ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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Tower
02 (Im)material Porosity
03 Sub_Aquatic LAB
Surf n i s e 4R ace
i Time n i s rcuit
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M s ito *Selected projects presented on chronological order
ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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bicycle parking
Ground FLOOR
CONNECTIVITY WITH SURROUNDINGS N
NW
PARKS
NE
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HOTELS
m 600 m 800 m 0 0 10 0m 120 m 0 0 14 0m 160 0m 180 0m 200
HIGH SCHOOLS HIGHEST TOWERS SHRINES / TEMPLES
SW
S
Transition.In Tower: Transcending Seasons
SE
The vision of this project is to bring transition and change to something that is seen as stable and immutable- the tower. What once was used as strategic point for defense and territorial landmark, now becomes something that is permeable and able to incorporate the mutability of the city through time. The tower offers full support for the original purpose: an automated parking lot with collective uses at the ground and rst level, with a roof used for tea harvest and energy production.
ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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1
Transition.In Tower : Transcending Seasons Technical Information: Location: Minato, Tokyo, Japan Use: Honorable Mention TokyoParkingTower RethinkingCompetitions 2018 Team: Marco Zoch, Juliana Kazue, Sylvia Yeung
About: More than a parking lot, its use is constant transition. It can be changed to anything that ts a parking spot, from housing to oces, mini garden, private cinema, karaoke and many others. It happens by tting these uses into a module with the dimensions of a parking spot. The machines that once lifted cars, help t the units and in the right places.
- Roof
- Technical Floor
- TeaHouse and Plantation
- Bamboo Structural Grid
- Observatory / Tree Room
- Typical Floor (Parking and Cabins)
- Allocated Cabins
- Allocated Parking
- 1st Floor - Bath House and Convenience
- Ground Floor - Access and Bicycle Storage
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Floor Plans PH
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1st FLOOR BATH HOUSE SCALE 1/750
30th FLOOR TEA HOUSE SCALE 1/750
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2nd TO 29th FLOOR SCALE 1/750
TECHNICAL AREA SCALE 1/750
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ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
(IM)MATERIAL POROSITY: Adaptability on Extreme Tropical Environments through High-Low Robotic Design
This research consist of a series of experiments aiming to extract the most of the possible natural systems from the aechmea fasciata, as most of the bromeliads consume and store water in a particular manner, investigations on the porosity of the material arised. Concomitantly, circle and sphere packing, aggregation of elements were then related to the extraction of the natural system of the plant. It basically is a plant which is divided on a rosette pattern that generates a central water tank, it is an unique family, that different than the other plants has a special structure to consume water Through its leaves, leaving the roots with only a fixing function. The most peculiar thing about the bromeliads is how they consume water, a structure called ‘trichomes’ (which varies on typology) take the water through osmosis into the lower part of its central guard cells and store them inside the leaf. On a practical investigation, of not only how the geometry would actually look like but also how it would behave, some practical assumptions were done in order to investigate architectural possibilities. As a tropical plant, from a heavily warm and humid weather, the solutions were then related with controlling of light and wind channeling to the specific environment where it did initially adapt. On a more pragmatic level the research will try to bring a high-low solution that would merge with the cultural environment as well as with its clear connection with nature.
ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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2
(IM)Material Porosity Technical Information: Location: Extreme Tropical Environments e.g. Rio de Janeiro Use: Light Filter Porosity system / Library +Mindfulness Centre Mentor: Federico Rossi
About: This project consist of the extraction of natural principles from a bromeliad into virtual realms of parametric design in order to produce a final architectural element that would be robotically assembled on a high-low perspective to bring the porosity concept from immaterial to material, helping then to control sun exposure of buildings while still bringing light and ventilation, on a more contemporary manner that would still fit the urban landscape.
CUTICLE GUARD CELLS
MECHANICAL HIPODERM DETAIL
ROSETTTE PATTERN
REPEATING SPIRAL FROM THE SAME NODE
MACRO MORPHOLOGY _ LEAVES | ROSETTE OVERALL SHAPE
INTERMEDIATE _ WATER TANK SPIRAL
RESULTING IN A WATER TANK
MECHANICAL HIPODERM LOWER EPIDERMIS GROUND CUTICLE TISSUE (AQUIFERS)
TRICHOME DETAIL
LYPIDS, ORG. ACIDS, CARBS, CHLOROPHYLL, STOMATA, NITROGEN BRACIFORM CELL JOINTS
MICRO MORPHOLOGY _ TRICHOMES DISTRIBUTION AND CELL DISPOSITION
VASCULAR TISSUE SUCCULENCE, TRICHOMES
LEAF DIAGRAM
GENERAL SHAPE SYMMETRY FINDER
WATER TANK DESIGN PATH OPTIMIZATION
LEAF FRONT SECTION
MICRO MODEL STRUCTURE
SCALE (CENTRAL CELLS)
VORONOI CELL
WING CELLS
TRICHOME’S FRONT SECTION (TOP VIEW)
TRICHOME SCALE (CENTRAL CELLS) MECHANICAL HIPODERM SCALE’S PEDICLE AQUIFER’S HYPODERMICS (WATER STORAGE)
1. NATURAL POSITION
3. WATER ACCESS TRICHOMES
2. RAIN DROPS
TRICHOME’S TRANSVERSAL SECTION WING CELLS
MECHANICAL HIPODERM TRICHOME TRICHOME LOCATION VASCULAR TISSUE
4. STORED WATER/ CONSUMED
Trichome’s, cell, and leaf tissue digital model with explicit geometry and structure
TRICHOME’S TRANSVERSAL SECTION
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1. Rectangular Box 2. Spatial Truss Fixed Inside Box And Mirrored 3. Vertices Extracted From Spatial Truss 4. Vertices are turned into same size spheres 5. Boundary Box covers end shape 1c. 2c. 6. Solid difference results on an intricate shape
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1. Voronoi 3d edges 2. Circle packing edges 3. Voronoi+Triangulation 4. Circle Packing 5. Voronoi Cell 6. Voronoi 3d Volume A. Top View B. Front Elevation C. Perspective
1. Voronoi Cell 1. Voronoi Cell
2. Cell Neighbors Added 2. Cellare Neighbors are Added
3. Cell Aggregation3. onCell threeAggregation possible sideson three4.possible Massive Cell Aggregation4. Massive Cell Aggregation sides
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Digital Production of the Aechmea Fasciata in 3d, using parametric software (grasshopper) with plugin Phyllomachine. It is therefore possible to see the leaf pattern and overall growth.
Porosity Study Based on Cast Shadow of the ‘Celll’ Structured Domes
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Sections
Sections
Smart EcoTile Geometry Composition
0.48 0.60
Smart EcoTile Geometry Composition
0.60
0.15
Plan
Plan
Top View
Top View 0.60 Bottom View
Plant EcoTile
EcoTile
Bottom View Plant Photovoltaic EcoTile EcoTile
Photovoltaic EcoTile
Arched EcoTile
0.60
Arched EcoTile EcoTile
Tile is Divided For Hot-wire Robotic Fabrication (Low Cost Alternative)
0.60
954.02
443.00
653.70
0.15
601.30
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8 Parts, from the middle of
Smart EcoTile Geometry Composition
every direction are assembled
Top View
Sections 0.60
528.90 387.38
Plan
446.17
518.10
0.48 0.60
323.03
0.60
463.32
0.60 Tranversal Section Tranversal Section
Top view of Negatives Top view of Negatives
This 8 Parts are composed of one 1. 1. planar side, thus making easy to fabricate the silicon mold, with a molding
3. 3.
Lower Section Lower Section
Mid Section Mid Section
Transversal Mid Section Transversal Mid Section
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Plant EcoTile
EcoTile
Photovoltaic EcoTile
Arched EcoTile
machine
Clay or Concrete (depending on the project) are poured on the mold producing the tile base. If the smart photovoltaic ecotile is selected, a final panel is allocated on
1. 1.
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top perfectly as the measurement of the tile is desgined for the photovoltaic painel.
1. Rectangular Box 1. Spatial Rectangular 2. TrussBox Fixed Inside Box And Mirrored 2. FixedFrom InsideSpatial Box And Mirrored 3. Spatial VerticesTruss Extracted Truss 3. Vertices Extracted From Spatial Truss
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West Facade
0.46
4.51
2.70
1.35
2.03
1.20
A= 2.2M A= 8.5M A= 25M
Mindfulness Hut
3.60
W.C.
W.C.
Mindfulness Library
2.00
A= 18M
PM2
6.92
A= 3M
Reception
1.50
0.46
0.80
4.51
2.70
1.35
2.03
0.46
1.20
A= 8.5M
2.35
A= 25M
1.3
East Facade
2.00
W.C.
W.C.
A= 2 A= 8.5M A= 25M
Mindfulness Library
Mindfulness Hut
3.60
A= 3M
A= 18M
PM2
1.55 1.20
2.70
1.20
A= 2.2M
6.92
4.51
1.50
6.92
Mindfulness Library
Mindfulness Hut
3.60
W.C
Reception 0.80
0.46 1.35
2.56
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1st Floor
3.67
2.71
2.35
1.55
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1st Floor
3.67
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1st Floor 13.44
13.44
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4.20
Community Library
1.20
West Facade
3.46
1.35
PM2
6.92 6.00
Community Library
1.20
1.80 1.40 A= 2M
1.35
1.52 4.13
W.C.
4.20
2.24
0.64
Ground Floor
Community Library
1.20
0.64
Ground Floor
1.78
5.36
1.80 1.40 A= 2M
1.35 2.24
1.52 4.13
W.C.
0.64
Ground Floor East Facade
4.13 6.9
W.C.
West Facade
A= 30M 4.20
5.36
1.80 1.40 A= 2M
1.35 2.24
6.92 6.00
A= 30M PM2
6.92 6.00
PM2
West Facade
3.46
1.35
A= 30M
8.93
3.67
1.78
East Facade South Facade
East Facade
North Facade
South Facade
1.78
Eco Tile
Structure Frame
Wood Truss
First Floor
Ground Floor
ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
Sub_Aquatic LAB: Underwater Regenesis
The barbaric exploration of the South China Sea and its human impact caused onNature generating then an imbalance is an ever growing World issue. The politics to control the area and the rush to produce more is causing a heavy pollution with oil leaks, military damage with the production of all the artificial military based islands and excessive fishing only increase the turmoil of an area where disasters happen. To regenerate all the damage area we must change the common approach and go deep inside the ocean.
ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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1 SEMESTER OF 2018
Sub_Aquatic LAB: Underwater Regenesis Technical Information: Location: South China Sea Use: Innovative minds 2018 Competition Proposal - guRROO Team: Marco Zoch, Juliana Kazue, Sylvia Yeung
About: The SubAquatic LAB, proposes a laboratory that not only research, conserve and purify the surrounding area, but transmit information Worldwide of the situation in the project. It’s used as a charger and storage for water drones and robotic systems that patrol and regenerate the area
ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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ARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
RESIN SURFACE:
A ROBOTIC ASSEMBLE OF RESIN PANELS OF AN ENNEPER
Minimal surface is a surface that locally minimises its area. it can be produced by dipping wire frame in soap water to create bubbles. the surface has the advantages of optimising maximum strength with minimal amount of materials. in soap bubbles, this was achieved due to the surface tension excreted by molecules inside the liquid solution. The math concept of minimal surface theory has rapidly evolved recently. Many examples are constructed and altered. Minimal area property makes this surface suitable for application in architecture. Principal stress lines, which are pairs with computational model was made to check whether the curve made by the model is similar o that of the computational model. The curves are similar of both the models. The Structure is developed according to different numbe of anchor points. The are equal amount of points in up and down position. Hence, an even number of points are needed. The site can be accessed through two public entrance on two sides of the building. Dimension of the pavilion will be affected by the size of door entries.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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1 SEMESTER OF 2018
Resin Surface Technical Information: Location: LSBU, Southwark, London, UK Use: Exposition - Research study
Members: Marco Zoch, Ishan Shah, Botian Ding, Preethi Sindhu Mentors: Federico Rossi, Onur Ozkaya
About: This project consist of a group work on the adaptive envelopes module during my master degree. To further focus on the assemble and robotic principles a simple enneper surface was defined as the element of investigation and one of its blades would be developed in two pieces of resin and carbon fiber, whose laying would come from plugins inside grasshopper to optimize shape strength. The blades and a small prototype were produced using moulds that were achieved through robotic milling of silka blocks.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
The proposed pavilion in the courtyard will reinvigorate under utilised public space and bring life to the inner city green space. Bounding box manipulation follows quad symmetry. And the Enneper surface follows triangular symmetry where line of symmetry is 120 degree dividing the surface to 3 identical pieces. It is believed that the bounding box caused the break up of original symmetry in the Enneper surface.
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MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
Principal stress lines are numerical integration of principal stress directions over a structural body. Designers are interested in principal stress lines because they provide a visualization of the natural force flow of an applied load on the system, which shows the lines of desirable material continuity for a given design domain. Rotating the element, the state of stress will remain unchanged, but the stress components will correspond to the transformed orientation. Principal stress directions are the normal stress components corresponding to the element orientation in which the shear stress is zero and normal stresses are maximum. Having determined the principal stress directions for various points across a structural body, these vectors are projected, or integrated, as lines that form the principal stress lines.
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MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
The work here presented is a distopian fairy-tale, with thoughts that are constant in contemporary society. It tells about the natural steps of seeking freedom and its never ending loop during its quest. It starts with the awareness that the system consumes you and heads to a point of breakdown where change is then necessary, moving towards the path of self-awareness and the change of perspective to a new reality, but then following on the same loop where we are never happy with limitations that we are trapped regardless of system.
Circuits in Time: Systems Rewind
It is intimate related to the Orwell’s concept of ‘ big brother’ and the constant limitations of path.m but it also relate with the ongoing immigration movement, where one finds to be freeing itself from a heavily limited system only to find itself trapped on another that might have different benefits not seeing before but it isn’t at all a perfect scenario, that we can only imagine of.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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2 SEMESTER OF 2017
Circuits in Time: Systems Rewind Technical Information: Location: Utopia;Distopia Use: Fairy Tales Competition Proposal 2017 Team: Marco Zoch, Juliana Kazue, Sylvia Yeung
About: The design of a sci-fi concept evoke the idea of an extreme future of labour intensive human slavery, although it is much closer than we think. Voronoi patterns and phyllomachine patterns were developed to fix the idea of web, a nest that we cant get rid of on any path, those webs are developed from the circuits that intimate relate the beat of our hearts with the power of the engine, although it is bad to be entrapped, it is the only way of ripping of the benefits of living in community.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ART
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
CYBER_MIRAGE: Hologram Systems
The complext systems of corruption that we’ve watched on the days of 2016 in Brazil, with a probability (and actual reality) of a second president suffering an Impeachment including an enormous amount of scandals that include more than 1600 Brazilian politicians, has brought the the nation in rebellion. But with the arouse of social media, Brazil (as well as other countries), is getting closr even further to a justice system based on majority. Online petitions, protests starting on the web, are bringing a great amount of politicians and their unpopular decisions to an end. This complex cybernetic framework lead us to believe that society is walking towards a more critical and technocratic perspective, and leave us with the question, is Democracy the oppression of the majority? Should it instead focus on everyone instead of the highest number? The impact of these technological systems are not only present nowadays influencing politics but also in the human social inter-relations and business.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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1 SEMESTER OF 2017
Cyber_Mirage: Hologram Systems Technical Information: Location: Anhangabau, Sao Paulo, Brazil Use: Honorable Mention - Innovative Minds 2017 - guRROO Team: Marco Zoch, Juliana Kazue
About: At the same time that society turns more strict and rigid, the human is been constantly dominated by technology and it will eventually transform on a cyborg. Our project is based on the question: If virtually we have so little boundaries restricting us, than why on the physical reality we insist to maintain them? We believe that in a few years our boundaries will diminish in a dynamic urban process that elaborate interconnections in a complex cybernetic framework capable of creating urban relations from the virtual to the physical. The dynamic augmented framework presented elaborate social connections creating augmented meeting pavilions, blending architecture to social virtual reality. It has a bio-photovoltaic garden that harvest energy.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
NEO_CULTURE: VIRTUAL HYPERDRIVE
We will only be able to say that we are living the Virtual Epoch when everyone have access to the internet: Society, culture, information, knowledge and technology, all been available to everyone, will allow education and a neoculture to be developed. This project consist on an investigation of a database and free provider of technology apparel as well as internet access, believing that education can be achieved, striking back agaisnt dictators, as knowledge is power and spreading information, media-free, help us create a stronger community where society protects society. Scientia Potentia Est
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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1 SEMESTER OF 2016
Neo_Culture: Virtual Hyperdrive Technical Information: Location: Dublin, Ireland Use: Innovative Minds 2016 competition proposal - guRROO
About: Great changed and advancements in science brought us to ask, are we living the virtual era? With constant information we’ve raised not only our culture but a Neo_Culture tied on the same thread of our roots, what once was one is now one again. In such path of globalization we’ve ended up witha result that evolves within worlwide idealistic perspective the same time it strengthens our own culture
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
Twisting Moves
Twisting Moves was a series of investigations developed within group on the Hyper Threads, ZHA_Code -- AA Workshop in Sao Paulo, 2016, only after Dame Zaha Hadid has left us. The work developed in Maya with the help of 3d printers and a Laser Cutter, followed a distinguished team workflow. The core concept of the designs are based on a single surface that turn into a complete volume, by doing so it doesn’t follow the traditional design technique, where elements aren’t inegrated.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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8
1 SEMESTER OF 2016
About: The AA - ZHA_Code - Visiting School took place in the Fab Lab of Belas Artes Faculty, in Sao Twisting Moves Paulo. We were asked to develop a Pop-Up Pavilion for the Olympic Games, held in Rio de Technical Information: Janeiro this year. The opportunity brought us to investigate 4 techniques: Holes, Curved Ribbon Location: Rio de Janeiro, RJ (Workshop took place in Sao Paulo) Shapes, Inside-outside and a ‘Hot-seat’ process. The hot-seat process consist of a team work Use: Pop-Up Pavilion /ZHA Code Workshop AA Global School 2016 proposal, where a member generate an iteration with primary moves, this iteration is passed Members: Marco Zoch, Juliana Kazue, Catherine Rosa, Laura Saraiva, Andre through another member who produces another iteration and so forth, until the members decide that the design was evolved to its limits.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
Honeycomb_Mitosis
The 21st century life require us to become ‘ Nomads’ in order to achieve our full potential. From a very young age to the senior period of life, society is constantly moving, for suach reason, a flexible society should evolve and live on a flexible framework. Honeycomb_Mitosis is much more than housing, it is a living system, cells are occupied by family members, that once needed can separate, travel and aggregate with other cells forming new life patterns.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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9
2 SEMESTER OF 2016
Honeycomb-Mitosis Technical Information: Location: Terminal Light Rail Stations Use: Social Housing / mixed used - Flexible Housing Society Competition Proposal 2016 - Rethinking architecture
About: The honeycomb mitosis is a revolutionary idea, consisting of an hexagonal grid system connected to the light rails of terminals around the World, that have no route connections. The user/couple buy one cr more cells and is allowed to live anywhere and to move frequently (as long as the cell follows along). Different individuals of the family/ community may have their own cell that can be connected to other cells, creating a mitosis on the framework.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ZEN AUREA SPA: Inspiring Grounds
Zen Aurea Spa was a professional work developed in order to attract more clients and reabilitate an unused building into a day Spa that would offer brides services as well as cosmetic procedures. It was requested a more commercial Zen approach, that needed to be cost effective as well as eye-catching. m, sam quidi te que et quibus dent dolor ab imus,
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
INT
10
ZEN Aurea Spa Technical Information: Location: Taguating, DF, Brazil Use: Day Spa
2015
About: Zen Aurea Spa is an interior design project. It consist of thr redevelopment of the administration, kitchen and office facilities as well as the functional rooms (day spa, massage room, comestics and bride’s room) in order to bring a new more contemporary approach to the spa.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
The Project resides on the fact that the number of 3d artists in Brazil is growing, and many of them work for companies outside the country, wether virtually or physically. Not as one would expect, the city of Manaus in the state of Amazonas - Brazil, looks like the perfect location to construct a mixed use tower, where the central core would be a 3d producing company, as it is perfectly located on a central position, only 7 hours from Miami and Sao Paulo.
ADAPTING: ADAPTING
A Cultural and Conceptual Approach to Design
After visiting the city, the decision of the Ponta Negra Borough was clear, not only for its beauty and government financial aids for a rapid development, but also as a form of criticizing the way people are occupying and destroying such beautiful area. The idea of the Guarana Complex came with the fact that the borough doesn’t offer servies other than residential and hospitality spaces (hotels and resorts), in a huge area, to supply does needs and to show a possible brighter future.
As education on small villages in the Amazonas is almost inexistent, the idea of creating independent distance learning unities came up. They would be connected by the Antenna in the Guarana Complex, and as well as the whole project, they would be working with green energy. *Final Graduation Project.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
11
2012
Adapting: Guarana Tower / Guarana Complex Technical Information: Location: Ponta Negra, Manaus, AM Use: Mixed-use Tower (3d Company+Mall+Education+Cinema) / Mixed-use Complex (offices, residences, park) Mentor: Beatriz Silva de Abreu e Lima
AUTHOR: MARCO ANTONIO ZOCH SOUZA MENTOR: BEATRIZ DE ABREU E LIMA
About: As a new strategy of design me and my mentor decided to develop a new method of form finding. We assembled a system of crossing ‘ genes’ and then mixing shapes, it is based on Michael Weinstock theory but differ on some ideas. The crossing genes are ‘architectural sign ideals’ on specific themes (e.g. ‘topography’), reducing to three final designs which will then be chosen and mutaded according to the local environment, a process called ‘adapting’, all designed on an intuitive base. *ACADEMIC PROJECT
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
Boat access
Light Rail Vehicles for the complex
In nature housing complex
Tree house residences
Helicopter access
Parking / Photovoltaic tree forest
Light Rail Station / Reception / Conventions Hall
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
11.2
2012
Virtual Education Unity Technical Information: Location: Different Rivers in the Amazonas state. Use: Education
About: The virtual education unity, was a side project to the guarana complex. It’s quest was to bring education to the most remote areas of the Amazonas forest. The solution was virtual education unities that would be placed along the river (which allow different locals to reach more easily), that would on any time of the day and woul allow its users to learn from the most elementary to a level of bachelor degree. The virtual platform would exchange information with the antenna on the guarana complex allowing external contact.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
11.3
2012/2013
Urban Forest Tree-Residences Technical Information: Location: Guarana Complex, Manaus, AM, Brazil Use: Housing / Studios
About: The tree-residences was an additional project, included on the guarana complex, it promotes deep investigation on the possibilities of enjoying the best of both worlds, the natural forest quality of living with the urban well located position on a metropolis. The cocoons are structured with steel cables, on a series of trees, and for such reason they are allocated on a irregular way.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
CCGB: CULTURAL CENTER OF BRAZILIAN GASTRONOMY
The CCGB isn’t like any other Cultural Centre, it is directly dedicated to food and how we relate to it. From the simple to the most sophisticated: in the lower level, a public fair is held every weekend, on the first floor the galleries and cooking classes are taken on a varied mix of brazilian cuisine, and on the upper floor, the auditorium, present live TV Shows and seminars of a high-end gastronomy. Those three levels insert its users in the World of ‘Food Knowledge’ on a comfortable way, bringing the nostalgic memories from their early experiences with food.
*Academic work as it was developed in 2011 with little changes of missing elements in previous 3d (added through photoshop), and dynamic coloring. All technical drawing left as it was assembled in 2011
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
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12
2 SEMESTER OF 2011
Cultural Gastro-Center Technical Information: Location: EQN Asa Sul, Brasilia, DF, Brazil Use: Cultural Center
About: The Cultural Gastronomy Center wishes to create a gathering point with a familiar feeling. The nostalgic association people have with food, enhance their flavoring experience. For such reason, wood and inclined / roof-a-like aesthetics were used, as the memories from most Brazilians associate food with great taste to their grandparents house.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
EXO-TOWER
The Exo-Tower, is a vertical Building Designed for a firm ,based on the exo-skeleton and its beauty. It also holds a ground floor with stores as many of the neighboring buildings have. The project is elaborated using layers of walls in order to separate, shading, function and structure on an exo-skeleton type of envelope. *Academic work as it was developed in 2011 with absolutely no added elements after (just translation from portuguese - english)
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
13
1 SEMESTER OF 2011
Exo-TOWER Technical Information: Location: Asa Norte Commercial Sector 1 - Brasilia - DF - Brazil Use: Business Tower
About: If we analyze the concept of layers, we may realize that nature is layered itself, and so could be architecture. The Exo(skeleton) Tower, is developed on this concept, the exterior layer, shaped by the insect, gives structural stability, beauty, personality and protection. The natural copper used on the project will change during time and will develop a new turquoise layer, giving the city a feeling of ‘change’.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
COMPARTMENT
ENCAUSTIC TILE GLASS MOSAIC TILE WHITE ACRYLIC WHITE ENAMEL GYPSUM PVC PLASTER MOLDING
STAMP. CONCRETE BURNT CEMENT MARMOGLASS PORCELAIN TILE
MATERIAL
FLOOR WALL CEILING
EXT. CIRCULATI. INT. CIRCULATI. ACCESS HALL LIFTS HALL STAIRS CHANGINGROOM LITTER STORES W.C. TECHNIC. ROOM
NOTES
COMPARTMENT
..Rose Bavene Granite Sills ...Technical Rooms, consist of Fancoil, Measurement Room, Dry Installations ....Sandwich system of mirror and glass flooring on the Atrium space.
EXT. CIRCULATI. INT. CIRCULATI. ACCESS HALL LIFTS HALL STAIRS CHANGINGROOM LITTER STORES W.C. TECHNIC. ROOM
FINISH
INT. CIRCULATI. LIFTS HALL STAIRS W.C. PANTRY LITTER TECHNIC. ROOM WORK AREA BOSS OFFICE
.External Wall Finish indicated on Facade ..Rose Bavene Granite Sills
....Sandwich system of mirror and glass flooring on the Atrium space.
FLOOR WALL CEILING
COMPARTMENT
NOTES
...Technical Rooms, consist of Fancoil, Measurement Room, Dry Installations
PORCELAIN TILE 3 GLASS MOSAIC TILE WHITE ACRYLIC WHITE ENAMEL GYPSUM PVC PLASTER MOLDING MINERAL CEILING
.External Wall Finish indicated on Facade
ENCAUSTIC TILE GLASS MOSAIC TILE WHITE ACRYLIC WHITE ENAMEL GYPSUM PVC PLASTER MOLDING
FLOOR WALL CEILING MATERIAL
PORCELAIN TILE 3 GLASS MOSAIC TILE WHITE ACRYLIC WHITE ENAMEL GYPSUM PVC PLASTER MOLDING MINERAL CEILING
MATERIAL
FINISH
STAMP. CONCRETE BURNT CEMENT MARMOGLASS PORCELAIN TILE
....Sandwich system of mirror and glass flooring on the Atrium space.
PORCELAIN TILE 1 BURNT CEMENT MARMOGLASS PORCELAIN TILE 2
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
INT. CIRCULATI. LIFTS HALL STAIRS W.C. PANTRY LITTER TECHNIC. ROOM WORK AREA BOSS OFFICE
..Rose Bavene Granite Sills ...Technical Rooms, consist of Fancoil, Measurement Room, Dry Installations
FLOOR WALL CEILING
COMPARTMENT
.External Wall Finish indicated on Facade
MATERIAL
FINISH
NOTES
PORCELAIN TILE 1 BURNT CEMENT MARMOGLASS PORCELAIN TILE 2
FINISH
NOTES
.External Wall Finish indicated on Facade ..Rose Bavene Granite Sills ...Technical Rooms, consist of Fancoil, Measurement Room, Dry Installations ....Sandwich system of mirror and glass flooring on the Atrium space.
ARC ARC
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
REINFORCED CONCRETE COLUMN PHENOLIC RESINS PLYWOOD NATURAL COPPER / COPPERMAX
COPPER SCREW BRISE-SOLEIL STRUCTURE BRISE-SOLEIL / CYAN TE. GLASS
WAFFLE SLAB CEILING ROD MODULAR CEILING ROLLING WINDOW BRISE-SOLEIL NAT. COPPER PANNELS SLIDING WINDOW
FLOATING FLOOR FLOOR JOIST
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
META_SUPERBLOCKS
Meta_Superblocks allow us to rethink the modern urban design of the Superblock in Brasilia - Brazil, and to re-visit concepts presented on the japanese metabolism movement. Now that technology evolved and we learned from more than 50 years of the construction of Brasilia, what could be improved and what could arise? Superblock randomization is questioned bringing the opportunity of customizing design through 3d printing, on a concept associated with the Nakagin Capsule tower. Now that we know that a city should never be designed exclusively for the automobile, what could be improved? A central subway station in a beautiful vibrant green plaza enhancing the community living would bring fresh air to a complex yet smart city. *Redeveloped academic work to further investigate concepts / ideas that were of different perspective of the university. Redeveloped in 2014
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ARC
14
2 SEMESTER OF 2010
Meta-Superblocks Technical Information: Location: 207 SQN, Brasilia, DF, Brazil Use: Collective Housing / Urban Superblock Complex
About: The SQN 207 Superblock is the only superblock still unconstructed in the center of the city. For this proposal, I’ve decided to include a central plaza, of high proportions, and a subway in its center. The residential buildings surround the plaza, and even though it doesn’t look, it fully occupies the limiting constructing area for a superblock.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
O Cavaleiro, o raptor e a donzela: The Knight, the raptor and the maiden
This work was a short-filmed developed as group work during Animus workshop as a manner of better learning 3d modelling animation and video editing. The story speaks about a lonely raptor that run through villages on a quest for maiden’s heart. It is designed on a more cartoon style in order to transmit more emotions and bettter use blend-shapes. The workshop took 8 months, where 6 months were strictly working on the short-film project , from the storyboard to the final video editing. sam quidi te que et quibus dent dolor ab imus,
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ART
15
2010
O Cavaleiro, o raptor, e a donzela Technical Information: Location: , Brasilia, DF Use: Short-Film Team: Marco Zoch [et al] (available on video) Mentors: Marco Lellis, Yuri Alves [et al]
About: ‘O Cavaleiro, o raptor e a donzela’ (the knight, the raptor, and the maiden), is a short-film produced during the Animus Workshop (8 months), on Ozi School (Audiovisual school of Brasilia). The primary software to model, animate, rendering, shading and rigging, was maya, but softwares such as ZBrush (used for modeling characters), Photoshop (textures) and Nuke (video editing), were also used.
MARCO ANTONIO ZOCH SOUZA - PORTFOLIO - ARCHITECTURE
ART
About I was born in Curitiba - PR, Brazil, DOB 24/11/1990 (28 years). Architect and Urbanist, Bachelor from the University Center of Brasilia (5 years full-time) 2013, Post-Graduated in Projects of Architecture & Urbanism in Areas of Cultural Interest AVM (Pg. Cert Equivalent, 1year) 2014, Master of Science in Digital Architecture & Robotic Construction LSBU (1 year)| London UK, 2018. A total of 7 years of higher education, and many years of practice as an Architect and 3D Artist with strong focus on complex design. Greatly influenced by Brasilia (Brazil), where he lived for about 14 years, been the city ingenious design the primary reason why he joined the World of Architecture, and the primary reason why he focus on investigating design impact, and cultural analysis towards a better architecture Through conscious design with a sharp critical analysis.