SAMPLE ARCHITECTURE PORTFOLIO M . A . MARRERO m.Arch CANDIDATE 2018
*
THIS IS A SAMPLE OF WORK. TO SEE ENTIRE PORTFOLIO PLEASE VISIT : WWW.BEHANCE.NET/MAMARRERO
D
CHARLESTON, SC ARTWORK BY MÓNICA MARRERO + HUNTER WELLS MIXED-MEDIA
ESIGNER’S
S
TATEMENT
I AM A STORYTELLER. INSTEAD OF USING WORDS PRINTED IN PAPER AND BINDED INTO BOOKS, I USE EXPERIENCES WHICH ULTIMATELY TRANSLATE INTO SPACES THAT COME TOGETHER TO FORM BUILDINGS, COMMUNITIES AND FURTHERMORE, CITIES. MY ARCHITECTURE IS BASED ON NARRATIVES, I SEE ARCHITECTURE AS A MEDIATOR BETWEEN PLACE, TIME, HISTORY, AND PEOPLE. IN ORDER TO COMMUNICATE A MESSAGE, IT HAS TO BE CLEAR, UNDERSTANDABLE AND ENVELOPING. I HAVE SEEN AND EXPERIENCED THAT THE BUILT ENVIRONMENT HAS AN IMPACT IN PEOPLE'S MENTAL AND EMOTIONAL HEALTH, THEREFORE, ARCHITECTURE SHOULD EMBRACE THE SENSES IN ORDER TO CREATE A POSITVE IMPACT IN PEOPLE'S LIVES. TODAY'S ARCHITECTURE IS TURNING AWAY FROM PEOPLE, AND IS BEING ISOLATED INTO UTOPIAN CITIES AND CIRCUMSTANCES. MY BELIEVE IS THAT ARCHITECTS SHOULD TAKE A STAND AND CONVEY A MEANINGFUL MESSAGE TO THE PEOPLE THAT WE BUILD FOR TRHOUGH EXPERIENCES, PERCEPTIONS, THROUGH THE INTANGIBLE. FOR ME, ARCHITECTURE IS A STORY WRITTEN IN ITS OWN LANGUAGE, AND IT'S OUR DUTY TO MAKE THAT LANGUAGE RELEVANT AND TRASCENDENTAL.
A SUBMISSION TO THE AIA COTE TOP TEN COMPETITION
| CHATTANOOGA, TN
RESILIENT INSERTION LEFT :: EXTERIOR PERSPECTIVE
A
rchitecture, understood as a mediator between people + place, is used as a medium to provide the user with multiplicity of experiences while roaming through the city, site, and the building itself. Located in Chattanooga, TN., Insertion is a punctured intervention to the Hunter Museum of American Art, one that gives continuity to the culture of the Bluff District, and to the patchwork created through architecture during the different expansions of the museum. Thus, by inserting a series of volumes in the existing gaps between each patch, the proposal creates a framing effect to celebrate the individual character of the pieces, while enveloping the user with an unifying transition element
between the patches. The culture of the bluff, the location of the the project, and susteinability were understood as a tool to take missed opportunities throughout the existing condition of the Hunter Museum of Art and turn them into the generator for the conceptual and design development . Architecture, is then seen as an instrument that should speak to the user, reflecting the identity of the context its seating in, it should address the current issues, and furthermore, it should employ solutions to make the existing context better It should ultimately make the user feel that the architecture piece integrates seamlessly to the context, helping the user absorb with pleasure his experience between the confines of the architectural piece, and beyond.
FLOOR PLAN :: TERRACE
SITE STRATEGIES
public becomes a driver for the physical manifestation of the proposal.
T
he proposal for a scientific research institute in the nation's capital locates itself in the intersection between the two main typologies of its inmediate context, the national mall. The pragmatism of institutional architecture housing museums and other agencies addresses the program needs and constrains, and it's challenged through the playfulness of monuments and memorials for visitors, tourists, and locals alike. Engaging the public in an often sealed off programmatic environment was of vital importance. More so when the site is taken into consideration. Acting as a getway, not only to the national mall, but to a more public approach to the scientific fiel. The
S
tarting with two main volumes, these are sliced and shifted, and lifted in a series of operations to address the pedestrian flow around and thorugh the site, these volumes are reconnected through circulation bars and bridges that allow the constant communication between programs and people's activity both outside and inside the building. Brisging the gaps between public and private, local and tourists, interior and exterior, and institutional and civic monuments.
ONTOLOGICAL STRATUM A RESEARCH INSTITUTE IN THE NATION'S CAPITAL
| WASHINGTON, D.C.
EXTERIOR PERSPECTIVE
PROCESS DRAWING + STUDY MODELS
PLUGGED-IN A CLUSTER OF VISITNG ARTIST STUDIOS FOR SCAD LACOSTE
| PROVENCE, FRANCE
ELEVATION :: SOUTH
L
ocated inside of a quarry in lacoste, france, the artist studios were inspired by the provincial typology of the borie, a primitive hut that captures the genius loci of the place in its impresicion. By retrofitting the idea of the borie interlacing its vernacular character with the contrasting sharpness of the site and contemporary construction technologies, the proposal would embrace the spirit of the place, of scad, and of art. The cluster, as a result, is seen as an architecture of extent instead of restraint, responding to the personal and individual character of the art-making process by generating experience, and ultimately, inspiration.
STRUCTURAL FRAME + BUILDING SKIN ARTIST'S STUDIO UNITS
T
he Albert and Tina Small Center for Collaborative Design partnered with City Park, New Orleans for the development of a student-led project that would benefit the waterfront of the bayou as well as the sport fields adjacent to the selected area. The initial process included an ethnographic research in order to propose a program attending the needs of current users + to attract new users to the area, as well as selecting the specific location for the intervention. The proposal aimed to create four main programmatic nodes. The articulation the entrance by creating a beacon, the creation of a gathering space drawing upon the existing trees and their canopies for shade and shelter, a pier over the water acting as a look-out point, fishing pier, bird watching pier, or a small crowd gathering space, and an art piece thay would create a corresponding relationship across the bayou. Active Roles :: conceptual development team + formal development team + construction documents team + screen fabrication team + coordination.
THE EDGE EFFECT DESIGN - BUILD STUDIO :: PIER + GATHERING SPACE FOR CITY PARK
| NEW ORLEANS, LOUISIANA
PHOTO DOCUMENTATION
PERSPECTIVE :: EXTERIOR
SIMBIOSIS
AN INTERNATIONAL AFRICAN-AMERICAN MUSEUM
| CHARLESTON, SOUTH CAROLINA
T
he triangual panels that function as the envelop of the building are polytetrafkuoethylene, a material that prevent direct sunlight from striking the faรงade and to limit direct sunlight gain by 50%. It also reduces glare, and improves daylight penetration. The skin shape is inspired by the oysters perched on the pylons of the harbor forming an encrustration that works independently
and changes the appearance of the pylons, while leaving intact the structure underneath. This helped the narrative of going from the solity to the transoarency as the user circulates through the different galleries, groing first through the galleries ith a slavery content, and ending in the abolition on the top galleries on the tower where the incrustration disappears so the users can enjoy the views and be reflect on the place, history, and culture as one. SKIN STUDY
SECTION :: NORTH - SOUTH
SECTION :: EAST - WEST
ELEVATION :: SOUTH
ELEVATION :: EAST
T
he proposal for a mixed-use residential building addresses and responds the transitional condition currently privailing in central city. The projects aim to be aware of the past, be inspired by the present, and providing opportuniries for the future through programatic elements, as well as architectural articulation. The formal response is nurtured by the building morphology of the neighborhood creating spaces that incentivate the creative nature of the new orlean's people. Progammaticallty, a day care and an after school mentorship program by in house artists is proposed, creating opportunities for people to grow, as well as to incentivate artists to move into the neighborhood and develop their career here, providing active spaces that promote the community environment that artist often strive in. Thus, the proposal provide spaces to learn, live, and create, where architecture takes an active roll in each role, as well as the connection or transition between them.
1707 bARONNE ST. A MIXED-USE MULTI FAMILY HOUSING PROPOSAL FOR THE CENTRAL CITY COMMUNITY
| NEW ORLEANS, LOUISIANA
PERSPECTIVE :: AERIAL
DIFFERENT SCALES
RESPONDING TO THE REHABILITATION EFFORTS IN THE NEIGHBORHOOD WERE MOST SMALLER SCALE BUILDINGS WERE DEMOLISHED AND MORE DESNSE, BUILDINGS ARE BEING DEVELOPED. THE NEIGHBORHOOD CAN BE UNDERSTOOD TO BE IN A TRNASITION ERA, WERE BOTH SCALES ARE STILL COEXISTING WITHIN THE ADJACENT BLOCKS OF THE SITE.
LIGHT WELLS
THE COMBINATION OF BOTH SCALES CREATE AN OPPORTUNITY TO OPEN UP THE IN-BETWEEN CREATING LIGHTWELLS THAT WOULD ADRESS THE HUMAN COMFORT OF THE DWELING UNITS.
ADDITIONAL RETAIL + HOUSING SPACES
fOR MORE DENSITY, AN ADITIONAL LEVEL ON ON INFILL SIDE OF THE LOT IS ADDED. BY ADDING IT ON THIS SIDE, THE CORNER SITE IS LEFT OPEN WERE A PRIVATE AMENITY SPACE CAN BE DEVELOPED, AND ADDRESSES THE SMALLER, RESIDENTIAL SCALE THAT PREDOMINATES ON EUTERPE ST.
CIRCULATION
THE CIRCULATION ADDS AN OPPORTUNITY TO INCLUDE VARIATION ON THE RESIDENTIAL SCHEME. RESPONDING TO THE CHARACTER AND SCALE OF EUTERPE ST. THE UNITS FACING THIS SIDE WOULD BE WALK-UPS WITH A DIRECT ACCESS FROM THE ST. ON THE OTHER HAND, ON BARONNE ST. THE CONFIGURATION REQUIRES A SINGLE LOADED CORRIDOR AND CREATES MOMENTS WHEN IT TURNS INTO A DOUBLE LOADED CORRIDER WHEN THE VERTICAL VOLUMES TOUCH THE HORIZONTAL CIRCULATION. ALSO, THIS VOLUMES WOULD CARRY THE PRINCIPAL VERTICAL CIRCULATION AND THE CENTER VOLUME REQUIRES A PRIVATE VERTICAL CIRCULATION FROM THE AMENITY LEVEL TO THE TWO UNITS ABOVE.
MASSING
TTHE RESULTING MASS IS A SERIES OF COMPONENTS THAT CAN READ AS INDEPENDENT PARTS, BUT IT IS ON THE COEXISTENCE, IN THE CONNECTION OF ALL THIS PARTS AND THE WAY OF LIVING THAT CREATES THE GESTALT, WERE THE WHOLE IS OTHER THAN THE SUM OF THE PARTS.
CONCEPTUAL SKETCHES
CONCEPTUAL DIAGRAM
AN EXPLORATION ON ALTERNATIVES FOR ATYPICAL METHODS OF INCARCERATION
BEYOND BARS CANTON OF GRISONS, SWITZERLAND
ARTWORK BY MÓNICA MARRERO CHARCOAL ON TRACING PAPER
CLINIC + CHAPEL + VISITING UNIT
KITCHEN + DINNING ROOM UNIT
EDUCATIONAL + VOCATIONAL UNIT
CIRCULATION DIAGRAM
The parameters of this quarter's project was to develop a proposal responding to the architectural national identity of switzerland while taking into consideration the concepts of reflection, relaxation, and rejuvenation. This was an opportunity to create an impact in the life of people through architecture. The official website of the swiss department of human rights addresses the overcrowding of prisons as a recurrent problem on switzerland's judicial system since 2006. It also mentions that
DORMITORIES + THERAPEUTI-
the european committee for the prevention of torture and human degrading treatment or punishment have been actively requesting the inclusion of therapeutical programs and other treatments in order to provide more adequate institutions. By combining these two aspects lies an opportunity to push the boundaries of architecture and the proposed program's essence [a prison] while exploring alternatives for atypical methods of incarceration.
CITY OF PARKS ON CULTURAL ECONOMIES + THE POLITICS OF PUBLIC SPACE
| HOLGUÍN, CUBA
ABSTRACT :: For some countries, terror has been an inherent concept in the formation and transformation of their urban condition. 1959 marked a turning point in the history of the Cuban territory. With the coup of the Cuban Revolution and the beginning of the Castro dominance, a control over the territory and the urban fabric became in effect alongside the exercise of political power. The display of control on the built environment was the tool used to impose the new political system across the island at a faster rate. In response to the frugality consequential of the new political system, a survival phenomenon spontaneously arose as Cuban families struggled with the economic models of the island. Many have had to develop a second means of income by either growing and selling produce or livestock. Urban and rural conditions present a different set of challenges that can potentially be addressed and engaged through architecture, urbanism, and the public realm. Holguin, the capital city of the Province of Holguin, is further known as the city of parks/ plazas. The inhabitation of these public spaces have experienced a fast paced transformation within the last 3-4 years, much due to recent public accessibility to the internet. Parks have
become places of interaction, of connection and reconnection, not only at a personal, but a virtual scale. This phenomenon have made people take a stand and reclaim their city. Although, Holguin's parks/plazas are being refurbished, planning deficencies evidence a lack of engagement to the changes that society is experimenting by the porosity of the blockade. Public spaces that respond to their actual flux of information, and the interaction of the different spontaneous phenomena coexisting in Cuban territory is required in order to provide healthy communities that aid its people to achieve a better quality of life as the country keeps transitioning. In a metaphysical way, architecture is the bonding element that facilitates the regeneration of healthy environments through community engagement.
THESIS STATEMENT :: Historically, some political systems have utilized urbanism and the public realm as tools for propelling political agendas. Through a Public Interest Design approach, architectural strategies premised on tactical urbanism and social engagement have the potential of reclaiming public space from the grasp of agents of power, and return it to the communities for their betterment.
DIGITAL MEDIA ALGORITHMIC MAPPING + ALGORITHMIC MODELING
T
his excercise was seen as an opportunity to explore with some of the components and techniques discussed in class. By overlaying and manipulating different components and parameters, a wide variety of iterations were created. The explorations were focused on the
concepts of height, weight, rotation, morphing, count, step, and domain to achieve variations withing the original scheme. The final selection was based on the two extremes of variations, and a middle ground that proved the most success in the process.
LOOSE THREADS A GRAPHIC ANALYSIS OF THE LAFITTE GREENWAY AS A QUILT BETWEEN COMMUNITIES
| NEW ORLEANS, LOUISIANA
UN.PUBLICNESS OF PUBLIC SPACES
ILIT
AR
IA
OR R MA EC L REA SE T TT IO LE NA ME L NT S
UT
INF
N
Residual spaces are left-over spaces of the process of urbanization of a place. These spaces are usually categorized as un-safe, un-productive spaces. Residual spaces have a prominent presence in the urban fabric of a city, therefore, design strategies should be employed to the betterment of these spaces and to their inclusion the the network of public spaces that serve the inhabitants of a city. The portion of I-10 underpass between Tulane Ave. and Canal St. present the coexistence of three differing conditions for these residual spaces. The aim of this study is to understand each of the conditions independently from one another, in relation to rest, and in relation to the context in order to analyze the contextual cues that allow these uses to happen. Also, by studying the impact of these residual spaces in the circulation patterns of the urban fabric, one can begin to understand how people react to these spaces, thus creating a framework for the advocacy of better design of the residual spaces of urbanization in new Orleans.
PID :: RESIDUAL SPACES OF UR
PUBL
RBANIZATION
LIC INTEREST DESIGN RESEARCH
| NEW ORLEANS, LOUISIANA
GRADUATE RESEARCH ASSISTANT F TULANE UNIVERSITY :: ALBERT + TINA SMALL CENTER FOR COLLABORATIVE DESIGN
| NEW ORLEANS, LOUSIANA
B ST ST . BR OA D
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ACCESSIBILITY STUDIES OF TREME-LAFITTE
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64
ARCHITECTURAL INTERN GRESHAM, SMITH AND PARTNERS :: CORPORATE + URBAN DESIGN
| NASHVILLE, TENNESSEE
Criteria 08 | No more than 30% of primary façade is without glazing or doors Length of primary façade: 412’-0” Length of primary façade that includes glazing or doors: 350’-0“ Calculated % of primary façade that is without glazing or doors: 15% 85% Openings at primary façade
’85
”6-’55 :thgieh gnidliuB “0-’85 :enilretnec teerts ot ecnatsiD
”8-’83 :deriuqer thgieh muminiM
30 TIBIHXE
TEERTS FO ENILRETNEC
85/x = 5.1/1 85 = x5.1 5.1/85 = 5.1/x5.1 ”8-’83 = x
Primary Façade | CRITERIA 08 Glazing | CRITERIA 08
55’6”
5.1 rof thgieh gnidliub fo tinu 1 | 30 airetirC enilretnec ot ecnatsid fo stinu
ETIS GNIDLIUB ERUTUF
”6’55
412
EXHIBIT 02
LEED EXHIBITS + WRITTEN STATEMENT DEVELOPMENT FOR PILOT CREDIT :: WALKABLE PROJECT SITE
239’
43’
45’
46’
10’
24’
42’
74’6”
21’
143’
At-grade Crossing:
61’
Length of Adjacent Sidewalks
6%
12’
70%
Façade Openings at North Elevation
46’
85% façade openings (see exhibit 02)
PRIMARY FAçADE
34’ PEDESTRIAN BREEZEWAY
412’
ALLEY
PEDESTRIAN WALKWAY OPEN TO SKY
46’
16’
49’
42’
SECONDARY ENTRY
LEED Project Boundary Main Access | CRITERIA 02 Secondary Access | CRITERIA 01 Retail Access Points | CRITERIA 01 Plaza | CRITERIA 02 Continuous Walkway| CRITERIA 01 Sidewalk Width | CRITERIA 05 Parking Garage | CRITERIA 04 Vehicular Acces | CRITERIA 06 Service Access | CRITERIA 06 At-grade Crossing | CRITERIA 07 Alley | CRITERIA 06 Façade Openings | CRITERIA 08 Trees| CRITERIA 09
13’
MAIN PEDESTRIAN ENTRY
SERVICE ONLY
10’ 12’
13’
10’ SECONDARY PEDESTRIAN ENTRY
32’
32’
34’
315’6”
57%
31’
50’
Façade Openings at South Elevation
EXHIBIT 01
Author
Checker
Approver
Drawn By:
Checked By:
Approved By:
2B101
2B201
2B102
2B202
2B103
2B203
2B104
2B204
2B105
2B206 2B207 2B208
CONSULTANT
ELEVATOR 2B208
733 8th Avenue, San Diego, CA 92101
CLIENT
ELEVATOR 2B207
STORAGE 2B204
STORAGE 2B104
RESIDENTIAL ELEVATOR LOBBY 2B201
PLUMBING 2B203 HVAC 2B202
RESIDENTIAL ELEVATOR LOBBY 2B101
ELECTRICAL ROOM 2B103
HVAC 2B102
SHAFT 2B206
PROJECT
1
LEVEL B2-COMPONENT 2
2
1" = 40'-0"
500 Broadway, Nashville TN, 37203
RESIDENTIAL FIRE ENTRANCE 2B105
LEVEL B1-COMPONENT 2 1" = 40'-0"
SEAL
UP
BUSWAY RISER ROOM CORRIDOR 20007 20010
GOLF CART STORAGE AND RESIDENTIAL STORAGE 20008
NOT FOR CONSTRUCTION
MAINTENANCE 20019
ISSUANCES / REVISIONS / ADDENDA
No.
STAIR 20102
MAIN ELEC. 20004
EMERGENCY ELEC. STORAGE 20009 20011
FIRE PUMP 20016
RESIDENTIAL LOBBY 20105
TRASH ROOM 20001
CORRIDOR 20014 RECYCLING ROOM BIKE STORAGE 20013 20002
Description
FIRE COMMAND 20106
BOOSTER PUMP 20017
RENTABLE STORAGE 20003
20001
Date
BUSWAY RISER ROOM 20101
DAS 20012 MPOP 20015
CORRIDOR 20018
RENTABLE STORAGE 20006
STAIR 20103
HVAC 20104
20002 20003 20004
20018
20006
20101
20007
20102
20008
20103
20009
20104
20010
20105
20011
20106
20012 20013
SHEET INFORMATION
20014 20015
FIFTH + BROADWAY :: FILTERS DEVELOPMENT BY PROJECT COMPONENTS Pricing set + Coordination *Rendering provided by firm
20016 20017
3 8/9/2017 5:28:21 PM
N
20019
LEVEL 00-COMPONENT 2 1" = 40'-0"
4
LEVEL 01-COMPONENT 2 1" = 40'-0"
ROOMS BY COMPONENT RESIDENTIAL
3A6B14
PROJECT: ISSUE DATE:
29999.00 08/03/17
Checker
Approver
Author
Approved By:
Approver
Approved By:
Checked By:
Checker
Checked By:
0B101
0B202
Drawn By:
Author
Drawn By:
0B100
0B201
0B102
0B203
0B103
0B204
0B104
0B205
FUTURE TENANT FUEL STORAGE 1B113
1B101
PUMP ROOM 1B212
1B200 1B201
1B102 1B103
1B202
1B104
1B203
1B105
1B204
0B206 0B207
ELEVATOR 0B207
0B208
ELEVATOR 0B209
0B209
1B205
1B107
1B206
1B108
1B207
1B109
1B208
ELEVATOR 0B210
0B210
1B106
1B110
1B209
1B111
1B210
1B112
1B211
1B113
1B212
1B114
1B213
1B115
1B214 1B215 CONSULTANT STAIR 0B205
ESCALATORS 0B103
ELEVATOR 0B201
PUMP ROOM 1B207
STAIR 0B101
CONSULTANT
TELE 1B208
TELE 1B205
ROOM 1B106
SHAFT 1B213
CLIENT
ELEVATOR 0B208 SEWAGE EJECTOR 0B203
TELECOM 1B107
EMERGENCY ELECTRICAL ROOM 1B103
FAN ROOM 0B102
SHAFT 0B202
TELE 1B114
CLIENT
GREASE INTERCEPTOR 0B104
733 8th Avenue, San Diego, CA 92101
PUMP ROOM 0B204
ROOM 1B206
FAN ROOM 1B204
FAN ROOM 1B112 ELECTRICAL ROOM 1B105
PARKING 1B214
TELECOM 1B104
PARKING 1B115
FAN ROOM 1B203
FAN ROOM 1B111
PROJECT
PROJECT
DRY PIPE VALVE ROOM 1B202
3
1" = 40'-0"
LEVEL B1-COMPONENT 0
1
1" = 40'-0"
500 Broadway, Nashville TN, 37203
FAN ROOM 1B210
LEVEL B2-COMPONENT 0
STORAGE 1B108
SUMP PUMP/SEWAGE EJECTOR 1B201
STAIR 1B211
FIRE COMMAND CENTER 1B215
ROOM 1B101
FAN ROOM 1B109
DES ACCESS 1B200
LEVEL B2-COMPONENT 1 1" = 40'-0"
MPOP ROOM 1B102
STAIR 1B110
500 Broadway, Nashville TN, 37203
STORAGE 1B209
DES ACCESS 0B100
4
733 8th Avenue, San Diego, CA 92101
ESCALATORS 0B206
2
LEVEL B1-COMPONENT 1 1" = 40'-0"
LOADING AREA 00001
SEAL DOCK MANAGER OFFICE 00002
SEAL
DOCK 00004
NOT FOR CONSTRUCTION
UP
B.O.H. 00011 STAIR 00005
STAIR 00006
ESCALATORS 00007
TELECOM 10004
STAIR 00102
ESCALATORS 00103 ESCALATORS 00104
NOT FOR CONSTRUCTION
UP
STAIR 00101
ISSUANCES / REVISIONS / ADDENDA
No.
Date
PARKING CIRCULATION 10009
Description
STORAGE 10005
UNI. 10006
ISSUANCES / REVISIONS / ADDENDA
No.
Date
Description
FAN ROOM 10010
NES TRANSFORMER 00003
SERVICE CORRIDOR 00009
00001
VALET PARKING 10008
00101
00002
00102
00003
00103
00004
VALET OFFICE 10002
10002
00104
00005
10003 10004
00006
10005
00007
10006
00008 00009
SHEET INFORMATION 10008 10009
[E] SERVICE CORRIDOR 00008
00011
SHEET INFORMATION
10010 FAN ROOM 10003
N
LEVEL 01-COMPONENT 0
3B103
3B207
3B104
30346
3B105
Approver
3B102
3B206
Checker
3B101
3B202
Author
8/9/2017 5:27:30 PM
1" = 40'-0"
Approved By:
Approver
Approved By:
2
1" = 40'-0"
Checked By:
Checker
Checked By:
LEVEL 00-COMPONENT 0
Drawn By:
Author
Drawn By:
8/9/2017 5:26:14 PM
1
N
ROOMS BY LEVEL 00-COMPONENT COMPONENT - SHARED 3 1" = 40'-0"
ROOMS BY COMPONENT - GARAGE
1" = 40'-0"
3A6B03
PROJECT: ISSUE DATE:
3A6B13
29999.00 08/03/17
PROJECT: ISSUE DATE:
OFFICE TOWER MAINT. OFFICE 4B105
STORAGE 4B117
OFFICE TOWER FIRE PUMP ROOM 4B108 OFFICE TOWER DOMESTIC WATER PUMP ELECTRICAL ROOM ROOM STORAGE 4B107 4B113 4B109
OFFICE SECUIRTY 4B110
29999.00 08/03/17
STORAGE 4B111
SHAFT 4B124
4B101
4B201
4B102
4B202
4B103
4B203 4B204
RETAIL - MPOP 225 3B102
3B106
4
1
LEVEL 01-COMPONENT 1
STAIR #14A 4B204
4B205 4B206
SERVICE TELECOM ELEVATOR VESTIBULE 4B212 4B213 4B209 SHAFT STORAGE SHAFT 4B214 4B207 4B208
4B104 SERVICE ELEVATOR 4B210
4B105 4B106 4B107
4B207
4B108
FSAE 4B201
4B208 4B209
4B109
OFFICE DAS-250 4B115 STAIR #14A 4B106
UNI 4B112 CORRIDOR 4B118
UNI 4B116
TELECOM 4B122
STORAGE 4B114
VESTIBULE 4B123
FSAE 4B101
4B110
4B210 4B211
RETAIL MAINTENANCE RETAIL DAS -250 OFFICE 3B105 3B106
OFFICE MPOP-225 4B104
EXECUTIVE ELEVATOR 4B202
ELEVATOR 4B211
4B212
4B111 STAIR #12 4B203
SHAFT 4B206
4B112
SHAFT 4B205
EXECUTIVE ELEVATOR 4B121
4B113
4B213
STORAGE STAIR #12 4B102 4B103
4B114
4B214
4B115 4B116
CONSULTANT
4B117
CONSULTANT
4B118 4B121 4B122
ELECTRICAL ROOM 3B104
4B123 4B124
RETAIL STORAGE 3B103
40121 CLIENT CLIENT
733 8th Avenue, San Diego, CA 92101
733 8th Avenue, San Diego, CA 92101
GREASE INTERCEPTOR 3B206
PROJECT SHAFT 3B202
ELEVATOR ELEVATOR 3B207 30346
PROJECT
LEVEL B2-COMPONENT 3
2
1" = 40'-0"
LEVEL B1-COMPONENT 3
LEVEL B2-COMPONENT 4
1
1" = 40'-0"
1" = 40'-0"
2
CORRIDOR 40016
CORRIDOR 40008
FAN ROOM 40005
VESTIBULE 40014
500 Broadway, Nashville TN, 37203
1
500 Broadway, Nashville TN, 37203
RETAIL FIRE & WATER ENTRANCE ROOM 3B101
LEVEL B1-COMPONENT 4 1" = 40'-0"
NES VAULT 1 40004
BIKE ROOM 40117
MAIL ROOM 40002
TELECOM 40013
UNI 40018
STAIR #14B 40007
FSAE 40001 B.O.H. 30013
CORRIDOR 30151
UP ELEV PIT B.O.H. 30035 30005
STAIR #14B 40107
F&B C-107 30128 RETAIL LEASING 30139
ELEVATOR MACHINE ROOM 40102
STAIR 12 40003
SEAL
RETAIL C-106 30129
RETAIL C-105 30130
RETAIL C-104 30131
RETAIL C-103 30132
RETAIL C-102 30133
RETAIL C-101 30134
STAIR 40112
CORRIDOR 40111
OFFICE FIRE ENTRANCE ROOM 40015
NOT FOR CONSTRUCTION
GREASE INTERCEPTOR 30070
RETAIL STORAGE 30071
STORAGE 40009
RETAIL STORAGE 30101
CORRIDOR 30126
FSAE 40101
STORAGE 40110
SEAL STAIR 14A 40006
MAINTENANCE OFFICE 30015
MAIN ELECTRICAL ROOM 40108
VESTIBULE 40114 TELECOM 40115
CORRIDOR 40010
POWERHOUSE 40105
NOT FOR CONSTRUCTION
STAIR #13 40104
RETAIL C-100 30135
TELECOM 30118 STAIR 30146
SECURITY COMMAND CENTER 30105
ISSUANCES / REVISIONS / ADDENDA
No.
Date
Description
ISSUANCES / REVISIONS / ADDENDA
No.
ELEC. RISER 30123
Date
Description
CORRIDOR 30162 CORRIDOR 30029
F&B B-101 30148 A-011 MUSEUM 30010
F&B A-106 30108
B.O.H. 30163
RETAIL STORAGE 30153 STAIR 30007
ELEVATOR 30036
SHAFT 30033
SERVICE ELEVATOR 30037
A-000.5 30003
A-001 30002
8/9/2017 5:29:42 PM
1" = 40'-0"
ELECTRICAL VAULT 3005
STAIR 30008
ROOM 30038
B.O.H. 30142
RETAIL B-105 30119
A - 000 30011
WATER ENTRANCE ROOM 30127
F&B B-100 30121
TELECOM 30141
SHAFT 30165
ELEC 30140
RETAIL B-100 30149
F&B B-107 30117
STAIR 30144
STAIR 30116 CORRIDOR 30160
RETAIL A-104.5 30156
B.O.H. 30034
RETAIL STORAGE 30016
RETAIL LOBBY 30143
RETAIL A-105 30106
SERVICE ELEVATOR 30035
ELECTRICAL VAULT 30006
LEVEL 00-COMPONENT 3
RETAIL A-110 30115
RETAIL A-104 30104
RETAIL A-102 30102
SERVICE ELEVATOR 30039 SHAFT 30049 ELEVATOR 30048
40001 STAIR 30120
STAIR 30113
40002 40003 40004
40101
40005
40102
40006
40104
40007
40105
40008
40106
40009
40107
40010
40108
40013
40110
40014 SHEET INFORMATION 40015
40111
40016
40114
40018
40115
B.O.H. 30145 F&B A-000 30107
RETAIL A-103 30103
STAIR 30147
EGRESS CORRIDOR 30009
40112
4
SHEET INFORMATION
40117
N
40323
N
LEVEL 01-COMPONENT 3 1" = 40'-0"
ROOMS BY COMPONENT LEVEL- RETAIL 00-COMPONENT 8/9/2017 5:30:30 PM
MAIN ELECTRICAL ROOM 30001 RETAIL STORAGE 30065
3
RETAIL A-109 30111
CORRIDOR 30138
F&B B-103 30157 SERVICE ELEVATOR 30030
RETAIL STORAGE 30072
RETAIL B-104 30122
CORRIDOR 30152
A-002 30014
RETAIL - MPOP ROOM 30004
RETAIL A-108 30110
STAIR 30112
STAIR 30026
CHILLED WATER / PUMP ROOM 30012
RETAIL A-007 30109
3
1" = 40'-0"
3A6B15
PROJECT: ISSUE DATE:
29999.00 08/03/17
4
4
LEVEL 01-COMPONENT 4 1" = 40'-0"
ROOMS BY COMPONENT - OFFICE
3A6B16
PROJECT: ISSUE DATE:
29999.00 08/03/17
GRAPHIC DESIGN + SKETCHING + ARTWORK + RENDERING
OTHER WORK
MÓNICA ANGELIZ MARRERO CIURÓ
mangeliz.marrero@gmail.com www.behance.net/mamarrero 787.467.0766
*
THIS IS A SAMPLE OF WORK. TO SEE ENTIRE PORTFOLIO PLEASE VISIT : WWW.BEHANCE.NET/MAMARRERO
MÓNICA ANGELIZ MARRERO CIURÓ 2018