Amanda M. Megson | Architecture portfolio

port·​fo·​lio Architecture

\ pȯrt-ˈfō-lē-ˌō \ noun 1. : a flat case for carrying documents or drawings.

2. : a set of drawings, paintings, or photographs that are presented together in a folder.

Selected works by

AMANDA M. MEGSON Universidad de Especialidades Espíritu Santo

2021 l Amanda M. Megson l CURRICULUM VITAE

AMANDA MEGSON 001 778 966 1625 mandymegson@gmail.com DATE / PLACE OF BIRTH 1987-08-29 Bahia de Caraquez, Manabi, Ecuador

TECHNICAL SKILLS AutoCad SketchUp V-Ray Revit Vectorworks Photoshop Illustrator Indesign Office 360

PROFILE Architecture shapes the world that we live in. I am a strong believer that architecture have the ability to transform spaces into places better that serve better the community. Together we can build a better future, therefore my design, creative and team work skills.

EMPLOYMENT HISTORY Designer at Low Hammond Rowe Architects, Victoria October 2019 — Present Chief Architect at Las Olas, Bahia de Caráquez May 2013 — August 2019 Project Design Coordinator at DUNN ARQ / Aleph Arquitectura, Guayaquil July 2012 — April 2013 Design Assistant at Tarsa SA, Guayaquil May 2011 — December 2011 EDUCATION Bsc. Arch. major in Architectural Design, University Espiritu Santo, Guayaquil February 2005 — November 2011 INTERNSHIPS Design Assistant at Adriana Hoyos Diseño Interior, Guayaquil June 2009 — December 2009 Assistant to the secretary of faculty of Architecture at University Espíritu Santo, Guayaquil April 2005 — April 2009 ACADEMIC AWARDS Plan Talento Scholarship awardee, University Espiritu Santo 2005 — 2011 Dean List Prize - Summer Semester, University Espiritu Santo 2010

CONTENTS ACADEMIC WORKS

PROFESSIONAL WORKS

01 A LIGHT HOUSE TOWER Architectural Design VIII / 2008

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02 A WALKWAY GALLERY Architectural Design VI / 2007

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03 A CATHOLIC CHAPEL Architectural Design IV / 2005

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04 FINANCIAL PLATFOMRS DUNNARQ / Aleph Arquitectura / 2012

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05 LAS OLAS ECUADOR Ocean Front Community / 2013 - 2018

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06 CROSSTOWN Low Hammond Rowe Architects / 2018 Present

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ac·​a·​dem·​ic

\ ˌa-kə-ˈde-mik \ noun 1a:: of, relating to, or associated with an academy or school especially of higher learning. b:: of or relating to performance in courses of study. c: : very learned but inexperienced in practical matters. d: : based on formal study especially at an institution of higher learning.

2008 l Architectural Design Studio 8 l A LIGHTHOUSE TOWER

A LIGHTHOUSE TOWER light· house \`līt-,haus noun 1. : a structure (such as a tower) with a powerful light that gives a continuous or intermittent signal to navigators

The Lighthouse Tower is in the entrance bay of Rio de Janeiro. It is located in Cotunduba Island, on front of Copacabana Beach. This vertical element will become a welcoming symbol, for the visitors of Rio whether they arrive by air or by sea.

In my research for the Torre - Faro you can notice the socio-economic and historical importance of sugar cane in Rio. Its sinuous shape and thinness called my intention and it led me to abstract it to use it as an architectural concept. This vertical element evokes a visual illusion is in perfect harmony with its natural shape.

2008 / Academic Project Architectural Design Studio 8 Profesor: Alfredo de Leon

The maximum height of the element is 100 meters. It is a be very versatile tower as it hosts multiple sports, cultural, entertainment functions; as well as a giant lighthouse composed of multiple LEDs. The architectural program includes an arrival dock to Cotunduba Island, where you will continue walking through out a ramp to approach the building. In it you will find two Observation decks. Inside the of the tower there is 8 terraces; entertainment activities as: skywalk, bungee jump, tower climbing; cultural areas as: Auditorium; retails shops as: souvenirs and coffee shop: administrative areas: offices, storage, maintenance areas.

The LEDs not only light ups all the tower, but it also represents the stage of maturation of the sugar cane. The harvest of the sugar cane is done between January to February, and it turns into a purple color.

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A LIGHTHOUSE TOWER l Architectural Design Studio 8 l 2008

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2008 l Architectural Design Studio 8 l A LIGHTHOUSE TOWER

Ilha Cotunduba Río de Janeiro - Estado de Río de Janeiro, Brasil 22°57’47.1”S 43°08’59.0”W

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A LIGHTHOUSE TOWER l Architectural Design Studio 8 l 2008

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2008 l Architectural Design Studio 8 l A LIGHTHOUSE TOWER

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A LIGHTHOUSE TOWER l Architectural Design Studio 8 l 2008

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2007 l Architectural Design Studio 6 l A WALKWAY GALLERY

A WALKWAY GALLERY walk·way /ˈwôkˌwā/ noun a passage or path for walking along, especially a raised passageway connecting different sections of a building or a wide path in a park or garden. gal·ler·y /ˈɡæl.ɚ.i/ noun a room or building that is used for showing works of art, sometimes so that they can be sold.

2007 / Academic Project Architectural Design Studio 6 Profesor: Roberto Yturralde

The idea behind the walkway gallery is to integrate two universities in Guayaquil city, one public and the other one private, showing socio-economical differences according to site analysis.

Both campuses are separated naturally by the Salado Estuary and its mangrove swamp. The proposal connects the external areas of the State University of Guayaquil with the Lineal Park located in front of the Catholic Unicersity of Santiago de Guayaquil.

Pedestrians can enjoy observation spots and dominate the city landscape by walking through it. This crossing path is provided by two galleries for the exchange of ideas and exhibition of academic realizations, by students and teachers from both educational institutions.

The inspiration for this space in motion collects a series of elements from vernacular architecture context, and other formal operations, in order to adapt to the tropical environment. Informal settlements developed on stilts alongside the estuary, taught us the value to liberate the ground and water, whist, brise soleil elements or “chazas” from colonial buildings, showed us how to protect from the sun, to illuminate spaces inderectly, and to catch natural ventilation.

On this way, WWG proposes a fluid way for touring and experience local architecture, througout a novel interpretation of the bridge architype.

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A WALKWAY GALLERY l Architectural Design Studio 6 l 2007

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2007 l Architectural Design Studio 6 l A WALKWAY GALLERY º

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A WALKWAY GALLERY l Architectural Design Studio 6 l 2007 _

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2007 l Architectural Design Studio 6 l A WALKWAY GALLERY

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A WALKWAY GALLERY l Architectural Design Studio 6 l 2007

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2006 l Architectural Design Studio 3 l A CATHOLIC CHAPEL

A CATHOLIC CHAPEL cha·pel /ˈtʃæp.əl/ noun a room a room that is part of a larger building and is used for Christian worship.

When I choose the site for the project, what most caught my attention was the Saman tree. It was very short and had some strange branches that made it unique from the rest of the tree in the site. I choose it to be the principal element for me design.

For my concept I started drawing lines to join the trees together. As a result of it I got a grid. This helped me set panels and forming spaces. The main space was pointing out to the Saman, I decided to make this panel of glass, the altar is facing out this beautiful area.

2006 / Academic Project Architectural Design Studio 3 Profesor: Jean Paul Demera

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For the architectural program I decided to add a community area, where social and educational activities are carried out to benefit the neighborhood.

A CATHOLIC CHAPEL l Architectural Design Studio 3 l 2003

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2006 l Architectural Design Studio 3 l A CATHOLIC CHAPEL

Parque Lineal, Guayaquil 090512, Ecuador 2°09’55.5”S 79°53’53.6”W

THE TRUNKS Recognize the trunks of all existing trees that will serve as guide points.

MESH The next step was to draw a mesh that joined all these points to make sure we had the positions of the trees as a priority.

THE VIEWS Benefit from the look at the nature of the place.

THE SPACE Trace the walls and spaces within this mesh where the trees are the most important.

Chancel

Office

ity un mm s Co area

Nave

ity un mm s Co area

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A CATHOLIC CHAPEL l Architectural Design Studio 3 l 2003

I consider this church as the architectural response to a specific site, directly related to the surrounding landscape.

The representative space of the project is the space to meditate, a chapel. A play of light and shadow is sought and a great illumination coming from the altar, representing the path to faith.

Section 1 Digital plane on hand drawing

Section 2 Digital plane on hand drawing

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pro·​fes·​sion·​al

\ prə-ˈfesh-nəl , -ˈfe-shə-nᵊl \ noun 1a: of, relating to, or characteristic of a profession b: engaged in one of the learned professions c(1): characterized by or conforming to the technical or ethical standards of a profession

2012 l DUNNARQ / Aleph Arquitectura l FINANCIAL PLATAFORMS

FINANCIAL PLATAFORMS

plat·​form \ ˈplat-ˌfȯrm \ noun a flat surface that is raised higher than the floor or ground and that people stand on when performing or speaking.

The interior space of the complex is organized within 2 set squares.

The mayor set square is composed by the main building, which contains the Ministry of Finance and Economy. The second block of the mayor set square is composed by 3 blocks, of which four financial institutions are housed. These blocks are connected at their upper levels.

The minor set square contains the Nacional Financial Corporation and the IRS It is complemented by a depression in the inner plaza, which generates a sub square that contains a auditorium.

2012 / Professional Project Team: John Dunn Insua Ricardo Borquez Way Lin Chiang Amanda Megson Felipe Molina Maria Jose Villacis Juan Manuel Yela

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A ramp integrates and connects each building with the main building.

FINANCIAL PLATAFORMS l DUNNARQ / Aleph Arquitectura l 2012

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2012 l DUNNARQ / Aleph Arquitectura l FINANCIAL PLATAFORMS

URBAN SCALE: THE COLONY

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In Quito lives and endures the infrastructure established by colonial miscegenation. The square, the void turned into a landmark, serves to articulate spatial, social and political relationships between the built massifs. In the same way, the spaces that make up a house are linked together by the interior patio; a smaller void than the plaza ones, within the internal relations of the houses, convents and government buildings.

GEOGRAPHICAL SCALE.Quito is contained in a narrow glacial valley, where the mountains are neither very far nor very close. The sky shares its stage with the mountain range, making the landscape an infinite horizon of heaven and earth, far above our heads.

URBAN SCALE: MODERNITY AND URBAN PLANNING.With the Jones-Ordiozola plan it is possible to articulate the urban fabric, and thus Quito grows adapting to the irregularities of its topography. These articulations (road junctions, roundabouts) serve as a point of origin for large metropolitan-scale green areas. These would be the new urban voids of the twentieth century. The Carolina was the only realization of such an approach. La Alameda, El Arbolito and El Ejido were forests trapped little by little by the growth of the city, which adapted to the new environment.

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THE PROJECT: By means of Government of Ecuador the petition to develop the different governmental platforms. In this case the financial platform was the purpose located between historical and modern city. In that way, we decide to take historical elements and traditional architecture to start our process design. The volumetric approch seeks to priorize the lot and paths for pedestrian and public space, even putting one of its buildings below the central square views, in order to avoid excesive amount of volumes on the block.

The circulation was planned to access to all the different institutions by walking throughout paths, ramps and grass.

Part of the skin was designed reminding old and traditional cathedrals from Quito, drawing different size squares similar to La Concepcion church.

The well-known cultural spirit of this city was expressed when the route of the main ramp finishes in and giant and blop form space as a contrast to orthogonality presented during all the proposal. This space recieve cultural activities as theater, movies, music and exposure rooms.

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FINANCIAL PLATAFORMS l DUNNARQ / Aleph Arquitectura l 2012

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2012 l DUNNARQ / Aleph Arquitectura l FINANCIAL PLATAFORMS BANCO DEL INSTITUTO ECUATORIANO DE SEGURIDAD SOCIAL

MINISTERIO COORDINADOR DE ECONOMIA

BANCO ECUATORIANO DE LA VIVIENDA BANCO DEL ESTADO

MINISTERIO DE FINANZAS

BANCO NACIONAL DE FOMENTO

• • • • • • •• • •• • • • • • • •• • • • •• • • • •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• •• •• • • • • • • • • • • • BANCO CENTRAL DEL ECUADOR

1

20 m

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40 m

80 m

5

10

30

Secetaría de Gestión

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FINANCIAL PLATAFORMS l DUNNARQ / Aleph Arquitectura l 2012

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Secetaría de Gestión

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2013 to 2018 l Las Olas Ecuador l

LAS OLAS ECUADOR

ocean·​front \ ˈō-shən-ˌfrənt \ noun a shore area on the ocean. com·​mu·​ni·​ty | \ kə-ˈmyü-nə-tē \ noun a group of people who live in the same area (such as a city, town, or neighborhood). a group of people who have the same interests, religion, race, etc.

2013 to 2018 / Professional Project Team: Mauricio Jarre Amanda Megson

Located in the center of Ecuador’s pacific coastline, 45 miles south of the equator.

Plans for 1,620 residences in golf course resort community with over 80% of property remaining green space.

First phase includes 1 mile of beach front and over 1,650 acres of land. 650-acre private nature reserve complete with walking, biking, and horseback riding trails.

First seaside championship golf course in Ecuador. Other amenities include Beach Club & Spa, Tennis Club, Equestrian Center, Marina, Health & Wellness Center, shops, and restaurants.

Las Olas Ecuador offers participation in an unique lifestyle that begins with a master plan that integrates the experiences of daily life with the natural beauty of the surrounding environment while preserving its natural resources and wildlife.

A community that provides its residents the opportunity to be as active and adventurous, or relaxed and comfortable as they wish. A community that knows that sustainable living not only means a solid foundation of environmental stewardship, but also blends together the social, environmental, and economic realities of today

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l Las Olas Ecuador l 2013 to 2018

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2013 to 2018 l Las Olas Ecuador l

EQUESTRIAN CENTER

GOLF CLUB

PACIFIC OCEAN

BOARDWALK

BEACH CLUB

VILLAGE SHOPS HEALTH CLINIC

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l Las Olas Ecuador l 2013 to 2018

NATURE RESERVE

TENNIS CLUB

THE MASTER PLAN The urbanization has six communities with specific characteristics and different locations to choose from depending on the user’s needs. You can choose from being in front of the beach to the deepest part of the forest, with totally different experiences having access to both at any time of the day, since they are connected by walkable trails.

In addition to this, there are different community spaces with activities such as golf, tennis, or an equestrian center.

But more attractive activities have also been thought about for adventurers, who can stroll along the trails of the great natural reserve where the project is located.

Vista al Mar Las Playas Campo de Golf Aldea Ecológica Vista Turquesa Los Cielos

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2013 to 2018 l Las Olas Ecuador l

Spa and gym area

Bar and restaurant

Retail shops

Stables

Offices and shop

Infinity pool

Project’s name: BEACH CLUB

Project’s name: EQUESTRIAN CENTER

My responsibilities: - Design concept - 2D and 3D modeling

My responsibilities: - Design concept - 2D and 3D modeling

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Round pen

Riding horse area

l Las Olas Ecuador l 2013 to 2018

Parking lot

Tennis courts

Seating area

Bedroom 1

Bedroom 2

Living area

Pool

Bedroom 3

Studio

Main building: Office, shop, restaurant

Carport

Pool

Project’s name: TENNIS CLUB

Project’s name: TYPICAL HOUSE

My responsibilities: - Design concept - 2D and 3D modeling

My responsibilities: - Design concept - 2D and 3D modeling

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2013 to 2018 l Las Olas Ecuador l

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l Las Olas Ecuador l 2013 to 2018

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2018 to 2021 l Low Hammond Rowe Architects l CROSSTOWN

CROSSTOWN mul·​ti·​fam·​i·​ly \ ˌməl-tē-ˈfam-lē , -ˌtī-, -ˈfa-mə-lē \ adjective involving or common to more than one family

Mixed-use development at 3020 Douglas (the former Tally Ho) that will include 153 units of affordable rental housing and over 30,000 square feet of commercial space.

The project combines affordable rental units for working families, seniors and singles with a mix of incomes – a range of rental housing supply our city desperately needs – with other uses, including daycare services, office space, and retail space (including a café).

2018 - Present / Professional Project Team: Paul Hammond Roya Darnish Michael Evans Sean Higgins Amanda Megson Jeifei Zhang

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The development is close to shopping, transit and other services, and is just a couple of kilometers from the downtown core, making it an ideal location for singles and families. Crosstown is an ideal reflection of Cool Aid’s mandate – to create and provide inclusive and welcoming spaces with community at the heart of everything we do.

The project will include a six-story building that includes 32,000 square feet of ground floor commercial space, a second-floor daycare, office, and 153 affordable rental apartments – including 52 supportive housing units. Cool Aid’s proposal also includes two levels of underground parking.

CROSSTOWN l Low Hammond Rowe Architects l 2018 to 2021

06

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2018 to 2021 l Low Hammond Rowe Architects l CROSSTOWN FSR AREA PLANS

GROSS LIVABLE AREA COMMERCIAL RENTAL A HOUSING RENTAL B HOUSING

LEVEL 1

LEVEL 1

LEVEL -1

LEVEL 2

LEVEL 2

LEVEL -2

COMMERCIAL SUPPORTIVE HOUSING AFFORDABLE HOUSING SHARED: COMMERCIAL & AFFORDABLE SHARED: COMMERCIAL & SUPPORTIVE SHARED: COMMERCIAL, SUPPORTIVE &

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LEVEL 3

LEVEL 3

LEVEL 4

LEVEL 4

LEVEL 5

LEVEL 5

LEVEL 6

LEVEL 6

AFFORDABLE SHARED: SUPPORTIVE & AFFORDABLE

CROSSTOWN l Low Hammond Rowe Architects l 2018 to 2021 BCH FUNCTIONAL PROGRAM AREA PLANS

LEVEL 1

LEVEL 2

LEVEL 3

A1

COMM.

A1r

KITCHEN

A2

COMMERCIAL

A3

CORRIDOR

A4

DAY CARE

A5

ELEC

A5r

ELEV

A6

JC ROOM

A7

L1 OFFICE

A7b

LAUNDRY

A8

ROOM

A9

LOADING

A10

COMMERCIAL

A11

LOUNGE

A12

MECH

A13

MEETING RM

A14

OFFICE

A15

SERVICE

AMENITY

ROOM

LOUNGE

SG

B1

STAFF W/C

B2

STAIR

B2b

STORAGE

B3

STORAGE

B3r

COMM.

B4

KITCHEN

B5

SUPP. HSG

B6

OFFICE

B7

WC

FSR Area: Floor Space Ratio Areas are based on “floor area” as defined by the City of Victoria Zoning, which is calculated to the inside face of exterior wall, and excludes elevator shafts.

Total Gross Floor area: For construction cost area calculation measured to exterior of cladding.

Net area for BHC functional program calculations: Net unit area is the dwelling area calculated from the center line of the party walls, corridor walls and outside face of the sheathing on exterior walls.

B8 B9 C1 C2 D1 CHANGE RM D2 LEVEL 4

D3 COMMERCIAL GARBAGE RM E1 E2 CRU01 CRU02 CRU03 CRU04

LEVEL 5

CRU05 CRU06 CRU08 CRU09 CRU10 CRU10 DAYCARE CRU 07 AMENITY

LEVEL 6

SPACE

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2018 to 2021 l Low Hammond Rowe Architects l CROSSTOWN

PLAN Level 1

TYPE PLAN Level 3

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CROSSTOWN l Low Hammond Rowe Architects l 2018 to 2021

SECTION A

CORRIDOR

UNIT A5r

UNIT A13

S519

S508

S505

UNIT A5r

CORRIDOR

UNIT A5

S408

S419

S407

UNIT A5r

CORRIDOR

UNIT A5

S308

S319

S307

UNIT A5r

CORRIDOR

UNIT A5

S208

S219

S207

COMMERCIAL GARBAGE/ RECYCLING

COMM. KITCHEN

CRU 01

118

125

122

PARKING

ELEC. RM.

STORAGE

MECH RM

P100

P108

P121

P119

PARKING P200

SECTION B

STAIR S3.5

UNIT B8

STAIR

S401

S3.4

UNIT B8

STAIR

S301

S3.3

LAUNDRY

WC.ACC

STAIR

S201

S218

S3.2

STAIR S2.1

CORRIDOR

W/C

CORRIDOR

115

116

117

COMMERCIAL GARBAGE/ RECYCLING 118

STAIR S2.P1

SUPPORTIVE HSG LOBBY

PARKING P100

PARKING P100

P111 STAIR S2.P2

RENTAL HSG STORAGE

PARKING

P209

P200

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2018 to 2021 l Low Hammond Rowe Architects l CROSSTOWN

RL5 FASCIA MOUNTED ALUM. GUARDRAIL TO MIN. 1070 HIGH w/ TEMPERED GLASS (GL-2) (BCBC 3.4.6.6, 4.1.5.14) - POWDER COATED (GL-2)

WALL SECTION

DETAIL 1: METAL FRAMING & COMPONENTS 4a. METAL STUD FRAMING @ 400mm O.C. MAX (Thickness indicated beside keynote tag) 4b. FURRING CHANNELS @ 400mm O.C. MAX (Depth indicated beside keynote tag) 4c. RESILIENT CHANNELS @ 400mm O.C. MAX (Depth indicated beside keynote tag) 4d. CONTINUOUS ALUMINUM ANGLE (Depth indicated beside keynote tag) 4e. LOW PROFILE ALUMINUM DOOR THRESHOLD 6mm MAX. HEIGHT 4f. GALV. METAL Z-GIRTS (Depth indicated beside keynote tag) 4g. GALV. METAL JOIST HANGER 4h. THERMALLY IMPROVED CLADDING CLIP 4j. 50mm +/- CONTINUOUS BREAKSHAPE S.S. PERFORATED METAL SCREEN VENT OR PROPRIETARY EXTRUDED ALUMINUM METAL SCREEN 4k. HEAVY GUAGE STEEL STUDS. (Thickness indicated beside keynote tag) 4m. GALV. METAL ANGLE

DETAIL 2: EXTERIOR FINISHES - Refer to Assemblies & Elevations 12a. CEMENTITIOUS BOARD 12b. VERTICAL ALUMINUM SIDING 12c. CORRUGATED METAL SIDING 12d. PROPRIETORY METAL PANEL SYSTEM 12e. CLADDING TRIM PROFILE

DETAIL 3: EMBRANES - ROOF, SHEATHING, ADHERED & V.B. 7a. SHEATHING MEMBRANE 7b. LAP SHEATHING MEMBRANE 100mm OVER METAL FLASHING 7c. LAP SHEATHING MEMBRANE 100mm OVER S.A.M. 7d. LAP S.A.M. OVER SHEATHING MEMBRANE & WINDOW FLANGE 7e. LAP S.A.M. INTO ROUGH OPENING 7f. LAP S.A.M. OVER METAL BACK ANGLE 7g. LAP S.A.M. 100mm OVER SHEATHING MEMBRANE 7h. LAP SHEATHING MEMBRANE 100mm OVER THROUGH WALL S.A.M. 7j. LAP S.A.M. OVER FOUNDATION DAMPROOFING/ WATERPROOFING 7k. SEAL V.B TO FRAMING w/ ACOUSTIC CAULK OR SHEATHING TAPE 7m. EXTEND V.B. UP AND SEAL w/ ACOUSTIC CAULK OR SHEATHING TAPE 7n. EXTEND V.B. UP AND TIE INTO ROOF MEMBRANE 7p. EXTEND ROOF MEMBRANE UP TO SILL UNDER S.A.M. & METAL FLASHING 7q. LAP ROOF MEMBRANE UP & OVER PARAPET UNDER PARAPET CAP FLASHING (U.N.O.) 7r. LAP ROOF MEMBRANE UP & OVER CURB 7s LAP ROOF MEMBRANE OVER BOTTOM OF SCUPPER 7t. LAP ROOF MEMBRANE 200mm MIN. UP WALL/ PARAPET/ CURB 7u. S.A.M. GASKET @ PENETRATIONS 7v. PRESTRIP SHEATHING MEMBRANE 7w. LAP ROOF MEMBRANE OVER TOP OF SCUPPER AND SEAL DETAIL 4: SEALANTS 8a. SEALANT 8b. ACOUSTIC SEALANT 8c. BACKER ROD & SEALANT 8d. COMPRESSIBLE FILLER STRIP TO EDGE OF SLAB 8e. CORNER BEAD OF SEALANT

DETAIL 5: SEALANTS 8a. SEALANT 8b. ACOUSTIC SEALANT 8c. BACKER ROD & SEALANT 8d. COMPRESSIBLE FILLER STRIP TO EDGE OF SLAB 8e. CORNER BEAD OF SEALANT

DETAIL 6: INSULATION 9a. EXTRUDED POLYSTYRENE INSULATION (XPS) (INSUL-4) 9b. SEMI-RIGID ROCK WOOL INSULATION (INSUL-8) 9c. FIBROUS GLASS BATT INSULATION (INSUL-2) 9d. FOAMED IN PLACE/ SPRAY APPLIED INSULATION (INSUL-# indicated bedside keynote tag) 9e. FIBROUS MINERAL WOOL INSULATION (INSUL -1) 9f. POLYISOCYANURATE RIGID BOARD INSULATION (INSUL-5)

DETAIL 7: METAL FRAMING & COMPONENTS 4a. METAL STUD FRAMING @ 400mm O.C. MAX (Thickness indicated beside keynote tag) 4b. FURRING CHANNELS @ 400mm O.C. MAX (Depth indicated beside keynote tag) 4c. RESILIENT CHANNELS @ 400mm O.C. MAX (Depth indicated beside keynote tag) 4d. CONTINUOUS ALUMINUM ANGLE (Depth indicated beside keynote tag) 4e. LOW PROFILE ALUMINUM DOOR THRESHOLD 6mm MAX. HEIGHT 4f. GALV. METAL Z-GIRTS (Depth indicated beside keynote tag) 4g. GALV. METAL JOIST HANGER 4h. THERMALLY IMPROVED CLADDING CLIP 4j. 50mm +/- CONTINUOUS BREAKSHAPE S.S. PERFORATED METAL SCREEN VENT OR PROPRIETARY EXTRUDED ALUMINUM METAL SCREEN 4k. HEAVY GUAGE STEEL STUDS. (Thickness indicated beside keynote tag) 4m. GALV. METAL ANGLE DETAIL 8: EXTERIOR DECKS I TERRACES 11a. HYDROPRESSED CONCRETE PAVERS ON LEVELING PEDISTALS

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CROSSTOWN l Low Hammond Rowe Architects l 2018 to 2021

1a

T.O. Lvl 6 PARAPET 39385

WOOD BRACING AS PER STRUCTURAL DRAWINGS

8a 7b 10g 10d 3e

LEVEL 6 38855 7v INSUL-9 9d 38x302

7t

LEVEL 6 38855

2% SLOPE

7a

3a

Grid

Grid

8a 13b

7h

8e

7d 10g 3a 38x89mm

12e 10a

7f

10a

15a

7e

15b

10g

13n 3a 38x89mm

3g

8e

7e

8c

8c 13b

Grid

A

Grid

LEVEL 2

T.O. Lvl 5 PARAPET 36300

10g LEVEL 2

LEVEL 5 35770

10d 12a 4h

REV

INSUL-9

9d

INSUL-8 9b

JAMB

REFER TO RCP FOR CEILING TYPE

13mm VERT.

4f

REV

REV

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2018 to 2021 l Low Hammond Rowe Architects l CROSSTOWN

APROACH TO A TYPICAL UNIT

APPROACH TO A TYPICAL ACCESSIBLE WASHROOM AC-2

WASHROOM TYPE 9

AC-10

AC-11 AC-8

AC-3

AC-2

AC-1

AC-10

AC-4 AC-11 AC-8

AC-3

COAT ROD & SHELF

LINEN

AC-1 AC-4

KITCHEN TYPE 12

WO

FR

DW

FR

APPROACH TO A TYPICAL ACCESSIBLE KITCHEN

DW

S

CT

W/O

CT

S

BULKHEAD ALIGN WITH UPPER CABINETS

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W/O

CROSSTOWN l Low Hammond Rowe Architects l 2018 to 2021

AC-4

COAT HOOK

DASHED OUTLINE DASHED INDICATES OUTLINE AREA OF INDICATES SOLID DASHED AREA BLOCKING OF OUTLINE SOLIDIN THE INDICATES BLOCKING WALL AREA OF IN THE SOLID WALL BLOCKING IN THE WALL

COAT HOOK

COAT HOOK TOILET TISSUE TOILETDISPENSER TISSUE DISPENSER TOILET TISSUE DISPENSER

AC-4 AC-4

FLOOR FLOOR

MID-POINT OF GRAB-BAR TO BE LOCATED ON OUTSIDE EDGE OF MID-POINT OFBOWL. GRAB-BAR TO BE TOILET LOCATED ON OUTSIDE EDGE OF TOILET BOWL. MID-POINT OF GRAB-BAR TO BE LOCATED ON OUTSIDE EDGE OF TOILET BOWL.

FLOOR

Refer to Electrical Refer toLIGHT Electrical FIXTURE LIGHT Refer to FIXTURE Electrical LIGHT FIXTURE

DASHED OUTLINE INDICATES THE DASHED OUTLINE MINIMUM AREA OF INDICATES SOLIDTHE BLOCKING MINIMUM AREA OF IN THE WALL OUTLINE SOLIDDASHED BLOCKING THE IN THEINDICATES WALL MINIMUM AREA OF SOLID BLOCKING AC-11 IN THE WALL

AC-8 AC-8 AC-2 AC-2

AC-8

AC-10

AC-1

AC-11 AC-10

AC-1

AC-11

AC-10

AC-11 AC-10

KNEE CLEARANCE

AC-5 AC-1

AC-11

AC-11

AC-10

AC-2

AC-5 AC-5

AC-10

KNEE CLEARANCE KNEE CLEARANCE

AC-3

AC-3

AC-3

AC-3

AC-3

AC-3

RANGE HOOD RANGE HOOD WALL OVEN (DIMENSIONS TO PULLOUT SHELF BE CONFIRMED) WALL OVEN (DIMENSIONS TO PULLOUT SHELF BE CONFIRMED) WALL OVEN (DIMENSIONS TO PULLOUT SHELF BE CONFIRMED)

RANGE HOOD

MICROWAVE

OPEN SHELF

OPEN SHELF

OPEN SHELF OPEN SHELF

OPEN SHELF OPEN SHELF

OPEN SHELF OPEN SHELF

OPEN SHELF ACCESSIBLE ACCESSIBLE OPEN SHELF

OPEN SHELF OPEN SHELF

OPEN SHELF OPEN SHELF

OPEN SHELF

OPEN SHELF

OPEN SHELF

BULKHEAD

413

DISHWASHER

DASHED 330 LINE INDICATES BULKHEAD

FRIDGE FRIDGE FRIDGE

DASHED LINE INDICATES BULKHEAD

2200

635

610

610

210 150 610

250

RANGE HOOD

610

SECTION SECTION - 01 - 01 SECTION SECTION - 02 - 02 A7.20 MILLWORK A7.20 MILLWORK A7.20 MILLWORK A7.20 MILLWORK MILLWORK SECTION SECTION - 04 - A7.20 04 MILLWORK SECTION SECTION - 03 03 110 A7.20 MILLWORK 9 A7.21 1 :925 A7.21 1 : 25 10 - A7.21 A7.20 MILLWORK : 25 A7.21 1 : 25 12 11 A7.21 111 1 : 25 A7.21 1 : 25 : 25 A7.21 1 : 25 2225

A7.20 A7.21

210 150

100

12

250

600 MIN.

250

423

379

2225

250

100

379

815

250

762

762

460

423

250

815

460

780 460

250

460

FILLER

FILLER

180

435

435 685 250

865

180

REQUIRED CLEARREQUIRED CLEAR KNEE SPACE - TYPICAL KNEE SPACE - TYPICAL FOR COOKTOP & FOR SINKCOOKTOP & SINK AREA AREA 685

903 2200

180

435

635

REQUIRED CLEAR KNEE SPACE

250

685

435

180

REQUIRED CLEAR KNEE SPACE

250

865

865

615 250

865

615 250

865

865

PULL-OUT WORK PULL-OUT WORK SURFACE SURFACE

865

635

685

358

635 2010

358

635

2010

2010

358

358 865

275

80

2010

710

635

250

250

605

275

80

PULL-OUT WORK PULL-OUT WORK SURFACE SURFACE

903

762

762

762

762

610

610 710

2010

710

710

WALL OVEN WALL OVEN (DIMENSIONS TO (DIMENSIONS TO BE CONFIRMED) BE CONFIRMED)

605

330

20

DASHED LINE INDICATES BULKHEAD

DISHWASHER

413

DASHED LINE 330 INDICATES

330

20

DASHED LINE INDICATES BULKHEAD

DISHWASHER

ST

695

695

DASHED 330 LINE INDICATES BULKHEAD

MICROWAVE

OPEN SHELF

COOKTOP

25

330

25

DASHED LINE INDICATES BULKHEAD

25

730 DASHED LINE INDICATES BULKHEAD

25

730

2010

MICROWAVE

COOKTOP COOKTOP

47 OVEN

RAN

AMANDA M. MEGSON

Architect.