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#152 the dreamers
THE design ISSUE may2013 4,630 days since we launched another idea by
24 local
[encouraging dreaming]
“Stay humble.”
media architects managing editor carl lindgren business manager wendy schipper publishing manager chrisanthi demos global editor mikki brammer assistant editor melinda halloran editorial assistants sarah bristow, linsey rendell copy editor matthew brady art director/ production manager richard taylor web/graphic designers tahlia gregori, sarah hyne, amy melksham, isabelle stringfellow, lila theodoros photographer melinda halloran senior account manager paige gumbley account managers georgia boyle, amelia labzin financial controller kathryn lindgren media assistant chloe carrucan web developers morgan daly, dino latoga, sam pospischil contributors frances frangenheim, eric lindgren, kathryn lindgren interns gina chang, georgia lejeune map cheer squad kara ciampi, ashley tucker map babies jasper york, mia, milo day, mollie, oscar, jovian, aleeya, quinlan map sponsor kids modester, naboth map foster animals jarot the orangutan, maxwell the rhino, migaloo the whale, pedro espinodo the iguana, philadelphia nightingale the turtle, rosie the giraffe, sinya the elephant map sponsor items a charity: water well in ethiopia a swing in bolivia an acre of the gondwana link if you don’t want to share your copy of map magazine with a friend, please place friend in a recycling bin. if you don’t have a recycling bin, it’s about time you got one! all paper used in the production of map magazine comes from well-managed sources. map magazine is owned, produced and printed in Brisbane, Australia. map magazine is published lovingly by map creative. map magazine pty ltd ABN: 98 088 035 045. ISSN 1443-5772 postal address 5 Morse Street, Newstead, Q, 4006 enquiries 07 3251 4900 subscribe $33 for 12 issues. Tel 07 3251 4900 Contents of map magazine are subject to copyright. Reproduction in whole or in part without written permission of the publisher is prohibited. The publication of editorial does not necessarily constitute an endorsement of views or opinions expressed. The publisher does not accept responsibility for statements made by advertisers.
cover Ai Weiwei by Stefen Chow, Malaysia, for Smithsonian magazine worldpressphoto.org
dreamer – – Fritz Schwarz
38 national
dreamer
“You should always keep a melody in your heart.” – – Joseph Tawadros 44 international
dreamer
“Don’t be afraid to think differently.” 32 design
– – Brooks atwood
dreamer
“If ‘they’ don’t make things like they used to, well then ‘we’ should..” – – Michael Cramer 52 arts
dreamer
“Only you can understand what can set your fire in your heart.” – – Daria Khokhlova
contents village
fashion/beauty
design/gourmet
08
26
40
think 10 direction
Gonzalo Guerrero
global report 18 rolemodels 12
Adam Lockhart Joyce Ho
street 27 raw 28 cloth
Brigid Oesterling
grooming
32
41 46 47 48
space home pantry place food
music/arts/film
travel
52
prelude
62
Daria Khokhlova
Tiger Tops Tharu Lodge, Nepal
gallery mood 54 book 53
travellers map
54
Michael Cramer
neighbourhood search 22 pavement
Village Features
bon voyage clever coiffe 42 active minds
56 live
30
Michael Zavros
34
face ticket 59 stimulator
20
57
21
58
50
sweet tooth
Martin McCreadie
stimulus
60
managing editor’s note
Think of all the beauty still left around you and be happy.” –– anne frank
Welcome to map magazine’s 152nd issue. Next month the Brisbane Powerhouse plays host to the World Press Photo exhibition. A global touring exhibition of prize-winning photographs, the World Press Photo exhibition is considered to be one of the most popular travelling photo events in the world. The purpose of the exhibition is to nurture the talent and passion of photojournalists who tell remarkable stories. The role of the photojournalist is an incredibly important and crucial role in society. Their photos and stories can open our eyes and inspire a greater understanding of the world around us. For the many of us living in the luxury of a country like Australia, we
are not often transported to places that reveal how other human beings live on this planet – a living that most of us would not accept. Our cover this month is a portrait of the Chinese contemporary artist Ai Weiwei, who is known for his political and cultural art/ activism. Ai Weiwei uses his art to draw attention to his controversial relationship with his home country and the western world. Known as Beijing’s ‘Andy Warhol’, his work has been overwhelmingly received around the world. As he once said: “The biggest crime of a dictatorship is to eradicate human feelings from people.” The World Press Photo exhibition exposes us to these feelings. Remember to dream ...
Carl Lindgren :) Managing Editor carl@mapmagazine.com.au look out for the next issue of map magazine THE cloth ISSUE follow map magazine on facebook, twitter & instagram
out June 7th
map magazine aims to foster a culture of confidence, spirit and individuality in people to help them embrace a mindset where they can be positive about the future.
village
think
“Those who cannot change their minds cannot change anything.”
life is beautiful if you have an ...
open mind
– – George Bernard Shaw
“A mind is like a parachute. It doesn’t work if it is not open.” – – Frank Zappa
hello
positive aim
ark end7
editor’s memo
––
What would you do if you knew you could not fail? That’s the question that designer Brooks Atwood, our May Design issue’s international success story, continually poses to the world – and one that can be the defining factor between rising above a challenge or being defeated. Our national success story, musician Joseph Tawadros, takes a similar approach in his journey, finding strength in rejection to believe in himself even more. So often we hear from the dreamers we interview in map that, despite significant opposition and regularly being told no, they persevered because they truly believed in what they were doing. And as a result, they found great success. It can be a scary thought to challenge yourself to fail more often, but one that could inevitably lead to something wonderful. So, what would you do if you knew you could not fail?
Mikki Brammer Editor
Of the alarming number of deaths in developing countries, a significant proportion result from neglected tropical diseases (NTDs). Such diseases can be transmitted through bacterial infections in water, insect bites and worms in the soil, but due to the focus on more prominent diseases such as malaria, NTDs often go largely untreated – resulting in unnecessary deaths. Through its End7 campaign, The Global Network is raising awareness about NTDs and the threat that the diseases pose to impoverished communities. The campaign aims to eradicate seven of these diseases by the year 2020. @ end7.org
retroDREAMER ––
Kenzo Tange
“Architecture must have something that appeals to the human heart.”
A Pritzker Prize-winning Japanese architect, Kenzo Tange played a significant role in Japan’s post-WWII emergence into Modernism. Inspired by the work of Le Corbusier, Kenzo’s approach to architecture was to fuse technology with humanity, combining Modernist principles with Japanese tradition. His dream was to create structures that people could connect to emotionally.
INVITES YOU TO ... HAPPINESS NEVER COMES ALONE Most of us have experienced a moment when a complete stranger has set our heart aflutter, but when it comes to matters of love, the happily-ever-after ending often depends on timing rather than a romantic connection. In Happiness Never Comes Alone, Sacha (Gad Elmaleh) and Charlotte (Sophie Marceau) are leading opposite lives, until their paths cross on a rain-soaked Tuesday afternoon. Despite Sacha’s love for parties and the single life, and Charlotte’s two ex-husbands and three children, the two decide to see whether their attraction can reconcile the difficulties of being at different stages in their lives. For your chance to attend map magazine’s special screening at Palace Centro on May 20 at 6:30 pm, visit mapmagazine.com.au and follow the links. 112 lucky entrants will receive a double pass and winners will be notified by email. Good luck!
mikki@mapmagazine.com.au
win at ... mapmagazine.com.au # o1
# o4 08 map magazine
# o2
# o5 T H E design I S S U E may 1 3
# o3
# o6
01 Win one of six double passes to see an onstage adaptation of the novel
04 Win one of ten double passes to see the Portuguese romantic tale
A Clockwork Orange
Tabu
02 Win one of ten double passes to
see Robert Redford in the 1974 film
05 Win one of ten double passes to see Halle Berry in the thriller
The Great Gatsby
The Call
03 Win one of two double passes to
06 Win one of five double passes to
see the male vaudeville show
see the play about a fallen fashionista
Briefs: The Second Coming
Uta Uber Kool Ja
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village
direction
GLOBAL DREAMER
Gonzalo Guerrero Industrial designer, chile LONEWOLF goods
lonewolf.cl –– In addition to his guitar and camera straps, Gonzalo Guerrero’s latest design is the Wolfpack – an eyecatching soft camera case for style-savvy photographers. age 28. born La Serena, Chile. thing that made the world sit up and take notice of you I think
it was the products that I created for Lonewolf Goods. Since the very beginning, I have focused on restoring value to the process of handcrafting goods, like traditional leatherwork. describe yourself in ten words
Passionate about what I do; lover of learning, music (and) food. gets you out of bed in the morning The desire to live and a curiosity about what is in store for me. I hope to be a bearded grandfather with many stories! most beautiful thing you’ve ever seen The view as you fly above
clouds, the ocean, mountains and cities – the Earth seen from above. last time you did something for the first time
I took a silk-screening class last week. makes you different I can come up with solutions rapidly. For instance, I can make delicious meals from any leftovers in ten minutes. worth fighting for What you truly believe in or want to achieve, whatever it may be. scares you Leaving things unfinished. words of wisdom Though I still don´t consider myself to be a wise person, I would say that we should try to listen more. People are constantly saying things worthy of being heard, and we don´t listen to them.
Rustic // restaurant One of the latest gourmet enclaves to grace the streets of Copenhagen, Höst attempts to recreate the feeling of eating amidst a Scandinavian farmyard, but in an urban, minimalist and indoor context. A collaboration between NORM Architects and local design studio Menu, the restaurant’s decor includes weathered beams, reclaimed windows and recycled wooden planks and pallets. Menu also created a tableware collection specifically for the restaurant, in keeping with its fusion of rustic minimalism and Scandinavian tradition. @ cofoco.dk
Milk // spirit Traditionally, vodka is made through the distillation of things such as fermented potatoes or grains. Black Cow vodka by West Dorset dairy farmer Jason Barber, on the other hand, is the world’s first pure milk vodka. Composed only of the milk from grass-grazed cows, the vodka is made by fermenting the whey using a special yeast that turns the milk sugar into alcohol. It is then distilled, blended and triple filtered before being hand bottled to create a curiously smooth spirit with an almost creamy texture different to any existing vodka. @ blackcow.co.uk
LIGHT // spectrum
juxtaposed // tech Technology has become an inevitable presence in our lives, but sometimes the accessories that accompany it aren’t so aesthetically pleasing. To juxtapose the metallic gleam of an iPad with something a little more rustic, the sne stand from g86 is moulded from Baltic birch plywood, inspired by furniture-making techniques of the early 20th century. Rooted in Salt Lake City, g86 bases its design philosophy on a return to craftsmanship, clarity, and finding greater meaning in the environments we live in and the objects we use. @ g86design.com 10 map magazine
T H E design I S S U E may 1 3
be the change you want to see in the world
The term ‘RGB’ – referring to an additive colour model – is one that graphic designers know well. Israel-born, Parisbased artist Arik Levy has taken the concept and applied it to something other than images, instead devising a light fixture composed of hanging blownglass jars. Through his design, Arik achieves an effect of colour superimposition by allowing the different jars to be viewed through each other. Jar RGB was designed for the Londonbased light-fitting collective Lasvit and was launched at the recent Milan Design Week. @ lasvit.com
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LIVE
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design Photography by Shiinoki
global report
futuristic visions of living
The residents of the early 20th century may have found it difficult to envision the houses we live in today. Equally, our own housing possibilities of the future currently exist only as creative seeds in architects’ imaginations. Fuelling such thought, the House Vision exhibition in Tokyo sought to bring together some of Japan’s prolific architects and capture their own radical visions for the dwellings of the future. Amongst the revolutionary projects was a bathroom concept from Naruse Inokuma Architects, which tackled the issues of the garden and the bathroom. While not usually linked, both elements are important considerations for high-density living. In addition to collaborating with renowned Japanese toilet maker TOTO, the architecture firm also
HOUSE VISION Tokyo, Japan
azumamakoto.com
12 map magazine
T H E design I S S U E may 1 3
map magazine is proud to be carbon neutral
enlisted the help of flower artist Azuma Makoto. For the House Vision bathroom project, Azuma created walls swathed in lush vegetation, imbuing the grooming space with a sense of nature and tranquillity, as well as privacy. Nestled amongst the greenery, bathroom fixtures such as the sink and toilet appear almost like artefacts that have been uncovered from within an overgrown garden. The bathroom also features a glass floor with vegetation underneath, creating the sense of being completely surrounded by a garden. Azuma’s experimental creations, comprising flowers and plants, aim to increase the existential value of plants. His method is to discover the mysterious personas of such greenery and convert them into artistic expression.
global report
grooming
a temporal approach to perfume
There are people who swear by a scent for their entire lives, choosing their signature fragrance as a teenager and making it their own for a lifetime. Others change perfumes at different stages of their lives, with each new scent representing a distinct time and chapter. Then there are those who change their scent according to mood or season, with the equivalent of an apothecary sitting atop their dressing table. It is the latter group of people to whom The Scent of Time project will likely appeal. The work of parfumier Kim Weisswange in collaboration with Kolle Rebbe, The Scent of Time is a fragrance calendar that features 365 unique fragrances – one for each day of the year. Comprising 44 different bottles, the calendar allows wearers to create
The scent of time HAMBURG, GERMANY
capital-cosmetics.com
14 map magazine
T H E design I S S U E may 1 3
map magazine supports modester and naboth
a fragrance themselves by applying a spritz from three bottles – one for the year, one for the month and one for the day (representing the base, heart and head notes respectively). Once blended on the skin, the unique fragrance of the day comes to life. Amongst the precious natural elements captured in the 44 bottles are iris root and oudh, as well as many other exotic raw materials. The inklings for the concept came when Kim – who has been making perfumes for 25 years – was trying to imagine a way to thank her most devoted clients. Having made thousands of different perfumes over the years, she wondered if it would be possible to capture time in a scent. Made only in a limited-edition release, The Scent of Time was quickly snapped up by perfume aficionados around the world.
global report
rugged musical wonder
More so than any other instrument, it’s common to find a guitar lying around at a party, a barbecue, next to a campfire or at a share house. Inevitably, someone in the room will know how to play a few chords and will pick up the six-string to lead everyone in a heartfelt singalong. For those who like to travel the world with a guitar in hand, however, lugging the instrument through airports or up a mountain can be a touch cumbersome. Handmade in Vermont, USA, the Alpaca is a rugged travel guitar that is designed to withstand the elements, as well as the knocks and scratches that accompany a life of wanderlust. Made from high-quality carbon fibre, as well as flax fabric and bio-derived resins, the guitar is water resistant and easily portable, weighing just more than a kilogram. In order
music
to protect the usually delicate tuning pegs, the ergonomic design places them at the bottom of the guitar, where they are less likely to suffer knocks. Originating as a Kickstarter project, the Alpaca has quickly become a necessary accoutrement for the musically inclined adventurer, due to its knack for being strapped to a backpack and toted through a forest – ready to be pulled out for that impromptu singalong. The design also features an adjustable paracord strap to sling over your shoulder. Each of the instruments – featuring steel strings and 20 silver nickel frets – is handmade by local artisans in Vermont, with materials sourced from the surrounding area whenever possible. Despite its unconventional shape, the guitar’s sound is clear and resonant, perfect for accompanying your campfire rendition of Tom Petty’s ‘Free Fallin’’.
ALPACA GUITAR Vermont, USA
alpacaguitar.com
map magazine supports modester and naboth map magazine
T H E design I S S U E may 1 3 15
global report
fashion
AN irreverenT Piece of Headwear
One need only look to the haute couture runways and the creations of Philip Treacy and Stephen Jones to know that the right piece of headwear can be an outfit’s defining factor. Andrea Deppieri, an Italian architect and fashion designer, has taken the idea of sculptural headwear to an entirely different realm, designing a collection of wearable art known as Tête de Bois. Bringing together the worlds of architecture, industrial design and fashion, the unique range of wooden hats explores a truly original concept in headwear. Adjustable and surprisingly comfortable, the Tête de Bois collection features several different styles, including the flat-cap inspired ‘Corleone’, the ‘Castro’ (which cuts a silhouette similar to the ever-present headwear of a certain Cuban dictator), and the baseball-cap-style ‘Yankee’, among others. Each style is available in two
Tête de Bois VENICE, ITALY
tetedebois.it
16 map magazine
T H E design I S S U E may 1 3
map magazine supports the david sheldrick wildlife trust
different wood finishes – tanganika and mahogany – with the design inspiration coming from the architectural element of wooden-slatted sun-shading structures. Harbouring an insatiable curiosity for life and an obsession for detail, Andrea’s personal philosophy is to observe, absorb and exchange. The young Italian designer views creativity and rationality as two sides of the same coin, synthesising them in each of his groundbreaking creations. Andrea initially began his design career in architecture before shifting his focus to the world of fashion. Collaborating with brands such as Diesel, Ralph Lauren and Benetton, Andrea applied his creative eye to packaging, shop windows, and interior and furniture design for the brands. In 2012, he founded the design office Newton & Son, inspired by the graphic design studio established by his father in 1986.
photography Ai Weiwei by Stefen Chow, Malaysia, for Smithsonian magazine
global report
Politics and art combine to make a powerful statement
While China’s rise in the ranks of major world powers is occurring during an age of digital media saturation, many of the actions taken by its government still remain a mystery to China’s citizens and the rest of world. Disillusioned by his government, Chinese artist and dissident Ai Weiwei uses his craft and the internet to send his powerful political messages. His exhibition According to What? is among some of his most controversial works, which was inspired by the 2008 Sichuan earthquake. The government initially concealed information of the deaths of 5,000 children during the earthquake, until Ai’s exhibition listing the names of each child held it to account. He is also noted for the intricate exhibition Sunflower Seeds displayed at Tate Modern in 2010, and for his prolific use of Twitter. Since being told
last year that he was unable to leave China without permission from the government, Ai himself became just as symbolic as his art. The above portrait of a sinister-looking Ai wielding a smartphone was taken by photographer Stefen Chow for Smithsonian magazine. It ran alongside a story that questioned whether Ai could be China’s most dangerous man. One of the most striking photographs to appear in the media during 2012, the portrait came second in the Staged Portrait Single category of the 56th World Press Photo Contest. The image, alongside a selection other photographs from the contest, is part of the World Press Photo exhibition currently being displayed in galleries around the world. The Brisbane leg of the World Press Photo tour is at Brisbane Powerhouse from June 1–23.
World Press Photo Brisbane, Australia
brisbanepowerhouse.org
map magazine supports the david sheldrick wildlife trust map magazine
T H E design I S S U E may 1 3 17
village
rolemodels
Adam Lockhart
Joyce Ho
What is your profession? I am an associate director at HAL Architects, where I manage the in-house town planning group. What training or qualifications do you need to fill this role? I briefly studied architectural studies, but ended up undertaking a Bachelor of Built Environment majoring in urban and regional planning.
What is your profession? I’m a motion designer.
town planner/hayes anderson lynch architects
What are the key skills and responsibilities of the role?
My role is largely development focused. I assist clients to identify redevelopment opportunities and guide them through the application process. How did you get involved in your profession? I’ve always maintained a strong interest in how cities work, how people adapt and live within them, how technology changes them and how cities continually evolve organically. Can you break in to the industry in other ways? Typically, you need a town planning degree or study in a field such as architecture, urban design or environmental science. What do you hope to achieve within your industry? I want to continue to be involved with infill-type redevelopment in inner Brisbane. This involves working with designers on projects that offer creative ways to deal with constrained sites and exploring new ways for people to live in our city. Are you in the industry for the long term? Yes – I see myself continuing to play a role in the development industry. What advice would you give someone looking to emulate your success? Don’t take yourself too seriously, be personable with clients, present them with new possibilities and provide advice focused around realistic outcomes. Did you always think you would be in this role? Yes – this, or something similar. What was your first paid job? Selling power tools at Bunnings. What would you love to do if you weren’t in this role? Something to do with music or food. Maybe both. What inspires you? People who are very joyful and doing something totally different to me. It inspires me to learn more about them. Who is your rolemodel? Adam Scott – he shows persistence really does pay off. What are your words of wisdom? ‘Pay no attention to critics. No one ever erected a statue to a critic.’ – Jean Sibelius.
18 map magazine
T H E design I S S U E may 1 3
motion designer and creative lead/breeder
People are often confused about the difference between animation and motion design. Simply put, traditional animation is storytelling through characters, whereas motion design communicates a story through design. What training or qualifications do you need to fill this role? You need an eye for design and understanding of pace and storytelling. What are the key skills and responsibilities of the role? Motion designers need
an arsenal of skills that include graphic design, 2D and/or 3D animation, video editing, cinematography and colour grading. How did you get involved in your profession? I studied visual arts majoring in animation. After university, I was lucky to get a junior designer position at Josephmark. When they decided to start a motion studio, I joined Breeder. Can you break in to the industry in other ways? Yes. If you have that sense of design and storytelling, you can learn a lot of the technical skills just through research and self-teaching. What do you hope to achieve within your industry? I hope to create meaningful and original work that will make a positive impact. Are you in the industry for the long term? Absolutely, I can’t see myself doing anything else! What advice would you give someone looking to emulate your success? Make sure you love what you do. Did you always think you would be in this role?
I’ve always wanted to work in a creative industry. First, as a children’s book illustrator, then a cartoonist and finally an animator for television. Becoming a motion designer was the natural progression. What was your first paid job? Designing a logo for my brother’s website. What would you love to do if you weren’t in this role?
I’d be a concept artist or an animator for Adventure Time. What inspires you? The talented and fantastic people I work with every day. Who is your rolemodel? My mentor
Jess Huddart, executive creative director of Josephmark. I am always learning from her example. What are your words of wisdom? Seven days without laughter makes one weak. (And, always make time for terrible puns.)
map magazine supports greenpeace
Persistence really does pay off.” – – Adam Lockhart
Make sure you love what you do.” – – Joyce Ho
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village
neighbourhood
VILLAGE voices
Alexandra Ponting
Interior Designer/Shop owner AP Design House
apdesignhouse.com.au ––
FAVOURITE ... WORD Yes. SOUND Rain on a tin roof. PLACE Balmoral, Sydney. PASSION Anything design related. THING An old picture of my brother and me dancing. FOOD Duck. SMELL Roses. TIME OF DAY Waking inspired at 6:00 am. BOOK To Kill a Mockingbird by Harper Lee.
rain on a tin roof, roses, dancing ...
Spiritual // Photography For followers of Hinduism, a pilgrimage every 12 years for the Kumbh Mela festival is one of their most important religious rituals. Their purpose: to bathe in the sacred waters of the Ganges River, which is believed to contain drops of an elixir of eternal life. While observing celebrations of this year’s Kumbh Mela in India, photojournalists Nigel Brennan and Alanna Hankey shot a series of photographs capturing the beauty of the ritual. Their exhibition, To Bathe, will be held at Brisbane Powerhouse on May 24 from 6:00 pm, and a portion of profits will be donated to Maiti Nepal.
Benevolent // Soiree One of the most exciting parts of an event is the anticipation that builds whilst getting ready, especially when the occasion is a ball that requires you to wear your finest threads. The ACT for Kids charity is celebrating its 25th anniversary by hosting its Silver Gala Ball at City Hall on May 11 – the first event to be held in the newly opened building. The ball and ongoing initiatives of ACT for Kids are supported by Mercedes-Benz Brisbane, which provides the charity with cars as prizes for raffles, and also hosts other fundraising events at its Fortitude Valley dealership. @ mbbrisbane.com.au
dusty vinyl, twilight, beer ...
Simon Petkovic
Sound Designer Sentient Sound Design
sentientsounddesign.com ––
FAVOURITE ... WORD Onomatopoeia. SOUND The pops and cracks of a dusty vinyl. PLACE Inside my head. PASSION Sound design. THING Being awake. FOOD Thai jungle curry. SMELL Brugmansia at twilight. TIME OF DAY Beer o’clock. BOOK Thus Spoke Zarathustra by Friedrich Nietzsche.
20 map magazine
T H E design I S S U E may 1 3
Home // Bodies
Tactile // Stationery
When you find yourself with a nest to feather, one of the greatest challenges is seeking out pieces to give the space a personality. The first collection from local homewares label Cubbylove provides decorators with handmade options, with each piece in the range differing slightly from the others due to the homemade nature of the goods. The pom-pom-laden wares include cushions, wall hangings and planters, and are made in limited runs from organic, local and recycled materials such as cushion inserts derived from recycled water bottles. @ cubbylove.com.au
Reminiscent of a time when paper boys spruiked news headlines from street corners, letterpress goods are made with the slow and thoughtful approach of yesteryear. After developing an appreciation for the tactile nature of letterpress, David Atkinson pursued his hobby to a point where he now runs his own letterpress studio – Little Peach Co. – from an old shop in Woolloongabba. A Heidelberg dubbed ‘Big Bertha’ brings his custom stationery to life, and the finished results beg you to run your fingers over the textured etchings of soft cotton stock. @ littlepeachco.com.au
stop global warming
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search
cool site://thatshouldbemine.com
calendar // circle For some people, 12 months’ worth of cute puppy photos isn’t quite their style. Something that might be more appealing in the calendar stakes is ONE, by South Korean designer Jeong Yong. This tabletop calendar uses three magnetic rings that come together in various configurations to represent the current date. One ring represents the days of the week, another the day of the month, while the third symbolises the year. Individual magnets are placed behind each number/name, allowing the rings to be connected in any combination. @ jeongyong.com
discover: //colorplay.co bottled // happiness The elusive idea of bottling happiness has long been talked about but never achieved. Though using a more symbolic method, French art and design studio Happiness Factory (branded HPNS Factory) has created an art project that attempts to bottle the coveted emotion. The trio behind the project asked people to submit their own idea of happiness based on moments or feelings they would like to relive, and other people who have touched them. HPNS Factory then converted those moments into nostalgic labels placed on old apothecary bottles to represent the captured emotion in physical form. @ happinessisabeginning.com
top 6 japanese design websites
Mr & Mrs Birdee Nest Boxes
MB Original Bento Box
Cherry Blossom Watering Can
desinature.com
monbento.com
shopterrain.com
top 6 design fair websites
jpdesign.org
japandesigncollective.com
nendo.jp
icff.com
cosmit.it
decorex.com
japanesedesign.pl
neojaponisme.com
spoon-tamago.com
tentlondon.co.uk
imm-cologne.de
maison-objet.com
stop global warming map magazine
T H E design I S S U E may 1 3 21
village
pavement
pavement
street musings what we asked – – what is the world you imagine?
“Everyone is
“A safe place
easier on themselves.”
for everyone to live.”
“Everyone gets what they want from life.”
“People are
thankful for small things in life.”
Aziza Abdalla, 22
Mark Luker, 42
Vanessa Jones, 40
James Cox, 37
Assistant Nurse LIVES: Inala
Self-Retired LIVES: soutHport
Colour Consultant LIVES: Cannon Hill
Nurse LIVES: Salisbury
only a local would know … ?
only a local would know … ?
only a local would know … ?
only a local would know … ?
Rocks Riverside Park in Seventeen Mile Rocks is a beautiful spot to relax.
There are a lot of great art galleries around the city that I like to visit when I am in Brisbane. what design
Simpson Falls at Mount Coot-tha is a great place to have a picnic.
Alfred & Constance is a great place to go for lunch. The food is delicious and it’s very popular. what design
what design item has caught your eye recently? I have my eye
on a beautiful black maxi dress with amazing detailing. what is stimulating you at the moment?
The anticipation of returning to study is exciting. what issue needs immediate public attention?
Something that I have experienced personally – the negative attitude of people towards those who are learning to grasp a new language.
item has caught your eye recently?
The men’s fashion at the recent Fashion Week Australia, particularly a leather suit I saw. what is stimulating you at the moment?
Relaxation, as I am a recent self-retiree. what issue needs
what design item has caught your eye recently? A colourful Sacha
Drake dress I just bought for winter. what is stimulating you at the moment? Lately, I’ve really been
enjoying documentaries by Louis Theroux and Ross Kemp. what issue needs immediate public attention?
item has caught your eye recently?
Edun fashion – I like the brand because it pays people in Africa fair wages to make clothing. what is stimulating you at the moment?
The meaning in the lyrics of ‘Global Concepts’ by Robert DeLong.
Mark Bouris who started Yellow Brick Road. He’s a revolutionary in the world of finance. He is also a real go-getter.
The number of chemicals and additives in processed foods. what are your spiritual beliefs? I do believe in a higher power, but I mostly believe that if you put positive energy into the world, you’ll receive it back. And that you should be appreciative of what you have. who is inspiring you and why? My eight-year-old son, who has dealt with a newfound health issue with such maturity.
SHOP
SHOP
SHOP
Mount Ommaney Shopping Centre
James Street
Merthyr Village
Online
EAT
EAT
EAT
EAT
Middle Eastern cuisine
Pony
The Rabbit Hole Cafe
Great Cafe & Restaurant, Annerley
DRINK
DRINK
DRINK
DRINK
Campos
Merlo coffee
The Jetty Oxford
Eagle Street Pier
RELAX
RELAX
RELAX
RELAX
At home
Sunshine Coast
On the back deck
In my backyard
what are your spiritual beliefs?
I practise Islam. It is very important to me. who is inspiring you and why? My family and friends who continuously support me, especially at the moment as I am about to start studying again.
immediate public attention?
The unemployment rate in Australia needs to be lowered. Superannuation also needs to be addressed. what are your spiritual beliefs? I don’t have any – I’m not atheist or Christian. who is inspiring you and why?
what issue needs immediate public attention? The needs of mental-
health patients. They need emotional and financial support from the community. what are your spiritual beliefs? I try to be non-judgemental and I don’t sweat the small stuff. who is inspiring you and why?
Matt Golinski, for the strength he exudes despite the tragedy he has experienced of losing his family.
Where do you like to ... ?
22 map magazine
T H E design I S S U E may 1 3
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success
local dreamer
design realiser
FRITZ SCHWARZ It’s often the case that if you’ve grown up near water, you develop a lifelong connection with it. Fritz Schwarz spent his childhood on the former-East German island of Rügen, developing an intimate acquaintance with the Baltic Sea while exploring his love of sailing. That love soon turned into a career in boat-building and a journey to the other side of the world to settle next to the Pacific Ocean on the Sunshine Coast. From there, Fritz has channelled his artisan talents into a new venture, Fritz Frames, through which he applies his boatbuilding nous to the craft of handmade eyewear, making stylish yet impeccably engineered glasses from sustainably sourced wood.
Fritz Schwarz was in the habit of breaking things as a child. “Looking back, my upbringing on the island was important in terms of my relationship to material goods,” he reflects. “If we had things break back then, we either had to repair it somehow or not have it at all. I was always breaking things and so I was really interested in how to fix things and, later, how to improve and make things.” As the years passed, Fritz’s tinkering evolved to a grander scale, as a result of his passion for sailing and racing boats. He began spending his weekends modifying the family’s boats to make them more competitive. Those skills became particularly useful when it came time to do his compulsory year of civil service in Germany, which he spent working on a project with troubled youth on the island, restoring old boats and bicycles. As part of the project, he sat in on workshops with the young people he was working with, where he himself picked up extra skills such as welding, metalwork and cabinetmaking, inspiring him to eventually complete a boat-building apprenticeship. While at school on Rügen, Fritz had happened to fall in love with an Australian girl who was living there as an exchange student. In 2005 the couple married and, not long after, decided to move to the Sunshine Coast. Upon arrival, Fritz set to work building their home and furniture, and soon also began building furniture for friends and family.
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T H E design I S S U E may 1 3
As he settled into his new life, the next few years saw him take on a series of jobs that indulged his artisanal skills – building fittings for a multi-million-dollar yacht in Perth, as well as starting his own business building and selling wooden kite boards. In amongst his large repertoire of handiwork, Fritz had also long been making his own glasses – more out of necessity than creativity. “During my apprenticeship I’d have glasses break on me, but I’d still have the lenses,” he explains. “I had a lot of spare time on my hands and I’d been learning about carbon-fibre techniques. So I made a pair of glasses for myself out of solid carbon fibre and they were a great success, lasting for five years or so. They had no hinges, so they couldn’t really break, and they had a string attached to the back so they were great for sailing and diving.” Admiring his original creations, Fritz’s wife Mary requested that he make her a similar pair of glasses, but this time from wood. Pondering the conundrum momentarily, he solved it by crafting a carbon-fibre frame with a wooden veneer. Mary quickly began receiving compliments about her homemade eyewear and sensed a business opportunity. “She kind of bullied me into going pro,” Fritz laughs. “But also, at the time, the kite-boarding business wasn’t doing so well. Beauty is really lost on most kite-boarding fanatics so you can’t really charge much.” In mid-2010, he registered Fritz Frames
map celebrates 13 years of positive media
as a company and, within six months, was winning awards for his designs. “Part of what convinced me to continue with eyewear is that the response was overwhelming,” he says gratefully. “I can’t comprehend where that response came from, but then it’s not to be comprehended; it’s to be noticed and then followed upon. I’ve made a lot of things in my life, but nobody got excited about any of those as much as they have about the eyewear.” Converse to the founding philosophies of many other eyewear brands, Fritz points out that his own approach grew from an appreciation of the materials rather than a desire to create a fashionable item. “It started with the craft and the materials, so there’s more of an engineering factor in it for me. It’s wood composite and has carbon-fibre and fibre reinforcements, so the material is extremely strong. That means you can have very thin rims, which gives you much more design freedom.” Another distinguishing factor of the Fritz Frames design is its coating, which protects the glasses from moisture and UV rays and prevents the wood from coming in contact with the skin. True to the problems often encountered by artisans who turn their craft into a successful business, Fritz says his greatest challenge has been making the move from the workshop to the office, and finding a healthy balance between the two. “But I’m quite proud of the fact that I didn’t have to borrow money or buy
interview by MIKKI BRAMMER
––
Stay humble ... ”
local dreamer
my success and that instead it happened organically,” he says. “I’ve gradually grown the company from grassroots and, for me, that’s something to be proud of.” Being his own boss also gave him the freedom to choose his own job title. Not wanting to bear the mundane label of CEO, he pondered other possibilities. At first he considered ‘creator’, but was quickly deterred by the Biblical connotations. “I don’t believe in a god. From my background in East Germany, we didn’t have any gods – we were all communists in a way and churches were for seeing blues musicians and occasional rock concerts.” Instead, he chose ‘realiser’. “A realiser is someone who not only makes things, but also makes things happen,” he explains. Currently Fritz and his small team make around 50 frames a month, which are sold mostly through stockists (locally at eyewear den, Optiko). And while the brand’s international market is growing slowly, Fritz says he is content to focus on efforts closer to home. His inspiration, he reveals, comes from seeing other people’s perspectives of eyewear, be it in magazines or in the work of other
success
designers he knows. “It’s not rocket science to design a pair of glasses, but there is a certain level of excellence involved. That’s what we aspire to.” Grateful to his wife for having nudged him in the right direction, Fritz says she inspires him in myriad ways. “She’s very artistic and has her own opinion about things,” he says fondly. “It’s also nice to have a female perspective on the whole fashion side of things.” In crafting his plans for the future, Fritz’s goals lie far beyond the world of eyewear. “My dream is to grow things to the point where the business is making enough money that I can go and travel and sail and not be in the workshop until midnight making a pair of glasses,” he says. “I’d like to find that sustainable balance.” For now he finds his peace aboard a boat when he goes sailing with a friend every Sunday, or when surfing and kite surfing in “cyclonic conditions” with not a soul in sight. As for his advice to other artisans following in his path, Fritz believes that the most important factor is to maintain humility. “Stay humble and under promise but over deliver,” he says. “If you start bragging about things, you can’t keep up with what you promise.”
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fashion
street
Italian Pure Silk Satin Alla Moda allamoda.com.au
Ginger & Smart Mosaic Dress Olive Woman olivehome.com.au
Elk Love Clutch Lyle & Bank lyleandbank.com.au
Zoda Necklace Olive Woman olivehome.com.au
Dorothy & Evelyn Vintage Dress Ma Belle Amie mabelleamie.com.au
Faux Pas Chambray Shirt Heidi Go Seek heidigoseek.com.au
Printed Scarf The French Peg thefrenchpeg.com.au
Eyebobs Velvet Underground Glasses Magnolia Interiors magnoliainteriors.com.au
Jac + Jack Kiki Cashmere Jacket Magnolia Interiors magnoliainteriors.com.au
3.1 Phillip Lim Pashli Calexico calexico.com.au
Rag & Bone Espadrille Sneakers Calexico calexico.com.au
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R&G Broad Jacket Rodd & Gunn Wintergarden roddandgunn.com.au
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T H E design I S S U E may 1 3
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online Portfolio at sdj.com.au Holland Park 988 logan road Ph 3847 9933
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raw
fashion
Ellen Mackay, 23
Frank Rochet, 29
Karen Hutton, 47
What do you do? I am an English teacher. What are you wearing today? A dress from
What do you do? I’m a waiter. What are you wearing today? A scarf, WeWood watch and Dolce&Gabbana t-shirt. Describe your style
What do you do? I’m a freelance writer and I also work in retail. What are you wearing today?
Paddington Antique Centre and a hand-me-down vintage Pierre Cardin bag. Describe your style Vintage, retro, cute. Where is your favourite place? Coolum Beach. What is the best advice you have ever received? Really listen to someone when they are speaking to you. Who is your rolemodel? My sister, because she recently started her own business.
Casual – when I’m off work, I like to be relaxed. Where is your favourite place? My home city of Lyon in France. What is the best advice you have ever received? Travel as much as you can and dare to dream. Who is your rolemodel? The friends who I travel with.
A suede poncho from St Barts and a necklace my husband bought me in India. Describe your style A hippy-bohemian look that’s slightly edgy. Where is your favourite place? Paris – its beauty is so poetic. What is the best advice you have ever received? Everything in moderation. Who is your rolemodel? My husband – he is a creative genius.
check out the latest news at theweekendedition.com.au map magazine
T H E design I S S U E may 1 3 27
fashion
cloth
GLOBAL DREAMER
Brigid Oesterling DESIGNER, USA
brigidoesterling.com –– Using bicycle inner tubes as her medium, Nashville-based designer Brigid Oesterling makes corsets, costuming, clothing, jewellery and accessories. age 38. born Connecticut, USA. thing that made the world sit up and take notice of you I think that
my work is striking to people because I use recycled materials in a manner that is elegant, bold, feminine and different to what you would expect.
Nomadic // apparel Long gone are the days when plane travel was an elegant affair, with travel attire now selected for comfort rather than style. Preferring not to compromise in either department, Swedish fashion label Brothers decided to create a travel collection of garments to provide gents with soft suits and stretch business shirts during transit. To launch the collection, Brothers built a pop-up store in a shape similar to a vintage Louis Vuitton trunk. The shop is travelling around Sweden, taking stylish stopovers at airports and train stations. @ suitcasestore.brothers.se
describe yourself in ten words
Independent. Hardworking. Friendly. Shy. Bold. Kind. Silly. Calm. Creative. Hopeful. gets you out of bed in the morning Knowing that life is too short and that I have a lot of things to do and see. last thing that made you smile My friends make me smile. I’m so fortunate to be surrounded by incredible people who make me laugh all the time. idea of complete happiness Complete happiness happens when I am in the moment ... whether that be laughing with a friend, engrossed in the studio or walking through the woods. makes you different I think my approach makes me different. The rubber of inner tubes is hard to work with and a lot of work I have seen made from recycled materials has an aesthetic of looking like what it is made from. I don’t want you to know what the material is right away. words of wisdom Life is too short – be open minded, kind and live sincerely.
modernist // jewellery Portland-based jewellery designer Teresa Robinson spends much of her free time fixing up her ranch house, where she admits she is often bossed around by her terrier and five opinionated chickens. In her day job, however, she holds much more control. Under the moniker Stone & Honey, she makes jewellery inspired by the early Modernist craft movement. Incorporating original-cast and hand-tooled bronze shapes with fibre accents, the jewellery ranges from geometric earrings to curvaceous rings and elegant pendants and bracelets. @ stoneandhoney.com
Photography by Djeneba Aduayom
leather // heirloom
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T H E design I S S U E may 1 3
wooden // wares Wood is an increasingly viable medium from which to construct fashion items, with the latest foray being the Wearable Wood Clutch by Tesler+Mendelovitch. Based in Tel-Aviv, the Israeli duo behind this fashionable feat creates the 100% wooden clutches using a geometric design that allows for flexibility in the material, so that it can be manipulated into shape. The clutches are available in a variety of different woods, each featuring a slightly varied natural grain. In addition to fashion accessories, Tesler+Mendelovitch also applies its woodcrafting skills to furniture. @ talentsdesign.com
be the change you want to see in the world
A purveyor of custom leather goods, ColsenKeane defines itself as being in the heirloom business – crafting its products with the hope that they will be well used by their original owners before being passed on to future generations. In addition to its dopp kits, satchels and iPad cases, the brand has also developed the MicroWallet. The petite vegetable-dyed leather pouch has just enough space to hold up to eight cards, as well as several folded notes and a few coins, and can be neatly squirrelled away in your pocket. @ colsenkeane.com
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Whether you crave an escape abroad, or something closer to home, we’ve got the tips and accessories you’ll need for a perfect holiday.
Loire Village Escape
picturesque
Overlooking the town square in a quaint postcard-like village near Tours in the Loire Valley, a one-bedroom rental apartment offers a quintessential French holiday experience. A local boulangerie for delicious croissants and gateaux is next-door, an open-air village market sits across the square and the region’s famed chateaux are within an hour’s drive through charming countryside. Mix with locals at the town’s brasseries, savour fine wine and produce, or just stretch out in the apartment’s windowseat and take in village life. C’est bon! And if you’d also like to visit Paris, the city is just an hour away by high-speed train. T. 0419 730 646 loirevillageescape.com
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The joys of exploring a new destination and the adventures that transpire along the way are often made all the more special when they are shared with friends and family. Cruising is one of the best ways to enjoy the company of your nearest and dearest, whilst also enjoying an exciting adventure in a faraway land. Go See Touring is a company that specialises in organising cruises and niche holidays. The boutique travel agency has an impressive understanding and knowledge of the seemingly endless holiday and cruise options available and the team applies its expert advice to match you to the cruise experience best suited to your requirements. Go See 30 map magazine
Touring has a special understanding of cruise options ranging from soft expedition cruises to six-star cruise lines. The agency is part of the World Wide Cruise Centres Group, which is a network of affiliate agents handpicked for their superior knowledge of cruising. The team books a large range of cruising experiences that include river cruising, expedition cruising and small-ship cruising options around the world. Just some of the companies aligned with Go See Touring include the reputable Orion Expedition Cruises (pictured), Crystal, Regent Seven Seas, Compagnie du Ponant and Adventure Canada. Shop 4, 99 Racecourse Road, Ascot T. 1300 551 997 goseetouring.com
T H E design I S S U E may 1 3
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cultural
Embrace one of southern Queensland’s most lively social events on the winter calendar at Warwick’s ten-day Jumpers and Jazz in July Festival. Curious textile creations transform the country town of Warwick into an outdoor gallery from July 18–28. You can choose to explore the Tree Jumper exhibition, which sees more than 110 trees wrapped and decorated in colourful knitting, crochet, felting, weaving and recyclables. Other events include Killarney Bonfire Night, Grand Vintage Car Rally, Saturday Stroll n’ Swing and Picnic in the Park, as well as craft workshops, sumptuous dinners and plenty of jazz music. T. 4661 9073 jumpersandjazz.com
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beauty
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GLOBAL DREAMER
# o2
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Michael Cramer
designer, south africa Zulu Grey
zulugrey.com –– Seeking the perfect finishing stone for his straight razor, Michael Cramer began hand-quarrying Zulu Grey – a rare stone found only in South Africa – to turn into whetstones. age 29. born Virginia, Free State, South Africa. thing that made the world sit up and take notice of you
Hopefully, in time, it will be that there is a deep sense of quality and concept in all that I make/design/express.
gypsy // Handmade in Mallorca, Spain, by Australian lass Sommer Elston, the Gypsy Juice range eschews petrochemicals, solvents, dyes, alcohol, preservatives, pesticides, chemicals and all the other nasties often found in beauty products. Sourcing organic, unrefined oils, butters and botanicals from some of the most exotic places on earth, the range makes grooming a pleasure.
describe yourself in ten words
A designer heart, a maker mind and a romantic soul. gets you out of bed in the morning I suppose it’s a constant, unfulfilled desire to leave my mark on the world, as cliched as that sounds. That and the draw of good espresso, of course. makes you different Probably not as much as I care to think. However, honestly, kindness and creativity are traits I appreciate about myself. idea of complete happiness There surely isn’t such a thing … but love, family, travel, music and creating with one’s hands are all elements of great happiness. scares you Mediocrity, or the thought of my life winding down without having ever done something truly remarkable, indelible.
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01 Gypsy Juice from gypsyjuice.me 02 Miss Ferling Baume du Dodo from missferling.fr
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03 Commodity Tea Eau de Parfum from commoditygoods.com 04 Lotus Wei Inner Peace Balancing Serum from lotuswei.com 05 Make Up For Ever High HD Definition Foundation from makeupforever.com 06 Kure Bazaar Mon Bleu Nail Polish from kurebazaar.com 07 Bumble and bumble Mending Conditioner from bumbleandbumble.com 08 Venti Anni Colour Compact from labelladonna.com
TAILORED //
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last time you did something for the first time Too long ago actually … worth fighting for Love, goodness,
and those who can’t defend themselves: both people and animals. words of wisdom If ‘they’ don’t make things like they used to, well then ‘we’ should.
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32 map magazine
T H E design I S S U E may 1 3
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village
clever coiffe promotion
Clever Coiffe
Gain an insight into the minds behind this season’s hairstyles as talented hair aficionados talk about their inspirations.
Toni&Guy Bulimba
ED HOPE HAIR
What is your specialty? Cutting and styling. I like to create wearable styles for clients by working with the natural texture of each individual’s hair. I also focus on creating healthy hair – the salon uses treatment masks from Wella SP that provide low-maintenance homecare for the time poor. What motivates you? Connecting with clients and making them happy. I really try to focus on providing them with a personalised service. What has been your greatest achievement? It would have to be purchasing the salon last year. Who or what is your biggest inspiration? Being a part of a global company – the team is very lucky to have a constant flow of inspiration from TONI&GUY salons around the world. TONI&GUY and label.m are also sponsors of London Fashion Week, which enables the company to stay very aware of current fashion trends and deliver these trends direct from catwalk to client.
What is your specialty? I pride myself on my dedication to client satisfaction – giving clients what they want for their hair and hopefully having some fun during the process. What motivates you? The happiness of my clients, as well as the happiness of the team I work with. I believe that when everyone is having a good time, great things can happen! What has been your greatest achievement? As cliche as it may sound, it would be getting to this point in my career. Like many hairdressers in the industry, I experienced some challenges earlier on. But after settling in at Ed Hope Hair, I feel I’m creating my best work. Who or what is your biggest inspiration? Hair stylist Sharon Blain is one of my greatest idols. Her work blends something fun and fashionable with practicality. I also derive inspiration from other stylists who are passionate about what they do and who have helped ignite my passion for my job.
5 Wambool Street, Bulimba T. 3399 3545 toniandguy.com.au
159 Latrobe Terrace, Paddington T. 3367 0252 edhopehair@gmail.com
Revolution Hairdressing
Fruition
What is your specialty? As I have worked at TONI&GUY and Vidal Sassoon for the past 17 years (salons that specialise in specialist cutting and colouring), my strengths are precision cutting, long hair styling and consultations. What motivates you? My clients and working alongside Kevin Murphy as a part of the Australian creative team directing hair at Melbourne Spring Fashion Week. What has been your greatest achievement? Aside from my two beautiful boys Bowie and Flynn, it would be my amazing career. I have spent more than 25 years in an industry I love and I’m still learning and developing as a hairdresser. I am also very proud of the unique environment my husband Andre and I have created in our salon. Who or what is your biggest inspiration? I have always loved the 1960s for its explosion of culture and freedom of expression. I also love New York for its endless well of talent and inspiration.
What is your specialty? I love cutting short hair and I believe that when you work with the unique shape of a face, a shorter cut can be effortlessly feminine. My signature look would be a strong Vidal Sassoon-esque bob with a sharply tailored fringe. What motivates you? The team members around me are a foundation of strength and skill. They push me creatively and commercially, and they have helped to make me the hairdresser I am today. What has been your greatest achievement? Being nominated as Australian Hairdresser of the Year was huge for me. I am also a Global Ambassador for the Milan-based brand Alter Ego, where I have the chance to represent Australia on an international stage. Who or what is your biggest inspiration? Creatively, the designs of Alexander McQueen influence my aesthetic, while celebrity session stylist Tyler Johnston feeds my technical tank of ideas.
36 Vernon Terrace, Teneriffe T. 3666 0745 revolutionaustralia.com.au
Shop 5, Rowes Arcade, 215 Adelaide Street, City T. 3229 0103 fruitionhair.com.au
kevin hobbs/art director and owner
sandra faiva/owner
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T H E design I S S U E may 1 3
jay russell/senior stylist
craig smith/director
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national dreamer
oud maestro
Joseph Tawadros Thousands of years before the first guitar-shredding rock god ever took to the stage, there was another stringed instrument that was known for mesmerising its audiences. Revered in traditional Arab music, the oud’s melancholy timbre is now being given a contemporary lease on life at the dexterous fingers of 29-year-old musician, Joseph Tawadros. The ARIA Award-winning virtuoso’s latest album, Chameleons of the White Shadow, is a modern fusion of jazz and classical sounds that features some of music’s greats playing right alongside him.
I immigrated from Egypt to Australia when I was two … and I don’t remember much of it. I feel very much Australian but I’ve discovered more about my Arabic and Egyptian heritage here. My family always had that thirst … to go back and visit Egypt and I guess I was caught up in that nostalgia. I hadn’t really lived there but the nostalgia came more from all the stories I heard about the family. I think what I do now is very much a way of getting in touch with my culture. My older brother played guitar … and I always remember listening to him practise. And my grandfather played the oud and violin. My family constantly had music on – my parents always played the classic Arabic music. I actually wanted to play trumpet … because my uncle was a famous trumpet player in Egypt and he was really a pioneer. But then I saw the oud in a movie about an Egyptian composer – my family are also Arabic movie buffs – and I was really drawn to it. The oud is the instrument of choice in Egypt; it’s kind of like the piano is to the West. There was a scene where the main character sold his father’s gold watch to buy an oud and that really stuck with me. I love the sound of the oud … because it’s a very earthy sound, like a cello in a way. It’s got that register that’s not intrusive and it’s a very warm instrument. I also love the nature of the music – it’s very melancholy.
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I’ve been back to Egypt … now and then and have hung out with my uncle and other musos. I found that to be a really inspiring environment. The culture is crazy and very different, but I was able to connect with my roots again and all the stories I’d been told. It was a real eye opener for me. I don’t try to play … to a particular genre. I love all sorts of music and I’m in a very privileged position at the moment to be playing with the people I enjoy listening to, who are also my heroes. That’s what this album was about – playing with some of the great jazz players and people I heard as a kid. My brain … is constantly ticking. I try to record an album a year and one that’s totally different from the previous album, which is a very large undertaking. But it’s about meeting the right musicians and knowing what will work and sound great, rather than just doing it for the hell of it. And it’s also about trying to say something. I think for any musician … who is really involved with their instrument and music, it kind of becomes a daily tool for relaxation and expression. It’s something very special that’s also our job and we’re very lucky in that manner – especially if we are composing and performing our own music. The advice I would give anyone pursuing a career in music … is that you have to work very hard, but you also have to love it. It’s about loving your
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instrument and loving music and doing it for that reason – all the other stuff is just a bonus. The other thing is to always ask. I wasn’t embarrassed to ask anyone, and that’s why I’ve been able to play with a lot of great musicians. I felt like I had something to offer, so I asked them and they jumped on board. Music is a really hard journey … because it’s not a very lucrative one. So you really have to have the drive, the passion and the love for what you do, finances aside. You’ve got to have a vision and stick with it. Most of the success I’ve had, I haven’t ventured out to get. It’s come through me doing what I do and doing it because I love it. The hardest thing to overcome … is people saying no to you. I’ve had classical festivals saying that people won’t enjoy listening to the oud. There are a lot of shut doors in your face, but it gives you the drive to work harder and realise that you do have something and that shut doors aren’t going to stop you from doing it. I’ve never thought of giving up … because really I’ve been very lucky. I’m in a very privileged position because I get to perform the music that I write and have great musicians perform it with me. I’m really proud … of my latest record, because I didn’t think I would get that line-up of musicians – they’re all the best in their field. And I’m also very proud of winning the ARIA last year.
interview by MIKKI BRAMMER
––
You should always keep a melody in your heart ... ”
national dreamer
One of my most memorable musical moments … was on a tour with the Australian Chamber Orchestra and one of the pieces was an arrangement of ‘Shine on You Crazy Diamond’ by Pink Floyd. We did about 12 concerts but I never got bored of it. I remember sitting on stage and just looking around and seeing how the guys played and how beautiful it was. It just heaven and I realised that it was really what music is all about. And how privileged was I to be an audience member on the stage! I’m really inspired … by poetry. I’ve done three albums based on the poetry of Kahlil Gibran who wrote The Prophet in 1923. I’m also inspired by other music, but I think the greatest things come out of inadequacy. I like going to a show and feeling inadequate and getting that feeling that you still have somewhere to go. That’s what keeps you going – if you don’t feel inadequate then you have no drive to do anything. I really love Vivaldi … because his music can be fast but also so emotionally charged. There’s that misconception that if you play fast, there’s no soul in the music but I don’t think that’s the case. There can be great emotional depth within speed and it just comes
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down to how the performer is pushing that across. Lately I’ve been listening to … a lot of John Abercrombie – revisiting his work. He’s a legendary jazz guitarist and I’ve been listening to his albums at the moment and just loving them. He still continues to be an amazing guitarist even though he’s more than 70 years old. I hope that I still get to play music at that age and I’m still learning. I never want to stop learning. That’s the thing – guys like him are the perfect example of how you want to be as a musician. They’re still keen at that age. I recorded with Howard Johnson and Roy Ayers on the last album and they’re 73 and still excited and loving music and performing. And they don’t take it for granted, which is why I think they’ve had such long careers. My main goal … is to help move the oud away from being seen as an ethnic instrument or attached to one genre. I’d like to see it become an instrument that stands as strong as the guitar or the piano. There’s a spirituality in music … that connects us all and it’s not tied down to a particular religion. That’s what I love about it. You should always keep a melody in your heart.
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presentation is everything Lightspace is a unique warehouse venue only two minutes walk from the emporium. if you’re looking for an exceptional venue or creative workspace visit www.lightspace.net.au
30 Light street Fortitude valley
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design
space
space
what we found out – – The lift in Museum of Brisbane is Australia’s oldest manually driven cage lift. James TaLTy crafts furniture using tools passed down from his father.
nostalgic enclaves
Museum of Brisbane
Level 3, City Hall, King George Square, City T. 3339 0800 museumofbrisbane.com.au
Heritage architecture is preserved in contemporary surrounds in the newly reopened Museum of Brisbane, which was redeveloped as part of the restoration of City Hall. As you walk through the marble-etched entrance of City Hall and take the elevator to the museum on level 3, you’ll suddenly find yourself in surrounds of a slightly more modern feel. Move further towards the galleries within the museum, however, and you’ll spy reminders of the history preserved within the revamped space. Large steel beams are still exposed at the entrance, an old ornate window offers a glimpse of the city below and a gilded lift ferries visitors from the museum up behind the town clock and
onto an observation deck overlooking the CBD’s rooftops. Woven into the museum’s design to preserve the heritage of the building, these remnants also complement the philosophy behind the museum’s exhibitions, which celebrate Brisbane’s culture and the many stories hidden in its history books. During the design process, the layout of the space was dictated by City Hall’s original dome and floor plate, with the sleek Dome Lounge designed to be a focal point between gallery spaces. The lounge’s eye-level views of the classic dome contrast with its modern fit-out, which features Scandinavian-style furniture, svelte lights and crisp wallpaper designed by museum staff.
James Talty Furniture
16/109 Musgrave Road, Red Hill T. 3368 1781
While the Information Age now engulfs us, there’s still a great deal of satisfaction to be found in creating something of a tactile nature. After continuing to be inspired by his love of furniture making, and feeling disillusioned with his office job at the same time, James Talty decided to pursue a career as a maker instead. He is largely self-taught, but employs many of the lessons passed down to him from his grandfather and father, who were both skilled carpenters. From his studio in Red Hill, James quietly hones his craft and minimalist Danish-style aesthetic, while, outside, cars whirl frantically along Musgrave Road. Battered working benches bearing scars
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stop global warming
of previous ventures are covered in wood shavings and various off-cuts, with each discarded remnant of timber enhancing the earthy wooden scent that pervades the small workshop. Nearby, shelving is piled with hammers, saws, screwdrivers and pots of paint, all leaning lazing upon one another. Blow back a layer of golden dust, and power tools also reveal themselves, although their tangled electric cords seem somewhat out of place in the rustic setting. When musical inspiration becomes necessary, there’s a dusty vinyl collection tucked in a corner of the shop alongside a weathered record player, but mostly James’ inspiration comes from the beauty of each piece of timber.
design
home
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Photography by Alessandro Guerriero
REversible //
It’s usually the case that once you purchase a lampshade, you won’t give it much extra thought until it’s time to replace it. With Desinature’s Lily Lampshade, however, you can reverse its ‘petals’ from coloured to white when the mood strikes. The lamp comes in a variety of flat-packed versions – all in brightly coloured hues – and is both recyclable and biodegradable. # o3
retro //
Fusing a vibrant hue with oriental design, this Retro Screen is reminiscent of a time when cheese fondue and devils on horseback were considered contemporary dinner-party cuisine. As we now find ourselves in an age where studio apartments are the most affordable lodgings for city dwellers – and devils on horseback are once again being spotted on restaurant menus – this screen can help to discreetly hide your boudoir when hosting a modern-day dinner party in a small space.
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log // Back when building
materials were limited to what you could source yourself, wooden logs carved from pilfered forest trees were often the medium of choice. These days the old log cabin and wooden canoe are seen more as nostalgic objects than modern design feats, but German designer Thomas Schnur has propelled the log into the 21st century with his charming but refreshingly contemporary Forest Chair.
01 &ABILITY Table by Alberto Fabbian from casa-europa.it 02 Lily Lampshades by Desinature from desinature.com 03 Retro Screen from Domayne Fortitude Valley 04 Bug Bathroom Collection by Rui Pereira and Ryosuke Fukusada from rui-pereira.com 05 Forest Chair by Thomas Schnur from thomasschnur.com 06 VOLT Table by Reinier de Jong from reinierdejong.com 07 Aurora Lamp by The Good Flock from thegoodflock.com
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village
active minds promotion
Active Minds
Keep your mind happy, healthy and alert by providing it with some fresh new stimulation.
the golden pig
Transforming Ageing
Wielding a knife like Gordon Ramsay or producing a decadent dessert like Nigella Lawson may not come naturally to all, but these are skills that can be learned. The Golden Pig Food and Wine School specialises in educating budding cooks about food, wine and beer. The school has a variety of specialised classes on offer, from those that teach beginner basics to workshops and masterclasses. All lessons are taught by experts in their fields, who provide students with invaluable knowledge about cooking. Classes are hosted in a fun environment, culminating in a restaurant-quality feast.
The belief that yoga can help to prevent physical and mental deterioration later in life is one championed by yoga enthusiast and author Cecily Slade. The dedicated yogi also lives by a mantra that the body you have before you are 40 is the one you were born with, while the body you have afterwards is the one you have made for yourself. She has explored the relationship between this mantra and the benefits of yoga in her book Transforming Ageing. You can discover Cecily’s philosophy at three special yoga workshops she will hold in Brisbane on May 18 at Wavell Heights, May 25 at Red Hill and June 8 at Sandgate.
cuisine
health
38 Ross Street, Newstead T. 3666 0884 goldenpig.com.au
Brisbane Institute of Art
Jazz Music Institute
artistic
Creative pursuits can require getting your hands dirty at times. With support from Brisbane City Council, Brisbane Institute of Art (BIA) provides community access to large art studios close to the city, where you can get a little messy. These creative spaces see people involved in all manner of artistic activities, from splashing paint to smudging charcoal, chiselling stone, shaping clay and grinding metal. Following these creative pursuits is also a great way to find a remedy for the constraints common to city living, with many participants at BIA finding that art has helped make them feel connected to themselves and to others around them. At the school, more than 42 map magazine
T. 0405 410 801 transforming-ageing.com
rhythm 40 artists provide a rich program of exhibitions, art classes and workshops in a friendly and supportive creative environment. A structured art program is available that offers students the freedom to explore their own interests. The offerings range from figure drawings and still-life painting, to sculptural assemblage and digital photography. The visual arts provide an excellent starting point for life-long learning with links into design, history, psychology and philosophy. Classes and workshops are offered during the day, evening and weekends to suit all schedules. 41 Grafton Street, Windsor T. 3857 5377 brisart.org
T H E design I S S U E may 1 3
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Few musical genres have formed such a passionate band of followers as jazz. Since its emergence in the USA in the early 20th century, the energetic musical style has created a fervour of movement on dancefloors, making itself known in clubs far around the globe. Brisbane locals who share a passion for jazz music and wish to follow in the footsteps of jazz greats like Miles Davis and Chet Baker can learn the craft at Jazz Music Institute (JMI). The school provides tertiary study in jazz, with bachelor and certificate courses available, alongside short-term courses and those designed for high school students. High-quality and holistic jazz education is taught in international-
standard facilities at JMI, in a way that helps to prepare graduates for a professional career within the music industry. Students are also lucky enough to be able to benefit from the school’s dedicated live jazz club under the same roof – a facility that ensures a practical education through performance. JMI not only boasts a range of quality facilities for its students, but also the support of a league of famous fans. The school is internationally recognised and endorsed by some of the world’s current leading jazz artists, including James Morrison, Wynton Marsalis and John Scofield. Shop 1, 47 Brookes Street, Bowen Hills T. 3216 1110 jazz.qld.edu.au
business buzz promotion
village
Southbank Institute of Technology learning Building a highly successful business in today’s competitive digital media industry can be challenging. For Chris Byrnes, the 29-year-old founder and technical director of Brisbane-based digital agency QMG, the answer was hands-on, vocational learning. This type of education was exactly what Chris found at Southbank Institute of Technology (SBIT). After searching for the perfect place to channel his creativity, Chris decided to complete a Diploma of Multimedia with SBIT. Chris has since returned to SBIT multiple times to equip himself with a diverse range of skills that allow him to be involved in all aspects of his business, from business development to marketing and IT. He believes the hands-on learning he was exposed to at SBIT has been instrumental in the success of QMG. “The quality of the campus facilities and the industry-experienced teachers provide SBIT students with knowledge and skills that can be put into practice in any workplace,” he explains. SBIT’s flexible study options
were another enticing option for Chris – after igniting an enthusiasm for learning with his first diploma, Chris later completed a Certificate II in Information Technology, a Diploma of Marketing and a Diploma of Business through SBIT, all while working full-time to build his own business. Chris also credits SBIT teachers for providing him with the necessary tools to succeed. “The knowledge and encouragement I received even after I finished studying at SBIT has been fantastic,” he says. “My business has gone from strength to strength and I have to thank the teachers at SBIT for making a real impact on my life.”
66 Ernest Street, South Brisbane T. 13 72 48 southbank.edu.au join map magazine on facebook and twitter map magazine
T H E D esign I S S U E may 1 3 43
success
failure aficionado
international dreamer
BROOKS ATWOOD
There are many ways you might recognise Brooks Atwood in a crowd. It could be his mad-professor coiffure or his blindingly bright cape. Or perhaps his proclivity for breaking into spontaneous roars or joyous leaps in the air. But most likely it will be for his undeniably infectious love of being alive and squeezing every precious moment out of life. An internationally award-winning industrial designer, passionate educator and all-round boundary pusher, Brooks will be in Brisbane on June 4 as part of his series of talks for Portable. His aim? To teach the world how to fail like they’ve never failed before.
What was your childhood dream? My dream was to experience a journey that would let me be in the moment – because to me the trip is the best part, not where you’re going or what you’re doing there. So I wanted to be an astronaut because it seemed like that’s what they did. We moved all over the place when I was a kid and I think growing up like that gives you the ability to be very adaptable and charismatic, because you need to make friends fast when you change schools. Were your parents an influence? God, yes. I’m not sure the best way to describe my parents because if people think that I’m crazy, funny, entertaining and eccentric, my parents have me beaten tenfold. I don’t know exactly why we moved around so much when I was a kid. They’ve never really answered that and I’ve never really asked specifically. My parents divorced when I was young, but I just remember growing up and never having a problem, because every time something bad happened, my mum would turn it into something exciting and an adventure. I’ve kind of just taken that with me in my life – no matter what happens, it’s an adventure so I should have fun doing it. What is one of your first memories of appreciating or recognising design? I would visit my dad in the summers and he’d make me do all these chores while I was there, like build a deck, or a fence, or a boathouse. And while I was doing all that stuff I remember thinking that there
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had to be more to it than just doing the job. Why couldn’t I do a pattern in the fence or why couldn’t the deck bend? My dad was also very creative – he’s not a practising architect but he pretends to be one. In the seventies he was building houses with wood trusses and prefabricated systems before prefab was even a word. I guess I took his ingenuity and applied it to my mum’s creativity and found this really fun balance. You say you work in the realm of boundary pushing. How so? I just jump into a new project and see if I can drown. Fail like a rock star – that’s what I tell my students. So I approach every project with a totally unique eye and perspective. And from the very beginning I try to take it out to an extreme netherregion of design and go as far out as possible. We don’t show the client all those things; it’s more for us in the office to see if we can come up with new things. That’s the way to be innovative – pushing the boundaries as far out as you can in every way possible. Nothing is taboo. Then we slowly start bringing it back to reality until it teeters into that kind of genius realm. I love to be in that territory that most people find uncomfortable. Do you consider yourself to be a success? Absolutely. I’m doing what I love to do and I get to dream every day and be as creative as possible. To me that’s success – following your dreams and not being afraid of your own creativity and never apologising for it.
map celebrates 13 years of positive media
What’s been your greatest challenge? Other people’s fear. Other people are afraid of creativity and so I think my biggest challenge is proving the validity of being creative in different industries, like architecture. Boundary-pushing architecture is generally scary for people, and it’s the same with interior and product design. But I believe it’s the only way to be innovative. And one day it will catch up to me and people will notice, but I’m also okay if they don’t. What are you most proud of? I’m most proud of being the person I am and not being afraid to take the chances and challenges that people ask me to. I’m also proud that I’m able to stay positive and creative under pressure and be true to myself and the things I believe in. What took you from being defeated by failure to ‘failing like a rock star’? To me, again, it’s about boundary pushing. If you’re afraid of failing, then you’re never going to be able to push the boundaries. So when I say that on every project I try to push the boundaries out as far as I can, those are failures. I’m just failing over and over again, but I believe that I’m failing on a huge, awesome level and that something good is going to come out of that failure at some point. I tell my students that I want them to fail, in order to allow them to strip fear away and to know that they’ve tried and experienced and experimented as many times as possible. And they end up with something incredibly powerful
interview by Mikki Brammer
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Don’t be afraid to think differently ... ”
international dreamer
and magical that, even if it’s not exactly right, it doesn’t matter because they went through this amazing journey and they’re not afraid of failing anymore. Was there a failure that helped you develop this mindset? It wasn’t a particular failure, but I love being rejected from things. I apply for everything – grants, residences, artist scholarships – and I get turned down on all of them. But I don’t care because I’ve put that information and creativity out into the universe and I believe that, at one point in the future, it will come back to me. Maintaining that optimism allows me to eliminate fear. Who inspires you? Other people without fear. Einstein, David Lynch, John Cage, Eddie Smith – people who don’t give a shit about preconceived notions of anything. They know that something is good and they’re going to go with it. These people have done amazing things with their careers and I hope that I’m following that path. What inspires you? Experience and looking at things. As a designer, I’m reinterpreting what I see to people, similar to how an artist shows you what
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you’re not seeing. I need to be looking at everything all the time to see how I can see something new or do something differently. When was the last time you did something for the first time? I try to do that every day, as many times as possible, whether it’s brushing my teeth upside-down or getting dressed backwards. I believe that you should do it as many times a day as you can. I take a different route to work every day or I’ll make a point to look at something from a different angle every day, even if I’m walking down the same path, just to see if I can see something I haven’t seen before. Where do you find peace in life? In quietness in my home with my wife and dog. It’s like a safe zone where I can just sit and be quiet, and I can free myself and shut my brain off. It’s like meditation. Do you believe in a god and, if so, which one? I believe everything is connected in the universe – energy, positivity and creativity – whether you call that karma or Daoism or Buddhism. I have faith in design. What are your words of wisdom? Don’t be afraid to think differently.
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book now
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gourmet
pantry
Turquoise Bird Ornament Olive Woman olivehome.com.au
Indian Spoons Hacienda haciendaflowers.com.au
Olive Oil with Wasabi Macnab Provedore
Non-Stick Saucepan Ma Belle Amie mabelleamie.com.au
Truffled Gnocchi with pancetta Ciccio’s Pasta Bar cicciospastabar.net
Hickory Smoked Salmon with beetroot The Jetty South Bank thejettysouthbank.com.au
Yellow Peeler Magnolia Interiors magnoliainteriors.com.au
BruÑido Ornamental Plate Hacienda haciendaflowers.com.au
Laguiole Paring Knife Lyle & Bank lyleandbank.com.au
Dynamite Roll Sakana Japanese Dining Bar
Kimono teacup And Saucer Macnab Provedore
Round Rattan Placemat Magnolia Interiors magnoliainteriors.com.au
General Eclectic Teapot Jamieson’s Home & Fashion
Chorizo and goats cheese baked eggs Rouge Coffee rougecoffee.com.au
Napkins Lyle & Bank lyleandbank.com.au
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check out the latest news at theweekendedition.com.au
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Advice from guys who know their craft. Tony Harper: Wines & spirits. Les Riddell: Beers of all sorts.
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place
gourmet
At Sixes and Sevens //
Brewnette Coffee Van //
Birdcage Pan Asian Cuisine //
67 James Street Fortitude Valley T. 3358 6067
419–429 Moggill Road Indooroopilly T. 0 439 160 012
14 Logan Road Woolloongabba T. 3162 1185
While the saying ‘at sixes and sevens’ refers to a moment of sheer confusion, a new locale with this moniker is filled with patrons engaged in animated conversation, appearing to be anything but confused by the flow of ideas emerging over a casual drink. Also named after its location at street number 67, At Sixes and Sevens is a bar and gastropub nestled inside a revamped cottage. You can get cosy inside and let your eyes wander through a sea of hanging lights that resemble a starlit sky, or take a seat outside and watch the real stars emerge as you share morsels of food and sip on your evening beverage.
Highly regarded amongst caravan enthusiasts and those with an appreciation for all things retro, Airstream vans are considered the Harley-Davidsons of the caravan world. When it came time for a coveted vintage Airstream dubbed ‘Brewnette’ to be retired from its life on the road, a pair of budding coffee entrepreneurs shipped the van to Australia from the USA, and transformed it into a makeshift cafe. The van now houses a full coffee machine that brews Dancing Bean beans, and customers are greeted through a large window adorned with bunting and flowers. Brewnette will be moving from its current location later this month.
After Bistrot Bistro’s departure from the Logan Road precinct, its lodgings were quickly inhabited by a new restaurant also offering fare from abroad. Birdcage Pan Asian is a venture by Darryl Marsden, who became enamoured with contemporary Asian dining whilst living in Southeast Asia for 15 years – a time that imbued him with the inspiration to recreate his experiences here in Brisbane. Menu items, from red Thai-style curry to Japanese gyoza, are all made in-house and served alongside meals of Seasoned Whole Snapper with Asian Slaw. The heritage decor of the building remains, but is now dotted with artefacts symbolic of Asian culture.
check out the latest news at theweekendedition.com.au map magazine
More than a hotel...
Make your next event even more special You’ll be all smiles when you hold your next special occasion at Hotel Urban Brisbane. Spectacular city views and a modern private space make The Loft Brisbane’s favourite rooftop party venue. For stylish soirees, The Green Room is an exquisite space for small cocktail parties or intimate private dining. For more formal affairs, the Panorama Room and Parklands Room boast breathtaking city and parkland views. To arrange a private tour of our event spaces call (07) 3230 7872 or email events@hotelurbanbrisbane.com.au Hotel Urban Brisbane 345 Wickham Terrace Brisbane QLD 4000
N E W B E E R A N D W I N E L I S T. AW E S O M E C O C K TA I L S A N D D A I LY S P E C I A L S . BREW – LOWER BURNETT LANE – CITY
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gourmet
food
Svelte // stir
versatile // BASKET
reimagined // fruit
Cocktails, sangria, lemonade and anything else involving pieces of fruit can be somewhat messy affairs. There’s that inevitable splash during the pouring process when an errant piece of fruit comes tumbling into your glass. The Stir It, by Anna Blattert of POSTFOSSIL, solves such problems with its elegant design. The hand-blown glass carafe has a steel basket built in to it in order to hold items steady for infusion. Not only is it a tidier means of making a cocktail, but it also makes the process of fishing for a desired piece of fruit much easier. @ postfossil.ch
One of the conundrums that comes with a picnic is finding a sturdy surface at your grassy destination on which you can conduct your preparations. The handy Norm Multi-basket solves the problem by building a tray into your actual picnic basket. You can lock the handle in place when using it as a basket and then adjust it to the side when you need the tray. The bamboo lids that fit in place to form the tray can also be used as plates during the picnic, while the basket itself can be adapted to carry firewood and other items. @ menudesignshop.com
Have you ever considered the efficacy of your fruit bowl, putting careful thought into where you position each new addition? Designer Kåre Frandsen did, and deemed his fruit bowl to be ineffective. Rather than relegating hard fruits to the bottom of the bowl where they remain unseen, Kåre’s suspended design is made from steel rings and rubber cable, making each individual piece of fruit visible. Known as Pick, this modern fruit bowl can be hung in your kitchen where you can pluck your desired fruit as if it were fresh from a tree. @ karefrandsen.com
soothing // vessel When the cold weather has gotten the best of you and you’re feeling chilled to the bone, a steaming bowl of soup is often the answer. The svelte wooden form of the Cara bowl – designed by Rina Ono – is the consummate vessel for enjoying a soothing serving of miso soup. The bowl’s egg shape is designed to fit snugly into your palms and is part of a larger range of tableware made from linden wood. The Cara collection is handcrafted by Takahashi Kougei, a family-run wood workshop in Hokkaido, Japan. @ mrkitly.com.au
Madras prawn vendaki – prawn and okra curry
FROM INDIA by Kumar Mahadevan and Suba Mahadevan. Photography by Mark Roper. Published by Murdoch Books.
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ingredients
to make
100 g grated coconut 1 tablespoon roasted chana dal 80 ml gingili (unscented sesame oil) 2 teaspoons black or brown mustard seeds 1 teaspoon fenugreek seeds 1 tablespoon cumin seeds 100 g french shallots (eschalots), sliced 100 g okra, trimmed and cut a 3-cm slit on one side 1 tablespoon red chilli powder 2 tablespoons ground coriander 1 teaspoon ground turmeric 75 ml tamarind concentrate 2 tomatoes, diced 12 curry leaves 12 raw king prawns, unpeeled
Put the coconut and chana dal in a spice grinder and finely grind. Ensure it is very finely ground – process in batches if necessary. Heat the gingili in a large heavy-based saucepan over medium heat, add the mustard seeds and let them crackle for about 20 seconds. Add the fenugreek, cumin and shallots and cook for two minutes. Add the okra and cook for five minutes. Remove the okra mixture and set aside. Add the chilli powder, coriander, turmeric, tamarind, tomato, coconut mixture and 750 ml of water to the pan and cook for five minutes. Add half of the curry leaves, return the okra mixture to the pan and cook for five minutes.
for the Tempering
1 tablespoon gingili 4 dried red chillies 8–10 curry leaves
be the change you want to see in the world
Meanwhile, to make the tempering, heat the gingili in a small frying pan over low heat, add the chillies and curry leaves and cook for one minute or until fragrant. Remove from the heat. Once the okra mixture is ready, add the prawns and cook for two to three minutes, or until cooked through. Pour the tempering over the dish and serve immediately.
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customs house
Happiness comes in many forms and, for some, a moment of bliss is biting into a sugary creation. You can find a sugar fix at Aura Bar, where there’s an array of delicious coffee and scrumptious sweets to enjoy. Most cakes are baked in-house and served alongside specialty items from quality bakers. Amongst the gourmet menu options are homestyle carrot cake topped with cream cheese frosting, freshly made muffins and gluten-free alternatives. Drop in to the cafe to discover the afternoon coffee and cake specials, available until 4:30 pm weekdays and late on Fridays.
Commemorate your next special occasion with a luxurious high tea in the opulence of historic Customs House. You could choose to indulge with the traditional Customs House Tea Party, where delicate cakes, scones and ribbon sandwiches are served with English breakfast tea for $39 per person. Or cherish your pre-wedding moments with friends and family at a Bridal Shower Tea Party. This smart affair includes petite desserts, ribbon sandwiches, party favours and a glass of sparkling wine for $46 per person. Due to demand, bookings for both events are essential.
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399 Queen Street, City T. 3365 8999 customshouse.com.au
scrumptious
opulent
Shingle Inn city hall
Mayfield Chocolates
Indulge a sweet tooth with Shingle Inn’s decadent Afternoon Tea. Treat yourself to an array of dainty treats, including delicate cakes and handmade scones with thick clotted cream and preserve, served alongside a selection of tasty sandwiches. Partner your food selection with one of 15 loose-leaf teas or a cup of coffee made from Shingle Inn’s unique blend. You could also choose to mark an occasion with a glass of Australian sparkling wine or champagne. Afternoon Tea is served daily at 2:30 pm, and also at 11:30 am on Saturday and Sunday.
The art of chocolate-making is a creative process that merges an inventive mind with a sophisticated palate for exotic flavours. Brisbane’s own Mayfield Chocolates is an esteemed creator of unique chocolates. You can purchase by the box at the chocolatier (and gift to mum for Mother’s Day), or select individual pieces to sample different flavours. Uniquely Australian flavours abound at the specialty haven, including Wattle, Brandy Sultana and Lavender. Find the full selection in-store at the chocolatier’s two boutiques.
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prelude
GLOBAL DREAMER
Daria Khokhlova
Soloist, Russia Bolshoi Ballet
qpac.com.au –– A soloist for Russia’s revered Bolshoi Ballet, Daria Khokhlova is dancing in Le Corsaire and The Bright Stream during the ballet’s season at QPAC from May 30. age 21. born Moscow. performance that first made your world come alive? I remember very well – it was
AUSTRALIAN // theatre
when I saw The Nutcracker on the Bolshoi stage for the first time. I was five years old. something you discovered this month I discovered that, despite anything, one should choose one’s own creative path to move in a way of harmony. It was from taking part in a rehearsal of Eugene Onegin that I understood this. You should improve yourself despite all outside obstacles. last thing that made you smile The morning sun. idea of complete happiness When you achieve something that you have been striving for. most beautiful thing you have ever seen Russian nature. scares you I am scared of my level of dissatisfaction and that I can be my own worst critic. tell me about passion It is an individual thing. Only you can understand what can set your heart on fire. makes you different I try to think outside the square and view and analyse certain things differently to develop myself. worth fighting for Your family, your parents, your health and your beloved people. That is the most important thing. words of wisdom If you cannot change the situation, then change your attitude towards it.
Written in 1939 as a statement against the movements of Fascism and Nazism, Bertolt Brecht’s play Mother Courage and Her Children retains its relevance as an anti-war play. Rather than being set against the Thirty Years’ War of the 1600s, Wesley Enoch’s adaptation is set in the Australian desert, which has been pillaged by war. Ursula Yovich leads the cast in a production that focuses on uniquely Australian themes including land ownership, mining impacts and the Stolen Generation. Mother Courage and Her Children is at QPAC from May 25. @ queenslandtheatre.com.au
Jazz // Celebration
Photography by Damir Yusupov
For lovers of jazz, a pilgrimage to New Orleans is an aspiration high on the bucket list. In the meantime, however, there’s a need to look a little closer to home for a fix of live music – such as at the first Brisbane International Jazz Festival. Held at various venues from May 29 to June 6, the festival celebrates jazz music as it exists in many pockets of the world, presenting artists from Australia and around the globe. The line-up features Erin Dickins from the USA, Italian jazz pianist Kekko Fornarelli, Ernie Watts Quartet, and Australian acts The Vampires and Trichotomy. @ brisbanejazzfestival.com.au
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Urban // Games
Cinematic // Harmony
When was the last time you played a board game? Humble board-game nights are often few and far between, and yet a good game of chess sharpens the mind, while Scrabble can expand your repertoire of words containing both the letters ‘x’ and ‘y’. Held on the last Thursday of each month, Games Night at King George Square is a free event where you can test your Connect Four strategy against strangers, play a game of giant Mahjong or bring along your own game to play as the sun sets. The next night will be held on Thursday May 30 from 5:00– 9:00 pm. @ games-at-event.com
Music lingers in the background of many of cinema’s most stirring moments, enhancing the level of drama unfolding on screen. And once a song is known in context, it lives on forever as a symbol of that moment. Celebrating the role of music in cinema, Queensland Symphony Orchestra will perform music from timeless films in Classic Cinema at QPAC on May 19. Highlights of the program include soloist Paul Carasco’s performance of ‘Warsaw Concerto’ from the 1941 film Dangerous Moonlight, as well as recitals of The Barber of Seville and Leonard Bernstein’s West Side Story. @ qso.com.au
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arts
gallery
gallery
life is captured
what is inspiring us this month? – – ”I am following Nature without being able to grasp her; I perhaps owe having become a painter to flowers.” – Claude Monet
Smalltown
The Arts Centre Gold Coast
In Smalltown, photographer Martin Mischkulnig presents a dialogue between his photographs and the prose of author Tim Winton, who is noted for his evocative descriptions of outback Australia. Rather than romanticising Australia’s desolate landscapes, Martin captures stark images
of remote landscapes to question what motivates people to inhabit these harsh environments. Martin’s images are paired with snippets of Tim Winton’s writing on the nature of rural living to create an exhibition layered in meaning. UNTIL JUNE 16
Beast
SPIRO GRACE ART ROOMS The relationship between fashion and identity has long been explored in creative and academic pursuits, and still continues to fascinate fashionistas and style observers alike. Beast, an exhibition by Gerwyn Davies, furthers this conversation by exploring the role clothing plays in representing the self, as well as the element of performance in fashion. To create his works, Gerwyn mixes the arts of costume making with photography. His clothing is crafted from unconventional materials and manipulated into sculptural forms before being photographed on the wearer. In doing so, Gerwyn questions restraining social norms associated with the art of dressing, and also presents a playful alternative means of projecting the self. MAY 11 to JUNE 1 Above: Gerwyn Davies, Wood, Image detail, Image Courtesy of Spiro Grace Art Rooms. Top Right: Martin Mischkulnig, Lochiel, 2005, Image Courtesy of Martin Mischkulnig. Bottom Right: Claire Healy and Sean Cordeiro, Deceased Estate, 2004, Photography by Christian Schnur.
Claire Healy and Sean Cordeiro UQ Art Museum
Using art as a commentary on the habits of our current-day consumer-oriented society, artists Claire Healy and Sean Cordeiro use discarded artefacts as the basis for their art. By manipulating the form of the items they collect into sculptures and installations, the artists
question the idea of home and aspiration, and the role that material goods play in shaping these deeply personal notions. Their current exhibition features a diverse collection of sculpture, installations and photographs from the past ten years. UNTIL JULY 28
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T H E design I S S U E may 1 3 53
arts
mood by mikki brammer
chuck mangione
GRAMATIk
-M-
night beds
by A&M Records, 1979
by PRETTY LIGHTs MUSIC, 2012
by Barclay records, 2012
by dead oceans, 2013
Right up there with the oboe and the bassoon, the flugelhorn doesn’t always earn the glory it deserves in the musical arena. Irreverent jazz artist Chuck Mangione has dedicated his career to demonstrating the virtues of the instrument, releasing more than 30 albums since 1960. Heavily influenced by Dizzy Gillespie, Chuck found greatest renown with his 1977 single ‘Feels So Good’, which was a clever seventies-style pop-jazz fusion. Fun and Games is one of his lesser-known albums, but a favourite among the jazz cognoscenti (and flugelhorn devotees).
Finding his niche in the world of chillout music, Denis Jasarevic – otherwise known as Gramatik – charts a course through an eclectic collection of dubstep, electro, hip-hop and electronic soul funk. While the Slovenian MC most commonly uses the classics of funk, soul, blues and jazz tracks as his sampling fodder, he has also been known to apply his beatinfused treatment to rock classics such as Led Zeppelin’s ‘Stairway to Heaven’ (though his version is cheekily renamed ‘Stairway to Hip-Hop Heaven’).
Though not quite as impressive as Prince’s foray into being known simply by the love symbol, it’s still quite a feat to be able to go by just the first letter of your name. -M- (Matthieu Chedid to his closer acquaintances) is one of France’s most prominent rock singer-songwriters. The multiinstrumentalist, known particularly for his guitar antics, originally created the -M- persona to overcome his shyness on stage. Over time the superhero-like character has become best known for his flamboyant outfits and M-shaped hairstyle.
Created in ‘the spirit of the vagabond’, Country Sleep is the debut album from Nashvillebased outfit, Night Beds. But while it may hail from the capital of country music, the group’s sound shows only slight traces of the genre, instead opting for a more folk-rock bent. Lead vocalist Winston Yellen’s searching vocals lend a somewhat melancholy tone to the album’s aesthetic, at times combining with powerful string arrangements to create a soothing yet relatively sombre musical experience.
fun and games
arts
beatz & pieces vol. 1
îl
book by ERIC LINDGREN
country sleep
BOOKS SUPPLIED by Mary Ryan’s bookshop, milton
The Complete Guide to 20th Century Antiques
Everything I Know About Business Traditional Healers of Central I Learned from The Grateful Dead Australia: Ngangkari
The Beginner’s Guide to Chinese Paper Cutting
By Martin Miller
By Barry Barnes
By Various Authors
By Zhao Ziping
There’s almost the full alphabet in the topics of aeronautica, bottles, cameras, ephemera, furniture, glass, handbags, jewellery, kitchenalia, luggage, metalware, paperweights, padios, scripophily, taxidermy and writing equipment. Can you fill the gaps? A plethora of familiar and unfamiliar objects shows us the range of items created and often discarded as we journey through time. All from the past century, many items will bring back memories and send you to another time and place occupied by your spirit of the past. Perhaps that is why antiques are so loveable?
Bands come and go, but some persist. USA’s Grateful Dead lasted for 30 years, so their business manager must have been okay. Barry Barnes, a devoted fan, examines the practices that contributed to the band’s success and summarises them as: born 1965; a 20th century topgrossing band; 2,300 shows; only five members throughout its lifetime; slow and steady growth; excellent merchandising; no static business plan. He surmises this success can be attributed to innovation, living your values, creating a following and a do-it-yourself attitude.
Written by Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council Aboriginal Corporation, this book acknowledges Ngangkari – the traditional healers of the Anangu. They have long carried knowledge of the properties of natural plants and animals that help humans survive and heal their bodies and minds. Now, using modern technology, these people have published their traditional wisdom on paper and on online. Twenty-one men and women share their knowledge, and reflect on how modern development affects their ancient civilisation.
Birds, stars, flowers, fruit, men and women can be created from just a sheet of paper and a pair of scissors. Zhao Ziping takes you through the basics in easy lessons to create them all. Origami paper cuts can represent health, longevity, good fortune and relationships, while colour and form also add to the message. Like India’s yoga or Korea’s taekwondo, paper cutting requires discipline – posture, lines and basic movements must all be precise while at work. With practice, the beauty of symmetry and freeform will take you into a fascinating world.
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map magazine supports the david sheldrick wildlife trust
UTA UBER KOOL JA Fallen fashionista and darling of the Adelaide Fringe Festival, Uta Uber Kool Ja wants YOU at her comeback after-party.
MAY WED 8 – SAT 18
Until 25 May 2013
PERFORMANCE
TICKETS
$28 – $33
Presented by Judith Wright Centre
THE DANGER ENSEMBLE’S
MAY THU 16 – SAT 25 IMA receives financial assistance from the Queensland Government through Arts Queensland (major sponsor), from the Visual Arts BoardŁ of the Australia Council (the Federal Government’s arts funding and advisory body), and through the Visual Arts and Craft StrategyŁ (an initiative of the Australian Federal, State, and Territory Governments). IMA is a member of CAOs, Contemporary Art Organisations Australia.
PERFORMANCE
TIME 7:30pm TICKETS $19 – $28
Image Credit: Dylan Evans Photography
Who run the world?
Presented by Judith Wright Centre
BLAQUE BORDELLO ABORIGINAL CENTRE FOR THE PERFORMING ARTS
You can have whatever you desire… if you pay the price.
JUN THU 6 – SAT 8
DANCE/MUSIC
TIME 7:30pm TICKETS $20 – $25
Presented by Judith Wright Centre and Aboriginal Centre for the Perfoming Arts
Image Credit: Dylan Evans Photography
SALŌN Step into the Salōn, immerse yourself in the bohemian divine.
JUN SAT 22 – SAT 29 CIRCUS/DANCE/MUSIC
TIME 8pm TICKETS $22 – $34 Presented by Judith Wright Centre
Dylan Evans Photography, design by Blender
BOOKINGS
judithwrightcentre.com 07 3872 9000 420 Brunswick St, Fortitude Valley
The Judith Wright Centre of Contemporary Arts is a Queensland Government initiative operated by Arts Queensland
arts
live
creative realist
Michael Zavros To view Brisbane artist Michael Zavros’ portfolio is to experience pure poetry. At age 39, he is considered one of Australia’s most collectible young realist painters, having won major art prizes including the 2010 Doug Moran National Portrait Prize, and becoming a five-time Archibald Prize finalist. For all of Michael’s success, it’s surprising to hear he struggled to find his creative mojo after graduating from university in 1996. But since the year 2000, he has been as prolific as he is potent. His recent work – an elaborate curatorial project – is at Queensland Art Gallery (QAG) until June 23.
Michael Zavros is an ambitious artist who admits he is a workaholic. However, as a father of three young children, he explains that in recent years he has whittled down the time he spends in his home studio to the manageable hours of 9:00 am to 5:00 pm. Living on acreage on the outskirts of Brisbane with his wife – respected curator and art writer Alison Kubler – and their young brood, Michael is content to be geographically removed from the art worlds of Brisbane and beyond. He finds peace in his work and loves to be outdoors on his property, fixing fences and digging gardens. “I can work in a vacuum quite happily, which is what I prefer to do. A few weeks can go by and I haven’t left home. I much prefer that,” Michael says. “Especially now with the internet the way that it is – your work can go off and have a life of its own. You don’t have to go with it.” Michael’s work has certainly lived a colourful and fertile life. He graduated from the Queensland College of Art with a Bachelor of Visual Arts (double major in printmaking) in 1996 and developed his practice in hyper-realist paintings and drawings. He has also recently delved into sculpture and film. Michael’s impressive art CV notes he has won three of the four prestigious prizes for drawing in Australia, including the Kedumba Drawing Award in 2007. He recently took his family art-gallery hopping in Italy as part of his residency for winning the $80,000
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T H E design I S S U E may 1 3
inaugural Bulgari Art Award last year. For his current show at QAG, Michael was invited into the gallery’s esteemed collections to curate an exhibition for its annual Artist’s Choice series – the third artist to do so. Michael explains that it is an immense show, as he handpicked more than 70 historical and contemporary works across the QAG and Queensland Museum collections to create a lavish interior space. An unaffected soul, Michael considers himself a success because he’s happy with his work and feels fulfilled. Despite being the son of two school teachers, he says art has always been his dream career. “Even before primary school, I could draw. I didn’t come from a family with art around or even many books, but mum and dad could see I could do that stuff. So I was given that title from a very young age.” He recalls that his parents would often remark: “You are an artist and that is what you’ll do.” After graduating from university, Michael took some time to find his path. “I wasn’t one of those star graduates who was curated into brilliant shows,” he says. “I had a few years where I was a bit lost and I kind of had to get art school out of my system and come back to my art in a very organic way. I think when you’re saturated with learning and arts theory and you have this awareness of what is happening in the world, you can be a bit stifled and feel you can’t put down
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a mark. I felt a bit like everything had been done and I just needed to find a reason to make artworks after school.” The work that first resonated was his Executive Suite series, which was selected in 2000 for the Museum of Contemporary Art’s annual Primavera exhibition. “Things moved very quickly for me after that,” Michael says. “Primavera was my first big show and break. I felt thrilled and surprised,” he recalls. Michael finds his greatest challenge is trying to maintain his integrity and identity as an artist. However, he’s never ruminated about walking away from his art. “Early on I used to have more peaks and troughs, but now I know that when things are quiet, it’s good for me … I am the kind of artist who works no matter what. If I feel a bit off, I go and work. If I feel good, I just work. When you’ve been doing it for a long time, you learn how to do it in a nine-to-five sort of way, whether you feel inspired or not you just continue to do it.” His dream now is to exhibit more internationally and he is finding inspiration in the sage words, ‘Fortune favours the brave’. When asked about his motivation, Michael says, “I think that’s a question that artists have to keep asking themselves. For whatever reason, making what I’m making now makes sense to me. It holds meaning for me and if ever that stopped then I would stop. I hope that it never does.”
interview by Frances Frangenheim Photography by Mark Sherwood
––
Fortune favours the brave ... ”
face
film
Eva Mendes
Greg Kinnear
Carey Mulligan
directed by Derek Cianfrance
directed by Josh Boone
directed by Baz Luhrmann
With a career spanning an array of genres, Eva Mendes has proven her versatility as an actor through her various roles, one of which included holding her own alongside the improvisation of Will Ferrell in The Other Guys. Prior to enjoying the luxury to pick and choose her projects, Eva started out acting in small roles for film and television, before gaining widespread recognition opposite Denzel Washington in Training Day. As Romina in The Place Beyond the Pines, Eva plays the love interest of her offscreen partner Ryan Gosling. The film follows the interactions between motorcycle stunt-rider Luke (Ryan Gosling) and police officer Avery (Bradley Cooper), who become linked after a poor decision Luke makes to support his family.
Greg Kinnear ascribes to the view that the tragic element of a character is always intriguing. While this rings true for a lot of films rich in substance, it also highlights Greg’s preference to perform in films such as Little Miss Sunshine. Starting out as the host of Talk Soup (a daily round-up of clips from talk shows) and then as the host of his own late-night talk show, Greg eventually made the transition to film. His latest role as William in A Place For Me follows a character feebly trying to hold his life together after his wife leaves him. William is an acclaimed author, but is unable to write after the divorce. Instead, he spends his time spying on his ex-wife, enjoying trysts with his married neighbour and struggling to raise his teenagers, one of whom wants to be a writer.
Inspired to pursue acting from a young age, Carey Mulligan chased her dreams without her parents’ knowledge – a tactic that led her to reach out to her idols through letters. After attending a dinner for aspiring actors, Carey auditioned for her first major role of Kitty in the 2005 adaptation of Pride & Prejudice, which paved the way for her casting in An Education. Despite her lack of formal acting training, Carey’s most recent performance is alongside some of Hollywood’s biggest names as Daisy in Baz Luhrmann’s lavish production of The Great Gatsby. Set in New York in the 1920s, the film relives the fated attraction of socialite Jay Gatsby for his former teenage sweetheart Daisy, which is rekindled amongst a sea of opulent soirees.
the place beyond the pines
a place for me
the great gatsby
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Boxvintage
vintage CLotHing anD aCCeSSoRieS 73 Vulture Street, West End Brisbane boxvintage.com
arts
Dirty Laundry by Cracked Pavement, 2011
ticket
ANALOGUE/DIGITAL
Anywhere Theatre Festival
EMPIRE
MARTHA WAINWRIGHT
at EVENT CINEMAS CHERMSIDE
at various locations
at KING GEORGE SQUARE
at THE TIVOLI
While wisdom comes through experience, there’s no harm in being open to the sage advice of others along your journey. Based on this philosophy, the creative conferences pieced together by Analogue/Digital provide a platform for students and professionals to connect with and learn from those challenging conventional ways of thinking in their respective fields. Speakers at the upcoming event include American photographer Dan Millner, New Zealand street artist Askew One and Ben Johnston from Josephmark.
Named after the building it is traditionally performed in, theatre can sometimes seem to exist in a realm of exclusivity. Breaking down this long-held tradition, Anywhere Theatre Festival takes live shows into unconventional spaces. This year’s festival features 49 shows in locations ranging from Art Deco buildings to local bowls clubs and parks. As well as providing a new way for the community to engage with the arts, the festival also encourages performers to develop more experimental productions.
With our attention spans beginning to wane at the hands of technology and nostalgic sentiments becoming more popular, it’s little wonder vaudeville variety shows have been revived. Part of this redux is Spiegelworld’s Empire, a variety show about a weekend-long party in Manhattan. Inspiration for the show came from both vaudeville and New York City as they were at the turn of the 20th century. Empire is a range of comedy, circus and burlesque acts presented in the Spiegeltent, which is fitted with velvet booths and a carnival-style bar to recreate the era.
From karaoke to the serenade of a loved one, there’s a part of our brain that can forgive poor vocals when a song is delivered with passion and sincerity. In the case of Martha Wainwright, however, her smooth voice combined with the real emotion poured into her performances creates an enticing display that need not beg for forgiveness. Warmth and candour create a familiar sense of comfort as the seasoned songstress delivers tunes of despair alongside those of sheer joy, showcasing the unique timbre of her voice.
analoguedigital.com.au
anywherefest.com
empireaustralia.com
thetivoli.net.au
may 17–18
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until may 19
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may 31
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arts
Actor
say hello to ...
Martin McCreadie
A Clockwork Orange May 28 to June 9, QPAC
›I became a performer because ... I have always enjoyed inhabiting another persona or character. I’ve also always been interested in the relationship between a performer and the audience, as well as the almost ritualistic origins of all performance. ›My creativity comes from ... my life experiences, the people I meet, the places I go, my memories, knowledge, appetite and mood. So, basically, anything and everything. ›I ‘fuel’ my creativity by ... not closing myself off to anything or anyone. My good friend and mentor once said to me: ‘The day you think you know everything is the day you might as well climb in the box.’ So I absorb all I can from life’s rich tapestry. ›I love my job because ... it is my passion and I’ve always found it a joy, not a labour. Also, I like the way anyone in the audience can glean some enjoyment, escapism or education from any one performance I’m involved in. ›Through my work, I would like to ... travel all over the world and perform alongside as many like-minded and enthusiastic individuals/ensembles as possible. If it transpires that acting becomes financially profitable for me, I’d like to share that around to nullify people’s stress. ›Favourite author: William Shakespeare ›Filmmaker I admire: Martin Scorsese ›Favourite musician: Danny Elfman ›Artist I most admire: Damien Hirst ›Favourite actor: Marlon Brando ›Director who inspires me: Elia Kazan ›Favourite designer: Steve Jobs stop global warming map magazine
T H E design I S S U E may 1 3 59
Your morning coffee just got stylish Design-savvy innovative storage solutions for your beloved Nespresso pods available now. Free shipping available
Image courtesy of Nespresso
stimulator
arts
stimulus COMEDY
Melbourne International Comedy Festival Roadshow may 15–18 at BRISBANE POWERHOUSE
Laughing is an act we learn from a young age, when our parents would resort to almost any measure to see our tiny dimpled cheeks blush with glee. And while our idea of what is funny may change with time, the infectious appeal of laughing remains. Spreading laughter across the country, the Melbourne International Comedy Festival Roadshow is a band of travelling comedians including Cal Wilson, Asher Treleaven, Harley Breen and Nazeem Hussain.
more ... GOURMET
›
GLUTEN-FREE FOOD EXPO
Discover the secrets of cooking delicious food without the aid of gluten.
SONS OF SIN
MAY 10–11
THEATRE may 17–25 at JUDITH WRIGHT CENTRe The period prior to adulthood is filled with dreams and the pressure to uphold the legacy of past generations. Exploring the idea of what makes a man a man, The Danger Ensemble’s Sons of Sin follows a group of young men passing through the rites of passage that come before adulthood. Confessions of hopes and dreams are acted alongside scenes of drinking games and sporting matches by a cast of twenty-something actors in similar stages of life.
AT BCEC THEATRE
›
FRANKENSTEIN
Head along to a theatrical Photography by Dylan Evans
performance of Mary Shelley’s
THEATRE
THE BOOK CLUB may 14–15 at GARDENS THEATRE
As much as a story can become all-consuming, as you follow plot twists and are swept up in moments of drama and deceit, most of us are happy to leave them in the realm of fiction. For lonely housewife Deborah, written tales of romantic trysts occupy her days and her gossip-riddled book-club meetings are always a social highlight. That is until a handsome author attends a meeting and Deborah’s real life begins to read like a Mills & Boon novel.
famed tale. UNTIL MAY 18 AT BRISBANE ARTS THEATRE CULTURE
›
PANIYIRI GREEK FESTIVAL
Tuck in to an
Dance
ALICE’S ADVENTURES IN WONDERLAND may 24–29 at PALACE BARRACKS
Gather a group to discuss what was going on in Lewis Carroll’s mind as he dreamed up Alice’s Adventures in Wonderland and it’s unlikely you’ll reach a consensus, but most will agree that his character’s quirks are cleverly executed. The Royal Ballet has reimagined Lewis’ characters in a choreographed dance performance of the children’s story, screening at Palace Cinemas. The cast features a tap-dancing mad hatter and twitching white rabbit illuminated by theatrical effects.
annual feast of traditional Greek fare and dance the Zorba. MAY 18–19 AT MUSGRAVE PARK
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&
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Animal Farm may 15–25 at QPAC
FESTIVAL
A deep political thinker, George Orwell believed his own freedom came from telling people a truth they didn’t necessarily want to hear. After completing Animal Farm, George was satisfied he had successfully merged his political and artistic ambitions into a single work. Local theatre company shake & stir has adapted the story for the stage, recreating the novel’s political commentary of greed and power set amongst the pig stalls at Manor Farm.
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REDCLIFFE KITEFEST 2013
Sail your kite in a sky dotted with dancing splashes of colour at the annual festival.
ENCOUNTERS: INDIA
MAY 18–19
CULTURE may 13–19 at South Bank Canvassing social customs, food, art, literature and fashion, culture can easily be defined, but not always understood until experienced first hand. Such is the case with Indian culture, which is identified the world over for its vibrancy. To foster an understanding of India’s culture, Encounters: India festival will create a pocket of India at South Bank, complete with an Indian bazaar, film screenings, dance performances, fashion, a sitar player and concerts.
AT PELICAN PARK DANCE
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HOT SHOE SHUFFLE
Watch the Australian tapdancing musical
BALLET
ESMERALDA may 12–16 at Dendy Portside
set to big-band
Perhaps made most famous by Disney’s The Hunchback of Notre Dame, the character of Esmeralda was first imagined by Victor Hugo in 1831 as he created a story of an enchanting young gypsy and an unlikely suitor. Victor Hugo’s novel was quickly adapted to a ballet, first performed by a select number of companies including Russia’s Bolshoi Ballet. The Bolshoi’s most recent performance of Esmeralda will be screened locally as part of Dendy Portside’s ballet season.
tunes from the 1940s. UNTIL MAY 25 AT QPAC GIG
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MATT CORBY
See the young
TALK
Australian
Darren Jorgensen on Esoteric Art may 23 at IMA
troubadour
Visiting Brisbane from the University of Western Australia, Darren Jorgensen will discuss Australian esoteric art at IMA. Ideas in the talk are from a paper he is researching, which looks at how artists such as Norman Lindsay and Danie Mellor mobilise ritual images in their work. In the process of synthesising ritual traditions, esoteric artists themselves become neither gods nor acolytes. Darren’s paper explores some of these tensions in Australian art history.
perform his earnest tunes live on stage. JUNE 1 AT THE TIVOLI
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elephant safari
Tiger Tops Tharu Lodge, Nepal
I cautiously step into muddy water and wade towards an enormous wrinkly mammal. She is kneeling down on her knees and elbows, and the naturalist tells me to climb onto her back. I splash her with water and scratch her big floppy ears, before stepping up onto her hind legs and lunging my body over hers, scrambling with all my limbs to climb up onto her back. Respectfully, she does not shower me with water from her bulging trunk, but gently sprays her sides to wash herself while I pat her head and stroke her back. A bathing experience with Sonar Kali the elephant was just one of a collection of magical moments from a visit to the Tiger Tops Tharu Lodge at Nepal’s Chitwan National Park.
I am to discover that the Tiger Tops jungle experience is more than just a rare sighting of the famous Bengal tiger. Instead, an abundance of wildlife and local village people charm their way into my heart and mind. A 30-minute flight south from Kathmandu to Bharatpur and a 60-minute car trip from the airport to the lodge transform my surrounds from a bustling and dusty cityscape to the lush jungle village of the Tharu people. The Tharu are an ethnic group indigenous to the Terai region at the southern foothills of the Himalayas, and have a distinct peacefulness to their culture. The lodge emulates the longhouse style of Tharu architecture, its straw-bale structure nestled amidst the forest adjacent to the buffer zone of the Chitwan National Park. From the moment I arrive, the staff brings the jungle experience alive. The naturalists are always on-hand to plan jungle activities, all of which have one goal – to capture the essence of jungle life. Activities include an early morning or late-afternoon elephant safari, an ox-and-cart ride through the national park or a long-boat journey down the Rapti River. There are also options to trek on foot through the national park, visit the lodge-sponsored local school, and gain insights into Nepalese village life and the daily routines of the elephants. And if that isn’t enough, at each mealtime I am presented with the local harvest, immaculately prepared into an amazing
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feast. Lunchtime is my favourite, sitting outside under the mango trees listening to gentle breezes push through the leaves amidst the chirping sounds of the jungle, whilst indulging in local Nepalese curries and homemade papadum. My belly goes wild in anticipation of this daily ritual. My first elephant safari starts off as what could be described as ... awkward. I step onto the elephant from the platform and sit facing out, with the master perched on the elephant’s head and my naturalist standing on its rear. From the first step the elephant takes, my body jolts with each bounding stride from her two-tonne body. After about an hour of this movement, I get into her rhythm, as if I am dancing with her, moving in tune to her movements. It feels amazing. After a face-off with a feasting rhinoceros in the forest thicket, we cross back over the creek that marked the commencement of the safari. I look back on our tracks and there sitting, waiting to be noticed, is a leopard. A glimpse of a Bengal tiger is high on my wishlist, but the naturalist’s excitement at our find proves this to be an even rarer discovery. The unique specimen is one of only about 35 in the entire 932-sq km expanse of the national park (as opposed to the 120 Bengal tigers). Elephant safari through the national park is one experience, but trekking through the park on foot requires a totally different mindset. Chitwan is one of only a few parks in the world that can be
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explored on foot, and the fresh Bengal tiger footprint that I spot in the sand upon entering the park speaks volumes as to why. Along the trek I find myself sneaking past a protective mother rhino whilst her baby feeds beside her, and my mind is propelled into overdrive about what to do in the case of a rhino stampede. I recall the naturalist’s instructions: Climb a tree. If you can’t climb one, hide behind one. If there is no tree, gather together with other people in a group, with your stick, and make as much noise as you can. And if all else fails, run in zigzags. My heart is pounding! Jungle escape plan aside, we pass quietly without disturbing mother or baby. Further along the trek, chattering monkeys swing effortlessly from tree to tree and crocodiles lie beside the path, rolling in the mud. Male peacocks dance in a splash of colour, wild boar snort and oversized deer are in full force as they become aware of another presence, quickly racing across the path and crashing into the underbrush. Far off in the distance, I hear the trumpeting sound of the locally feared wild elephant, which sends chills down my spine. The abundance of wildlife I’ve seen and heard on the trek is amazing, but it’s those I haven’t seen that are firmly imprinted on my imagination, flashing across my mind at every crunch of a leaf or crack of a twig and sending my heart racing. Visit tigertops.com for further information.
text & PHOTOGRAPHY by Kathryn Lindgren
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Chattering monkeys swing effortlessly from tree to tree ... ”
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