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3
BODY ARCHITECTURE Final Year Project-Project Duration:Two months Primer Design Project
一䄀吀唀刀䔀
OPEN TO BEYOND BODY ARCHITECTURE-BIPOLAR DISORDER HEALTH CENTRE.
1
匀伀唀一䐀 䴀唀䐀 嘀䤀匀唀䄀䰀 刀伀䄀䐀
刀䤀嘀䔀刀
匀䴀䔀䰀䰀
BRIEF: Bipolar disorder or manic depression has been affecting a large amount of people in recent years. The design of a health centre that specializes in bipolar disorder, would be ideal for the site that creates a variety of feelings to its visitors (ROAD-ANXIETY, RIVER-SERENITY). Inspired from the site, I designed a small health centre that will provide an accommodation for four patients, a psychological support, as well as a creative activities in the nature, that will bring them closer to the it and therefore to their peace. Other features that the building will offer to its visitors and patients is a café/restaurant, study area and roof garden where patients and their families can spend their free time.
䠀䄀倀倀䤀一䔀匀 刀䔀䰀䄀堀
Conncetion with the Nature: The element of nature based on many psychological researches can influenced positively the mental health of people. For my project (Bipolar disorder Health Centre) that was really important to be used.
Void: Void is also an important element which helped to a better accomplishment of this project. Void allows natural lighting within the building but also the transfer of all sounds and smells of the surrounding area within the building (bringing the nature into the building).
CONCEPT: The building follows the idea of a box within a box. The design concept of the proposal was inspired form the site. As the site combines both tranquillity and security(river) as well as anxiety and fear (road), so the building does. People that suffering by bipolar disorder tend to change mood constantly. Garden in the middle of the building, offers to patient the serenity (correlation with the river), as the rest of the building enslaves a fear and anxiety(correlation with the road).
Transparency: Transparency is directly connected with the idea of the layering, by using as less walls as possible. Through the use of glass and openings the concept of creating an internal-external relationship became stronger.
Layers: BOX WITHIN A BOX Concept Diagram
One of the most important features is the creation of an internal and external spaces. Spatial Layering played a catalytic role on the project’s implementation. As the main concept will be based on the connection with the nature, layering will help on the achievemnt on two patterns (external-internal and public-private relationships).
Aspects that taken into consideration: External area:
Circulation:
1.Provide monitored external sitting for waiting
1.Provide rest sitting at convenient locations in corridors
2.Provide canopy for shelter from wind, rain and sun 3. Planting trees, plants and shrubs
Internal Spaces: 1.Visible/recognisable reception/information point 2.A variety of sitting arrangements
2.Corridors should not twist (better observation)
Patients’ Bedrooms: 1.Unobstracted views 2.Family zone: provide privacy 3.Ensuite shower/bath
2
Design’s Principles: 1.Light (use of glass, void in the middle) 2.Safety (private spaces placed on the upper floor) 3.Observation (no twisted corridors, limited amount of internal separated walls) 4.Colour/ Materials: Use of natural materials and colours that contribute to the reduction of stress 5.Group Interaction (Gardening activities, Variety of sitting arrangement that encourage interaction) 6.Access to Nature (large windows, roof garden, garden in the middle of the building)
3
1
Ground Floor: Plan in contect 1:100
2
1.Cafe/Restaurant
4
2.Reception/Information point 3. Study area 4. Visitors’ toilets
3
4
1
First Floor : Pan in context 1:100
2
1.Patient’s bedrooms 2. Nurses’ room
3
3.Phychological support office 4.Sitting/Study area
4
Outdoor Space and Facade Analysis:
5 Roof:
Shading Wood Panels of East Elevation n.i.s
The roof of the building helps to avoid overheating problems. As the roof protrudes, it is provides shading on the lower floors of the building.
Shading: East side of the building, contains wooden louvers so patients can have the ability to see outside of their huge windows(connection with the view), without the sun overheating their rooms during the day.
Materials: Materiality was also an important aspect for the implementation of this project. As it is mentioned above, this project is aiming to heal patients through the connection with nature. Natural materials give you an impression that you are outside, reducing in this way the anxiety of patients. In this project, the use of wood and concrete dominates.
EAST ELEVATION n.i.s
North Elevation in context1:100
6
External Area: Etxernal area, is also an important aspect of a health care centre.as it gives to the patients and their families the chance to spend time outside. This project provides a covered sitting area so that people can always have the opportunity to go outside, without depending on the weather conditions. Based on the healing architecture, a welcoming external area,contributes to a better health of the patients but also to their visitors.
Section in Context 1:50
FRAME THE CITY,FRAME THE STREET
Site Analyisis
Opportunities of each of the aspects of the site
Final Year Project- Project Duration: Eight months
Main Design Project Brief:
7
Bristol voted as the United Kingdom’s most artistic city for 2019. Decorating the street walls of Bristol one of the most well known artist Banksy, Bristol can rightfully hold this title. Influenced by this side of the city, the creation of a centre that works as a Headquarter building of the Up fest, as well as providing gallery and exhibition spaces, is perfectly align with the needs of the city. Art exhibition and gallery spaces that will collaborate with the Arnolfini Gallery will provide a help for street artists and performers to become known to the public.
Concept: “Frame the City, Frame the street”
Site Location:
Axes:
The site is located in the centre of Bristol City. As the proposed site is one of the most visited and easily accessible areas of the city, the development of a public space will be profitable for the society.
Area’s axes are really important to be protected so that the development of a new project will not ruin the arrangement of the area’s elements. Axes of the site also helped to the orientation and shape of the building.
Public Space:
Routes:
The proposed site is located between two of the largest public squares that are used daily from people for their movement. However, they are also used as venues, festivals and events areas. The proposed site works as the link of the two squares, making in this may the movement of pedestrians smoother and the site easily accessible from both sides.
The area of construction is easily accesible pedestrians from all the sides of the harbour. As vehicles, can have an acess to the site only from West side of the area, safety rates are rising for users of the building.
Views played a catalytic role for the proposal building. As the main goal of the project was the creation of joyfull feelings the idea of framing the most famous places of Bristol helped me to achieved it. Based on phychological researches, one of the most common way to create feelings of happiness and enjoyment is through the nature and the connection with human. By framing the most important points and tourist’s attractions of the surrounding site area, I created an internal- external relationship between the visitor and the nature.
The surrounding area was considered before the start of the project’s design. Materials, shapes, forms and colours, contrubuted to an easier development of this project.
Topography was also an important aspect that was taken into consideration.
Masterplan n.i.s
for the the the
Use of the Building
8
7.
4
11
9
7.5
7.
7
7.6
1
Plan in Context 1:200 Ground Floor:
12
9
8
7.2
6
1.RECEPTION/INFORMATION POINT
7.3
Area of Construction: Area of Construction shape, was really important in order to end up into a final shape that will not destroying the existing character of the area.
2.LOCKERS ROOMS FOR VISITORS/ STAFF
2
3.CAFE/RESTAURANT/BAR 3.1.RESTAURANT’S KITCHEN
3
4.SITTING AREA 12
1
5.PAINITNG SHOP 6.PUBLIC TOILETS
4
7.WORKING AREA/STAFF OFFICES 7.1.STAFF TOILETS
Shape:
7.2.MEETING SPACES
The shape of the building became after taking into consideration the angle and orientation of the surrounding buildings, as well as the relation with the most important tourists’ attractions in the area.
7.3.IT OFFICE 7.4.STAFF’S KITCHEN 5
7.5.STAFF’S RESTING ROOM 7.6.MANAGER’S OFFICE 8.STORAGE/DELIVERY POINT 9.SITTING AREA’S FURNITURE STORAGE ROOM. 10.OUTDOOR EXHIBITION/SITTING/PAINTING AREA
10
11.PLANT ROOM 12.FIRE ESCAPE CORE/ELEVATOR
Form: The form of the building was created in such a way that it does not prevent any views from the surrounding buildings.
4
10
1.1
Plan in Context 1:200 Third Floor:
3.
1
3.
1
2.1
5
1.LIBRARY
Skywindow-Joyful Feelings: Skywindow in a compination with the use of an ETFE glass, achived to cretae a joyfyll feelings within the spaces,(due to the reflactions of the colourful glass).
1.1.SILENT STUDY ROOM 4.1
2.1.GROUP STUDY ROOM 3.1.MEETING ROOMS 4.1.TOILETS
5 2
3
2.EXHIBITION AND ART GALERY SPACE 3. ARTS AND CRAFTS WORKSHOP 4.PUBLIC TOILETS 5.FIRE ESCAPE CORE/ ELEVATOR
Facade-Use ofOPENINGS Building: In order to attract the attention of the thousands of visitors that are visiting the site, external concrete scaffoldings were placed in order to highlight the main use of the building.
Outdoor Space-Use of Buidling: Outdoor space, reinforces the idea of higlighting the use of the building. By creating an external Street Art Gallery, visitors will have the opportunity to paint on the concrete wall panels of the area.
11
External space: The external area is related based on the views and the most important features of the surrounding area. Paths as well as concrete canvas-walls “guide” visitors at the entrances of the proposal building.Paths and concrete canvas- walls are compatible with the movement within the site, so that visitors’ transition into the building seems smoother and unavoidable (follow the path).
Section 1:200
12
Edited render
West Elevation in context 1:200
Permanent Concrete Scaffolding:
Façade analysis:
The main use of the building, is based on the Street Art and the Upfest festival. In order to highlight the use of the building from the outside, permanent concrete scaffoldings were placed, giving in this way the opportunity to artists and tourits to paint all around the building.
The external area of the building is the one that often determines the passer’s decision on whether will get inside or not. The proposal building aims to fully inform the passer about its content from its outside appearance. Building’s facades with the several of concrete staircases and scaffolds, as well as the thousand graffities on the external walls make a small introduction to its visitor about its use.
The external shapes became after a correlation with a rock mountain. As it is recognised the combination of the asymmetric shape as well as the exterior concrete constructions, refer to a sculpture, which in turn refers again to its use (Art Gallery).
A diagram that represends the relationship between concrete scaffoldings and windows.
Through the process of finding a way to show the operation of the building from the outside, heating problems were also solved. The exterior concrete construction also works as a window’s protection from the sun.
3D views from internal and external spaces
13
The main use of the building is based on the implementation of the Upfest Festival that is taking place every year in Bristol. During the year, building offering its spaces to the visitors in order to explore the world of the Street Art. Each July, when the festival beggins, the area become more crowded as both outside and inside building’s surfaces are painted from visitors and famous artists. However, building is also used from other street performers, giving them the opportunity to show off their talent. A multiple-use theatre and a temporary Art and Exhibition Spaces are accesible to the public daily. Finally a restaurant/cafe/bar and a library are in the building thus covering many of the visitor’s interests.
Detail models 1:20
14
WORK EXPERIENCE
Lobby plan
NICOLAS DELEFOSSE N 145 Avenue Jean Jaurès nicolasdelefosse@hotm +33 620485758
September 2019-May 2020
EKKY STUDIO + 23 Dimofontos Street + 1075 Nicosia Cyprus + Kenz Elina Kritikou elina@ekkystudioarchitects.com kenzo NOTES:
Renovation of Seven Hotel, Paris 15
Renovation of MAP Hotel, Nicosia 40.0
Design of Villas, Chalcidice
301.0
121.0
130.0
60.0
This year I had the chance to have my work experience at one of the largest architecture offices in Cyprus. Working in three similar situation projects in different countries, I compared not only the differences of their architectural styles, but also the differences based on the rules, Building Regulations as well as the procedure you have to follow in order to start and deliver a project succesfully . The renovation of the “Seven” hotel in Paris, was the main project that I participated this year, as I got involved with all the spaces of the hotel: lobby, rooms, spa, corridors. I deeply understood the concept as well as the aims of the renovation. It was my first attempt to include in my ideas and proposals the financial sector as well as the competition including a specific budget that the clients can invest in it. I had the chance to deal with construction and detail drawings as well as to learn more about the architectural style in France.
127.5 105.5
218.0
463.0
rideaux
60.0 24.5 204.0 166.7
70.5 36.5 235.0
101.5
161.5
26.5
JOB
STAGE
DW
113
APD
AL
61.5
PROJECT
81.0
SEVEN HOTEL 466.5
595.0
337.0 24.5
CLIENT
SAS SEVEN HO
166.7
DRAWING 227.0
PLANS - LOB DATE
30.03.2020 SCALE 333.0
103.0
198.5
1:50 @ A3
60.0 119.0
DRAWN BY
332.8 96.0 46.5
96.0
266.0
A.M.
233.5
CHECKED BY
CHEC
K.Y. PLAN
PA
The lobby always operates as the hotel’s mirror.Is the first impression the visitor gets when I visit the hotel for the first time. So the design and the atmosphere it conveys to the customer is extremely important. For this project, cause of the limied space of the hotel, the idea was to create a multiple-use lobby, where customers can use according to the time of the day. with the help of the large furniture that is placed in the space, visitors can enjoy their morning coffe and breakfast, their afternoon tea and their drink and dinner during the night. Using earthy shades and natural materials, lobby gives moments of calm and relaxation to its clients.
DECK 16.7 m2
DECK 16.7 m2
Slate Porcelain Stoneware 3.0 m2
Slate Porcelain Stoneware 3.0 m2
Slate Porcelain Stoneware 112.0 m2
Plasterboard 255cm
Plasterboard 280cm
Slate Porcelain Stoneware 112.0 m2
Plasterboard 280cm
Plasterboard 255cm
ABSORBENT FLOOR MAT 2.7 m2
ABSORBENT FLOOR MAT 2.7 m2
Plasterboard 225cm Plasterboard 280cm
Lobby false ceiling
Plasterboard 225cm Plasterboard 280cm
Lobby floor finish
SE
Lobby’s furniture-Detail drawings
01 Cadre Structurel SHS 40 x 4040x x2 40 mmx 2 mm 01 Cadre Structurel SHS 02 Cadre Structurel RHS 50 x 4050x x3 40 mmx 3 mm 02 Cadre Structurel RHS 01 Cadre Structurel SHS 40 x 40 x 2 mm 03 Contre-plaqué 1cm 1cm 03 Contre-plaqué 02 Cadre Structurel RHS 50 x 40 x 3 mm 04 06 01
04
5.0
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5.0
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1.0 2.0
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04 Placage Noyer Noyer OBERFLEX - 2cm - 2cm 04 Placage OBERFLEX 03 Contre-plaqué 1cm
04 06 01
5.0
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05 Boiserie Lamellux - 2cm - 2cm 05 Boiserie Lamellux 04 Placage Noyer OBERFLEX - 2cm
06
06 LED 06 stripe LED stripe 05 Boiserie Lamellux - 2cm
01
06 LED stripe
1.0
03
16
2.0
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05
The lobby area in proportion to the number of rooms the hotel provides is quite small. for that reason the creation of smart furniture, gave us the opportunity to gain more space for a seatiting area. This furniture, despite its use as a divider between the rooms and the lobby’s seatting area, it also serves as a storage space for client’s suitcases.
03 05
Detail Detail 3 3 1:5 1:5
NOTES:
2.0
05
03
Detail 2 1:5
04
5.0
03
2.0
05
Detail Detail 2 2 1:5 1:5
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06 01
2.0
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02
NICOLAS DELEFOSSE ND DESIGN NICOLAS DELEFOSSE ND DESIGN 145 Avenue Jean Jaurès 75019 75019 Paris Paris 145 Avenue Jean Jaurès nicolasdelefosse@hotmail.com nicolasdelefosse@hotmail.com NICOLAS DELEFOSSE ND DESIGN +33 620485758 +33 620485758 145 Avenue Jean Jaurès 75019 Paris nicolasdelefosse@hotmail.com EKKY STUDIO EKKY STUDIO +357 22311924 +33 620485758 +357 22311924 23 Dimofontos Street Street 23 Dimofontos +357 99472862 +357 99472862 1075 Nicosia Cyprus +357 96498995 1075 Nicosia +357 96498995 EKKY Cyprus STUDIO +357 22311924 Kenzo Street Yamashita Kenzo Yamashita Elina Elina Kritikou Kritikou 23 Dimofontos +357 99472862 elina@ekkystudioarchitects.com kenzo@ekkystudioarchitects.com elina@ekkystudioarchitects.com kenzo@ekkystudioarchitects.com 1075 Nicosia Cyprus +357 96498995 Kenzo Yamashita Elina Kritikou NOTES: NOTES: elina@ekkystudioarchitects.com kenzo@ekkystudioarchitects.com
Detail 3 1:5 Detail Detail 2 2
Detail Detail 3 3
Detail 2
5.0
5.0
5.0
5.0
5.0
5.0
Detail 3
5.0
5.0
5.0
01. Structural Framework SHS 40x40x2 mm 85.5
REV JOB JOB STAGE STAGEDWG NO DWG NO REV 02. Structural Framework RHS 50x40x3 mm
85.5
85.5
113
R00NO R00 113 APD DWG JOB APDAL-308 STAGE AL-308
03. Plywood 1cm PROJECT PROJECT
113
APD
AL-308
HOTEL PARISPARIS SEVEN HOTEL 04. OBERFLEX SEVEN walnut veneer 2cm PROJECT 255.0
245.0 255.0
255.0
245.0
255.0
245.0 255.0
245.0
245.0
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SEVEN HOTEL PARIS
245.0
CLIENT CLIENT 05. Lamellux woodwork
SAS SEVEN HOTEL SAS SEVEN HOTEL
06. Led stripes
CLIENT
SAS SEVEN HOTEL
DRAWINGDRAWING
BAGAGERIE - DETAILS BAGAGERIE - DETAILS DRAWING
DATE
BAGAGERIE - DETAILS
DATE
30.03.2020 30.03.2020
DATE 337.5
337.5
SCALE
1:20/1:5 @ A3 @ A3 1:20/1:5
337.5
5.0
SCALE 5.0
5.0
5.0
30.03.2020
SCALE
5.0
5.0
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5.0
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DRAWN BYDRAWN BY 5.0
A.M. A.M.
DRAWN BY CHECKEDCHECKED BY BY
ELEVATION A' ELEVATION A'
SECTION A-A A-A SECTION
K.Y. K.Y. CHECKED BY
CHECKEDCHECKED BYA.M. BY
N.D. N.D. CHECKED BY
REV
R00
Lobby’s furniture-Detail drawings
A A 337.5 113.0
75.8
113.0
B
B B
B
466.5
337.5
75.8
75.8
73.0
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73.0
57.9
151.5
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151.5
85.5
85.5
72.5
85.5
17
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57.9
57.9
85.5
72.5
01 Cadre Structurel SHS 40 x 40 x 2 mm 01 Cadre Structurel SHS 40 x 40 x 2 mm 02 Cadre Structurel RHS 50 x 40 x 3 mm107.6 117.6 02 Cadre Structurel RHS 50 x 40 x 3 mm 35.0 03 Contre-plaqué 1cm 03 Contre-plaqué 1cm 54.6 83.8 04 Placage Noyer OBERFLEX - 2cm Placage Noyer OBERFLEX - 2cm 33.5 04 Wine Machine 05 Boiserie Lamellux - 2cm 67 x 53,2 x 30,3 Microwave 46 x 34 x 30 cm 05 Boiserie Lamellux - 2cm
PLAN PLAN 01 01
A
31.9
4.0 02
4.0
01
01 014.0
01
4.0
01
35.0
38.0
35.0
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Sliding door 70 x 131 cm
57.7
260.0
dirty dishes
dirty dishes
55.2
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Fridge 86 x 254,2 x 51,3 cm
81.4
90.0
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39.8 dirty dishes
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dirty dishes
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01
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Espresso Machine 40 x 40 x 26 cm
40.0
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Detail 1 Detail 1
A A
110.9
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NICOLAS DELEFOSSE ND DESIGN 145 Avenue Jean Jaurès 75019 Paris NICOLAS DELEFOSSE ND DESIGN 145nicolasdelefosse@hotmail.com Avenue Jean Jaurès 75019 Paris nicolasdelefosse@hotmail.com +33 620485758 +33 620485758 118.3 EKKY STUDIO +357 22311924 23 Dimofontos Street +357 EKKY STUDIO +357 99472862 22311924 Nicosia Cyprus+357 23 1075 Dimofontos Street +357 96498995 99472862 113.7 57.7 Yamashita 1075 Nicosia Cyprus Kenzo Elina Kritikou +357 96498995 elina@ekkystudioarchitects.com kenzo@ekkystudioarchitects.com Kenzo Yamashita Elina Kritikou elina@ekkystudioarchitects.com kenzo@ekkystudioarchitects.com NOTES: 53.0 118.3 NOTES:
4.0
02
02
01 02
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157.5
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63.5
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PLAN STRUCTURE PLAN STRUCTURE
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Bin
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4.0 56.4 Fridge 86 x 254,2 x 51,3 cm
55.2
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56.4
56.4
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dirty dishes
30.1 112.2
55.2 dirty dishes
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57.0
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The large furniture that is placed in the lobby, helps into the change of the use of space during the day. The addition of a slidding door at the furniture, gives the opportunity to hide or reveal parts PLAN 05 of the furniture depending on the use that has throughout the day. For example during breakfast, REV DWG NO 05 JOB STAGE REV electrical appliances and objects that related toJOBevening tea will be covered DWGor NO afternoon STAGEdrinks 113 APD R00 AL-307 by the slidding door. 1.02.0
2.0
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02 02
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Detail 1 1:5 1 Detail 1:5
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APD
R00
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PROJECT PROJECT
SEVEN HOTEL PARIS SEVEN HOTEL PARIS
CLIENT CLIENT
SAS SEVEN HOTEL SAS SEVEN HOTEL
DRAWING DRAWING
01
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01
BAGAGERIE - DETAILS BAGAGERIE - DETAILS
DATE DATE
30.03.2020 30.03.2020
SCALE SCALE
01
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DRAWN BY
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A.M. A.M.
CHECKED BY
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Suite concept Diagram
18
20.0 22.5 50.0
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117.0
2.0 35.0 163.0
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155.0
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127.0
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194.0 2.0 230.0
17.0 200.0
37.0
40.0
67.0
20.0
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120.0 104.5 80.0
37.5
36.0
seven arts
seven planets
SECTION A-A
seven chakras
seven days
seven continents
seven sins
seven wonders
C C
Suite drawings 120.0
50.0
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163.0
10.0
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155.0
124.0
68.5
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40.0
80.0 50.0
50.0 50.0 250.0
2.0 320.5
40.0
94.0
160.0
220.0
40.0
200.0
200.0 220.0
125.0
200.0
50.0
398.0
72.5
screen protector
2.0
screen protector 250.0
2.0
151.5
75.5
22.0
200.0
40.0
200.0
206.0
200.0 320.5
50.0
80.0
50.0 10.0
102.0
15.0
141.0
50.0
104.5 17.0 80.0
94.5
112.0
93.0
90.0
65.0
50.0
200.0
80.0 93.0
160.0 40.0
wc
236.5
250.0
398.0
235.0
37.5
60.0 100.0
231.0
220.0
80.0
80.0
80.0
82.5 50.0 206.0
10.0
235.5
WC 102.0
wc
75.0
125.0
120.5 170.0
80.0
60.0
200.0
220.0
82.5
60.0
100.0
80.0
60.0
2.0
40.0
40.0
2.0
35.0
230.0
90.0
68.5
82.0
127.0
75.0
171.0
122.0
90.0 82.0
SECTION A-A
40.0
2.0
280.5 171.0
94.0
141.0
Based on the number of the suites, the name of the hotel is inspired. The hotel includes a total of seven suites, one suite on each floor. Each suite, despite their same arrangement and layout, represent a different meaning of the number sevven. With the use of different furniture, paintings, wall’s colours and materials, each one has its own concept. The main idea is that each of the room as well as the whole design of the hotel to be chic and glamour.
72.5
163.0
170.0
93.0
124.0 36.0
194.0
124.0
398.0
280.5
20.0
C
93.5
160.0
94.5
50.0
235.5
90.0
C
236.5
231.0
C
C
Standard rooms design In addition to the seven suites that the hotel has, each floor consists of 5 additional standard rooms.
B
PLAN OF A STANDARD ROOM AT 1:20
SECTION BB AT 1:20
31.0
7.0
7.0
35.0
50.0
6.0
37.0
37.0
6.0
15.0 22.5
70.5
200.0
50.0
40.0 20.0
19
17.0
5.0
117.0
110.0 133.0 89.5
wc
35.0
200.0
244.0
17.0 290.0
160.0
45.0
367.0
40.0 40.0
15.0 15.0
114.5
114.5 17.0
0.1
85.0
70.0
193.0
200.0 37.5
63.0 77.5 70.0
77.5
123.0
94.5
90.0
163.0
60.0 124.5
35.0
60.0
shower
140.0
23.0
97.0 10.0
61.5 47.0
47.0
B SECTION AA AT 1:20
03 Parquet Chêne lame 10 / 8cm
7.0 6.0
6.0
04 Skirting Board 4.5cm -
22.5
Tête de lit - chêne graphite Oberflex
50.0 15.0
Tableau Lumineux 200cm x 117cm x 7cm Moulure plafond - Orac Decor - CX177 200cm x 7cm x 6cm
107.0
False Ceiling - 12.5mm
72.5
244.0
17.0
140.0
250.0
225.0
229.0
235.0 35.0
200.0
37.0
77.0
20.0
120.0
114.5
60.0 89.5
90.0
40.0
37.5 4.5
6.0
20.0
25.0 120.0
NICOLAS DELEFO 145 Avenue Jean J nicolasdelefosse@ +33 620485758
Standard room-Detail drawings
EKKY STUDIO 23 Dimofontos Stre 1075 Nicosia Cypru Elina Kritikou elina@ekkystudioarchitects.com
11 11
6.0
05
10
10 22.5 50.0
22.5
2.0
22.5
200.0
7.0 3.0
NOTES:
2.0
7.0 2.0
21
DETAIL 2
01 1.0
05
01
20
1.0
08 117.0
117.0
117.0
DETAIL 2 - 1:5
01 250.0 10.0
08
09 07 67.0
67.0
104.5
07 07
37.5
03
37.5
04
ELEVATION
03
04
ELEVATION
AXONOMETRIC DETAIL
JOB
STAGE
113
APD
PROJECT
SEVEN H
03. OAK Plank CLIENT
04. Skirting Board 4.5 cm Parquet Chêne lame 10 / 8cm 03 LED 05. stripe DETAIL 1
200.0
7.0
DRAWING
04 Skirting Board 4.5cm -
2.0
7.0
SAS SEV
2.0 1.0
2.0
01
PANNEAU LED - D
07. Bedhead 05 LED stripe
05
3.0
1.0
Tête de lit - chêne graphite Oberflex
07 08. Light board 200cm x 117 cm
DATE
16.12
08 Tableau Lumineux 200cm x 117cm x 7cm
09. structure cm x 4 cm Steel Structure - SHS SHS 4cm x 4 4cm 09 Steel
SCALE
10 Moulure plafond - Orac Decor - CX177 10. Ceiling molding 200cm x 7cm x 6cm DETAIL 1 - 1:5 PLAN
11 False Ceiling - 12.5mm
11. False Ceiling 12.5 cm Painted wall - color??
1:20 DRAWN BY
21
A
21. Painted wall CHECKED BY
K.Y.