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MARIANA DEHESA Interior Designer Student
MARIANA DEHESA
Interior Designer Student Curriculum Vitae Cel.: (044)22-25-05-55-02 e-mail: mariana.dehesaco@udlap.mx Country: Mexico University: Universidad de las Américas Puebla
About me 21 years old Birthday: June 13th
ducation 2014
Bachelor Interior Architecture at UDLAP, 7th Semester.
I am a passionate of design. I think creativity is what gives sense to human existence. I think inspiration is the most wonderful felling.
Prep. School at “Colegio Williams”
2008-2011 in Mexico City
Diploma in Photography(Natural Light)
2013 Close Up School of Photography. Mexico City
2011Diploma “Interior Design” by Tadeo
Franco. “CENTRO University”, Mexico City
Experience
Professional Practice
Summer “DIN Interiorismo” 2014 with famous Mexican Interior Designer Aurelio Vázquez.
Residential
Hotels
Corporative Commercial
Projects of Interior Design I collaborated during this period. Definitely the best experience.
S Professional Illustrator Photoshop In Design Flash Autocad Autocad 3D Revit 3D max + Vray
Personal
What characterizes me Communicative Charismatic Organized Persistent Creative Leader
Languages French 45% Spanish 90% (Native) 100% Interests
English
CONTENTS Ecumenical Chapel
Student Center- UDLAP Louis Vuitton Store Barefoot Carmels Convent
Users’ Profile
Location
Key ideas
UDLAP Community Students and employees 30%
UDLAP Community Students and employees 60%
NOTE: This percentages are based on stadistics from interviews to possible users.
UDLAP. Calle Ex Hacienda Santa Catarina Mártir S/N, Cholula, 72810 Puebla
Objective Design of an Ecumenical Chapel inside the campus university taking into acount the multcultural character of the institution.
Concept
1-Earth 2-Water 3-Sky 4-Wind 5-Sun 6-Present
Shape
Materialize through the use of geometry the meaning of life people’s purpouse on earth. Sensibility, simplicity and fugacity are the adjectives to this place that has a connection with a superior force.
The hexagon is the choosen shape to represent the ecumenical chapel structure because it has 3 shapes contained in it. Additionally, each of its corners has a meaning which correspond to the key points.
+
Ecumenical Chapel Project in the Campus
Build an Ecumenical Chapel
+
=
1rst year - 2nd semester Fall 2012.
Pre- sketches
Technique: Hand drawing architectural
Materials Board
Teak Wood
Main Facade
Glass
Final Proposal
Glass
Technique: Model+ Photoshop
View from entrance
Section Air View- The
Ecumenical Chapel Project in the Campus
Build an Ecumenical Chapel
1rst year - 2nd semester Fall 2012.
Location Users’ Profile Inspiration Source
Students and Professors
Campus’ Central Building
Cleaning Personal
Visitors
70%
20%
10%
Users’ Activities
Universidad de las Américas Puebla. Sta. Catarina Mártir. San Andrés Cholula, Puebla. C.P. 72810. México
Eat
- Blacksmithing forms
60%
1-Organic Forms 2-Fluency 3- History 4-Campus secret label
Objective Identify the mision and the vision of the University and translated it, in order to create an interior space for the Social Students’s Center.
Eat + Homework 20%
Homework
Clean
15%
5%
Mood Board
Concept
Comprenhend the relation of the space with the university as well as its importance. Study all the users’ necessities. Take into account the multicultural and innovative personality of the university.
Inspired in the campus’ shapes. Create a space able to generate a memorable universitary experience for the students’ community and its visitors.
Student Center UDLAP Project in the Campus
Remodelation- Social Building
2nd year- 4th Semester Spring 2013
Spacial Distribution
Proposal #2
Technique: Autocad + Photoshop
Floor Plan
Proposal #1 Floor PlanTechnique: Autocad + Photoshop
Previous Sketches
Technique: Handmade
Facade
Study area Study area
Food Area View to the principal entrance.
Study area and view to interior food area.
Terrace .
Student Center UDLAP Project in the Campus
Remodelation- Social Building
2nd year- 4th Semester Spring 2013
Materials and Furniture Proposal Floor Plan Material Board Circulation Study Area Food Area Exposicions (Art) Terrace Furniture Proposal Terrace and food area
Technique: Autocad + Photoshop
Study area
This render from the study area shows the organic forms viewed in the floor plan. In addition, all the materials are cozy and is a place where concentration can be conceived. The ceiling made of green acrylic seems technological, reduces scale and delimitates the space. The space has special areas for reading, working in computer, work in team, to mention a few.
Technique: Revit + Photoshop
Student Center UDLAP Project in the Campus
Remodelation- Social Building
Final Proposal Renders
Technique: Revit + Photoshop
Sections Technique: Autocad
Terrace- Principal access
Terrace- Principal access night view
Student Center UDLAP Project in the Campus
Remodelation- Social Building
2nd year- 4th Semester Spring 2013
Location
Objective
Advantages:
Important and international brand. Has to be located in a important place.
Adress: no. 5502 Country: Mexico City:Puebla Atlixco Tlaxcalcingo. Land: 5, 400 m2.
Understand how to ranslate a brand personality into a interior space.
Therefore the location selected is ideal because: -Main Avenue, where high society members travel. -Isolated from little brands. -Huge space to build a monument. -Ideal view to volcanoes (Popocateptl and Itztacihuatl) -No high buildings in the context Excelent climate.
Brand Identity
Develop a complex concept demonstrating your understanding about the philosophy from the brand given and come up with a functional and viable interior solution. Consider the necessities and activities form users and brand’s thoughts, create eveloping atmospheres. !"#$%$#&'' ,*(-'
Concept
Related to cultural context Monumental scales Warm and innovative materials
Main characteristics
Elegant Expensive Luxory Taste Design as a lifestyle
Necessities- Chart
Luxory
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Create a luxorious and brilliant interior space with diverse and traditional shapes and materials that clarly reflect the brand identity. Create a monument (focal building) that represents the context and the culture of the city with the brand’s personality.
Profile- Users Result 70%
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Commercial- Luxury Store Louis Vuitton in Puebla
Branding
3rd year- 5th Semester Fall 2013 Collaboration with: Celia Pérez and Diana Rodriguez.
Floor Plant First Floor White Marble Voticcino Extra Light Mármoles Puente
Technique: Autocad + Photoshop
Second Floor
Wood Pc 350 European Walnut 8015- painted Stone Maderas Finas
Carpet Commotidy Arxminster
Tikul Naranja Cantera Olimpia 30.5 x 30.5 cm
Section
Wood PC400 Style/ Armonic American Walnut 8014 Maderas Finas
A
Section A
Elevation B
Elevation B Elevation A
Onix Amarillo Téllez Ónix Carpet Modular Carpet Ts Series
Elevation A
White Marble Voticcino Extra Light Mármoles Puente
The Floor Plan reflects all the areas developed in the necessities chart. Its spacial configuration suggests a classic and modulated morphology as well as simple and structurated function and relationship between spaces. The color
palette keeps ranges of browns contrasted with lighter colors from the same range. Regarding the floor materials, they contrast in textures. For example, carpets with marbles, this creates a confortable and
DETA I L 1
Black Marble Monterrey Mármoles Puente
NOTE: Sections and elevetions are marked in red.
Commercial- Luxury Store Louis Vuitton in Puebla
Branding
3rd year- 5th Semester Fall 2013 Collaboration with: Celia Pérez and Diana Rodriguez.
Section
Elevations
Technique: Autocad + Photoshop
Elevation A
Elevation B
5 5
1
4
1
1
4
1
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Wallpaper Tropical Chic Wallpaper Frozen Fusion Hookedonwalls
4 3
Wallpaper Urban Classic Wallpaper Frozen Fusion Hookedonwalls
5 Nature Sense E-1170 Naturtex
Surface to paint Flats Inhabit Chrysalis Wall
Commercial- Luxury Store Louis Vuitton in Puebla
4
2 Wallpaper Frozen Fusion Wallpaper Hookedonwalls
2
2
Branding
Wa l l M a t e r i a l s
Section A
1
3
2
3
1
3rd year- 5th Semester Fall 2013 Collaboration with: Celia PĂŠrez and Diana Rodriguez.
Model prototypes 1 rst
Renders
Technique: 3Dmax Vray + Photoshop
Even though this is not a “glamorous” picture, it shows all the progress and prototypes made for spacial distribution and morphology. This was of the lastest proposals before popping up with the final.
In this model the facade an its inclination can be perceived clearer.
Final
Interior view from the access. This is a view from the jewelry, which can be seen since entering the store, there is a marbel floor with a detail of the logo (LV). The ceiling embrases the user and at the same time is a powerful element that creates an athmosphere reducing the scale.
Interior to entrance, shoes lobby and jewelry. Interior view from side-back of the jewelry, the ceiling’s scale is remarcable as well as it organic shape. Shows the function of each space and its flow.
All th Facade proposed has glass walls and the central element from the entrance is a heavy element.
Facade
Air Interior View Stairs as a focal element of imponent presence in the space.
Back view
NOTE: A detail that explains how the ceiling from the jewelry should be installed.
Commercial- Luxury Store Louis Vuitton in Puebla
Branding
Detail 2 - ceiling
3rd year- 5th Semester Fall 2013
Renders
Technique: 3Dmax Vray + Photoshop
This is a view from shoesâ&#x20AC;&#x2122; room, the jewelry and the elevator cube.
This is a view from the two first areas from the entrance, on dedicated to shoes and the other to bags, as well as salons that welcome the client and make them feel confortable in order for them to start trying out and appreciating products which seem desirable because of the its perfect exhibition. Carpets and materials like wood can be perceivec making the space more cozy.
Commercial- Luxury Store Louis Vuitton in Puebla
Branding
3rd year- 5th Semester Fall 2013
-La Compañia- year 1800
-La Compañia- Aerial Photos- Taken in November 1998.
Source: “Haciendas Mexicanas”
Location
Hacienda(Ranch) “La Compañia” Adress: Huamantla- Mexico
Objective Identify and comprehend a specific profile of users as well as their ideological thinking. Make a deep analysis of a historic building with architectural value. Reutilize the building and generate an interior project where a rehabitalization of the building answers to functional, ideological and enviromental requirements of the new user.
Advantages: -According to the Plan of Urban Development, “la compañia” is an isolated place, therefore it is ideal for an enclosed convent.
Plan of Urban Development, Huamantla. 2012.
-Far from stress and noise. (Peaceful place) -Close contact with nature. -No social influence. -Cold but confortable climate.
Users Profile Barefoot Carmelite Order
Concept
Profets Elias y Eliseo
History
1562
Creation of a sincere, clean and light space. Spain
Intimidating space created through strong transitions between zones, a harmonious play with light and shadow combined with focal elements color red which identifies with the religious order.
Community
Inspiration Source
2
Materials: Brick
1
Wrought iron railings
Teresians’ Convent, Barcelona by Antonio Gaudi
Enclosed Convents
Founder-Santa Teresa de Jesús
Mount Carmel Year 83
Reform C.XVI
Fidelity to Christ
Poberty
Vision
Chartres Cathedral
Friendship
Independence
Mision Routine
Fraternal Bonds
Circuite of 11 turns and one road that leads always toward the center, without risk of false paths and be lost. The central space is a place of meditation and contemplation if walking with the mind and heart.
Rosary
Faith in Christ
Faith and Hope Love
Charity
Community
Comunion
Habits 21 nuns per convent
Praying
Vow of Silence
Inspired central garden.
Residential - Heritage Conservation Barefoot Carmelite Convent
Contemplation
Rehabilitation - Historic Building
3rd year- 6th Semester Spring 2014 Collaboration with: Arantxa Villalobos, Ana Torres, Michelle Breton, Carla Dominguez.
Necessities
1
Z O N I F I C A T I O N
Program - Chart
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Z O N I F I C A T I O N Freshness Neat Movement Spacious
3
Movement Cleaning
Zones Parking Access Chapel Garden Courtyard Lobby Rooms Visiting Rooms Dinning Room Kitchen
Order Space Security Clean Order Good Smell Fresh Space Peace Complete Silence Clean Order Gratitude
Order
Nursery Public Bathrooms Laundry Play Room Storage Service Entrance Private Bathrooms NO intervention
Order Clean movement/ Space Activity Peace Inspiration Movement Activity Concentration Order
Fresh Clean Order Confort Security Calm Good odor
Peace Sociability Connection with nature State and Clear Ideas Freshness Happiness Meditation Relaxation Membership Noise
Pastry Store Sport Field Computer Room
Adrenaline Excitement Movement Unity Pasion Energy Positivity
Noise Activity Peace Welcoming s Fun pace Vitality Re- Unknown habilitation
Movement Activity Flow Transition Peace Contemplation Silence Meditation Warmth Positivity Homie Respect
Movement Activity Mistery
Peace Welcoming Peace Welcoming Dialogue Sociability Cordiality Reserved Limitant
Peace Welcoming
Neat Order
2
This chart organises all the activities made in the space, it considers m2, furniture and appropiate enviromental conditions for each space. It is a preliminar idea of the spaces needed.Consequently a general zonificacion pops up as shown in diagram 2.
An idea of an spacial zonification pops up in the existing floor plan.Spacial modifications need to be done like moving and removing walls. Spatial dimentions are perceived.Colors zonificate the space by areas.
Parking
Lobby
Pastry
Entrance
Rooms
Store Sport Field
Chapel
Visiting Room
Garden
Dinning Room
Computer Room
Storage
Courtyard
Kitchen
Nursery
Service Entrance
F L O W
4
Public Area
Services
Services Parking
Calm Rest Intimity Individuality Freedom Confort Peace Silence Security Membership Sisterhood Rest Freedom Peace Intimacy Security
Clean Order Intimity Security Freshness Good odor
It is extremely important to study all the sensations we want to communicate through the space.
Bathrooms
As interior designers we have a big responsability with usersâ&#x20AC;&#x2122; life.
Rooms
Storage
Bathrooms Sport Field
Public Bathroom Laundry Play Room
Private Rooms NO intervention
D i a g r a m Religious Authorities
Nuns
Parking
Chapel
Visiting Room
Entrance Courtyard
Lobby
Garden
Store
Dinning Room
Kitchen
Laundry
Bathrooms
Play Room
Pastry
Computer Room
Based on the zonification proposed earlier, the relationship between spaces and its function is analysed to prove it is a viable zonification.
Barefoot Carmels Convent
3rd year- 6th Semester Spring 2014
INTERIO R
P R E -S K E T C H E S
Project Description 1
ContrastThe creation of a light and sincere interior space adapted in a heavy and masive building. 2 Sensation of vulnerability created by a defenseless feeling, result of facing divinity and hierarchical elements contained 3 in the interior design. Strong sensorial transitions that dominate the user and making him adapt to the atmosphere, therefore respect and silence is generated in the space.
4 Transitions between spaces Technique: Hand Rendering
Rooms- Common Area Technique: Hand Rendering
Ornament and luxury has no importance in the space. Red and white are the main colors, these colors identify with the religious order.
Illustrated Floor Plan Materials
EXTERIOR
Mosaic Tiles Bizaza Audrey 30x30 cm.
Carpet moss coffee 13.5mm X 1.20m
Central Garden Technique: Hand Rendering + Photoshop
Marble Tiles Color Beige 30.5x30.5 cm. Laminate woodWalnut Trendtime 1 Marble Tiles Color Tobacco Coffee 60 x 60 cm.
Wood- Deck Novowood
Laja plus gray 45 x 45 cm.
Facade Technique: Hand Rendering + Photoshop
Laminate wood Oak Trendtime 1 Marble Tiles Roman travertine 30 x30 cm.
Technique: Autocad + Photoshop
Barefoot Carmels Convent
3rd year- 6th Semester Spring 2014
Final Product
Technique: 3D Max Vray + Photoshop
Air View- Northwest facade
Common Area- Rooms Entrance
Dinning Room Entrance (Int.Facade)
Play Room
Court Field (Int.Facade)
Central Garden of Meditation
Barefoot Carmels Convent
3rd year- 6th Semester Spring 2014
Final Product
Technique: 3D Max Vray + Photoshop L=01
Luminic Plan
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Night View (Garden and courtyard)
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Rooms
Night View (Exterior) Vines over pergolas are a specific characteristic of social areas where human interaction is vital. Aromatic trees in the Garden, primarily orage and lavander with the objective to induce relaxation and a close connection with nature and the being. The strongest element of the concept is transmitted through the blinds, key points and key areas for the Carmelites contain this element, giving a sense of superiority. Important to mention that they are red because of the order identity.
Night View (Cementery)
Barefoot Carmels Convent
3rd year- 6th Semester Spring 2014
MARIANA DEHESA
Interior Designer Student
Cel.: (044)22-25-05-55-02 e-mail: mariana.dehesaco@udlap.mx Country: Mexico University: Universidad de las AmĂŠricas Puebla