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maria.desipr@gmail.com 787 459-1184 www.mariadiaz.daportfolio.com
Maria  Diaz Industrial  Designer
Enthusiastic designer with a BA in Industrial Design backed by 4 years of creative work experiences. Effective and positive team player, productive worker under pressure and fast learner. Interested in commercial design in the home appliance and entertainment departments. Driven by a more humanitarian notion of service, I aspire to work with a collaborative team concerned with socially responsible design. Education 2004 - 2008 BA in Industrial Design, Escuela Internacional de DiseĂąo Universidad del Turabo, Gurabo, Puerto Rico
Technical Skills Considerable experience with contextual and market research, prototyping, 3D modeling, presentation design Initial working exposure to vaccum forming, rapid prototyping, laser cutting, ÀEHUJODVV PRGHOLQJ DQG projects that use a CNC router machine Materials Plastic, Wood, Metal, Foam, Fiberglass, Silicone Software Skills Advanced/Operational knowledge of: Rhino 3D, .H\VKRW 0LFURVRIW 2IÀFH Adobe Illustrator and Indesign Working Knowledge of: Google Sketchup, Adobe Photoshop, IMovie, Mac OS and Windows
2002 - 2004 &RPHUFLR 2Ă€FLQLVWD *HQHUDO Escuela Superior Manuela Toro Morice Caguas, Puerto Rico Employment History 2010 - 2012 Visual Merchandising Associate West Elm, Plaza las AmĂŠricas Responsible for creating the store environment and placing all merchandise according to corporate directive. This position also LQFOXGHV FUHDWLQJ VLWH VSHFLĂ€F LQVWDOODWLRQV HDFK VHDVRQ Summer of 2008 Internship, Estudio InterlĂnea Assisted in the production of various industrial design projects. 2005 - 2007 Freelance Graphic Designer &KDQFHOORUŇ‹V 2IĂ€FH 8QLYHUVLGDG GHO 7XUDER Designer of digital communications for the university’s internal e-mail system and web page. References Alberto Rigau, Estudio InterlĂnea 787 529-6712 Ernesto Amador, Mi Puerto Rico Verde.com 787 365-0311
maria.desipr@gmail.com 787 459-1184 http://mariadiaz.daportfolio.com
Maria Diaz Industrial Designer
Enthusiastic designer in the process of finishing a BA in Industrial Design backed by 4 years of creative work experiences. Effective and positive team player, productive worker under pressure and fast learner. Interested in commercial design in the home appliance and entertainment departments. Driven by a more humanitarian notion of service, I aspire to work with a collaborative team concerned with socially responsible design.
Education 2006-Current Date BA in Industrial Design, Escuela Internacional de Diseño Universidad del Turabo, Gurabo, Puerto Rico GPA 3.65, all of the concentration courses have been finished. Expected graduation is in August 2012
Technical Skills Considerable experience with the wood lathe, sillicone molding, foam modeling/sculpting and 3D Modeling Initial working exposure to vaccum forming, rapid prototyping, fiberglass modeling, and projects that use a CNC router machine
Materials
Plastic, Wood, Metal, Foam, Fiberglass, Silicone
Software skills
Advanced/Operational knowledge of: Rhino 3D, KeyShot Working knowledge of: Google Sketchup, Adobe Design Suite (Illustrator, Photoshop, Indesign), IMovie, Mac OS, Windows and MS Office enviroments
2003-2007 Escuela Superior Manuela Toro Morice Caguas, Puerto Rico Comercio, Oficinista General
Development 2009 - Current Date MEPI, Multidisciplinary Entrepreneurial Program for Innovation Universidad del Turabo, Gurabo, Puerto Rico
Employment History Summer of 2011 Internship, Estudio Interlínea Assisted in the production of various industrial design projects 2009 - Current Date Dean’s Office, Universidad del Turabo Designer of digital communications for the university’s internal e-mail system and web page. Summer of 2009 Internship, Liberty Cable Vision Designed visual interfaces for the Information Technology Department’s internal web platform, along with other secondary communication systems (ads, flyers, e-mails)
Repetici贸n
Alineaci贸n
ALIGNMENT Text is an ongoing sequence of words, distinct from shorter headlines or captions. The main block is often called the “body,� comprising the principal mass of content. Also known as “running text,� it can flow from one page, column, or box to another. Text can be viewed as a thing —a sound and sturdy object— or a fluid poured into the containers of page or screen.
Text is an ongoing sequence of words, distinct from shorter headlines or captions. The main block is often called the “body,� comprising the principal mass of content. Also known as “running text,� it can flow from one page, column, or box to another. Text can be viewed as a thing—a sound and sturdy object—or a fluid poured into the containers of page or screen. Text can be solid or liquid, body or blood. As body, text has more integrity and wholeness than the elements that surround it, from pictures, captions, and page numbers to banners, buttons, and menus. Designers generally treat a body of text consistently, letting it appear as a coherent substance that is distributed across the spaces of a document. In digital media, long texts are typically broken into chunks that can be accessed by search engines or hypertext links. Contemporary designers and writers produce content for various contexts, from the pages of print to an array of software environments, screen conditions, and digital devices, each posing its own limits and opportunities.
Text can be solid or liquid, body or blood.
Text is an ongoing sequence of words, distinct from shorter headlines or captions. The main block is often called the “body,� comprising the principal mass of content. Also known as “running text,� it can flow from one page, column, or box to another. Text can be viewed as a thing—a sound and sturdy object—or a fluid poured into the containers of page or screen. Text can be solid or liquid, body or blood. As body, text has more integrity and wholeness than the elements that surround it, from pictures, captions, and page numbers to banners, buttons, and menus. Designers generally treat a body of text consistently, letting it appear as a coherent substance that is distributed across the spaces of a document. In digital media, long texts are typically broken into chunks that can be accessed by search engines or hypertext links. Contemporary designers and writers produce content for various contexts, from the pages of print to an array of software environments, screen conditions, and digital devices, each posing its own limits and opportunities.
Text is an ongoing sequence of words, distinct from shorter headlines or captions. The main block is often called the “body,� comprising the principal mass of content. Also known as “running text,� it can flow from one page, column, or box to another. Text can be viewed as a thing—a sound and sturdy object—or a fluid poured into the containers of page or screen. Text can be solid or liquid, body or blood. As body, text has more integrity and wholeness than the elements that surround it, from pictures, captions, and page numbers to banners, buttons, and menus. Designers generally treat a body of text consistently, letting it appear as a coherent substance that is distributed across the spaces of a document. In digital media, long texts are typically broken into chunks that can be accessed by search engines or hypertext links. Contemporary designers and writers produce content for various contexts, from the pages of print to an array of software environments, screen conditions, and digital devices, each posing its own opportunities.
%ACH BASIC MODE OF ALIGNMENT HAS DISTINCT CHARACTERISTICS AND TYPICAL USES
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