MARIA SAN DESIGN PORTFOLIO
EDUCATION • • • •
mlusan95@iastate.edu 786-718-6153 mlusan95@iastate.edu 786-718-6153
•
Mater Lakes Academy High school, graduated in June 2013, graduated Cum Laude
WORK EXPERIENCE
MARIA SAN
• Volunteered Fe en Accion, Miami, FL, from April 2010 to May 2013, Summer 2014, Iowa State University, Ames, IA, BFA Interior Design, CIDA accredited, class of at 2017 Summer 2015 Mater Lakes Academy High school, graduated in June 2013, graduated Cum Laude Iowa State University, Ames, IA, BFA Interior Design, CIDA accredited, classatofWolk 2017Design, Miami FL, Summer 2016 • Interned mlusan95@iastate.edu Mater Lakes Academy High school, graduated in June 2013, graduated Cum Laude • Student Associate at New Students Program, Iowa State University, January 2017 to present
EDUCATION
WORK EXPERIENCE
786-718-6153 mlusan95@iastate.edu • Volunteered at Fe en Accion, Miami, FL, from EDUCATION April 2010 to May 2013, Summer 2014, mlusan95@iastate.edu WORK EXPERIENCE ACTIVITIES 786-718-6153 Summer 2015 •2010 Iowa State University, Ames, IA, BFA Interior Design, CIDA accredited, class of 2017 786-718-6153 • Volunteered at Fe en Accion, Miami, FL, from April to May Summer 2014, • 2013, Women of Color, Iowa State University, Ames, IA, Fall 2015 to present EDUCATION • Interned at Wolk Design, Miami FL, Summer 2016• Mater Lakes Academy High school, graduated in June 2013, graduated Cum Laude EDUCATION Summer 2015 • Latino Heritage Committee, Iowa State University, Ames, IA, Fall 2015 to Spring 2016
CONTACT
Iowa State University, Ames, IA, BFA Interior Iowa Design, CIDA accredited, class2017 of 2017 •• Student Associate at New Students Program, State University, January to present • Iowa State University, Ames, IA, BFA Interior Design, CIDA accredited, 2017 • (786)-718-6153 Interned at Wolk Design, Miami FL, Summer 2016 • Latinx Students Initiative, Iowaclass StateofUniversity, Ames, IA, Fall 2015 to Spring 2016 • Mater Lakes Academy High school, graduated in June 2013, graduated Cum Laude WORK EXPERIENCE Lakes Academy High school, graduated in June 2013, graduated Cum Laude • Student Associate at •NewMater Students Program, Iowa State University, January 2017 to present • NCORE Scholars Program, Iowa State University, Ames, IA, 2016-2017 ACTIVITIES • Volunteered at Fe en Accion, Miami, FL, fromIowa AprilState 2010University, to May 2013, Summer 2014,2016 to present • Design Community on Diversity, Ames, IA, Spring USA WORK EXPERIENCE • Florida, Women of Color, Iowa State University, Ames, IA, FallSummer 2015 to 2015 present WORK EXPERIENCE ACTIVITIES • 2013, BUILDSummer Mentorship Program, Spring 2016 to present Volunteered at Committee, Fe en Accion, Miami, FL, from April 2010 to May 2014, •• Latino Heritage Iowa State University, IA, Fall to SpringMiami 2016 FL, Summer 2016 •Ames, Interned at 2015 Wolk Design, • State Volunteered at Ames, Fe en Accion, Miami, from April 2010 to Intuy May 2013, 2014, • Women of Color, Iowa University, IA, Fall 2015 to FL, present • Collaborated with Lab inSummer Alto Peru for neighborhood improvement design, January to Summer 2015 Initiative, Iowa State University, Ames, • mlusan95@gmail.com Latinx Students IA, Fall 2015 to Spring 2016 • Student Associate at New Students Program, Iowa State University, January 2017 to present Summer 2015 • Latino Heritage Committee, Iowa State University, Ames, IA, Fall 2015 to 2017 Spring 2016 March InternedScholars at Wolk Program, Design, Miami FL, Summer 2016 •• NCORE Iowa State University, Ames, IA, 2016-2017 • Interned at Wolk Design, Miami • Latinx Students Initiative, Iowa State University, Ames, IA,FL, FallSummer 2015 to2016 Spring 2016 StudentCommunity Associate at Students Iowa State University, January to present •• Design onNew Diversity, IowaProgram, State University, Ames, IA, Spring 20162017 to present ACTIVITIES • Student Associate at New Students Program, • NCORE Scholars Program, Iowa State University, Ames, IA, 2016-2017 Iowa State University, January 2017 to present SKILLS REFERENCES • BUILD Mentorship Program, Spring 2016 to present • Women of Spring Color, Iowa University, Ames, IA, Fall 2015 to present • Design Community on Diversity, Iowa State University, Ames,LANGUAGES IA, 2016State to present Monica Rodriguez • Collaborated with Intuy Lab in Alto Peru for neighborhood improvement design, January to ACTIVITIES • Latino Heritage Committee, Iowa State University, Ames, IA, Fall 2015 to Spring 2016 ACTIVITIES • BUILD Mentorship Program, Spring 2016 to present Spanish Tip Top Enterprises, Inc, 2017 • March Women of Color, Iowa State University, Ames, IA,•FallLatinx 2015 Students to present Initiative, Iowa State Fall 2015 to Spring 2016 • Lab Women of Peru Color, State University, Ames, IA, Fall 2015 to present • Collaborated with Intuy in Alto forIowa neighborhood improvement design, January toUniversity, Ames, IA,18101 English SW 98 Court, Miami, FL, 33157 • Latino Heritage Committee, Iowa State University,• Ames, IA, Fall 2015 Program, to Spring Iowa 2016 State University, Ames, IA, 2016-2017 NCORE Scholars • Latino Heritage Committee, Iowa State University, Ames, IA, Fall 2015 to Spring 2016 monicatere03@yahoo.com March 2017 • Latinx Students Initiative, Iowa State University, Ames, IA, FallCommunity 2015 to Spring 2016 SKILLS REFERENCES •IowaDesign on Diversity, Iowa State University, IA, Spring 2016 to present • Latinx Students Initiative, State University, Ames, IA, Fall 2015 to Spring 2016 Ames, DESIGN 305-255-8198 • NCORE Scholars Program, Iowa State University, Ames, IA, 2016-2017 LANGUAGES Monica Rodriguez • BUILD Mentorship Program, Spring 2016 to present • NCORE Scholars Program, Iowa State Photoshop University, Ames, IA, 2016-2017 SKILLS REFERENCES • Spanish Design Community on Diversity, Iowa State University, Ames, IA, Spring 2016Lab to present Tip Top Enterprises, Inc, • Collaborated with Intuy in Alto for2016 neighborhood improvement design, January to • Design Community on Diversity, Iowa State University, Ames, IA, Peru Spring to present LANGUAGES InDesign Monica Rodriguez Audrey Kennis • English BUILD Mentorship Program, Spring 2016 to present 18101 SW 98 Court, Miami, FL, 33157 March 2017 • BUILD Mentorship Program, 2016Autocad to present Academic Advisor Tip Top Spring Enterprises, Inc, • Spanish Collaborated with Intuy Lab in Alto Peru for neighborhood improvement design, January to monicatere03@yahoo.com • Collaborated with Intuy Lab in Alto Peru for neighborhood improvement design, January to State University Revit English 18101 SW 98 Court, Miami, FL, 33157 Iowa March 2017 DESIGN 305-255-8198 March 2017 SKILLS REFERENCES Sketchup monicatere03@yahoo.com kennis@iastate.edu Photoshop LANGUAGES Monica Rodriguez DESIGN Hand Drafting 305-255-8198 515-294-9555 SKILLSInDesign Audrey Kennis REFERENCES Spanish Tip Top Enterprises, Inc, SKILLS Photoshop Microsoft Office REFERENCES Autocad Academic Advisor LANGUAGES Monica English Rodriguez 18101 SW 98 Court, Miami, FL, 33157 Illustrator InDesign LANGUAGES Edwin Hernandez Audrey Kennis Monica Rodriguez Revit Iowa State University Spanish Tip Top Enterprises, Inc, INTERESTS monicatere03@yahoo.com Autocad Spanish Academic Advisor Director, Supply Chain Management Tip Top Enterprises, Inc, Sketchup kennis@iastate.edu English 18101 SW 98 Court, Miami, FL, 33157 Photography DESIGN 305-255-8198 Revit English Iowa State University 18101 SW 98 Court, Miami, FL, 33157 University of Miami Hand Drafting 515-294-9555 monicatere03@yahoo.com Sketching monicatere03@yahoo.com Photoshop Sketchup Exh338@miami.edu kennis@iastate.edu MicrosoftDESIGN Office 305-255-8198 Rendering InDesign Audrey Kennis Hand Drafting DESIGN 786-606-5354 515-294-9555 305-255-8198 Illustrator Edwin Hernandez Photoshop Research Autocad Academic Advisor Microsoft Office Photoshop INTERESTS Director, Supply InDesign Audrey Kennis Revit Chain Management Iowa State University Illustrator InDesign Edwin Hernandez Audrey Kennis Photography University of Miami Autocad Academic Advisor INTERESTS Sketchup kennis@iastate.edu Autocad Director, Supply Chain Management Academic Advisor Sketching Exh338@miami.edu Iowa State University PhotographyRevit Hand Drafting 515-294-9555 Revit University of Miami Iowa State University Rendering 786-606-5354 Sketchup kennis@iastate.edu Sketching Microsoft Office Sketchup Exh338@miami.edu kennis@iastate.edu Research Hand Drafting 515-294-9555 Rendering Illustrator Edwin Hernandez Hand Drafting 786-606-5354 515-294-9555 2Microsoft Office INTERESTS Research Director, Supply Chain Management Microsoft Office Illustrator Edwin Hernandez Photography
S KI LLS
Hello There.
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TA B L E O F C O N T E N T S
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R E TA I L :
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H I S T O R I C P R E S E R VAT I O N :
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RESIDENTIAL:
THE WANDERER
ROADSIDE SETTLEMENT HOUSE
S A R A S O TA L O F T
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DINING:
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E D U C AT I O N A L :
MORRIL CAFE
A VISION OF CoD
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R E TA I L DESIGNERS: MARIA SAN & ARACELI GUZMAN LOCATION: ROME, ITALY
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DESCRIPTION The
Wonderer
is
a
boho
chic brand. Bohemians are creative misfits who live in the moment. To compliment the brand, elements of nature and industrial characteristics were incorporated to add attributes that the Bohemians
is a third year fashion design
find intriguing. The interior
student at Iowa State University
captures the brand’s identity
and concept creator of The
and translates the aesthetics
Wanderer. Her desires are
of her designs to shape the
to exhibit her merchandise
retail space.
in an industrial space mixed with natural elements such as plants and sunlight. Her vision for the retail space also include the use of wood and exposed brick to further invoke the distinct style of her brand. 9
MAIN FLOOR VIEW
The main level features the cash wrap as the point of focus that costumers see upon entering. The merchandise is displayed in planks along the walls and a variety of fixtures.
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MAIN FLOOR
Main Level RCP y
x
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y
Main Level Floor Plan x
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BASEMENT VIEW
The basement includes the fitting rooms, jewelry along the walls, and circular wall mounted fixtures for shoe display. It continues the same energy as the main floor but with a more intimate approach.
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BASEMENT
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Basement Level Floor Plan
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Basement Level RCP 17
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Merchandise Fixture
Section y - y
Section x - x 19
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HISTORIC P R E S E R VA T I O N DESIGNER: MARIA SAN LOCATION: DES MOINES, IA
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Roadside Settlement House Established in 1914, The Des Moines Roadside Settlement House offered social services to the lower-income community. With the growing changes from the past to the current times, the house closed due to the community no longer needing the services. The current owners desired to rehabilitate the building into two spaces comprised of a restaurant and a cafe. All work completed was done meeting the NPS standards for historic preservations. The date of significance was set to 1916. The final design took elements from the Georgian and Queen Anne style of the time with a touch of modernism.
1914 South Elevation 22
1914 Floor Plan
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Rehabilitated Floor Plan
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Legend chandelier down light box light
RCP 24
1937 Addition
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Roadside Restaurant
The Roadside Restaurant follows architectual elements from the colonial period with a simple and elegant color scheme. Its sophistication is an attraction for the local young professionals.
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Roadside Cafe
The Roadside Cafe’s aesthetic consists of modern interpretation of colonial with a hint of french motifs and early 1900s decor. The space duals into a cafe by day and bar by evening.
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Cafe: Berger Luso
Cafe: Bench
Restaurant Section 30
Cafe: Bar Stool
Cafe Section
Restaurant: Reception Desk
Restaurant: Colonial Chairs
Restaurant: Colonial Table
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RESIDENTIAL DESIGNER: MARIA SAN LOCATION: SARASOTA, FL
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SARASOTA LOFT CLIENT: Eluisa Liu is a museum director and modern artist with a love for contemporary trends. Her admiration for art led her to collect abstract artworks as a hobby. Eluisa desires a colorful home that compliments her interests and personality. She requires that her home be comfortable and accomodating to her disability needs.
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ELUIS
LIU
DESCRIPTION: This residential loft space combines the contemporary aesthetic of industrialization and the tropical style in competence with ADA accessibility. With the ocean surrounding the city of Srasota, inspiration comes from the waves and the vastness of their expressions in shapes and direction. The expressions are translated to the spacial distribution where every corner creates a new experience. Direction is applied to the ceiling where exposed railings guide and distribute the seperation of space. The colors are abstracted from the gentle soothing hues of the ocean waters.
MOOD BOARD
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RCP 36
Floor Plan
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OPEN LIVING ROOM
The open space of the living room provides both wheelchair accessability and aesthetical contribution to the loft residence. Color variety and artworks are allowed to be continously displayed.
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Kitchen Backsplash
Yale Chair
MDF Italia
Yale Sofa
MDF Italia
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DSW Chair
Herman Miller
Yard Side Table
Poliform USA
Copper Light Bulb
Industrial Light Electric
Accessible Bathroom Elevation
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BEDROOM Prince Chair Minotti
The master bedroom continues the modern industrial attribute of an atypical living space. The space allows for comfortable wheelchair movement and It is conveniently connected to the closet/laundry and the office
Lucy Pendant Moss Manor 42
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DINING DESIGNERS: MARIA SAN & JAEYOUNG LEE LOCATION: IOWA STATE UNIVERSITY, AMES, IA
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MORRIL CAFE DESCRIPTION The
inspiration
came
from
the
color, flow of patterns, and gradual movements
of
the
painting
Chalkzone by Helen Frankenthaler. The painting’s composition was first analyzed and examined in order for the elements to be seperated and extracted into free flowing shapes. The
shapes
were
then
united
together into an abstract model which incorporated visual appeal of organic lines with the simplicity of negative space. The energy and rhythm of model was then replicated into the creation of the cafe.
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Chalkzone,
Helen Frankenthaler
3-D Model 47
East View 48
I included this project in my selected works because it was the first interior design project that I did as an undergrad. I am very thankful for it because of the lessons it taught me which ultimately helped shape me to be the person and designer that I am today.
Process Work
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Study Area 50
Floor Plan View
The most challenging part of this project was building the model from scratch without the aid of laser cutters. It truly put my craft skills to the test and pushed me to try my best.
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Bistro Table
New Pacific Direct
Crescent Chair Holly Hunt
Lounge Area
Jean-Marc Fray Sofa Dominique Sofas
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Sanders Cube Crate & Barrel
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E D U C AT I O NA L DESIGNERS: MARIA SAN, MINZI LI, JESSICA ANDERSEN, LEAH ZELLER, AUBREY LEMPER, ARACELI GUZMAN, EMILY TOMEK, SARAH BULL, & KATIE LAW
LOCATION: COLLEGE OF DESIGN, IOWA STATE UNIVERSITY, AMES, IA
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MOOD BOARD
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A VISION OF CoD CONCEPT The College of Design is a
process.
home to students and faculty of
natural luxuries such as daylight
all disciplines and backgrounds,
will
and should provide for the
and wellbeing. These elements
needs
this
of collaboration, flexibility, and
culture. Our goal is for students
inspiration will remain with them
to experience the College of
beyond their experiences in the
Design as a place of interlocking
College of Design.
and
concepts,
desires
forms,
of
and
The
strengthen
integration users’
of
health
ideas
that invoke collaboration and blend the design disciplines. Multi-functional will
allow
work
students
to
areas work
together both in and outside of the studio. A variation of zones and spaces within the building will stimulate users and provide fresh inspiration for the design 57
DESIGN DRIVERS During the first phase of the project, our class traveled to Minneapolis, Minnesota to visit several design firms and coworking spaces in order to see what makes a workspace successful or not. After this, we were tasked with creating “design drivers,” or concepts of humanspace interaction that our team would use moving forward in our project design. Our team drew inspiration from an idea called design thinking that Tim Brown mentions in his book “Change by Design.” He explains that designers can use this way of thinking to move through three different phases, an idea we thought is applicable to how people use the College of Design. The phases are defined by three words: Inspiration, Ideation, and Implementation.
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FIRST F
CIRCULATION
FLOOR
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FIRST FLOOR RCP
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THIRD FLOOR RCP
THIRD FLOOR
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CIRC
CULATION
BLOCK DIAGRAMS
Second, Fourth, & Fifth Floor
Ground Floor
Third Floor
First Floor
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ATRIUM VIEW
The atrium is the first impression that visitors experience upon entering the CoD. The interaction of the space builds upon the collaborative relationship that the different disciplines of majors within the college have amongst each other.
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Together Bench Steelcase
Pixie Stool
Encore Seating
Chirp Stool
Encore Seating
Avelina Meeting Table Arcadia
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Particles Modular Seating Encore Seating
ATRIUM
The East side of the atrium continues the use of fixture to create zones in the open space. Color contrast add direction and guidance for wayfinding as well as visual interest.
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CAFE VIEW
The cafe contains different furniture systems to allow students the option to study in semi privacy or alongside their peers. The layout was focused on creating a smooth transition for traffic circulation.
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Elevation C
Elevation A
A
B Elevation B
C
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DESIGN CAFE
Wing Chair Steelcase
Scoop Barstool Steelcase
3403-406
DesignTex
3602-601
DesignTex
Campfire Table
White Subway Tile
Steelcase
Countertop
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OFFICES VIEW
The students services area is where the academic advisors’ offices are located. Privacy is necessary for oneon-one meetings with students on personal matters. The reception desk is located between two entrances for convenience
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STUDENT SERVICES OFFICE
C
B
A
Section B
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Section C
Section A
3776-302
DesignTex
Office Chair Think Steelcase
3783-301
DesignTex
Scoop Barstool Steelcase
3630-402
DesignTex
Private Office
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GALLERY & EXHIBITION These spaces are very important to design students because it provides them with a place to exhibit their work. Neutral materials and versatile lighting were chose to make the work being exhibited stand out.
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3253-202
DesignTex
Belem Feature Wall
Char 48549
Shaw Hard Surface
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STUDIO VIEW
The studios contain systematical composition that create zoning within the space. The different arrangements give students and instructors the option to work in open or semi private spaces.
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STUDIOS
Riva Green Apple DesignTex
Flex Chair
Andreu World
Coalesse Oculus Chair
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Steelcase
3544-502
DesignTex
3485-401
DesignTex
Visalia Lounge Single
38284
Shaw Contract
Campfire Occasional Table
Steelcase
Steelcase
Visalia Lounge Sofa Steelcase
Node
Steelcase
Runner Plug Table
Runner Bivi Table Steelcase
Steelcase
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THANK YOU