MALTHOUSE THEATRE AND CHUNKY MOVE PRESENT
MORTAL ENGINE CREATED BY CHUNKY MOVE
MALTHOUSE THEATRE AND CHUNKY MOVE PRESENT
MORTAL ENGINE CREATED BY CHUNKY MOVE
DIRECTOR & CHOREOGRAPHER GIDEON OBARZANEK INTERACTIVE SYSTEM DESIGNER FRIEDER WEISS LASER AND SOUND ARTIST ROBIN FOX COMPOSER BEN FROST COSTUME DESIGNER PAULA LEVIS LIGHTING DESIGNER DAMIEN COOPER SET DESIGNER RICHARD DINNEN & GIDEON OBARZANEK PRODUCTION & OPERATIONS MANAGER CHRIS MERCER MULTIMEDIA ENGINEER NICK ROUX STAGE MANAGER LYDIA TEYCHENNE MECHANIST MICHAEL CARR DANCERS KRISTY AYRE / SARA BLACK / MARNIE PALOMARES / LEE SERLE / JAMES SHANNON / ADAM SYNNOTT / JORIJN VRIESENDORP MERLYN THEATRE 3 - 13 MARCH 2010 Duration: 60 minutes no interval Warning: This production contains partial nudity, smoke, laser and strobe lighting effects and loud volume audio. Winner: 2008 Helpmann Award – Best Visual or Physical Theatre Production Honorable mention in the hybrid category at the 2009 Prix Ars Electonica awards. Mortal Engine was first performed for the 2008 Sydney Festival at the Sydney Opera House (17 January 2008). Special Thanks Chunky Move and Malthouse Theatre would like to thank the following individuals and organisations for their support of Mortal Engine. Chunky Move Board and Staff, Malthouse Theatre Board and Staff, David Craig, Andrew Curtis, Miranda Brown Publicity and Staff, Richard Dinnen, Baird McKenna, David Miller and Technical Direction Company.
This program has been printed on 100% recycled paper using Soya based inks.
At the CUB Malthouse 113 Sturt Street Southbank VIC 3006 Box Office +61 3 9685 5111 Administration +61 3 9685 5100 Facsimile +61 3 9685 5112 Email admin@malthousetheatre.com.au Web www.malthousetheatre.com.au
111 Sturt Street, Southbank, VIC Australia 3006 Phone +61 3 9645 5188 Facsimile +61 3 9645 5199 www.chunkymove.com Cover image: Pictured: Lee Serle. Photo: Caroline Douglas.
Mortal Engine is a new dance-video-music-laser performance using movement and sound responsive projections to portray an evershifting, shimmering world in which the limits of the human body are an illusion. Crackling light and staining shadows represent the most perfect or sinister of souls. Kinetic energy fluidly metamorphoses from the human figure into light image, into sound and back again. Choreography is focused on movement of unformed beings in an unfamiliar landscape searching to connect and evolve in a constant state of becoming. Veering between moments of exquisite cosmological perfection and grotesque evolutionary accidents of existence, we are driven forward by the reality of permanent change.
A NOTE FROM GIDEON OBARZANEK As a development from the original solo GLOW, Mortal Engine looks at relationships, connection and disconnection, isolation and togetherness, in a state of continual flux. Conflicts between the self and shadowy other – the other within as well as the other as the other. Duets are seen as both couples and as singular selves struggling to escape inner darkness – mortality, sexuality, desire. Soft, expressive sounds are dangerously tensioned between abrasive noise disturbances in Ben Frost’s music. At times delicate beauty can emerge from intense sonic harshness while seductive tones threaten to disintegrate into dark clouds of rumbling distortion.
instruments and bodies that generate light, video, sound and movement to all share a common language and respond to each other in real time. Mortal Engine has no pre-rendered video, light or laser images. Similarly the music mix is open allowing various sounds to be completely generated from movement data. In addition, precomposed phrases are triggered by the dancers’ motion or by the operator in relation to where the performers are in any given sequence. This essentially means that there are no fixed timelines and the production flexes according to the rhythm of the performers. While the scenes are always in the same order, the work is truly live every night, not completely predictable and ever changing.
Robin Fox’s laser and video images have a brutal and direct relationship to the sound they illustrate and when experienced exclusively, their connection with dance is not immediately apparent. When fed information of the dancers’ movements however, they become a powerful extension to the performers’ bodies and their own capacity for explosive brute force or controlled subtlety.
I would like to thank Reka Szabo and The Symptoms who I worked with in Budapest for a short but intense period of time. In teaching a workshop involving similar technology at the beginning of their rehearsal period for Nothing There, shared themes emerged and also differences that helped me clarify my ideas and directions for Mortal Engine. Any possible similarity with elements of our work is no coincidence.
Created by a team of individual artists, the aesthetic/kinetic world of Mortal Engine is pulled together through the computer engineering of Frieder Weiss. As an engineer he often claims that he has no aesthetic position on the productions he is involved with, however his unique software distinguishes all his work in a very powerful way. Frieder’s interactive systems make it possible for
All Chunky Move productions demand great effort from a large group of people and Mortal Engine is no exception. I am very fortunate to be able to create work with an excellent producing, technical and artistic team within the company and outside. It would not be possible to achieve these works without their great personal initiative and generous collaborative spirit. Thank you.
MORTAL ENGINE TOURING HISTORY Edinburgh International Festival - Edinburgh, UK 17-19 August 2008 Noorderzan Festival - Groningen, Netherlands 23-24 August 2008 Malthouse Theatre - Melbourne, Australia 4-8 March 2009 Festival De Mexico - Mexico City, Mexico 19-21 March 2009 Tanzhaus - Dusseldorf, Germany 4-6 June 2009 International Festival of Arts - Salamanca, Spain 11-12 June 2009 Philadelphia Live Arts Festival - Philadelphia, USA 17-19 September 2009 Next Wave Festival - BAM, New York, USA 9-12 December 2009
UPCOMING SEASON Sydney Theatre - Sydney, Australia 5-15 May 2010 Bookings sydneytheatre.org.au - 02 92501999
Image: Pictured Antony Hamilton Photo: Andrew Curtis
Gídeon Obarzanek
Frieder Weiss
Robin Fox
GIDEON OBARZANEK DIRECTOR AND CHOREOGRAPHER Gideon became interested in dance towards the end of high school and after graduating deferred science at university to study at the Australian Ballet School. He later danced with the Queensland Ballet and the Sydney Dance Company before working as an independent performer and choreographer with various dance companies and independent projects within Australia and abroad. These have included commissions from the Australian Ballet Company, The Sydney Dance Company, Opera Australia and the Netherlands Dance Theatre. Gideon founded Chunky Move in 1995 and has been its Artistic Director to date. While the company mostly features his work, it also commissions various other Australian choreographers and invites international choreographers to give workshops in its home city of Melbourne, Australia. Gideon’s works have been diverse in form and content including stage productions, installations, site-specific works and film. His works have been performed in many festivals and theatres around the world in the U.K, Europe, Asia and the Americas. Most recently, Gideon’s film, Dance Like Your Old Man, co-directed with Edwina Throsby won best short documentary at the 2007 Melbourne International Film Festival, 2008 Flickerfest International Short Film Festival and Best Film at the Cinedans Festival in Amsterdam. In collaboration with Lucy Guerin and Michael Kantor, Gideon has also received a New York Bessie award for outstanding choreography and creation for Chunky Move’s production of Tense Dave. In 2008 he received two Australian Helpmann Awards for GLOW and Mortal Engine. FRIEDER WEISS INTERACTIVE SYSTEM DESIGNER Frieder Weiss is an engineer in the arts and expert for real-time computing and interactive computer systems in performance art. He is the author of EyeCon and Kalypso, video motion sensing programs especially designed for use with dance, music and computer art. He is teaching Mediatechnology at the University of Applied Sciences in Nürnberg, University of the Arts in Bern and the University Centre in Doncaster, UK. In recent years he has cooperated in installation and performance projects with Phase-7 in Berlin, Leine und Roebana in Amsterdam, Helga Pogatschar, Cesc Gelabert in Munich and Chunky Move in Melbourne. ROBIN FOX LASER AND SOUND ARTIST Robin is a Melbourne based sound and visual artist currently working with live digital media in improvised, composed and
Ben Frost
Paula Levis
Damien Cooper
installation settings. He creates audio-visual works for the cathode ray oscilloscope, which have been released on the DVD backscatter (synaesthesia records). This work, in constant development, is currently being realised with a high-powered, audio controlled laser system with recent performances at the Salamanca International Festival for the Arts (Spain), Yokohama Triennial (Japan) and the Mona Fona Festival in Hobart. BEN FROST COMPOSER Australian born, but a resident of Reykjavík Iceland since 2004, Ben Frost produces his work internationally in a myriad of forms including gallery-based installations, scores commissioned for Film, Contemporary Dance and Large-Scale Multimedia productions. He has already released several widely-acclaimed albums including his most recent LP Theory of Machines on the Icelandic Bedroom Community Label which has been called “..the future of electronic music” and for which Frost himself has been marked “...one of the most interesting and groundbreaking producers in the world today.” He has performed throughout Europe during 2006/2007 touring an as yet unreleased new work Music For 6 Guitars and he collaborates extensively in the studio producing work with/for The Icelandic Dance Company, Björk, Choreographer Erna Ómarsdottír and New York Composer Nico Muhly. PAULA LEVIS COSTUME DESIGNER Paula studied fashion design at RMIT and completed a Graduate Diploma in Theatre Design at VCA in 2001. She has designed for numerous production companies including Victorian Opera, Danceworks, Dancehouse, DanceNorth, Red Stitch Actor’s Theatre and La Mama. Recently she has designed costumes for Chunky Move (GLOW, Singularity, I Want to Dance Better at Parties), Lucy Guerin (Structure & Sadness, Aether, Lost Air), Rebecca Hilton (Historia), and KAGE (Headlock, Nowhere Man, Costume/Concept Design for Australian Resident Company- World Expo, Japan). She was Design Assistant and Illustrator on the film Tom White and teaches design at RMIT. DAMIEN COOPER LIGHTING DESIGNER Damien has designed lighting for dance companies including for the Australian Ballet (Swan Lake), Australian Dance Theatre (Birdbrain), Chunky Move (Corrupted), Legs on the Wall (Homelands), Lucy Guerin Inc (Heavy), One Extra Dance Company (Fugly) and Sydney Dance Company
Nick Roux
Michael Carr
Lydia Teychenne
(Air and Other Invisible Forces). He is a regular collaborator with Bell Shakespeare, Belvoir Street Theatre, Sydney Theatre Company and Opera Australia. Recent projects include Toy Symphony, Keating!, Riflemind, Exit the King (with Malthouse Theatre), Alcina, Grand, The Lost Echo, Ying Tong, Government Inspector and Honour Bound. Damien received the Mike Walsh fellowship in 2003 which allowed him to study with director Robert Wilson in New York. NICK ROUX MULTIMEDIA ENGINEER Nick has worked in the sound industry for 10 years designing and operating sound systems for a wide variety of productions as well as broadcast and post production. He is an active filmmaker and musician composing for film, theatre and animation and also recording with his band Yaouk. Since 2006 Nick has been working with Chunky Move operating and engineering the Kalypso motion tracking technology for GLOW and Mortal Engine. He also functions as a sound engineer and operator for other Chunky Move works including Tense Dave, I Want To Dance Better at Parties, Singularity and Two Faced Bastard. In 2008 Nick collaborated with Kristy Ayre and Jo Lloyd designing the sound and visual components for Rabbeat and was commissioned by Current TV (U.K.) to produce a short film on Melbourne for the 90 Seconds Cities series. In 2009, Homemade a short film written and directed by Nick was selected to screen in competition at Flickerfest International Short Film Festival and Nick also composed music for Vincent Crowley and Ingrid Weisfelt’s Malmo, Dario Vacirca’s Toys and Erik Schmitt’s documentary Solar Taxi. In 2010 Nick will work with Kristy Ayre to create a short dance film for Next Wave Festival in Melbourne and a new solo dance work entitled Cryptid. MICHAEL CARR MECHANIST Michael has had over 10 years experience as a Production and Logistics Manager and has toured extensively with a variety of companies. He has managed large scale productions including The Great Moscow Circus for Edgley International, which toured throughout Australia, South Africa, China, Hong Kong and Singapore. More recently Michael has worked as an international touring production manager for several Melbourne based companies including Strangefruit and Balletlab. Michael has also toured extensively with Chunky Move. In 2004, and again 2008, Michael was an Artist in Residence at the Hong Kong Academy of Performing Arts teaching Circus and Stage Rigging/Production Management.
Kristy Ayre
Sara Black
LYDIA TEYCHENNE STAGE MANAGER Lydia has stage managed Mortal Engine since its inception in 2008. Lydia’s creative and management credits range across contemporary art forms and performance styles including dance, drama, physical theatre, major events and public art and installation. Her past stage and event management credits include Malthouse Theatre (Moving Target, OT, Black), Chunky Move (Mortal Engine, Historia), Not Yet It’s Difficult (Scenes to the Beginning from the End (2001), Blowback (2004, 2006), K in Korea (2005) apolitical dance (2006), Meaning of Moorabbin Is Open for Inspection (2008), strangeland (2009)), Sydney Theatre Company (Old Times), The Australian Ballet, Melbourne International Arts Festival and Sydney Festival. She is currently General Manager of contemporary arts company Not Yet It’s Difficult. KRISTY AYRE PERFORMER Since 2002, Kristy has performed regularly with Chunky Move in numerous work’s including Singularity, Tense Dave, I Want to Dance Better at Parties, Mortal Engine, and the solo GLOW (2006) in which she later took on the role of Rehearsal Director. As well as working with Gideon Obarzanek /Chunky Move, Kristy has performed in works for Lucy Guerin Inc, Prue Lang, Kim Itoh, Shelley Lasica, and in Luke George’s Life-Size. In 2008, Kristy choreographed and performed her first solo work Rabbeat as part of Lucy Guerin Inc’s Pieces for Small Spaces and was also choreographic assistant on Eddie Perfect’s Shane Warne the Musical. She teaches workshops and master classes on a regular basis both within Melbourne and around the world. In 2010 Kristy will premier in Luke George’s Now Now Now and showcase a short film as part of Private Dances in the Next Wave Festival. SARA BLACK PERFORMER Raised in Canberra, Sara was a 2002 member of the Australian Choreographic Centres Quantum Leap Youth Dance Company. In 2005 she completed her Bachelor of Dance at the Victorian College of the Arts. Since graduating Sara has worked with independent artists Solon Ulbrich, Antony Hamilton, Neil Adams, Byron Perry, and Cadi McCarthy, as well as Lucy Guerin Inc, Not Yet It’s Difficult, and Chunky Move, where she was nominated for a Green Room Award for the solo work GLOW. Sara is also a founding member of Rogue, a dance collective of 2005 graduates of the Victorian College of the Arts. Sara was
Marnie Palomares
Lee Serle
awarded Best Female Dancer in a Dance or Physical Theatre Production for GLOW at the 2008 Helpmann Awards. She has performed in Chunky Move’s productions of GLOW, Mortal Engine and Black Marrow. MARNIE PALOMARES PERFORMER Marnie trained at the University of Western Sydney. In 2004 she performed Hidden Revealed (Bernadette Walong) and nasmuch (Jason Pitt). In 2005 Marnie assisted in choreography for Drill (Stompin’s Luke George and Bec Reid). In 2006 she performed in Honour Bound (directed by Nigel Jamison, choreographed by Garry Stewart), and later performed in Molière’s The Bourgeois Gentleman (STC directed by Jean- Pierre Mignon). In 2007 she collaborated on Made In Australia (Jason Pitt) and This show is about people (Shaun Parker) at the 2007 Melbourne International Arts Festival and 2008 Sydney Festival. She performed Honour Bound at the 2007 Vienna Festival, Holland Festival, The Barbican in London, and the 2008 New Zealand Festival. In 2008 Marnie performed in Back From Front (Dean Walsh) and was more recently involved in the first stage development of Ennea (Shaun Parker). Marnies’ choreographic credits include Chapter One for the Pulse8 Dance Company and Physical Fracture for Sydney Festival First Night 2009. LEE SERLE PERFORMER Lee graduated from the Victorian College of the Arts in 2003. Since then he has performed nationally and internationally in works by Chunky Move (Gideon Obarzanek, Antony Hamilton and Byron Perry), Lucy Guerin Inc, Shelley Lasica, Kota Yamasaki, Neil Adams, Luke George, and Dani-Ela Kayler. Lee has performed in three works for the Pieces for Small Spaces seasons curated by Lucy Guerin, including his own work A Little Murky in 2007. He has also choreographed I’m In Love for the Next Wave Festival’s (Melbourne) Nightclub Project at the Mens Gallery. In 2009, Lee has been developing new works with Lucy Guerin, Alisdair Macindoe, and Adam Synnott. JAMES SHANNON PERFORMER James started dancing at the Canberra Dance Development Centre and the Quantum Leap Youth Dance Company and is a graduate from the Victorian College of the Arts. In 2007 he joined Tasdance to perform in Mercy:
James Shannon
Adam Synnott
Jorijn Vriesendorp
a dance for the forgotten. He has worked for Fiona Reilly, Shaun Parker, Anna Smith, Natalie Cursio, Natalie Weir, Carol Wellman, Solon Ulbrich, and Kate Denborough, touring works nationally and internationally. James performed for Cadi McCarthy Company in Shambles, Bec Reid in With a Bullet, The Album Project, Chunky Move’s Black Marrow and in Lucy Guerin’s Pieces for Small Spaces season 2008. In 2009 he performed in Melbourne, Germany, Spain and Philadelphia with Chunky Move’s Mortal Engine. James is a recipient of the Tasmanian Minister of Youth Arts Award. With the direction of Kate Denborough and Gerard Van Dyke under the KAGE coach mentorship, James began co-creating his own work in an Arts Centre residency program this year. ADAM SYNNOTT PERFORMER Since graduating from the Adelaide Centre for the Arts in 2004, Adam has performed in Australian Dance Theatre’s Nothing, Leigh Warren and Dancers’ Mixed Doubles, Einstein on the Beach, Satyagraha, Quick Brown Fox and Seven, Troy Mundy’s Green Dmen, Fiona Malone’s LALA Land, Frances D’ath’s Crush, Alison Currie’s 42a, Sue Healey’s As You Take Time and The Curiosities, Jason Lam with Extirpation, Barebones Collective Sarah’s Party, Amanda Phillips’ Crush and Michael Parmenter’s Tent. He has toured and performed throughout Australia and to the USA and New Zealand. JORIJN VRIESENDORP PERFORMER Born in the Netherlands, Jorijn completed a Bachelor of Dance at Amsterdamse Hogeschool voor de Kunsten Theaterschool in 2008. Winner of the VanDenEnde Foundation Encouragement Scholarship and the Mary Orloff Prize for Most Outstanding Dancer, Jorijn completed her studies at the VCA in 2009. Since working in Australia, Jorijn has worked with choreographers Philip Adams, Sue Healey, Stephanie Lake, Rebecca Hilton, Lina Limosani and Antony Hamilton. Having performed with 2ndToe Dance Collective, Jorijn will make her Chunky Move performance debut in 2010.
Photo: Belinda Strodder
THERE’S A DANCER IN ALL OF US! Chunky Move dance classes are offered in contemporar y, ballet, yoga and funk for beginners to intermediate. For more information and to sign up to the Chunky Move e -newsletter visit chunkymove.com
Founded by Artistic Director Gideon Obarzanek in 1995, Chunky Move has earned an enviable reputation for producing a distinct yet unpredictable brand of genre-defying dance performance. Chunky Move’s work constantly seeks to redefine what is or what can be contemporary dance within an ever-evolving Australian culture. The Company’s work is both diverse in form and content; to date the Company has created a number of works for the stage, site specific and new-media and installation work. Chunky Move’s multitiered programming initiatives foster and support a strong and vibrant dance culture in its home city of Melbourne and also creates critically acclaimed and popular larger productions for touring. Recent international engagements include: Edinburgh, Mexico City, Dusseldorf, Spain, Philadelphia, Berlin and New York. In 2008 Chunky Move received Best Dance Work for GLOW and Best Visual or Physical Theatre Production for Mortal Engine at the Live Performance Australia Helpmann Awards. In 2009, Mortal Engine received an Honourable Mention in the Prix Ars Electronica Awards in the Hybrid Arts category. Recent works include: Two Faced Bastard, Mortal Engine, GLOW, I Want to Dance Better at Parties and Tense Dave.
Chunky Move Team Artistic Director Gideon Obarzanek Executive Producer Rachael Azzopardi Business and Program Manager Hillary Coyne Office and Program Coordinator Prue Beal Production and Operations Manager Chris Mercer Production Administrator Josh Sherrin Marketing and Development Manager Jade Harlin Marketing and Development Coordinator Amanda Bishop Finance Administrator Anne MacDonald Class Coordinator Jo Lloyd
Board of Directors Peter Biggs (chair), Stephen Armstrong, Rachael Azzopardi, Jeremy Blackshaw, Dr Kate Crawford, Dr Terry Cutler, Gideon Obarzanek, Margaret Parker, Katrina Sedgwick and Margaret Thompson.
Chunky Move 111 Sturt Street, Southbank, VIC Australia 3006 Phone +61 3 9645 5188 Facsimile +61 3 9645 5199 www.chunkymove.com Chunky Move can also be found on Facebook and Myspace
Government Partners Chunky Move is supported by the Victorian Government, through Arts Victoria and the Commonwealth Government through the Australia Council, its arts funding and advisory body.
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GRATEFULLY ACKNOWLEDGES ITS SUPPORTERS PRINCIPAL GOVERNMENT PARTNERS
MALTHOUSE THEATRE IS SUPPORTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY
MAJOR PARTNER
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TRUSTS & FOUNDATIONS
Education & Youth Access Program
State of Play
Artists in Residence Program Annamila Pty Ltd, Berry Lieberman & Daniel Almagor Nordia Foundation The Dara Foundation
Company in Residence Program
The Malcom Robertson Foundation Indigenous Theatre Program
Artist Program
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MUSE DONOR PROGRAM WE EXTEND OUR HEARTFELT THANKS TO THE FOLLOWING DONORS URANIA (Muse of the Stars)
At The CUB Malthouse Malthouse Theatre is a company dedicated to the development, production, and promotion of contemporary Australian theatre.
CLIO (Muse of History)
BOARD OF DIRECTORS Simon Westcott (Chairman), Frankie Airey, John Daley, Michele Levine, Ian McRae, Neil Smart, Thea Snow, Sigrid Thornton, Leonard Vary
THALIA (Muse of Comedy)
Artistic Director Executive Producer Interim Business Manager
ANONYMOUS (1)
John & Janet Calvert-Jones Berry Liberman & Daniel Almagor Daniel & Danielle Besen John & Lorraine Bates Debbie Dadon Roger Donazzan & Margaret Jackson Neilma Gantner Philanthropy Squared
EUTERPE (Muse of Music)
Beth Brown & Tom Bruce AM Terry Cutler D.L and G.S Gjergja Scott Herron Ian Hocking & Rosemary Forbes Graeme & Joan Johnson Michael Kingston KereKere Peter & Anne Laver Dame Elisabeth Murdoch A.C., D.B.E. Tim & Lynne Sherwood Geoffrey Smith & Gary Singer ANONYMOUS (3)
TERPSICHORE (Muse of Dance) Devinder & Helen Chauhan Sieglind D’Arcy Colin Golvan SC Brad Hooper K & J Lindsay Robert Peters
ERATO (Muse of Love) Ingrid Ashford Nan Brown Chris Clough Diane Clark Callum Dale Rev Fr Michael Elligate Carolyn Floyd Taleen Gaidzkar Peggy Hayton Leonie Hollingworth Irene Kearsey Ruth Krawat Ann Kemeny & Graham Johnson Robyn Lansdowne
Robert Sessions & Christina Fitzgerald Robert Templar Leonard Vary & Matt Collins Phil & Heather Wilson Angelika & Pete Zangmeister ANONYMOUS (2) Anna Lozynski Rosemary Mangiamele Gael & Ian McRae Pamela McLure Gregory Ridder Rae Rothfield Lisl Singer Beth & Bob Spence Gina Stuart Fiona Sweet John Thomas Bruce Wapshott Rosemary Walls Barbara Yuncken ANONYMOUS (12)
Michael Kantor Stephen Armstrong Emma Calverley
Interim Company Manager Julian Hobba Dramaturge in Residence Maryanne Lynch Assistant to the Dramaturge Kate Sulan Artist in Residence - Design Anna Cordingley Artist in Residence - Lighting Design Paul Jackson Administration Coordinator Angela Flood Education Program Manager Fiona James Education Program Assistant Mark Doggett Finance Manager Mario Agostinoni Finance Assistant Liz White Marketing & Communications Manager Brad Martin Marketing & Communications Coordinator Nicole Smith Marketing & Communications Assistant Jaclyn Birtchnell Interim Media Manager Annette Vieusseux Media Assistant Abby Allen Ticketing Manager Sonja Fea Assistant Ticketing Manager Emma Howard Building Manager Frank Stoffels Front of House Managers Sean Ladhams, Brendan Lee & Tristan Watson Bar Manager Carl Thompson Production Manager David Miller Technical Manager Baird McKenna Operations Manager Dexter Varley Production Coordinator Lucy Birkinshaw Head Electricians Tom Brayshaw & Stewart Birkinshaw Campbell Head Mechanist Andy Moore Workshop Supervisor David Craig Wardrobe Supervisor Amanda Carr Wardrobe Construction Kate Aubrey Steel Fabricator Goffredo Mameli Workshop Staff Jamie Spiers, Dan Talbot Scenic Artist Patrick Jones Front of House/Bar Staff Matt Adair, Milo Adler-Gillies, Rebecca Bower, Pablo Calero, Graham Downey, Tanja George, Chloe Greaves, Tanya Lazar, Gabrielle Lowe, Bridie McCarthy, Daniel Newell, Ruby Nolan, Lee Threadgold, Mira Adler-Gillies, Jacqui Brown, Kate Golding, Kate Gregory, Nadine Dimitrievitch, Jesse Rasmussen, Claire Richardson, Mimosa Schmidt, Johanna Thain, Nick Prideaux, Cynthia Nolan, Paula Lay Box Office Staff Annalise Hooper, Cindy Elliott, Fiona Wiseman, Kate Gregory, Liz Bastian, Liz White, Mark Byrne, Michelle Hines, Mike McEvoy, Michael Lindner, Rachel Gelzinnis We welcome Avenue Bookstore @ The CUB Malthouse. The Malthouse Bookshop is staffed by volunteers.
For further information about making a gift to the company please contact Malthouse Theatre on (03) 9685 5174. Donations of $2 or more are tax deductible.
Malthouse Kitchen
Conrad Dudley-Bateman & Murray Pitman
Program Layout / Design Annette Vieusseux & Abby Allen
COMING SOON
NGURRUMILMARRMIRIYU (WRONG SKIN) DIRECTED BY NIGEL JAMIESON IN ASSOCIATION WITH JOSH BOND, THE COMMUNITY AND ELDERS OF ELCHO ISLAND AND THE CHOOKY DANCERS.
MARCH 18 – MARCH 28
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WARNING: MAY CONTAIN REALLY BORING NUDITY.
MARCH 23 – APRIL 3 MALTHOUSE THEATRE AT THE C.U.B. MALTHOUSE SOUTHBANK BOOKINGS www.malthousetheatre.com.au OR CALL 03 9685 5111