UNESCO WORLD HERITAGE SITES OF INDIA SERIES Children’s Books
Chhatrapati Shivaji Terminus Travelling through Time
Author Subuhi Jiwani Artist Kishan Dev
About UNESCO World Heritage Sites of India Children, look around you. Our world is beautiful, with snowy mountain peaks and sparkling rivers, home to many peoples, animals, birds and trees. There are also mighty monuments
This book belongs to:
built by our forefathers which have stood fast for centuries, enriching our lives and history.
...... ...... ...... ...... ...... ...... ......
These precious monuments and natural landscapes must be
...... ...... ...... ...... ...... ...... .....
protected. That is why governments and institutions like the
...... ...... ...... ...... ...... ...... .....
United Nations Educational, Scientific and Cultural Organization (UNESCO) work together to help keep them safe. UNESCO’s World Heritage Sites are places around the world that are remarkable examples of natural or man-made landscapes and architecture. As of 2018, there are 37 such celebrated sites in India. We need to take care of these sites and protect them.
The Chhatrapati Shivaji Terminus was designed by the British architect F. W. Stevens and built by Indian craftsmen in 1878-88 at Bori Bunder. It was earlier called Victoria Terminus because
For the first time, Mapin Publishing is producing a series of
India at that time was governed by the British. The port city of
children’s books about UNESCO’s World Heritage Sites in
Bombay (as Mumbai was then called) had become a major centre of
India. We hope that the books will make these places seem like
world trade and was thought to deserve a grand railway station. The style
old friends, waiting to meet you again. So, young reader, let us
combined Indian and British features, and the Terminus is a work of art as well as a busy station. Today, part of it is a museum.
begin our exciting journey across India! Eric Falt Director and UNESCO Representative UNESCO New Delhi
UNESCO WORLD HERITAGE SITES OF INDIA SERIES Children’s Books
Chhatrapati Shivaji Terminus Travelling through Time
Author Subuhi Jiwani Artist Kishan Dev
MAPIN PUBLISHING
“
The clocks are my babies,” Bandu often says.
He has cared for time machines at the Chhatrapati Shivaji Maharaj Terminus for almost 40 years. Every morning, he begins his rounds on the ground floor of the grand station building. He moves in a clockwise direction, from one pendulum clock to another, until he reaches the granddaddy of them all. It’s ten feet wide, in a large attic above the second floor. Today is a muggy summer’s day, and Bandu is exhausted from the winding and the climbing. He sets out for the sugarcane juice stall a few yards from the station. Once there, he asks for a large glass. As soon as the juice touches his lips, he only hears one sound: gulp, gulp, Relief at last.
2
g u l p...
Before he has finished, he sees Laali and Mithu standing in a corner, staring at his glass of juice with desiring eyes. They are too shy to ask for some. Bandu gestures with his hands: do you want some ? They give him wide smiles, and soon, he’s ordering two more glasses.
3
As Laali, the older of the two, and Mithu are slurping their juice, Bandu asks them, “What are you doing here? And where are your parents?” “They work over there,” Laali speaks up, pointing to a construction site nearby. “There’s no one to take care of us at home so we come with them.” “But we get bored!” Mithu complains. “So we roam, roam, roam but get tired and thirsty.” Wiping her lips, Laali says, “We saw this beautiful palace from far away and wondered whose it was…” Bandu’s eyes almost pop out of their sockets. “Palace? Oh no! This is no palace. It is one of the grandest train stations in India and the world! The Chhatrapati Shivaji Maharaj Terminus!”
4
Bandu’s face lights up when he talks about the station. His first job was as CST’s clock keeper, and it will be his last. He treasures the building like a second home. “Can we go inside?” Mithu wants to know. “Umm…” Bandu wavers. Only people who work with the railways or tourists who pay an entry fee are allowed inside this fancy building. Bandu would like to show Laali and Mithu its many arches and animals. But would he get caught? Lost in thought, Bandu feels someone tugging at his shirt. It’s Mithu, looking up at him. “Please, please, please!” Mithu begs. “All right.” Bandu has thought of a way. “There’s a secret passage that no one takes. Come, but you must be quiet.”
6
They walk towards the bus depot on the south side of the building. Between two bus stops is a small, unlocked gate. Before opening it, Bandu glances at Laali and Mithu, his finger on his lips. Quietly, they step inside. They walk through a maze of arches, past circular staircases, around pillars with creatures looking down at them. “Who are they?” Laali asks loudly, pointing to a string of birds. “Sssshhh!” Bandu whispers.
On hearing footsteps behind them, Bandu sneaks Laali and Mithu into the railway museum on the ground floor. Far from being afraid, the children feel they’ve entered a playground. On the wall is a photograph of a man with a moustache that covers his upper lip. “How does he eat?” Mithu chuckles. Bandu frowns. “He’s the man because of whom you’re standing in this building. He designed it! He was the chief architect—Mr Stevens.” “Archi… who?” Laali looks puzzled.
8
Mithu, by now, has jumped across to the models of the first steam trains that pulled out of the station. Laali is quick to follow. They’re both dazzled by the blinking lights inside a passenger coach. “Never mind,” Bandu says. He’d like to tell them about the history of the building. But how can he get them to pay attention and to listen? He has an idea. “If you think the blinking lights are magical, wait till you see what I’m going to show you!” He pops his head out of the museum door and then back in. “All clear! Let’s go!” They run up two floors, a narrow spiral staircase and a wooden ladder. To the place he knows best— the clock room!
First published in India in 2018 by
Text and Illustrations ©
Author: Subuhi Jiwani walked into Bombay’s historic
Mapin Publishing
buildings by chance and fell in love with them. Recently, she
706 Kaivanna, Panchvati, Ellisbridge
All rights reserved under international
narrated the story of one such building—and its people—on
Ahmedabad 380006 INDIA
copyright conventions. No part of this
video. She has found that the stories of these buildings are
T: +91 79 40 228 228
book may be reproduced or transmitted
F: +91 79 40 228 201
in any form or by any means, electronic
endless. She returns to them again and again to learn more
E: mapin@mapinpub.com
or mechanical, including photocopy,
www.mapinpub.com
recording or any other information
Mapin Publishing Pvt. Ltd
International Distribution Worldwide (except North America and South Asia) Prestel Publishing Ltd.
storage and retrieval system, without prior permission in writing from the publisher. The moral rights of the author and
14-17 Wells Street
illustrator of this work are asserted.
London W1T 3PD
ISBN: 978-93-85360-51-0
T: +44 (0)20 7323 5004 F: +44 (0)20 7323 0271 E: sales@prestel-uk.co.uk North America Antique Collectors’ Club T: +1 800 252 5231 F: +1 413 529 0862 E: sales@accpublishinggroup.com www.accpublishinggroup.com/us South Asia Mapin Publishing Pvt. Ltd
Series ISBN: 978-93-85360-47-3 Series Editor: Narayani Gupta Copyediting: Mithila Rangarajan / Mapin Editorial Design and Production:
about her city’s history and her own childlike awe.
Artist: Kishan Dev has worked for a lot of blockbuster Bollywood movies and TV series but his real love is drawing and storytelling. He once went to Florence, Italy to study oil painting, and is now exploring the French techniques of plein–air painting with his friends. He loves to paint outdoors and also to encourage others to sketch!
Artist: Gopal Limbad heads the design team at Mapin and he has helped make the Roshni books look beautiful. He loves art and has a degree in Fine Art from M.S. University
Gopal Limbad, Darshit Mori /
in Vadodara. Gopal collaborated with Kishan to create the
Mapin Design Studio
illustrations on the cover and inside cover page, as well as
Printed in India The creation of this book was supported by Parag, an initiative of TATA Trusts. Editorial Board: Krishna Kumar Girish Joshi Swaha Sahoo Sopan Joshi Narayani Gupta
on pages 9, 13, 14–15, 19 (left), 22–23, 27 and 28.
UNESCO WORLD HERITAGE SITES OF INDIA
1 Agra Fort 2 Ajanta Caves 3 The Architectural Work of Le Corbusier, Chandigarh 4 Bhimbetka Rock Shelters
jammu & kashmir
5 Buddhist Monuments at Sanchi 6 Champaner–Pavagadh Archaeological Park 7 Chhatrapati Shivaji Terminus
himachal pradesh
13
H
(formerly Victoria Terminus)
26
8 Chola Temples
28
I
3
punjab
9 Churches and Convents of Goa
uttarakhand
10 Elephanta Caves
M
haryana
11 Ellora Caves
17 30 32
12 Fatehpur Sikri 13 Great Himalayan National Park
18
Conservation Area
20
15
15
14 Hampi Group of Monuments
rajasthan
15 Hill Forts of Rajasthan
15
16 Historic City of Ahmadabad 17 Humayun’s Tomb and Group of Monuments, Delhi
i
19 Kaziranga National Park 20 Keoladeo National Park
gujarat
16
26
5
24
d
meghalaya
west bengal
a
tripura mizoram
34
chhattisgarh
21 Khajuraho Group of Monuments
orissa
2
22 Kanchenjunga National Park
33
11
23 Mahabalipuram Group of Monuments 24 Mahabodhi Temple Complex at Bodh Gaya
maharashtra
36 7 10
25 Manas Wildlife Sanctuary 26 Mountain Railways of India
telangana
27 Nalanda Mahavihara (Nalanda University), Bihar
and
37
28 Nanda Devi and Valley of Flowers National Parks
9
14
goa
30 Qutb Minar and its Monuments, Delhi
33 Sun Temple, Konark
23 tamil nadu
p
37 37 37 37
8
ds
ee
8 Natural Sites 29 Cultural Sites
26
an
dw
37 Western Ghats
kerala
ha
36 Victorian Gothic and Art Deco Ensembles of Mumbai
37
ks
35 Taj Mahal
isl
la
37
ar
34 Sundarbans National Park
The names of places and cities often change over time. Mumbai used to be known as “Bombay” and Kolkata as “Calcutta.” Chennai was earlier known as “Madras.” Other sites are better known by names which may not be their official name— Keoladeo Bird Sanctuary is popularly called “Bharatpur” and Mahabalipuram is called “Mamallapuram.”
nicob
37
32 Red Fort Complex
and
karnataka
31 Rani ki Vav, Patan
General note about change of names of cities and sites
andhra pradesh
aman
29
29 Pattadakal Group of Monuments
nagaland
manipur
i
madhya pradesh
19
27
jharkhand
4
25 assam
uttar pradesh
21
S
Y 22s i k k i A m
A
35
15
n
6
12
L
bihar
31
18 Jantar Mantar, Jaipur
1
15
15
arunachal pradesh
A
UNESCO WORLD HERITAGE SITES OF INDIA SERIES Children’s Books
Series Editor: Narayani Gupta
The Roshni World Heritage Sites of India series aims to introduce India’s young readers to the richness of our natural and cultural heritage through UNESCO-designated World Heritage Sites. Produced in association with Tata Trusts and with the blessings of UNESCO, these books offer children five exciting stories, authored by renowned historians and conservationists and beautifully illustrated by accomplished artists.
Qutb Minar Head in the Clouds
Mahabalipuram
Story by Narayani Gupta • Illustrations by Shashi Shetye
The Ganga Comes to Tamil Nadu
On Christmas Day, a group of six children visit the Qutb Minar in Delhi. What follows is a process of discovery as the children stumble upon an unfinished Minar and a carved cupola and marvel at the skill of the craftsmen who built the Qutb.
Story by Nanditha Krishna • Illustrations by Y. Venkatesh
The children in the story explore the Descent of the Ganges, with its carvings of animals, humans and celestial beings. Temples, tigers and tsunamis all feature in this tale of the Mahabalipuram complex by the sea, lost and then miraculously found again. Nanditha Krishna is a historian and conservationist from Chennai who has authored several books about art, religion and the environment. Y. Venkatesh is an artist who has illustrated several activity books for children about nature, art and culture.
Narayani Gupta is a historian and writer who has taught history at Indraprastha College for Women; she joined Jamia Millia Islamia University in 1986. Shashi Shetye has illustrated books for children for over two decades.
Keoladeo Bird Sanctuary The Kingdom of Birds
Chhatrapati Shivaji Terminus Travelling through Time Story by Subuhi Jiwani • Illustrations by Kishan Dev
Bandu is the devoted clock-keeper at CSM Terminus in Mumbai, or VT as some people still call it. One busy day, Bandu and two friends tumble through time to the past and future, accompanied by a talking griffin, freedom fighters and flying cars. Subuhi Jiwani is an independent researcher, writer and filmmaker based in Mumbai. Kishan Dev is an artist who has worked in print publishing and Bollywood.
Story by Dr. Erach Bharucha • Illustrations by Maya Ramaswamy
A large group of school children join Dr. Erach “Doc” Bharucha at the Keoladeo Bird Sanctuary in Bharatpur. Amid lush vegetation and a lively orchestra of birds, the natural landscape of the sanctuary comes alive for these young, intrepid explorers. Dr. Erach Bharucha is a surgeon based in Pune and has been active in ecological conservation for several decades. Maya Ramaswamy is an illustrator who has
worked on several children’s books about wildlife and conservation.
Sanchi Where Tigers Fly and Lions Have Horns
supported by
E: THIS SERIES AR ALL TITLES IN s, stration 32 pages with illu scape, pb x 210 mm) Land 97 (2 6" 8.2 x 11.69 sh and Tamil in Available in Engli ditional regional Ad . 18 20 er ob Oct in 2019. w llo fo to es languag 195 | $9.50 | £5.99 Fall 2018 |
Story by Sohail Hashmi • Illustrations by Pervez Rajan
One morning as the city of Bhopal sleeps, a group of children join Sohail Hashmi to visit the stupas of Sanchi. Spellbound by the carvings on the gateways and pillars, they learn about the ancient history of Buddhism in India. Sohail Hashmi is a writer, historian and filmmaker, who loves travelling to little-known places across India. Pervez Rajan is an artist who hopes to use his art to communicate with a wide range of people.
“The gentle, smooth colour palette,
and the use of detailing make [the pictures] interesting to look at. The framework...is very natural and believable... little touches tap into the feeling of excitement and wonder that being at a historical site can evoke.”
“The production values are high. The author has a connect with children and he brings out his observations gently. That he is good with words and enjoys what he is doing is apparent.”
—Teacher Plus Magazine, on Sanchi: Where Tigers Fly and Lions have Horns
—Goodbooks.in
“.. groundbreaking...” —Eric Falt, Director General, UNESCO New Delhi
“.. beautifully written... Launching this series is a good attempt at making information about historical sites accessible to children.”
—Jaya Bhattacharji Rose
Children’s Books
UNESCO WORLD HERITAGE SITES OF INDIA SERIES
SUPPORTED BY
ISBN 978-93-85360-51-0
www.mapinpub.com