First Light
Frank
Ticheli
concert
M a n h at ta n
band
B e a c h
M u s i c
Recording Credits for First Light: Reading by Indiana University Concert Band, Eric Smedley, conductor.
This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music without its permission is prohibited.
FIRST LIGHT F O R
C O N C E R T
B A N D
FR ANK TICHELI I N S T R U M E N T A T I O N
1 Full Score
4 Bb Trumpet 1
8 Flute
4 Bb Trumpet 2
2 Oboe
4 F Horn
6 Bb Clarinet 1
8 Trombone/Euphonium
6 Bb Clarinet 2
2 Euphonium T.C.
3 Bb Bass Clarinet
4 Tuba
2 Bassoon
2 Timpani
3 Eb Alto Saxophone 1
3 Mallets
Bells, Xylophone
3 Eb Alto Saxophone 2
5 Percussion Score
Percussion 1: Triangle (med.), Sus. Cymbal (med.), Tambourine Percussion 2: Snare Drum, Small Tom Toms (2), Bass Drum
2 Bb Tenor Saxophone 2 Eb Baritone Saxophone
P R I N T E D O N A RC H I VA L PA P E R
Gg M A N H AT TA N B E AC H M U S I C 1595 East 46th Street Brooklyn, New York 11234 Fax: 718/338-1151 www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137
P R O G R A M
N O T E
F I R S T L I G H T, my 40th work for concert band/wind ensemble, is my first at the Grade 1
level, but certainly not my last. I enjoyed the challenge of working within such limited strictures to create viable, authentic, artistic music. I found the process to be at once simple and arduous, yet always stimulating.
F irst L ight depicts an early-morning adventure on a river raft. After a brief light-
hearted opening, the music glides into a calm section suggesting a gentle river journey at dawn. A rustic, dance-like section follows: the sun rises high, the river awakens, the currents pick up—white water! After a vigorous climax, the music returns to its carefree origins. The river is once again calm as the journey draws to a close. R E H E A R S A L
S U G G E S T I O N S
The form of FIRST LIGHT is ABCA'. The outer sections are lighthearted in character. Young players should be made aware of the importance of the rests in measures 1, 3, 5, and 11, all of which open a window for the triangle player’s gentle answer. One other modest technical challenge in the A-sections occurs at measures 12-20 and 86-94, where a woodwind countermelody is sounded in counterpoint with the main theme stated by the brass. The B-section (beginning at m. 21) features a gentle flute melody, cued in the oboe part. This cue may be played if you have a secure oboist and find it necessary to boost the volume of the melody. On its repeat at m. 37, the melody is reinforced by the oboe and bells, and imitated down an octave by the clarinets and alto saxophones. Strive to balance the canonic voices equally. The B-section melody’s accompaniment is built on a simple progression of open-fifth diads (twonote chords); however, the orchestration of those fifths produces a subtle pedal-effect whereby notes are allowed to overlap, or ring into, each successive chord. The resulting sound is smoother, more fluid than a strict homorhythmic progression would have produced. The C-section is more exuberant, festive, dance-like. The delicate peal of the triangle gives way to the more rustic and rhythmic beat of the tambourine. Gentle, fluid counterpoint surrenders to joyous, homorhythmic, marcato passages than gain intensity as the tempo accelerates to a joyous climax. A note about tempo and meter: The opening tempo marking (qtr. = 116+) is provided as a challenge to players; it would not be out of the question to move up to 16 beats per minute faster. Likewise, the accelerando that begins at m. 49 could conceivably increase to qtr. = 160 or even faster if your players can manage it. As the players become more comfortable with the work, the conductor may try conducting some sections in cut-time. For example, the entire B-section (mm. 21-48) could be taken in cut-time, and might even glide more freely than if conducted in 4/4. In the C-section, the conductor may decide to shift from 4/4 to cut-time as the accelerando reaches its peak at measure 57. Indeed, it would not be out of the question to conduct the entire work in cut-time once the players become comfortable with their parts. Frank Ticheli Pasadena, California
F RA N K
T I C H ELI
WORKS FOR CONCERT BAND F R A N K T I C H ELI ’ S WO R K S F O R CO N C ERT BA N D A R E P U B LI S H ED EXC LU S I V ELY B Y M A N H AT TA N B E AC H M U S I C
Abracadabra (5 minutes, grade 3)
Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2)
An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra
Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra
Cajun Folk Songs (6 ¾ minutes, grade 3)
Cajun Folk Songs II (10 ½ minutes, grade 4)
Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano
Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3)
Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2)
Joy Revisited (3 ½ minutes, grade 3)
Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4)
Pacific Fanfare (5 ½ minutes, grade 5)
Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra
Rest (8 minutes, grade 4)
This work is also available as Rest for string orchestra
Sanctuary (12 minutes, grade 5)
San Antonio Dances (9 ½ minutes, grade 4)
Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2)
This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs
Shenandoah (6 ½ minutes, grade 3)
Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3)
Symphony No. 1 (31 minutes, grade 6)
Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”
Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)
Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed
The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4)
Wild Nights! (6 ½ minutes, grade 4) WWW .FRANKT ICH ELI .COM
THE OFFICIAL SOURCE FOR THE MUSIC OF FRANK TICHELI
FIRST LIGHT FOR CONCERT BAND
2 Flute
q = c. 116+ Lighthearted
Oboe
Bb Clarinet 1
p
mf
p
Bb Clarinet 2
Bb Bass Clarinet
Bassoon 1 Eb Alto Saxophone 2 Bb Tenor Saxophone
p mf
1 2
F Horn
Trombone/Euphonium
Tuba
Timpani
Mallets
Percussion 1
Percussion 2
p
mf
mf
mf
mf
TRIANGLE
p
p
mf
mf
p
5 6
p
p
mf
4
p
Eb Baritone Saxophone Bb Trumpet
mf
3
FRANK TICHELI
mp
l.v.
Copyright © 2013 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-150-1 (complete set) ISBN 1-59913-151-X (conductor score) Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com
7 Fl.
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1 Perc. 2
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mp
mp
8
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a2
p Play
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p
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p
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2
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p
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12
11
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10
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9
S.D. B.D.
Bells
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Fl. 13
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
p
Bb Tenor Sax.
1 2
F Hn.
1 Eb Alto Sax. 2
Bb Tpt.
Tuba
Timp.
Mallets
Perc. 1 Perc. 2
17
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f
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f
f
18
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f
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16
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Tbn./Euph.
15
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Eb Baritone Sax.
14
SUS. CYM. (yarn)
3
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19 Fl.
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Perc. 1
21 Calm
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22
a2
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Mallets
Perc. 2
20
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p
p
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4
1.
24
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23
cantabile Fl. 25
Ob.
26
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Fl. 1 cantabile
Bb Cl. 2
Bb Bass Cl.
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
1 2
Eb Alto Sax.
28
mf
Bb Cl. 1
Bsn.
27
F Hn.
Tbn./Euph.
Tuba
30
29
31
Mallets
Perc. 1
Timp.
Perc. 2
5
Fl. 32
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
33
Bb Tenor Sax.
Eb Baritone Sax.
f
Tbn./Euph.
Tuba
Perc. 2
35
36
1.
p
6
a2 cantabile
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p
pp
mf
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cantabile
38
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37
Perc. 1
Mallets
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F Hn.
Timp.
34
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1 Eb Alto Sax. 2
1 Bb Tpt. 2
Fl. 39
40
41
42
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Ob.
Bsn.
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1 Perc. 2
44
1 2
Eb Alto Sax.
43
f
f
7
45
f
Fl. 46
Ob.
Bb Cl. 1
Bb Bass Cl.
Bsn.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1
Perc. 2
Bb Tenor Sax.
Eb Baritone Sax.
1 2
Eb Alto Sax.
mf
49 Joyful
50
marcato
p cresc. poco a poco marcato
p cresc. poco a poco marcato
p cresc. poco a poco marcato
p cresc. poco a poco marcato
p cresc. poco a poco marcato
p cresc. poco a poco marcato p cresc. poco a poco
p cresc. poco a poco
TAMBOURINE
p
TOM TOMS
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p cresc. poco a poco marcato
(accel. poco a poco)
48
mf
Bb Cl. 2
47
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B.D. p
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R
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L
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R
L
L
Fl.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
51
Ob.
Bsn.
Eb Alto Sax.
1 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Perc. 1
R
R
L
L
R
L
L
R
L
R
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L L
R
R L
R
L
R
55
54
53
Mallets
Perc. 2
52
L
L
R
L
R
R
L
R
L
L
R
L
R
L L
Fl. 56
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1
Perc. 2
f
f
f
f
R
L
L
f
f
f
f XYLO.
R
f
f
f
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marcato
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59
marcato
60
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1 Eb Alto Sax. 2
58 marcato
57 q = 138+
R
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mf simile
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10
Fl. 61
Ob.
Bb Tpt.
1 2
F Hn.
Bb Bass Cl.
Eb Baritone Sax.
64
Bb Tenor Sax.
Bb Cl. 2
63
1 Eb Alto Sax. 2
Bb Cl. 1
Bsn.
62
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1
Perc. 2
11
Fl.
65
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
legato molto
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
69
moltolegato
molto legato
molto legato
molto legato
molto legato
Tuba
molto legato
molto legato
Timp.
Tbn./Euph.
68
molto legato
F Hn.
molto legato
1 Eb Alto Sax. 2
67
molto legato
Bsn.
66
Mallets
Perc. 1
Perc. 2
12
Fl. 70
71
72
73 marcato
mf marcato
Bb Cl. 1
Bb Cl. 2
Ob.
Bb Bass Cl.
Bsn.
1 2
Bb Tenor Sax.
Eb Alto Sax.
Eb Baritone Sax.
1 Bb Tpt. 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1
Perc. 2
mf
marcato
a2
74
mf marcato
mf marcato
mf marcato
marcato
mf
p
mf marcato
mf
marcato
13
mf marcato
marcato
mf
mf
mf
(XYLO.)
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75 76 Fl.
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
78 79
Tuba
77
marcato
mf marcato
mf
Mallets
Perc. 1
Perc. 2
Tbn./Euph.
Timp.
14
80
Fl.
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Perc. 1 Perc. 2
dim.
dim.
dim.
dim.
1.
p
p
15
p
p
85 q = c. 116
mp
dim.
84
p
dim.
rit.
p
83
p
Timp. Mallets
82
dim.
81
p
p
p p
S.D.
TRI.
mp
p
Fl. 86
Ob.
Bb Cl. 1
mp
87
88
mp
89
90
91
Bb Cl. 2
Bb Bass Cl.
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
Mallets
Perc. 1 Perc. 2
mp
mf
mf
mf
mf
p
mp
mf
mf
mf
p p
p
Bells
a2
mf
16
mp
mp
mp mp
Fl. 92
Ob.
Bb Cl. 2
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
Bb Tpt.
1 2
F Hn.
Tbn./Euph.
Tuba
Timp.
94
rit.
95
mp
mp
mp
mp
96
Mallets
Perc. 1
Perc. 2
Bb Cl. 1
Bb Bass Cl.
93
17
Trb.
Euph. mp
mp
Fl. 97
Ob.
Bb Cl. 1
Bb Cl. 2
Bb Bass Cl.
Bsn.
1 Eb Alto Sax. 2
Bb Tenor Sax.
Eb Baritone Sax.
1 Bb Tpt. 2
F Hn.
Tbn./Euph.
Perc. 2
99
mp
SUS. CYM. (yarn)
mp
mf
mf
mp
mp
mp
mp
mf
mp
mf
mp
mp
mf
mp
18
pp
pp
pp pp
mf
mp
mf
mp
a2
mf
mf
mp
101
100
mp
Timp.
Perc. 1
molto rit.
Tuba
Mallets
98
pp
pp pp pp
p
pp
January 12, 2013 Pasadena, CA
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First Light
Frank
Ticheli
concert
band
M anhat tanBeachMusic.com FrankTicheli.com Raising the Standards of the A merican Concert Band and Bands all Over the World