Marco Vasconcelos Esilva
M A R C O VA S C O N CEL OS ES I LVA C U R R I C UL UM V ITAE
South Africa Passport Holder
PT
Portugal Passport Holder
e m a r c o e s i l v a. d esi g n @ g m ai l . co m
EN
English Native Proficiency
PT
Portuguese Mid Proficiency
Residence
ZA
Language
Citizenship
c +27 73 221 9590
ZA
Johannesburg South Africa
EDUCAT ION
University of Johannesburg Faculty of Architecture
| 2018 - 2020
“As an architect, you design for the present with an awareness of the past, for a future which is essentially unknown.” – Norman Foster.
S O FAutodesk TWA R E
InDesign Adobe Adobe InDesign Adobe InDesign InDesign
McNeel Rhino McNeel McNeel Rhino McNeel Rhino Rhino Adobe After AdobeEffects Adobe After Effects Adobe After After Effects Effects
Adobe Illustrator Adobe Adobe Illustrator Adobe Illustrator Illustrator
Adobe Premiere Adobe Pro Adobe Premiere Adobe Pro Premiere Premiere Pro Pro
Microsoft Office 365 Microsoft Microsoft Office 365 Microsoft Office Office 365 365
Epic Games Unreal Engine Epic Games Epic Unreal Engine Epic Games Games Unreal Unreal Engine Engine
Epic Games Twinmotion Epic Games Epic Twinmotion Epic Games Games Twinmotion Twinmotion
Google Sketchup Google Google Sketchup Google Sketchup Sketchup
Revit Autodesk Autodesk Revit Autodesk Revit Revit Adobe Photoshop Adobe Adobe Photoshop Adobe Photoshop Photoshop
Autodesk Autocad Autodesk Autodesk Autocad Autodesk Autocad Autocad Adobe
BArch: Bachelor of Architecture | Undergraduate FADA University of Johannesburg, South Africa | 2017 IEB Matriculation Certificate | University Exemption The King’s College and Preparatory, Bryanston, South Africa
AWARDS | 2019 Design Award | Most thought provoking in Design FADA Academic award | 2017 Top Subject Achiever in Visual Arts | Book Prize Academic Excellence for Visual Arts | Distinction Top Subject Achiever in Geography | Book Prize Academic Excellence for Geography | Distinction
Curriculum Vitae
I have always been intrigued by the role technology and sustainability has on the future of architecture. In order for our lives on this planet to improve, I believe that we have to be conscious about integrating technology and design that will allow for a more sustainable future. Adaptability is one of the strongest drivers of architecture. Innovation through design should rather leave behind an impression on the world instead of the planet. I have a knack for detail as well as striving for simplicity through my designs. On the premise of “Less is more”, true simplicity isn’t solely defined by the lack of embellishments but rather the idea of bringing about order to complexity. I try to achieve a level of simplicity through visual mediums such as the representation of my ideas as well as ordering complexity through my design process.
CONTENTS Selected Works 2019 | 2020
01
MURMURATION 2019 | Year 02
02
POINT DUME 2020 | Year 03
03
IN THE LIGHT OF NATURE 2020 | Year 03
MURMURATION Human Confluence Year of Study
2019 | Undergraduate | Year 02 | Semester 02 Location
Yeoville | Johannesburg | South Africa Scale
Civic + Mixed Use Supervisor
Dr Finzi Saidi
08
Murmuration
Human Confluence
PROJECT | DESCRIPTION
S
outh African Migration + Interpretation Centre is an embodiment of transparency and generosity, bringing people together from all walks of life under an undulating vaulted roof that is reminiscent of starling and human flight patterns. The South Western façade lends itself to being an ever-changing sculpture, symbolizing the starlings of Africa due to their murmuration and reflective feathers. The ‘moving wall’ is made from small aluminium panels that are loosely fixed to a lightweight framed structure. The materiality and flowing design are inspired by the kinetic movement.
The contrast between concrete tectonics creates a sense of harmony with its glass façade that dematerialises the building’s volume. The white concrete expresses honesty and purity, having it as the predominant structural system, though the materiality is very heavy and static the form adds to the very nature of flight and movement which ultimately blends these seemingly paradoxical elements. The three-level building creates a dynamic destination that nurtures change, growth and creativity. The architecture responds to the light, culture and climate of Southern Africa.
10
Murmuration
Human Confluence
POINT DUME
10880 Malibu Point Year of Study
2020 | Undergraduate | Year 03 | Semester 01 Location
Malibu | California | USA Scale
Residential Supervisor
Mr. Jaco Jonker
Curriculum Vitae
PROJECT | DESCRIPTION Phil Saunders’ (conceptual artist) brief was to design a billionaire’s cliffside residence in the vein of John Lautner’s organic concrete and glass homes. “SAUNDERS DESIGNED ONE FROM SCRATCH, EVEN DOWN TO THE LOCATION, CHOOSING TO PLACE THE HOME ON THE BLUFF OF POINT DUME, A CALIFORNIA STATE PARK, REMINISCENT OF THE ARANGO RESIDENCE, IS SUBLIME.”
Point Dume
The brief for this project was to choose a fictional building and environment. I chose Tony Stark’s mansion from the Iron Man movies. The house varies in design throughout the trilogy. My aim was to combine different aspects of the estate into a final model. Various clay rendering techniques were explored for representation purposes. Film material, set images and concept art was used as reference to assist in the modeling process.
Secional Perspective
16
Floor Plan
10880 Malibu Point
Axonometrics
Perspective
Elevations
Point Dume
Clay Render
Texture Render
18
Interior Workshop Render
10880 Malibu Point
Clay Render
IN THE LIGHT OF NATURE
Bridging the Divide Year of Study
2020 | Undergraduate | Year 03 | Semester 02 Location
Ounasvaara Hill | Rovaniemi | Finland Scale
Structure | Medium Supervisor
Mr. Jaco Jonker
In the Light of Nature
SITE
22 Macro
Micro
PROJECT | DESCRIPTION
T
he observatory is situated upon Ounasvaara Hill in Rovaniemi, Finland which lies within the Arctic Circle. The contextual landscape provides tourists and locals access to the observatory through hiking trails. The form was inspired by Nordic vernacular building traditions such as those of the ‘fiskehjell’ and stands on weather resistant timber, piles thawing the boundary between land and fjord. These timber-supports also emulate the surrounding texture of the pine forest and ensure that the bridge leaves a minimal footprint in the landscape. The bridge is raised above the ground to the level of the tree crowns. Deriving the shape of the structure was led by the concept of a panoramic view of the vast landscape.
The triangulated roof provides for a strong rigid structure but then mimics the curves of a jellyfish. The Bioluminescence of the Medusa jellyfish parallels that of Aurora Borealis and is further accentuated by the glow of the hanging lights scattered throughout the observatory. The unparalleled location manifests with nature in its purest form: surrounding forest and breath-taking Northern Lights.
“IN 2017, RESEARCHERS ACTUALLY SUCCEEDED IN USING ENZYMES TO TRANSFORM PLANTS INTO NATURAL LIGHT SOURCES, WHICH COULD REPLACE CONVENTIONAL LAMPS IN THE FUTURE.”
Bridging the Divide
Elevation
In the Light of Nature
DETAILS
Axonometric
24
Clay Render
Bridging the Divide
Section
THA N K Y OU MA R CO VASCO N CELO S ES I LVA c +27 73 221 9590
e m ar co esi l v a. d esi g n @ g m ai l . co m