form with linear and circular decoration, in brown blue and orange colourway handwritten potter’s mark to underside 21cm high £80-120 (plus 27%BP*)

262 Moorcroft Pottery Lamp base tube lined decoration, wooden base factory marks to underside 28cm high £40-60 (plus 27%BP*)

263 Studio Pottery Ceramic light fitting textured finish with metal fitting 36cm across £50-100 (plus 27%BP*)

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263 264 Jim Malone (British, 1946) Footed bowl Ochre glaze, cut sides impressed potters and pottery seals to underside 13cm diameter Provenance: The Nick Rocke collection, no. 255 £40-60 (plus 27%BP*)

265 20th Century Ceramic wall hanging in the form of a face, blue and green glaze with incised details indistinct signature to back 37cm across £30-60 (plus 27%BP*)

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266 Mari Simmulson for UpsalaEkeby (Swedish, mid 20th Century) Stoneware vase stamped decoration with two tone glaze potter’s incised marks to base 15cm high £30-40 (plus 27%BP*)

267 Jim Malone (British, b. 1946) Stoneware bowl incised fish decoration under an ash glaze impressed potters marks to base 18cm across £40-80 (plus 27%BP*)

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268 Nis Stougaard (Danish, 20th Century) Small stoneware jug blue mottled glaze with hand painted linear decoration incised “Nis Svaneke” to base 14cm high £30-40 (plus 27%BP*)

269 Hanne Haukom (Norway, 20th Century) Large ceramic pot, 2012 hand painted abstract floral design on a white glaze incised signature and date to base 16cm high £30-50 (plus 27%BP*)

270 Kirstine Kejser Jenbo (Danish 20th Century) Sushi Set two rectangular plates, two bowls and a sauce dish, yellow glaze with white details incised potters marks to base rectangular plate 22cm across (5) £60-80 (plus 27%BP*)

271 Anne and Peter Stougaard (Danish, 20th Century) Unique stoneware colander with stand blue and brown mottled glaze 26cm across £150-200 (plus 27%BP*)

272 In the style of Christopher Dresser Stoneware jug mottled deep green and brown glaze “586” stamped to base 16cm high £30-40 (plus 27%BP*)

273 Aase Haugaard (Danish, b. 1956) Stoneware vase incised leaf and turtle pattern, wood fired potters mark to underside 17cm high £40-60 (plus 27%BP*)

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274 Agnete Hoy for Bullers (British, 1914-2000) Small pottery bowl celadon glaze over an incised linear design, and vase decorated brushwork motifs each with potters marks to base largest 16cm high (2) £40-60 (plus 27%BP*)

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275 Wiliam Fisher Holland (British, 20th Century) Large terracotta jug hand painted palm trees and birds on a white ground incised potters signature to base 29cm high £30-50 (plus 27%BP*)

276 David Leach for Lowerdown Pottery (British 1911-2005) Large stoneware bowl incised panel decoration, oxblood glaze impressed L D potter’s mark to underside 32cm across £300-400 (plus 27%BP*)

276 277 Attributed to Robert Johnson Washington (British 1913-1997) Stoneware vessel, circa 1980 painted motifs impressed potter’s mark to underside 36cm high £60-80 (plus 27%BP*)

278 Katherine Pleydell Bouverie (1895-1985) Stoneware lamp base dipped glaze potter’s mark to underside 21cm high £80-120 (plus 27%BP*)

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279 Katherine Pleydell Bouverie (1895-1985) Lamp base blue dipped glaze 23cm high £80-120 (plus 27%BP*)

280 Katherine Pleydell Bouverie (1895-1985) Three pottery garden pots one with saucer, incised linear decoration each with impressed potter’s mark to underside largest 18cm across (3) £100-200 (plus 27%BP*)

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281 Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised decoration under a turquoise glaze impressed potter’s mark to underside 13cm high £100-200 (plus 27%BP*)

282 Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised decoration under a clear glaze impressed potter’s mark to bottom 11cm high £80-120 (plus 27%BP*)

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283 Katherine Pleydell Bouverie (1895-1985) Set of four stoneware bowls ash glazed each with impressed potter’s mark to underside 10cm across (4) £100-200 (plus 27%BP*)

284 Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised linear pattern under a deep green glaze impressed potter’s mark to underside 8cm high £60-80 (plus 27%BP*)

285 Katherine Pleydell Bouverie (1895-1985) Two stoneware bowls dark green and pale blue dipped glaze one with impressed potter’s mark to underside largest 12cm across (2) £100-150 (plus 27%BP*)

286 Studio Pottery Vase by Donald Glanville, sculpture of a horse and dish each with impressed potter’s mark dish 27cm across (3) £40-80 (plus 27%BP*)

287 Royal Doulton pair of stoneware vases early 20th Century decorated with an Art Nouveau flower design factory mark to base each 23cm high £50-100 (plus 27%BP*)

288 Royal Doulton Flambe vase decorated with a landscape with shepherds impressed number and factory mark to base 24cm high £20-40 (plus 27%BP*)

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289 Attributed to St Ives Pottery Small ceramic vase multi coloured burnished glaze potter’s mark to underside 11cm high £20-40 (plus 27%BP*)

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290 Ray Finch for Winchcombe Pottery (1914-2012) Stoneware dish blue nuka decoration on a red glaze potter’s impressed mark to underside 32cm across £50-100 (plus 27%BP*)

291 John Jelfs for Cotswold pottery (British 1946) Stoneware teapot and small vase red and green glaze each with impressed potter’s mark to underside teapot 17cm across (2) £40-60 (plus 27%BP*)

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292 Winchcombe pottery Two mugs, teapot, vase and three jugs various glazes each with impressed studio mark tallest 27cm high (7) £80-120 (plus 27%BP*)

293 Derek Emms (1929-2004) Stoneware jug nuka and tenmoku glaze impressed potter’s mark to underside 25cm high £60-80 (plus 27%BP*)

294 Svend Bayer (1946) Stoneware vase 17cm high £40-60 (plus 27%BP*)

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295 Studio Pottery Bowl by Toff Milway, small vase by Nick Harrison and small jug by Derek Emms various glazes, each with impressed potter’s mark to underside bowl 20cm across (3) £40-80 (plus 27%BP*)

296 Studio Pottery Collection of five stoneware bowls including examples by Ron Bridge and Selborne Pottery various glazes some with potter’s marks largest 19cm across (5) £60-80 (plus 27%BP*)

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297 Studio Pottery Large stoneware vase hand painted linear decoration in three band blue and white colourway 35cm high £30-40 (plus 27%BP*)

298 In the Manner of David Leach Stoneware vase Tenmoku glaze with foliate motif decoration 20cm high £40-60 (plus 27%BP*)

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299 Studio Pottery Two stoneware jugs and a vase various glazes tallest 29cm high (3) £30-60 (plus 27%BP*)

300 Studio Pottery Three vases and two dishes various glazes some with impressed potter’s marks large dish 28cm across (5) £40-60 (plus 27%BP*)

301 Studio Pottery Two lidded stoneware pots two vases and a dish various glazes some with impressed potter’s marks tallest 17cm high (5) £20-40 (plus 27%BP*)

302 Design attributed to Christopher Dresser for Minton Ceramic teapot, late 19th Century bamboo stylized handle factory impressed marks to base 16cm high £100-150 (plus 27%BP*)

303 Alan Caiger-Smith for Aldermaston Pottery (b. 1930) Pottery cheese dish and cover decorated with a hand painted block pattern in a blue and brown colourway artist’s painted signature to underside 22cm across £50-100 (plus 27%BP*)

304 Alan Caiger-Smith for Aldermaston Pottery (b. 1930) Stoneware jug abstract hand painted brown design on a white ground hand painted potter’s signature to underside 26cm high £50-100 (plus 27%BP*)

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305 Alan Caiger-Smith for Aldermaston Pottery (b. 1930) Stoneware jug yellow hand painted abstract design on white ground hand painted potter’s signature to underside 19cm high £30-60 (plus 27%BP*)

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306 Alan Caiger-Smith for Aldermaston Pottery (b. 1930) Large stoneware jar hand painted symmetrical pattern on a white ground hand painted potter’s signature to underside 30cm high £300-500 (plus 27%BP*)

307 Aldermaston Pottery Pottery tile hand painted black symmetrical design on a white ground 15cm x 15cm £20-30 (plus 27%BP*)

308 Ted Hoefsloot (1930-2013) ‘Scene from Vlotten Burg’ oil on board signed to lower right framed, 92cm x 54cm £80-120 (plus 27%BP*) 307

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309 Alan Caiger-Smith for Aldermaston Pottery (b. 1930) A series of twelve small ceramic glaze testing tiles various hand painted abstract designs some with potter’s painted marks to the backs each 5cm x 5cm (12) £80-120 (plus 27%BP*)

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310 Michael Casson (British 19252003) A large stoneware jug blue salt glaze with linear decoration potter’s impressed mark to underside 38cm high £60-120 (plus 27%BP*)

311 Michael Casson (British 19252003) Stoneware vase banded salt glaze impressed potter’s mark to underside 14cm high £40-60 (plus 27%BP*)

312 Jo Finch (b. 1947) Stoneware jug green and blue mottled glaze impressed potter’s mark to underside 26cm high £40-60 (plus 27%BP*)

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313 Phil Rogers (b. 1951) Stoneware vase square form with pale green mottled glaze and linear decoration impressed potter’s mark to underside 24cm high £50-100 (plus 27%BP*)

314 Philip Wadsworth (20th Century) Small white clay lidded pot green glaze incised artist’s signature to underside 8cm across £30-60 (plus 27%BP*)

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315 George Tinworth for Royal Doulton Stoneware vase, circa 1880 decorated with incised foliate pattern, blue, brown and white colourway impressed factory mark and incised signature to underside 27cm high £250-350 (plus 27%BP*)

316 Robin Welch (b. 1936) Stoneware vase rust and olive glaze potter’s mark to bottom 18cm high £80-120 (plus 27%BP*)

317 Rodney Lawrence (b. 1950) Stoneware vase red and white brush stroke glaze impressed potter’s mark to base 13cm high £60-100 (plus 27%BP*)

318 Colin Kellam (20th Century) Two stoneware shallow bowls hand painted foliate decoration over a mottled white glaze impressed potter’s mark to underside of each each approx 15cm across (2) £30-50 (plus 27%BP*)

319 Studio Pottery ‘Shipwreck’ pottery sculpture green glazed with pierced details 26cm across £40-80 (plus 27%BP*)

320 Mary Rich (b. 1940) Small vessel white glaze impressed potter’s mark to bottom 9cm high £30-40 (plus 27%BP*)

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321 Marianne De Trey (b. 1913) Stoneware jug hand painted naturalistic decoration over a white ground impressed potter’s mark to bottom 22cm high £30-50 (plus 27%BP*)

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322 Willie Carter (British 20th Century) Stoneware serving dish painted with repeated fish pattern, finished with pulled handles 37cm across £30-40 (plus 27%BP*)

323 Attributed to Jean Simpkin (British 20th Century) Stoneware vessel matt black glaze inscribed J.S. to underside 12cm high £50-100 (plus 27%BP*)

324 Sutton Taylor (British 1943) Large ceramic bowl deep red and black lustre glaze moulded potter’s mark to bottom rim 26cm across £150-200 (plus 27%BP*) 323

324 325 Margaret Leach b. 1918) Slipware pottery dish glazed potter’s impressed mark to underside 24cm across £30-50 (plus 27%BP*)

326 John Jelfs (b. 1946) Stoneware vase red mottled glaze with deep blue details impressed potter’s and factory marks to base 22cm high £100-200 (plus 27%BP*)

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327 Jill Fanshawe Kato (20th Century) Stoneware dish incised abstract flower design on a cream and green ground potter’s seal to underside 27cm across £60-80 (plus 27%BP*)

328 Studio Pottery Three stoneware bowls John Wheeldon white glaze bowl, David Wright textured bowl, Kevin de Choisy black glaze bowl each with impressed potter’s mark to base Tallest 8cm high (3) £80-120 (plus 27%BP*)

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329 Marianne de Trey (1913-2016) Stoneware dish and bowl each decorated with foliate hand painted designs on a white mottled glaze each with impressed potter’s mark to underside bowl 16cm across £40-60 (plus 27%BP*)

330 Jeremy Leach (b. 1941) Stoneware bowl octagonal form with blue mottled glaze impressed potter’s mark to underside 14cm across £40-80 (plus 27%BP*)

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331 Studio Pottery Bowl by Sian Ban Driel, with burnished finish, together with four vessels or a similar style each with potter’s mark to base tallest 14cm high (5) £60-120 (plus 27%BP*)

332 Studio Pottery Three lidded jars, a bowl and small pot various mottled glazes each impressed potter’s mark tallest 14cm high (5) £50-80 (plus 27%BP*)

333 Contemporary Studio Pottery Three vessels and a dish various glazes some with potter’s marks tallest 12cm high (4) £50-100 (plus 27%BP*)

334 Marianne De Trey (1913-2016) Two stoneware dishes each decorated with a naturalistic design potter’s impressed mark to underside of each largest 37cm across (2) £50-100 (plus 27%BP*)

335 Studio Pottery Six stoneware dishes various glazes and decoration each with impressed potter’s mark to base largest 24cm across (6) £80-120 (plus 27%BP*)

336 Studio Pottery Four stoneware jugs and a pot various glazes and decoration each with potter’s impressed mark to base tallest 20cm high (5) £40-80 (plus 27%BP*)

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337 Studio Pottery Five stoneware bowls various glazes and decoration each with potter’s impressed marks and signature to base largest 20cm across (5) £50-100 (plus 27%BP*)

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338 Studio Pottery Lowerdown vase together with another vase and vessel each with impressed potter’s mark to base tallest 16cm high (3) £50-80 (plus 27%BP*)

339 Contemporary Pottery Vase by Ray Hoole, miniature vase and footed bowl various glazes each with impressed potter’s mark to underside largest 17cm across (3) £40-60 (plus 27%BP*) 340

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340 Richard Goodwin-Jones (British 20th Century) Two ceramic models of fishing boats one contained in a frame with driftwood one with impressed potter’s mark to underside frame 28cm x 28cm (2) £40-60 (plus 27%BP*)

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341 Edouard-Marcel Sandoz (18811971) Porcelain jug in the form of a bird hand painted yellow and white colourway hand painted artist’s monogram to underside 17cm high £80-120 (plus 27%BP*)

342 Minton Pottery Twelve ceramic tiles flower and geometric design, green glaze factory marks to back 7.5cm x 7.5cm (12) £80-120 (plus 27%BP*)

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343 William De Morgan (18391917) Set of ten pottery tiles six set in a pine mirror, each decorated in a blue, green and purple colour way, Persian Iznik design impressed Merton Abbey and Sandsend Pottery marks to backs each tile 15cm x 15cm Provenance: Originally from The Sheiling, Silverdale, Lancashire, (Originally built for the Gaskell daughters). Illustration shows a photograph of the tiles in the interior of The Shilling. Taken when J. B. Priestley made a visit to the house ÂŁ1500-2500 (plus 27%BP*)

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Glass 344 - 410

344 Whitefriars Four glass vases square form with bark finish, tangerine, aubergine and kingfisher blue each 17cm high (4) £80-120 (plus 27%BP*)

345 Whitefriars Three glass vases textured finish, ruby red and kingfisher blue colourway each 13cm high (3) £80-120 (plus 27%BP*)

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346 Whitefriars Glass vase zig zag form, pewter colourway 15cm high £40-60 (plus 27%BP*)

347 Whitefriars Collection of seven glasses bark finish, orange, black and clear some with original labels tallest 14cm high (7) £80-120 (plus 27%BP*)

348 Whitefriars A set of six glass bowls bark finish, red, blue and orange each 13cm across (6) £100-150 (plus 27%BP*)

349 Whitefriars Large tall sided dish rectangular form original label to side 23cm across £60-80 (plus 27%BP*)

350 Whitefriars Collection of vases each with textured finish, orange, blue and clear some with original labels tallest 17cm high (6) £50-100 (plus 27%BP*)

351 Whitefriars Footed vase orange original label to side 18cm high £40-60 (plus 27%BP*)

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352 Whitefriars Three bowls each with inset bubbles, red, orange and clear tallest 9cm high (3) £50-100 (plus 27%BP*)

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353 Whitefriars Three vessels various forms, red largest 14cm across (3) £50-100 (plus 27%BP*)

354 Whitefriars Two vases knobbly and ridged form, blue and orange tallest 13cm high (2) £40-60 (plus 27%BP*)

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355 Art Glass Vase, 20th Century inset with blue centre and orange swirl signed “Jan Exmar Calif. USA” to base 13cm high £80-120 (plus 27%BP*)

356 Per Lutken for Holmegaard (Danish 1916-1998) ‘May Green’ glass vase inscribed factory marks to base 20cm high £40-80 (plus 27%BP*)

357 Attributed to Keith Murray Glass vase globular form 15cm high £40-80 (plus 27%BP*) 356

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358 Dutch School Eight handled vase pulled handles and twisted details 17cm high £30-40 (plus 27%BP*)

359 René Lalique Glass “Oiseau” pin tray hand engraved “R Lalique No 284” to base 11cm across £80-120 (plus 27%BP*)

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360 René Lalique Glass “Rampillon” vase hand engraved “R LALIQUE FRANCE No 991” to base 13cm high £600-800 (plus 27%BP*) 361

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361 Lalique Style Glass Dish decorated with three goldfish 15cm across £40-60 (plus 27%BP*)

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362 René Lalique Glass ‘Coquilles’ dish hand engraved “R LALIQUE FRANCE No 1011” to base 23cm across £200-300 (plus 27%BP*)

363 René Lalique Glass “Inseparables” clock, stamped ““R LALIQUE” to bottom fitted with an eight day Swiss movement 11cm high £1500-2000 (plus 27%BP*)

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364 Jobling Glass bowl, 1930s opalescent, bird decoration factory numbers to underside 19cm across £30-40 (plus 27%BP*)

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365 Loetz Small glass vase, Art Nouveau period iridescent finish with naturalistic form silver overlay 7cm high £150-250 (plus 27%BP*)

366 Loetz Small glass vase, Art Nouveau period iridescent finish with linear form silver overlay 9cm high £50-100 (plus 27%BP*)

367 John Ditchfield for Glassform (British, 20th Century) Two Glass Frogs green and yellow iridescent finish artists signature and label to base tallest, 12cm high £80-120 (plus 27%BP*) 366

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368 John Ditchfield for Glassform (British, 20th Century) Glass paperweight silver metal frog to the top, swirling blue iridescent pattern Artists signature and label to base 17cm high £100-150 (plus 27%BP*)

369 Lazlo (British, 20th Century) Glass paperweight, in the form of a dragonfly on top of a lily pad, iridescent finish Inscribed “Lazlo” to underside 14cm across £50-100 (plus 27%BP*) 368

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370 Émile Gallé (1846-1904) Glass cameo vase, purple overlay of flowers on a white ground cameo signature to neck 11cm high £100-200 (plus 27%BP*)

371 Louis Comfort Tiffany (early 20th Century) Glass Salt gold iridescent finish, twisting form inscribed “L.C.T.” to base 3cm high £60-80 (plus 27%BP*)

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372 Louis Comfort Tiffany (early 20th Century) Glass vase blue swirl iridescent finish Inscribed “L.C.T.” to base 26cm high £250-350 (plus 27%BP*)

373 Louis Comfort Tiffany (early 20th Century) Glass bowl yellow and green swirl iridescent finish, pinched rim inscribed “L.C.T.” to base 15cm across £150-250 (plus 27%BP*)

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374 Louis Comfort Tiffany (early 20th Century) Pair of glass candlesticks golden iridescent finish, twisted form one Inscribed “L.C.T.” to base each 18cm high £500-700 (plus 27%BP*)

375 Early 20th Century Small glass vase green and blue mottled iridescent finish 9cm high £50-100 (plus 27%BP*)

376 John Walsh Glass Four vases, circa 1930 each ribbed form, blue with lustre finish tallest 26cm high (4) £100-200 (plus 27%BP*)

377 Art Glass Square dish, 20th Century decorated with a multi-colour abstract pattern 25cm across £20-40 (plus 27%BP*)

378 Italian School Pair of glass vases cloudy pink with raised blue details each 26cm high £80-120 (plus 27%BP*)

379 Siddy Langley (b. 1955) Glass bowl, 1988 lustre finish signature and date inscribed to base 21cm across £80-120 (plus 27%BP*)

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380 Mdina Glass vase, 20th Century blue and green colourway 11cm high £30-60 (plus 27%BP*)

381 Mdina Glass goblet green and blue colourway 17cm high £30-60 (plus 27%BP*) 380

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382 British Art Glass Vase blue and gold lustre finish indistinct inscribed signature to base 30cm high £50-100 (plus 27%BP*)

383 Italian Art Glass Millefiori dish finished with a linear pattern in a red, blue, yellow and green colourway 37cm across £40-60 (plus 27%BP*) 382

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384 Scandinavian School Blue glass vase, 20th Century fluted form 25cm high £30-50 (plus 27%BP*)

385 Art Glass Vase red with clear base 25cm high £30-50 (plus 27%BP*)

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386 Italian Art Glass Small bowl yellow and blue swirl 14cm across £30-40 (plus 27%BP*)

387 Marie Worre Hastrup Holm (Danish, b. 1971) Two “Japan” glass vases, 2005/6 white and green, each decorated with a circular pattern each with engraved signature and date to base tallest, 24cm high (2) £60-80 (plus 27%BP*)

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388 Lotte Thorson (Scandinavia, 20th Century) Two glass vases blue and black colourways each with artist signature to base 17cm high (2) £50-100 (plus 27%BP*)

389 Marianne Buus (Danish, b. 1967) Glass vase curved form, smoky blue finish artist signature engraved to base 23cm high £60-80 (plus 27%BP*)

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390 Per-René Larsen (Denmark, b. 1949) Two large glass vases, 1998 each decorated with a leaf design in a pink and blue colourway one with artist signature and date to underside tallest, 34cm high (2) £150-250 (plus 27%BP*)

391 Sia Mai (Danish, 20th Century) Five “Structure” drinking glasses, 2002 three clear, two yellow, ribbed details each with signature and date to base 10cm high £50-100 (plus 27%BP*)

392 Sia Mai (Danish, 20th Century) Glass decanter, 2001 tapered form finished with a pink clouded stopper signature and date to base 30cm high £30-60 (plus 27%BP*)

393 Karen Klim (Norwegian, b. 1951) Glass vase, 2003 blue and red linear design on a white ground signature and date to base 26cm high £100-150 (plus 27%BP*)

394 Karen Klim (Norwegian, b. 1951) Glass vase, 1999 black broken linear design on a white ground signature and date to base 22cm high £100-150 (plus 27%BP*)

395 Steffen Dam (Danish, b. 1961) Glass bowl, 2001 deep blue with clear rim 21cm across £60-120 (plus 27%BP*)

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396 Holmegaard Glass ice bucket silver metal handle, single bubble to base glass, 11cm high £30-40 (plus 27%BP*)

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397 Willy Johansson and Severin Broby for Hadeland Glass (Norway 20th Century) Two glass vases smoky black and opaque white glass engraved “Hadeland 2106 W.J.” and “Hadeland S B” 14cm high and 17cm high (2) £80-120 (plus 27%BP*)

398 Mai-Britt Zelmer Olsen (Danish, 20th Century) Glass cameo perfume bottle, 2007 white overlay flowers artist signature and date inscribed to base 14cm high £40-80 (plus 27%BP*)

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399 Rikke Hagen (Danish, 20th Century) Large acid edge glass bowl textured finish 25cm diameter £40-80 (plus 27%BP*)

400 Rikke Hagen (Danish, 20th Century) Glass rose water container deep mauve finish with frosted lid 14cm high £30-50 (plus 27%BP*)

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401 Italian School Glass vase, c1970 Orange and white colourway 34cm high £30-60 (plus 27%BP*)

402 Guild of Applied Arts, Bristol Swedish smoked glass water set, mid 20th Century jug and six glasses jug 30cm high £50-100 (plus 27%BP*)

403 Art Glass Two vases and a bowl bowl 26cm across (3) £30-40 (plus 27%BP*)

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404 British Art Glass Small globular vase yellow lustre finish 14cm high £30-40 (plus 27%BP*)

405 Siddy Langley (b. 1955) Small glass vase, 2006 gold streaks on a purple lustre finish signature and date to base 8cm high £80-120 (plus 27%BP*) 404

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406 Rene Lalique Large glass “Marguerite Daisy flower” fruit bowl the rim decorated with moulded flower heads “LALIQUE CRYSTAL FRANCE”stamp to base 37cm across £150-250 (plus 27%BP*)

407 John Ditchfield for Glassform (British, 20th Century) Three glass paperweights one in the form of an apple, the others finished with a silver metal fox and frog, blue lustre finishes two with the artists signature and label to base apple, 8cm high (3) £80-120 (plus 27%BP*)

408 Marianne Buss (20th Century) Glass fruit bowl Layered construction, opaque inscribed signature to underside 26cm across £50-100 (plus 27%BP*)

409 Carlo Moretti (Italian 20th Century) Glass vase green and blue colourway inscribed signature to bottom 27cm high £100-150 (plus 27%BP*)

410 Giles Jones (British 20th Century) Glass vase pink and frosted decoration inscribed signature to underside 15cm across £80-120 (plus 27%BP*)

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Silver, Works of Art & Collectables 411 - 442

411 Leica (Germany) M2 rangefinder camera body, c1960 with original retail box and body cap Chrome, serial No 946279 £300-400 (plus 27%BP*)

412 Leica (Germany) M2 rangefinder camera body, c1960 with original retail box, body cap and instruction manual Chrome, serial No 976210 £350-450 (plus 27%BP*)

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413 Leica (Germany) Leitz Wetzlar, Summicron 50mm f2 camera lens, mid-20th Century with front and rear cap serial No 1784637 £150-350 (plus 27%BP*)

414 Leica (Germany) Leitz Wetzlar, Elmar 50mm f2.8 camera lens, mid-20th Century with front and rear cap serial No 1819550 £100-150 (plus 27%BP*)

415 Leica (Germany) Leitz Wetzlar, Elmar 50mm f2.8 camera lens, mid-20th Century with rear cap £100-150 (plus 27%BP*)

416 Leica (Germany) Leitz Wetzlar, Elmarit 90mm f2.8 camera lens, mid-20th Century with original retail box, front and rear cap serial No 1807980 £80-120 (plus 27%BP*)

417 Leica (Germany) Leitz Wetzlar, Elmar 135mm f4 lens camera, mid-20th Century including rear cap serial No 1892333 £80-120 (plus 27%BP*)

418 Leica (Germany) Camera accessories, mid-20th Century Including colour and UV filters, lens hoods, mount adaptors, focus finders, caps some with original boxes £50-100 (plus 27%BP*)

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419 Leica (Germany) Two mini camera tripods and a ball tripod head, mid 20th Century each with original retail box tripod 11cm high (3) £60-120 (plus 27%BP*)

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420 Pentax (Japan) Sportmatic and Sportmatic F camera bodies with two Asahi Tukumar SMC 55mm f1.8 lenses each with an original Pentax leather case and strap (2) £80-120 (plus 27%BP*)

421 Pentax (Japan) m42 mount camera lenses Tamron Adaptall-2 135mm F/2.5, Vivitar 90mm F2.8 Macro, and a Tamron auto 200mm f3.5 £60-80 (plus 27%BP*)

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422 Cameras Agfa Super Isolette Roll Film Folding Camera, with Solinar f/3.5 75mm lens and Zeiss Ikon Contaflex camera with Carl Zeiss 50mm f2.8 lens each with leather case (2) £80-100 (plus 27%BP*)

423 Manner of Frank Dobson Terracotta figure of a male nude finished with a green paint 18cm high £80-120 (plus 27%BP*)

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424 Svenskt Tenn Pewter vase circular form factory marks to base 16cm high £40-60 (plus 27%BP*)

425 Liberty & Co Pewter jug naturalistic raised design factory marks to base 18cm high £40-60 (plus 27%BP*)

426 Country House Statue of Hercules composition 61cm high £80-120 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

427 St Albans School of Art Arts & Crafts jug, circa 1900 copper, embossed with band of Celtic knot decoration stamped 22cm high £40-80 (plus 27%BP*)

428 Tiffany Studios Near pair of candlesticks, circa 1900 brass, one with green Favrile glass inset stamped ‘Tiffany Studios 1222’ 23cm high £400-600 (plus 27%BP*)

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429 Attributed to John Mckenzie for Newlyn Industrial Class Charger embossed copper, with central bird with wings outstretched within a border of fish and waterweed 51cm across Literature: Hazel Berriman Arts and Crafts in Newlyn 1890-1930, Newlyn Orion, page 17 plate 4 for an original photograph on a group of Newlyn copper, circa 1900, including a version of this charger £1500-2000 (plus 27%BP*)

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430 Attributed to John Pearson (1859-1930) Arts & Crafts Newlyn fire surround, circa 1900 copper, beaten and embossed with sunflowers and leaves 52cm x 102cm £500-800 (plus 27%BP*)

431 Tissa Ranasimghe (1925) “Mithuna (Couple)” bronze with green patina 35cm high 430

Provenance: Summer Exhibition Royal Academy, London 1989, catalogue number 612 £500-800 (plus 27%BP*)

432 Staule & Webb Davies Carved walnut tray, circa 1931 carved repeating pattern to the edge engraved S W D monogram, date and Craftsman Richard Cloudsdale signature to underside 37cm across £200-300 (plus 27%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

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433 Jill Cowie Sanders (British, 1930) Bronze sculpture abstract form with perspex base 7cm high £30-60 (plus 27%BP*)

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434 Art Nouveau Urania after Friedrich Adler silver metal teapot and two jugs each decorated with an embossed naturalistic design each with engraved factory mark to underside tallest 14cm high (3) £40-80 (plus 27%BP*)

435 Arts & Crafts Pair of flat-weave curtains decorated with a foliate pattern and birds, red, blue and green colourway each 250cm x 177cm £100-150 (plus 27%BP*)

436 Set of 6 Dutch white metal spoons and forks Amsterdam 1874, 607grams £150-200 (plus 27%BP*)

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437 Uwe Moltke for Rex-Rotary (Denmark 20th Century) Sterling Silver Razor with presentation box and literature stylized copy of a razor found in a Danish barrow, dated 900BC, hallmarked 11cm across £50-100 (plus 27%BP*)

438 Uwe Moltke for Rex-Rotary (Denmark 20th Century) Nine silver cocktail sticks with presentation box each finished with a crown, hallmarked 9cm across (9) £50-100 (plus 27%BP*)

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439 Uwe Moltke for Rex-Rotary (Denmark 20th Century) Six silver napkin rings with presentation box twisted and plain design, hallmarked each 4cm across (6) £50-100 (plus 27%BP*)

440 Uwe Moltke for Rex-Rotary (Denmark 20th Century) Silver and steel cocktail knife and bottle opener each finished with inset details and a crown, hallmarked knife, 21cm across (2) £50-100 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

441 Tiffany & Co Sterling Silver Table Mirror, early 20th Century Embossed with floral and ribbon design, stand with heart cut out factory marks to underside 30cm x 24cm £600-800 (plus 27%BP*)

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442 Kate Mellors (British 20th Century) Collection of garden ceramics lantern, ten stepping stones, two square pots and two rounded pots textured finish, ash glaze over a red iron slip largest square pot, 44cm high (15) £800-1200 (plus 27%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 27% inc. VAT @ 20%

BUYERS TERMS & CONDITIONS DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate. (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer. (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents. (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions. (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) “You”, “Your”, etc. refer to the buyer as identified in BIDDING PROCEDURES AND THE BUYER. (h) The singular includes the plural and vice versa as appropriate. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22.5%. This premium is subject to VAT at the rate imposed by law. VALUE ADDED TAX (VAT) Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us. You may pay for purchases in a number of ways: Bank Transfer, Cheque, Debit card, Cash and Credit card to a maximum of £2000.00 (plus 2.28% VAT inc. on Business and Non-EEA cards). (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale. The absence of any reference to condition in any description does not imply the lot is without fault. (3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 1. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 2. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 3. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 4. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 5. English law applies to the interpretation of these Conditions. ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930’s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged. Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyer’s responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations. Please note no license is required to sell or advertise within the EU if items are pre- 1947. ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. Authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. Confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via thesaleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. DATA PROTECTION Personal data obtained about you will be used in accordance to our Privacy Policy. A copy of our Privacy Policy can be found on our website www.mallams.co.uk or requested by post from our Data Officer, Catherine Leach at Bocardo House, St Michael’s Street, Oxford, OX1 2EB, or by Email from privacy@mallams.co.uk.

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Notices Mallams will bid on behalf of the absentee bidder up to the hammer price stated on the lots listed here. The auctioneers will try to purchase these lots for the lowest possible price. This will be done in accordance with the Condition of Sale printed in the catalogue and taking into account the usual bidding increments, the reserve price and other bids. If any bid is successful the amount payable will be the sum of the hammer price and the buyerâ&#x20AC;&#x2122;s premium of 2 % (inclusive of VAT). All bids should be with Mallams at least one hour before the start of the auction. I understand and accept the above notices. Sign: Print name: Date: Do you wish to receive our email newsletter? YES / NO DATA PROTECTION â&#x20AC;&#x201C; use of your information Personal data obtained about you will be used in accordance with our Privacy Policy. A copy of our Privacy Policy can be found on our website www.mallams.co.uk

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Thursday 15th August 2019 CHELTENHAM T H U R S D A Y 1 5 T H A U G U S T 2 0 1 9 C H E LT E N H A M

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