COLOR THEORY Mariapia Sierra Mendizabal
M.1............ Who Am I? M.2…………. Color + Culture M.3…………. Book Chapter 2 M.4……….... Chapel of St. Ignatius M.5…………. Book Chapter 3 M.6…………. Color + Movie
CONTENTS
M.7…………. Book Chapter 4 M.8…………. Color + Retail M.9…………. Color + Balance M.10……….. Color + Space M.11……….. Color + Workplace Conclusion Sources
Module 1
WHO AM I?
Name: Mariapia Sierra Place of Origin: Lima, Peru Place of Residence: Miami, USA Age: 25 Years Young Major: Interior Architecture
Background I come from a little city called Lima. The capital of Peru and also known as the gastronomy capital of South America. I lived there for 20 years until I decided to move to Miami. Growing up in a Latin American country has influenced my personality and my taste when it comes to designing.
Things I Love My Polaroids The Smell of New Books Traveling All Types of animals Dancing Shopping Baking
As any Hispanic family, we are a HUGE family. Three sisters from mom and dad, and two more siblings from dad’s side. My family is has served as inspiration to me. My dad pushed me to be a designer, my mom supported me with everything, and my abuelita gave me the courage to keep going.
Barranco, Lima, Peru
Why Design? Since I was in middle school, I was really into arts. I knew I wanted to study something that would let me use my creativity and play with colors. During my last year of high school, when I was looking for colleges, I heard about Interior Architecture. Since then, I fell in love with the idea of playing with space, colors, moods, lighting. Even though nobody in my family has ever studied something related to design, my family always supported me with my decision, and even pushed me to keep doing it. They knew THIS is what makes me happy.
Wan·der·lust
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU
ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA
PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO
SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN
GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS
BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS
SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO
NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK
PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA
FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA
SPAIN FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN
FRANCE SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE
SWITZERLAND ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND
ITALY QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY
QATAR THAILAND
PERU ARGENTINA PUERTO RICO SINT MARTEEN GRAND TURKS BAHAMAS SAN FRANCISCO NEW YORK PENNSYLVANIA FLORIDA SPAIN FRANCE SWITZERLAND ITALY QATAR
THAILAND
Module 2
COLOR+CULTURE
My Country
PERU
All the pictures I selected are from Lima, since it is the city where I was born. Lima is the largest city and capital of Peru, located next to the pacific. Even though by being located next to the ocean we have beautiful warm colors during sunset, Lima is known as the grey city. That is why the houses are not characterize by their bright colors. Since Catholicism is the main religion in Peru, one of the most important colors is purple. In honor of our “Purple Christ�, people in Lima wear the color for the whole month of October.
My country of origin is PERU. The two colors that characterize my country the most would be white and red. Not only because they are the colors of the flag, but also because they mean the blood of the heroes that fought for our country, and purity and freedom.
Picked Country
ITALY
My country I picked is Italy. One of the main reasons I picked this country is because it has been one of my favorite countries so far. I loved their customs, and its gastronomy is one of my favorite ones. Another reason why I picked this country is because it is full of history and their ancient architecture is breathe taking. Another reason why I feel so closed to this country is because I went to an Italian school, and one of the saints we would celebrate the most was “Francis Of Assisi”. The three colors of the flag represent the merging of the governments of Milan and the military. Also, poetic meanings have been assigned to these colors to represent the blood of the warriors that fought for their independency, the alps, and the country’s plains and hills. Different colors are used depending on the city. For example, Rome is full of marble and stone colors, while the Amalfi Coast is represented by its bright colors.
Module 3
Chapter 2
WHAT IS COLOR THEORY? Color theory has ben studied for decades. It is the study of a set of principles to understand colors and their relationship between them. The understanding of a human’s response to a specific color is really important for designers.
LIGHT‌ Without light is no color. and color together illuminate a create focal texture, and attention.
PROPERTIES OF LIGHT Reflection occurs when light strikes an object. The light reflected back from an object results in the color we perceive.
Diffraction occurs when the light is obstructed by an object, and the light finds its way around. Producing light, dark, or colored bands.
Refraction occurs when one or more light rays moves through a light medium to another causing light to bend.
there Light work to space, point, bring
ADDIVITE COLOR Additive colors come from mixing colors with light. When the primary colors of light (red, blue and yellow) are mixed, results in white colored light.
SUBSTRACTIVE COLOR
Subtractive colors come from the mixing of primary colors with pigments such as ink, dyes, paint, etc. The combination of the primary colors will result in the secondary colors violet, green, and orange.
COLOR LANGUAGE
Besides hue, value and chroma, there are more terms used to describe the qualities of colors‌
Tint comes from the addition of white to any color.
Tone comes from the addition of grey to any color.
Shade is the result of the addition of black to any color.
Hue is a color void of any white, grey or black. A color at its highest intensity.
Chromatic colors are all colors except black, white, and grey.
Achromatic refers to only white, grey, and black.
Primary Hues are the colors blue, red, and yellow.
Secondary hues are violet, green, and orange. They are made by combining two primary hues.
Tertiary Hues are redviolet, blue-violet, blue-green, yellowgreen, yellow-orange, and red-orange.
Analogous colors result from two of more colors adjacent to one another on the color wheel.
Complimentary colors result from two opposite colors on the color wheel.
Split Complementary colors consist of three colors consisting of one main hue plus two hues adjacent to its complement.
Monochromatic colors are based on two variations‌ Triadic colors. These variation is composed of three colors equally spaced along the color wheel.
Tetradic colors. Which is four colors equally spaced alone the color wheel.
Module 4
CHAPEL OF ST. IGNATIUS
Steven Holl Steven Holl was born on December 9, 1947 in Bremerton, Washington. He studied Architecture in the University of Washington and continued his studies in Rome in 1970. In 1979, he attended graduate school at the Architectural Association School of Architecture. He moves to New York City and opened his own firm called “Steven Holl and Architects� and has around 40 people working for him. He also teaches the relationship between music and architecture at the Columbia University since 1981. Holl’s architecture is based on his early concern for topology and his current concern for phenomenological approaches. What inspired his architecture were writings of philosopher Maurice Merleau-Ponty and architect-theorist Juhani Pallasmaa.
Holl has received many awaards during his journey, by himself and together with his firm.
PROGRAM: Jesuit Chapel for Seattle University CLIENT: Seattle University YEAR: 1997 SIZE: 6,100 sq. ft.
Holl designed the chapel based on St. Ignatius’s inner version of the spiritual life. Which was the metaphor of the seven bottles of light in a box. According to Steven Holl and Architects, “the metaphor of light is shaped in different volumes emerging from the roof whose irregularities aim at different qualities of light” and they all “gathered
together for one united ceremony”. Which, depending on the time and position of the sun, the person inside the chapel will experience a different feeling, different color light. The concept of this chapel is developed in the combination of a pure color lens and a field of reflected color within each light volume. Colors can only be seen inside the chapel.
Holl explains that “each of the light volumes corresponds to a part of the program of Jesuit Catholic worship�. For example, the light reflected through the south corresponds to the procession, the one facing north corresponds to the Chapel of the Blessed Sacrament and to the mission of
reaching the community. The main worship space has two lights, coming from east and west. At night, the light volumes are shining in all directions out across the campus. A visual phenomena of complimentary colors can be experienced by staring at a blue rectangle and then a white surface.
”The building’s outer envelope is divided into 21 interlocking concrete panels cast flat on the chapel’s floor slab and on the reflecting pond slab”, according to Archdaily. All these panels were placed by a hydraulic crane. The hooks that were inset into the panels were capped with bronze covers once the panels were upright. When designing the chapel, Holl noticed that the Seattle University needed more green spaces. He created new green campus quadrangles to the north, west, and south by elongating the plans of the building. Holl’s plan won an award in the American Institute of Architects of New York.
Module 5
CHAPTER 3
COLOR DESIGN PROGRESS Color is a very important factor when designing a residential or commercial space. It should always be consider since the beginning of the
designing process.
The design process has eight steps: Committing to the design problem, stating the design problem to be solved, collecting data, analyzing data, creating ideas of potential design solutions, choosing a final solution, implementing the design, and evaluating the final results.
COLOR AND HEALTH It has been known that color can change a person’s brainwaves, emotions, and biological systems. That is why there is even a practice if using colored light to heal people, called CHROMATHERAPY. This therapy comes from back ancient Egypt and some Asian cultures that would use the same technique as a healing tool.
COLOR AND VISION
The components of the eye send information via the optic nerve to the brain, where the information is interpreted. Color is the result of light entering the eye. Some factors can be an obstacle for a person to detect colors such as colorblindness, and the aging of the eye.
COLOR AND SPACE
When color is applied onto a space, it can have the ability to affect the size, shape, mass, and volume of the interior design. It can also affect the mood and atmosphere of the space.
COLOR CONTRASTS
There are seven different types of color contrast that can be used to manipulate an interior space: simultaneous contrast, contrast of light/dark, cool/warm contrast, complementary contrast, contrast of hue, contrast of saturation, contrast of extension, or the relative quantity of color.
BEZOLD EFFECT This is a common phenomenon that all designers have to deal with when working with color patterns. The effect occurs when the largest color area is replaced by a new color, creating a whole new impression of the design.
Module 6
COLOR + MOVIE
The Film “Big Fish� (2003), directed by Tim Burton, was based on the 1998 novel by Daniel Wallace. The film is about a man called Edward Bloom, Albert Finney, and the stories he would tell about his life. Edward was known for being a good story teller, but his son William, Billy Crudup, started doubting they were real. When Will got older, he started rejecting his dad because he would never tell the real story about his life. He thought he was a liar, or that he might have another family. Will stopped talking to his dad for this reason until his dad got really sick . At the end he realized why his dad thought stories were better than reality,
This scene is when Edward walks towards a new beginning, but he decided to take a shortcut. Unexpectedly, he enters a complete different path, where everything is suddenly dark and scary.
The cold shades of blue represent a dark parallel world. It gives the expectation that something bad is going to happen. Edward is wearing a red shirt which creates contrast with the whole athmosphere.
This scene is right after the scary scene where Edward is walking through the dark shortcut. He then finds himself into a much more saturated parallel world where he was “not expected yet�.
Even though the colors of the surroundings looked more vivid, the people from the town looked pale. This would give the impression they were not alive.
This scene is when Edward walks towards a new beginning, but he decided to take a shortcut. Unexpectedly, he enters a complete different path, where everything is suddenly dark and scary.
This scene is basically where Edward’s life starts. Where his life finally has a purpose, and where he sets his goal. This is the moment when Edward meets Sandra for the first time.
Sandra is wearing a light blue dress, which makes perfect contrast with the shades of red that surround her. The blue not only symbolizes hope, but also gives a feeling she is at some point heavenly.
On this scene, Edward finally finds and got daffodils, her favorite flowers.
The yellow of the flowers represent, to me, happiness and the beginning of their relationship. On the other hand, they are both wearing blue clothes. This, to me, represents faith in their relationship.
On this scene, Edward is already too sick after a heart stroke. Judging by the colors he is already dying.
The cold shades of blue represent how his life is ending, and how something bad is about to happen.
This scene is one of the last scenes of the movie. This is when Edward has passed away, and people are getting together for their funeral.
The colors of this scene are unsaturated. The grass is already dead, and the contrast can be seen by the little spots of green grass. The sky if gray-ish which gives a cold and sad athmosphere.
Module 7
CHAPTER 4
BALANCE‌ Refers to the perception of two hues used in equal amounts.
BALANCE AND INTERIORS Interiors should attempt to have a three value-scheme in order to play with the depth and perception of the space.
TYPES OF COLOR BALANCE Contrast is used
Complementary
to emphasize two different colors. The amount of contrast depends on the type of space that is being designed.
colors are the ones opposite to each other on the color wheel. When these colors are placed next to each other, it makes them look brighter.
Intensity,
SIZE,
brightness in color is established by adding the complementary color to a particular hue or adding gray.
Color is intensified depending on the amount used. Large amount makes color look lighter, small amount makes color look darker.
Module 8
COLOR+RETAIL
Hue Value Design Texture Focal Point
Store: Urban Outfitters / Dadeland Mall Target: College Students & Young Adults Price Range: Mid-Range
Hue
Value Design Texture Focal Point
For difference in contrast of hue, it is very often to use opposite colors and much more saturated colors than the ones of the rest of the space. The use of much more brighter colors is what creates a focal point in a certain area. Urban outfitters has a style between urban
and industrial, so the colors in the store are metal grey, white, wood colors. For the dressing rooms, they opted to give a different color to the doors. This change of color created a new focal point and differs from ther est of the space. Directing the customer’s eyes right to the most important part of this area.
Hue
Value
Design Texture Focal Point
There is several examples of contrast in Value in Urban Outfitters. However, this one actually has a purpose. This store has two main entrances, and one of them is through a second floor. Different from other stores around, this is one of the only stores that has a two floors.
In order to let people know there is one story below, the designer used a different type of lighting fixture. While the whole store is full of recessed lighting, the area of the stairs has “L� shape pendant lights. By changing the form of the lighting fixtures, the client will feel redirected to the stairs, allowing them to discover the first floor of the store.
The whole store presents a difference in design. This store, as its name says it, it is characterized for its urban style. Playing with colors and textures people feel familiarized with. However, it also mixes the textures and neutral hues with a more industrial look.
Hue Value
Design
Texture Focal Point
While everything situated in floor level has a more natural look, the ceilings are full of cables, grey metal, panels, etc. This change on materials and styles is one of the things that make this store so attractive to the eye of young customers.
One of the examples of textures in this store is located by the stairs, a space created by the first and second floor. The area I took picture of, consists of elements find in nature such as plants and wood, and counts with little to zero lighting. Instead of using recessed lighting or pendants, they used fluorescent lighting fixtures with more saturated colors. These lighting creates a focal point in this area.
Hue Value Design
Texture
Focal Point
Hue Value Design Texture
Focal Point
As soon as a person enters this store, the first thing that welcomes you is, as in any store, the new arrivals. Urban Outfitters has a different way to attract people to this area by not only put it in the front and center of the store, but also by creating a chandelier. This chandelier not only differs on size but also the materials used creates light without using actual bulbs. The recessed lighting around reflects on this material creating a different type of lighting and color.
Module 9
COLOR+BALANCE
WHITE
BEIGE DARK AMBER BLACK
The color white is considered a positive color. It has been associated with purity, virginity, innocence, faith, heaven and perfection.
In terms of interior design, the color white visually enlarges the space. In this project, the color white will be the dominant color.
WHITE
BEIGE
DARK AMBER BLACK
The color Beige is a neutral color that gives the sense of relaxation and calmness.
This color will be used as a secondary color. It will be work as a transition for the next secondary color.
The color amber is known as the color of grace. It can vary from yellow or gold to Dark amber.
WHITE BEIGE DARK AMBER BLACK
This color is known as the color of encouragement, motivation, fun and optimism. In this project it will be used as one of the secondary color.
Last but not least, the color Black. This color is associated with power and elegance.
In this project, it will be used as an accent color. It will only be used in small amounts.
WHITE BEIGE DARK AMBER
BLACK
Module 10
COLOR+SPACE
The Setai Miami Beach, FL
Address: 2001 Collins Ave, Miami Beach, FL 33139 Style: Outside is Art Deco. Inside it is Asian inspired.
Amenities: 3 Outdoor pools, Private Beach, Full-service Spa, and several restaurants.
The Setai Miami Beach, FL
The colour palette for this hotel varies from beige-dark brown, to green, and blues. The combination of all these colors give the hotel a sense of a little piece of nature between so many buildings. It makes it look like an oasis inside an art deco structure.
Line Shape Weight Texture
COURTYARD
This area is the courtyard which is one of the, many, spaces in this hotel. I picked this area because of the contrast that represents.
COURTYARD
Line
Shape Weight Texture
This area shows a mix of horizontal and vertical lines. The horizontal lines make the space look wider. While the vertical lines gives a sense of monumentality to the space. The vertical lines are not only represented but the columns, but also with the palm trees. The palm trees located next to the covered areas show how even though there is a completely opened space, it is very high in scale compare to the human figure.
COURTYARD
Line
Shape
Weight Texture
The contrast in shape is found by the orthogonal man-made spaces compared to the organic shapes offered by the palm trees.
The visual weight of the courtyard is located in the center of it. While the areas on the sides of the pool are covered and enclose the space, the rest of the space is wide open. This change of heights created a whole new space within the courtyard, giving the sense of continuity to the spaces not covered.
COURTYARD
Line
Shape Weight Texture
Line
Shape Weight
Texture
I picked this area of the hotel because it shows an extreme contrast in texture. While a person sits here, he/she can admire the Asian style inside of the hotel and at the same time, the art deco from the surroundings. These two difference styles in one single area show the variety and fusion of cultures that represent Miami.
COURTYARD
THE BAR
Line Shape Weight Texture The colour palette for The Bar varies from Beige – Dark Brown and black. Besides of being a small narrow area and with a very dark color palette, the access of natural lighting makes it more inviting.
THE BAR
Line
Shape Weight Texture
Besides of the actual bar countertop being horizontal, everything else is displayed with vertical lines. The pendant fixtures are vertical, the cabinets, and the columns.
THE BAR
Line
Shape
Weight Texture The shapes for this bar varies from the orthogonality of the countertops, to the round shape chairs, cylindrical lighting fixtures, and the organic shape texture of the cabinets. This space if just a mixture of different shapes that because of them meeting with the color palette, they look unified.
Since it is such a narrow, small and symmetrical space, the weight is located equally in the whole bar.
THE BAR
Line Shape
Weight Texture
Line Shape Weight
Texture
I picked this as my second area of the hotel because of the variety of textures it presents. First, we have the texture of the cabinets. The details created one texture and combined with the lighting inside created a whole new one, different from rest of the lighting fixtures of the bar. The floor is brick, which differs from the columns and wood on the walls. The metal pendants on top of the countertop gives this bar a more industrial look, and the chairs, different from the rest of the bar, are a mix of leather and wood.
THE BAR
Module 11
COLOR+WORKPLACE
Colors Shapes Texture Nature One Workplace is a family-owned company that improves the lifestyle and efficiencies of organizations and their employees by creating integrated, flexible, and customtailored workspaces.
Colors Shapes Texture Nature
The color WHITE conveys the feeling of cleanliness in the workplace.
The color GRAY is associated with technology in the workplace.
The color BROWN from the wood is used for comfort in the workplace.
The color PURPLE is said to induce feelings of calmness in the workplace.
Colors
Shapes Texture Nature
The color GREEN is said to reduce anxiety in the workplace.
The color BLUE reduces stress by lowering the blood pressure.
The color RED can increase heart rate and brain activity in the workplace.
The color BLACK inspires sophistication in the workplace environment.
The space of this work place is a mix of linear and curved elements. In the second picture, the linear elements are not only on the wooden floor, but also on the carpet. The curved element on this case is represented in the whole two story office. These curves give the sense of dynamism and relaxation.
Colors
Shapes Texture Nature
In the second picture, the linear shapes are presented in the roof and the patterns in the wood flooring. In this case, the lines on the wooden floor separates this space from the rest. The curves elements are represented by the lighting fixtures which also represent a change of spaces.
In the first picture, the client can perceived the change of shapes not only by the two story curves space, but also by the change in furniture and lighting fixtures. The lighting fixtures in this case are linear, completely different from the round ones on the first floor. Also, the furniture and carpet changes not only in color but also in shape, creating a separation of spaces.
Colors
Shapes Texture Nature The second picture is the faรงade of the office space, which shows a difference in shape using orthogonal and diagonal shapes. Also, the round wholes and the tree shape on the faรงade gives more movement to the whole structure and gives a glance of the contrast that the person will later find in the inside.
Texture plays a big role in the space. On the first picture there is a lot of changes in texture going on. The change of ceiling that separates the spaces, together with the change of floor (carpet/wood). There is also change of texture on the walls. By adding a vertical garden not only they added color to the area and a change of texture but also is a way to bring the outside to the inside. A way to bring nature and make the place feel not so enclosed.
Colors Shapes
Texture Nature
In the second picture, there is also a change of texture created by light. In more than one space there are wholes in the walls that allows light to come in creating a contrast between that is public and private, and a change in texture.
Nature plays a big roll in the design of this workplace. The first glance of nature is seeing on the faรงade of the building, by adding a tree shape. Inside the space, the workers will find not only vertical gardens but also little details of elements found in nature as the wood in the first picture.
Colors Shapes Texture
Nature
In the second picture, the designers created a terrace, an outside space inside the office building. These type of spaces give the workers a space for relaxation and to reduce anxiety. Being enclosed for an entire day working is not good not only for the person but neither for their performance at work.
CONCLUSION WHAT DID I LEARN? The importance of color since the beginning of the designing process. The best use and amount of colors in residencial and work interior. The best way to mix colors depending on their order on the color wheel, and how to use them properly. The meaning of colors and how they can affect a person’s mood, behavior, and perception. Focal Point, Line, Shape, Texture, Weight.
sources Pinterest.com Dezeen.com Instagram.com Stevenholl.com Archdaily.com Andrewmikhael.com Flickriver.com Figure-Ground.com Youtube.com Dogomovies.com Thesetaihotel.com Google.com DorothyAdeleTravels.com HospitalityOnline.com OneWorkPlace.com Wikipedia.org Telegraph.co.uk Italylogue.com
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