Mariana Dehesa- Portfolio

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MARIANA DEHESA Interior Designer Student

MARIANA DEHESA

Interior Designer Student Curriculum Vitae Cel.: (044)22-25-05-55-02 e-mail: mariana.dehesaco@udlap.mx Country: Mexico University: Universidad de las Américas Puebla

About me 21 years old Birthday: June 13th

ducation 2014

Bachelor Interior Architecture at UDLAP, 7th Semester.

I am a passionate of design.

I think creativity is what gives sense to human existence.

I think inspiration is the most wonderful felling.

Prep. School at “Colegio Williams”

2008-2011 in Mexico City

Diploma in Photography(Natural Light)

2013 Close Up School of Photography.

Mexico City

2011Diploma “Interior Design” by Tadeo

Franco. “CENTRO University”, Mexico City

Experience

Professional Practice

Summer “DIN Interiorismo” 2014 with famous Mexican Interior Designer Aurelio Vázquez.

Residential

Hotels

Corporative Commercial

Projects of Interior Design I collaborated during this period.

Definitely the best experience.

S Professional Illustrator Photoshop In Design Flash Autocad Autocad 3D Revit 3D max + Vray

Personal

What characterizes me Communicative Charismatic Organized Persistent Creative Leader

Languages French 45% Spanish 90% (Native) 100% Interests

English

CONTENTS Ecumenical Chapel

Student Center- UDLAP Louis Vuitton Store Barefoot Carmels Convent

Users’ Profile

Location

Key ideas

UDLAP Community Students and employees 30%

UDLAP Community Students and employees 60%

NOTE: This percentages are based on stadistics from interviews to possible users.

UDLAP. Calle Ex Hacienda Santa Catarina Mártir S/N, Cholula, 72810 Puebla

Objective Design of an Ecumenical Chapel inside the campus university taking into acount the multcultural character of the institution.

Concept

1-Earth 2-Water 3-Sky 4-Wind 5-Sun 6-Present

Shape

Materialize through the use of geometry the meaning of life people’s purpouse on earth.

Sensibility, simplicity and fugacity are the adjectives to this place that has a connection with a superior force.

The hexagon is the choosen shape to represent the ecumenical chapel structure because it has 3 shapes contained in it. Additionally, each of its corners has a meaning which correspond to the key points.

+

Ecumenical Chapel Project in the Campus

Build an Ecumenical Chapel

+

=

1rst year - 2nd semester Fall 2012.

Pre- sketches

Technique: Hand drawing architectural

Materials Board

Teak Wood

Main Facade

Glass

Final Proposal

Glass

Technique: Model+ Photoshop

View from entrance

Section Air View- The

Ecumenical Chapel Project in the Campus

Build an Ecumenical Chapel

1rst year - 2nd semester Fall 2012.

Location Users’ Profile Inspiration Source

Students and Professors

Campus’ Central Building

Cleaning Personal

Visitors

70%

20%

10%

Users’ Activities

Universidad de las Américas Puebla. Sta. Catarina Mártir.

San Andrés Cholula, Puebla. C.P. 72810. México

Eat

- Blacksmithing forms

60%

1-Organic Forms 2-Fluency 3- History 4-Campus secret label

Objective Identify the mision and the vision of the University and translated it, in order to create an interior space for the Social Students’s Center.

Eat + Homework 20%

Homework

Clean

15%

5%

Mood Board

Concept

Comprenhend the relation of the space with the university as well as its importance. Study all the users’ necessities.

Take into account the multicultural and innovative personality of the university.

Inspired in the campus’ shapes.

Create a space able to generate a memorable universitary experience for the students’ community and its visitors.

Student Center UDLAP Project in the Campus

Remodelation- Social Building

2nd year- 4th Semester Spring 2013

Spacial Distribution

Proposal #2

Technique: Autocad + Photoshop

Floor Plan

Proposal #1 Floor PlanTechnique: Autocad + Photoshop

Previous Sketches

Technique: Handmade

Facade

Study area Study area

Food Area View to the principal entrance.

Study area and view to interior food area.

Terrace .

Student Center UDLAP Project in the Campus

Remodelation- Social Building

2nd year- 4th Semester Spring 2013

Materials and Furniture Proposal Floor Plan Material Board Circulation Study Area Food Area Exposicions (Art) Terrace Furniture Proposal Terrace and food area

Technique: Autocad + Photoshop

Study area

This render from the study area shows the organic forms viewed in the floor plan. In addition, all the materials are cozy and is a place where concentration can be conceived. The ceiling made of green acrylic seems technological, reduces scale and delimitates the space. The space has special areas for reading, working in computer, work in team, to mention a few.

Technique: Revit + Photoshop

Student Center UDLAP Project in the Campus

Remodelation- Social Building

Final Proposal Renders

Technique: Revit + Photoshop

Sections Technique: Autocad

Terrace- Principal access

Terrace- Principal access night view

Student Center UDLAP Project in the Campus

Remodelation- Social Building

2nd year- 4th Semester Spring 2013

Location

Objective

Advantages:

Important and international brand.

Has to be located in a important place.

Adress: no. 5502 Country: Mexico City:Puebla Atlixco Tlaxcalcingo.

Land: 5, 400 m2.

Understand how to ranslate a brand personality into a interior space.

Therefore the location selected is ideal because: -Main Avenue, where high society members travel.

-Isolated from little brands.

-Huge space to build a monument.

-Ideal view to volcanoes (Popocateptl and Itztacihuatl) -No high buildings in the context Excelent climate.

Brand Identity

Develop a complex concept demonstrating your understanding about the philosophy from the brand given and come up with a functional and viable interior solution. Consider the necessities and activities form users and brand’s thoughts, create eveloping atmospheres. !"#$%$#&'' ,*(-'

Concept

Related to cultural context Monumental scales Warm and innovative materials

Main characteristics

Elegant Expensive Luxory Taste Design as a lifestyle

Necessities- Chart

Luxory

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Create a luxorious and brilliant interior space with diverse and traditional shapes and materials that clarly reflect the brand identity.

Create a monument (focal building) that represents the context and the culture of the city with the brand’s personality.

Profile- Users Result 70%

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Inspiration Source

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Commercial- Luxury Store Louis Vuitton in Puebla

Branding

3rd year- 5th Semester Fall 2013 Collaboration with: Celia Pérez and Diana Rodriguez.

Floor Plant First Floor White Marble Voticcino Extra Light Mármoles Puente

Technique: Autocad + Photoshop

Second Floor

Wood Pc 350 European Walnut 8015- painted Stone Maderas Finas

Carpet Commotidy Arxminster

Tikul Naranja Cantera Olimpia 30.5 x 30.5 cm

Section

Wood PC400 Style/ Armonic American Walnut 8014 Maderas Finas

A

Section A

Elevation B

Elevation B Elevation A

Onix Amarillo Téllez Ónix Carpet Modular Carpet Ts Series

Elevation A

White Marble Voticcino Extra Light Mármoles Puente

The Floor Plan reflects all the areas developed in the necessities chart. Its spacial configuration suggests a classic and modulated morphology as well as simple and structurated function and relationship between spaces. The color

palette keeps ranges of browns contrasted with lighter colors from the same range.

Regarding the floor materials, they contrast in textures. For example, carpets with marbles, this creates a confortable and

DETA I L 1

Black Marble Monterrey Mármoles Puente

NOTE: Sections and elevetions are marked in red.

Commercial- Luxury Store Louis Vuitton in Puebla

Branding

3rd year- 5th Semester Fall 2013 Collaboration with: Celia Pérez and Diana Rodriguez.

Section

Elevations

Technique: Autocad + Photoshop

Elevation A

Elevation B

5 5

1

4

1

1

4

1

5 1

Wallpaper Tropical Chic Wallpaper Frozen Fusion Hookedonwalls

4 3

Wallpaper Urban Classic Wallpaper Frozen Fusion Hookedonwalls

5 Nature Sense E-1170 Naturtex

Surface to paint Flats Inhabit Chrysalis Wall

Commercial- Luxury Store Louis Vuitton in Puebla

4

2 Wallpaper Frozen Fusion Wallpaper Hookedonwalls

2

2

Branding

Wa l l M a t e r i a l s

Section A

1

3

2

3

1

3rd year- 5th Semester Fall 2013 Collaboration with: Celia PĂŠrez and Diana Rodriguez.

Model prototypes 1 rst

Renders

Technique: 3Dmax Vray + Photoshop

Even though this is not a “glamorous” picture, it shows all the progress and prototypes made for spacial distribution and morphology. This was of the lastest proposals before popping up with the final.

In this model the facade an its inclination can be perceived clearer.

Final

Interior view from the access.

This is a view from the jewelry, which can be seen since entering the store, there is a marbel floor with a detail of the logo (LV).

The ceiling embrases the user and at the same time is a powerful element that creates an athmosphere reducing the scale.

Interior to entrance, shoes lobby and jewelry.

Interior view from side-back of the jewelry, the ceiling’s scale is remarcable as well as it organic shape. Shows the function of each space and its flow.

All th Facade proposed has glass walls and the central element from the entrance is a heavy element.

Facade

Air Interior View Stairs as a focal element of imponent presence in the space.

Back view

NOTE: A detail that explains how the ceiling from the jewelry should be installed.

Commercial- Luxury Store Louis Vuitton in Puebla

Branding

Detail 2 - ceiling

3rd year- 5th Semester Fall 2013

Renders

Technique: 3Dmax Vray + Photoshop

This is a view from shoesâ&#x20AC;&#x2122; room, the jewelry and the elevator cube.

This is a view from the two first areas from the entrance, on dedicated to shoes and the other to bags, as well as salons that welcome the client and make them feel confortable in order for them to start trying out and appreciating products which seem desirable because of the its perfect exhibition.

Carpets and materials like wood can be perceivec making the space more cozy.

Commercial- Luxury Store Louis Vuitton in Puebla

Branding

3rd year- 5th Semester Fall 2013

-La Compañia- year 1800

-La Compañia- Aerial Photos- Taken in November 1998.

Source: “Haciendas Mexicanas”

Location

Hacienda(Ranch) “La Compañia” Adress: Huamantla- Mexico

Objective Identify and comprehend a specific profile of users as well as their ideological thinking. Make a deep analysis of a historic building with architectural value. Reutilize the building and generate an interior project where a rehabitalization of the building answers to functional, ideological and enviromental requirements of the new user.

Advantages: -According to the Plan of Urban Development, “la compañia” is an isolated place, therefore it is ideal for an enclosed convent.

Plan of Urban Development, Huamantla.

2012.

-Far from stress and noise. (Peaceful place) -Close contact with nature.

-No social influence.

-Cold but confortable climate.

Users Profile Barefoot Carmelite Order

Concept

Profets Elias y Eliseo

History

1562

Creation of a sincere, clean and light space.

Spain

Intimidating space created through strong transitions between zones, a harmonious play with light and shadow combined with focal elements color red which identifies with the religious order.

Community

Inspiration Source

2

Materials: Brick

1

Wrought iron railings

Teresians’ Convent, Barcelona

by Antonio Gaudi

Enclosed Convents

Founder-Santa Teresa de Jesús

Mount Carmel Year 83

Reform C.XVI

Fidelity to Christ

Poberty

Vision

Chartres Cathedral

Friendship

Independence

Mision Routine

Fraternal Bonds

Circuite of 11 turns and one road that leads always toward the center, without risk of false paths and be lost. The central space is a place of meditation and contemplation if walking with the mind and heart.

Rosary

Faith in Christ

Faith and Hope Love

Charity

Community

Comunion

Habits 21 nuns per convent

Praying

Vow of Silence

Inspired central garden.

Residential - Heritage Conservation Barefoot Carmelite Convent

Contemplation

Rehabilitation - Historic Building

3rd year- 6th Semester Spring 2014 Collaboration with: Arantxa Villalobos, Ana Torres, Michelle Breton, Carla Dominguez.

Necessities

1

Z O N I F I C A T I O N

Program - Chart

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Z O N I F I C A T I O N Freshness Neat Movement Spacious

3

Movement Cleaning

Zones Parking Access Chapel Garden Courtyard Lobby Rooms Visiting Rooms Dinning Room Kitchen

Order Space Security Clean Order Good Smell Fresh Space Peace Complete Silence Clean Order Gratitude

Order

Nursery Public Bathrooms Laundry Play Room Storage Service Entrance Private Bathrooms NO intervention

Order Clean movement/ Space Activity Peace Inspiration Movement Activity Concentration Order

Fresh Clean Order Confort Security Calm Good odor

Peace Sociability Connection with nature State and Clear Ideas Freshness Happiness Meditation Relaxation Membership Noise

Pastry Store Sport Field Computer Room

Adrenaline Excitement Movement Unity Pasion Energy Positivity

Noise Activity Peace Welcoming s Fun pace Vitality Re- Unknown habilitation

Movement Activity Flow Transition Peace Contemplation Silence Meditation Warmth Positivity Homie Respect

Movement Activity Mistery

Peace Welcoming Peace Welcoming Dialogue Sociability Cordiality Reserved Limitant

Peace Welcoming

Neat Order

2

This chart organises all the activities made in the space, it considers m2, furniture and appropiate enviromental conditions for each space. It is a preliminar idea of the spaces needed.Consequently a general zonificacion pops up as shown in diagram 2.

An idea of an spacial zonification pops up in the existing floor plan.Spacial modifications need to be done like moving and removing walls.

Spatial dimentions are perceived.Colors zonificate the space by areas.

Parking

Lobby

Pastry

Entrance

Rooms

Store Sport Field

Chapel

Visiting Room

Garden

Dinning Room

Computer Room

Storage

Courtyard

Kitchen

Nursery

Service Entrance

F L O W

4

Public Area

Services

Services Parking

Calm Rest Intimity Individuality Freedom Confort Peace Silence Security Membership Sisterhood Rest Freedom Peace Intimacy Security

Clean Order Intimity Security Freshness Good odor

It is extremely important to study all the sensations we want to communicate through the space.

Bathrooms

As interior designers we have a big responsability with usersâ&#x20AC;&#x2122; life.

Rooms

Storage

Bathrooms Sport Field

Public Bathroom Laundry Play Room

Private Rooms NO intervention

D i a g r a m Religious Authorities

Nuns

Parking

Chapel

Visiting Room

Entrance Courtyard

Lobby

Garden

Store

Dinning Room

Kitchen

Laundry

Bathrooms

Play Room

Pastry

Computer Room

Based on the zonification proposed earlier, the relationship between spaces and its function is analysed to prove it is a viable zonification.

Barefoot Carmels Convent

3rd year- 6th Semester Spring 2014

INTERIO R

P R E -S K E T C H E S

Project Description 1

ContrastThe creation of a light and sincere interior space adapted in a heavy and masive building.

2 Sensation of vulnerability created by a defenseless feeling, result of facing divinity and hierarchical elements contained 3 in the interior design.

Strong sensorial transitions that dominate the user and making him adapt to the atmosphere, therefore respect and silence is generated in the space.

4 Transitions between spaces Technique: Hand Rendering

Rooms- Common Area Technique: Hand Rendering

Ornament and luxury has no importance in the space.

Red and white are the main colors, these colors identify with the religious order.

Illustrated Floor Plan Materials

EXTERIOR

Mosaic Tiles Bizaza Audrey 30x30 cm.

Carpet moss coffee 13.5mm X 1.20m

Central Garden Technique: Hand Rendering + Photoshop

Marble Tiles Color Beige 30.5x30.5 cm.

Laminate woodWalnut Trendtime 1 Marble Tiles Color Tobacco Coffee 60 x 60 cm.

Wood- Deck Novowood

Laja plus gray 45 x 45 cm.

Facade Technique: Hand Rendering + Photoshop

Laminate wood Oak Trendtime 1 Marble Tiles Roman travertine 30 x30 cm.

Technique: Autocad + Photoshop

Barefoot Carmels Convent

3rd year- 6th Semester Spring 2014

Final Product

Technique: 3D Max Vray + Photoshop

Air View- Northwest facade

Common Area- Rooms Entrance

Dinning Room Entrance (Int.Facade)

Play Room

Court Field (Int.Facade)

Central Garden of Meditation

Barefoot Carmels Convent

3rd year- 6th Semester Spring 2014

Final Product

Technique: 3D Max Vray + Photoshop L=01

Luminic Plan

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4.3m

L=02

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17.5m

4m

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Night View (Garden and courtyard)

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The corridor connects all the space, is the only space that has white light, with the objective of creating patterns on the floor.

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4m

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4.1m

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Rooms

Night View (Exterior) Vines over pergolas are a specific characteristic of social areas where human interaction is vital.

Aromatic trees in the Garden, primarily orage and lavander with the objective to induce relaxation and a close connection with nature and the being.

The strongest element of the concept is transmitted through the blinds, key points and key areas for the Carmelites contain this element, giving a sense of superiority.

Important to mention that they are red because of the order identity.

Night View (Cementery)

Barefoot Carmels Convent

3rd year- 6th Semester Spring 2014

MARIANA DEHESA

Interior Designer Student

Cel.: (044)22-25-05-55-02 e-mail: mariana.dehesaco@udlap.mx Country: Mexico University: Universidad de las AmĂŠricas Puebla