marc y whe e l e r
UNI VE RSI TY OF VI RGINIA
UN I VERSI TY OF VI RGI N I A SCH OOL OF ARCH I TECTURE CLASS OF 2014
E D U C A T I O N DEGREE
MAJOR
GPA
INSTITUTION
DATE
BS
ARCHITECTURAL DESIGN COLLEGE PREP..
3.71/4.0
UNIVERSITY OF VIRGINIA, CHARLOTTESVILLE, VA HERITAGE HIGH SCHOOL, LEESBURG, VA
2010-2014 (EXP) 2006-2010
DIPLOMA
4.0/4.0
E X P E R I E N C E CURRENT UNIVERSITY OF VIRGINIA
CHARLOTTESVILLE, VA
SCHOOL OF ARCHITECTURE STUDENT AMBASSADOR
Conduct weekly tours for potential students, families, and other visitors and act as liaison between the School of Architecture and prospective/accepted students. 2
0
1
2 HKS ARCHITECTS
RICHMOND,VA
ARCHITECTURAL INTERN
Worked directly under the principal architect and closely with project architects, designers, construction administrators, and interior designers on several large scale new construction and renovation projects, including the University of Virginia Medical Hospital, Virginia Commonwealth University Children’s Hospital, Hagerstown Sun’s Baseball Stadium, and the Virginia Military Institute Indoor Training Facility. 2
0
1
1 SOUTHLAND INDUSTRIES
NAME: MARCY WHEELER SCHOOL: UNIVERSITY OF VIRGINIA CLASS: 2014 MAJOR: ARCHITECTURAL DESIGN MINOR: ARCH. HISTORY URBAN PLANNING CONTACT INFORMATION: 4909 PALMERS RIDGE COURT HAYMARKET VA, 20159 MNW4RA@VIRGINIA.EDU (703)554-3839
DULLES,VA
PROJECT MANAGER INTERN
Worked under the lead project manager on a mechanical renovation contract at the Walter Reed National Military Medical Center in Bethesda, MD. Conducted walk-through inspections to verify that all construction met specifications detailed in the floor plans and reported any discrepancies to the lead project manager. A C A D E M I C S
JEFFERSON PUBLIC CITIZEN GRANT RECIPIENT:
Member of Initiative reCOVER, a UVa School of Architecture design/build program established to assist humanitarian aid organizations with disaster relief efforts. Currently, our efforts are focused on creating cost-efficient, sustainable, replicable school designs to the non-profit organization, Building Tomorrow. CLARK CONSTRUCTION SCHOLARSHIP RECIPIENT (2012-2013) UNIVERSITY OF VIRGINIA - DEANS LIST (ALL SEMESTERS 2010-2012) AMERICAN INSTITUTE OF ARCHITECTURE STUDENTS (AIAS) (2010-2012) PROFESSIONAL DEVELOPMENT CHAIR (2012); FIRST YEAR REPRESENTATIVE(2011) SOUTHLAND INDUSTRIES - STUDENT SCHOLARSHIP WINNER (2011+2012) FOUR-TIME HERITAGE HS CLASS PRESIDENT (2006-2010) WILLIAM AND MARY LEADERSHIP AWARD (2010) LOUDOUN TIMES LEADERSHIP SCHOLARSHIP WINNER (2010)
EXTRACURRICULAR
PHI SIGMA PI - NATIONAL HONOR FRATERNITY (2011- CURRENT) PHILANTHROPY CHAIR (CURRENT)
Fund raising and planning for Phi Sigma Pi’s Annual Helping Hands, Helping Hearts 5k for the UVa Children’s Hospital Heart Family Fund, working to raise money and awareness for the Family Miracle Network.
S K I L L S
PROFICIENT IN ADOBE SUITE PRODUCTS: PHOTOSHOP, ILLUSTRATOR, AND INDESIGN PROFICIENT MODEL MAKING SKILLS
SKILLS PHOTOSHOP INDESIGN ILLUSTRATOR AUTO-CAD REVIT RHINOCEROS SKETCH-UP MAXWELL RENDER MICROSOFT WORD EXCEL HAND DRAFTING HAND MODELING PHOTOGRAPHY
drawing exercises
ARCH2010 fall 2012 DURATION: 1 WEEK CRITIC: ERIN PETALIC
children’s discovery center
SEN SO RIU M - C HARLO T TE SVI LLE , VA
The process of this design has been guided by three main concepts. First, by the attempt to maintain a constant communication and transverse experience created between hemispheric bodies with an active center. The connective elements between these two narrow bodies have been considered as a sort of Corpus Callosum, allowing the transfer of information to vacillate from one exhibit to the next. Secondly, it investigates how the use of manipulated ground planes can define spaces within the interior building and create a fluidity of space. Lastly, spaces were carved into the interior in order to create experiential exterior conditions. The main objective of the project is to create a sensorial experience inside and outside of the exhibit spaces.
7 6
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T H IR D FLOOR
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S ECOND FLOOR
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FIR S T FLOOR
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ARCH2010 fall 2012 DURATION: 6 WEEKS CRITIC: ERIN PETALIC
OF F I CE S + E X HI BI TI ON SPACE S
CI RCULATI ON CORE ALL F LOOR ACCE SS
E NTRY MAI N STRE E T ACCE SS
SUNKE N PLAZA STRE E T LE VE L COURTY ARD
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T R A NS VER S A L S E C T I O N
all school competition
RI VA N NA RIV ER: C HARLO T T ESVI LLE ,VA
VORTEX COMPETITION spring 2013 DURATION: 10 DAYS COLLEAGUES: MULTIPLE
3
10 FT 9 FT
2
8 FT 7 FT
WATER LEVEL: FLOOD STAGE
6 FT 5 FT WITHOUT SOUTH FORK RESERVOIR
4 FT
WITH SOUTH FORK RESERVOIR
3JAN FT
FEB
MAR
TOWERS : LOCATIONS
APR
MAY
JUN
JUL
AUG
SEP
OCT
NOV
DEC
TOWERS : LOCATIONS
Routines and cycles have centered around the Rivanna throughout its history. In the 18th and early 19th centuries, farmers awaited spring floods to replenishing the soils for their crops. In the 20th century, workers migrated daily to the Woolen Mills. The circus came to town yearly, drawing people from all over the city near to the river. But today, the routine focuses on the expedient traversing of the river, unnoticed, along Route 250 via the Free Bridge.
A MP HIT HEAT RE: N O RMAL
A MP HIT HEAT RE: HIG H W ATE R LE VE L
A MP HIT HEAT ER: FLO O D
Our design starts here; the layering of routines and cycles. A network of paths along the river bleed into its neighbors. At the river, these walkways take on an additional dimension. By floating atop the water’s edge, gauging its daily and seasonal changes. Ultimately, this access to the river gives presence to its cycles. Whether its a morning walk, the daily commute-by-foot or weekly trip to the grocery store, the river is ever present. Tapping further into these cycles are a series of spaces along its edge. A shad hatchery, situated in the flood plain, the yearly flooding release mature shad into the river. Further down, a large, circular amphitheater is carved into the flood plain. Here, large floods encircle the space in water, making it only accessible from the floating foot-paths. Marking a time of celebration, a floating stage in the center rises with the water table, and a series of towers throughout the city signal the creation of this unique space, drawing people to celebrate the river and the community around it.
a conjugating topography
LYN C HBURG , VA
Lynchburg as a conjugating topography is a system that will serve to bring residential life into the city’s untenanted downtown, which currently has an abundance of buildings that are for sale, for lease, or abandoned altogether. The new topography will become a community, composed of residences, public space, and other basic necessities that are accessible in suburban communities, without compromising the commercial and industrial resources that the city comprises today. The surface is defined by a network informed by the existing telephone poles as a source of data and the visual and literal connections between them. Its form will be manipulated to allow the collection of runoff water, which will be used to water the “pergolas” that are embedded within it. The beauty of the surface lies in its ability to evolve and expand as it “stitches” in new spaces that become available. Lynchburg as a Conjugating Topography is a solution to creating mixed-use development without sacrificing the history of existing structures, or the desires or accessibility of modern day communities.
ARCH2020 spring 2012 DURATION: 8 WEEKS CRITIC: ALEXANDER KITCHIN MARA MARCU
U ND ERU T I L I Z ED LO T S
U ND ERU T I L I Z ED BU IL D IN G S
P R O P O S ED N ETW O RK
PERGOLA new spaces
SUNKEN PLAZA carved spaces ROOF TERRACE transformed spaces
NEW + EXISTING The new and existing topographies will not act as one stacked on top of another, but rather one that ungulates and separates from itself to accommodate the needs of the community and to offer a transverse experience. The surface will create new, experiential spaces above the city and also act to repurpose what exists below into parks, farmers markets, small vendors, etc.
the l andmark hotel
E X P LO I T I N G T HE IN HEREN T Q U AL IT IES OF DUCTI LE
DUCTAL SHELL PROVIDES:
ARCH3020 spring 2013 DURATION: 1 WEEK CRITIC: ALEXANDER KITCHIN
1) Protection from solar gain and optimization of wind 2) Views out to city landmarks and new urban parks 3) Unique spatial conditions between the guest rooms
URBAN PARK downtown mall aerial rendering day time
OUTDOOR CORRIDOR hotel suite porch day time
OUTDOOR THEATRE urban park night time
Currently, the downtown mall faces a problem concerning the disconnect between community members as a result of the considerable difference of class, education, and ethnicity within Charlottesville. The Landmark Hotel offers a unique opportunity to close this divide by extending out into the city to create a communal space. This design involves the extension of existing concrete slabs in order to create connection to the adjacent buildings on the mall. These “extensions� will become urban parks that not only provide places for rest, relaxation, and play, but will also funnel the community into the building in order to populate its new sky-top restaurants, bars, and spas. The water-scape will blend the architectural difference between the orthogonal building footprint with the sculptural language of the additions. It is also essential as it peels up to provide views to and from the downtown mall and the park, and to create seating and tables for users. The new landmark hotel will go far beyond providing lodging for visitors; it will reach out to the permanent residents of Charlottesville. The building displays the inherent qualities of Ductal, which are expressed in its slender, long spans, strength, and sculptural characteristics.
belmont bridge competition
C HARLO T T ESV ILLE , VA
This ten-day competition entailed redesigning the existing bridge that was unsuccessful in connecting Charlottesville’s Downtown Mall to neighboring communities. Our proposal is a multistoried, thick plate that behaves as an architectural landscape. This active surface forms flexible park spaces, layered conditioned developments, and positions itself along a new park corridor. The form connects the variation of densities through a new architectural language of a folding ground plane that uplifts and opens up to reveal internal spaces that allow for multi-storied, layered programs. It mediates between the large scale of the mall footprint and the smaller scale of the residential, family-oriented neighborhoods of Friendship Court and Belmont. Our proposal is a multistoried, thick plate that behaves as an architectural landscape. This active surface forms flexible park spaces, layered conditioned developments, and positions itself along a new park corridor.
VORTEX COMPETITION spring 2012 DURATION: 10 DAYS COLLEGUES: MULTIPLE
PROPOSED FORM
PROGRAM
EXISTING BUILDINGS
URBAN INFRASTRUCTURE
NEIGHBORHOODS ABOVE: Neighborhoods that would be connected through the construction of the new bridge. BELOW: Nodes that will punch through surfaces and be restored to become main city attractions.
NODES
GREEN CORRIDOR ABOVE: Green corridor that runs through site acting as a source of connectivity. BELOW: Underutilized lots that will be taken over and repurposed as open space of mixed-use facilities
UNDERUTILIZED LOTS
UNDE RUTI LI ZE D LOTS
initiate reCO VER
P R I M A R Y S C HO O L FO R BU IL D IN G TOMORROW: UGANDA
Initiative reCOVER is a collaborative and integrated design/build initiative between the University of Virginia’s School of Architecture and School of Engineering and Applied Science. Partnerships with Building Tomorrow, Inc. (BT) and The Arup Cause are vital in solidifying connections between the impact of local interventions and global humanitarian awareness. The symbiotic relationship between the disciplines of architecture and engineering provide undergraduates with the unique opportunity to advance their respective skills in a sociocultural context and to gain valuable experience in interdisciplinary communication, while underscoring the importance of proving design concepts through field applications and sustainable practices. Our team reflected on the design accomplishments and challenges of Gita Academy, the primary school in Gita, Uganda, as a framework for our new design. We articulated the reasoning of every architectural design choice, with hopes to use this information to create a tool for future design/build initiatives by BT and similar humanitarian organizations. The school is scheduled to start construction in September 2013. ARCH3020/JPC fall/summer 2013 CRITIC: ANSELMO CANFORA COLLEAGUES: ROSHNI MAHTANI RICKY PASSARELLI SAPNA ROA MEGAN SUAU SAMAN ZOMORODI
jpc
CURRE NT PRACTI CE S COMPARI SON STRUCTURE + CONSTRUCTION PROCESSES 1 2 3
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Many of the current construction practices in East Africa do not prioritize structure or occupant safety. Much of our JPC research was centered around examining these current practices in order to understand their durability, and constructibility in comparison to the costs and labor necessary in order to achieve a safer alternative.
1 TRUSS CONNECTION Multiple nails provides a stronger connection that is less likely to fail while supporting the weight from above. Using multiple nails also helps provide strength if the wood splits near one, because there are others to keep the pieces together.
2 RING BEAM CONSTRUCTION The truss should rest directly on the ring beam to transfer the roof load directly to the concrete frame. Windows should still continue to the ring beam to use it as a lintel, but no additional brick should be placed above.
3 COLUMN CONSTRUCTION
4 WALL CONSTRUCTION
5 CONCRETE MIX
6 TERRACED PLINTH
The columns should be built to specifications, especially with regards to the concrete, rebar, and rebar spacing. The structure is designed to bear the roof load as drawn. It is a safety hazard to change the material, spacing, or sizing of the structure.
1:2:4 mix ratio by volume. The result is a stronger, denser mix that will resist crumbling over time and provide better structural strength. This mix ratio should be used for all main slab work, columns, and ring beams.
7 SOIL COMPACTION The earth should be dry compacted with some sort of manual or automatic compaction tool . A simple manual, weighted compactor can greatly improve the compaction level and prevent unwanted settling.
A double-wide wall increases the amount of bricks, mortar, and hoop iron (two strips/every 3 courses). This increase in materials and therefore cost is recommended as it greatly increases the strength of the wall and helps maintain structural integrity during seismic events.
The inclusion of terracing a high plinth can limit hazards of such a steep drop, as well a provide a safe and easy way for students to transverse the distance to the ground. Likewise, it provides a space for students to gather or play while using less fill than a solid plinth would require.
8 SLABBING The slab should be poured over a layer of crushed rock which is placed on top of the DPC and compacted earth. This will provide a more stable base for the concrete and limit the cracking over time.
TYP. COLUMN DETAIL
TYP. CORNER COLUMN DETAIL
TYP. PIPE COLUMN DETAIL
TYP. STEPPED FOUNDATION COLUMN DETAIL
rejuvinating campo san polo
V ENI CE , I TALY
ARCH4010-VENICE fall 2013 DURATION: 12 weeks CRITIC: ANSELMO CANFORA
A
DETAIL SECTION terraced garden
HOUSING
b
community garden
TERRACED GARDEN
open space
DETAIL SECTION theatre seating
open space
amphitheater steps
planter
market edge
planter [Behind]
c
THEATRE SEATING
DETAIL SECTION well water feature
market edge
d
seating
water feature./collection
pedestrian edge
WELL WATER FEATURE
DETAIL SECTION water canal + bench
WATER CANAL + BENCH market edge
water feature
open space[planter
bench
WATER MODEL run off + COllection
WATER MODEL
In Venice, there are over 40 campi, plazas that serve as social centers throughout the city. Each one ranges in scale and character, but all have one thing in common. They all have a time line; their program, user, and aesthetic conditions evolve throughout the day based on time of year, weather, etc. This life cycle causes the campi to be vacant at many time of the day. There is a great need to revitalize the campo and redefine these open spaces that are precious in the dense city.
RUN OFF + COLLECTION
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MODEL
n off + COllection 2 3
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runoff runs over permeable surface that absorbs some excess storm water1
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site contours direct the water inward to minimize off-site discharge
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percentage of runoff is collected into terraced gardens
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treated overflow from terraced gardens is collected into underground cistern
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stored water is treated to local quality standards with rapid sand filtration and pumped to elevated tanks for reuse
The intervention rejuvinates the campo culturally, socially, and environmentally. Culturally, it works to emphasize the importance of water in Venice by re-exposing a pre-existing canal and transforming the existing well. Environmentally, it introduces a water collection and filtration system which runoff runs over surface that absorbs somerecreational, forpermeableeducational, 1 allows excess storm water1 agricultural, and personal re-use. site contours direct the water inward to minimize off-site 2 discharge Collectively, these new systems work percentage of runoff is collected into terraced gardens 3 together to rejuvinate that campo socially, using water as gardens an isinteractive catalyst. treated overflow from terraced collected into 4 underground cistern In order to bring activity into the center, stored water is treated to local quality standards with 5 the includes a tanks partially enclosed rapid project sand filtration and pumped to elevated for reuse market, activating its edges. Lastly, the new design focuses on improving existing program and prodive temporal conditions that respond to the time line of the campo.
TEMPORAL CONDITIONS temporary market
TEMPORAL CONDITIONS
temporary market
TEMPORAL CONDITIONS TEMPORAL CONDITIONS
temporary temporary market market
TEMPORALOPERABLE CONDITIONS LOUVERS TEMPORAL CONDITIONS temporary RESPOND TO SUN PATH market
temporary ALLOWmarket SPACE TO BE OPEN, PARTIALLY, OR FULLY COVERED OPERABLE LOUVERS
RESPOND TO SUN PATH TEMPORAL CONDITIONS SPACE TO BE OPEN, PARTIALLY, OR FULLY COVERED OPERABLE LOUVERS TEMPORALALLOW CONDITIONS STRUCTURAL SYSTEM temporary market OPERABLE LOUVERS RESPOND TO SUN PATH REMOVABLE temporary market RESPOND TO SUN PATH ALLOW TO BEOROPEN, PARTIALLY, STRUCTURAL ALLOW SPACE TO SYSTEM BE OPEN,SPACE PARTIALLY, FULLY COVEREDOR FULLY COVERED OPERABLE LOUVERS REMOVABLE OPERABLE LOUVERS RESPOND TO SUN PATH temporary market RESPOND TO SUN PATH ALLOW SPACE TO SYSTEM BE OPEN, PARTIALLY, OR FULLY COVERED temporary market TRACK SYSTEM STRUCTURAL STRUCTURAL ALLOW SPACE TO SYSTEM BE OPEN, PARTIALLY, OR FULLY COVERED ALLOW FOR INSERTION OF VARIOUS PROGRAM REMOVABLE REMOVABLE I.OPERABLE E. BIENNALE INSTALLATIONS LOUVERS TRACK SYSTEM
TEMPORAL CONDITIONS TEMPORAL CONDITIONS TEMPORAL CONDITIONS
STRUCTURAL SYSTEM temporary market OPERABLE LOUVERS RESPOND TO SUNPROGRAM PATH ALLOW FOR INSERTION OF VARIOUS STRUCTURAL SYSTEM REMOVABLE RESPOND TO INSTALLATIONS SUN PATH ALLOW SPACE TO BE OPEN, PARTIALLY, OR FULLY COVERED I.REMOVABLE E. BIENNALE BOARDS TRACK SYSTEM ALLOW SPACE TO EXHIBITION BE OPEN, PARTIALLY, OR FULLY COVERED TRACK SYSTEM INSTALLED TRACK OF SYSTEM ALLOW FORINTO INSERTION ALLOW FOR INSERTION OF VARIOUS PROGRAM VARIOUS PROGRAM OPERABLE LOUVERS OPERABLE LOUVERS REMOVABLE I.STRUCTURAL E. BIENNALE INSTALLATIONS BOARDS SYSTEM I.EXHIBITION E. BIENNALE RESPOND TO INSTALLATIONS SUN PATH TRACK TOSYSTEM RESPOND SUN PATH STRUCTURAL SYSTEM INSTALLED INTOTOTRACK SYSTEM REMOVABLE ALLOW SPACE BE OPEN, PARTIALLY, COVERED TRACK SYSTEM FOR INSERTION OFFULLY VARIOUS PROGRAM ALLOW SPACE TO BEOROPEN, PARTIALLY, OR FULLY COVERED REMOVABLE OPERABLE LOUVERS ALLOW FOR INSERTION OF VARIOUS PROGRAM I.EXHIBITION E. BIENNALE INSTALLATIONS BOARDS EXHIBITION BOARDS I.RESPOND E. BIENNALE TO INSTALLATIONS SUN PATH INSTALLED INTO TRACK SYSTEM INSTALLED INTOTOTRACK SYSTEM STRUCTURAL SYSTEM ALLOW SPACE BE OPEN, PARTIALLY,SYSTEM OR FULLY COVERED STRUCTURAL REMOVABLE TRACK SYSTEM REMOVABLE GLASS PANELS EXHIBITION BOARDS REMOVABLE REMOVABLE TRACK SYSTEM ALLOW FOR INSERTION VARIOUS PROGRAM EXHIBITION BOARDS REMOVABLE INSTALLED INTO TRACKOFSYSTEM ALLOW FORINTO INSERTION OFSYSTEM VARIOUS PROGRAM I.REMOVABLE E. BIENNALE INSTALLATIONS INSTALLED TRACK INSTALLED INTO TRACK SYSTEM STRUCTURAL SYSTEM GLASS PANELS I.E. BIENNALE INSTALLATIONS REMOVABLE ALLOW SPACE TO BE FULLY OR PARTIALLY ENCLOSED REMOVABLE
TRACK SYSTEMTRACK SYSTEM INSTALLED INTO TRACK SYSTEM EXHIBITION BOARDS GLASS PANELS ALLOW FOR INSERTION OF VARIOUS PROGRAMENCLOSED GLASS PANELS ALLOW FOR INSERTION VARIOUS PROGRAM ALLOW SPACE TO BE FULLY ORINTO PARTIALLY EXHIBITION BOARDS INSTALLED TRACKOFSYSTEM I.E. BIENNALE INSTALLATIONS REMOVABLE I. E . BIENNALE INSTALLATIONS REMOVABLE INSTALLED INTO TRACK SYSTEM REMOVABLE INSTALLED INTO TRACK SYSTEM TRACK SYSTEM INSTALLED INTO TRACK SYSTEM REMOVABLE GLASS PANELS ALLOW SPACE TOPROGRAM BE FULLY OR PARTIALLY ENCLOSED ALLOW FOR INSERTION OF VARIOUS ALLOW TO BE FULLY OR PARTIALLY ENCLOSED GLASSSPACE PANELS REMOVABLE EXHIBITION BOARDS EXHIBITION BOARDS I.E. BIENNALE INSTALLATIONS REMOVABLE INSTALLED INTO TRACK SYSTEM INSTALLED INTO TRACK SYSTEM INSTALLED INTO TRACK SYSTEM INSTALLED SYSTEM ALLOW SPACE TO BE FULLY OR PARTIALLY ENCLOSED REMOVABLEINTO TRACK REMOVABLE ALLOW SPACE TO BE FULLY OR EXHIBITION BOARDS PARTIALLY ENCLOSED
GLASS PANELS INSTALLEDPANELS INTO TRACK SYSTEM GLASS REMOVABLE
REMOVABLE REMOVABLE INSTALLED INTO TRACK SYSTEM INSTALLED INTO TRACK SYSTEM ALLOW SPACE TO BE FULLY OR PARTIALLY ENCLOSED ALLOW SPACE TO BE FULLY OR PARTIALLY ENCLOSED GLASS PANELS
GLASS PANELS
REMOVABLE REMOVABLE INSTALLED INTO TRACK SYSTEM INSTALLED INTO TRACK SYSTEM ALLOW SPACE TO BE FULLYSPACE OR PARTIALLY ENCLOSED GLASS PANELS ALLOW TO BE FULLY OR PARTIALLY ENCLOSED REMOVABLE INSTALLED INTO TRACK SYSTEM ALLOW SPACE TO BE FULLY OR PARTIALLY ENCLOSED
material research: Ductile
L A F A RG E : C EMEN T, C O N C RET E + A GGRE GATE
Ductal ultra-high performance, fiber reinforced concrete is a revolutionary material that offers superior strength, durability, ductility and aesthetic design flexibility. It is significantly stronger than conventional concrete, with compressive strengths up to 30,000 psi and flexural strengths up to 6,000 psi. All of these proper ties eliminate many of the design limitations of conventional concrete and allow for unique architectural oppor tunities. The objective of this material research studio was to identif y some of these design oppor tunities for La Farge concrete.
ARCH3020 spring 2013 DURATION: 10 WEEKS CRITIC: ALEXANDER KITCHIN COLLEAGUES: 13
CNC FABRICATION
FORM WORK ASSEMBLY
POURING + FINISHING
WELDING + INSTALLATION
thank you