18113D 佛造像及中國古董珍玩 Important Buddhist Figures and Chinese Works of Arts by Marchance Auctioneers Limited

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6839

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目錄 Content

拍賣資訊 Auction Information

保證金及付款 Deposit and Payment

索取圖錄 Catalogue Collection

買家須知 Buying at Marchance

拍賣品 Property for Sale

6712

拍品 LOT 6601 - 6889

6707

6676

重要通告

中國歷代年表

業務規則

競投者登記表格

14 - 241

書面 / 電話委託競投申請表

Important Notice Chronology of China Conditions of Business Bidder Registration Form Absentee/ Telephone Bid Application Form

6713

242 243 244 - 252 253 - 254 255 - 256

佛造像及中國古董珍玩 Important Buddhist Figures and Chinese Works of Arts

拍品 LOT

拍賣 Auction

預展 Viewing

6601 - 68 8 9

5 月30 日

星期三

下午 6時30分

6:30PM

5 月29 至30 日

星期二至三

上午 11 時正至下午 9時正

11:00AM - 9:00PM

30 May (WED) 星期三上午 10時正至下午 10時正

10:00AM - 10:00PM

30 May (WED)

29 May (T U E ) 星期二

預展及拍賣地點 Viewing and Auction Venue

萬麗海景酒店香港灣仔港灣道號

樓

海景廳

Renaissance Harbour View Hotel 1 Harbour Road, Hong Kong

Concord Room

網上拍賣平台 Live Online Bidding

更多資訊

Further Information

客

電話 Tel: (852) 2868 6938

微信客服

微信號

電子目錄

Marchance - CS

Marchance - Auction

E-Catalogue

傳真 Fax: (852) 3020 9433

電郵 Email: enquiry@marchance-auctioneers.com

保證金 Deposit

港幣

HK$150,000

人民幣 ¥120,000

凡辦理本場拍賣會競投號牌之新舊客戶，均須繳付保證金。 .

14 天內付清貨款可享優惠佣金 Payment discount is valid within 14 Days after Sale 落槌價之首

20% up to and including HK$8,000,000

HK$8,000,000

或以下，買家佣金比率為 20%。

落槌價超過

12% above HK$8,000,000

HK$8,000,000

之部份則以 12% 計算買家佣金。此優惠佣金有效期至 2018 年6月12日（日內），逾期未付清者，一律根據萬昌斯業務規則收取，具體標準如下：落槌價之首 HK$8,000,000 或以下，買家佣金比率為 23%；落槌價超過 HK$8,000,000 之部份則以 15% 計算買家佣金。

12 June

2018. 23%

HK$8,000,000.

15%

HK$8,000,000.

以銀聯卡付款

付款方式

Payment Methods 除現金、支票及銀行轉帳外，萬昌斯接受以下付款方式：

Other than paying by cash, cheque or bank transfer, Marchance also accepts the following payment methods:

若以銀聯卡支付購買價款，買家本人須親自持卡辦理。如買家於拍賣日起五天內清付，手續費用全免。如欲以其他信用卡支付，請向拍賣現場工作人員查詢有關安排。

Payment by UnionPay Marchance accepts payment by UnionPay. Buyer is required to present UnionPay card in-person to complete the transaction. For full payment made within 5 days after the Sale Date, no additional administration fee required. For payment by other credit cards, please check with our onsite staff for the arrangements.

銀行戶口資料

Bank Account Details 港幣帳戶 Account by HKD

人民幣帳戶 Account by RMB

開戶銀行

香港上海匯豐銀行有限公司

中國工商銀行深圳皇崗支行

開戶名稱

萬昌斯拍賣行有限公司

林偉

帳

004 - 652 - 209198 - 001

622208 - 4000 - 0069 - 11518

B a nk

Account Name

號

Account No.

SW I F T

The Hong Kong and Shanghai Banking Corporation

HSBCHKHHHKH

Industrial and Commercial Bank of China Shenzhen Huanggang Branch

用微信掃一掃付款

用支付寶掃一掃付款

索取圖錄 Catalogue Collection

上海

江蘇

裕源堂

玉堂清玩

上海市閔行區金匯路 528 號虹橋古玩城六樓 021 號電話：(86) 135 0167 6888

江蘇省常州市武進淹城怡樂坊 13 號電話：(86) 139 0150 0789

古雨山房上海市閔行區金匯路 528 號虹橋古玩城三樓 C226 室電話：(86) 135 8559 3322

雲洲古玩城

浙江可以藏浙江省杭州市上城區勞動路 18 號電話：(86) 136 2613 4009

得玉堂

上海市徐匯區大木橋路 88 號雲洲古玩城七樓東 03 室電話：(86) 186 0168 9838

浙江省杭州市上城區延安南路 1 號吳山古玩城一樓 B53 號電話：(86) 13606622752

北京

甘肅

北京合緣共生文物有限公司

西部緣

北京市朝陽區東三環南路 21 號北京古玩城 A 座 5 層 558B 室電話：(86) 135 5234 3569

甘肅省蘭州市城關區張掖路皇廟院內二樓戲台號電話：(86) 136 8171 4000

漢霖閣古美術

台灣

北京市朝陽區華威南路 108 號北京古玩城 C 座 2060 室電話：(86) 136 0122 0345

藝珍古玩

仁和堂

疊璧山房

北京市朝陽區華威南路 108 號北京古玩城 C 座 4002 室電話：(86) 136 0265 1786

華夏古玩城北京市朝陽區華威南路華夏古玩城一樓 A007 電話：(86) 136 3255 5232

台北市中正區仁愛路二段 97 號電話：(886) 02 2357 6860 台北市大安區信義路三段 73 巷 5 號電話：(886) 02 2709 3758

鈺林閣台北市大安區仁愛路三段 24 巷 6 號電話：(886) 09 3532 3980

香港

深圳

萬昌斯拍賣行有限公司

子玉堂

香港上環皇后大道西 111 號華富商業大廈二樓電話：(852) 2868 6938

深圳市羅湖區新秀路古玩城 3B 棟 203 電話：(86) 136 3258 5166

買家須知

BUYING AT MARCHANCE 歡迎閣下蒞臨萬昌斯拍賣場參與競投。為協助閣下辦理登記及繳納保證金手續，敬請注意以下事項 : We welcome you as a bidder to our saleroom. Please note the points below in order to assist you with the registration and payment process. (一)

競投登記須提供文件個人－政府發出附有照片的有效身份證或護照，以及現時住址證明（如公用事業賬單或銀行月結單）公司客戶－公司註冊證書以及董事與股東名冊代表他人參與競投之代理人 - 代理人及委託人之身份證明文件，以及經簽署之授權委託書 ( 此授權委託書不適用於付款 )。

(二)

凡辦理本場拍賣會競投號牌之新舊客戶，均須繳付港幣十五萬元之保證金（只接受現金、匯款、銀聯卡）。若競投人未能購得拍賣品且對本公司無任何欠款，上述保證金在拍賣結束後十個工作日內將全額無息退還競投人；若競投人購得拍賣品，則會用作抵作購買價款的一部份；若抵作購買價款後尚有餘額，則於競投人領取拍賣品時一併退還；如競投人未按期付清購買價，保證金將不會退還。任何涉及退款的兌換交易損失或費用，將由競投人承擔。

(三)

競投人必須妥善保管自己的競投號牌，謹防丟失。一旦丟失，應立即以本公司認可的書面方式辦理掛失手續。未經本公司書面同意，競投人不得將自己的競投號牌轉借他人使用。否則，競投人需對他人使用其競投號牌競投相應拍賣品的行為承擔全部法律責任。

(四)

本公司對拍賣品的真偽、價值、色調、質地、有無缺陷等不承擔保責任。競投人及 / 或其代理人有責任自行瞭解有關拍賣品的實際狀況，並對自己競投某拍賣品的行為承擔法律責任。本公司鄭重建議，競投人應在拍賣進行前親自鑒定其有興趣競投的拍賣品之原物，自行判斷該拍賣品是否符合其描述，而不應依賴本公司拍賣品圖錄以及其他形式的影像製品和宣傳品之陳述作出決定。

(五)

請注意萬昌斯不接受第三方付款，此項規定亦適用於代理。如閣下代表他人參與競投，萬昌斯只接受委託人之付款。

(六)

買家與賣家之合約於拍賣官擊槌時訂立，此時買家須對拍賣品承擔所有責任。書面競投之結果將在拍賣結束後以郵遞或電郵通知。

(七)

買家除支付落槌價外，另須支付佣金及其他買家負責的各項費用予本公司，佣金收取標準按每件拍賣品落槌價計算比率如下：落槌價首 HK $ 8,000,000 之 23％，落槌價超過 HK $ 8,000,000 之部份則以 15％計算。如買家於拍賣成交日（含成交日）起十四日內繳清貨款，買家可享限時佣金優惠，佣金收取標準按部件拍賣品落槌價計算比率如下：落槌價首 HK $ 8,000,000 之 20％，落槌價超過 HK $ 8,000,000 之部份則以 12％計算。

(八)

買家及賣家之合約於拍賣官落槌時訂立。如拍賣成交，買家同意於拍賣會結束 ( 含成交日 ) 後十四日內以港幣付清拍賣品之落槌價、已刊載之買家佣金以及任何買家負責的各項費用。並於拍賣會結束 ( 含成交日 ) 後三十日內領取拍賣品 ( 包裝及付運費用、運輸及保險費用、出境費等自行承擔 )。如買家逾期未提取拍賣品，則應支付八百港元 / 月 / 件的標準儲存費。儲存費不包括其他額外費用，如保險和運輸費，其他額外費用將會另行收取。

(九)

所有購買價款以港幣為結算單位，買家必須全額支付購買價款後，才可提貨。若以支票或匯票方式付款，須待銀行確認方可提貨。所有付款不接受任何形式的退款，如以任何形式撤銷合約，將視作違約處理。

(十)

提貨拍賣當日可於晚上 10 時前於拍賣場地提貨，2018 年 5 月 31 日或之後請到萬昌斯辦公室提貨，地址為香港上環皇后大道西 111 號華富商業大廈 2 樓，提貨時間為星期一至五，上午 10 時正至中午 12 時 30 分及下午 2 時至 5 時 30 分。

如有查詢，請致電萬昌斯： (852) 2868 6938

Please provide the following documents for Bidder registration: Individuals: photo ID (national identity card or passport) and proof of current address, e.g. utility bill or bank statement. Corporate clients: certificate of incorporation, and proof of directors and ownership. Agents acting on behalf of other parties: identification documents of agent and the other party, and a signed letter of authorization (such authorization does not apply to third parties’ payment).

All Bidders will be required to place an auction deposit of HK$150,000 (only accept cash, bank transfer and Union Pay card). If Bidder fails to buy any lots and does not owe Marchance any sum, then that auction deposit shall be returned to the Bidder in full without interest within 10 working days after auction. If Bidder succeeds in buying lot at auction, the deposit will be used to offset the invoice value payable by the Bidder and the balance (if any) will be refunded at collection. If Bidder fails to pay the full price of the auction lot he/she bought, the above deposit will be forfeited by Marchance. Bidders will be responsible for all the exchange loss and/or transaction fees/costs incurred during the refund process of the auction.

Bidder shall keep his/her number paddle properly. If the number paddle is lost, Bidder shall immediately comply with the loss report formalities in a written form recognized by Marchance. Unless otherwise agreed in writing by Marchance, all Bidders shall not lend or transfer his/her paddle to any other person(s). Otherwise, he/she shall be liable for all consequences associated with the use of his/her paddle for bidding or any other use.

Marchance will not provide any warranty as to the authenticity, value, tone, quality, or flaw/defect of any of the lots. Bidders and/or their agents shall verify the authenticity and conditions of the lots, and be liable for all his/ her bids associated with the auction. We strongly advise Bidders to inspect personally the original lot that they intend to bid before the auction date. Bidders shall judge whether the provided descriptions match the lot instead of placing reliance on the descriptions of lot in our catalogue, images and advertisements.

Please note that Marchance does not accept payment from third parties. This also applies to agents. If you are bidding on behalf of someone else, Marchance only accepts patment from the Principal.

The contract between buyer and seller is concluded on the striking of auctioneer's hammer, at which moment the buyer shall bear all the obligations associated with the successful bid. Results of absentee bids will be sent to buyers by post or email after the auction.

The Bidder shall pay Marchance Buyer's Premium together with any applicable fees. Buyer's Premium is changed at 23% of the Hammer Price of each lot for the first HK$8,000,000; and 15% of the excess of the hammer price above HK$8,000,000. Buyer who fully pays within 14 days after the Sale Date (including the Sale Date) can enjoy Early Payment Discount which is equal to 20% of the Hammer Price of each lot for the first HK$8,000,000; and 12% of the excess of the Hammer Price above HK$8,000,000.

The contract between the Buyer and Seller shall be deemed as concluded upon the striking of hammer by the Auctioneer. If the Lot is sold, the Buyer agrees to pay the Hammer Price in Hong Kong dollars, the stated Buyer's Premium of each Lot and any Buyer's expenses within 14 calendar days (including the day of sale) from the day of sale, and collect the Lot (packaging, moving expenses, transport costs, insurance expenses and export-related expenses etc. are at Buyer’s expense) within 30 days after the end of the sale (including the day of sale). If Buyer has not collected the Lot within the deadline, then he/she shall pay storage fee at HK$800/piece/month and all other additional expenses such as insurance, packing and transport costs will be charged separately.

All payments shall be made in Hong Kong Dollars. Please be reminded that the purchase(s) will not be released until the full purchase amount (including purchase price and any buyer's expenses) has been paid. Payment made by bank transfers or cheques must be conﬁrmed by the bank prior to purchase collection. All payments are non-refundable, any forms of cancellation of the deal shall be treated as breach of contract.

10.

Collection Collection is available before 10 pm at the sale venue on the auction day. From 31 May 2018 and onwards, please collect lots at Marchance ofﬁce, address: 2/F, Hua Fu Commercial Building, 111 Queen’s Road West, Sheung Wan, Hong Kong, Monday-Friday 10 am – 12:30 nn and 2 pm – 5:30 pm.

For general enquiries, please contact Marchance at (852) 2868 6938

銅鎏金度母像

6601 明 A GILT-BRONZE TARA FIGURE MING DYNASTY (1368-1644)

HK$ 50,000 RMB 40,000 高 14.4 cm (5 5/8 in)

局部 DETAILS

銅鎏金財續佛母

6602 十八世紀 A GILT-BRONZE VASUDHARA 18TH CENTURY

HK$ 38,000 RMB 30,400 高 8.4 cm (3 1/4 in)

HK$ 50,000 RMB 40,000 高 11.2 cm (4 3/8 in)

HK$ 30,000 RMB 24,000 高 10.9 cm (4 1/4 in)

銅鎏金尊勝佛母

6604 十八世紀 A GILT-BRONZE USHISHAVIJAYA 18TH CENTURY

銅鎏金白度母

6603 清 A GILT-BRONZE FIGURE OF WHITE TARA QING DYNASTY (1644-1911)

銅鎏金吉祥天母銅鎏金護法神像

6605 清 A GILT-BRONZE PALDEN LHAMO QING DYNASTY (1644-1911)

6606 清 A GILT-BRONZE FIGURE OF MAHAKALA QING DYNASTY (1644-1911)

HK$ 50,000 RMB 40,000 總高 16.8 cm (6 5/8 in)

HK$ 30,000 RMB 24,000 總高 7.5 cm (3 in)

HK$ 40,000 RMB 32,000 高 7.7 cm (3 in)

HK$ 30,000 RMB 24,000 總高 15.5 cm (6 1/8 in)

銅鎏金白哈爾

6608 十八世紀 A GILT-BRONZE PEHAR 18TH CENTURY

銅鎏金準提佛母

6607 清 A GILT-BRONZE FIGURE OF CUNDI QING DYNASTY (1644-1911)

銅鎏金寶生佛母銅鎏金度母

6609 十八世紀 A GILT-BRONZE BUDDHIST FIGURE 18TH CENTURY

6610 明 A GILT-BRONZE FIGURE OF TARA MING DYNASTY (1368-1644)

HK$ 50,000 RMB 40,000 高 16.5 cm (6 1/2 in)

HK$ 30,000 RMB 24,000 高 11 cm (4 3/8 in)

HK$ 40,000 RMB 32,000 高 10.7 cm (4 1/4 in)

HK$ 10,000 RMB 8,000 高 6.2 cm (2 1/2 in)

銅漆金財寶天王

6612 十九世紀 A GILT-LACQUERED BRONZE JAMBHALA 19TH CENTURY

銅鎏金寶源度母

6611 蒙古十七 - 十八世紀 A GILT-BRONZE TARA MONGOLIA, 17TH-18TH CENTURY

IMPERIAL STYLE

HK$ 60,000 RMB 48,000 高 17.2 cm (6 3/4 in) 宮廷風格

銅鎏金無量壽佛

此尊像結跏趺端坐於仰覆蓮台座上，雙目微垂，面目慈祥，大耳垂肩，並佩大耳鐺；頭頂梳高髮髻，髪髻頂端有飾物，頭戴寶冠，

寶冠兩側之寶繒飄於耳後；雙手於臍前結禪定印，雙臂飾有臂釧、手釧。上身袒露，胸、腹部飾有瓔珞，肩披披帛，披帛分別繞

過兩臂垂於體側，下身穿僧裙，戴足釧。僧裙採用濕衣法表現：僅於腰部飾腰帶及脛部、下擺部等處做出僧裙的衣褶。台座採用

仰覆蓮瓣裝飾，蓮台底部以剁口方式封藏。整尊造像造型端莊。除髮髻等處外，外部通體鎏金，保存較為完整。阿彌陀，意譯為

無量壽、無量光，故阿彌陀佛亦稱為無量壽佛、無量光佛。惟密教則以阿彌陀佛之應化身為無量光佛，其報身為無量壽佛。無量壽經卷上言，無量壽佛，威神光明，最尊第一。觀無量壽經亦謂，無量壽佛，身量無邊，非是凡夫心力所及。

6613 清雍正 A GILT-BRONZE FIGURE OF AMITAYUS QING DYNASTY, YONGZHENG PERIOD (1723-1735)

HK$ 60,000 RMB 48,000 高 17.7 cm (7 in)

銅鎏金釋迦牟尼

6614 清 A GILT-BRONZE SHAKYAMUNI BUDDHA QING DYNASTY (1644-1911)

「柿子」形銀製湯沸

6615 日本昭和晚期 - 平成早期 A SILVER ‘PERSIMMON’ FORM POT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s) ‘MA EI’ MARK

HK$ 15,000 RMB 12,000

長 14.1 cm (5 1/2 in) 總高 16.1 cm (6 3/8 in) 重 464 g 款識：「真榮」款

款 MARK

鐵製湯沸

6616 日本昭和晚期 - 平成早期 AN IRON POT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s) ‘SHU KO BO’ ‘MORI TORA DO ZO’ MARK

HK$ 2,000 RMB 1,600

長 19.1 cm (7 1/2 in) 總高 18.9 cm (7 1/2 in) 款識：「秀工坊」「盛虎堂造」款

款 MARK

‘MA EI’ MARK

HK$ 12,000 RMB 9,600

長 16.4 cm (6 1/2 in) 總高 16.6 cm (6 1/2 in) 玉直徑 2 cm (3/4 in) 重 461 g 款識：「真榮」款

「大槌木紋」銀製湯沸

6617 日本昭和晚期 - 平成早期 A SILVER TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

款 MARK

‘JUN GIN’ ‘JO EKI ZO’ MARK

HK$ 12,000 RMB 9,600 長 15.8 cm (6 1/4 in) 總高 16.9 cm (6 5/8 in) 重 450 g 款識：「純銀」「淨益造」款

款 MARK

「刻花」銀製湯沸

6618 日本昭和晚期 - 平成早期 A SILVER ‘FLORAL’ TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

「分瓣」紋銀製湯沸

6619 日本昭和晚期 - 平成早期 A SILVER TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘MATSU O TADA HISA’ MARK

HK$ 18,000 RMB 14,400 長 14.7 cm (5 3/4 in)

總高 17.3 cm (6 3/4 in) 重 455 g

款識：「純銀」「松尾忠久」款

款 MARK

「南瓜」形銀製湯沸

6620 日本昭和晚期 - 平成早期 A SILVER ‘PUMPKIN’ FORM TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘IK KEI’ MARK

HK$ 15,000 RMB 12,000 長 15 cm (5 7/8 in) 總高 15.3 cm (6 in) 重 488 g 款識：「純銀」「一慶」款

款 MARK

‘SHO’ MARK

HK$ 20,000 RMB 16,000

長 15.7 cm (6 1/8 in) 總高 15.5 cm (6 1/8 in) 重 334 g 款識：「正」款

口打出銀製湯沸

6621 日本昭和晚期 - 平成早期 A SILVER TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

款 MARK

‘MORI TORA DO’ ‘MORI TORA DO ZO’ MARK

HK$ 5,500 RMB 4,400

長 17.6 cm (6 7/8 in) 總高 20.3 cm (8 in) 款識：「盛虎堂」「盛虎堂造」款

款 MARK

鐵製湯沸

6622 日本昭和晚期 - 平成早期 AN IRON POT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s)

「銀杏葉」紋銀製湯沸

6623 日本昭和晚期 - 平成早期 A SILVER ‘GINGKO’ TEAPOT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s) ‘I KOMA’ MARK

HK$ 12,000 RMB 9,600

長 14.9 cm (5 7/8 in) 總高 17.9 cm (7 in) 重 457 g 款識：「生驅」款

款 MARK

「細木」紋銀製湯沸

6624 日本昭和晚期 - 平成早期 A SILVER TEAPOT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘JO EKI ZO’ MARK

HK$ 8,000 RMB 6,400

長 11.9 cm (4 5/8 in) 總高 16.6 cm (6 1/2 in) 重 299 g 款識：「純銀」「淨益造」款

款 MARK

‘JUN GIN’ ‘MATSU EI DO’ MARK

HK$ 15,000 RMB 12,000

長 14.2 cm (5 5/8 in) 總高 15.6 cm (6 1/8 in) 重 348 g 款識：「純銀」「松榮堂」款

「南瓜」形銀製湯沸

6625 日本昭和晚期 - 平成早期 A SILVER ‘PUMPKIN’ FORM TEAPOT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s)

款 MARK

‘MORI TORA DO ZO’ MARK

HK$ 3,200 RMB 2,500

長 16.2 cm (6 3/8 in) 總高 18.7 cm (7 3/8 in) 款識：「盛虎堂造」款

款 MARK

鐵製湯沸

6626 日本昭和晚期 - 平成早期 AN IRON POT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s)

「霰打」紋套銀製套壺 28

6627 日本昭和晚期 - 平成早期 A SILVER ‘DOT-PATTERNED’ TEA SET JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘MIYA MOTO ZO’ MARK

HK$ 15,000 RMB 12,000

最大 : 長 17 cm (6 3/4 in) 總高 18.7 cm (7 3/8 in) 重 625 g 款識：「純銀」「宮本造」款款 MARK

‘KOKAN’ MARK

HK$ 15,000 RMB 12,000

最大 : 長 19 cm (7 1/2 in) 總高 21.1 cm (8 1/4 in) 重 797 g 款識：「耕閑」款款 MARK

「刀瓣」紋套銀製套壺

6628 日本昭和晚期 - 平成早期 A SILVER TEA SET JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s)

「旋」紋木頭提梁銀製湯沸

6629 日本昭和晚期 - 平成早期 A SILVER WOODEN HANDLED TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘CHO NI ITSUKI’ MARK

HK$ 15,000 RMB 12,000

長 17.5 cm (6 7/8 in) 總高 17.8 cm (7 in) 重 517 g 款識：「純銀」「長二齋」款

款 MARK

「旋」紋銀製湯沸

6630 日本昭和晚期 - 平成早期 A SILVER TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s) ‘SHIN ITARU’ MARK

HK$ 5,000 RMB 4,000 長 10.7 cm (4 1/4 in) 總高 11.1 cm (4 3/8 in) 重 165 g 款識：「普瑧」款

款 MARK

‘JUN GIN’ ‘KURA MATA I ZO’ MARK

HK$ 15,000 RMB 12,000 長 13.6 cm (5 3/8 in) 總高 13.5 cm (5 3/8 in) 重 356 g 款識：「純銀」「藏亦居造」款

鎏金「獸面」藤把銀製湯沸

6631 日本昭和晚期 - 平成早期 A GLIT-SILVER RATTAN-HANDLED ‘BEAST MASK-FORM’ TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

款 MARK

‘MORI TORA DO ZO’ MARK

HK$ 2,500 RMB 2,000

長 17.1 cm (6 3/4 in) 總高 20.1 cm (7 7/8 in) 款識：「盛虎堂造」款

款 MARK

鐵製湯沸

6632 日本昭和晚期 - 平成早期 AN IRON POT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

「龍首」鎏金「雙鳳」銀製湯沸

6633 日本昭和晚期 - 平成早期 A GILT-SILVER ‘DRAGON’ DOUBLE-PHOENIX’ TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘SHO BI DO ZO’ MARK

HK$ 15,000 RMB 12,000

長 17.8 cm (7 in) 總高 20.4 cm (8 in) 重 624 g 款識：「純銀」「尚美堂造」款

款 MARK

鎏金「鳳首」「刻花」銀製湯沸

6634 日本昭和晚期 - 平成早期 A GILT-SILVER ‘PHOENIX’ ‘FLORAL’ TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s) ‘JUN GIN’ ‘KIN HISASHI DO’ MARK

HK$ 12,000 RMB 9,600 長 19.4 cm (7 5/8 in) 總高 21 cm (8 1/4 in) 重 710 g 款識：「純銀」「金壽堂造」款

款 MARK

‘SHO’ MARK

HK$ 20,000 RMB 16,000 長 17.2 cm (6 3/4 in) 總高 19.1 cm (7 1/2 in) 玉直徑 2 cm (3/4 in) 重 537 g 款識：「正」款

口打出銀製湯沸

6635 日本昭和晚期 - 平成早期 A SILVER TEAPOT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

款 MARK

‘MORI TORA DO ZO’ MARK

HK$ 2,500 RMB 2,000

長 16.4 cm (6 1/2 in) 總高 19.2 cm (7 1/2 in) 款識：「盛虎堂造」款

款 MARK

鐵製湯沸

6636 日本昭和晚期 - 平成早期 AN IRON POT JAPAN, LATE SHOWA PERIOD EARLY HEISEI PERIOD (1980s-1990s)

鐵包銀湯沸 34

6637 日本昭和晚期 - 平成早期 AN IRON-CLAD SILVER TEAPOT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s)

HK$ 30,000 RMB 24,000

長 14.5 cm (5 3/4 in) 總高 15.6 cm (6 1/8 in) 重 399 g

‘CHU O’ MARK

HK$ 30,000 RMB 24,000

長 17.1 cm (6 3/4 in) 總高 22.1 cm (8 3/4 in) 重 885 g 款識：「忠尾」款款 MARK

鏤空「櫻花」鐵包銀湯沸

6638 日本昭和晚期 - 平成早期 AN IRON-CLAD SILVER PIERCED ‘SAKURA’ TEAPOT JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s)

麻花把金製湯沸

6639 日本昭和晚期 - 平成早期 A GOLD TEAPOT WITH TWISTED HANDLE JAPAN, LATE SHOWA PERIOD - EARLY HEISEI PERIOD (1980s-1990s) ‘KURA ROKU ZO’ MARK

HK$ 200,000 RMB 160,000

長 17 cm (6 3/4 in) 總高 19 cm (7 1/2 in) 重 952 g 款識：「藏六造」款款 MARK

掃一掃

360 度立體圖

琥珀圓雕人物兩件及琥珀墜太湖石筆架山

6640 清 TWO AMBER FREESTANDNG FIGURES AND AN AMBER PENDANT QING DYNASTY (1644-1911)

6641 清 A TAIHU STONE MOUNTAIN-FORM BRUSH REST QING DYNASTY (1644-1911)

HK$ 5,000 RMB 4,000 最大 : 長 5 cm (2 in) 總重 44 g

HK$ 7,000 RMB 5,600 石長 14.5 cm (5 3/4 in)

HK$ 32,000 RMB 25,600 長 8.5 cm (3 3/8 in)

The seal face carved with four characters ai min qin xian

HK$ 10,000 RMB 8,000 長 8.5 cm (3 3/8 in)

印文 :「愛民親賢」

印面 SEAL FACE

竹根雕印

6643 清 A BAMBOO ROOT CARVED SEAL QING DYNASTY (1644-1911)

竹根雕仿犀角鹿形杯

6642 明 A BAMBOO ROOT CARVED ARCHAISTIC RHINOCEROS HORN AND DEER-FORM LIBATION CUP MING DYNASTY (1368-1644)

HK$ 2,000 RMB 1,600 最大 : 長 5.3 cm (2 1/8 in) 印文：印文不錄

印面 SEAL FACE

此件質地細膩，雕工精湛。採用立體浮雕的手法，並布以陰刻線條，呈現出「豐收時節，

The seal face carved with illegible character(s)

飽滿的南瓜牽藤繞蔓，松鼠稚拙可愛，神態囧然，雙目直視前方，腦袋向後縮去，似被眼

長 4.3 cm (1 3/4 in) 重 26 g

前人嚇到」之景，形象靈巧生動，非常有趣。而南瓜象徵「富貴」，松鼠代表「福鼠」，

壽山石「伏虎羅漢」及黃楊木「太獅少獅」印

6645 清 A SOAPSTONE ‘MAITREYA’ AND A BOXWOOD ‘LION AND CUB GROUP’ SEAL QING DYNASTY (1644-1911)

HK$ 40,000 RMB 32,000

寓意吉祥，又是整塊珊瑚雕刻而成，工藝非凡，非常難得，實屬上佳之品。

珊瑚「松鼠金瓜」珮

6644 清 A CORAL ‘SQUIRREL AND CUCURBITA PEPO’ PENDANT QING DYNASTY (1644-1911)

‘BI DE’ MARK

HK$ 20,000 RMB 16,000

直徑 30.7 cm (12 in) 總高 12.5 cm (5 in) 款識：「乾隆年製」「比德」款

款 MARK

剔紅「御製詩」「山水人物」寶盒

6646 清乾隆 A CINNABAR LACQUER ‘IMPERIALLY INSCRIBED’ ‘LANDSCAPE AND FIGURE’ BOX QIANLONG FOUR-CHARACTER MARK AND OF THE PERIOD (1736-1795)

瀝粉金漆宮廷寶冊箱

6647 清乾隆 A GILT-LACQUERED IMPERIAL BOX QING DYNASTY, QIANLONG PERIOD (1736-1795) IMPERIAL STYLE

HK$ 100,000 RMB 80,000 高 42 cm (16 1/2 in) 宮廷風格

內側 INSIDE

掃一掃

360 度立體圖

寶冊箱為清代宮廷盛放寶璽、玉冊的承具，皆以瀝粉漆金技法製作。瀝粉金漆工藝為清代帝王專用裝飾技法，今北京故宮太和殿圍繞御座的六根蟠龍柱，即採用瀝粉金漆法制作裝飾，為皇權集中的最佳體現。箱長方體，盝頂式，通體瀝粉金漆，箱蓋頂和四周有如意雲紋。箱體以龍鳳紋為飾，正面及頂蓋飾龍鳳紋一對。一邊黃龍蜿蜒騰飛，神態威猛，其間點綴流雲紋。一邊雲彩間，金鳳展翅飛翔，姿態優美。箱之正面蓋、箱合口處安裝倭角方形面葉及拍子，其上鏨有龍鳳紋，為上鎖之用，兩側面按銅質提環。箱子下部有兩穿孔，以便於穿繩。此箱造型與北京皇史宬內存放皇家史冊的「金匱」形制相似，應為同一

， 128

， 133 135

時期相似用途之物。全器紋飾華麗，金彩奪目，成對傳世，極為難得。參閱：《大清盛世·瀋陽故宮文物展》頁

銅鎏金上師像銅鎏金小上師像

6648 清 A GILT-BRONZE FIGURE OF GURU QING DYNASTY (1644-1911)

6649 清 A GILT-BRONZE FIGURE OF GURU QING DYNASTY (1644-1911)

HK$ 50,000 RMB 40,000 高 12.8 cm (5 in)

HK$ 40,000 RMB 32,000 高 8.2 cm (3 1/4 in)

高 9.1 cm (3 5/8 in)

結構和細節處理均極為獨特，不拘一格。面相上看，笑容極為和煦，面容飽滿，顯示出這是一位年輕有為的上師。除面相外，此相尚有兩處極為獨特。一是袈裟，右手側袈裟邊緣立圍起來，半圈住右肘部。僅上臂和右手露出，左側手臂則是完全被厚重的袈裟覆蓋，連輪廓也不顯，僅左手自袖口伸出執寶瓶，二即是上師座下禪墊，方正的禪墊面積頗大，大出主尊兩圈有餘，袈裟下擺幾乎與禪墊融為一體，墊上並無鏨刻花紋裝飾，令整尊造像立體感超強且具有不可比擬的親和力和感染力。通體鎏金，紋飾精美，工藝精湛，是清初格魯派祖師造像中的精品。

銅鎏金上師像 HK$ 40,000 RMB 32,000 6651 清 A GILT-BRONZE FIGURE OF GURU QING DYNASTY (1644-1911)

高 19.1 cm (7 1/2 in)

銅鎏金五世班禪 HK$ 40,000 RMB 32,000

上師造像在藏傳佛教藝術的發展進程中是極為重要不可忽略的部分。此尊上師造像

6650 西藏十六世紀 A GILT-BRONZE FIGURE OF 5TH PANCHEN LAMA TIBET, 16TH CENTURY

銅鎏金上師像銀上師佛頭

6652 清 A GILT-BRONZE FIGURE OF GURU QING DYNASTY (1644-1911)

6653 清 A SILVER HEAD OF GURU QING DYNASTY (1644-1911)

HK$ 40,000 RMB 32,000 高 10.5 cm (4 1/8 in)

HK$ 11,000 RMB 8,800 高 7.9 cm (3 1/8 in)

銅鎏金五世達賴像 HK$ 80,000 RMB 64,000

6654 清 A GILT-BRONZE FIGURE OF 5TH DALAI LAMA QING DYNASTY (1644-1911) 高 15.2 cm (6 in)

五世達賴喇嘛·阿旺羅桑嘉措（

年進京朝覲順治皇帝，被正 1652

），是清代藏傳佛教格魯派高僧。住世期間，得到蒙古固始汗大力支 1617-1682 持，建立「噶丹頗章」政權，確立有清一代格魯派在西藏宗教上的優勢地位。

式冊封為達賴喇嘛，成為清代藏傳佛教四大轉世活佛體系之一。此像頭戴格魯派獨具的桃形尖帽，面容慈悲安詳，雙目俯視世間眾生，雙頤豐滿，嘴帶笑容。上身內著僧坎，外披袒右肩袈裟，衣褶曲折翻轉，紋飾華麗細膩。左手捧經書，右手當胸拈聖潔花莖。姿態典雅內斂，展現上師內心的空靈境界。雙腿盤坐，雙層軟墊承於身下。軟墊柔軟舒適，裝飾華麗，襯托出上師的高貴與莊嚴。整像鑄胎厚重，鍍金飽滿，造型規整，量度準確，尤其是細部雕刻精密細緻，線條流暢遒勁，堪稱清代西藏上師造像的精品之作。

銅鑲銀上師像 48

6655 十四世紀 A SILVER-INLAID BRONZE FIGURE OF GURU 14TH CENTURY

HK$ 80,000 RMB 64,000 高 14.9 cm (5 7/8 in)

ZANABAZAR STYLE

HK$ 150,000 RMB 120,000 高 19.2 cm (7 1/2 in) 扎那巴扎爾風格

銅鎏金上師像 6656 蒙古十七 - 十八世紀 A GILT-BRONZE FIGURE OF GURU MONGOLIA, 17TH-18TH CENTURY

本品為藏傳佛教上師造像，其結全跏趺坐於蓮花寶座之上。右手結說法印，左右兩肩，左手托缽盂。頭戴班地達帽，面相俊秀，神態肅穆。軀體端正挺直，比例勻稱。身著袒右肩式袈裟，內穿交領式僧衣。衣紋厚重寫實，衣領紮那巴紮 ——

及袖口、邊緣處飾以精美的花紋帶。圓形仰式蓮花座，整體呈扁平狀，蓮瓣規整挺拔，交錯排列，地域風格特徵鮮明，屬於蒙古佛像雕塑藝術鼻祖

年，准格爾蒙古噶爾丹攻擊喀爾喀蒙古時，率部南下內服清廷， 1688

），蒙古喇嘛教的宗教首領（「哲布尊丹巴」）， 1635-1723

年 1691

年改宗格魯派，五世達賴喇嘛 1651

爾大師造像風格。整體造像形制大方優美，莊嚴肅穆，製作工藝考究，鎏金工藝精湛，刻畫生動，

， Zanabazar

線條流暢，是清初蒙古喀爾喀紮那巴劄爾風格造像精品，且保存良好，殊宜寶之。紮那巴紮爾（

和四世班禪喇嘛承認其為一世哲布尊丹巴活佛。

年，圓寂於北京黃寺。他亦是蒙古佛像雕塑藝術鼻祖，具有卓絕的藝術天賦，製作了一系列精美的佛教造像，人物比例精准， 1723

康熙皇帝正式冊封其為哲布尊丹巴呼圖克圖，並令其統管喀爾喀蒙古部宗教事務，從而成為蒙古地區最大的格魯派活佛之一。

造型優美，氣質典雅，充滿活力，深刻影響了蒙古後世佛像藝術發展，開啟了蒙古民族藝術風格的繁榮時期。無論在此時期之

前還是之後，蒙古在青銅鑄造藝術方面的技藝都沒有達到過那樣完美的境地。其作品因此也被後人爭相寶藏。與此時期西藏本

土佛教雕塑的最大不同之處之一是，劄那巴劄爾派雖然受到了西藏佛教藝術的影響，但卻極力追範古代佛像風尚，體現出比較濃鬱的古代尼泊爾和印度雕塑的遺風。

掃一掃

360 度立體圖

銅鎏金宗喀巴像

6657 西藏中部十六世紀 A GILT-BRONZE FIGURE OF TSONGKHAPA CENTRAL TIBET, 16TH CENTURY

HK$ 350,000 RMB 280,000 高 33 cm (13 in)

掃一掃

360 度立體圖

年）不僅是西藏格魯派（黃教）的創立者，也是藏傳佛教界最為重要的宗教改革家， 1357-1419

紅銅鎏金局部泥金彩繪分體澆鑄宗喀巴（精神領袖之一，被藏族人民譽為「第二佛」，即釋迦牟尼之後的另一位世間佛尊。他出生在青海宗喀地方（今天塔爾寺所在地）的聖人，故尊稱為宗喀巴。宗喀巴的造像和繪畫非常流行，並形成了模式。清宮藏傳佛教是格魯派一枝獨秀的局面，尤其是在乾隆時期，造像數量劇增，祖師像的作品為數不少，其中最為常見的就是宗喀巴像。宗喀巴面相圓潤，慈容含笑，雙手施轉法輪印，各牽優缽羅花枝，花蕾在肩頭開敷，右肩花蕾上供智慧劍，右肩供般若經，與文殊菩薩所持法器一樣。在宗喀巴大師的傳記中，不斷提到宗喀巴大師是文殊菩薩的化身，具文殊特徵者，往往被認定為宗喀巴大師。此像金色明亮而沉穩，表情從容，與宗喀巴飽學多識、深沉博大的精神世界十分吻合。此尊造像全跏趺坐於蓮花座上，雙手當胸結說法印，分別各牽一株蓮花，開於左右兩肩，左肩花中立經卷，右肩花中立寶劍，其「左經右劍」的特徵與文殊菩薩的標誌一樣，藏密尊奉他為文殊菩薩的化身，故經書與寶劍亦成為其身份的標識。面相莊嚴，神態慈祥。身著袒右肩式袈裟，內穿交領式僧衣，這是西藏僧人的典型裝束，具有明顯的地域特色。衣紋寫實流暢，衣領及袖口、邊緣處飾以精美的花紋帶。束腰仰覆式蓮花座，蓮瓣製作別致，雙層蓮花端頭雕刻雲頭紋，精巧別致。整尊造像造型端莊，工藝考究，應是十六世紀藏中地區造像作品。

IMPERIAL STYLE

瑪哈嘎拉意譯應為「大黑天」、「救怙主」，原來是古代印度的戰神，引入佛教後，很受密教的崇奉，是觀音菩薩化現的大護法，在護法中地位很高，同時也

是密宗修法所依止的重要本尊。他有四種特性：戰神、廚房神、福德神、塚間神，從元代開始就受到以後歷代帝王的信奉。其形象多種，雙臂、四臂、多臂都有。

本場這件拍品，是形象比較經典的六臂瑪哈嘎拉形象。左展站立，頭向左側微傾，戴五骷髏冠，火焰狀豎發上揚，發中有一條小蛇隱現，面相凶忿。上身飾瓔珞，

下身圍獸皮，頸間掛五十人頭串，長蛇繞頸，於腹部昂頭。六手各執法器，胸前雙手，右手執鉞刀，左手捧盛滿鮮血的嘎巴拉碗；身後上方兩手，右手執骷髏手串，

左手執箭，同時兩手握象腿，撐開一張象皮披於身後；身後下方右手執手鼓，左手持鉤索。腳踩象頭天神，天神下方為雙層仰蓮座，蓮座略高，束腰，蓮瓣光滑飽滿，鑄造技藝精湛，面部表情刻畫尤為突出，其忿怒像使人視之不寒而慄，將主像之法力無邊展現得淋漓盡致。

值得注意的是拍品蓮台形制特別，為寬邊束腰形，腰際鏨刻纏枝蓮紋，仰覆蓮瓣為飽滿的三層，蓮瓣下又設三層台級，立體感強烈，頗為少見。據近年來學者

研究指出，曾見彌勒菩薩像上刻雍正年款，蓮花台亦寬邊束腰，為雍正時期佛教造像之標準器。依此可知，拍品亦屬此類雍正朝宮廷造像，時代特徵明顯，品相保存良好，鎏金燦若未觸，頗為珍貴。

HK$ 80,000 RMB 64,000 總高 19.7 cm (7 3/4 in) 宮廷風格

銅鎏金六臂瑪哈嘎拉

6658 清雍正 A GILT-BRONZE FIGURE OF SIX-ARMED MAHAKALA QING DYNASTY, YONGZHENG PERIOD (1723-1735)

永樂年間，宮廷與西藏或藏傳佛教的關係極為緊密，特設御用監「佛作」製作的漢藏風格造像，主要賞賜給西藏上層僧侶，旨在通過宗教籠絡，達到對西藏的和平統治，具有重要的歷史、藝術、工藝和宗教價值。在其後的宣德時期，堅持永樂朝通過弘揚佛教拉攏的西藏政治勢力政策，朝廷對藏傳佛教尤為重視，在對神祇造像的製造從未有過懈怠。此尊黑馬頭金剛像，即為典型一例，體量雖小，卻完全按照永樂時期佛教儀軌製作，工精技繁，右手高舉骷髏法杖，頭戴骷髏冠，圓睜三眼，頁 1260

ulrich von Schroeder 」（圖， 348C-D 1 ） 2記錄的一尊永樂時期所造黑馬頭明王造像，無論從形制，製作工藝，鎏金水準，

佩帛飄揚，肩挎五十人頭項鍊，身後瓔珞臂釧，無不精細，覆式單層蓮座，具有典型的永宣時期宮廷造像風格，在「所著的西藏佛造像第二部中第

以及精細程度上均與本品十分接近，僅在體量上有所差異，足見宣德時期對於永樂造像儀軌的嚴格繼承與發揚。餘尊，分別供奉或收藏在喇嘛廟、博物館和私人收藏家手中。儘管這些數量反映的並不是明 400

朝宮廷造像的實際情況，但足以說明當時宮廷造像具有一定的規模，也說明永宣造像在明代漢藏關係中具有十分重要的作用和影響。當時鑄

據調查，目前存世的永宣造像國內外共有

施 • 羅德對西藏廟

造的實際數量應當遠超此一數字，但因明代後期嘉靖、崇禎等朝多次發生撤毀藏傳佛教造像的事件，導致數量銳減，成為皇室監造佛像中極為震撼的一類。餘尊永宣造像中，大部分為永樂時期，宣德時期造像約佔其中的十分之一，帶刻款者則更為稀少。在馮 400

宇藏品作大規模的探查過程中，只發現三件屬宣德時期的銅像，數量顯得格外稀有。這個數量似乎與明初官方文獻鮮有提及宣德年間饋贈佛

而在現存的

像給西藏寺廟高僧的狀況吻合，亦與永樂朝頻繁和大量的饋贈大異。饋贈數量的激減亦側面的表明漢藏民族友好關係的不斷穩定，以及北京作為政治及宗教統治中心的確立與穩固。由此而生的融合了漢式審美的藏式造像得以臻于鼎盛，開「漢藏風格」或「北京風格」之新風尚。

參閱：

觀法出版有限公司，香港，2001，頁 1260-1261，編號 348C-D

高 6 cm (2 3/8 in) 宮廷風格

永宣之後，雖然宮廷造像銷聲匿跡，但是其影響卻成為明代宮廷造像藝術傳承的粉本與典範。

A similar gilt-bronze figure of Hayagriva from the Yongle Period of Ming Dynasty is illustrated in BUDDHIST SCULPTURES IN TIBET VOLUME 2 TIBET & CHINA, by Ulrich von Schroeder, Visual Dharma Publications, Hong Kong, 2001, p.1260-1261, no.348C-D

Reference:

一件明永樂時期的銅鎏金黑馬頭明王形製與此拍品相似，載於烏爾裡希．馮．施羅德著《西藏佛教造像卷二》，

HK$ 200,000 RMB 160,000

銅鎏金黑馬頭明王 6659 明宣德 A GILT-BRONZE FIGURE OF HAYAGRIVA XUANDE TWO-CHARACTER MARK AND OF THE PERIOD (1426-1435)

IMPERIAL STYLE

銅鎏金密集金剛

6660 清乾隆 A GILT-BRONZE GUHAYSAMAJA QING DYNASTY, QIANLONG PERIOD (1736-1795)

HK$ 100,000 RMB 80,000 高 17.3 cm (6 3/4 in)

掃一掃

360 度立體圖

藏傳佛教自十三世紀傳入內地起，即受到元、明、清三代帝王崇信。清代皇宮苑囿中遍佈大小佛堂，為帝后做佛事的場所，其內所供佛像眾多，窮盡用料考究與工藝精湛之能事，以突顯皇家氣派和至誠之心。密集金剛又稱密聚金剛，意為諸佛身、語、意三密之會集，梵名為「庫夫雅薩瑪迦」，藏名為「桑克」，為無上瑜伽總父續的重要大法，是藏密格魯派崇奉的五大本尊之一。主尊以金剛跏趺坐於蓮花寶座上。三頭六臂，每面三目，神態威嚴。頭戴花冠，頭冠由五個花瓣組成，象徵五佛或五菩薩。居中右手是金剛杵，左手為金剛鈴，象徵方法與智慧雙成；居上右手持法輪，象徵佛法不衰，法輪常轉，左手拿寶珠，象徵所求成就；居下右手拿匕首，象徵割斷一切無明，右手執蓮花，象徵智慧（體性）清凈。擁抱著觸金剛佛母，也是三頭六臂，冠戴、配飾、持物、乃至一切細微處與主尊相同，表總攝五部大法。束腰仰覆式蓮花寶座，上下緣飾有連珠紋，蓮花瓣飽滿圓潤，製作規整，具有明顯的時代特徵。

銅鎏金四臂觀音像

6661 清康熙 A GILT-BRONZE FIGURE OF SHADAKSHARI LOKESHVARA QING DYNASTY, KANGXI PERIOD (1662-1722)

HK$ 150,000 RMB 120,000 高 19 cm (7 1/2 in)

掃一掃

360 度立體圖

清代宮廷造像始於康熙時期。康熙皇帝雖然不像其後的雍正和乾隆皇帝那樣崇信藏傳佛教，但對藏傳佛教也持保護和尊重態度，在位六十年為藏傳佛教做出了許多貢獻和功德，如冊封五世班禪大師，在北京和承德等地興建瑪哈噶喇廟、永慕寺、資福院、溥仁寺、溥善寺等喇嘛寺廟，特別是在皇宮內設立「中正殿念經處」，率先將藏傳佛教引進了宮廷。「中正殿念經處」負責為皇家念經祈福，同時也是一個最早造辦佛像的機構。康熙宮廷造像繼承明代宮廷造像遺風，同時也開啟了時代新風尚，佛像造型規範，氣勢恢弘，工藝精細，形象生動寫實，與其後的雍正和乾隆宮廷造像有著明顯的區別。年），實為康熙帝於康熙二十五年，為蒙 1686

古人出身的太皇太后孝莊文皇后博爾濟吉特氏大壽之日所造，不僅造型寬大、氣勢恢巨集，

北京故宮博物院珍藏的一尊康熙二十五年（而且手法寫實、工藝精湛，展現出清康熙宮廷造像鮮明特點。此尊與故宮所藏四臂觀音極其相似，施禮敬印，全跏趺坐。菩薩髮髻高聳，頂有無量光佛，頭戴五葉寶冠，雙眉高挑，雙目細長，鼻樑粗寬，嘴唇突出。耳璫圓大，繒帶於耳邊飄揚，戴項圈，身披三層瓔珞，瓔珞及臂釧鑲嵌寶石，裙衣鏨刻花卉紋，天衣繞臂垂於蓮座之前。仰覆蓮座，蓮瓣飽滿，寬大。整體造型精美，工藝精湛，鎏金明亮。其確立康熙造像之典範，可見四臂觀音信仰於清宮之深厚意義。

巨型銅鎏金金剛總持坐像

6662 尼泊爾十七世紀 A GILT-BRONZE GIANT-SIZED SEATED VAJRADHARA NEPAL, 17TH CENTURY

HK$ 1,000,000 RMB 800,000 高 104 cm (41 in)

來源：1. 比利時藏家自 1970 年代中期收藏

2. 巴黎佳士得 2017 年 6 月 20 日，編號 165

Provenance: 1. A collection of a Belgian collector since mid-1970s 2. Christie’s Paris, June 2017, lot 165

金剛持是是印度梵語的意譯，音譯「伐折羅陀羅」，其中「伐折羅」意為「金剛杵」，「陀羅」是執持義，合譯就是「持金剛」或「金剛持」；藏語稱「多傑羌」。關於其身份和地位有多種不同的說法：一種認為他是本初佛，即最原始的佛陀；一種認為他是報身佛；一種認為他是法、報、化三身的總集；一種認為他總攝了五方佛的智慧與功德，稱他為「第六金剛持」或「金剛總持」。但不管怎樣他是藏傳佛教崇奉的最高尊神。在藏傳佛教各教派中，噶舉派對金剛持尤為崇奉，噶舉派尊金剛持為本初佛，在表現噶舉派題材的唐卡和其他繪畫形式中，金剛持往往被置於上方中央，而受到特殊的禮敬；同時噶舉派還將金剛持奉為本派的鼻祖，認為噶舉派全部教法皆源于金剛持，金剛持後帝洛巴、那諾巴、瑪爾巴、米那日巴、岡波巴次第相傳，最終成就了西藏噶舉派的龐大體系。此像表現的就是一尊造型特徵十分典型的金剛持造像，其以錘揲工藝作成。尊像頭戴花冠，頂束柱狀高髮髻，髻頂安摩尼寶珠，耳際寶繒呈扇面形向後展開，大耳垂肩；額部高廣，雙目俯視，細眉高挑，眉間飾方形白毫，高鼻闊嘴，妙相莊嚴。上身飾可拆卸式項圈和交叉穿璧式長鏈，圈鏈上皆綴有花瓣。下身著僧裙，衣紋簡潔，字 U 形大帔帛，帔帛繞手臂後向外飄揚，極富裝飾意味。這些裝飾造型美觀，

突出身軀骨骼與肌肉的自然起伏與變化，僧裙後部刻畫有精美的纏枝蓮紋飾；腰間束寶帶，寶帶下綴有聯珠式立體感極強，頭冠上面嵌有巨大的各色寶石，體現了西藏地區造像的鮮明特點。結跏跌端坐，雙手置胸前交叉，

瓔珞；手和足部佩有釧鐲；周身披倒

釐米，在同類造像中當為翹楚，全像軀體壯碩， 110

結金剛吽迦羅印，左右手分別持金剛鈴和金剛杵（已佚），鈴杵組合象徵慈悲與智慧的合一，代表密教修行的肌肉勁健，體態優美舒展，造型大氣完美，充分表現了金剛持在藏傳佛教中的至尊地位和悲智雙圓的宗教特質，

最高修行成就和境界。此尊體型巨大，坐姿已達到罕見的給人強烈的視覺衝擊力和非凡的藝術美感。

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銅錯金「幾何」紋傘杆銅錯銀「夔龍」紋傘杆

6663 西漢 A GOLD-INLAID BRONZE ‘GEOMETRIC’ PATTERN UMBRELLA POLE WESTERN HAN (206 BC-AD 8)

6664 漢 A SILVER-INLAID BRONZE ‘KUI-DRAGON’ SCROLL UMBRELLA POLE HAN DYNASTY (206 BC-AD 220)

HK$ 1,000 RMB 800 高 12 cm (4 3/4 in)

HK$ 1,000 RMB 800 高 15.2 cm (6 in)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 高 7.2 cm (2 7/8 in)

三面 THREE VIEWS

銅錯金銀「卷雲」「獸」紋殳鐏

6665 西漢 A GOLD AND SILVER-INLAID BRONZE ‘CLOUD AND BEAST’ SCROLL POLEARM WESTERN HAN (206 BC-AD 8)

局部 DETAILS

HK$ 1,000 RMB 800 最大 : 高 11.5 cm (4 1/2 in)

銅錯金銀「龍鳳幾何」紋殳一套兩件

6666 戰國 A SET OF TWO GOLD AND SILVER-INLAID BRONZE ‘DRAGON AND PHOENIX’ SCROLL ‘GEOMETRIC’ PATTERN POLEARMS WARRING STATES PERIOD (475-221 BC)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銅錯金銀「飛獸」紋戈鐏 64

6667 戰國 A GOLD AND SILVER INLAID-BRONZE ‘BIRD AND BEAST’ SCROLL VESSEL WARRING STATES PERIOD (475-221 BC)

HK$ 1,000 RMB 800 高 15 cm (5 7/8 in)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 高 24.4 cm (9 5/8 in)

三面 THREE VIEWS

銅錯金銀「走獸飛鳥」紋旗桿鐏

6668 漢 A GOLD AND SILVER INLAID-BRONZE ‘BEAST AND BIRD’ SCROLL FLAGPOLE CAP HAN DYNASTY (206 BC-AD 220)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銅錯金「夔龍」紋車軎一組兩件銅錯金銀「虎頭」紋車馬飾一組三件

6669 春秋 A SET OF TWO GOLD-INLAID BRONZE ‘KUI-DRAGON’ SCROLL COACH PARTS SPRING AND AUTUMN PERIOD (770-476 BC)

6670 西漢 A SET OF THREE GOLD AND SILVER-INLAID BRONZE ‘TIGER-HEAD’ ACCESSORIES WESTERN HAN (206 BC-AD 8)

HK$ 1,000 RMB 800 最大 : 高 7.4 cm (2 7/8 in)

HK$ 1,000 RMB 800 最大 : 長 12.6 cm (5 in)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 最大 : 長 5.4 cm (2 1/8 in)

HK$ 1,000 RMB 800 長 16.1 cm (6 3/8 in)

銅車馬燈飾

6672 春秋 A BRONZE COACH LIGHT ORNAMENT SPRING AND AUTUMN PERIOD (770-476 BC)

銅錯金銀「鳳」紋車馬轅飾一組四件

6671 西漢 A SET OF FOUR GOLD AND SILVER-INLAID BRONZE ‘PHOENIX’ SCROLL COACH ORNAMENTS WESTERN HAN (206 BC-AD 8)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銅錯金銀「夔龍」紋車軎一對 68

6673 春秋 A SET OF TWO GOLD AND SILVER INLAID-BRONZE ‘KUI-DRAGON’ COACH PARTS SPRING AND AUTUMN PERIOD (770-476 BC)

HK$ 1,000 RMB 800 最大 : 直徑 7.5 cm (3 in)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 最大 : 直徑 11 cm (4 3/8 in)

銅錯金「虎頭」紋車馬環一套三個

6674 西漢 A SET OF THREE GOLD-INLAID BRONZE ‘TIGER HEAD’ SCROLL COACH ORNAMENTS WESTERN HAN (206 BC-AD 8)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銅錯金「鷹熊」紋摶擊戈 70

6675 戰國 A GOLD INLAID-BRONZE ‘EAGLE AND BEAR’ BLADE WARRING STATES PERIOD (475-221 BC)

HK$ 1,000 RMB 800 長 14.4 cm (5 5/8 in）

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 長 22.4 cm (8 7/8 in)

兩面 TWO VIEWS

銅錯金銀「夔龍」紋弩機

6676 春秋 A GOLD AND SILVER-INLAID BRONZE ‘KUI-DRAGON’ SCROLL CROSSBOW SPRING AND AUTUMN PERIOD (770-476 BC)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銀鎏金「花卉」紋鎖銅「瓜形」蓋罐一對

6677 唐 A GILT-SILVER ‘FLORAL’ LOCK TANG DYNASTY (618-907)

6678 唐 A PAIR OF BRONZE ‘MELON-SHAPED’ POTS AND COVERS TANG DYNASTY (618-907)

HK$ 1,000 RMB 800 總長 19.2 cm (7 1/2 in)

HK$ 1,000 RMB 800 最大 : 高 9.2 cm (3 5/8 in)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 長 25 cm (9 7/8 in)

銅鎏金大鎖

6679 唐 A GILT-BRONZE GIANT LOCK TANG DYNASTY (618-907)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

銀鎏金「花卉」紋杯 74

6680 唐 A GILT-SILVER ‘FLORAL’ CUP TANG DYNASTY (618-907)

HK$ 1,000 RMB 800 總高 12.6 cm (5 in)

英國同一藏家 From the same British collector ( Lot 6663 - 6681 )

HK$ 1,000 RMB 800 長 12.4 cm (4 7/8 in)

銀「摩羯龍」紋罐

6681 唐 A SILVER ‘CAPRICORN DRAGON’ JAR TANG DYNASTY (618-907)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

住友春翠與泉屋博古館

昭和三十五年，設立於東山鹿谷的泉屋博古館，鬧中取靜，距南

在住友春翠的影響下，其後人以及家族成員對中國古代藝術品收藏產生

禪寺只一街之遙，以精美的中青銅器藏品而聞名。該館隸屬於日

了濃厚的興趣，在住友財團強大的財力支持下，住友家族對中國及世界

本四大財團之一的住友家族，冠名緣自其家族商號「泉屋」躺宋

範圍內的藝術品收藏達到了一個頂峰，更是於 1960 年成立泉屋博物館，

徽宗敕撰的《宣和博古圖》。泉屋博古館藏品逾三千件，其中最

將其家族數代人精心收藏的大量珍貴文物彙集在一起，成為世界級涵蓋

為著名的是住友家族第十五代家主住友春翠收藏的中國商周青銅

銅器，高古佛造像，歷代名人字畫的權威博物機構。

器、高古漢傳佛教造像、以及各類文物無論從數量還是品質都堪稱海外翹楚。1926 年住友春翠去世，英國倫敦時報導：「收集中國青銅器的收藏名家，著名的住友男爵去世」，說明春翠其時已具有國際影響力。

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

HK$ 20,000 RMB 16,000 最大 : 高 9 cm (3 1/2 in)

HK$ 20,000 RMB 16,000 高 11.2 cm (4 3/8 in)

青銅釋迦牟尼像

佛像肉髻平緩，臉型圓潤，神態安祥，左右手結輿願無畏印，身著通肩式大衣，衣

字形，富有裝飾性。站立於覆蓮之上，下承六台座，由於統一新羅時代中朝

的文化交流密切，這尊銅像與長安佛像有一定的近似性，有盛唐文化的色彩，但細

紋呈

看還有所區別，衣紋更富裝飾性和程式化，頗有藝術研究價值。

6683 統一新羅時代 A BRONZE FIGURE OF SHAKYAMUNI BUDDHA LATER SILLA (668-935)

銅鎏金佛像一對

6682 唐 A PAIR OF GILT-BRONZE BUDDHIST FIGURES TANG DYNASTY (618-907)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

佛陀立於六方須彌台之上，下承一四方開光底托。螺發，髮髻高挽，慈眉善目，面帶微笑，筆挺站姿，跣足而立。左手擎法器於肩頭，右手下垂結與願印。著寬大法衣，然而覆蓋身體的部位又採用了濕衣法的表現方式，緊貼肌膚，顯示出佛陀的健美身姿，頸戴項鍊，腕穿手鐲，下身裹裙，肩上披彩，發束高髻，三點式高大火焰形背光，顯示出佛法無窮的威力，富麗堂皇，鎏金燦燦，背面工藝較為簡略，符合其時代特點。唐代佛造像繼承南北朝精華，又從笈多藝術中吸取養分，融會貫通，崇尚寫實自然，

高 12.8 cm (5 in)

逐步走向成熟，故本佛像造型帶世俗之美感，佛陀造型勻稱，線條生動，成為後世

銅鎏金佛像

HK$ 20,000 RMB 16,000

6685 唐 A GILT-BRONZE BUDDHIST FIGURE TANG DYNASTY (618-907)

造像之典範。

銅鎏金佛像

6684 唐 A GILT-BRONZE BUDDHIST FIGURE TANG DYNASTY (618-907)

HK$ 20,000 RMB 16,000

高 13.5 cm (5 3/8 in)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

高 12 cm (4 3/4 in)

銅鎏金釋迦牟尼像 HK$ 30,000 RMB 24,000

衫式袈裟，軀體渾厚而圓潤，肌肉表現結實而富有張力，頭部高昂，端莊大方，親切自然。

造像結跏趺坐，右手結說法印，左手置於膝上。通體鎦金燦爛，上身著僧只支，外披偏

尤為難得的是，經過千餘年的流傳火焰背光並未遺失，例數近年來拍賣市場上此類造像中有如此完整的實例十分罕見。

本尊造像是盛唐時期釋迦牟尼的標準像，沒有隋代和初唐時那種生硬的棱角。在釋尊肉

然是釋尊的標識，此處理方法與英國東方藝術館所藏的盛唐釋迦牟尼十分相似。對比世

髻的處理上也不似初唐和盛唐早期那樣毫髮畢現，已開始作模糊處理，但渾圓的肉髻仍

界各大博物館，與本尊釋迦牟尼造像最為接近也是這尊英國東方藝術館所藏的盛唐銅鎏）大理石加彩佛像等等。 752

金釋迦牟尼，在肉髻的處理上十分相似，可作比較。

具有盛唐時期的華麗風格。此時期的造像大氣宏偉，其可參照的有紀年像如：日本出元

光美術館所藏唐天寶七年（西元

）銅佛像、五臺山佛光寺東大殿唐天寶十一年（西 784

寺石窟中都有表現，都是有紀年可考的盛唐之作。

行說法印造型，甚至運用到了其他佛像的造型上。這在敦煌莫高窟、榆林石窟、炳靈

武則天改周以後，為了宣傳其合法性，自稱彌勒佛「下生」，大肆提倡彌勒崇奉，盛

光高肉髻，面相圓潤，神態莊肅。上身著僧只支，外披垂領式袈裟。衣紋寫實，自然

高 11.1 cm (4 3/8 in)

而流暢地表現出輕薄柔軟的質感，布排井然有序，繁而不亂。

6687 盛唐 A GILT-BRONZE FIGURE OF SHAKYAMUNI BUDDHA HIGH TANG DYNASTY

銅鎏金彌勒佛像 HK$ 20,000 RMB 16,000

造像交腳而坐，此為彌勒菩薩重要標誌之一，右手結說法印，左手置於膝上。頭飾磨

6686 唐 A GILT-BRONZE FIGURE OF MAITREYA TANG DYNASTY (618-907)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

HK$ 60,000 RMB 48,000 高 14.4 cm (5 5/8 in)

銅釋迦牟尼像

釋尊裸足立於蓮台之上，下連四足方形基座，高髮髻，眉目清秀，右手施無畏印，左手呈說法印，著形規則排列，源於太和佛背光樣式，邊緣陰刻連珠紋。 C

通肩式袈裟，衣紋平行下垂，雙腳赤裸站於仰覆蓮座之上，佛陀頭光陰刻蓮瓣紋，背後背光外圈陰刻火焰紋，以反

東魏此類造型的佛像及觀音像，乙太和時期最盛，常見於石雕造像，造型亦鏗鏘有力，古拙而厚重，舟形背光雕刻細密，層次清晰，內容豐富，將忍冬、蓮瓣、火焰等紋飾以線條陰刻的方式整齊排列，有極強的時代風格，主尊佛像帶有鮮明的東魏造像風格，衣褶層層迭迭做尖錯形，領圈下微作桃尖，極為細緻的將翩翩飛舞之衣紋刻畫清晰，當屬時代風格之代表。

6688 東魏 A BRONZE FIGURE OF SHAKYAMUNI BUDDHA EASTERN WEI (534-550)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

高 19.8 cm (7 3/4 in)

HK$ 100,000 RMB 80,000

銅佛立像 6689 北魏 A BRONZE BUDDHIST FIGURE NORTHERN WEI (386-534)

佛祖面相方圓，頷首俯視微笑，頭靠圓形頭光，螺發，髮髻高挽，身穿褒衣博帶式大衣，施無畏，與願印，背靠巨大舟形背光，上有陰刻火焰紋，跣足站在覆缽式圓臺上。全身青綠色綠鏽，放大可見細密結晶，歲月痕跡突顯年代久遠。此尊鑄工細緻精巧的造像，屬於河北地區的作品。其紋飾生動，具有明顯的時代藝術特徵。

掃一掃

360 度立體圖

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

HK$ 100,000 RMB 80,000 總高 19.1 cm (7 1/2 in)

銅鎏金釋迦弁尼坐像

此尊銅鎏金釋尊立像頭光極為特殊，葫蘆形，以及其複雜的工藝進行鏤空，邊緣呈鋸齒形火焰，上層背光正中為太陽形狀，應為工匠在製作過程中

」形紋理飄逸流暢。下著裙，

加入了自己對於佛陀的理解，並不拘泥形制，佛陀面容沉靜，束高髮髻，五官清晰，彎眉直鼻，眼下視，神態祥和，嘴角略帶笑意。身軀細瘦但挺拔筆直，左手結觸地印，右手高舉結無畏印，全跏端坐，著寬大法衣，衣褶自然垂於體側，頸施弦紋，上身挺直，「

衣裙覆蓋整個須彌台，褶皺邊緣略呈羊腸紋，下承六方形須彌台，最下方為四方基座，該像造型傳神，紋飾簡潔，身軀健壯，肌肉感強，帶有明顯的唐代造像風格。整體鎏金，經信徒長期膜拜，略有脫落。尺寸較大，胎體厚重，整體鎏金雖有銹蝕但保存基本完好。

此尊為典型唐代釋迦牟尼造像，眼下視，鼻翼寬，嘴型闊，五官和臉相對扁平，表情平靜祥和，將北魏時期的笑容轉變為自省而內斂的笑意。身姿

上亦大大簡化北魏時期繁冗之衣紋，將褶皺所帶來的厚重感抹去，簡化為相對洗練的身形，注重對於肌體曲線的表達，姿態鬆弛。自唐代之後，在

這一基礎之上，造像朝著更為寫實化的方向發展，隨著北魏末期及北齊山東被納入北方統治區域，這一造像風格迅速實現高度統一，形成了極具代表性的中原審美標準。

唐代造像較之北朝時期，漸漸向飽滿豐盈發展，面部也漸露和藹親切的微笑。讓人感到既有出世的超然與神聖，又有入世的情懷與親近。這主要是

因為唐代人們對佛教教義理解的更完善，影響了此時的造像藝術。同樣，世俗情懷的加入不但使造像的面部更自然，對衣紋的刻畫也更加寫實和細

360 度立體圖

掃一掃

緻。唐代衣紋一改北魏時期以誇張的程式化表現袈裟飄動之習氣，將天衣與軀體相結合，化繁去簡，力求突出軀體飽滿而富有張力的肌肉線條，通常佛造像站姿挺直，比例勻稱，為盛唐造像之典型風格。此尊佛立像在此基礎之上，更因背光之華麗尤其珍罕。

6690 盛唐 A GILT-BRONZE SEATED FIGURE OF SHAKYAMUNI BUDDHA HIGH TANG DYNASTY

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

銅鎏金觀音立像 HK$ 70,000 RMB 56,000

6691 唐 A GILT-BRONZE FIGURE OF GUANYIN TANG DYNASTY (618-907)

高 18.8 cm (7 3/8 in)

整體圓雕，觀音面容豐滿，神情安詳寧靜，身軀呈優美的三折式跣足立於蓮花臺上。右手下垂執甘露寶瓶，左手持柳條上舉至肩，上身裸露佩項鍊，

靈動的長繒帶由雙肩向下流動至雙足兩則，整體滿鎏金，厚實明亮，保存甚佳，有局部紅斑藍鏽。身後火焰形高大背光，時代特徵明顯。

這尊身姿動人、神情安詳的觀音像，巧妙地融合了笈多藝術的元素，卻徹底呈現出一種中國式的氣度與風格，西來的佛教藝術於此時徹底走向漢化，及臺灣著名收藏家曹興誠先生珍藏。 (J.J.Lally)

堪稱是盛唐時期的代表性作品之一。淨瓶楊柳觀音立像是唐代十分盛行的造像形式。參考兩尊非常相似的唐代作品，分別來自紐約著名古董商藍捷理

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

HK$ 40,000 RMB 32,000 高 14.8 cm (5 7/8 in)

青銅阿彌陀佛及弟子像

此尊佛像為一佛二弟子造型。主尊阿彌陀佛端立中央，髮髻高結，面型長圓，眉如彎弓，雙目俯視，神態沉靜內省，著褒

衣博帶，施無畏與願印。後飾舟形背光，外廓線刻火焰紋，內廓線刻頭光紋。佛祖結高髮髻，面相修圓，身著通肩袈裟，

施無畏與願印，跣足立於覆盆圓形台座上，下設四足方台座，正面陰刻隋大業四年明確紀念款。佛座下伸展兩蓮枝，二菩

薩分立其上脅侍主尊。菩薩亦面龐圓潤，雙手合十作禮佛態，恭敬虔誠。下承四足方座，四足高且足面較窄。佛之長圓臉

型、褒衣博帶及背光、方座樣式尚存南北朝佛造像風格。整尊造像為青銅質地，銅質細膩，是一件典型的隋初青銅造像。

6692 隋大業四年（608） A BRONZE SCULPTURE OF AMITAYUS AND HIS FOLLOWERS SUI DYNASTY, DA YE PERIOD, DATED TO THE FOURTH YEAR (CORRESPONDING TO 608)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

HK$ 40,000 RMB 32,000

年）僧人曇曜開鑿的，被後世 460

銅觀音菩隆像 HK$ 25,000 RMB 20,000 高 9.9 cm (3 7/8 in)

音菩薩之特徵，與其他北魏佛教立像如彌勒菩薩相異。

》，東京， Chinese Buddhist Bronzes

年， 1967

年。佛利爾美術館藏二件相類但無紀年之 519

風的褒衣博帶式造像。

、 21

，《 Hugo Munsterberg

多數著錄可見收藏於博物館或私人珍藏之小型背光立像，觀世音菩薩或彌勒菩薩，均未

圖版

大學考古與人類學博物館，編號

，刊載於 C355

年 2010

月 9

日，編號 15

》，紐約， from the fifth to the fourteenth century 鎏金銅彌勒立像，售於紐約蘇富比

。 286

年，圖版 1925

。參考一件北魏 158

。比較一件東魏鎏金銅彌勒菩薩像，紀年，曾為端方舊藏，現存賓州 22 536 ，《 Chinese sculpture Osvald Siren

彌勒像，錄於

此尊高肉髻，面方圓，大耳垂肩。內著僧祇支，外披雙領下垂式大衣，下身著長裙，胸

335-

窟佛像中較早得到反映。由此，象鼻著衣也隨著沙門袈裟面料的改變而 169

成為漢地佛像衣著表現的一大特色。身後高大火焰形背光，氣勢恢宏工藝精湛，堪為難得。

並在炳靈寺

年間，漢地沙門袈裟作絲質面料，由於絲織品質地輕滑，象鼻相在沙門著裝中出現， 348

定的袈裟右上角需搭於左肩不同。這是被稱為「象鼻相」的穿著方式。約十六國的

刻銘文，而此像不僅帶銘文，並紀年西元

觀世音菩薩造像盛行於北魏，此像端正莊嚴，背光雕刻富麗細膩，左手持淨瓶，為觀世

6694 東魏 A BRONZE FIGURE OF GUANYIN EASTERN WEI (534-550)

前露出較寬的腰帶結，為「褒衣博帶」式。袈裟右上角敷搭於左前臂之上，與律典所規

稱為曇曜五窟的雲岡石窟中既有較早期、受犍陀羅風格影響較大的西域式造像，也有漢

獨具漢地風格的法相與衣著。在北魏和平元年（西元

北魏時期的佛教造像既承襲了五胡十六國時期尚存的犍陀羅式雕塑風格，也逐漸開展出

高 14.3 cm (5 5/8 in)

銅釋迦牟尼立像 6693 北魏 A BRONZE FIGURE OF SHAKYAMUNI BUDDHA NORTHERN WEI (386-534)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

‘WU DING SAN NIAN WU YUE LIU RI, FO DI ZI’ ‘XIANG YI QU’ MARK

HK$ 60,000 RMB 48,000

高 15.3 cm (6 in) 款識：「武定三年五月六日，佛弟子」「象一區」款

銅「武定三年」佛像

造像帶有蓮瓣型背光，線刻火焰紋及頭光。佛陀頂有斑禿，高結髮髻，面相略長，沉靜肅穆，左手作結無畏印，右手結與願印，

立於四足台座上，台座前兩足鏨刻發願文「武定三年五月六日，佛弟子」，背面台座上陰刻「象一區」。其包漿熟舊古樸，應

年 534

年）北朝朝代之一，從北魏分裂出來的割據政權。建都鄴（今河南安陽北至河北臨漳南），以晉陽（今山西 -550

為出頭後又經傳世數載所致，紋飾立體清晰，紀年明確。東魏（

太原西南）為別都，高歡坐鎮晉陽遙控朝廷，有今河南汝南、江蘇徐州以北，河南洛陽以東的原北魏統治的東部地區，東魏歷時十七年。

由於東魏持續時間極短，又是朝代更替的亂世之秋，所以其鑄造工藝及造型在傳承了北魏的藝術風格的同時，有了一定的退步，

並不如北魏時造像精細雄偉，但也由於此，能保存至今的東魏造像甚為稀有，如此尊帶有明確的紀年款識的更是少之又少，甚為難得。

6695 東魏武定三年（545） A BRONZE ‘WU DING SAN NIAN’ BUDDHIST FIGURE EASTERN WEI, WUDING PERIOD, DATED TO THE THIRD YEAR (CORRESPONDING TO 545)

日本住友家族舊藏 Old Collections of the Japanese Sumimoto Family ( Lot 6682 - 6696 )

HK$ 100,000 RMB 80,000 高 16 cm (6 1/4 in)

之情境，兩佛形相相似，宛如兄弟，表情微笑，心靈相契。

塔內即有多寶如來坐師子座，其全身姿態如入禪定狀，並分半座與釋尊。此造像所塑造的正是釋迦、多寶二佛共坐讚歎《法華經》

界有宣說《法華經》之處，必自地湧現於前，以證明此經的真義。故釋尊說《法華經》時，有七寶塔從地中湧出，聳立於空中，

依《法華經》卷四的〈見寶塔品〉所載，多寶如來為東方寶淨世界的教主。往昔行菩薩道時，立誓在成佛滅度之後，凡十方世

兩尊佛像公用同一背光，形似舟，正面刻圓形頭光，外為熊熊的火焰紋，背面無工藝。局部脫金，整體風韻猶存。

座下為四足方床，正面刻銘「開皇三年七月廿八日佛弟子司馬為」。

二佛高生肉髻，著圓領通肩大衣，褒衣博帶的衣著質感細膩的，溫雅瀟灑，結跏趺坐，並排坐於束腰須彌座上，雙手結禪定印，

銅鎏金釋迦多寶二佛並坐像 6696 隋 A GILT-BRONZE SCULPTURE OF SEATED SHAKYAMUNI AND PRABHUTARATNA SUI DYNASTY (581-618)

掃一掃

360 度立體圖

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

鐵錯金「龍」鈕文鎮一套四個青銅「鳳首」牌飾一對

6697 漢 A SET OF FOUR GOLD-INLAID IRON ‘DRAGON’ PAPER WEIGHTS HAN DYNASTY (206 BC-AD 220)

6698 戰國 A PAIR OF BRONZE ‘PHOENIX HEAD’ PLAQUE WARRING STATES PERIOD (475-221 BC)

HK$ 1,000 RMB 800 最大 : 直徑 3.4 cm (1 3/8 in)

HK$ 1,000 RMB 800 最大 : 長 8.7 cm (3 3/8 in)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

HK$ 1,000 RMB 800 最大 : 直徑 15.3 cm (6 in)

HK$ 1,000 RMB 800 最大 : 長 7.8 cm (3 1/8 in)

兩面 TWO VIEWS

青銅「仙人騎鳳」牌飾一對

6700 戰國 A PAIR OF BRONZE ‘IMMORTAL AND PHOENIX’ PLAQUE WARRING STATES PERIOD (475-221 BC)

銅錯銀漆器圈口一套兩件

6699 漢 A SET OF TWO SILVER-INLAID LACQUER BRONZE LOOPS HAN DYNASTY (206 BC-AD 220)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

青銅錯金虎符青銅錯金「龜」形文鎮

6701 西漢 A GOLD INLAID-BRONZE TIGER TALLY WESTERN HAN (206 BC-AD 8)

6702 漢 A GOLD-INLAID BRONZE ‘TORTOISE’ PAPER WEIGHT HAN DYNASTY (206 BC-AD 220)

HK$ 1,000 RMB 800 長 8 cm (3 1/8 in)

HK$ 1,000 RMB 800 長 6.1 cm (2 3/8 in)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

HK$ 1,000 RMB 800 高 6 cm (2 3/8 in)

HK$ 1,000 RMB 800 高 8.3 cm (3 1/4 in)

銅錯金銀「獸頭」飾

6704 春秋 A GOLD AND SILVER INLAID-BRONZE‘BEAST HEAD’ ORNAMENT SPRING AND AUTUMN PERIOD (770-476 BC)

銅錯金銀獸頭

6703 春秋 A GOLD AND SILVER-INLAID BRONZE BEAST HEAD SPRING AND AUTUMN PERIOD (770-476 BC)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

銅鎏金「鳳鳥」紋席鎮一套兩個青銅錯金「銘文」權

6705 漢 A SET OF TWO GILT-BRONZE‘PHOENIX’ SCROLL MAT WEIGHTS HAN DYNASTY (206 BC-AD 220)

6706 秦 A GOLD INLAID-BRONZE ‘INSCRIBED’ WEIGHT QIN DYNASTY (221-206 BC)

HK$ 1,000 RMB 800 最大 : 長 6.1 cm (2 3/8 in)

‘LIANG WANG YONG ZHI’ INSCRIPTION

HK$ 1,000 RMB 800 直徑 4.6 cm (1 3/4 in) 銘文「梁王用之」 :

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

HK$ 1,000 RMB 800 最大 : 長 7.3 cm (2 7/8 in)

銅錯金銀「兔」形鎮一對

6707 戰國 A PAIR OF GOLD AND SILVER-INLAID BRONZE ‘RABBIT’ PAPER WEIGHTS WARRING STATES PERIOD (475-221 BC)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

銅錯金銀「鳥獸」紋小瓶銅錯金銀「卷雲」紋小銅瓶

6708 漢 A GOLD AND SILVER-INLAID BRONZE ‘BIRD AND BEAST’ SCROLL BOTTLE HAN DYNASTY (206 BC-AD 220)

6709 漢 A GOLD AND SILVER-INLAID BRONZE ‘CLOUD’ SCROLL BOTTLE HAN DYNASTY (206 BC-AD 220)

HK$ 1,000 RMB 800 高 5.7 cm (2 1/4 in)

HK$ 1,000 RMB 800 高 5.6 cm (2 1/4 in)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

HK$ 1,000 RMB 800 直徑 6.3 cm (2 1/2 in)

HK$ 1,000 RMB 800 總高 6.9 cm (2 3/4 in)

內側 INSIDE

青銅錯金銀印章蓋盒

6711 漢 A GOLD AND SILVER INLAID-BRONZE SEAL BOX AND COVER HAN DYNASTY (206 BC-AD 220)

銅錯金銀蓋盒

6710 漢 A GOLD AND SILVER-INLAID BRONZE BOX AND COVER HAN DYNASTY (206 BC-AD 220)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

銅錯金銀「龍虎」紋瓶 96

6712 戰國 A GOLD AND SILVER-INLAID BRONZE ‘DRAGON AND TIGER’ SCROLL VASE WARRING STATES PERIOD (475-221 BC)

HK$ 1,000 RMB 800 高 14.9 cm (5 7/8 in)

日本同一藏家 From the same Japanese collector ( Lot 6697 - 6713 )

HK$ 1,000 RMB 800 總高 11 cm (4 3/8 in)

銅錯金「獸」紋奩

6713 漢 A GOLD INLAID-BRONZE ‘BEAST’ SCROLL CASKET HAN DYNASTY (206 BC-AD 220)

銅鎏金無量壽佛銅鎏金釋迦牟尼

6714 清 A GILT-BRONZE FIGURE OF MITAYUS QING DYNASTY (1644-1911)

6715 清乾隆 A GILT-BRONZE FIGURE OF SHAKYAMUNI BUDDHA QING DYNASTY, QIANLONG PERIOD (1736-1795)

HK$ 30,000 RMB 24,000 高 10.1 cm (4 in)

HK$ 30,000 RMB 24,000 高 16.5 cm (6 1/2 in)

高 10.1 cm (4 in)

駐象，了無分別。這種慷慨仁慈的精神境界就不難讓我們理解黃財神濃眉張目，直鼻闊唇之中，爽朗豪邁的意趣。展現在我們面前的黃財神頭戴五頁帽冠，身披波紋飄帶，右舒坐於蓮臺上。其右肘支於腿上，手臂彎曲上揚，意氣風發，左手攜吐寶鼠，寶冠、項鍊、腰帶、臂釧蔔手鐲和腳鐲佩飾協調，珠紋細膩，風格大氣。底座造型軟墊堆疊，別致少見，如兩本迭放的經書。飾纏枝蓮花圖案，上下兩層錯落有致。

銅鎏金蓮花生像 HK$ 20,000 RMB 16,000 6717 清 A GILT-BRONZE FIGURE OF PADMASAMBHAVA QING DYNASTY (1644-1911)

高 11.7 cm (4 5/8 in)

銅鎏金黃財神像 HK$ 60,000 RMB 48,000

佛經中指出，佈施當以無相佈施功德最大。無相佈施即指對佈施物件和所佈施之物心不

6716 十八世紀 A GILT-BRONZE FIGURE OF YELLOW JAMBHALA 18TH CENTURY

純金準提佛母 100

6718 元 A GOLD FIGURE OF CUNDI YUAN DYNASTY (1279-1368)

HK$ 100,000 RMB 80,000 高 7.5 cm (3 in) 重 55 g

或為同一批鑄造之阿彌陀佛可見於臺北故宮博物院。此造像體量巨大，品相佳美，頗為難得。

如水潤絲滑，有曹衣出水的之感。袒露的胸前鑄「卍」字元號。雙手做來迎印。從整體造型到細部刻畫帶有明顯的唐宋造像遺韻，與之

之上，蓮瓣細長飽滿，瓣尖飾如意去頭紋。身著袈裟，衣紋如波浪狀，衣緣鏨刻花紋，工藝精緻，衣紋秀勁流暢，富有裝飾性，緊貼身體，

大耳垂肩，眉眼細長，雙目直視前方，微露笑容，面目慈祥。眉間有白毫，額際高廣，儀態端莊，眉彎與鼻樑相連。佛像立於仰覆蓮座

宮博物院的八至九世紀印度西北地方佛立像可作參考。此尊接引佛為黃銅鑄造，銅質細密堅硬，華美潤澤。佛頭上飾螺發，頂飾肉髻，

故造像常為立佛，且手作來迎印，並產生豐富多元的圖像變化，同類姿態於早期印度造像中即有範例，彭楷棟先生捐贈、現藏於臺北故

隨時準備接引功德圓滿的往生者，故亦稱接引佛。凡人壽終之時，阿彌陀佛來迎亡者往生西方淨土，這是中、韓、日淨土信仰的一大特色，

阿彌陀佛是西方淨土世界的教主，只為解眾生之苦，故發四十八大願，在歷經累世修行之後，報得極樂淨土，成為西方極樂世界的教主，

局部 DETAILS

銅接引佛 HK$ 100,000 RMB 80,000

6719 明 A BRONZE FIGURE OF AMITABHA MING DYNASTY (1368-1644)

高 62.8 cm (24 3/4 in)

銅鎏阿難像銅局部漆金關公像

102

6720 明 A BRONZE ANANDA MING DYNASTY (1368-1644)

6721 清 A BRONZE PARTLY GILT-LACQUERED FIGURE OF GUAN GONG QING DYNASTY (1644-1911)

HK$ 45,000 RMB 36,000 高 25.5 cm (10 in)

HK$ 32,000 RMB 25,600 高 10.9 cm (4 1/4 in)

HK$ 30,000 RMB 24,000 總高 17 cm (6 3/4 in)

HK$ 30,000 RMB 24,000 高 15.9 cm (6 1/4 in)

銅鎏金十一面觀音

6723 清中期 A GILT-BRONZE FIGURE OF ELEVEN-FACED GUANYIN MID-QING DYNASTY

銅鎏金韋陀

6722 明 A GILT-BRONZE SKANDA MING DYNASTY (1368-1644)

HAN STYLE

HK$ 100,000 RMB 80,000 高 38.4 cm (15 1/8 in) 漢地風格

銅托塔天王像

托塔天王是印度佛教四大天王之一的北方多聞天王，北方多聞天王：梵文：

。又名毗沙門，「多聞」以福，德知名聞于四方。傳入中 Vaisramana

國之後受到中國文化和審美意識的影響而表現出了顯著的中國文化特徵：身穿鎧甲，頭戴金翅烏寶冠，左手托塔，右手持三叉戟。其漢化造型的由

來與唐代著名將領李靖密切相關，相傳，唐初他就曾現身于李淵面前助其奪天下，唐玄宗時期曾請他調天兵保護安西都護府，他曾現身蜀地逼退過

圍城的敵軍。毗沙門神種種征戰護國的傳說慢慢和李靖的個人經歷重疊在了一起，於是隨著時間的推移，人們就愈發覺得這地上的李靖就是天上的

毗沙門。隨著二者逐漸融為一體，到了宋元之際開始出現了「毗沙門托塔李天王」這樣的名號，隨後，毗沙門演變成托塔天王李靖，毗沙門的三太子哪吒成了李靖的三太子，在民間，是只知李靖而不知毗沙門，李靖和哪吒的故事吏是家喻戶曉。

此尊即為典型的明代托塔天王造型。天王站立于岩石形台座之上，頭戴五葉寶冠，頂束髻，耳後繒帶飛揚，面部肌肉凸顯，雙眼怒目圓睜，鼻樑挺拔，

360 度立體圖

下頜及兩腮鼓起，神情莊嚴肅穆。左手掌心朝上舉托寶塔，身著甲胄，足蹬戰靴，腹上威武的獸頭，左右鱗甲細密整齊，勇猛彪悍。帔帛隨風飄揚，

掃一掃

自然流暢，斬妖除魔的形象呼之欲出，十分寫實。造像整體造型大方，形象生動，雕工精細，品相完美，體現了明代晚期漢傳佛教造像的鮮明特點。

104

6724 明 A BRONZE FIGURE OF LI JING MING DYNASTY (1368-1644)

HK$ 100,000 RMB 80,000

銅鎏金持國天王像 6725 清乾隆 A GILT-BRONZE FIGURE OF DHRTARASTRA QING DYNASTY, QIANLONG PERIOD (1736-1795) HAN TIBETAN STYLE

高 17.6 cm (6 7/8 in) 漢藏風格

參閱：《北京文物精粹大系·佛造像卷上》北京出版社

圖 2001.10

北京瀚海拈花微笑 221

2008.5.11 Lot 1712

實，具有鮮明的清代宮廷造像藝術特徵。天王應為組像之一，雙腳降伏之妖魔鬼怪是此尊天王造像最為生動傳神之處。琵琶缺失。

正因如此他又有「主樂神」的美譽。從整體上看，其比例勻稱、衣紋鎧甲等細部刻畫精緻，顯示出較高的鑄造水準。通體鎏金，胎體厚重，做工寫

他雙目凝視著琵琶，美妙音符從弦間迸出，傳遍世界的每一個角落，邪魔鬼怪聞之喪膽，有情眾生聞之忘卻煩惱、苦痛、邪念頓生歡喜向善之心，

天王頭戴寶冠，飾摩尼寶，身著甲胄，腳蹬高靴，雙肩帔帛迎風飄動，顯得威風凜凜。他便是東勝神洲的守護神，佛教四大天王之一，持國天王。

掃一掃

360 度立體圖

銅鎏金觀音菩薩坐像 106

6726 明 A GILT-BRONZE SEATED FIGURE OF GUANYIN MING DYNASTY (1368-1644) HAN STYLE

HK$ 50,000 RMB 40,000 高 27.5 cm (10 7/8 in) 漢地風格

HK$ 100,000 RMB 80,000

銅鎏金楊柳觀音坐像 6727 明 A GILT-BRONZE SEATED FIGURE OF GUANYIN MING DYNASTY (1368-1644) HAN STYLE

高 24.5 cm (9 5/8 in) 漢地風格

觀世音菩薩是佛教中慈悲和智慧的象徵，無論在大乘佛教還是在民間信仰，都具有極其重要的地位。觀音菩薩具有尋聲救苦、隨類化現和協助阿彌

陀佛接引眾生往生西方極樂世界的當世和來世雙重救助功用，歷來深受人們的喜愛，在明代又受到萬曆時期慈聖皇太后的特別推崇，所以更加盛行。

觀音結跏趺坐，左手托摩尼寶，右手當胸作拋灑甘露的手勢。面相豐頤圓潤，曲眉似彎月與鼻樑相連，眼瞼較寬，神態慈和寧靜，典型的明代漢地

造像面相特徵。雙眼微合，俯視前方，仿佛正在冥想之中，又似在出神聆聽，尋覓眾生求助的呼聲，應聲前去解救。頭戴花冠，冠葉雕刻精細，並

向外傾斜，這與藏佛風格不同，融合了內地造像的審美情趣，冠正面有化佛阿彌陀佛。身軀雄健，結構勻稱，體態優美，整體給人莊嚴神聖而又慈

祥親切的宗教美感。胸前飾瓔珞，下身著高束腰及胸長裙，此為明代漢地菩薩造像常用裝束。衣紋厚重寫實，刻畫自然流暢，衣緣鏨刻大朵花紋飾

樣，雕刻精細，紋飾清晰，鮮明的漢地造像裝飾風格。整體形態端莊，時代風格鮮明，為明代中晚期漢地觀音造像經典之作。

YONGXUAN STYLE

HK$ 150,000 RMB 120,000

銅觀音坐像

此尊青銅觀音像頭戴花冠，額前露出髮根，頂束高髻，其上安坐一化佛，為觀音重要標識。耳側繒帶翻卷，下垂圓璫環，頸施三道。眼睛半張合，

開臉神態祥和。上身不著衣，胸前飾繁密瓔珞，珠紋的刻畫有力，造形優美風格延續了明宮廷製作的漢藏風格，但在細部上已有巧妙變化，是供我

們研究明代金銅造像風格演變的一件重要作品。明永樂、宣德年間的金銅造像以西藏、尼泊爾等地佛教造像風格為基礎，於其上增添華美矜貴的皇

360 度立體圖

室宮廷味道，使中國佛教造像藝術達到巔峰期。正統時皇室對佛寺的施捨相對減少，傳世作品也不多。此件作品無疑延續了永宣宮廷風格作品造型，

掃一掃

與西藏博物館藏一件非常相似。不過本尊與西藏一例相比，已可看出細微差異，如四肢較為粗壯，身體比例不同，五官的處理較為漢化等。這些特

點出明以後佛像風格的趨勢。造像銅質精煉，體態優雅大氣，裝飾工藝精細獨特，無疑是同類題材造像中難能可貴的精品。

108

6728 明 A BRONZE SEATED FIGURE OF GUANYIN MING DYNASTY (1368-1644)

高 38.3 cm (15 1/8 in) 永宣風格

HK$ 250,000 RMB 200,000

銅局部鎏金觀音菩薩坐像 6729 明 A PARCEL-GILT BRONZE SEATED FIGURE OF GUANYIN MING DYNASTY (1368-1644) HAN STYLE

高 40.5 cm (16 in) 漢地風格

明代中晚期，在當時流行的凈土造像題材中，觀音菩薩表現尤其突出，他多以單獨的形式流行，是當時社會崇拜的主要題材之一。觀音菩薩具有尋

聲救苦、隨類化現和協助阿彌陀佛接引眾生往生西方極樂世界的當世和來世雙重救助功用，歷來深受人們的喜愛，而此時又受到明萬曆時期慈聖皇太后的特別推崇，所以更加盛行。

明代佛教造像藝術發展到了嘉靖時期，又回到了漢傳佛教藝術風格的道路之上，然而受藏傳造像影響的部分不但沒有消失，反而是更加融合一體，

使內地漢藏風格造像得到更好的發展。觀音結結跏趺坐，左手托淨水瓶，右手當胸以拇指和中指結合持執楊柳枝，作拋灑甘露的手勢。面相豐頤圓

潤，曲眉似彎月與鼻樑相連，眼瞼較寬，神態慈和寧靜，典型的明代漢地造像面相特徵。雙眼微合，俯視前方，仿佛正在冥想之中，又似在出神聆

聽，尋覓眾生求助的呼聲，應聲前去解救。頭戴花冠，冠葉雕刻精細，並向外傾斜，這與藏式風格略有不同，融合了內地造像的審美情趣。身軀雄

健，結構勻稱，體態優美，整體給人莊嚴神聖而又慈祥親切的宗教美感。袈裟自頭頂披下，衣緣處飾以精美的花朵紋飾，胸前飾瓔珞，下身著高束

腰及胸長裙，此為明代漢地菩薩造像常用裝束。衣紋厚重寫實，刻劃自然流暢，衣緣上鏨刻花紋，紋飾清晰，雕刻精細，鮮明的漢地造像裝飾風格。

中國古代觀音菩薩》首都博物館編，文物出版社出版，頁 —

154

造像僅身體皮膚裸露部分鎏金，俗稱鎏肉不鎏衣，整體形態端莊，雕刻細緻入微，時代風格鮮明，為明代中晚期漢地觀音造像經典之作。參閱：首都博物館藏，《佛教慈悲女神

銅鎏金寶冠釋迦弁尼

6730 明正統 A GILT-BRONZE SHAKYAMUNI MING DYNASTY, ZHENGTONG PERIOD (1436-1449) YONGXUAN STYLE

HK$ 800,000 RMB 640,000 高 34.5 cm (13 5/8 in) 永宣風格

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360 度立體圖

110

局部 DETAILS

造像表現的是釋迦牟尼頭戴寶冠的形象，俗稱寶冠佛。從三身角度來說是屬於報身佛，代表佛的內證功德，但也有從佛陀傳記的角度認為頭戴寶冠是代表佛陀當王子時的造型，故稱釋迦牟尼王子像。

釋迦佛禪定坐姿，左手平伸腹前結禪定印，右手下垂置右膝結觸地印。螺發，戴五葉寶冠，方面寬額，大耳垂肩，耳邊裝

飾束髮冠帶，著大耳鐺。彎眉長目，沉靜的雙目半開俯視，面相祥和莊嚴。內著僧坎，外披袒右式袈裟，直覆至腳踝，華

麗異常。身材壯碩，胸臂渾圓結實，挺拔偉岸，碩大臂釧精美異常，服帖與肌膚之上。台座為半月形，雙層束腰仰覆蓮形式，

佛作，隸屬「御 —

上下邊緣飾聯珠紋；蓮瓣滿飾台座一周，造型挺立、俊美，對列工整，頭部略向上翹，飾卷草紋，具有明代典型特點，鎏金經年深日久脫落嚴重，然而無法掩飾其工藝的精細繁複。明朝從永樂年間開始，專門在宮廷設立造像機構

用監」，製作藏式佛像。這些造像主要集中於永樂和宣德兩朝，所以又稱「永宣宮廷造像」或「永宣造像」。永樂和宣德

時期是明朝經營西藏的重要時期，也是明朝治理西藏政策的完善和定型時期。永樂和宣德兩朝治藏的重心是宗教籠絡政策，

即對西藏上層僧侶廣行封賞。在大規模封賞活動中，朝廷不僅賜予西藏上層僧侶封號和官職，而且賞賜大量珍貴禮物。在賞賜的禮物中，宮廷造像便是十分重要的一部分。

永宣風格對整個明朝時期佛像造像影響博大精深。永樂至正德時期造像就是受到永宣風格影響，內地佛像藝術以漢藏風格的永宣宮廷造像為主要藝術形式。此尊正統觀音造像正是表現了永宣宮廷造像風格。據史料記載，現存明代漢傳佛教寺廟供奉的佛像上，如正統時期的北京智化寺轉輪藏殿和尊佛像。佛像皆頭飾螺發，面 360

如來殿供奉的佛像就是寺廟遺存的重要代表。如今基本保持明代建築風貌。其中，轉輪藏殿內置有相寬平。寬肩細腰，軀體壯碩。身著袒右肩袈裟，下身著長裙，衣紋自然寫實。跏趺坐姿，左手結

貯藏佛教《大藏經》的八角輪藏一座，主體經櫃朝外立面上浮雕禪定印，右手結觸地印，蓮瓣肥碩飽滿。整體造型風格與此尊造像完全一樣。正統時皇室對佛寺的施捨相對減少，傳世作品也不多。此件作品無疑繼承永樂朝風格作品的典型範例，造像與永宣宮廷造像風格如出一轍，做工精細，刻畫細膩入微，包漿自然古樸。是明代宮廷造像風格的經典之作。

112

銅點金薰爐

6731 清 A GILT-DECORATED BRONZE FURNACE QING DYNASTY (1644-1911) ‘DA MING XUAN DE NIAN ZHI’ MARK

HK$ 40,000 RMB 32,000 直徑 10.7 cm (4 1/4 in) 款識：「大明宣德年製」款

款 MARK

銅馬槽爐

6732 清 A BRONZE CENSER QING DYNASTY (1644-1911) ‘DA MING XUAN DE NIAN ZHI’ MARK

HK$ 20,000 RMB 16,000

玉長 2.9 cm(1 1/8 in) 爐長 13 cm (5 1/8 in) 款識：「大明宣德年製」款

款 MARK

114

‘YU TANG QING WAN’ MARK

HK$ 30,000 RMB 24,000

銅點金水盂

6733 清 A GILT-DECORATED BRONZE WATER POT QING DYNASTY (1644-1911)

直徑 10.9 cm (4 1/4 in) 款識：「玉堂清玩」款

款 MARK

‘QING SHANG’ MARK

HK$ 10,000 RMB 8,000 長 10 cm (3 7/8 in) 款識：「清賞」款

局部 DETAILS

款 MARK

「天雞」耳銅爐

6734 清 A BRONZE ‘PHOENIX’ HANDLED CENSER QING DYNASTY, TONGZHI PERIOD (1862-1874)

銅局部鎏金雙「龍」耳爐

6735 明 A PARCEL GILT-BRONZE ‘DRAGON’ HANDLED CENSER MING DYNASTY (1368-1644) ‘HU WEN MING ZHI’ MARK

HK$ 35,000 RMB 28,000 長 12.5 (4 7/8 in) 款識：「胡文明製」款

款 MARK

「雙龍」款銅橋耳爐

6736 清 A BRONZE ‘DOUBLE-DRAGON’ HANDLED CENSER QING DYNASTY (1644-1911) ‘DA MING XUAN DE NIAN ZHI’ MARK

HK$ 18,000 RMB 14,400

直徑 11.6 cm (4 5/8 in) 高 7.3 cm (2 7/8 in) 款識：「大明宣德年製」款

款 MARK

116

‘DA MING XUAN DE NIAN ZHI’ MARK

HK$ 35,000 RMB 28,000

長 15.8 cm (6 1/4 in) 高 6 cm (2 3/8 in) 款識：「大明宣德年製」款

銅「荸薺形」蚰耳爐

此爐造型端莊典雅，敞口束頸，爐型沉厚寬扁，蚰耳圓轉婉約，上耳根部既圓且肥，下

耳根部闊尖，似龍耳下垂，爐口薄而平實，腹圓而比例得體，圈足外撇，型端莊穩健，

清雅精巧，大小適中，為焚香佳器。皮色金黃沉穩，藏經紙色，經人為盤撫，皮色更為

鮮活，使綿巾輕撫，其精銅盡顯，細膩柔滑。底款：大明宣德年制，六字楷書款，鑄後

修刻，金石韻味濃鬱，以刻代寫，為明代典型書法規儀。六字各有風度，字字珠璣。此

爐赤黃之銅，光澤細膩，聲麗悠揚，此爐看似縹緲，壁薄壓手，明爐之風肅然也。

6737 清雍正 A BRONZE’ ‘WATER CHESTNUT SHAPE’ HANDLED CENSER QING DYNASTY, YONGZHENG PERIOD (1723-1735)

款 MARK

‘YU TANG QING WAN’ MARK

HK$ 40,000 RMB 32,000 直徑 16.3 cm (6 3/8 in) 款識：「玉堂清玩」款

款 MARK

銅「沖天」耳香爐

6738 清早期 A BRONZE HANDLED CENSER EARLY QING DYNASTY

銅錯金銀「鼎」式爐 118

6739 清乾隆 A GOLD AND SILVER-INLAID BRONZE CENSER QING DYNASTY, QIANLONG PERIOD (1736-1795)

HK$ 40,000 RMB 32,000 高 13.4 cm (5 1/4 in)

銅「饕餮」紋方鼎 HK$ 100,000 RMB 80,000

6740 清乾隆 A ‘TAOTIE’ SCROLL BRONZE TRIPOD QING DYNASTY, QIANLONG PERIOD (1736-1795)

高 28.5 cm (11 1/4 in)

青銅仿古之風，漸興於宋，所仿者，或紋，或形，或紋形兼備，如本品器，意在刻仿商周青銅方鼎。此爐為仿商周青銅器形，爐身長方，口沿外翻，邊飾回紋一周，沿兩側飾拱耳，爐身四角及中間部位出八戟，底承獸紋四足。爐身浮雕饕餮紋，紋飾精美。爐身保存完好，裝飾性極強。器形莊重典雅，使整器氣度宏偉之間流露絲絲清雅之氣，更添意趣。

銅「九思」爐

6741 清 A BRONZE INSCRIBED CENSER QING DYNASTY (1644-1911) ‘DA MING XUAN DE NIAN ZHI’ MARK

HK$ 35,000 RMB 28,000

直徑 8.3 cm (3 1/4 in) 高 5.3 cm (2 1/8 in) 款識：「大明宣德年製」款

款 MARK

銅阿拉伯文三足爐

6742 明宣德 A BRONZE ARABIC INSCRIBED TRIPOD CENSER XUANDE TWO-CHARACTER MARK AND OF THE PERIOD (1426-1435)

HK$ 25,000 RMB 20,000 直徑 9.5 cm (3 3/4 in) 款識：「宣德」款

款 MARK

120

‘CHANG BAN QIN SHU’ MARK

HK$ 45,000 RMB 36,000

銅鬲式爐

6743 清早期 A BRONZE CENSER EARLY QING DYNASTY

直徑 9.1 cm (3 5/8 in) 高 4.4 cm (1 3/4 in) 款識：「長伴琴書」款

款 MARK

‘XUAN DE’ MARK

HK$ 40,000 RMB 32,000 直徑 10.4 cm (4 1/8 in) 款識：「宣德」款

款 MARK

銅鬲式爐

6744 清乾隆 A BRONZE CENSER QING DYNASTY, QIANLONG PERIOD (1736-1795)

銅筒式爐

6745 清 A BRONZE CENSER QING DYNASTY (1644-1911) ‘XI YUAN’ MARK

HK$ 100,000 RMB 80,000 長 12.9 cm (5 1/8 in) 款識：「西園」款

款 MARK

122

‘NEI ZAO’ MARK

HK$ 100,000 RMB 80,000 直徑 17.4 cm (6 7/8 in) 款識：「內造」款款 MARK

本品成型周正，銅質細膩沉重，精巧可愛，平底，陰刻圈形款內書「內造」款，可見其應為內務府所做。刻工細膩婉轉。整器色澤典雅沈穩，端莊大氣。內務府是清代獨有的機構，職官多達三千人，比事務最繁的戶部人數多十倍以上，可以說是清朝規模最大的機關。內務府主要職能是管理皇家事務，諸如皇家日膳、服飾、庫貯、禮儀、工程、農莊、畜牧、警衛扈從、山澤採捕等，還把持鹽政、分收榷關、收受貢品。內務府主要機構有「七司三院」，最重要的是廣儲司，專儲皇室的金銀珠寶、皮草、瓷器、綢緞、衣服、茶葉等特供品。此件卷缸應為內務府為後宮嬪妃所制，由於為宮內日常用品，並未屬年款，而是以內造屬款，表明其功用。此款識極為稀有，故宮博物院儲秀宮內可見類似此款識作品。

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360 度立體圖

銅卷缸 6746 清乾隆 A BRONZE JAR QING DYNASTY, QIANLONG PERIOD (1736-1795)

銅「九元三極」筒式爐

6747 明宣德 A BRONZE CYLINDRICAL INCENSE BURNER XUANDE SIX-CHARACTER MARK AND OF THE PERIOD (1426-1435) ‘DA MING XUAN DE NIAN ZHI’ MARK

HK$ 180,000 RMB 144,000

直徑 15.5 cm (6 1/8 in) 厚 11.2 cm (4 3/8 in) 款識：「大明宣德年製」款

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360 度立體圖

124

款 MARK

此種筒式爐又稱三足樽式爐、弦紋三足爐，為宋至明代流行的一種爐式。宋代筒式爐三足落地，元代時三足逐步上移，至明弘治時爐底中心下突成為支撐面，三足僅為一種裝飾。弦紋筒式爐共有三式：一為全身皆以弦紋裝飾，拍品即為；二為弦紋九道，平均分三段鑄於器沿、器腹、器足，亦稱九元三極爐或九思爐。此三式中，九思爐常見，其它兩式較少。此品為典型九元三極式，平口內折，直壁，上中下為弦紋九道，三段各鑄三道，過渡圓潤。底平，下承三寶瓶足。包漿厚重，器風樸拙，露銅處已氧化，燦若黃金。爐底中央開框，刻「大明選的年制」楷書款，筆劃規整深峻，頗具力度。整個造型端莊沉穩，豐而不腴，觀之令人賞心悅目，且扣之其音清脆綿長，上手頗具分量，足見銅材至精至純。其通體古鏽斑駁，氣韻拙古滄桑，包漿含蓄而冷靜，當為明末鑄爐良工精製。可賞可藏。

銅鎏金「八寶」紋子午醒鐘

6748 清乾隆 A GILT-BRONZE ‘EIGHT AUSPICIOUS SIGNS’ CIRCULAR ALARM CLOCK QING DYNASTY, QIANLONG PERIOD (1736-1795)

HK$ 150,000 RMB 120,000 直徑 12.4 cm (4 7/8 in)

局部 DETAILS

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126

此醒鐘呈圓筒狀，造型獨特，形似鐘鼓。上方鐘面週邊一圈弦紋，鐘套周圍銅鎏

傳教士借助西洋儀器開通傳教道路，而清宮則積極學習西方先進科技，受到影響

金鏤雕輪、螺、傘、蓋、蓮花、罐、魚、盤長等佛教八寶紋，周圍飾卷雲紋，雕

的學科覆蓋天文、數學、物理、地理、機械鐘錶以及醫學等。乾隆朝的鼎盛國力

工精緻，寓意吉祥。鐘面週邊雕一圈弦紋，鐘盤中心有二圈黃銅盤，上盤伸出時

使得高速發展的西方科技迅速應用在宮廷，乾隆本人對於複雜華麗的西方鐘錶顯

針指示時間，盤內有一方口，內可調節鬧鐘時辰。週邊是銅鎏金錶盤，金底黑字

示出極大的興趣。清宮造辦處下轄的做鐘處，即為清宮學習與改造西洋技器的作

書有子、醜、寅、卯等中國古代十二時辰計時單位，字體烏黑、端正而不失秀

坊。本件醒鐘非中式傳統鐘錶，應為西洋教士自歐洲進獻，後由清宮作坊改造而成。

麗，底座正中嵌有拆裝旋鈕，左側刻「時鐘」二字。除具有一般鐘錶的走時、報時、報刻系統外，又增加了發更、打更系統及定更、調更裝置，能夠按一年之中

紐約佳士得 2015 年春拍中，一件十六世紀的德國醒鐘，其紋飾與鐘盤指示皆為

二十四節氣夜間的長短調整並確定更的起訖和間隔時間，是清代造辦處將西方科

歐洲元素，且結構較簡單，然造型與組成結構似有傳承，可謂中西文化交流的明證。

技與中國計時完美結合的產物。鐘錶整體大方流暢，鎏金厚重，氣派非凡。

相似實例可參考故宮舊藏清乾隆時辰醒鐘（著錄於《清宮鐘錶珍藏》，紫禁城出版社）和日本東京國立科學博物館藏中國制兩件醒鐘，其與本件以及故宮舊藏幾

鐘走針時，清晰可辨其內裡裝置運動，匠心獨運。清宮鐘錶，由造辦處的做鐘處

乎完全相同，可茲參考。另外中貿聖佳在 2015 年 5 月 20 日拍出的 755 號拍品，

定制，加之皇帝的苛刻要求，鏨、雕、嵌、鑲、鍍，每個工序都配以最優秀的工

亦與本品近似；以及北京翰海於 1996 年 11 月秋季拍賣會拍出的編號 1448 的更

匠通力合作打造，因此，清宮鐘錶件件都是精品。隨著明清以來西方傳教士的東來，

鐘形制相同，可供參考。

傳統的中國文化為先進的西方科技打開大門，而清宮正是這場交流的重要舞臺。參閱：中貿聖佳，2015 年 5 月 20 日，Lot.755 北京翰海，1996 年 11 月 16 日， Lot.1448 佳士得香港，2014 年 5 月 28 日，編號 3342

銅蓮花座觀音

6749 遼 A BRONZE SEATED FIGURE OF GUANYIN LIAO DYNASTY (907-1125)

銅觀音

6750 遼 A BRONZE FIGURE OF GUANYIN LIAO DYNASTY (907-1125)

HK$ 35,000 RMB 28,000 高 13.4 cm (5 1/4 in)

HK$ 18,000 RMB 14,400 高 8.5 cm (3 3/8 in)

128

HK$ 40,000 RMB 32,000 高 15.3 cm (6 in)

HK$ 12,000 RMB 9,600 長 7.8 cm (3 1/8 in)

銅佛牌飾

6752 金 A BRONZE BUDDHIST PLAQUE JIN DYNASTY (1115-1234)

銅自在觀音

6751 宋 A BRONZE FIGURE OF GUANYIN SONG DYNASTY (960-1279)

遼代佛造像的藝術風格繼承了唐代造像典雅端莊的遺韻，吸收了南宋造像寫實的手法，又融入了契丹民族和北方民族的傳統審美情趣和表現技法，因此在整體風格上體現出多元文化融合的特點，展現了遼代造像獨特的文化藝術風貌。此尊銅質鎏金，因年代久遠，金飾漸褪，包漿沉厚古雅。面形圓鼓，肉髻平緩，螺發正面嵌髻珠。身著袒胸式袈裟，衣褶刻劃自然流暢，十分醒目，衣紋表現強烈的質感。高大的疊澀式台座格外醒目，這是典型的遼代造像藝術風格。銅鎏金佛教造像傳承至今者，以漢傳和藏傳為多，此尊造像為遼代遺物，甚為罕見。對於研究考證佛教於十一世紀前

線刻觀音銅鏡

6754 遼 A BRONZE INCISED GUANYIN MIRROR LIAO DYNASTY (907-1125)

後在北地之傳播史實有重要的參考價值。

銅鎏金阿彌陀佛坐像

130

6753 遼 A GILT-BRONZE SEATED FIGURE OF AMITAYUS LIAO DYNASTY (907-1125)

HK$ 40,000 RMB 32,000 高 8.9 cm (3 1/2 in)

直徑 14.5 cm (5 3/4 in) 厚 0.2 cm (1/8 in)

HK$ 20,000 RMB 16,000

HK$ 80,000 RMB 64,000 高 13.8 cm (5 3/8 in)

銅蓮花觀音坐像

6755 遼 A BRONZE SEATED FIGURE OF GUANYIN LIAO DYNASTY (907-1125)

銅片狀蓮花菩薩銅佛像一組兩尊

132

6756 遼 A BRONZE FIGURE OF BODHISATTVA LIAO DYNASTY (907-1125)

6757 遼 A GROUP OF TWO BRONZE BUDDHIST FIGURES LIAO DYNASTY (907-1125)

HK$ 40,000 RMB 32,000 長 12.4 cm (4 7/8 in)

HK$ 50,000 RMB 40,000 最大 : 高 11.9 cm (4 5/8 in)

HK$ 40,000 RMB 32,000 高 15 cm (5 7/8 in)

HK$ 40,000 RMB 32,000 高 17.1 cm (6 3/4 in)

青銅坐佛

6759 遼 A BRONZE SEATED BUDDHIST FIGURE LIAO DYNASTY (907-1125)

銅供養菩薩

6758 北宋 A BRONZE FIGURE OF BODHISATTVA NORTHERN SONG (960-1127)

HK$ 100,000 RMB 80,000 高 13.2 cm (5 1/4 in)

銅托鉢立像

阿彌陀佛主管西方極樂世界，他有兩位脅侍，「大勇」大勢至菩薩和「大悲」觀世音菩薩，號稱西方三聖。

一般祈禱於阿彌陀佛，主要目的在於祈求死後的解脫。漢傳佛教認為，阿彌陀佛主要是以其願力，引渡眾

生到極樂世界，脫離苦難的輪回，故亦號「接引佛」，也因為此佛有無量壽命與光明，亦稱「無量壽佛」、「無量光佛」。在藏傳佛教，他被稱為月巴墨佛，也是長壽的象徵。

曰無量光，毗盧遮那佛則無量光也。故知

佛教界有說法認為橫三世佛為同一佛，只是為了救渡眾生，而化現為不同化身。《如來淵源考》：「何謂彌陀曰無量壽，施藥則無量壽，即藥師如來之延壽。何謂彌陀諸佛同體異名，皆為眾生善巧化現也。」

360 度立體圖

此尊阿彌陀佛為立像，身披袈裟，左手當胸托缽、右手下垂作予願印，神態寂靜端莊，威嚴中包含著慈善。

掃一掃

此像應為橫三世佛組像中的一尊。造像表面綠鏽斑斑，自然晶瑩，可見其年代甚為久遠，保存至今，甚為難得。

134

6760 宋 A DHUTA BUDDHIST FIGURE SONG DYNASTY (960-1279)

HK$ 100,000 RMB 80,000 像長 9.4 cm (3 3/4 in)

銅鎏金菩薩像 6761 大理國十二世紀 A GILT-BRONZE FIGURE OF BODHISATTVA DALI, 12TH CENTURY

兩面 TWO VIEWS

唐宋時期，西南邊陲地區相繼出現兩個少數民族政權

南詔與大理，其版圖大抵為今雲南全境，四川、貴 —

州等部分地區。七世紀中，佛教開始在南詔流傳，並以此立國興盛，隨後在唐朝的支持下統一雲南。十世

紀初葉，南詔滅亡，後起的大理國統一繼承南詔的領土和宗教。而正是在大理統治時代，佛教在雲南地區

發展到鼎盛，大理國民幾乎人人篤信佛教。元代李京的《大理行記》記載：「其俗多尚浮屠法，家無貧富，

皆有佛堂，人不以老莊，手不釋數珠。一歲之間齋戒幾半，決不茹葷飲酒，至齋畢乃已。沿山寺宇極多，

不可殫紀。」王室中更是如此，在大理歷史中，二十二位君王有九位即禪位出家，佛教之盛由此可見一斑。南詔大理兩國為弘揚佛法，大量修建塔寺，鑄造佛像，後世學者將這些造像統稱為大理佛。

在眾多的造像中，觀音菩薩可謂是最為人所熟知。觀音菩薩具有佛陀智慧，並以慈悲之心救濟眾生，其常

見的持物有蓮花、淨瓶、拂子、楊柳等，此尊即位持柳枝者，俗稱楊柳觀音。觀音髮髻高束，頭戴五葉寶

冠，雙目微閉，神色和藹沉靜。身披極富民族特點的單肩式法衣。佩飾瓔珞，右手持楊柳，左手結予願印，

跣足直立於蓮台之上。長裙褶褶相迭，自然垂擺。造型精美，鎏金脫落，然而掩蓋不住其莊嚴肅穆的氣勢。

大理佛風格獨特，向為世人所喜愛。歷時近千年，大多已湮沒在歷史之中，存世者稀少，故此鎏金觀音像

無論是藝術價值還是歷史文物價值，都是一件頗為難得的收藏精品。參考：《歷代金銅佛造像》國立故宮博物院編頁

掃一掃

360 度立體圖

青銅觀音坐像

6762 遼 A BRONZE SEATED FIGURE OF GUANYIN LIAO DYNASTY (907-1125)

HK$ 450,000 RMB 360,000 高 18.6 cm (7 3/8 in)

掃一掃

360 度立體圖

136

木葉山，建菩薩堂供奉，尊為家神。體現了對觀音菩薩的極大尊崇。在太宗的帶動下， —

據《契丹國志》記載，遼太宗在得到燕雲十六州後來到燕京，在燕京大悲閣，他看見慈眉善目的觀音菩薩，與他夢中所見完全一樣，立即產生極大敬信，於是將這尊觀音菩薩遷往契丹族的祖廟

觀音菩薩由此得到契丹民族和北方人民的普遍接受和信奉，成為遼代佛教信仰的一大特色。

）相似。惟面容美好，手勢自然，衣褶生動，均有過之而無不及。 146

觀音半跏趺坐蓮座上，左足下垂，承以蓮花。此像造型、尺寸、製作及年代與荷蘭阿姆斯特丹國立博物館所藏一件（見臺北故宮博物院編印《海外遺珍·佛像》頁

造像以青銅為材整體鑄造，年代久遠周身已遍佈厚重的綠色銹蝕，結跏趺坐，頭戴及具民族特色的筒式高冠，飄帶垂於肩膀兩側慈眉善目，面容方圓，時代與地域特徵明顯，全身瓔珞極為繁複，顯示出少數民族的審美情趣。

造像下承蓮座極有特點，蓮座屬典型遼代樣式，束腰大仰蓮，蓮瓣肥碩飽滿，舒展自如，花瓣尖端又向外翹起，十分生動。而蓮座下方靜坐年）所鑿，恰與應縣木塔遼清寧二年（ 1067

年） 1056

三隻雄獅活靈活現，在同時期作品中十分罕見，仰蓮座在宋遼時期最為流行，且花形飽滿，呈怒放狀。如延安子長鐘山北宋石窟佛造像均為仰蓮座，大同華嚴寺及應縣木塔的佛像座亦如是。據子長鐘山石窟題記為北宋治平四年（

始建時間大致相同，可知此種形式的蓮座曾廣泛流行於宋遼時代。整尊佛像莊嚴不失慈祥，鑄造精美，雖近千年仍栩栩如生。為漢傳佛教在北地之傳播史實有重要的參考價值。

銅「玉皇大帝」頭像

6763 宋 A BRONZE HEAD OF ‘JADE EMPEROR’ SONG DYNASTY (960-1279)

HK$ 150,000 RMB 120,000

像長 34.5 cm (13 5/8 in) 總高 41.5 cm (16 3/8 in)

掃一掃

360 度立體圖

138

道教玉皇大帝，即「昊天金闕無上至尊自然妙有彌羅至真玉皇上帝」。是道教神話傳說中的天地的主宰，又稱「太上開天執符禦曆含真體道昊天玉皇上帝」、「玉皇大天尊」、「高天上聖大慈仁者玉皇大天尊玄穹高上帝」、「玄穹高上帝」、「天公」、「老天爺」。玉皇大帝即昊天上帝，無始以來，劫數久遠，聖人應號，亦複無邊。上帝本自然，垂象立號教化眾生而有所禱也。玉皇大帝常住妙有無跡真境中，地位崇高，永處太玄至真上天之上．已證八身：道身、法身、本身、真身、跡身、應身、分身、化身，是道教的基本信仰和最高信仰「道」的神化，被認為是道的本體。宋太祖趙匡胤從後周禪讓而得國。後周武宗是反佛的，廢佛寺三萬三百所，毀鎮州大悲像鑄錢，周世宗親自秉鉞在大悲像的胸膺上鑿洞，不到四年果報現前，自己胸膺上生疽潰爛出洞而死。宋太祖和宋太宗目擊此事，對因果深信不疑，所以也是非常地尊重擁護佛教，及位後「屢建佛寺，歲度八千僧」。但因為有宋的皇帝姓趙，而道教中的玉皇大帝（佛教中稱為帝釋天，是歸依的佛教徒）叫趙玄朗，宋帝自認為是玉皇大帝在人間的後代，所以有宋一代道教都是受到尊重的。此頭像體量碩大，著漢式髮髻，雙眼微晗，三縷墨髯，雕刻自然下垂，仙風道骨，盡顯玉皇大帝之威嚴肅穆。

銅佛板

6764 遼 A BRONZE BUDDHIST PLATE LIAO DYNASTY (907-1125)

HK$ 600,000 RMB 480,000 高 23.5 cm (9 1/4 in)

遼代上京南塔之佛陀浮雕，佛陀造型與此拍品相似

定州北魏太和元年（477）金銅佛板，二飛天捧持寶蓋形象與本拍品相似

內蒙古巴林左旗蓋家店（位於遼上京城址附近）出土的一件遼代小型青銅佛板，現存於巴林左旗遼上京博物館，形製與此拍品相似

140

這件銅佛板為迄今為止世界範圍內發現同材質最大的一件。佛板通體採用模範鑄造而成，呈豎長方形，輪廓分明，圖像清晰。整體

主尊佛上方懸浮寶蓋，雙層蓋簷，周緣垂幔。主尊佛兩側分別浮雕一橢圓形

作單間殿堂式建築造型，原有兩葉木製對開門扇，出土時門扇已經不存。

雲團，每個雲團中各有一身飛天作合掌供養狀，後肩擔負牽連寶蓋的繒帶。

佛板上端為廡殿頂，用以代表佛殿的存在。正脊中央設置一刻有蓮花圖

追本溯源，這種不一般的造型其實關聯著犍陀羅和北魏的造像。少許犍陀羅

案的寶蓋，正脊兩端各設置一魚頭形鴟吻，屋頂面作瓦壟狀，猶如寺廟

成熟期的浮雕可見犍陀羅大神主尊上方有左右二飛天捧持花蓋供養。花蓋供

大殿屋簷，簷牙上翹，屋簷下刻畫類斗拱裝飾，具有遼宋時期雕刻和建

養見於佛教經典，為南亞古老傳統，飛天捧持花蓋造型則是藝術家的創造性

築藝術的鮮明特點。佛板身部四角各有一突出前方的穿孔附件，用於穿

表現。類似二飛天捧持花蓋的藝術設計形式，於北魏中期（439—493 年）傳

插兩扇門軸。佛板下方為長方形底座，底座上線刻寶相花紋。

播到中原北方，用於當時流行的金銅佛板，如定州北魏太和元年（477）金銅佛像，表現為二飛天手牽連綴寶蓋的繒帶，由二飛天捧持花蓋轉變為二飛天

巨大而立體的屋簷下是一幅立體感極強的淺浮雕佛畫。畫面主體為一佛、

捧持寶蓋，這顯然是適應中土自然和人文環境的結果。不難看出，該實例二

一弟子、一菩薩的三尊像，上方從屬擔負寶蓋的二飛天。主尊佛雙手伸

飛天手牽連綴寶蓋的繒帶，與本佛板二飛天擔負牽連寶蓋繒帶的表現相差無

展於胸前拇指相對並舉結印，面相飽滿方正，五官刻畫清晰，棱角分明，

幾，兩者應該存在傳承和發展關係。可以推斷此佛板在製作之時可能參考借

雙目微閉，大耳垂肩，頗具有陽剛之美，其造型風格與遼代同時期造像

鑒了傳世的北魏金銅佛板。

極為接近（參考遼代上京南塔之西北面下層的佛陀浮雕），反映了遼代草原民族的審美趣味。

1977 年內蒙古巴林左旗野豬溝鄉蓋家店村（位於遼上京城址附近）出土的一件遼代小型青銅佛板，現存於巴林左旗遼上京博物館，形製與此拍品相似。

中原北方初唐坐在蓮花上施轉法輪印的佛陀是作為阿彌陀佛表現的。此

兩者皆是佛殿式造型，主尊阿彌陀佛均協侍一弟子及一菩薩，並從屬擔負寶

佛板中雙手於胸前拇指相對並舉印相不屬於密教印相，最大可能就是轉

蓋的二飛天。蓋家店出土的佛板底座遺失，雕刻手法較為粗糙，圖像刻花比

法輪印的變通表現，類似情況所在多有，形成遼代佛教造像的一個典型

較樸拙，與本佛板無法比肩。

特徵。如果這一推論能夠成立，那麼該主尊佛應為阿彌陀佛。此銅佛板的文化價值非同尋常，在數量有限的遼代佛教單體造像中具有極高主尊阿彌陀佛下承蓮座屬典型遼代樣式，束腰大仰蓮，蓮瓣肥碩飽滿，

的價值和地位。佛板內容關聯北朝至遼代數百年間的佛造像史，匯聚不同時

舒展自如，花瓣尖端又向外翹起，十分生動。這種盛開的仰蓮座在隋代

期和諸多地域文化因素於一身。而且通常所見具有官方性質的遼代佛教造像，

以前所見不多，而大仰蓮座在宋遼時期最為流行，且花形飽滿，呈怒放

多表述了密教和華嚴思想，此佛板則反映了阿彌陀佛所代表的西方淨土信仰，

狀。如延安子長鐘山北宋石窟佛造像均為仰蓮座，大同華嚴寺及應縣木

對於研究遼宋時期的佛教信仰形式具有十分重要的意義。

塔的佛像座亦如是。據子長鐘山石窟題記為北宋治平四年（1067 年）所鑿，恰與應縣木塔遼清寧二年（1056 年）始建時間大致相同，可知此種

參閲：

形式的蓮座曾廣泛流行於宋遼時代。

唐彩蘭編著《遼上京文物擷英》圖版 27，呼和浩特遠方出版社，2005 年。

蓮座左右兩側之協侍分別為一弟子及一菩薩。左側弟子著垂領式袈裟，內側身跪坐，雙手合掌供養。右側菩薩盤腿坐在小蓮座上，頭飾花鬘，身佩瓔珞，側首仰望主尊阿彌陀佛。二協侍姿態、台座明顯有別，這是製作者針對二者各自身份而有意設計的。右側協侍菩薩反映了其助佛教化的功能；左側協侍弟子跪坐合掌供養阿彌陀佛，一方面可以理解為遵從聖教，歡喜奉行，另一方面佛弟子身份近於一般人，似乎還隱含著引導芸芸眾生皈依阿彌陀佛的用意。自南北朝以來，阿彌陀佛通常以觀世音、大勢至菩薩為協侍，形成西方三聖組合，與西方淨土類經典記述一致。此佛板之阿彌陀佛協侍一弟子及一菩薩，這種不對稱組合在佛教造像中十分罕見，這也是此佛板的特色之一。

142

日本藤田家族舊藏 Old collections of the Japanese Fujita family ( Lot 6765 - 6768 )

宜興窯紫砂堆繪「山水人物」紋大筆筒

6765 清乾隆 A YIXING CLAY ‘LANDSCAPE AND FIGURES’ LARGE BRUSHPOT, BITONG QIANLONG SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

HK$ 10,000 RMB 8,000 直徑 18.2 cm (7 1/8 in) 款識：「大清乾隆年製」款

小山文庫舊藏

款 MARK

日本藤田家族舊藏

美國著名外交官

Ogden Reid 舊藏

來源：1. 美國著名外交官 Ogden Reid (b.1925) 舊藏

2. 日本小山會社小山文庫舊藏，購於昭和四十一年 (1966) 3. 日本藤田家族舊藏

144

Remark: 1. An old collection of Ogden Reid (b. 1925), a famous American diplomat

2. An old collection of the Japanese Koyama Bunka of Koyama Company, acquired in 1966 3. An old collection of the Japanese Fujita family

日本藤田家族舊藏 Old collections of the Japanese Fujita family ( Lot 6765 - 6768 )

款 MARK

小山文庫舊藏

‘CHEN ZI QI’ MARK ‘XIANG QI DONG PO JIU JU SHI, LONG SHAN HUAN QI XUE YI MENG, SU WENG PI SU JU SHU LI, XI SHI WEN FENG YE LAI JU, AI SHA CHENG PI NIE BI XI, JUN ZI SHI DE HUI DAO XIAN, BING YIN NIAN CHUN HUANG LONGSHAN. HUANG SHAN TANG MING’ ‘AN XIANG FU DONG’ INSCRIPTION

HK$ 10,000 RMB 8,000

直徑 20.9 cm (8 1/4 in) 款識：「陳子畦」款銘文「想起東坡舊居士， : 龍山喚起學藝夢，蘇翁僻俗居蜀麗，西施聞風也來聚，愛砂成癖捏筆洗，君子識得會道僊，丙寅年春黃龍山。黃山堂銘」「暗香浮動」

「陳子畦」製紫砂大筆洗

6766 清 A YIXING CLAY LARGE BRUSH WASHER BY ‘CHEN ZIQI QING DYNASTY (1644-1911)

日本藤田家族舊藏

美國著名外交官

Ogden Reid 舊藏

來源：1. 美國著名外交官 Ogden Reid (b.1925) 舊藏

2. 日本小山會社小山文庫舊藏，購於昭和四十一年 (1966) 3. 日本藤田家族舊藏

Remark: 1. An old collection of Ogden Reid (b. 1925), a famous American diplomat

2. An old collection of the Japanese Koyama Bunka of Koyama Company, acquired in 1966 3. An old collection of the Japanese Fujita family

日本藤田家族舊藏 Old collections of the Japanese Fujita family ( Lot 6765 - 6768 )

均窯紫斑天藍釉碗

6767 宋 A JUN SKY-BLUE-GLAZED ‘PURPLE SPLASH’ BOWL SONG DYNASTY (960-1279) REPAIRED BY KINTSUKUROI

HK$ 10,000 RMB 8,000 直徑 14.4 cm (5 5/8 in) 金繕修復

日本藤田家族舊藏

小山文庫舊藏

美國著名外交官

Ogden Reid 舊藏俯視 TOP VIEW

掃一掃

來源：1. 美國著名外交官 Ogden Reid (b.1925) 舊藏

2. 日本小山會社小山文庫舊藏，購於昭和四十一年 (1966)

360 度立體圖

146

3. 日本藤田家族舊藏

Remark: 1.An old collection of Ogden Reid (b. 1925), a famous American diplomat

2. An old collection of the Japanese Koyama Bunka of Koyama Company, acquired in 1966 3. An old collection of the Japanese Fujita family

日本藤田家族舊藏 Old collections of the Japanese Fujita family ( Lot 6765 - 6768 )

HK$ 20,000 RMB 16,000 直徑 34.4 cm (13 1/2 in) 款識：「大清乾隆年製」款

款 MARK

小山文庫舊藏

缸類器物器型較大且結實耐用，不論做為宮廷的糧、油

等儲存器，還是盛水防火都極為適宜，至今仍有人使用

該類器物種荷養魚。因其一般形制巨大，胎體極重，故

在燒造過程中極易爆裂變形，成品率極低。歷史文獻中

厘米，缸口圓唇，深腹，平底， 34.4

多有燒造大缸失敗的記載。本器器形周正，亳不變形，

難能可貴。此缸口徑

形體較大，胎體厚重。器內施白釉，外壁繪鬥彩纏枝蓮

紋，外底陽刻「大清乾隆年製」字款。此缸之蓮紋以鬥

彩勾勒而成，先以釉下青花為線，後以釉上五彩填色，

交相呼應，爭奇鬥艷，缸上鵝黃、杏紅、淺綠不一而足，

色澤沉穩厚實；纏枝滿佈全器，線條俐落而不失繁複細

緻，盡顯繪師超凡手藝。此缸質地精純，磨制圓熟，雅

緻中見大氣，頗有大巧不工之意，加之以明清時期流行

的蕃蓮紋作題材，洋為中用，中西合璧，又寓吉祥、富

美國著名外交官

Ogden Reid 舊藏

貴之意，實為難得一見的精品。

日本藤田家族舊藏

鬥彩「蕃蓮」紋缸

6768 清乾隆 A DOUCAI ‘LOTUS FLOWER’ JAR QIANLONG SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

掃一掃

來源：1. 美國著名外交官 Ogden Reid (b.1925) 舊藏

2. 日本小山會社小山文庫舊藏，購於昭和四十一年 (1966)

3. 日本藤田家族舊藏

Remark: 1.An old collection of Ogden Reid (b. 1925), a famous American diplomat

2. An old collection of the Japanese Koyama Bunka of Koyama Company, acquired in 1966 3. An old collection of the Japanese Fujita family

360 度立體圖

款 MARK

148

此缸收口，圓狀腹部，採用鬥彩裝飾，器身主體繪大小錯落折枝花卉紋，

直徑 11.4 cm (4 1/2 in) 款識：「大清雍正年製」款

花盛開綻放，枝葉延展蜿蜒，爭奇鬥豔，色彩雖豐，但清朗明麗，濃淡適宜，

HK$ 10,000 RMB 8,000

為陳設佳器。清代雍正乾 - 隆時期鬥彩之器以製作工藝精緻、色彩鮮麗、

直徑 22 cm (8 5/8 in)

紋飾更趨圖案化為特徵，釉上釉下彩已然融為一體，于淡雅中顯亮麗，

粉彩「花卉」紋碗

6770 清雍正 A FAMILLE-ROSE ‘FLOWER’ BOWL YONGZHENG SIX-CHARACTER MARK AND OF THE PERIOD (1723-1735)

HK$ 28,000 RMB 22,400

於纖細中見挺雋。

鬥彩「花卉」紋小卷缸

6769 清雍正 - 乾隆 A DOUCAI ‘FLORAL’ SCROLL JAR QING DYNASTY, KANGXI PERIOD (1662-1722)

內青花書大｢清乾隆年制六｣字楷書橫款，為乾隆早期作品。釉面潤澤，釉色有深淺｣

濃淡之分。紅釉在所有色釉中燒造最難，清朝龔軾在《景德鎮陶歌》中記述：官｢

古窯成重霽紅，最難全美費良工，霜天晴晝精心合，一樣摶燒百不同。

長 9.8 cm (3 7/8 in) 款識：「名記」「孟臣」款銘文「等閒弄水浮花片， : 時在仲春三月作」「可以伴侍人」

HK$ 60,000 RMB 48,000

時在仲春三月作」，字體秀娟，高逸清雅。以魚形作壺鈕，鰭鱗生動，甚為別緻，口蓋

嚴密，渾然一體。圓鋬環線條流暢，造型秀巧，提握自如，把下鈐「名記」。加底銘文「可以伴侍人」，落款「孟臣」。

孟臣，惠氏，荆溪人，明清時期壺藝名家，因其擅製小壺而聞名於世，工藝洗練、手法精妙，

所製之壺為後世稱作「孟臣」壼，其中尤以梨形壺最具影響。《陽羨茗壺系》稱其「渾

樸工致兼而有之」，而其銘刻筆法「絕類褚河南（遂良）」。此器做工精緻，賞用皆宜，極具收藏價值。

款 MARK

紫砂「孟臣」壺 ‘MING JI’ ‘MENG CHEN’ MARK ‘DENG XIAN NONG SHUI FU HUA PIAN, SHI ZAI ZHONG CHUN SAN YUE ZUO’ ‘KE YI BAN SHI REN’ INSCRIPTION

此壺呈梨形，上斂下敦，飽滿圓潤。壺體光澤瑩潤，胎薄輕巧，刻以「等閒弄水浮花片，

6772 清 A YI XING ‘MENG CHEN’ TEAPOT QING DYNASTY (1644-1911)

霽紅釉盤直徑 17.2 cm (6 3/4 in) 款識：「大清乾隆年製」款

HK$ 50,000 RMB 40,000

盤撇口，弧腹，淺圈足。盤心及外壁施霽紅釉。口沿處呈粉白色。底施白釉，雙圈

6771 清乾隆 A RED-GLAZED DISH QIANLONG SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

款 MARK

霽紅釉高足杯

6773 清雍正 A COPPER-RED-GLAZED STEM CUP YONGZHENG SIX-CHARACTER MARK AND OF THE PERIOD (1723-1735)

HK$ 50,000 RMB 40,000 直徑 15.5 cm (6 1/8 in) 款識：「大清雍正年製」款

款 MARK

150

HK$ 95,000 RMB 76,000 直徑 14.5 cm (5 3/4 in) 款識：「大清乾隆年製」款

俯視 TOP VIEW

款 MARK

御製黃地綠釉刻「祥雲團龍」紋碗

6774 清乾隆 AN IMPERIAL YELLOW-GROUND GREEN-ENAMELLED ‘DRAGON MEDALLION’ BOWL QIANLONG SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

HK$ 50,000 RMB 40,000 直徑 31 cm (12 1/4 in)

五彩「人物故事」紋大盤

此盤造型規整，體型較大，釉色瑩潤，盤心正圓開光內，以五彩飾水滸人物故事紋樣，以黑彩勾勒輪廓，線條挺立，

色階豐富，立體感強，其綠彩鮮澈透明，在潔白的釉面映襯下蔥翠欲滴。盤背為雙層底胎，以加固盤身燒造時

不易變形，由此可見本品應為康熙初期至中期時期作品，紋飾繪畫精美，設計考究，是一件難得的康熙五彩官窯精品，不為多見。

152

6775 清康熙 A GIANT FAMILLE-VERTE ‘STORIES’ PATTERN DISH QING DYNASTY, KANGXI PERIOD (1662-1722)

HK$ 80,000 RMB 64,000 直徑 16.1 cm (6 3/8 in) 款識：「大清道光年製」款

款 MARK

俯視 TOP VIEW

蓮池鴛鴦紋飾，源自宋元時期陶瓷、織錦紋飾，亦稱「滿池嬌」，因寓意吉祥和諧而受歷朝宮廷喜愛。臥足碗，碗形敦厚，胎體緻密，碗心于青花雙圈內繪鬥彩鴛鴦戲蓮圖案，內口沿飾青花梵文真言一周，其外繪青花趕珠龍紋一組，外壁腹部通景繪鬥彩蓮池鴛鴦圖案，描繪雌、雄池鴛鴦追戲蓮池之自然場景。底施白釉，正中落「大清道光年制」六字三行篆書款。本品為道光一朝官窯精品。香港收藏家張宗憲先生藏品中有同類器，且與北京首都博物館藏品相同（參見《官窯名瓷》，頁 134，圖 129）。兩例器形紋飾相似的鬥彩荷塘鴛鴦臥足碗於 2011 年 5 月及 12 月在北京拍賣中售出 87 萬、82 萬人民幣，以茲參考。

鬥彩「一路連科」紋墩式碗

6776 清道光 A DOUCAI ‘LOTUS LEAVES AND BIRDS’ SCROLL BOWL DAOGUANG SIX-CHARACTER MARK AND OF THE PERIOD (1821-1850)

HK$ 38,000 RMB 30,400 直徑 15.5 cm (6 1/8 in) 款識：「大清同治年製」款

款 MARK

碗為敞口，圓弧腹，圈足，碗身通體施嬌黃釉，碗外壁刻雲龍趕珠紋，間雜火焰紋，近圈足處，刻繪海水紋。本碗造型敦厚小巧，胎體輕薄，黃釉瑩潤厚實。此類黃釉龍紋碗品種，始燒於清代康熙朝，歷代延續燒造，為典型清宮大運瓷類，內外皆黃釉，級別甚高。同類器市場流通者極為罕見；底施白釉，正中落「大清同治年制」六字三行楷書款。

嬌黃釉暗刻「雲龍趕珠」紋碗

154

6777 清同治 A TENDER YELLOW ‘DRAGON AND PEARL’ SCROLL BOWL TONGZHI SIX-CHARACTER MARK AND OF THE PERIOD (1862-1874)

HK$ 100,000 RMB 80,000 直徑 14.5 cm (5 3/4 in)

青花瓷硯

6778 清道光 A BLUE-AND-WHITE PORCELAIN INK PALETTE QING DYNASTY, DAOGUANG PERIOD (1821-1850)

HK$ 100,000 RMB 80,000 高 22.4 cm (8 7/8 in) 款識：「大清乾隆年製」款

茄皮紫釉梅瓶

此件梅瓶唇口，斜直短頸，豐肩，長腹收斂，圈足，器型規整，通體施茄皮紫釉，釉色凝重深沉，底足並未露胎，可見三支釘燒痕跡，足內刻「大清乾隆年制」六字三行篆書款。

茄皮釉為低溫色釉，因其呈色似茄子皮色，故而得名，創燒於明弘治年間，經嘉靖、萬曆而至清三代達到極致，明代釉彩紫中泛藍，嘉靖

月 12

日 1 ，編號

，以 1902

萬港幣售出。 206

顏色釉》，頁 ---

，圖 183

，上海科學技術出版社， 166

年），香港佳 1999

時可分深、淺二色階，清康熙時茄皮紫釉才真正燒制成功，雍正、乾隆時愈加精美，本品即為乾隆時期茄皮紫釉色之典型器，釉質腴潤，呈色鮮豔，給人高貴典雅之美感。

年 2009

北京故宮博物院館藏一例（可見《故宮博物院藏文物珍品大系士得拍賣一例，可見

156

6779 清乾隆 A EGGPLANT PURPLE-GLAZED VASE QIANLONG SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

款 MARK

‘LE SHAN TANG ZHI’ MARK

HK$ 100,000 RMB 80,000 高 31.5 cm (12 3/8 in) 款識：「樂善堂製」款

款 MARK

天藍釉胭脂紅「纏枝花卉」紋花觚

6780 清中期 A BLUE-GLAZED PUCE-ENAMELED ‘SCROLLING FLORAL’ VASE, GU MID-QING DYNASTY

HK$ 100,000 RMB 80,000 直徑 18.4 cm (7 1/4 in)

俯視 TOP VIEW

青花「人物故事」紋撇口碗

碗造型與紋飾為典型的元青花作品。口沿外壁青花繪似波斯及中亞風格之卷草紋裝飾，極具異域風情，碗心飾人物故事圖紋飾，整器為已知元青花碗類作品中，極為罕見的畫面設計。整件作品畫工精湛，青花呈色濃豔，為元青花之佳作。

年，頁 2004

，圖 48

） 9。

北京首都博物館收藏有同類造型作品，可作參照（《北京文物精粹大系－陶瓷卷（下）》，北京出版社，

158

6781 元 A BLUE AND WHITE PORCELAIN ‘STORIES’ PATTERN BOWL YUAN DYNASTY (1279-1368)

甜白釉四繫罐 HK$ 200,000 RMB 160,000 高 14.9 cm (5 7/8 in)

永樂年間，另有白釉三系鼓式蓋罐，例見於

年，編號 1964 甜白釉四系罐，雖器型不盡相同但釉色仍可為參照。

》，斯德哥爾摩， Kempe Collection

年，編號 1996

）。 l—4

）。上海博 73 Chinese Ceramics in the Carl

年，圖版 2007 《 Bo Gyllensvärd,

），以及國家博物館藏甜白釉暗花三系罐、大英博物館藏 664

藏品（載於 Kempe

物館另藏相類永樂青花器，器型略小（載于陸明華，《明代官窯瓷器》，上海，

青花殘片（載於《景德鎮出土明初官窯瓷器》，鴻禧美術館，臺北，

此種器型極為珍罕，除甜白釉外，亦有青花裝飾者，參見江西景德鎮珠山明禦窯廠遺址出土

以一色而動人，給人一種瑩潔于心的甜美感。整器造型圓潤流暢，修胎規整，比例協調，

本器通體罩施白釉，除此之外別無繁飾，釉色溫潤潔白，瑩潔豐腴，寶光內蘊，純

人，稱之為「甜白」。

樂皇帝喜愛，這也是白瓷於永樂一朝風行的主要原因，後世因其色澤純美動

況此物今府庫亦有之，但朕自不用。」可見此種潔素瑩然的白釉瓷深得永

謂尚書鄭賜曰：朕朝夕所用中國瓷器，潔素瑩然，甚適於心，不必此也。

四年十月丁未條記：「回回結牙思進玉碗，上不受，命禮部賜鈔遣還。

皇帝對回歸儒家理學思想審美器物的支持，如《明太宗實錄》永樂

格。永樂一朝此種去舊元之風格尤為明顯，於檔案中亦可見永樂

花紋繁密的特點，恢復宋代以來典雅清秀，含蓄優美的樣式及風

的產物，既逐步摒棄元代各類瓷器，器皿厚重、拙實，碩大，

這種小巧而雋永的器型為明代初年除「胡元之舊」趨勢影響下

小口外卷，鼓腹豐肩，肩上對稱飾四組圓形小系，平底無釉。

罐通體施甜白釉，釉面平滑光潤，釉色白如凝脂，素猶積雪。

四系罐造型，為明永樂朝特有瓷器品種，其後未見燒造。

6782 明 A WHITE-GLAZED FOUR-LOOPED VASE EARLY QING DYNASTY

青花釉裏紅「荷塘」紋瓶

6783 清康熙 A BLUE AND WHITE PORCELAIN UNDERGLAZE-RED ‘POND’ PATTERN BOTTLE KANGXI SIX-CHARACTER MARK AND OF THE PERIOD (1662-1722)

HK$ 200,000 RMB 160,000 高 22.1 cm (8 3/4 in) 款識：「大清康熙年製」款

款 MARK

掃一掃

360 度立體圖

160

御製鬥彩「龍」紋盤

6784 清雍正 AN IMPERIAL DOUCAI ‘DRAGON’ SCROLL DISH YONGZHENG SIX-CHARACTER MARK AND OF THE PERIOD (1723-1735)

HK$ 250,000 RMB 200,000 直徑 17.5 cm (6 7/8 in) 款識：「大清雍正年製」款

款 MARK

來源：1. 香港佳士得 2005 年 11 月，編號 1341

2. 巴黎佳士得 2006 年 6 月 15 日，編號 186 3. 巴黎蘇富比 2010 年 6 月 9 日，編號 84 4. Madame L. Vente’s 收藏

162

Provenance: 1. Christie’s Hong Kong, November 2015, lot 1341 2. Christie’s Paris, 15th June 2006, lot 186 3. Sotheby’s Paris, 9th June 2010, lot 84 4. A collection of Madame L. Vente’s

此盤敞口、淺弧腹、平底、矮圈足，胎薄體輕，釉汁瑩潤。盤口與盤心各繪一周青花雙圈紋，蒼龍置身中央在戲珠，四周點綴祥雲紋，宛如在天上飛翔。整體採用線條勾勒填色法，線條纖細，色彩平塗，互相烘托和渲染，整體藝術效果極佳。以紅彩勾線、內填綠彩的蒼龍豎立，身體遒勁，五爪鋒利，蒼勁兇猛，鋒芒畢現。盤身使用綠彩繪製海水，波濤洶湧，祥雲四起。構圖層次豐富，加深表現質感和裝飾效果，相輔相成。底足有「大清雍正年制」青花雙圈六字楷體落款。龍紋盤時期的青花

紋飾內外相應，色彩紅濃綠豔，畫筆工整細緻。鬥彩以宮廷御用的一種精美細瓷鬥彩瓷器中的精品。

來專門燒制，產量非常小，至今遺留下來的更少，此盤無疑是雍正

純銀「圑虎」配飾一對

6785 戰國 A PAIR OF SILVER TIGER ORNAMENTS WARRING STATES PERIOD (475-221 BC)

純金配綠松石珠耳飾兩對

6786 商 TWO PAIRS OF GOLD AND TURQUOISE BEAD EARINGS SHANG DYNASTY (CIRCA 1600-1100 BC)

HK$ 30,000 RMB 24,000 最大 : 長 4.2 cm (1 5/8 in) 總重 102 g

HK$ 12,000 RMB 9,600 最大 : 長 4.4 cm (1 3/4 in) 石長 1.8 cm (3/4 in) 重 23 g

參閱：

山西永和下辛角出土的商代金垂飾及

陝西淳化縣出土的西周早期金垂飾，形製與此拍品相似，載於關善文、孫機編

《中國古代金飾》，沐文堂美術出版社有限公司，香港，2003 年，頁 134-135 Reference:

A similar gold earrings from Shang, unearthed at Xiaxinjiao Village,

Yonghe County, Shanxi Province and another from Early Western Zhou, unearthed at Chunhua

County, Xianyang, Shaanxi Province, are illustrated in CHINESE GOLD ORNAMENTS, by Simon KWAN, ji SUN, Muwen Tang Fine Arts

Publication Ltd., Hong Kong, 2003, p.134-135

164

HK$ 50,000 RMB 40,000 長 5 cm (2 in) 重 24 g

HK$ 45,000 RMB 36,000 高 7.8 cm (3 1/8 in)

銅鎏金獅子

6788 唐 A GILT-BRONZE LION TANG DYNASTY (618-907)

金「瑞獸」「犀牛」飾

6787 戰國 A GOLD ‘MYTHICAL BEAST’ ‘RHINOCEROS’ ORNAMENT WARRING STATES PERIOD (475-221 BC)

HK$ 20,000 RMB 16,000 總高 22.2 cm (8 3/4 in)

銅「獅」紋香薰

據古籍記載，獅子又名「狻猊」。《後漢書》和《東觀漢記》載，漢章帝和漢順帝時，安息國和疏勒國曾派遣使者獻獅子。唐朝

有名的大書法家虞世南所作的《獅子賦》中有「鎮目電暇，發聲雷響」等句，形容獅子的靈活與兇猛。我國古代很早就把獅子

石窟寺中的文殊菩薩騎獅和各種獅子座，唐代銅鏡上的獅子紋，南北朝時期印章上的獅子紐，瓷器中的獅子枕和玩具等。

的形象用在陵墓、石窟寺藝術和各種生活用品上，作為一種祥瑞的神獸出現。如漢、唐的石雕獅子，絲綢之路上發現的對獅紋錦，

強勁有力，顯示性格兇猛，此獅並未如漢地獅子肥碩可愛，而是消瘦威猛，充滿了少數民族特色。蓮座與多遼代佛像底部蓮座造

這件銅制獅子香熏呈站姿，造型生動，形態逼真，銅獅作張口露齒狀，似乎正在咆哮怒吼：頸上有髦，頸下系鈴和纓絡：肢爪

像一致，時代特徵明顯。獅口內中空，聯通下方蓮花座，座內焚香通過獅子身體由口中氤氳而出，構思巧妙，巧奪天工。這件銅獅子香熏出自較為少見的遼代風格，造型大氣，時代特徵明顯，收藏價值極高。

166

6789 遼 A BRONZE ‘LION’ CENSER LIAO DYNASTY (907-1125)

HK$ 70,000 RMB 56,000 高 22.1 cm (8 3/4 in)

銅「神獸」香薰

6790 遼 A BRONZE ‘MYTHICAL BEAST’ CENSER LIAO DYNASTY (907-1125)

銅契丹文符牌

6791 遼 A BRONZE KHITAN SCRIPT PLAQUE LIAO DYNASTY (907-1125)

銅淨瓶

6792 唐 A BRONZE KALASA VASE TANG DYNASTY (618-907)

HK$ 35,000 RMB 28,000 長 11 cm (4 3/8 in) 厚 0.5 cm (1/4 in)

HK$ 15,000 RMB 12,000 高 10.8 cm (4 1/4 in)

168

HK$ 30,000 RMB 24,000 總高 45 cm (17 3/4 in)

局部 DETAILS

銅蓮花燈

6793 遼 A BRONZE LOTUS LAMP LIAO DYNASTY (907-1125)

銀供罐一組三件 170

6794 晚唐 A GROUP OF THREE SILVER JARS LATE TANG DYNASTY

HK$ 100,000 RMB 80,000

最大 : 總高 8.2 cm (3 1/4 in) 直徑 7.9 cm (3 1/8 in)

直徑 13.4 cm (5 1/4 in) 厚 0.4 cm (1/8 in)

青銅「風扇」羅盤 6795 宋 A BRONZE LUOPAN SONG DYNASTY (960-1279)

HK$ 100,000 RMB 80,000

風水學是中國歷史悠久的一門玄術，較為學術性的說法叫做堪輿。是研究人類賴以生存發展的微觀物質（空氣、水和土）

和宏觀環境（天地）的學說。風水羅盤，又名羅盤、羅經、羅庚、羅經盤等，由天池（指南針）、天心十道和內盤構成。整個圓盤可以來回轉動，是風水師在堪輿風水時用來立極定向的測量工具。

風水羅盤還有擋煞開運的作用，對於宅運不佳的家庭，可將其按上南北的方向，擺放於家宅的財位或客廳靠牆壁的中間，便可改善風水，增進佳運。此羅盤青銅整體鑄造，中心為應為指南針（已佚），自內向外分刻八卦、天干、地支等文字，底部刻節氣、二十八宿、五行文字，文字工整，製作精良，紅斑綠袖顯示出已近千年的歲月沉積。

純金「虎食羊」牌飾 172

6796 漢 A SET OF TWO PURE GOLD ‘LION EATING SHEEP’ PLAQUE ORNAMENTS LIAO DYNASTY (907-1125)

HK$ 150,000 RMB 120,000 最大 : 長 10.7 cm (4 1/4 in) 總重 372 g

HK$ 350,000 RMB 280,000 高 11 cm (4 3/8 in) 重 351 g

純金牛首杯

6797 唐 A GOLD OX CUP TANG DYNASTY (618-907)

多面 MULTI VIEWS

掃一掃

360 度立體圖

純金佛舍利罐

6798 唐 A GOLD BUDDHIST RELIQUARY JAR TANG DYNASTY (618-907)

HK$ 450,000 RMB 360,000

直徑 17.5 cm (6 7/8 in) 總高 18 cm (7 1/8 in) 重 894 g

兩面 TWO VIEWS

掃一掃

360 度立體圖

174

克，此種制式在唐代十分流行，而有如此體 894

此品為唐代文物。純金所製作，分為兩部分。下部為豆，喇叭形足，蓋為半塔形，與豆相吻合，純金材質更是達到了量與重量的金質佛舍利罐實屬罕見。

銅鎏金獅吼觀音銅鎏金菩薩立像

176

6799 唐 A GILT-BRONZE FIGURE OF GUANYIN OF THE LION’S ROAR TANG DYNASTY (618-907)

6800 隋 A GILT-BRONZE FIGURE OF BODHISATTVA SUI DYNASTY (581-618)

HK$ 50,000 RMB 40,000 高 9.3 cm (3 5/8 in)

HK$ 25,000 RMB 20,000 高 16 cm (6 1/4 in)

HK$ 30,000 RMB 24,000 高 30.2 cm (11 7/8 in)

銅佛底座及背光

6801 五代 A BRONZE BUDDHIST STAND WITH MANDORLA FIVE DYNASTIES (907-960)

HAN STYLE

HK$ 30,000 RMB 24,000 總高 21.3 cm (8 3/8 in) 漢地風格

銅鎏金觀音立像

此觀音菩薩通體作鎏金，銅胎與金貼合緊密，雖有剝落但保存基本完好。菩薩高髻帶寶冠，冠巾經兩耳後自然飄落兩肩，面目沉靜，彎眉細目，氣質高貴安靜；身軀細瘦但曲線流暢，頸部配項圈珠串，左手持柳枝，右手持淨瓶，是觀音造像常見的手持法器。身後頭光富麗堂皇，外飾火焰紋，內飾鏤空狀十字形標誌。此類銅像的背光保存下來的很少，本尊的背光、底座完整，尤顯富麗堂皇。盛唐時期的菩薩像，多束高髻，袒露上身，菩薩像最流行的樣式為「三段屈曲式」。從胸部至腰際形成突出的弧線，並配以像身輪廓和帔帛的曲線，也稱「三折枝式」即頭、腰、臂三部分猶如「一波三折」。而猶如此尊將三折枝式身材刻畫得美輪美奐之作品更是少之又少，殊為難得。觀音像的開臉、造型、材質、工藝均具有唐代造像的藝術特徵。整像造型生動，工藝精湛，堪稱唐代金銅造像中的精品。

178

6802 唐 A GILT-BRONZE FIGURE OF GUANYIN TANG DYNASTY (618-907)

HK$ 100,000 RMB 80,000 高 13.6 cm (5 3/8 in)

兩面 TWO VIEWS

銅鎏金佛像

6803 唐太和二年（828） A GILT-BRONZE BUDDHIST FIGURE TANG DYNASTY, TAIHE PERIOD, DATED TO THE SECOND YEAR (CORRESPONDING TO 828)

HK$ 50,000 RMB 40,000 高 11.7 cm (4 5/8 in)

渤海國銅鎏金站佛

此尊頂現球狀高肉髻，面形圓潤清晰，神態莊嚴沉靜。身著袒右肩袈裟和僧裙，衣紋曲複自然，濕衣裹身，優美修長，有魏晉齊梁時期造像特點。右手舉於身側結無畏印，左手結與願上，立於雙層蓮台之上。造像小中見大，氣度恢宏，體現了盛唐造像的鮮明特點。

180

6804 唐 A BALHAE GILT-BRONZE BUDDHIST FIGURE TANG DYNASTY (618-907)

HK$ 40,000 RMB 32,000

銅釋迦弁尼立像 6806 唐 A BRONZE SCULPTURE OF THE SEVEN BUDDHAS OF ANTIQUITY TANG DYNASTY (618-907)

銅七星佛

長 14.3 cm (5 5/8 in)

統一，形成了極具代表性的中原審美標準。

“

方向發展，隨著北魏末期及北齊山東被納入北方統治區域，這一造像風格迅速實現高度

於肌體曲線的表達，姿態鬆弛。自唐代之後，在這一基礎之上，造像朝著更為寫實化的

化北魏時期繁冗之衣紋，將褶皺所帶來的厚重感抹去，簡化為相對洗練的身形，注重對

對扁平，表情平靜祥和，將北魏時期的笑容轉變為自省而內斂的笑意。身姿上亦大大簡

此類佛陀立像為典型盛唐時期所制，臉方帶圓，眼下視，鼻翼寬，嘴型闊，五官和臉相

代特徵明顯。

垂感逼真，左手結無畏印，右手結與願印，光腳立於蓮台之上，造像整體肅穆神聖，時

像北魏時期那樣清瘦，而是更多的突出了佛陀的慈悲。著法衣袈裟，衣褶描繪自然灑脫，

繁為簡著力突出線條感和肌肉感。寬額方怡，微睜雙目，面容慈祥，此時佛陀造型已不

此尊釋迦牟尼飾髮髻高挽，頭部髮絲塑造並不細緻，正是此盛唐之時顯著特點之一，化

6805 唐 A BRONZE SHAKYAMUNI BUDDHA TANG DYNASTY (618-907)

HK$ 20,000 RMB 16,000 高 12 cm (4 3/4 in)

銅力士

6807 唐 A BRONZE MALLA TANG DYNASTY (618-907)

HK$ 80,000 RMB 64,000 長 9.2 cm (3 5/8 in)

182

HK$ 100,000 RMB 80,000 高 13.4 cm (5 1/4 in)

銅佛

6808 隋 - 唐 A BRONZE BUDDHIST FIGURE BETWEEN SUI AND TANG DYNASTY (581-907)

HK$ 300,000 RMB 240,000 長 19.3 cm (7 5/8 in)

砂石雕佛頭像

這件製作精巧，神態生動的佛陀頭像，從藝術表現上看來，是運用了高度寫實的手法，栩栩如生，彷如氣息尚存，微妙的笑意帶

來一種即時的親切感。北齊造像被稱之為北朝的巔峰，它直接受到了印度笈多藝術風格的影響，著重體現佛的內在精神氣質，與

極富寫實性的簡約雕刻手法相結合，更加強調了佛像在視覺上的感染力。從北齊之後，中原地區佛教造像的藝術風格逐步開始走向世俗化。

參考一尊貼金的北齊佛陀站像，來自著名的山東龍興寺遺址窖藏，其面容的特徵與本件拍品可謂一脈相承，尤其是螺發的處理和微含笑意的雕刻手法，如同出一轍。

》，卷 ArsAsiatica

， 7 圖版

，編號 16

。（紐約蘇富比也 641

》，紐約， Chinese Art

年， 1999

山東青州龍興寺窖藏起出塑像，其中有各式佛首，與此有共通之處，可資比對，其中有北齊例子，圖載於《青州龍興寺佛教造像藝術》，

。） 16

，《 Daisy Lion-Goldschmidt

。另有數例，展於《山東青州龍興寺出土佛教石刻造像精品》，中國歷史博物館，北京， 118-121

日，編號 22

所載之例，見《 Osvald Siren

收藏中，且有一尺寸較小之大理石雕佛頭像，圖見 Hoppenot

年，圖版 1999

。巴黎 121

濟南，頁月 9

360 度立體圖

。較小者，還有 118 年 2005

掃一掃

年，圖版 1980 曾拍出一例，

184

6809 北齊 A SANDSTONE HEAD OF A BUDDHA NORTHERN QI (550-577)

銅鎏金雙身龍尊王

6810 十八世紀 A GILT-BRONZE BUDDHIST FIGURE 18TH CENTURY

HK$ 40,000 RMB 32,000 高 11.4 cm (4 1/2 in)

局部 DETAILS

銅刻佛板

6811 清 A BRONZE BUDDHIST PLAQUE QING DYNASTY (1644-1911)

HK$ 18,000 RMB 14,400 像長 40.7 cm (16 in) 總高 43.3 cm (17 in) 厚 0.3 cm (1/8 in)

局部 DETAILS

186

HK$ 50,000 RMB 40,000 總高 16 cm (6 1/4 in)

GDAN SA THEL STYLE

HK$ 30,000 RMB 24,000 像長 16.1 cm (6 3/8 in) 丹薩替風格

銅鎏金佛板

6813 明 A GILT-BRONZE BUDDHIST PLAQUE MING DYNASTY (1368-1644)

銅鎏金六臂瑪哈嘎拉

6812 清 A GILT-BRONZE FIGURE OF MAHAKALA QING DYNASTY (1644-1911)

銅鎏金五葉冠 188

6814 清 A GILT-BRONZE FIVE-LEAF CROWN QING DYNASTY (1644-1911)

HK$ 40,000 RMB 32,000 最大 : 長 18.2 cm (7 1/8 in)

HK$ 100,000 RMB 80,000

銅鎏金「八寶」佛供一套八件 6815 清乾隆 A SET OF EIGHT GILT-BRONZE ‘EIGHT EMBLEMS’ RARE SHRINE QING DYNASTY, QIANLONG PERIOD (1736-1795)

最大 : 高 19.5 cm (7 5/8 in) 宮廷風格

年 2012

月 12

參閱：倫敦佳士得，

月 12

月 3

日 6 ，編號年 1997 年 2012

參考（新加坡佳士得，

佳士得，

公司舊藏雙魚、法輪兩座掐絲琺瑯供器（倫敦 Spink&Son 日，編號 30 日 6 ，編號

）。 262 新加坡佳士得， 42

年 1997

月 3

日，編號 30

。 262

），可作比價。另有瓷質七珍八寶供器，來自養志堂，亦可作為 42

徵著俱寶無漏、福智圓滿、永生不死。英國

表佛的舌頭，取「出五濁世，無所污染」之義，象徵著最終目標，即修成正果。法輪代表佛的手掌，象

境地，又象徵著復蘇、永生、再生等意。右旋螺代表佛的三條頸紋，象徵達摩回蕩不息的聲音；蓮花代

又標誌佛智圓滿。雙魚代表佛之雙目，代表佛眼慈視眾生，又為智慧的表徵，常以一對金魚象徵解脫的

吉祥結代表佛的心，又稱為無盡結，此結無首無端，代表佛心法無盡，表示佛法回環貫徹，一切通明，

寓意煩惱孽根得以解脫，覺悟正果。寶傘代表佛頂，象徵遮蔽魔障，守護佛法；象徵佛陀教誨的權威。

的八個部位，並各有喻意。其中寶瓶代表佛的頸，因佛法皆從佛口中流出，故寶瓶又為教法、教理的化身，

相傳釋迦牟尼誕生時，天上獻下種種供品，此八寶即為天人所供，又有說八寶代表釋迦牟尼成佛時身上

「八寶」又稱「八瑞相」、「八吉祥」，是藏傳佛教中八種表示吉慶祥瑞之物，象徵吉祥、幸福、圓滿。

露瓶、法輪、五供、七珍等。

專為蒙藏民族所制，反映了內地與少數民族的交流和融合，宗法器有八寶、佛像、藏草瓶、賁巴壺、甘

法器等，質地有瓷、金、銀、銅等，均製作精工。乾隆時期景德鎮禦窯廠生產瓷質藏傳佛教用器，有些

清皇室崇信藏傳佛教，其中尤以乾隆皇帝為最，清宮廷中設有藏傳佛教殿堂，供有佛像、佛塔、供器、

於物件華美奢侈的審美情趣。

法輪、海螺、寶傘、白蓋、蓮花、寶罐、金魚、盤腸八寶，銅胎鎏金，金光熠熠，十分符合乾隆宮廷對

心殿所置一對宮燈極為相似，底座上為火焰形支撐物，各個寶無居於火焰中央，形態生動，其實磅礴，

一套八件，每件由兩部分組成，底座為蓮花座，蓮瓣修長，寬大上下兩層，此制式蓮瓣與故宮博物院養

IMPERIAL STYLE

銅鎏金釋迦牟尼成道像銅鎏金六臂護法

6817 西藏十六世紀 A GILT-BRONZE BUDDHIST FIGURE TIBET, 16TH CENTURY

HK$ 45,000 RMB 36,000 高 10.7 cm (4 1/4 in)

本像為一尊六臂護法像，其具體神格已難考，其正面現三面六臂，每面均戴三葉冠，面

上各有三目，身左右共六臂，雙正手分執鈴杵，相交於胸前。其餘各手分執天杖、寶劍、

蓮花等物。每臂腕上均纏一蛇。兩腿左展右屈，展立於單層覆蓮座上。本像體量較小，

高 9.5 cm (3 3/4 in)

通體鎏金，包漿品相均上佳，總和尊像塑造比例和細部裝飾特點來看，其應是十六世紀

HK$ 20,000 RMB 16,000

衛藏地區造像。

190

6816 尼泊爾十四世紀 A GILT-BRONZE FIGURE OF SHAKYAMUNI BUDDHA NEPAL, 14TH CENTURY

ZANABAZAR STYLE

HK$ 45,000 RMB 36,000 高 11.7 cm (4 5/8 in) 扎那巴扎爾風格

HK$ 5,000 RMB 4,000 高 9 cm (3 1/2 in)

銅鎏金藥師佛

6819 清 A GILT-BRONZE BHAISAJYAGURU QING DYNASTY (1644-1911)

銅鎏金阿彌陀佛

6818 蒙古十七 - 十八世紀 A GILT-BRONZE FIGURE OF AMITAYUS MONGOLIA, 17TH-18TH CENTURY

IMPERIAL STYLE

HK$ 100,000 RMB 80,000 高 16.6 cm (6 1/2 in) 宮廷風格

銅鎏金無量壽佛

此像頭戴五花冠，闊面寬額，雙目俯視，大耳璫垂肩，耳際繒帶向上蛇形翻卷，披帛自肩而下，繞臂後飄於兩側。胸前滿飾珠鏈瓔珞。雙手於臍前結禪定印，托缽，缽盂亦保存完整，整體造型飄逸流暢，動感較強。跏趺坐於雙層蓮座上。蓮座束腰不深，上沿一周連珠，大蓮瓣為交錯式分佈，蓮瓣以下似跌澀式落地。整體造像非常精道，給人以不盡的美感。

192

6820 清乾隆 A GILT-BRONZE FIGURE OF AMITAYUS QING DYNASTY, QIANLONG PERIOD (1736-1795)

HK$ 100,000 RMB 80,000 高 15.5 cm (6 1/8 in)

銅鎏金阿彌陀佛

6821 清康熙 A GILT-BRONZE AMITAYUS QING DYNASTY, KANGXI PERIOD (1662-1722)

銅鎏金釋迦牟尼寶冠像

6822 清康熙 A GILT-BRONZE FIGURE OF SHAKYAMUNI BUDDHA QING DYNASTY, KANGXI PERIOD (1662-1722) IMPERIAL STYLE

HK$ 350,000 RMB 280,000 高 28.3 cm (11 1/8 in) 宮廷風格

掃一掃

360 度立體圖

194

造像表現的是釋迦牟尼頭戴寶冠的形象，俗稱寶冠佛。從三身角度來說屬於報身佛，代表佛的內證功德，也有人從佛陀傳記的角度，認為頭戴寶冠是佛陀王子時期的造型，故稱釋迦牟尼王子像。此尊釋迦牟尼像的寶冠為分體鑄造。禪定的身姿魁偉挺拔，線條微妙含蓄，面部神情溫和安詳，為典型的清康熙時期的造

哲布尊丹巴一世為帝師，採用大量蒙古風格造像元素，開清代宮廷造 —

像風格。身著袒右式袈裟，衣薄貼體，鏨刻精美的生動花朵綴滿上下，刀法出神入化，風格清新。清康熙帝篤信佛家，尊紮那巴紮爾

像之先河，集中各族雕塑大師和能工巧匠于皇宮內廷之中鑄造藏傳佛像。康熙朝造像以工藝精湛、造型優美著稱，體現了清代內地藏傳造像的最高藝術水準。

耀州窯「網格」紋梅瓶磁洲窯「雞心」罐

196

6823 金 A YAOZHOU ‘GRID’ SCROLL VASE, MEIPING JIN DYNASTY (1115-1234)

6824 金 A CIZHOU HEART-SHAPED JAR JIN DYNASTY (1115-1234)

HK$ 30,000 RMB 24,000 高 14.6 cm (5 3/4 in)

HK$ 5,000 RMB 4,000 直徑 10.2 cm (4 in)

HK$ 50,000 RMB 40,000 高 15.1 cm (6 in)

HK$ 3,000 RMB 2,400 直徑 18.9 cm (7 1/2 in)

黑釉狗舔碗

6826 金 A BLACK-GLAZED BOWL JIN DYNASTY (1115-1234)

均窯三足爐

6825 元 A JUN TRIPOD CENSER YUAN DYNASTY (1279-1368)

湖田窯「三娃娃」紋斗笠碗一對 198

6827 北宋 A PAIR OF HUTIAN CONICAL BOWLS NORTHERN SONG (960-1127)

HK$ 30,000 RMB 24,000 最大 : 直徑 11.8 cm (4 5/8 in)

HK$ 40,000 RMB 32,000 最大 : 直徑 14.2 cm (5 5/8 in)

湖田窯花口碟一對

6828 南宋 A PAIR OF HUTIAN DISHES SOUTHERN SONG (1127-1279)

HK$ 80,000 RMB 64,000 總高 18.3 cm (7 1/4 in)

湖田窯執壺

瓷製執壺是宋代流行的酒具，因其帶保溫功能，造型變化豐富而流行於文人之間。此壺胎質細密，表面光潤細滑，施釉均勻淡雅，色澤溫潤如玉。釉色介於青白之間，青中泛白，白中透青，正是「瓷都」景德鎮湖田窯聞名宋代的青白瓷，亦稱「影青」。壺腹乃八瓣瓜棱型，肩闊腿窄，狀如小南瓜。瓜瓣之間、壺身與壺頸、壺肩、壺流及圈足銜接位有凹線，在燒造時累積釉料，形成淡淡的湖水綠紋，晶瑩典雅。壺口位於壺腹正上方，與壺身高度相若，產生微妙的平衝感，中央收束，頂沿薄如紙片。流與提手位於壺肩，相互遙望，皆體態修長。流細長微曲，流口稍低於壺口，由工匠向水平面削平，切口均整。弧形提手上飾三絲凹紋，有如瀑布自壺口噴發，並傾流至壺肩。提手頂部與壺蓋各綴燒一繫，以供穿連，釋墜地之虞。蓋呈「凹」字形，頗為纖薄，中間有一簡潔壺鈕。此壺色調單純，形制優雅，青素淡雅，有如宋代士人溫文含蓄的理想形像，是宋代精品瓷器的代表作。

200

6829 北宋 A HUTIAN EWER AND COVER NORTHERN SONG (960-1127)

鞏縣窯白釉淨水瓶 HK$ 80,000 RMB 64,000

6830 唐 A GONGXIAN WHITE-GLAZED VASE TANG DYNASTY (618-907) 高 26.7 cm (10 1/2 in)

淨瓶源於印度，為佛教法器，供僧侶雲遊時攜帶，用作貯水飲用或淨手。《釋氏要覽》曰：「淨瓶，梵語軍遲，此雲瓶。常貯水，隨身用以淨手。」淨瓶多為菩薩手持，以多臂觀音菩薩手中最為常見，意為向人間遍灑甘露，普度眾生。此瓶產於陶瓷淨瓶流行的唐朝，是長頸圓腹的雙口淨瓶。管狀出水頸細長，頸身中上部有圓盤狀突出物，形似佛塔，頂端的出水口繞有兩圈圓環，圓盤與出水口間纏有螺旋紋。瓶身為長圓腹，狀似雞蛋。瓶肩設有一上翹的注水口，呈臂狀，流口擴張成盅形。此淨瓶可從肩部注水口向瓶身注水，於上端細長的管流灑出。瓶底設高圈足，足沿外撇。淨瓶是白色粉質陶胎，施釉至瓶脛，釉色白而略帶米黃，釉面薄而勻，光而潤。淨瓶整體簡樸雅潔，帶唐代佛家出塵之風。其次，本瓶由鞏縣窯燒製，鞏縣窯以其各類工藝精良、品質上乘、風格特殊的陶瓷製品，被人們廣泛接受，並被鄰近地區瓷窯競相模仿、學習，乃至成為馳名中外的名窯，可見本瓶是極具價值。

湖田窯砵

6831 北宋 A HUTIAN ALMS BOWL NORTHERN SONG (960-1127)

HK$ 20,000 RMB 16,000 直徑 11.2 cm (4 3/8 in)

湖田窯四系罐

202

6832 南宋 A HUTIAN FOUR-LOOPED JAR SOUTHERN SONG (1127-1279)

HK$ 10,000 RMB 8,000 高 9.3 cm (3 5/8 in)

HK$ 40,000 RMB 32,000 直徑 17.1 cm (6 3/4 in)

HK$ 3,000 RMB 2,400 直徑 8 cm (3 1/8 in)

山西霍洲窯白釉高足杯

6834 金 - 元 A SHANXI HUOZHOU WHITE-GLAZED STEM CUP BETWEEN JIN AND YUAN DYNASTY (1115-1368)

湖田窯「花卉」紋花口盤

6833 北宋 A HUTIAN FLORAL PATTERN PLATE NORTHERN SONG (960-1127)

HK$ 100,000 RMB 80,000 高 25.1 cm (9 7/8 in)

刑窯白釉長頸瓶

刑窯位於今河北省邢台縣，唐時地屬邢州。邢窯乃唐五代間著名的白窯瓷場，有說：邢窯白瓷「天下無貴賤而通之」。長頸瓶渾身素白無飾，除瓶底外器身滿釉，釉色白中帶黃，光滑如絲，在特定角度甚至可映照外物。瓶頸頂部開闊，中央收窄，狀似牽牛花。主體瓶身扁平，瓶肩稍闊，形如荸薺，此設計可降低整體重心，以支撐長瓶頸，不易傾側。足沿稍為外撇，大小與喇叭瓶口相若。長頸瓶直立入窯燒製，因而器底無釉。因瓷坯與釉料的熱膨脹系數有別，經燒製後，此瓶全身隱若有開片痕跡，使素白的瓶身顯得肌理豐富，值得細細玩味。

204

6835 唐早期 A XING WHITE-GLAZED PILGRIM FLASK EARLY TANG DYNASTY

HK$ 50,000 RMB 40,000 高 40.7 cm (16 1/8 in)

三彩貴婦俑

6836 唐 A SANCAI FIGURE OF ‘MAIDEN’ TANG DYNASTY (618-907)

建窯烏金釉茶盞

6837 南宋 A JIAN BLACK-GLAZED CONICAL BOWL SOUTHERN SONG (1127-1279)

HK$ 60,000 RMB 48,000 直徑 12.5 cm (4 7/8 in)

俯視 TOP VIEW

206

俯視 TOP VIEW

建窯烏金釉「兔毫」茶盞 6838 南宋 A JIAN BLACK-GLAZED ‘HARE’S-FUR’ CONICAL BOWL SOUTHERN SONG (1127-1279)

HK$ 60,000 RMB 48,000 直徑 12.2 cm (4 3/4 in)

釐 1 米左右向內束成一圈淺顯的凹槽，俗稱「注水線」，

此器呈束口，腹微孤，腹下內收，淺圈足。其口沿以下約以供古時文人鬥茶之用；碗腹較深，器型整體飽滿，身形厚重，手感沉實；其相敦厚古樸，大小適宜，線條自然流色貴青黑。」這隻烏金釉銀毫盞燒制精美，釉水紺黑發亮，

暢，修胎隨意大方。宋徽宗在《大觀茶論》中評價「: 盞隱約散發潤澤烏光；盞口沿有一部分內外皆為金色短毫，析出在釉層表面，如碎金鋪灑，色彩豐富，銀毫自金毫延伸而下，密佈全器，在光線映照下如絲絲銀線，與烏黑深邃的釉彩及遍佈全盞的冰裂紋交相輝映，頗得素雅之美。此盞端在手上，散發出一種古意盎然的氣息，無論供收藏或玩賞之用，皆為上品。

HK$ 100,000 RMB 80,000 直徑 8.9 cm (3 1/2 in)

說明：原裝日本木盒

器型端正，盞口包紅邊，屬圓口型，口沿呈弧形，外璧為經典設計，內璧漏斗形。整器滿施烏金釉，外壁施釉至底，釉層厚度均勻，局部呈垂掛形態。盞内釉面滿佈金黃色金屬光澤的小油滴斑，胎底鐵質感強，底足小，其為圓餅狀實足，修足規整。此建盞在光亮處觀察，似漆黑夜空中的滿天星斗，色澤自然，美不勝收，屬上乘之作。建盞，黑瓷代表，中國宋代八大名瓷之一，漢族傳統名瓷，為宋朝皇室御用茶具。建盞中，油滴建盞是其次珍貴的一類，屬第二重寶。宋代流傳下來的油滴十分少見，完整的更是少之又少，極品的油滴在日本，國內完整的不多見。僅存於世的四件曜變建盞與南宋油滴天目碗被收藏於日本博物館；油滴天目碗與三件曜變建盞被評為國寶級文物。

Provenance: An old collection from a Japanese collector

來源：日本藏家舊藏

木盒 WOODEN BOX

Remark：Original Japanese Wooden Box

建窯「油滴天目」茶盞

208

6839 南宋 A JIAN ‘OIL-SPOT’ CONICAL BOWL SOUTHERN SONG (1127-1279)

銅爵杯

6840 清 A BRONZE VESSEL, JUE QING DYNASTY (1644-1911)

HK$ 30,000 RMB 24,000 長 11.6 cm (4 5/8 in)

銅錯銀爵杯

6841 清 A SILVER-INLAID BRONZE VESSEL, JUE QING DYNASTY (1644-1911) ‘YU TANG SHI SOU’ MARK

HK$ 20,000 RMB 16,000 長 11.2 cm (4 3/8 in) 款識：「玉堂石叟」款

款 MARK

210

HK$ 45,000 RMB 36,000

款 MARK

銅點金獸耳瓶 6842 清 A GILT-DECORATED BRONZE BEAST HANDLED VASE QING DYNASTY (1644-1911) ‘DA MING XUAN DE NIAN ZHI’ MARK

高 21 cm (8 1/4 in) 款識：「大明宣德年製」款

此瓶精選黃銅為材，蠟模製作，表面鑄造饕餮紋獸面紋。造型高大挺拔，營造出豐富的裝飾空間。直頸束口，長頸兩側設

對稱天雞耳，肩部貼有弦紋，圈足外撇，樣式莊重氣派。器身色澤紅褐，暗透黃銅之色，寶光熠熠，氣韻高雅。通體採用

點金工藝，金鑠為泥，經數次塗抹，火燒而成，所費不貲。點金紋飾似漫天繁星，璀璨生輝，又如彌天雪花，漫捲風雲，

使得瓶身於沉靜內斂中添增張揚之氣與瑰麗之美。整器口大肚小，通過附耳、弦紋、鋪首等裝飾的調節最終達到重心的平穩，再加以金片的大肆渲染，呈現出一種貴氣逼人的視覺衝擊力。

青銅錯金銀「蟬」紋瓶銅獸耳方瓶

212

6843 明 A GOLD AND SILVER INLAID-BRONZE ‘ZICADA’ SCROLL BOTTLE MING DYNASTY (1368-1644)

6844 清 A BRONZE BEAST HANDLED SQUARE BOTTLE QING DYNASTY (1644-1911)

HK$ 5,000 RMB 4,000 高 7.2 cm (2 7/8 in)

HK$ 5,000 RMB 4,000 高 12.2 cm (4 3/4 in)

HK$ 30,000 RMB 24,000 長 18.5 cm (7 1/4 in)

HK$ 20,000 RMB 16,000 長 16.5 cm (6 1/2 in)

「靜觀」銅仿山石文房擺件

6846 明 A BRONZE LANSCAPE STATIONERY ORNAMENT MING DYNASTY (1368-1644)

銅錯金銀「瑞獸」紋花觚

該器仿商周青銅器，器形古雅而雋逸，花觚喇叭口，細頸，近底漸外撇，淺圈足。

銅質，花觚。外頸，及底足之上嵌兩道連續回紋，腹部則為嵌錦地紋和波浪紋飾作底襯，

錯金銀刻畫出二猛獸，一隻翱翔於天，一隻匍匐於地，神態惟妙惟肖，生動可愛。工藝

製作複雜，紋飾紛繁豐富，造型經典古樸，包漿厚澤自然。

6845 清 A GOLD AND SILVER-INLAID BRONZE ‘MYTHICAL BEAST’ VASE, HUAGU QING DYNASTY (1644-1911)

銅錯銀罍

6847 明 A SILVER INLAID-BRONZE VASE, LEI MING DYNASTY (1368-1644)

HK$ 30,000 RMB 24,000

直徑 11.5 cm (4 1/2 in) 高 10.6 cm (4 1/8 in)

底面 Bottom

214

HK$ 40,000 RMB 32,000 高 24.4 cm (9 5/8 in)

銅錯金銀花觚

6848 清 A GOLD INLAID-BRONZE HONEYSUCKLE VASE QING DYNASTY (1644-1911)

該器黃銅、蠟模製作。喇叭形撇口，束頸處雙龍做耳，下方凸雕弦紋，肩上飾獸面

輔首，銜環，腹部錯金銀饕餮紋，圈足外撇。該器造型古樸典雅，金光閃閃，璀璨

生輝，紋飾清晰，寓意吉祥，是一件上佳的文房仿古陳設器。

器作龜形，以精銅為材，以失蠟法提純熔鑄而成，作伏身昂首觀望狀。其龜首闊口，高

額蠶目，長眉兩分，短頸壯身，四肢粗短健壯，腋下生有貼身雙翼，體表以陰刻手法鏨

長 11.3 cm (4 1/2 in)

刻有口足、翅羽線條，線條柔美，體內中空，背部設有小孔以注水。造型猶如龍之九子

HK$ 28,000 RMB 22,400

之贔屭，又名霸下，樣子似龜，喜歡負重。此件水丞造型奇絕，或因多次冶煉提純，其

像長 10.2 cm (4 in)

上手沉重，頗具分量。尤體表包漿濃鬱，呈相熟舊，盡顯蒼穆氣韻。具有明代典型造型

銅「一路連科」水盂

6850 清 A BRONZE ‘LOTUS LEAVES AND BIRDS’ WATER POT QING DYNASTY (1644-1911)

HK$ 35,000 RMB 28,000

工藝特徵。

銅錯金銀「龜」形水盂

216

6849 明 A GOLD AND SILVER INLAID-BRONZE WATER POT IN TURTLE SHAPE MING DYNASTY (1368-1644)

HK$ 80,000 RMB 64,000 最大 : 長 7.4 cm (2 7/8 in)

此對獅鎮，大獅趴伏狀。造型健碩有力。圓頭闊口，高額凸目。四肢肌

腱律動，細部毛髪飄逸，神采奕奕。小獅攀附大獅身上，活潑可愛。此

大小獅子題材為「太師少師」寓意，雕匠將百獸之王獅子的威武神態，

刻畫到位，形象鮮活，動態十足，極盡王者風範。

銅雕「太獅少獅」紙鎮一對

6851 明 A PAIR OF BRONZE CARVED ‘LION AND CUB’ PAPER WEIGHTS MING DYNASTY (1368-1644)

銅佛

6852 十世紀 A BRONZE BUDDHIST FIGURE 10TH CENTURY NORTHEAST INDIAN PALA STYLE

HK$ 30,000 RMB 24,000 高 9.9 cm (3 7/8 in) 東北印度帕拉風格

銅佛

6853 十世紀 A BRONZE BUDDHIST FIGURE 10TH CENTURY NORTHEAST INDIAN PALA STYLE

HK$ 20,000 RMB 16,000 高 6 cm (2 3/8 in) 東北印度帕拉風格

218

世 3 紀，印度阿育王曾派遣須那、鬱多

世紀以後，大乘佛教及密教才開始傳入。此尊為 10

與嘴唇教其他地區造像寬厚許多，南亞人種面部特徵明顯，上身赤裸，帶項鍊，下身著

典型的緬甸境內流傳的佛教造像，結高髮髻，呈塔狀，頭戴寬簷僧帽，面部圓潤，鼻子

最初傳入緬甸的是上座部佛教，西元

有關緬甸的宗教，首先傳入的是印度的婆羅門教，稍後佛教由孟加拉、奧立沙等地傳入。

道時，最初佈施食物的兩位商人，相傳是緬甸人；又盛傳佛陀曾親臨上緬甸的蒲甘布教。

少緬甸人一再強調，說五世紀中葉的注釋家佛音，就是出身「打端」的。此外，佛陀成

羅二人到金地國傳教；有人認為，「金地國」就是現在下緬甸的「打端」一帶；更有不

接連泰國、老撾。據《錫蘭島史》記載，西元前

緬甸位於中南半島西部，東北與我國西藏、雲南接壤，西邊與印度、孟加拉為鄰，東面

高 11.9 cm (4 5/8 in)

裙緊貼身體，身形健美，包漿厚重，應為緬甸十世紀中葉重要作品。

高 8.1 cm (3 1/4 in)

銅佛 HK$ 30,000 RMB 24,000 6855 那爛陀十二世紀 A BRONZE BUDDHIST FIGURE NALANDA, 12TH CENTURY

銅佛 HK$ 30,000 RMB 24,000

6854 吳哥九 - 十世紀 A BRONZE BUDDHIST FIGURE ANGKOR, 9TH-10TH CENTURY

BLUE FABRIC BOX

HK$ 50,000 RMB 40,000 像高 12.6 cm (5 in)

紅銅那若空行母

空行母是藏傳佛教中重要護法神，最具智慧與力量的女性修行者。空行母有多種形象，如金剛亥母、獅面空行母等。此尊造像是空行母形象中的那

若卡居空行母，她是古印度大成就者那若巴傳承的一位專屬空行母，也是噶舉派、薩迦派及格魯派共修的女性本尊。佛教認為，常修持此像，則可

以延年益壽、增長財物。此尊造像頭戴五骷髏冠，慧眼圓睜，呈寂忿相。袒胸露腹，豐乳細腰，肌肉質感塑造準確。左臂曲肘上揚，手托嘎巴拉碗，

右手持鉞刀，單腿著地，呈舞蹈姿態，整像軀體造型準確，體態優美，肌肉豐滿，動感強烈，充分表現了空行母降妖伏魔的威猛氣勢。

220

6856 西藏十六世紀 A COPPER FIGURE OF VAJRAYOGINI TIBET, 16TH CENTURY

PALA STYLE

HK$ 70,000 RMB 56,000 高 13.2 cm (5 1/4 in) 帕拉風格

銅文殊菩薩

6857 十二世紀 A BRONZE MANJUSRI BODHISATTVA 12TH CENTURY

銅鑲銀錯紅銅金剛亥母銅金剛亥母及銅婆娑佛

222

6858 十五世紀 A SILVER AND COPPER-INLAID BRONZE FIGURE OF VAJRAVARAHI 15TH CENTURY

6859 明 A BRONZE FIGURE OF VAJRAVARAHI AND A BRONZE BUDDHIST FIGURE MING DYNASTY (1368-1644)

HK$ 50,000 RMB 40,000 高 18.1 cm (7 1/8 in)

HK$ 30,000 RMB 24,000 最大 : 長 6.9 cm (2 3/4 in)

HK$ 50,000 RMB 40,000 長 10.8 cm (4 1/4 in)

HK$ 13,000 RMB 10,400 像高 16.5 cm (6 1/2 in)

銅太陽神雕像

6861 十八世紀 A BRONZE FIGURE OF HELIOS 18TH CENTURY

銅舉劍文殊菩薩

6860 喀什米爾八世紀 A BRONZE MANJUSRI FIGURE KASHMIR, 8TH CENTURY

SHOLDO PALGANG STYLE IMPERIAL STYLE

HK$ 100,000 RMB 80,000

銅不動明王

所謂不動明王，「不動」是指慈悲心堅固，無可撼動；「明」，為智慧之光；「王」，是駕馭一切現象者。依密教三輪身的分別，不動明王為一切

諸佛的教令輪身，故又稱諸明王之王，是五大明王的本尊。此尊一面二臂，頭戴花冠，怒目圓睜，現忿怒相，表示驅魔斬鬼無往不前。胸腹袒露，

360 度立體圖

佩戴瓔珞釧環。右手高舉著降魔寶劍，左手持索子，象徵著降伏、愛敬、鉤召等意思，右腿弓，左腿屈膝著地，弓姿於蓮臺上。整體造像動感十足，

掃一掃

栩栩如生，面部及手腳刻劃細膩，允分展現了「雪堆白」工藝的力度與美的完美結合。佛經中說修持此尊法，可斷除煩惱所生的一切障礙，施一切欲求所願，順利修成佛果。

224

6862 西藏十七世紀 A BRONZE FIGURE OF ACALA TIBET, 17TH CENTURY

高 15.8 cm (6 1/4 in) 雪堆白風格宮廷風格

KASHMIR STYLE

HK$ 120,000 RMB 96,000 高 14.5 cm (5 3/4 in) 克什米爾風格

合金鋼坐佛

6863 元 AN ALLOY STEEL SITTING BUDDHA YUAN DYNASTY (1279-1368)

此碗直口，深腹，直圈足，造型考究，制器有度，典雅秀美。通體以龍紋為飾，外壁口沿周飾連續花卉紋，足牆飾忍冬卷草紋，腹部鏨刻龍紋裝飾，孔武有力，纏枝宛轉勾連，姿態曼妙，卷葉濃淡有致，生機盎然。內壁光素。佈局嚴謹，構圖有度，疏密有致，番蓮舒展之妍美，躍然於其上，格調清新優雅。日，編號 14

款 MARK

月 5

銅局部鎏金花插

高 10.6 cm (4 1/8 in) 款識：「胡文明製」款

年 2014

HK$ 25,000 RMB 20,000 ‘HU WEN MING ZHI’ MARK

。類似紋飾可參考故宮博物館之例，明永樂青花纏枝蓮紋碗，與本品之造形、主題 262

6865 清 A PARTIAL GILT-BRONZE VASE QING DYNASTY (1644-1911)

局部 DETAILS

參見一近例，明局部鎏金銅庭院人物紋碗，售於倫敦蘇富比，

直徑 10.7 cm (4 1/4 in) 款識：「同治年製」款

均相似，可作參考。碗底陰刻同治年制款，可知其年代。

HK$ 65,000 RMB 52,000

銅鎏金「龍」紋碗

226

6864 清同治 A BRONZE ‘DRAGON’ SCROLL BOWL TONGZHI FOUR-CHARACTER MARK AND OF THE PERIOD (1862-1874)

款 MARK

HK$ 65,000 RMB 52,000 總高 18.3 cm (7 1/4 in)

銅鎏金執壺

6866 清乾隆 A GILT-BRONZE TEAPOT QING DYNASTY, QIANLONG PERIOD (1736-1795)

銅「龍」形筆架

6867 清乾隆 A BRONZE ‘DRAGON’ SHAPE PENHOLDER QING DYNASTY, QIANLONG PERIOD (1736-1795)

HK$ 45,000 RMB 36,000 像長 23.2 cm (9 1/8 in)

銅胎掐絲琺瑯「海馬」紋折沿洗

6868 明 A CLOISONNE ENAMEL BRONZE ‘SEA-HORSE’ PATTERN WASHER MING DYNASTY (1368-1644)

HK$ 25,000 RMB 20,000 直徑 31.8 cm (12 1/2 in)

來源：北京保利 2017 年 11 月 5 日，編號 2286 Provenance: Beijing Poly, 5th November 2017, lot 2286

局部 DETAILS

228

HK$ 75,000 RMB 60,000 長 7.6 cm (3 in) 款識：「乾隆年製」款

兩面 TWO VIEWS

款 MARK

銅鎏金開光雕「雲龍」紋蓋盒

6869 清乾隆 A GILT-BRONZE ‘DRAGON AND CLOUD’ SCROLL BOX AND COVER QIANLONG FOUR-CHARACTER MARK AND OF THE PERIOD (1736-1795)

銅胎掐絲琺瑯香爐 230

6870 清中期 A CLOISONNE ENAMEL CENSER MID-QING DYNASTY

HK$ 70,000 RMB 56,000 長 14.6 cm (5 3/4 in)

兩面 TWO VIEWS

銅胎掐絲琺瑯象足花盆 HK$ 80,000 RMB 64,000

6871 清 A CLOISONNE ENAMEL FLOWER POT QING DYNASTY (1644-1911)

總高 15.1 cm (6 in)

器型高大，六方形，直口，束頸，瓔珞紋象首四足，足底象鼻端撇卷，宛如猛獸張口銜之。採用景泰藍工藝，通體以藍色琺瑯為地，上

下均飾以纏枝拐子龍紋，其中飾寶相花紋。釉料濃厚，色彩鮮豔，線條流暢，上飾深藍、深紅、綠、白、黃等彩掐絲琺瑯紋飾，鈕、口、

象足均鍍金渾厚亮麗，富麗堂皇，工藝精細。本器造型偉岸，鎏金鏨花寶珠鈕和鎏金飛龍耳尤見皇家氣派，乃為宮廷殿堂陳設之重器。

景泰藍，又名「銅胎掐絲琺瑯」，景泰藍以紫銅作坯，製成各種造型，再用金線或銅絲掐成各種花，中充琺瑯釉，經燒制、磨光、鍍金

等工序製成。這種工藝創始於明代景泰年間，造型特異，製作精美，圖案莊重，色彩富麗，金碧輝煌，至清代的景泰藍工藝更加成熟，胎薄，掐絲細，彩釉也比明代要鮮豔，花紋圖案繁複多樣，金色絢爛，尤以乾隆時期製作最為華美。

銅胎畫琺瑯手爐

6872 清乾隆 A PAINTED ENAMEL HAND WARMER QIANLONG FOUR-CHARACTER MARK AND OF THE PERIOD (1736-1795)

HK$ 70,000 RMB 56,000 長 8.3 cm (3 1/4 in) 款識：「乾隆年製」款

款 MARK

232

HK$ 80,000 RMB 64,000 總高 19.4 cm (7 5/8 in)

兩面 TWO VIEWS

銅胎掐絲琺瑯鑲銀螺鈿印盒

6873 清中期 A CLOISONNE ENAMEL SILVER-MOUNTED SEAL CASE MID-QING DYNASTY

銅鎏金虎、狼、太陽鳥一套三件銅「山羊首」磨刀石

234

6874 遼 A SET OF THREE GILT-BRONZE ANIMALS LIAO DYNASTY (907-1125)

6875 春秋 A BRONZE ‘RAM’ SHARPENING STONE SPRING AND AUTUMN PERIOD (770-476 BC)

HK$ 30,000 RMB 24,000 最大 : 長 3.9 cm (1 1/2 in)

GRASSLAND CULTURE

HK$ 18,000 RMB 14,400 長 25 cm (9 7/8 in) 草原文化

HK$ 30,000 RMB 24,000

銅大雁

6876 遼 A BRONZE ANSER LIAO DYNASTY (907-1125)

長 12.4 cm (4 7/8 in)

HK$ 30,000 RMB 24,000 高 13.7 cm (5 3/8 in)

銅貫耳瓶

6877 宋 A BRONZE ARROW-HANDLED VASE SONG DYNASTY (960-1279)

銅犀牛鎮

6878 晉 A BRONZE RHINO PAPER WEIGHT JIN DYNASTY (265-420)

HK$ 40,000 RMB 32,000 長 11.5 cm (4 1/2 in)

銅鎏金「虎」形權杖首

236

6879 漢 A GILT-BRONZE ‘TIGER’ FORM SCEPTER ORNAMENT HAN DYNASTY (206 BC-AD 220)

HK$ 35,000 RMB 28,000 高 9.1 cm (3 5/8 in)

最大 : 長 8.2 cm (3 1/4 in)

切相關，床、榻、枰是漢代主要用於坐、臥的家俱，床、榻等家俱及室內地面就坐之處皆鋪席，鋪席後為避免起身落座時折卷席角，便需在其四隅置鎮。此一對席鎮為青銅而制，造型為猛虎虎昂首回望，二虎雙眼圓瞪，虎口大開，尾巴收卷。刻畫的傳神逼真。二虎一左一右，可對圓放置，尤為難得。江蘇盱眙大雲山漢墓及甘肅天水漢墓皆出有相似之器。

銅瑞獸席鎮 6881 六朝 A BRONZE MYTHICAL BEAST MAT WEIGHT SIX DYNASTIES (220-589)

HK$ 12,000 RMB 9,600 長 8.8 cm (3 1/2 in)

銅「虎」席鎮一對 HK$ 35,000 RMB 28,000

《廣雅·釋詁》記：「鎮，重也。」鎮的出現和使用與先秦兩漢時期古人的生活方式密

6880 漢 A PAIR OF BRONZE ‘TIGER’ MAT WEIGHTS HAN DYNASTY (206 BC-AD 220)

銅圓雕獅子一組三件銅虎飾一套兩件

238

6882 戰國 A GROUP OF THREE BRONZE FREE-STANDING LION FIGURES WARRING STATES PERIOD (475-221 BC)

6883 春秋 A SET OF TWO BRONZE TIGER ORNAMENTS SPRING AND AUTUMN PERIOD (770-476 BC)

HK$ 30,000 RMB 24,000 最大 : 長 3 cm (1 1/8 in)

HK$ 20,000 RMB 16,000 最大 : 長 4.5 cm (1 3/4 in)

HK$ 20,000 RMB 16,000 最大 : 長 8.6 cm (3 3/8 in)

HK$ 4,000 RMB 3,200 長 10.5 cm (4 1/8 in)

銅鎏金老虎佩飾

6885 西漢 A GILT-BRONZE TIGER ORNAMENT WESTERN HAN (206 BC-AD 8)

銅輔首一對

6884 戰國 A PAIR OF BRONZE DOOR HANDLES WARRING STATES PERIOD (475-221 BC)

銅人物一套四個

6886 遼 A SET OF FOUR BRONZE FIGURES LIAO DYNASTY (907-1125)

銅「天下太平」宮錢

6887 清 A BRONZE PALACE COIN QING DYNASTY (1644-1911)

HK$ 5,000 RMB 4,000 最大 : 長 5.3 cm (2 1/8 in)

HK$ 8,000 RMB 6,400

直徑 6.5 cm (2 1/2 in) 厚 0.4 cm (1/8 in)

兩面 TWO VIEWS

240

HK$ 15,000 RMB 12,000 長 5.4 cm (2 1/8 in)

HK$ 12,000 RMB 9,600 長 4.8 cm (1 7/8 in)

銅持扇童子

6889 遼 A BRONZE FIGURE OF A BOY HOLDING A FAN LIAO DYNASTY (907-1125)

銅戲繡球童子

6888 遼 A BRONZE FIGURE OF A BOY PLAYING AN EMBROIDERED BALL LIAO DYNASTY (907-1125)

重要通告 IMPORTANT NOTICE

萬昌斯在受委託拍賣品中的權益萬昌斯或不時提供萬昌斯旗下公司全部或部分擁有之拍賣品。該等拍賣品在目錄中於拍賣編號旁註有Δ號以資識別。萬昌斯有時在受委託出售的拍賣品中持有直接的財政權益 , 即可能包括保證最低出售價或以受委託拍賣品作抵押向委託人預付金額 , 該等拍賣品在目錄中於拍賣編號旁註有 ° 號以資識別。此記號代表萬昌斯在拍賣中直接持有財政權益 , 或透過第三方為全部或部分財政權益融資。第三方通常會於指定拍賣品成功出售後獲得利益 , 如未能成功售出則或蒙受損失。第三方融資的形式可能是該第三方提出不可收回的投標。如萬昌斯在目錄中每一項拍賣品中均持有擁有權或財政權益 , 萬昌斯將不會於每一項拍賣品旁附註符號 , 但會於目錄正文首頁聲明其權益。本目錄內拍賣品編號註有 ◆ 之拍賣品 , 萬昌斯對其底價之保證已經由第三方全數承擔。所有拍品量度皆為約數狀況報告萬昌斯目錄只會在多件型作品 ( 例如印刷品、書本及酒類 ) 的描述中提及狀況事宜。至於其他所有拍賣品 , 除列明改造或替換部分外 , 均無其他狀況聲明。如欲索取某拍賣品的狀況報告 , 請與專家聯絡。狀況報告乃萬昌斯向有興趣客戶提供的一項服務。準買家應注意每項拍賣品均以現狀出售 , 拍賣品的描述並不是對拍賣品的保證。有關含有瀕臨絕種及其他受保護動物物料的拍賣品由瀕臨絕種及其他受保護野生動植物製造或組成 ( 不論分比率 ) 的拍賣品在本目錄中註有 (~) 號 , 以供識別。這些物料包括但不限於象牙、玳瑁殼、鱷魚皮、犀牛角、鯨骨、某些珊瑚品種及巴西玫瑰木。準買家應留意多個國家完全禁止含有這類物料的物品進口 , 而其他國家則規定須向出口及入口國家的有關管理機構取許可證 ( 例如 CITES 許可證 )。因此 , 若客戶有意將含有野生動植物料的任何物品入口至其他國家 , 客戶應於競投該等物品之前了解有關海關法例和規定。例如 , 美國一般都禁止包含其指定為瀕臨絕種動物或其他受威脅動物而歷史少於一百年的物件入口。買家須負責確定任何適用於含有臨種動物及其他受保護野生動植物物料的物品出入口的法例或規定 , 並滿足有關要求。含有臨種動物或其他受保護野生動植物物料的物品無法出入口 , 並不構成客戶撤銷或撤回買賣合約。請留意 , 萬昌斯通常會為了方便客戶而在含有可能受管制野生動植物物料的拍賣品上附加標記 , 但附加標記時如有任何錯漏或遺漏 , 萬昌斯恕不承擔任何責任。本目錄採用之貨幣兌換率港幣 100 元 = 人民幣 80 元我們可依此兌換率將港元價格轉換成人民幣並於目錄中顯示 , 這僅為方便我們的客戶而不具有任何約束力。本目錄中標示的貨幣兌換率是根據目錄付印時的兌換率設定 , 可能與拍賣當日兌換率有差別。競投者請注意 , 所有貨品的估價均是多月前擬定 , 並非最終價值 , 並有可能被更改。目錄編列方法之說明 ( 一 ). 編入目錄中之作品註明某時期、統治時期或朝代之名稱而沒有其他保留意見 , 即是以萬昌斯有保留之意見無條件地認為 , 該作品於所註明之時期、統治時期或朝代或其後之短時間內創作 ( 例如 :「清朝玉掛件」)。 ( 二 ). 作品註明屬某時期、統治時期或朝代「之風格」, 以萬昌斯有保留之意見認為 , 該作品大概乃在所述時期、統治時期或朝代內製成之複製品或仿製品 ( 例如 :「宋朝風格花瓶」)。 ( 三 ). 作品註有「印鑑及該時期」, 以萬昌斯有保留之意見認為 , 該作品乃印鑑所示之時期之作品 ( 例如 :「乾隆六字印及該時期作品」)。 ( 四 ). 只有印鑑而沒有註明「該時期」之作品 , 以萬昌斯有保留之意見認為 , 雖然該作品附有印鑑 , 但可能非該印鑑時期之作品 ( 例如 :「乾隆六字印」)。 ( 五 ). 沒有註明日期、時期、統治時期或印鑑之作品 , 以萬昌斯有保留之意見認為 , 該作品之創作日期不詳 , 或屬於十九或二十世紀之作。

本條款如有任何詮釋上的問題 , 一概以中文版本為準。

242

MARCHANCE INTEREST IN PROPERTY CONSIGNED FOR AUCTION From time to time Marchance may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol Δ next to the lot number. On occasion, Marchance has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue by the symbol ° next to the lot number. This symbol will be used both in cases where Marchance holds the financial interest on its own, and in cases where Marchance has financed all or a part of such interties through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully. The financing offered by a third party may be in the form of an irrevocable bid provided by that third party. Where Marchance has an ownership or financial interest in every lot in the catalogue, Marchance will not designate each lot with a symbol, but will state its interest at the front of the catalogue. In this catalogue, if property has ♦ next to the lot number, Marchance guarantee of a minimum price has been fully financed through third parties. ALL DIMENSIONS OF AUCTION ITEMS ARE APPROXIMATE CONDITION REPORTS Marchance catalogues include references to condition only in descriptions of multiple works (such as prints, books and wine). For all other property, no statement of condition is made and only alterations or replacement components are listed. Please contact the Specialist Department for a condition report on a particular lot. Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. PROPERTY INCORPORATING MATERIALS FROM ENDANGERED AND OTHER PROTECTED SPECIES Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol (~) in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarize themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. For example, the U.S. generally prohibits the importation of articles containing species that it has designated as endangered or threatened if those articles are less than 100 years old. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or setting aside the contract of sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Marchance does not accept liability for errors or for failing to mark lots containing protected or regulated species. CATALOGUE EXCHANGE RATE HKD 100 = RMB 80 We may convert and display in our catalogues the HKD prices in RMB using this exchange rate. Please note this is for the convenience of our clients only and is not binding in any way. The exchange rate was established at the latest practical date prior to the printing of the catalogue and may therefore have changed by the time of the sale. Bidders should bear in mind that estimate are prepared well in advance of the sale and are not definitive. They are subject to revision. EXPLANATION OF CATALOGUING PRACTICE The following expressions with their accompanying explanations are used by Marchance as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration. 1. 2. 3. 4. 5.

A piece catalogued with the name of the period, reign or dynasty without further qualification was, in our qualified opinion, made during or shortly after that period, reign or dynasty (e.g., “a Qing Jade Pendant”). A piece catalogued “in the style of” a period, reign or dynasty is, in our qualified opinion, quite possibly a copy or imitation of pieces made during the named period, reign or dynasty (e.g. “a vase in Song style”). A reference to a “mark and of the period” means that, in our qualified opinion, the piece is of the period of the mark (e.g. “Qianlong six-character mark and of the period”). A reference to a mark without reference to “and of the period” means that, in our qualified opinion, although bearing the mark, the pieces were possibly not made in the period of the mark (e.g. “Qianlong six-character mark”). Where no date, period, reign or mark is mentioned, the lot is, in our qualified opinion, of uncertain date or 19th or 20th century manufacture.

The above English version is for reference only. Should there be any discrepancy between the English and Chinese versions, the Chinese version shall prevail.

中國歷代年表新石器時代興隆洼文化河姆渡文化仰韶文化馬家浜－崧澤文化大汶口文化紅山文化小珠山文化大溪文化良渚文化馬家窰文化薛家崗文化石峽文化卡若文化屈家岭文化陶寺文化石家河文化山東龍山文化陝北龍山文化齊家文化曲貢文化卑南文化夏商周西周東周春秋戰國秦漢西漢新王莽東漢六朝三國魏蜀漢吳晉南朝北朝北魏東魏西魏北齊北周隋唐五代遼宋北宋南宋金元明洪武建文永樂洪熙宣德正統景泰天順成化弘治正德嘉靖隆慶萬曆泰昌天啟崇禎清順治康熙雍正乾隆嘉慶道光咸豐同治光緒宣統中華民國洪憲中國人民共和國

CHRONOLOGY OF CHINA

NEOLITHIC PERIOD Xinglongwa Culture Hemudu Culture Yangshao Culture Majiabang - Songze Culture Dawenkou Culture Hongshan Culture Xiaozhushan Culture Daxi Culture Liangzhu Culture Majiayao Culture Xuejiagang Culture Shixia Culture Karuo Culture Qujialing Culture Taosi Culture Shijiahe Culture Shandong Longshan Culture Shanbei Longshan Culture Qijia Culture Qugong Culture Beinan Culture XIA DYNASTY SHANG DYNASTY ZHOU DYNASTY WESTERN ZHOU EASTERN ZHOU SPRING AND AUTUMN PERIOD WARRING STATES PERIOD QIN DYNASTY HAN DYNASTY WESTERN HAN XIN WANG MANG INTERREGNUM EASTERN HAN SIX DYNASTY THREE KINGDOMS WEI SHU HAN WU JIN DYNASTY SOUTHERN DYNASTIES NORTHERN DYNASTIES NORTHERN WEI EASTERN WEI WESTERN WEI NORTHERN QI NORTHERN ZHOU SUI DYNASTY TANG DYNASTY FIVE DYNASTIES LIAO DYNASTY SONG DYNASTY NORTHERN SONG SOUTHERN SONG JIN DYNASTY YUAN DYNASTY MING DYNASTY HONGWU JIANWEN YONGLE HONGXI XUANDE ZHENGTONG JINGTAI TIANSHUN CHENGHUA HONGZHI ZHENGDE IAJING LONGQING WANLI TAICHANG TIANQI CHONGZHEN QING DYNASTY SHUNZHI KANGXI YONGZHENG QIANLONG JIAQING DAOGUANG XIANFENG TONGZHI GUANGXU XUANGTONG REPUBLIC OF CHINA HONGXIAN (YUAN SHIKAI) PEOPLE'S REPUBLIC OF CHINA

CIRCA 6000-1000 BC CIRCA 6000-5000 BC CIRCA 5300-5000 BC CIRCA 4800-2700 BC CIRCA 4300-3200 BC CIRCA 4300-2500 BC CIRCA 4000-3000 BC CIRCA 4000-3000 BC CIRCA 3900-4600 BC CIRCA 3300-2200 BC CIRCA 3100-2000 BC CIRCA 3000 BC CIRCA 3000-2000 BC CIRCA 3000-2000 BC CIRCA 2900-2600 BC CIRCA 2600-2000 BC CIRCA 2500-2200 BC CIRCA 2500-2000 BC CIRCA 2500-2000 BC CIRCA 2100-1600 BC CIRCA 1700-1500 BC CIRCA 1400-8000 BC CIRCA 2100-1600 BC CIRCA 1600-1100 BC CIRCA 1100-256 BC CIRCA 1100-771 BC 770-256 BC 770-476 BC 475-221 BC 221-206 BC 206 BC-AD 220 206 BC-AD 8 9-23 25-220 220-589 220-265 220-265 221-263 220-263 265-420 420-589 386-581 386-534 534-550 535-556 550-577 557-581 581-618 618-907 907-960 907-1125 960-1279 960-1127 1127-1279 1115-1234 1279-1368 1368-1644 1368-1398 1399-1402 1403-1425 1425 1426-1435 1436-1449 1450-1456 1457-1464 1465-1487 1488-1505 1506-1521 1522-1566 1567-1572 1573-1619 1620 1621-1627 1628-1644 1644-1911 1644-1661 1662-1722 1723-1735 1736-1795 1796-1820 1821-1850 1851-1861 1862-1874 1875-1908 1908-1911 1912-1949 1915-1916 1949-

業務規則第一部份總則第一條規則制定本規則是依據中華人民共和國香港特別行政區相關的法律、法規、條例及本公司章程，並參照國際通行慣例制定。凡參加本公司組織的拍賣活動的當事人各方，包括賣家、競投人、買家和其他相關各方 ( 包括但不限於賣家、競投人、買家或買家的代理人 )，均應視為完全接受本規則條款的約定，受本規則約束，在本公司組織的拍賣活動中遵守本規則的規定，享有本規則規定的權利，承擔本規則規定的義務。如書面協定與本規則不一致的部分，以書面協定為準。在本公司組織的拍賣活動中參與競投的競投人，無論是自己親自出席或者由代理人出席競投，無論是以在拍賣活動中舉牌競投，還是以委託競投、電話或任何其他方式競投，均被視為完全接受本規則。參加本公司組織的拍賣活動的當事人各方之間發生的各種爭議，均應按照本規則的約定加以解決。第二條聲明 (1) 除另有約定外本公司一般擔任賣家的代理人。拍賣品之成交合約則為賣家與買家之間的合約。本規則、載於圖錄或由拍賣官不時公佈或於拍賣會場以通告形式提供之所有其他條款、條件及通知均構成賣家、買家及 / 或本公司作為拍賣代理之協定條款。 (2) 本公司可以通過在拍賣會場張貼公告或者通過拍賣官在拍賣會上宣佈的方式對本規則進行修改。 (3) 凡參加本公司拍賣活動的競投人和買家應仔細閱讀並遵守本規則。競投人及 / 或買家應特別仔細閱讀本規則所載之本公司之責任及限制、免責條款。競投人及 / 或其代理人有責任親自審看拍賣品原物，並對自己競投拍賣品的行為承擔法律責任。 (4) 在本公司舉辦的拍賣活動中，競投人的應價經拍賣官落槌或者以其他公開表示買定的方式確認時，即表明關於拍賣品的買賣合同關係已合法生效，該競投人即成為該拍賣品的買家。本公司、賣家及買家應承認拍賣品已出售、成交的事實，並享有法律規定及本規則約定的權利，承擔法律規定和本規則約定的義務。 ( 任何一方不履行義務均應承擔相應的法律責任。) (5) 本公司作為賣家的代理人，對賣家或買家的任何違約行為不承擔責任。在賣家或買家出現違反本業務規則的情況下，本公司有權根據自己的絕對酌情權決定向賣家或買家披露另一方的名稱和地址，使受到損害的一方得以通過法律訴訟或其他方法獲得損害賠償。但是，本公司在向賣家或買家披露該等資料之前，將採取合理步驟通知將被披露資料的一方。 (6) 在拍賣現場出現異常或不可預見的情況下，本公司有權做出緊急處理。如拍賣現場出現任何爭議，本公司有權協調解決。第三條名詞解釋本業務規則中，下列詞彙具有以下含義： (1) “本公司”指萬昌斯拍賣行有限公司； (2) “拍賣日”指在某次拍賣活動中，本公司公布的正式開始進行拍賣交易之日。若公佈的開始日期與開始拍賣活動實際日期不一致，則以拍賣活動實際開始之日為準； (3) “拍賣官”指本公司指定主持某場拍賣的人員； (4) “競投人”指參加本公司的拍賣活動，憑身份證或護照登記並辦理了必要手續，取得合法競投權的個人或組織。本規則中，除非另有說明或根據文義特殊需要，競投人均包括競投人的代理人； (5) “買家”指拍賣官所接納之最高競投價或要約之競投人包括以代理人身份競投之人士之委託人； (6) “賣家”指委託本公司拍賣物品的物主或物主之代理人或保管該物品之個人或組織，本規則中除非另有說明或根據文義特殊需要，賣家均包括賣家的代理人 ( 不包括本公司 )、遺囑執行人或遺產代理人； (7) “拍賣品”指賣家委託本公司進行拍賣及於拍賣會上被拍賣的物品，尤其指任何圖錄內編有任何編號而加以說明的物品； (8) “估價”指在拍賣品圖錄或其他介紹說明文字之後標明的拍賣品估計售價，不包括買家須支付之佣金； (9) “底價”指賣家提出並與本公司協定後書面確定的且不公開之拍賣品之最低售價； (10) “落槌價”指拍賣官落槌決定將拍賣品售予買家的價格，或若為拍賣會後交易，則為協定出售價； (11) “出售所得款項淨額”指支付賣家的款項淨額，該淨額為落槌價減去按比率計算的佣金、各項費用及賣家應支付本公司的其他款項後的餘額； (12) “買家須支付之佣金”指買家根據本規則所載費率按落槌價須向本公司支付之佣金； (13) “購買價款”指買家因購買拍賣品而應支付的包括落槌價、全部佣金。應由買家支付的其他各項費用以及因買家不履行義務而應當支付的所有費用在內的總和； (14) “買家負責的各項費用”指與本公司出售拍賣品相關的支出和費用，包括但不限於本公司對拍賣品購買保險、包裝、運輸、儲存、保管、買家額外要求的有關任何拍賣品之測試、調查、查詢或鑒定之費用或向違約買家追討之開支、法律費用等； (15) “儲存費”指買家按本規則規定應向本公司支付的儲存費用。

第二部份關於競投人及買家的條款第四條競投人及買家 (1) 除非在拍賣日前，本公司以書面認可某競投人是表明身份的某買家代理，否則競投人應被視為買家本人。本公司只會向競投人收取款項。 (2) 競投人為個人的應在拍賣日前憑政府發出附有照片的有效身份證或護照辦理登記手續，並提供現時住址證明 ( 如公用事業賬單或銀行月結單 )，否則不視為正式競投人。 (3) 競投人為公司或者其他組織的，應在拍賣日前憑有效的註冊登記文件、股東證明文件以及合法的授權委託證明文件辦理登記手續，否則不視為正式競投人。 (4) 本公司可能要求競投人出示用作付款的銀行資料或其他財政狀況證明。 (5) 本公司可根據不同拍賣條件及拍賣方式等任何情況，在拍賣日前公佈辦理競投號牌的條件和程式包括但不限於制定競投人辦理競投號牌的資格條件。 (6) 本公司鄭重提示，競投號牌是競投人參與現場競價的唯一憑證。競投人必須妥善保管自己的競投號牌，謹防丟失。一旦丟失，應立即以本公司認可的書面方式辦理掛失手續。未經本公司書面同意，競投人不得將自己的競投號牌轉借他人使用。否則，競投人需對他人使用其競投號牌競投相應拍賣品的後果承擔全部責任。無論是否接受競投人的委託，凡持競投號牌者在拍賣活動中所實施的競投行為均視為競投號牌登記人本人所為，競投人應當對其行為承擔法律責任，除非競投號牌登記人本人已以本公司認可的書面方式在本公司辦理了該競投號牌的掛失手續。

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(7)

本公司具有絕對之酌情權拒絕任何人士進入拍賣場地、參與拍賣、或在拍賣會現場進行拍照、錄音、攝像等活動，亦可拒絕接受任何競投。

第五條保證金競投人應在領取競投號牌前交納保證金。保證金的具體數額由本公司在拍賣日前公佈，且本公司有權減免競投保證金。上述保證金在拍賣結束後十個工作日內，若競投人未能購得拍賣品且對本公司無任何欠款，則全額無息退還競投人；若競投人購得拍賣品，則抵作購買價款的一部份。若有餘額，則於競投人領取拍賣品時，一併退還。若買家違約或逾期不交割，保證金將抵作買家應付之違約金，不予退還。第六條競投人及本公司有關出售拍賣品之責任 (1) 受本規則第六 (2) 至六 (6) 條所載事項所規限及本規則第七條所載特定豁免所規限，本公司應基於 (i) 賣家向本公司提供的資料；(ii) 學術及技術知識 ( 如有 )；及 (iii) 相關專家普遍接納之意見，以合理審慎態度發表 ( 且與本規則中有關本公司作為拍賣代理的條款相符 ) 載於圖錄描述或狀況報告之明示聲明。 (2) 本公司對各拍賣品之認知部分依賴於賣家提供之資料，本公司無法及不會就拍賣品進行全面盡職檢查。競投人知悉此事，並承擔檢查及檢驗拍賣品原物之責任，以使競投人滿意其可能感興趣之拍賣品。 (3) 本公司出售之各拍賣品於出售前可供競投人審看。競投人及 / 或其代理人參與競投，即視為競投人已在競投前全面檢驗拍賣品，並滿意拍賣品之狀況及其描述之準確性。 (4) 任何人如因審看拍賣品而導致拍賣品有任何損毀，萬昌斯有權向審看人追索賠償金額，金額為該拍賣品低估價及高估價總和百分之五十。 (5) 競投人確認眾多拍賣品年代久遠及種類特殊，意味拍賣品並非完好無缺。所有拍賣品均以拍賣時之“現狀狀態”出售 ( 無論競投人是否出席拍賣 )，且無追索權。狀況報告或可於審看拍賣品時提供。圖錄描述及狀況報告在若干情況下可用作拍賣品某些瑕疵之參考。然而，競投人應注意拍賣品可能存在其他於圖錄或狀況報告內並無明確指出之瑕疵。不提拍品的狀況並不意味拍品狀況良好，或完全沒有破損、裂紋、瑕疵或老化現象；提及具體缺陷亦不表示沒有其他缺陷。拍賣圖錄條目或狀況報告中提到的損毀或修復僅供參考，應該由競投人或內行的代表親自檢查評估。 (6) 提供予競投人有關任何拍賣品之資料，包括任何預測資料 ( 無論為書面或口述 ) 及包括任何圖錄所載之資料、規則或其他報告、評論或估值，該等資料並非事實之陳述，而是本公司所持有之意見之聲明，該等資料可由本公司不時全權酌情決定修改。 (7) 如果所購拍賣品在交貨前失竊、錯發或遺失而無法交貨，則本公司所承擔的責任不得超過買家支付的金額。如拍賣品於萬昌斯保管期間有損毀，除非此等損毀由萬昌斯承認之相關專家確認會嚴重影響拍賣品之價值，否則競投人不得以拍賣品之品相狀況等理由要求豁免其競投行為之法律責任，且本公司所承擔的責任不得超過該拍賣品之買家佣金金額。 (8) 本公司或賣家一概無就任何拍賣品是否受任何第三者對其版權有申索或買家是否已購買任何拍賣品之版權發出任何聲明或保證。第七條對買家之責任豁免及限制 (1) 本公司對拍賣品的真偽及 / 或品質不承擔缺陷擔保責任。競投人及 / 或其代理人有責任自行了解有關拍賣品的原物狀況並對自己競投拍賣品的行為承擔責任。 (2) 受本規則第六條之事項所規限及受規則第七 (5) 條所規限，本公司無須： (i) 對本公司向競投人以口述或書面提供之資料之任何錯誤或遺漏負責，無論是由於疏忽或因其他原因引致，惟本規則第六 (1) 條所載者則除外； (ii) 向競投人作出任何擔保或保證，且賣家委託本公司向買家作出之明示保證以外之任何暗示保證及規則均被排除 ( 惟法律規定不可免除之該等責任除外 )； (iii) 就本公司有關拍賣或有關出售任何拍賣品之任何事宜之行動或遺漏 ( 無論是由於疏忽或其他原因引致 ) 向任何競投人負責。 (3) 除非本公司擁有出售之拍賣品，否則無須就賣家違反本規則而負責。 (4) 競投人向本公司或賣家提出之任何索賠以該拍賣品之落槌價連同買家佣金為限。本公司或賣家在任何情況下均無須承擔買家任何相應或間接而產生的損失。 (5) 本規則第七條概無免除或限制本公司有關本公司或賣家作出之任何具欺詐成份之失實聲明或有關本公司或賣家之疏忽行為或遺漏而導致之人身傷亡之責任。第八條圖錄及其他說明 (1) 為便於競投人及賣家參加本公司舉辦的拍賣活動，本公司製作拍賣品圖錄，以文字及 / 或圖片的形式，對拍賣品之狀況進行簡要陳述。本公司在拍賣圖錄或其他任何媒體上對任何拍賣品的有關文字、估價、圖片以及其他形式的影像製品和宣傳品，僅供競投人參考，並可於拍賣前修訂。本公司對拍賣品的適銷性、特定用途適用性、拍賣目錄的正確性或物理狀況的其他描述、尺寸、品質、稀有性、重要性、介質、材料、作者認定、出處、時期、文化、來源、根源、展出、文獻、歷史意義、真偽、價值、色調或有無缺陷等不作任何種類或性質的明示或暗示保證或聲明。 (2) 因印刷或攝影等技術原因造成拍賣品在圖錄及 / 或其他任何形式的圖示、影像製品和宣傳品中的色調、顏色、形態等與原物有誤差者，以原物為準。本公司及其工作人員或其代理人對任何拍賣品用任何方式 ( 包括證書、圖錄、幻燈投影、新聞載體等 ) 所作的介紹及評價，均為參考性意見，不構成對拍賣品的任何擔保。本公司及其工作人員或其代理人對上述之介紹及評價中的不準確或遺漏之處不承擔責任。 (3) 競投人及 / 或其代理人有責任自行瞭解有關拍賣品的實際狀況並對自己競投某拍賣品的行為承擔法律責任。本公司鄭重建議，競投人應在拍賣進行前親自鑒定其有興趣競投的拍賣品之原物，自行判斷該拍賣品是否符合其描述，而不應依賴本公司拍賣品圖錄以及其他形式的影像製品和宣傳品之陳述作出決定。第九條書面、電話委託競投及網上競投 (1) 本公司建議競投人親自競投，如無法出席，可委託本公司代理書面及電話競投。 (2) 書面及電話競投均是免費提供之附加服務，風險由競投人承擔，對代理競投過程中所出現的過失或疏忽或違約或無法代為競投，本公司及其職員概不負責。 (3) 競投人委託本公司代為競投的競投結果及相關法律責任由競投人承擔。競投人需彌償本公司一切因本公司履行代為競投所引起之索償及責項。競投人如在委託競投表格中表示以電話等即時通訊方式競投，則應準確填寫即時通訊方式並妥善保管該即時通訊工具，在本公司受託競投期間，競投人應親自使用該即時通訊工具，一旦該即時通訊工具丟失或因故障而無法使用，應立即以本公司認可的書面方式變更委託競投表格中填寫的即時通訊方式。在本公司受託競投期間會盡適當努力聯絡競投人，而該即時通訊工具所傳達之競投資訊 ( 無論是否競投人本人或競投人的代理人傳達 )，均視為競投人本人所為，競投人應當對其行為承擔法律責任，除非競投人本人已以本公司認可的書面方式變更了委託競投表格中填寫的即時通訊方式。但在任何情況下，如未能聯絡，或在使用該即時通訊工具的競投中有任何錯誤或遺漏，本公司均不負任何責任。

(4)

(5)

(6) (7) (8) (9)

委託本公司競投應在規定時間內 ( 不遲於拍賣日前二十四小時 ) 辦理委託手續，向本公司出具書面及電話委託競投代理協議，並將保證金匯至本公司；其餘款項在競投成功後十四日內付清。保證金收取標準按競投總額計算如下： - 競投總額 HK$150,000 或以下預付 100%； - 競投總額 HK$150,001-600,000 預付 HK$150,000； - 競投總額 HK$600,001 或以上預付 30%。如本公司就某一拍賣品收到多個委託競投之相同競投價，而在拍賣時此等競投價乃該拍賣品之最高競投價；則本公司將以最先與本公司辦理委託競投手續者為拍賣品的買家。本公司有權決定是否接受委託競投。如非收到由本公司發出之書面確認，委託競投人不應視委託競投申請成功。委託人如需取消委託競投，應不遲於拍賣日前二十四小時以書面通知本公司。若成功競投，成交結果將在拍賣結束後以電話短訊或郵遞或其他電子短訊渠道通知。網上競投：無法親自蒞臨萬昌斯拍賣行的競投人可通過網站進行網上即時競投。通過網站投得本公司之任何拍賣品，除落槌價和買家應付之佣金外，競投人需額外支付相等於落槌價 3 至 5% 之網絡手續費。競投人於網站完成競投登記則視為明白及同意此收費。

第十條貨幣兌換顯示板本公司為方便競投人，可能於拍賣中使用影像投射或其他形式的顯示板，所示內容僅供參考。無論影像投射或其他形式的顯示板所示之數額、拍賣品編號、拍賣品圖片或港幣競投價之相等外幣，其準確程度均可能會出現非本公司所能控制之誤差。因此導致買方蒙受之任何損失，本公司概不負責。第十一條底價及估價 (1) 除非另外列明，所有提供的拍賣品均定有底價，即是由賣家所訂，拍賣品不會以低於此價出售的一個保密的最低價。 (2) 底價一般不高於本公司於拍賣前公佈或刊發的拍賣前最低估價。 (3) 就不設底價的拍賣品，除非已有競投，原則上拍賣官有權自行斟酌決定起拍價，通常會以拍賣品的售前低估價的 50% 開始拍賣。若在此價格並無投標，拍賣官會自行斟酌將價格下降繼續拍賣，直至有客戶開始競投，然後再由該投標價向上繼續拍賣。 (4) 在任何情況下，本公司不對拍賣品在本公司舉辦的拍賣會中未達底價不成交而承擔任何責任。若拍賣品競投價格低於底價，拍賣官有權自行決定以低於底價的價格出售拍賣品。但在此種情況下，本公司向賣家支付之款項為按底價出售拍賣品時賣家應可收取之數額。 (5) 估價在拍賣日前較早時間估定並非確定之售價，不具有法律約束力。任何估價不能作為拍賣品落槌價之預測，且本公司有權不時修訂已作出之估價。

第十六條付款 (1) 競投成功後，買家應自拍賣成交日 ( 含成交日 ) 起十四日內全額支付購買價款並安排領取拍賣品，否則將被視為違約並應承擔違約責任，本公司有權按第十八條採取措施而不另行通知。 (2) 如有任何因購買拍賣品而適用於買家的課稅責任，買家應根據現行相關法律規定自行負擔。 (3) 若涉及包裝及搬運費用、運輸及保險費用、出境費等，買家需一併支付。 (4) 所有貨款以港幣為結算單位，如買家以本公司指定貨幣以外之其他貨幣付款，應按買家與本公司約定的匯價折算或按照中國銀行 ( 香港 ) 有限公司於買家付款日前一個工作日公佈的港幣與該幣種的匯價折算。本公司將向買家收取所招致之任何外匯及銀行費用。 (5) 本公司將向競投牌登記表格上的姓名及地址發出售出拍賣品的賬單，且登記的姓名及地址不得更改。 (6) 本公司不接受除買家外的任何第三方付款。此項規定亦適用於代理人。如代理人代表他人參與競投，僅接受委託人的付款。除接受買家付款外，本公司保留拒收其他來源付款的權利。 (7) 付款方式： (i) 現金或銀行本票如以現金或銀行本票繳付款項，則可立即提取拍賣品。惟本公司恕不接受以一筆或多次付款形式用現金支付超過港幣 80,000 元或同等價值外幣之款項。 (ii) 支票抬頭為“萬昌斯拍賣行有限公司” 請留意買家須於支票承兌後方可提取拍賣品。本公司不接受旅行支票付款。 (iii) 匯款請將匯款指示連同您的姓名及競投牌號或發票號碼一起交予銀行。

階梯

HK$1,999 或以下

HK $ 100

HK$2,000 至 HK$4,999

HK$200, HK$500, HK$800 ( 如 HK$2,200, HK$2,500, HK$2,800, HK$3,000)

HK$5,000 至 HK$9,999

HK $ 500

HK$10,000 至 HK$19,999

HK $ 1,000

HK$20,000 至 HK$49,999

HK$2,000, HK$5,000, HK$8,000 ( 如 HK$22,000, HK$25,000, HK$28,000, HK$30,000)

HK$50,000 至 HK$99,999

HK $ 5,000

HK$100,000 至 HK$199,999

HK $ 10,000

HK$200,000 至 HK$499,999

HK$20,000, HK$50,000, HK$80,000 ( 如 HK$220,000, HK$250,000, HK$280,000, HK$300,000)

HK$500,000 至 HK$999,999

HK $ 50,000

HK$1,000,000

繼以上邏輯執行

第十三條拍賣官之決定權拍賣官對下列事項具有絕對決定權： (1) 拒絕或接受任何競投； (2) 以其決定之方式進行拍賣； (3) 將任何拍賣品撤回或分開拍賣或將任何兩件或多件拍賣品合併拍賣； (4) 如遇有出錯或爭議時，不論在拍賣之時或拍賣之後，有權決定成功競投者、是否繼續拍賣、取消拍賣或將有爭議的拍賣品重新拍賣； (5) 拍賣官可以在其認為合適的水平及競價階梯下開始及進行競投，並有權代表賣家以競投、連續競投或以回應其他競投人的競投價而競投的方式，代賣家競投到底價的金額； (6) 採取其合理認為適當之其他行動； (7) 拍賣官下槌即表示對最高競投價之接受，此時買家將對拍賣品承擔所有責任。第十四條拍賣成交最高競投價經拍賣官落槌或者以其他公開表示買定的方式確認時，該競投人競投成功，即表明該競投人成為拍賣品的買家，亦表明賣家與買家之間的拍賣合約之訂立。買家須遵守合約精神，於第十六條及第十七條所規定的限期內付款及領取拍品。買家不得以任何理由拒絕或延遲付款，否則須承擔違約責任。所有合約之付款不接受任何形式的退款，如以任何形式撤銷合約，將視作違約處理。第十五條佣金及費用競投人競投成功後，即成為該拍賣品的買家。買家除支付落槌價外，另須支付佣金及其他買家負責的各項費用予本公司，如無特別聲明，佣金收取標準按每件拍賣品落槌價計算比率如下： - 落槌價首 HK$8,000,000 之 23% - 落槌價超過 HK$8,000,000 之部份則以 15% 計算如買家於拍賣成交日 ( 含成交日 ) 起十四日內繳清貨款，買家可享限時佣金優惠，收取標準按每件拍賣品落槌價計算比率如下： - 落槌價首 HK$8,000,000 之 20% - 落槌價超過 HK$8,000,000 之部份則以 12% 計算

香港上海匯豐銀行有限公司 HSBCHKHHHKH 萬昌斯拍賣行有限公司 004-652-209198-001

人民幣帳戶開戶銀行：開戶名稱：帳號：

中国工商银行深圳皇岗支行林伟 622208-4000-0069-11518

(iv) 以銀聯卡付款若以銀聯卡支付購買價款，買家本人須親自持卡辦理。如買家於拍賣日起五天內清付，手續費用全免。如欲以其他信用卡支付，請向拍賣現場工作人員查詢有關安排。

第十二條競價階梯競價金額

港幣帳戶開戶銀行： SWIFT：開戶名稱：帳號：

第十七條拍賣品之領取、包裝、付運及出口 (1) 買家須在拍賣成交日起十四日內領取所購買的拍賣品。若買家未能在拍賣成交日 ( 含成交日 ) 起十四日內提取其購得的拍賣品，則不論已付款與否，本公司有權採取以下之一種或多種措施： (i) 將該拍賣品投保及 / 或儲存在本公司或其他地方，由此發生的一切費用 ( 包括但不限於自拍賣成交日 ( 含成交日 ) 起的第三十一日起按競投人登記表格的規定計收儲存費等費用及 / 或風險均由買家承擔。在買家如數支付全部購買價款後，方可提取拍賣品 ( 包裝及搬運費用、運輸及保險費用、出境費等買家自行負擔 )； (ii) 如買家自成交日 ( 含成交日 ) 起的三十日內仍未提取拍賣品，則本公司有權在通知買家後，以公開拍賣或其他本公司認為合適的方式及條件出售該拍賣品，處置所得在扣除本公司因此產生之全部損失、費用 ( 包裝及搬運費用、運輸及保險費用、出境費、儲存費、公證費等 ) 後，若有餘款，則由買家自行取回，該餘款不計利息，拍賣成交日後兩年尚未取回的餘款在扣除相關開支 ( 包括法律費用 ) 後由本公司存入香港法庭。 (2) 自拍賣成交日 ( 含成交日 ) 起的第三十一日起，買家須為本次拍賣會未領取的拍賣品支付儲存費，每件每月港幣八百元。儲存不足一個月者，亦須繳付整月儲存費。儲存費不包括其他額外費用，如保險和運輸費，其他額外費用將會另行收取。 (3) 買家應對其超過本規則規定期限未能提取相關拍賣品而在該期限屆滿後所發生之一切風險及費用自行承擔責任，即使該拍賣品仍由本公司或其他代理人代為保存，本公司及其工作人員或其代理人對任何原因所致該拍賣品的損毀、損失，不負任何責任。 (4) 本公司工作人員應買家要求代為包裝及處理購買的拍賣品，僅應視為本公司對買家提供的服務，本公司可絕對酌情決定是否提供此項服務，若因此發生任何損失均由買家個人自負。包裝及處理費計算方式如下 :

(5)

(6) (7)

貨物金額

包裝及處理費

HK$1,000 或以下

HK$100

HK$1,001 至 HK$1,000,000

HK$300

HK$1,000,000 以上

HK$500

如買家要求本公司協助以郵寄、快遞或運輸方式領取其所購買的拍賣品 ( 包裝及郵遞、運輸費用由買家負擔 )，一旦本公司將拍賣品交付郵寄、快遞、運輸部門、公司或其僱員 / 分支機構，則視為本公司已交付該拍賣品，同時應視為買家已按正常程序領取該拍賣品，此過程中的風險由買家承擔，除非買家特別指明並負擔保險費外，在郵寄、快遞、運輸過程中一般不予投保。對於買家指定或本公司向買家推薦的包裝公司及郵寄、快遞、運輸部門或公司所造成的一切錯誤、遺漏、損壞或滅失，本公司不承擔責任。在任何情況下，本公司對因任何原因造成的框架或玻璃、囊匣、底墊、支架、裝裱、插冊、軸頭或類似附屬物的損壞、滅失不負責任。由植物或動物材料 ( 如珊瑚、鱷魚、象牙、鯨骨、玳瑁、犀牛角及巴西玫瑰木等 ) 製成或含有植物或動物材料之物品，不論其年份或價值，均可能須申領許可證或證書方可出口至香港境外，且由香港境外國家進口時可能須申領其他許可證或證書。務請注意，能取得出口許可證或證書並不能確保可在另一國家取得進口許可證或證書，反之亦然。例如，將歷時不足 100 年之象牙進口至美國即屬非法。競投人應向相關政府查核有關野生動物植物進口之規定後再參與競投。買家須自行負責取得任何有關拍賣品進出口、瀕臨絕種生物或其他方面之許可證。未獲得任何所需之許可證或延誤取得該類許可證不可被視為買家取消購買或延遲支付購買價款之理由。本公司不承擔因不能填妥或呈交所需出口或進口貨單、清單或文件所產生之任何責任。如買家要求本公司代其申請出口許可證，本公司則有權就此服務另行收取服務費用。然而，本公司不保證出口許可證將獲發放。本公司及賣家概不會就任何拍賣品是否受進出口限制或任何禁運作出聲明或保證。

第十八條未付款之補救方法若買家未按照本規則規定或未按照與本公司協議之任何付款安排足額付款，本公司有權採取以下之一種或多種措施： (1) 拍賣成交後，若買家未在拍賣成交日 ( 含成交日 ) 起十四日內支付購買價款，於競投登記時支付的競投保證金不予退還，同時還應按照本規則規定承擔相應責任；買家以同一競投號牌同時拍得多件拍賣品的情況下，拍賣成交後若買家未按照規定時間支付任一拍賣品購買價款，則全部競投保證金不予退還，同時還應按照本規則規定承擔相應責任； (2) 在拍賣成交日 ( 含成交日 ) 起十四日內，如買家未向本公司付清全部購買價款，本公司有權委託第三方機構代為向買家催要欠付的全部或部分購買價款及要求買家支付第三方機構之催款費用； (3) 在拍賣成交日 ( 含成交日 ) 起十四日內，如買家仍未足額支付購買價款，本公司有權自拍賣成交日後第十五日起就買家未付款部分按照日息萬分之三收取利息，直至買家付清全部款項之日止，買家與本公司另有協議者除外； (4) 在本公司或其他地方投保、移走及儲存拍賣品，風險及費用均由買家承擔； (5) 對買家展開法律訴訟，要求賠償本公司因其違約造成的一切損失，包括因買家遲付或拒付購買價款造成的利息損失； (6) 留置同一買家在本公司投得的該件或任何其他拍賣品，以及因任何原因由本公司佔有該買家的任何其他財產或財產權利，留置期間發生的一切費用及 / 或風險均由買家承擔。若買家未能在本公司指定期間內履行其全部相關義務，則本公司有權在向買家發出行使留置權通知且買家在該通知發出後三十日內仍未償清所有欠付款項的情況下處分留置物。處分留置物所得不足抵償買家應付本公司全部款項時，本公司有權另行追索； (7) 本公司有絕對酌情決定權撤銷或同意委託人撤銷交易，並拒絕該逾期付款買家提出的付款請求、提貨請求，並保留追索因撤銷該筆交易致使本公司所蒙受全部損失的權利； (8) 經徵得委託人同意，本公司可按照本規則規定再行拍賣或以其他方式出售該拍賣品，並由本公司酌情決定估價及底價。原買家除應當支付第一次拍賣中買家及賣家應當支付的佣金及其各自負責的其他各項費用並承擔再次拍賣或以其他方式出售該拍賣品所有費用外，若再行拍賣或以其他方式出售該拍賣品所得的價款低於原拍賣價款，原買家應當補足差額； (9) 將本公司在任何其他交易中欠付買家之款項抵銷買家欠付本公司關於拍賣品之任何款項； (10) 本公司可自行決定將買家支付的任何款項用於清償買家欠付本公司關於拍賣品或其他交易之任何款項； (11) 拒絕買家或其代理人將來作出的競投或在接受其競投前收取競投保證金； (12) 向賣家透露買家之資料，以使賣家可展開法律訴訟，以收回欠款，或就買家違約申索損害賠償及申索法律費用。第十九條所有權轉移買家全額支付購買價款後，才可獲得拍賣品的所有權。即使本公司已將拍賣品交付給買家，買家仍未取得拍賣品之所有權，直至買家付清購買價款及買家欠付本公司的款項為止。第二十條風險轉移拍賣結束後，拍賣品的風險於下列任何一種情形發生後 ( 以較早發生日期為準 ) 即由買家自行承擔： (1) 買家領取所購拍賣品； (2) 買家向本公司支付有關拍賣品的全部購買價款； (3) 拍賣成交日 ( 含成交日 ) 起十四日屆滿。買家須自行負責於風險轉移至買家後為所購拍賣品購買保險。

第三部份關於賣家的條款第二十一條委託程序 (1) 賣家親自委託本公司拍賣其物品時： (i) 賣家若為自然人，必須憑政府發出附有照片的身份證明文件 ( 如居民身份證或護照 ) 並與本公司簽署委託拍賣合同； (ii) 賣家若為法人或其他組織，應持有效註冊登記文件、股東證明文件或合法的授權委託證明文件，並與本公司簽署委託拍賣合同； (2) 若代理賣家委託本公司拍賣物品，應向本公司出具相關委託證明文件。包括： (i) 若為自然人，必須持有有效身份證明； (ii) 賣家的代理人若為法人或其他組織，須持有有效註冊登記文件或 / 及股東證明文件； (iii) 經合法程序作出的授權委託書。本公司有權對上述文件以合法的方式進行核查。 (3) 賣家或賣家的代理人與本公司簽署委託拍賣合同時，即自動授權本公司對該物品自行製作照片、圖示、圖錄或其他形式的影像製品而無須支付任何費用。第二十二條賣家之保證賣家就其委託本公司拍賣的拍賣品不可撤銷地向本公司及買家保證如下： (1) 其對該拍賣品擁有絕對的所有權或享有合法的處分權，對該拍賣品的拍賣不會侵害任何第三方的合法權益 ( 包括版權權益 )，亦不違反相關法律、法規的規定； (2) 其已盡其所知，就該拍賣品的來源和瑕疵向本公司進行了全面、詳盡的披露和說明並以書面形式通知本公司，不存在任何隱瞞或虛構之處； (3) 若委託拍品由外地進口香港，賣家應保證符合來源地法律，完成進出口手續並以書面形式通知本公司； (4) 如因違反上述保證造成拍賣品的實際所有權人或聲稱擁有權利的任何第三方提出索賠或訴訟，致使本公司及 / 或買家蒙受損失時，則賣家應負責賠償本公司及 / 或買家因此所遭受的一切損失，並承擔因此而發生的一切費用和支出。第二十三條保險 (1) 除賣家另有書面指示外，在賣家與本公司訂立委託拍賣合同並將拍賣品交付本公司後，所有拍賣品將自動受保於本公司的保險，保險金額以本公司與賣家在委託拍賣合同中確定的底價為準 ( 無底價的，以該拍賣品的約定的保險金額為準。調整拍賣底價的，以該拍賣品原底價為準 )。此保險金額只用於投保和索賠，並非本公司對該拍賣品價值的保證或擔保，也不意味著該拍賣品由本公司拍賣，即可售得相同於該保險金額之款項。 (2) 如拍賣品成功拍賣，保險期限至拍賣成交日起十四日 ( 含成交日 ) 終止或買家領取拍賣品之日終止 ( 以兩者較早為準 )。如拍賣品未成交，則保險期限至拍賣會結束後三十天 ( 含成交日 ) 內或賣家領回之日止 ( 以兩者較早為準 )。 (3) 拍賣成交後，除非賣家與本公司另有約定，賣家應支付相當於落槌價百分之二的保險費。如拍賣品未成交，賣家也應支付相當於底價百分之一的保險費。

246

(4)

如賣家以書面形式告知本公司不需投保其拍賣品，則任何風險由賣家自行承擔。同時，賣家還應隨時承擔以下責任：對其他任何權利人就拍賣品的毀損、滅失向本公司提出的索賠或訴訟做出賠償；賠償本公司及 / 或任何他方因任何原因造成拍賣品毀損、滅失等所遭受的全部損失及所支出的全部費用； (iii) 將本條所述的賠償規定通知該拍賣品的任何承保人。凡屬因本公司為拍賣品所購保險承保範圍內的事件或災害所導致的拍賣品損毀、遺失應根據所投保之保險公司的賠償規定處理。本公司在向保險公司進行索償，並獲得保險賠償後，將保險賠款扣除本公司費用 ( 佣金除外 ) 的餘款支付給賣家。若於本公司承擔風險期間，拍賣品遺失或損毀，則參照拍賣品的底價支付賠償金額，最高不得超過底價的 100%。因自然磨損、固有瑕疵、內在或潛在缺陷、物質本身變化，自燃、自熱、氧化、鏽蝕、滲漏、鼠咬、蟲蛀、大氣 ( 氣候或氣溫 ) 變化、濕度或溫度轉變或其他漸變原因以及因地震、海嘯、戰爭、敵對行為、武裝衝突、恐怖活動、政變、罷工、社會騷亂等不可抗力及核輻射及放射性污染對拍賣品造成的任何毀損、滅失，以及由於任何原因造成的圖書框架或玻璃、囊匣、底墊、支架、裝裱、插冊、軸頭或類似附屬物的毀損、滅失，不在保險理賠範圍之內。 (i) (ii)

(5)

(6) (7)

第二十四條佣金及其他費用 (1) 除賣家與本公司另有協定外，拍賣品成交後，賣家應支付本公司相當於成交價 ( 即落槌價 ) 百分之十之佣金，百分之二之保險費，港幣 $1,200 元 / 版之圖錄費及其他各項費用。 (2) 儘管本公司是賣家的代理人，但賣家同意本公司可根據本規則第十五條的規定向買家收取佣金及其他各項費用。 (3) 如拍賣品未能成交，賣家應支付本公司相當於底價百分之一的保險費及其他各項費用。第二十五條拍賣安排 (1) 除本公司與賣家約定無底價的拍賣品外，所有拍賣品均設有底價。底價由本公司與賣家通過協商書面協定。底價數目一經雙方確定後如需更改，須事先徵得雙方同意。 (2) 本公司有權將拍賣品以低於底價拍賣。如本公司按此將拍賣品拍賣，本公司將有責任向賣家支付成交價與底價之差額。在此情況下，賣家須向本公司支付佣金，且賣家就該拍賣品而對本公司所負之責任，等同與拍賣品成功拍賣。 (3) 除賣家與本公司另有協議，否則若拍賣品在拍賣會中收回或未成功拍賣。本公司有權在拍賣後三十天內按不少於該拍賣品付給賣家的淨款價 ( 即底價扣除一切費用的價格 )；或按賣家另行同意的較低價將該拍賣品出售。在此情況下，賣家須向本公司支付佣金，且賣家就該拍賣品而對本公司所負之責任，等同於拍賣品成功拍賣。 (4) 賣家不得競投自己委託本公司拍賣的物品，亦不得委託他人代為競投。唯本公司有權代賣家以不超過底價之價格參考競投。若違反本條規定，賣家應自行承擔相應之法律責任，並賠償因此給本公司造成的全部損失。 (5) 任何拍賣品的估價，無論口頭或書面，均只屬意見，而非拍賣品最終可賣得之價錢的保證。 (6) 在任何情況下，本公司不對某一拍賣品在本公司舉辦的拍賣會中未達底價不成交而承擔任何責任。 (7) 本公司對下列事宜擁有完全及唯一的決定權： (i) 通過拍賣品圖錄及 / 或新聞媒體及 / 或其他載體對任何拍賣品做任何內容說明及 / 或評價； (ii) 拍賣品在圖錄中插圖、拍賣品展覽及其他形式的拍賣品宣傳，推廣活動中的安排及所應支付費用的標準； (iii) 是否應徵詢任何專家意見； (iv) 某拍賣品是否適合本公司拍賣； (v) 將拍賣品合併或分開拍賣； (vi) 讓誰人進場競投以及競投價之接受； (vii) 拍賣日期、拍賣地點、拍賣條件及拍賣方式等事宜； (viii) 同意購買價款以特殊付款條件支付； (ix) 視具體情況搬移、貯存及 / 或投保已出售的拍賣品； (x) 根據本規則有關條款，解決買家提出的索賠或賣家提出的索賠； (xi) 採取其他必要措施收取買家拖欠賣家的款項。第二十六條拍賣品撤回及中止拍賣 (1) 賣家在拍賣日前任何時間，均可向本公司發出書面通知，撤回其拍賣品。但撤回拍賣品時，若該拍賣品已列入圖錄或其他宣傳品已開始印刷，則賣家應支付相當於該拍賣品底價百分之二十的款項及其他各項費用。如圖錄或任何其他宣傳品尚未印刷，也需支付相當於該拍賣品底價百分之十的款項及其他各項費用。因撤回拍賣品而引起的任何爭議或索賠均由賣家自行承擔，與本公司無關，本公司無責任解決該爭議或索賠。 (2) 賣家與本公司簽署委託拍賣合同且將拍賣品交付本公司後，若因任何原因致使本公司認為某拍賣品不適合由本公司拍賣的，則賣家應自本公司發出通知日起三十日內取回該拍賣品 ( 包裝及搬運等費用由賣家自負），本公司與賣家之間的委託拍賣合同自賣家領取該拍賣品之日解除。若拍賣人未於上述期限內取走拍賣品，則本公司與賣家之間的委託拍賣合同自上述期限屆滿之日即告解除。若賣家在委託拍賣合同解除後七日內仍未取走拍賣品，本公司有權收取儲存費、保險費及其他合理支出，本公司亦有權以本公司認為合理的方式處置該拍賣品，處置所得在扣除本公司因此產生之全部費用後，若有餘款，由賣家自行取回。 (3) 如出現下列情況之一，本公司有權在實際拍賣前的任何時間中止任何拍賣品的拍賣活動： (i) 本公司對拍賣品的所有權或真實性持有異議； (ii) 第三方對拍賣品的所有權或真實性持有異議且能夠提供異議所依據的相關證據材料，並按照本公司規定交付擔保金，同時願意對中止拍賣活動所引起的法律後果及全部損失承擔相應責任； (iii) 對賣家所作的說明或對本規則第七條所述賣家保證的準確性持有異議； (iv) 有證據表明賣家已經違反或有違反本規則的任何條款之指控； (v) 本公司認為應當中止拍賣的其他任何原因； (vi) 無論何種原因導致拍賣中止，如本公司得知賣家寄售之拍品涉及權屬或其他爭議時，本公司有權暫不予辦理退貨手續，待爭議解決後再予辦理相關手續。

第二十七條成功拍賣後 (1) 拍賣品成功拍賣後，本公司將要求買家全額付款。在買家付款後，並且未與本公司發生任何糾紛，則本公司會於成功拍賣日期後三十五天，將一筆相等於成交價扣除賣家應支付之所有費用之款額付予賣家。 (2) 如遇買家拖欠付款，則本公司將在買家付款後七天內付予賣家。 (3) 賣家需承擔由所得的出售所得款項淨額所衍生之所有稅項，如有關法律規定本公司有代扣、代繳義務，本公司將依照合適法律規定執行，賣家應協助辦理所有手續，並承擔相應稅費。 (4) 賣家在委託本公司拍賣其物品的同時，被視為授權本公司有權代賣家向買家追索相應拖欠價款。如買家在拍賣成交日 ( 含成交日 ) 起十四日內未向本公司付清全部購買價款，本公司除有權按照本規則第十八條之約定向買家追索其應付的佣金及其他各項費用外，亦有權在本公司認為實際可行的情況下，採取適當措施 ( 包括但不限於通過法律途徑解決 ) 協助賣家向買家收取拖欠的款項。上述約定並不排除賣家親自或委託任何第三方向買家追索相應拖欠款項的權利，亦不賦予本公司在任何情況下代賣家向買家追索相應拖欠價款的義務。本公司在任何情況下不應因買家未能支付購買價款而向賣家承擔相應責任。 (5) 拍賣品成功拍賣日期後六十天，如買家未全額付款則表明交易取消，本公司將拍賣品歸還賣家，而不承擔任何責任。 (6) 如因拍賣品為膺品而本公司被迫向買家收回，賣家須將已收取之拍賣淨款全數退還予本公司。 (7) 除賣家另有書面指示外，本公司將以港幣付款。第二十八條拍賣品未成交處理 (1) 拍賣後交易由本公司與賣家重新商議確定委託拍賣品的底價並代為出售，本公司支付賣家不少於以新的底價出售時應支付的出售所得款項淨額。 (2) 重新上拍佣金及費用標準以原委託拍賣合同約定為準。 (3) 取回拍品賣家應自收到本公司領取通知日起七天內或拍賣會結束後三十天內 ( 以兩者較早為準 ) 取回該拍賣品，包裝及搬運費用自負，並向本公司支付未拍出手續費及其他各項費用。超過上述期限，本公司有權收取儲存費、保險費及其他合理支出。賣家須在付清所有未付費用後，方可領回拍賣品。任何此等拍賣品於拍賣會結束後六十天內未被領回，本公司亦有權以公開拍賣或其他出售方式按本公司認為合適的條件出售該拍賣品，並有權從出售所得款項淨額中扣除第一次拍賣中賣家應支付的未拍出手續費、其他各項費用及再次拍賣該拍賣品的所有費用，將餘款支付賣家。 (4) 風險承擔無論是未上拍或未能成交的拍賣品，賣家均應對其超過上述規定期限未能取回其拍賣品而在該期限後所發生之一切風險及費用自行承擔責任。如賣家在本規則規定期限內要求本公司協助其退回拍賣品並經本公司同意，拍賣品自離開本公司指定地點後的一切風險及費用由賣家承擔。除非賣家特別指明並預先支付保險費，本公司無義務對拍賣品在離開本公司指定地點後予以投保。如賣家要求本公司協助以郵寄、快遞或其他通過第三方的運輸方式退回其拍賣品，一旦本公司將拍賣品交付郵寄、快遞、運輸部門、公司或其僱員分支機搆，則視為本公司已退回該拍賣品，同時應視為賣家已領取該拍賣品。

第四部份其他第二十九條版權賣家授權本公司對其委託本公司拍賣的任何拍賣品製作照片、圖示、圖錄或其他形式的影像製品和宣傳品，本公司享有上述照片、圖示、圖錄或其他形式的影像製品和宣傳品的版權。有權對其依法加以使用而無須支付任何費用。未經本公司事先書面同意，買家及任何第三者不得使用。本公司及賣家均並未作出拍賣品是否受版權所限或買家是否取得拍賣品之任何版權的陳述及保證。第三十條資料採集、錄影就經營本公司的拍賣業務方面，本公司可能對任何拍賣過程進行錄音、錄影及記錄，亦需要向競投人搜集個人資料或向第三方索取有關競投人的資料 ( 例如向銀行索取信用審核 )。這些資料會由本公司處理並且保密，唯有關資料有可能提供給本公司、本公司的分部、附屬公司、子公司以協助本公司為競投人提供完善的服務、進行客戶分析，或以便提供符合競投人要求的服務。為了競投人的權益，本公司亦可能需要向第三方服務供應商 ( 例如船運公司或存倉公司 ) 提供競投人的部份個人資料。競投人參與本公司的拍賣，即表示競投人同意上文所述。如競投人欲獲取或更改個人資料，請與本公司聯絡。第三十一條鑒定權如本公司認為有需要，可對拍賣品進行鑒定。鑒定結論與委託拍賣合同載明的拍賣品狀況如有不符，本公司有權要求變更或者解除委託拍賣合同。第三十二條通知競投人及買家均應將其固定有效的通訊地址和聯絡方式以競投登記文件或其他本公司認可的方式告知本公司，若有改變，應立即書面告知本公司。本規則中所提及之通知，僅指以信函或傳真形式發出的書面通知。該等通知在下列時間視為送達： (1) 如由專人送達，當送抵有關方地址之時； (2) 如以郵寄方式發出，則為郵寄日後第七天； (3) 如以傳真方式發出，當發送傳真機確認發出之時。第三十三條可分割性如本業務規定之任何部份因任何理由遭任何法院認定為無效、不合法或不能執行，則該部份可不予理會，而本業務規定之其他部份在法律許可之最大範圍內須繼續有效及可強制執行。第三十四條法律及管轄權 (1) 本業務規則及其相關事宜、交易、因依照本規則參加本公司拍賣活動而引起或與之有關的任何爭議，均受香港法律規管並由香港法律解釋。本公司、買家及競投人等相關各方均須服從香港法院之非唯一管轄權。 (2) 拍賣競投時，無論是親自出席，由代理人出席競投，以書面、電話或其他方法競投，買家均被視為接受本業務規則，及為本公司之利益而言，服從香港法院之非唯一裁判權。第三十五條解釋權本規則的解釋權由本公司行使。第三十六條語言文本本規則以中文為標準文本，英文文本為參考文本。英文文本如與中文文本有任何不一致之處，以中文文本為準。

Conditions of Business Part 1 General

Section 1 Jurisdiction These Conditions of Business (hereinafter referred to as the "Conditions") are formulated in accordance with the relevant laws, decrees, rules and regulations of the Hong Kong Special Administrative Region of the People’s Republic of China and the provisions of the Auction Articles of Marchance Auctioneers Limited (hereinafter referred to as "Marchance") and in light of international practice. All parties participating in any auctions organized by the Company, including the Seller, the Bidder, the Buyer and all other related parties (including but not limited to the agents of the Seller, the Bidder and the Buyer) shall be deemed to accept in full and be bound by these Conditions of Business, and shall comply with them in such auctions, enjoy the rights and perform the obligations provided herein. Any Bidder who bids in an auction organized by the Company, whether in person or by authorizing an agent to bid on his/her/its behalf, whether by raising the paddle, by absentee bids, by phone or by any other means, shall be deemed to have accepted these Conditions of Business in full. Any dispute among the parties to auctions organized by the Company shall be settled in accordance with these Conditions of Business. Section 2 Declaration 2.1 Unless as otherwise stated, we act as the Seller’s agent. The closing agreement for sale of a Lot shall be a contract between the Seller and the Buyer. These Conditions of Business and all other terms, conditions and notices contained in the catalogue, announced by the Auctioneer from time to time or provided at the saleroom shall constitute the provisions agreed among the Seller, the Buyer and/or the Company as auction agent. 2.2 The Company may amend these Conditions of Business for a particular auction by posting announcements at the auction site or making an announcement at such auction through an Auctioneer. 2.3 Bidders and Buyers participating in any auctions organized by the Company shall carefully read and be abided by these Conditions of Business; Bidders and Buyers shall read the provisions limiting the Company’s liabilities and disclaimers contained in these Conditions of Business carefully. Bidders and/ or their agents have the responsibilities to review the original Lot in person, and bear legal liabilities for their acts of bidding the Lot. 2.4 Upon the Auctioneer confirms the Bidder’s bid by striking his/her hammer or in any other manner publicly indicating confirmation of the purchase in any auctions organized by the Company, the contract for sale regarding the Lot shall immediately enter into force and the Bidder shall become the Buyer of the Lot. The Company, the Seller and the Buyer shall acknowledge the sale of the Lot and its closing, enjoy the rights and assume the obligations provided by applicable laws and/or these Conditions of Business. Any party that fails to perform obligations shall bear his/her/its corresponding legal liabilities. 2.5 We, acting as agent of the Seller, shall assume no liability for any breach of contract or violation of these Conditions of Business by the Buyer or the Seller. In case of the breach of contract by the Seller or the Buyer, the Company shall have the right to decide to disclose the other party’s name and address to the Seller or the Buyer at its own discretion so that the aggrieved party may claim for compensation for loss and damages arising from the breach of the other party through legal proceedings or otherwise. However, prior to the Company’s disclosure of such materials to the Seller or the Buyer, the Company shall take the reasonable steps to notify the party whose materials are to be disclosed. 2.6 If any abnormal or unforeseen event occurs at the auction site, the Company has the right to take emergency actions. If any dispute arises at the auction site, the Company has right to mediate and settle it. Section 3 Definitions and Interpretation The terms used in these conditions shall have following meanings: 3.1 "We/Us/Company" means Marchance Auctioneers Limited; 3.2 "Auction Date" means, in an auction held by the Company, the date on which the auctioneer concludes a contract for sale between a Seller and a Buyer by way of hammer striking or any other customary manner publicly confirming the sale; 3.3 “Auctioneer” means any person designated by the Company to moderate a particular auction; 3.4 “Bidder” means any person, company, body corporate or other organization who or which has duly completed the necessary registration formalities with our Company and acquired the right to bid; In these Conditions of Business, a Bidder shall include any of its agents unless as otherwise specified herein or required in a particular context; 3.5 “Buyer” means the Bidder whose bid or offer for a Lot is recognized by an Auctioneer as the highest bid for that Lot in an auction held by the Company, including the principal on behalf of which such Bidder acts; 3.6 “Seller” means any person, company, body corporate or other or organization that consigns (a) Lot(s) within the scope of these Conditions of Business to the Company for auction. In these Conditions of Business, a Seller shall include any of its agents unless as otherwise specified herein or required in a particular context; 3.7 “Lot” means any item consigned by a Seller to the Company for auction and so auctioned in any auction, in particular, any item numbered in any catalogue with certain description; 3.8 “Estimate” means the estimated selling price of a Lot written in the catalogue or other descriptive materials, excluding the Buyer’s Commission; 3.9 “Reserve” means the confidential minimum selling price for the Lot that the Seller has confirmed with the Company; 3.10 “Hammer Price” means the price for a Lot at which the Auctioneer decides to sell the Lot by striking the hammer or the agreed sale price in the postauction sale; 3.11 “Proceeds of Sale” means the net amount due to the Seller, being the Hammer Price less the Buyer’s Commission, all expenses and other amounts payable to the Company by the Seller; 3.12 “Buyer’s Commission” means any commission that a Buyer shall pay to the Company calculated at the rate specified herein of the Hammer Price for the Lot that such Buyer purchases;

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3.13

3.14

3.15 3.16

“Purchase Price” means the total amount payable by the Buyer for his/her/its purchase for each Lot, including the Hammer Price, the Buyer’s Commission, other Buyer’s Expenses and all Buyer’s Expenses arising from his/her/its failure to perform his/her/its obligations; “Buyer’s Expenses” means costs and expenses in relation to sale of Lot paid by the Company, including but not limited to insurance policies, packaging, moving, storage, custody for the Lot, any expenses of testing, investigation, queries or authentication related to the Lot at the request of the Buyer or any additional costs and legal expenses to bring claims against a defaulting Buyer; “Storage Fee” means the storage fee payable by the Buyer to the Company according to these Conditions of Business. In these Conditions of Business, where the context requires, words denoting the singular shall include the plural and vice versa.

Part 2 Conditions Applicable to Buyer Section 4 Bidder and Buyer 4.1 Every Bidder shall be deemed to act as principal unless Marchance has, before the date of the auction, acknowledged in writing that the Bidder is acting as agent on behalf of a disclosed principal. 4.2 If the Bidder is a natural person, before making any bid at the auction, he/she shall fill in and sign the registration documents with an identity document with photo issued by the government (such as resident identity card or passport), and provide proof of the current address (e.g. utility bill or bank statement). 4.3 If the Bidder is a company or other organization, before making any bid at the auction, it shall fill in and sign the registration documents and collect a paddle with its valid certificate of incorporation and proof of shareholding and legitimate authorization document. 4.4 The Company may request the Bidder to present the proof of bank details or other proof of financial conditions for payment purposes. 4.5 The Company can announce before the Auction Date the conditions and procedures of arranging paddle for the Bidder according to different auction conditions and auction methods etc., including but not limited to the qualification and conditions for the Bidder to arrange a paddle. 4.6 The Company solemnly reminds that a paddle is the only proof for the Bidder to participate in auction at the venue. The Bidder shall keep it properly. If it is lost, he/she/it shall immediately comply with the loss report formalities in a written form recognized by the Company. All Bidders shall not lend or transfer his/her paddle to any other person(s). Otherwise, he/she shall be liable for the consequences associated with the use of his/her paddle for bidding or any other use. No matter if the person holding a paddle has been appointed by the Bidder or not, his or her bidding acts at auction are considered as having been made by the registered person himself/herself, and the Bidder shall bear the legal liabilities for the acts of the former, unless the Bidder himself/ herself has already submitted a written report to the Company regarding the loss paddle. 4.7 Marchance has the right, at our complete and sole discretion, to refuse admission to the premises or participation in any auction by any Bidder and to reject any bid. Section 5 Deposit All Bidders will be required to place an auction deposit before a numbered paddle can be issued. The amount of deposit to be charged will be announced before the date of auction, and the Company has the right to waive the auction deposit. If the Bidder fails to buy the Lot and he/she does not owe the Company any sum, then that auction deposit shall be returned to the Bidder in full without interest within 10 working days after the end of the auction. If the Bidder succeeds in buying a lot / lots at auction, the deposit will be used to offset the invoice value payable by that Bidder (as Buyer) and the balance (if any) will be refunded at collection. The deposit will be forfeited if the Buyer refuses to pay for the lot(s) purchased within payment period. Section 6 Responsibilities of the Bidder and the Company in respect of the Lot 6.1 In accordance to the matters contained in Section 6.2 to 6.6 of the Conditions of Business and the special exemption contained in Section 7 of the Conditions of Business, the descriptions in the catalogue and in the condition reports are written in a reasonably prudent manner (and such should be in line with those terms of the Conditions of Business regarding the Company serving as Auction Agent) based on (i) the information provided by the Seller to the Company; (ii) academic and technical knowledge (if any); and (iii) generally accepted opinions of the relevant experts. 6.2 The Company’s perception of all Lots partly relies on the information provided by the Seller, the Company is unable and will not carry out comprehensive inspection of all Lots. Bidders are aware of this and bear the responsibilities of inspecting and testing the original Lots so that Bidders will be satisfied with those Lots in which they may be interested. 6.3 All Lots for sale by the Company are available for viewing by Bidders. By bidding, Bidders and/or their agents are deemed to have carried out thorough examination of the Lots, and are deemed to be satisfied with the conditions of the Lots and the accuracy of their description. 6.4 If any part of Lot is damaged due to the viewing/examining process, Marchance has the right to demand for compensation from viewer/examiner equals to 50% of the sum of Lot’s low estimate and high estimate. 6.5 Bidders acknowledge that many lots are of an age and type which means that they are not in perfect condition. All Lots offered for sale in the condition they are in (“as is” condition) and without recourse at the time of the auction (whether or not Bidders attend the auction). Condition reports may be available to assist when lot(s) is/are being inspected before auction. Under certain circumstances, catalogue descriptions and condition reports may on occasions make reference to particular imperfections of a Lot, but Bidders should note that Lots may have other defects not expressly referred to in the catalogue or condition report. The absence of any reference to the condition of a Lot does not imply that the Lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative.

6.6

6.7

6.8

Regarding the information about the Lot provided to Bidders, including any forecast information (written or verbal), catalogues and other reports, commentaries or estimated values, such information are not statement of facts, but rather are statements of the opinion that the Company holds. Such information can be altered at the sole discretion of the Company from time to time. If any purchased Lot be stolen, mis-delivered or lost prior to delivery, Marchance shall not be liable for any amount in excess of that paid by the Buyer. If the Lot is damaged during the storage period at the Company and such damage is certiﬁed causing signiﬁcant depreciation of the Lot according to generally accepted opinions of relevant experts appointed by Marchance, Marchance shall not be liable for any amount in excess of the Lot’s Buyer’s Premium, and Buyer shall not request for exemption from the legal liabilities of his/her bidding acts. The Company or the Seller has not made any declaration or warranty as to whether any Lot is subject to any third party claim for copyright ownership or whether the Buyer has bought the copyright subsisted in any Lot.

Section 7 The Company’s Exemption and Restriction of Responsibilities to the Buyer 7.1 We will not provide any warranty as to the authenticity, value, tone, quality and flaw or defect of any of the Lots. The Bidders or their agents shall verify the authenticity and conditions of the Lots, and be responsible for all his/her bids associated with the auction. 7.2 Subject to the matters contained in Section 6 of the Conditions of Business and the rules in Section 7.5 of the Conditions of Business, the Company shall not: (i) be responsible for any errors or omissions in the information provided by the Company to the Bidder verbally or in writing, no matter whether this is caused by negligence or other reasons, with the exception of provision contained in Section 6.1 of the Conditions of Business; (ii) make any guarantee or warranty to the Bidder, excluding any implied warranty and rules other than the expressed warranty that the Seller has entrusted the Company to make to the Buyer (with the exception of those responsibilities that cannot be discharged according to the stipulations of laws); (iii) be accountable to any Bidder for any actions or omissions of the Company regarding the auction or the sale of any Lot (no matter whether this is caused by negligence or other reasons). 7.3 Unless the Company owns the Lot to be sold, it shall not be responsible for any breach of the Conditions of Business by the Seller. 7.4 Without affecting Section 7.1 and 7.2 of these rules, any claim for compensation that the Bidder makes to the Company or the Seller shall be limited to the Hammer Price and the Buyer’s Commission of the Lot. Under no circumstances shall the Company and the Seller bear any consequential or indirect losses incurred by the Buyer. 7.5 Section 7 of the Conditions of Business does not exempt or restrict the liabilities of the Company regarding any misrepresentation with fraudulent element made by the Company or the Seller, nor the responsibilities of casualty or death caused by negligent acts or omissions of the Company or the Seller. Section 8 Catalogue and Lot Descriptions 8.1 The Company shall prepare a catalogue of the Lot to briefly introduce the conditions of the Lot with words and/or pictures to facilitate the Bidder and Seller to participate in the auction held by the Company. The words and Estimate in the catalogue of the Lot, pictures, other images as well as public materials are only references for the Bidder and may be revised before auction. The Company provides no warranty or representation of any kind or nature in respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, attribution, provenance, period, culture, source, origin, exhibitions, literature, historical significance, authenticity, value, tone or flawlessness of the Lot. 8.2 In case that the tone, color, graduation and shape of the Lot shown in the catalogue and/or any other illustrations, images and public materials differ from those of the original Lot due to printing, photography or other technical reasons, the original Lot shall take precedence. Any introduction and appraisal of any Lot made by the Company and its employees or its agents in any way (including the certificate, catalogue, slide show and news media) are only opinions for reference and do not constitute any guarantee for the Lot. The Company and its employees or its agents shall undertake no liability for any inaccuracy or omission in the aforesaid introduction or appraisal. 8.3 The Bidder and/or his/her/its agents shall have the responsibility to learn about the actual conditions of the Lot and shall be legally liable for his/her/its bid for a certain Lot. We strongly advise the Bidders to personally inspect the original Lot that they intend to bid by identification or other methods before Auction Date. Bidders shall judge whether the descriptions in the catalogue are accurate instead of placing reliance on the accuracy of our catalogue and other images and advertisements of the Lot. Section 9 Absentee Bid, Telephone Bid and Online Bidding 9.1 Prospective Bidders are advised to attend the auction in person. If the Bidder is unable to do so, Marchance may accept the Bidder's written instruction of Absentee Bid or Telephone Bid to bid on their behalf. 9.2 Bidders shall acknowledge and understand that both Absentee Bid and Telephone Bid are free services provided by Marchance, neither Marchance nor its employees shall be liable to the Bidder for any negligence or default or breach of contract in doing so or for failure to do so. 9.3 If a Bidder who has appointed the Company to bid, the auction results and the related legal responsibilities shall be borne by the Bidder. The Bidder shall indemnify the Company from any claims or liabilities as a result of the act of the Company. If the Bidder indicates in the Absentee Bid Order that he/she/it bids by instant communication methods such as telephone, it shall fill in the instant communication method accurately and keep the instant communication instrument properly, during the period in which the Company is appointed to bid, the Bidder shall use that instant communication instrument himself/herself/itself. In the case when the instant communication instrument is lost or it cannot function properly or cannot function at all, the Bidder shall immediately use a written form recognized by the Company to change the instant communication method filled in the Absentee Bid Order. During the period the Company is appointed to bid, it shall make appropriate

9.4

efforts to contact the Bidder, the bidding information transmitted by that instant communication instrument (whether or not it is transmitted by the Bidder personally or the Bidder’s agent) shall be considered as transmitted by the Bidder himself/herself/itself, and the Bidder shall be liable for the actions taken by he/she/it, unless the Bidder himself/herself/itself has changed the instant communication method ﬁlled in the Absentee Bid Order by a written method recognized by the Company. Nevertheless, under no circumstances shall the Company be responsible for any unsuccessful contact or errors or omissions in the bidding process using that instant communication instrument. Prospective Bidder shall authorize Marchance to act as his/her agent by submitting the Commission Bid Agreement, duly completed, at least 24 hours before the auction day, and shall pay Marchance a deposit in accordance with the following schedule: - Total bid at HK$150,000 or below deposit at 100% - Total bid at HK$150,001 - 600,000 deposit at HK$150,000 - Total bid at HK$600,001 or above deposit at 30% The balance shall be paid within 14 days after auction ended.

9.5 9.6

9.7 9.8 9.9

If we receive more than one absentee bid with same bid price for a particular Lot, and at auction these bids are the highest bids for the Lot, it will be sold to the person whose absentee bid we received first. Marchance has no obligation to accept the Absentee Bid or Telephone Bid application and Marchance’s decision in this regard shall be final. Prospective Bidders shall not assume Marchance’s acceptance of his/her pre-registration application unless he/she has received a written confirmation from Marchance to that effect. If prospective Bidder would like to cancel the bidding, he/she shall notify Marchance in written form no less than 24 hours before the auction day. In the case of successful bid, the result of the bid will be sent by SMS or other electronic means or post after the auction. Online bidding: Marchance offers online bidding service for bidders who cannot attend the sale. In completing the bidder registration online, it is considered that the bidder understands and agrees that any Lots purchased via live online auction service will be subject to an additional 3-5% commission charge at the rate imposed on the hammer price.

Section 10 Images and Screens At some auctions, there will be a video or other screens in operation for the convenience of Bidders, which is intended for reference only. However, there may be errors or omissions in the figures, numbers, images projected, or foreign exchange rates on the screen. We shall not be liable for any losses and damages caused by such errors or omissions. Section 11 Reserves and Estimate 11.1 Unless otherwise indicated, all Lots are offered subject to a Reserve, which is the confidential minimum price below which the Lot will not be sold. 11.2 Normally, the Reserve is not higher than the lowest Estimate announced before the auction or published before the auction by the Company. 11.3 With respect to Lots that are offered without reserve, unless there are already competing bids, the Auctioneer, in his/her discretion, will generally open the bidding at 50% of the low pre-sale estimate for the lot. In the absence of a bid at that level, the auctioneer will proceed backwards in his/her discretion until a bid is recognised, and then continue up from that amount. 11.4 Under no circumstances shall the Company bear any liability when the bids for a Lot do not reach the Reserve. If the bids are lower than the Reserve, the Auctioneer, in his or her discretion, may sell the Lot at a price lower than the Reserve. However under such circumstances, the amount that the Company shall pay the Seller shall be the amount that the Seller would receive as if the Lot was sold at the Reserve. 11.5 The Estimate is estimated at an earlier time before the Auction Date, it is not a confirmed selling price, and is not legally binding. Estimates cannot be used as a forecast of the Hammer Price of the Lot, and the Company has the right to revise the already made Estimate from time to time. Section 12 Bid Increments Value

Increment

HK$1,999

HK $ 100

HK$2,000 to HK$4,999

HK$200, HK$500, HK$800 (i.e. HK$2,200, HK$2,500, HK$2,800, HK$3,000)

HK$5,000 to HK$9,999

HK $ 500

HK$10,000 to HK$19,999

HK $ 1,000

HK$20,000 to HK$49,999

HK$2,000, HK$5,000, HK$8,000 (i.e. HK$22,000, HK$25,000, HK$28,000, HK$30,000)

HK$50,000 to HK$99,999

HK $ 5,000

HK$100,000 to HK$199,999

HK $ 10,000

HK$200,000 to HK$499,999

HK$20,000, HK$50,000, HK$80,000 (i.e. HK$220,000, HK$250,000, HK$280,000, HK$300,000)

HK$500,000 to HK$999,999

HK $ 50,000

HK$1,000,000 or above

To repeat in the same manner as set forth above

Section 13 Auctioneer's Discretion The Auctioneer has the right at his/her absolute and sole discretion in the following matters: 13.1 Refusal or acceptance of any bid; 13.2 Carrying out the auction in such a manner as he/she may decide; 13.3 Withdrawal of any Lot, dividing it for auction separately, combining any two or more Lots for auction; 13.4 If there are errors or disputes, no matter if they occur during or after the auction, he/she shall have the right to decide the successful Bidder, whether or not to continue the auction, to cancel the auction or place the Lot under dispute for auction again;

13.5

13.6 13.7

The Auctioneer may open and carry out the bidding at a level with bidding increments that he/she considers suitable, and has the right to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other Bidders; Adoption of other actions that he/she considers as appropriate; The striking of hammer represents the acceptance of the highest bid, at which moment the Buyer shall be imposed with all the obligations associated with the successful bid.

Section 14 Successful Bid The fact that the Auctioneer confirms the highest bid of a Bidder by striking his/ her hammer or in any other manner of publicly conﬁrming the sale shall indicate the conclusion of a sales contract for the Lot between the Bidder and the Seller. Buyer shall bear all the obligations associated with the successful bid, and fully pay and collect lot(s) according to Section 16 and Section 17. Buyer shall not refuse or delay payment, or he/ she shall be liable for breach of contract. All payments are non-refundable, any forms of cancellation of the deal shall be treated as breach of contract. Section 15 Buyer’s Premium and Expenses The Bidder will be deemed as the Buyer of the Lot after succeeding in bidding and shall pay us the Buyer’s Premium together with any applicable expenses and charges. Unless with speciﬁcation. The Buyer’s Premium is equal to 23% of the Hammer Price of each Lot up to and including HK$8,000,000; and 15% of the excess of the hammer price above HK$8,000,000. Buyer who fully pays within 14 days after the Sale Date (including the Sale Date) can enjoy Early Payment Discount Buyer’s Premium, which is equal to 20% of the Hammer Price of each Lot up to and including HK$8,000,000; and 12% of the excess of the Hammer Price above HK$8,000,000. For other special collection, the buyer's premium will be announced respectively. Section 16 Payments 16.1 After the Lot is successfully sold in an auction, the Buyer shall fully pay the Purchase Price within 14 days after the Sale Date (including the Sale Date), and collect the Lot. Otherwise, the Buyer shall be liable for breach of contract, the Company has the right to adopt measures according to Section 18 without further notice. 16.2 If there is any tax liability imposed on the Buyer arising from the Purchase, the Buyer shall bear it himself/herself/itself according to the provisions of the relevant laws currently in force. 16.3 If packing, moving costs, and insurance expenses, expenses related to export is/are involved, the Buyer shall pay them altogether. 16.4 All payments shall be made in Hong Kong Dollars. If the Buyer make payments in currency other than the designated one, the currency shall be converted at the rate agreed upon by the Buyer and us or at the rate announced by Bank of China (Hong Kong) Limited one business day prior to the payment. We shall charge the Buyer for any conversion costs or bank charges incurred. 16.5 Our company will issue an invoice of property sold under the name and address on the Bidding Paddle Registration Form and the registered name and address cannot be changed. 16.6 Our company does not accept payment from a third party other than the Buyer. This applies to the agent as well. If the agent participates in the auction on behalf of others, we only accept payment from the Principal. Other than accepting payment from the Buyer, our company reserves the right to reject payments from other sources. 16.7 Payment Methods (i) By Cash or Cashier Order If payment is made by cash or cashier order, the purchases will be released immediately. However, our company does not accept sums exceeding HK$80,000 (or its equivalent in other currencies) in cash in a single or multiple payments. (ii) By Cheque Payable to "Marchance Auctioneers Limited" Please be reminded that the purchases will not be released until such cheques have been cleared. Traveler’s cheques are not accepted. (iii) By Bank Transfer Please include your name and paddle number or invoice number with your instructions to the bank. Account Name: Marchance Auctioneers Limited Bank: The Hong Kong and Shanghai Banking Corporation SWIFT: HSBCHKHHHKH Account No.: 004-652-209198-001 (iv) Payment by UnionPay Marchance accepts payment by UnionPay. Buyer is required to present UnionPay card in-person to complete the transaction. For full payment made within 5 days after the Sale Date, no additional administration fee required. For payment by other credit cards, please check with our onsite staff for the arrangements. Section 17 Collecting, Packing, Shipping and Exporting of Lots 17.1 The Buyer shall collect the purchased Lot no later than 14 days after the Sale Date (including the Sale Date). Otherwise, whether or not payments have been made, the Company has the right to adopt one or more measures below: (i) We shall be permitted to remove the property to a third party warehouse. All costs (including but not limited to the Storage Fee calculated and charged according to the provisions of the Bidder Registration Order starting from the 31st day from the Sale Date (including the Sale Date) and/or risks for the taking out of an insurance policy and/or storing the Lot in the Company or other places shall be borne by the Buyer. Only after the Buyer has paid the full amount of the Purchase Price, he/she/it can collect the Lot (packing and moving costs, insurance expenses, expenses related to export shall be at the Buyer’s expense); (ii) If the Buyer has not yet collected the Lot within 30 days from the Sale Date (including the Sale Date), after notifying the Buyer, the Company has the right to sell that Lot in a public auction or by a method and with methods and conditions that it considers suitable. Any proceeds after the deduction of all the losses, expenses (packing & moving costs, insurance costs, expenses related to export, Storage Fee, and notarial expenses etc.) incurred by the Company from the disposal shall be collected by the Buyer; such balance is non-interest-bearing. If the Buyer fails to collect the proceeds back two years after the Sale Date, the balance shall be deposited to a Hong Kong court by the Company after deducting the relevant expenses (including legal fees).

250

17.2

17.3

17.4

17.5

Where Properties are not collected within 30 calendar days (including the day of sale) from the day of sale, the Buyer must pay the monthly Storage Fee of HK$800 per Lot starting from the 31st day. For storage of less than one month, one whole month's Storage Fee will be charged. All other additional expenses such as insurance, packing & transport costs will be charged separately. The Buyer shall bear all the risks and expenses incurred after the deadline as stated in the Conditions of Business if he/she/it cannot collect the Lot concerned within that deadline. Even though the Lot is still under our or any of our agent's custody, neither we nor our agents shall be liable for any losses or damages incurred regardless of the reasons. We may arrange packing and handling of the purchased Lot on behalf of the Buyer upon his/her/its request. This is considered as a service provided by the Company to the Buyer and the Company has the sole and absolute discretion to decide whether to provide this service, if any losses arise there from, the Buyer shall be personally liable for such losses. Packing and handling fee is charged as follow: Purchase value

Packing and handling fee

Up to and including HK$1,000

HK$100

Between HK$1,001 and HK$1,000,000

HK$300

Above HK$1,000,000

HK$500

Where the Buyer requests the Company to assist in collecting the purchased Lot (the packaging, mailing and transportation expenses shall be paid by the Buyer) by means of post, express delivery or transportation, the Company shall be deemed to have delivered the Lot and the Buyer shall be deemed to have collected such Lot according to the normal procedure upon the Company’s delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch offices. The risks arising from this process shall be borne by the Buyer. Unless as Buyer gives a clear indication and pays insurance premium, no insurance is provided in the process of mailing, express delivery or transportation generally. The Company shall undertake no liability for any error, omission, damage or destruction caused by the packaging company and post, express delivery and transportation entities or companies designated by the Buyer or recommended by the Company to the Buyer. 17.6 Under no circumstances shall the Company be responsible for any damage of the glass or picture frame, box, backing sheet, frame case, mounting, inserts, rolling rod or similar auxiliary objects caused by any reasons. 17.7 For items made of botanic or animal materials (coral, crocodile, ivory, whale bone, tortoise, rhinoceros horn and Brazilian Rosewood, etc.) or containing botanic or animal materials, regardless of their year or value, may require application for permits or certificates before exporting outside Hong Kong, and other application for permits or certificates may be required when importing into countries outside Hong Kong. Please pay attention that the ability to obtain export permits or certificates does not ensure that import permits or certificates can be obtained in another country, and vice versa. For example, importing ivory of less than 100 years is illegal in the USA. Bidders should enquire about the import regulations on products made of or containing botanic or animal materials of the governments concerned before participating in an auction. The Buyer shall be responsible for obtaining any import and export licenses, permit for endangered animals or other aspects related to the Lot. Failure or delay in obtaining any permits required shall not be deemed as a reason for cancelling the purchase or delaying in paying the Purchase Price. The Company shall not bear any responsibilities for the failure to properly fill in or submit the required import or export documents. If the Buyer requests the Company to apply for the import and export licenses on his/her/its behalf, the Company has the right to charge service fees for this service. However, the Company does not warrant that the import or export license will be issued. The Company and the Seller has not made declaration or warranty in respect of whether or not any Lot is subject to import and export restrictions or any embargo. Section 18 Remedies for non-payment If the Buyer fails to make full payment according to the provisions of the Conditions of Business or any payment arrangements agreed with the Company, the Company has the right to adopt one or more of the following remedies: 18.1 After the Lot is sold, if the Buyer fails to pay the Purchase Price within 14 days from the Sale Date (including the Sale Date), the auction deposit paid at the time of bidding registration shall be forfeited, and it shall at the same time assume the liabilities according to the provisions of the Conditions of Business; if the Buyer has bought a few Lots with the same paddle, after the Lots are sold, if the Buyer has not paid the Purchase Price of any of the Lots within the time stipulated, then the entire auction deposit shall not be refunded, and it shall at the same time assume the relevant liabilities according to the provisions of the Conditions of Business; 18.2 If the Buyer fails to pay the Purchase Price in full to the Company within 14 days from the Sale Date (including the Sale Date), the Company has the right to appoint a third party organization to collect the entire or part of the Purchase Price that the Buyer owes and the Buyer shall also pay the Company all the costs of such collection; 18.3 If the Buyer fails to pay the Purchase Price in full within 14 days from the Sale Date (including the Sale Date), the Company has the right to charge interest at 0.03% per day on the unpaid portion starting from the 15th day after the Sale Date until the day on which the Buyer has fully paid the monies, with the exception that the Buyer has otherwise agreed with the Company; 18.4 The Buyer shall bear the risks and expenses of taking out an insurance policy, moving and storing the Lot in the Company or other places; 18.5 To commence legal proceedings against the Buyer and demand for compensation for all the losses due to the breach of contract by the Buyer including the interest loss caused by the delay in payment or refusal to make payments by the Buyer; 18.6 To retain that or any other Lot that the same Buyer has bought via the Company, and any other properties or rights to property of the Buyer that the Company holds for any reasons, all the expenses and/or risks incurred during the retention period shall be borne by the Buyer. If the Buyer fails to perform all his/her/its duties concerned within the period specified by the Company, the Company has the right to issue a lien notice to the Buyer and dispose of the items under lien if the Buyer has not yet fully paid all outstanding amounts within 30 days after the issue of that notice. If the items under lien are insufficient to offset all the monies payable by the Buyer to the Company, the Company has the right to claim them;

18.7 18.8

18.9 18.10 18.11 18.12

The Company has the sole discretion to cancel the sale or agree that the Consignor can cancel the deal, and reserve the right to claim all the losses suffered by the Company due to the cancellation of that deal; The Company can place the Lot for auction again or sell it by other means according to the provisions of the Conditions of Business with the consent of the Seller, and the Company reserves the right to decide the Estimate and Reserve. The original Buyer shall pay the commission and other Buyer’s Expenses and the Seller in the ﬁrst auction, and he/she/it shall bear all the costs of the second auction or the sale of the Lot by other means. If the price obtained from the second auction or the sale of the Lot by other means is lower than the original auction sum, the original Buyer shall pay the shortfall; To offset any monies related to the Lot that the Buyer owes the Company by any sums that the Company owes the Buyer in any other transactions; The Company can decide to use any monies paid by the Buyer to repay any sums that the Buyer owes the Company in any other transactions; To reject any bids made by the Buyer or his/her/its agent in future auctions, or to obtain auction deposit before accepting any bids; To disclose the information of the Buyer to the Seller, so that the Seller can commence legal proceedings to recover the outstanding amount, or claim damages and claim legal fees for the breach of contract by the Buyer.

Section 19 Transfer of Ownership The Buyer shall only acquire ownership of the Lot after the payment of the Purchase Price in full. Even if the Company has delivered the Lot to the Buyer, the Buyer has not yet obtained the ownership of the Lot. This shall pass onto the Buyer only when the Buyer has fully paid the Purchase Price and all monies that the Buyer owes the Company. Section 20 Transfer of Risks After a successful bid, any Lot purchased shall be entirely at Buyer's risk as soon as one of the following occurs: (i) The Buyer collects the Lot purchased; (ii) The Buyer pays us full Purchase Price for the Lot; (iii) The expiry of 14 days after the Sale Date (including the Sale Date).

Part 3 Conditions Applicable to Seller Section 21 Consignment Procedures 21.1 When arranging the consignment of the Seller’s Lot to the Company for auction: (i) The Seller must present a valid identity document with photo issued by the government (e.g. resident identity card or passport) if the Seller is a natural person, and sign a consignment auction contract with the Company; (ii) A valid certificate of incorporation, proof of shareholding, or a legal authorization document shall be required if the Seller is a legal entity or any other organization, which shall sign a consignment auction contract with the Company; 21.2 When arranging the consignment of the Lot to the Company for auction, the Seller’s agent shall submit to the Company the relevant authorization certificates including: (i) A valid identity document if such agent is a natural person; (ii) A valid certificate of incorporation and proof of shareholding if such agent is a legal person or any other organization; and (iii) A valid power of attorney duly executed. The Company has the right to examine the aforesaid documents in a lawful manner. 21.3 When the Seller or Seller’s agent signs a consignment auction contract with the Company, the Company shall be automatically authorized to make pictures, illustrations, catalogues, or other video images of the Lot without the necessity to pay any charges. Section 22 The Seller’s Warranties The Seller hereby makes irrevocable warranties to the Company and the Buyer with respect to the Lot he/she/it consigns to the Company for auction as follows: (i) The Seller has absolute ownership or legal right to dispose or sell the Lot. The auction of the Lot will not infringe any legal interest or right (including copyright interest) of any third party, and will not violate the provisions of relevant laws and regulations; (ii) The Seller has, to the best of his/her/its knowledge, made full and complete disclosure and description to the Company with respect to the origin and any flaw of the Lot and notified the Company in writing, without any concealment or fabrication; (iii) If the Lot being consigned shall be imported into Hong Kong, the Seller shall guarantee the compliance with the laws of its origin, and ensure the completion of the export and import procedures and notify the Company in writing; and (iv) If the violation of the above warranties causes the actual owner of the Lot or any third party who claims to have right to bring any claim or action and causes the Company and/or the Buyer to suffer losses and damages, the Seller shall compensate for all losses and damages suffered by the Company and/or the Buyer as well as all expenses and costs incurred as a result. Section 23 Insurance 23.1 Unless as otherwise instructed by the Seller in writing, all Lots will be automatically covered under the insurance policies purchased by the Company after the Seller enters into the consignment auction contract with the Company and delivers the Lots to the Company. The insured amount shall be based on the Reserve agreed by the Seller and the Company in the consignment auction contract (if there is no Reserve, it shall be the agreed insured amount of the Lot; if the Reserve is adjusted, it shall be the original Reserve of the Lot). The insured amount is only applicable to insurance and claim for compensation, it is not the Company’s warranty or guarantee for the value of the Lot, and does not mean that the Lot can be sold for an amount equal to the insured amount through any auction by the Company. 23.2 If the Lot is sold in the auction, the insurance period shall terminate at the earlier of the expiry of the 14th day after the Sale Date (including the Sale Date) and the date when the Buyer collects the Lot. If the Lot is not sold in the auction, the insurance period shall terminate upon the expiry of thirty days after the Company issues the notice on the collection of the Lot. 23.3 If the Lot is sold, the insurance premium payable by the Seller shall be 2% of the Hammer Price unless as otherwise agreed by the Seller and the Company. If the Lot is not sold, the Seller shall as well pay the insurance premium at 1% of the Reserve.

23.4

In the event that the Seller notifies the Company in writing not to insure the Lot, he/she/it shall undertake all the risks and the following liabilities at any time (unless as otherwise ruled by an arbitration institution): (i) To compensate for any claim or action brought by any other parties against the Company with respect to the damage or destruction of the Lot; (ii) To compensate the Company and/or any other parties for all losses suffered and all expenses incurred because of the damage or destruction of the Lot caused by any reason; and (iii) To notify the compensation related provisions herein to any insurer of the Lot. 23.5 Any damage or destruction of the Lot caused by incidents or disasters covered by the insurance purchased by the Company for the Lot shall be handled in accordance with the policies and regulations of the insurance company concerned. The Company shall pay insurance indemnities after deducting the Company’s expenses (other than the Commission) to the Seller after the Company obtains such indemnities from the insurance company. 23.6 During the period in which we assume the risks of the Lot, we shall be liable for any loss thereupon for up to 100% of the Reserve only. 23.7 The damage or destruction of the Lot caused by natural wear, inherent flaws, internal or potential defects, change of substance itself, self-combustion, self-heating, oxidation, corrosion, leakage, rat-bite, worm-bite, change in the atmosphere (climate or air temperature), change in humidity or temperature, or other gradual changes or caused by force majeure such as earthquake, tsunami, war, hostile action, armed conflict, terrorism, coup, strike and social riot, or nuclear radiation or radioactive pollution as well as the damage or destruction of book frames, glass, drawers, bottom pads, trestles, mountings, insert pages, scroll heads or other similar accessories caused by any reason are not within the scope of insurance indemnity. Section 24 Commission and Expenses 24.1 Unless as otherwise agreed upon by the Seller and the Company, the Seller shall authorize the Company to deduct 10% of the Hammer Price as Commission, 2% of the Hammer Price as Insurance Fee, HK$1,200 per page as Catalogue Fee and at the same time deduct other expenses. 24.2 Despite the fact that the Company is the Seller’s agent, the Seller agrees that the Company may collect the Commission and other expenses from the Buyer in accordance with provisions in Section 15 hereof. 24.3 If the Lot fails to sell, the insurance premium payable by the Seller shall be equivalent to 1% of the Reserve. Section 25 Sale Arrangements 25.1 Unless as otherwise agreed upon by the Company and the Seller, all Lots are offered subject to a Reserve. The Reserve shall be determined by the Seller and the Company in writing through consultation, and no modification of the Reserve shall be made without the prior consent of the other party after it is determined by both parties. 25.2 The Company shall be entitled to sell the Lot below the Reserve. If we do so, we shall pay the Seller the difference between the Hammer Price and the Reserve. In such cases, the Seller's obligations to us with respect to such a Lot are the same as if it had been sold at auction. 25.3 If any Lot is bought in or otherwise unsold by auction, we are authorized as the exclusive agent for the Seller for a period of up to 30 days following the Auction Date to sell such Lot privately at a price which will give the Seller a net proceed (i.e. after deduction of all charges due from the Seller) at least equivalent to what the Seller would have been entitled had the Lot been sold at the Reserve. Or, subject to Seller's consent, we can sell the Lot at a lesser amount. In such cases, the Seller's obligations to us with respect to such a Lot are the same as if it had been sold at auction. 25.4 The Seller shall not bid for the Lot consigned to the Company by himself/ herself/itself for auction, or authorize any other person to bid on his/her/its behalf. Only the Company has the right to bid on behalf of the Seller at a price not more than the Reserve. The Seller shall bear all legal liabilities and compensate for all losses caused to the Company if the Seller violates this Article. 25.5 Any estimate given, orally or in writing, is a matter of opinion only and is not an assurance of the price the Lot will eventually be sold. 25.6 In no circumstance shall the Company bear any liability for failure to sell the Lot at the Reserve at the auction held by the Company. 25.7 The Company may decide the following matters at its absolute and sole discretion: (i) Explanation and/or appraisal of any aspect of any Lot through the catalogue of the Lot and/or news media and/or other carriers; (ii) The illustration of the Lot in the catalogue, the exhibition of the Lot and other forms of publicizing the Lot, the arrangement in the promotional activities as well as the standards of payable expenses; (iii) Whether to consult any expert or not; (iv) Suitability of a Lot for auction by the Company; (v) The combination or division of Lots for sale; (vi) Whom should or should not be admitted to the auction, which bids should be accepted; (vii) The date of auction, the place of auction, the conditions of auction and the manner of auction; (viii) To agree on special conditions of the payment of the Purchase Price; (ix) To remove, store and insure the sold Lot; (x) To settle claims brought by the Buyer or the Seller in accordance with the relevant articles hereof; (xi) To take other necessary measures to collect the outstanding payment owed by the Buyer to the Seller. Section 26 Withdrawal and Suspension 26.1 The Seller may withdraw the Lot at any time prior to the Auction Date by issuing a written notice to the Company. In the case that the Lot has been listed in the catalogue or other public materials and they have begun to be printed at the time of the withdrawal of the Lot, the Seller shall pay an amount equal to 20% of the Reserve of the Lot and all other expenses. In the case that the catalogue or other public materials have not been printed, the Seller shall pay an amount equal to 10% of the Reserve of the Lot and all other expenses. Any dispute or claim arising out of the Seller’s withdrawal of the Lot shall be borne by the Seller and the Company shall have no liability for resolving such dispute or claim. 26.2 After the Seller has signed the consignment auction contract with and delivered the Lot to the Company, if for any reason the Company believes that the Lot is not suitable for auction by the Company, the Seller shall collect

the Lot within thirty days from the issuance date of the Company’s notice (fees for packaging and transportation shall be at the Seller’s own expense). The consignment auction contract between the Seller and the Company will terminate on the date when the Seller collects the Lot. If during the abovementioned period the Seller fails to collect the Lot, the consignment auction contract will automatically terminate upon the expiration of such period. If within seven days after the termination of the consignment auction contract the Seller does not collect the Lot, the Company shall have the right to charge the Storage Fee, insurance fees and other reasonable expenses, and to dispose of the Lot in a way the Company deems appropriate. The Seller is responsible for the collection of, if any, the amount obtained from the disposal after deducting all the fees and expenses incurred by the Company. 26.3 The Company has the right to suspend the auction of any Lot at any time before the actual auction under any one of the following situations: (i) The Company has an objection to the ownership or authenticity of the Lot; (ii) Any third party has an objection to the ownership or authenticity of the Lot and can provide relevant evidence materials as to the basis of such objection, pays a security pursuant to the Company’s requirements and is willing to take the corresponding liabilities for the legal consequences and all losses caused by the suspension of auction; (iii) The Company has an objection to the explanation of the Seller or the accuracy of the Seller’s warranty mentioned in Article 7 hereof; (iv) Any evidence proves the Seller has violated or will violate any provisions of these Conditions of Business is alleged;; (v) For any other reason, the Company believes that the auction of such Lot shall be suspended. Whichever situation causes such suspension, if the Company is aware of any ownership or other dispute in relation to the Lot being consigned for auction, the Company shall have the right to refuse to return such Lot until the dispute is settled. Section 27 Successful Bids 27.1 After the sale, we shall demand the Buyer for full payment. Should there be no disputes between the Buyer and us, we shall pay the Seller within 35 days after Auction Date the Hammer Price less applicable deductions. 27.2 If there is a delay in payment by the Buyer, we shall only make payment to the Seller within 7 days after receipt of payment from Buyer. 27.3 The Seller shall be responsible for payment of all taxes arising from the receipt of the Proceeds of Sale obtained. If the Company has the obligation to withhold and pay taxes according to the provisions of the relevant laws, the Company will comply with the provisions of the applicable laws. The Seller shall assist in handling all the formalities and pay the corresponding taxes and expenses. 27.4 The Seller shall, at the time of its consignment of the Lot to the Company for auction, be deemed to have authorized the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller. Where the Buyer fails to fully pay the Purchase Price within 14 days after the Sale Date (including the Sale Date), the Company shall have the right to demand the Commission and other Buyer’s Expenses according to the provisions of Article 18 hereof. In addition, the Company shall as well have the right to take appropriate measures (including but not limited to resorting to legal proceedings) to assist the Seller in collecting such outstanding payment from the Buyer where it is deemed by the Company to be practicable. The above provision does not exclude the Seller’s right to demand in person or authorize any third party to demand the outstanding payment from the Buyer and does not obligate the Company to demand the corresponding outstanding payment from the Buyer on behalf of the Seller under any circumstance. This Company shall not bear the corresponding liability for the Seller because of the Buyer’s failure to pay the Purchase Price under any circumstance. 27.5 The sale shall be deemed as cancelled should the Buyer fail to make full payment within 60 days after Auction Date. We shall therefore return the Lot to the Seller without any liabilities and obligations. 27.6 Should we be obliged to take the Lot back from the Buyer on the basis that it is a fake or forgery, the Seller shall refund to us in full the proceeds of sale he/she so received. 27.7 Unless otherwise instructed by the Seller, we shall pay the Seller in Hong Kong currency. Section 28 Unsold Lots 28.1 The Company may re-negotiate with the Seller on the revised Reserve and sell the Lot in private sale, and pay the Seller the Proceeds of Sales adjusted based on the revised Reserve. 28.2 Re-auction The Company may re-auction the Lot. The Commission and expenses scale set out in the previous consignment auction contract remains applicable. 28.3 Collection of the Lot The Seller shall collect the Lot within 7 days upon the issuance of our notice on collection or within 30 days after Auction Date (whichever date is earlier) and pay the Company the service fee for unsuccessful auction and other expenses. Fees for packaging and transportation shall be paid by the Seller. The Company shall, upon expiration of such time limit, be entitled to charge the Storage Fee, insurance fees and other reasonable expenses. If any such Lot is not collected within 60 days after the date of sale, the Company shall have the right to sell the Lot through public auction or other means of sale according to the conditions the Company deems appropriate. The Company shall also be entitled to deduct the service fee for unsuccessful auction and other expenses payable by the Seller in the ﬁrst auction as well as all expenses for re-sale of the Lot by auction from the Proceeds of Sale before paying the remaining amount to the Seller. 28.4

252

Risk Assumption The Seller shall assume liability for all risks and expenses that occur after the time limit prescribed herein if the Seller fails to recover the possession of the Lot not auctioned or the unsold Lot within such time limit. Where the Seller requests Company to assist in the return of the Lot within the time limit provided herein and the Company so agrees, the Seller shall assume liability for all risks and expenses that occur after the Lot leaves the place designated by the Company. Unless the Seller speciﬁcally gives an indication and pays insurance premium in advance, the Company has no obligation to insure the Lot for any period after its departure from the place designated by

the Company. Where the Seller requests the Company to assist in returning the Lot by means of post, express delivery or other third-party transportation, the Company shall be deemed to have returned the Lot and the Seller shall be deemed to have collected the Lot upon the Company’s delivery of the Lot to the post, express delivery and transportation entities, companies or their employees/branch ofﬁces.

Part 4 Miscellaneous Section 29 Copyright The Seller authorizes the Company to produce photos, illustrations, catalogue, video products and advertising materials in any other forms of the Lot that it has appointed the Company to place for auction, the Company is entitled to the above photos, illustrations, catalogue, video products and advertising materials in any other forms of the Lot, and has the right to use them without the necessity to pay any charges. Without prior written consent of the Company, the Buyer and any other third party shall not use them. The Company and the Seller have not made any statement and warranty as to whether the Lot is restricted by copyright or if the Buyer has obtained any copyright of the Lot. Section 30 Obtaining Information, Video Taking In connection with the operation of the auction business of the Company, the Company may make audio recording, video recording of any auction process, and need to collect personal information from the Bidder or ask for the information of the Bidder from third parties (such as asking for credit review from banks). Such information will be handled and kept in confidential by the Company. However the information concerned may be provided to the Company, its divisions, affiliates and subsidiaries in order to assist the Company to provide comprehensive services to Bidders, carry out client analysis, or in order to provide services that meet the requirements of the Bidder. For the sake of the interest of the Bidder, the Company may also provide some personal information of the Bidder to third party service providers (such as cargo liners or storage houses). By participating in the auction of the Company, the Bidder agrees to all previously stated disclosure. If the Bidder would like to obtain or amend his/her/its personal information, please contact the customer service department. Section 31 Authentication Right The Company may authenticate the Lot if necessary. In case of any discrepancy between the authentication conclusion and the conditions of the Lot in the consignment auction contract, the Company shall have the right to request modification or rescission of the consignment auction contract. Section 32 Notice The Bidder and the Buyer shall inform the Company their permanent and effective correspondence address and contact methods in the bidding registration documents or by other methods recognized by the Company. If there are changes, they shall inform the Company in writing immediately. The notices mentioned in the Conditions of Business only refer to written notices sent by letter or fax formats. A notice shall be deemed as served at the following moment: (i) If it is served by hand, when it reaches the address of the party concerned; (ii) If it is sent by post, then it is the seventh day after it is posted; (iii) If it is sent by fax, then it is the moment the outgoing fax transmission is confirmed by the fax machine. Section 33 Severability If any part of these Conditions of Business is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law. Section 34 Law and Jurisdiction 34.1 The Conditions of Business and the related matters, transactions, any disputes caused by or in connection with the participation in the auction activities of the Company pursuant to the Conditions of Business shall be subject to Hong Kong laws and shall be interpreted by Hong Kong laws. The Company and the Buyer and the Bidder shall submit to the non-exclusive jurisdiction of Hong Kong courts. 34.2 By bidding at auction, whether in person or by agent, by absentee bid, telephone or other means, the Buyer shall be deemed to have accepted these Conditions and submitted, for the benefit of Marchance to the nonexclusive jurisdiction of the courts of Hong Kong. Section 35 Right of Interpretation The right of interpretation of these Rules shall belong to the Company. Section 36 Language The Chinese version of the Conditions of Business shall be the standard texts; the English version is for reference only. Should there be any discrepancy between the English version and Chinese version, the Chinese version shall prevail.

Bidder Registration Form Sale No .

Marchance 2018 Spring Auction

Paddle No.

Client No.

We encourage new clients to register at least 24 hours in advance of an auction to allow sufficient time to process the registration.

A. Have you registered for auction at Marchance Auctioneers before? □ NO

□ YES

How did you know about us? (you can choose more than one) □ Referral

□ Website (Name : ____________)

□ Email

□ Social Media ( □ Wechat □ Facebook □ Other : _____________________)

□ Invitation Card

□ Magazine (Name : _____________________) □ Other : ______________________________

Interested Categories (you can choose more than one) □ Jades

□ Ceramics ＆ other works of art

□ Coins, Banknotes & Stamps

□ Tea, Wine & Agarwood

□ Chinese Paintings & Calligraphy

□ Jewellery & Watches

______ ___ □ Other : ____________________________________________

B. Bidder's Details Marchance Auctioneers does not accept payment from third parties, including agents, and that invoice details cannot be changed after the sale. Please complete the details of the registered bidder:

First Name

Last Name

ID/Passport No.

(For company account, please provide name of company and authorized person.)

Tel

Fax

Address Postal Code □ I confirm that the address provided above or held in Marchance Auctioneers' record is my current address.

C. Important Notice � Marchance Auctioneers Limited does not accept payment from third parties (agent inclusive), and that the invoice details cannot be changed after the end of the Auction. � Please provide the certified tr ue copies of the following documents: INDIVIDUALS - identity document with p hoto issued by th e government (such as resident identity card or passport and pr oof of current address ( if the current address is not shown in the identity document), e.g. utility bi ll or bank statement. CORPORATE CLIENTS-a certificate of incorporation and proof of shareholding. AGENT- ide ntity document of the agent, identity document of the bidding person/ company that the agent represents, original signed authorization letter from that person/company. � The Bidder shall pay us the Buyer's Premium together with any applicable expenses and charges as below: the Buyer's Premium is equal to 23% of the Hammer Price of each Lot up to and including HK$8,000,000; and 15% of the excess of the hammer price above HK$8,000,000. Buyer who fully pays within 14 days after the Sale Date (including the Sale Date) can enjoy Early Payment Discount Buyer's Premium, which is equal to 20% of the Hammer Price of each Lot up to and including HK$8,000,000; and 12% of the excess of the hammer price above HK$8,000,000.

D. Declaration � I hereby confirm my intention and application to bid in the above auction. I agree to deliver to Marchance Auctioneers such necessary financial references, guarantees, deposits and/or such other security as Marchance Auctioneers may in its absolute discretion requires as security for my bid. I agree that Marchance Auctioneers has no obligation to accept this bidder registration application and that Marchance Auctioneers' decision in this regard shall be final. I shall not assume Marchance Auctioneers' acceptance of my application unless I have received a written confirmation from Marchance Auctioneers to that effect or a bidding paddle. � I have read and understood the “Buying at Marchance”,“Important Notices”and the“Conditions of Business”printed in the catalogue, as well as the “No third party payment notice” which all shall be incorporated herein by reference and agree to be bound by them. � I have read and understood the data collection section of the conditions of sale printed in the catalogue which shall be incorporated herein by reference and agree to be bound by its terms. � Please note that the auctioneer may open bidding on any Lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve, by placing responsive or consecutive bids for a Lot. � I authorize Marchance Auctioneers to request a financial reference from any bank of which I have maintained an account. � Marchance Auctioneers reserves the right to request new clients or purchasers preferring to make a cash payment to provide: valid proof of identity (by providing some form of government issued identification containing a photograph, such as passport, identity card or driver ’ s license) and confirmation of permanent add ress, and seek identification of the source of funds received. � If I am not successful in any bid and do not owe Marchance Auctioneers Limited any money or have not breached any terms of the general policy of Marchance Auctioneers, the deposit will be refunded to me by wire transfer or other method as determined by Marchance Auctioneers. (Please make sure that your bank details is provided to Marchance.) � The contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Property is sold, I agree to pay the hammer price in Hong Kong dollars, the stated Buyer's Premium of each lot and any Buyer's expenses within 14 calendar days (including the day of sale) from the day of sale, and collect the Property ( packaging, moving expenses, transport costs, insurance expenses and export -re lated expenses etc. are at my expense) within 30 days after the end of the sale (including the day of sale). If I have not collected the Property within the deadline, then I shall pay storage fee at HK$800/piece /month and all other additional expenses such as insurance, packing and transport costs will be charged separately. � I shall keep my number paddle properly. If the number paddle is lost, I shall immediately comply with the loss report formalities in a written form recognized by Marchance. Unless otherwise agreed in writing by Marchance, I shall not lend or transfer my paddle to any other person(s). Otherwise, I shall be liable for all consequences associated with the use of my paddle for bidding or any other use.

Date

Signature Marchance Auctioneers Limited 2/F, Hua Fu Commercial Building, 111 Queen's Road West, Sheung Wan, Hong Kong Tel : (852) 2868 6938

Fax : (852) 3020 9433

Email : enquiry@marchance-auctioneers.com

FOR OFFICE USE ONLY Deposit Payment: Handled By

□ Wire Transfer

□ Cheque

□ Union Pay

Approved By

□ Cash

□ Alipay Date

□ WeChat Pay

□ Other

競投者登記表格拍賣場次 :

競投牌編號

客戶編號 :

萬昌斯 2018 春季拍賣會建議新客戶於拍賣舉行前至少 24 小時辦理登記 , 以便有充足時間處理登記手續

A. 你是否曾於萬昌斯拍賣行登記競投 ? □有

□ 沒有

您從什麼途徑認識本公司？ ( 可選多於一項 ) □ 親友介紹 □ 網站 ( 請注明： ______________________________________) □ 邀請卡 □ 電郵 □ 社交媒體 ( □ 微信 □ Facebook □ 其他請注明：________________________) 興趣範圍 ( 可選多於一項 ) □ 玉器 □ 瓷器雜項 □ 書畫 □ 其他：________________________________________

□ 雜誌 ( 請注明：_____________________________) □ 其他 ( 請注明：____________________________)

□ 珠寶鐘錶

□ 錢幣郵票

□ 茶酒香

B. 競投者資料萬昌斯拍賣行不接受包括代理人在內之第三方付款 ; 付款資料於拍賣會完結後將不能更改。請於以下填寫登記競投者之資料 : 姓名 ( 公司客戶請填寫公司名稱及被授權代表之姓名 )

電話

傳真

電郵

地址郵政編號 □ 本人確認以上填寫地址或現今於萬昌斯拍賣行所記錄之地址為本人現有地址。

C. 重要提示萬昌斯拍賣行不接受包括代理人在內之第三方付款；且發票資訊於拍賣會完結後將不能更改。請提供以下文件之經核證副本 : 個人 - 政府發出附有照片的身份證明文件 ( 如居民身份證或護照 ) 及 ( 如身份證明文件未有顯示現時住址 ) 現時住址證明，如公共事業帳單或銀行月結單。公司客戶 - 公司註冊證書以及股東證明文件。代理人 - 代理人的身份證明文件，代理人代表的競投人士 / 單位之身份證明文件，以及該人士 / 單位簽發的授權書正本。 • 買家除支付落槌價外，另須支付佣金及其他買家負責的各項費用予本公司，佣金收取標準按每件拍賣品落槌價計算比率如下：落槌價首 HK$8,000,000 之 23%，落槌價超過 HK$8,000,000 之部份則以 15% 計算。如買家於拍賣成交日 ( 含成交日 ) 起十四日內繳清貨款（即 2018 年 6 月 12 日或之前），買家可享限時佣金優惠，佣金收取標準按每件拍賣品落槌價計算比率如下：落槌價首 HK$8,000,000 之 20%，落槌價超過 HK$8,000,000 之部份則以 12% 計算。 • •

D. 聲明 • 本人特此確定申請於上述拍賣會競投。本人同意向萬昌斯拍賣行交付所需的財政狀況證明、擔保、存款證明及 / 或萬昌斯拍賣行可絕對酌情要求本人為競投須做出的其他抵押。

• • • • • • •

•

本人同意萬昌斯拍賣行並無責任接受此競投者登記表及萬昌斯拍賣行對此有最終決定權。除收到萬昌斯拍賣行之書面通知確定此登記表有效或發給之競投牌，本人不應假設萬昌斯拍賣行已接納此登記表。本人已細閱載於目錄內的買家須知、重要通告、業務規則及不受第三方付款條文，並同意遵守所有規定。本人已細閱載於目錄內業務規則之資料搜集條款，並同意遵守該規定。拍賣官可代表賣家為任何拍賣品叫第一口價以開始競投。拍賣官更可代表賣家以接連投標或競投方式就拍賣品作出競投直至達到底價。本人授權萬昌斯拍賣行向銀行索取有關本人之財務資料。萬昌斯拍賣行有權向支付現金的買家或新客戶索取有效身份證明文件、通訊地址證明及現金來源證明。若本人未能成功競投任何拍賣品，對萬昌斯拍賣行有限公司亦無任何欠款，保證金將以電匯方式或萬昌斯拍賣行決定之其他方式退還本人。（請確保閣下已提供有關之銀行資料詳情。）買家及賣家之合約於拍賣官落槌時訂立。如拍賣成交，本人同意於拍賣會結束 ( 含成交日 ) 後十四日內以港幣付清拍賣品之落槌價、已刊載之買家佣金以及任何買家負責的各項費用。並於拍賣會結束 ( 含成交日 ) 後三十日內領取拍賣品 ( 包裝及付運費用、運輸及保險費用、出境費等自行承擔 )。如本人逾期未提取拍賣品，則應支付八百港元 / 月 / 件的標準儲存費。儲存費不包括其他額外費用，如保險和運輸費，其他額外費用將會另行收取。本人必須妥善保管自己的競投號牌，謹防丟失。一旦丟失，應立即以本公司認可的書面方式辦理掛失手續。未經本公司書面同意，本人不得將自己的競投號牌轉借他人使用。否則，本人需對他人使用其競投號牌競投相應拍賣品的行為承擔全部法律責任。

日期

簽署萬昌斯拍賣行有限公司香港上環皇后大道西 111 號華富商業大廈 2 樓傳真 : (852) 3020 9433

電話 : (852) 2868 6938

電郵 : enquiry@marchance-auctioneers.com

本欄由萬昌斯拍賣行專用保證金付款方法 : 經辦 254

□ 電匯

□ 支票

□ 銀聯卡審核

□ 現金

□ 支付寶日期

□ 微信支付

□ 其他

ABSENTEE / TELEPHONE BID APPLICATION FORM Sale No .

Marchance 2018 Spring Auction First Name

Paddle No.

Client No . Last Name

E-mail

(For company account, please provide name of company and authorized person.)

Postal Code

Address Tel # 1

Preferred Language : Mandarin / Cantonese / English

Tel # 2

Bid Increments

Fax or email to:

Value

Fax : (852) 3020 9433 Email : enquiry@marchance-auctioneers.com

Increment

HK$1,999

HK $ 100

HK$2,000 to HK$4,999

HK$200, HK$500, HK$800 (i.e. HK$2,200, HK$2,500, HK$2,800, HK$3,000)

HK$5,000 to HK$9,999 HK$10,000 to HK$19,999

HK $ 500 HK $ 1,000

HK$20,000 to HK$49,999

HK$2,000, HK$5,000, HK$8,000 (i.e. HK$22,000, HK$25,000, HK$28,000, HK$30,000)

HK$50,000 to HK$99,999

HK $ 5,000

Hong Kong Dollar Bank Account: Bank : HSBC Account Name : Marchance Auctioneers Limited Account No. : 004-652-209198-001 SWIFT : HSBCHKHHHKH This Absentee bid registration must be sent to the customer service department at least 24 hours before the Auction Day. Marchance Auctioneers Limited will confirm receipt of your Absentee bid registration by fax or recorded phone message etc. If you have not received definite reply within one working day, please contact Marchance at Tel: (852) 2868 6938.

HK$100,000 to HK$199,999

HK $ 10,000

HK$200,000 to HK$499,999

HK$20,000, HK$50,000, HK$80,000 (i.e. HK$220,000, HK$250,000, HK$280,000, HK$300,000)

HK$500,000 to HK$999,999

HK $ 50,000

HK$1,000,000 or above

To repeat in the same manner as set forth above

Auctioneer may adjust increment as deemed appropriate. Please put a " √ " in the box of the appropriate option

□ Absentee Bid •Bidding will be conducted at the lowest possible price. If appropriate, your absentee bids will be roughly adjusted to the bidding increment (applied by the Auctioneer) as close as possible. •“Buy”, “unlimited bids” or “plus one” bids are not accepted. •If Marchance receives more than one absentee bid at the same bidding price, and during the Auction, such bidding prices are the highest bids for that Property, then that Property will belong to the Bidder whose absentee bid reaches Marchance first. •The Auctioneer can execute absentee bids directly on the Auction stage. □ I would NOT like to be notified when I am outbid. (This is an extra service provided by Marchance, neither Marchance nor its employees shall be liable to the Bidder for any negligence or failure to do so.)

IMPORTANT NOTICE: •Marchance Auctioneers Limited does not accept payment from third parties (agent inclusive), and that the invoice details cannot be changed after the end of the Auction. •Please provide the certified true copies of the following documents: INDIVIDUALS-identity document with photo issued by the government (such as resident identity card or passport and proof of current address (if the current address is not shown in the identity document), e.g. utility bill or bank statement. CORPORATE CLIENTS-a certificate of incorporation and proof of shareholding. AGENT-identity document of the agent, identity document of the bidding person/ company that the agent represents, original signed authorization letter from that person/company. •The Bidder shall pay us the Buyer's Premium together with any applicable expenses and charges as below: the Buyer's Premium is equal to 23% of the Hammer Price of each Lot up to and including HK$8,000,000; and 15% of the excess of the hammer price above HK$8,000,000. Buyer who fully pays within 14 days after the Sale Date (including the Sale Date) can enjoy Early Payment Discount Buyer's Premium, which is equal to 20% of the Hammer Price of each lot up to and including HK$8,000,000; and 12% of the excess of the hammer price above HK$8,000,000. I hereby apply for and appoint Marchance Auctioneers Limited to conduct bidding for the Property(ies) listed in this Absentee bid registration, and agree to the terms: 1. I undertake that I have carefully read and accept the Conditions of Business, Important Notices, Important Notices about Bidding Registration and Important Notices about Payment of Marchance Auctioneers Limited published in the catalogue, and agree to be bound by all the terms of the above mentioned provisions. 2. The disclaimer of absentee bid of the Conditions of Business of Marchance Auctioneers Limited is indisputable, I shall not seek to establish the relevant legal responsibilities of Marchance Auctioneers Limited and its staff for unsuccessful bidding or their inability to bid on my behalf regardless such is caused by negligence or other reasons. 3. I shall complete the telephone/absentee bid registration according to the conditions and procedures announced by Marchance Auctioneers Limited. If Marchance Auctioneers Limited has not received the amount corresponding to the Auction deposit that I have paid or Marchance Auctioneers Limited has not verified and confirmed it within the period stipulated, this application shall be void. 4. The contract between the Buyer and Seller shall be concluded upon the striking of hammer by the Auctioneer. If the Property is sold, I agree to pay the hammer price in Hong Kong dollars, the stated Buyer's Premium of each Lot and any Buyer's expenses within 14 calendar days (including the day of sale) from the day of sale, and collect the Property (packaging, moving expenses, transport costs, insurance expenses and export-related expenses etc. are at my expense) within 30 days after the end of the sale (including the day of sale). If I have not collected the Property within the deadline, then I shall pay storage fee at HK$800/piece /month and all other additional expenses such as insurance, packing and transport costs will be charged separately.

□ Telephone Bid •Please indicate clearly the instant communication methods and instruments that you can be contacted during the auction period, we will phone you before the bidding of the Property that you intend to bid for, the bidding information transmitted by that instant communication instrument (whether or not it is transmitted by you p ersonally) shall be considered as transmitted by you, and you shall bear legal responsibilities for the actions taken by it. •All telephone bids may be recorded, by opting for telephone bids, the Bidder agrees that his/her phone conversation will be recorded. •We recommend you to provide the highest bid, in case we are unable to contact you during auction, we could still bid the intended Property on behalf of you.

PLEASE COMPLETE IN BLOCK LETTERS Lot No. (in numerical order)

Lot Name

Highest Bid (Commission not included)

Lot No. (in numerical order)

Lot Name

Highest Bid (Commission not included)

HK$

Date

Signature

FOR OFFICE USE ONLY Deposit Payment: Handled By

□ Wire Transfer

□ Cheque

□ Union Pay

Approved By

□ Cash

□ Alipay Date

□ WeChat Pay

□ Other

書面 / 電話委託競投申請表拍賣場次 :

萬昌斯 2018 春季拍賣會

競投牌編號

客戶編號 :

姓名

電郵 ( 公司客戶請填寫公司名稱及被授權代表之姓名 )

郵政編號

地址電話 # 1

電話 # 2

競價階梯

選擇語言

國語 / 廣東話 / 英語

傳真或電郵至 :

競價金額

階梯

HK$1,999 或以下

HK $ 100

傳真 : (852) 3020 9433 電郵 : enquiry@marchance-auctioneers.com

HK$200, HK$500, HK$800

HK$2,000 至 HK$4,999

( 如 HK$2,200, HK$2,500, HK$2,800, HK$3,000)

HK$5,000 至 HK$9,999

HK $ 500

HK$10,000 至 HK$19,999

HK $ 1,000 HK$2,000, HK$5,000, HK$8,000

HK$20,000 至 HK$49,999

( 如 HK$22,000, HK$25,000, HK$28,000, HK$30,000)

HK$50,000 至 HK$99,999

HK $ 5,000

HK$100,000 至 HK$199,999

HK $ 10,000

HK$200,000 至 HK$499,999

HK$1,000,000

繼以上邏輯執行

開戶銀行 : 中国工商银行深圳皇崗支行帳戶名稱 : 林偉帳號 : 622208-4000-0069-11518

到閣下之書面競投表格。若於一個工作日內還未有收到確實回覆，請聯絡我們：電話 (852) 2868 6938。

重要提示 :

HK$20,000, HK$50,000, HK$80,000 HK $ 50,000

人民幣匯款帳戶 :

開戶銀行 : 香港上海匯豐銀行有限公司帳戶名稱 : 萬昌斯拍賣行有限公司帳號 : 004-652-209198-001 SWIFT: HSBCHKHHHKH

委託競投表格須於拍賣日前 24 小時或之前遞交客戶服務部。萬昌斯拍賣行將以傳真或錄音電話等方式確認收

( 如 HK$220,000, HK$250,000, HK$280,000, HK$300,000)

HK$500,000 至 HK$999,999

港幣匯款帳戶 :

• •

在拍賣時拍賣官可酌情更改每次增加之額度。 •

請選擇以下其中一項委託方式並於適用之方格內劃上 " √ " 號

□ 書面競投 • 競投將以盡可能低之價格進行。在適用情況下，閣下之書面競投價將會被調整至最接近競價階梯或拍賣官遞增之競投金額。 • 不接納“購買”、“無限價競投”及“加一口價”方式投標。 • 如萬昌斯拍賣行就同一拍賣品收到多於一個競投價相同之最高競投價，則該拍賣品會歸於其書面競投委託申請最先送抵萬昌斯拍賣行之競投人。 • 拍賣官可於拍賣台上執行書面競投。 □ 如有其他出價高於本人委託之最高競投價，本人不欲接獲通知。（此乃額外提供之附加服務，有關通知及更新投標過程中所出現的過失或疏忽，本公司及其職員概不負責。）

□ 電話競投 • 請清楚註明於拍賣期間可聯絡閣下之即時通訊方式及工具，我們會於閣下擬競投之拍賣品進行拍賣前致電閣下，該即時通訊工具所傳達之競投信息（無論是否為閣下本人傳達）均視為閣下所為，閣下應對其行為承擔法律責任。 • 所有電話競投可能會被錄音。選擇電話競投即代表競投人同意其通信內容被錄音。 • 本公司建議委託人表明最高競投價，以便當本公司未能聯絡上時，可代表委託人競投。

萬昌斯拍賣行不接受包括代理人在內之第三方付款 ; 且發票資訊於拍賣會完結後將不能更改。請提供以下文件之經核證副本 : 個人 - 政府發出附有照片的身份證明文件 ( 如居民身份證或護照 ) 及 ( 如身份證明文件未有顯示現時住址 ) 現時住址證明，如公共事業帳單或銀行月結單。公司客戶 - 公司註冊證書以及股東證明文件。代理人 - 代理人的身份證明文件，代理人代表的競投人士 / 單位之身份證明文件，以及該人士 / 單位簽發的授權書正本。買家除支付落槌價外，另須支付佣金及其他買家負責的各項費用予本公司，佣金收取標準按每件拍賣品落槌價計算比率如下：落槌價首 H K $8,000,000 之 23%，落槌價超過 HK$8,0 00,000 之部份則以 15％計算。如買家於拍賣成交日 ( 含成交日 ) 起十四日內繳清貨款，買家可享限時佣金優惠，佣金收取標準按每件拍賣品落槌價計算比率如下：落槌價首 HK$8,000,000 之 20%，落槌價超過 HK$8,000,000 之部份則以 12% 計算。

茲申請並委託萬昌斯拍賣行就本申請表所列拍賣品進行競投，並同意以下條款 : 一 . 本人承諾已仔細閱讀刊印於圖錄上的萬昌斯拍賣行業務規則、重要通告、競投登記須知及財務付款須知，並同意遵守前述規定之一切條款。二 . 萬昌斯拍賣行業務規則之委託競投之免責條款為不可爭議之條款。無論是由於疏忽或其他原因引致，本人不追究萬昌斯拍賣行及其工作人員競投未成功或未能代為競投的相關法律責任。三 . 本人須根據萬昌斯拍賣行公佈的條件和程序辦理委託競投登記手續。如在規定時間內萬昌斯拍賣行未收到本人支付的相應金額的競投保證金，或萬昌斯拍賣行未予審核確認，則本申請無效。四 . 買家及賣家之合約於拍賣官落槌時訂立。如拍賣成交，本人同意於拍賣會結束 ( 含成交日 ) 後十四日內以港幣付清拍賣品之落槌價、已刊載之買家佣金以及任何買家負責的各項費用。並於拍賣會結束 ( 含成交日 ) 後三十日內領取拍賣品 ( 包裝及付運費用、運輸及保險費用、出境費等自行承擔 )。如本人逾期未提取拍賣品，則應支付八百港元 / 月 / 件的標準儲存費。儲存費不包括其他額外費用，如保險和運輸費，其他額外費用將會另行收取。

請用正楷填寫清楚拍品編號 (按數字順序 )

拍賣品名稱

最高競投價 ( 港幣 )( 未包含佣金 )

拍品編號 (按數字順序 )

拍賣品名稱

最高競投價 ( 港幣 )( 未包含佣金 )

HK$

日期

簽署

本欄由萬昌斯拍賣行專用保證金付款方法 : 經辦 256

□ 電匯

□ 支票

□ 銀聯卡審核

□ 現金

□ 支付寶日期

□ 微信支付

□ 其他