Portfolio

YIYUN ZHA

PORTFOLIO , 查翊雲 作品集

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1.

LOGO & ICON 標誌和圖標

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ARK TI KUM

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標誌

LOGO

北極中心20週年

ARKTIKUM 20

這個標誌是於2011年11月設計的， 客戶是位於芬蘭羅瓦涅米的北極中 心。此標誌正是為了中心大樓20週 年的紀念日而設計的。隨後，它也 將被廣泛應用於各個紀念活動中， 包括紀念冊、海報和酒瓶標簽等等 。我的搭檔是Maarit Rousku。

This logo was designed in 2011 for the 20th anniversary of ARKTIKUM building. The logo would be widely used in the anniversary, including brochures, posters, bottle labels and etc. My partner of this project was Maarit Rousku.

RUCHIN標誌

RUCHIN LOGO

RUCHIN，是拉普蘭大學法學院和 俄羅斯、中國的大學共同成立的一 個旨在通過合作互惠，促進三方經 濟法共同發展。

The aim of RUCHIN Association is to create cross-disciplinary knowledge of Russian and Chinese economic law through fostered interchange and cooperation.

因此，拉普蘭大學法學院於2011年 5月組織了這次全校範圍內對所有 設計學生開放的比賽，以便徵集組 織的標誌。 很幸運的是，我的標誌設計被組委 會一致認可，並立即得到採用。

Thus, Fauclty of Law in University of Lapland organized such a competition which called for participation of all the design students in the university to join it.

In June of 2011, the jury made their decision and my logo design favored all of the six juries. Now, the logo is used in the doctoral programme for recognition.

標誌

LOGO

圖標

ICON

手機圖標

MOBILE ICONS

這些手機圖標是在2010年我來到芬 蘭之後設計的。其主要目的是改善 人機界面，使平面設計的圖標更加 吸引人。

These icons were designed in 2010 when I came to Rovaniemi, Finland. The task was to design some icons for mobile phones. It should be used in the user interface of headphones, which could attract users much more.

2.

VISUAL IDENTITY 視覺形象識別

視覺形象識別 旅游公司票据设计 2015年，我为罗瓦涅米的一家旅游 公司设计票据。近年来中国游客大 量增加，公司为了进一步拓展中国 市场业务拟进行一系列改善企业形 象的设计。此项设计就是将要投入 市场的一部分。

VI

Design for tourism This is one of the ticket designs for a tourism company based in Rovaniemi, together with its logo revitalization.

Owing to a huge increase in Chinese tourists, the design is part of the visual identity project.

Awareness in UN City

Staying safe in our new office Learn about the improved security in the UN City High-­tech systems to speed up necessary security Guards will allow for safe 24/7 access to the building Guests to be accompanied at all times

safety and security

SAFEUN

safeun.dk@unops.org

SEASON’S GREETINGS Thank you for your support in 2012 and best wishes for the coming year

視覺形象識別 UNOPS 工作 2012年5月至11月，我實習於聯合 國項目建設廳。這段經歷之所以讓 我印象深刻，不僅因為工作環境的 優越，也因為工作夥伴們之間的牽 絆。工作內容涉及banner，海報， 版式設計等等。

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UNOPS Works I used to work in Communications Unit of UNOPS (United Nations Office of Project Services). Tasks included banner design, poster design, brochure/report layout, etc.

視覺形象識別

VI

羅瓦涅米設計周

ROVANIEMI DESIGN WEEK

2011年，我作為羅瓦涅米設計周的 平面設計師之一參加了設計周視覺 形象設計。羅瓦涅米設計周的目的 是促進拉普蘭地區的創意產業。這 個項目中，另外兩位搭檔分別是 Maarit Rousku和Laura Isoluoma。

I was part of the graphic designer team in RDW 2011. Designers start designing the Arctic Circle, and creative industries is a focus for the area. In the project, the other parters were Maarit Rousku and Laura Isoluoma.

and 視覺形象識別

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咖啡館形象設計

CAFE VISUAL IDENTITY

這是一個羅瓦涅米咖啡館的視覺形 象設計。白天咖啡館供應各式咖啡 和點心，同時晚上在咖啡館的 happy hour提供遊戲和各類音樂。

This is the visual identity of a cafe in Rovaniemi. The main idea of the cafe is to serve snacks and coffee in the daytime, meanwhile in the evening offering some games and music for happy hours.

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weekly tricks daily treats

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www.trickandtreat.fi

kirjekuoret kirjekuoret

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www.trickandtreat.fi

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Yritt채j채

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Yritt채j채

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KAHVIPASSI

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KAHVIPASSI

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3. LAYOUT DESIGN 版式設計

JUNTING ZHANG

INVITATION You are cordially invited to attend the public defense of the PhD Thesis: hero and the Chinese Cultured Blockbuster: Visual Style, Vernacular Tradition, and Commercial Strategies.

HERO and the Chinese Cultured Blockbuster

And the reception there after: Friday, June 12, 2015 at 16.15 in the Academiegebouw of Utrecht University, Domplein 29, 3512 JE, Utrecht.

Junting Zhang

Junting Zhang

Paranimfen: Dr. Sarah Dellmann S.Dellmann@uu.nl & Dr. Willemien Sanders w.sanders@uu.nl

HERO and the Chinese Cultured Blockbuster:

Visual Style, Vernacular Tradition, and Commercial Strategies

封面版式設計

LAYOUT

論文封面插图

BOOK COVER DESIGN

這是2015年為一篇博士論文所做的 封面設計。論文以中国电影《英雄》 的商业模式作为切入点，于中国电影 对好莱坞模式进行了深入而全面的探 究。插图的设计概念意图融入电影、 中国文化等多种元素。

This is a cover design for a PhD dissertation, titled “HERO and the Chinese Cultured Blockbuster: Visual Style, Vernacular Tradition, and Commercial Strategies”. It is finished in 2015.

封面版式設計

LAYOUT

論文封面插图

BOOK COVER DESIGN

這是2013年為一篇博士論文所做的 封面設計。論文主要內容是關於大 城市中機動車污染所導致的心血管 疾病等問題。

This is a cover design for a PhD thesis, titled “Modeling exposure to air pollution and cardiovascular mortality: the ESCAPE study”. It is finished in 2013.

LIIKU ELÄMÄSI TÄRKEIMMÄT KUUKAUDET Johanna Niemelä

Lapin Urheiluopisto

版式設計

LAYOUT

為SANTASPORT設計的書

SANTASPORT BOOK

這本書是我在2011年9月為SANTASPORT設計的。該公司位於羅瓦 涅米。此書主要介紹了懷孕其間適 合於孕婦的一些運動。整本書約七 十頁，共分六個章節。另外，此書 為芬蘭文。

This is a book for SANTASPORT, which is a company located in Rovaniemi, Finland. The book is mainly about some introduction of training in the period of preganancy. The whole book is approximately 70 pages, which includes six chapters.

LUKIJALLE 1. NORMAALI RASKAUS 2. LIIKUNTAHARJOITTELU RASKAUDEN AIKANA JA SYNNYTYKSEN JÄLKEEN 2.1 Raskauden aikaisen liikunnan vaikutukset terveyteen ja hyvinvointiin 2.2 Terveysliikuntasuositus 2.3 Liikuntaharjoittelu raskauden aikana 2.4 Liikuntaharjoittelu synnytyksen jälkeen 3. ODOTTAVAN ÄIDIN RAVINTO 4. KESKIVARTALOLIHAKSIA JA NIIDEN HARJOITTEITA 4.1 Lantionpohjan lihakset 4.2 Vatsalihakset 4.3 Selkälihakset 5. KUNTOILUOHJELMIA 5.1 Kotijumppa 5.2 Venyttely 5.3 Sauvajumppa 5.4 Sauvatreeni 6. LIIKUNNAN TURVALLISUUS LOPUKSI LÄHTEET LIITTEET

版式設計 LUKIJALLE Kuten maratonin juokseminen, raskaus ja synnyttäminen vaativat niin fyysisiä kuin psyykkisiä voimavaroja. Kuten syvänmeren sukellus, raskaus ja synnyttäminen vaativat kykyä hallita hengitystä. Juoksija ja sukeltaja valmistautuvat suoritukseen pitkän tähtäimen harjoittelulla. Raskaudesta selviäminen ja synnytyksestä palautuminen vaativat myös harjoittelua, sillä suuri muodonmuutos voi olla vaivalloista ja nainen kokee olevansa hallitsemattomien voimien vietävänä.

1900-luvun alussa naisten sopivaksi harrastukseksi katsottiin liikunta, mikä kehittää naisellisuutta ja valmistaa äitiyteen. Viimeisten vuosikymmenten aikana nämä käsitykset ovat muuttuneet ja 1960-luvulta lähtien naiset ovat osallistuneet huippu-urheiluun.

Tähän päivään tultaessa käsitykset naisten fyysisestä harjoittelusta ovat vain vahvistuneet ja liikuntaa suositellaan raskaana oleville naisille UKK-instituutin terveysliikuntasuosituksessa.

Liiku elämäsi tärkeimmät kuukaudet -opas on tarkoitettu terveille äideille, joiden raskaus etenee normaalisti. Oppaan tarkoitus on rohkaista liikkumaan ja sen myötä nauttimaan odotusajasta enemmän. Opas on vain suositus, joten liiku aina omaa kehoa kuunnellen. Raskauden aikana tilanteet voivat muuttua, jolloin ensisijaisesti toimitaan neuvolalääkärin antamien ohjeiden mukaan.

Liiku elämäsi tärkeimmät kuukaudet -oppaaseen on kerätty kaikki tämän hetkinen tieto siitä, kuinka raskauden aikana tulee liikkua sekä siitä, miten synnytyksen jälkeen lähdetään liikkeelle. Oppaassa huomioidaan sekä aloittelija että aktiiviliikkuja. Nyt jos koskaan on aika miettiä elintapoja ja lähteä liikkeelle, sillä hyväkuntoinen äiti jaksaa paremmin.

1. NORMAALI RASKAUS

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askaus on normaali fysiologinen tila, joka kestää 37. – 42. viikkoa. Raskauden kesto on tapana merkitä täysinä raskausviikkoina ja raskausviikosta voidaan käyttää lyhennettä rv. Raskauden aikana äidin elimistössä tapahtuu monia muutoksia. Äidin paino nousee, hormonitoiminta muuttuu ja elimistön neste- ja verimäärä kasvavat.

Raskaus merkitsee suuria muutoksia kaikilla elämäntasoilla, kuten esimerkiksi mielentilassa, suorituskyvyssä ja vartalonasennossa. Äiti pyrkii mukautumaan näihin muutoksiin, vaikka jokainen äiti kokee raskauden tuomat muutokset hyvin yksilöllisesti. Tvoiset naiset kokevat sen vaivattomaksi, kun taas toiset kokevat elimistön muutokset hyvinkin häiritsevinä.

Raskaus lasketaan alkavaksi viimeisistä kuukautisista, sillä munasolun irtoamista on vaikea määrittää. Munasolun irtoamisen jälkeen tapahtuu hedelmöittyminen, alkion muodostus sekä alkion kulkeutuminen ja kiinnittyminen kohtuun. Istukan ja sikiökalvojen muodostumisen jälkeen, sikiön elimet alkavat muotoutua.

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Taulukko 4. Liikunnan vaikutuksia äidin terveyteen ja hyvinvointiin

Fyysisiä etuja ParDQWDD OLKDVNXQWRD MD HKNlLVHH VHONlvaLvRMD ParDQWDD KDSHQRWWRNyN\l KXOXWWDD HQHrJLDD MD HKNlLVHH OLLDOOLVWD SDLQRQQRXVXD $OHQWDD vHrHQSDLQHWWD MD DXWWDD SLWlPllQ vHrHQNROHVWHUROLDrvRW NXQQRVVD (KNlLVHH rDVNDXVGLaEHWHVWD (KNlLVHH WXrvRWXVWD MD XPPHWXVWD (KNlLVHH VXRQLNRKMXMD MD SHrlSXNDPLD 1RSHXWWDD V\Qn\W\NVHVWl SDODXWXPLVWD $XWWDD MDNVDPDDQ rDVNDXGHQ MD V\Qn\W\NVHQ WXRPDQ I\\VLVHQ rDVLWXNVHQ

Psyykkisiä etuja 1RVWDD HQHrJLDWDVRD MD NRKHQWDD PLHOLDODD $XWWDD rHQWRXWXPDDQ (GLVWll XQHQ VDDQWLD $XWWDD MDNVDPDDQ rDVNDXGHQ MD V\Qn\W\NVHQ WXRPDQ SV\\NNLVHQ rDVLWXNVHQ

2. LIIKUNTAHARJOITTELU RASKAUDEN AIKANA JA SYNNYTYKSEN JÄLKEEN 2.1 Raskauden aikaisen liikunnan vaikutukset terveyteen ja hyvinvointiin

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iikunta raskauden aikana edistää äidin fyysistä ja psyykkistä hyvinvointia.

Raskausaika, synnytys ja synnytyksestä palautuminen ovat keholle suuri rasitus, joten paikalleen ei kannata jäädä. Kohtuu kuormitteinen liikunta edesauttaa myös sikiön hyvinvointia, joten liikkumattomuus on suurempi haitta kuin liikunnan harrastaminen. Seuraavalla sivulla taulukossa 4 on esitetty raskausajan liikunnan tuomia fyysisiä ja psyykkisiä etuja.

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Säännöllinen liikunta ehkäisee liiallista painonnousua, jolloin myös kohonnen verenpaineen ja raskausmyrkytyksen riski pienenee. Jos paino nousee yli suositusten, se lisää äidin riskiä keisarinleikkaukselle, haavainfektiolle, hankalammalle synnytyskivun hoidolle ja virtsankarkailuongelmien kehittymiselle.

Raskaus on naiselle myös psyykkinen rasitus, sillä valtavasti kohonneet hormonitasot voivat aiheuttaa tunneherkkyyttä, keskittymiskyvyttömyyttä ja jopa masennusta.

Raskauden aikana naisen mieliala voi vaihdella päivittäin, joten liikunta on loistava keino pitää nämä mielialavaihtelut kurissa. Liikunta auttaa äitiä tuntemaan, että hän pystyy hallitsemaan omaa kehoaan, suurista muutoksista huolimatta. Lisäksi liikunta vähentää pahaa oloa ja edistää nukkumista. Liikunta lisää aivojen tuottamien ”hyvän olon hor-

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LAYOUT

This picture is drawn by computer softwares. The idea is to combine the new technology and traditional art. Here are some instructions for readers. It is a picture of orchid. The title of the painting is an old poem over 1,000 years ago, beside which is a sentence telling the year, the season and also the painter of the picture. The two small seals are the surname and firstname of the painter. On the right side is the seal, whose aim is to adjust the balance of the whole picture and usually means some auspicious wishes. Softwares: Photoshop & Illustrator.

Is there a tendency of ignoring traditional art in favour of more modern art?

Is it possible that in the future the traditional art of Chinese calligraphy will disappear? If so, is it possible for us to save it and how could we do it?

Chinese calligraphy is one of the few traditional arts of China, and as such it has a quite long history, over 3000 years basis of Chinese calligraphy is Hanzi, which is the writing system of the Han large in China and eastern world alike. So far, it is still used in China, Japan, Korea, ingapore and many other countries.

Chinese calligraphy is written according toS the meaning and specialty of the Chinese characters. Each style of

were widely accepted due to certain aesthetic reasons but the tools for them brushes, ink stone, Xuan paper, ink stick and many more. However, the purpose of this article is not to talk about traditional Chinese calligraphy, but inspect the

trend of combining the traditional with the new.

time it can prove to be a barrier of sorts.

It is a fairly common phenomenon that in schools the design students will be told to choose between whether they want to aim at the traditional or to the distinctive cultures. Despite the possible success of combining traditional with new, I am not sure if it is the solution to this problem. However, it is a way of thinking while moving forward.

Calligraphy used to be an essential tool in ancient China, since it played the same role as printed words today; to express one’s opinions and describe situations. Now calligraphy is regarded as an art for self-cultivation and aesthe

why Chinese calligraphy is now in an embarrassing situation. Young people think it is an archaic and outdated form of art, so they are not willing to pursue it while old people who enjoy calligraphy are not willing to adapt themselves to the changing times. Is it possible for us to work out some sort of solutions to combine these two? For some Chinese art critics and researchers this has been a Design industry is still quite a new To be honest, China may have a long history in arts, but not in design. We are still on the way to discover our own methods, while learning what we can from our western counterparts. On the way to Chinese design some designers are trying to include calligraphy into it, since calligraphy is the merging point of old and new, in which new inspirations and

ideas are expected to be born. happen and to what extent should these method of combining is to embed the English alphabets into calligraphy, so that you can see the English while appreciating the Chinese characters.

In short, it is a game, that you play combines the alphabet with the Chinese very beginning of this kind of combining and also the easiest way to make it happen. Chinese characters have a very special feature, since their most common shape is a square even though we have hundreds of thousands of characters.

In this way, E since they are not constructed around a unifying base form. In the combining

dimensional or drawing the strokes in the same style as in calligraphy. To this extent, we can say that the development of the combining has been taken to a conceptual level, since artists and designers have begun to use Chinese philosophy in their design.

Later, some artists began to put something new into their works, and used digital technology and modern tools to create their opinions and voices in a traditional medium – Xuan paper.

For them, it is no longer the art itself, but also the challenge of how to use the traditional ink. Today’s artists are also

Inevitably there will be some “bad-looking” examples of combining, since the traditional arts have a very long history while the new design is only about ten years old in China. Although we are standing on a giant’s shoulders we still wish to have our own style and we are happy to see that designers are on their way there. Learning the ancient history and philosophy and reading through the literature of old would help the designers to reach success in their endeavor sooner.

self and modern culture. It sounds a little bit abstract but nevertheless, this is the reality not only for artists but also for designers. We are always surrounded by WRITER: YIYUN ZHA ILLUSTRATION: YIYUN ZHA

as making the English letters three-

版式設計

LAYOUT

UMG雜誌

UMG MAGAZINE

每年，設計系的學生都會組織學生 設計一本雜誌。整本雜誌都由學生 統籌規劃，從選題到設計封面和版 式。我的文章是關於中國書法的。 我不僅寫了文章，畫了插圖也一起 設計了版式。

Every year, design students would like to organize a magazine, which is all designed by students, from selecting topics to making all the layouts. My article is about Chinese calligraphy. I wrote the article, drawn the illustration and designed the layout altogether.

版式設計

LAYOUT

H&M雜誌

H&M MAGAZINE

2007年，我在上海的H&M廣告公司 做實習。該公司每月都會發行DM 雜誌，以便分發到各大寫字樓。雜 誌適用於白領人士，分為兩份雜誌 ，一為男士雜誌，另一則是針對女 性白領。我主要負責修改照片和設 計雜誌的工作。

In 2007, I was intern in H&M Company. In the company, DM magazines are designed every month, then delivered to quite many companies. The magazines are usually about life of white collars, separated to two magazines, one for men and one for ladies. I was responsible for modifying pictures and designing layouts.

版式設計

LAYOUT

復旦學院 手冊

FUDAN COLLEGE BROCHURE

2007年，我仍然是復旦大學藝術設 計系的學生。我為復旦學院設計了 為新生準備的手冊，希望在他們入 學之初的迷茫階段給予他們一些最 基本的入學指導。

In 2007, I designed the brochure for Fudan College, which is a department organized for the first-year students in Fudan University. I was still a junior student in Fudan University, majoring in Art and Design. I collected all the materials from the university, and then designed the brochure for the first-year students, which gives them some guidelines in the first confusing year.

4. ILLUSTRATION

插畫

1

SUOMI FINLAND

2011

1

SUOMI FINLAND

LK KL

2011

LK KL

插畫

ILLUSTRATION

聖誕郵票

CHRISTMAS STAMPS

為了2009年ITELLA公司組織的聖誕 郵票的比賽，我繪製了這些聖誕郵 票。靈感來源於中國古代的傳說， 那是一個關於月亮的愛情故事。據 說這只可愛的兔子住在月亮上。因 此，這只中國的兔子在聖誕節的時 候也會擁有聖誕禮物。

I made these illustrations for 2009 christmas stamps in ITELLA’s competition. The main idea was from Chinese mythology, which told a love story about the moon. It’s said the lovely rabbit is living on the moon. Thus, the Chinese rabbit also has christmas gift for the big festival.

2011 SUOMI FINLAND 1 LK KL

插畫

ILLUSTRATION

龍華寺印象

TEMPLE IMAGE

這些插畫是在2007年的時候繪製的 。其內容是以上海的龍華寺為藍本 。那時，我試圖將二維與三維的圖 像融合，並使兩者融洽。因此，這 次“龍華寺印象”的一系列插畫可 以說是一次嘗試：編輯照片並且根 據不同的環境配以不同的圖案。

These illustrations were made in 2007, which described the images of Longhua Temple in Shanghai. At that time, I was trying to combine two-dimensional with three-dimensional stuff. Thus, these illustrations were also kind of trial of the experience, modifying photos and drawing patterns in accordance with specific environment.

插畫

ILLUSTRATION

插畫

ILLUSTRATION

田間行走

WALING IN FIELDS

這些插畫是在2009年的時候繪製的 。我和家人一起去中國的湖南省旅 遊。那裡的生活和上海現代化大都 市的生活完全不同。在那裡，我們 可以肆意地行走在田間、河邊和最 傳統地建築之間。因此，這些插畫 描寫了我對於田間生活的感受，給 我留下了深刻的印象。每次的旅行 日記都是靈感的來源，對我而言， 非常珍貴。

These illustrations were made in 2009. I traveled in Hunan Province, China, together with the family. The life there was totally different from that of Shanghai. What we could see was fields, rivers and most traditional buildings. Therefore, these illustrations are my feelings about the life in the fields, which left a deep impression in my mind.

5. OTHER WORKS

其他作品

攝影

PHOTOGRAPHY

旅行記憶

TRAVELING MEMORIES

每次旅行前，计划行程对我来说都 是非常特别的体验。什么时候出发 ，去参观什么地方，去探索体验些 什么东西对我都很有趣，不管是大 自然还是现代世界。因此，我每次 都用摄影的方式把这些珍贵的记忆 记录起来。

Before each trip, it is all the same a special experience for me to plan. When to go, where to visit, and what to see are all interesting for me to explore, whatever in nature or in the modern world. Thus, every time I record all the valuable memories by photography.

模型

3D MODEL

中國茶葉包裝

MODEL FOR CHINESE TEA

永續設計逐漸成為全球共同關注的 話題之一。究其原因，不僅是由於 它涉及產品的三方，即設計師、生 產商和顧客；同時也因為人類共同 的願望：生活的更健康而長久，希 望如今所做的一切能夠最大限度地 惠及後人。然而，伴隨永續設計共 生地一個問題是設計倫理。過度包 裝慢慢成為中國的一個大問題，不 僅引起顧客的誤解，也成為生產商 不正當贏利的手段之一。這個模型 是以茶葉的包裝為例，希望為茶葉 工廠提供一些新的靈感。

Sustainable design is becoming a quite popular topic all over the world. It’s a theme for all the three parts - designers, manufacturers, and customers, in order to live longer and more healthy. However, what also comes with it is another problem - design ethics. Overpackage is gradually becoming a serious issue in China, which may cause misunderstandings for customers and is also a way of cheating for manufactories. This model was designed for Chinese tea factories, which hopefully could give some new inspirations for them.

Miss Yiyun Zha Date of Birth: 27th July, 1987 Mobile: +358-442 764 326; Email: eve.yiyun@gmail.com

EDUCATION

Institute: University of Lapland City/Country: Rovaniemi, Finland Degree: Master Degree in Graphic Design Time: September 2009 - December 2011 Institute: Fudan University City/Country: Shanghai, China Degree: Bachelor Degree in Art and Design Time: September 2005 - June 2009

EDUCATION EXPERIENCE

Institute: Hong Kong Institute of Education City/Country: Hong Kong, China Major: Digital Art Time: 27th August - 26th December, 2007 Activity: Performance of Chinese Artist Ai Weiwei City/Country: Kassel, Germany Time: 24the June - 30th June, 2007 Exchange: Edmand’s Middle School City/Country: Brisbane, Australia Time: June - July 2003

SKILLS SUMMARY Adobe Photoshop Adobe Illustrator Adobe Indesign Adobe Premiere Adobe After Effects 3Ds Max Adobe Flash Adobe Dreamweaver

LAGUAGES

Mandarin, Shanghainese - Mother Tongue English - Advanced Finnish - Basic

WORKING EXPERIENCE

UNOPS (United Nations Office of Project Services). Copenhagen Denmark Period: May 2012 - November 2012 Responsibilities: Banner Design, Report Layout, Poster Design, etc.

Neiti Rousku. Rovaniemi Finland Period: August 2011 - April 2012 Responsibilities: Customer Meeting, Planning, Screen-printing, etc.

SantaSport. Rovaniemi Finland Period: September 2011 - October 2011 Responsibilities: Graphic Design Achievements: Book Design “Liiku Elämäsi Tärkeimmät Kuukaudet” Rovaniemi Design Week. Rovaniemi Finland Period: November 2010 - Febuary 2011 Responsibilities: Graphic Design Achievements: RDW Main Poster, Flyers, etc.

Fudan University. Shanghai China Period: April 2008 - December 2008 Responsibilities: Various Design Works Achievements: Fudan College Brochure, Animation for Physics Faculty YueHai Culture Co., Ltd. Shanghai China Period: December 2008 - Febuary 2009 Responsibilities: Various Design Works, Customer Meetings Aachievements: Brochure Design, 3D Modeling for Stage H&M Advertising Co., Ltd. Shanghai China Period: December 2006 - Febuary 2007 Responsibilities: Graphic Design, Interpretation Achievements: Magazine Layouts

AWARDS

2011.6: Logo Competition for RUCHIN Association 2008 - 2009: 2nd Level Scholarshiop of Fudan University 2007 - 2008: 3rd Level Scholarship of Fudan University 2005 - 2006: 1st Level Scholarship of Fudan University Award of Potential Student in Art and Design

HOBBIES

Chinese Painting, Chinese Calligraphy, Traveling, Photography, Drawing, Reading, etc.

THANK YOU