Fashion Victims

Page 1

LIFE & STYLE « lead

lead » LIFE & STYLE

FASHION VICTIMS Why model behavior in China means keeping a low profile BY MARIANNA CERINI

NOEMI CASSANELLI

30

August 2014 / www.thatsmags.com

First

of

all

I

want

to

tell

you

that

I

don’t

want

my

name

to

appear

in

the

article.

Nor

my

nationality.”

That’s

how

a

conversation

with

Kasia*,

a

startlingly

beautiful

twenty-­‐something

working

as

a

model

in

Beijing,

kicks

off.

I’m

meeting

her

at

Wagas

in

Sanlitun,

to

discuss

the

ins

and

outs

of

her

China

career. This

request

for

anonymity

is

soon

to

become

a

familiar

drill

through

the

course

of

my

research,

revealing

a

darker

side

to

the

Middle

Kingdom’s

fashion

industry.

Of

the

eight

women

I

interview,

not

one

will

allow

her

personal

details,

photos

or

portfolio

to

be

published. Model agencies’ names are kept private. So are clients’. When

I

phone

a

Russian

model

who

does

fake

Victoria’s

Secret

shows around China – and ask about her visa situation, she hangs up abruptly.

Another,

a

tall,

dark-­‐haired

Romanian

who’s

been

modeling

part-­‐time,

agrees

to

meet

after

a

casting

call

in

Shanghai,

only

to

later

panic

and

decide

she

doesn’t

want

her

words

to

be

featured

in

print.

The

message

is

clear.

Keeping

a

low

pro ile

is

of

paramount

importance. Given

the

recent

crackdown

carried

out

by

Chinese

authorities

on

the

industry,

this

is

hardly

surprising.

In

May,

police

in

Beijing

set

up

a

fake

casting

call

at

Chinese

agency

M3

in

order

to

ind

models

working

illegally.

More

than

60

people

were

rounded

up

in

the

sting

and

taken

to

custody,

detained

on

the

premise

that

they

didn’t

have

proper work permits or visas. Four models were jailed and, later, deported. Shortly

afterwards,

a

similar

crackdown

took

place

in

Guangzhou,

where

authorities

apprehended

a

couple

of

models

for

the

same

reasons

and

pushed

them

to

disclose

the

addresses

of

others.

Details

on

the

events

were

quickly

hushed,

but

industry

groups

and

bloggers

advised

all

foreign

models

across

the

country

to

avoid

casting

calls

and

to

hide

their

portfolios.

A

couple

of

months

on

and

the

situation

seems

to

have

calmed

down.

In

this

relative

quiet,

all

of

the

models

I

meet

are

back

to

work.

None

of

them,

however,

have

the

proper

papers

to

do

so. Unlike

most

countries,

China

does

not

grant

“entertainer

visas”

to

models.

Most

agencies

simply

sweep

the

visa

issue

under

the

rug,

telling

the

girls

and

women

in

their

care

to

pretend

they’re

traveling

rather than working. “Everyone

knows

there

is

no

visa

that

speci ically

allows

for

modeling

in

China.

The

police

are

also

fully

aware

of

this,”

says

Kasia.

“That

should

change,

but

I

feel

it’s

not

something

that’s

going

to

happen

any

time

soon.

It’s

all

a

big

contradiction.

I

was

on

the

cover

of

a

magazine

two

years

ago,

yet

I’m

theoretically

an

illegal

worker.

It

makes

no

sense.” Born

in

Eastern

Europe

(like

many

of

the

models

here),

Kasia

has

lived

and

worked

in

China

for

the

past

three

years

and

modeled

for

the

last

10.

She

irst

arrived

at

21

on

a

three-­‐month-­‐long

modeling

contract

described

by

her

as

a

‘summer

internship,’

because

many

models

do

this

type

of

work

during

school

breaks.

Her

mother

agency

back

home

had

procured

it

for

her

with

a

local

company.

Girls

as

young

as

15

can

be

dispatched

to

China

on

these

kinds

of

assignments.

Coming

on

three-­‐

to

six-­‐month-­‐long

tourist

visas,

they

arrive

young,

vulnerable

and

completely

beholden

to

their

local

employers,

with

little

negotiating

power.

This

makes

for

a

precarious

situation,

often

combined

with

sub-­‐ standard working conditions. On

her

irst

‘tourist’

trip

to

China,

Kasia

was

put

in

an

over-­‐priced,

shabby

lat

with

four

other

models,

paid

for

out

of

her

own

pocket.

Asked

to

work

nearly

non-­‐stop

for

the

duration

of

her

stay

six

days

a

week,

from

sunrise

shoots

to

late

night

events

she

was

often

asked

to

travel

alone

to

second-­‐

and

third-­‐tier

cities

for

business

fairs

and

other

odd

assignments

that

had

little

to

do

with

fashion,

including

the International Grape Festival in Dunhuang and an auto show in Tianjin. Once

her

contract

was

over,

she

decided

to

stay

in

China

but

go

freelance.

“I

made

enough

contacts

to

leave

the

agency

and

start

working

for

myself,

which

was

probably

the

smartest

thing

to

do

for

my

own

sanity,”

she

says.

“I

like

to

be

able

to

choose

what

jobs

to

take.

You

can’t

do

that

when

you’re

bound

to

an

agency.

You

can’t

even

say

no

to

any

assignment,

most

of

the

time.”

I was on the cover of a magazine two years ago, yet I’m theoretically an illegal worker. It makes no sense Still

on

a

tourist

visa,

she

now

tries

to

work

solely

in

Beijing,

taking

the

occasional

out-­‐of-­‐town

gigs

only

if

the

pay

is

suf icient.

Without

having

to

share

what

she

makes

with

a

company,

she

only

pays

commission

fees

to

her

booker

an

agent

who

scouts

girls

and

hooks

them

up

with

jobs

which

allows

her

to

live

quite

comfortably.

For

most

models

on

short

contracts,

the

story

is

a

little

different.

Agencies

often

take

up

to

50

percent

of

a

girl’s

income

the

Chinese

booking

agency

usually

takes

a

40

percent

commission

from

the

model’s

net

earnings,

her

mother

agency

10

percent

and

exercise

an

almost

despotic

control

on

pocket

money

for

transport

and

food. If

a

model

puts

on

weight

or

violates

the

strict

standard

measurements

required,

she

could

easily

have

her

allowance

cut

off.

Rent,

too,

comes

out

of

a

model’s

expenses

and

is

later

deducted

from

her

earnings.

To

leave

the

country

broke

is

not

unheard

of.

“Most

companies

lie

about

speci ics

of

the

posts

they

send

you

to,”

says

Lena,

a

Ukrainian

model,

over

the

phone.

After

working

in

Guangzhou,

Hangzhou

and

Shanghai

for

four

years,

she

recently

relocated

to

Milan.

Like

Kasia,

she

opted

for

a

freelance

career

as

soon

as

she made enough insider connections in China. “It’s

quite

common

to

arrive

at

a

job

and

ind

out

you’re

not

just

supposed

to

pose

for

a

shoot

or

stand

by

an

expensive

car

and

smile,

but

that

the

client

wants

you

to

work

overtime,

or

‘entertain’

their

guests,

sometimes

with

dance

routines

and

whatnot,”

she

says.

“The

agency

usually

knows

that

all

along,

but

doesn’t

bother

telling

you.

And

you

have

to

comply

or

they

won’t

pay

you,”

she

pauses.

“That’s

the

key

really

if

you

want

to

work

and

make

money

as

a

model

in

China,

you

have

to

keep

your

mouth

shut.” That’s

how

Rafaela,

a

willowy

24-­‐year-­‐old

Brazilian

beauty

based

in

Shanghai,

caught

hypothermia

on

a

shoot

in

Harbin,

northern

Heilongjiang

Province.

On

her

irst

trip,

she

was

sent

to

the

city

which

experiences

harsh

Siberian

winters

just

after

Christmas,

to

*All names have been changed. www.thatsmags.com / August 2014

31


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
Fashion Victims by Marianna Cerini - Issuu