Rest for String Orchestra by Frank Ticheli

R

E

F R A N K

S T R I N G

M A N H A T T A N

S

T

T I C H E L I

O R C H E S T R A

B E A C H

M U S I C

.

REST FRANK TICHELI F O R

S T R I N G

O R C H E S T R A

I N S T R U M E N T A T I O N

1 Full Score 8 Violin 1 8 Violin 2 5 Viola 5 Violoncello 5 Double Bass

P R I N T E D O N A RC H I VA L PA P E R

Gg M A N H AT TA N B E AC H M U S I C 1595 East 46th Street Brooklyn, New York 11234 Fax: 718/338-1151 www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

1 R E S T

for string orchestra received its world premiere performances by the Pacific Symphony Carl St. Clair, conductor on May 31st, June 1st, and June 2nd, 2012

The original version for SATB (div.) chorus a cappella is published by Hindon Publications (sole selling agents, Hinshaw Music, Inc.) under the title, There Will Be Rest

The version of R E S T for concert band is published under exclusive license by Manhattan Beach Music

P R O G R A M

N O T E

Created in 2012, R E S T is a string orchestra adaptation of my work for

SATB chorus, There Will Be Rest, commissioned in 1999 by the Pacific Chorale,

John Alexander, conductor. Both the choral work and the present adaptation are

dedicated to the memory of Cole Carsan St. Clair, the son of my dear friends, conductor Carl St. Clair and his wife, Susan.

In making this version for string orchestra, I preserved almost everything from

the original: harmony, dynamics, even the original registration. I also endeavored to preserve carefully the fragile beauty and quiet dignity suggested by Sara

Teasdale’s words.

P E R F O R M A N C E

N O T E

It is possible to perform R E S T for strings and There Will Be Rest for chorus

simultaneously (although the chorus will have to sing a half-step lower than

written in their scores, since the choral version is in E-flat major while the

string version is in D major). On one of the Pacific Symphony performances,

they did just that, combining the string orchestra with the 120 voices of the

Pacific Chorale. The effect was stunningly beautiful.

Alternate (extended) Ending: With the removal of the text, I felt free to create

an alternate ending in the string version, containing an extended climax on

the main theme. This extended climax allows the string orchestra version to transcend the expressive boundaries of a straight note-for-note setting of the

original. While either version is suitable for strings alone, only the shorter version is suitable for both strings and voices.

Frank Ticheli

Pasadena, California

F RA N K

T I C H ELI

WORKS FOR CONCERT BAND F R A N K T I C H ELI ’ S WO R K S F O R CO N C ERT BA N D A R E P U B LI S H ED EXC LU S I V ELY B Y M A N H AT TA N B E AC H M U S I C

Abracadabra (5 minutes, grade 3)

Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2)

An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra

Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra

Cajun Folk Songs (6 ¾ minutes, grade 3)

Cajun Folk Songs II (10 ½ minutes, grade 4)

Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano

Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3)

Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2)

Joy Revisited (3 ½ minutes, grade 3)

Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4)

Pacific Fanfare (5 ½ minutes, grade 5)

Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra

Rest (8 minutes, grade 4)

This work is also available as Rest for string orchestra

Sanctuary (12 minutes, grade 5)

San Antonio Dances (9 ½ minutes, grade 4)

Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2)

This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3)

Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3)

Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4)

Wild Nights! (6 ½ minutes, grade 4) WWW .FRANKT ICH ELI .COM

THE OFFICIAL SOURCE FOR THE MUSIC OF FRANK TICHELI

For Carl St. Clair and the Pacific Symphony, in memory of Cole Carsan St. Clair

REST

FOR STRING ORCHESTRA

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FRANK TICHELI

poco più mosso

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Published under exclusive license by Manhattan Beach Music - Printed and Engraved in the United States of America Copyright © 2000 Hindon Publications, Inc. - first publication of the version for string orchestra by Manhattan Beach Music in 2013 ISBN 0-59913-154-4 (complete set) ISBN 0-59913-155-2 (conductor score)

Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3's, view scores and more at www.ManhattanBeachMusic.com

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˙ 81 ° ## ˙ Vln. 1 & Vln. 2

Vla.

Vc.

˙ ## ˙ &

Vc.

D. B.

˙ ˙ ˙ œ ˙ œ ˙

œ œ

œ œ

œœ œœ ™™ J

˙˙

w w

œœ œ œ œ

œ œ œ œ

œ œ

œ œ œ œœ œ œ œ

œ œ

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œ ˙ œ ˙

œ œ œ œ œ œ œ œ œ

œœ ˙˙

œ œ œ œ œ œ œ œ œ ˙˙™™ œ

œœ ˙˙

w w

w w w

œœ J œœ

˙™ ˙™

œ >œ

œ œ

œ œ

œ ˙ œ ˙ œ ˙ œ ˙

div.

œ

œ ˙ œ ˙

œœ œœ ˙˙

˙˙

˙ œœ ˙

œ œ unis. >˙ œ œ œ >

- ## œ w & œ œ̇ œ œœ B w B # œ̇ œ -œœ -œœ ? ˙˙ # w w

˙˙

˙˙ ˙˙

˙˙ w w

˙ ˙ ˙˙

˙™ ˙™

œ œ

œœ ˙˙

œ

œ ˙˙ œ

œœ œ œ œ œ

w w div.

œ ˙

84

œ™ œ œ œ œ œ œ œ™ œ œ œ œ J

˙ ˙

Ϫ Ϫ

œ œœ ˙˙ œ

œ œ ˙ ˙

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Œ œ œœ™™ œœ œœ œœ œœ œ œ œ J

œ œ œ œ œ œ

œ œ -œ -œ

?# w ¢ #w

œ œ

œ™ œ œ œ ˙ J

˙˙

œœ œœ

œ œ -œ -œ ° ## œ œ œ œ Vln. 1 &

Vla.

w w

œœ œœ

div.

unis.

87

Vln. 2

œœ œœ œ Œ

œœ œœ™™ œœ œœ œœ œœ & J ‰ œj ˙˙ œ œœ œ

B ## œœ œœ œœ œœ œœ

œ ? # D. B. ¢ #œ

œ œ™ œ œ œ™ œ œ œœ œœ J

œ œœ Óœ

˙˙ > >˙ ˙

œ œœ œ

# œ œ ˙™ & # œ œ ˙™

# &#

œ œ™ œ œ œ ™ œ œ œ œœ J œœ

A Tempo (q = c. 72) Molto legato

œ

w w

>œ >˙

œ

> œœ >œ ˙ unis.

w w

w w 6

˙ ˙

˙ ˙

fff

œ ˙ œ œ ˙ œ œ œ œ

œ œ œ œ œ œ œBœ

3

3 3

œ™ œ œ™ œ J fff œ œ™ œ œ œ œ™ œ J fff ˙ ˙ ˙ ˙ fff

˙ ˙

fff

œœ ˙˙

-œ œ -œ

unis.

œœ -œœ -

U, j œ œ ˙ œ‰œ œ œ œ p U, œ œ œœ œ œ ˙ œ œ œ œ œ J J

œœ œœ œ œ œ œ

unis.

w w

œ œ

˙™

unis.

œ

brief

rit.

œ

œ ˙

œ œ œ J‰ w w

˙™

U, œ p

p

œ œ œ œ U, œ ˙˙ ™™

U œœ , p

ppp

94

q = ca. 60

≥ ° ## ˙™ Vln. 1 &

œ ‰ J

pp

## ≥ & ˙™

Vln. 2

j ‰ œ

pp

≥ B ## ˙™

Vla.

œ ‰ J

≥ ? ## #˙ ™

≥ ˙™

pp

˙≥ ™ ? # D. B. ¢ #

œ J ‰

unis.

pp

Vla.

Vc.

? ##

D. B.

¢

? ##

Ϫ w

˙™ ˙™

j œ ‰ œ

˙™

œ ‰ J

#-œ œ- #œ

,

œ œ -œ J J

œJ

#œ

,

˙™

,

w ˙

˙

,

œ- #œ- #œ #˙

≥ ˙™ ˙™

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≥ ˙™

œ- œ-

#˙≥ ™

œ J ‰

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œ J ‰

,

#œ #˙ ™

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˙

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w

# & # #œ #˙ ™ B ## #œ

-œ œ-

w≥

° ## w &

Vln. 2

œ œ œ- œ-

≥ ˙™

99

Vln. 1

div.

≥ ˙™

j œ ‰

-œ #œ- #œ #˙

œ ‰ #˙≥ ™ J

pp

Vc.

≥ ˙™

˙™ ˙™

unis.

œ- œ-

˙™

#œ- œ- #œ ˙™

œ- œ-

-œ œ-œ œ-

espr.

˙

w

rit.

w

˙

˙

U w

#w

˙

˙

#w

Ó w w

espr.

˙

œ #˙ ˙

˙-.

U

œ-

w

˙

U w

˙

U w w

div.

November 18, 2011 Pasadena, CA

7

PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future.

It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984).

The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

BOB MARGOLIS — PUBLISHER N E I L R U D D Y — C R E AT I V E D I R E C T O R COFOUNDERS P R I N T I N G : C H E R N AY P R I N T I N G , I N C .

.

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R e c o r d i n g

V i s i t

w w w . M a n h a t t a n B e a c h M u s i c . c o m