Architectural portfolio by Mariam Abdelaziz

MARIAM ABD ELAZIZ ABOUT ME Hello, I am Mariam Abdelaziz. Graduated from faculty of fine arts architecture department I have a passion for discovering new perspectives, working with a team, and adapting myself to various tasks and works. I believe that architecture has a significant impact on people’s lives so in my designs I seek to improve user experience.

01 Design projects CONTENT

02 working 03 urban & landscape 04 hand sketches

01-DESIGN PROJECT

Anime perduta pilgrim

0 1 - P I LG R I M C E N T R E , C O M P E T I T I O N

Centre

Our concept is to create a pilgrim Centre on the shore of the Bolsena lake away from the city , to be a destination for a temporary accommodations for a relaxing and meditating experience . The “ Anime Perduta” complex consists of three main elements: the plaza , the form surrounding it and the church in the middle. The main form in also divided into three zones : the cultural Centre , the craft Centre and the accommodation part, we created a circulation so that the tourist / pilgrim can be prepared to dive into his inner soul . It is almost an exploration of the spirit .The user is prepared to go to the next stage : the plaza , where they can explore the church exterior shell and interact with it ,and it prepare them to peacefully enter the church to pray and meditate.

CONCEPT ANALYSIS & PLANS

0 1 - P I LG R I M C E N T R E , C O M P E T I T I O N

SECTION & ANALYSIS

main plan

The church is in a good shape but the original wooden roof was demolished , so we replaced it with two layers : the inner layer a dome to provide a sense of place and to manage the amount of sunlight and its direction. The exterior layer is a tented roof built with pipes to be lightweighted but can be seen from dstance to provide guidance to pilgrims.

ALEXANDRIA CINEMA MUSEUM

01-ALEXANDRIA CINEMA MUSEUM

ANALYSIS SITE & CONCEPT

ALEXANDRIA CINEMA MUSEUM

CONCEPT ANALYSIS & PLANS

ALEXANDRIA CINEMA MUSEUM

SECTION & ELEVATION

01-ALEXANDRIA CINEMA MUSEUM

EL-ALAMEIN HOSPITAL

0 1 - E L - A L A M E I N H O S P I TA L

ANALYSIS SITE & CONCEPT

0 1 - E L - A L A M E I N H O S P I TA L

PLANS & ELEVATION

E L - A L A M E I N H O S P I TA L

02-WORKING

‫ﺍ‬

‫ﺏ‬ ‫‪٢٣٫٤٣‬‬

‫ﺍﺭﻓﻑ ﺧﺷﺑﻳﺔ ﻣﺛﺑﺗﺔ ﻓﻲ ﺍﻟﺣﺎﺋﻁ‬

‫‪١١٫٧٠‬‬ ‫‪٣٫١٨‬‬

‫‪٥٫٢٤‬‬

‫‪٠٫٢٥‬‬

‫‪٠٫٥٥‬‬

‫‪٠٫٣٠‬‬

‫‪٢٫٥٢‬‬

‫ﻟﻭﺡ ﻣﻌﺩﻧﻲ ﻟﺗﺛﺑﻳﺕ ﺍﻻﺭﻓﻑ ﻭﺍﻻﺩﻭﺍﺕ‬

‫‪٠٫٥٩‬‬

‫‪٥٫٢٤‬‬

‫‪٢٫٥١‬‬

‫‪٥٫٥٩‬‬

‫‪٥٫٢٩‬‬

‫‪٠٫٥٦‬‬

‫‪٢٫١٩‬‬

‫‪٠٫١٧‬‬

‫‪١‬‬

‫‪٠٫٧٩‬‬

‫‪٠٫٦٠‬‬

‫‪٢٢٫٦٠‬‬

‫‪٢٫٧١‬‬ ‫‪٠٫٢٥ ٠٫٩٠‬‬

‫ﺣﺎﺋﻁ ﺯﺟﺎﺟﻲ‬

‫‪٢٫٤٩‬‬ ‫‪٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠‬‬

‫‪٠٫٥٠‬‬

‫‪٢٫٠٤‬‬

‫‪٠٫٢٦‬‬

‫ﺵ‪١‬‬

‫‪٠٫٥٥‬‬

‫‪٠٫٣٥ ٠٫٣٥‬‬

‫‪٢٫٠٤‬‬

‫‪٠٫٢٦‬‬

‫ﺵ‪١‬‬

‫‪٣٫١٨‬‬

‫‪٠٫٦٠‬‬

‫‪٠٫٣٨‬‬

‫‪٦٫٧٣‬‬

‫ﺵ‪١‬‬

‫‪٥٫٢٩‬‬ ‫‪٠٫٥٠ ٠٫٢٥‬‬

‫ﺳﻬﻢ اﻟﺸﲈل‬

‫‪١١٫٧٤‬‬ ‫‪٠٫٥٠‬‬

‫ﻋﻣﻭﺩ ﺧﺭﺳﺎﻧﺔ ﻣﺳﻠﺣﺔ ‪٠٫٥*٠٫٥‬‬

‫‪١‬‬

‫ﺝ‬

‫‪٠٫٦٢‬‬

‫ﺩﻭﻻﺏ ﺛﺎﺑﺕ ﺧﺷﺑﻲ ﻋﺭﺽ ‪٠٫٥٠‬‬

‫‪٢٫٤١‬‬

‫‪٠٫٩٠‬‬

‫ﺍﺣﻭﺍﺽ‬

‫‪٠٫١٥‬‬ ‫‪٣٫٩٥‬‬

‫ﺟﺩﻭﻝ ﺍﻻﺑﻭﺍﺏ‪:‬‬ ‫ﺍﻟﺭﻣﺯ‬

‫ﺍﻟﻣﻘﺎﺳﺎﺕ )ﺑﺎﻟﻣﺗﺭ(‬ ‫ﺍﻻﺭﺗﻔﺎﻉ‬ ‫ﺍﻟﻌﺭﺽ‬

‫ﺍﻟﻌﺩﺩ‬

‫ﺏ‪١‬‬

‫‪٢٫٠٠‬‬

‫‪٢‬‬

‫‪٢٣٫٢٣‬‬

‫ﺣﻳﺯ ﺍﻟﻣﺭﺍﺳﻡ‬

‫ﺍﻟﻣﻭﺍﺻﻔﺎﺕ‬

‫ﺑﺎﺏ ﻣﻔﺻﻠﻲ ﺿﻠﻔﺗﻳﻥ‬ ‫ﺯﺟﺎﺟﻲ )ﺑﺎﺏ ﺍﻟﻣﺩﺧﻝ(‬

‫‪٢٫٥‬‬

‫ﺽ‪١‬‬

‫‪١٢٫٦٥‬‬ ‫‪١٣٫٧٦‬‬

‫‪١٢٫٦٥‬‬

‫‪١٢٫٧٦‬‬

‫‪١٣٫٢٦‬‬

‫‪١٣٫٧٦‬‬

‫ﺟﺩﻭﻝ ﺍﻟﺷﺑﺎﺑﻳﻙ‪:‬‬

‫ﺍﻟﻌﺩﺩ‬

‫ﺍﻟﺭﻣﺯ‬ ‫ﺵ‪١‬‬

‫‪٤‬‬

‫‪٠٫١٠‬‬ ‫ﺍﻟﻣﻭﺍﺻﻔﺎﺕ‬

‫ﺍﻟﻌﺭﺽ ﺍﻻﺭﺗﻔﺎﻉ ﺍﻟﺟﻠﺳﻪ‬ ‫‪١٫٦‬‬

‫‪١٨٫٧٣‬‬

‫‪١٨٫٩٨‬‬

‫ﺷﺑﺎﻙ ﺯﺟﺎﺟﻰ ﻳﻔﺻﻝ ﺑﻳﻥ‬ ‫ﺍﻟﻣﻌﺭﺽ ﻭ ﺍﻟﺣﻳﺯ ﺍﻟﺩﺍﺧﻠﻰ‬ ‫ﺍﻟﻣﻔﺗﻭﺡ‬

‫‪٠٫١٤‬‬

‫‪١٨٫٧٣‬‬

‫‪١‬‬

‫ﺍﻟﻭﺍﺡ ﻣﺗﺣﺭﻛﺔ ﻟﺗﺧﺯﻳﻥ ﺍﻟﻠﻭﺣﺎﺕ‬

‫‪١٫٠٦‬‬ ‫‪١٨٫٩٨‬‬

‫‪٢٫٥‬‬

‫‪٢٫٠٢‬‬

‫ﺍﻟﻣﻘﺎﺳﺎﺕ )ﺑﺎﻟﻣﺗﺭ(‬

‫‪٢٫٠٥‬‬

‫ﺟﺩﻭﻝ ﺍﻟﺗﺷﻁﻳﺑﺎﺕ‪:‬‬ ‫ﺍﻟﺣﻳﺯ‬

‫ﺗﺭﺑﻳﻌﺎﺕ‬ ‫ﺭﺧﺎﻡ‬ ‫‪٠٫١‬‬

‫ﺍﻟﻭﺯﺭﺍﺕ‬

‫ﻭﺯﺭﻩ ﺭﺧﺎﻡ‬ ‫‪٠٫١‬‬

‫ﺻﻔﺭ‬

‫ﺑﻳﺎﺽ‬ ‫ﺗﺧﺷﻳﻥ‬ ‫ﻭ ﺩﻫﺎﻧﺎﺕ‬ ‫ﺑﻼﺳﺗﻳﻙ‬ ‫ﺑﺎﻟﻠﻭﻥ‬ ‫ﺍﻻﺑﻳﺽ‬

‫‪٣٫٨٧‬‬

‫ﺽ‪١‬‬

‫ﺍﻟﺣﻭﺍﺋﻁ‬

‫ﺻﻔﺭ‬

‫ﺣﺎﺋﻁ ﻣﺗﺣﺭﻙ‬

‫‪٢٣٫٢٣‬‬ ‫‪٢١٫٠٣‬‬

‫‪٠٫١٠‬‬

‫ﺑﻳﺎﺽ‬ ‫ﺗﺧﺷﻳﻥ‬ ‫ﻭ ﺩﻫﺎﻧﺎﺕ‬ ‫ﺑﻼﺳﺗﻳﻙ‬ ‫ﺑﺎﻟﻠﻭﻥ‬ ‫ﺍﻻﺑﻳﺽ‬

‫ﺍﻻﺭﺿﻳﻪ‬

‫ﺍﻻﺳﻘﻑ‬

‫‪٢٣٫٢٣‬‬ ‫‪٠٫٣١‬‬

‫‪٠٫٥٦‬‬

‫‪٠٫٢٥‬‬

‫‪٠٫٤٠‬‬

‫ﺏ‪١‬‬ ‫‪٤٫٤٥‬‬

‫‪٠٫٥٠‬‬

‫ﺻﻔﺭ‬ ‫‪٢٫٠٠‬‬

‫‪١٫١٦‬‬

‫‪٢‬‬

‫‪٣٫٩٣‬‬

‫‪٠٫٥٠‬‬

‫‪٠٫٥١ ٠٫٥٠‬‬

‫‪٣٫٣٤‬‬

‫‪٣٫٣٧‬‬

‫‪١٫٠٠‬‬

‫‪٣٫٩٥‬‬

‫‪٠٫٥٠‬‬

‫‪٠٫٢٥ ٠٫٤١‬‬

‫‪٠٫٣٦‬‬

‫‪٠٫٨٤‬‬ ‫‪٢٫٠٠‬‬

‫‪٦٫٠٠‬‬ ‫‪١٫٠٠‬‬

‫‪٠٫٨٦‬‬ ‫‪٠٫٥٠ ٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫ﺏ‪١‬‬ ‫ﺵ‪١‬‬

‫‪٠٫٥١ ٠٫٥٠‬‬

‫ﺵ‪١‬‬

‫‪٣٫٣٤‬‬

‫‪١٫٠٠‬‬

‫‪١٫٢٠‬‬

‫‪٠٫٥٠‬‬

‫‪٢‬‬

‫ﺻﻔﺭ‬

‫‪٣٫٣٧‬‬

‫‪٠٫٥٠ ٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫‪٤٫٥٠‬‬

‫‪٠٫٥٠‬‬

‫‪٢٣٫٦٢‬‬

‫‪٣٫٣٧‬‬

‫‪٤٫٩٨‬‬

‫‪٤٫٩٩‬‬

‫‪٥٫٢٤‬‬

‫‪٠٫٦٠ ٠٫٥٠‬‬

‫‪٠٫٤٦ ٠٫٣٤٠٫٣٣‬‬

‫‪٠٫٥٠‬‬

‫‪٠٫٢٥‬‬

‫‪٠٫٧٥‬‬

‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬

‫‪١١٫٧٠‬‬

‫‪+٠٫٧٥‬‬ ‫‪٢٫٠٠‬‬

‫‪٤‬‬

‫‪٠٫٧٥‬‬

‫‪١ : ٥٠‬‬

‫ﻣﺴﻘﻂ اﻓﻘﻲ ‪‬ﺎم‬

‫‪٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫‪٠٫٥١ ٠٫٥٠‬‬

‫‪٣٫٣٤‬‬

‫‪٠٫٥٠ ٠٫٢٥‬‬

‫‪٣٫٦٢‬‬

‫‪٠٫٥٠ ٠٫٥٠‬‬

‫‪٤٫٩٩‬‬

‫‪١‬‬

‫‪٣‬‬

‫‪٠٫٥٠‬‬

‫‪٤٫٤٥‬‬

‫‪٥‬‬

‫‪٠٫٢٥‬‬

‫اﻟﻄﺎﻟﺐ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ |‬ ‫ﻣﻘ‪‬ﺎس |‬ ‫اﻟﺮﰟ‬ ‫اﻟﺘﺎرﱗ |‬

‫‪٤٫٤٩‬‬

‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬

‫‪١‬‬ ‫‪٢‬‬

‫‪١١٫٧٤‬‬ ‫‪٢٣٫٤٣‬‬

‫ﺍ‬

‫ﺏ‬

‫ﻣﺳﻘﻁ ﺍﻓﻘﻲ ﻋﺎﻡ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(٥٠-١‬‬

‫ﺝ‬

‫‪٠٫٠٤‬‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫‪٦٠‬‬

‫‪٣‬‬

‫‪٥٫٢٤‬‬

‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫‪٥٫٢٣‬‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬

‫ﺻﻔﺭ‬

‫‪٣‬‬

‫ﺍ‬

‫ﺏ‬ ‫‪٢٣٫٤٣‬‬

‫ﺍﺭﻓﻑ ﺧﺷﺑﻳﺔ ﻣﺛﺑﺗﺔ ﻓﻲ ﺍﻟﺣﺎﺋﻁ‬

‫‪١١٫٧٠‬‬ ‫‪٣٫١٨‬‬

‫‪٥٫٢٤‬‬

‫‪٠٫٥٥‬‬

‫‪٠٫٣٠‬‬

‫‪٠٫٩٥‬‬

‫‪٠٫٥٠ ٠٫٢٥‬‬

‫‪٥٫٢٤‬‬

‫ﻁﺎﻭﻻﺕ ﺭﺳﻡ ‪١٫٨٠*٠٫٩٠‬‬

‫‪٢٫٥١‬‬

‫‪٥٫٥٩‬‬

‫‪٥٫٢٩‬‬

‫‪٠٫٥٦‬‬

‫‪٢٫١٩‬‬

‫‪٠٫١٧‬‬

‫‪٠٫٦٠‬‬

‫ﺩﻭﻻﺏ ﺛﺎﺑﺕ ﺧﺷﺑﻲ ﻋﺭﺽ ‪٠٫٥٠‬‬

‫‪٤٫٧٨‬‬

‫‪١٫٦٩‬‬

‫‪٢٫٤١‬‬

‫ﺍﺣﻭﺍﺽ‬

‫‪٠٫٩٠‬‬

‫ﺳﺗﺎﻧﺩ ﻧﺣﺕ ‪٠٫٤٥*٠٫٤٥‬‬

‫‪٠٫٧٩‬‬

‫‪٢٫٧١‬‬ ‫‪٠٫٢٥ ٠٫٩٠‬‬

‫ﺣﺎﺋﻁ ﺯﺟﺎﺟﻲ‬

‫‪٠٫٥٩‬‬

‫‪٢٫٤٩‬‬ ‫‪٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠‬‬

‫‪١‬‬

‫‪٠٫٥٥‬‬

‫‪٠٫٣٥‬‬

‫‪٢٫٠٤‬‬

‫‪٠٫٢٦‬‬

‫ﻟﻭﺡ ﻣﻌﺩﻧﻲ ﻟﺗﺛﺑﻳﺕ ﺍﻻﺭﻓﻑ ﻭﺍﻻﺩﻭﺍﺕ‬

‫‪٥٫٢٩‬‬

‫‪٠٫٦٠‬‬

‫‪٠٫٣٨‬‬

‫‪٢٫٠٤‬‬

‫‪٠٫٢٦‬‬

‫‪٢٫٥٢‬‬

‫‪٣٫١٨‬‬

‫‪٠٫٥٠‬‬

‫‪١‬‬

‫‪٦٫٧٣‬‬

‫‪٠٫٢٥‬‬

‫ﻋﻣﻭﺩ ﺧﺭﺳﺎﻧﺔ ﻣﺳﻠﺣﺔ ‪٠٫٥*٠٫٥‬‬

‫‪١١٫٧٤‬‬ ‫‪٠٫٥٠‬‬

‫ﺳﻬﻢ اﻟﺸﲈل‬

‫ﺝ‬

‫‪٠٫١٥‬‬

‫‪٣٫٥١‬‬

‫‪٠٫٩٠‬‬

‫ﺳﺗﺎﻧﺩ ﺭﺳﻡ‬

‫‪٠٫‬‬ ‫‪٢٩‬‬

‫‪١٫٦٩‬‬

‫‪٨٫٩٥‬‬

‫‪٢٫٣‬‬ ‫‪٨‬‬

‫‪٩٫٢١‬‬

‫‪١٫٥٠‬‬

‫‪١٣٫٥١‬‬

‫‪١٢٫٦٥‬‬

‫‪٢٫٠١‬‬

‫‪١٢٫٦٥‬‬

‫‪١٢٫٧٦‬‬

‫‪٠٫١٠‬‬

‫‪٠٫١٤‬‬

‫‪١٫٠٦‬‬

‫‪٣٫٠٦‬‬

‫‪١٨٫٧٣‬‬

‫‪٧٫٢٠‬‬ ‫‪٣٫٨٢‬‬

‫‪٠٫٩٠‬‬

‫‪١٫٨٠‬‬

‫‪٥٫١٠‬‬

‫‪٣٫٨٧‬‬

‫‪٣٫٧٨‬‬

‫ﺣﺎﺋﻁ ﻣﺗﺣﺭﻙ‬

‫‪٠٫٨٤‬‬

‫‪٢٫٦٦‬‬

‫‪١٫٣٥‬‬

‫‪٠٫٣١‬‬

‫‪٠٫٥٦‬‬

‫‪٠٫٢٥‬‬

‫‪٠٫٤٠‬‬

‫‪٣٫٣٤‬‬

‫‪٣٫٣٧‬‬

‫ﺏ‪١‬‬

‫‪٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫‪٣٫٩٥‬‬

‫‪٠٫٢٥ ٠٫٤١‬‬

‫‪٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫‪٠٫٥١ ٠٫٥٠‬‬

‫‪٦٫٠٠‬‬ ‫‪١٫٠٠‬‬

‫‪٠٫٨٦‬‬ ‫‪٠٫٥٠ ٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫‪٠٫٥٠‬‬

‫‪١٫٠٠‬‬

‫ﺏ‪١‬‬

‫‪٠٫٥١ ٠٫٥٠‬‬

‫‪٣٫٣٤‬‬

‫‪٠٫٥٠ ٠٫٢٥‬‬

‫‪٣٫٦٢‬‬

‫‪٠٫٥٠ ٠٫٥٠‬‬

‫‪٢٫٠٠‬‬

‫‪٠٫٥٠‬‬

‫‪٠٫١٤‬‬

‫‪١٫٠٦‬‬

‫‪١٫١٦‬‬

‫‪٠٫٨٤‬‬

‫‪٢٣٫٢٣‬‬

‫‪٠٫٨٥‬‬ ‫‪٠٫١٠‬‬

‫‪٢١٫٠٣‬‬

‫‪٤٫٤٩‬‬

‫‪٠٫٥٠‬‬

‫‪٢‬‬

‫‪٤٫٤٨‬‬

‫‪٥٫٢٢‬‬

‫‪٥٫٢٤‬‬

‫‪٥٫٢٥‬‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬

‫‪٠٫١٠‬‬

‫‪٩‬‬ ‫‪٠٫٢‬‬

‫‪٣٫٩٣‬‬

‫‪٢٫٠٥‬‬

‫ﺍﻟﻭﺍﺡ ﻣﺗﺣﺭﻛﺔ ﻟﺗﺧﺯﻳﻥ ﺍﻟﻠﻭﺣﺎﺕ‬

‫‪٠٫٩٠‬‬

‫‪٢‬‬

‫‪٣٫٩٥‬‬ ‫‪١٣٫٢٦‬‬

‫‪٦٫٨٩‬‬

‫‪٢٫٠٢‬‬

‫‪٠٫١٠‬‬

‫‪٥٫٩٠‬‬

‫‪١٣٫٧٦‬‬

‫ﺣﻳﺯ ﺍﻟﻣﺭﺍﺳﻡ‬ ‫‪٠٫١٠‬‬

‫‪٠٫٣٦‬‬

‫‪٥‬‬ ‫‪٠٫٧‬‬

‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫اﻟﻄﺎﻟﺐ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ |‬ ‫ﻣﻘ‪‬ﺎس |‬ ‫اﻟﺮﰟ‬ ‫اﻟﺘﺎرﱗ |‬

‫‪٢‬‬

‫‪١ : ٥٠‬‬

‫‪٦٠‬‬ ‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬

‫‪٣‬‬

‫‪٣‬‬ ‫‪١١٫٧٠‬‬

‫ﻣﺴﻘﻂ ‪‬ﺎم ‪‬ﻠﻔﺮش‬ ‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬

‫‪١١٫٧٤‬‬ ‫‪٢٣٫٤٣‬‬

‫ﺍ‬

‫ﺏ‬

‫ﻣﺳﻘﻁ ﺍﻓﻘﻲ ﻟﻠﻔﺭﺵ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(١:٥٠‬‬

‫ﺝ‬

‫ﺍ‬

‫ﺏ‬ ‫ﻭﺣﺩﺍﺕ ﺍﺿﺎءﺓ ‪٠٫٧٠*٠٫٧٠‬‬

‫ﺝ‬

‫‪٢٣٫٤٣‬‬ ‫ﻣﺟﺭﻱ ﻓﻲ ﺍﻟﺳﻘﻑ ﻟﻠﺣﺎﺋﻁ ﺍﻟﻣﺗﺣﺭﻙ ‪٠٫١٠‬‬ ‫‪١١٫٨٠‬‬

‫ﺳﻬﻢ اﻟﺸﲈل‬

‫‪١١٫٧٤‬‬

‫‪١‬‬

‫‪١‬‬ ‫‪١‬‬

‫‪١‬‬ ‫‪٢٫٢٠‬‬

‫‪٠٫٦٠‬‬ ‫‪٣٫٢٩‬‬

‫‪٣٫٤٠‬‬ ‫‪١٫٣٠‬‬

‫‪٠٫٧٠‬‬

‫‪٠٫٦٠‬‬ ‫‪٠٫٧٠‬‬

‫‪٢٫٤٣‬‬

‫‪١٫٣٠‬‬

‫‪٠٫٦٠‬‬

‫‪٣٫٣٨‬‬

‫‪٠٫٧٠‬‬

‫‪٠٫٦٠‬‬

‫‪٢٫٤٣‬‬

‫‪٧٫٣٠‬‬

‫‪٠٫٦٠‬‬ ‫‪٠٫٧٠‬‬

‫‪٣٫٣٩‬‬ ‫‪٠٫٧٠‬‬

‫‪١٫٣٠‬‬

‫‪٠٫٦٠‬‬

‫‪١٫٣٠‬‬

‫‪٢٫٢٠‬‬

‫‪٢٫٣٢‬‬

‫‪٢٣٫٢٣‬‬ ‫‪٢٫٣٠‬‬ ‫‪٣٫٢٤‬‬

‫‪٠٫٧٠‬‬

‫‪٤٫٣٠‬‬

‫ﺍﻟﺭﻣﺯ‬

‫ﻣﺧﺎﺭﺝ ﺍﻟﻬﻭﺍء ﻟﻠﺗﻛﻳﻳﻑ‬ ‫‪١٣٫٥١‬‬

‫‪١٣٫٢٦‬‬

‫‪٣٫٤١‬‬

‫‪١٨٫٩٨‬‬

‫‪٠٫١٠‬‬

‫‪٨٫٠٩‬‬

‫‪٠٫٥٩‬‬

‫‪٢٫٣٩‬‬

‫‪٢٫٤٤‬‬

‫‪٠٫٦٠‬‬

‫‪٦٫٨٩‬‬

‫‪٠٫٦٠‬‬ ‫‪٥٫٩٠‬‬

‫‪٠٫١٠‬‬

‫‪٢٢٫١٣‬‬

‫‪٠٫٦١‬‬

‫‪٨٫٨٠‬‬

‫‪٢٫٣٥‬‬

‫‪٠٫٦٠‬‬

‫‪٢٫٣٧‬‬

‫‪٠٫٦٠‬‬

‫‪٢٫٣٧‬‬

‫‪٢٫٤٢‬‬

‫‪٢٫٤٤‬‬

‫‪٢٫٢٥‬‬ ‫‪٠٫١٠‬‬

‫‪١٨٫٨٥‬‬

‫ﺳﻳﺭ ﺍﻷﺿﺎءﺓ‬

‫‪١٣٫٢٦‬‬

‫ﻭﺣﺩﺓ ﺍﺿﺎءﺓ‬ ‫‪٠٫٧٠*٠٫٧٠‬‬

‫‪١٣٫٥١‬‬

‫ﻣﺩﺍﺧﻝ ﺍﻟﻬﻭﺍء ﻟﻠﺗﻛﻳﻳﻑ‬

‫‪٠٫٦٠‬‬

‫ﺍﻟﻣﻭﺍﺻﻔﺎﺕ‬

‫‪٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠‬‬

‫‪٠٫٢٣‬‬

‫‪٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠ ٠٫٢٠ ٠٫٨٠‬‬

‫‪٢٫٠٥‬‬

‫‪٠٫١٤‬‬

‫‪١٫٠٦‬‬

‫‪٤٫٤٢‬‬

‫‪٢٫٢٦‬‬

‫‪٢‬‬

‫‪٢٫٢٦‬‬

‫‪٢‬‬

‫‪٢‬‬ ‫‪٢٣٫٢٣‬‬ ‫‪٢٫٢٣‬‬

‫‪٧٫٨٠‬‬

‫‪٣٫٢٠‬‬

‫‪٧٫٨٠‬‬

‫‪٢٫٢٠‬‬

‫‪٢‬‬

‫‪٥٫٢٢‬‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬ ‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫اﻟﻄﺎﻟﺐ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ |‬ ‫ﻣﻘ‪‬ﺎس |‬ ‫اﻟﺮﰟ‬ ‫اﻟﺘﺎرﱗ |‬

‫‪٣‬‬

‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬

‫‪١ : ٥٠‬‬

‫ﻣﺴﻘﻂ اﻓﻘﻲ‬ ‫ﻟﻼﺳﻘﻒ‬ ‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬

‫‪١١٫٧٠‬‬

‫‪٠٫١٣‬‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫‪٦٠‬‬

‫‪٣‬‬

‫‪١١٫٧٤‬‬ ‫‪٢٣٫٦٢‬‬

‫ﺍ‬

‫ﺏ ﻣﺳﻘﻁ‬

‫ﺍﻓﻘﻲ ﻟﻼﺳﻘﻑ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(٥٠-١‬‬

‫ﺝ‬

‫‪٣‬‬

‫‪٠٫٣٥ ٠٫٤٦‬‬

‫‪٠٫٦٠‬‬

‫‪٠٫٣٦‬‬

‫‪٠٫٣٦ ٠٫٢٧ ٠٫٣٣‬‬

‫‪٠٫٥٠‬‬

‫‪٠٫٣٥ ٠٫٤٦‬‬

‫‪٠٫٣٥ ٠٫٣٦ ٠٫٢٧ ٠٫٣٣‬‬

‫‪٠٫٣٦‬‬

‫‪٠٫٩٦‬‬

‫‪٠٫٧٩‬‬

‫‪٠٫٩٦‬‬

‫‪٠٫٦٢‬‬

‫‪٠٫٣٥ ٠٫٣٦ ٠٫١٠‬‬

‫‪٠٫٦٠‬‬

‫‪٣٫٧١‬‬

‫‪٢٫٠٥‬‬

‫‪٠٫٢٣ ٠٫٢٥ ٠٫٥١ ٠٫٢٥ ٠٫٥٥ ٠٫٢٦‬‬

‫‪٠٫٨٥‬‬

‫‪٠٫٨٩‬‬

‫‪٠٫١٠‬‬

‫‪٠٫١١‬‬

‫‪٠٫١٥‬‬ ‫‪٠٫١٥ ٠٫١٥ ٠٫١٥‬‬

‫‪٠٫١١ ٠٫٧٠ ٠٫٠٤ ٠٫٣٨‬‬ ‫‪٠٫٨٥‬‬

‫‪٠٫٨٥‬‬

‫‪٠٫١١ ٠٫٧٠ ٠٫٠٤‬‬

‫‪٠٫٨٣‬‬

‫‪٣٫٨٤‬‬

‫‪٣٫٣٩‬‬

‫‪٣٫٨٤‬‬

‫‪٠٫٨٥‬‬

‫‪٠٫١١ ٠٫٨٩‬‬

‫‪٠٫٨٣‬‬

‫‪٠٫٨٥‬‬

‫‪٢٫٠٠‬‬

‫‪٣٫٠٠‬‬

‫‪٠٫٨٥‬‬

‫‪٣٫٣٩‬‬

‫‪٠٫٠٥‬‬

‫‪٠٫٧٩‬‬ ‫‪٠٫٩٥‬‬

‫‪٠٫١١‬‬

‫‪٠٫١١‬‬ ‫‪٠٫٣٣‬‬

‫‪٠٫٦٣‬‬

‫‪٠٫٣٤ ٠٫٣٦‬‬

‫‪٠٫٣٦‬‬

‫‪٠٫٣٤ ٠٫٣٦‬‬

‫‪١٫٠٠‬‬

‫‪٠٫٧٦‬‬

‫‪٢٫٣٠‬‬

‫‪٠٫٧٧‬‬

‫‪٣٫٥٠‬‬

‫‪٣٫٨٤‬‬

‫‪٣٫٨٤‬‬ ‫‪٤٫٢٠‬‬

‫‪٢٫٣٠‬‬

‫‪٠٫٧٧‬‬

‫‪٠٫٣٤ ٠٫٣٦‬‬

‫‪٢٫٣٠‬‬

‫‪٠٫٧٧‬‬ ‫‪٠٫٣٤ ٠٫٣٦‬‬

‫‪٠٫٧٦‬‬

‫‪١٫٠٠‬‬

‫‪٢٫٣٠‬‬

‫‪٠٫٣٤ ٠٫٣٦‬‬

‫‪٠٫٣٦‬‬

‫‪٠٫٣٤ ٠٫٣٦ ٠٫٢٧ ٠٫٣٣‬‬

‫‪٣٫٨٤‬‬ ‫‪٣٫٥٠‬‬

‫‪٢٫٥٠‬‬

‫‪٠٫٠٨‬‬

‫‪٢٫٥٠‬‬

‫‪١٫٢٠‬‬

‫‪١٫٠٢‬‬

‫‪١٫١٠‬‬

‫‪١٫٢٠‬‬

‫‪٠٫١٠‬‬

‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬

‫ﺭﺧﺎﻡ ﺍﺑﻳﺽ ﻛﺭﺍﺭﺓ ﺳﻣﻙ ‪٠٫٠٣‬‬

‫‪٢٫٨٩‬‬

‫‪١ : ٥٠‬‬

‫وا‪‬ﺎت‬

‫ﻭﺍﺟﻬﺔ ﺩﺍﺧﻠﻳﺔ )‪(٢‬‬ ‫‪٥‬‬

‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬

‫اﻟﻄﺎﻟﺐ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ |‬ ‫ﻣﻘ‪‬ﺎس |‬ ‫اﻟﺮﰟ‬ ‫اﻟﺘﺎرﱗ |‬

‫‪٠٫٥٠‬‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫‪٦٠‬‬

‫‪٤٫٣٠‬‬

‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫‪٣٫٨٤‬‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬

‫‪٠٫٣٦٠٫١٠‬‬ ‫‪٠٫١٧٠٫٣٣‬‬

‫‪١‬‬

‫ﺍ‬ ‫ﺏ‬ ‫ﺝ‬

‫ﺩﻭﺍﻟﻳﺏ ﺧﺷﺑﻳﺔ‬ ‫ﺩﻭﻻﺏ ﺧﺷﺑﻲ ﺛﺎﺑﺕ‬

‫‪٠٫٣٦٠٫٢٧٠٫٣٣‬‬

‫ﺍﺭﻓﻑ ﺧﺷﺑﻳﺔ ﺛﺎﺑﺗﺔ ﻋﻠﻲ ﺍﻟﺣﺎﺋﻁ‬

‫‪٤٫٢٠‬‬

‫ﺑﻳﺎﺽ ﺗﺧﺷﻳﻥ‬ ‫ﻭ ﺩﻫﺎﻧﺎﺕ‬ ‫ﺑﻼﺳﺗﻳﻙ ﺑﺎﻟﻠﻭﻥ ﺍﻻﺑﻳﺽ‬ ‫‪١‬‬

‫ﺏ‬ ‫ﺍ‬

‫‪٠٫٩٥‬‬

‫ﺍﻟﺗﻭﺻﻳﻑ‬ ‫ﺍﻟﺭﻣﺯ‬

‫‪١‬‬

‫ﺝ‬ ‫ﻟﻭﺡ ﻣﻌﺩﻧﻲ ﻟﺗﺛﺑﻳﺕ ﺍﺭﻓﻑ ﻭﺍﻻﺩﻭﺍﺕ‬ ‫‪PEG board‬‬

‫ﻭﺍﺟﻬﺔ ﺩﺍﺧﻠﻳﺔ )‪(١‬‬

‫‪٠٫٣٣‬‬ ‫‪٠٫١٧‬‬ ‫‪٠٫١٠‬‬ ‫‪٠٫٤٦‬‬

‫‪ ،‬ﻭﻫﻭ ﻋﺑﺎﺭﺓ ﻋﻥ ﺗﺯﻭﻳﺭ ﺛﻧﺎﺋﻲ ﺍﻻﺗﺟﺎﻩ ﺑﻪ ﺛﻘﻭﺏ ﺗﺳﻣﺢ ‪٤٥‬‬ ‫ﺑﻣﺭﻭﺭ ﺍﻟﻣﻧﺷﺂﺕ ﻭﺍﻻﺩﺧﺎﺭ ﻓﻲ ﺍﻟﺧﺭﺳﺎﻧﺔ ‪ ،‬ﻣﻣﺎ ﻳﺅﺩﻱ ﺇﻟﻰ ﺗﺯﻭﻳﺭ‬ ‫ﺃﺧﻑ ‪ ،‬ﺗﻡ ﺗﻁﻭﻳﺭ ﺃﻧﻅﻣﺔ ﺃﺧﺭﻯ ‪ ،‬ﻣﻣﺎ ﻳﻭﺳﻊ ﻣﻥ ﺇﻣﻛﺎﻧﻳﺎﺕ‬ ‫ﻳﺗﻡ ﺗﻭﻓﻳﺭ ﺣﻠﻭﻝ ﻭﺣﺩﺍﺕ ﻣﻧﻬﺟﻳﺔ ﻭﻣﺧﺻﺻﺔ ‪ ،‬ﺗﺗﻛﻳﻑ ‪.‬ﺍﺳﺗﺧﺩﺍﻣﻪ‬ ‫‪.‬ﻣﻊ ﺃﻱ ﻣﺗﻁﻠﺑﺎﺕ ﺧﺎﺻﺔ ﻟﻠﻣﺷﺎﺭﻳﻊ ﺍﻟﻛﺑﻳﺭﺓ‬

‫‪٠٫٣٦‬‬

‫‪HOLEDECK Ho-One post‬‬‫‪tensioning‬‬

‫ﻗﻁﺎﻉ ﺭﺍﺳﻲ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(٢٠:١‬‬

‫ﻟﻘﻁﺔ ﺩﺍﺧﻠﻳﺔ ﺗﻭﺿﺢ ﺷﻛﻝ ﺗﻘﺳﻳﻣﺔ ﺑﻼﻁﺔ ﺍﻟﺳﻘﻑ‬ ‫ﻣﺳﻘﻁ ﺍﻓﻘﻲ ﻟﻛﺎﻣﻝ ﺍﻟﺣﻳﺯ‬ ‫ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(٢٠٠:١‬‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬ ‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫‪٦٠‬‬

‫اﻟﻄﺎﻟﺐ‬ ‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ |‬ ‫‪١٠‬‬ ‫ﻣﻘ‬ ‫‪‬ﺎس | ‪ (٢) As indicated‬ﺗﻔﺼﯿﻠﯿﺔ‬ ‫اﻟﺮﰟ‬ ‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬ ‫اﻟﺘﺎرﱗ |‬

‫ﻣﻧﻅﻭﺭ ﻟﻠﻣﺑﻧﻲ ﻳﻭﺿﺢ ﺍﻟﻧﻅﺎﻡ ﺍﻻﻧﺷﺎﺋﻲ‬

‫ﺳﻳﺭ ﻣﻌﺩﻧﻲ‬

‫ﺍﻁﺎﺭ‬ ‫ﺍﻟﻭﻣﻧﻳﻭﻡ‬

‫ﺍﻟﻭﺍﺡ ﺧﺷﺑﻳﺔ ﻣﺗﺣﺭﻛﺔ ‪٠٫٩٠*٠٫١٠‬‬

‫‪ rockwool‬ﻟﻭﺡ ﻣﻥ‬

‫ﻟﻭﺡ ﻣﻥ ﺍﻟﺧﺷﺏ‬

‫ﻗﻁﺎﻉ ﺗﻔﺻﻳﻠﻲ ﻟﺗﺭﻛﻳﺏ ﺍﻟﺣﺎﺋﻁ ﺍﻟﻣﺗﺣﺭﻙ‬ ‫ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(٥:١‬‬

‫ﻣﺳﻘﻁ ﺍﻓﻘﻲ ﻟﻠﺣﺎﺋﻁ ﻟﻠﺣﺎﺋﻁ ﺍﻟﻣﺗﺣﺭﻙ‬ ‫ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ )‪(٢٠:١‬‬

‫ﺻﻭﺭﺓ ﺗﻭﺿﺢ ﻣﺛﺎﻝ ﻻﺳﺗﺧﺩﺍﻡ ﺍﻟﺣﻭﺍﺋﻁ ﺍﻟﻣﺗﺣﺭﻛﺔ‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬ ‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫‪٦٠‬‬

‫اﻟﻄﺎﻟﺐ‬ ‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ |‬ ‫‪٩‬‬ ‫ﻣﻘ‬ ‫‪‬ﺎس | ‪(١) As indicated‬ﺗﻔﺼﯿﻠﯿﺔ‬ ‫اﻟﺮﰟ‬ ‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬ ‫اﻟﺘﺎرﱗ |‬

‫ﺷﻛﻝ ﻗﻁﺎﻉ ﺍﻟﺳﻳﺭ ﺍﻟﻣﻌﺩﻧﻲ‬

‫ﻟﻘﻁﺎﺕ ﻟﺗﻭﺿﻳﺢ ﺑﺩﺍﺋﻝ ﻻﺳﺗﺧﺩﺍﻡ ﺍﻟﺣﺎﺋﻁ ﺍﻟﻣﺗﺣﺭﻙ‬

‫ﻋﻠﻔﺎﺕ ﺧﺷﺑﻳﺔ ﻣﺛﺑﺗﺔ ﻋﻠﻲ ﺍﻟﺣﺎﺋﻁ ﺑﺎﻟﺗﺳﻣﻳﺭ‬

‫‪ pegboard‬ﻟﻭﺡ ﻣﻌﺩﻧﻲ‬

‫‪٠٫٠٥‬‬ ‫‪٠٫٠٥‬‬ ‫‪٠٫٠٥‬‬

‫‪٠٫٩٣‬‬

‫‪٠٫٠٥‬‬

‫‪٠٫٩٣‬‬

‫‪٢٫٠٠‬‬ ‫‪٢٫١٠‬‬

‫‪٠٫٠٥‬‬ ‫‪٠٫٠٥‬‬ ‫‪٠٫٠٥‬‬

‫ﻣﺳﻘﻁ ﺍﻓﻘﻲ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ)‪(١:١٠‬‬

‫ﺑﺭﻭﺍﺯ ﺧﺷﺑﻲ ‪"٣*"٤‬‬

‫‪٠٫٠٧‬‬

‫‪٢٫١٠‬‬ ‫‪٠٫٠٧‬‬ ‫‪٢٫٠٠‬‬

‫‪٠٫٠٥‬‬

‫ﻟﻭﺡ ﺗﺛﺑﻳﺕ ﻣﻌﺩﻧﻲ‬

‫‪١٫٩٥‬‬

‫‪٢٫١٠‬‬

‫‪١٫٩٥‬‬

‫ﳇﯿﺔ اﻟﻔ‪‬ﻮن اﶺﯿ‪‬‬ ‫ﻗﺴﻢ اﻟﻌﲈرة ‪ -‬اﻟﻔﺮﻗﺔ اﻟﺮاﺑﻌﺔ‬ ‫رﺳﻮﻣﺎت ﺷﻮب دروﯾﻨﺞ ﳌﺮﰟ‬

‫اﰟ ا‪‬ﻠﻮ‪‬ﺔ‬

‫ﺗﻔﺼﯿﻠﯿﺔ ‪٣‬‬

‫ﶍﻮ‪‬ﺔ رﰴ ‪١٤‬‬

‫‪٠٫٠٧‬‬

‫اﻟﻄﺎﻟﺐ‬ ‫رﰴ ا‪‬ﻠﻮ‪‬ﺔ | ‪Unnamed‬‬ ‫ﻣﻘ‪‬ﺎس |‬ ‫‪١ : ١٠‬‬ ‫اﻟﺮﰟ‬ ‫اﻟﺘﺎرﱗ |‬

‫‪٠٫٠٧‬‬

‫اﰟ | ﻣﺮﱘ ﻋﺒﺪ اﻟﻌﺰ‪‬ﺰ ﻓ‪‬ﺤﻲ‬

‫‪٦٠‬‬

‫ﻭﺍﺟﻬﺔ ﻟﻠﺗﻔﺻﻳﻠﻳﺔ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ)‪(١:١٠‬‬

‫ﻗﻁﺎﻉ ﺭﺍﺳﻲ ﻣﻘﻳﺎﺱ ﺍﻟﺭﺳﻡ)‪(١:١٠‬‬

02-URBAN

04- COMMERCIAL

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M A R I A M

A B D E L A Z I Z

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