SELECTED WORKS
From here to there. Maria Elena Wong
>/.
01
02
03
04
05
06
07
08
09
Š2018 Maria Elena Wong All rights reserved. No part of this publication may be reproduced, destributed, or transmitted in any form or by any means, including photocopying, recording, and other electronic or mechanical methods, without the prior written permission of the publisher. Some images and text have been used exclusively for inspiration and educational purpose only.
To coffee.
From here to there.
>/.
CONCEPT
To me, design is a connection between a person and the product. In finding this connection, I develop a compulsion to find the right colors, an obsession for alignment, and fascination for finding the perfect type. After getting into a design frenzy, many long hours and revisions, a very heavenly and satisfying feeling overcomes me: a feeling that many designers feel when the fruits of our labor take form on the finished product.
./>
Projects
>/.
PURSUIT BREWERY
SPEEDO
P I N ATA A P P
From standing still to swaying.
From a ripple to a wave.
From a risky web to a safe network.
>/.
>/.
>/.
P. 0 0 4
P. 0 2 4
P. 0 4 2
C H A PA R R A L C A R D S E T
WAY F I N D I N G
GMO BOOK
From topography to typography.
From getting lost to finding the way.
From an opinion to actual science.
>/.
>/.
>/.
P. 0 6 2
P. 0 7 6
P. 0 9 8
PRESTON ICE CREAM
EPOCH STORE
BRANDING
From scoop to spoon.
From a thoughtless present to a thoughtful future.
From nothing to something.
>/.
P. 1 1 6
>/.
P. 1 3 8
>/.
P. 1 8 2
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT ONE
PURSUIT BREWERY
SEMESTER SPRING 2 0 1 7
From standing sober to swaying .
>/. CLASS PA C K A G I N G 3 INSTRUCTOR CHRISTINE GEORGE
004
01
02
03
04
05
06
07
08
09
10
PURSUIT BREWERY
D E TA I L S
DISCIPLINE > IDENTITY > PA C K A G I N G PRINT UX/UI
1/9
./>
005
000055
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT ONE
KEYWORDS
SEMESTER
LIFE INDIVIDUAL VIBRANT
SPRING 2 0 1 7
>/. CLASS PA C K A G I N G 3 INSTRUCTOR CHRISTINE GEORGE
006
0 0 60 2 01
03
04
05
06
07
08
09
PURSUIT BREWERY
BACKGROUND
D E TA I L S
Given the option to either use a real brand or create one, this project was made with the intention of showing how a concept and graphic style can be applied consistently throughout the different flavors of a product. Pursuit Craft Beer, based in San Francisco, is a ficticious brewery, created specifically for that purpose.
DISCIPLINE > IDENTITY > PA C K A G I N G PRINT UX/UI
S T R AT E G Y
Most people love a good beer, and they enjoy it in the company of friends or coworkers after an overwhelming day at work. This well-known trend has inspired the creation of Pursuit, a brewery that celebrates the individual and their way of living. No matter what you do, we all deserve a beer, two or more after a long, grueling, nine-to-five work day. The labels, resembling a banknote, each depict a different character on the job. The approach I selected involves a lively inking illustration style and a vibrant color palette, connecting each flavor to its corresponding character.
./>
007
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
008
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
009
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
010
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
E S T.
CRAFT BEER 1 9 9 0
013
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
014
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
015
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
016
01
02
03
04
05
06
07
08
09
PRESTON'S CANDY & I C E CPRUER AS MU I T B R E W E R Y
– 003
017
SAISON
SELECTED WORKS 2 013 – 2 018
PURSUIT
PURSUIT
7.0
SAISON
12
ALCOHOL% BY VOLUME
FL .OZ
(355 ML)
SAISON
S E RV E C O L D
IN BEER WE TRUST
018
B100259
01
02
03
04
05
06
07
08
09
BEST HA
MARIA ELENA WONG
RAFT
SNEAKY SAISON
PKGD 09/30/21 DC
V I S I T U S AT PURSUITBEER.COM
E
BE
ER
GOVERNMENT WARNING: [1] ACCORDING TO THE SURGEON GENERAL, WOMEN SHOULD NOT DRINK ANY ALCOHOLIC BEVERAGES DURING PREGNANCY BECAUSE OF THE RISK OF BIRTH DEFECTS. [2] CONSUMPTION OF ALCOHOLIC BEVERAGES IMPAIRS YOUR ABILITY TO DRIVE A CAR OPERATE MACHINERY, AND MAY CAUSE HEALTH PROBLEMS.
CA CRV
N
W E K N O W. I T ’ S V E R Y T E M P T I N G , B U T YO U R S E C R E T S A N D D E S I R E S A R E CA L L I N G , A N D T H E Y WA N T YO U TO R E L E A S E T H E M . Q U E L L THOSE INNER DEMONS WITH OUR HANDCRAF TED BEER, WITH HINTS OF PEAR, APPLE, AND BERRIES T H AT S N E A K U P T O S AT I S F Y YO U.
D
A
PURSUIT BREWERY
0 36000
29145
2
019
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
020
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
021
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
022
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
023
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT TWO
SPEEDO
SEMESTER FA L L 2 0 15
From a ripple to a wave.
>/. CLASS PA C K A G I N G 1 INSTRUCTOR K AT H R I N B L AT T E R
024
01
02
03
04
05
06
07
08
09
PU S PE R ESD UO I T PBARC EW K AEG RY ING
D E TA I L S
DISCIPLINE IDENTITY > PA C K A G I N G PRINT UX/UI
2/9
./>
025
002255
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT TWO
KEYWORDS
SEMESTER
MOVEMENT TECHNOLOGY ENERGY
FA L L 2 0 15
>/. CLASS PA C K A G I N G 1 INSTRUCTOR K AT H R I N B L AT T E R
026
0 2 60 2 01
03
04
05
06
07
08
09
PU S PE R ESD UO I T PBARC EW K AEG RY ING
BACKGROUND
D E TA I L S
Speedo, currently the world's leading swimwear brand, is passionate about swimming and the struggles necessary for any athlete to become a champion. The company offers a training gear line that helps improve their performance in the aquatic sports. The introduction of a new type of technology resulted in a need for a new look.
DISCIPLINE IDENTITY > PA C K A G I N G PRINT UX/UI
S T R AT E G Y
During highschool, I had the opportunity to take part in the swim team. The harsh training sessions, thrill of competitive swimming, and the physics of movement in water initiated the inspiration behind the packaging. The concept was based on the MoirĂŠ pattern, to emmulate the flow of water. The box has two assembly parts: the main structure and a sleeve. Along with the intention of creating an optical illusion, the sleeve's movement uncovers hidden information about the product and its die-cut interacts with the pattern beneath.
./>
027
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
028
01
02
03
04
05
06
07
08
09
SPEEDO PACKAGING
029
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
030
01
02
03
04
05
06
07
08
09
SPEEDO PACKAGING
031
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
032
01
02
03
04
05
06
07
08
09
SPEEDO PACKAGING
033
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
+++
PERFORMANCE
I . M T EC H PA D D L ES TECHNIQUE
ENDURANCE
1
2
SIZE CHART
SMALL
Blue
HEIGHT W I DT H
6.25" 5.5"
HEIGHT W I DT H
7. 5 " 6.5"
HEIGHT W I DT H
8.0" 7. 5 "
HEIGHT W I DT H
8.25" 8.0"
P R O D U C T D E TA I L S
P e r f e c t yo u r s t r o ke s w i t h the aim of specialized paddles. Produced with s t u r d y t u b i n g s t ra p s f o r a c o m f o r t a b l e fi t a n d enough holes to ensure the feel of water so no matter which swimming style, these essential tools also can help build arm strength and form.
MEDIUM
Red
LARGE
Ye l l o w
X LARGE
Gray
TRAINING GEAR
NOTE HEIGHT: Measure from the base of the palm to the tip o f t h e m i d d l e fi n g e r. W I DT H : Measure horizontally across the palm.
034
1 2 3
F E AT U R E S
S w i m m e r s a t eve r y l eve l c a n b e n e fi t f r o m u s i n g t h e s e I . M Te c h fi t n e s s paddles. Their contoured d e s i g n h e l p s yo u a c h i eve proper hand positioning t h a t c a n r e a l l y h e l p yo u reduce shoulder pain, while the scalloped edges p u s h t h e w a t e r aw ay t o i m p r ove p u l l m e c h a n i c s .
I.M. Tech Paddles SW I M F I T N E SS ACC E SS O RY
SIZE SMALL
01
02
03
04
05
06
07
08
Catch Edge Wa t e r C h a n n e l H o l e s Ergonomical Strap
I.M. Tech Paddles SW I M F I T N E SS ACC E SS O RY
SIZE SMALL
09
3
SPEEDO PACKAGING
LIGHT
POWERFUL
DYNAMIC
DURABLE
Catch Edge
Wa t e r C h a n n e l H o l e s
E r g o n o m i c a l S t ra p s
The pronounced edge promotes better feel for the catch phase of each s t r o ke t h a t yo u g i ve .
M u l t i p l e wa t e r c h a n n e l h o l e s h e l p yo u r e t a i n t h e f e e l o f t h e wa t e r.
T h e s i l i c o n e t u b i n g s t ra p s p r ov i d e a s n u g a n d ve r y c o m f o r t a b l e fi t . I t d o e s n ’ t l e ave m a r k s o n yo u r s k i n .
035
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
036
01
02
03
04
05
06
07
08
09
SPEEDO PACKAGING
037
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
038
01
02
03
04
05
06
07
08
09
SPEEDO PACKAGING
039
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
040
01
02
03
04
05
06
07
08
09
SPEEDO PACKAGING
041
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT THREE
P I N ATA A P P
SEMESTER FA L L 2 0 17
From a risky web to a safe network.
>/. CLASS VISUAL SYSTEMS 1 INSTRUCTOR D O L LY C H E N
042
01
02
03
04
05
06
07
08
09
P IUNRASTUAI TS O B RCEIW A LE RAYP P
D E TA I L S
DISCIPLINE IDENTITY PA C K A G I N G PRINT > UX/UI WEB
3/9
./>
043
004433
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT THREE
KEYWORDS
SEMESTER
SAFETY NETWORK ENGAGING
FA L L 2 0 17
>/. CLASS VISUAL SYSTEMS 1 INSTRUCTOR D O L LY C H E N
044
0 4 40 2 01
03
04
05
06
07
08
09
P IUNRASTUAI TS O B RCEIW A LE RAYP P
BACKGROUND
D E TA I L S
Developing strong connections is important to one's growth. Interacting and remaining in touch with colleagues, friends, and family helps in creating mutually beneficial relationships. Because of social media, there is pressure for kids to network online. This creates an opportunity for Pinata, a kid-oriented social media app.
DISCIPLINE IDENTITY PA C K A G I N G PRINT > UX/UI
S T R AT E G Y
Cyberbullying and privacy issues are some of the biggest concerns that a parent needs to face. Children deserve an online hangout that is just as engaging and entertaining as it is secure. The development of this mobile app allows the parent to monitor their child's digital footprint. Just like a piĂąata at birthday parties, this mobile app is filled with surprises. An intriguing yet heavily illustrated approach was chosen to entice its young audience. The combination of the minimal illustration style and the vibrant color palette evokes a feeling of being unharmed and out of danger in a zone where parents see their kids flourishing in a safe environment.
./>
045
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
046
01
02
03
04
05
06
07
08
09
P I N ATA S O C I A L A P P
047
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
96px
72px
44px
048
01
02
03
04
05
06
07
08
09
P I N ATA S O C I A L A P P
049
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
050
01
02
03
04
05
06
07
08
09
P I N ATA S O C I A L A P P
051
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
052
01
02
03
04
05
06
07
08
09
P I N ATA S O C I A L A P P
053
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
054
01
02
03
04
05
06
07
08
09
P I N ATA S O C I A L A P P
055
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
056
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
057
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
P I N ATA S O C I A L A P P
059
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT FOUR
C H A PA R R A L
SEMESTER FA L L 2 0 14
From topography to typography.
>/. CLASS TYPOGRAPHY 2 INSTRUCTOR JOHN NETTLETON
060
01
02
03
04
05
06
07
08
09
P UHRASPU C A IRTR B A RL EC WAERRD YS E T
D E TA I L S
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
4/9
./>
061
006611
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT FOUR
KEYWORDS
SEMESTER
I N F O R M AT I V E L AY E R S GEOGRAPHY
FA L L 2 0 14
Chaparral >/. CLASS TYPOGRAPHY 2 INSTRUCTOR JOHN NETTLETON
062
0 6 20 2 01
03
04
05
06
07
08
09
P UHRASPU C A IRTR B A RL EC WAERRD YS E T
BACKGROUND
D E TA I L S
Readers and graphic designers alike appreciate well-designed typography. One of the most remarkable female typographers known to the graphic design industry is Carol Twombly. A set of cards was created in celebration of one of her many recognizable and used typefaces: Chaparral, a hybrid slab-serif.
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
S T R AT E G Y
The font is named after Twombly’s hometown's geographical region, in Martinez, California. Chaparral is known as a shrubland landscape of the region, and it serves as the main concept. Geographic elements have been used as part of the graphic style to illustrate how the design of the typeface is linked to the origin of its name. A die was used for the creation of the cardset to create the effect of Californian hills, shrubs and mountains seen from a distance.
./>
063
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
064
01
02
03
04
05
06
07
08
09
CHAPARRAL CARDSET
065
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
066
01
02
03
04
05
06
07
08
09
CHAPARRAL CARDSET
067
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
068
01
02
03
04
05
06
07
08
09
CHAPARRAL CARDSET
069
070
CHAPARRAL CARDSET
1 hybrid
Pp 0
15 10
25
Jenson Pro
20
3 contrast
2 serifs
071
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
072
01
02
03
04
05
06
07
08
09
CHAPARRAL CARDSET
073
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
Top Ser if
Twombly Bracket
B owl
Counter
A pex
S houlder
200 100
Stem
L eg
1 cap height 2 x-height 3 b aseline
01
300
Descender
CAROL
074
400
02
03
04
05
06
07
08
09
400 300 200 100
CHAPARRAL CARDSET
075
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT FIVE
WAY F I N D I N G C O N F E R E N C E
SEMESTER S P R I N G 2 0 18
From getting lost to finding the way.
>/. CLASS TYPOGRAPHY 4 INSTRUCTOR ARIEL GREY
076
01
02
03
04
05
06
07
08
09
P UARYSF U W I NI TD IBNRG EWERY
D E TA I L S
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
5/9
./>
077
007777
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT FIVE
KEYWORDS
SEMESTER
I N F O R M AT I V E E X P E R I M E N TA L CONNECTION
S P R I N G 2 0 18
>/. CLASS TYPOGRAPHY 4 INSTRUCTOR ARIEL GREY
078
0 7 80 2 01
03
04
05
06
07
08
09
P UARYSF U W I NI TD IBNRG EWERY
BACKGROUND
D E TA I L S
Once a year, The Society for Experiential Graphic Design has a conference for the industry of design and architecture on wayfinding systems. segd connects people to places by planning, designing, and building experiences. The event attendance has grown every year, attracting leaders in the industry and professionals alike.
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
S T R AT E G Y
Wayfinding systems and signage design, when done efficiently, helps people navigate the space and orient themselves. How the human brain processes visual information and cues obtained from the environment sparked the idea for the book and poster. The printed matter was designed resembling a physical space with signage that guides the reader through the layout from page to page. The use of a vibrant color palette was meant to grab the reader's attention, similar to that of elevators, maps, and other signs in a building.
./>
079
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
080
01
02
03
04
05
06
07
08
09
WAY F I N D I N G
081
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
082
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
083
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
084
01
02
03
04
05
06
07
08
09
HERE
37
WAYFINDING
36 WAY F I N D I N G
085
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
086
01
02
03
04
05
06
07
08
09
WAY F I N D I N G
087
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
088
01
02
03
04
05
06
07
08
09
WAY F I N D I N G
089
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
090
01
02
03
04
05
06
07
08
09
:29
:25
:1 8
SUN
BOARDING CENTER al
10:42 PM 10:48 PM
S
10:55 PM
16
ow
10:59 PM
P
is
is
r
M
M
te
t
en
t
t
lS
C
ee
ee
si
on
on
on
si
si
is
y
el
ic
10:59 PM
iv
tr
tr
M
k
447
C
S
t
k
ee
ar
ar
y
16
tr
P
P
1605
24 S
n
10:35 PM
le
a
TIME 10:30 PM bo
x
G
B
47 1255 y
1:58
1:55
1:49
1:45
1:38
1:35
1:29
1:25
1 :1 8 3:25 3:29 3:35 3:38
2:25 2:29 2:35 2:38
MON
2:58
2:55
2:49
2:45
3 :1 8
2 :1 8
4:29
4:25
4 :1 8
8 CAR TRAIN
1605
MONTGOMERY
091
y
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
092
01
02
03
04
05
06
07
08
09
WAY F I N D I N G
093
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
1
094
2
01
02
03
04
3
05
06
07
08
09
10
WAY F I N D I N G
095
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
096
01
02
03
04
05
06
07
08
09
WAY F I N D I N G
097
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT SIX
GMO BOOK
SEMESTER S P R I N G 2 0 16
From an opinion to actual science.
>/. CLASS TYPOGRAPHY 3 INSTRUCTOR JOHN NETTLETON
098
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
D E TA I L S
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
6/9
./>
099
009999
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT SIX
KEYWORDS
SEMESTER
BIOLOGY SCALE CONTROVERSY
S P R I N G 2 0 16
HEARD ABOUT GMOS?
DY5 460 14
>/. CLASS TYPOGRAPHY 3 INSTRUCTOR JOHN NETTLETON
100
1 0 00 2 01
03
04
05
06
07
08
09
DY5 460 14
PURSUIT BREWERY
BACKGROUND
D E TA I L S
What exactly is a gmo? The acronym stands for Genetically Modified Organisms. The process, which involves artificially altering the dna of an organism, has been a world-wide controversy. The lack of knowledge on the topic makes being pro- or anti-gmo more of a trend rather than a well-thought decision.
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
S T R AT E G Y
Isaac Asimov stated, “The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom.� Our stand on being for or against gmos should be based on our knowledge and understanding on the pros and cons of eating genetically modified food. The book was designed to show both sides of the topic, using a unique photography style for each part of the book and a color code. It also uses green and orange to differentiate both the pro- and anti-GMO stands respectively.
./>
101
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
102
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
103
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
104
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
105
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
106
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
107
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
108
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
DYS 460 13
DYS 450 14
DYS 462 16
G
T
T
G
A
G
G
T
T
G
A
G
G
T
T
A
G
T
T
A
G
DYS 459 15
G
THERE
IS
DOCUMENTED BEING
HU R T
NOT CASE BY
A
SINGLE
OF
ANYONE
DYS 459 15
GENETICALLY
M O D I F I E D FO O D , A N D Y E T T H I S I S DYS 459 15
A BI G G E R PR O B L E M F O R P E O P L E T H A N PESTICIDES, WHICH WE KNOW HAVE CAUSED HARM.“
5.80X
109
A
C
T MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
D
V
E
B
U W X Y Z 110
01
02
03
04
05
06
07
08
09
P
K
F
A
111
T
U
Q
L
G
B
50
26
D
38 50
N
V
52 56 58 64
W
Regulations and Labeling of gmo
Seralini GM Roundup Study
Potential Health Risks
The Society Reaction
WHAT ARE THEY FEEDING US?
CHAPTER 4.0
M
28 F e e d i n g t h e W o r l d ’ s H u n g r y 32 U s i n g F e w e r P e s t i c i d e s
SAVING THE WORLD WITH GMOS
CHAPTER 2.0
C
10
CHAPTER 1.0
I
X
R
Y
S
68
40 F i n d i n g G e n e t i c a l l y M o d i f i e d F o o d 44 G M O I m p a c t o n B i o d i v e r s i t y
Z
A n t i gmo R e s o u r c e s
68 P r o gmo a n d
BIBLIOGRAPHY
O
J
12 DNA and Genetic Engineering 16 The Steps of Genetic Modif ication 22 Use of Genetically Modif ied Organisms
GMO: GENETICALLY MODIFIED ORGANISM
THE AGRICULTURAL SYSTEM
CHAPTER 3.0
H
E
PURSUIT BREWERY
SELECTED WORKS
MARIA ELENA WONG
2 3 –I A 2 0E 18 M0A1 R LENA WONG
SELECTED WORKS 2 013 – 2 018
112
01
02
03
04
05
06
07
08
09
PRESTON'S CANDY & I C E CPRUER AS MU I T B R E W E R Y
113
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
114
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
115
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT SIX
PRESTON ICE CREAM
SEMESTER S P R I N G 2 0 18
From scoop to spoon.
>/. CLASS VISUAL SYSTEMS 2 INSTRUCTOR ESZTER CLARK
116
01
02
03
04
05
06
07
08
09
PR U ERS STUO I TN B ' SR EI C WEE RCYR E A M
D E TA I L S
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
7/9
./>
117
111177
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT SIX
KEYWORDS
SEMESTER
BIOLOGY SCALE CONTROVERSY
S P R I N G 2 0 18
>/. CLASS VISUAL SYSTEMS 2 INSTRUCTOR ESZTER CLARK
118
1 1 80 2 01
03
04
05
06
07
08
09
PR U ERS STUO I TN B ' SR EI C WEE RCYR E A M
BACKGROUND
D E TA I L S
Preston’s Ice Cream has been a favorite of the Burlingame community for more than fifty years. From its retro displays and counter tops to its hand-crafted assortment of chocolates, this store takes you back in time. With the arrival of newcomers, the company was in need of a campaign to attract and engage its new audience.
DISCIPLINE IDENTITY PA C K A G I N G > PRINT UX/UI
S T R AT E G Y
Growing up, ice cream has always been present in the happiest moments of my life. Similar to other foods, it can evoke nostalgia. The source of joy is not in the flavors, but the memories that are associated with ice cream. This relation between the two sparked the main concept, allowing the campaign to advance. A heavily illustrated quarterly magazine was the deliverable for the campaign, under the slogan: “Memories come in flavors.” The printed matter promotes three different flavors, represented in a minimal, organic illustration style.
./>
119
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
120
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
121
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
122
01
02
03
04
05
06
07
08
09
PRESTON'S ICE CREAM
123
y 124
01
02
03
04
05
06
07
08
09
PRESTON'S ICE CREAM
you are so
fluffy 125
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
126
01
02
03
04
05
06
07
08
09
PRESTON'S ICE CREAM
127
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
128
01
02
03
04
05
06
07
08
09
PRESTON'S ICE CREAM
129
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
134
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
135
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT SIX
EPOCH STORE
SEMESTER S P R I N G 2 0 17
From a thoughtless present to a thoughtful future. >/.
CLASS PA C K A G I N G 4 INSTRUCTOR T O M M C N U LT Y
136
01
02
03
04
05
06
07
08
09
PP E UO RS CUHI TS TB O R ERW E ERY
D E TA I L S
DISCIPLINE > IDENTITY > PA C K A G I N G PRINT UX/UI WEB
8/9
./>
137
113377
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PROJECT SIX
KEYWORDS
SEMESTER
ECOLOGY TECHNOLOGY MINIMALISM
S P R I N G 2 0 17
>/. CLASS PA C K A G I N G 4 INSTRUCTOR T O M M C N U LT Y
138
1 3 80 2 01
03
04
05
06
07
08
09
PP E UO RS CUHI TS TB O R ERW E ERY
BACKGROUND
D E TA I L S
As a leader in innovation, Tesla was chosen as the idea for a retail store with locations in Oslo and San Francisco, called Epoch. Epoch believes that design is powerful and can reshape the minds of an audience: the upper-middle class, highly educated, green friendly and those interested in a healthy and fresh lifestyle.
DISCIPLINE > IDENTITY > PA C K A G I N G PRINT UX/UI WEB
S T R AT E G Y
Epoch represents an essential moment in time. Its product's fearless use of raw materials represents the great diversity, innovation, and character of a realistic Scandinavian design. Their mission statement is to inspire and educate future generations to shift towards a greener conscious future. Because the products use raw materials, the approach had to be powerful with a minimal aesthetic. ./>
139
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
>/.
EPOCH STORE
Brand Matrix >/.
STORE BRAND
SUB BRANDS
G AT H E R : F O O D
L O F T: H O M E
BLOOM: WELLNESS
140
01
02
03
04
05
06
07
08
09
EPOCH STORE
L O C AT I O N
DEMOGRAPHICS
EUROPE
M I N I M U M WA G E
Oslo, Norway
$21 per hour
USA
Seattle, WA San Francisco, CA
S U S TA I N A B I L I T Y TA X E S
$74,000 AV E R A G E A N N U A L S A L A R Y
30% annually
KEY ADJECTIVES
PRODUCT LINE
Comfy Warm Welcoming
Coffee, fish, tea, spices, pasta sauce, dry food, juice, pasta, etc .
KEY ADJECTIVES
PRODUCT LINE
Fresh Delightful Breezy
Water filter, coffee maker, tea pot, lamp, air purifier, flatwares, etc.
KEY ADJECTIVES
PRODUCT LINE
Fresh Delightful Breezy
Body lotion, face oil, face mask, serum, toner, bath salts, body lotion, etc.
141
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
G AT H E R
Eat thoughtfully, live joyfully.
>/.
142
01
02
03
04
05
06
07
08
09
EPOCH STORE
BACKGROUND
DELIVERABLES
Norwegian cuisine is traditionally based on raw materials which are available in Norway, since the country is surrounded by wilderness. It has a strong focus on game and fish. Many of the traditional dishes are results of using preserved materials, with respect to the long winters, and the food is an important aspect of its culture.
JUICE
S T R AT E G Y
SUB BRANDS
Storytelling was used as the main concept for the packaging. Some of the characters represented are reminiscent of the norwegian culture: wild animals, forests and everything eco-friendly. An honest and straightforward look accentuates the culture of Norway and its resources. The typeface, Brandon Grotesque, ads warmth to the products and the red stamp elevates the brand.
> G AT H E R
PA S TA DRY FOOD SPICES PA S TA S A U C E COFFEE TEA WINE FISH
LOFT BLOOM
./>
143
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
144
01
02
03
04
05
06
07
08
09
EPOCH STORE
145
MARIA ELENA WONG
146
SELECTED WORKS 2 013 – 2 018
PESTICIDE-FREE
PE
NON-GMO
NO
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
147
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
148
01
02
03
04
05
06
07
08
09
EPOCH STORE
149
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
150
01
02
03
04
05
06
07
08
09
EPOCH STORE
151
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
152
01
02
03
04
05
06
07
08
09
EPOCH STORE
153
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
154
01
02
03
04
05
06
07
08
EPOCH STORE
09
PURSUIT BREWERY
155
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
156
01
02
03
04
05
06
07
08
09
EPOCH STORE
157
MARIA ELENA WONG
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
158
01
02
03
04
05
06
07
08
09
EPOCH STORE
159
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
LOFT
Everyday products that inspire modern living. >/.
160
01
02
03
04
05
06
07
08
09
EPOCH STORE
BACKGROUND
DELIVERABLES
Norway's architecture has often been adapted to meet its climatic conditions: harsh winters, high winds and, in its coastal regions, salt spray. With the availability of wood as a building material, Norwegian architecture was primarily focused on its local needs and traditions. This vernacular style is paralleled through Loft's line.
WAT E R F I LT E R
S T R AT E G Y
SUB BRANDS
Functionality and workmanship are the primary attributes of scandinavian products. Loft is a line of products that strive for minimalism and function. Creating a product that isn't only appealing but also practical. Resourcing natural materials and aiming to waste as little as it is possible. The visual system consists of minimal photography and a typographic layout that showcases the best attributes of the product. The packaging uses a nordic, yet warm and welcoming color palette reminiscent of home.
G AT H E R
COFFEE MAKER TEA POT F L AT WA R E S B I G P L AT E S S M A L L P L AT E S KITCHEN TOWEL MUGS WA L L C L O C K LAMP AIR PURIFIER BLANKET
> LOFT BLOOM
./>
– 003
161
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
162
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
163
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
164
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
165
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
166
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
167
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
168
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
169
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
BLOOM
Healthy mind in a healthy body.
>/.
170
01
02
03
04
05
06
07
08
09
EPOCH STORE
BACKGROUND
DELIVERABLES
Just like the most of the developing countries, Norwegians are also concerned with one's well-being and appearances. Bloom is a skincare product line that uses ingredients extracted from organic materials harvested in the region. The brand itself is known for being truthful to its audience, revealing the exact ingredients.
BODY LOTION
S T R AT E G Y
SUB BRANDS
The intention of the design was to be as honest as possible with the audience. The typography used, Calvert, was intended to bring out a sense of delicacy. The type, Roboto, was chosen to capture the attention of its target. The sub-brand consists of three different categories. To help differentiate them, each container possessess a different finish in relation to each category: hydrating, frosted glass; noursihing, clear finish; and mattifying, matte white.
G AT H E R
FA C E O I L FA C E M A S K SERUM TONER B AT H S A LT S BODY LOTION
LOFT > BLOOM
./>
171
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
172
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
173
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
174
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
175
176
01
02
03
04
05
06
07
08
09
NOURISH PEELING FACE MASK DIRECTIONS
:
› ⁄ First Step Apply a th in layer to fresh ly clean sed moist skin , avoidin g for you r eye area.
› ⁄ Second Step Wait for 2 0 M I N U T E S . R in se with lu kewarm water to clean th e pores deeply. En joy th is gen tle, clean sin g mask several times a week.
INGREDIENTS
:
S u crose, S tearalkon iu m Hectorite, Fragar ia Vesca Fru it, Man gifera In dica S eed Bu tter, Limon en e, Fragran ce , Limn an th es Alba S eed Oil, Fragar ia An an assa S eed Oil, Vitis Vin ifera S eed Oil, Pru n u s D omestica S eed Oil, R osmarin u s Officin alis Leaf Extrac t, Water, Tocoph er yl A cetate
CLAIMS
Allergy tested, appropriate for all skin ty pes, appropriate for sen sitive skin , fragran c e free, paraben free, cru elty free.
: ./
— If yo u don’t already use face maintenance ever y week, now’s the time to star t
Ø st e n sj øva nnet, 74 0667 O slo, Nor way epoc h .c om
10 ml
0 .3 3 fl oz .
1 mask ¨¨
ENHANCING
MOUSTURIZE
H Y D R AT E
Flax Seed and Peppermint Oil Reduce the Appearance of Fine Lines and Wrinkles Treating and Humecting Your Face. › ⁄ Active Microcapsules
Normal Skin
› ⁄ Antioxidant › ⁄ Watergel Formula
NOURISH PEELING FACE MASK MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
PURSUIT BREWERY
177
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
178
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
179
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
LOGOS
BRANDING
FISHER PRICE HERA NOMAD PURSUIT P I N ATA MAD TRAINER BLOOM G AT H E R LOFT
From nothing to something.
>/.
180
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
D E TA I L S
DISCIPLINE > IDENTITY PA C K A G I N G PRINT UX/UI
9/9
./>
181
118811
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
LOGOS
FISHER PRICE HERA NOMAD PURSUIT P I N ATA MAD TRAINER BLOOM G AT H E R LOFT
>/.
182
1 8 20 2 01
03
04
05
06
07
08
09
PURSUIT BREWERY
BACKGROUND
To better showcase my abilities in branding, I have created, and re-created different logos. The following has been made with consideration of extensive research, visibility, and the target audience, in order to thrive in different mediums.
D E TA I L S DISCIPLINE > IDENTITY PA C K A G I N G PRINT UX/UI
My approach in branding is conceptual; each logo possessing a second read, in relation to the product or brand. It is a clever yet minimal approach that bring a sense of realization when one finds the hidden meaning.
./>
183
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
LOGOS
FISHER PRICE HERA NOMAD PURSUIT P I N ATA MAD TRAINER BLOOM G AT H E R LOFT
184
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
185
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
LOGOS
FISHER PRICE HERA NOMAD PURSUIT P I N ATA MAD TRAINER BLOOM G AT H E R LOFT
186
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
187
MARIA ELENA WONG
SELECTED WORKS 2 013 – 2 018
LOGOS
FISHER PRICE HERA NOMAD PURSUIT P I N ATA MAD TRAINER BLOOM G AT H E R LOFT
188
01
02
03
04
05
06
07
08
09
PURSUIT BREWERY
189
118899
From the bottom of my mug: thank you!
>/.
PA PA
Se que me miras desde arriba. Espero que te sientas orgullosa de mi. Te quiero mucho y extrano.
MAMA
Gracias por siempre estar ahi para mi. Por todo tu apoyo, y por sacarnos adelante, a mi y a mi hermana. No hubiera podido lograrlo sin tu ayuda. Te quiero mucho.
SISTER
You are my inspiration. I admire you tremendously and have always looked up to you for your drive and passion. Thank you for always believing in me and supporting me throughtout this journey. I love you so much.
FA M I LY
I am so grateful for having a family that has stod by my side and have supported me
JAI
Thank you so much for all your help. For putting up with me and being the best roommate and friend ever. I will always be thankful for the countless nights you stayed up helping me.
INSTRUCTORS
Mary Scott, for your encouragement, dedication and support that made this portfolio possible. John Nettleton, for inspiring me and helping me grow as a designer. Eszter Clark, I will always be thankful for all your help and support, and for showing me a side of design I never thought would be lucky to see. Scot Crisp, for your valuable time and for helping me put my thoughts into words. Tom Hedgepeth, Tom McNulty, Chris Rolik, Kathrin Blatter, Ariel Grey, Christine George, for making me the designer I am today.
FRIENDS
Jai Cha, Silvia Abruzzese, Jason DeCruz, Karla Hanon, Samantha Tutone, Yiyun Lin, Geraldine Vargas, Renatto Moscoso, Maria Tsu, Jenny Lin, Jay Jeon, Corinne Pon, and many others I had the pleasure to meet at AAU, who stood by my side and encouraged me to keep going, I wouldn't have made it without you.
COLLEAGUES & MENTORS
To Duotone in Peru, for sparking my passion in Graphic Design. To Hatch and it's lovely and super-talented team, for all the valuable experience and support I have received while interning at your firm. To RevOne, thank you Natasha, Lahlouh, and your team for supporting me through my major. To Office, for the opportunity to intern alongside great designers.
COFFEE
You know what you've done.
>/.
C O N TA C T
Maria Elena Wong Graphic Designer 925.785.8231 malenawch@gmail.com mariaelena.com
SCHOOL
Academy of Art University School of Graphic & Digital Media 79 New Montgomery St San Francisco, CA 94105 INSTRUCTOR
Mary Scott Fall 2018 Senior Portfolio BOOK TITLE
From here to there. PRINT & BINDING
Blurb.com TEXT STOCK
100# Mohawk Superfine Uncoated
TYPOGRAPHY
Calluna Neuzeit S Lt Std PHOTOGRAPHY
Jai Cha Dustin Soriano S O F T WA R E
Adobe Creative Suite