Portfolio Marcelo B. Bicalho 3D/2D ARTIST US-EN

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TABLE OF CONTENTS

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Carpa House

PCCM - Puris and Coroados Cultural Museum

Unbuilt Project

Academic Work

Brazil | 2021

Brazil | 2019


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Pandemic Memorial - A Tribute to Frontline workers

Escola Sede Projetou

International Competition

National Competition

2021

2021


Marcelo Bertolato Bicalho E-mail:

bertolatomarcelo@gmail.com

Phone:

+55 (32) 9 9151-5198

Adress:

Juiz de Fora, Minas Gerais, Brasil

WORK EXPERIENCE

EDUCATION

RÉSUMÉ

Architecture and Urbanism

University - Uniacademia Juiz de Fora | Minas Gerais | Brazil Aug. 2020

Aug. 2015

Freelancer Architect and 3D artist

Architect and Urban designer | Minas Gerais | Brazil Present

Jun.2021

Design residential, commercial, and interior projects; Create proposals for architecture competitions; Produce 2D/3D modeling and renderings using Sketchup, Lumion, Photoshop, Illustrator, and AutoCAD drawings.

Linkedin: www.linkedin.com/in/marcelo-bicalho Behance: www.behance.net/marcelobertola1

COMPETITIONS

Estúdio Ecoar | Architecture and Interior Design Fouding Architect | Minas Gerais | Brazil Jun. 2021

Pandemic Memorial A tribute to frontline workers Archasm | Participant | 2021

Jun. 2020

Worked with residential, commercial, and interior design projects; Produced construction blueprints, technical specifications required for bidding, construction, permit application, and other project-related notes, as well as 3D modeling and renderings; Assisted in architecture proposals for an Airport and a Bus Station.

Projetou Headquarters Projetou | Honorable mention | 2021

Kurandza A learning center in Mozambique Archstorming | Ongoing | 2022

Monteiro • Martins | Architecture and Urban design Architetcure Intern | Minas Gerais | Brazil Nov. 2019

Aug. 2018

Engaged in primarily residential projects, assisting from the Schematic Design phase to the Bidding phase. Produced CAD drawings and boards to develop specific and precise designs for buildings that could be discussed with clients.


CERTIFICATIONS

LUMION RENDER - COURSE Lectured by Maurício Camargo - 60 hours long Certificate

WOOD FRAME DESIGN - COURSE Lectured by the companies STAMADE and TECVERDE 2021 - 8 hours long Certificate

DESIGN OF WOOD STRUCTURES - COURSE Lectured by the engineer João Pini | Ita Construtora 2021 - 8 hours long. Certificate

MATTE PAINTING FOR ARCHITECTURE VISUALIZATION COURSE Lectured by the Architect Fran Mateos | Domestika | 2021 Certificate

CROSS LAMINATED TIMBER DESIGN - COURSE Lectured by the Architect Gabriela Lotufo | Crosslam 2021 - 8 hours long

ESTRATEGIC PORTFOLIO - COURSE Lectured by the Architect Leonardo Dias | BaseColab | 2022

Certificate

Autocad

HARD SKILLS

Advanced

SketchUp

Expert

Lumion

Expert

Revit

Basic

Make dynamic blocks; Create blueprints; Ability to use the Xref command.

Advanced modeling; Workflow with plugins, Fredo, JHS bar, Sketchy FFD; Use of Sketchup Layout.

Imported files optimization; Make and use PBR materials; Exterior and Interior renderings;360° Still renderings.

Terrain modeling; Create Blueprints; Rendered architectural plans.

3D Max

Corona

Premiere

Photoshop

Basic

Basic Modeling

Illustrator

Advanced

Make diagrams, Architectural plans, Boards and Patterns.

Basic

Basic Rendering

Indesign

Advanced

Make boards for competitions, Use of Master Pages, Paragraph Styles and Table of Contents.

Advanced

Insert Images, Soundtracks and texts; Keyframes; Video transitions.

Inglês

Advanced

Conversational.

Advanced

Advanced Pos production; Workflow with plugins like Camera Raw and NikCollection; Create actions and patterns.

Português

Expert

First Language.


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CARPA HOUSE Unbuilt Project Site: Brazil | 2021 Autor: Marcelo B. Bicalho

Located in Juiz de Fora city, the design followed the program that was thought out with the patrons, and by taking into account the site’s potential. Alongside regular housing spaces, patrons also requested gardens and a small pond for fish breeding. The design requested a house with exposed structural wall blocks to make it a low-cost building, with great control and agility.


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Render: Marcelo B. Bicalho


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CONCEPT The volumetry and its structure developed taking advantage of the site’s regulation, requiring only a frontal distance due to the general dimensions of the lot, thus enabling the adopted structure to be fixed only at the lateral boundaries and providing open spaces. Another strategy that was adopted in response to the property being fully occupied was the opening of empty spaces. The openings – gardens - in the volumetry that make the house share its boundaries with the exterior-in a sense of continuous spaces, that includes both exterior and interior. These patios also fill the internal rooms with natural light and ventilation.

Terra e Tuma


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Learnupstairs/Mid arquitetos

Ben-avid

Darcstudio


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Groudfloor plan

Upper floor plan


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Moodboard: Marcelo B. Bicalho

The site’s façade opens to a wide view of a public square, which decreases the possibility of losing the open view and the resident’s privacy.


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Render: Marcelo B. Bicalho


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Raw render

Cutout fish and people


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Shadows + Lights + Levels

Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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Modeling

Raw Render

Vegetations + textures


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Levels + Sunlight rays

Final Image

Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho

Render: Marcelo B. Bicalho


24 Render: Marcelo B. Bicalho

Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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PURIS AND COROADOS CULTURAL MUSEUM Academic work Site: Brazil | 2019 Team: Marcelo B. Bicalho e Elisa Christo

The Museum design brings up the Puris and Coroados tribe stories. These tribes were initially from coastal zones, thus they used to live near beaches and used do fishing and hunting to survive. When the Portuguese expeditions started, these first people fled to the Southwestern part of Brazil, following the river named Paraíba do Sul and its tributaries, the Pomba and Muriaé rivers, where they took refuge at the Mantiqueira zone. The design proposal goal is to protect and make people know about these first people’s culture by showing them discoveries from archeological sites.


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Render: Marcelo B. Bicalho


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CONCEPT For the construction of the museum, it was decided to use the core of the site, shaped by the streets that surround it. The design was based on Plan Cerda. The plan had as part of its ideology increasing the green spaces and gardens in every block of the city, almost like a compact garden-city model. For the Museum project,

the square has its entries named after the routes the tribes used while fleeing. The tribes also used to live in caves, for this reason, the museum building was built on the underground level, making it a reference to a cave concept which opens up to a jungle.

REFERENCES

Dramaviz

iddqd studio

Ben-avid

Dramaviz


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Diagram: Marcelo B. Bicalho


30 PUBLIC SQUARE The square is hidden amongst the buildings, it refers to the tribe’s escape and the attempt to preserve their cultures when they fled from the coastal zone to the southwestern part of the country. As mentioned, the square has three entries. The first entry happens on the Halfed street, it’s named “Path of hills”, identified by a lining of twisted timber that makes reference to the hills of the region. The second entry is at Rio Branco Av. and is named “Path of the Jungle”. It’s marked by metal tree sculptures that make reference to the trees. Finally, the third and last entry that is situated at Marechal Deodoro St., named “Path of the Rivers”, is characterized by a large water mirror. Lastly, there’s a central elevator that emerges from the museum to the square. The latter exposes sculptures and along with the jungle, creates an intimate connection between the interior and the exterior.


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Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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SOBRADO N°798 - OUROUROU NÀ Ourourou nà, means “Hills”, or “Hill range”. The building had its façade and its template kept; the new building was moved 4 meters away from the façade having the ground floor open to pedestrians. The upper floor can be accessed via an escalator or by elevator. Both lead to the Lobby and Cafeteria floor. On this floor, people can have access to the museum.

Render: Marcelo B. Bicalho


39 Render: Marcelo B. Bicalho

Modeling: Marcelo B. Bicalho


40 MUSEUM - À LEKÀ À Leka means “I live here” in the Puri language. The museum has its access through a vertical circulation core that takes place on the upper floor of the Sobrado number 798 building.

The gallery was split into two underground floors, which both have a relationship with a central elevator and are open to a man-made jungle. The two floors of the museum have a physical and visual connection with the jungle, due to its concept.


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Render: Marcelo B. Bicalho


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Raw Render

Lighting


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Specular

Material ID

Render: Marcelo B. Bicalho


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PANDEMIC MEMORIAL A Tribute o frontline workers

Architecture Competition | Archasm Site: undefined | 2021 Team: Marcelo B. Bicalho, Tales Siqueira e Paloma Chartone

The proposal for the Memorial aimed to honor and congratulate the frontline workers against Covid-19, all those who put their lives at risk for an improvement in the world pandemic scenario. The design brings up a project that can be replicated in any part of the world, carrying out a place of memories to every place affected by the pandemic. The proposal looks forward to welcoming the population and the health workers.


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Render: Marcelo B. Bicalho


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REFERENCES

Covid-19 Community Memorial Competition

Luxigon


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REFERENCES

Perkins and Will

Brick Visual


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Vegetation + Textures


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Lighting

Render: Marcelo B. Bicalho


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PROJETOU HEADQUARTERS Architecture Competition | Projetou Site: Brazil | 2021 Autor: Marcelo B. Bicalho

The competition expected a design development phase project for the Projetou Headquarters, which nowadays is an online platform that teaches architecture and engineering software, as well as related subjects such as project management and etc. The latter should bring up concepts and solutions involving Neuroarchitecture and Biophilic Design, as well as social inclusion, accessibility, sustainability, and technological and visionary solutions.


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Render: Marcelo B. Bicalho


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CONCEPT In ancient Greece, knowledge was shared through collective outdoor activities. Around 343 b.C, Aristotle passed on his knowledge and theories while walking through gardens drawing people from all over the place, these people were called Peripatetics meaning itinerant. Taking that into consideration, the concept for the design was born. It seeks to integrate nature, teaching and learning, architecture, and engineering working with natural elements. The laminated timber structure was also chosen based on this concept, even though it’s still sparsely used in Brazil.

Dramaviz

Brick Visual

Dramaviz

Vargo Nielsen Palle | Architecture Office


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Modelo Sketchup

Raw Render

Background + Surroundings

Vegetation + Textures + Cutout People

Colors + Levels Adjustments

Render: Marcelo B. Bicalho


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Final Image


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Render: Marcelo B. Bicalho


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GROUND FLOOR The ground floor is the core of the project. It is open to any pedestrians, not only students and people who work at the building, therefore lessening boundaries between public and private areas. On this floor, there’s an open studio, which is a space with multiple interpretations, and the cafeteria. The latter is surrounded by vegetation supporting the main concept which is to share knowledge immersed in the gardens as Aristotle did.


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PALETTE

Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


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Render: M


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Marcelo B. Bicalho

Render: Marcelo B. Bicalho


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FREELANCER 3D Modeling and Renderings Site: Três Rios, R.J, Brazil - 2021 Autor: Marcelo B. Bicalho

Job made for PREFAH CONSTRUCTION COMPANY in order to show and sell residential buildings in Três Rios city, Rio de Janeiro. The work consisted of 3D modeling, exterior, and interior renderings, and video production to be presented on sale stands.


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Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho

Render: Marcelo B. Bicalho


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Render: Marcelo B. Bicalho


bertolatomarcelo@gmail.com


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