Mandy Johnson Architecture Portfolio

Mandy Johnson

Personal

Architecture Portfolio 2010 - 2013

Hans Christian Andersen Museum, Odense fall 2013 Decay House winter 2014 Atelier Haus, Sumvitg winter 2012 Two Spaces summer 2010 Outside 2010 - 2011 Poplar Table and Chair fall 2012

Academic Thesis Spatial Performance, A Place to Dance Spring 2011 - Fall 2012 Horizon Fall 2012 Moon Island Funerary Chapel spring 2010 420 Cambridge Street spring 2011

Professional Minneapolis Riverfront 2013 Belarus Holocaust Memorial summer 2010 Beals Street summer 2013 North Bennet Street School spring 2013

Hans Christian Andersen Museum A restored apothecary garden is at the center of Odense. It is a healing garden that sustains residents and welcomes visitors. The neighborhood cares for the garden and the garden refreshes the people. A strong connection between the neighborhood and the garden is necessary for the longevity of each.

A yellow limestone house is made within the apothecary garden. The house contains fairytales and connects the neighborhood to the garden. Larger yet similar to H.C. Anderson’s childhood home, this yellow house too contains living, dining and bedrooms. Visitors and residents are freely welcome to the living and dining spaces while guests with tickets participate in and experience what is held in the bedrooms. Staggered floors allow daylight deep into exhibition spaces below garden level. Contained within the earth is a fantasy world of immersive fairytale scenes. #

apothecary garden and yellow house

& new pedestrian street and garden " living room and dining room

Removing and selectively filling portions of the neighborhood currently occupied by museum buildings repairs the city fabric and the placement of the yellow house creates a new street with a garden and square. This street connects the museum to the Yellow House and the neighborhood to the garden. #

siteplan

" site sections through museum and apothecary garden

Decay House Boston’s ‘three-decker’ houseing typology and its meaning are in decay.

People, too, have changed. Just as the earth wants to take back the buildings, people want to take back the earth. There is a new generation of makers, of tactility, of immersion with the land. Let the buildings decay.

Let the earth move in. Only then will strangers come together and create something new.

Two houses are made from an existing abandoned triple-decker in Boston, MA. Rather than being stacked, the homes are placed side by side and shifted off-center. Linking the homes together is a shared production space on the upper level; making the building as a whole a collaborative atelier.

Shortlisted competition entry into the Rotch Traveling Scholarship

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LATION E 1 + FACILITIESHOUSE PRIVATE1LIVING SPACE AL LIVING SPACE SOCIAL LIVING SPACE CIRCULATION + FACILITIES E2 ATE LIVING SPACE PRIVATE LIVING SPACE AL LIVING SPACE

HOUSE 2 + FACILITIES LATION + FACILITIES CIRCULATION ATE LIVING SPACE SOCIAL LIVING SPACE

LATION E 2 + FACILITIESHOUSE 2 PRIVATE LIVING SPACE AL LIVING SPACE SOCIAL LIVING SPACE CIRCULATION + FACILITIES O ATE LIVING SPACE PRIVATE LIVING SPACE ED MAKING SPACE

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The grid of a typical three decker house is maintained and re-imagined.

Volumes are carved from its form and voids are cut into its floors and walls to bring the environment closer to its inhabitants.

When aggregated, the building volumes frame shared exterior spaces for large scale or agricultural production. #

sections through houses

& view of living space with connection to kitchen " view of shared studio space

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site plan home and studio Sumvitg, Graubunden Switzerland 13 02 24

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Atelier Haus, Sumvitg Paths cut across the steep hillside and connect one switchback street to another. The home straddles one of these short cuts and sits within the saturated earth. Two mirrored entries, one uphill to work and one downhill to rest, split from the path. Living, gathering and eating blend in one vertical space with views to the sky and the surrounding landscape. Deep pockets of enclosure capture pieces of the outside within the body of the home and studio. #

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" exterior views from street and path

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& level 1 and 2 floor plans " section

east elevation home and studio Sumvitg, Graubunden

ground floor plan home and studio Sumvitg, Graubunden Switzerland 13 02 24 N

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n/s section home and studio Sumvitg, Graubunden

Two Spaces Two spaces are made in the wilderness. One of the spaces is a grove of trees, existing, that has been painted white. The other is a small weathertight box with one small eye that looks directly at the grove of trees.

Through the eye, daylight projects an inverted image of the landscape across the walls and ceiling: a camera obscura. This box, too, has been painted white. The outdoor space is used for immersion in the wilderness.

The indoorspace is used for protection from it. Both spaces heighten the resident’s perception through abstraction, and stare on toward the other; perpetually and perhaps indifferently.

Competition, shortlisted # exterior view of two spaces " interior view of shelter " plan and section

Outside A collection of observations captured through lenses, sensory and actual, gathered while studying architecture throughout Scandinavia and Europe.

The book includes color negative photographs taken with a paper pinhole camera and a Nikon F single lens reflex camera. It also includes printed matter than was found, gathered and snatched throughout the travels.

Set of six handmade, hand bound copies. Made possible through a research grant from Wentworth Institute of Technology.

Poplar Table and Chair Large sturdy work surface for drawing and eating. Designed and handmade with poplar wood. Poplar was chosen for its deep and color changing grain; striations of green and purple turn to deep redish yellow and chocolate brown with time.

A Place to Dance This thesis explores the dialogue of art and function in architecture. Space can be defined in a number of ways, a fraction of which are actually physical. Architecture is charged with defining space for a certain function, and depending upon that function definition occurs amid a range of tangible and intangible forces. Architecture certainly must perform through its physical and pragmatic makeup, yet can also perform in ways beyond the tangible nature of building. This project aims to create a dialogue between the various, often contrasting, elements which define architectual space.

In doing so, the art of architecture and the function of architecure can dynamically perform together. view of performance space " movement and relationship between site elements #

" sectional study of existing river and overpass

! Mapping study of existing site boundaries. The complex layering of elements from the parkscape and infrastructure create a variety of boundaries that together imply and enclose distinct spaces. Boundaries acting upon various points along the site were mapped to gain an understanding of how space is formed within the existing framework. #

view of performance space

A number of uniqe conditions arise due to the overlapping of contrasting elements within the existing landscape. The interaction between the highway and parkscape causes the site to “perform” in many ways that would not occur if either of the two atmospheres didn’t exist. These locations are pinpointed as areas of focus and engagement from which the program and design emerge. #

spatial site mapping studies

" cross sections throughout site

A place to dance is created within each area of site performance. Using minimal and simple gestures that engage with existing conditions, a series of stages, theaters and platforms embrace the atmosphere of the site and provide a layer of function that invites public use. These performance spaces are anchored by a small tower that engages with levels of earth, highway and sky to speak with the city at large. # siteplan & physical model of tower and pavilions " exterior view of tower

Horizon An installation along Boston’s Atlantic Wharf that addresses the nature of site specificity, landscape, and scale, through emerging digital design and fabrication methods at full-scale building. A field of slender vertical members, ever increasing in their height, are spaced to allow for meandering movement. As the members move along the field, the distance between them tightens to enclose a circular space at one end. Each member is slightly tapered at eye level so that through their density a blurred horizon appears. The collective experience is the horizon. Each individual member within the installation contains a piece of the collective whole. Only through the gathering of individual members at a certain density and in a certain place can the collective experience of the horizon be understood.

Designed, fabricated and built as part of a special topics studio with 11 other graduate students. # interior view of installation " landscapes of NYC and Big Bend National Park & detail elevation of member modules " structural plan of installation

top of large stick 19'2" from ground

top of medium stick 15'2" from ground

top of medium small stick 11'2" from ground

top of stick 8'9" from ground delamination at 8'4" from ground top of conduit 8' from ground (9' piece overall)

top of horizon 6'5" from ground

horizon 5'5" from ground

bottom of horizon 3'5" from ground

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full thickness of stick 10" from ground bottom of stick 4" from ground

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stained /sealed plywood profile

conduit space frame

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3”x1.5” galvanized steel bracket

stained /sealed plywood profile

stained /sealed plywood profile

stained /sealed plywood profile

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conduit space frame

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Working off of the dimensions of a plywood sheet, a modulated design and assembly process was created that made use of every square inch of wood. An innovative tool path deveoped for the CNC milling machine left behind dust as our only production waste. Custom jigs were created to bend each conduit pipe into its proper angle as overhead structure. Ground level detailing with custom made steel brackets holds a conduit pipe sandiwched between two plywood halfs, allowing for rigidity and a weightless ground connection. % custom tool path for cnc milling ! views of fabrication process & temporal mapping of Big Bend national park

A design was created to incorporate the ideas of horizon, scale-lessness, and density formed during our research travel. A field of slender vertical memebers, ever increasing in their height, are spaced to allow for meandering movement. As the memebrs move along the field, the distance between them tightens to enclose a circular space at one end. Each member is slightly tappered at eye level so that through their density a blurred horizon appears # view of installation on Boston’s Atlantic Wharf " view of installation illluminated at night & structural detail at sky " structural detail at ground

Moon Island Funerary Chapel A chapel and gardens create a definitive memorial space for unreachable burial grounds out at sea. A columbarium wall weaves through the island landscape to create a series of distinct gardens for gathering. The wall reflects the differing atmospheres of the site and creates personal moments within it. It then rises to accept a simple roof structure that defines the chapel and frames a view toward the ocean. The simple nature of the chapel allows for a deeply personal connection to the sea. Collaboration with James Jarzyniecki. #

siteplan

& interior view of chapel " view along coumbarium wall towards chapel " section of chapel

420 Cambridge Street Small homes designed for people with hobbies. The entire housing project contains four unit types, each equipped with a flexible interior/exterior room to be filled with light, fresh air, and the individuality of the resident. Collaboration with James Jarzyniecki. # aerial masterplan " landscape masterplan collage & view from cambridge st " view of central courtyard

% elevations ! section through centeral courtyard " interior view flexible room

# physical model of housing block " physical model of townhouse & section of townhouse " plans of townhouse

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

townhouse section

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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townhouse - roof terrace

townhouse - second floor

roof terrace 700sf

living 400sf

townhouse - third floor+1

townhouse - first floor 0 1’ - 1/4”

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT kitchen / living 570sf half bath 35sf

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

exterior room 100sf bedroom 150sf bedroom 155sf bathroom 60sf

Minneapolis Riverfront The Minneapolis riverfront project was initiated to provide riverfront public access and improve the ecological health of 5.5 miles of the Upper Mississippi River in downtown Minneapolis. It is a multifaceted project consisting of planning, landscape, conservation, sustainable transportation and architectural design. Strategic master planning creates new ecological synergies between existing urban industrial territory and natural riparian systems. The project territory includes the design of large scale interventions to increase the carrying capacity of the river and improve water quality and the creation of a public park system with protected riparian habitat for migrating birds and endangered wildlife. Interventions at strategic points along the river provide destinations for the public and link the entire trail system.

My role working with Kennedy & Violich Architecture as design architect was to assist with design and management of the intervention projects slated for phase 1 construction as well as coordinate and layout all graphics for presentations and guideline publications.

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masterplan of parksystem with callouts of specific project sites

& winter view of plymouth bridge " summer view of scherer park " topographic comparison showing existing vs. proposed edge condition

SCHERER PARK

# view of 26th st pier & elevations of 26th st pier " sections and plan of lowry connector

Belarus Holocaust Memorial A burial site of holocaust victims discovered in the woodlands of Berlarus is given a memorial. Stone markers the lead to a reflective granite wall guide vistors up the hill and into the forest. There, the existing burial slabs are connected with paths and areas for seating, while newly planted birch trees define a loose perimeter of the sacred grounds.

My role as intern landscape architect was to create and coordinate all presentation drawings and graphics.

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memorial siteplan

" walk-through views of site

Beals Street The Beals street project called for a complete redesign, renovation and addition of an exsiting home in Boston’s neighboring city of Brookline. A focus on natural daylighting and custom wood built in furniture and storage give the home an open and warm feel. At the center of the design is a custom millwork book wall spanning all 3 floors of the home. The wall is wrapped by the main stair and provides variable storage and display within each room it engages.

As design architect working at KVA I organized and created drawings for the final construction document set as well as the millwork package of all custom designed wood cabinetry. # views of bedroom and kitchen & view of vertical circulation with modular shelving wall & building plans for construction document set " enlarged kitchen plans and elevation for construction document set

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RAFI PROPERTIES LLC RAFI INVESTMENTS LTD 11 DEERFIELD ST, BOSTON, MA 02215

RAFI PROPERTIES LLC RAFI INVESTMENTS LTD 11 DEERFIELD ST, BOSTON, MA 02215

ARCHITECT

KENNEDY & VIOLICH ARCHITECT 10 FARNHAM STREET BOSTON, MA 02119 ARCHITECT T: 617.442.0800 F: 617.442.0808 KENNEDY & VIOLICH ARCHITECTURE LTD. LIC 3 0734 (J. FRANO VIOLICH) 10 FARNHAM STREET BOSTON, MA 02119 T: 617.442.0800 STRUCTURAL F: 617.442.0808 RSE ASSOCIATES, INC. LIC 3 0734 (J. FRANO VIOLICH) 63 PLEASANT STREET SUITE 200 STRUCTURAL WATERTOWN, MA 02472 617.926.9300 RSE ASSOCIATES, INC. 63 PLEASANT STREET SUITE 200 WATERTOWN, MA 02472 617.926.9300

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THE CONTRACTOR IS RES MATERIALS, DETAILS AND FOR CONFIRMING AND CO QUANTITIES AND DIMENS THE CONTRACTOR IS RESPONSIBLE FOR SELECTING FABRICATION MATERIALS, DETAILS AND ACCURACY, FOR TECHNIQUES OF ASS FOR CONFIRMING AND CORRELATING ALL IN A PERFORMING WORK QUANTITIES AND DIMENSIONS, FOR AND FOR COORDINATING SELECTING FABRICATION PROCESSES, THAT OF ALL TRADES. FOR TECHNIQUES OF ASSEMBLY, FOR PERFORMING WORK IN A SAFE MANNER, JOB NO. 11640 AND FOR COORDINATING WORK WITH THAT OF ALL TRADES.

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D

B

B

D

D

B

B FIRST FLOOR +0'-0" +49.04' ASL

B

D

D

B

D

D

D

D

D

D

D

D

D

AVERAGE GRADE -4'-2 1/2" +45.25' ASL

1

A-9.06

D

D

D

D

D

D

E

BASEMENT FLOOR -9'-6" +40.54' ASL

2

A-9.07

BOOK WALL STAIR-SIDE ELEVATION SCALE: 1/2" = 1'-0"

3

A-9.07

SHELF TYPE SCALE: 1-1/2" = 1'-0"

REGISTRATION

OWNER RAFI PROPERTIES LLC RAFI INVESTMENTS LTD 11 DEERFIELD ST, BOSTON, MA 02215

ARCHITECT KENNEDY & VIOLICH ARCHITECTURE LTD. 10 FARNHAM STREET BOSTON, MA 02119 T: 617.442.0800 F: 617.442.0808 LIC 3 0734 (J. FRANO VIOLICH) STRUCTURAL RSE ASSOCIATES, INC. 63 PLEASANT STREET SUITE 200 WATERTOWN, MA 02472 617.926.9300

2

A-9.08

- FLOOR DETAIL 7 2 - UNIT UNIT ATTIC2 CREDENZA DETAIL A-9.08 SCALE: 1-1/2" = 1'-0" SCALE: 1-1/2" = 1'-0"

ATTIC FLOOR +19'-11 1/4" +67.32' ASL

7

UNIT 2 - FLOOR

7

UNIT 2 - FLOOR

7

UNIT 2 - FLOOR SCALE: 1-1/2" = 1'-0" UNIT 2 7

SCALE: 1-1/2" = 1'-0"

OK WALL DETAIL

2

A-9.08

7

ATTIC FLOOR +19'-11 1/4" +67.32' ASL

UNIT 2 - ATTIC CREDENZA DETAIL SCALE: 1-1/2" = 1'-0" UNIT 2 - ATTIC CREDENZA DETAIL 2 A-9.08

ATTIC FLOOR +19'-11 1/4" +67.32' ASL

A9.08

SECOND FLOOR +9'-10 3/4" +58.94' ASL 4

A9.08

ATTIC FLOOR +19'-11 1/4" +67.32' ASL

ATTIC FLOOR +19'-11 1/4" 7 +67.32' ASL

3

UNIT 2 - BOOK WALL DETAIL

2

UNIT 2 - ATTIC CREDENZA DETAIL 2 UNIT ATTIC DETAIL A-9.082 - SCALE: 1-1/2" CREDENZA = 1'-0"

A-9.08

A-9.08

A9.08

3 SECOND STAIR FLOOR K WALL/ DETAILA-9.08 +9'-10 3/4" 4 +58.94' ASL A9.08

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

A9.08

3 4

A-9.08

A9.08

SECOND FLOOR SECOND FLOOR+9'-10 3/4" +58.94' ASL +9'-10 3/4" +58.94' ASL

3 4

A-9.08 A-9.08

AVERAGE GRADE FIRST FLOOR 7 -4'-2 1/2" +45.25' ASL A9.08 +0'-0" +49.04' ASL

UNIT 2 - BOOK WALL DETAIL UNIT BOOK DETAIL A-9.082 - SCALE: 1-1/2" WALL = 1'-0" UNIT 2 - BOOK WALL/ STAIR DETAIL SCALE: 1-1/2" = 1'-0" 3

SCALE: 1-1/2" = 1'-0"

4

A-9.08

5

A-9.08

UNIT 2 - BOOK WALL DETAIL SCALE: 1-1/2" = 1'-0"

ON

ON

SCALE: 1-1/2" = 1'-0" A-9.08 SCALE: 1-1/2" = 1'-0"

6 8

A-9.08 A-9.08

DRAWN BY:

UNIT 1, 2 - BOOK WALL DETAIL UNIT - BOOK WALL DETAIL A-9.081, 2 SCALE: 1-1/2" = 1'-0" UNIT 1 - BOOK WALL/ STAIR DETAIL SCALE: 1-1/2" = 1'-0" 6

SCALE: 1-1/2" = 1'-0"

6

11640

JOB NO.

A-9.08

...

SCALE: 1-1/2" = 1'-0" A-9.08 SCALE: 1-1/2" = 1'-0"

DRAWING TITLE

UNIT 1 AND 2 SOFFIT & BOOK WALL MILLWORK SECTION AND DETAILS

8

A-9.08

9

A-9.08

A-9.08

4 5

A-9.08 A-9.08

CONSTRUCTION DOCUMENTS

UNIT 2 - BOOK WALL/ STAIR DETAIL UNIT BOOK STAIR DETAIL A-9.082 - SCALE: 1-1/2" WALL/ = 1'-0" UNIT 2 - BOOK WALL/ STAIR DETAIL SCALE: 1-1/2" = 1'-0" 4

SCALE: 1-1/2" = 1'-0"

UNIT 1 - BOOK WALL/ STAIR DETAIL UNIT 1, 2 - BOOK WALL DETAIL 6 UNIT 1 - BOOK WALL/ STAIR DETAIL 8

SCALE: 1-1/2" = 1'-0" A-9.08 SCALE: 1-1/2" = 1'-0" A-9.08

8

A-9.08

9

A-9.08

10

A-9.08

4

UNIT 2 - BOOK WALL/ STAIR DETAIL

UNIT 1 - BOOK WALL DETAIL UNIT 1 - BOOK WALL/ STAIR DETAIL 8 UNIT BOOK STAIR DETAIL A-9.081 - SCALE: 1-1/2" WALL/ = 1'-0" SCALE: 1-1/2" = 1'-0"

UNIT 1 - BOOK WALL DETAIL UNIT 1 - BOOK WALL/ STAIR DETAIL 8 A-9.08 1-1/2" = 1'-0" UNIT 1 - SCALE: BOOK WALL DETAIL

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

8

SCALE: 1-1/2" = 1'-0"

AVERAGE GRADE

-4'-2 1/2" AVERAGE GRADE +45.25' ASL BASEMENT FLOOR -4'-2 1/2" -9'-6" ASL +45.25' +40.54' ASL FIRST FLOOR BASEMENT FLOOR +0'-0" -9'-6" +49.04' +40.54' ASL ASL

5

A-9.08

A-9.08

AVERAGE GRADE -4'-2 1/2" +45.25' ASL

5

BASEMENT FLOOR A-9.08 -9'-6"

+40.54' ASL

UNIT 2 - BOOK WALL/ STAIR DETAIL UNIT 2 - BOOK WALL/ STAIR DETAIL SCALE:41-1/2" = 1'-0" UNIT1-1/2" 2 =-1'-0" BOOK WALL/ STAIR DETAIL A-9.08 SCALE: 5 SCALE: 1-1/2" = 1'-0"

UNIT 2 - BOOK WALL/ STAIR DETAIL 5 UNIT BOOK STAIR DETAIL A-9.082 - SCALE: 1-1/2" WALL/ = 1'-0" SCALE: 1-1/2" = 1'-0"

9

A-9.08

10

A-9.08

9 10

A-9.08 A-9.08

+45.25' ASL

UNIT 2 - BOOK WALL/ STAIR DETAIL

5

UNIT 2 - BOOK WALL/ STAIR DETAIL

A-9.08

UNIT 1 - BOOK WALL DETAIL - BOOK WALL DETAIL 9 1 - UNIT UNIT BOOK1 WALL DETAIL

A-9.08 SCALE: 1-1/2" = 1'-0" SCALE: 1-1/2" = 1'-0"

UNIT 1 - BOOK WALL DETAIL 9 UNIT BOOK DETAIL A-9.081 - SCALE: 1-1/2" WALL = 1'-0" UNIT 1 - BOOK WALL DETAIL SCALE: 1-1/2" = 1'-0" UNIT 1 - BOOK WALL DETAIL 10 SCALE: 1-1/2" = 1'-0"

9

A-9.08

SCALE: 1-1/2" = 1'-0"

UNIT 1 - BOOK WALL DETAIL

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

BASEMENT FLOOR -9'-6" +40.54' ASL

A-9.08

UNIT 1 - BOOK WALL/ STAIR DETAIL SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

A-9.08

5

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

A-9.08 FIRST FLOOR +0'-0" +49.04' ASL

UNIT 1, 2 - BOOK WALL DETAIL SCALE: 1-1/2" = 1'-0"

VARIES 07.12.2013

DATE:

SHEET NO.

A-9.08

FLOOR AVERAGE +40.54' ASLGRADE ON BASEMENT -9'-6" -4'-2 1/2"

ON

THE CONTRACTOR IS RESPONSIBLE FOR MATERIALS, DETAILS AND ACCURACY, FOR CONFIRMING AND CORRELATING ALL QUANTITIES AND DIMENSIONS, FOR SELECTING FABRICATION PROCESSES, FOR TECHNIQUES OF ASSEMBLY, FOR PERFORMING WORK IN A SAFE MANNER, AND FOR COORDINATING WORK WITH THAT OF ALL TRADES.

UNIT 2 - BOOK WALL/ STAIR DETAIL UNIT 2 - BOOK WALL DETAIL SCALE:31-1/2" = 1'-0" UNIT BOOK UNIT 2 WALL/ BOOKSTAIR WALL/DETAIL STAIR DETAIL A-9.08 1-1/2" =-1'-0" 4 2 - SCALE:

K WALL DETAIL

AVERAGE GRADE FIRST FLOOR -4'-2 1/2" +0'-0" +45.25' ASL FLOOR BASEMENT FIRST FLOOR AVERAGE +49.04' ASLGRADE -9'-6" +0'-0" -4'-2 1/2" +40.54' ASL +49.04' ASL +45.25' ASL

A-9.08

SCALE: 1-1/2" = 1'-0"

UNIT 2 7 UNIT FLOOR A-9.082 - SCALE: 1-1/2" = 1 SCALE: 1-1/2" = 1'-0"

7

UNIT 2 -

A-9.08

SCALE: 1-1/2" = 1

7

UNIT 2 -

A-9.08

SCALE:

A-9.08

7

SECOND FLOOR

UNIT 1, 2 - BOOK WALL DETAIL UNIT BOOK1,WALL/ STAIR DETAIL 2 - BOOK WALL DETAIL 6 1 - UNIT

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0" A-9.08 SCALE: 1-1/2" = 1'-0"

3

SECOND FLOOR +9'-10 3/4" +58.94' ASL

+9'-10 3/4" AVERAGE GRADE FIRST FLOOR +58.94' ASL -4'-2 1/2" +45.25' ASL FLOOR +0'-0" BASEMENT +49.04' -9'-6" ASL FIRST FLOOR +40.54' ASL +0'-0" +49.04' ASL

UNIT 1, 2 - BOOK WALL DETAIL

A-9.08

8

10

A-9.08

SCALE: 1-1/2" = 1

SCALE: 1-1/2" = 1'-0"

CHECKED BY:

K WALL DETAIL

A9.08

6

UNIT 2 - BOOK WALL DETAIL SCALE: 1-1/2" = 1'-0" UNIT BOOK2 WALL/ - BOOKSTAIR WALLDETAIL DETAIL 3 2 - UNIT

7

A9.08

7

A-9.08

6

4

A-9.08

A-9.08

7

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

UNIT 1, 2 - BOOK WALL DETAIL

A-9.08

UNIT 2 - ATTIC CREDENZA DETAIL

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1'-0" A-9.08 SCALE: 1-1/2" = 1'-0"

A-9.08 ATTIC FLOOR +19'-11 1/4" 7 +67.32' ASL SECOND FLOOR A9.08 +9'-10 3/4" +58.94' ASL SECOND FLOOR +9'-10 3/4" +58.94' ASL 4 FIRST FLOOR A9.08 +0'-0" +49.04' ASL

6

A-9.08

A-9.08

ATTIC FLOOR +19'-11 1/4" +67.32' ASL

A9.08

A-9.08

UNIT 2 - UNIT BOOK2 WALL DETAIL - ATTIC CREDENZA DETAIL 2

2

7

SCALE: 1-1/2" = 1'-0"

COPYRIGHT 2013, KENNEDY & VIOLICH ARCHITECTURE, LTD.

UNIT 2 - ATTIC CREDENZA DETAIL

95 BEALS STREET, BROOKLINE, MA 02446

2

A-9.08 ATTIC FLOOR +19'-11 1/4" +67.32' ASL

95 BEALS STREET CONDOMINIUMS RENOVATION / ADDITION

A-9.08

10 UNIT 1 - BOOK WALL DETAIL 9 UNIT 1 - BOOK WALL DETAIL

A-9.08 SCALE: 1-1/2" = = 1'-0" 1'-0" A-9.08 SCALE: 1-1/2" SCALE: 1-1/2" = 1'-0"

BASEMENT FLOOR -9'-6" +40.54' ASL

10

A-9.08

10

A-9.08

UNIT 1 - BOOK WALL DETAIL SCALE: 1-1/2" = 1'-0"

UNIT 1 - BOOK WALL DETAIL SCALE: 1-1/2" = 1'-0"

SCALE: 1-1/2" = 1

North Bennet Street School The North Bennet Street School was founded in 1885 as a school for industrial crafts and has since then become world-renowned for its handson training in traditional programs such as carpentry, violin making, piano restoration, bookbinding, jewelry, and locksmithing. KVA was selected to design a new home for NBSS in the historic North End, where the majority of its programs have remained since its beginnings, within a former Police Station and Printing Plant. The combined 70,000 square foot renovation and addition now brings together all of its programs in a single facility with expansive floor plates and natural lighting.

My role as design architect working at KVA was to creat and coordinate all graphics and presentation material as well as assist witht he final millwork package for the custom wood atrium ceiling panels. #

night rendering of main entrance and atrium

& axon diagram of atrium circulation and program " view of courtyard workspace with recycled wood facade " view of flexible atrium space

LEVEL 3

LEVEL 2

LEVEL 1

1

2

3

The architectural concept was to create two rooms, one indoor and one outdoor, each of which would offer the kind of social space that NBSS has been lacking due to its existing congested environment and the school’s multiple locations around the Boston area. The first, the indoor room, is strategically placed to connect the historic Police Station and Printing Plant. The outdoor room is a transformed service yard which will be a working courtyard for full-scale mock-up construction projects and an outdoor terrace for community events. # physical model of additions in context " physical model night illumination of additions % reflected ceiling plan of bent wood millwork and lighting in atrium ! plan and reflected ceiling plan of main lobby

# night view of main entrance and atrium " day view of main entrance & night view of building rear overlooking highway " interior view of atrium and lecture hall " interior view of woodshop with natural daylighting